WEBVTT - 1. The Mission

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<v Speaker 1>Well, now I'm putting my trousers on. I found a

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<v Speaker 1>red cap which I've put in the back pocket of

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<v Speaker 1>my blue jeans, like the one in the USA album cover,

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<v Speaker 1>and I lit it up and it is receiving visting

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<v Speaker 1>is what I'm flagging. Oh, I need to put my

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<v Speaker 1>willy in which is some socks stuff and down my

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<v Speaker 1>pants and Jesse. I'm a thirty one year old audio

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<v Speaker 1>producer and youth worker from London. Last year I started

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<v Speaker 1>doing drag as Butch Springsteen you're doing in the dressing

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<v Speaker 1>room of the RVC the Rowbox was having which is

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<v Speaker 1>London's oldest queer venner. I think it's one of the

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<v Speaker 1>oldest anyway. This is a recording of me backstage getting

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<v Speaker 1>ready for one of my first ever performances at a

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<v Speaker 1>night called Kings of Clubs run by drag king Frankie Sinatra.

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<v Speaker 1>And then my tool belt goes on, Aspana goes on

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<v Speaker 1>the tool belt and and I tucked the tool belt

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<v Speaker 1>into the genes because my clothes off later is there's

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<v Speaker 1>a fun reveal. Where I grew up in London. The

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<v Speaker 1>only people who'd heard of Bruce Springsteen were my friend's dads.

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<v Speaker 1>Bruce is usually described as a rock or Americani musician,

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<v Speaker 1>but each album's different. You've got hints of brock and

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<v Speaker 1>Roll or eighties synth pop, emotional man with a guitar.

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<v Speaker 1>It's always reminded me of country. Not the tunes necessarily,

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<v Speaker 1>but the way Bruce tells stories. His songs have these big,

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<v Speaker 1>grand narratives, tales of characters that Bruce has made up

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<v Speaker 1>or based on people in this life. I discovered Bruce

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<v Speaker 1>Springsteen when I was twenty. I knew who he was

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<v Speaker 1>before then, but that's the first time I properly heard

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<v Speaker 1>his music. It went straight into my insides, pulling out

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<v Speaker 1>feelings that I didn't even realize I had yet, giving

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<v Speaker 1>them new words as they were held up to the life.

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<v Speaker 1>I want to be more masking so I look like

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<v Speaker 1>like Bruce. So I'm putting like a big white line

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<v Speaker 1>down my nose to trying to make my nose look

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<v Speaker 1>as wide as possible, and I'm going to try and

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<v Speaker 1>make my like jaw look as square as possible. Opposite

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<v Speaker 1>of what drag queens do is what drag kings do.

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<v Speaker 2>Basically.

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<v Speaker 1>Yeah, I feel like sometimes people go through phases when

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<v Speaker 1>they're like teenagers of being really good at putting makeup on,

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<v Speaker 1>and I always felt like I was trying to do

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<v Speaker 1>drag when I put on because I was just so

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<v Speaker 1>bad at it. And sometimes I've come on to school

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<v Speaker 1>with like, you know, like misscar rolled down your face.

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<v Speaker 3>It's that.

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<v Speaker 1>Bruce Binstein has had many looks over the years. The

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<v Speaker 1>one I'm currently getting into is inspired by his eighties

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<v Speaker 1>era blue denim but hugging tight jeans, white T shirt

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<v Speaker 1>with a denim vest over the top. In the eighties,

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<v Speaker 1>he had this mop of curly dark brown hair, often

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<v Speaker 1>pushed back with a little bandanna. Later on, I'll strip

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<v Speaker 1>down to a denhim harness. I made myself that's more

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<v Speaker 1>Butcher Springsteen than Bruce Springsteen. But a boy can dream.

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<v Speaker 1>I'm really sweaty as well, so it looks like a

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<v Speaker 1>salk in brunt of my face. Each act I do

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<v Speaker 1>is based on a different Bruce song. In the one

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<v Speaker 1>I'm about to do, I go on stage with a

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<v Speaker 1>huge cardboard red cut explain that she's my girlfriend and

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<v Speaker 1>she's upset with me. It turns out she's annoyed with

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<v Speaker 1>me because I don't go down on her properly. So

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<v Speaker 1>I learned how to do it on stage while singing

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<v Speaker 1>Bruce's I'm Going Down. It's fun and silly and campy.

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<v Speaker 1>I've always loved watching drag, but I never thought I'd

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<v Speaker 1>be able to get up on stage in front of

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<v Speaker 1>a crowded room doing it myself.

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<v Speaker 4>Please welcome to.

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<v Speaker 1>The stage, Butch Springy.

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<v Speaker 5>I'm I'm an internationally famous musician in New Jersey, but

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<v Speaker 5>I can only do a Southern American accents.

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<v Speaker 3>You've just got to do with it.

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<v Speaker 1>This is because the bus belongs to us. It's a

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<v Speaker 1>series that has truly been years in the making when

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<v Speaker 1>my love for Bruce Springsteen takes me to places I

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<v Speaker 1>never would have expected. Who were it best, Bruce Springsteen

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<v Speaker 1>or Katie Lang.

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<v Speaker 6>It's like you, Squinn and everyone can be a butch.

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<v Speaker 1>Why does sad likes love Nebraska? On my dating profile,

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<v Speaker 1>I had something about being a fan of Nebraska area.

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<v Speaker 1>Bruce Springsteen is Bruce, in fact the ultimate Emo. It

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<v Speaker 1>was with Bruce's music that when I first arrived, I

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<v Speaker 1>thought I'd assimilate into straight culture, which is such a joke. Now, considering,

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<v Speaker 1>let's start at the beginning.

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<v Speaker 3>Okay, so I'm sitting in my bedroom.

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<v Speaker 2>I'm about to start making another issue of Caution More,

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<v Speaker 2>which is like my little diary sine.

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<v Speaker 1>This is Holly Cassio. They make a zine series called

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<v Speaker 1>Me and Bruce, all about how a northern working class

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<v Speaker 1>DIY punk fell in love with Bruce Springsteen. They also

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<v Speaker 1>made a graphic memoor called Looking for Bruce, charting their

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<v Speaker 1>spiritual pilgrimage to New Jersey to somehow find the real

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<v Speaker 1>Bruce Springsteen. Holly is the key to this whole thing.

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<v Speaker 2>I thought this would be really nice time to message

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<v Speaker 2>you and reflecting on my teenage queer love of Bruce Springsteen,

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<v Speaker 2>because this is exactly how it started. Me sitting on

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<v Speaker 2>the floor surrounded by Blood's papers and a long arm

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<v Speaker 2>Stappler and I have no idea where on earth my

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<v Speaker 2>pritt stick is, so that's where I'm taking a moment

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<v Speaker 2>to message you instead of looking for a pritt stick.

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<v Speaker 3>He I'm currently sitting in my room.

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<v Speaker 1>I have a picture of my all of one of

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<v Speaker 1>Bruce and Claracs's famous kisses.

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<v Speaker 3>I'd like backed.

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<v Speaker 1>Onto some pink tissue paper and then put it in

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<v Speaker 1>a white frame, and it's six on my wall. Back

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<v Speaker 1>in twenty twenty, I was introduced to Holly by a

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<v Speaker 1>friend of mine. He was like, you're queer. You like

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<v Speaker 1>Bruce Springsteen, you would like Colly Fassio. It was in

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<v Speaker 1>the midst of a COVID nineteen lockdown, so our first

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<v Speaker 1>communication was through emails and voice notes.

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<v Speaker 2>My memory is being like thirteen fourteen and being queer

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<v Speaker 2>but not out. It's the nineties, so the Internet exists,

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<v Speaker 2>but it doesn't exist in like everyone's house does, and

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<v Speaker 2>it definitely doesn't exist in our house. Section twenty eight exists,

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<v Speaker 2>so no one talks about being queer or feeling different

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<v Speaker 2>at school like Section twenty eight just means that no

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<v Speaker 2>one talks about that kind of thing.

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<v Speaker 1>For anyone who hasn't heard of Section twenty eight. It

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<v Speaker 1>was a UK law passed under Prime Minister Margaret Thatcher

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<v Speaker 1>in nineteen eighty eight which prohibited the quote promotion of

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<v Speaker 1>homosexuality by local authorities. This led to loads of teachers

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<v Speaker 1>and students feeling unable to come out in school, let

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<v Speaker 1>alone provide or access healthy LGBT sex education. The law

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<v Speaker 1>only started being repealed in England in two thousand and three,

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<v Speaker 1>so when I was eleven, but for Holly, all of

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<v Speaker 1>their schooling was under Section twenty eight not a great

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<v Speaker 1>time to be a queer teenager in the UK.

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<v Speaker 3>I was really badly bullied.

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<v Speaker 2>I didn't have any friends, and so for me, zines

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<v Speaker 2>were a lifeline. They were like this physical, tangible dispatch

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<v Speaker 2>from out there somewhere, from.

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<v Speaker 3>A bunch of queers saying, there's more of us out here.

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<v Speaker 3>You're not alone, like this stuff happening, you can be

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<v Speaker 3>part of this.

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<v Speaker 1>I was quite a repressed teenager, I would say, in

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<v Speaker 1>terms of my sexual and gender. I remember I came

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<v Speaker 1>up to my friends as bisexual when I was twelve

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<v Speaker 1>at a sleepover. Everyone was saying, what percentage gay are you?

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<v Speaker 1>And everyone was like, oh, maybe I'm like one cent gay,

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<v Speaker 1>and I was like, I think I'm fifty percent gay and.

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<v Speaker 3>Everyone was like, no, you're not disgusting.

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<v Speaker 1>And I simply didn't talk about it or think about

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<v Speaker 1>it again until I was.

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<v Speaker 3>In my twenties.

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<v Speaker 1>You know how sports fans meet each other and they

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<v Speaker 1>have like three standard questions to like get the chat going,

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<v Speaker 1>like what team you support? Oh, so, how do you

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<v Speaker 1>feel about Black blavest performance this season? And then some

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<v Speaker 1>kind of joke that shows that they know things about

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<v Speaker 1>the sport. They're talking about Well, me and Holly did

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<v Speaker 1>the queer Bruce fan version of that. We swap our

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<v Speaker 1>queer Bruce origin stories.

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<v Speaker 2>I had two Bruce records. I had Start with the

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<v Speaker 2>Edge of Town email graphic, and I also had Bart

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<v Speaker 2>of the USA, also an email graphic, but like wrapped

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<v Speaker 2>up in the pretend to like a pop album. I

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<v Speaker 2>was making a zene and I was making a mixtape

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<v Speaker 2>for a friend, and I remember putting on Dancing in

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<v Speaker 2>the Dark onto a mixtape as like a novelty song.

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<v Speaker 2>I was like, Lol, won't this be funny putting on

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<v Speaker 2>this old dad music onto a mixtape.

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<v Speaker 3>So I've got Dancing in the Dark on the background.

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<v Speaker 2>I'm sitting on the floor and I'm making this zine

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<v Speaker 2>and it's like I'm hearing the song for the first time,

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<v Speaker 2>Like some of those lyrics just somehow hit me in

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<v Speaker 2>the gut in a way that hasn't happened before, and

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<v Speaker 2>I'm recognizing.

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<v Speaker 3>It as the queer anthem of loneliness than it is.

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<v Speaker 3>You know.

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<v Speaker 2>There's like lines like I want to change my clothes,

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<v Speaker 2>my hair, my face, Like tell me Bruce isn't queer

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<v Speaker 2>when he writes that line, tell me Bruce isn't staring

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<v Speaker 2>into reflection of himself, thinking about gender, thinking about how

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<v Speaker 2>no one else he knows looks like him, and how

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<v Speaker 2>he feels really alone and isolated. But the lyric that

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<v Speaker 2>for me always stood out, the lyric that made me

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<v Speaker 2>you just stop dead in my tracks, is there's a

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<v Speaker 2>line in that song that says, there's something happening somewhere, baby,

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<v Speaker 2>I just know that there is.

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<v Speaker 3>There is no encapsulation.

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<v Speaker 2>Of my lonely, lonely, small town queer teenage life than

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<v Speaker 2>that line.

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<v Speaker 3>It's really lonely.

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<v Speaker 2>I think the queer teenage experience, particularly in the nineties,

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<v Speaker 2>particularly during section twenty eight, particularly in a small town

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<v Speaker 2>in West Yorkshire, sadly, it was a very lonely experience.

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<v Speaker 2>And I remember hearing that line playing in the song

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<v Speaker 2>when I was making a scene and just thinking.

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<v Speaker 3>Oh, that's it. That's exactly how I feel.

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<v Speaker 2>That there's stuff happening out there, I'm just not part

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<v Speaker 2>of it yet is kind of enough to keep me going.

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<v Speaker 2>And I think that's where my lifelong obsession with Bruce

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<v Speaker 2>Springsteen kind of started.

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<v Speaker 1>My lifelong obsession with Bruce Springsteen started a bit later

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<v Speaker 1>than Holly's. I spent almost the entirety of my teenage years,

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<v Speaker 1>not allowing myself to think about my queerness. When I

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<v Speaker 1>was twenty, I moved to Canada for a year, and

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<v Speaker 1>in very classic baby queer fashion, I shaved my head

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<v Speaker 1>for the first time, unlocking lots of new feelings that

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<v Speaker 1>I'd been hiding away under my curls. And then I

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<v Speaker 1>went to visit my friend in Chicago, Jake, who's this

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<v Speaker 1>huge Bruce Springsteen fan. I remember we were cooking spaghetti carbonara,

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<v Speaker 1>and we were frying those like little weird lard ons

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<v Speaker 1>that you can mind America, and like frying it to

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<v Speaker 1>all the fat fed off and made them really crispy.

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<v Speaker 1>And we were doing that and listening to Bruce in

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<v Speaker 1>his kitchen, and he was telling me all the things

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<v Speaker 1>they loved about Bruce Springsteen. And the song, like, the

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<v Speaker 1>song that really got me was It's still one of

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<v Speaker 1>my favorite songs.

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<v Speaker 3>It's called Ain't Good Enough for You?

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<v Speaker 1>Ain't Good Enough for You. It's quite an up, cheeky

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<v Speaker 1>song from an album called The Promise, a compilation album

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<v Speaker 1>from twenty ten of previously unreleased songs recorded in the

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<v Speaker 1>late seventies. The character in the song is singing about

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<v Speaker 1>his girlfriend who can never be pleased. The chorus goes,

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<v Speaker 1>no matter what I do ain't good enough for you.

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<v Speaker 1>There's a bit in it where he lists how he

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<v Speaker 1>tried all the things people say you should do to

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<v Speaker 1>please a partner. He gets a job in sales, he

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<v Speaker 1>buys a fancy shirt, he gets the cholest record, buys

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<v Speaker 1>a book about love, and goes to her door with

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<v Speaker 1>a bunch of flowers, and still she says he's not

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<v Speaker 1>good enough. The feeling I related to in the song

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<v Speaker 1>was him doing all the quote right things that society

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<v Speaker 1>tells you to do, but it's still not working, which

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<v Speaker 1>is basically exactly how I was starting to feel about

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<v Speaker 1>my gender. I tried on so many different ways. Society

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<v Speaker 1>told me I could be a woman from very butch

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<v Speaker 1>to very fem from the loosest, most shapeless, don't notice

0:12:57.960 --> 0:13:02.720
<v Speaker 1>be closed to bripen hair and trainers, And listening to Bruce,

0:13:03.000 --> 0:13:05.520
<v Speaker 1>I was like, yeah, I get how it feels to

0:13:05.520 --> 0:13:08.480
<v Speaker 1>try all the different things and it's still somehow just

0:13:08.559 --> 0:13:12.120
<v Speaker 1>not be right. But I guess I didn't realize at

0:13:12.120 --> 0:13:15.360
<v Speaker 1>that point that you could just be trans And so

0:13:15.480 --> 0:13:17.920
<v Speaker 1>now obviously that makes not more sense.

0:13:19.880 --> 0:13:22.199
<v Speaker 3>So many of his songs are about.

0:13:23.800 --> 0:13:27.040
<v Speaker 1>Having a lot of feelings, being misunderstood, being in a

0:13:27.240 --> 0:13:30.800
<v Speaker 1>place where there aren't people like you, or people don't

0:13:30.840 --> 0:13:34.360
<v Speaker 1>understand you, and then needing or wanting escape. And that

0:13:34.400 --> 0:13:36.280
<v Speaker 1>was definitely the kind of angst I was feeling at

0:13:36.280 --> 0:13:41.360
<v Speaker 1>that time, and I've never really looked back. The end

0:13:41.440 --> 0:13:45.360
<v Speaker 1>of those voice notes sharing our Bruce Springsteen backstories was an.

0:13:45.360 --> 0:13:48.880
<v Speaker 6>Invitation, yeah, for me to make a podcast with you

0:13:49.160 --> 0:13:51.000
<v Speaker 6>about queerness and Bruce Springsteen.

0:13:51.080 --> 0:13:55.400
<v Speaker 1>Hello, Holly, Hello Jesse. Yeah, so you said yes, and

0:13:55.440 --> 0:13:58.400
<v Speaker 1>now you're my co host. Correct. So something that came

0:13:58.400 --> 0:14:01.640
<v Speaker 1>out of those first chats was how many queer Bruce fans?

0:14:01.679 --> 0:14:01.920
<v Speaker 3>You know?

0:14:02.720 --> 0:14:05.280
<v Speaker 1>I think you're maybe like the third queer Bruce fan

0:14:05.320 --> 0:14:08.120
<v Speaker 1>I ever met, But it turns out there's loads of us.

0:14:08.360 --> 0:14:08.640
<v Speaker 2>Yeah.

0:14:08.720 --> 0:14:11.840
<v Speaker 6>I also spent so many years thinking I'm the only

0:14:11.920 --> 0:14:14.560
<v Speaker 6>queer person to find meaning in the songs of this

0:14:14.840 --> 0:14:18.839
<v Speaker 6>kind of centuriest dad. But once I started making my

0:14:18.920 --> 0:14:22.280
<v Speaker 6>Bruce scenes, loads of people started reaching out, and you were,

0:14:22.320 --> 0:14:25.200
<v Speaker 6>by no means the first person to contact me, being like,

0:14:25.560 --> 0:14:28.920
<v Speaker 6>I love Bruce too. There's actually loads of us out there.

0:14:30.120 --> 0:14:31.920
<v Speaker 1>The more I found out there were loads of queers

0:14:31.920 --> 0:14:34.640
<v Speaker 1>who loved Bruce Bringsteen. The more questions I had, What

0:14:34.800 --> 0:14:37.160
<v Speaker 1>is it about Bruce? Why are we so obsessed with him?

0:14:37.640 --> 0:14:39.920
<v Speaker 1>And why don't people know that Bruce is loved by

0:14:39.960 --> 0:14:40.560
<v Speaker 1>queer people?

0:14:40.800 --> 0:14:42.480
<v Speaker 2>Me too, one hundred percent.

0:14:42.960 --> 0:14:46.160
<v Speaker 6>These questions are a huge part of my life, and

0:14:46.560 --> 0:14:49.800
<v Speaker 6>that's why we're putting our serious journalist hats on to

0:14:49.880 --> 0:14:52.120
<v Speaker 6>get to the bottom of Bruce's queer appeal.

0:14:52.960 --> 0:15:08.760
<v Speaker 1>That's next, Jesse Holly, because the bus belongs to us.

0:15:11.920 --> 0:15:15.240
<v Speaker 6>We know from personal experience that other queer Bruce lovers

0:15:15.280 --> 0:15:18.240
<v Speaker 6>do exist. But I also know that a lot of

0:15:18.320 --> 0:15:21.120
<v Speaker 6>queer people react to my love of Bruce Springsteen with

0:15:21.440 --> 0:15:23.440
<v Speaker 6>confusion and surprise.

0:15:23.960 --> 0:15:28.160
<v Speaker 1>Yeah, meeting he is simply a rich, white, straight cist

0:15:28.240 --> 0:15:31.880
<v Speaker 1>man who was heavily associated with the American flag, one

0:15:31.880 --> 0:15:33.960
<v Speaker 1>of the least queer symbols known to man.

0:15:34.320 --> 0:15:37.160
<v Speaker 2>Either that or the Saint George Flagg or English flag,

0:15:37.200 --> 0:15:40.920
<v Speaker 2>which I basically honestly at fascist rallies or painted onto

0:15:40.920 --> 0:15:43.080
<v Speaker 2>the faces of drunk, scary men at the football.

0:15:43.560 --> 0:15:46.480
<v Speaker 1>Yeah, that kind of nationalist pride is just not giving queer.

0:15:47.920 --> 0:15:50.360
<v Speaker 1>Bruce Brasteen is not someone you'd think of if someone

0:15:50.400 --> 0:15:53.600
<v Speaker 1>asks you to list celebrities loved by the queer community.

0:15:55.520 --> 0:16:00.760
<v Speaker 4>Madonna Sinjan, when Marikerry, I really really, when I was young,

0:16:00.840 --> 0:16:08.640
<v Speaker 4>particularly looked to largely CIS female straight women to sort

0:16:08.640 --> 0:16:11.080
<v Speaker 4>of narrate the big emotions I was feeling, which was

0:16:11.120 --> 0:16:13.560
<v Speaker 4>like deep last heartbreak, loneliness.

0:16:13.960 --> 0:16:17.120
<v Speaker 6>Even if Bruce feels niche or unconventional as an object

0:16:17.160 --> 0:16:20.400
<v Speaker 6>of queer fandom, queer people have a long history of

0:16:20.440 --> 0:16:21.560
<v Speaker 6>standing celebrities.

0:16:21.920 --> 0:16:25.359
<v Speaker 4>Hello, my name is Tom russ.

0:16:25.160 --> 0:16:28.560
<v Speaker 1>Mussen, and my friend Tom is one of them. They're

0:16:28.560 --> 0:16:33.200
<v Speaker 1>a pop star, composer, writer, sex columnist, former drag queen, and.

0:16:33.280 --> 0:16:36.520
<v Speaker 4>Proud dog mom to Celendon, who you can hear snoring

0:16:37.000 --> 0:16:38.200
<v Speaker 4>on my lap right now.

0:16:38.880 --> 0:16:41.920
<v Speaker 1>Selene lay sleeping on Tom's lap for the entire interview.

0:16:45.000 --> 0:16:45.960
<v Speaker 4>She's such a joy.

0:16:46.000 --> 0:16:49.320
<v Speaker 2>Honestly, having a dog called Selene feels to me like

0:16:49.400 --> 0:16:51.880
<v Speaker 2>it gives Tom the right credentials to talk about the

0:16:51.960 --> 0:16:53.600
<v Speaker 2>queer community's relationship to.

0:16:53.600 --> 0:16:56.720
<v Speaker 1>Celebrity, and they are actually in the industry. So I

0:16:56.760 --> 0:16:58.800
<v Speaker 1>wanted to talk to them to see where what if

0:16:58.800 --> 0:17:01.680
<v Speaker 1>Bruce could fit into this list of celebrities loved by

0:17:01.680 --> 0:17:02.520
<v Speaker 1>the queer community.

0:17:03.040 --> 0:17:06.880
<v Speaker 4>The good ones, you know, Shirley Bassy, Tina Derek Onik,

0:17:07.480 --> 0:17:10.560
<v Speaker 4>a bit of Brittany Christina, basically anyone who could actually sing.

0:17:11.440 --> 0:17:13.480
<v Speaker 4>When I got thinking about why I was so drawn

0:17:13.520 --> 0:17:16.840
<v Speaker 4>to them is because they were people who looked like women,

0:17:17.800 --> 0:17:21.080
<v Speaker 4>but who were given permission or demanded permission, to step

0:17:21.119 --> 0:17:24.840
<v Speaker 4>outside of their gender category, right, and so like you

0:17:24.880 --> 0:17:26.399
<v Speaker 4>know what I mean, shit like that is just so

0:17:28.000 --> 0:17:30.199
<v Speaker 4>inspiring to be like, oh, there's another way of life.

0:17:30.720 --> 0:17:33.080
<v Speaker 1>Tom became obsessed with these celebrities.

0:17:33.359 --> 0:17:36.359
<v Speaker 4>I think I initially I misinterpreted that as wanting to

0:17:36.400 --> 0:17:46.560
<v Speaker 4>be famous, but I think I'm just trans basically. Yeah, yeah, yeah, yeah,

0:17:46.600 --> 0:17:53.399
<v Speaker 4>the classic it's like stepping outside of the expected and

0:17:53.520 --> 0:17:56.600
<v Speaker 4>being celebrated for that, I think is a really key thing.

0:17:58.560 --> 0:17:58.840
<v Speaker 1>Yeah.

0:17:58.880 --> 0:18:01.600
<v Speaker 2>So these female pops were acting in ways that weren't

0:18:01.640 --> 0:18:05.440
<v Speaker 2>available to the women in Tom's life. I really resonate

0:18:05.480 --> 0:18:08.880
<v Speaker 2>with that feeling of finding hope basically that you can

0:18:08.920 --> 0:18:12.800
<v Speaker 2>also step outside of the expectations placed on you based

0:18:12.840 --> 0:18:13.480
<v Speaker 2>on your gender.

0:18:14.760 --> 0:18:17.840
<v Speaker 4>I think it's also having big emotions that aren't pleased.

0:18:18.440 --> 0:18:20.360
<v Speaker 4>They like get to talk about what's happening inside them.

0:18:20.359 --> 0:18:22.040
<v Speaker 4>I think all of that stuff I wasn't really allowed

0:18:22.040 --> 0:18:23.840
<v Speaker 4>to do, and young queer people are not allowed to

0:18:23.880 --> 0:18:26.919
<v Speaker 4>do because if you do, there's there's fear you'll betray

0:18:27.480 --> 0:18:34.919
<v Speaker 4>your quickness and then then what happens. Oh that's sassly burping.

0:18:35.520 --> 0:18:36.960
<v Speaker 4>Celeon burps on radio.

0:18:39.600 --> 0:18:42.119
<v Speaker 1>When Tom's talking about these celebrities that they love, they

0:18:42.240 --> 0:18:45.760
<v Speaker 1>refer to them as gay icons or queer icons. It

0:18:45.800 --> 0:18:46.280
<v Speaker 1>feels like.

0:18:46.240 --> 0:18:49.760
<v Speaker 6>There's a difference between just like musicians that queer people

0:18:49.920 --> 0:18:53.320
<v Speaker 6>like and those big personalities that rise to icon hood.

0:18:53.920 --> 0:18:57.160
<v Speaker 6>What is it that draws queer people to certain celebrities.

0:18:57.720 --> 0:18:59.960
<v Speaker 6>What do we see in them that makes us feel sye?

0:19:00.680 --> 0:19:00.920
<v Speaker 2>Yeah?

0:19:01.160 --> 0:19:03.679
<v Speaker 1>Me and Tom asked ourselves that as well. We were

0:19:03.720 --> 0:19:06.760
<v Speaker 1>talking about the kind of celebrated, over the topness that

0:19:06.840 --> 0:19:10.359
<v Speaker 1>seems to link these icons together, which to us feels

0:19:10.400 --> 0:19:11.080
<v Speaker 1>quite camp.

0:19:11.720 --> 0:19:13.800
<v Speaker 4>The camp is always a step ahead of you. And

0:19:13.840 --> 0:19:16.320
<v Speaker 4>I think a real icon is a real icon knows

0:19:16.359 --> 0:19:18.879
<v Speaker 4>what is in control. Real icon, and it's self aware.

0:19:19.119 --> 0:19:25.080
<v Speaker 4>It's self aware, it's in control, but not as well like,

0:19:26.040 --> 0:19:29.639
<v Speaker 4>but it knows more than it lets on, So much

0:19:29.680 --> 0:19:33.639
<v Speaker 4>more than it lets on. Camp is like surprising, and

0:19:33.680 --> 0:19:37.760
<v Speaker 4>an icon remains surprising. I think keeps you on your toes,

0:19:37.840 --> 0:19:40.120
<v Speaker 4>keeps you interesteder us. They just fall off, you know.

0:19:40.960 --> 0:19:44.159
<v Speaker 2>Oh yes, this makes so much sense. There is something

0:19:44.520 --> 0:19:47.480
<v Speaker 2>so camp about a lot of these straight women who

0:19:47.560 --> 0:19:50.400
<v Speaker 2>are chosen by queers. Just look at Jennifer Coolidge.

0:19:50.880 --> 0:19:54.639
<v Speaker 1>Seeing celebrities being outrageous and being celebrated for it is

0:19:54.720 --> 0:19:57.760
<v Speaker 1>very compelling to me. It is interesting that so far

0:19:58.000 --> 0:20:01.640
<v Speaker 1>as far as we know that all sis straight women.

0:20:01.560 --> 0:20:04.320
<v Speaker 6>I know are straight men so oppressed that they don't

0:20:04.320 --> 0:20:06.640
<v Speaker 6>even get a look in at being considered a queer icon.

0:20:06.920 --> 0:20:09.800
<v Speaker 1>Well interesting that you'd say that, because another thing that

0:20:09.840 --> 0:20:12.560
<v Speaker 1>we talked about was it's even more compelling if their

0:20:12.640 --> 0:20:14.719
<v Speaker 1>journey to fame included some hardship.

0:20:15.560 --> 0:20:18.200
<v Speaker 4>Madonna is like the girl whose mother died and she's

0:20:18.280 --> 0:20:21.000
<v Speaker 4>from a family of so is it seven siblings and

0:20:21.040 --> 0:20:23.119
<v Speaker 4>she came to New York with thirty two dollars in

0:20:23.200 --> 0:20:27.280
<v Speaker 4>her pocket. That is true, but also like the struggle

0:20:27.320 --> 0:20:29.960
<v Speaker 4>sort of stopped there. She sort of had a few

0:20:29.960 --> 0:20:32.840
<v Speaker 4>club hits and then you know, was just made into

0:20:32.880 --> 0:20:35.040
<v Speaker 4>a massive star, and she made herself into Master's star.

0:20:35.119 --> 0:20:35.320
<v Speaker 3>I think.

0:20:35.359 --> 0:20:38.159
<v Speaker 4>Also that's Key Slindon, who I would say is one

0:20:38.200 --> 0:20:41.080
<v Speaker 4>of the last living entertainers. She was like from this

0:20:41.160 --> 0:20:45.399
<v Speaker 4>big family in Montreal. Plot from Obscurity, there's a sense

0:20:45.440 --> 0:20:46.160
<v Speaker 4>of struggle.

0:20:47.080 --> 0:20:49.560
<v Speaker 1>Tom isn't saying that fame fixed every one of these

0:20:49.560 --> 0:20:53.000
<v Speaker 1>women's problems and they never felt struggle again. But this

0:20:53.160 --> 0:20:56.680
<v Speaker 1>narrative of coming from nothing and then being discovered or

0:20:56.760 --> 0:20:59.399
<v Speaker 1>rising to fame in some way, it makes sense why

0:20:59.520 --> 0:21:02.200
<v Speaker 1>queer people would be into that. Oh yeah, the.

0:21:02.160 --> 0:21:05.200
<v Speaker 6>Amount of time I spent thinking about how my heroes

0:21:05.240 --> 0:21:08.960
<v Speaker 6>have also come from hardship and survived, made it out

0:21:08.960 --> 0:21:13.240
<v Speaker 6>of their reinvented themselves. It's like proof that one day

0:21:13.280 --> 0:21:14.280
<v Speaker 6>you could do that too.

0:21:14.760 --> 0:21:18.120
<v Speaker 1>And I also think there's something vindicating about like, even

0:21:18.160 --> 0:21:20.800
<v Speaker 1>if the people around you don't recognize it yet, there's

0:21:20.840 --> 0:21:23.080
<v Speaker 1>something special about you that the world was some day

0:21:23.160 --> 0:21:26.119
<v Speaker 1>celebrate you for, which I think is something you have

0:21:26.200 --> 0:21:28.320
<v Speaker 1>to try and cling onto if you're a queer person

0:21:28.359 --> 0:21:30.800
<v Speaker 1>who's shamed and bullied for your queerness.

0:21:30.760 --> 0:21:34.119
<v Speaker 4>And also really continues, probably throughout their career, to pedal

0:21:34.119 --> 0:21:36.000
<v Speaker 4>that narrative of like I had it hard, I came

0:21:36.040 --> 0:21:39.720
<v Speaker 4>from nothing. Share is an amazed I mean, and it's

0:21:39.760 --> 0:21:42.399
<v Speaker 4>all true Share Tea, all those people, it's true of

0:21:42.400 --> 0:21:46.880
<v Speaker 4>them all, but it's also and it's a narrative pedled.

0:21:47.720 --> 0:21:51.919
<v Speaker 4>That's why the most iconic of all my icons, the

0:21:51.920 --> 0:21:55.480
<v Speaker 4>most iconic moment of any of them ever was when

0:21:55.520 --> 0:21:57.720
<v Speaker 4>a Donnaly's Ray of Light, because it was the most

0:21:57.760 --> 0:22:01.160
<v Speaker 4>aware of where she was now and it was like, honest,

0:22:01.240 --> 0:22:05.320
<v Speaker 4>it was like, I'm famous, and I've been doing this

0:22:05.359 --> 0:22:07.400
<v Speaker 4>to look for a mother, and I became a mother

0:22:07.720 --> 0:22:11.800
<v Speaker 4>and that's what I needed all along, and I haven't

0:22:11.760 --> 0:22:14.520
<v Speaker 4>been misunderstanding this whole journey, and that was like whoa Now.

0:22:14.640 --> 0:22:17.800
<v Speaker 4>That was like rubbed from under because it was just

0:22:19.280 --> 0:22:22.119
<v Speaker 4>really aware of what games she'd been playing. Kind of thing.

0:22:23.240 --> 0:22:26.600
<v Speaker 6>This is so relevant to Bruce Sprinkstein. So many of

0:22:26.640 --> 0:22:29.280
<v Speaker 6>his songs are about working class struggles. His dad worked

0:22:29.320 --> 0:22:32.440
<v Speaker 6>in a factory, but he started being a musician at sixteen,

0:22:32.720 --> 0:22:35.720
<v Speaker 6>and his joke these days is I've never worked today

0:22:35.720 --> 0:22:36.480
<v Speaker 6>in my life.

0:22:36.680 --> 0:22:40.040
<v Speaker 1>His class experience is kind of genuine and the narrative

0:22:40.040 --> 0:22:41.200
<v Speaker 1>peddled at the same time.

0:22:41.920 --> 0:22:43.800
<v Speaker 4>People think they can just put on a great outfit,

0:22:44.400 --> 0:22:48.159
<v Speaker 4>dye their hair every album cycle a different color, and

0:22:48.280 --> 0:22:50.160
<v Speaker 4>get some pop bangs written and they'll become an icon.

0:22:50.200 --> 0:22:53.520
<v Speaker 4>But that is not the same as being someone who

0:22:53.560 --> 0:22:57.000
<v Speaker 4>speaks truth. And if you think about what actually connects

0:22:57.800 --> 0:23:00.480
<v Speaker 4>all the icons that I can think of and probably

0:23:00.520 --> 0:23:03.680
<v Speaker 4>definitely actually there's truth and then of course you dress

0:23:03.720 --> 0:23:07.400
<v Speaker 4>that up, you trojan horse it maybe by wild outfits

0:23:07.400 --> 0:23:12.240
<v Speaker 4>and pulling publicity stunts. But really that's why the campus moment,

0:23:12.320 --> 0:23:15.280
<v Speaker 4>let's say, in Britney Spears career, was when she released

0:23:15.320 --> 0:23:18.199
<v Speaker 4>Blackout after she had her two thousand and seven like

0:23:18.320 --> 0:23:22.360
<v Speaker 4>public really really like the horrific nervous.

0:23:22.040 --> 0:23:24.800
<v Speaker 1>Breakdown which she was pushed to you by the paparazzi

0:23:25.040 --> 0:23:27.800
<v Speaker 1>and the toxic celebrity culture of the early two thousands.

0:23:28.200 --> 0:23:31.720
<v Speaker 4>Blackout, which she still cites as one of her best albums,

0:23:31.800 --> 0:23:34.040
<v Speaker 4>Her best album, I think, was her telling the truth

0:23:34.040 --> 0:23:37.160
<v Speaker 4>of that situation. It's just amazing. It's just it's amazing.

0:23:37.359 --> 0:23:38.000
<v Speaker 4>It's amazing.

0:23:38.119 --> 0:23:44.280
<v Speaker 1>So you gain this, yeah, truth, right, Harley Jesse. This

0:23:44.480 --> 0:23:49.479
<v Speaker 1>leads me to your proposal. Okay, so we know that

0:23:49.520 --> 0:23:52.479
<v Speaker 1>Bruce is loved by lots of queer people, but for

0:23:52.520 --> 0:23:54.960
<v Speaker 1>some reason, he kind of flies under the raidar in

0:23:54.960 --> 0:23:55.879
<v Speaker 1>the queer community.

0:23:56.320 --> 0:23:59.240
<v Speaker 6>He's not the first person who comes to mind when

0:23:59.280 --> 0:24:00.760
<v Speaker 6>you said queer icon.

0:24:01.200 --> 0:24:05.399
<v Speaker 1>He's not. But I just think that Bruce Springsteen is

0:24:05.440 --> 0:24:08.600
<v Speaker 1>an unsugn queer icon. I think there's enough of us

0:24:08.600 --> 0:24:10.480
<v Speaker 1>who love him and relate to him in the ways

0:24:10.480 --> 0:24:14.280
<v Speaker 1>that Tom was talking about. And so that's my proposal,

0:24:14.760 --> 0:24:17.080
<v Speaker 1>me and you on a mission to get Bruce Springsteen

0:24:17.200 --> 0:24:19.000
<v Speaker 1>the queer icons seal of approval.

0:24:19.320 --> 0:24:22.760
<v Speaker 6>Oh my god, Yes, okay, and how would you make

0:24:22.800 --> 0:24:25.920
<v Speaker 6>this happen? Like, who gets to say who a queer

0:24:26.119 --> 0:24:26.520
<v Speaker 6>icon is?

0:24:26.840 --> 0:24:27.159
<v Speaker 3>Well?

0:24:27.240 --> 0:24:31.439
<v Speaker 1>I thought maybe us talking to Tom, we kind of

0:24:31.480 --> 0:24:34.240
<v Speaker 1>realized halfway through that we were sort of accidentally making

0:24:34.240 --> 0:24:36.840
<v Speaker 1>a checklist for what people need to qualify as a

0:24:36.920 --> 0:24:37.480
<v Speaker 1>queer icon.

0:24:38.359 --> 0:24:41.440
<v Speaker 6>Okay, so like there need to be camp and they

0:24:41.480 --> 0:24:44.159
<v Speaker 6>need to have some kind of narrative of struggle for

0:24:44.280 --> 0:24:45.960
<v Speaker 6>us to root for them as an underdog.

0:24:46.520 --> 0:24:49.800
<v Speaker 1>Yes, exactly. I feel like that's two solid checklist points.

0:24:50.800 --> 0:24:52.760
<v Speaker 1>I was also thinking about the fact that Bruce is

0:24:52.760 --> 0:24:55.159
<v Speaker 1>a musician. How do you tell the difference between a

0:24:55.240 --> 0:24:58.439
<v Speaker 1>musician queer's like and a queer icon that happens to

0:24:58.480 --> 0:25:01.159
<v Speaker 1>be a musician. What does their music have to do

0:25:01.320 --> 0:25:02.919
<v Speaker 1>to qualify for I can state this.

0:25:05.760 --> 0:25:07.480
<v Speaker 4>I don't necessarily think that the music has to be

0:25:07.520 --> 0:25:10.800
<v Speaker 4>played in a club necessarily, or like narrate where euphoria necessarily,

0:25:10.840 --> 0:25:14.439
<v Speaker 4>But I think maybe it has to narrate a certain

0:25:14.760 --> 0:25:18.800
<v Speaker 4>part of a queer person's emotional life, right, So Lana

0:25:18.800 --> 0:25:22.640
<v Speaker 4>del Rey, Lanna del Ray's music right allows you into

0:25:22.720 --> 0:25:25.280
<v Speaker 4>like a very complicated relationship with men, to be the

0:25:25.320 --> 0:25:29.159
<v Speaker 4>complicated person in a relationship with a man, so you know,

0:25:30.359 --> 0:25:34.680
<v Speaker 4>gay men or straight trans girls basically or bisexuals. Of course,

0:25:36.119 --> 0:25:37.760
<v Speaker 4>all of this goes without saying that there are like

0:25:38.520 --> 0:25:41.800
<v Speaker 4>everyone of every gender and of every race and of

0:25:41.840 --> 0:25:45.320
<v Speaker 4>every sexuality stands these people in their own different ways.

0:25:46.280 --> 0:25:50.720
<v Speaker 4>I think it has to narrate or facilitate an emotion,

0:25:51.480 --> 0:25:56.639
<v Speaker 4>a feeling that's quite deep, and so that is euphoria

0:25:56.720 --> 0:26:03.240
<v Speaker 4>for sure, or like real sadness or loneliness or obsession

0:26:03.920 --> 0:26:08.960
<v Speaker 4>deep sadness. Yeah, a lot of my friends, because of

0:26:09.040 --> 0:26:11.800
<v Speaker 4>certain and people I know, because of certain things they've

0:26:11.800 --> 0:26:15.639
<v Speaker 4>been through, are quite talented at association. And this is

0:26:15.640 --> 0:26:18.880
<v Speaker 4>across the sort of spectrum of sexualities and genders sort

0:26:18.880 --> 0:26:21.400
<v Speaker 4>of ignoring what's happening with them inside, because I guess

0:26:21.400 --> 0:26:22.760
<v Speaker 4>a big thing we all had to do when we

0:26:22.760 --> 0:26:25.159
<v Speaker 4>were young in a really homophobic society and transfer over

0:26:25.160 --> 0:26:29.919
<v Speaker 4>society is sort of is to sort of hide the

0:26:29.960 --> 0:26:32.560
<v Speaker 4>true emotions going on because that would betray our queerness,

0:26:32.680 --> 0:26:37.600
<v Speaker 4>and that isn't always the safest option, and so we

0:26:37.600 --> 0:26:41.000
<v Speaker 4>get quite good at association. And I think a queer

0:26:41.600 --> 0:26:47.320
<v Speaker 4>icons music allows us into our emotions feelings that might

0:26:47.320 --> 0:26:50.000
<v Speaker 4>be hard to access or complicate to access. You know,

0:26:52.200 --> 0:26:54.080
<v Speaker 4>can you dance to it? Can you cry to it?

0:26:54.600 --> 0:26:55.560
<v Speaker 4>Can you fuck to it?

0:26:55.880 --> 0:26:55.960
<v Speaker 3>Like?

0:26:56.040 --> 0:26:59.159
<v Speaker 4>Can you do something that is a bit more extreme

0:26:59.200 --> 0:27:01.360
<v Speaker 4>and expressive as a can I just like bop along

0:27:01.400 --> 0:27:03.400
<v Speaker 4>to it? But also can you bop a onto it?

0:27:03.400 --> 0:27:04.840
<v Speaker 4>It's actually you could do it's forever.

0:27:08.520 --> 0:27:10.479
<v Speaker 6>Can you dance to it? Can you cry to it?

0:27:10.560 --> 0:27:12.840
<v Speaker 6>Can you fuck to it? Well, that's the next item

0:27:12.880 --> 0:27:13.520
<v Speaker 6>on our checklist.

0:27:13.560 --> 0:27:16.240
<v Speaker 1>Then I think this is such an essential raiming for

0:27:16.280 --> 0:27:19.399
<v Speaker 1>a queer icon checklist. Can their music help drag you

0:27:19.480 --> 0:27:22.960
<v Speaker 1>back from years of dissociation? What's career than that?

0:27:23.400 --> 0:27:27.040
<v Speaker 2>Okay, this is like proper science that we're doing. We

0:27:27.160 --> 0:27:31.440
<v Speaker 2>have a hypothesis. Bruce Springsteen is an unsung queer icon.

0:27:32.000 --> 0:27:33.320
<v Speaker 1>You and Tom have spoken.

0:27:33.000 --> 0:27:36.359
<v Speaker 2>About like the control category if you will and they will.

0:27:36.720 --> 0:27:37.440
<v Speaker 1>We know that.

0:27:37.359 --> 0:27:40.040
<v Speaker 2>People who are already agreed upon as queer icons are

0:27:40.160 --> 0:27:44.199
<v Speaker 2>camp They have underdog status and have music that facilitates

0:27:44.280 --> 0:27:46.960
<v Speaker 2>queer emotion. That's three great checklist points.

0:27:47.400 --> 0:27:52.199
<v Speaker 1>I think we're ready to go. There's one more thing

0:27:52.200 --> 0:27:54.160
<v Speaker 1>I spoke to Tom about which I think is important

0:27:54.160 --> 0:27:56.560
<v Speaker 1>for us to think about. By the end of our chat,

0:27:56.920 --> 0:27:59.160
<v Speaker 1>I'd realize this is the direction we needed to take

0:27:59.160 --> 0:28:02.200
<v Speaker 1>the podcast. In admission to make Bruce Bringsteen a widely

0:28:02.280 --> 0:28:05.600
<v Speaker 1>recognized queer icon, I told them, and they left me

0:28:05.680 --> 0:28:05.959
<v Speaker 1>with this.

0:28:06.840 --> 0:28:10.560
<v Speaker 4>I think there is a sort of unanimous, lee agreed

0:28:10.680 --> 0:28:16.320
<v Speaker 4>upon code of people who are. And also, I think

0:28:16.400 --> 0:28:19.080
<v Speaker 4>one thing we've missed off this checklist is there's just something.

0:28:20.160 --> 0:28:22.919
<v Speaker 4>It's really hard to name it, but there is just

0:28:23.160 --> 0:28:26.359
<v Speaker 4>something and you just know it as a queer person.

0:28:26.440 --> 0:28:29.520
<v Speaker 4>You just know it in your soul places. And yet

0:28:29.520 --> 0:28:31.760
<v Speaker 4>you know you just know who's not and you know

0:28:31.800 --> 0:28:37.640
<v Speaker 4>who is. Yeah, it's a feeling. So do they have it?

0:28:37.920 --> 0:28:40.840
<v Speaker 4>Whatever it is? Maybe you'll find it over the next

0:28:41.040 --> 0:28:46.920
<v Speaker 4>however many episodes. But I think that, yeah, you've got

0:28:46.920 --> 0:28:50.800
<v Speaker 4>your workout. I think because there has been all these things,

0:28:50.800 --> 0:28:53.200
<v Speaker 4>and I think Bruce is many, but who knows if

0:28:53.200 --> 0:28:53.760
<v Speaker 4>he's all of them?

0:28:54.360 --> 0:29:00.280
<v Speaker 2>Them challenge except it I, Holly Cassio, and and you

0:29:00.560 --> 0:29:04.960
<v Speaker 2>Jesse Lawson have anointed ourselves with queer scientist status on

0:29:05.080 --> 0:29:08.560
<v Speaker 2>a mission to get Bruce Brinsteen recognized as a queer icon.

0:29:09.040 --> 0:29:11.400
<v Speaker 1>Over the next six episodes, we will check if Bruce

0:29:11.400 --> 0:29:13.440
<v Speaker 1>Springsteen is camp.

0:29:13.840 --> 0:29:17.200
<v Speaker 6>If Bruce Brinstein can be rooted for as an underdog.

0:29:17.720 --> 0:29:20.960
<v Speaker 1>If you can dance, cry, and fuck to Bruce Springsteen's music.

0:29:21.720 --> 0:29:24.960
<v Speaker 6>And if other queer people would be willing to recognize

0:29:24.960 --> 0:29:26.840
<v Speaker 6>Bruce as a queer icon too.

0:29:28.080 --> 0:29:30.760
<v Speaker 1>We know that Bruce has queer fans, can we make

0:29:30.840 --> 0:29:31.880
<v Speaker 1>him into a queer icon?

0:29:32.240 --> 0:29:38.120
<v Speaker 6>That's next episode.

0:29:33.760 --> 0:29:42.920
<v Speaker 2>Because the Boss Belongs to Us is a production of

0:29:42.960 --> 0:29:44.880
<v Speaker 2>malten Heart and iHeart Podcasts.

0:29:44.960 --> 0:29:47.240
<v Speaker 1>We're hosted by Jesse Lawson and Holly Cassio.

0:29:47.600 --> 0:29:50.640
<v Speaker 2>The series is executive produced by Jesse and Holly and

0:29:50.680 --> 0:29:52.040
<v Speaker 2>created by Jesse Lawson.

0:29:52.520 --> 0:29:55.160
<v Speaker 1>This episode was produced and sound designed by Jesse Lawson,

0:29:55.440 --> 0:29:59.160
<v Speaker 1>with production assistants by Ali Addington and Tess Hazel. Michelle

0:29:59.240 --> 0:30:00.600
<v Speaker 1>Maclam is our engineer.

0:30:01.120 --> 0:30:04.040
<v Speaker 2>Our original music and theme is by Talk Bizarre at

0:30:04.120 --> 0:30:06.800
<v Speaker 2>Talk b A z A R Underscore.

0:30:07.280 --> 0:30:10.040
<v Speaker 1>Our show art is designed and illustrated by Holly Cassio

0:30:10.280 --> 0:30:12.200
<v Speaker 1>at Holly c A s I O.

0:30:12.560 --> 0:30:16.400
<v Speaker 2>And for more Butch Springsteen content, they're at Butch Springsteen Underscore.

0:30:16.520 --> 0:30:20.760
<v Speaker 1>Drag fact Checking is by Selina Soln. Legal services provided

0:30:20.800 --> 0:30:22.360
<v Speaker 1>by Rowan Morn and File.

0:30:22.840 --> 0:30:25.520
<v Speaker 2>Our executive producer from Malton Hart is Jasmin J. T.

0:30:25.680 --> 0:30:29.719
<v Speaker 6>Green. Our executive producer from iHeart Podcast is Linday Hoffman.

0:30:30.640 --> 0:30:45.680
<v Speaker 1>Bye