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Speaker 1: Look, may Oh, I see you and look over there

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Speaker 1: is that culture. Yes, lost culture ding Dong, lost culturist.

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Speaker 1: This is a brand new space and I really had

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Speaker 1: to orient myself.

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Speaker 2: This is it. It's very sunset Bulevard, those people out

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Speaker 2: there in the Vard. Yeah, it's very I love that

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Speaker 2: for you too. And Vanessa's character is auditioning for to

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Speaker 2: be a QVC tvc host. You know what I just

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Speaker 2: realized about you. They'd be so lucky to have you

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Speaker 2: go to QVC. No, don't even why do you why

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Speaker 2: you would?

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Speaker 3: No?

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Speaker 2: I said you could sell products on television live. It

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Speaker 2: is a hard job and it is kind of too.

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Speaker 2: It's like in cased in amber, that kind of television.

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Speaker 2: You know, it's like time, like seeing Stacy Rush do

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Speaker 2: it from the real House of the Potomac. M be

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Speaker 2: a QVC legend. I go, this is so comforting. These

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Speaker 2: women are selling some of the ugliest jeggings you've ever seen.

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Speaker 4: Juwel tone jegging that comes with a bracelet and it's

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Speaker 4: like a christ bracelet. It's like, what I love about

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Speaker 4: these jewel tone jeggings is I can feel confident and

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Speaker 4: sexy while also staying a Christian woman. Yeah, and I'm

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Speaker 4: a Christian woman while I also you get you know,

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Speaker 4: I'm fun.

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Speaker 2: And that's one thing at home that I think a

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Speaker 2: lot of people are thinking. And I know there's a

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Speaker 2: lot of good Christians out there, is can I still

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Speaker 2: be fun? Wow? Now these are flying off the shelves.

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Speaker 2: We've we've already sold twelve these are these are really sellings.

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Speaker 4: And we only have fifteen. And so that's why I'm

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Speaker 4: saying this is And that's how I know there's a

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Speaker 4: lot of great Christians out there.

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Speaker 2: And this isn't a gang, but this is. And can

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Speaker 2: I just say we were just doing it? You know

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Speaker 2: we were You were doing it? No, you I was.

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Speaker 2: I'm sorry? Am I blind it doing it? You were

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Speaker 2: doing it? I like threw a penny in the fountain,

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Speaker 2: you know what I mean? I didn't, I didn't fully.

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Speaker 3: You threw a rhymestone.

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Speaker 2: Wow, a jewel tone, a jewel ton ran so speaking,

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Speaker 2: I mean writer performers then up legend by the way,

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Speaker 2: like we're sitting here, we're just thrilled because this has

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Speaker 2: been a long time been a long time coming. This

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Speaker 2: is someone who has seen us bomb and gravel and

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Speaker 2: just be among not bomb. We've we've bombed. I've never

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Speaker 2: seen you bomb. I don't know if I don't know

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Speaker 2: if when have we never seen you? True?

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Speaker 3: No, I truly I would not say that. I would

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Speaker 3: honestly say I'm sure.

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Speaker 2: I had Union Hall sweats in front of you at

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Speaker 2: some point while you were in the back, being like

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Speaker 2: Union Hall sweats. Is that something we'd call it? It's

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Speaker 2: a union Oh? I felt many Union Hall sweats. I

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Speaker 2: guess I crushed at Union Hall every time.

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Speaker 4: You've never never has only felt the Union Hall shoulder

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Speaker 4: shake one off stage killed them people.

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Speaker 2: I was bombing so hard. I turned around to the

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Speaker 2: lady who's hanging on the wall, and I said she

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Speaker 2: was Mary Todd Lincoln. But that's not who that lady is.

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Speaker 2: But you know what I mean, you might as well

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Speaker 2: be married to Miss Hall, Miss Hall.

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Speaker 4: And but listen, this voice that you're hearing, if you're

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Speaker 4: listening to this at home, is one of our pals.

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Speaker 2: It's been a long time coming. The mother Load is

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Speaker 2: the special. Honestly, it is funny every single second, which

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Speaker 2: dare I say. You can't say even about stand up specials,

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Speaker 2: most of them. This is not any piece of comedy,

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Speaker 2: any piece of comedy like come see us at Union

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Speaker 2: Hall ten years ago. You get a few chuckles in,

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Speaker 2: they're going to chuckles and that's it. She's self directed

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Speaker 2: it which we need to talk about love. That's fucking

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Speaker 2: so fun, so cool of you. I need we need

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Speaker 2: to ask you about this. She's on the Harmless Lady tour.

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Speaker 2: By the time this comes out, she will have Edmonton,

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Speaker 2: I'm sorry, Baltimore than Edmonton and Sacramento. Shut up. I

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Speaker 2: can't believe it.

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Speaker 3: You know, you know my tour date.

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Speaker 2: I know your date.

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Speaker 3: I don't know the dates. Well, it's up from I

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Speaker 3: mean the cities into the cities. I think Cleveland is

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Speaker 3: in there.

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Speaker 2: Cleveland's in there. I think by the time this comes out.

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Speaker 2: But yeah, Cleveland from the future. Go see Yeah.

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Speaker 4: And you just really really feel shame about this because

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Speaker 4: the fact is this is one of the greats. Please

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Speaker 4: welcome into your ears, Rosebud Baker. I'm so excited when

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Speaker 4: I saw you at SNL the other night, at the

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Speaker 4: overwhelming joy I felt. And it wasn't just because Lady

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Speaker 4: Gaga was in the building. It was because Rose the

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Speaker 4: fuck it.

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Speaker 3: Every time I see you at SNL, I get like

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Speaker 3: I get excited. And it's not just because somebody from

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Speaker 3: outside of the.

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Speaker 2: Building is in the building.

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Speaker 3: Yeah, you know, sweats where you're like, oh my god,

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Speaker 3: somebody somebody humanity.

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Speaker 2: Does you feel Have we talked about this? It feels

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Speaker 2: a little bit both violatory and exhilarating when like people

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Speaker 2: from the outside world like yeah, me yes.

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Speaker 3: And it's it's odd because obviously love my husband, hate

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Speaker 3: bringing him to the party, really hate. I feel like

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Speaker 3: I'm a babysitting. He doesn't operate with this is the problem.

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Speaker 3: He doesn't operate with the same level of paranoia that

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Speaker 3: I have to operate at. So I walk around after

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Speaker 3: him just being like, what do you say to them?

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Speaker 2: Right to them? It's like knowing where the land mines

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Speaker 2: are in the battle.

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Speaker 3: Yes, and He'll be like they were fine, and I'm like, yeah,

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Speaker 3: but what face did they?

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Speaker 2: Right? I now just pictured Andy just walking into a

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Speaker 2: battlefield and it was It made me laugh. He's a

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Speaker 2: funny guy. Funny guy he is.

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Speaker 3: He's he is a Redwood.

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Speaker 4: Honestly, bts for people that that that we're not here

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Speaker 4: for the conversation. Prior to us recording, I saw Redwood

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Speaker 4: last night. The Dina Menzel Tree Musical. We're calling it

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Speaker 4: Tree Dina.

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Speaker 2: Here's what I'll say. I loved watching her in the tree,

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Speaker 2: and I loved how much joy she was feeling doing

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Speaker 2: the musical. And that is where I will end. That's

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Speaker 2: what people say to me every week after an SNL show. You,

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Speaker 2: I like you so much, so much fun in this guy.

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Speaker 2: And that's that's what a comedy show should be.

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Speaker 3: Yeah, that's what's important.

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Speaker 2: You bring us joy.

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Speaker 3: Yeah, and and and you're happy.

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Speaker 2: Yeah, you have no idea what I've been through. Yeah,

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Speaker 2: But anyway, this special is so good.

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Speaker 3: Thank you, thank you for watching it. I truly whenever

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Speaker 3: when I start already doing it, when I was like, Okay,

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Speaker 3: I'm going to do a special about like becoming a

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Speaker 3: mom and what that feels like, I was like, this

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Speaker 3: feels a little bit like walking into an open grave

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Speaker 3: because everybody, no one cares. No one cares. Whenever I

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Speaker 3: bring up motherhood, I feel like I just was like,

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Speaker 3: are you guys into rollerblading? Everybody just looks at me

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Speaker 3: like if you are, I guess you know. So I

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Speaker 3: tried to make it a special that felt like whether

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Speaker 3: you had had kids didn't have kids. It was funny

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Speaker 3: and you could enjoy it, and so I feel like

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Speaker 3: I succeeded.

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Speaker 2: It just feels like you the entire time.

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Speaker 4: It doesn't feel like this is my special on motherhood

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Speaker 4: or becoming a mother. It's feels like this is Rosebud's special, right,

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Speaker 4: And I love that.

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Speaker 2: Thank you.

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Speaker 4: It's it's great. You really are one of the best

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Speaker 4: joke writers out there. No, I'm it's it's for real.

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Speaker 4: I mean like it's just great to say people like

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Speaker 4: actually put jokes in.

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Speaker 2: And a comedy piece period.

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Speaker 3: What feels and what's important to is that you're happy

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Speaker 3: and you had fun.

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Speaker 2: You were having fun up and you're having fun up.

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Speaker 4: There was the choice to shoot I guess you shot

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Speaker 4: it twice, yes, once eight months.

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Speaker 3: So I shot two separate hours, right. It was like

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Speaker 3: I shot the first hour when I was eight months pregnant.

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Speaker 3: I waited a year. I took the jokes from that

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Speaker 3: hour and I kind of like built on them based

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Speaker 3: on my experience after having had the baby, right, and

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Speaker 3: then shot a second half of it a year after

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Speaker 3: having the baby and combined the two into one special.

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Speaker 2: I love it.

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Speaker 3: It was really fun to do, honestly, I mean it

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Speaker 3: was terrifying.

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Speaker 2: And crazy.

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Speaker 3: When I look back at it, I'm like, that was

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Speaker 3: insane of me. Only somebody who's like living with the

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Speaker 3: fear of being kicked out of the industry it would

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Speaker 3: do something like this. No, truly, I like that is

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Speaker 3: what I look at it, and I'm like that was

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Speaker 3: what was motivating me. I was like, I have to

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Speaker 3: keep working, you know, like like this is going to

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Speaker 3: feed her, you know.

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Speaker 2: So, oh I hear you.

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Speaker 3: Yeah, So I was like I was working my ass off,

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Speaker 3: But it was really when I look back at it,

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Speaker 3: I'm like, it's so I do feel like and I

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Speaker 3: feel like a loser saying it. I'm like, it does

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Speaker 3: feel like it's so me, And so when I look

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Speaker 3: at it, I'm like, I'm proud of it. It doesn't

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Speaker 3: feel like something where I was trying to like impress,

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Speaker 3: you know, middle aged men, which when I watch my

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Speaker 3: first special, I'm like, Okay, I see what you were

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Speaker 3: doing there. You were trying to like get the respect

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Speaker 3: of the comics and get that, you know, And now

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Speaker 3: I watch this and I go that was that was

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Speaker 3: like one hundred percent me and just trying to like

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Speaker 3: make something that I was proud of, you know.

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Speaker 2: And like you shouldn't even like rate yourself retroactively on

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Speaker 2: the first special because we went through that phase. We're

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Speaker 2: probably still going through that phase of like, I guess

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Speaker 2: it should appeal to a general audience, which means inevitably

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Speaker 2: like people that aren't like me exactly.

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Speaker 4: Yes, yes, let me sort of traffic in this thing

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Speaker 4: that I don't necessarily believe in and also am not

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Speaker 4: so that I can get across this thing that may.

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Speaker 2: Do better as a result. Right, But then you find

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Speaker 2: out it's a complicated thing. But it's like, no, just

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Speaker 2: be yourself. That's what's gonnnect with people. And yes, that

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Speaker 2: connects you with your fans, but it still doesn't really

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Speaker 2: work in the industry. Yeah, there still will ask.

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Speaker 3: It's like you can build your own fan base, and

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Speaker 3: it's like the industry is still like, well, what.

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Speaker 2: About the men in Ohio?

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Speaker 3: Right?

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Speaker 2: I forgot about them because I don't think.

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Speaker 3: I don't care. I don't want them, I don't even care.

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Speaker 3: Like it surprised me that men did like the special

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Speaker 3: like straight guys did. Like it was a little disappointing,

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Speaker 3: but I was like, okay, I'll take the win. I

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Speaker 3: was like, okay, but it did feel like I guess

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Speaker 3: that's just what happens, like when you are you, it doesn't.

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Speaker 3: Then that's all you want. You just want to get

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Speaker 3: on stage and not have to just get over that

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Speaker 3: hump of like explaining who you are in the context

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Speaker 3: of the rest of the world for the joke to land.

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Speaker 2: Yeah, do you know what I mean? Well, because it's

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Speaker 2: it's that thing. And I'm rolling my eyes as I

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Speaker 2: say this out loud. It's like you're being so specific

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Speaker 2: that it feels universal, right, like like the guy in

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Speaker 2: Ohio can appreciate, like as a husband getting post part

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Speaker 2: of anxiety like Andy did or something.

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Speaker 3: Ye know what I mean?

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Speaker 2: Yeah, which I didn't even know could happen either. I

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Speaker 2: didn't know it could happen, but then obviously.

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Speaker 4: It made sense, like it is his child. And it's

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Speaker 4: like if you if you're someone who can rum in

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Speaker 4: it on the idea of like this is a thing that.

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Speaker 2: Wasn't alive a little bit ago, right, you know what

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Speaker 2: I mean?

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Speaker 3: Yes, And You're like and the whole time, it's funny

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Speaker 3: because I have like a traumatic reaction to like sickness.

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Speaker 3: I'll be like, she's not sick, he's not sick, And

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Speaker 3: then Andy you'll be like, but she is, but she is,

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Speaker 3: And it actually turns out to really be perfect because

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Speaker 3: Jill called the doctor on stuff where I'm like, I

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Speaker 3: don't think we need to be concerned about that because

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Speaker 3: that could be a nightmare for me emotionally and terrifying

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Speaker 3: and for her. And sometimes I'm like, thank god, you're paranoid,

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Speaker 3: because yeah, sure, you know.

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Speaker 2: It's a checks and balances. Yeah. Do you think that that?

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Speaker 4: Because also in especially you talk about how you guys

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Speaker 4: were raised very differently like you like you'd make a

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Speaker 4: joke about like your dad throwing you like a football

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Speaker 4: into like a lake and being like that's how you

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Speaker 4: swim and then jumping in and saving you and being like.

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Speaker 2: You saved your life a guy. Yeah, and whereas like

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Speaker 2: you know, split.

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Speaker 4: Into loving your father yeah right yeah, and he's from Seattle,

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Speaker 4: from a more like I guess, liberal progressive yeah situation.

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Speaker 2: Yeah. Do you think that that has informed you as parents,

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Speaker 2: even if you're like growing up being like that, there's

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Speaker 2: no way, there's no way I'm not going to throw

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Speaker 2: my kid in the water.

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Speaker 3: Right, Yeah, one hundred percent, because I'll be like I

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Speaker 3: remember him coming home with minno and and he was like,

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Speaker 3: I think she has a dairy allergy. And I remember

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Speaker 3: my reaction going, no, she doesn't.

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Speaker 2: That's not those don't exist, even fully aware they do.

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Speaker 2: But your parent jumps out.

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Speaker 3: I literally was like, no, right, not an option. And

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Speaker 3: I didn't. I didn't look into it. I didn't ask

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Speaker 3: him why he thought that.

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Speaker 2: Even I just.

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Speaker 3: Went neath, it's not now brand new gut, yeah, brand

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Speaker 3: new gut.

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Speaker 2: You can't ergy this way, yes, And we found out.

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Speaker 3: Yes, we did not find out. I think I actually

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Speaker 3: on that one, he was like, you might be right

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Speaker 3: about this.

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Speaker 2: You want yeah, complacency want, yes, but.

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Speaker 3: We will hopefully we we should just get it checked out. Honestly,

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Speaker 3: looking at it now, I'm like, you probably should just

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Speaker 3: take a look.

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Speaker 2: The gunkles say check it out. That it reminds me

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Speaker 2: of this other joke you have about your mom, like

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Speaker 2: talking about like getting you getting blood transfusion when you

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Speaker 2: were an infant at a time when kids were getting

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Speaker 2: aids from Yes, the transfusion, yes, and you being like,

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Speaker 2: well did I have it? And then she's like, well,

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Speaker 2: we never got a check because it would have ruined

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Speaker 2: your social.

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Speaker 3: Life right in first grade. I'm like, literally first grade

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Speaker 3: I think she was like, you could have.

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Speaker 2: You could have.

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Speaker 3: We just never found out. And the doctor said it

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Speaker 3: would be bad for your social life. I was like, no,

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Speaker 3: he didn't the wasp doctor. Yeah, it was like absolutely not.

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Speaker 3: And it's funny too because my mom, like the Pokemon

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Speaker 3: evolution of my mother is like going from like Republican

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Speaker 3: wife to like real divorcee who like paints in Maine. Yes,

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Speaker 3: and she she is now very liberal in a way

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Speaker 3: that you're kind of like, Okay, you're overshooting.

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Speaker 2: She's overshooting.

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Speaker 3: Yes, you know, she's painting a Ukrainian flag in her

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Speaker 3: in her garage, and she's like, look at this, look

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Speaker 3: at what I did with a big sunflower in the

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Speaker 3: middle of it. You're like, cool, you are dis rediscovery good. Yeah, no,

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Speaker 3: that's good for you, you know.

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Speaker 2: But then, does do you feel her brain in your

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Speaker 2: head and in this moment of parenthood, I do? I

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Speaker 2: you know, that's a really good question.

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Speaker 3: I feel like my dad's parenting had more of an

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Speaker 3: effect even though I was with my mom. So I mean,

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Speaker 3: I think the artistic side of me is all my mother,

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Speaker 3: Like she's a painter. Her whole side of the family

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Speaker 3: is like all like writers, painters, you know, photographers, and

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Speaker 3: and my sister is in the art gallery world. She

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Speaker 3: works and art and so I and my other sister's

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Speaker 3: a musician. So it's all like we're all very much that. Yeah.

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Speaker 3: But my dad, maybe it was like the absence of him,

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Speaker 3: right that made his presence like more of a or

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Speaker 3: maybe just genetically, I I'm that's where it comes from.

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Speaker 4: Do you think maybe like the absence of him made

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Speaker 4: you fixate on him more and therefore like his parenting,

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Speaker 4: like was it's the searching for that or the wanting

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Speaker 4: that that makes it Like I don't know.

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Speaker 3: I'm just like I look at it and I go

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Speaker 3: he was. He was like a fucked up guy. And

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Speaker 3: when I think about it, I'm like, he's kind of

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Speaker 3: the reason I'm funny, you know. I Like when I

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Speaker 3: think about my dad making fun of people jogging, I'm

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Speaker 3: like that, like that's my sense of human.

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Speaker 2: Was your comedic influence? Yes, yeah, yeah, they do tend

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Speaker 2: to be that. Yeah, my dad. I don't know my dad.

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Speaker 4: I feel like we probably had similar dads my dad

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Speaker 4: Long Island.

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Speaker 2: Yeah.

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Speaker 3: Yeah, but it's kind of like I was listening to

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Speaker 3: the episode with Sarah when you were talking about how

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Speaker 3: he drew him asking for a bah.

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Speaker 4: Yeah yeah, peanut, get me, I mean yeah. And all

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Speaker 4: my mom could say was I love you. It's not funny.

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Speaker 3: Did he make him?

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Speaker 2: Did he make you walk on his back when his

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Speaker 2: back hurt? You know what?

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Speaker 4: You know what's crazy. I used to make people do that.

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Speaker 4: I used to make study do that. Study was walking on.

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Speaker 2: My back all of college. And now I'm like, did

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Speaker 2: I get that from my dad? I don't think so.

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Speaker 2: My dad was just the thing of on my biceps,

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Speaker 2: I can lift you to heaven. Oh yeah, like I

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Speaker 2: did that. So it was it was a lot of

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Speaker 2: other physical stuff. And he used to we used to

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Speaker 2: play a game called Crocodile where he was a crocodile

349
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Speaker 2: in the bed and I was like trying. I was

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Speaker 2: like a muskrat and he would take me and throw

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Speaker 2: me off the bed. Oh yeah, that's the best. That's

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Speaker 2: what we do with meno. She loves that. I bet

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Speaker 2: that's fun.

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Speaker 3: Ye get thrown Yeah, it's really fun.

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Speaker 2: She really loves it.

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Speaker 3: She doesn't do herself now where we'll like grab her,

357
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Speaker 3: we'll throw her into the bed and then we'll say

358
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Speaker 3: boom while she does it. So then she'll climb up

359
00:16:02,120 --> 00:16:04,280
Speaker 3: on the bed and she'll just fall into the pillows and.

360
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Speaker 2: Go boom boom.

361
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Speaker 3: It's very lonely to see to see her do it

362
00:16:07,920 --> 00:16:08,760
Speaker 3: to herself, you.

363
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Speaker 2: Know what though, And the humor form, it's a humor

364
00:16:11,120 --> 00:16:14,720
Speaker 2: she's pratfall. Oh yeah, pratfall queen, big time, big time.

365
00:16:15,040 --> 00:16:18,160
Speaker 2: You've been asked a million times. But with two comedian parents,

366
00:16:18,200 --> 00:16:22,200
Speaker 2: what is what are you likelihood? Do you expect her? How?

367
00:16:22,720 --> 00:16:24,400
Speaker 2: How is she going to spit that out when she

368
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Speaker 2: grows up?

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Speaker 3: You know, I have no idea. I genuinely hope for

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00:16:28,680 --> 00:16:31,240
Speaker 3: her sake that she's not a comic, But I also

371
00:16:31,600 --> 00:16:33,760
Speaker 3: am like, I understand it's my job as a parent

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00:16:34,120 --> 00:16:37,200
Speaker 3: to nurture whatever, to nurture whatever she wants to do,

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Speaker 3: and that is like what I intend to do. And

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Speaker 3: if she wants to do comedy, I'm gonna be like great.

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Speaker 2: You know then also, you guys are going to be

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00:16:48,720 --> 00:16:51,760
Speaker 2: there as comics one day watching her sets, and that's

377
00:16:51,760 --> 00:16:54,200
Speaker 2: gonna be really tough, Yeah, because you're gonna have to

378
00:16:54,200 --> 00:16:56,320
Speaker 2: go through a developmental period. Yeah.

379
00:16:56,440 --> 00:16:58,720
Speaker 3: You know what I think is I just just based

380
00:16:58,760 --> 00:17:01,640
Speaker 3: off of her personalities so far, I do think that

381
00:17:01,680 --> 00:17:05,040
Speaker 3: when she if she doesn't like it right away, she's

382
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Speaker 3: gonna be like.

383
00:17:05,600 --> 00:17:07,160
Speaker 2: And I don't want to.

384
00:17:07,400 --> 00:17:12,240
Speaker 3: So it's like, great, let's Gemini Moon, you know, try whatever,

385
00:17:12,400 --> 00:17:14,439
Speaker 3: Try a lot of different things and then see what

386
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Speaker 3: you like.

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00:17:14,840 --> 00:17:16,399
Speaker 4: By the way, I remember one of the one of

388
00:17:16,440 --> 00:17:18,960
Speaker 4: the times that we hung out at Usnel and Bowen's

389
00:17:19,000 --> 00:17:21,880
Speaker 4: dressing room, you came in and you were crowdsourcing names. Yes,

390
00:17:22,640 --> 00:17:25,040
Speaker 4: there was an era where you were like really looking

391
00:17:25,080 --> 00:17:27,640
Speaker 4: to people to because like narrowed it down.

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00:17:27,800 --> 00:17:32,560
Speaker 3: Yes, yeah, and I love Minno. It's like my aunt's nickname.

393
00:17:33,400 --> 00:17:36,200
Speaker 3: I feel like it's just like a cute little homage

394
00:17:36,240 --> 00:17:36,760
Speaker 3: to her.

395
00:17:37,040 --> 00:17:39,840
Speaker 2: And yeah, it's fun to say.

396
00:17:40,080 --> 00:17:42,520
Speaker 4: When I heard we landed there, I was like, I

397
00:17:42,520 --> 00:17:44,359
Speaker 4: don't know if that was even in the ether at

398
00:17:44,400 --> 00:17:44,720
Speaker 4: that time.

399
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Speaker 3: I think I said it to you and Greta.

400
00:17:46,640 --> 00:17:48,560
Speaker 2: You may have, and I think we we did have

401
00:17:48,600 --> 00:17:49,920
Speaker 2: a very positive yeah.

402
00:17:49,760 --> 00:17:51,520
Speaker 3: Because we were. But we were going back and forth

403
00:17:51,560 --> 00:17:53,560
Speaker 3: about the middle name. If you have Minno, then what's

404
00:17:53,600 --> 00:17:56,879
Speaker 3: the middle name, because I was like, what about like Penelope?

405
00:17:56,960 --> 00:17:59,320
Speaker 3: And then we were like that's a little Wes Anderson, Yes,

406
00:18:00,119 --> 00:18:07,160
Speaker 3: now like Penelope, Yeah, yes, wait, what is the middle name?

407
00:18:07,440 --> 00:18:08,000
Speaker 3: It's Baker.

408
00:18:09,359 --> 00:18:09,879
Speaker 2: Yeah.

409
00:18:10,000 --> 00:18:12,479
Speaker 3: Oh my god, so I just made it Baker.

410
00:18:12,960 --> 00:18:15,840
Speaker 2: Oh that rocks. Yeah, hands right.

411
00:18:16,000 --> 00:18:18,879
Speaker 3: It feels it kind of feels like Darling. It feels

412
00:18:18,880 --> 00:18:20,480
Speaker 3: a little bit like it could be that or it's

413
00:18:20,480 --> 00:18:23,080
Speaker 3: like a Welterweight from like the nineteen fifties.

414
00:18:24,359 --> 00:18:29,560
Speaker 2: Not heavy, not like we Meno be Hanes. Yeah, is

415
00:18:29,560 --> 00:18:36,760
Speaker 2: the Welterweight? Incredible author? I feel right, that's important feminist work. Yes, producer,

416
00:18:37,000 --> 00:18:41,320
Speaker 2: music producer. One word minnow like Willow Minno, welcome back

417
00:18:41,359 --> 00:18:45,119
Speaker 2: to c Jones. Yes, yes, Meno be Haynes, Meno be Haynes.

418
00:18:47,480 --> 00:18:50,840
Speaker 2: I love it. It's fun. You have my favorite. I

419
00:18:50,840 --> 00:18:52,760
Speaker 2: think my favorite. There's a lot of hard to pick

420
00:18:52,760 --> 00:18:55,680
Speaker 2: a favorite. I think my favorite currently. Joking, the special

421
00:18:55,800 --> 00:18:58,000
Speaker 2: is being a mother in New York is like being

422
00:18:58,000 --> 00:19:00,640
Speaker 2: a gay man in the fifties. You have to hang

423
00:19:00,720 --> 00:19:02,160
Speaker 2: out with people who are like you and it has

424
00:19:02,200 --> 00:19:08,320
Speaker 2: to be in the park. It's like, I don't know

425
00:19:08,320 --> 00:19:10,399
Speaker 2: how anyone does it here. I really don't.

426
00:19:10,520 --> 00:19:10,680
Speaker 3: Yeah.

427
00:19:10,920 --> 00:19:12,320
Speaker 2: Yeah, you can't go to restaurants.

428
00:19:12,320 --> 00:19:14,920
Speaker 3: You can't go to restaurants, and people talk to you differently,

429
00:19:15,240 --> 00:19:17,119
Speaker 3: like people that you've known your whole life. They talk

430
00:19:17,160 --> 00:19:17,720
Speaker 3: to you differently.

431
00:19:17,840 --> 00:19:21,520
Speaker 2: I was dying at MoMA.

432
00:19:21,600 --> 00:19:23,280
Speaker 4: And it's not even that you are like a gay

433
00:19:23,320 --> 00:19:24,960
Speaker 4: guy too, because we're all calling each other mom mouse.

434
00:19:29,320 --> 00:19:32,560
Speaker 3: Yeah, and the whole time you're judging each other, you're

435
00:19:32,560 --> 00:19:33,600
Speaker 3: totally judging each other.

436
00:19:33,600 --> 00:19:34,480
Speaker 2: And how do you do it?

437
00:19:35,000 --> 00:19:38,440
Speaker 4: How you like mom friends explicitly that you actually like, Yeah,

438
00:19:38,720 --> 00:19:40,000
Speaker 4: Like what are the challenges, Keavin?

439
00:19:40,119 --> 00:19:42,280
Speaker 3: I have not made a single mom friend. Yeah, I

440
00:19:42,320 --> 00:19:45,480
Speaker 3: mean I have. I have friends who are moms that

441
00:19:45,600 --> 00:19:48,840
Speaker 3: do comedy, so like comic moms I do get along

442
00:19:48,840 --> 00:19:51,399
Speaker 3: with really well because I'm like, they get it, they understand.

443
00:19:52,080 --> 00:19:55,719
Speaker 3: But it's weird to be a stand up who's a

444
00:19:55,760 --> 00:19:59,600
Speaker 3: mom because you don't really fit in with the other moms, right,

445
00:20:00,000 --> 00:20:03,239
Speaker 3: and you don't fit in with the stand ups and

446
00:20:03,280 --> 00:20:06,280
Speaker 3: you're just kind of like, so stand up comics who

447
00:20:06,359 --> 00:20:10,760
Speaker 3: are moms or parents you kind of understand because you

448
00:20:10,840 --> 00:20:12,639
Speaker 3: really are living like a severed life.

449
00:20:13,080 --> 00:20:17,280
Speaker 2: It's weird to do, yes, you know what I mean. Yeah,

450
00:20:17,320 --> 00:20:19,720
Speaker 2: And you've got a crazy job and it's like, I know.

451
00:20:20,040 --> 00:20:22,680
Speaker 3: Andy went to a party last night for the first time.

452
00:20:22,720 --> 00:20:25,879
Speaker 3: He like went to paintball with like a bunch of

453
00:20:25,880 --> 00:20:29,600
Speaker 3: his friends and he came and it felt like something

454
00:20:29,680 --> 00:20:33,320
Speaker 3: like awoke in him. He was like, he goes, I don't.

455
00:20:33,359 --> 00:20:36,679
Speaker 3: I don't think I realized how isolating this is. And

456
00:20:36,720 --> 00:20:39,119
Speaker 3: I was like, yeah, he goes, that was the most

457
00:20:39,119 --> 00:20:40,479
Speaker 3: fun I've had in years.

458
00:20:40,640 --> 00:20:42,479
Speaker 2: And I was like, paintball.

459
00:20:44,200 --> 00:20:46,960
Speaker 3: Okay, whatever, whatever floats your boat, babe, should we.

460
00:20:47,080 --> 00:20:49,960
Speaker 2: Should we go bowling or something? We should go to

461
00:20:50,000 --> 00:20:53,760
Speaker 2: paint paint and said now I'm literally now I'm gonna

462
00:20:53,760 --> 00:20:56,919
Speaker 2: actually fixate on paintballing. I went paintballing one and it

463
00:20:57,040 --> 00:20:59,399
Speaker 2: was for a straight guy's bachelor party. And you had

464
00:20:59,400 --> 00:21:01,679
Speaker 2: a blast and I had the best time ever. That

465
00:21:01,760 --> 00:21:04,600
Speaker 2: was a straight guy's bachelorette. Yeah, literally, and it was

466
00:21:04,640 --> 00:21:06,000
Speaker 2: it was like a lot of gay guys. Who was

467
00:21:06,000 --> 00:21:08,800
Speaker 2: one of those New York theater straight guys who has

468
00:21:08,840 --> 00:21:11,240
Speaker 2: a lot of gay friends. So it was like Me, Dave,

469
00:21:11,359 --> 00:21:14,160
Speaker 2: our friend Ryan, et cetera, like all getting was this luke.

470
00:21:14,320 --> 00:21:16,680
Speaker 2: Yes it was, and it was we were all getting

471
00:21:16,720 --> 00:21:17,880
Speaker 2: shot at by straight men.

472
00:21:17,920 --> 00:21:20,320
Speaker 3: But it was like, I've dated so many of those

473
00:21:20,320 --> 00:21:25,280
Speaker 3: like theater straight guys. It's actually embarrassing the personality of

474
00:21:25,280 --> 00:21:26,200
Speaker 3: like a New York cop.

475
00:21:26,960 --> 00:21:28,760
Speaker 2: You're like, what that?

476
00:21:28,880 --> 00:21:32,040
Speaker 3: Well, me and Andy were talking about it like every

477
00:21:32,280 --> 00:21:34,640
Speaker 3: like New York actor who's like a straight man.

478
00:21:35,040 --> 00:21:36,960
Speaker 2: Okay, you know what I mean.

479
00:21:37,040 --> 00:21:41,080
Speaker 3: They all have like a bandana as a bracelet, and

480
00:21:41,119 --> 00:21:43,720
Speaker 3: they'll be like, yeah, I'm an actor and they've got

481
00:21:43,720 --> 00:21:46,560
Speaker 3: like a fucking leather jacket on, and they have this

482
00:21:46,760 --> 00:21:49,680
Speaker 3: energy like they throw a cigarette and they fucking spin

483
00:21:49,760 --> 00:21:50,160
Speaker 3: on it.

484
00:21:51,800 --> 00:21:54,439
Speaker 2: You know what it is. I completely know what it is.

485
00:21:54,480 --> 00:21:57,119
Speaker 2: Like three people. Yeah, damn, you're.

486
00:21:57,720 --> 00:21:59,320
Speaker 3: Like that, and you just want to be like, you

487
00:21:59,320 --> 00:22:00,800
Speaker 3: know you're not act a cop?

488
00:22:01,000 --> 00:22:04,159
Speaker 2: Yeah you yet. Yes, I know you're.

489
00:22:04,040 --> 00:22:07,520
Speaker 3: Living like a blue collar life as an actor kind of,

490
00:22:07,680 --> 00:22:10,320
Speaker 3: but like your hands are soft, right.

491
00:22:10,520 --> 00:22:13,360
Speaker 4: I also think like those guys go through phases too,

492
00:22:13,359 --> 00:22:15,760
Speaker 4: because in college that's when they're the worst because they

493
00:22:16,040 --> 00:22:20,560
Speaker 4: get so much action. Like these girls are so starved

494
00:22:20,600 --> 00:22:23,440
Speaker 4: because it's mostly gay guys and like other other girls.

495
00:22:23,480 --> 00:22:25,639
Speaker 4: And also they're in these programs where they're competing with

496
00:22:25,680 --> 00:22:27,879
Speaker 4: each other anyway. Yeah, so it's already they're in the

497
00:22:27,920 --> 00:22:30,360
Speaker 4: mindset of like only so many of us can get

498
00:22:30,640 --> 00:22:33,640
Speaker 4: a rolls and b fucked. Yes, So it's and those

499
00:22:33,680 --> 00:22:38,120
Speaker 4: guys are absolutely spoiled for choice, yes, and they it's

500
00:22:38,160 --> 00:22:39,160
Speaker 4: it's a different kind of thing.

501
00:22:39,359 --> 00:22:41,920
Speaker 2: They they do grow up and all everyone we've talked

502
00:22:41,960 --> 00:22:44,320
Speaker 2: about has grown up, Yes, but they do in college

503
00:22:44,400 --> 00:22:47,359
Speaker 2: have to send out those signals among their classmates to

504
00:22:47,359 --> 00:22:49,119
Speaker 2: be like, I'm not gay by the way.

505
00:22:49,440 --> 00:22:55,240
Speaker 5: Yes, yes, it's just just a subtle signal walk down

506
00:22:55,240 --> 00:22:59,480
Speaker 5: the street yelling I'm not gay by the way.

507
00:22:59,640 --> 00:22:59,880
Speaker 2: Yeah.

508
00:23:00,080 --> 00:23:02,359
Speaker 3: I can't the number of guys that I've dated with,

509
00:23:02,440 --> 00:23:05,879
Speaker 3: like Fedoras, and you know, it was really a rough

510
00:23:06,000 --> 00:23:09,720
Speaker 3: time where I wanted. I wanted to be in a

511
00:23:09,760 --> 00:23:12,600
Speaker 3: relationship with another artist because I feel like they get it,

512
00:23:13,200 --> 00:23:16,960
Speaker 3: you know, they get the life that you're living. Yeah,

513
00:23:17,000 --> 00:23:19,320
Speaker 3: but the actors, honey, I.

514
00:23:19,400 --> 00:23:23,240
Speaker 2: Just it's a little too Yeah. The only word is emo.

515
00:23:30,880 --> 00:23:31,840
Speaker 2: How did you meet Andy meet?

516
00:23:32,240 --> 00:23:36,080
Speaker 3: We met at a matchless bar, matchless like years ago.

517
00:23:36,480 --> 00:23:39,000
Speaker 4: And were you ever thinking like it'll be another comedian,

518
00:23:39,119 --> 00:23:41,080
Speaker 4: like straight up stand up comedian or were you kind of.

519
00:23:41,040 --> 00:23:45,520
Speaker 3: Like I did not know who it would be. I

520
00:23:45,600 --> 00:23:48,399
Speaker 3: was just like I had gotten out of a relationship

521
00:23:48,400 --> 00:23:50,520
Speaker 3: with a comic. Yeah, and when I met Andy, I

522
00:23:50,560 --> 00:23:52,600
Speaker 3: was like still with this other comic by the way,

523
00:23:52,680 --> 00:23:56,080
Speaker 3: And then like never really even saw Andy until like

524
00:23:56,480 --> 00:24:00,760
Speaker 3: after that, And I remember like meeting Anne and seeing

525
00:24:00,840 --> 00:24:03,840
Speaker 3: him and him being like a very awkward human being.

526
00:24:04,520 --> 00:24:07,760
Speaker 3: And he told me like we had talked for the

527
00:24:07,760 --> 00:24:10,800
Speaker 3: first time in the day to each other, and he

528
00:24:10,880 --> 00:24:14,720
Speaker 3: was like, I just I pretend he goes sometimes. I like,

529
00:24:15,440 --> 00:24:18,160
Speaker 3: I feel like I'm pretending to be a human being.

530
00:24:18,640 --> 00:24:20,720
Speaker 3: And I was like, you said that, yeah, yeah, and

531
00:24:20,760 --> 00:24:23,280
Speaker 3: he was like he said the whole thing about how

532
00:24:23,320 --> 00:24:25,800
Speaker 3: he like talks to himself. He'll be like good blinking andy,

533
00:24:26,119 --> 00:24:29,160
Speaker 3: you know, while he's talking to someone. And so I

534
00:24:29,160 --> 00:24:31,600
Speaker 3: immediately liked him, but not in a way where I

535
00:24:31,680 --> 00:24:33,879
Speaker 3: was like, oh, I gotta get fucked, you know.

536
00:24:33,880 --> 00:24:36,400
Speaker 2: What I mean, I gotta get this guy who thinks

537
00:24:36,400 --> 00:24:41,320
Speaker 2: about he's gonna absolutely give it every which split me

538
00:24:41,520 --> 00:24:47,080
Speaker 2: in not know, but also you know, not like to

539
00:24:47,200 --> 00:24:48,280
Speaker 2: of yes, Mama.

540
00:24:48,160 --> 00:24:58,080
Speaker 6: Yeah, so yes mama.

541
00:24:58,840 --> 00:25:02,200
Speaker 3: So he I guess I just thought like, no, it's

542
00:25:02,240 --> 00:25:04,040
Speaker 3: not gonna be him, and I did. I called up

543
00:25:04,040 --> 00:25:06,399
Speaker 3: Sydney Washington after I realized I had a crush on

544
00:25:06,480 --> 00:25:09,919
Speaker 3: him no, to be like, do you think I'm okay?

545
00:25:10,440 --> 00:25:12,760
Speaker 3: Do you think I'm doing all right? And because he

546
00:25:12,880 --> 00:25:15,840
Speaker 3: was so outside of Yeah, he's so outside of like

547
00:25:15,920 --> 00:25:19,560
Speaker 3: my type and my what I was like looking for that,

548
00:25:19,640 --> 00:25:20,399
Speaker 3: I was like do you think.

549
00:25:20,280 --> 00:25:22,800
Speaker 2: I'm I'm everything? Okay up here?

550
00:25:23,880 --> 00:25:26,600
Speaker 3: How have I sounded to you? You know? And she

551
00:25:26,760 --> 00:25:29,040
Speaker 3: was like, oh, this is really out of left field,

552
00:25:29,040 --> 00:25:32,320
Speaker 3: but she goes but it makes sense in a weird way,

553
00:25:32,840 --> 00:25:34,520
Speaker 3: and I was like, that's how I feel. And so

554
00:25:34,880 --> 00:25:37,120
Speaker 3: we went on a few dates and then I knew

555
00:25:37,119 --> 00:25:39,040
Speaker 3: I wanted to get married, so I said to him,

556
00:25:39,720 --> 00:25:41,359
Speaker 3: you know, not necessarily to him. I just knew I

557
00:25:41,400 --> 00:25:43,000
Speaker 3: wanted to be married too. So I was like, hey,

558
00:25:44,000 --> 00:25:47,199
Speaker 3: sad news for you. I want to get married. So

559
00:25:48,320 --> 00:25:49,919
Speaker 3: if you don't want to get married, we should just

560
00:25:50,160 --> 00:25:53,840
Speaker 3: start fucking other people. And he was like, well, I

561
00:25:53,840 --> 00:25:55,760
Speaker 3: don't want to do that. I don't want to I

562
00:25:55,800 --> 00:25:56,240
Speaker 3: don't want.

563
00:25:56,160 --> 00:25:56,800
Speaker 2: To fuck other people.

564
00:25:56,840 --> 00:25:59,119
Speaker 3: And so he was like, I'll get married, you know,

565
00:25:59,840 --> 00:26:03,040
Speaker 3: and I was like, you know, not to me necessarily.

566
00:26:03,080 --> 00:26:05,119
Speaker 3: It was a weird conversation to have because you're not

567
00:26:05,160 --> 00:26:06,800
Speaker 3: telling someone like you got to marry me.

568
00:26:07,000 --> 00:26:09,320
Speaker 2: Yeah, you just have to be like, this is.

569
00:26:09,320 --> 00:26:11,160
Speaker 4: What I want to see my cards on the table,

570
00:26:11,160 --> 00:26:13,040
Speaker 4: here's what I see right, and not even see for

571
00:26:13,119 --> 00:26:13,520
Speaker 4: my future.

572
00:26:13,560 --> 00:26:16,280
Speaker 2: This is what I'm like planning for. Yeah.

573
00:26:16,920 --> 00:26:19,040
Speaker 3: So, and at the time did not want kids, just

574
00:26:19,080 --> 00:26:21,679
Speaker 3: really wanted to be like married and fun. I just

575
00:26:21,800 --> 00:26:26,640
Speaker 3: love like a fun married couple travel, travel, and they're

576
00:26:26,680 --> 00:26:29,120
Speaker 3: like they make each other laugh. I really wanted that life.

577
00:26:29,160 --> 00:26:32,919
Speaker 3: I was like, that looks so fun. And so it

578
00:26:33,040 --> 00:26:36,320
Speaker 3: was literally nine months later that he proposed. So you

579
00:26:36,359 --> 00:26:38,720
Speaker 3: know we're both drug addicts.

580
00:26:40,000 --> 00:26:42,520
Speaker 2: Yeah, we remember when we got him in Montreal. Yes

581
00:26:42,560 --> 00:26:43,800
Speaker 2: he was flight back.

582
00:26:44,320 --> 00:26:46,120
Speaker 3: He knew we were talking to you the entire time

583
00:26:46,119 --> 00:26:47,120
Speaker 3: about geography.

584
00:26:47,480 --> 00:26:49,160
Speaker 2: No, but yes, he's a map guy.

585
00:26:49,280 --> 00:26:52,240
Speaker 3: Yeah, he's a real map guy. Wait, what he loves

586
00:26:52,320 --> 00:26:54,120
Speaker 3: He loves to talk about. Tell him where you're from.

587
00:26:54,680 --> 00:26:57,480
Speaker 3: He will bring up at least three landmarks in your home. Wow,

588
00:26:58,119 --> 00:27:01,000
Speaker 3: he's like, he really is autist. I was going to say,

589
00:27:01,040 --> 00:27:03,720
Speaker 3: is that is that we've never gotten him tested? But

590
00:27:03,760 --> 00:27:07,280
Speaker 3: I'm I'm pretty positive, like based on everything that I've

591
00:27:07,359 --> 00:27:11,560
Speaker 3: read and know about autism that my husband for sure

592
00:27:11,680 --> 00:27:14,080
Speaker 3: hasn't on some you know he's on that spectrum.

593
00:27:14,119 --> 00:27:15,120
Speaker 2: Yeah, totally for sure.

594
00:27:15,480 --> 00:27:18,920
Speaker 3: Because it's crazy. I mean the way just watching Jeopardy

595
00:27:18,960 --> 00:27:20,960
Speaker 3: next to him, I'm like, well, why aren't you on this?

596
00:27:21,080 --> 00:27:23,479
Speaker 2: Should go on it? He should? I know.

597
00:27:23,680 --> 00:27:26,359
Speaker 4: Let me tell you, like the I've been on the

598
00:27:27,280 --> 00:27:30,640
Speaker 4: celebrity Jeopardy and did well once I figured out what

599
00:27:30,800 --> 00:27:32,960
Speaker 4: how do you do it? Like the clicking of the

600
00:27:33,000 --> 00:27:35,920
Speaker 4: buzzer that's the hardest part. Oh really, yes, as long

601
00:27:35,920 --> 00:27:37,800
Speaker 4: as you get that down, he could win.

602
00:27:38,080 --> 00:27:41,159
Speaker 2: Okay, he could win. I played other idiots like me.

603
00:27:41,359 --> 00:27:42,600
Speaker 2: I just think it's a cool thing.

604
00:27:42,640 --> 00:27:44,600
Speaker 3: Even if we watch even I swear to God, even

605
00:27:44,600 --> 00:27:47,080
Speaker 3: if you put him on Celebrity Jeopardy. He knows every

606
00:27:47,600 --> 00:27:51,160
Speaker 3: like side character, actor's name, yeah, and you know where.

607
00:27:51,160 --> 00:27:53,560
Speaker 3: You're like, how do you even know this? And he's like,

608
00:27:53,800 --> 00:27:55,960
Speaker 3: it's one of the most famous actors in Britain and

609
00:27:56,000 --> 00:27:57,119
Speaker 3: you're like, no, he's not.

610
00:27:58,400 --> 00:28:00,520
Speaker 2: No, he's not. I wonder if who it is now,

611
00:28:00,560 --> 00:28:02,240
Speaker 2: I wonder who it is. It could be he says

612
00:28:02,240 --> 00:28:04,639
Speaker 2: it about everyone. Yeah. How much of it do you absorb?

613
00:28:04,680 --> 00:28:06,959
Speaker 2: Do you do you find that you learn things from him?

614
00:28:07,040 --> 00:28:10,239
Speaker 3: Or are you like I absorber none of it? Like

615
00:28:10,320 --> 00:28:12,320
Speaker 3: I wish I absorbed some of it. It would be

616
00:28:12,320 --> 00:28:14,360
Speaker 3: amazing if I absorb some of it. But it all

617
00:28:14,480 --> 00:28:15,080
Speaker 3: just goes.

618
00:28:14,880 --> 00:28:17,720
Speaker 2: Like like there are people just that are just like that.

619
00:28:18,040 --> 00:28:21,080
Speaker 3: I'm I can't. Yeah, I don't know about you. You

620
00:28:21,080 --> 00:28:23,760
Speaker 3: work at a smell so you can't remember anything.

621
00:28:23,680 --> 00:28:26,439
Speaker 2: Right, My brain is fucking yeah, and.

622
00:28:26,440 --> 00:28:28,800
Speaker 3: You're in entertainment so and also a pisce, so I

623
00:28:28,880 --> 00:28:30,200
Speaker 3: assume your memory is kind of shitty.

624
00:28:30,359 --> 00:28:33,480
Speaker 2: My memory is well good actually no, no, no, it's

625
00:28:33,680 --> 00:28:34,240
Speaker 2: well okay.

626
00:28:34,280 --> 00:28:37,760
Speaker 4: My long term memory is excellent. My short term memory

627
00:28:37,880 --> 00:28:41,120
Speaker 4: is getting worse all the time, and I think it's

628
00:28:41,440 --> 00:28:43,360
Speaker 4: I actually started to freak myself out because I think

629
00:28:43,360 --> 00:28:44,200
Speaker 4: it's about marijuana.

630
00:28:44,240 --> 00:28:47,720
Speaker 2: I also, like all my grandparents have you know, dementia,

631
00:28:47,760 --> 00:28:50,400
Speaker 2: struggled and met their demise to some sort of like

632
00:28:50,520 --> 00:28:52,200
Speaker 2: that type of thing. Oh so I'm now I just

633
00:28:52,240 --> 00:28:55,080
Speaker 2: turned thirty five. I'm now in that phase of like, okay,

634
00:28:55,160 --> 00:28:57,680
Speaker 2: so at what point is something coming for me?

635
00:28:57,920 --> 00:28:58,080
Speaker 3: Right?

636
00:28:58,200 --> 00:28:58,360
Speaker 2: Right?

637
00:28:58,400 --> 00:29:02,320
Speaker 4: We were saying it's like algorithmically death really decides at

638
00:29:02,360 --> 00:29:04,479
Speaker 4: like thirty four to thirty five that you're seeing like

639
00:29:05,280 --> 00:29:06,360
Speaker 4: panicky like.

640
00:29:06,440 --> 00:29:09,080
Speaker 2: The middle aged stuff. Yes, it's it's yes, it happens.

641
00:29:09,400 --> 00:29:11,360
Speaker 4: I was thinking about you the other day, like, no,

642
00:29:11,760 --> 00:29:14,840
Speaker 4: because you're thirty four still, but just wait, things change

643
00:29:14,840 --> 00:29:15,480
Speaker 4: on the day.

644
00:29:15,600 --> 00:29:17,400
Speaker 3: It gets way worse in your late thirties.

645
00:29:17,480 --> 00:29:19,880
Speaker 2: Just FYI, what's coming up.

646
00:29:19,840 --> 00:29:25,080
Speaker 3: In the arm I'm getting just pajamas, Yeah, just just pajamas. No,

647
00:29:25,200 --> 00:29:29,040
Speaker 3: it's like well you don't work, right, They're like, you're retired.

648
00:29:29,440 --> 00:29:30,320
Speaker 3: It's pajamas.

649
00:29:30,640 --> 00:29:32,840
Speaker 2: So then that's that makes me feel great because the

650
00:29:32,880 --> 00:29:35,720
Speaker 2: algorithm is still stupid and it doesn't know who you are.

651
00:29:35,800 --> 00:29:38,480
Speaker 3: But that's also given the number of things I've filtered

652
00:29:38,480 --> 00:29:42,080
Speaker 3: out because they were literally offensive. Yeah, you know, so

653
00:29:42,120 --> 00:29:43,160
Speaker 3: it's like pajamas and.

654
00:29:43,240 --> 00:29:45,640
Speaker 2: Memory care facilities for you and all caps.

655
00:29:45,840 --> 00:29:49,360
Speaker 3: Yeah, yeah, they're like a place for mom. You're like,

656
00:29:49,480 --> 00:29:53,240
Speaker 3: what place forty?

657
00:29:53,360 --> 00:29:55,120
Speaker 4: Yeah, you know, it's gonna get even worse even now,

658
00:29:55,120 --> 00:29:56,560
Speaker 4: as we said here with our phones on the table,

659
00:29:56,600 --> 00:29:58,840
Speaker 4: because they're currently listening. This is the most fucked up

660
00:29:58,840 --> 00:30:01,560
Speaker 4: thing that ever Happenedlast night. I met dinner after the

661
00:30:01,600 --> 00:30:05,240
Speaker 4: show and I literally said, what do you guys thinking

662
00:30:05,200 --> 00:30:08,840
Speaker 4: about deviled eggs? Like getting them for the table to share? No,

663
00:30:09,000 --> 00:30:11,880
Speaker 4: I flip up in my phone. It's like deviled eggs.

664
00:30:11,920 --> 00:30:14,480
Speaker 4: It's like the algorithm was like, just wanted to talk

665
00:30:14,480 --> 00:30:16,760
Speaker 4: about deviled eggs. Yeah, And I'm like, this is too

666
00:30:16,800 --> 00:30:20,760
Speaker 4: specific to not be you literally monitoring me at all

667
00:30:20,800 --> 00:30:23,560
Speaker 4: times when my phone is like not in act of use.

668
00:30:23,640 --> 00:30:24,840
Speaker 2: It's yeah, well.

669
00:30:24,680 --> 00:30:27,640
Speaker 3: You can hear ordered deviled eggs? Is I thought it

670
00:30:27,680 --> 00:30:29,120
Speaker 3: was going to be for a senior home.

671
00:30:29,680 --> 00:30:33,120
Speaker 2: I thought it was going to be your interest, changing

672
00:30:34,480 --> 00:30:38,160
Speaker 2: circumstances for the table, a place for Dad, a place

673
00:30:38,200 --> 00:30:43,720
Speaker 2: for gun Cal, place for Gonk. Do we like to

674
00:30:43,760 --> 00:30:47,800
Speaker 2: start this now and plan out like an assisted living

675
00:30:47,840 --> 00:30:50,400
Speaker 2: facility for like Brooklyn Commedi.

676
00:30:52,120 --> 00:30:55,200
Speaker 3: I mean we should, there should be something, but I'm

677
00:30:55,280 --> 00:30:57,880
Speaker 3: scared because I'm like, what could be worse than a

678
00:30:57,960 --> 00:31:00,760
Speaker 3: nursing home. A nursing home for Canadians.

679
00:31:00,840 --> 00:31:03,880
Speaker 2: Oh god, yeah, just desperately trying out your like new stuff.

680
00:31:04,040 --> 00:31:06,760
Speaker 3: Yes, just or like doing bits like people are on

681
00:31:07,600 --> 00:31:08,760
Speaker 3: when they're in their.

682
00:31:08,640 --> 00:31:11,480
Speaker 2: Eighties, Like doing a bit that you're choking, but you

683
00:31:11,520 --> 00:31:14,240
Speaker 2: are you are, like doing a bit that you forget.

684
00:31:14,320 --> 00:31:16,560
Speaker 2: It's like something but you do. You have Wait.

685
00:31:16,640 --> 00:31:19,480
Speaker 3: That is my biggest fear when I'm on stage. I've

686
00:31:19,480 --> 00:31:22,440
Speaker 3: had panic attacks about that of work. I have panic

687
00:31:22,440 --> 00:31:24,280
Speaker 3: attacks while I'm on stage about what if I had

688
00:31:24,320 --> 00:31:25,920
Speaker 3: a seizure right now, They'd all think I was doing

689
00:31:25,960 --> 00:31:26,360
Speaker 3: an acting.

690
00:31:27,480 --> 00:31:29,400
Speaker 2: She's amazing, She's so physical.

691
00:31:29,080 --> 00:31:30,960
Speaker 3: And I'm like, I've never been physical in my act

692
00:31:30,960 --> 00:31:33,280
Speaker 3: in my whole life. I don't know why I think this,

693
00:31:33,440 --> 00:31:35,600
Speaker 3: but for some reason, in my mind, they are all

694
00:31:35,600 --> 00:31:38,080
Speaker 3: going to think I'm like Pablo Francisco and I'm just

695
00:31:38,120 --> 00:31:42,959
Speaker 3: doing a full like like I've had full panic attacks

696
00:31:42,960 --> 00:31:45,400
Speaker 3: where I don't remember the entire set. So I'm just

697
00:31:45,400 --> 00:31:48,719
Speaker 3: like by wrote, memorizing saying it out loud. Yeah, but

698
00:31:48,800 --> 00:31:50,959
Speaker 3: in my mind going if I had a seizure right now,

699
00:31:51,040 --> 00:31:51,760
Speaker 3: they'd all laugh.

700
00:31:52,080 --> 00:31:55,600
Speaker 2: They'd all be laughing. That that's crossed my mind before. Everybody.

701
00:31:55,720 --> 00:31:59,440
Speaker 2: If you see rosebud Baker live and she seizes on stage,

702
00:31:59,560 --> 00:32:02,560
Speaker 2: it's not an act out. It's not the hospital. She's

703
00:32:02,560 --> 00:32:04,520
Speaker 2: suddenly a physical comedian.

704
00:32:04,480 --> 00:32:06,880
Speaker 7: Something, a seizure something.

705
00:32:07,680 --> 00:32:10,480
Speaker 2: The police. Andy, you'll be there, He'll call the police.

706
00:32:10,640 --> 00:32:12,200
Speaker 2: If it was up to you, you'd be like, I'm fine.

707
00:32:12,400 --> 00:32:17,400
Speaker 2: Andy's calling the pediatricians to come down, Like this.

708
00:32:17,320 --> 00:32:18,880
Speaker 3: Is actually about my wife, but I don't have the

709
00:32:18,920 --> 00:32:24,160
Speaker 3: doctor's number. Yeah, it's a terrifying thing to imagine.

710
00:32:24,240 --> 00:32:26,400
Speaker 4: Yeah, I mean, but the great thing though, is like

711
00:32:26,520 --> 00:32:28,240
Speaker 4: I mean, as I was watching the special, I was

712
00:32:28,280 --> 00:32:30,320
Speaker 4: thinking about it, I was like to have like that

713
00:32:30,360 --> 00:32:33,080
Speaker 4: family unit in place that's kind of like, this is

714
00:32:33,120 --> 00:32:34,880
Speaker 4: like weird to say, but it does, like you have

715
00:32:35,000 --> 00:32:37,840
Speaker 4: people that are gonna look after you forever. And sometimes

716
00:32:37,880 --> 00:32:40,720
Speaker 4: I think about that like it sounds weird to say,

717
00:32:40,760 --> 00:32:42,600
Speaker 4: and like we all have it in some regard because

718
00:32:42,640 --> 00:32:44,960
Speaker 4: like community has been so important in how we develop

719
00:32:45,000 --> 00:32:47,600
Speaker 4: and stuff. But like for like queer people, like that

720
00:32:47,720 --> 00:32:50,760
Speaker 4: is really important to have, like your chosen family, et cetera,

721
00:32:50,840 --> 00:32:53,600
Speaker 4: because like I need to know who's gonna check.

722
00:32:53,440 --> 00:32:56,120
Speaker 2: Me into the facility? Yeah, me, me, me? Or just

723
00:32:56,240 --> 00:32:59,360
Speaker 2: like end it girl, No, no, bring me out of

724
00:32:59,400 --> 00:32:59,959
Speaker 2: my senment.

725
00:33:00,080 --> 00:33:02,840
Speaker 3: Same thing to myself. Literally yeah, by Billy, please y

726
00:33:03,080 --> 00:33:04,440
Speaker 3: unplug it. I don't want to do it.

727
00:33:04,400 --> 00:33:08,040
Speaker 2: Once we get bad news. Let's commit to that. Yeah,

728
00:33:08,160 --> 00:33:11,280
Speaker 2: I'm telling you of mice and men, that's interesting, Like.

729
00:33:11,320 --> 00:33:12,480
Speaker 3: You want to be hugged to death?

730
00:33:12,640 --> 00:33:16,600
Speaker 2: Yeah, kill me like he killed her, not like.

731
00:33:19,040 --> 00:33:20,640
Speaker 3: No, kill me like the little mouse.

732
00:33:20,800 --> 00:33:23,280
Speaker 2: Yeah. And I was thinking of me until you crush me.

733
00:33:23,440 --> 00:33:25,760
Speaker 4: Yes, yes, yes, yes, yes, I was thinking of his

734
00:33:25,840 --> 00:33:27,080
Speaker 4: mama that he shakes, not me.

735
00:33:27,160 --> 00:33:30,520
Speaker 2: Remembering of mice and men. My long term I'm telling

736
00:33:30,520 --> 00:33:35,000
Speaker 2: you it's crack. That is good. It's a crack crack memory.

737
00:33:35,160 --> 00:33:37,360
Speaker 2: I think if you make it to the finish line,

738
00:33:37,360 --> 00:33:40,160
Speaker 2: which is check me into an assisted living facility, I've

739
00:33:40,160 --> 00:33:44,560
Speaker 2: made it to like seventy eight or whatever. God willing. Yeah, like,

740
00:33:44,640 --> 00:33:49,560
Speaker 2: that's that's the prize. Yeah, I hope not you. That's

741
00:33:49,640 --> 00:33:52,640
Speaker 2: that's suck. That's the last tile on the game of life,

742
00:33:52,720 --> 00:33:53,960
Speaker 2: you know what I mean? Literally?

743
00:33:54,120 --> 00:33:56,320
Speaker 3: Yeah, but that being the prize does that has to

744
00:33:56,320 --> 00:33:56,880
Speaker 3: bum you out?

745
00:33:56,960 --> 00:33:58,680
Speaker 2: It's such a bum But I'm saying it's nice, Like

746
00:33:58,760 --> 00:34:01,280
Speaker 2: I I don't totally disagree with what you guys are saying,

747
00:34:01,280 --> 00:34:11,520
Speaker 2: which is like just end it there. Yeah. You know

748
00:34:11,600 --> 00:34:15,680
Speaker 2: what is like absolutely you could go crazy watching it

749
00:34:15,719 --> 00:34:19,640
Speaker 2: is Gutfeld on Fox, which is like the Fox Late

750
00:34:19,719 --> 00:34:23,799
Speaker 2: night Show. It is the absence of comedy. There is

751
00:34:24,040 --> 00:34:28,040
Speaker 2: nothing funny happening on it, and yet the ratings are

752
00:34:28,200 --> 00:34:30,800
Speaker 2: so through the roof that you almost have to wonder.

753
00:34:30,880 --> 00:34:32,960
Speaker 4: It's like, are people watching it because it's like they

754
00:34:32,960 --> 00:34:35,520
Speaker 4: feels like their political homework, or just because they don't

755
00:34:35,600 --> 00:34:36,960
Speaker 4: trust anything on anyone else?

756
00:34:37,000 --> 00:34:41,040
Speaker 3: To be the thinnest premises you have ever seen, Like

757
00:34:41,239 --> 00:34:44,799
Speaker 3: it's hard to here's the problem. To write a good joke,

758
00:34:44,880 --> 00:34:47,520
Speaker 3: a premise has to be true. You have to write

759
00:34:47,600 --> 00:34:51,400
Speaker 3: a true premise. To write a true punchline, not that

760
00:34:51,480 --> 00:34:54,680
Speaker 3: the punchline is supposed to be like true actual, but

761
00:34:54,800 --> 00:34:59,960
Speaker 3: like what we would consider a punchline. Yea, I you cannot.

762
00:35:00,080 --> 00:35:02,880
Speaker 3: It's that job is going to be harder and harder

763
00:35:02,920 --> 00:35:07,080
Speaker 3: to do because you're trying to write jokes about premises

764
00:35:07,120 --> 00:35:11,120
Speaker 3: that are not true exactly. So I mean, as long

765
00:35:11,160 --> 00:35:14,399
Speaker 3: as everyone in that world is considering it to be true,

766
00:35:14,440 --> 00:35:15,400
Speaker 3: I guess it works.

767
00:35:15,840 --> 00:35:18,640
Speaker 2: It must work because his ratings are so big. There's

768
00:35:18,640 --> 00:35:20,800
Speaker 2: so much bigger than any of right, And I was,

769
00:35:20,880 --> 00:35:22,520
Speaker 2: but I was telling you that the ratings is more

770
00:35:22,520 --> 00:35:25,600
Speaker 2: of a function of like it being embedded in other

771
00:35:25,880 --> 00:35:29,279
Speaker 2: news programming onpot I hear you where like Daily Show

772
00:35:29,320 --> 00:35:31,720
Speaker 2: could never get those numbers because it's on Comedy Central

773
00:35:31,800 --> 00:35:36,120
Speaker 2: and no one's like keeping Comedy Central on all day

774
00:35:36,320 --> 00:35:38,920
Speaker 2: and leaving it on at night. And I completely get that.

775
00:35:39,000 --> 00:35:41,160
Speaker 2: But my thing is, like, I mean, it's on, they're

776
00:35:41,200 --> 00:35:44,640
Speaker 2: hearing it, and if there's nothing to challenge the idea

777
00:35:44,680 --> 00:35:47,280
Speaker 2: that it's a not comedy and be also not true,

778
00:35:47,800 --> 00:35:49,799
Speaker 2: then it's just on and they start to believe it.

779
00:35:50,040 --> 00:35:53,200
Speaker 2: I think I'm just like really realizing more and more

780
00:35:53,320 --> 00:35:55,719
Speaker 2: that we're just in two completely different silos and there's

781
00:35:55,719 --> 00:35:57,239
Speaker 2: really nothing to be done about it.

782
00:35:57,360 --> 00:35:59,879
Speaker 3: Yeah, there's nothing you can do if you do care

783
00:36:00,320 --> 00:36:04,040
Speaker 3: about like what is true. There are still journalists. They

784
00:36:04,080 --> 00:36:07,960
Speaker 3: do exist, you know, Like I have found that even

785
00:36:08,120 --> 00:36:10,760
Speaker 3: just at update right, we have we get a setup.

786
00:36:11,640 --> 00:36:13,879
Speaker 3: I have to turn around so often and be like, hey,

787
00:36:13,920 --> 00:36:15,759
Speaker 3: is this something I should be freaked out about? Or

788
00:36:15,840 --> 00:36:18,600
Speaker 3: is this a headline that is sounds a lot scarier

789
00:36:18,640 --> 00:36:23,880
Speaker 3: than it actually is. And most most often the answer

790
00:36:23,920 --> 00:36:26,319
Speaker 3: is like, you don't need to worry about this until

791
00:36:26,760 --> 00:36:28,120
Speaker 3: this and this and this happen.

792
00:36:28,719 --> 00:36:30,040
Speaker 2: And who's telling you that? Like who.

793
00:36:32,440 --> 00:36:43,280
Speaker 3: Imagine the beacon of truth? Just Josh Patten who studied

794
00:36:43,280 --> 00:36:45,640
Speaker 3: political science gets you know.

795
00:36:46,440 --> 00:36:47,680
Speaker 2: Yes, yeah, we love Josh.

796
00:36:47,800 --> 00:36:50,600
Speaker 3: He's so smart. And oftentimes whenever I'm about to like

797
00:36:50,680 --> 00:36:52,279
Speaker 3: freak out and it's hard for me to write a.

798
00:36:52,239 --> 00:36:56,280
Speaker 2: Joke when I'm like emotionally of course, like this is crazy.

799
00:36:55,800 --> 00:37:00,160
Speaker 3: He'll be like, ah, it's not crazy for another three months,

800
00:37:00,400 --> 00:37:01,920
Speaker 3: you know what I mean? And I'm like, okay, all right,

801
00:37:02,120 --> 00:37:04,920
Speaker 3: so I can budget the amount of like fear that

802
00:37:05,000 --> 00:37:08,160
Speaker 3: I have. But more often than not, you can like

803
00:37:08,239 --> 00:37:11,040
Speaker 3: look this stuff up. You can find out like if

804
00:37:11,040 --> 00:37:12,480
Speaker 3: it's true and if it's not right.

805
00:37:12,480 --> 00:37:15,000
Speaker 2: But I love that patents telling you, oh, worry about

806
00:37:15,000 --> 00:37:16,040
Speaker 2: bird flu in June?

807
00:37:16,320 --> 00:37:19,520
Speaker 3: Yes, yes, yeah, He'll be like, it's not a problem

808
00:37:19,600 --> 00:37:22,120
Speaker 3: until this happens.

809
00:37:22,560 --> 00:37:27,920
Speaker 2: Million birds are dead, Okay, we're here. When I said June, yes, a.

810
00:37:30,120 --> 00:37:32,759
Speaker 3: Like I was so freaked out about the flu the

811
00:37:32,800 --> 00:37:36,239
Speaker 3: flu meeting getting canceled and I was like, oh no,

812
00:37:36,239 --> 00:37:39,400
Speaker 3: no no, and he was like, if it gets canceled

813
00:37:39,440 --> 00:37:41,440
Speaker 3: in six months, then we're really in trouble.

814
00:37:41,840 --> 00:37:44,920
Speaker 2: How do you know this because because of the major?

815
00:37:45,080 --> 00:37:48,880
Speaker 3: Because of the major, I guess I literally just realized

816
00:37:48,880 --> 00:37:50,640
Speaker 3: that I just went because of his major.

817
00:37:50,840 --> 00:37:54,000
Speaker 2: Yeah, but that's that's that's an answer. Yeah. He is

818
00:37:54,040 --> 00:38:00,279
Speaker 2: a very smart guy. I mean he's he's in aged

819
00:38:00,280 --> 00:38:01,960
Speaker 2: in it constantly to do.

820
00:38:02,520 --> 00:38:05,480
Speaker 4: I'm actually fascinated by how weekend Update works, Like is

821
00:38:05,480 --> 00:38:07,560
Speaker 4: it do you guys work the same Like.

822
00:38:07,560 --> 00:38:09,600
Speaker 3: Yeah, the same We work the same week, Like we

823
00:38:09,640 --> 00:38:12,360
Speaker 3: go in Monday, Tuesday, Wednesday, Thursday, Friday. Yeah, we go

824
00:38:12,440 --> 00:38:14,400
Speaker 3: in and we do like three to five pages of

825
00:38:14,480 --> 00:38:17,200
Speaker 3: jokes a day. So we just get like all these

826
00:38:17,239 --> 00:38:19,440
Speaker 3: setups and that goes out to everyone.

827
00:38:19,480 --> 00:38:21,520
Speaker 2: I don't know really why. I don't know if anybody

828
00:38:21,520 --> 00:38:24,400
Speaker 2: I know, it's on the setups. There's a setups file

829
00:38:24,640 --> 00:38:27,360
Speaker 2: in the server m and like I'm like, we shouldn't.

830
00:38:27,360 --> 00:38:30,319
Speaker 2: I'm like, cast doesn't need access to this necessarily, not really,

831
00:38:30,400 --> 00:38:31,200
Speaker 2: but everyone does.

832
00:38:31,239 --> 00:38:36,719
Speaker 3: Sometimes people use it, so I guess I truly speculation.

833
00:38:38,320 --> 00:38:40,600
Speaker 3: But we just write three to five pages of jokes

834
00:38:40,640 --> 00:38:44,440
Speaker 3: a day by ourselves and then turn them in and

835
00:38:44,480 --> 00:38:46,799
Speaker 3: then on Friday and Saturday we go through all of

836
00:38:46,800 --> 00:38:48,880
Speaker 3: them once, like Jost and Chay have made their picks,

837
00:38:49,200 --> 00:38:51,560
Speaker 3: we go through all of them. We tag each other's

838
00:38:51,600 --> 00:38:54,080
Speaker 3: jokes up, we listen to them, We listen to the

839
00:38:54,120 --> 00:38:57,400
Speaker 3: jokes that were picked back and based off of like

840
00:38:57,760 --> 00:39:01,080
Speaker 3: the reaction or the way that they feel saying them,

841
00:39:01,160 --> 00:39:03,560
Speaker 3: it's like they kind of narrow it down from that

842
00:39:03,719 --> 00:39:07,000
Speaker 3: for Saturday. And then Pete has like such a hard

843
00:39:07,040 --> 00:39:10,120
Speaker 3: job because Pete has to like make sure that the

844
00:39:10,200 --> 00:39:14,759
Speaker 3: show has different topics, that it's covering a widespread and

845
00:39:14,800 --> 00:39:17,839
Speaker 3: that things haven't been just blasted out already, that they're

846
00:39:17,840 --> 00:39:22,080
Speaker 3: not telling jokes that have already been told. Michaelbert, Yeah,

847
00:39:22,120 --> 00:39:24,239
Speaker 3: so I his job is so hard.

848
00:39:24,360 --> 00:39:26,960
Speaker 2: Yeah, I always think about his job. Peach Schultz, also

849
00:39:27,600 --> 00:39:30,239
Speaker 2: one of the Kings of Update, Yes, has to like

850
00:39:30,400 --> 00:39:33,600
Speaker 2: really keep his ear to the ground. Yeah, that like it's.

851
00:39:33,440 --> 00:39:36,120
Speaker 3: Hard, Yeah, and keep both hosts happy making sure that

852
00:39:36,160 --> 00:39:38,680
Speaker 3: they're getting the jokes that they want off, you.

853
00:39:38,640 --> 00:39:41,719
Speaker 4: Know, and then what's the interaction between I feel like

854
00:39:41,760 --> 00:39:46,759
Speaker 4: I'm like asking questions because Bowen is such a star

855
00:39:46,880 --> 00:39:49,520
Speaker 4: on Update, Like what is the interaction between people writing

856
00:39:49,520 --> 00:39:50,080
Speaker 4: their updates?

857
00:39:50,080 --> 00:39:52,360
Speaker 2: And like the Weekend Update writing team is there.

858
00:39:52,320 --> 00:39:55,120
Speaker 3: So well, Like when Bowen comes in, he'll pitch something

859
00:39:55,160 --> 00:39:58,400
Speaker 3: that's like, hey, I'm thinking about doing the hippo but

860
00:39:58,520 --> 00:40:00,600
Speaker 3: like kind of making it off of like mapping it

861
00:40:00,640 --> 00:40:03,719
Speaker 3: off of Chapel roone, and we're like, great, sounds done,

862
00:40:03,800 --> 00:40:07,479
Speaker 3: Like that's just such a finished piece.

863
00:40:07,640 --> 00:40:09,480
Speaker 2: Did did you check it on Tuesday or Monday? Or

864
00:40:09,520 --> 00:40:10,880
Speaker 2: Tuesday with the premise?

865
00:40:11,040 --> 00:40:14,360
Speaker 3: Yeah, with the update TA and you come in and

866
00:40:14,400 --> 00:40:16,440
Speaker 3: you're like, this is the thing and then you go

867
00:40:16,480 --> 00:40:19,680
Speaker 3: write it right. Other times someone will come in and

868
00:40:19,680 --> 00:40:21,799
Speaker 3: they're like I want to do something that's kind of

869
00:40:21,840 --> 00:40:25,239
Speaker 3: about this, and then we'll pitch on it and will

870
00:40:25,239 --> 00:40:29,279
Speaker 3: help them and like right, And this is something that

871
00:40:29,360 --> 00:40:32,840
Speaker 3: I actually didn't understand as a sketch writer. On the

872
00:40:32,840 --> 00:40:35,239
Speaker 3: sketch writing side is if you go into Update and

873
00:40:35,280 --> 00:40:40,040
Speaker 3: you're like, I have this idea for a feature, it's

874
00:40:40,040 --> 00:40:43,040
Speaker 3: not completely done. You can sit down and pitch with them.

875
00:40:43,120 --> 00:40:46,120
Speaker 3: They will give you a full like we'll give you

876
00:40:46,160 --> 00:40:49,919
Speaker 3: like two to three day of job. And I don't

877
00:40:49,920 --> 00:40:54,319
Speaker 3: see it often get into the thing. Well sometimes it does,

878
00:40:54,360 --> 00:40:57,600
Speaker 3: but it's hard for people to understand that we're there

879
00:40:57,680 --> 00:40:59,440
Speaker 3: for that. Yeah you know what I mean, because you

880
00:40:59,600 --> 00:41:03,640
Speaker 3: just in your brain it's two different things staffs. So

881
00:41:03,719 --> 00:41:06,560
Speaker 3: you feel like you're just kind of chucking it, like

882
00:41:06,800 --> 00:41:09,960
Speaker 3: just going back and forth. I've never said chuck, chuck,

883
00:41:10,120 --> 00:41:12,920
Speaker 3: you're chucking it, really work, you're chucking it.

884
00:41:14,560 --> 00:41:17,200
Speaker 2: We're just sitting here chucking it. We were just checking it.

885
00:41:17,560 --> 00:41:23,200
Speaker 3: And I feel like when I say things about SNL,

886
00:41:23,320 --> 00:41:25,160
Speaker 3: I forget, I lose my grasp one.

887
00:41:25,160 --> 00:41:28,440
Speaker 2: I'm the same. I have no idea what words are.

888
00:41:28,640 --> 00:41:31,439
Speaker 3: Yeah, and I also don't know what's safe to say.

889
00:41:31,560 --> 00:41:33,680
Speaker 3: Like I'll say things and then I'll immediately be like,

890
00:41:33,719 --> 00:41:35,680
Speaker 3: well that's it. You want to walk into the ash

891
00:41:35,719 --> 00:41:40,000
Speaker 3: and cook. Yeah, it's over. But so we're chucking it.

892
00:41:41,440 --> 00:41:44,799
Speaker 3: I'm back to chucking it, and and you just think, oh,

893
00:41:44,840 --> 00:41:48,000
Speaker 3: that's not really they're not really pitching right, but we're

894
00:41:48,120 --> 00:41:50,040
Speaker 3: totally yeah you are.

895
00:41:50,080 --> 00:41:54,640
Speaker 2: So there's that. I honestly need to take advantage of

896
00:41:54,640 --> 00:41:55,240
Speaker 2: that more.

897
00:41:55,480 --> 00:41:59,480
Speaker 3: Whenever you want to chuck it, come chucking chuck it.

898
00:42:00,200 --> 00:42:00,960
Speaker 2: Just so everyone's clear.

899
00:42:01,040 --> 00:42:03,240
Speaker 4: Boone is wearing a jewel tone legging and a beautiful

900
00:42:03,360 --> 00:42:06,800
Speaker 4: Christian bracelet. I know he's a Christians. And when he

901
00:42:06,840 --> 00:42:09,240
Speaker 4: talks about his Lent piece that he was going to yes.

902
00:42:09,760 --> 00:42:13,279
Speaker 3: Wear ron stones on your vagina.

903
00:42:13,480 --> 00:42:18,040
Speaker 2: Jesus so too. So these are flying off. There's only three,

904
00:42:18,239 --> 00:42:23,960
Speaker 2: only three on Angel's wings. Wait a minute, that's a tattoo.

905
00:42:24,440 --> 00:42:24,800
Speaker 2: I thought you.

906
00:42:26,440 --> 00:42:27,920
Speaker 4: I thought you were going to go on update as

907
00:42:27,960 --> 00:42:29,720
Speaker 4: like like a QVC person.

908
00:42:30,200 --> 00:42:33,520
Speaker 2: Oh that's fun. Oh yeah, because anyone ever done that? Probably,

909
00:42:33,560 --> 00:42:37,680
Speaker 2: I mean yeah, probably thinking no one's ever done that,

910
00:42:39,080 --> 00:42:41,160
Speaker 2: will go and sell like his fake his fake problem

911
00:42:41,920 --> 00:42:45,000
Speaker 2: always a yes no. Basically, the character was a Lent

912
00:42:45,120 --> 00:42:47,960
Speaker 2: mascot named Lenny. He was in a Friar's outfit and

913
00:42:48,000 --> 00:42:50,200
Speaker 2: he was like there to like whisper sweet nothings about

914
00:42:50,320 --> 00:42:52,880
Speaker 2: giving up swearing and alcohol, and then he got up

915
00:42:52,920 --> 00:42:54,440
Speaker 2: to sing a song. And then when he stood up

916
00:42:54,480 --> 00:42:59,080
Speaker 2: like titty mans and cocaine and and and then and

917
00:42:59,120 --> 00:43:01,400
Speaker 2: then he would just be like I like, I'm a

918
00:43:01,440 --> 00:43:04,440
Speaker 2: monk who loves boobs. Okay. It was very much in

919
00:43:04,440 --> 00:43:06,680
Speaker 2: my voice as a boob lover. Yeah.

920
00:43:06,800 --> 00:43:09,960
Speaker 3: But anyway, did anyone pitched that you stand up and

921
00:43:10,040 --> 00:43:11,759
Speaker 3: there is no robe under the road?

922
00:43:11,800 --> 00:43:16,839
Speaker 2: Yes? Wait, someone did top Okay, see, I gotta check

923
00:43:16,880 --> 00:43:17,319
Speaker 2: it with y'all.

924
00:43:17,360 --> 00:43:18,359
Speaker 3: We gotta come chuck it.

925
00:43:18,440 --> 00:43:20,960
Speaker 4: We got chuck it. Okay, I'm going to chuck it

926
00:43:21,000 --> 00:43:22,320
Speaker 4: in a different way. Now we're gonna ask you the

927
00:43:22,360 --> 00:43:24,640
Speaker 4: central question of our podcast. Okay, this is the question,

928
00:43:24,760 --> 00:43:27,160
Speaker 4: what was the culture that made you say culture was

929
00:43:27,200 --> 00:43:29,520
Speaker 4: for you? Rosebud Baker. This is that thing that hint

930
00:43:29,560 --> 00:43:31,000
Speaker 4: that culturally it hinged you.

931
00:43:31,400 --> 00:43:31,720
Speaker 2: Okay.

932
00:43:31,760 --> 00:43:34,160
Speaker 3: So I did think about this before I got here.

933
00:43:34,239 --> 00:43:34,919
Speaker 2: Thank you for that.

934
00:43:35,040 --> 00:43:37,319
Speaker 3: Yeah, I did. I thought about it. And because a

935
00:43:37,320 --> 00:43:40,560
Speaker 3: lot of culture I don't remember because I have blocked

936
00:43:40,560 --> 00:43:46,160
Speaker 3: out most of my life. However, I believe that dance

937
00:43:46,239 --> 00:43:53,240
Speaker 3: movies center stage being the on the oscar because because

938
00:43:53,640 --> 00:43:57,879
Speaker 3: Zoe Seldania putting a cigarette out with her point show

939
00:43:58,880 --> 00:44:01,279
Speaker 3: sent shivers down my spine in a way where I

940
00:44:01,320 --> 00:44:03,239
Speaker 3: was like, I can be cool.

941
00:44:03,000 --> 00:44:03,600
Speaker 2: And a girl.

942
00:44:03,960 --> 00:44:06,600
Speaker 3: Yeah, and like I don't know she's the one that

943
00:44:06,640 --> 00:44:09,440
Speaker 3: got on the motorcycle, but she was in my mind, yeah, yea, yeah, yeah,

944
00:44:09,440 --> 00:44:10,840
Speaker 3: she was the one that got on the motorcycle with

945
00:44:10,840 --> 00:44:13,960
Speaker 3: the with the ballerina that that drove the motorcycle. Yes,

946
00:44:14,000 --> 00:44:16,040
Speaker 3: and they had sex in his apartment with like floor

947
00:44:16,120 --> 00:44:18,480
Speaker 3: to ceiling windows. They had the same windows as the

948
00:44:18,480 --> 00:44:19,240
Speaker 3: friends apartment.

949
00:44:19,560 --> 00:44:22,520
Speaker 4: Yeah, they did that like a completely unattainable thing that

950
00:44:22,560 --> 00:44:24,400
Speaker 4: some people in New York were living in film and

951
00:44:24,400 --> 00:44:25,239
Speaker 4: television at that time.

952
00:44:26,239 --> 00:44:26,439
Speaker 5: Yeah.

953
00:44:26,520 --> 00:44:29,600
Speaker 3: Yeah, And I think that just made me. That sort

954
00:44:29,640 --> 00:44:32,319
Speaker 3: of turned me on in a way that in a

955
00:44:32,400 --> 00:44:35,120
Speaker 3: theater kid kind of a way, yes, which I have

956
00:44:35,320 --> 00:44:38,319
Speaker 3: been I would say closeted about for most of my

957
00:44:38,360 --> 00:44:39,839
Speaker 3: life that I was a theater kid.

958
00:44:40,000 --> 00:44:41,720
Speaker 2: Now is that this is why you and like Greta

959
00:44:41,760 --> 00:44:44,280
Speaker 2: get along because you can both meet each other.

960
00:44:44,600 --> 00:44:45,600
Speaker 3: Theater kids from DC.

961
00:44:46,200 --> 00:44:50,000
Speaker 2: Yeah. Yeah, damn, that's the common thread. Yes, two of

962
00:44:50,000 --> 00:44:51,840
Speaker 2: our greats. Mm hmm, two of our greats.

963
00:44:51,840 --> 00:44:53,880
Speaker 3: So it was like anything that was like based in

964
00:44:53,960 --> 00:44:59,319
Speaker 3: New York City, like Rent. Obviously the musical the Zoe

965
00:44:59,440 --> 00:45:01,240
Speaker 3: Saldonna out the cigarette with her point.

966
00:45:01,080 --> 00:45:03,240
Speaker 2: Shot image is very it's formative.

967
00:45:03,400 --> 00:45:06,520
Speaker 3: It's so but I'm like, that was it. Yeah, that

968
00:45:06,719 --> 00:45:08,000
Speaker 3: was the moment where I was.

969
00:45:07,920 --> 00:45:10,680
Speaker 2: Like, I'm cool, Yeah, I'm gonna go.

970
00:45:10,760 --> 00:45:12,400
Speaker 3: I'm gonna go to New York and I'm gonna be

971
00:45:12,400 --> 00:45:13,600
Speaker 3: an artist in New York.

972
00:45:13,800 --> 00:45:17,600
Speaker 2: Yeah that's fun. And I was like, have edge but

973
00:45:17,640 --> 00:45:18,720
Speaker 2: also like be driven.

974
00:45:18,920 --> 00:45:20,840
Speaker 3: Yes, I'm gonna have edge, but I'm gonna.

975
00:45:20,640 --> 00:45:25,440
Speaker 2: Like eat cotton balls. Yeah yeah, just off myself or

976
00:45:25,480 --> 00:45:28,920
Speaker 2: whatever soup would be two fillings. Yes, oh I can't.

977
00:45:29,239 --> 00:45:32,719
Speaker 2: I know genre I have really fallen off. I just

978
00:45:32,760 --> 00:45:34,480
Speaker 2: like we need more of them. Like the last big

979
00:45:34,520 --> 00:45:36,359
Speaker 2: ones were like step up, do you want to know what?

980
00:45:36,480 --> 00:45:38,799
Speaker 2: I think they sequalized them all too much. I can

981
00:45:38,920 --> 00:45:42,560
Speaker 2: step up two, three, four, five, ten, twenty eight. Once

982
00:45:42,600 --> 00:45:46,200
Speaker 2: you it just feels like a story exactly.

983
00:45:46,280 --> 00:45:49,880
Speaker 4: I mean, like unless unless you're actually gonna like really

984
00:45:49,920 --> 00:45:52,720
Speaker 4: make them different and change them. I feel like, honestly,

985
00:45:52,760 --> 00:45:54,480
Speaker 4: they got overfranch So I think.

986
00:45:54,280 --> 00:45:57,800
Speaker 3: That if you follow the arc of any dancer and

987
00:45:57,880 --> 00:46:00,560
Speaker 3: their their career is gonna end way before five movies.

988
00:46:01,360 --> 00:46:04,600
Speaker 3: You gotta you can't. Nobody wants to see a dancer

989
00:46:04,640 --> 00:46:06,160
Speaker 3: after retirement.

990
00:46:05,960 --> 00:46:08,239
Speaker 4: Not only just because I guess your body changes and

991
00:46:08,280 --> 00:46:10,880
Speaker 4: gives not gives up, but like is not able.

992
00:46:10,680 --> 00:46:15,480
Speaker 2: To wash your body's washed after two years in Vegas

993
00:46:15,480 --> 00:46:17,359
Speaker 2: hoofing it for Jade to the Low.

994
00:46:19,440 --> 00:46:25,239
Speaker 4: Also, like the lifestyle, the lifestyle. I guess also was

995
00:46:25,280 --> 00:46:27,480
Speaker 4: like we can't keep doing this. Yeah, I can't keep

996
00:46:27,719 --> 00:46:29,719
Speaker 4: wearing a flat rim hat and doing get right.

997
00:46:29,880 --> 00:46:36,880
Speaker 2: No you can't. You don't kill yourself? Yeah, I mean,

998
00:46:36,960 --> 00:46:40,799
Speaker 2: like where is our generation? This generation's like flash dance,

999
00:46:40,920 --> 00:46:44,239
Speaker 2: show girls, dirty dancing like dance. Is that what you're

1000
00:46:44,239 --> 00:46:46,200
Speaker 2: talking about when I'm talking about.

1001
00:46:45,960 --> 00:46:48,160
Speaker 3: Those dance where people were having like they were in

1002
00:46:48,200 --> 00:46:50,239
Speaker 3: high school and they were dancing up against each other.

1003
00:46:50,360 --> 00:46:52,560
Speaker 3: They were like they were on teams, they were fighting

1004
00:46:52,560 --> 00:46:54,960
Speaker 3: each other with dance. It was like it was our

1005
00:46:55,000 --> 00:46:57,319
Speaker 3: west Side Story, Like.

1006
00:46:57,320 --> 00:46:59,640
Speaker 2: They literally did West Side Story. But I don't know

1007
00:46:59,680 --> 00:47:01,680
Speaker 2: what it was that it just didn't hit the culture

1008
00:47:01,760 --> 00:47:03,799
Speaker 2: because it was good. But the thing is, like, you

1009
00:47:03,880 --> 00:47:06,759
Speaker 2: know where those dance moments popped out, which they haven't

1010
00:47:06,760 --> 00:47:09,960
Speaker 2: really done in a few years. Are those live musicals

1011
00:47:09,960 --> 00:47:12,759
Speaker 2: that they did, like the Grease live musical that they

1012
00:47:12,760 --> 00:47:16,360
Speaker 2: did one that was exactly what like Julian Huff was

1013
00:47:16,360 --> 00:47:19,360
Speaker 2: like made to And I'm like, why isn't she the

1014
00:47:19,800 --> 00:47:22,959
Speaker 2: huge like like old Hollywood star of these types of movies.

1015
00:47:22,960 --> 00:47:24,480
Speaker 2: Is because they don't make them anymore.

1016
00:47:24,560 --> 00:47:28,520
Speaker 3: Yeah, I think that people have gotten to this is

1017
00:47:28,560 --> 00:47:31,200
Speaker 3: just a theory. But I think we've gotten too invested

1018
00:47:31,239 --> 00:47:36,600
Speaker 3: in the villain running the story. We all love the

1019
00:47:36,640 --> 00:47:39,319
Speaker 3: anti hero, you know, and I think we all sort

1020
00:47:39,320 --> 00:47:41,799
Speaker 3: of leaned into the anti hero with Tony Soprano and

1021
00:47:41,840 --> 00:47:44,319
Speaker 3: breaking bad, and all of a sudden we were like

1022
00:47:44,640 --> 00:47:47,279
Speaker 3: a dancer who wants to make something of herself, like,

1023
00:47:48,080 --> 00:47:50,960
Speaker 3: you know, it just didn't. I think we all have

1024
00:47:51,120 --> 00:47:54,200
Speaker 3: just leaned too far into that, so much so that

1025
00:47:54,239 --> 00:47:59,040
Speaker 3: we oops made one the president. I'm like, let's just

1026
00:47:59,400 --> 00:48:02,320
Speaker 3: get back to like fun dance movies.

1027
00:48:02,480 --> 00:48:05,680
Speaker 4: I think that it actually speaks to like my I

1028
00:48:05,680 --> 00:48:07,919
Speaker 4: don't think so, honey from from the other week, which

1029
00:48:08,040 --> 00:48:12,000
Speaker 4: was I need to see animated movies Disney whatever for

1030
00:48:12,160 --> 00:48:16,719
Speaker 4: kids where the villains die really bad deaths. Yes, because

1031
00:48:16,760 --> 00:48:18,040
Speaker 4: they used to do it all the time, and they

1032
00:48:18,040 --> 00:48:20,600
Speaker 4: got afraid because it's not just anti heroes that were

1033
00:48:20,640 --> 00:48:25,000
Speaker 4: obsessed with, also protagonists who are complicated and the actual

1034
00:48:25,120 --> 00:48:28,759
Speaker 4: the villain is what's inside. It's her insecurity, right, It's

1035
00:48:28,760 --> 00:48:31,279
Speaker 4: the fact that she has a weird identity she hasn't

1036
00:48:31,280 --> 00:48:31,920
Speaker 4: come to grips with.

1037
00:48:32,040 --> 00:48:33,120
Speaker 2: That's the villain of the story.

1038
00:48:33,120 --> 00:48:37,920
Speaker 4: It's like, no, give me a fucking one eyed, total bitch.

1039
00:48:38,000 --> 00:48:39,160
Speaker 2: Yes, coming in here.

1040
00:48:39,200 --> 00:48:43,239
Speaker 4: Who wants to kill tk TK It was puppies for

1041
00:48:43,280 --> 00:48:45,680
Speaker 4: Correl Deville. They would never do that, would never do that.

1042
00:48:45,719 --> 00:48:48,480
Speaker 2: There would never be a woman dressed in the animals

1043
00:48:48,520 --> 00:48:51,840
Speaker 2: she killed anymore, not for kids. We've had too much

1044
00:48:52,200 --> 00:48:53,880
Speaker 2: like these are if these are the three stories, man

1045
00:48:53,960 --> 00:48:56,960
Speaker 2: versus Nature, man versus man, man verse himself, we've had

1046
00:48:56,960 --> 00:49:00,640
Speaker 2: too much man versus himselves, man versus himself.

1047
00:49:00,800 --> 00:49:03,319
Speaker 4: No, we need to fear the villains of the world

1048
00:49:03,360 --> 00:49:04,200
Speaker 4: because they're out there.

1049
00:49:04,360 --> 00:49:07,160
Speaker 2: Man versus the algorithm. That is the fourth one gap.

1050
00:49:15,920 --> 00:49:17,920
Speaker 2: This is the this is the new dance movie that

1051
00:49:17,920 --> 00:49:21,040
Speaker 2: we're all gonna write. It's it's the TikTok dance movie.

1052
00:49:21,040 --> 00:49:22,920
Speaker 2: It's people at a high school. They're all competing for

1053
00:49:23,080 --> 00:49:27,160
Speaker 2: TikTok dances or something some bullshit like that, and then

1054
00:49:27,160 --> 00:49:29,480
Speaker 2: they find out the real villain is the algorithm or something.

1055
00:49:29,840 --> 00:49:32,400
Speaker 3: I love that or the guy running the TikTok cult

1056
00:49:32,440 --> 00:49:33,000
Speaker 3: that they're in.

1057
00:49:33,320 --> 00:49:35,960
Speaker 2: Yeah, but here's the thing we need to reveal in

1058
00:49:36,000 --> 00:49:38,440
Speaker 2: the movie that the algorithm actually.

1059
00:49:38,080 --> 00:49:40,760
Speaker 4: Is a person with one eye dressed in all dogs.

1060
00:49:41,000 --> 00:49:43,960
Speaker 4: He's a killer, like and we have to watch him

1061
00:49:44,800 --> 00:49:46,960
Speaker 4: push pushed into lava.

1062
00:49:47,000 --> 00:49:47,839
Speaker 2: But it's not enough.

1063
00:49:47,920 --> 00:49:50,400
Speaker 4: He's like coming out of the lava and like crocodiles

1064
00:49:50,400 --> 00:49:52,239
Speaker 4: who can swim in lava? Rip him apart and we

1065
00:49:52,280 --> 00:49:52,719
Speaker 4: watch it.

1066
00:49:53,120 --> 00:49:55,400
Speaker 3: He but first he comes out of the lava with

1067
00:49:55,520 --> 00:49:58,480
Speaker 3: the dog. With the dog cos he's wearing a crocodile.

1068
00:49:59,200 --> 00:50:01,160
Speaker 3: He's he's in the mouth and he's like.

1069
00:50:01,280 --> 00:50:02,839
Speaker 2: Guess what I'm wearing this too.

1070
00:50:02,920 --> 00:50:05,040
Speaker 4: It needs to be a four minute death scene like

1071
00:50:05,120 --> 00:50:06,920
Speaker 4: what we did to Mikey Madison and Once upon a

1072
00:50:06,960 --> 00:50:09,960
Speaker 4: Time in Hollywood, Like she didn't deserve that. Some of

1073
00:50:10,000 --> 00:50:12,040
Speaker 4: these villains deserve. Not well, actually she was in the

1074
00:50:12,040 --> 00:50:14,799
Speaker 4: Manson family. She did deserve, yes, and she was. She

1075
00:50:14,920 --> 00:50:16,359
Speaker 4: was also a ghost face.

1076
00:50:16,640 --> 00:50:19,480
Speaker 2: She got stabbed in the eye and Mikey Madison has

1077
00:50:19,520 --> 00:50:21,799
Speaker 2: burnt to death in two out of I guess her

1078
00:50:21,800 --> 00:50:24,799
Speaker 2: three films, Face and spent a time. Yeah, can I be.

1079
00:50:24,760 --> 00:50:27,279
Speaker 3: Honest, I did not watch all of Once upon a Time.

1080
00:50:27,400 --> 00:50:29,920
Speaker 3: I do like certain scenes from it, but mainly I

1081
00:50:30,239 --> 00:50:33,759
Speaker 3: just remember Brad Pitt on a roof because I take

1082
00:50:33,800 --> 00:50:34,879
Speaker 3: a photo of the.

1083
00:50:34,880 --> 00:50:39,400
Speaker 2: Screen in the movie. The man looks good in a

1084
00:50:39,440 --> 00:50:40,200
Speaker 2: lot of positions.

1085
00:50:40,239 --> 00:50:41,759
Speaker 3: But I was alone in the movie theater. It's not

1086
00:50:41,800 --> 00:50:43,280
Speaker 3: okay to I was literally.

1087
00:50:42,920 --> 00:50:46,399
Speaker 4: Like in the movie theater, my phone is out, I'm

1088
00:50:46,400 --> 00:50:46,880
Speaker 4: not watching.

1089
00:50:46,920 --> 00:50:50,800
Speaker 2: I shouldn't have come, Like I'm telling you, like it's

1090
00:50:51,000 --> 00:50:52,719
Speaker 2: for sure, like it's really bad.

1091
00:50:52,880 --> 00:50:54,759
Speaker 4: Sometimes I'll pick the movie that I know no one

1092
00:50:54,880 --> 00:50:56,560
Speaker 4: is going to be there for just so I can

1093
00:50:56,760 --> 00:50:57,879
Speaker 4: go to text in a dark room.

1094
00:50:58,000 --> 00:50:59,920
Speaker 2: That's I don't know what that you know.

1095
00:51:00,000 --> 00:51:01,160
Speaker 3: I used to do that when I was having a

1096
00:51:01,200 --> 00:51:03,399
Speaker 3: really bad day. I would get a carry karaoke room

1097
00:51:03,440 --> 00:51:04,080
Speaker 3: by myself.

1098
00:51:04,480 --> 00:51:08,040
Speaker 2: Oh, by myself. That's amazing. What chucking it on?

1099
00:51:10,480 --> 00:51:12,840
Speaker 3: Just chucking it to like the hardest ones, you know,

1100
00:51:13,040 --> 00:51:15,440
Speaker 3: just like trying to melt out a Whitney Houston.

1101
00:51:16,239 --> 00:51:19,440
Speaker 2: Just give it a shot, so vocally push yourself. It

1102
00:51:19,480 --> 00:51:22,160
Speaker 2: wasn't a place where you could like, you know, rap hard.

1103
00:51:22,239 --> 00:51:24,880
Speaker 2: It wasn't like whatever it was about pushing yourself vocally.

1104
00:51:25,040 --> 00:51:27,120
Speaker 3: Yes, it was like I just want to I don't

1105
00:51:27,160 --> 00:51:31,239
Speaker 3: feel my uh my sponsor, my therapist, like there's a

1106
00:51:31,239 --> 00:51:34,040
Speaker 3: lot of there's a team. Yeah, there's the care team.

1107
00:51:34,520 --> 00:51:38,080
Speaker 3: My my therapist sponsor. He was like, you need to

1108
00:51:38,120 --> 00:51:40,320
Speaker 3: like yell in a pillow every once in a while.

1109
00:51:40,560 --> 00:51:42,120
Speaker 3: That's good because I was telling him how much I

1110
00:51:42,160 --> 00:51:46,239
Speaker 3: related to Walton Goggins in this notice and he was like, yeah,

1111
00:51:46,280 --> 00:51:48,719
Speaker 3: you should probably like yell into a pillow about that,

1112
00:51:48,920 --> 00:51:51,840
Speaker 3: and but like, I don't feel comfortable yelling into a

1113
00:51:51,880 --> 00:51:54,360
Speaker 3: pillow because it's insane. So if I go into a

1114
00:51:54,440 --> 00:51:58,000
Speaker 3: karaoke booth by myself, also insane but fun, but no.

1115
00:51:57,920 --> 00:52:00,640
Speaker 2: And also so much of why it exists. Yeah, have

1116
00:52:00,719 --> 00:52:02,440
Speaker 2: you ever booked one of those rooms? I think they

1117
00:52:02,480 --> 00:52:04,600
Speaker 2: still have them in New York where it's just like

1118
00:52:04,640 --> 00:52:06,520
Speaker 2: old printers and TVs and then you have you take

1119
00:52:06,560 --> 00:52:07,920
Speaker 2: a job camera and you just like it's like you

1120
00:52:08,000 --> 00:52:09,680
Speaker 2: office space. Yeah.

1121
00:52:09,719 --> 00:52:11,279
Speaker 3: I've seen a lot of people do that, and I

1122
00:52:11,320 --> 00:52:13,960
Speaker 3: wanted to do it so badly, but I was pregnant

1123
00:52:14,000 --> 00:52:15,799
Speaker 3: at the time, and I was like, this is when

1124
00:52:15,800 --> 00:52:17,600
Speaker 3: I actually need this and it's not safe.

1125
00:52:17,400 --> 00:52:20,719
Speaker 2: And it's not safe. Now if you would like, let's

1126
00:52:20,719 --> 00:52:22,319
Speaker 2: all go, let's do it, I think all of us

1127
00:52:22,360 --> 00:52:23,680
Speaker 2: and I should go yes.

1128
00:52:24,760 --> 00:52:27,279
Speaker 3: Yes, oh my god, yes, you.

1129
00:52:27,320 --> 00:52:29,040
Speaker 4: Know what I mean, maybe like while they go to

1130
00:52:29,080 --> 00:52:31,759
Speaker 4: the host dinner or something like you guys just go

1131
00:52:31,920 --> 00:52:33,719
Speaker 4: skip out on a Tuesday, just take an hour and

1132
00:52:33,760 --> 00:52:34,680
Speaker 4: a half to go like.

1133
00:52:34,719 --> 00:52:38,520
Speaker 2: Yes, like truly hammered down on these things. It helps

1134
00:52:38,560 --> 00:52:39,200
Speaker 2: it really does.

1135
00:52:39,239 --> 00:52:42,480
Speaker 3: It would almost like I'll watch that story about Larry

1136
00:52:42,560 --> 00:52:45,480
Speaker 3: David like yelling at Dick Eversol.

1137
00:52:46,040 --> 00:52:48,960
Speaker 2: I'll just watch that when I'm in just the story, just.

1138
00:52:48,920 --> 00:52:51,680
Speaker 3: The story, and I'll just you know, of him just

1139
00:52:51,880 --> 00:52:54,560
Speaker 3: yelling and saying this and everybody watching and then him

1140
00:52:54,600 --> 00:52:56,960
Speaker 3: storming out and then I just like stop it. I

1141
00:52:56,960 --> 00:52:59,840
Speaker 3: don't even watch the how he showed back up on Monday.

1142
00:53:00,040 --> 00:53:02,239
Speaker 3: I'll just be like, yeah, good for you, you know,

1143
00:53:02,239 --> 00:53:02,959
Speaker 3: when I'm in a mood.

1144
00:53:03,000 --> 00:53:05,439
Speaker 2: Oh yeah. But it actually is a thing. I've never

1145
00:53:05,480 --> 00:53:07,680
Speaker 2: really thought about channeling my anger in that way. I

1146
00:53:07,800 --> 00:53:10,000
Speaker 2: know those rooms exist. It was like a couple weeks ago,

1147
00:53:10,080 --> 00:53:12,080
Speaker 2: I was I was working out and the guy who

1148
00:53:12,160 --> 00:53:14,040
Speaker 2: trains me, when we were doing this thing where like

1149
00:53:14,440 --> 00:53:15,960
Speaker 2: he would throw a ball to me and I would

1150
00:53:15,960 --> 00:53:17,880
Speaker 2: twist and throw the ball back and I had to

1151
00:53:17,880 --> 00:53:19,920
Speaker 2: throw it as hard as I could. Yeah, And all

1152
00:53:19,920 --> 00:53:21,440
Speaker 2: of a sudden, I was like, Wow, this is like

1153
00:53:22,000 --> 00:53:25,120
Speaker 2: the best and most alive. I felt so literally yesterday

1154
00:53:25,160 --> 00:53:26,480
Speaker 2: in the shower. Do you know what I thought? I

1155
00:53:26,560 --> 00:53:29,240
Speaker 2: was like, what if I just went and tried like boxing,

1156
00:53:29,680 --> 00:53:32,960
Speaker 2: Oh not with another person, just literally just like hitting

1157
00:53:32,960 --> 00:53:35,240
Speaker 2: a bag, like I actually think I could get into

1158
00:53:35,239 --> 00:53:38,480
Speaker 2: that because I didn't understand. And one of the things

1159
00:53:38,520 --> 00:53:40,799
Speaker 2: I've actually realized in my own therapy over the past

1160
00:53:40,840 --> 00:53:42,640
Speaker 2: few years, and I think we share this is like,

1161
00:53:43,000 --> 00:53:45,840
Speaker 2: actually how much anger I have about something? Oh my god?

1162
00:53:45,920 --> 00:53:49,920
Speaker 2: And it's really very useful in like a in like.

1163
00:53:49,880 --> 00:53:53,239
Speaker 3: A what happened with your voice when you said really.

1164
00:53:53,200 --> 00:53:56,120
Speaker 2: No, really no, no, I'm telling you. Yeah. He even

1165
00:53:56,160 --> 00:53:57,440
Speaker 2: said something about it. The trainer.

1166
00:53:57,480 --> 00:54:00,560
Speaker 4: He was like, oh, wow, like you have some aggression

1167
00:54:00,800 --> 00:54:03,400
Speaker 4: and I was like, yeah, I think it's really becoming

1168
00:54:03,440 --> 00:54:05,440
Speaker 4: apparent right now. But I thought to myself, like, what

1169
00:54:05,480 --> 00:54:08,480
Speaker 4: if I go sco punched something in a productive way?

1170
00:54:08,560 --> 00:54:12,359
Speaker 3: But I do think it's a slippery slope boxing by

1171
00:54:12,520 --> 00:54:13,640
Speaker 3: MMA to Rogan.

1172
00:54:13,800 --> 00:54:16,200
Speaker 2: You don't you don't see me going mm a Rogan though.

1173
00:54:16,360 --> 00:54:18,960
Speaker 3: No, But I sometimes I wonder if they if the

1174
00:54:18,960 --> 00:54:22,600
Speaker 3: two literally are if it's unavoidable, like no matter who

1175
00:54:22,680 --> 00:54:24,680
Speaker 3: you are starting out, I worry.

1176
00:54:25,120 --> 00:54:27,440
Speaker 2: Yeah, if one day we'll all end up at just

1177
00:54:27,600 --> 00:54:29,240
Speaker 2: different different eras at MMA.

1178
00:54:29,440 --> 00:54:32,279
Speaker 3: It would be so funny if you started boxing and

1179
00:54:32,320 --> 00:54:36,400
Speaker 3: within a year you were like straight living.

1180
00:54:35,560 --> 00:54:41,640
Speaker 2: As a slur. It went from Hay in the park

1181
00:54:41,760 --> 00:54:44,400
Speaker 2: to Ura faggot in a real way living in Austin.

1182
00:54:46,400 --> 00:54:51,680
Speaker 2: What's then anything possible? Spinning? Why is that the way

1183
00:54:51,840 --> 00:54:54,520
Speaker 2: that I think that's the most masculine thing, which it is.

1184
00:54:55,280 --> 00:54:59,080
Speaker 2: We're not disagreeing with you, What is wrong with me?

1185
00:55:00,080 --> 00:55:00,200
Speaker 3: Oh?

1186
00:55:00,640 --> 00:55:01,839
Speaker 2: Spin on it? Yeah?

1187
00:55:02,000 --> 00:55:04,080
Speaker 3: I really ato like I think it's Zoe Saldana.

1188
00:55:04,280 --> 00:55:06,600
Speaker 2: But did Yeah, so then when you moved to New York,

1189
00:55:07,040 --> 00:55:08,839
Speaker 2: did that feeling washed over you of like I'm Zoe?

1190
00:55:09,400 --> 00:55:10,800
Speaker 2: It definitely washed.

1191
00:55:12,560 --> 00:55:14,520
Speaker 3: Obviously at some point I was like I am Zoe,

1192
00:55:15,200 --> 00:55:17,719
Speaker 3: but more so than I was like an amalgamation of

1193
00:55:17,800 --> 00:55:20,239
Speaker 3: these characters where it's like which is hilarious because I

1194
00:55:20,360 --> 00:55:23,920
Speaker 3: was just like twenty with a drinking problem. But I

1195
00:55:24,040 --> 00:55:26,600
Speaker 3: did feel like I was like, I'm a little bit rent,

1196
00:55:26,800 --> 00:55:29,160
Speaker 3: I'm a little bit center stage, I'm a little bit

1197
00:55:29,520 --> 00:55:31,440
Speaker 3: sex in the city, I'm a little bit of friends.

1198
00:55:31,640 --> 00:55:33,640
Speaker 3: I thought it was all of those things. Yeah, and

1199
00:55:34,160 --> 00:55:35,680
Speaker 3: truth be told, I was none of those things. I

1200
00:55:35,719 --> 00:55:38,399
Speaker 3: lived in a railroad in green Point, the worst part

1201
00:55:38,480 --> 00:55:42,440
Speaker 3: of green Point with my ex and his metal band.

1202
00:55:42,840 --> 00:55:45,359
Speaker 2: Oh boy, so they were actually living there.

1203
00:55:45,760 --> 00:55:52,479
Speaker 3: They were living there, they were rehearsing that they were Yeah,

1204
00:55:52,640 --> 00:55:55,719
Speaker 3: it was It was tough because I do hate. I

1205
00:55:55,880 --> 00:55:58,680
Speaker 3: hated their music, but I do hate metal in general.

1206
00:55:59,640 --> 00:56:03,120
Speaker 2: But their music, and uh, are you honest about that?

1207
00:56:03,400 --> 00:56:05,920
Speaker 3: I wasn't because I truth be told it was that

1208
00:56:06,239 --> 00:56:09,480
Speaker 3: or rehab. So I was like, I have to I'm

1209
00:56:09,560 --> 00:56:12,239
Speaker 3: like he he like promised my family he would take

1210
00:56:12,280 --> 00:56:14,520
Speaker 3: care of me because I was supposed to go to rehab.

1211
00:56:14,600 --> 00:56:16,560
Speaker 3: And I sort of like, did I bamboozled?

1212
00:56:16,800 --> 00:56:19,399
Speaker 2: Wow? And it's worth it? Yeah.

1213
00:56:19,640 --> 00:56:22,920
Speaker 3: No, I definitely took my parents' money and I was

1214
00:56:23,040 --> 00:56:24,919
Speaker 3: I told them I would buy a ticket to DC

1215
00:56:25,120 --> 00:56:27,880
Speaker 3: to go to rehabit instead, I stopped off in New

1216
00:56:27,960 --> 00:56:29,760
Speaker 3: York and I got off the plane and I moved.

1217
00:56:29,880 --> 00:56:33,200
Speaker 3: I moved in with X and his medal.

1218
00:56:33,320 --> 00:56:36,160
Speaker 2: I had to know this about you. That is that

1219
00:56:36,280 --> 00:56:38,040
Speaker 2: is the rosebud Baker story. So insane.

1220
00:56:38,360 --> 00:56:43,120
Speaker 4: Very ZOEA very very Zoe, literally the energy of ballerina slipwear.

1221
00:56:43,440 --> 00:56:47,000
Speaker 3: Yeah, very Zoe, but bloated an alcoholic U huh and

1222
00:56:47,160 --> 00:56:49,080
Speaker 3: had not moved a muscle in terms of dance.

1223
00:56:51,080 --> 00:56:54,560
Speaker 2: Yeah, everybody who moved to New York. It doesn't matter

1224
00:56:55,440 --> 00:56:58,919
Speaker 2: who you are. There's some piece of media and whatever.

1225
00:56:58,960 --> 00:57:00,759
Speaker 2: I'm not saying anything new but that like you just

1226
00:57:01,360 --> 00:57:04,560
Speaker 2: are fantasizing about or you think you're living. Yeah, for guys,

1227
00:57:04,640 --> 00:57:08,920
Speaker 2: it's like, I don't know, taxi driver or something. Maybe

1228
00:57:09,000 --> 00:57:11,319
Speaker 2: I don't know. I will say that is that.

1229
00:57:11,480 --> 00:57:14,120
Speaker 3: Is a theater guy. That is a theater straight guys

1230
00:57:14,480 --> 00:57:16,640
Speaker 3: version of a New York City Right.

1231
00:57:17,200 --> 00:57:18,720
Speaker 2: And then for like women and gay guys, it's sex

1232
00:57:18,760 --> 00:57:22,160
Speaker 2: and the sexy. Yes. But then so girls hit when

1233
00:57:22,200 --> 00:57:24,200
Speaker 2: we were like at the end of college, like Slash

1234
00:57:24,440 --> 00:57:26,439
Speaker 2: getting out of college, and we were like, oh wow,

1235
00:57:26,840 --> 00:57:29,400
Speaker 2: this is like the literal version of what it is. Yes,

1236
00:57:29,760 --> 00:57:32,160
Speaker 2: the green Point metal band is very girl, very Yes.

1237
00:57:32,720 --> 00:57:36,520
Speaker 3: I was actually Hannah, you were yeah, Yeah, Wow, I

1238
00:57:36,720 --> 00:57:40,160
Speaker 3: was Hannah having terrible sex in an apartment with a

1239
00:57:40,280 --> 00:57:41,840
Speaker 3: boyfriend that was building things.

1240
00:57:42,360 --> 00:57:43,680
Speaker 2: Yeah, for no reason.

1241
00:57:43,800 --> 00:57:46,040
Speaker 3: I'm like, there's nothing to be built. It's a rental.

1242
00:57:46,960 --> 00:57:47,920
Speaker 2: I can't get over that.

1243
00:57:48,440 --> 00:57:51,800
Speaker 4: Adam Driver went from playing the weirdest fuck boy in

1244
00:57:51,920 --> 00:57:53,320
Speaker 4: Brooklyn to Kylo.

1245
00:57:53,080 --> 00:57:56,000
Speaker 3: Ren And you know what's even weirder is that he

1246
00:57:56,160 --> 00:57:59,840
Speaker 3: was hotter to me as the weirdest one a thousand Right.

1247
00:58:00,440 --> 00:58:02,760
Speaker 4: I think that that was the That was honestly one

1248
00:58:02,800 --> 00:58:05,680
Speaker 4: of the top three things that made that show successful. Yeah,

1249
00:58:05,840 --> 00:58:10,200
Speaker 4: was the Yes, just how reasonable it was that this

1250
00:58:10,560 --> 00:58:15,560
Speaker 4: was the hottest guy all around to end up weird.

1251
00:58:15,760 --> 00:58:17,920
Speaker 3: Do I have like lipstick like caking?

1252
00:58:18,240 --> 00:58:19,480
Speaker 2: Nope? Okay, good, perfect?

1253
00:58:19,520 --> 00:58:21,520
Speaker 4: But what is it lately about? I feel the same

1254
00:58:21,560 --> 00:58:23,720
Speaker 4: way my lips have been, Like I'm so conscious of

1255
00:58:23,840 --> 00:58:24,479
Speaker 4: my lips lately.

1256
00:58:24,600 --> 00:58:28,080
Speaker 3: No, I know, because if gross slip is really something

1257
00:58:28,120 --> 00:58:30,440
Speaker 3: that you live with, like there's nothing breath.

1258
00:58:31,080 --> 00:58:33,360
Speaker 4: No, gross slip is worse than bad breath. It's rule

1259
00:58:33,440 --> 00:58:36,959
Speaker 4: culture number nineteen. Gross slip is worse than a bad breath.

1260
00:58:38,360 --> 00:58:41,120
Speaker 2: Yeah, I guess. So mine just chraps the same spot

1261
00:58:41,200 --> 00:58:43,439
Speaker 2: and I peel from the same spot, cons mine gets

1262
00:58:43,560 --> 00:58:49,000
Speaker 2: merely in the corners. I'm really really sorry that was discussing.

1263
00:58:49,200 --> 00:58:51,560
Speaker 2: I feel the need to like turn to everyone here

1264
00:58:51,600 --> 00:58:52,600
Speaker 2: and say I'm so sorry.

1265
00:58:52,720 --> 00:58:55,080
Speaker 3: No, I'm because that's what I'm worried about right now.

1266
00:58:55,120 --> 00:58:57,520
Speaker 4: I wasn't thinking about it until you said it, and

1267
00:58:57,600 --> 00:58:59,520
Speaker 4: now I'm self conscious about it. But let's just live

1268
00:58:59,560 --> 00:58:59,959
Speaker 4: in this together.

1269
00:59:00,080 --> 00:59:03,040
Speaker 3: And if you have Matt, like mac lipstick is like

1270
00:59:03,240 --> 00:59:05,400
Speaker 3: it's great for stage or whatever, but it does it

1271
00:59:05,520 --> 00:59:08,840
Speaker 3: just cake? You're like, oh damn, I don't want to

1272
00:59:08,840 --> 00:59:11,439
Speaker 3: have a cake on my lip. Anyway, we were talking

1273
00:59:11,440 --> 00:59:12,720
Speaker 3: about Adam Driver being hot.

1274
00:59:12,920 --> 00:59:15,600
Speaker 2: Well, I mean, and also it's funny that you say

1275
00:59:15,600 --> 00:59:17,560
Speaker 2: they were having bad sex, because I remember this must

1276
00:59:17,600 --> 00:59:20,400
Speaker 2: have just been my my acceptual experience at the time.

1277
00:59:20,480 --> 00:59:23,080
Speaker 2: But I was like, is what they're doing really hot?

1278
00:59:23,480 --> 00:59:25,600
Speaker 2: Because remember when he because he dated it started dating

1279
00:59:25,640 --> 00:59:28,120
Speaker 2: Schery Apple be in the show and then he like

1280
00:59:28,240 --> 00:59:29,760
Speaker 2: made her crawl around on the floor and he like

1281
00:59:29,840 --> 00:59:31,400
Speaker 2: came on her tits and she was like I don't

1282
00:59:31,520 --> 00:59:33,680
Speaker 2: like this, yes, And I was like, oh, he has

1283
00:59:33,800 --> 00:59:36,320
Speaker 2: that weird sex that he loves with Hannah yea. And

1284
00:59:36,400 --> 00:59:38,600
Speaker 2: I hadn't even I guess that was like why the

1285
00:59:38,640 --> 00:59:41,040
Speaker 2: show was so great character to point out that it

1286
00:59:41,120 --> 00:59:42,800
Speaker 2: was label it as weird. No, it was just like

1287
00:59:43,040 --> 00:59:45,040
Speaker 2: it was. I guess what I was latching onto was

1288
00:59:45,080 --> 00:59:48,200
Speaker 2: I was like, there's really different modes of this. There's

1289
00:59:48,240 --> 00:59:50,160
Speaker 2: no such thing as like good sex and bad sex.

1290
00:59:50,160 --> 00:59:53,000
Speaker 2: It's like your sex is your sex, and this guy

1291
00:59:53,680 --> 00:59:56,200
Speaker 2: his weird stuff like works for her.

1292
00:59:56,320 --> 00:59:58,520
Speaker 4: Like I was never worried for her, right, It just

1293
00:59:58,560 --> 01:00:00,280
Speaker 4: seemed like she was in a position where they were

1294
01:00:00,320 --> 01:00:02,320
Speaker 4: figuring it out sexually. But I was never worried for

1295
01:00:02,400 --> 01:00:03,200
Speaker 4: Hannah right.

1296
01:00:03,280 --> 01:00:05,040
Speaker 2: No. Ever, I felt like it was.

1297
01:00:05,280 --> 01:00:07,080
Speaker 3: It was odd to me because I was like, oh,

1298
01:00:07,200 --> 01:00:09,920
Speaker 3: this is a guy who genuinely loves her, wants to

1299
01:00:10,040 --> 01:00:13,480
Speaker 3: care for her once, like just loves her. Yeah, and

1300
01:00:14,080 --> 01:00:19,120
Speaker 3: for some reason it's like sexually he's like into this shit,

1301
01:00:19,560 --> 01:00:22,360
Speaker 3: you know. And she kind of always seemed a little bit.

1302
01:00:22,320 --> 01:00:24,960
Speaker 2: Like I guess yeah, you know, and that.

1303
01:00:26,960 --> 01:00:28,960
Speaker 3: Yeah, because I always felt like Hannah was going like

1304
01:00:29,240 --> 01:00:32,400
Speaker 3: that sure, you know. It was always she literally would

1305
01:00:32,440 --> 01:00:35,560
Speaker 3: like shrug her shoulders as consent and then they'd be

1306
01:00:35,680 --> 01:00:36,560
Speaker 3: like yeah, cool.

1307
01:00:36,920 --> 01:00:38,120
Speaker 2: But it was that.

1308
01:00:38,440 --> 01:00:41,360
Speaker 3: I mean, that's why I got to say, like when

1309
01:00:41,400 --> 01:00:45,240
Speaker 3: I was watching girls and then I think it was

1310
01:00:45,320 --> 01:00:48,040
Speaker 3: like me too. A few years after that, yeah, and

1311
01:00:48,160 --> 01:00:50,320
Speaker 3: I was like rewatching it and I was like, well,

1312
01:00:50,400 --> 01:00:54,840
Speaker 3: this is half of my sexual experience right as like

1313
01:00:55,440 --> 01:00:57,280
Speaker 3: as just a person that grew up.

1314
01:00:57,360 --> 01:00:57,880
Speaker 2: When I did.

1315
01:00:58,120 --> 01:01:01,280
Speaker 3: Yeah, so I'm like so just everything. I literally called

1316
01:01:01,320 --> 01:01:03,040
Speaker 3: my therapist. I was like, I actually just don't have

1317
01:01:03,200 --> 01:01:04,000
Speaker 3: the bandwidth for this.

1318
01:01:04,320 --> 01:01:06,200
Speaker 2: Yeah, like I said, no, I said that.

1319
01:01:06,560 --> 01:01:07,919
Speaker 3: I was like, I don't have the bandwidth to break

1320
01:01:07,920 --> 01:01:09,720
Speaker 3: all this down. I'm just gonna kind of push this down.

1321
01:01:10,120 --> 01:01:13,160
Speaker 4: Yeah, And he was like okay, Wow, it's like what

1322
01:01:13,280 --> 01:01:15,160
Speaker 4: were we okay with and what were we just like, oh,

1323
01:01:15,200 --> 01:01:17,760
Speaker 4: I guess this is what sex is, Like, I'll submit

1324
01:01:17,880 --> 01:01:20,560
Speaker 4: to whatever this is, despite the fact that like because

1325
01:01:20,560 --> 01:01:22,480
Speaker 4: I guess what it was for me is I was like, well,

1326
01:01:22,520 --> 01:01:24,960
Speaker 4: this person that I'm having sex with can't have like

1327
01:01:25,520 --> 01:01:28,360
Speaker 4: like a real relationship with sex and away I don't

1328
01:01:28,440 --> 01:01:30,640
Speaker 4: like a proclivity towards this thing he wants to do.

1329
01:01:30,720 --> 01:01:32,520
Speaker 2: I guess we're just both figuring out and it must

1330
01:01:32,560 --> 01:01:34,959
Speaker 2: be fine. Yeah, And then yeah, Wow, I'm.

1331
01:01:34,880 --> 01:01:36,560
Speaker 3: Like, sometimes you meet somebody and you're like, well, I

1332
01:01:36,640 --> 01:01:38,160
Speaker 3: was never into this before, but I guess I kind

1333
01:01:38,160 --> 01:01:39,920
Speaker 3: of am with you, like you know, you never know.

1334
01:01:40,160 --> 01:01:43,600
Speaker 3: And then you're like, it's just it's sort of a

1335
01:01:43,680 --> 01:01:45,280
Speaker 3: mystery that I'm going to leave unsolved.

1336
01:01:45,640 --> 01:01:49,360
Speaker 2: Yeah, yeah, you know. But like that show kind of

1337
01:01:49,880 --> 01:01:52,600
Speaker 2: portrayed it in a way that I think we probably

1338
01:01:52,640 --> 01:01:55,360
Speaker 2: hadn't seen before. Absolutely what I mean absolutely in a

1339
01:01:55,480 --> 01:01:58,160
Speaker 2: serialized way, like, oh, you can track like the sex

1340
01:01:58,200 --> 01:01:59,680
Speaker 2: that Adam was having with this character is not the

1341
01:01:59,720 --> 01:02:01,520
Speaker 2: same the sex he was happing with Hannah, and therefore

1342
01:02:01,600 --> 01:02:06,480
Speaker 2: that is, yes, this weird sort of questionable. Yeah whatever,

1343
01:02:06,800 --> 01:02:08,640
Speaker 2: they definitely need didn't do that in Sex and the City.

1344
01:02:09,040 --> 01:02:10,240
Speaker 2: It was always like fun.

1345
01:02:10,600 --> 01:02:12,360
Speaker 3: I know, the sex scenes in Sex and City. When

1346
01:02:12,400 --> 01:02:13,600
Speaker 3: you rewatch them back, you're.

1347
01:02:13,520 --> 01:02:16,560
Speaker 2: Like, no, it's like that's he that's not even that.

1348
01:02:16,720 --> 01:02:19,080
Speaker 2: It doesn't even look right. No, it wasn't even stage.

1349
01:02:19,080 --> 01:02:22,200
Speaker 2: But like all this Samantha stuff is just like, yeah,

1350
01:02:23,480 --> 01:02:25,960
Speaker 2: I don't know. What I loved about girls was like

1351
01:02:26,040 --> 01:02:29,600
Speaker 2: it never made an attempt almost ever make it to

1352
01:02:29,680 --> 01:02:33,120
Speaker 2: make sex look hot. Yes, it was always weird.

1353
01:02:33,240 --> 01:02:37,240
Speaker 3: It was ridiculous, absurd yeah, and clanky.

1354
01:02:37,560 --> 01:02:37,760
Speaker 2: Yeah.

1355
01:02:38,360 --> 01:02:39,760
Speaker 4: And like that was the whole thing with Adam and

1356
01:02:39,840 --> 01:02:41,880
Speaker 4: Jess too, right, Like the first time they fucked it

1357
01:02:42,040 --> 01:02:44,760
Speaker 4: was terrible, and they were so positive it would be good,

1358
01:02:45,200 --> 01:02:47,440
Speaker 4: and then it eventually does get good and they get

1359
01:02:47,480 --> 01:02:50,400
Speaker 4: on the same page. But like those two characters having

1360
01:02:50,560 --> 01:02:54,280
Speaker 4: bad sex was so it was such a mulk moment

1361
01:02:54,400 --> 01:02:55,040
Speaker 4: in that choke.

1362
01:02:55,200 --> 01:02:59,720
Speaker 2: Yeah, they were, they were. They were chucking it about that.

1363
01:03:00,520 --> 01:03:04,800
Speaker 2: That's what it is. It's not hey, mama, it with

1364
01:03:04,880 --> 01:03:07,720
Speaker 2: mama choking it with mama chucking it with mama, My,

1365
01:03:08,720 --> 01:03:12,120
Speaker 2: that's the winner. Like what's this going to be?

1366
01:03:13,280 --> 01:03:15,840
Speaker 3: They're chucking it, They're chucking a little out, We're chucking it,

1367
01:03:15,960 --> 01:03:18,480
Speaker 3: We're clanking it. I think I said clanking a second ago. Yeah,

1368
01:03:19,280 --> 01:03:22,200
Speaker 3: I was talking about the sex in girls. I said clank, yeah,

1369
01:03:22,240 --> 01:03:23,919
Speaker 3: which it does actually work.

1370
01:03:23,960 --> 01:03:26,640
Speaker 2: It's clinking. It's very Judy Garland meet me in Saint Louis.

1371
01:03:26,920 --> 01:03:32,120
Speaker 3: Yeah, clank clan clan clan Clanka. Scarecrow meets tin Man.

1372
01:03:34,240 --> 01:03:37,959
Speaker 2: Yeah, imagine if they fun to be terrible. Watch watch

1373
01:03:38,280 --> 01:03:41,360
Speaker 2: the Scarecrow and the tin Man. Yeah, I want to

1374
01:03:41,400 --> 01:03:47,200
Speaker 2: click the link. Yeah, I'd click the link whenever. Whenever

1375
01:03:47,240 --> 01:03:49,080
Speaker 2: he sees two hot guys and a picture together goes,

1376
01:03:49,120 --> 01:03:52,920
Speaker 2: I'd click the legs. Actually, that's that is so this?

1377
01:03:53,240 --> 01:03:56,360
Speaker 2: Oh god, I click click the link. He said, it's

1378
01:03:56,360 --> 01:03:58,200
Speaker 2: about a picture of me and someone else other day

1379
01:03:59,520 --> 01:03:59,920
Speaker 2: clicking my.

1380
01:04:02,720 --> 01:04:05,040
Speaker 3: Not me responding to a picture of the baby with

1381
01:04:05,120 --> 01:04:07,640
Speaker 3: that later today, cick the link.

1382
01:04:08,680 --> 01:04:10,400
Speaker 2: Oh my god, Like, no, that's not how you do it.

1383
01:04:10,760 --> 01:04:14,320
Speaker 4: I was watching Denise Richards has a new reality show

1384
01:04:14,480 --> 01:04:17,720
Speaker 4: on Bravo. It's like Denise Richard's like, yeah, not on Housewives.

1385
01:04:17,760 --> 01:04:20,480
Speaker 4: But and she was talking about like her daughter joined

1386
01:04:20,520 --> 01:04:23,000
Speaker 4: only fans. Yes, she kind of couldn't really say anything

1387
01:04:23,080 --> 01:04:25,439
Speaker 4: because like she had Hollywood and was doing like wild things,

1388
01:04:25,480 --> 01:04:27,800
Speaker 4: et cetera. And they have an brought it up right,

1389
01:04:27,960 --> 01:04:30,520
Speaker 4: and so, yes and so. But now on the show

1390
01:04:30,600 --> 01:04:34,600
Speaker 4: it's like they're explaining it more. And the daughter Sammy

1391
01:04:35,080 --> 01:04:37,000
Speaker 4: was like, well, it would have been fine had you

1392
01:04:37,120 --> 01:04:39,800
Speaker 4: not joined right after, because Denise was like, well, then

1393
01:04:39,880 --> 01:04:41,760
Speaker 4: I joined only fans because I didn't want my daughter

1394
01:04:41,840 --> 01:04:43,680
Speaker 4: doing it alone, like I want her to feel like.

1395
01:04:43,680 --> 01:04:45,800
Speaker 2: Empowered about Denise Denise.

1396
01:04:46,360 --> 01:04:49,200
Speaker 4: And then and then the daughter was like, do you

1397
01:04:49,280 --> 01:04:50,920
Speaker 4: know how embarrassing it is for me to have to

1398
01:04:50,960 --> 01:04:53,160
Speaker 4: explain to my friends, like why you're not only fans?

1399
01:04:53,200 --> 01:04:56,120
Speaker 4: And it's just so funny that coachly that's where we're at, Like, Mom,

1400
01:04:56,320 --> 01:04:57,200
Speaker 4: I do porn.

1401
01:04:58,440 --> 01:05:01,840
Speaker 2: Porn is my thing. You do porn by myself. Mom,

1402
01:05:02,000 --> 01:05:03,600
Speaker 2: why do you always have to do porn after me?

1403
01:05:03,880 --> 01:05:06,240
Speaker 2: I know I was doing porn for years before you,

1404
01:05:06,440 --> 01:05:08,760
Speaker 2: But I understand why you're upset. Honey. Okay, I do

1405
01:05:08,920 --> 01:05:11,000
Speaker 2: need to watch this show. It's I actually I tell

1406
01:05:11,040 --> 01:05:11,480
Speaker 2: you that all them.

1407
01:05:11,520 --> 01:05:14,640
Speaker 4: I was like, I just want to say, I just

1408
01:05:14,680 --> 01:05:16,760
Speaker 4: want to knock on the door and say Denise Richards

1409
01:05:16,920 --> 01:05:18,280
Speaker 4: is giving something on the.

1410
01:05:20,520 --> 01:05:21,120
Speaker 2: On peacock.

1411
01:05:21,680 --> 01:05:22,400
Speaker 3: I clicked the link.

1412
01:05:22,560 --> 01:05:25,160
Speaker 2: Yeah, any housewife thoughts you want to get off your chest? Yeah,

1413
01:05:25,200 --> 01:05:26,439
Speaker 2: what's up? So many?

1414
01:05:26,760 --> 01:05:30,040
Speaker 3: I have so many I feel like I'm really I've

1415
01:05:30,120 --> 01:05:31,080
Speaker 3: never loved Sutton.

1416
01:05:32,160 --> 01:05:34,240
Speaker 2: We're having a hard time. You're loving her.

1417
01:05:34,520 --> 01:05:38,040
Speaker 3: I've no, no, no, I never loved her. But now

1418
01:05:38,320 --> 01:05:42,160
Speaker 3: I am like, you are an evil, evil person.

1419
01:05:42,280 --> 01:05:45,040
Speaker 2: She's the villain very least, she's just broken, you know

1420
01:05:45,080 --> 01:05:49,440
Speaker 2: what I mean. But I'm generous. But yes, I've said

1421
01:05:49,480 --> 01:05:50,280
Speaker 2: evil too in the past.

1422
01:05:50,400 --> 01:05:53,440
Speaker 3: Yes, I just watching her sit across from Dery and

1423
01:05:53,520 --> 01:05:53,760
Speaker 3: do this.

1424
01:05:55,000 --> 01:05:57,160
Speaker 2: Oh the wallet thing really bothered me.

1425
01:05:57,400 --> 01:05:59,680
Speaker 3: Like with the eyes, I was like, calm down, you

1426
01:05:59,720 --> 01:06:00,440
Speaker 3: look like Ramona.

1427
01:06:00,640 --> 01:06:01,120
Speaker 2: Yeah, it was.

1428
01:06:01,320 --> 01:06:04,320
Speaker 4: It was giving Romona a bit as Also if the

1429
01:06:04,520 --> 01:06:07,280
Speaker 4: insult was about like wealth in a way that was

1430
01:06:07,480 --> 01:06:09,960
Speaker 4: like a trackable or actually funny, that would be one thing.

1431
01:06:10,040 --> 01:06:12,160
Speaker 2: But it's like you need to fight with someone who's

1432
01:06:12,280 --> 01:06:15,120
Speaker 2: wallet fits. It's like, well, while it doesn't fit, the

1433
01:06:15,200 --> 01:06:16,240
Speaker 2: promise has to be true.

1434
01:06:16,320 --> 01:06:17,479
Speaker 3: Yeah, the premise has to be true.

1435
01:06:17,760 --> 01:06:19,720
Speaker 4: And I'm just like and then like it was so

1436
01:06:19,840 --> 01:06:21,400
Speaker 4: easy to dunk on her because the rest of the

1437
01:06:21,440 --> 01:06:23,400
Speaker 4: women were just like, like Kyle said in the after show,

1438
01:06:23,440 --> 01:06:25,360
Speaker 4: she was like, well, then we have to talk about

1439
01:06:25,360 --> 01:06:27,560
Speaker 4: where you actually got your money, which is from a divorce,

1440
01:06:28,000 --> 01:06:28,720
Speaker 4: right period.

1441
01:06:28,840 --> 01:06:31,560
Speaker 2: Thank you, Like, so that's just it. And I was like,

1442
01:06:32,080 --> 01:06:34,360
Speaker 2: do you feel this backed into a corner or are

1443
01:06:34,400 --> 01:06:37,560
Speaker 2: you just that mean? Because I think she is that mean.

1444
01:06:37,880 --> 01:06:40,160
Speaker 3: Yeah, I think she is that mean because she's never

1445
01:06:40,240 --> 01:06:42,439
Speaker 3: been backed into a corner once. I bet I've seen.

1446
01:06:42,640 --> 01:06:45,440
Speaker 3: I'm like, except somebody maybe said something about her drinking,

1447
01:06:45,520 --> 01:06:47,240
Speaker 3: but it's like, hello, that's the job.

1448
01:06:47,400 --> 01:06:51,120
Speaker 2: Yeah. But also there were things to say about her drinking.

1449
01:06:51,400 --> 01:06:51,600
Speaker 3: Yeah.

1450
01:06:52,080 --> 01:06:54,640
Speaker 2: I remember the show one time they saw they showed

1451
01:06:54,640 --> 01:06:57,120
Speaker 2: her pouring like a huge cocktail in the middle of

1452
01:06:57,120 --> 01:06:58,600
Speaker 2: the day and on the bottom hand of the corner

1453
01:06:58,680 --> 01:07:01,520
Speaker 2: bottom thing, it's set eleven forty am. It was like

1454
01:07:01,640 --> 01:07:03,200
Speaker 2: the show was pointed to show.

1455
01:07:03,600 --> 01:07:07,280
Speaker 3: You're like, Okay, well, maybe don't do that on camera

1456
01:07:08,120 --> 01:07:08,439
Speaker 3: or if.

1457
01:07:08,360 --> 01:07:10,560
Speaker 4: You're gonna yeah, exactly, if you're gonna do it on camera,

1458
01:07:10,680 --> 01:07:13,240
Speaker 4: expect that one of your castmates whose job it is

1459
01:07:13,400 --> 01:07:15,880
Speaker 4: to say something like this, may say something.

1460
01:07:16,160 --> 01:07:18,760
Speaker 3: And the whole show, the whole premise of the show

1461
01:07:18,840 --> 01:07:20,560
Speaker 3: and the lot. And this is why the logic of

1462
01:07:20,640 --> 01:07:22,880
Speaker 3: it gets so depressing if you really like start to

1463
01:07:22,920 --> 01:07:25,240
Speaker 3: think about it, Yeah, is like you are putting your

1464
01:07:25,280 --> 01:07:28,040
Speaker 3: life out there, yes, and you're gonna get torn apart.

1465
01:07:28,280 --> 01:07:30,560
Speaker 2: And that's kind of what we do with housewives. It's

1466
01:07:30,680 --> 01:07:31,240
Speaker 2: fun to do.

1467
01:07:31,560 --> 01:07:33,240
Speaker 3: We feel better about ourselves doing.

1468
01:07:33,800 --> 01:07:36,320
Speaker 2: And it's fucked up, but it's it's sort.

1469
01:07:36,120 --> 01:07:40,720
Speaker 3: Of the last like dark disgusting habit I think of

1470
01:07:40,880 --> 01:07:44,720
Speaker 3: like this part of culture. Yeah, it's like it's listen,

1471
01:07:44,880 --> 01:07:45,800
Speaker 3: let's enjoy it.

1472
01:07:45,840 --> 01:07:49,760
Speaker 2: Well at last, it's WWF for women and gays. Yes, absolutely,

1473
01:07:50,720 --> 01:07:53,520
Speaker 2: And I will say when I did, because I have

1474
01:07:53,600 --> 01:07:59,320
Speaker 2: publicly spoken against Bronwyn on Salt Lake and then I

1475
01:07:59,440 --> 01:08:02,120
Speaker 2: met her from only at the SAG Awards, and then

1476
01:08:02,160 --> 01:08:04,240
Speaker 2: we had this lovely moment and I explained myself and

1477
01:08:04,280 --> 01:08:06,360
Speaker 2: I apologized for all these terrible things that I had said.

1478
01:08:07,160 --> 01:08:09,880
Speaker 2: I said, you are ultimately a fantastic mother. She like

1479
01:08:09,920 --> 01:08:12,000
Speaker 2: shows up to all these rallies where she's supporting her

1480
01:08:12,040 --> 01:08:15,360
Speaker 2: trans kit. Yeah, and then and then she goes bow in.

1481
01:08:15,960 --> 01:08:17,720
Speaker 2: I can take it. This is what I signed up for.

1482
01:08:18,040 --> 01:08:20,200
Speaker 2: I love you no matter what you say. And I'm like, oh,

1483
01:08:20,920 --> 01:08:23,920
Speaker 2: that's actually such as transcendent attitude about it.

1484
01:08:24,040 --> 01:08:25,800
Speaker 3: That's what I love about bron Wins. That is what

1485
01:08:25,880 --> 01:08:28,240
Speaker 3: I love about her. I kind of that was the vibe.

1486
01:08:28,280 --> 01:08:28,679
Speaker 2: At least.

1487
01:08:28,800 --> 01:08:30,679
Speaker 3: I was like, I feel like it's the same vibe

1488
01:08:30,720 --> 01:08:34,719
Speaker 3: off camera, yeah, you know, whereas sudden it's I'm getting

1489
01:08:35,320 --> 01:08:36,400
Speaker 3: it's doctor Jack.

1490
01:08:38,360 --> 01:08:40,320
Speaker 2: You know, I feel like.

1491
01:08:42,080 --> 01:08:44,960
Speaker 3: I'm really loving to read this season. I'm loving her

1492
01:08:45,160 --> 01:08:47,880
Speaker 3: kind of like snapping back and getting mad and just

1493
01:08:48,200 --> 01:08:49,200
Speaker 3: I'm just enjoying that.

1494
01:08:49,320 --> 01:08:51,880
Speaker 2: Yeah, it's because it's real. It's real. That's ultimately what

1495
01:08:51,960 --> 01:08:55,880
Speaker 2: it is. Is like the authenticity is kind of it's

1496
01:08:55,880 --> 01:08:58,720
Speaker 2: like she does she has no more fucks to give

1497
01:08:59,000 --> 01:09:02,160
Speaker 2: because it's kind of like, you know, this this job

1498
01:09:02,360 --> 01:09:06,120
Speaker 2: now the Housewives is now like you know, she doesn't

1499
01:09:06,200 --> 01:09:08,120
Speaker 2: have to like think about like what her husband's gonna

1500
01:09:08,120 --> 01:09:10,560
Speaker 2: think or like pretend at all. She's like, oh, this

1501
01:09:10,800 --> 01:09:12,479
Speaker 2: is the place where I can be in my mouse authentic.

1502
01:09:12,560 --> 01:09:14,600
Speaker 2: Now it's not, but I don't have to wait to

1503
01:09:14,680 --> 01:09:17,519
Speaker 2: fight with my husband behind closed doors. Okay, great, then

1504
01:09:17,520 --> 01:09:19,720
Speaker 2: I'll just say what I feel yeah, and.

1505
01:09:19,760 --> 01:09:24,439
Speaker 3: She'll be like, hey, little peanut, anyway, she's a cunt. Yeah.

1506
01:09:24,640 --> 01:09:27,120
Speaker 3: Like I love that she's like she's like a good mom.

1507
01:09:27,400 --> 01:09:30,000
Speaker 3: She's sweet to her kids. I love the way she

1508
01:09:30,080 --> 01:09:32,240
Speaker 3: talks to her children. I was never talked to like that.

1509
01:09:32,400 --> 01:09:35,160
Speaker 3: I mean my mom was like very sweet and loving

1510
01:09:35,320 --> 01:09:37,919
Speaker 3: and kind, but she didn't call us like little peanuts

1511
01:09:38,120 --> 01:09:44,519
Speaker 3: and like the little nicknames that Yes, Jackie, Yes, she

1512
01:09:44,680 --> 01:09:46,800
Speaker 3: just has like the cutest little nicknames for them. But

1513
01:09:46,880 --> 01:09:50,800
Speaker 3: I just think that's really sweet. But I mean, who know,

1514
01:09:50,840 --> 01:09:55,679
Speaker 3: they'll probably grow up to a resenter for it's well, if.

1515
01:09:55,000 --> 01:09:57,040
Speaker 4: It's not that, it's definitely the show at large. Right,

1516
01:09:57,120 --> 01:09:59,320
Speaker 4: Oh you Oh, I was a television star at what age?

1517
01:09:59,320 --> 01:09:59,840
Speaker 2: And I didn't know?

1518
01:10:00,080 --> 01:10:08,840
Speaker 3: Uh? Did you guys watch Potomac? Yeszy Rush is so funny.

1519
01:10:08,960 --> 01:10:12,080
Speaker 2: And I want to say I believe her. I believe

1520
01:10:12,080 --> 01:10:14,080
Speaker 2: her too, really, yeah, thank you for saying this. I

1521
01:10:14,160 --> 01:10:16,640
Speaker 2: believe her because TJ has clearly showed himself to be

1522
01:10:16,720 --> 01:10:17,880
Speaker 2: like a bad person.

1523
01:10:18,160 --> 01:10:19,559
Speaker 3: Yeah, why would I believe this man?

1524
01:10:19,800 --> 01:10:21,320
Speaker 2: Why would you believe him? What?

1525
01:10:21,920 --> 01:10:25,760
Speaker 3: What about him even read as even a teensy bit believable? Right?

1526
01:10:25,960 --> 01:10:28,160
Speaker 2: And I believe that she's like heartbroke over the fact

1527
01:10:28,160 --> 01:10:30,760
Speaker 2: that like this guy who whatever it means to her

1528
01:10:30,960 --> 01:10:34,479
Speaker 2: or to us her best friend, would then betray her

1529
01:10:34,560 --> 01:10:37,519
Speaker 2: and go on and like and like tell the man like, oh,

1530
01:10:37,600 --> 01:10:39,439
Speaker 2: she was paying me to be her boyfriend the whole time,

1531
01:10:39,960 --> 01:10:41,479
Speaker 2: Like that would be a heartbreaking thing and she would

1532
01:10:41,560 --> 01:10:43,920
Speaker 2: not know how to she She was probably in shock

1533
01:10:43,960 --> 01:10:46,080
Speaker 2: in that moment and did not know how to explain

1534
01:10:46,160 --> 01:10:47,400
Speaker 2: that because it's such a hurtful thing.

1535
01:10:47,680 --> 01:10:49,640
Speaker 3: No, I feel like the way that she handled it,

1536
01:10:49,680 --> 01:10:51,400
Speaker 3: I was like, you guys are just making her look

1537
01:10:51,520 --> 01:10:52,080
Speaker 3: more innocent.

1538
01:10:52,280 --> 01:10:54,599
Speaker 2: Yeah, still I rise and still.

1539
01:10:55,880 --> 01:10:55,920
Speaker 3: Was.

1540
01:10:58,520 --> 01:11:01,080
Speaker 2: But I will also say I think it's somewhere in

1541
01:11:01,120 --> 01:11:04,160
Speaker 2: the middle. I think she did not offer to pay him,

1542
01:11:04,520 --> 01:11:08,400
Speaker 2: but it was fake. I think the whole thing was

1543
01:11:08,439 --> 01:11:12,080
Speaker 2: fake and stage whether or not, like they made it

1544
01:11:12,200 --> 01:11:16,799
Speaker 2: an agreement that money would change hands. I can understand

1545
01:11:16,840 --> 01:11:18,960
Speaker 2: why you guys think that's definitely didn't happen. But I

1546
01:11:19,120 --> 01:11:22,200
Speaker 2: do think that they either did not know each other.

1547
01:11:22,360 --> 01:11:24,280
Speaker 2: I don't even believe that they were best friends. I

1548
01:11:24,360 --> 01:11:26,519
Speaker 2: believe that he was flown in because he was like

1549
01:11:27,000 --> 01:11:29,680
Speaker 2: wanting to do it. He probably was, you know, two

1550
01:11:29,760 --> 01:11:32,519
Speaker 2: face to her as well. Like, I just don't believe

1551
01:11:32,560 --> 01:11:34,920
Speaker 2: it was real. I just think once the show is out,

1552
01:11:35,000 --> 01:11:38,639
Speaker 2: he could not handle the humiliation of people being like, well,

1553
01:11:38,680 --> 01:11:42,920
Speaker 2: he's clearly yeah, this whatever for the streets end for

1554
01:11:43,000 --> 01:11:46,640
Speaker 2: the guys, right, and so he probably needed to retaliate

1555
01:11:46,760 --> 01:11:49,439
Speaker 2: in some way, which is to embarrass her, right, And.

1556
01:11:49,960 --> 01:11:53,960
Speaker 3: He did it in a very may I say please homosexual.

1557
01:11:54,040 --> 01:11:57,520
Speaker 2: Well yes, by calling into the reunion.

1558
01:11:57,240 --> 01:12:01,960
Speaker 3: By calling into the reunion and being run me my money, yeah, yeah, yeah, yeah, Okay,

1559
01:12:02,479 --> 01:12:03,800
Speaker 3: now you're just stirring.

1560
01:12:03,520 --> 01:12:06,120
Speaker 2: The pod like a flavor. I recognized.

1561
01:12:06,479 --> 01:12:09,320
Speaker 3: Yeah, he was dropping tea, he's running more tea.

1562
01:12:10,200 --> 01:12:12,040
Speaker 2: He was chucking it. Yeah, he was chucking it. He

1563
01:12:12,080 --> 01:12:15,200
Speaker 2: actually chucked it into the reunion. And then when Eddie

1564
01:12:15,240 --> 01:12:18,680
Speaker 2: got first chair, I was like, thank god, thank god,

1565
01:12:18,720 --> 01:12:22,240
Speaker 2: I love Eddie. He's hot. Reunion.

1566
01:12:22,439 --> 01:12:25,200
Speaker 3: Yes, yeah, oh yes, yes she did. What do you

1567
01:12:25,240 --> 01:12:27,360
Speaker 3: guys think of I don't know why her name is. Yeah,

1568
01:12:27,880 --> 01:12:31,880
Speaker 3: thank you, I gotta go, it's gotta go it.

1569
01:12:32,920 --> 01:12:34,800
Speaker 4: I think she probably is because the thing is like

1570
01:12:35,920 --> 01:12:38,639
Speaker 4: you can't really just I mean, she literally just left,

1571
01:12:39,080 --> 01:12:40,360
Speaker 4: and I know Andy hates.

1572
01:12:40,160 --> 01:12:44,200
Speaker 2: That, yeah, right, like in a punitive way, like I think.

1573
01:12:44,280 --> 01:12:44,320
Speaker 3: So.

1574
01:12:44,439 --> 01:12:47,040
Speaker 4: I also think if if it wasn't so clear that

1575
01:12:47,200 --> 01:12:50,679
Speaker 4: that storyline is like circulatory, now one has run its course.

1576
01:12:50,760 --> 01:12:52,439
Speaker 4: And also I do think we've seen all of her

1577
01:12:52,479 --> 01:12:54,960
Speaker 4: tricks in terms of like funny things she can say, do,

1578
01:12:55,160 --> 01:12:55,679
Speaker 4: et cetera.

1579
01:12:55,960 --> 01:12:58,400
Speaker 2: Yeah, I think we can lose mia. And and also

1580
01:12:58,520 --> 01:12:59,160
Speaker 2: I think I.

1581
01:12:59,200 --> 01:13:02,120
Speaker 3: Think she's just like a straight up villain. Yeah, Like

1582
01:13:02,200 --> 01:13:05,360
Speaker 3: I think it's you see the good sides of every

1583
01:13:05,720 --> 01:13:08,880
Speaker 3: housewife and you love the good sides of them as well.

1584
01:13:09,320 --> 01:13:12,040
Speaker 3: With Mia, it's just getting harder and harder to understand,

1585
01:13:12,120 --> 01:13:15,280
Speaker 3: like where's the yea, where's the side of you that's

1586
01:13:15,360 --> 01:13:19,960
Speaker 3: really I mean walking off for her kids. If if

1587
01:13:20,040 --> 01:13:22,920
Speaker 3: I were to believe that that was I think it

1588
01:13:23,000 --> 01:13:25,120
Speaker 3: was partly why she walked off. I believe that, but

1589
01:13:25,280 --> 01:13:30,200
Speaker 3: like walking off was like maybe the most redeemable or

1590
01:13:30,400 --> 01:13:33,640
Speaker 3: she did where I'm like, okay, yeah, stand up for

1591
01:13:33,960 --> 01:13:37,160
Speaker 3: get out of there if you're not. But the problem is,

1592
01:13:37,160 --> 01:13:40,240
Speaker 3: I've seen so much of her behavior is like sort

1593
01:13:40,280 --> 01:13:43,160
Speaker 3: of mean spirited or manipulative that now it's hard for

1594
01:13:43,240 --> 01:13:45,760
Speaker 3: me to believe that when she does something redeemable it

1595
01:13:45,880 --> 01:13:50,720
Speaker 3: actually is for the right reasons. Sorry to use ABC language, No, no, no, but.

1596
01:13:53,640 --> 01:13:56,800
Speaker 2: She Yeah, her walking off is a redeemable thing, but

1597
01:13:56,880 --> 01:13:58,840
Speaker 2: she still walks off like she's like at the end

1598
01:13:58,840 --> 01:14:01,400
Speaker 2: of the day, she's still is pulling away from the

1599
01:14:01,439 --> 01:14:03,000
Speaker 2: whole thing in a way that you're like, well, then

1600
01:14:03,040 --> 01:14:05,240
Speaker 2: you don't, then you can't, then you shouldn't be here. Yeah,

1601
01:14:05,320 --> 01:14:08,320
Speaker 2: And you're in that position because you did this to

1602
01:14:08,400 --> 01:14:10,960
Speaker 2: your children, Like it's like, yeah, sure you're walking off

1603
01:14:11,040 --> 01:14:12,200
Speaker 2: because not my kids.

1604
01:14:12,280 --> 01:14:14,360
Speaker 4: But it's like, we wouldn't have it not my kids

1605
01:14:14,439 --> 01:14:19,759
Speaker 4: situation had you not broken the divorce to the kids

1606
01:14:19,960 --> 01:14:22,519
Speaker 4: on the on camera. Yeah, it just doesn't really math

1607
01:14:22,880 --> 01:14:25,000
Speaker 4: for that to be the thing. That's like like as

1608
01:14:25,040 --> 01:14:27,040
Speaker 4: if Gizelle had crossed the line. And trust me, Like,

1609
01:14:27,439 --> 01:14:29,800
Speaker 4: I don't have love for Gizelle Bryant, but my thing

1610
01:14:29,960 --> 01:14:34,080
Speaker 4: is like she's she's expressing her views on it, which

1611
01:14:34,200 --> 01:14:37,120
Speaker 4: were a lot of the viewers, you know, positions which

1612
01:14:37,280 --> 01:14:41,479
Speaker 4: was we can't really believe you when I kind.

1613
01:14:41,360 --> 01:14:43,760
Speaker 2: Of do like Gizelle, that's okay, and that's a that's

1614
01:14:43,880 --> 01:14:44,719
Speaker 2: kind of an opinion.

1615
01:14:45,200 --> 01:14:47,320
Speaker 3: She's such and that and that, and that's an opinion,

1616
01:14:47,760 --> 01:14:48,720
Speaker 3: and we're just chucking it.

1617
01:14:48,920 --> 01:14:51,400
Speaker 2: We're just chucking it around. I'll chuck it with Gizelle.

1618
01:14:51,520 --> 01:14:51,840
Speaker 2: I would.

1619
01:14:52,120 --> 01:14:56,280
Speaker 3: Here's the thing I think she is. She's a Debbie

1620
01:14:56,320 --> 01:15:01,439
Speaker 3: Downer for sure, huh. But I do relate, yes, as

1621
01:15:01,479 --> 01:15:05,120
Speaker 3: a Debbie downer, I do relate. My problem with Gazelle

1622
01:15:05,200 --> 01:15:08,519
Speaker 3: is when she stirs the pot. Yeah, no reason that.

1623
01:15:08,840 --> 01:15:10,800
Speaker 4: No, That's the thing is I don't think she's not

1624
01:15:10,880 --> 01:15:14,120
Speaker 4: a compelling person, Like I actually think she sores when

1625
01:15:14,200 --> 01:15:16,479
Speaker 4: she's like dealing with something personal or with her family,

1626
01:15:16,520 --> 01:15:17,680
Speaker 4: et cetera like that, or when she.

1627
01:15:17,800 --> 01:15:20,640
Speaker 3: Like, like I thought, that's so psychotic to throw them

1628
01:15:20,680 --> 01:15:22,639
Speaker 3: out of that Oh so crazy.

1629
01:15:23,600 --> 01:15:25,840
Speaker 2: Yeah, I mean they got there.

1630
01:15:26,080 --> 01:15:30,360
Speaker 4: I feel like when she seemed genuinely concerned for Karen,

1631
01:15:30,800 --> 01:15:32,320
Speaker 4: I was like, this is the kind of thing that, like,

1632
01:15:32,400 --> 01:15:34,439
Speaker 4: you know, not everyone can do on television, right, Like

1633
01:15:34,560 --> 01:15:37,120
Speaker 4: I do think like, and she wouldn't be on television

1634
01:15:37,160 --> 01:15:39,000
Speaker 4: for this song if there wasn't a lot there. It's

1635
01:15:39,120 --> 01:15:42,840
Speaker 4: the very transparent producing that I don't like, and I

1636
01:15:42,880 --> 01:15:43,839
Speaker 4: don't like it when anywhere.

1637
01:15:43,920 --> 01:15:46,479
Speaker 2: Yeah, she does do that. She does do that a lot,

1638
01:15:46,840 --> 01:15:47,840
Speaker 2: and the Karen stuff.

1639
01:15:48,360 --> 01:15:50,680
Speaker 3: I do feel like Gizelle probably produces a lot in

1640
01:15:50,760 --> 01:15:55,200
Speaker 3: her own life though, I'm like, you're a producer in general.

1641
01:15:55,080 --> 01:15:56,759
Speaker 2: Yeah, because her life is kind of like a reality

1642
01:15:56,800 --> 01:16:00,599
Speaker 2: show anyway, Like, yeah, what's his face with Jamalrow?

1643
01:16:00,880 --> 01:16:05,479
Speaker 3: Yeah? Yeah, the guy, the guy. So yeah, I don't know.

1644
01:16:05,760 --> 01:16:08,800
Speaker 3: I'm I've gotten really into Beverly Hills this year and

1645
01:16:08,880 --> 01:16:11,719
Speaker 3: I and I did enjoy Potomac. I kind of dipped

1646
01:16:11,720 --> 01:16:13,800
Speaker 3: off at the end, but I did tune in.

1647
01:16:13,840 --> 01:16:25,080
Speaker 2: For the reunion. Atlanta had a really good premiere episode.

1648
01:16:25,160 --> 01:16:28,200
Speaker 2: I heard and I will say this. You know what

1649
01:16:28,240 --> 01:16:31,559
Speaker 2: I'll do? I think, so honey, Hey, yeah, yes, yeah,

1650
01:16:31,720 --> 01:16:33,120
Speaker 2: it's time for I don't think so money. This is

1651
01:16:33,160 --> 01:16:37,080
Speaker 2: our one minute segment where we rarely get something in culture. Yes,

1652
01:16:38,479 --> 01:16:42,160
Speaker 2: m h I mind. Wait, mine is going to be controversial. Okay,

1653
01:16:43,960 --> 01:16:44,280
Speaker 2: is mine?

1654
01:16:44,760 --> 01:16:46,560
Speaker 4: Because mine is housewives related and it's going to be

1655
01:16:46,600 --> 01:16:49,640
Speaker 4: controversial because and it might get me a little bit

1656
01:16:49,680 --> 01:16:50,800
Speaker 4: in trouble, but I'm going to do it anything.

1657
01:16:50,840 --> 01:16:52,840
Speaker 2: Okay, Okay, this is Matt Rodgers. I don't think so

1658
01:16:52,880 --> 01:16:54,120
Speaker 2: many as time starts now, I.

1659
01:16:54,120 --> 01:16:56,840
Speaker 4: Don't think so honey. Hating on Porscha Williams for the

1660
01:16:57,360 --> 01:17:01,040
Speaker 4: for the stealing the man thing, I feel like we

1661
01:17:01,240 --> 01:17:03,880
Speaker 4: don't know what happened. And I feel like the thing

1662
01:17:03,960 --> 01:17:07,040
Speaker 4: with Porsche is I believe that she is a bleeding heart,

1663
01:17:07,320 --> 01:17:10,080
Speaker 4: and I believe that she is really susceptible to men

1664
01:17:10,200 --> 01:17:12,559
Speaker 4: and their manipulation, and that is not It's sure, it's

1665
01:17:12,600 --> 01:17:15,280
Speaker 4: a character flaw, but it's not an evil thing about her.

1666
01:17:15,600 --> 01:17:17,960
Speaker 4: I think when people are like she's a home wrecker,

1667
01:17:18,080 --> 01:17:21,200
Speaker 4: fuck her, I don't I hate the homewreckerd label because

1668
01:17:21,240 --> 01:17:23,719
Speaker 4: I think it sort of gets across like an evil

1669
01:17:23,760 --> 01:17:26,240
Speaker 4: person that wants to ruin lives. I do not think

1670
01:17:26,280 --> 01:17:28,880
Speaker 4: that's who Porscha Williams is. I think that she was

1671
01:17:28,920 --> 01:17:31,559
Speaker 4: in a situation where sure she had met a woman's

1672
01:17:31,640 --> 01:17:34,280
Speaker 4: husband on television and then they got divorced. I think

1673
01:17:34,560 --> 01:17:37,160
Speaker 4: a lot can actually happen in eighteen days. Maybe you're

1674
01:17:37,240 --> 01:17:39,439
Speaker 4: not a mannic Pisces at home fifteen, but I can

1675
01:17:39,479 --> 01:17:41,479
Speaker 4: tell you a lot can happen in two or three days.

1676
01:17:41,800 --> 01:17:43,320
Speaker 4: I've been in situations I didn't want to be in,

1677
01:17:43,400 --> 01:17:45,200
Speaker 4: but my feelings in my heart were telling me one thing,

1678
01:17:45,439 --> 01:17:47,559
Speaker 4: And I think it can happen when you are Porsha

1679
01:17:47,600 --> 01:17:50,559
Speaker 4: Williams or Matt Rogers, and if you are, give us

1680
01:17:50,600 --> 01:17:53,839
Speaker 4: our identities back. But I don't think so honey, condemning

1681
01:17:53,880 --> 01:17:56,200
Speaker 4: her for this thing which obviously didn't work out.

1682
01:17:56,240 --> 01:17:58,200
Speaker 2: She's also paying for it now, I don't think, so honey,

1683
01:17:58,240 --> 01:18:00,920
Speaker 2: this is added and that's one minute. That's how I

1684
01:18:01,000 --> 01:18:02,720
Speaker 2: feel like. I feel like, of.

1685
01:18:02,800 --> 01:18:06,839
Speaker 4: Course, when I heard that Porsia had gotten with Simon Golbadia,

1686
01:18:06,880 --> 01:18:10,800
Speaker 4: whose Foulon Gbadia's ex husband, like that, soon after I

1687
01:18:10,920 --> 01:18:13,520
Speaker 4: was like, Wow, that sounds like a really weird situation.

1688
01:18:14,080 --> 01:18:15,920
Speaker 4: But I just don't like it when people are like,

1689
01:18:16,640 --> 01:18:19,360
Speaker 4: fuck her home record, etcetera, there must have been cheating,

1690
01:18:19,360 --> 01:18:21,960
Speaker 4: et cetera. It's like, you don't know a lot could

1691
01:18:21,960 --> 01:18:23,720
Speaker 4: have happened in that two and a half weeks after

1692
01:18:23,840 --> 01:18:25,400
Speaker 4: my God and matters of the Harder.

1693
01:18:25,840 --> 01:18:28,120
Speaker 3: I got engaged in three days during the pandemic.

1694
01:18:28,200 --> 01:18:29,320
Speaker 2: There you go, that's what I'm saying.

1695
01:18:29,560 --> 01:18:31,840
Speaker 3: But some of us cannot sit home alone.

1696
01:18:32,040 --> 01:18:35,000
Speaker 2: Yes, yes, love that. It was really that that short.

1697
01:18:35,160 --> 01:18:36,880
Speaker 2: It was three days. The engagement was three days.

1698
01:18:37,000 --> 01:18:39,600
Speaker 3: No, no, no, we got engaged within three days, like

1699
01:18:39,840 --> 01:18:41,960
Speaker 3: pandemic lockdown started three days later.

1700
01:18:42,439 --> 01:18:45,120
Speaker 2: She's what I'm saying. That's like, you you know how

1701
01:18:45,200 --> 01:18:48,080
Speaker 2: we'll know she's a villain if she shows up on

1702
01:18:48,160 --> 01:18:50,120
Speaker 2: the show with one eye and she wears a cape

1703
01:18:50,200 --> 01:18:53,240
Speaker 2: made of dogs and yeah, yeah.

1704
01:18:53,120 --> 01:18:58,120
Speaker 4: In this world where villains look like villains. From now on, please, bitches,

1705
01:18:58,479 --> 01:19:00,320
Speaker 4: My thing is like this, real villains out there, one

1706
01:19:00,360 --> 01:19:03,000
Speaker 4: of them is president. Let's not let's not waste energy

1707
01:19:03,080 --> 01:19:05,160
Speaker 4: on Portia Williams her ruin her own life.

1708
01:19:05,360 --> 01:19:06,040
Speaker 2: She's going to do it.

1709
01:19:06,160 --> 01:19:07,320
Speaker 3: It's episode one too.

1710
01:19:07,560 --> 01:19:10,959
Speaker 4: I am saying it had an amazing premiere and Shamiah

1711
01:19:11,080 --> 01:19:13,519
Speaker 4: Morton is not like the center character, and I didn't

1712
01:19:13,600 --> 01:19:17,400
Speaker 4: know that she really could carry that center. But I said,

1713
01:19:17,520 --> 01:19:20,760
Speaker 4: kudos to them for making that swing because it paid off.

1714
01:19:20,840 --> 01:19:23,680
Speaker 4: It's she's I didn't realize that she had all of

1715
01:19:24,040 --> 01:19:26,559
Speaker 4: that going on. Yeah, but she's gonna be really fun

1716
01:19:26,600 --> 01:19:28,320
Speaker 4: to watch. I wait, I need to watch it too.

1717
01:19:28,640 --> 01:19:29,680
Speaker 4: You're doing a house that's one two?

1718
01:19:30,200 --> 01:19:32,360
Speaker 3: Yes? No, no, no, no no, I'm not doing housewives.

1719
01:19:32,360 --> 01:19:34,280
Speaker 2: Okay, so you'll go next, I'll do I'll do one

1720
01:19:34,280 --> 01:19:36,479
Speaker 2: anyway because I actually I have an idea. Now, okay, good,

1721
01:19:36,720 --> 01:19:38,880
Speaker 2: this is Bowen Yang's. I don't think so, Honey's time

1722
01:19:38,880 --> 01:19:41,479
Speaker 2: starts now. I don't think so, Honey, Ashley Darby, because

1723
01:19:41,520 --> 01:19:44,519
Speaker 2: you know who might have also paid for her significant other?

1724
01:19:44,720 --> 01:19:48,960
Speaker 2: Ashley Darby? Who is that guy? Who is that guy?

1725
01:19:49,479 --> 01:19:51,360
Speaker 2: And she can't even take a joke about how he

1726
01:19:51,479 --> 01:19:53,360
Speaker 2: does look like Jack Harlow And even if he does it,

1727
01:19:53,439 --> 01:19:55,760
Speaker 2: Wendy still made a fun joke. The premise has to

1728
01:19:55,840 --> 01:19:58,720
Speaker 2: be true. The premises he looks like Jack Jack? What's

1729
01:19:59,000 --> 01:20:03,439
Speaker 2: Jack Carlow? And I mean, Ashley Darby? The nonsense you

1730
01:20:03,520 --> 01:20:06,320
Speaker 2: pulled this season. You You were seeded so far into

1731
01:20:06,360 --> 01:20:09,200
Speaker 2: the background this season that I forgot you were even

1732
01:20:09,280 --> 01:20:11,680
Speaker 2: on the damn show. You didn't deserve to sit that

1733
01:20:11,760 --> 01:20:14,120
Speaker 2: close standy at the reunion, and you should have owned

1734
01:20:14,200 --> 01:20:17,120
Speaker 2: up to the lies you did spread about Eddie, because

1735
01:20:17,240 --> 01:20:19,880
Speaker 2: even though you did not come from you, you helped

1736
01:20:20,040 --> 01:20:22,519
Speaker 2: bring it to a national platform on the show, and

1737
01:20:22,640 --> 01:20:25,240
Speaker 2: you need to take some accountability for that. I've never

1738
01:20:25,360 --> 01:20:28,000
Speaker 2: found you funny, never found you cute. You look good

1739
01:20:28,040 --> 01:20:30,480
Speaker 2: in Drag I guess as a man, but was otherwise.

1740
01:20:30,600 --> 01:20:33,519
Speaker 2: I don't care for your antics anymore. If you can

1741
01:20:33,640 --> 01:20:36,920
Speaker 2: even call at that congratulations on your divorce being finalized.

1742
01:20:36,960 --> 01:20:39,599
Speaker 2: But even that situation is very telling about the kind

1743
01:20:39,640 --> 01:20:40,240
Speaker 2: of person you are.

1744
01:20:40,400 --> 01:20:42,719
Speaker 4: And that's one minute. Also, the one thing you missed

1745
01:20:43,240 --> 01:20:49,040
Speaker 4: the kissing with Jacqueline kill me. It was so dumb

1746
01:20:49,200 --> 01:20:53,120
Speaker 4: and fake and I was desperate people in the world

1747
01:20:53,160 --> 01:20:53,680
Speaker 4: without telling you.

1748
01:20:53,920 --> 01:20:58,360
Speaker 2: Yes, the way she walked is she's like so talk

1749
01:21:00,720 --> 01:21:02,400
Speaker 2: absence of attraction to each other.

1750
01:21:02,520 --> 01:21:05,000
Speaker 4: Yeah, truly, you know what what that was giving was

1751
01:21:05,080 --> 01:21:07,880
Speaker 4: Ashley knowing she had no storyline and that the Jack

1752
01:21:07,920 --> 01:21:09,240
Speaker 4: Carlo thing is like not real.

1753
01:21:09,520 --> 01:21:13,000
Speaker 2: Yeah. And also Japlin being like something that's not me. Yes,

1754
01:21:13,080 --> 01:21:16,640
Speaker 2: I'll do it. Yeah, yeah, actually be like no, we

1755
01:21:16,640 --> 01:21:18,760
Speaker 2: don't need a fuck like yeah, totally, totally, totally, yeah, totally.

1756
01:21:18,760 --> 01:21:20,280
Speaker 3: I was Anyway, I'm busy getting ready.

1757
01:21:20,520 --> 01:21:23,760
Speaker 4: Yeah, think about being a human and like walking into

1758
01:21:23,800 --> 01:21:25,600
Speaker 4: that thing with the camera on you and having that

1759
01:21:25,760 --> 01:21:26,559
Speaker 4: stupid interaction.

1760
01:21:26,680 --> 01:21:29,280
Speaker 2: I was like, oh, they called the care guys into

1761
01:21:29,280 --> 01:21:30,080
Speaker 2: the too that bathroom.

1762
01:21:30,120 --> 01:21:32,879
Speaker 3: I've done student films that were actually less sad.

1763
01:21:34,240 --> 01:21:38,200
Speaker 2: And we're going to show them right after this tune in. Okay,

1764
01:21:38,240 --> 01:21:39,760
Speaker 2: this is Rosebbaker. I don't think so many of her

1765
01:21:39,760 --> 01:21:40,360
Speaker 2: time starts now.

1766
01:21:40,439 --> 01:21:44,000
Speaker 3: Okay, I don't think so, honey. Seven season two's pacing.

1767
01:21:45,080 --> 01:21:47,240
Speaker 3: Do you guys have the audacity to keep us waiting

1768
01:21:47,280 --> 01:21:49,760
Speaker 3: two years only to drop one episode like this is

1769
01:21:49,840 --> 01:21:52,719
Speaker 3: network television nineteen ninety seven. I don't think so, honey.

1770
01:21:52,920 --> 01:21:55,599
Speaker 3: We are not on the severed floor. Okay, we remember

1771
01:21:55,640 --> 01:21:59,160
Speaker 3: what you did to us last time. I don't think so, honey.

1772
01:22:00,240 --> 01:22:02,160
Speaker 3: We are five episodes in, and what do we have

1773
01:22:02,400 --> 01:22:04,880
Speaker 3: to show for it? A little espionage, a little cryptic

1774
01:22:05,000 --> 01:22:07,640
Speaker 3: workplace dread that is a Tuesday for us?

1775
01:22:07,960 --> 01:22:12,400
Speaker 2: Yeah, okay, where is the momentum? What happened?

1776
01:22:12,439 --> 01:22:15,519
Speaker 3: Where's the what the hell just happened? Energy that we

1777
01:22:15,640 --> 01:22:17,719
Speaker 3: just signed up for? Because right now, honey, it feels

1778
01:22:17,720 --> 01:22:20,240
Speaker 3: like I'm sitting through a corporate training video and the

1779
01:22:20,320 --> 01:22:23,040
Speaker 3: pacing I've had actual miscarriages.

1780
01:22:22,439 --> 01:22:22,960
Speaker 2: Move faster.

1781
01:22:23,720 --> 01:22:27,280
Speaker 3: Okay, the whole show is just walking, staring, whispering cryptic

1782
01:22:27,360 --> 01:22:30,960
Speaker 3: nonsense like the baby goats, bitch, what about the goats? Okay,

1783
01:22:31,479 --> 01:22:33,560
Speaker 3: and I swear for one more character just stares.

1784
01:22:33,320 --> 01:22:34,160
Speaker 2: At something for a full.

1785
01:22:34,040 --> 01:22:36,400
Speaker 3: Fifteen second instead of saying something, I'm gonna throw my

1786
01:22:36,479 --> 01:22:38,000
Speaker 3: Apple TV remote into the ocean.

1787
01:22:39,120 --> 01:22:39,400
Speaker 2: Okay.

1788
01:22:39,439 --> 01:22:41,759
Speaker 3: I know there's so much more. I just I don't

1789
01:22:41,840 --> 01:22:42,200
Speaker 3: think so.

1790
01:22:42,600 --> 01:22:48,439
Speaker 2: And that's why, literally we have I have so much more.

1791
01:22:48,479 --> 01:22:50,519
Speaker 3: I literally am like, I have a lot of feelings

1792
01:22:50,520 --> 01:22:52,679
Speaker 3: about this because I've stuck with it until last episode,

1793
01:22:52,680 --> 01:22:54,920
Speaker 3: where there was like four bottle episodes in a row.

1794
01:22:54,960 --> 01:22:55,479
Speaker 2: Are you kidding?

1795
01:22:55,479 --> 01:22:59,719
Speaker 3: It feels like people, I'm getting upset and I listen,

1796
01:22:59,840 --> 01:23:02,080
Speaker 3: if they can land the plane, God bless them, I

1797
01:23:02,160 --> 01:23:03,479
Speaker 3: will be blown away.

1798
01:23:03,640 --> 01:23:05,320
Speaker 4: I trust them to land the plane just because it

1799
01:23:05,400 --> 01:23:07,800
Speaker 4: feels like it's moments of greatness are so great. But

1800
01:23:07,840 --> 01:23:09,600
Speaker 4: I would agree I had a really hard time with

1801
01:23:09,680 --> 01:23:11,760
Speaker 4: the first season because sometimes and.

1802
01:23:12,080 --> 01:23:12,880
Speaker 2: Like that that was also.

1803
01:23:13,080 --> 01:23:18,160
Speaker 3: Yeah, Patricia Arquatt literally went to an old friend turned

1804
01:23:18,280 --> 01:23:20,680
Speaker 3: enemy he did not want anything to do with her.

1805
01:23:21,400 --> 01:23:24,439
Speaker 3: Was like, please, I need to borrow your truck. He's

1806
01:23:24,520 --> 01:23:25,599
Speaker 3: like no, why would I give.

1807
01:23:25,520 --> 01:23:26,000
Speaker 2: You my truck.

1808
01:23:26,439 --> 01:23:29,040
Speaker 3: She gets in the truck for He's like, okay, yeah,

1809
01:23:29,360 --> 01:23:32,519
Speaker 3: I'll drive you somewhere. Then she gets out. She's like

1810
01:23:32,600 --> 01:23:36,160
Speaker 3: looking for something that she literally contacted a past friend

1811
01:23:36,320 --> 01:23:39,320
Speaker 3: turned enemy for walks into the house to go look

1812
01:23:39,360 --> 01:23:41,960
Speaker 3: for it, and fucking takes a six hour nap, looks

1813
01:23:42,000 --> 01:23:43,880
Speaker 3: for it for two minutes to take six hour nap.

1814
01:23:43,920 --> 01:23:46,000
Speaker 2: I was like, what, so, what is what? What are

1815
01:23:46,040 --> 01:23:46,439
Speaker 2: you looking for?

1816
01:23:47,840 --> 01:23:49,400
Speaker 4: We'll have to hope it pays off for me. The

1817
01:23:49,439 --> 01:23:52,840
Speaker 4: second season just needs a lot more Patricia Arcat Yeah,

1818
01:23:53,120 --> 01:23:54,680
Speaker 4: like that was one of the great things about the

1819
01:23:54,720 --> 01:23:55,240
Speaker 4: first season.

1820
01:23:55,600 --> 01:23:59,000
Speaker 3: I agree they needed a lot more Patricia. I mean

1821
01:23:59,760 --> 01:24:03,800
Speaker 3: what they gave us of Patricia is I'm not happy

1822
01:24:03,920 --> 01:24:06,800
Speaker 3: because she's amazing. Yeah, and she was so good when

1823
01:24:06,800 --> 01:24:10,560
Speaker 3: she was like just female rage behind the wheel of

1824
01:24:10,560 --> 01:24:10,840
Speaker 3: a car.

1825
01:24:11,040 --> 01:24:11,600
Speaker 2: I love that.

1826
01:24:12,120 --> 01:24:14,160
Speaker 3: I love a woman on the verge, yes, you know,

1827
01:24:14,400 --> 01:24:17,760
Speaker 3: and then this whole episode, this whole thing where she's

1828
01:24:17,800 --> 01:24:19,800
Speaker 3: they're trying to explain what her whole deal is with

1829
01:24:19,920 --> 01:24:22,439
Speaker 3: Luman and also why the why does everybody talk so

1830
01:24:22,560 --> 01:24:29,160
Speaker 3: fucking stupid one sentence like a human being. I mean,

1831
01:24:29,240 --> 01:24:31,720
Speaker 3: that's part of why I love that the character on

1832
01:24:32,040 --> 01:24:36,040
Speaker 3: Cherry's character, Yes, where she's just like, what's up, guys? Yeah,

1833
01:24:36,080 --> 01:24:37,840
Speaker 3: Instead they're like, we're going to tend the garden?

1834
01:24:37,920 --> 01:24:38,519
Speaker 2: What garden?

1835
01:24:39,080 --> 01:24:39,559
Speaker 3: What even?

1836
01:24:39,760 --> 01:24:40,479
Speaker 2: Where even is that?

1837
01:24:40,840 --> 01:24:41,000
Speaker 6: Yeah?

1838
01:24:41,240 --> 01:24:43,160
Speaker 3: And what about the baby goats? And what about the

1839
01:24:44,000 --> 01:24:45,320
Speaker 3: fucking trap door or whatever?

1840
01:24:45,400 --> 01:24:45,840
Speaker 2: I don't care.

1841
01:24:46,160 --> 01:24:48,880
Speaker 4: Feeling losty for some well, I think I think, well,

1842
01:24:48,920 --> 01:24:52,080
Speaker 4: it's interesting, like I've actually heard that a lot of

1843
01:24:52,200 --> 01:24:55,519
Speaker 4: people that are watching Severance and absolutely loving it are

1844
01:24:55,600 --> 01:24:58,599
Speaker 4: really not liking White Lotus. And I think that you've

1845
01:24:58,640 --> 01:25:00,280
Speaker 4: heard a lot of the same things about them both

1846
01:25:00,360 --> 01:25:03,519
Speaker 4: being slow. So and then my friend said, a whitaker

1847
01:25:03,560 --> 01:25:05,120
Speaker 4: said this the other day he went to go watch

1848
01:25:05,640 --> 01:25:08,200
Speaker 4: White Lotus with a bunch of our friends who love Severance,

1849
01:25:08,560 --> 01:25:11,080
Speaker 4: and he said, they were watching White Lotus like that's

1850
01:25:11,120 --> 01:25:11,519
Speaker 4: a clue.

1851
01:25:11,640 --> 01:25:13,960
Speaker 2: That's a clue. That's a clue. And I'm like, oh,

1852
01:25:14,080 --> 01:25:14,640
Speaker 2: so I get it.

1853
01:25:14,960 --> 01:25:17,800
Speaker 4: It's like some people want to watch this like it's

1854
01:25:17,840 --> 01:25:20,720
Speaker 4: like a puzzle, and other people want to watch it

1855
01:25:20,800 --> 01:25:24,360
Speaker 4: like it's like a shatirical comedy, like it's gossip exactly,

1856
01:25:24,479 --> 01:25:27,720
Speaker 4: and so I am, give me gossip, give me my month,

1857
01:25:27,840 --> 01:25:28,519
Speaker 4: like delicious.

1858
01:25:28,600 --> 01:25:31,320
Speaker 3: So funny because I literally thought when Helena came in,

1859
01:25:31,400 --> 01:25:34,240
Speaker 3: I was like, good on her because the way that

1860
01:25:34,400 --> 01:25:37,360
Speaker 3: I would have been fired for sexual misconduct on day

1861
01:25:37,400 --> 01:25:39,800
Speaker 3: two at that office, just trying to make something happen,

1862
01:25:39,880 --> 01:25:44,240
Speaker 3: and I'm like, God, bless, he's the only person that's

1863
01:25:44,240 --> 01:25:45,040
Speaker 3: made anything happen.

1864
01:25:46,479 --> 01:25:48,720
Speaker 4: But I just think it's like, it's funny that these

1865
01:25:48,800 --> 01:25:50,200
Speaker 4: two shows are on at the same time and like

1866
01:25:50,280 --> 01:25:52,960
Speaker 4: the water cooler shows of the moment, and they obviously

1867
01:25:53,000 --> 01:25:55,360
Speaker 4: come out week to week, which you know, forbids people

1868
01:25:55,400 --> 01:25:58,120
Speaker 4: from binging them, and I think it has something to

1869
01:25:58,200 --> 01:26:00,840
Speaker 4: do with our attention spans that we're saying. But also

1870
01:26:01,000 --> 01:26:03,519
Speaker 4: the fact is, like I guess when there's a lack

1871
01:26:03,640 --> 01:26:06,800
Speaker 4: of prestige elsewhere, we'll just sit and have to wait.

1872
01:26:06,920 --> 01:26:08,599
Speaker 4: It's I just think two of them are offering two

1873
01:26:08,600 --> 01:26:11,720
Speaker 4: different things. Severnce is a puzzle and White Lotus is

1874
01:26:11,800 --> 01:26:13,000
Speaker 4: like a prestige soap.

1875
01:26:13,080 --> 01:26:15,760
Speaker 3: Well, Severance needs to release all three of the last

1876
01:26:15,840 --> 01:26:18,360
Speaker 3: episodes together because I honestly, I need to be able

1877
01:26:18,400 --> 01:26:20,400
Speaker 3: to spit like speed it up myself because if it's

1878
01:26:20,400 --> 01:26:23,280
Speaker 3: appointment television, yeah, and I'm falling asleep in the middle

1879
01:26:23,280 --> 01:26:23,679
Speaker 3: of every.

1880
01:26:23,560 --> 01:26:24,880
Speaker 2: Episode, right, that's a problem.

1881
01:26:25,000 --> 01:26:27,880
Speaker 3: I mean, I will say I'll take fifty percent of

1882
01:26:28,040 --> 01:26:29,200
Speaker 3: the that's my life.

1883
01:26:29,960 --> 01:26:33,760
Speaker 2: Yeah, but like, come on, come on, come on, yeah,

1884
01:26:33,920 --> 01:26:37,519
Speaker 2: whiz bang something. Yeah, it's a lot of stuff. Lately.

1885
01:26:37,640 --> 01:26:40,360
Speaker 2: We just watched a movie that was it promised more

1886
01:26:40,400 --> 01:26:43,720
Speaker 2: action than delivered, and I'm like, well, then, I don't know.

1887
01:26:43,800 --> 01:26:46,240
Speaker 2: I think people would sign up for something that was

1888
01:26:46,320 --> 01:26:49,720
Speaker 2: like a slow burn thing. But yeah, it is nice to.

1889
01:26:49,720 --> 01:26:51,720
Speaker 3: Say I am a white Lotus girl though. I love

1890
01:26:52,360 --> 01:26:53,600
Speaker 3: you said that because I didn't realize it.

1891
01:26:53,640 --> 01:26:55,960
Speaker 4: It was like, I don't even think it's moving slow.

1892
01:26:56,000 --> 01:26:57,840
Speaker 4: It's just it's funny. The people that are saying it's

1893
01:26:57,880 --> 01:26:59,480
Speaker 4: moving too slow are the puzzle.

1894
01:26:59,200 --> 01:27:01,360
Speaker 2: People are watching it, who love a show that is

1895
01:27:01,400 --> 01:27:04,639
Speaker 2: moving that is in fact moving too slow. Yes, I'm

1896
01:27:04,640 --> 01:27:08,960
Speaker 2: gonna say something, and this is just the next extrapolation

1897
01:27:09,040 --> 01:27:10,960
Speaker 2: of what I've been saying for years. Chuck it and

1898
01:27:11,080 --> 01:27:14,040
Speaker 2: net chuck it. Netflix has been doing this. I would

1899
01:27:14,120 --> 01:27:17,160
Speaker 2: encourage other streaming platforms to do this. One point five speed,

1900
01:27:17,680 --> 01:27:20,640
Speaker 2: one point five, one point seven five speed even one

1901
01:27:20,680 --> 01:27:24,680
Speaker 2: point two five? Wait, no, no, you're anti this? No,

1902
01:27:24,960 --> 01:27:27,519
Speaker 2: of course I understand. I understand. If you're anti I

1903
01:27:27,680 --> 01:27:30,200
Speaker 2: used to be anti this. Why is it a bridge

1904
01:27:30,240 --> 01:27:31,760
Speaker 2: too far for you? That makes me so sad?

1905
01:27:31,960 --> 01:27:34,680
Speaker 3: I know, I know, because we are watching television, we

1906
01:27:34,760 --> 01:27:35,400
Speaker 3: are not reading.

1907
01:27:35,960 --> 01:27:39,559
Speaker 2: Fine, fine, you're right. Actually that's a great, great art.

1908
01:27:39,720 --> 01:27:41,679
Speaker 3: You know what it reminds me of. Okay, it reminds

1909
01:27:41,720 --> 01:27:45,439
Speaker 3: me of like when I was drinking, right, I would

1910
01:27:45,720 --> 01:27:48,479
Speaker 3: if a friend was like concerned with my drinking, I

1911
01:27:48,560 --> 01:27:54,479
Speaker 3: would adjust. I would adjust my life to make way

1912
01:27:54,560 --> 01:27:57,760
Speaker 3: for my drinking. If we start that with TV, if

1913
01:27:57,800 --> 01:28:00,720
Speaker 3: we start adjusting our lives to make up for our

1914
01:28:00,800 --> 01:28:01,760
Speaker 3: short detention spam.

1915
01:28:01,920 --> 01:28:04,280
Speaker 2: Yeah, that is a very slipper. Okay, you're right, I

1916
01:28:04,320 --> 01:28:06,400
Speaker 2: take it back. You know what, though, I will say,

1917
01:28:06,680 --> 01:28:09,200
Speaker 2: it's scary. What about for the mind? So so yes,

1918
01:28:09,360 --> 01:28:11,599
Speaker 2: for something like prestige like these shows were talking about.

1919
01:28:11,680 --> 01:28:14,200
Speaker 4: Yes, that's art. It is paced, it's edited, it's like

1920
01:28:14,400 --> 01:28:15,720
Speaker 4: specifically made for whatever the.

1921
01:28:15,720 --> 01:28:17,240
Speaker 2: Pace is relatives, and that's why, like I think one

1922
01:28:17,280 --> 01:28:20,000
Speaker 2: point five is fine anyway initially, but now I take

1923
01:28:20,000 --> 01:28:21,960
Speaker 2: it back okay, but I used to really get upset

1924
01:28:22,000 --> 01:28:23,720
Speaker 2: when people said they listen to this podcast at like

1925
01:28:23,800 --> 01:28:26,360
Speaker 2: one point five one point sometimes one point seven five A,

1926
01:28:26,640 --> 01:28:27,960
Speaker 2: how are you doing that with us?

1927
01:28:28,000 --> 01:28:28,120
Speaker 3: Oh?

1928
01:28:28,880 --> 01:28:32,240
Speaker 2: That must sound truly like I'm in my brain all

1929
01:28:32,280 --> 01:28:33,840
Speaker 2: the time, and I don't want to be in your

1930
01:28:33,880 --> 01:28:35,880
Speaker 2: brain all the time. Like mice, I am running that

1931
01:28:36,000 --> 01:28:37,720
Speaker 2: fast all the time. If you can listen to us

1932
01:28:37,760 --> 01:28:40,320
Speaker 2: at one point seven five clinical.

1933
01:28:39,960 --> 01:28:42,599
Speaker 3: I've been sitting here for an hour looking at you guys,

1934
01:28:42,720 --> 01:28:45,760
Speaker 3: going wow, they're so good at just getting it out.

1935
01:28:46,000 --> 01:28:48,720
Speaker 3: Nine years in the game talking just getting it out

1936
01:28:48,960 --> 01:28:50,559
Speaker 3: quickly and quick witted.

1937
01:28:51,160 --> 01:28:53,439
Speaker 2: I have been asked by people i'm on dates with, like, so,

1938
01:28:53,840 --> 01:28:56,240
Speaker 2: how how much dead air do you have to cut out?

1939
01:28:56,360 --> 01:28:58,240
Speaker 2: And I'm like, we don't know that and they're like what,

1940
01:28:59,040 --> 01:29:02,000
Speaker 2: and I'm like, yeah, we just we took it up. Yeah,

1941
01:29:02,400 --> 01:29:02,960
Speaker 2: we'll pick it up.

1942
01:29:03,000 --> 01:29:05,519
Speaker 3: And it's amazing, it's amazing. I was literally talking to

1943
01:29:05,560 --> 01:29:06,840
Speaker 3: sarahbout it this morning. I was like, I don't know,

1944
01:29:06,880 --> 01:29:09,200
Speaker 3: they're so quick, they're so good. I was like, I

1945
01:29:09,240 --> 01:29:11,360
Speaker 3: don't have it takes me so long to form.

1946
01:29:11,200 --> 01:29:14,000
Speaker 2: A thought that has proven to be true here today. Well,

1947
01:29:14,000 --> 01:29:17,760
Speaker 2: because I honestly even checking it.

1948
01:29:17,800 --> 01:29:20,080
Speaker 3: But that's because I drink so I was checking back.

1949
01:29:19,960 --> 01:29:25,080
Speaker 2: COFFEESD was that something to do?

1950
01:29:25,320 --> 01:29:25,360
Speaker 3: No?

1951
01:29:25,520 --> 01:29:27,040
Speaker 2: But I did do it. I did it.

1952
01:29:27,080 --> 01:29:29,640
Speaker 3: When I talked to Sydney, she was like, because I

1953
01:29:29,680 --> 01:29:31,720
Speaker 3: talked to Sydney last night and she was she had

1954
01:29:31,840 --> 01:29:33,760
Speaker 3: just come from an espresso and I was like, you're

1955
01:29:33,800 --> 01:29:34,840
Speaker 3: like a different person right now.

1956
01:29:35,080 --> 01:29:36,280
Speaker 2: I love what this is doing for you.

1957
01:29:36,960 --> 01:29:38,400
Speaker 3: And she was like, I just I feel like I

1958
01:29:38,600 --> 01:29:40,280
Speaker 3: really got a good set or whatever. And I was like,

1959
01:29:41,320 --> 01:29:42,000
Speaker 3: doing that tomorrow.

1960
01:29:42,800 --> 01:29:44,599
Speaker 2: He's a Celsius king. I'm a Celsius king. I mean,

1961
01:29:44,600 --> 01:29:47,400
Speaker 2: the whole office is. I love Celsius. It's so good.

1962
01:29:47,840 --> 01:29:50,000
Speaker 3: It's so good, and it's so much better than coffee

1963
01:29:50,000 --> 01:29:53,280
Speaker 3: because I do just feel like I am on a

1964
01:29:53,520 --> 01:29:55,240
Speaker 3: steady stream of crack cocaine.

1965
01:29:55,520 --> 01:29:59,000
Speaker 2: Yes, yeah, it's just an x R extended release.

1966
01:29:59,439 --> 01:30:02,840
Speaker 3: Yes yeah, no real like who like it just sort

1967
01:30:02,840 --> 01:30:06,720
Speaker 3: of slow up and then and then you're not and

1968
01:30:06,800 --> 01:30:07,840
Speaker 3: you're landing upside down.

1969
01:30:07,920 --> 01:30:10,160
Speaker 2: But it doesn't matter. It doesn't matter on Celsius. Yeah,

1970
01:30:10,680 --> 01:30:12,439
Speaker 2: and I find that even the upside down landing is

1971
01:30:12,479 --> 01:30:14,160
Speaker 2: not as bad as like a full on crash. No,

1972
01:30:14,360 --> 01:30:16,320
Speaker 2: it's just you're upside down, but you're you're kind of

1973
01:30:16,479 --> 01:30:18,000
Speaker 2: still alive to the ground. Yeah.

1974
01:30:18,600 --> 01:30:20,920
Speaker 4: Did you hear Dakota Johnson say she thought it was

1975
01:30:21,000 --> 01:30:23,960
Speaker 4: like a healthy fruit drink. She had like six or

1976
01:30:24,000 --> 01:30:26,080
Speaker 4: seven of them, and when she was like actually like

1977
01:30:26,200 --> 01:30:28,040
Speaker 4: having a conniption on the set, and she was just

1978
01:30:28,200 --> 01:30:31,559
Speaker 4: like because it's like no, it's like it's a lot

1979
01:30:31,640 --> 01:30:33,920
Speaker 4: of even one is like you're gonna be zoom.

1980
01:30:34,040 --> 01:30:37,120
Speaker 3: Oh my god, that's my nightmare. The first time I

1981
01:30:37,160 --> 01:30:39,320
Speaker 3: had five hour energy, I had like a full on

1982
01:30:39,439 --> 01:30:40,320
Speaker 3: breakdown in the street.

1983
01:30:41,280 --> 01:30:44,559
Speaker 2: I was like five hour was like that was an overhead.

1984
01:30:47,040 --> 01:30:48,240
Speaker 3: Yes, it was crazy.

1985
01:30:48,439 --> 01:30:49,320
Speaker 2: That was too much.

1986
01:30:49,560 --> 01:30:51,400
Speaker 3: It was way too much. It should not have been legal.

1987
01:30:51,600 --> 01:30:52,360
Speaker 3: I think it still is.

1988
01:30:52,960 --> 01:30:54,760
Speaker 2: You definitely can still get it. I remember like.

1989
01:30:55,640 --> 01:30:57,880
Speaker 3: It's a seven eleven purchase for reasons it is.

1990
01:30:58,160 --> 01:30:59,519
Speaker 2: And they look like poppers too.

1991
01:30:59,520 --> 01:30:59,720
Speaker 3: They do?

1992
01:31:00,160 --> 01:31:02,000
Speaker 2: They do? Put him right next? Can I get that

1993
01:31:02,080 --> 01:31:04,240
Speaker 2: little bottle? And that little bottle I want to get

1994
01:31:04,240 --> 01:31:06,960
Speaker 2: absolutely ampt and dilated.

1995
01:31:08,960 --> 01:31:10,000
Speaker 3: You hold them both up and you're like.

1996
01:31:14,000 --> 01:31:16,639
Speaker 2: This has been so fun. This has been so fun fun.

1997
01:31:16,720 --> 01:31:20,479
Speaker 2: The mother Load It's on Netflix now. Most Lady Tour, Baltimore,

1998
01:31:20,600 --> 01:31:24,360
Speaker 2: Edmonton Sacramento, Cleveland, somewhere in there. You do have a

1999
01:31:24,439 --> 01:31:27,160
Speaker 2: better memory than you think. No, he's great, that's short term.

2000
01:31:27,720 --> 01:31:29,200
Speaker 3: I literally was like, is there a teleprompter?

2001
01:31:30,240 --> 01:31:36,000
Speaker 2: Oh Andrew going on head mcmaon's cruise. Absolutely not cruise. Yes, yes, that's.

2002
01:31:35,880 --> 01:31:38,799
Speaker 3: Going to be so many women like Adele vacation braids.

2003
01:31:38,840 --> 01:31:48,000
Speaker 2: It's gonna be a problem. You should should be like, hey, ladies, know,

2004
01:31:48,600 --> 01:31:54,200
Speaker 2: is everyone feeling like Adele tonight? It's just like my imagine.

2005
01:31:54,200 --> 01:31:56,559
Speaker 3: I go in there with like full extensions, like actual

2006
01:31:56,640 --> 01:31:59,160
Speaker 3: wefts of extensions, trying to braid those I.

2007
01:31:59,200 --> 01:32:04,559
Speaker 2: Want them to be real, visible visible. My favorite thing

2008
01:32:04,720 --> 01:32:09,280
Speaker 2: is like like this, someone who someone who either doesn't

2009
01:32:09,360 --> 01:32:12,960
Speaker 2: care or doesn't know that their extensions are wildly out. Yes,

2010
01:32:13,320 --> 01:32:16,240
Speaker 2: that was me on my wedding, And it's a look

2011
01:32:16,479 --> 01:32:19,400
Speaker 2: I thought you looked amazing. They show up in the pictures.

2012
01:32:21,479 --> 01:32:26,519
Speaker 2: I look like fucking Heather on the beach. I need

2013
01:32:26,720 --> 01:32:29,439
Speaker 2: I need to tell you, I need to go. Yeah,

2014
01:32:30,280 --> 01:32:31,960
Speaker 2: it made it even better better.

2015
01:32:34,280 --> 01:32:36,320
Speaker 3: I love it. Thank you so much for having me.

2016
01:32:37,400 --> 01:32:39,840
Speaker 2: This is a joy. Well. We end every episode with

2017
01:32:39,920 --> 01:32:49,760
Speaker 2: a song that's right by It's Donnie's Last day with

2018
01:32:49,920 --> 01:32:52,760
Speaker 2: Us by John It's Donnie who operates our cameras. It's

2019
01:32:52,960 --> 01:32:53,760
Speaker 2: our last day of us.

2020
01:32:53,800 --> 01:32:57,200
Speaker 4: He's literally the cutest person in the world, so we

2021
01:32:57,439 --> 01:32:59,400
Speaker 4: just want to say he's moving on to another job.

2022
01:32:59,520 --> 01:33:01,680
Speaker 4: And actually the song that we want to sing is

2023
01:33:01,920 --> 01:33:02,880
Speaker 4: what's a goodbye song?

2024
01:33:03,840 --> 01:33:12,120
Speaker 7: Hope You, Hope You Day, Tani, we Hope you Day,

2025
01:33:14,400 --> 01:33:15,400
Speaker 7: We Hope you.

2026
01:33:16,720 --> 01:33:27,120
Speaker 2: Duell and Finance, Dull and Last Cultures. This is the

2027
01:33:27,120 --> 01:33:29,880
Speaker 2: production by Will Ferrell's Big Money Players in iHeart Radio Podcasts.

2028
01:33:30,200 --> 01:33:33,519
Speaker 4: Created and hosted by Matt Rogers and Bowen Yang, Executive

2029
01:33:33,560 --> 01:33:35,160
Speaker 4: produced by Anna Hasnier and.

2030
01:33:35,240 --> 01:33:38,280
Speaker 2: Produced by Becker Ramos, Edited mixed by Doug Baby Anisela

2031
01:33:38,360 --> 01:33:40,639
Speaker 2: Board and our music is by Henry Komirski