WEBVTT - Jim Morrison Episode 12: Who Killed Jim Morrison?

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<v Speaker 1>The twenty seven Club is a production of I Heart

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<v Speaker 1>Radio and Double Elvis Media. Jim Morrison died at the

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<v Speaker 1>age of and he died under mysterious circumstances. I can

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<v Speaker 1>give you twenty seven reasons why that statement is true.

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<v Speaker 1>Two would be the number of dealers who would lead

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<v Speaker 1>him down the labyrinthian path of a grungy Parisian rock

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<v Speaker 1>club to an unknown fate. Another one would be the

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<v Speaker 1>number of friends that he seemed to lose into thin

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<v Speaker 1>air just when his days were dwindling down to nothing.

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<v Speaker 1>Twenty more would be the number of minutes, give or take,

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<v Speaker 1>he'd spend in a stall, awake one minute and unconscious

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<v Speaker 1>the next, cycling through the many layers of hell in

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<v Speaker 1>his own mind. Another three would be the number of

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<v Speaker 1>days it would take for anyone from the Door's camp

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<v Speaker 1>to travel across the pond and attempt to figure out

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<v Speaker 1>what in the hell was going on. And one would

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<v Speaker 1>be the number of people who claimed to have been

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<v Speaker 1>there for his last moments when the Lizard King shuffled

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<v Speaker 1>off this mortal coil, all totally on this our final

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<v Speaker 1>episode of season two, a grungy Parisian nightclub, absent friends,

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<v Speaker 1>hell and Jim Morrison lost in fantasy. I'm Jake Brennan

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<v Speaker 1>and this is the twenty seven Club. Yeah. It was

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<v Speaker 1>well after midnight on Saturday, July three when Jim Morrison

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<v Speaker 1>parked himself off at the bar at the Rock and

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<v Speaker 1>Roll Circus and raised his arm at the bartender bombers

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<v Speaker 1>who play. He shouted, it didn't matter what kind of

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<v Speaker 1>beer it was or what country it came from, as

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<v Speaker 1>long as it was cold and wet. He wanted it.

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<v Speaker 1>A pike glass on the bar in front of him,

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<v Speaker 1>he turned to his left and gave Jimbo a big,

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<v Speaker 1>welcoming slap on the back. Jimbo was already a few

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<v Speaker 1>beers deep, already a few puffs de, already a few

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<v Speaker 1>snorts of smack deep. Jimbo turned his head slowly to

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<v Speaker 1>face Jim's, his eyes puffy and half closed, his beer

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<v Speaker 1>dirty and prickly, and attempted a smile as he did.

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<v Speaker 1>His last gulp of stella trickled from the edge of

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<v Speaker 1>his lips, and he knocked the ash off of his

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<v Speaker 1>half smoked galois and with the other hand crushed the

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<v Speaker 1>empty blue box of smokes. It had been a long

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<v Speaker 1>night already. It was around one am, and the day

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<v Speaker 1>it was catching up the Jim. The first swig of

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<v Speaker 1>draft beer was a welcome salve at that moment. He

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<v Speaker 1>had gone to eat that sweet and sour chicken that

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<v Speaker 1>had given a bit of golf afterwards, and then to

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<v Speaker 1>see the Robert Mitchen movie. Pamela stayed at home. She

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<v Speaker 1>was even more tired than he was. No matter, they said,

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<v Speaker 1>the best way to see a movie in a darkened

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<v Speaker 1>theater was all by yourself alone, and the jury was

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<v Speaker 1>still out on that one. Afterward, Jim found his way

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<v Speaker 1>back to the rock and roll circus, another late night

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<v Speaker 1>deep dive into the deepest of late night skies joints.

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<v Speaker 1>Maybe he'd run into a rolling stone or a beetle,

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<v Speaker 1>or maybe Jimmie Hendrix. Shit, no, wait, he thought, and

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<v Speaker 1>shook his head violently. Jimmy was fucking dead. He looked

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<v Speaker 1>up from his bar stool at the mural on the

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<v Speaker 1>wall of Jimmy reimagined as a clown. Jim shook his

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<v Speaker 1>head again, like if he shook it hard enough, he

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<v Speaker 1>would clear out whatever was still in there that was

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<v Speaker 1>messing him up. His eyes were close shut, his head

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<v Speaker 1>still shaking back and forth, and the stella rattling around

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<v Speaker 1>in his brain. When he heard the bartender show they

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<v Speaker 1>called nep see, Jim opened his eyes. He looked at

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<v Speaker 1>the bartender and pointed a finger straight at his own chest.

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<v Speaker 1>Me ema words just all lips still in the shaking

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<v Speaker 1>head days. And the bartender looked past Jim and gesture,

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<v Speaker 1>first throwing a wet bar towel over his shoulder and

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<v Speaker 1>then giving a flick of the wrist into the air

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<v Speaker 1>like he was shooting some cats away from his newly

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<v Speaker 1>made tuna ficial sandwich. Then pissy, he repeated, the Count's

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<v Speaker 1>not here man. Jim turned around to see two of

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<v Speaker 1>the Count's dealers standing directly behind him. He met them before,

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<v Speaker 1>met them with Pamela. Pamela was tighter with the Count

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<v Speaker 1>than Jim preferred, but these days, with this growing taste

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<v Speaker 1>for heroin, it was good to have the Count around.

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<v Speaker 1>And the Count had the good stuff, this ship that

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<v Speaker 1>was spreading like wildfire in Paris, and the Count's smack

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<v Speaker 1>was rumored to be something like eight six pc pure.

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<v Speaker 1>Once Jim had broken his own no junk rule, it

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<v Speaker 1>was all downhill, and the Count's smack was the best

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<v Speaker 1>high Jim could ever hope to feel. And the dealers

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<v Speaker 1>weren't looking for the Count. They were looking for Jim,

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<v Speaker 1>Mr Mojoe Rising, the Lizard King. And they were star

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<v Speaker 1>fuckers just like the Count, haunted places like the Rocket

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<v Speaker 1>Roll Circus, just like the Count, looking just like Jim

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<v Speaker 1>was looking to run into a stone or a beetle.

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<v Speaker 1>They'd settled for an expat Doris Singer, and they dismissed

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<v Speaker 1>the bartender and gave him a very precise and simple

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<v Speaker 1>look with no words, communicated one thing. Mind your own

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<v Speaker 1>goddamn business. Jim didn't know the dealer's real names, but

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<v Speaker 1>he knew what they were called on the street. Was

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<v Speaker 1>the half Asian guy, based on the nickname, assumed Chinese,

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<v Speaker 1>but maybe that was part of the joke that he

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<v Speaker 1>was actually half Korean or something. And the pet Robert

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<v Speaker 1>was the one with the Napoleon complex. It was all

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<v Speaker 1>nicknames to these guys. The Count nation Le Petit Robert,

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<v Speaker 1>they called Jim jimbo. Jim was eager to correct them.

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<v Speaker 1>Jim beamed ear to hear he was happy to see them.

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<v Speaker 1>As a Pavlovian response, he knew what was next, what

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<v Speaker 1>was coming, He knew in a few short moments, he

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<v Speaker 1>would follow the Count's street team into the stall with

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<v Speaker 1>the busted lock and the French graffiti and the bowels

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<v Speaker 1>of the rocket roll circus and do a line so

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<v Speaker 1>long and so fat, you fucking explode. But first he

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<v Speaker 1>had to correct him on this whole nickname thing. Guys, gentlemen,

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<v Speaker 1>great to see, Jim said, standing up and giving the

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<v Speaker 1>dealers some appreciative pats on the arm. People don't call

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<v Speaker 1>me Jimbo, man, I'm Jim Just Jim. This Jimbo. And

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<v Speaker 1>he turned to introduce Lean la petit Robert to Jimbo.

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<v Speaker 1>But Jimbo wasn't there. The barstool next to jim was empty,

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<v Speaker 1>no glass, no sign of any activity, no stubbed out

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<v Speaker 1>galo and the glass ashtray, no crushed blue box. That's

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<v Speaker 1>fucking weird. Jim I thought Jimbo had just been here,

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<v Speaker 1>half cocked it about ready to fall out of his chair,

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<v Speaker 1>but he was here. He shook his head again. He

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<v Speaker 1>was still confused. Obviously, maybe Jimbo bounced, or maybe he

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<v Speaker 1>hit the head, or maybe he was up the skirt

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<v Speaker 1>to some French chick in the back alley somewhere. Jim

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<v Speaker 1>slammed back the rest of his Stella, put the pint

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<v Speaker 1>glass on the bar. He yelled at the bartender, where

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<v Speaker 1>the did he go? He pointed at Jimbo's empty bar,

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<v Speaker 1>and the bartender furrowed his eyebrows annoyed, Ready to close

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<v Speaker 1>up for the night and send all these drunk bar

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<v Speaker 1>flies and junkies out into the street. He threw his

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<v Speaker 1>hands up and looked quizzically at jim who Jim threw

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<v Speaker 1>a couple of bucks down on the bar and turned

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<v Speaker 1>back to the dealers. Never mind, next time, he'd introduced him.

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<v Speaker 1>Next time, just fucking call him jim though, okay, no

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<v Speaker 1>one called him Jimbo. And just as he had suspected,

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<v Speaker 1>the next thing he knew, he was following less and

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<v Speaker 1>lippety Robert down the hallway to the bathroom. A light

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<v Speaker 1>on the wall flickered, another was out completely. A couple

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<v Speaker 1>necked up against the wall. The place stunk of stale

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<v Speaker 1>cigarettes and spilled pints of stella and other orders that

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<v Speaker 1>you find after midnight, and a half lit, dank slice

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<v Speaker 1>of urban cave life underneath the major metropolis in one

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<v Speaker 1>in the bathroom was dark too. When they walked inside,

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<v Speaker 1>it was empty, just Jim and the guys. His vision

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<v Speaker 1>was blurry, His head was a tangle of beer and

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<v Speaker 1>msg and dead people and ship. He shook it again hard.

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<v Speaker 1>This time his head shook it again, thinking that he

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<v Speaker 1>would suddenly glean the location of Jimbo. The dealer stared

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<v Speaker 1>at him like he was having a seizure, and they

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<v Speaker 1>were just waiting for it to be over. Jim reached

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<v Speaker 1>into the pocket of his jeans and pulled out some

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<v Speaker 1>crumpled up bills. Had no idea how much money it was,

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<v Speaker 1>only that it was enough. Le petit. Robert took his

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<v Speaker 1>money and gave him a baggy of the count's finest smack.

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<v Speaker 1>Jim secluded himself in the first stall in the bathroom,

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<v Speaker 1>the one with the busted lock. It was locked. That

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<v Speaker 1>wasn't the issue, but once it was locked, it was

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<v Speaker 1>near impossible to get it to unlock. Jim closed the

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<v Speaker 1>door behind him and latched the door shut. No one

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<v Speaker 1>was getting inside the stall with him. He heard the

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<v Speaker 1>bathroom door shut as the dealers saw themselves out, and

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<v Speaker 1>Jim dumped the pilot Heroine out on the back of

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<v Speaker 1>the toilet and dragged another damp French bill from his pocket.

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<v Speaker 1>He rolled the up and snorted the majority of howders

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<v Speaker 1>straight off the porcelain. He did it fast, hard, and

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<v Speaker 1>the junk rocketed up as sinuses, past his eye sockets

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<v Speaker 1>and hit his brain. His eyes watered, and he felt

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<v Speaker 1>each part of his brain light up like it had

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<v Speaker 1>been plugged in direct to a wall socket, and each

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<v Speaker 1>region of his head came alive, and the floor started

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<v Speaker 1>to vibrate. He could smell something burning from inside his ears.

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<v Speaker 1>He sat down on the toilet and held one hand

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<v Speaker 1>against the wall and the other against the stall door.

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<v Speaker 1>He coughed blood he could taste it. Coughed again violently.

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<v Speaker 1>This time he tasted a rubbery, massive blood in his

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<v Speaker 1>mouth and spat it towards the floor. Had he not

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<v Speaker 1>seen Jimbo when he came into the circus? Was he

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<v Speaker 1>not at the bar waiting for him? Jimbo Wood said

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<v Speaker 1>nothing to him tonight. He had said nothing to him

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<v Speaker 1>when he first arrived in Paris and showed up at

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<v Speaker 1>Pamela's door. Come to think of it, Pamela had said

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<v Speaker 1>nothing to Jimbo either, and jim thought it rude at

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<v Speaker 1>the time, But it was almost like Jimbo wasn't even there.

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<v Speaker 1>He coughed again more blood, and this time thought about

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<v Speaker 1>the Billy Cook story. The Zodiac, thought about waking up

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<v Speaker 1>on the doorstep of Eleanor Brow's place in l A,

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<v Speaker 1>about snapping Papa tops with the Wizard at the door's

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<v Speaker 1>rehearsal space. He caught more, and the blood came up again.

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<v Speaker 1>So did the memories stealing flowers from the flower children

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<v Speaker 1>at the human being grabbing Janice Joplin's hair at the party.

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<v Speaker 1>Right before he passed out, Jim had a distressing feeling,

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<v Speaker 1>a feeling that he had put certain memories and certain

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<v Speaker 1>recesses of his mind, his own personal rock and roll

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<v Speaker 1>circus basement labyrinth and his bruize log noggin, and this

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<v Speaker 1>fucking hardcore smack was shaking it all loose. They called

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<v Speaker 1>him Jim, no doubt, But what if they called him

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<v Speaker 1>Jimbo too. Jim was fully under in some seventh level

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<v Speaker 1>of sub circus hell. It was no longer in the

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<v Speaker 1>bathroom stall of some dank, subterranean Paris rock club. He

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<v Speaker 1>was long gone. And the second rip of Les Pete

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<v Speaker 1>Robers junk rocketed straight up his nose, and then he

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<v Speaker 1>rocketed straight downwards hell bent a sudden and sublime shift

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<v Speaker 1>in his consciousness. It got darker, and the noxious odor

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<v Speaker 1>of the Rock and Roll Circus bathroom stall curdled. He

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<v Speaker 1>felt like he was submerged in liquid, thick, soupy liquid.

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<v Speaker 1>He could still breathe just fine. If he was told

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<v Speaker 1>that he even flushed down the stall's toilet, he wouldn't

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<v Speaker 1>have doubted it for a moment. His cough continued, and

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<v Speaker 1>although the taste of blood in his throat was an

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<v Speaker 1>irritating constant, it reassured him that his lungs weren't filling

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<v Speaker 1>with that strange soupy water. He held on to the

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<v Speaker 1>faintest memory of Jimbo, pieces he had just gotten a

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<v Speaker 1>glimpse of while he snorted enthusiastically, the so called person

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<v Speaker 1>who always appeared when jim was at his best and

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<v Speaker 1>hung around until he was at his worst. Well, he

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<v Speaker 1>could no longer picture Jimbo's face in his mind's eye,

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<v Speaker 1>what he sounded like, what he smelled like, the sorts

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<v Speaker 1>of things he would say. The rocket hit a heroine

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<v Speaker 1>had blown the whole concept of Jimbo straight out of

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<v Speaker 1>Jim's ears. The bartender had looked at him moldly tonight

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<v Speaker 1>when he was talking to Jimbo at the bar, almost

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<v Speaker 1>as if he had been talking to an empty stool.

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<v Speaker 1>And then he flipped back further in his mind, which

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<v Speaker 1>was soggy from the smack, and thought of all the

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<v Speaker 1>times he went on a rocket spender and made a scene,

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<v Speaker 1>made a fool of himself. Was him, only him, always him,

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<v Speaker 1>always Jim, just Jim. Jimbo had no story. He was

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<v Speaker 1>from nowhere. He lived somewhere but where. Jimbo was a crutch,

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<v Speaker 1>something to hide bad behavior behind a mask of prickish entitlement.

0:12:57.559 --> 0:12:59.800
<v Speaker 1>When Jim felt like being a prick, he knew that

0:13:00.160 --> 0:13:04.720
<v Speaker 1>he'd always known that Jimbo was nobody. Jim Morrison was somebody.

0:13:05.040 --> 0:13:08.000
<v Speaker 1>Jimbo's weird obsession with Billy Cook and the Zodiac and

0:13:08.040 --> 0:13:12.800
<v Speaker 1>the Wizard. Those were Jim's obsessions, deep seated obsessions of dark, twisted,

0:13:12.920 --> 0:13:15.760
<v Speaker 1>fucked up America. He so wanted to put himself in

0:13:15.800 --> 0:13:18.720
<v Speaker 1>a dark, twisted, fucked up storyline of his own. Repressed

0:13:18.760 --> 0:13:23.000
<v Speaker 1>as a child conservative household Florida bullshit, he rose above,

0:13:23.360 --> 0:13:26.479
<v Speaker 1>tossed it off, left it behind, saw his repressed conservative

0:13:26.559 --> 0:13:29.360
<v Speaker 1>upbringing in the face of an American public confused with

0:13:29.440 --> 0:13:33.600
<v Speaker 1>who they were supposed to be, Craving instruction, direction, craving

0:13:33.720 --> 0:13:37.920
<v Speaker 1>chaos to turn their little, insignificant worlds upside down. It

0:13:38.080 --> 0:13:41.400
<v Speaker 1>was simple. Jim repeated the moment he rebelled against his norm,

0:13:41.440 --> 0:13:44.400
<v Speaker 1>against what was expected. His audience could do it too.

0:13:44.840 --> 0:13:47.199
<v Speaker 1>He did it again and again. Instead of teaching the

0:13:47.280 --> 0:13:49.959
<v Speaker 1>kids dance moves, he teached them the steps to move

0:13:50.040 --> 0:13:56.840
<v Speaker 1>towards internal self diagnosed revolution. On stage at the Singer Bowl, Chicago, Phoenix, Miami,

0:13:56.960 --> 0:14:00.040
<v Speaker 1>The Sullivan Show, he did it again and again and

0:14:00.120 --> 0:14:03.320
<v Speaker 1>again and again and again. Killed the father, fucked the mother.

0:14:04.679 --> 0:14:07.360
<v Speaker 1>He wasn't a killer, he was a liberator, an upset her.

0:14:09.080 --> 0:14:13.199
<v Speaker 1>Suddenly there was a loud knocking sound, massive vibrations. The

0:14:13.320 --> 0:14:18.040
<v Speaker 1>seventh level of sub circus hell shook with wild, abandoned, violent, insistent.

0:14:19.240 --> 0:14:23.320
<v Speaker 1>The commotion was all around him, shaking, kicking, knocking, French voices, yelling,

0:14:24.240 --> 0:14:28.720
<v Speaker 1>Etsiel Morton. The busted door was ripped open, and Jim

0:14:28.840 --> 0:14:31.960
<v Speaker 1>was back in the bathroom stall still slumped on the toilet,

0:14:32.080 --> 0:14:34.680
<v Speaker 1>he coughed again, this time a fit that grobbed hold

0:14:34.720 --> 0:14:37.400
<v Speaker 1>of him and wouldn't let go. He coughed louder, struggled,

0:14:37.440 --> 0:14:40.040
<v Speaker 1>to get to his feet, and there were men outside

0:14:40.080 --> 0:14:42.560
<v Speaker 1>the stall door, and they reached in for Jim, helped

0:14:42.600 --> 0:14:44.960
<v Speaker 1>him out. They thought he was a gonner in their ship.

0:14:45.080 --> 0:14:47.280
<v Speaker 1>He'd been in there for twenty minutes. The dealers who

0:14:47.320 --> 0:14:49.360
<v Speaker 1>had let him inside had fled the scene long ago,

0:14:49.760 --> 0:14:51.360
<v Speaker 1>and the men were glad to see that Jim was

0:14:51.400 --> 0:14:54.520
<v Speaker 1>all right. But more importantly, the rock and roll circus

0:14:54.800 --> 0:14:57.120
<v Speaker 1>was closing for the night. Jim did not have to

0:14:57.160 --> 0:15:02.160
<v Speaker 1>go home, but I couldn't stay here. Jim wasn't sure

0:15:02.200 --> 0:15:04.640
<v Speaker 1>how he got back to the flat with Pamela that morning,

0:15:04.920 --> 0:15:07.080
<v Speaker 1>or how long it took him to get there. He

0:15:07.200 --> 0:15:10.120
<v Speaker 1>remembered the men in the bathroom and more men ushering

0:15:10.200 --> 0:15:13.280
<v Speaker 1>him outside. The late night early morning air was still

0:15:13.400 --> 0:15:16.680
<v Speaker 1>humid from the day before. He puked on a sidewalk,

0:15:16.960 --> 0:15:19.280
<v Speaker 1>reached in his pocket for a cigarette, but realized he

0:15:19.280 --> 0:15:22.240
<v Speaker 1>had left him at the bar somewhere at the flat.

0:15:22.680 --> 0:15:26.120
<v Speaker 1>Pamela didn't seem that surprised to see him. She obviously

0:15:26.160 --> 0:15:28.560
<v Speaker 1>had taken her own fair share of snorts that evening

0:15:28.640 --> 0:15:31.600
<v Speaker 1>and was equally out of it. She opened her eyes

0:15:31.680 --> 0:15:35.000
<v Speaker 1>wide when Jim devolved into another coughing fit. He ran

0:15:35.080 --> 0:15:37.800
<v Speaker 1>into the bathroom and puked to get it was a mess,

0:15:38.200 --> 0:15:40.600
<v Speaker 1>full of John coughing of blood, having the kind of

0:15:40.640 --> 0:15:43.200
<v Speaker 1>revelations one can only have while on a lonely bender

0:15:43.280 --> 0:15:47.360
<v Speaker 1>in a foreign country. He needed a bath. A bath

0:15:47.440 --> 0:15:50.040
<v Speaker 1>would do him good, stabilize him, get him back to

0:15:50.120 --> 0:15:53.480
<v Speaker 1>that warm, liquidy, floating feeling he had experienced earlier in

0:15:53.520 --> 0:15:58.040
<v Speaker 1>the circus bathroom stall. He turned the bathroom fauceted on,

0:15:58.400 --> 0:16:00.520
<v Speaker 1>and the water rushed out in the It was a

0:16:00.560 --> 0:16:04.280
<v Speaker 1>pleasant drone, soothing. He watched the steam rise from the

0:16:04.360 --> 0:16:07.320
<v Speaker 1>water as it slowly filled up the tub, his eyes

0:16:07.440 --> 0:16:10.360
<v Speaker 1>lost in the swirls of heat, the steam easing into

0:16:10.440 --> 0:16:13.760
<v Speaker 1>his chest and calming his cough. He took his clothes off,

0:16:13.920 --> 0:16:17.320
<v Speaker 1>climbed in the tub, shut off the faucet. Then there

0:16:17.440 --> 0:16:19.720
<v Speaker 1>was no sound at all, just the sound of his

0:16:19.800 --> 0:16:22.760
<v Speaker 1>own breathing, and that absence of sound, which in turn

0:16:22.840 --> 0:16:26.760
<v Speaker 1>makes its own sound a ringing faint. At first, rising,

0:16:27.280 --> 0:16:30.480
<v Speaker 1>he heard sounds in the absence of sound that weren't there,

0:16:31.320 --> 0:16:33.920
<v Speaker 1>And then he felt the nausea crash over him, a

0:16:34.280 --> 0:16:37.120
<v Speaker 1>big wave of it. His stomach wretched, and he sat

0:16:37.200 --> 0:16:40.440
<v Speaker 1>up from his reclined position, yelled for Pamela, but nothing,

0:16:41.240 --> 0:16:44.040
<v Speaker 1>and the wave hit him again, gaining intensity now, and

0:16:44.160 --> 0:16:47.120
<v Speaker 1>Jim yelled for Pamela again. She was in the bathroom

0:16:47.160 --> 0:16:50.280
<v Speaker 1>a few moments later. It felt like an eternity to Jim,

0:16:50.640 --> 0:16:54.520
<v Speaker 1>half asleep, fully dozed, walking zombie. Jim told her he

0:16:54.600 --> 0:16:56.800
<v Speaker 1>was going to be sick again. He needed a bucket,

0:16:56.840 --> 0:16:59.360
<v Speaker 1>a pot of pans, something he couldn't moved from the tub.

0:16:59.600 --> 0:17:03.600
<v Speaker 1>Hen did her help now, and Pamela returned with a

0:17:03.640 --> 0:17:05.920
<v Speaker 1>pot from the kitchen and Jim immediately threw up in it.

0:17:06.280 --> 0:17:08.240
<v Speaker 1>She rinsed it out, handed it back to him. He

0:17:08.359 --> 0:17:11.160
<v Speaker 1>was sick again again. Pamela rinsed it out and then

0:17:11.280 --> 0:17:13.800
<v Speaker 1>he felt better, he had gotten it out of his system.

0:17:14.520 --> 0:17:17.080
<v Speaker 1>He'd stay in the tub a while longer, and Pamela

0:17:17.160 --> 0:17:19.200
<v Speaker 1>went back out to the living room, back to the couch,

0:17:19.280 --> 0:17:25.280
<v Speaker 1>back to her own oblivion. She woke up after the

0:17:25.359 --> 0:17:30.400
<v Speaker 1>sun had risen that morning, July three. Didn't see Jim,

0:17:31.200 --> 0:17:33.600
<v Speaker 1>who wasn't on the couch with her, wasn't in the bedroom.

0:17:34.119 --> 0:17:37.000
<v Speaker 1>She could hear the rustle of traffic outside the city

0:17:37.040 --> 0:17:39.960
<v Speaker 1>come to life once again after a long, hot summer night.

0:17:40.760 --> 0:17:43.280
<v Speaker 1>The radio had been left on all night She was

0:17:43.359 --> 0:17:46.680
<v Speaker 1>just realizing this now. The Grateful Dead's version of Sonny

0:17:46.720 --> 0:17:49.800
<v Speaker 1>Boy Williamson's Good Morning, Little Schoolgirl was playing, and the

0:17:49.920 --> 0:17:53.119
<v Speaker 1>signal was full of static and hum. I'm gonna leave you,

0:17:53.240 --> 0:17:55.800
<v Speaker 1>baby about the break of day. I count of the

0:17:55.880 --> 0:17:59.480
<v Speaker 1>way you treat me. I gotta stay away. She walked

0:17:59.520 --> 0:18:03.000
<v Speaker 1>back to the bathroom slowly, cautiously. She started to have

0:18:03.119 --> 0:18:06.280
<v Speaker 1>bad thoughts about what she'd find in there. The worst thoughts,

0:18:06.680 --> 0:18:08.600
<v Speaker 1>the thoughts that she had from time to time when

0:18:08.640 --> 0:18:10.920
<v Speaker 1>she couldn't find him, when he wasn't where he said

0:18:10.920 --> 0:18:13.000
<v Speaker 1>he'd beat, didn't come home when he said he would,

0:18:13.359 --> 0:18:15.240
<v Speaker 1>The thoughts that would pop up when the band couldn't

0:18:15.280 --> 0:18:17.440
<v Speaker 1>find him, when his manager couldn't find him, when it

0:18:17.520 --> 0:18:19.920
<v Speaker 1>seemed like Jim just up and left the world without

0:18:20.040 --> 0:18:24.280
<v Speaker 1>letting a soul know. Pamela was used to those thoughts,

0:18:24.720 --> 0:18:27.080
<v Speaker 1>but that didn't make them any less difficult. It didn't

0:18:27.080 --> 0:18:29.320
<v Speaker 1>make the journey down the hallway to the bathroom any

0:18:29.400 --> 0:18:32.680
<v Speaker 1>less traumatic. She called out his name as she got closer.

0:18:33.600 --> 0:18:36.720
<v Speaker 1>No response. She said his name again, this time louder,

0:18:36.800 --> 0:18:40.639
<v Speaker 1>this time closer to the bathroom door, but nothing. She

0:18:40.720 --> 0:18:43.119
<v Speaker 1>stepped into the bathroom and the thoughts were gone, and

0:18:43.240 --> 0:18:47.200
<v Speaker 1>she screamed out loud, screamed the thoughts away. Jim's body

0:18:47.320 --> 0:18:49.840
<v Speaker 1>was still on the tub, but Jim, Jim was not.

0:18:50.760 --> 0:18:54.280
<v Speaker 1>Jim was long gone, and he took Jimbo with him.

0:18:59.440 --> 0:19:07.880
<v Speaker 1>We'll be right back after this word. We were Bill

0:19:07.920 --> 0:19:10.560
<v Speaker 1>Siddons wanted to see the body. If there was no body,

0:19:10.640 --> 0:19:13.800
<v Speaker 1>it was all just fantasy, make believe. He wanted to

0:19:13.840 --> 0:19:17.160
<v Speaker 1>see Jim Morrison's lifeless body on a slab, on a table,

0:19:17.280 --> 0:19:20.080
<v Speaker 1>on a bed, in a bathtub, anywhere. He just had

0:19:20.119 --> 0:19:22.680
<v Speaker 1>to put his eyes on it, check that box, vet verified.

0:19:23.640 --> 0:19:25.880
<v Speaker 1>Someone just taken to the goddamn body. So he knew

0:19:25.920 --> 0:19:27.920
<v Speaker 1>that it was true, that the rumors were true, the

0:19:28.000 --> 0:19:30.240
<v Speaker 1>Pamela's call was true, and then he'd go into Bill

0:19:30.280 --> 0:19:33.320
<v Speaker 1>Siddons crisis mood. He'd handle it, take care of the ship,

0:19:33.760 --> 0:19:36.320
<v Speaker 1>the media, the authorities, the label of the family, the doors,

0:19:36.359 --> 0:19:40.080
<v Speaker 1>the fans. He Bill Siddons, the ship out of this thing.

0:19:40.600 --> 0:19:46.800
<v Speaker 1>But he needed visual identification. Bill hadn't seen Jim in months,

0:19:47.000 --> 0:19:50.119
<v Speaker 1>had hardly heard from him in months. International long distance

0:19:50.160 --> 0:19:53.040
<v Speaker 1>call rates were no joke. The doors had money, sure,

0:19:53.160 --> 0:19:57.320
<v Speaker 1>but Bill was smart, thrifty. Only call if absolutely necessary.

0:19:57.760 --> 0:20:00.680
<v Speaker 1>Jim sent the occasional postcard. In one to his lawyer,

0:20:00.840 --> 0:20:03.080
<v Speaker 1>Max Fink, he wrote the women are great and the

0:20:03.119 --> 0:20:06.320
<v Speaker 1>food is gorgeous, and another to Bob green Is accountant.

0:20:06.520 --> 0:20:09.240
<v Speaker 1>He asked for credit cards for himself and Pamela, and

0:20:09.359 --> 0:20:11.800
<v Speaker 1>also for an extra three large for the mounting bills

0:20:11.880 --> 0:20:14.560
<v Speaker 1>that came. Was living a charmed life and giving zero ships.

0:20:16.320 --> 0:20:18.480
<v Speaker 1>Bill knew that Jim was taking some extended r and

0:20:18.640 --> 0:20:20.920
<v Speaker 1>R in Paris, and Bill had instructed everyone to keep

0:20:20.960 --> 0:20:23.680
<v Speaker 1>their distance, let him learn some new words, meet some

0:20:23.760 --> 0:20:25.880
<v Speaker 1>new people, or you know what, meet no one who cares.

0:20:26.000 --> 0:20:29.080
<v Speaker 1>Just let the guy disappear. Bill and the label would work.

0:20:29.200 --> 0:20:31.600
<v Speaker 1>L a woman on the home front, continue to repair

0:20:31.720 --> 0:20:34.639
<v Speaker 1>the still fragile image of the doors post Miami, and

0:20:34.720 --> 0:20:36.560
<v Speaker 1>when Jim was ready to come home, ready to get

0:20:36.600 --> 0:20:39.159
<v Speaker 1>back in the saddle and make music again, they'd be

0:20:39.200 --> 0:20:43.600
<v Speaker 1>waiting again. Bill was smart. He knew deep down that

0:20:43.880 --> 0:20:47.080
<v Speaker 1>that would never happen. Jim was never coming home. Jim

0:20:47.200 --> 0:20:49.679
<v Speaker 1>wasn't going to prison, he wasn't making any more records

0:20:49.720 --> 0:20:52.840
<v Speaker 1>of the doors. He was an indefinite hiatus from the world.

0:20:53.240 --> 0:20:55.040
<v Speaker 1>He had even used that word when he spoke to

0:20:55.080 --> 0:20:58.760
<v Speaker 1>Bill about his status and Paris indefinitely. He had remade

0:20:58.840 --> 0:21:02.920
<v Speaker 1>himself into an expas he was long gone. Then the

0:21:03.000 --> 0:21:07.760
<v Speaker 1>calls came. The phone started ringing. That Saturday, July. Three

0:21:09.359 --> 0:21:11.760
<v Speaker 1>calls came in French. Calls came in English. Calls came

0:21:11.800 --> 0:21:15.920
<v Speaker 1>in English with a French accent. And the calls were frantic, confused, concerned,

0:21:16.040 --> 0:21:21.320
<v Speaker 1>heightened panics. Jim Morrison was dead. Bill had taken these

0:21:21.400 --> 0:21:24.080
<v Speaker 1>calls before. It was a weekly game. He played back

0:21:24.119 --> 0:21:26.240
<v Speaker 1>when the doors were at their height. Jim and drank

0:21:26.320 --> 0:21:28.680
<v Speaker 1>himself to death over the weekend. Jim drove the Blue

0:21:28.760 --> 0:21:31.199
<v Speaker 1>Lady into a telephone pole. Over the weekend. Jim got

0:21:31.280 --> 0:21:33.399
<v Speaker 1>into a brawl with a Wilson brother. Over the weekend.

0:21:33.800 --> 0:21:36.640
<v Speaker 1>The calls kept coming, the phone kept ringing. They all

0:21:36.760 --> 0:21:41.320
<v Speaker 1>repeated the same thing, Jim Morrison is dead. Bill get

0:21:41.400 --> 0:21:45.679
<v Speaker 1>he confirmed this for us. Bill felt sick. His stomach

0:21:45.800 --> 0:21:49.240
<v Speaker 1>dropped to somewhere around his knees, Sweat beaded around his collar,

0:21:49.320 --> 0:21:51.520
<v Speaker 1>at his wrists, slid down his temples, and off his chin.

0:21:51.960 --> 0:21:54.280
<v Speaker 1>He took each phone call with a stainless steel bowl

0:21:54.359 --> 0:21:55.840
<v Speaker 1>on the desk next to him, in case he had

0:21:55.880 --> 0:21:58.639
<v Speaker 1>to throw up on the fly, and then more calls

0:21:58.720 --> 0:22:02.080
<v Speaker 1>came in that Jim Morris wasn't dead, he was just hospitalized.

0:22:02.200 --> 0:22:04.359
<v Speaker 1>He was very tired, he was resting, he had another

0:22:04.400 --> 0:22:06.400
<v Speaker 1>bott of that coughing fit where he'd spit up blood

0:22:06.440 --> 0:22:09.720
<v Speaker 1>and would feel woozy. And the news started running conflicting stories.

0:22:10.000 --> 0:22:12.359
<v Speaker 1>Jim was in a hospital, Jim was in a sanitarium.

0:22:14.320 --> 0:22:16.919
<v Speaker 1>The phone rang again, and this time it rang louder

0:22:16.960 --> 0:22:20.320
<v Speaker 1>than all the other times, urgent, insistent, like a pair

0:22:20.359 --> 0:22:22.040
<v Speaker 1>of hands was on the other side of the phone

0:22:22.080 --> 0:22:24.400
<v Speaker 1>where it sat on the desk and shook it violently.

0:22:25.040 --> 0:22:28.720
<v Speaker 1>Bill picked up the receiver. It was Pamela. Her voice

0:22:28.840 --> 0:22:33.040
<v Speaker 1>was quiet, weak, broken up by the cross atlantic connection.

0:22:35.320 --> 0:22:38.240
<v Speaker 1>She sounded like she had been transported somewhere, somewhere she'd

0:22:38.320 --> 0:22:41.000
<v Speaker 1>never been before, and she was finding her footing. She

0:22:41.160 --> 0:22:44.480
<v Speaker 1>told Bill that the rumors were true. Jim was dead.

0:22:45.200 --> 0:22:47.240
<v Speaker 1>Bill needed to be on the next plane to Paris.

0:22:48.320 --> 0:22:51.080
<v Speaker 1>It was days before Bill could get there. Every day

0:22:51.200 --> 0:22:54.800
<v Speaker 1>was a new panic attack. The phone continued to ring, newspapers,

0:22:54.840 --> 0:22:58.320
<v Speaker 1>TV stations, managers from other bands, venues, family, and the

0:22:58.400 --> 0:23:01.600
<v Speaker 1>new rumors started up. Jim died of a heroin overdose

0:23:01.640 --> 0:23:03.960
<v Speaker 1>in the rock and roll circus, Jim choked on his

0:23:04.040 --> 0:23:07.280
<v Speaker 1>own vomit, just like Jimmy. A jealous mistress killed him

0:23:07.320 --> 0:23:10.800
<v Speaker 1>with witchcraft. He was murdered to discredit the counterculture movement.

0:23:11.160 --> 0:23:15.359
<v Speaker 1>Coke alcohol, heart attack suicide, killed by Count Smackula and

0:23:15.440 --> 0:23:18.240
<v Speaker 1>his vicious dealers. He wasn't really dead at all. He

0:23:18.320 --> 0:23:21.120
<v Speaker 1>had just figured out how to disappear completely. That old

0:23:21.160 --> 0:23:25.359
<v Speaker 1>evil spirit got a Greyhound bus and ride Pamela agree

0:23:25.440 --> 0:23:27.320
<v Speaker 1>to build the door to were flat. When he finally

0:23:27.400 --> 0:23:30.480
<v Speaker 1>made it, Bill needed to see the body, needed closure

0:23:30.680 --> 0:23:35.480
<v Speaker 1>for personal reasons, and needed confirmation for professional matters. Pamela

0:23:35.600 --> 0:23:38.320
<v Speaker 1>collapsed into Bill's arms, let it loose, like she had

0:23:38.359 --> 0:23:40.679
<v Speaker 1>been holding back at day luser tears for days now,

0:23:40.960 --> 0:23:44.040
<v Speaker 1>which she had. She waited on Bill's shoulder, and Bill

0:23:44.119 --> 0:23:47.840
<v Speaker 1>confronted her and repeated his request the body, pam where's

0:23:47.880 --> 0:23:51.719
<v Speaker 1>the body? I need to see Jim, that's the problem.

0:23:51.840 --> 0:23:55.000
<v Speaker 1>Pamela told him there is no body. There is no

0:23:55.200 --> 0:23:59.360
<v Speaker 1>Jim the funk? Do you mean there is no Jim

0:24:00.080 --> 0:24:02.119
<v Speaker 1>couldn't believe it. He had traveled all the way from

0:24:02.200 --> 0:24:04.959
<v Speaker 1>Los Angeles to Paris, well over five thousand miles. At

0:24:04.960 --> 0:24:08.120
<v Speaker 1>Pamela's request to see after his friend an employer, because

0:24:08.240 --> 0:24:11.960
<v Speaker 1>Jim Morrison was dead. Jim Morrison was very much, very dead,

0:24:12.240 --> 0:24:16.159
<v Speaker 1>and now there's nobody. Pamela was scatter brained. She had

0:24:16.200 --> 0:24:18.280
<v Speaker 1>flushed the rest of her heroin stash and burned a

0:24:18.320 --> 0:24:20.840
<v Speaker 1>handful of Jim's letters before authorities got to the flat

0:24:20.920 --> 0:24:23.720
<v Speaker 1>on Saturday. But when they did, she was too paranoid

0:24:23.760 --> 0:24:26.240
<v Speaker 1>to panic, too firmly in the twin grip of shock

0:24:26.320 --> 0:24:29.040
<v Speaker 1>and trauma to think clearly. There have been a paramedic

0:24:29.160 --> 0:24:31.680
<v Speaker 1>that morning, a coroner, and Jim had been declared dead.

0:24:31.960 --> 0:24:35.440
<v Speaker 1>They said natural causes, most likely a heart attack. Because

0:24:35.480 --> 0:24:38.720
<v Speaker 1>there was no suspicion of foul play, no autopsy was performed.

0:24:39.080 --> 0:24:42.000
<v Speaker 1>French law, they put Jim in a coffin then and there,

0:24:42.160 --> 0:24:43.920
<v Speaker 1>put him in a coffin, sealed it up. It was

0:24:44.000 --> 0:24:46.760
<v Speaker 1>French tradition, do it quick. They told Pamela that's the

0:24:46.760 --> 0:24:48.600
<v Speaker 1>way it was done, to just seal him up then

0:24:48.680 --> 0:24:50.760
<v Speaker 1>and there and she could be with him in the flat.

0:24:51.160 --> 0:24:53.680
<v Speaker 1>She signed the death certificate that they brought her, and

0:24:53.760 --> 0:24:56.200
<v Speaker 1>she didn't think to ask questions or asked for more information,

0:24:56.359 --> 0:24:58.040
<v Speaker 1>or asked to make a phone call, because she just

0:24:58.119 --> 0:25:01.400
<v Speaker 1>did not time to think. She wasn't thinking. The first

0:25:01.480 --> 0:25:03.560
<v Speaker 1>lucid things she had done since Jim died was to

0:25:03.640 --> 0:25:05.919
<v Speaker 1>call Bill. She had no one in Paris, no one

0:25:06.000 --> 0:25:08.200
<v Speaker 1>really who could help. They were a handful of friends

0:25:08.240 --> 0:25:10.200
<v Speaker 1>and then people on the fringes, like the Count, but

0:25:10.280 --> 0:25:12.840
<v Speaker 1>the Count had disappeared suddenly, and the friends they had

0:25:12.880 --> 0:25:16.200
<v Speaker 1>there were more like drinking buddies and friends, dinner friends maybe,

0:25:16.280 --> 0:25:19.000
<v Speaker 1>but not real friends, not the Bill Siddons type who

0:25:19.000 --> 0:25:21.960
<v Speaker 1>would know what to do. Bill stood in the flat

0:25:22.040 --> 0:25:25.240
<v Speaker 1>with Pamela. The coffin was there, but I was sealed,

0:25:25.800 --> 0:25:28.080
<v Speaker 1>was already a done deal. That wasn't going to be

0:25:28.160 --> 0:25:30.840
<v Speaker 1>the one to open it. Probably a million tablooms would

0:25:30.840 --> 0:25:33.480
<v Speaker 1>be breaking so. Unable to confirm that it was really

0:25:33.560 --> 0:25:36.520
<v Speaker 1>Jim's body inside, and unable to speak to the attending

0:25:36.600 --> 0:25:39.520
<v Speaker 1>doctor or get a second opinion, Bill just stood in

0:25:39.520 --> 0:25:44.280
<v Speaker 1>the flat with pam and the coffin stood waiting. It

0:25:44.440 --> 0:25:48.080
<v Speaker 1>was a lot Paris hot summer. A man who never

0:25:48.200 --> 0:25:50.920
<v Speaker 1>identified himself to Pamela since he didn't speak English, she

0:25:51.000 --> 0:25:53.359
<v Speaker 1>assumed he was from the more brought dry ice by

0:25:53.400 --> 0:25:55.879
<v Speaker 1>the apartment a few times, but time was not on

0:25:55.960 --> 0:25:58.560
<v Speaker 1>their side. They needed to get the body in the ground.

0:25:59.240 --> 0:26:01.800
<v Speaker 1>Bill would see the that that was a Bill size job.

0:26:02.160 --> 0:26:04.720
<v Speaker 1>Pamela couldn't stop thinking about the night before, about Jim,

0:26:04.800 --> 0:26:07.719
<v Speaker 1>the coffin, the vomiting, the bath he drew. They haunted

0:26:07.760 --> 0:26:10.480
<v Speaker 1>her for years, followed her, clung to her, wouldn't let

0:26:10.520 --> 0:26:13.240
<v Speaker 1>her go. Jim left everything to Pamela in his world,

0:26:13.240 --> 0:26:16.400
<v Speaker 1>but his his state was a mess of lawsuits. Multiple

0:26:16.480 --> 0:26:19.760
<v Speaker 1>women came forward with eternity claims that the remaining members

0:26:19.800 --> 0:26:22.720
<v Speaker 1>of the Doors wanted a fair share of royalties. Pamela

0:26:22.760 --> 0:26:24.520
<v Speaker 1>got a little bit of money from the estate as

0:26:24.560 --> 0:26:26.639
<v Speaker 1>the legal battles wore on, but it wasn't enough to

0:26:26.720 --> 0:26:30.040
<v Speaker 1>live on, especially give him. The heroine habit she continued

0:26:30.080 --> 0:26:32.480
<v Speaker 1>to harbor more than the lack of money, though. It

0:26:32.600 --> 0:26:35.320
<v Speaker 1>was the memory of Jim, the memory of that morning

0:26:35.400 --> 0:26:38.560
<v Speaker 1>in the bathroom. She couldn't let it go. Her heroin

0:26:38.680 --> 0:26:42.520
<v Speaker 1>habit got worse. She described herself as Jim's wife. Despite

0:26:42.560 --> 0:26:45.200
<v Speaker 1>everything that had happened, she was expecting Jim to return.

0:26:45.600 --> 0:26:47.560
<v Speaker 1>He'd show up one day. It would have all been

0:26:47.600 --> 0:26:52.120
<v Speaker 1>a sick joke. People would whisper conspiracy theories in her ear, friends, strangers,

0:26:52.160 --> 0:26:54.480
<v Speaker 1>even people in the doors in her circle. They tell

0:26:54.520 --> 0:26:56.520
<v Speaker 1>her that it wasn't even Jim's body and the coffin,

0:26:56.560 --> 0:26:58.440
<v Speaker 1>and she was scared to death that they were right,

0:26:58.720 --> 0:27:02.080
<v Speaker 1>that Gym was somewhere, had been somewhere all along, waiting

0:27:02.119 --> 0:27:05.040
<v Speaker 1>for her. But while she waited, she had nowhere else

0:27:05.119 --> 0:27:07.680
<v Speaker 1>to turn to, no one else to turn to. She

0:27:07.800 --> 0:27:11.080
<v Speaker 1>went deeper in, give in to the addiction, gave into

0:27:11.119 --> 0:27:16.200
<v Speaker 1>the darkness, and three years after Jim died in Pamela

0:27:16.320 --> 0:27:49.080
<v Speaker 1>was dead of a heroin overdose. She was seven. The

0:27:49.200 --> 0:27:52.479
<v Speaker 1>doors weren't at Jim Morrison's funeral, neither were his family

0:27:52.920 --> 0:27:57.040
<v Speaker 1>or his friends. The ceremony of Pelich Cemetery at Division

0:27:57.119 --> 0:28:00.399
<v Speaker 1>six was attended by Pamela, Bill Siddons, two of Jim's

0:28:00.440 --> 0:28:04.240
<v Speaker 1>friends in Paris, photographer Alan Rene and French new wave

0:28:04.320 --> 0:28:09.080
<v Speaker 1>filmmaker Agnes Varda, and jim secretary Robin Werde. The cemetery

0:28:09.200 --> 0:28:11.800
<v Speaker 1>was also the final resting place of fellow Leo Tell

0:28:11.880 --> 0:28:15.639
<v Speaker 1>guests Oscar Wild, as well as Edith Piaf and Frederick Chopin.

0:28:16.040 --> 0:28:19.920
<v Speaker 1>It was a Wednesday, July see it was like a

0:28:20.040 --> 0:28:22.800
<v Speaker 1>funeral for someone that no one really knew, and Bill

0:28:22.840 --> 0:28:25.000
<v Speaker 1>thought of the unknown soldier, because he still wasn't one

0:28:25.359 --> 0:28:27.800
<v Speaker 1>pcent positive that the ceremony they staged was for the

0:28:27.840 --> 0:28:30.320
<v Speaker 1>person who was in the box or not. How could

0:28:30.320 --> 0:28:32.679
<v Speaker 1>he ever be sure? When he got back to the States.

0:28:32.840 --> 0:28:35.879
<v Speaker 1>Raymond z Eric shared his skepticism. How would any of

0:28:35.920 --> 0:28:38.560
<v Speaker 1>them ever know? That it had all happened so fast?

0:28:39.000 --> 0:28:41.320
<v Speaker 1>Pamela didn't know what to do when the French authorities

0:28:41.360 --> 0:28:44.520
<v Speaker 1>gave it barely a moment's notice and suddenly had to

0:28:44.560 --> 0:28:46.479
<v Speaker 1>get the body in the ground before a word had

0:28:46.520 --> 0:28:48.640
<v Speaker 1>time to spread, before the body and the coffin had

0:28:48.680 --> 0:28:50.920
<v Speaker 1>tied to rot the body, none of them who knew

0:28:51.000 --> 0:28:54.440
<v Speaker 1>Jim had actually seen. Jim was buried before most of

0:28:54.480 --> 0:28:56.720
<v Speaker 1>the world knew what had actually happened, that he was

0:28:56.760 --> 0:29:00.240
<v Speaker 1>actually dead and gone five months before his birth day,

0:29:01.320 --> 0:29:03.280
<v Speaker 1>and the grave side soon became its own rock and

0:29:03.400 --> 0:29:06.920
<v Speaker 1>roll circus. Long after the Ceed Underground Club closed shop.

0:29:07.360 --> 0:29:09.680
<v Speaker 1>It became mecca for fans from all over the world,

0:29:09.960 --> 0:29:13.640
<v Speaker 1>Fans who brought flowers, bottles of boos, drawings, candles, potted plants,

0:29:13.720 --> 0:29:17.920
<v Speaker 1>makeshift crosses, seashells, poems, lyrics. People would travel to visit

0:29:18.040 --> 0:29:20.240
<v Speaker 1>Jim's grave and make a day of it, and afternoon

0:29:20.360 --> 0:29:23.240
<v Speaker 1>and evening, they let up cigarettes and waxed poetic about

0:29:23.280 --> 0:29:26.360
<v Speaker 1>this world and the next about art and poetry and music.

0:29:26.760 --> 0:29:28.720
<v Speaker 1>They take a hit from a joint, leaned back and

0:29:28.880 --> 0:29:32.120
<v Speaker 1>that heads resting on the bellies of others, contemplating the sky,

0:29:32.360 --> 0:29:37.560
<v Speaker 1>contemplating death, contemplating life. At first, the grave wasn't properly marked,

0:29:37.880 --> 0:29:41.080
<v Speaker 1>and so the fans did the marking themselves. Jim's family

0:29:41.160 --> 0:29:42.800
<v Speaker 1>and the other members of the Doors had a hard

0:29:42.880 --> 0:29:46.040
<v Speaker 1>time properly grieving grave side because it was a constant zoo.

0:29:46.880 --> 0:29:50.280
<v Speaker 1>The cult of Jim Morrison wasn't going anywhere. In fact,

0:29:50.440 --> 0:29:55.440
<v Speaker 1>it was coalescing here grave side. Some like John Densmore,

0:29:55.520 --> 0:29:59.240
<v Speaker 1>didn't visit the grave side for years for other reasons. John,

0:29:59.360 --> 0:30:02.080
<v Speaker 1>like the others the band, hated seeing Jimbo dragged Jim

0:30:02.200 --> 0:30:06.040
<v Speaker 1>down a cliche inevitable path to self sabotage. Jim was

0:30:06.080 --> 0:30:09.480
<v Speaker 1>a beautiful thing and Jimbo ruined it. Three years after

0:30:09.600 --> 0:30:12.360
<v Speaker 1>Jim's death, John was finally able to travel to Pere

0:30:12.480 --> 0:30:16.040
<v Speaker 1>la Chaise to pay his respects. On the tenth anniversary

0:30:16.080 --> 0:30:21.240
<v Speaker 1>of Jim staff and actual headstone was finally installed. The

0:30:21.320 --> 0:30:24.120
<v Speaker 1>headstone and an accompanying bust of Jim were created by

0:30:24.240 --> 0:30:27.360
<v Speaker 1>Mlada mcculkin, a Croatian artist and fan of the doors.

0:30:28.280 --> 0:30:30.720
<v Speaker 1>The zoo that passed through the cemetery scrowled on the

0:30:30.800 --> 0:30:33.760
<v Speaker 1>bust and black marker and in paint, defiling it with

0:30:33.960 --> 0:30:37.320
<v Speaker 1>names and dates and messages. Pieces of the bust were

0:30:37.360 --> 0:30:41.360
<v Speaker 1>broken off when it was stolen in mccullin's once generous

0:30:41.360 --> 0:30:46.680
<v Speaker 1>homage was a decimated shadow of its original self. In

0:30:46.840 --> 0:30:50.560
<v Speaker 1>December of nine, Jim's family had the trashy grave site

0:30:50.640 --> 0:30:53.120
<v Speaker 1>cleaned up and a brand new headstone installed with the

0:30:53.160 --> 0:30:57.920
<v Speaker 1>bronze plaque. Jim's mother and father stood in front of

0:30:57.920 --> 0:31:00.960
<v Speaker 1>the grave site for a few moments. It was the

0:31:01.040 --> 0:31:03.080
<v Speaker 1>first time they had been near their sun in years.

0:31:07.960 --> 0:31:13.480
<v Speaker 1>And then on July twenty, anniversary or Jim's death, the

0:31:13.560 --> 0:31:18.440
<v Speaker 1>cemetery gates caught fire at midnight. Thousands descended upon the

0:31:18.480 --> 0:31:20.760
<v Speaker 1>pair of shades, ready to honor the memory of Jim

0:31:20.840 --> 0:31:22.800
<v Speaker 1>Morrison with the thing he had both subtly and over

0:31:23.000 --> 0:31:24.800
<v Speaker 1>he tried to get his audiences to do over the

0:31:24.880 --> 0:31:29.040
<v Speaker 1>years right. Jimmy tried to take them there years ago,

0:31:29.320 --> 0:31:31.600
<v Speaker 1>egged them on to throw chairs and yell at cops

0:31:31.680 --> 0:31:34.280
<v Speaker 1>and upend the status quo in general. They got close

0:31:34.360 --> 0:31:36.560
<v Speaker 1>to full blown ma'am on a few occasions, and now,

0:31:36.880 --> 0:31:39.040
<v Speaker 1>twenty years after he had left them, they would finally

0:31:39.040 --> 0:31:42.080
<v Speaker 1>give him the chaos he craved. Cars were flipped over,

0:31:42.320 --> 0:31:45.760
<v Speaker 1>fights broke out, bruises, blood destruction. The riot squad was

0:31:45.840 --> 0:31:48.960
<v Speaker 1>called in and the tear gas flew, and the cops

0:31:49.040 --> 0:31:51.400
<v Speaker 1>clashed with the fans. The giant wooden doors at the

0:31:51.520 --> 0:31:55.360
<v Speaker 1>entrance of the cemetery went up in flames. This blood

0:31:55.400 --> 0:32:00.360
<v Speaker 1>in the streets, it's up to my ankles. Even in death,

0:32:00.480 --> 0:32:05.520
<v Speaker 1>Jim inspired and uprising the eternal upsetter, And even in death,

0:32:05.800 --> 0:32:08.880
<v Speaker 1>the authorities stepped in before Jim's revolution went too far.

0:32:09.440 --> 0:32:11.920
<v Speaker 1>They beat back the rioters, sent them home and courting

0:32:11.960 --> 0:32:15.840
<v Speaker 1>off the area around Jim's gravestone. In two thousands sixteen,

0:32:15.880 --> 0:32:18.600
<v Speaker 1>a councilman from Jim's hometown in Florida made a bid

0:32:18.680 --> 0:32:21.800
<v Speaker 1>to relocate Jim's grave from Paris to the Sunshine State.

0:32:22.320 --> 0:32:24.640
<v Speaker 1>The French and the Doors management both had a good

0:32:24.720 --> 0:32:28.320
<v Speaker 1>laugh over that one. Jim shrine wasn't going anywhere Florida Man.

0:32:29.480 --> 0:32:32.560
<v Speaker 1>The Door's original lineup only released six studio albums in

0:32:32.640 --> 0:32:35.960
<v Speaker 1>the span of four short years. Despite the brevity of

0:32:36.040 --> 0:32:39.520
<v Speaker 1>their output, their legacy has grown to mythic proportions. In

0:32:39.600 --> 0:32:42.600
<v Speaker 1>the nineteen eighties, the Doors catalog was flying off record

0:32:42.680 --> 0:32:45.520
<v Speaker 1>store shelves, aided in part by Electra's decision to drop

0:32:45.600 --> 0:32:48.640
<v Speaker 1>the list price on half of their LPs. The Doors

0:32:48.720 --> 0:32:51.479
<v Speaker 1>sold more albums after Jim Morrison's death than they ever

0:32:51.560 --> 0:32:55.080
<v Speaker 1>did when he was alive. Francis Ford Coppola's nineteen seventy

0:32:55.160 --> 0:32:57.560
<v Speaker 1>nine film Apocalypse Now may have had something to do

0:32:57.680 --> 0:33:00.560
<v Speaker 1>with the rise and popularity. It's You, So the End

0:33:00.680 --> 0:33:03.120
<v Speaker 1>is iconic and became a model for rock music and

0:33:03.200 --> 0:33:07.560
<v Speaker 1>movies about the Vietnam War. Despite the graveside shrine and

0:33:07.600 --> 0:33:11.440
<v Speaker 1>the post mortem record sales, the rumors persist, as rumors do,

0:33:12.320 --> 0:33:15.240
<v Speaker 1>that he faked his own death. That Jim Morrison hopped

0:33:15.280 --> 0:33:17.560
<v Speaker 1>up Playe in Paris early on that morning of July

0:33:17.800 --> 0:33:21.000
<v Speaker 1>three and was never seen again. That there's nothing but

0:33:21.160 --> 0:33:23.480
<v Speaker 1>sand in his coffin, That he's living as a poet

0:33:23.520 --> 0:33:25.640
<v Speaker 1>on the streets of New York City, That he opened

0:33:25.640 --> 0:33:29.200
<v Speaker 1>a ranch in Oregon. Jim Morrison, the poet, the artist

0:33:29.440 --> 0:33:32.360
<v Speaker 1>was he real? Jim Marrison, the drunk, the oh was

0:33:32.480 --> 0:33:35.520
<v Speaker 1>he real. Jim Marris and the revolutionary, the upstart, the

0:33:35.600 --> 0:33:38.200
<v Speaker 1>challenger of norms? What about him? Was he real? And

0:33:38.360 --> 0:33:42.400
<v Speaker 1>Jim Morrison, the dilettante, the tenderfoot, the poser? How about him?

0:33:42.880 --> 0:33:46.000
<v Speaker 1>What was fantasy and what was the truth? With Jim Morrison,

0:33:46.720 --> 0:33:50.080
<v Speaker 1>sometimes the genius moments were a masquerade. At other times

0:33:50.160 --> 0:33:52.680
<v Speaker 1>they were super real. Sometimes he played the role of

0:33:52.760 --> 0:33:54.560
<v Speaker 1>the fool, and it was tough to say in those

0:33:54.640 --> 0:33:57.760
<v Speaker 1>moments that the joke was on him or us, or

0:33:57.840 --> 0:34:00.920
<v Speaker 1>if it was a joke at all, or books his

0:34:01.120 --> 0:34:06.320
<v Speaker 1>life for perhaps even his death. I'm Jake Brennan, and

0:34:06.600 --> 0:34:21.200
<v Speaker 1>this is the seven Club, all right. The twenty seven

0:34:21.239 --> 0:34:23.880
<v Speaker 1>Club is scored and co written by myself, Jake Brennan.

0:34:24.200 --> 0:34:26.839
<v Speaker 1>Zeth Blundy is the lead writer and editor on the show.

0:34:26.960 --> 0:34:30.480
<v Speaker 1>Matt Bowden mixes the show. Additional music and score elements

0:34:30.560 --> 0:34:34.120
<v Speaker 1>by Ryan Spreaker in Henrynetta and The Seven Club is

0:34:34.200 --> 0:34:37.040
<v Speaker 1>produced by myself for Double Elvis and partnership with I

0:34:37.239 --> 0:34:40.799
<v Speaker 1>Heart Radio. Sources for this episode are available at Double

0:34:40.840 --> 0:34:43.560
<v Speaker 1>Elvis dot com on the twenty seven Club series page.

0:34:43.800 --> 0:34:47.240
<v Speaker 1>And The seven Club is released weekly every Thursday. Season

0:34:47.320 --> 0:34:50.160
<v Speaker 1>one features twelve episodes on Jimmie Hendricks, which are all

0:34:50.200 --> 0:34:52.920
<v Speaker 1>available for you to binge right now wherever you get

0:34:53.000 --> 0:34:55.319
<v Speaker 1>in podcasts, and if you like what you hear, please

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0:34:57.280 --> 0:35:00.239
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0:35:00.560 --> 0:35:02.040
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0:35:02.080 --> 0:35:05.600
<v Speaker 1>Club poster designed by the man himself, Nate Gonzalez, then

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0:35:08.320 --> 0:35:12.520
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0:35:18.520 --> 0:35:20.920
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0:35:20.920 --> 0:35:22.839
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0:35:22.880 --> 0:35:24.880
<v Speaker 1>And as always, you can find me blabbing about other

0:35:24.920 --> 0:35:27.400
<v Speaker 1>crazy rock stars and my other shows Disgrace, Lam and

0:35:27.400 --> 0:35:29.200
<v Speaker 1>Blood on the tracks and you can talk to me

0:35:29.320 --> 0:35:34.479
<v Speaker 1>per usual on Instagram and Twitter at Disgrace Land Rock ROLLA.

0:35:39.480 --> 0:35:40.600
<v Speaker 1>What's up your ear is