WEBVTT - Poetic Voice: Sekou Andrews on Creation and Evolution

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<v Speaker 1>This episode is sponsored by FX's Fleischman Is in Trouble,

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<v Speaker 1>starring Jesse Eisenberg, Claire Danes, Lizzie Kaplan, and Adam Brodie.

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<v Speaker 1>The strama tells the story of recently divorced Toby Fleischmann,

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<v Speaker 1>who dies into the world of at bass dating with

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<v Speaker 1>the kind of success he never had in his youth.

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<v Speaker 1>Then his ex wife disappears, leaving him with their two

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<v Speaker 1>children and no hint of her return. Effexus Fleischman is

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<v Speaker 1>in Trouble, streaming November seventeenth only on Hulu. Welcome to

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<v Speaker 1>P M Mood then No Talking Points, no Bullshit podcast

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<v Speaker 1>that takes you behind the curtain, off the red carpet,

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<v Speaker 1>and to the front lines of progress with change makers

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<v Speaker 1>and innovators that are doing the work to shift our

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<v Speaker 1>culture and expand our social impact. I am so decided

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<v Speaker 1>to welcome to PM mood sec who Andrews who is

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<v Speaker 1>a seventeen year full time poet, a twenty nineteen Grammy

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<v Speaker 1>Award nominee for Best Spoken Word Album. And I mean,

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<v Speaker 1>if you read the man's bio, it is exceptional. You're

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<v Speaker 1>doing backyard hangouts with Oprah and Michelle Obama. You do

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<v Speaker 1>and Ted talks. You are named by Forbes to be

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<v Speaker 1>like their poet Laureate for Corporate America. I mean, my god,

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<v Speaker 1>you've turned a title of poet, which everyone is associated

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<v Speaker 1>with being broke into something amazing. Secod, thank you for

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<v Speaker 1>coming to PM Moods. So tell me how you've done

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<v Speaker 1>this with lots of creativity, perseverance, innovation, and just stubborn persistence,

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<v Speaker 1>you know. I mean, if you can imagine trying to

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<v Speaker 1>you know, when I tell people that I introduced myself

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<v Speaker 1>as a as a full time poet, and they look

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<v Speaker 1>at me like I said, I'm a full time mermaid,

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<v Speaker 1>you can imagine. You can imagine the challenges of trying

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<v Speaker 1>to create something that people don't think even is even possible.

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<v Speaker 1>So it has been a lot of you know, four

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<v Speaker 1>to two that is taken. But it's also been very

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<v Speaker 1>purpose driven for me, because at the end of the day,

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<v Speaker 1>my purpose has been to create a more commercially viable

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<v Speaker 1>industry for the art form of spoken word, so that

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<v Speaker 1>poets can make a purposeful and a profitable living off

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<v Speaker 1>there of art, so that when other young poets, you know,

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<v Speaker 1>when their parents asked them in the future, what do

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<v Speaker 1>you want to be when you grow up and they

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<v Speaker 1>say I want to be a spoken word artist, I

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<v Speaker 1>want to be a poetic voice, that there will be

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<v Speaker 1>some context for success in that. And I think that's

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<v Speaker 1>one of the things that we don't have as an

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<v Speaker 1>industry for spoken word artists like you have in comedy,

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<v Speaker 1>like you have in theater, like you haven't even some

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<v Speaker 1>of the you know, a kid can say I want

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<v Speaker 1>to be a dancer, and the parents still might look

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<v Speaker 1>at them like, boy, go get a job, but at

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<v Speaker 1>least they understand the trajectory of a dance so they

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<v Speaker 1>understand that you can sign with a company, that you

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<v Speaker 1>can make a living, that you can't go on World

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<v Speaker 1>of Dance or Americas got talent and then get signed

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<v Speaker 1>and joined and tour and so forth. They have no

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<v Speaker 1>context of what that means to a force spoken word artist.

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<v Speaker 1>And so that's been the biggest joy for me is

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<v Speaker 1>just with the Grammys, with Poetic Voice, with the business

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<v Speaker 1>world of the speaking world, creating that model so that

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<v Speaker 1>poets can actually, you know, follow towards success. Tell me

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<v Speaker 1>you you know, we're initially a teacher, yea, what inspire?

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<v Speaker 1>And we share that similar background. I too was a

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<v Speaker 1>teacher I taught first and second grade, our special education

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<v Speaker 1>and went to school everything, got my master's in education

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<v Speaker 1>because I believe in it. I just used education as

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<v Speaker 1>a different tool. Now, how did you make your transition

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<v Speaker 1>from the classroom to the stage. Yeah, so I was

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<v Speaker 1>originally planning on doing law school and becoming me too

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<v Speaker 1>because of the the day. Yeah. Yeah, girl, we keep talking,

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<v Speaker 1>We're gonna mind out. We got relatives. Yeah, I was,

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<v Speaker 1>you know, I was gonna do entertainment law. Um. And

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<v Speaker 1>then I started working in law firms after college and

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<v Speaker 1>decided that I didn't want to do law, and so

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<v Speaker 1>I took up um substitute teaching, you know, as my

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<v Speaker 1>sort of that was gonna be my actor waiter job,

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<v Speaker 1>you know what I mean, like flexibility to go on

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<v Speaker 1>auditions or in my case, go on the world tour.

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<v Speaker 1>That was just around the corner always, and and I

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<v Speaker 1>eventually decided to sign on as a full As a

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<v Speaker 1>full time teacher, I taught fifth grade. I couldn't do

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<v Speaker 1>the little ones. You could talk little ones, right, but

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<v Speaker 1>most of the little most of the teachers, the first

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<v Speaker 1>secon grade teachers, they didn't want them to do a

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<v Speaker 1>fifth grade. So it was a good balance um, that

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<v Speaker 1>is very true. See fifth grade, I'm like, that's too

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<v Speaker 1>many hormones. You started to figure out yourself if I'm

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<v Speaker 1>not about that life right, And I see I wasn't

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<v Speaker 1>about that running around the room played with you all

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<v Speaker 1>day life. I was like, I need you to be

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<v Speaker 1>able to understand Sardcastle. That was my room and so

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<v Speaker 1>I you know, I talked fifth grade. But during that

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<v Speaker 1>time I had been pursuing I mean even since middle school,

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<v Speaker 1>I had been pursuing music. I fell in love with

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<v Speaker 1>hip hop and I fell in love with acting at

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<v Speaker 1>the same time, and I kept pursuing both of them

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<v Speaker 1>through high school through college. So during this time of teaching,

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<v Speaker 1>I was still sort of trying to figure out how

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<v Speaker 1>to build a career in entertainment. And I started going

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<v Speaker 1>to poetry over Mikes, and I kind of just accidentally

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<v Speaker 1>fell in love with poetry. Like it was not plan right.

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<v Speaker 1>Nobody was waking up in the morning going I'm gonna

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<v Speaker 1>be a full time spoken word just because nobody knows

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<v Speaker 1>what that is. But I was just like, this art

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<v Speaker 1>form is dope. And I kind of loved being appreciated

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<v Speaker 1>for just my words, Like I didn't have to worry

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<v Speaker 1>about how dope the hook was, and did I have

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<v Speaker 1>a dope feature? And what was the mute? Was the beat?

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<v Speaker 1>You know, a trendying enough for whatever? It was just

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<v Speaker 1>like people were like, yo, your words moved you. Even

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<v Speaker 1>when I was up there as a hip hop artist

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<v Speaker 1>delivering my stuff spoken word style, they were like, your

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<v Speaker 1>words moved me. And that got good to me. And

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<v Speaker 1>so I found myself, why do we not have an

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<v Speaker 1>opportunity to make a living off of our words as

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<v Speaker 1>performance artists? You know? Why does it always have to

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<v Speaker 1>be coupled with something else? And so I found myself going,

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<v Speaker 1>let me do that, you know, let me see what

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<v Speaker 1>explore that. And the entrepreneur in me got excited about that,

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<v Speaker 1>like this is a this is kind of fertile ground,

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<v Speaker 1>this is this is a trail week of blade, you know.

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<v Speaker 1>So I think that was really what pushed me to

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<v Speaker 1>make that transition. I talked for about four years. In

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<v Speaker 1>fifth grade, I remember pulling up to my principal. Pull

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<v Speaker 1>on to the school to have a meeting with my principle,

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<v Speaker 1>and I sat down and she said, you're leaving me,

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<v Speaker 1>aren't you? And I had prepared each you know what

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<v Speaker 1>I mean. I was like ready to go in and

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<v Speaker 1>she already knew and she was like, you said for you.

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<v Speaker 1>She was like I get it. She was like, we're

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<v Speaker 1>gonna miss you and you and we need you here,

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<v Speaker 1>but you're meant for a different stage, for a bigger stage.

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<v Speaker 1>And I appreciated that send off, and so I quit

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<v Speaker 1>my job and three days later I did my first

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<v Speaker 1>CD release show and I made my rent in CD

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<v Speaker 1>sales that night and it's been non stuff ever since.

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<v Speaker 1>That is beautiful one because there's a meme that has

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<v Speaker 1>been going around on social media that asked a question,

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<v Speaker 1>what age were you when you had your first black teacher?

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<v Speaker 1>And I and it is so beautiful to me that

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<v Speaker 1>you have classrooms of children that can say fifth grade,

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<v Speaker 1>because unlike them, my first black teacher I didn't have

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<v Speaker 1>until college and I only had two in my entire life.

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<v Speaker 1>And so just that just that that I so I

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<v Speaker 1>want to commend you for that because I think that

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<v Speaker 1>that's that that's beautiful. Yeah. So you you make you

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<v Speaker 1>see now in your with the CD that you're able

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<v Speaker 1>to make a career and you know, unlike some artists,

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<v Speaker 1>you like you said, you have an entrepreneurial spirit. This

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<v Speaker 1>is a business. You were building a business, not just

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<v Speaker 1>a brand. Um. I always equate that with Jay Z

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<v Speaker 1>when he was just like, you know, I'm a business man, right,

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<v Speaker 1>not a you know, not a businessman. And I think

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<v Speaker 1>that you know too often as artists, you can get

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<v Speaker 1>very connected and should be very connected to your craft

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<v Speaker 1>and you're you're the best salesperson for that craft. You

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<v Speaker 1>can try and go out and get agents and scouting managers.

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<v Speaker 1>But if you don't really know how to sell yourself, right, like,

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<v Speaker 1>then no one's going to really be picking up what

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<v Speaker 1>you're putting down. Yeah, that's it. How did you yet

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<v Speaker 1>tell me? What's funny about that? Is so you're not

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<v Speaker 1>both know Teresa, And so I literally just had this

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<v Speaker 1>conversation with Teresa the of the day because I was

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<v Speaker 1>telling her the history of trying to create a business

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<v Speaker 1>that is selling poetry to places that have previously dismissed it.

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<v Speaker 1>And I said, look, I don't know, there's not too

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<v Speaker 1>much there's not too many things that I claim I'm

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<v Speaker 1>the best fad in the world, but I would I

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<v Speaker 1>would venture to say I am among the best in

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<v Speaker 1>the world at selling spoken word poetry in places where

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<v Speaker 1>it's been said it doesn't belong because that alone is

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<v Speaker 1>a science and an art form and it's incredibly nuanced.

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<v Speaker 1>And I've worked with masters, sells people, professional marketers, and

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<v Speaker 1>they all come in with you know, they got their

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<v Speaker 1>their resumes and the and the hit lists and there

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<v Speaker 1>and the egos that I've done this and I can

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<v Speaker 1>do this and so forth, and I'm like, Okay, that's cute,

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<v Speaker 1>I get it. But here's what's gonna happen. The minute

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<v Speaker 1>that you mentioned spoke spoken words. Here's what's gonna happen.

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<v Speaker 1>If you say these wrong words, you will you will

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<v Speaker 1>instantly remove three or four zeros off of my value

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<v Speaker 1>simply by using the wrong words, simply by creating the

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<v Speaker 1>wrong context for what it's it's possible for this art form.

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<v Speaker 1>And so I'm constantly in a place of having to

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<v Speaker 1>train people how how how to sort of be the

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<v Speaker 1>mouthpiece and the voice for my voice for this art form. Right,

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<v Speaker 1>So you're right, it absolutely is a challenge trying to

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<v Speaker 1>figure out how to communicate the possibilities for this art form.

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<v Speaker 1>But that's also the double edged sword. It's I call

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<v Speaker 1>it my joyful challenge because it's it's a challenge. It's

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<v Speaker 1>an uphill battle constantly. But it's also my baby, you

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<v Speaker 1>know what I mean. It's like it's my creation poetic voice,

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<v Speaker 1>it's it's me being able to say to the world. Yeah.

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<v Speaker 1>I know that you thought that spoken word was only this.

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<v Speaker 1>I know that you thought that it was only relevant

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<v Speaker 1>at your company holiday party. But you're wrong. Spoken word

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<v Speaker 1>can have more values in some context than any of

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<v Speaker 1>your other presenters at your most important senior leadership executive meeting.

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<v Speaker 1>If you don't believe me, watch this, and my life

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<v Speaker 1>has been the living embodiment of watch this. I love

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<v Speaker 1>I mean joyful right in facing obstacles, I think is

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<v Speaker 1>what is what transcends most people, right because when you

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<v Speaker 1>look at something as it is, this burden that you

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<v Speaker 1>are carrying to do, that's what people see, That's what

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<v Speaker 1>that's what comes off of you, that's what emanates off

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<v Speaker 1>of you, is the toiling rather rather than the spirit

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<v Speaker 1>of it. So I think that that is brilliant. You

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<v Speaker 1>mentioned poetic voice. Talk to me about what you created,

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<v Speaker 1>what is meant by and what is the meaning behind

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<v Speaker 1>poetic voice because it's different than spoken word. Yeah, yeah,

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<v Speaker 1>I love I love that you even you know that

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<v Speaker 1>you recognize that because you know, it's it's an evolution,

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<v Speaker 1>it's an extension, but there is a difference. I define

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<v Speaker 1>poetic voice as a speaking category that fuses inspirational speaking

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<v Speaker 1>seamlessly with spoken word poetry. That's the sort most simplest definition.

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<v Speaker 1>So it's you know, it's not there plenty of folks

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<v Speaker 1>that are performers and speakers, nothing novel there, but this

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<v Speaker 1>is not. I'm going to perform and then you applaud

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<v Speaker 1>and I speak, and then I perform and you applaud

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<v Speaker 1>and I speak. This is sort of a seamless integration

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<v Speaker 1>where you don't really know where the theater ends and

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<v Speaker 1>the poetry begins, the business content ends, and the storytelling begins.

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<v Speaker 1>One minute, it feels like I'm in a story. The

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<v Speaker 1>next minute it feels like you're getting actionable business takeaway. Suddenly,

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<v Speaker 1>wait a minute, he's rhyming. And now wait a minute.

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<v Speaker 1>Now I'm crying because wearing a story and this is

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<v Speaker 1>this is a tech conference, and what the hell is

0:12:33.240 --> 0:12:34.880
<v Speaker 1>going on? You know what I mean? And so it

0:12:34.920 --> 0:12:38.120
<v Speaker 1>makes that sense of wonderment of throwing an audience off

0:12:38.120 --> 0:12:40.520
<v Speaker 1>of their off of their feet, a little bit of

0:12:41.040 --> 0:12:43.840
<v Speaker 1>cracking them open, and ways that they didn't come in expecting,

0:12:44.200 --> 0:12:46.880
<v Speaker 1>which is the power of art. And so infusing the

0:12:46.960 --> 0:12:50.640
<v Speaker 1>power of art into a business context, into a speaking

0:12:50.679 --> 0:12:55.160
<v Speaker 1>context in this way is what creates that new experience

0:12:55.320 --> 0:13:02.600
<v Speaker 1>and offers creates a higher perceived value for spoken word

0:13:02.600 --> 0:13:05.400
<v Speaker 1>than we've previously had. The challenge that I had, you know,

0:13:05.440 --> 0:13:08.160
<v Speaker 1>people look sometimes at my brand and they go, man,

0:13:08.240 --> 0:13:11.240
<v Speaker 1>you you know you don't like the metric for success

0:13:11.280 --> 0:13:13.560
<v Speaker 1>A lot of times these days is you don't you

0:13:13.600 --> 0:13:15.320
<v Speaker 1>know how many lights do you have? You know, how

0:13:15.320 --> 0:13:17.960
<v Speaker 1>many followers do you have? Your brand is so big,

0:13:18.320 --> 0:13:21.720
<v Speaker 1>I'm surprised that your social footprint is so small. And

0:13:21.760 --> 0:13:24.760
<v Speaker 1>the reason that was very intentional. You know, now we're

0:13:24.800 --> 0:13:27.400
<v Speaker 1>doing a lot more focus on external projects. But the

0:13:27.480 --> 0:13:32.319
<v Speaker 1>reason was because I recognize very early, because spoken word

0:13:32.360 --> 0:13:35.920
<v Speaker 1>does not have a perceived value, I want to make

0:13:35.920 --> 0:13:37.840
<v Speaker 1>a living off of this art. I don't want to

0:13:37.880 --> 0:13:40.720
<v Speaker 1>be The trajectory for a poet is basically a spoken

0:13:40.760 --> 0:13:43.000
<v Speaker 1>word poet is you go you do the clubs and cafes.

0:13:43.160 --> 0:13:45.360
<v Speaker 1>Then you start doing colleges, and then that's kind of it.

0:13:45.400 --> 0:13:47.599
<v Speaker 1>Maybe you go teach, maybe you start you know, you

0:13:48.240 --> 0:13:50.760
<v Speaker 1>write books, or you just go get a job and

0:13:50.800 --> 0:13:53.520
<v Speaker 1>you do poetry as a hobby, right, it becomes secondary.

0:13:53.640 --> 0:13:55.760
<v Speaker 1>And I said, I want to content I love this

0:13:55.880 --> 0:13:58.800
<v Speaker 1>art for him. I want to continue to expand what

0:13:58.920 --> 0:14:01.440
<v Speaker 1>that trajectory can be for me as a spoken word

0:14:01.520 --> 0:14:07.440
<v Speaker 1>artist by kicking open new doors. And so in doing that,

0:14:07.440 --> 0:14:09.760
<v Speaker 1>that became the challenge, right is how how do I

0:14:09.840 --> 0:14:13.280
<v Speaker 1>extend that trajectory beyond just the clubs and the cafes

0:14:13.320 --> 0:14:15.680
<v Speaker 1>and the colleges. And that's why it was it was

0:14:15.720 --> 0:14:18.079
<v Speaker 1>imperative for me to look at what other doors I

0:14:18.120 --> 0:14:20.080
<v Speaker 1>can be kicking open, like the Grammys. You know what

0:14:20.360 --> 0:14:22.960
<v Speaker 1>if artists have not one Grammys, if artists, if artists

0:14:22.960 --> 0:14:26.320
<v Speaker 1>are dismissed from business stages, if artists are dismissed from media,

0:14:26.400 --> 0:14:28.400
<v Speaker 1>how can I kick open those doors to show them

0:14:28.400 --> 0:14:32.440
<v Speaker 1>the poets have value there? And to create that perceived

0:14:32.560 --> 0:14:34.760
<v Speaker 1>value took me saying I don't want to worry about

0:14:35.000 --> 0:14:38.200
<v Speaker 1>the likes and the follow because that will result if

0:14:38.240 --> 0:14:40.440
<v Speaker 1>I get a million hits on a video, that will

0:14:40.520 --> 0:14:44.480
<v Speaker 1>result I promise you in fifty gig offers for one

0:14:44.560 --> 0:14:47.560
<v Speaker 1>hundred dollars each. You see what I'm saying. And I

0:14:47.760 --> 0:14:49.200
<v Speaker 1>was like, I can't make a living off of that

0:14:49.360 --> 0:14:51.120
<v Speaker 1>see what I want to So I shift it in said,

0:14:51.160 --> 0:14:53.760
<v Speaker 1>I want to I want to increase the perceived value.

0:14:53.840 --> 0:14:56.280
<v Speaker 1>I want to increase the paycheck I want to build,

0:14:56.800 --> 0:14:59.240
<v Speaker 1>which is what I did, build a seven figure company

0:14:59.600 --> 0:15:02.560
<v Speaker 1>off of spoken word. So that now when when someone

0:15:02.640 --> 0:15:04.520
<v Speaker 1>comes to me and says, all right, we want to

0:15:04.520 --> 0:15:06.680
<v Speaker 1>book a spoken word artist, they're not looking at me

0:15:06.760 --> 0:15:09.760
<v Speaker 1>going and surely he'll do it for exposure because that's

0:15:09.760 --> 0:15:11.880
<v Speaker 1>all they're worth. You know what I mean that? Now,

0:15:12.360 --> 0:15:15.240
<v Speaker 1>Oh wait a minute, check this dude's resumes. He's proven

0:15:15.280 --> 0:15:17.920
<v Speaker 1>the concept, So we need to we need to honor

0:15:17.960 --> 0:15:20.320
<v Speaker 1>the value that he's created. And now it's like, now

0:15:20.400 --> 0:15:22.440
<v Speaker 1>let's go get the million hit videos, let's go viral,

0:15:22.520 --> 0:15:24.480
<v Speaker 1>let's do all of that so that we can actually

0:15:24.480 --> 0:15:28.200
<v Speaker 1>create paying jobs and careers off of this. And so

0:15:28.440 --> 0:15:33.640
<v Speaker 1>you still have a piece of your teaching acumen because

0:15:33.680 --> 0:15:39.880
<v Speaker 1>you are now helping other artists, right, other speakers, other

0:15:40.000 --> 0:15:45.400
<v Speaker 1>people connect and kind of master that stage. Talk to

0:15:45.520 --> 0:15:51.160
<v Speaker 1>us about that. Yeah, different different classroom, right, Still still

0:15:51.200 --> 0:15:54.440
<v Speaker 1>still an educator. Um, So I appreciate my principle for

0:15:54.480 --> 0:15:57.400
<v Speaker 1>seeing that in me, because now it's just a different stage.

0:15:57.880 --> 0:15:59.920
<v Speaker 1>And you know, I credit the classrooms, So you're going

0:15:59.960 --> 0:16:02.720
<v Speaker 1>to appreciate the classroom as an incredible training ground to

0:16:02.720 --> 0:16:06.120
<v Speaker 1>become a public speaker. You have an audience every day

0:16:06.160 --> 0:16:08.120
<v Speaker 1>that you have to impress that is not impressed with

0:16:08.160 --> 0:16:11.240
<v Speaker 1>what you did yesterday. They're not impressed by what you

0:16:11.240 --> 0:16:16.040
<v Speaker 1>did an hour ago, like like engage me right now

0:16:16.600 --> 0:16:23.040
<v Speaker 1>with starting fresh right. And so yeah, I've I've moved

0:16:23.080 --> 0:16:27.360
<v Speaker 1>now into helping people to become better communicators because I

0:16:27.440 --> 0:16:32.280
<v Speaker 1>really wanted to expand the impact, you know, like the

0:16:32.360 --> 0:16:34.320
<v Speaker 1>I could. There's an impact that I can make through

0:16:34.400 --> 0:16:37.840
<v Speaker 1>my voice alone and reaching hundreds of thousands and millions

0:16:37.880 --> 0:16:41.200
<v Speaker 1>of folks on live and digital stages, But the greater

0:16:41.240 --> 0:16:44.080
<v Speaker 1>impact is in showing other people how to be more

0:16:44.120 --> 0:16:47.560
<v Speaker 1>impactful on their communities, how to be more inspiring. And

0:16:47.600 --> 0:16:52.280
<v Speaker 1>so I'm involved a lot now in an inspiration training really,

0:16:52.320 --> 0:16:55.360
<v Speaker 1>I mean, you can call it speaker training. But my

0:16:55.440 --> 0:16:57.880
<v Speaker 1>message to the world right now is, look, I don't

0:16:57.920 --> 0:17:00.160
<v Speaker 1>I don't care what business that you are in, you

0:17:00.200 --> 0:17:03.440
<v Speaker 1>are also in the inspiration business. And and this pandemic,

0:17:03.480 --> 0:17:07.760
<v Speaker 1>this crisis is proving that because people have got Yes,

0:17:07.880 --> 0:17:10.560
<v Speaker 1>you have to get people the information that they need. Right,

0:17:10.880 --> 0:17:14.760
<v Speaker 1>people need to know how does the remote working technology work?

0:17:14.800 --> 0:17:17.320
<v Speaker 1>And what's the expected schedule when I have to feed

0:17:17.359 --> 0:17:19.120
<v Speaker 1>my kid in the middle of the day, and how

0:17:19.160 --> 0:17:22.119
<v Speaker 1>do I manage you know, how do I manage unemployment

0:17:22.240 --> 0:17:25.960
<v Speaker 1>or or paycheck protection, loans or like all the information

0:17:26.119 --> 0:17:29.560
<v Speaker 1>is incredibly important right now that the minute that that

0:17:29.640 --> 0:17:34.800
<v Speaker 1>does settles, people need to be inspired to continue pushing

0:17:34.840 --> 0:17:37.360
<v Speaker 1>through this. People need to be inspired to say, now

0:17:37.359 --> 0:17:39.920
<v Speaker 1>that I know how to have the information to teach

0:17:39.960 --> 0:17:42.520
<v Speaker 1>me how to work remotely. Now I need to be

0:17:42.560 --> 0:17:45.640
<v Speaker 1>inspired to work remotely, to do know what I mean,

0:17:45.760 --> 0:17:48.199
<v Speaker 1>to not have happy hours start at ten am, to

0:17:48.359 --> 0:17:52.040
<v Speaker 1>not to not like to stay focused on my job,

0:17:52.119 --> 0:17:54.840
<v Speaker 1>to stay loyal to my to this organization, to you know,

0:17:54.880 --> 0:17:58.040
<v Speaker 1>whatever it is. And so that's that's what the message

0:17:58.040 --> 0:18:00.680
<v Speaker 1>that we're sending folks right now. And that comes not

0:18:00.840 --> 0:18:03.400
<v Speaker 1>only from yes, partner with me because I can help

0:18:03.600 --> 0:18:06.399
<v Speaker 1>create an inspirational voice for your organization, but it's also

0:18:06.680 --> 0:18:09.879
<v Speaker 1>let me teach you how to be inspiring because you

0:18:10.000 --> 0:18:12.439
<v Speaker 1>have to be inspiring right now. You have to be

0:18:12.480 --> 0:18:14.720
<v Speaker 1>the one that's closing in the distance. That isolation and

0:18:14.760 --> 0:18:18.200
<v Speaker 1>social distancing is creative and there are very specific techniques

0:18:18.200 --> 0:18:20.520
<v Speaker 1>in ways that you can learn to be a more

0:18:20.680 --> 0:18:24.560
<v Speaker 1>dynamic and powerful communicator, to be a more inspiring communicator

0:18:24.600 --> 0:18:27.760
<v Speaker 1>and leader. And my Stage might speaker training program, it's

0:18:27.800 --> 0:18:29.920
<v Speaker 1>like stage fright to stage might. You know I call

0:18:29.960 --> 0:18:33.040
<v Speaker 1>a rock star secrets for public speakers because it's basically saying,

0:18:33.440 --> 0:18:36.239
<v Speaker 1>no matter where your voice is, no matter who your

0:18:36.240 --> 0:18:38.159
<v Speaker 1>audience is, you have a stage. I don't care if

0:18:38.160 --> 0:18:41.080
<v Speaker 1>you're a senior executive leader or a dentist, or you're

0:18:41.119 --> 0:18:44.879
<v Speaker 1>a lawyer or a teacher or a manager. You have

0:18:44.920 --> 0:18:47.919
<v Speaker 1>a stage. You have somebody that is under your influence,

0:18:48.280 --> 0:18:51.080
<v Speaker 1>and that person deserves to be inspired by you, no

0:18:51.119 --> 0:18:54.000
<v Speaker 1>matter how mundane you think your job or your work is.

0:18:54.480 --> 0:18:56.720
<v Speaker 1>That is a power that you hold alone, and I

0:18:56.760 --> 0:18:59.040
<v Speaker 1>can help bring that power out of you. It's so

0:18:59.200 --> 0:19:02.679
<v Speaker 1>interesting because I never thought, in all honesty that you

0:19:02.720 --> 0:19:06.359
<v Speaker 1>could teach inspiration. I know that you can teach people

0:19:06.400 --> 0:19:09.520
<v Speaker 1>how to be better speakers and how to connect, but

0:19:09.600 --> 0:19:12.520
<v Speaker 1>inspiration is honestly something that I thought you you were

0:19:12.560 --> 0:19:16.000
<v Speaker 1>either born with or you weren't right, Like, you know,

0:19:16.320 --> 0:19:20.280
<v Speaker 1>is somebody walking in your door who pretty much and

0:19:20.320 --> 0:19:23.720
<v Speaker 1>I will age myself, but who sounds like faris Bueller's

0:19:23.760 --> 0:19:28.639
<v Speaker 1>teacher who is completely flattened, monotone, Their their job is

0:19:28.680 --> 0:19:32.240
<v Speaker 1>boring as Hellum, but they're like, I need you to

0:19:32.280 --> 0:19:36.000
<v Speaker 1>help me. How do you turn that kind of person

0:19:36.680 --> 0:19:40.760
<v Speaker 1>into into you into or into into the best version

0:19:40.760 --> 0:19:43.760
<v Speaker 1>of them? I should say yeah, absolutely, And I think

0:19:43.760 --> 0:19:46.520
<v Speaker 1>that's the critical distinction is that you know, it isn't

0:19:46.560 --> 0:19:49.720
<v Speaker 1>safe of training, right. Um, it's saying I used to

0:19:49.760 --> 0:19:52.600
<v Speaker 1>when I when I first created the stage my speaker

0:19:52.720 --> 0:19:56.359
<v Speaker 1>training system. Um, I had so much resistance internally because

0:19:56.400 --> 0:19:57.840
<v Speaker 1>I was like, I don't want to be a speaker trainer.

0:19:57.840 --> 0:20:00.600
<v Speaker 1>There's tons of them out there, there's plenty of whatever.

0:20:01.840 --> 0:20:05.400
<v Speaker 1>But I realized that I had built a successful speaking

0:20:05.400 --> 0:20:08.280
<v Speaker 1>career and never having been trained as a speaker, I

0:20:08.320 --> 0:20:11.760
<v Speaker 1>had been trained as an artist, and seeing the stage,

0:20:11.920 --> 0:20:15.840
<v Speaker 1>even business stages, through an artist and a performance lens

0:20:16.520 --> 0:20:19.000
<v Speaker 1>is what made me stand out in a business environment.

0:20:19.119 --> 0:20:21.680
<v Speaker 1>And I was like, well, that's teachable, right. So every

0:20:21.720 --> 0:20:23.720
<v Speaker 1>time someone kept saying, well, how do you do that?

0:20:23.880 --> 0:20:25.480
<v Speaker 1>And that was the you know, that's that's a lot

0:20:25.520 --> 0:20:27.560
<v Speaker 1>of times. The pivotal moment that we have in terms

0:20:27.600 --> 0:20:31.359
<v Speaker 1>of evolving and expanding our service to the world is

0:20:31.400 --> 0:20:34.399
<v Speaker 1>that we used to you know, especially artists, entrepreneurs, you know,

0:20:34.560 --> 0:20:36.919
<v Speaker 1>go getters. We live in our own magic, you know.

0:20:37.040 --> 0:20:39.159
<v Speaker 1>We this is my genius, this is my magic, It's

0:20:39.200 --> 0:20:41.359
<v Speaker 1>my gift. And that's what I kept saying every time

0:20:41.480 --> 0:20:44.200
<v Speaker 1>somebody asked the question. But it's that pivotal question, someone

0:20:44.240 --> 0:20:47.360
<v Speaker 1>asking you how do you do that? Enough times and

0:20:47.400 --> 0:20:50.879
<v Speaker 1>finally eventually you realize I need to have an answer

0:20:50.880 --> 0:20:54.520
<v Speaker 1>for that, like I'm not serving the world in as

0:20:54.800 --> 0:20:58.800
<v Speaker 1>profound and prolific of a way as I could be

0:20:58.920 --> 0:21:01.800
<v Speaker 1>if I could answer the question how do I do that?

0:21:01.960 --> 0:21:04.040
<v Speaker 1>And I never knew how I did that? So I

0:21:04.080 --> 0:21:07.080
<v Speaker 1>began to dissect and codify how I did that, and

0:21:07.119 --> 0:21:09.199
<v Speaker 1>I begin to realize that, yes, some of it is

0:21:09.240 --> 0:21:12.120
<v Speaker 1>my magic, but that there's also mastery. There's a point

0:21:12.119 --> 0:21:14.919
<v Speaker 1>in which the magic ends and the mastery begins. And

0:21:14.960 --> 0:21:17.359
<v Speaker 1>when you understand that, then you go, these are the

0:21:17.400 --> 0:21:19.840
<v Speaker 1>teachable components of what it is that I do. So

0:21:19.920 --> 0:21:22.040
<v Speaker 1>let me begin to share that part so that I

0:21:22.080 --> 0:21:24.520
<v Speaker 1>can not only not teach someone my magic, but I

0:21:24.560 --> 0:21:28.560
<v Speaker 1>can bring out their magic in these teachable ways. So

0:21:28.600 --> 0:21:31.080
<v Speaker 1>that was really the pivot point for me, and I

0:21:31.119 --> 0:21:37.280
<v Speaker 1>realized that inspiration, Yes, it is a speaker training system.

0:21:37.920 --> 0:21:40.720
<v Speaker 1>But you know when I tell people that they're people

0:21:40.720 --> 0:21:44.680
<v Speaker 1>who are battling nervousness, and I tell them, I want

0:21:44.680 --> 0:21:46.000
<v Speaker 1>you to go on stage and I want you to

0:21:46.040 --> 0:21:47.720
<v Speaker 1>focus on who it is that you're there to serve,

0:21:48.240 --> 0:21:50.520
<v Speaker 1>because right now you're trying to say, well, I have

0:21:50.560 --> 0:21:52.320
<v Speaker 1>to reach everyone and I have to do this for everyone,

0:21:52.359 --> 0:21:54.479
<v Speaker 1>and I go, no, that's not true. There might be

0:21:54.560 --> 0:21:56.960
<v Speaker 1>one person, there might be three people that are listening

0:21:56.960 --> 0:22:01.439
<v Speaker 1>to you in this crowd that what you say is

0:22:01.480 --> 0:22:03.960
<v Speaker 1>going to prove to be a lifeline for their business,

0:22:04.119 --> 0:22:08.760
<v Speaker 1>for their family, for their relationship, for their life. Possibly.

0:22:09.000 --> 0:22:10.960
<v Speaker 1>Right there's a line in one of my poems that says,

0:22:11.200 --> 0:22:13.640
<v Speaker 1>I spit for the suicide note stuff into the back

0:22:13.680 --> 0:22:16.920
<v Speaker 1>pocket of someone here tonight, right like you could be

0:22:17.720 --> 0:22:20.280
<v Speaker 1>what you could be the voice that saves someone's life

0:22:20.320 --> 0:22:24.639
<v Speaker 1>tonight in some literal or metaphoric way. So that's what

0:22:24.720 --> 0:22:26.639
<v Speaker 1>you need to stay focused on. Left. That be what

0:22:26.720 --> 0:22:28.600
<v Speaker 1>gets rid of your nervousness. And as you go on

0:22:28.600 --> 0:22:32.560
<v Speaker 1>that stage, no matter how the great the audience experiences

0:22:32.640 --> 0:22:35.280
<v Speaker 1>or not, and you focus on the fact that you're

0:22:35.280 --> 0:22:38.040
<v Speaker 1>there to serve. And I think that's the inspiration part

0:22:38.280 --> 0:22:40.399
<v Speaker 1>is that yes, it's speaker training, but the more that

0:22:40.480 --> 0:22:43.080
<v Speaker 1>you focus on the why of the speaker training, the

0:22:43.119 --> 0:22:46.399
<v Speaker 1>more that you are pushing yourself to say, I need

0:22:46.440 --> 0:22:51.760
<v Speaker 1>to take this from just speaking to actually inspiring because

0:22:51.880 --> 0:22:56.320
<v Speaker 1>I need to serve that organization, that customer, that workforce,

0:22:56.480 --> 0:23:00.520
<v Speaker 1>that employee, that relationship, that community, that try been in

0:23:00.560 --> 0:23:03.560
<v Speaker 1>that way. And so it's the purpose element behind that

0:23:03.600 --> 0:23:08.560
<v Speaker 1>I think makes the inspiration teachable. You know, you mentioned uh,

0:23:09.240 --> 0:23:12.840
<v Speaker 1>magic and mastery, and I love I love that. I

0:23:13.080 --> 0:23:15.840
<v Speaker 1>it was like it invoked like an imagery for me

0:23:17.160 --> 0:23:20.199
<v Speaker 1>because I think that right now, just going back a

0:23:20.240 --> 0:23:24.520
<v Speaker 1>little bit, in this moment, in this global crisis that

0:23:24.560 --> 0:23:27.720
<v Speaker 1>we're all living through, working through, just trying many people

0:23:27.760 --> 0:23:30.760
<v Speaker 1>just trying to survive through every day, every moment, it's

0:23:30.840 --> 0:23:35.199
<v Speaker 1>different and it's hard. When I started PM mood, this

0:23:35.359 --> 0:23:38.440
<v Speaker 1>was not happening, So the conversations were different. I can't

0:23:38.440 --> 0:23:42.120
<v Speaker 1>get away from, you know, from discussing how this has

0:23:42.200 --> 0:23:45.760
<v Speaker 1>impacted people are how it is impacting because we're still

0:23:45.840 --> 0:23:51.800
<v Speaker 1>living the momentum for people who are struggling to find

0:23:51.840 --> 0:23:55.840
<v Speaker 1>the magic in this moment right that you know, they're

0:23:55.920 --> 0:24:01.120
<v Speaker 1>they're struggling because they're looking for inspiration from leaders that

0:24:01.480 --> 0:24:05.719
<v Speaker 1>they're not finding. How do can they how can they

0:24:05.760 --> 0:24:10.280
<v Speaker 1>conjure that within themselves? How do people What are some

0:24:10.320 --> 0:24:13.240
<v Speaker 1>of the ways in which people can find just a

0:24:13.240 --> 0:24:18.160
<v Speaker 1>little burst right of magic, of sunshine of light that

0:24:18.240 --> 0:24:21.439
<v Speaker 1>can help carry them through? Because I feel, you know,

0:24:21.480 --> 0:24:24.600
<v Speaker 1>one of the things that has been so inspiring is

0:24:24.640 --> 0:24:29.440
<v Speaker 1>the music. Is the song? Are the words? Is the art?

0:24:29.880 --> 0:24:32.600
<v Speaker 1>I think it's so ironic that those are some of

0:24:32.600 --> 0:24:36.440
<v Speaker 1>the first things that are cut when we're talking about education,

0:24:36.520 --> 0:24:39.080
<v Speaker 1>for instance, we cut the arts. Oh, you don't need that,

0:24:39.400 --> 0:24:42.520
<v Speaker 1>you need you know, writing, arithmetic and this, that and

0:24:42.520 --> 0:24:45.199
<v Speaker 1>the other thing. But it is, but it is the

0:24:45.400 --> 0:24:48.240
<v Speaker 1>essence of art that is saving many people right now.

0:24:48.720 --> 0:24:53.040
<v Speaker 1>So how do you conjure that magic? There's a line

0:24:53.040 --> 0:24:56.080
<v Speaker 1>in one of the piece called the Music Movement of

0:24:56.200 --> 0:25:02.159
<v Speaker 1>off of the Grammy nominated album that says, with music

0:25:02.200 --> 0:25:08.240
<v Speaker 1>programs raising test scores by twenty percent, cutting funding from

0:25:08.320 --> 0:25:10.560
<v Speaker 1>music to save money for english and math, it's like

0:25:10.640 --> 0:25:14.639
<v Speaker 1>removing a car's engine to save money on gas. And that,

0:25:14.720 --> 0:25:17.920
<v Speaker 1>to me is what is the embodiment of what you're

0:25:17.920 --> 0:25:19.840
<v Speaker 1>talking about, You know what I mean, We're cutting off

0:25:19.840 --> 0:25:24.280
<v Speaker 1>our lifeline because we've we've you know, incorrectly assigned our

0:25:24.600 --> 0:25:30.840
<v Speaker 1>value system. And so I yeah, it's it's a it's

0:25:30.840 --> 0:25:32.840
<v Speaker 1>a challenge. But what I tell people, I've been working

0:25:32.840 --> 0:25:36.119
<v Speaker 1>on a book about the power of inspiration for the

0:25:36.119 --> 0:25:39.120
<v Speaker 1>past few years. You know, God willing, I will start

0:25:39.119 --> 0:25:41.399
<v Speaker 1>to have some space this year, during this pandemic, and

0:25:41.520 --> 0:25:44.760
<v Speaker 1>this can be one of what I call my pandemic projects,

0:25:46.160 --> 0:25:49.880
<v Speaker 1>that that will, you know, give me something to come

0:25:49.920 --> 0:25:52.800
<v Speaker 1>out of this stronger than when I came into it.

0:25:53.440 --> 0:25:58.840
<v Speaker 1>Um And in the book, I talk about the need

0:25:59.720 --> 0:26:04.440
<v Speaker 1>to you to seek out inspiration. You know, there's sometimes

0:26:04.480 --> 0:26:07.600
<v Speaker 1>there is this you have the luxury of waiting for it.

0:26:07.720 --> 0:26:10.240
<v Speaker 1>I used to have that luxury when I first started

0:26:10.760 --> 0:26:14.080
<v Speaker 1>working in the business world, and somebody might hire me

0:26:14.160 --> 0:26:17.360
<v Speaker 1>to create a custom piece or whatever every blue moon.

0:26:18.160 --> 0:26:20.040
<v Speaker 1>That was very rare. But most of my poets, we

0:26:20.119 --> 0:26:24.360
<v Speaker 1>just came from within me. It was just I'm mad

0:26:24.400 --> 0:26:25.960
<v Speaker 1>at my mom and I'm a writer mad at my

0:26:26.000 --> 0:26:28.280
<v Speaker 1>mom home. Or I'm you know, loving my mom and

0:26:28.280 --> 0:26:31.200
<v Speaker 1>I'm a writer love my mom poem, you know. And

0:26:31.440 --> 0:26:34.960
<v Speaker 1>now it's like, yo, I gotta knock out this cloud

0:26:35.000 --> 0:26:38.840
<v Speaker 1>computing piece by Wednesday, you know, And so it's a

0:26:38.880 --> 0:26:41.960
<v Speaker 1>different relationship that I have the inspiration now now have

0:26:42.000 --> 0:26:43.560
<v Speaker 1>a lover being able to just wait for it. I

0:26:43.560 --> 0:26:45.920
<v Speaker 1>have to go hunting for it. And I think that

0:26:45.960 --> 0:26:48.479
<v Speaker 1>this is the time for that now because there's so

0:26:48.600 --> 0:26:52.080
<v Speaker 1>much noise right now, there's so many distractions, there's so

0:26:52.200 --> 0:26:56.840
<v Speaker 1>much negativity and fear of loss and pain and uncertainty

0:26:57.359 --> 0:27:00.280
<v Speaker 1>that we have to be more intentional about every thing

0:27:00.400 --> 0:27:02.400
<v Speaker 1>really in our lives. We have to be intentional about

0:27:02.440 --> 0:27:04.520
<v Speaker 1>our morning routine. We have to be intentional about our

0:27:04.920 --> 0:27:07.320
<v Speaker 1>our you know, mobility. We have to be intentional about

0:27:07.320 --> 0:27:09.440
<v Speaker 1>everything during this but we also have to be intentional

0:27:09.480 --> 0:27:11.879
<v Speaker 1>about our about the hunt for inspiration. We got to

0:27:11.920 --> 0:27:14.239
<v Speaker 1>go hunting for it. And if you hunt for it,

0:27:14.240 --> 0:27:19.280
<v Speaker 1>you'll find it. Right if you start paying attention to it,

0:27:19.320 --> 0:27:23.720
<v Speaker 1>you'll you'll see that thing that your kid did that

0:27:23.880 --> 0:27:25.679
<v Speaker 1>just you look at him, is like, oh God, that

0:27:25.720 --> 0:27:27.600
<v Speaker 1>was so moving. That's such a symbol of how we

0:27:27.640 --> 0:27:29.680
<v Speaker 1>need to be in the world. That was inspiring. Let

0:27:29.680 --> 0:27:32.200
<v Speaker 1>me write that down and man, this thing that this

0:27:32.200 --> 0:27:35.639
<v Speaker 1>this politician said, this class roots activists said on television.

0:27:35.760 --> 0:27:38.440
<v Speaker 1>That made me going, that's what I'm feeling. That was inspiring.

0:27:38.600 --> 0:27:40.720
<v Speaker 1>Let me drop that down, right, and we begin to

0:27:40.880 --> 0:27:43.480
<v Speaker 1>we begin to hunt and to gather, and to hunt

0:27:43.480 --> 0:27:45.520
<v Speaker 1>and to gather, and to hunt and to gather, so

0:27:45.560 --> 0:27:50.000
<v Speaker 1>that when we have the need to be inspiring, we

0:27:50.080 --> 0:27:53.359
<v Speaker 1>are pulling from the source of being inspired. First. We

0:27:53.520 --> 0:27:57.200
<v Speaker 1>have to be inspired to be inspiring, right, And that's

0:27:57.240 --> 0:27:59.040
<v Speaker 1>the thing that people have to realize, is that you

0:27:59.119 --> 0:28:00.960
<v Speaker 1>got to go out and hunt for that inspiration so

0:28:00.960 --> 0:28:04.480
<v Speaker 1>that you can live and inspired life first, so that

0:28:04.520 --> 0:28:07.520
<v Speaker 1>then you can help someone else to be to be inspired.

0:28:07.560 --> 0:28:11.080
<v Speaker 1>And so pay attention, stick that antenna up and start

0:28:11.160 --> 0:28:14.119
<v Speaker 1>and start documenting the ways that you're moved, the simple

0:28:14.160 --> 0:28:16.720
<v Speaker 1>thing that you're that move you. Because inspiration is a

0:28:16.840 --> 0:28:23.119
<v Speaker 1>very you know, amorphous, intangible concept. You know what is inspiration?

0:28:23.200 --> 0:28:26.320
<v Speaker 1>What does it mean to be inspired? It's very subjective

0:28:26.320 --> 0:28:28.360
<v Speaker 1>and personal for each of us. And so I think

0:28:28.359 --> 0:28:30.840
<v Speaker 1>that we have to pay attention to that was inspiring

0:28:30.880 --> 0:28:32.840
<v Speaker 1>to me, That was inspiring to me, And the more

0:28:32.880 --> 0:28:35.320
<v Speaker 1>that we do that, the more that we'll realize, oh, well,

0:28:35.320 --> 0:28:38.080
<v Speaker 1>if that's all inspiration is, If that's all that it

0:28:38.120 --> 0:28:41.160
<v Speaker 1>took to inspire me, I'm sure somebody else feels like that.

0:28:41.560 --> 0:28:44.720
<v Speaker 1>And if that could inspire me, I could do that

0:28:44.800 --> 0:28:47.240
<v Speaker 1>for someone, I could say that for someone, I could

0:28:47.280 --> 0:28:50.160
<v Speaker 1>give up. I could take something and recontextualize it in

0:28:50.160 --> 0:28:52.840
<v Speaker 1>a way that does that for someone. And now inspiration

0:28:52.880 --> 0:28:55.480
<v Speaker 1>becomes a more accessible and you begin to access it

0:28:55.520 --> 0:28:57.680
<v Speaker 1>as a superpower that you've always had in you. You

0:28:57.760 --> 0:28:59.720
<v Speaker 1>just didn't know how to. You know, you didn't you

0:28:59.760 --> 0:29:02.560
<v Speaker 1>didn't have a cape in it and a spandex. You know.

0:29:04.520 --> 0:29:10.160
<v Speaker 1>I love that. Um. One of your incredibly inspiring moments

0:29:10.200 --> 0:29:14.200
<v Speaker 1>I would imagine would be when you found out that

0:29:15.240 --> 0:29:19.120
<v Speaker 1>you were nominated for Grammy in twenty nineteen. Yeah, you

0:29:20.560 --> 0:29:26.400
<v Speaker 1>are the first spoken word artists poetic voice to be

0:29:26.600 --> 0:29:31.800
<v Speaker 1>nominated in what was it, thirty years? So uh, you know, really,

0:29:31.840 --> 0:29:34.240
<v Speaker 1>if you're thinking about in the context of spoken word

0:29:34.320 --> 0:29:37.760
<v Speaker 1>poetry and spoken word poetry albums for thirty years, I

0:29:37.840 --> 0:29:41.640
<v Speaker 1>take nothing away from Doctor May Angelou and Nikki Giovanni

0:29:41.960 --> 0:29:45.240
<v Speaker 1>who won twelve years ago, seventeen years ago, one or nominated,

0:29:46.040 --> 0:29:47.920
<v Speaker 1>But they're also in our community. They're not They're not

0:29:47.960 --> 0:29:49.520
<v Speaker 1>thought of, and nor do I think of them. Think

0:29:49.560 --> 0:29:52.480
<v Speaker 1>they think of themselves as spoken word poets right, a

0:29:52.640 --> 0:29:56.080
<v Speaker 1>much more sort of literary right, literary poets who had

0:29:56.080 --> 0:29:58.040
<v Speaker 1>a book and then they read the book as an

0:29:58.040 --> 0:30:01.080
<v Speaker 1>audiobook and that got nominated as different than an album,

0:30:01.080 --> 0:30:04.200
<v Speaker 1>and ours was a top to bottom spoken word poetry album.

0:30:04.200 --> 0:30:08.160
<v Speaker 1>So that's why we say thirty years. What was that like?

0:30:08.440 --> 0:30:11.240
<v Speaker 1>I mean, let me just tell you the clips of

0:30:11.400 --> 0:30:16.280
<v Speaker 1>a full orchestra. The string theory behind um or in

0:30:16.720 --> 0:30:21.800
<v Speaker 1>or intertwined with your voice and your messages was beautiful.

0:30:21.920 --> 0:30:25.120
<v Speaker 1>It was it was It was. Um, It's something I

0:30:25.120 --> 0:30:27.520
<v Speaker 1>don't even think I used the word awe struck often,

0:30:27.720 --> 0:30:42.000
<v Speaker 1>but I'm going to use it now. Um what what retire? Now? What? Um?

0:30:42.040 --> 0:30:45.760
<v Speaker 1>What did that feel like to get that call? It

0:30:46.800 --> 0:30:55.520
<v Speaker 1>was in some ways indescribable. Um. You know, I went

0:30:55.560 --> 0:30:59.760
<v Speaker 1>after this with everything I had and yet and I

0:31:00.080 --> 0:31:05.120
<v Speaker 1>was met at every turn with that's awesome that you're

0:31:05.160 --> 0:31:10.320
<v Speaker 1>doing that. But really, you know what I mean, Like

0:31:10.320 --> 0:31:14.080
<v Speaker 1>like there was such enthusiasm and also such skepticism, like

0:31:14.160 --> 0:31:16.200
<v Speaker 1>come on, I don't want you to just like are

0:31:16.240 --> 0:31:17.480
<v Speaker 1>you what? Are you gonna tell me that you're gonna

0:31:17.480 --> 0:31:19.600
<v Speaker 1>fly to the moon next? You know what I mean?

0:31:19.640 --> 0:31:22.479
<v Speaker 1>It was just kind of like like you're you're chasing

0:31:22.480 --> 0:31:27.720
<v Speaker 1>something that feels kind of impossible because, um, because of

0:31:27.760 --> 0:31:29.920
<v Speaker 1>the fact that we were always up against audio books

0:31:30.080 --> 0:31:32.840
<v Speaker 1>or But to be honest, also what drove me was

0:31:32.960 --> 0:31:35.560
<v Speaker 1>that because you know, you can't tell me impossible and

0:31:35.600 --> 0:31:38.080
<v Speaker 1>then make me think, I think it's gonna be a deterrent.

0:31:38.120 --> 0:31:41.680
<v Speaker 1>If anything, it's an attraction, right um. But what was

0:31:41.720 --> 0:31:45.400
<v Speaker 1>also a driver was the fact that some people didn't

0:31:45.400 --> 0:31:47.960
<v Speaker 1>know that it was as impossible as it is, because

0:31:48.760 --> 0:31:51.640
<v Speaker 1>they were shocked to find out that our category. The

0:31:51.640 --> 0:31:54.240
<v Speaker 1>reason why it's so impossible is because the spoken word

0:31:54.240 --> 0:31:57.040
<v Speaker 1>best spoken Word Album category has been dominated by all

0:31:57.040 --> 0:32:00.280
<v Speaker 1>the audiobooks. Right. Well, that's that's the challenge. I just

0:32:00.320 --> 0:32:02.120
<v Speaker 1>I want to make sure that's clear, because some people

0:32:02.160 --> 0:32:03.600
<v Speaker 1>look and go, why was it such a big deal.

0:32:03.640 --> 0:32:06.440
<v Speaker 1>You're a spoken word artist, that's the spoken word granny.

0:32:06.640 --> 0:32:09.160
<v Speaker 1>Why not? Right? Well, the reason is because we're not

0:32:09.200 --> 0:32:13.239
<v Speaker 1>ever competing against spoken word artists. Were competing presidents and

0:32:13.400 --> 0:32:17.840
<v Speaker 1>celebrities and giant publishers that have these huge, huge books

0:32:17.840 --> 0:32:21.640
<v Speaker 1>and industries behind them that share the same category as poetry.

0:32:21.760 --> 0:32:23.160
<v Speaker 1>And a lot of people were shocked to hear that.

0:32:23.200 --> 0:32:25.760
<v Speaker 1>They were like that they shouldn't be together. Like when

0:32:25.800 --> 0:32:28.240
<v Speaker 1>I think spoken word, I don't think audio books. I

0:32:28.240 --> 0:32:31.400
<v Speaker 1>think the art of crafting spoken word poetry, not the

0:32:31.520 --> 0:32:35.320
<v Speaker 1>narration of a book. And so that was really what

0:32:35.560 --> 0:32:39.280
<v Speaker 1>made it so insurmountable. And so when we when we

0:32:39.640 --> 0:32:45.840
<v Speaker 1>got the win and we got the nomination, you know

0:32:45.920 --> 0:32:48.680
<v Speaker 1>that morning, so I'll tell you, I'll paint the same

0:32:48.760 --> 0:32:55.400
<v Speaker 1>for you. I I woke up and I had a

0:32:55.400 --> 0:32:57.280
<v Speaker 1>whole lot of stuff going on in my life, and

0:32:57.760 --> 0:33:02.520
<v Speaker 1>my church had just said that they reinstating this super

0:33:02.520 --> 0:33:05.080
<v Speaker 1>early morning Wednesday prayer and I never go to those

0:33:05.160 --> 0:33:06.440
<v Speaker 1>kind of things, but I was like, you know what,

0:33:06.920 --> 0:33:10.680
<v Speaker 1>I got a lot going on right now, All right,

0:33:10.760 --> 0:33:12.720
<v Speaker 1>let me go handle that right and then and then

0:33:12.760 --> 0:33:14.400
<v Speaker 1>I found out so that was like five thirty in

0:33:14.400 --> 0:33:15.920
<v Speaker 1>the morning that was supposed to be happening. And then

0:33:15.960 --> 0:33:19.440
<v Speaker 1>I found out that the Granny announcement was going to

0:33:19.480 --> 0:33:25.239
<v Speaker 1>be made at around five fifteen on CBS News. And

0:33:25.320 --> 0:33:26.960
<v Speaker 1>so I was like, well, I was already playing on

0:33:27.000 --> 0:33:28.880
<v Speaker 1>being up. That's awesome. So I got up and I'm

0:33:28.920 --> 0:33:31.040
<v Speaker 1>making my coffee and I'm sitting down. I'm ready to go.

0:33:31.200 --> 0:33:32.720
<v Speaker 1>My wife's like, yo, we gotta go, we gotta go,

0:33:32.720 --> 0:33:34.920
<v Speaker 1>and I'm like, hold on, I have to hear this announcement.

0:33:35.000 --> 0:33:37.479
<v Speaker 1>And they kept going the news kept going, you know,

0:33:37.600 --> 0:33:41.200
<v Speaker 1>and coming up the Grammy nominee announcements, but first and

0:33:41.240 --> 0:33:44.960
<v Speaker 1>they can't be crazy, And I was like, wait, I

0:33:45.040 --> 0:33:47.280
<v Speaker 1>was telling tell my wife, wait, I canti find this out.

0:33:47.480 --> 0:33:49.000
<v Speaker 1>So she was like, well, it's supposed to be up

0:33:49.040 --> 0:33:50.760
<v Speaker 1>on the website. Why don't we just drive the church

0:33:50.800 --> 0:33:52.800
<v Speaker 1>and we can find out on the you know, on

0:33:52.840 --> 0:33:56.240
<v Speaker 1>the website. When we pull up and halfway uh there,

0:33:56.880 --> 0:34:00.120
<v Speaker 1>I got a call from my Thin brand manager who

0:34:00.480 --> 0:34:02.240
<v Speaker 1>who was like, did you see the news? And he

0:34:02.360 --> 0:34:04.640
<v Speaker 1>was like, we got it, say Coo Andrew was in

0:34:04.720 --> 0:34:07.200
<v Speaker 1>a stream theory nominated and we were just like I

0:34:07.280 --> 0:34:09.600
<v Speaker 1>pulled over and my wife started screaming, and I'm in

0:34:09.640 --> 0:34:13.520
<v Speaker 1>the car and we were like, I remember hearing these moments,

0:34:13.760 --> 0:34:17.000
<v Speaker 1>these famous stories you hear of like yeah, Button Pepper

0:34:17.040 --> 0:34:18.880
<v Speaker 1>the first time they hurt themselves on the radio, and

0:34:18.920 --> 0:34:21.359
<v Speaker 1>they pulled over and we're dancing in their car, you know,

0:34:21.480 --> 0:34:23.080
<v Speaker 1>and I was like, this was that kind of moment

0:34:23.120 --> 0:34:25.879
<v Speaker 1>for me. Suddenly I'm just I'm just screaming and my

0:34:25.920 --> 0:34:28.720
<v Speaker 1>wife's kind and we're having this amazing moment. And then

0:34:28.920 --> 0:34:31.000
<v Speaker 1>we pulled up five minutes later and we walked into

0:34:31.000 --> 0:34:33.000
<v Speaker 1>the church and we just got our prayer on and

0:34:33.040 --> 0:34:35.719
<v Speaker 1>our gratitude on, and we was like, you know what,

0:34:36.080 --> 0:34:38.480
<v Speaker 1>there could be no better place for me to be

0:34:38.600 --> 0:34:41.680
<v Speaker 1>right now than to be in this sort of room

0:34:41.760 --> 0:34:45.719
<v Speaker 1>and spirit of just gratitude, pure praise and worship and

0:34:45.760 --> 0:34:47.960
<v Speaker 1>gratitude for all that I have in my life. And

0:34:48.040 --> 0:34:51.239
<v Speaker 1>let me take this moment right now. And you know,

0:34:51.320 --> 0:34:53.719
<v Speaker 1>I wasn't prepared for it. I wasn't prepared for it,

0:34:53.760 --> 0:34:56.440
<v Speaker 1>even though it was something that I completely chased mentally,

0:34:56.680 --> 0:34:58.799
<v Speaker 1>I hadn't even cleared space on my calendar for the

0:34:58.840 --> 0:35:03.200
<v Speaker 1>next round of campaigning. And I told my team, we're good,

0:35:03.280 --> 0:35:05.160
<v Speaker 1>the boats are in, We're good, you know. And then

0:35:05.200 --> 0:35:07.600
<v Speaker 1>suddenly we got the nomination and I was like, oh,

0:35:08.080 --> 0:35:10.239
<v Speaker 1>we didn't even make space for this, you know. So

0:35:10.280 --> 0:35:12.160
<v Speaker 1>it was it was crazy, but it was. It was

0:35:12.200 --> 0:35:14.040
<v Speaker 1>a joy to be nominated. It was a joy to

0:35:14.040 --> 0:35:16.360
<v Speaker 1>be in the same category as Michelle Obama. It was

0:35:16.360 --> 0:35:18.359
<v Speaker 1>a joy to get beat by, you know, the most

0:35:18.360 --> 0:35:21.440
<v Speaker 1>beloved first lady and and one of the best selling

0:35:22.040 --> 0:35:24.799
<v Speaker 1>autobiographies ever. Like all of it, it was just win

0:35:24.880 --> 0:35:28.120
<v Speaker 1>after win for me. So I got no complaints. That

0:35:28.239 --> 0:35:30.279
<v Speaker 1>was gonna be My next question was going to be

0:35:30.320 --> 0:35:32.560
<v Speaker 1>about Michelle Obama. I'm given the fact that you were

0:35:32.600 --> 0:35:35.120
<v Speaker 1>talking about audio books, but I'm thinking, if there is

0:35:35.160 --> 0:35:37.719
<v Speaker 1>anyone that I would ever want to be beat by

0:35:37.760 --> 0:35:42.640
<v Speaker 1>in life, it's gonna be her. Exactly. It's gonna be here, like,

0:35:42.640 --> 0:35:45.600
<v Speaker 1>oh man, who are you beat by? Michelle? Oh? Okay?

0:35:45.680 --> 0:35:47.840
<v Speaker 1>Well I told one of my friends called me and

0:35:47.920 --> 0:35:49.319
<v Speaker 1>he was like, yeah, I was talking to my life.

0:35:49.320 --> 0:35:51.439
<v Speaker 1>You know, it's my ten year old daughter. And I said,

0:35:51.480 --> 0:35:54.520
<v Speaker 1>you know, hey, you know uncle sak who um just

0:35:54.560 --> 0:35:57.480
<v Speaker 1>got you know, nominated? I mean, I just got you know,

0:35:57.560 --> 0:36:00.120
<v Speaker 1>did the Grammys celebration? This is this was after the

0:36:00.160 --> 0:36:04.040
<v Speaker 1>awards and and she goes, really wow. She goes did

0:36:04.080 --> 0:36:05.440
<v Speaker 1>he win? And he was like no, he didn't win.

0:36:05.480 --> 0:36:07.799
<v Speaker 1>And she goes, well who you know? Who who did

0:36:07.800 --> 0:36:10.680
<v Speaker 1>he get? And he was like, well it was Michelle

0:36:10.719 --> 0:36:17.680
<v Speaker 1>Obama and it's ten year old kid win. Well yeah

0:36:18.640 --> 0:36:20.799
<v Speaker 1>for her, it was like, well of course, man, you know,

0:36:22.040 --> 0:36:24.360
<v Speaker 1>but come on, if Michelle Obama is going to be

0:36:24.360 --> 0:36:30.680
<v Speaker 1>in a category, she's gonna win. Come on. Um No,

0:36:30.880 --> 0:36:34.560
<v Speaker 1>that's extraordinary. One of the last question that I always

0:36:34.640 --> 0:36:38.040
<v Speaker 1>asked my guests on PM mood um and I feel

0:36:38.040 --> 0:36:40.840
<v Speaker 1>like for you you've already you've given us so much

0:36:41.080 --> 0:36:44.120
<v Speaker 1>um in terms of how you find inspiration. But to

0:36:44.239 --> 0:36:46.919
<v Speaker 1>put a finer point on it, I asked guests, how

0:36:46.920 --> 0:36:50.000
<v Speaker 1>do you get in the mood to change the world.

0:36:50.600 --> 0:36:52.759
<v Speaker 1>What is it that you do? How do you get

0:36:52.800 --> 0:36:57.040
<v Speaker 1>into that space, that headspace um to do the work

0:36:57.120 --> 0:37:01.320
<v Speaker 1>that you do. How do I get in the mood

0:37:02.280 --> 0:37:11.279
<v Speaker 1>to change the world? I would probably say that it's

0:37:11.320 --> 0:37:14.480
<v Speaker 1>probably three things. I get in them. I get in

0:37:14.480 --> 0:37:21.239
<v Speaker 1>the mood to change the world by first identifying how

0:37:21.280 --> 0:37:23.520
<v Speaker 1>it is that I need to serve the world and

0:37:23.719 --> 0:37:27.000
<v Speaker 1>being purposeful in that, you know, that's really what drives me.

0:37:27.080 --> 0:37:29.080
<v Speaker 1>That was the beauty of the Grammy nomination. It was

0:37:29.160 --> 0:37:31.440
<v Speaker 1>not that it was not just that it was the

0:37:31.440 --> 0:37:33.120
<v Speaker 1>wind for me as an artist, but even more that

0:37:33.160 --> 0:37:35.960
<v Speaker 1>it was the wind for our art form, and that

0:37:36.040 --> 0:37:38.400
<v Speaker 1>it was helping to helping me to serve my purpose

0:37:38.440 --> 0:37:41.880
<v Speaker 1>of creating that model of possibilities for spoken word artists

0:37:41.880 --> 0:37:45.400
<v Speaker 1>that didn't believe, you know, things were possible beforehand. So

0:37:45.800 --> 0:37:50.279
<v Speaker 1>that spirit of serviceness, a spirit of service, is the

0:37:50.320 --> 0:37:51.960
<v Speaker 1>first thing that I think gets me in the mood

0:37:51.960 --> 0:37:53.759
<v Speaker 1>to change the world. I would say the second thing

0:37:53.880 --> 0:37:58.280
<v Speaker 1>is is the spirit of collaboration, you know, surrounding myself

0:37:58.280 --> 0:38:00.920
<v Speaker 1>with people that are that than me, that are greater

0:38:00.920 --> 0:38:02.920
<v Speaker 1>than me at things that that that fill in for

0:38:03.000 --> 0:38:07.040
<v Speaker 1>my weaknesses with their strengths. UM. That pushed my creativity, push,

0:38:07.200 --> 0:38:09.719
<v Speaker 1>push my envelope. I mean, that's what the string theory was.

0:38:09.960 --> 0:38:12.720
<v Speaker 1>The string theory is a fifty It's the fifty person

0:38:12.800 --> 0:38:19.760
<v Speaker 1>neo classical orchestra that has everything from electronica and bagpipe

0:38:19.800 --> 0:38:22.520
<v Speaker 1>and you know, DJ's in addition to your your your

0:38:22.560 --> 0:38:26.960
<v Speaker 1>string quartets. And the thought of what an orchestra that

0:38:27.120 --> 0:38:30.319
<v Speaker 1>is innovating classical music could do with a spoken word

0:38:30.360 --> 0:38:33.600
<v Speaker 1>artist that's innovating spoken word poetry. That was exciting to me.

0:38:33.680 --> 0:38:35.399
<v Speaker 1>That got me in the mood to say, let's let's

0:38:35.400 --> 0:38:37.920
<v Speaker 1>go change something. Um And that was one of the

0:38:37.960 --> 0:38:41.040
<v Speaker 1>greatest compliments. I'm one of my competitors, actually, Alex Eric

0:38:41.160 --> 0:38:46.360
<v Speaker 1>Alex alexandrakis trying to pronouncing his name, was one of

0:38:46.400 --> 0:38:49.759
<v Speaker 1>my fellow nominees and he came to me afterwards and

0:38:49.760 --> 0:38:53.000
<v Speaker 1>he said, you have forever changed this category. And that

0:38:53.160 --> 0:38:55.480
<v Speaker 1>was so gratifying for me because it took that spirit

0:38:55.480 --> 0:38:58.520
<v Speaker 1>of collaboration for us to do that. Um, and then

0:38:58.560 --> 0:39:01.960
<v Speaker 1>I think the third thing, it's just, you know, just

0:39:02.160 --> 0:39:05.400
<v Speaker 1>hope and belief in yourself and joy and kind of

0:39:05.400 --> 0:39:08.200
<v Speaker 1>that passion that goes along with doing what you love.

0:39:08.480 --> 0:39:09.920
<v Speaker 1>You know, they say you do what you love and

0:39:09.960 --> 0:39:12.359
<v Speaker 1>love what you do. And I really try to bring

0:39:12.400 --> 0:39:15.760
<v Speaker 1>that into the spirit of everything that I'm doing because

0:39:15.960 --> 0:39:18.879
<v Speaker 1>right now when I'm in a new place of trying

0:39:18.920 --> 0:39:21.200
<v Speaker 1>to save the world and trying to serve the world,

0:39:21.200 --> 0:39:22.480
<v Speaker 1>and I save the world, and it makes sure I

0:39:22.480 --> 0:39:27.080
<v Speaker 1>correct that of serving the world, and because the world

0:39:27.080 --> 0:39:29.280
<v Speaker 1>has such a high need, and the message that I'm sending,

0:39:29.320 --> 0:39:32.600
<v Speaker 1>my sending to my community, to my clients, to my tribe,

0:39:32.600 --> 0:39:35.600
<v Speaker 1>to their communities is that, yeah, I get it. I

0:39:35.600 --> 0:39:38.839
<v Speaker 1>get that the live gatherings were shut have been shut down,

0:39:39.440 --> 0:39:44.040
<v Speaker 1>But the live gatherings were for the purpose of finding inspiration.

0:39:44.320 --> 0:39:48.279
<v Speaker 1>Live gatherings for the purpose of creating togetherness, right, so

0:39:48.440 --> 0:39:51.239
<v Speaker 1>the need for togetherness is still there, the need for

0:39:51.320 --> 0:39:54.160
<v Speaker 1>inspiration is still there, and it exists now more than ever.

0:39:54.440 --> 0:39:56.200
<v Speaker 1>And that's where it is that I'm trying to make

0:39:56.239 --> 0:39:59.640
<v Speaker 1>sure I'm partnering with my clients organizations, letting them know

0:39:59.719 --> 0:40:02.600
<v Speaker 1>all way that we virtually from where we are can

0:40:02.680 --> 0:40:06.560
<v Speaker 1>still help them inspire and serve that need for inspiration.

0:40:07.160 --> 0:40:10.160
<v Speaker 1>That to me, that serving that need and the joy

0:40:10.200 --> 0:40:13.440
<v Speaker 1>that comes with that, that's real big for helping me,

0:40:13.560 --> 0:40:15.960
<v Speaker 1>helping me to get in the mood to tampact as well.

0:40:16.960 --> 0:40:21.200
<v Speaker 1>Beautiful Secu, thank you so much for joining PM mood.

0:40:21.400 --> 0:40:25.640
<v Speaker 1>You are a gift with wonderful Thank you for having me,

0:40:25.680 --> 0:40:28.600
<v Speaker 1>and thank you for saying that I appreciate it for joy.

0:40:28.600 --> 0:40:31.640
<v Speaker 1>Thanks for listening to PM mood as always, you can

0:40:31.640 --> 0:40:35.880
<v Speaker 1>hear episodes every week for free, and my daily political podcast,

0:40:35.880 --> 0:40:39.040
<v Speaker 1>Woke a F Daily, is on Patreon for just five

0:40:39.120 --> 0:40:42.759
<v Speaker 1>dollars a month at patreon dot com slash woke a F.

0:40:43.280 --> 0:40:46.319
<v Speaker 1>That's five dollars a month for five shows a week,

0:40:46.480 --> 0:40:48.880
<v Speaker 1>so check it out. If you're in the mood for

0:40:49.040 --> 0:40:52.239
<v Speaker 1>more of me, Danielle Moody, follow me on Twitter and

0:40:52.320 --> 0:40:56.279
<v Speaker 1>Instagram at D two cents d e E two c

0:40:56.480 --> 0:41:00.399
<v Speaker 1>e nts, and as always, stay in the PM mood

0:41:00.480 --> 0:41:01.480
<v Speaker 1>to change the world.