1 00:00:11,520 --> 00:00:14,560 Speaker 1: So Lisa Renna said that she left the show because 2 00:00:14,600 --> 00:00:16,599 Speaker 1: of death threats and because she had a vision that 3 00:00:16,640 --> 00:00:19,920 Speaker 1: her mother wanted her to leave the show. In my opinion, 4 00:00:20,520 --> 00:00:27,440 Speaker 1: Lisa is leaving the Housewives because the negotiations didn't go 5 00:00:27,760 --> 00:00:31,560 Speaker 1: the way that she wanted them to go. And Bravo 6 00:00:31,760 --> 00:00:34,920 Speaker 1: is always gracious in allowing someone to leave with whatever 7 00:00:35,159 --> 00:00:40,200 Speaker 1: story that they want to tell. And there is always 8 00:00:40,200 --> 00:00:43,360 Speaker 1: the Housewives side, Bravo's side, and the true side. There 9 00:00:43,360 --> 00:00:46,480 Speaker 1: are always three sides to a Housewives story. Housewives side, 10 00:00:46,560 --> 00:00:49,479 Speaker 1: Bravo side, and the true story. I think that Lisa. 11 00:00:49,680 --> 00:00:52,519 Speaker 1: I know that Lisa Renna and Kyle were experiencing death 12 00:00:52,520 --> 00:00:55,240 Speaker 1: threats years ago with Puppy Gate. I know that because 13 00:00:56,320 --> 00:00:59,360 Speaker 1: they told me. I said on Watch It Up and 14 00:00:59,400 --> 00:01:02,240 Speaker 1: Slive that I told Kyla and Lisa Rinna, which I did, 15 00:01:02,520 --> 00:01:04,399 Speaker 1: if you're gonna come for Lisavannah Pump, you better not 16 00:01:04,480 --> 00:01:07,360 Speaker 1: miss meaning like and then the audience took that to 17 00:01:07,400 --> 00:01:10,040 Speaker 1: me and that they had plotted against her, and like 18 00:01:10,280 --> 00:01:12,039 Speaker 1: they said they were getting death threats. It wasn't really 19 00:01:12,080 --> 00:01:14,480 Speaker 1: that deep. I hadn't watched the show. I didn't know 20 00:01:14,560 --> 00:01:17,120 Speaker 1: the context, So all I said was what I said, 21 00:01:17,120 --> 00:01:19,440 Speaker 1: and it happened again years later with the Erica Jane thing. 22 00:01:19,600 --> 00:01:21,840 Speaker 1: Death threats are not anything new but another thing. Oh, 23 00:01:21,920 --> 00:01:24,319 Speaker 1: let's go on a show and act like it's our 24 00:01:24,440 --> 00:01:26,920 Speaker 1: job and we have to do it like you know, 25 00:01:27,080 --> 00:01:30,560 Speaker 1: we must do it, and we're getting death threats. So 26 00:01:30,880 --> 00:01:33,640 Speaker 1: Lisa Renna did not leave the show because of death threats. 27 00:01:33,720 --> 00:01:36,240 Speaker 1: Lisa Renna happens to have gotten death threats for years. 28 00:01:36,440 --> 00:01:39,520 Speaker 1: That's a good thing to say about it. And her 29 00:01:39,520 --> 00:01:41,920 Speaker 1: mom getting visions. I'm sure that did happen, but it's 30 00:01:41,920 --> 00:01:44,839 Speaker 1: also not why she left the show. It's usually wrapped 31 00:01:44,920 --> 00:01:48,760 Speaker 1: up in a bow. It's also very coincidental that Lisa 32 00:01:48,840 --> 00:01:51,280 Speaker 1: Renna was not go It was Lisa Renna is a 33 00:01:51,320 --> 00:01:55,680 Speaker 1: great housewife, brought the drama, was you know, always getting 34 00:01:55,680 --> 00:01:58,440 Speaker 1: herself into something because she put her whole body into it. 35 00:01:58,640 --> 00:02:03,760 Speaker 1: She didn't mind being she didn't mind being polarizing, she 36 00:02:03,800 --> 00:02:07,480 Speaker 1: didn't mind being infamous. Lisa Renna, who I told to 37 00:02:07,480 --> 00:02:09,000 Speaker 1: go on the show and told Andy to have her 38 00:02:09,040 --> 00:02:11,280 Speaker 1: on the show, and who I told her husband to let, 39 00:02:11,440 --> 00:02:13,160 Speaker 1: you know, have her go on the show. She was 40 00:02:13,200 --> 00:02:17,200 Speaker 1: a great housewife. But she left the show when the 41 00:02:17,320 --> 00:02:20,600 Speaker 1: fans didn't like her anymore and didn't want her on 42 00:02:20,639 --> 00:02:22,960 Speaker 1: the show anymore. Like that's when Lisa Renna left the show. 43 00:02:23,360 --> 00:02:27,400 Speaker 1: That's that's when a housewife expires. It's okay, it's not 44 00:02:27,680 --> 00:02:30,480 Speaker 1: when when it gets dark and the audience is no 45 00:02:30,560 --> 00:02:33,480 Speaker 1: longer enjoying watching someone, or when it becomes a hate 46 00:02:33,480 --> 00:02:38,000 Speaker 1: to hate. That's when a person is fired, or their 47 00:02:38,120 --> 00:02:42,000 Speaker 1: contract isn't renewed, or the money they're asking for isn't given. 48 00:02:42,560 --> 00:02:47,240 Speaker 1: But there certainly is no scenario where Lisa Renna just 49 00:02:47,240 --> 00:02:49,560 Speaker 1: decided I don't want to do the show anymore, no 50 00:02:49,560 --> 00:02:52,080 Speaker 1: matter what you pay me. Bro. That did not happen. 51 00:02:53,720 --> 00:02:58,080 Speaker 1: So it makes sense that Lisa Renna's mother came up 52 00:02:58,080 --> 00:02:59,800 Speaker 1: in visions, and it also makes sense that they're have 53 00:03:00,080 --> 00:03:02,680 Speaker 1: been death threats because that's happened to Brandy, that's happened 54 00:03:02,680 --> 00:03:04,720 Speaker 1: to Lisa vander Pump, It's happened to Lisa Renna, It's 55 00:03:04,720 --> 00:03:07,480 Speaker 1: happened to Kyle. This is a show that many people 56 00:03:07,480 --> 00:03:09,880 Speaker 1: have received death threats on. That does not sound like 57 00:03:10,240 --> 00:03:13,679 Speaker 1: a great idea. But the only housewives that have point 58 00:03:13,680 --> 00:03:22,040 Speaker 1: blank quit left by their own choice entirely, meaning not 59 00:03:22,160 --> 00:03:23,960 Speaker 1: they left because they were being made a friend. Not 60 00:03:24,040 --> 00:03:27,520 Speaker 1: they left because the money they didn't get at. You 61 00:03:27,520 --> 00:03:30,320 Speaker 1: know that they left there was like they wanted to leave, 62 00:03:30,480 --> 00:03:38,320 Speaker 1: is myself, Carolyn Manzo, I think, Dina Manzo, Denise Richards 63 00:03:38,880 --> 00:03:42,680 Speaker 1: and maybe years ago Lourie. That's really it, ladies and gentlemen. 64 00:03:43,200 --> 00:03:47,560 Speaker 1: Lisa vander Pump, I think as well, Lisa vander Pump 65 00:03:47,560 --> 00:03:51,680 Speaker 1: as well, Lisa vander Pump, myself, Carolyn Manzo, Dina Manzo, 66 00:03:52,400 --> 00:03:57,960 Speaker 1: maybe Laurie and Denise Richards. Those are the housewives said 67 00:03:57,960 --> 00:04:01,920 Speaker 1: have left completely on their own. Yolanda did not go back, 68 00:04:01,960 --> 00:04:03,760 Speaker 1: but she was demoted to a friend. Like there are 69 00:04:03,800 --> 00:04:07,480 Speaker 1: all fifty shades of gray. One season, Luama was demoted 70 00:04:07,480 --> 00:04:09,840 Speaker 1: to a friend. How did she market that? Vicky was 71 00:04:09,880 --> 00:04:12,240 Speaker 1: asked to leave? How did she market that Derinda was 72 00:04:12,440 --> 00:04:15,400 Speaker 1: you know, was not invited back. So it's a pause. 73 00:04:15,440 --> 00:04:17,360 Speaker 1: Everybody has their own language in a way that they 74 00:04:17,360 --> 00:04:21,120 Speaker 1: want to say it, but that's the bottom line, and 75 00:04:21,120 --> 00:04:23,720 Speaker 1: that's a fact. It's also okay to be fired from 76 00:04:23,760 --> 00:04:26,560 Speaker 1: something where the criteria is to be a fucking train wreck, 77 00:04:26,720 --> 00:04:29,640 Speaker 1: like it's okay, or you could say it's not okay. 78 00:04:29,839 --> 00:04:33,000 Speaker 1: How hard is it to just you know, be entertaining 79 00:04:33,000 --> 00:04:35,680 Speaker 1: on a housewives show, but it's not that easy, so 80 00:04:35,880 --> 00:04:37,400 Speaker 1: you could look at it either way. It doesn't matter. 81 00:04:37,440 --> 00:04:40,599 Speaker 1: Nobody's to be looked down upon because they were let 82 00:04:40,640 --> 00:04:43,200 Speaker 1: go from the Housewives like it's okay, and the people 83 00:04:43,200 --> 00:04:47,120 Speaker 1: that own that are really secure and it's more interesting. 84 00:04:47,160 --> 00:04:49,880 Speaker 1: Tamra was let go and now she's back, So what 85 00:04:49,920 --> 00:05:03,640 Speaker 1: does it really even matter. Melissa and Teresa don't like 86 00:05:03,720 --> 00:05:07,680 Speaker 1: each other. They don't like each other. Teresa is the 87 00:05:07,800 --> 00:05:11,720 Speaker 1: raining Queen of Jersey Housewives, but who gives a shit? 88 00:05:11,880 --> 00:05:14,160 Speaker 1: But she is the raining queen and she does have that, 89 00:05:14,200 --> 00:05:16,920 Speaker 1: and she does hustle and work hard, and I respect her, 90 00:05:16,920 --> 00:05:21,120 Speaker 1: and she's a Rushmore housewife, like I'm not team anybody. 91 00:05:21,120 --> 00:05:23,520 Speaker 1: I think Melissa seems very nice, but the two of 92 00:05:23,560 --> 00:05:28,240 Speaker 1: them are so obviously in competition and jealous of each other, 93 00:05:28,320 --> 00:05:30,800 Speaker 1: and it's just like a sport to be competitive about 94 00:05:30,800 --> 00:05:33,400 Speaker 1: what they're each getting and how successful they are. And 95 00:05:33,440 --> 00:05:35,840 Speaker 1: I always go back to the same thing that I 96 00:05:36,040 --> 00:05:39,000 Speaker 1: understand why it drives Teresa nuts. She was an outsider. 97 00:05:39,000 --> 00:05:41,279 Speaker 1: It was her show that she helped create and build, 98 00:05:41,640 --> 00:05:43,640 Speaker 1: and Melissa was chosen and she didn't know and so 99 00:05:43,720 --> 00:05:46,599 Speaker 1: the whole thing just started off wrong. It's like getting 100 00:05:46,640 --> 00:05:48,520 Speaker 1: a bad start and you can never get your footing. 101 00:05:48,880 --> 00:05:52,279 Speaker 1: So damage was done back then with resentment and having 102 00:05:52,320 --> 00:05:54,200 Speaker 1: to fake it till you make it and all of 103 00:05:54,240 --> 00:05:57,240 Speaker 1: that that is like residual. Now that's one of the 104 00:05:57,240 --> 00:06:00,560 Speaker 1: biggest problems. And they will never ever resolve that issues. 105 00:06:00,560 --> 00:06:03,680 Speaker 1: They will never ever really truly like each other. And 106 00:06:03,760 --> 00:06:06,440 Speaker 1: you know where the worst place ever to nurture and 107 00:06:06,520 --> 00:06:12,320 Speaker 1: improve a relationship is reality television, Like there's a there 108 00:06:12,320 --> 00:06:14,360 Speaker 1: are a million people that you actually think you might 109 00:06:14,520 --> 00:06:16,880 Speaker 1: like because you start filming and you're in you're on 110 00:06:16,920 --> 00:06:20,480 Speaker 1: a desert island playing the Hunger Games, so you have 111 00:06:20,560 --> 00:06:22,600 Speaker 1: to align with someone and you don't even know that 112 00:06:22,600 --> 00:06:24,760 Speaker 1: that's what you're doing, but it's just like kill or 113 00:06:24,800 --> 00:06:27,000 Speaker 1: be killed, and you just need to feel safe and 114 00:06:27,080 --> 00:06:30,480 Speaker 1: hide somewhere and know someone and change something. And the 115 00:06:30,520 --> 00:06:33,440 Speaker 1: producers are definitely saying, like, you guys need to make up. 116 00:06:33,440 --> 00:06:35,320 Speaker 1: This is enough. The show is getting dark. I mean, 117 00:06:35,560 --> 00:06:38,839 Speaker 1: the producers were telling Jill that she had to make 118 00:06:38,920 --> 00:06:42,520 Speaker 1: up with me and she shouldn't keep pushing this rift 119 00:06:42,720 --> 00:06:45,320 Speaker 1: that season that she came back in and just like 120 00:06:45,360 --> 00:06:48,040 Speaker 1: hated me and brought it into the show. The producers 121 00:06:48,080 --> 00:06:49,520 Speaker 1: were looking at the board and they did not think 122 00:06:49,520 --> 00:06:51,520 Speaker 1: it was going to be good for Jill or the show, 123 00:06:51,600 --> 00:06:55,359 Speaker 1: so they were telling her. They later told me fix this, 124 00:06:55,560 --> 00:06:58,719 Speaker 1: like they didn't like it, and the viewers didn't like it. Right, So, 125 00:06:59,279 --> 00:07:01,679 Speaker 1: but the the person in it can't see the forest 126 00:07:01,680 --> 00:07:03,120 Speaker 1: from the trees. They just never want to film with 127 00:07:03,160 --> 00:07:06,080 Speaker 1: the person again. And you're not even thinking about business 128 00:07:06,080 --> 00:07:09,479 Speaker 1: because you're not thinking about good television. Like they're working 129 00:07:09,560 --> 00:07:12,160 Speaker 1: and they want their show to succeed, and the only 130 00:07:12,200 --> 00:07:14,520 Speaker 1: reason that they're even interacting with this other person is 131 00:07:14,560 --> 00:07:17,200 Speaker 1: because of this show. But they are coworkers, and in 132 00:07:17,320 --> 00:07:19,120 Speaker 1: order for it to work and the show to work, 133 00:07:19,160 --> 00:07:21,560 Speaker 1: they have to work together in some way. They can't 134 00:07:21,600 --> 00:07:24,200 Speaker 1: just be separate and not film. Bravo will never go 135 00:07:24,240 --> 00:07:25,880 Speaker 1: for that. They'll have to go on a trip together. 136 00:07:26,280 --> 00:07:28,320 Speaker 1: They'll be they just will have to. They'll have to 137 00:07:28,320 --> 00:07:29,880 Speaker 1: be together. They'll have to go on a trip together. 138 00:07:29,880 --> 00:07:33,880 Speaker 1: They'll have to interact. It's toxic. It brings everybody down. Everything, 139 00:07:34,360 --> 00:07:36,400 Speaker 1: everything is affected. You get to a reunion and like 140 00:07:36,600 --> 00:07:38,680 Speaker 1: make sure that they don't cross each other's paths, make 141 00:07:38,680 --> 00:07:40,440 Speaker 1: sure that their dressing rooms are nowhere near each other. 142 00:07:40,440 --> 00:07:42,320 Speaker 1: Make sure they're not sitting next to each other. One 143 00:07:42,360 --> 00:07:44,120 Speaker 1: of them is worried about how big the other person's 144 00:07:44,120 --> 00:07:47,040 Speaker 1: hotel room was, or how what their call time was, 145 00:07:47,200 --> 00:07:49,880 Speaker 1: or who gets to sit near who, or it's just 146 00:07:49,960 --> 00:07:53,320 Speaker 1: it's all disgusting, toxic shit that doesn't matter. But I've 147 00:07:53,360 --> 00:07:57,480 Speaker 1: said before, it's elective stress. They both are working, they 148 00:07:57,520 --> 00:08:01,320 Speaker 1: both are electing for elect to have this stress in 149 00:08:01,360 --> 00:08:03,960 Speaker 1: their lives. And the thing is, neither of them are 150 00:08:04,000 --> 00:08:07,000 Speaker 1: willing to walk away. They are desperate for the show, 151 00:08:07,080 --> 00:08:09,880 Speaker 1: desperate for the fame, desperate for the relevance, desperate for 152 00:08:09,920 --> 00:08:13,280 Speaker 1: the work, desperate for the money, because don't remember, anybody 153 00:08:13,280 --> 00:08:16,600 Speaker 1: who acts rich on reality TV is really not ninety 154 00:08:16,600 --> 00:08:18,440 Speaker 1: percent of the time. It's all show and no go. 155 00:08:18,840 --> 00:08:21,040 Speaker 1: So both of them would not still be here if 156 00:08:21,080 --> 00:08:23,920 Speaker 1: they didn't need the check on some level. Yes that 157 00:08:24,000 --> 00:08:29,080 Speaker 1: includes Melissa, Yes that includes Joe Gorga, Yes that includes everybody. 158 00:08:29,160 --> 00:08:31,960 Speaker 1: They need the check, otherwise they wouldn't be there enduring this, 159 00:08:32,120 --> 00:08:33,800 Speaker 1: or they need the fame. But I think they need 160 00:08:33,800 --> 00:08:37,080 Speaker 1: the fame and they want that check, so both of 161 00:08:37,120 --> 00:08:40,000 Speaker 1: them are not willing to walk Bravo knows this, Bravo 162 00:08:40,080 --> 00:08:41,599 Speaker 1: knows neither of them are willing to walk. I was 163 00:08:41,640 --> 00:08:44,680 Speaker 1: the worst ever housewife because Bravo always knew I was 164 00:08:44,720 --> 00:08:46,560 Speaker 1: willing to walk, and I would walk, and that I 165 00:08:46,600 --> 00:08:48,680 Speaker 1: didn't need the money and I don't need the relevance 166 00:08:48,720 --> 00:08:52,720 Speaker 1: nor desire it. So both of them will come back. 167 00:08:52,880 --> 00:08:57,360 Speaker 1: Bravo gets to drive. Bravo gets to say, yeah, well 168 00:08:57,400 --> 00:09:00,000 Speaker 1: you'll fucking film together, or you won't be coming back, 169 00:09:00,040 --> 00:09:02,160 Speaker 1: because neither of them is going to say I'm leaving 170 00:09:02,200 --> 00:09:06,120 Speaker 1: the show if she comes back, because they won't leave. 171 00:09:06,679 --> 00:09:08,439 Speaker 1: It's gonna be like that thing with two cars on 172 00:09:08,480 --> 00:09:10,720 Speaker 1: a highway where they keep driving towards each other and 173 00:09:10,800 --> 00:09:13,440 Speaker 1: someone's gonna have to swerve off, and they're both they're 174 00:09:13,440 --> 00:09:16,040 Speaker 1: gonna They're both gonna swerve off and do whatever Bravo says. 175 00:09:16,280 --> 00:09:19,320 Speaker 1: So this is all pomp and circumstance, not unlike for years, 176 00:09:19,360 --> 00:09:21,880 Speaker 1: every year Kyle or Lisa vander Pump said they were 177 00:09:21,920 --> 00:09:24,880 Speaker 1: gonna leave the Housewives. One year Lisa eventually did. Kyle 178 00:09:24,880 --> 00:09:26,600 Speaker 1: always says she's not coming back, but you always know 179 00:09:26,640 --> 00:09:29,679 Speaker 1: she's coming back. So people don't have a ton of leverage. 180 00:09:29,760 --> 00:09:32,520 Speaker 1: And every housewife loves to say that they would walk 181 00:09:32,559 --> 00:09:36,360 Speaker 1: away because it's just words and everyone's fucking talking about 182 00:09:36,360 --> 00:09:38,160 Speaker 1: how they'd punch somebody in a face in a fight. 183 00:09:38,240 --> 00:09:41,199 Speaker 1: But when you get punched by Mike Tyson, shit goes sideways. 184 00:09:41,559 --> 00:09:43,640 Speaker 1: So everybody wants to act like they would walk away. 185 00:09:44,000 --> 00:09:47,319 Speaker 1: But I've seen housewives Deranda for years. She's like, if 186 00:09:47,360 --> 00:09:49,840 Speaker 1: it ever ends, I'm walking away. I'm never looking back. 187 00:09:49,840 --> 00:09:53,040 Speaker 1: I would have a whole new life. And God love her, 188 00:09:53,040 --> 00:09:55,040 Speaker 1: she's a great housewife. But she's walking back in because 189 00:09:55,040 --> 00:09:57,040 Speaker 1: she thought that's how she would handle it. But she 190 00:09:57,080 --> 00:09:59,719 Speaker 1: didn't like the way it felt to not be asked back. 191 00:10:00,120 --> 00:10:03,680 Speaker 1: Didn't like it. And I've seen it. I've seen Luan 192 00:10:03,800 --> 00:10:06,280 Speaker 1: overplay her hand negotiating, then get demoted to a friend 193 00:10:06,600 --> 00:10:08,640 Speaker 1: ask Andy if any of this is not true. I've 194 00:10:08,679 --> 00:10:11,719 Speaker 1: seen her over play her hand, over negotiate, and then 195 00:10:11,800 --> 00:10:14,320 Speaker 1: freak out when they start filming. I've seen Sonya and 196 00:10:14,400 --> 00:10:17,559 Speaker 1: Ramona do it. I've seen them negotiate till the mattresses 197 00:10:17,840 --> 00:10:19,920 Speaker 1: till at the end and then say they're going to walk, 198 00:10:19,960 --> 00:10:22,120 Speaker 1: And then Bravo's gonna walk because it's the two trucks 199 00:10:22,200 --> 00:10:25,040 Speaker 1: on the highway going towards each other, and then Bravo 200 00:10:25,120 --> 00:10:27,520 Speaker 1: does call the buff and they're like, fine, we started 201 00:10:27,559 --> 00:10:29,679 Speaker 1: filming ready, you're not in the show. Then they fucking 202 00:10:29,679 --> 00:10:31,840 Speaker 1: come running back for a lot less money. So the 203 00:10:31,920 --> 00:10:34,520 Speaker 1: thing is Bravo has the leverage, and good for Bravo. 204 00:10:35,040 --> 00:10:38,079 Speaker 1: They have the leverage, and the women will do whatever 205 00:10:38,120 --> 00:10:41,960 Speaker 1: Bravo ultimately wants them to do. So they both if 206 00:10:42,000 --> 00:10:45,959 Speaker 1: the viewer wants them both back, and if Bravo wants 207 00:10:45,960 --> 00:10:49,160 Speaker 1: them both back, they will both be back. No one's 208 00:10:49,200 --> 00:10:52,679 Speaker 1: walking away, no one's leaving. They will have to interact. 209 00:10:53,160 --> 00:10:56,720 Speaker 1: So once this show is ever over, which it may 210 00:10:56,760 --> 00:10:59,480 Speaker 1: not be, they will not be friends. They will maybe bullshit, 211 00:10:59,520 --> 00:11:01,680 Speaker 1: but they don't have the parents to hold them together anymore. 212 00:11:01,840 --> 00:11:04,400 Speaker 1: So there's really no binding force to hold them together 213 00:11:04,520 --> 00:11:07,200 Speaker 1: like the kids. Sort of not really, they will not 214 00:11:08,200 --> 00:11:10,520 Speaker 1: They will not have a relationship. It's just the way 215 00:11:10,559 --> 00:11:12,520 Speaker 1: it goes. They just can't stand each other. It started 216 00:11:12,559 --> 00:11:16,360 Speaker 1: off wrong. Bravo did them no favors. It's not Bravo's responsibility, 217 00:11:16,400 --> 00:11:32,160 Speaker 1: but yeah, yes, yes, yes, yes yes. So it came 218 00:11:32,200 --> 00:11:34,440 Speaker 1: out that Teresa has tax debt in New Jersey of 219 00:11:34,480 --> 00:11:37,840 Speaker 1: over one million dollars. Now I have compassion for Teresa, 220 00:11:37,920 --> 00:11:40,000 Speaker 1: and I feel like Teresa has a bill that she 221 00:11:40,040 --> 00:11:42,439 Speaker 1: hasn't paid. I do not think that she knowingly didn't 222 00:11:42,440 --> 00:11:44,680 Speaker 1: pay this bill. I think that she probably doesn't know 223 00:11:44,679 --> 00:11:46,440 Speaker 1: what's going on with her taxes. I think that she 224 00:11:46,520 --> 00:11:48,880 Speaker 1: probably doesn't have a great accountant, and I think she 225 00:11:48,920 --> 00:11:51,680 Speaker 1: doesn't have a million dollars lying around. Teresa is a worker. 226 00:11:52,120 --> 00:11:55,400 Speaker 1: Teresa's a working mother. Teresa's she does appearances for a 227 00:11:55,400 --> 00:11:57,880 Speaker 1: couple thousand dollars all around the country. She will take 228 00:11:57,920 --> 00:12:00,360 Speaker 1: that money, she will do that post, she will do 229 00:12:00,360 --> 00:12:04,559 Speaker 1: whatever it takes. She's a warrior. She works, and she's 230 00:12:04,600 --> 00:12:08,120 Speaker 1: probably good for the money. She's just working to get it. 231 00:12:08,240 --> 00:12:11,000 Speaker 1: I don't think Kim. I don't think Teresa. Where you know, 232 00:12:11,360 --> 00:12:17,160 Speaker 1: Teresa's wearing fake bags and clothes sometimes and doesn't seem 233 00:12:17,200 --> 00:12:20,040 Speaker 1: to waste a ton of money. And now her husband 234 00:12:20,400 --> 00:12:23,440 Speaker 1: spends on her somewhat. I know they said he bought 235 00:12:23,480 --> 00:12:26,120 Speaker 1: fake Cardier watch bracelets for the kids, and who gives 236 00:12:26,120 --> 00:12:27,920 Speaker 1: a shit to bed any of it? And whatever. It's 237 00:12:27,960 --> 00:12:30,640 Speaker 1: embarrassing and horrifying. I think it's horrifying, But who cares? 238 00:12:30,840 --> 00:12:33,880 Speaker 1: Buy what you want fake or real? Buy your bags, fake, 239 00:12:33,960 --> 00:12:36,719 Speaker 1: or real who care? Who cares? You know? I mean 240 00:12:37,320 --> 00:12:40,679 Speaker 1: it's a fronting and stunting thing. And I'm being hypocritical 241 00:12:40,720 --> 00:12:43,760 Speaker 1: because I have a soft side for Teresa, and Teresa's 242 00:12:43,760 --> 00:12:45,600 Speaker 1: showing her hair and her wedding and I don't know, 243 00:12:45,679 --> 00:12:48,559 Speaker 1: maybe I'm wrong. Is Teresa acting rich like Kim Zolziak. 244 00:12:48,760 --> 00:12:50,680 Speaker 1: I guess so she was paying all the money for 245 00:12:50,720 --> 00:12:54,680 Speaker 1: the furniture and then got caught. But I don't know. 246 00:12:54,720 --> 00:12:55,719 Speaker 1: I don't know why I have. I have a saft 247 00:12:55,760 --> 00:12:57,640 Speaker 1: spot for Teresa because she works her fucking ass off 248 00:12:57,640 --> 00:12:59,160 Speaker 1: and she went to jail and did her time and 249 00:12:59,200 --> 00:13:03,520 Speaker 1: came out. But I found not. I can't be a hypocrite. 250 00:13:03,559 --> 00:13:07,480 Speaker 1: So Teresa does front and stunt a little bit. It's 251 00:13:07,480 --> 00:13:09,560 Speaker 1: just a different brand of fronting and stunting. Like Kim 252 00:13:09,640 --> 00:13:12,079 Speaker 1: Zolziak acted like she was really rich, no one ever 253 00:13:12,080 --> 00:13:14,760 Speaker 1: believed it, but she's kind of acting. Teresa's acting like 254 00:13:14,760 --> 00:13:17,800 Speaker 1: she's sort of like Jersey New Money, you know, big 255 00:13:18,760 --> 00:13:21,000 Speaker 1: glossy house that you can probably knock over, like a 256 00:13:21,040 --> 00:13:23,600 Speaker 1: card house, because the outside looks shiny and perfect, like 257 00:13:23,600 --> 00:13:26,880 Speaker 1: a nice big whipped cream cake, like Teresa's hair, Like 258 00:13:26,960 --> 00:13:29,680 Speaker 1: it's like you know it's so like elaborating over the 259 00:13:29,679 --> 00:13:32,599 Speaker 1: top that I guess because it's funny and humorous, and 260 00:13:32,600 --> 00:13:35,840 Speaker 1: because I like her, it lands better I Louis. He 261 00:13:35,960 --> 00:13:37,600 Speaker 1: was very nice. I met him like. I have a 262 00:13:37,640 --> 00:13:39,600 Speaker 1: soft spot for Teresa, so it's hard for me to 263 00:13:39,600 --> 00:13:43,640 Speaker 1: talk about her being in debt. But I think she 264 00:13:43,679 --> 00:13:48,040 Speaker 1: works hard for her money and she probably isn't that 265 00:13:48,120 --> 00:13:51,280 Speaker 1: smart about that type of business and doesn't know. I 266 00:13:51,280 --> 00:13:53,240 Speaker 1: don't know. I just I don't bet against Teresa. I 267 00:13:53,320 --> 00:13:56,000 Speaker 1: think she's not I think she's not a genius, but 268 00:13:56,040 --> 00:13:57,800 Speaker 1: I don't think she's stupid. I don't know. There's something 269 00:13:57,800 --> 00:14:00,400 Speaker 1: about Teresa. I just I have a saft spot for her, 270 00:14:00,559 --> 00:14:02,280 Speaker 1: and people get mad at me when I really when 271 00:14:02,320 --> 00:14:04,160 Speaker 1: I picked her as a as a Rushmore, and people 272 00:14:04,200 --> 00:14:06,400 Speaker 1: don't like her, and people don't like me. I don't know. 273 00:14:07,559 --> 00:14:09,679 Speaker 1: I like Teresa. I don't know what what maybe it 274 00:14:09,679 --> 00:14:12,360 Speaker 1: said I know Teresa, But do I really know Teresa. 275 00:14:12,400 --> 00:14:14,080 Speaker 1: I've men met her a couple of times. I don't know. 276 00:14:14,080 --> 00:14:15,800 Speaker 1: I have a soft spot. I don't know. It's not 277 00:14:15,920 --> 00:14:16,160 Speaker 1: fair