WEBVTT - Hollywood Director Larry Teng!

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<v Speaker 1>Mmmmmmmmmmmmmm. Hey palm alright, So we've been doing some really

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<v Speaker 1>unique episodes. We had Greg Murdy and on recently. Uh

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<v Speaker 1>DJ Caruso. I'm really proud of you because your voice

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<v Speaker 1>sounds really good. Well, I appreciate like you could maybe

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<v Speaker 1>have a career in this. I mean, I can't be

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<v Speaker 1>on camera as we know, because of my face. So

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<v Speaker 1>if my voice is working out, that's great. Least you

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<v Speaker 1>don't have a backpack with all the food in it,

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<v Speaker 1>that's true. Like you're you're on the up and up.

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<v Speaker 1>I'm getting there slowly, but sure you're getting this. Sorry

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<v Speaker 1>I interrupted, you know, what are we here for? But

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<v Speaker 1>what episode you're here today? We have another incredible television

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<v Speaker 1>person that's kind of behind the scenes kind of he's

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<v Speaker 1>I mean, he's a he's a director, producer of some

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<v Speaker 1>of the biggest TV shows on the plane. Yeah, let's

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<v Speaker 1>let's read off his resume, Mr Larry Tang, Let's read

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<v Speaker 1>it all. Yeah, we are so excited to have and

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<v Speaker 1>bring you Larry Tang. Uh. Larry has produced and directed

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<v Speaker 1>shows like Medium with Patriciar kett Uh. He did Animal

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<v Speaker 1>Kingdom on T and T, which is just such an

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<v Speaker 1>awesome show. His show, his very edgy. His show is

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<v Speaker 1>out right now actually which they went darker with than

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<v Speaker 1>than what we're used to, which is uh Nancy Drew,

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<v Speaker 1>um and uh, which is on the CW. But that

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<v Speaker 1>is Larry show. That's his baby, which that's awesome and

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<v Speaker 1>uh currently right now, I hope I'm not going to

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<v Speaker 1>get in trouble by saying this, but he is the

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<v Speaker 1>man helming in c I S Hawaii, which they are

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<v Speaker 1>in Hawaii as we speak, and he is filming that. Um,

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<v Speaker 1>he's doing the whole pilot and going to set off

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<v Speaker 1>that series. Yeah, Larry Tang's got it going on. So

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<v Speaker 1>we just we just hope that you guys enjoy a

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<v Speaker 1>little behind the curtains, as Davo and I like to

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<v Speaker 1>like to categorize it at and if you like it,

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<v Speaker 1>we'll we'll we'll keep bringing on more, you know, big

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<v Speaker 1>producers and directors. But for right now, we've got Mr

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<v Speaker 1>Larry Tang. Larry, how are you great? How you mentioned

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<v Speaker 1>Blue Blow? I did one episode of Blue Blood. You

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<v Speaker 1>happen to be in it. I love how you mentioned it.

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<v Speaker 1>Typical Jared right there. First of all, we're gonna edit

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<v Speaker 1>that out. Second of all, I thought you did a

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<v Speaker 1>bunch of blue You've done a bunch of blue blood, Larry.

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<v Speaker 1>I did one and they never asked me back. So thanks,

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<v Speaker 1>all right, Well maybe yeah, probably because I was in

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<v Speaker 1>it exactly. Well, sorry about that, Larry Um. Larry. So

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<v Speaker 1>so look, thank you first of all for joining us

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<v Speaker 1>on the hay Pal podcast. Um uh. Secondly, congratulations, as

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<v Speaker 1>we were just saying on on Nancy Drew. Uh, it's

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<v Speaker 1>a hit. It's great you. I I've been friends with

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<v Speaker 1>you for I think it's about twelve and a half

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<v Speaker 1>thirteen years now, and I've watched you just you know, ascend, ascend, ascend,

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<v Speaker 1>and for all of our all of our listeners. A

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<v Speaker 1>pilot is the first episode that you film, Larry Um

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<v Speaker 1>was was I I don't even like to say lucky enough.

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<v Speaker 1>He was talented enough and has paid his dues and

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<v Speaker 1>he did the first episode which means his baby. And

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<v Speaker 1>so my first question for you, for you, lt is

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<v Speaker 1>what do you think is a greater moment? Do you

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<v Speaker 1>think it's it's directing a pilot episode? And by the way,

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<v Speaker 1>this is for you, uh, not just like in general,

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<v Speaker 1>but is it is it directing a pilot which you've

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<v Speaker 1>worked so so hard, you know, to get to this

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<v Speaker 1>point in your career. Or is it when the Eagles

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<v Speaker 1>won the Super Bowl? When the Birds won the Super Bowl? Man,

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<v Speaker 1>oh yeah, he didn't even have You have to sort

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<v Speaker 1>of like weigh the odds, right, because like, as a

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<v Speaker 1>Philly fan, it's like in my lifetime, would they win

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<v Speaker 1>a super Bowl? In my lifetime, would I eventually get

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<v Speaker 1>a pilot? It was more likely that I would get

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<v Speaker 1>a pilot, So then winning the Super Bowl is a

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<v Speaker 1>bigger deal, you know what I mean? Okay, but Larry,

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<v Speaker 1>I go back to Look, I've known you twelve thirteen years,

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<v Speaker 1>and I'm sure that other people have known you longer,

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<v Speaker 1>and it's been a long time. And and I understand

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<v Speaker 1>that you say maybe eventually, but not I know other

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<v Speaker 1>directors that say eventually and they don't at that opportunity.

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<v Speaker 1>So that's why, you know, I thought the magnitude would

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<v Speaker 1>be a little bit greater. But I understand you're going

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<v Speaker 1>it all serious. It was a huge honor and a

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<v Speaker 1>big deal for me, and um, you know, I think

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<v Speaker 1>it was a perfect storm of storts. You know, they

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<v Speaker 1>fake empire. Um, I wasn't able to settle on a

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<v Speaker 1>director yet so there their hunt was going on longer

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<v Speaker 1>than people had thought. Um, I was available. I got

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<v Speaker 1>a chance to read the script. I connected with it

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<v Speaker 1>on a very emotional level because to me, the show

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<v Speaker 1>was always about a father and his daughter. So that

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<v Speaker 1>really struck a chord with me. And emailed Josh Wartz

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<v Speaker 1>and I said, hey, man, can I get like fifteen

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<v Speaker 1>minutes in front of you? He said, I'll tell you what,

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<v Speaker 1>if you can put together a presentation, they come see

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<v Speaker 1>me in two days and we'll do that. And so

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<v Speaker 1>I cut together this presentation reel for a bunch of

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<v Speaker 1>different movies and uh like I showed it and um,

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<v Speaker 1>ultimately got the job, and it was it was a

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<v Speaker 1>it was a huge moment for me. Um, you know

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<v Speaker 1>it's it's it's tough to crack that circle. So yeah, yeah,

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<v Speaker 1>that is true. So so Larry. So the common theme

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<v Speaker 1>that I see in your work. And and by the way,

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<v Speaker 1>you know me, you know how unapologetic I am. The

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<v Speaker 1>people that are around me know me that I don't

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<v Speaker 1>I don't fluff pillows, I don't bullshit. I don't like

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<v Speaker 1>to cuss either on the show, but I did. I

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<v Speaker 1>did just cuss. But like the common denominator that I

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<v Speaker 1>think with Larry Tang when I watch your shows or

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<v Speaker 1>even when you do an episode and I don't even

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<v Speaker 1>reach out to you. I just do my homework and watch,

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<v Speaker 1>you know, the one that you directed is the the acting.

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<v Speaker 1>And I watch other shows and I'm like, oh my god,

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<v Speaker 1>just like how did you find this person? Ouity felt

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<v Speaker 1>like where where is? And for you it seems to

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<v Speaker 1>there seems to always be great guest stars. There seems

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<v Speaker 1>to always be great leads, and it seems like you

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<v Speaker 1>just have an eye for for that talent. Do you

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<v Speaker 1>think that you have the same eye for that talent

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<v Speaker 1>in the in the sports world, like is there do

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<v Speaker 1>you remember is there like a story where you're like, man,

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<v Speaker 1>this guy right here, this guy is gonna be good

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<v Speaker 1>and then the ends up blowing up and being you know,

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<v Speaker 1>somebody of substance in the league or you know, in

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<v Speaker 1>any sport. You mean when I like forecasting, I was

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<v Speaker 1>actually right, sure, yeah, honestly, um, I I was so

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<v Speaker 1>high on de Sean Jackson when he got drafted out

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<v Speaker 1>of cow really and for a second round or I

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<v Speaker 1>was like, you know what, that's some good value there

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<v Speaker 1>and drafted in my fantasy league as a rookie draft

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<v Speaker 1>from the following year. The guy just exploded and I

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<v Speaker 1>felt like, look, I mean the second rounder. So it

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<v Speaker 1>wasn't like, oh my god, I really reached for that

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<v Speaker 1>and I really like saw that coming. But um, I

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<v Speaker 1>was high from the get go, you know, And um

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<v Speaker 1>you know that that's when being a homer sort of

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<v Speaker 1>works in your favorite because like, you know, you sort

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<v Speaker 1>of keep tabs on a guy like that and blown

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<v Speaker 1>up and just you know, rack up points for you. Yeah,

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<v Speaker 1>and it's just like you know, the un tell the

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<v Speaker 1>audience by the way, the homer is. We know what

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<v Speaker 1>homer is because it's when you just rep your hometown

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<v Speaker 1>and I go, I go, I go beyond that because

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<v Speaker 1>like I read my hometown but barely. It's when you

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<v Speaker 1>can't speak like objectively about it, you know, like like

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<v Speaker 1>Dave for sure, No, I'm just kidding. Actually you are

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<v Speaker 1>pretty objective. But like you talked about Deck, yeah, unfortunately

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<v Speaker 1>I did. And and even Edelman. You know, it's amazing

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<v Speaker 1>that you brought up de Sean being drafted in the

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<v Speaker 1>second round. How incredible is Edelman? He was drafted in

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<v Speaker 1>the seventh round. He actually didn't even think he might

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<v Speaker 1>get drafted. Yeah, lt he was giving a state quarterback

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<v Speaker 1>turn receiver crazy. Yeah. He was telling Dave and I

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<v Speaker 1>on the show that he was just like, man, you know,

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<v Speaker 1>he got there and he was like behind Wes Welker

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<v Speaker 1>and all those guys, and He's like, I don't even

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<v Speaker 1>know if I'm going to make the team. To becoming

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<v Speaker 1>the second greatest. We looked up to stat second greatest, um,

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<v Speaker 1>you know, behind Jerry Rice for postseason. Yeah, receiving for postseason.

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<v Speaker 1>I mean wasn't wasn't Kelsey like a fifth round pick

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<v Speaker 1>or something or a sixth round pick out well? And

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<v Speaker 1>then the greatest of all time? I mean Tom Brady,

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<v Speaker 1>I mean Tom Brady was what was like it's he

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<v Speaker 1>was the hundred or something and I know and and

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<v Speaker 1>by the way, like a cool story for for people

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<v Speaker 1>that listen, is yes, Larry and I did do um

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<v Speaker 1>do a TV show called Blue Bloods together. I acted

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<v Speaker 1>in it. And the girl that he cast opposite me

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<v Speaker 1>that I had not met obviously until I got to set,

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<v Speaker 1>was this actress Jessica Roth. And this just you know,

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<v Speaker 1>is more of of an attestament to Larry and his

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<v Speaker 1>I have what I'm talking about is you know he

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<v Speaker 1>found this girl, I got to act with her. We

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<v Speaker 1>leave set, Larry and I have have a friendship and

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<v Speaker 1>I'm like, dude, that girl is really good. And he

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<v Speaker 1>was like, that girl is good. Like that girl is good.

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<v Speaker 1>She's gonna move out to l A. Watch she's gonna

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<v Speaker 1>end up being somebody. And she ended up moving out

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<v Speaker 1>to l A. And now she has her own franchise

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<v Speaker 1>and Happy Death Day. She's the lead of that movie.

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<v Speaker 1>And uh, and is doing a bunch of other studio films.

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<v Speaker 1>But but uh, yeah, I just always wanted to ask you,

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<v Speaker 1>ask you that question. For sure. In her career, low

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<v Speaker 1>Light was acting opposite you. It really was. Yeah, I

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<v Speaker 1>mean literally, she went from Blue Bloods and then she

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<v Speaker 1>she did like lah lah Land. Yeah, and I went

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<v Speaker 1>from Blue Bloods to doing a fucking podcast with YouTube.

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<v Speaker 1>Don't go anywhere, Hey, Pam will be right back after

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<v Speaker 1>a word from our sponsors. All right now, Larry, I

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<v Speaker 1>have a question. And I love this Philly connection. Um,

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<v Speaker 1>I hate it's It's incredible. Fly Eagles Fly. I want

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<v Speaker 1>you to recast some of the top actors in Hawaii

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<v Speaker 1>five oh with eagles. Let's start with LLL cool J

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<v Speaker 1>who who would play L cool J's Hawaii five O character?

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<v Speaker 1>What wrong? That's the wrong show. That's n C I

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<v Speaker 1>s l A. Oh wait why did that come up?

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<v Speaker 1>Hang on, We're either gonna have to edit that out

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<v Speaker 1>or we gotta know it says or wait, hold on,

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<v Speaker 1>wait wait why does it say wifive? Oh maybe he

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<v Speaker 1>did an episode. I think he did an episode, Larry,

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<v Speaker 1>they did look at crossover, but he's not a regular. Yeah,

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<v Speaker 1>the lead is Scott con And okay, let's go with

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<v Speaker 1>Scott con Let's go with Scott con. Um. I want

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<v Speaker 1>to go with John Doranbo because he could do magic.

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<v Speaker 1>He's like entertainment psychic. You love it all right, that's

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<v Speaker 1>a great one. Um. Daniel day Kim's character, Oh they do,

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<v Speaker 1>we go there. He's like the reliable dude. Um, never

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<v Speaker 1>lets you down. I feel like it's like David Akers. Okay, wow,

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<v Speaker 1>impressive this one. I feel it could be potentially easy

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<v Speaker 1>because I can already see it in my mind. George Garcia,

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<v Speaker 1>who plays Jerry Ortega. Oh, um, he's kind of funny,

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<v Speaker 1>he kind of loves himself. Um, I would want if

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<v Speaker 1>you want to throw a cowboy in there, You're more

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<v Speaker 1>than welcome to Larry, just just letting you know with

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<v Speaker 1>the pay of the Lane Johnson there. Okay, my my

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<v Speaker 1>pick for that was actually Jason Kelsey I thought would

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<v Speaker 1>be a fun one um. And last but not least,

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<v Speaker 1>would be Alex oh Lafflin who would play Alex's character.

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<v Speaker 1>I think you gotta give that the Sea Wentz. Okay,

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<v Speaker 1>I like it. So we've recast in Hawaii five oh character. Right,

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<v Speaker 1>he's like, he's that stock character. He's a straight guy.

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<v Speaker 1>He's he's a straight guy. He's not the funny guy

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<v Speaker 1>he's got he's got you know, just that that good

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<v Speaker 1>radar about him, you know what I mean, and that

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<v Speaker 1>that's Carson Wentz. Like he's not like a funny dude.

0:11:44.600 --> 0:11:47.319
<v Speaker 1>He's not just a personality. He's just a straight up

0:11:47.800 --> 0:11:51.199
<v Speaker 1>solid guy. I'm gonna tell you about Carson. So one

0:11:51.240 --> 0:11:53.960
<v Speaker 1>of the first times, uh, I've been blessed enough to

0:11:53.960 --> 0:11:56.000
<v Speaker 1>spend a lot of time with the team, and I

0:11:56.080 --> 0:11:58.400
<v Speaker 1>was a training camp and a bunch of the guys

0:11:58.440 --> 0:12:01.000
<v Speaker 1>they were like, Dave, you gotta we introduce to Carson.

0:12:01.480 --> 0:12:03.600
<v Speaker 1>And I'm like, yeah, I would love to meet him.

0:12:03.640 --> 0:12:06.240
<v Speaker 1>So they bring him by and Uh, they go, Carson,

0:12:06.280 --> 0:12:07.800
<v Speaker 1>this is our guy Dave. You know, he does a

0:12:07.800 --> 0:12:09.080
<v Speaker 1>lot of stuff in l A. If you ever need

0:12:09.080 --> 0:12:10.680
<v Speaker 1>anything in l A. And he's like, I hate l A.

0:12:11.080 --> 0:12:13.400
<v Speaker 1>And I'm like, no, no, I know you do, you know,

0:12:13.520 --> 0:12:16.440
<v Speaker 1>but you know I've spoken to your brother about before.

0:12:16.480 --> 0:12:18.800
<v Speaker 1>I know you guys are in l A people, and

0:12:19.080 --> 0:12:20.920
<v Speaker 1>I go, but if there's anything you ever need in

0:12:21.120 --> 0:12:23.120
<v Speaker 1>l A, you know, you can call me let me know.

0:12:23.160 --> 0:12:27.400
<v Speaker 1>And he goes, Dave, I care about three things, God, family,

0:12:27.720 --> 0:12:33.679
<v Speaker 1>and football. And I almost like wet this guy. This

0:12:33.760 --> 0:12:37.480
<v Speaker 1>is amazing. Friday Night Lights moment is a Friday Night

0:12:37.600 --> 0:12:40.720
<v Speaker 1>Lights moment. It's pretty cool. Clear clear eyes, full hearts.

0:12:40.720 --> 0:12:46.239
<v Speaker 1>Can't lose. Yeah, like a Cowboys, they lose a lot. Okay,

0:12:47.280 --> 0:12:54.800
<v Speaker 1>right on. You can definitely get injured. Unbelievable, um LT

0:12:55.160 --> 0:12:58.120
<v Speaker 1>when when you're We wanted to use this episode to

0:12:58.120 --> 0:12:59.959
<v Speaker 1>give people kind of like a look behind the curve,

0:13:00.120 --> 0:13:02.760
<v Speaker 1>and we wanted to keep with our you know, hybrid

0:13:02.800 --> 0:13:05.360
<v Speaker 1>of sports entertainment, but we also just wanted to, you know,

0:13:05.440 --> 0:13:08.680
<v Speaker 1>let let people get some inside to your world and

0:13:08.679 --> 0:13:11.000
<v Speaker 1>and what you do and can you can you just

0:13:11.040 --> 0:13:13.839
<v Speaker 1>talk about like, for instance, you know, when you go

0:13:13.880 --> 0:13:18.000
<v Speaker 1>in and you you have to. It's kind of odd,

0:13:18.040 --> 0:13:21.439
<v Speaker 1>Like I do kind of compare it to um people

0:13:21.440 --> 0:13:23.800
<v Speaker 1>out there don't know. In TV, you know, they're always

0:13:23.880 --> 0:13:26.440
<v Speaker 1>changing directors. And the reason they have to change directors

0:13:26.520 --> 0:13:29.000
<v Speaker 1>is because you know, if Larry goes and directs an episode,

0:13:29.160 --> 0:13:31.920
<v Speaker 1>he can't then start prepping the next episode while he's

0:13:31.920 --> 0:13:34.520
<v Speaker 1>directing this episode, so they would lose time. So they

0:13:34.679 --> 0:13:37.760
<v Speaker 1>so so you actually have to come in. So, you know,

0:13:37.800 --> 0:13:39.560
<v Speaker 1>I kind of liken it to a guy that has

0:13:39.600 --> 0:13:42.839
<v Speaker 1>been traded right midway through the season has to now

0:13:42.880 --> 0:13:45.439
<v Speaker 1>come in, go into the law, straight into the locker room.

0:13:45.679 --> 0:13:47.800
<v Speaker 1>He's got to now meet all of his new players,

0:13:47.960 --> 0:13:49.520
<v Speaker 1>he's got to learn the new place, and then he's

0:13:49.520 --> 0:13:50.800
<v Speaker 1>got to get his butt out there and he's got

0:13:50.800 --> 0:13:53.840
<v Speaker 1>to perform. And so I wanted to give you know,

0:13:53.920 --> 0:13:56.560
<v Speaker 1>the fans and the listeners a little insight on how

0:13:56.600 --> 0:13:58.840
<v Speaker 1>that kind of is, you know, synonymous with what you

0:13:58.880 --> 0:14:00.720
<v Speaker 1>have to do maybe the first time you go to

0:14:00.760 --> 0:14:04.480
<v Speaker 1>a show, you know, um, look, I remember doing a

0:14:04.600 --> 0:14:08.200
<v Speaker 1>skype interview for for Walking Dead with with Scott Campbell,

0:14:08.200 --> 0:14:10.719
<v Speaker 1>the show runner, and he, uh, you know, we went

0:14:10.720 --> 0:14:12.760
<v Speaker 1>through this whole process. We talked about a bunch of stuff.

0:14:12.760 --> 0:14:14.120
<v Speaker 1>And then he just basically said to me at the end,

0:14:14.160 --> 0:14:17.040
<v Speaker 1>He's like, look, man, I just want you to you know,

0:14:17.040 --> 0:14:19.960
<v Speaker 1>you just use your instruments, man, but just play my song.

0:14:20.720 --> 0:14:24.400
<v Speaker 1>And that's basically that's basically the deal when you go

0:14:24.440 --> 0:14:27.240
<v Speaker 1>when you go onto a series that's pretty on the air,

0:14:27.320 --> 0:14:30.160
<v Speaker 1>that's already established for the pilots are e st um,

0:14:30.200 --> 0:14:35.080
<v Speaker 1>you're basically doing your your best to carry forth that vision,

0:14:35.400 --> 0:14:37.600
<v Speaker 1>um and that style so that you know, when these

0:14:37.600 --> 0:14:39.760
<v Speaker 1>guys watched you, when you when the audience watches the

0:14:39.760 --> 0:14:42.320
<v Speaker 1>show week the week, it feels like the same show.

0:14:43.000 --> 0:14:46.680
<v Speaker 1>And I am ultimately you know, I'm watching past episodes.

0:14:46.760 --> 0:14:50.240
<v Speaker 1>I'm sort of just studying the visual grammar of the show,

0:14:50.280 --> 0:14:52.400
<v Speaker 1>and then I'm going to try to infuse a little

0:14:52.400 --> 0:14:54.760
<v Speaker 1>bit of myself into it. Um because you know, I

0:14:54.800 --> 0:14:57.480
<v Speaker 1>believe all the directors have a certain style that you

0:14:57.560 --> 0:14:59.680
<v Speaker 1>know that we gravid and take towards you're just like

0:14:59.680 --> 0:15:03.440
<v Speaker 1>a whole all artists do. Um. But that is the challenge.

0:15:03.440 --> 0:15:05.440
<v Speaker 1>The challenge, this is sort of you know, you have

0:15:05.520 --> 0:15:07.320
<v Speaker 1>to sort of work within their parameters. You know, if

0:15:07.400 --> 0:15:11.160
<v Speaker 1>on Animal Kingdom, that whole show is handheld in some steadicamp.

0:15:11.440 --> 0:15:13.560
<v Speaker 1>And if I decided to shoot it like David Venture,

0:15:13.880 --> 0:15:16.240
<v Speaker 1>I'm definitely not gonna get hired. They're probably gonna want

0:15:16.240 --> 0:15:18.360
<v Speaker 1>to reshoot the show and it's not gonna look like

0:15:18.440 --> 0:15:20.520
<v Speaker 1>it's gonna stand out, and it's gonna feel very, very different.

0:15:20.560 --> 0:15:23.960
<v Speaker 1>That's not what you want to do. Um. Conversely, like,

0:15:24.080 --> 0:15:25.200
<v Speaker 1>you know, if you work on a show like My

0:15:25.320 --> 0:15:27.840
<v Speaker 1>Hunter and then you decide to go all handheld, it's

0:15:27.880 --> 0:15:31.280
<v Speaker 1>just gonna be the wrong field completely. Um. So you

0:15:31.360 --> 0:15:33.120
<v Speaker 1>gotta you gotta be smart. You gotta be aware of that.

0:15:33.160 --> 0:15:36.880
<v Speaker 1>I mean, luckily there's tons of crew the DP obviously,

0:15:37.120 --> 0:15:39.080
<v Speaker 1>you know, sometimes you have a director producer there who

0:15:39.120 --> 0:15:42.040
<v Speaker 1>will guide you through the look of the show, the

0:15:42.040 --> 0:15:44.880
<v Speaker 1>style of the show, you know. And then you know,

0:15:45.120 --> 0:15:46.880
<v Speaker 1>I could be like, hey, can I get a crane here?

0:15:46.960 --> 0:15:49.640
<v Speaker 1>Can I can I use this piece of equipment there?

0:15:49.640 --> 0:15:51.120
<v Speaker 1>And they'll be like, you know what, we don't actually

0:15:51.200 --> 0:15:52.920
<v Speaker 1>use that kind of thing, but we do this kind

0:15:52.920 --> 0:15:55.280
<v Speaker 1>of thing, and so you sort of have to embrace

0:15:55.320 --> 0:15:58.000
<v Speaker 1>and adapt. Um. You gotta stay fluid, right, you gotta

0:15:58.000 --> 0:16:00.480
<v Speaker 1>be liquid about it. Um. And then once you get

0:16:00.480 --> 0:16:02.560
<v Speaker 1>on the set and we start shooting, then then then

0:16:02.600 --> 0:16:03.960
<v Speaker 1>we start baking eggs, you know what I mean? And

0:16:04.080 --> 0:16:07.920
<v Speaker 1>and um, you know, and I think it defines itself

0:16:07.920 --> 0:16:09.960
<v Speaker 1>pretty easily, but you gotta do the homework. There's definitely

0:16:09.960 --> 0:16:12.520
<v Speaker 1>a lot of homework. And that's why it's so cool.

0:16:12.800 --> 0:16:15.320
<v Speaker 1>You know that you got you finally got your own

0:16:15.320 --> 0:16:18.240
<v Speaker 1>pilot because guess what, it has your your you know,

0:16:18.400 --> 0:16:21.040
<v Speaker 1>fingerprints all over it. It's like you said, you you

0:16:21.120 --> 0:16:23.400
<v Speaker 1>got to make a call, you got to pitch what

0:16:23.400 --> 0:16:26.560
<v Speaker 1>what how you saw the show going and they ended

0:16:26.600 --> 0:16:28.280
<v Speaker 1>up going with you out of everyone else that they

0:16:28.280 --> 0:16:30.640
<v Speaker 1>could have gone with. And so now it's everything that

0:16:30.680 --> 0:16:32.560
<v Speaker 1>you pitched and you formulated in your mind and you

0:16:32.640 --> 0:16:35.520
<v Speaker 1>created you know, kind of mixed and meshed beautifully with

0:16:35.600 --> 0:16:39.040
<v Speaker 1>the writer and whoever created the show. And uh and

0:16:39.040 --> 0:16:40.600
<v Speaker 1>and that's why it's such a big deal, or I

0:16:40.600 --> 0:16:43.600
<v Speaker 1>feel like it's such a big deal. Get they set

0:16:43.640 --> 0:16:47.120
<v Speaker 1>the look, the style, the lighting, um, you know, the

0:16:47.640 --> 0:16:51.680
<v Speaker 1>sort of the the style of performance to all these

0:16:51.720 --> 0:16:54.120
<v Speaker 1>things are are you know, get to sort of go

0:16:54.200 --> 0:16:58.920
<v Speaker 1>through my filter. Um, and you know, thankfully that the

0:16:59.120 --> 0:17:01.200
<v Speaker 1>show got picked up. Know, but like Nancy Drew was,

0:17:01.720 --> 0:17:04.320
<v Speaker 1>um to me always sort of a darker, more grown

0:17:04.400 --> 0:17:06.680
<v Speaker 1>up sort of feeling show. And so I was leaning

0:17:06.720 --> 0:17:09.480
<v Speaker 1>a lot towards Fincher for his work and a little

0:17:09.480 --> 0:17:14.199
<v Speaker 1>bit of Egger right. Um, and that's that's um. You know,

0:17:14.400 --> 0:17:17.439
<v Speaker 1>some some just some modern stylistic montage just cut between

0:17:18.160 --> 0:17:20.919
<v Speaker 1>um some just some stylistic filmmaking. You know, when we

0:17:20.960 --> 0:17:24.440
<v Speaker 1>shoot very simple, we shoot very efficiently. Um, you know,

0:17:24.480 --> 0:17:26.280
<v Speaker 1>because I believe, you know, I wanted to look like

0:17:26.280 --> 0:17:28.520
<v Speaker 1>a movie. You know, we're shooting animal for glens Is

0:17:28.640 --> 0:17:31.639
<v Speaker 1>you know here all that stuff. Um. So it was

0:17:31.680 --> 0:17:34.000
<v Speaker 1>a great honor. You know, this, this last pilot that

0:17:34.080 --> 0:17:38.480
<v Speaker 1>I was on before U before the whole industry shut

0:17:38.480 --> 0:17:42.080
<v Speaker 1>down because of the coronavirus, UM was going to be

0:17:42.119 --> 0:17:44.159
<v Speaker 1>an all handheld show. So I was totally going the

0:17:44.160 --> 0:17:48.560
<v Speaker 1>other way with it. It was called Maverick w um.

0:17:48.600 --> 0:17:50.959
<v Speaker 1>So you know, and hopefully I'm excited to get back

0:17:51.000 --> 0:17:54.720
<v Speaker 1>into that, you know, whenever that happens. So, so Larry,

0:17:54.760 --> 0:17:56.879
<v Speaker 1>let me let me let me ask you this before

0:17:56.880 --> 0:17:59.240
<v Speaker 1>we let you go. Let me ask you this, Larry Tang.

0:18:00.040 --> 0:18:02.280
<v Speaker 1>If the first season of Nancy Drew, which was a

0:18:02.320 --> 0:18:05.960
<v Speaker 1>success because it got picked up for a second season, right, Okay,

0:18:06.000 --> 0:18:09.160
<v Speaker 1>So if the first season you were like, let's call

0:18:09.200 --> 0:18:11.840
<v Speaker 1>it ten and six. They were ten and six this year, right,

0:18:12.240 --> 0:18:16.360
<v Speaker 1>you know they were probably you know, first place, nine

0:18:16.400 --> 0:18:19.080
<v Speaker 1>and seven who made the wild card. Okay, okay, so

0:18:19.119 --> 0:18:21.200
<v Speaker 1>you're gonna you're gonna go not even better. We got

0:18:21.240 --> 0:18:23.800
<v Speaker 1>to hear that from from you. My question is what

0:18:23.960 --> 0:18:27.240
<v Speaker 1>is your prediction for season two? What is your record?

0:18:27.359 --> 0:18:31.159
<v Speaker 1>Do you make the playoffs? And what what? What is

0:18:31.200 --> 0:18:36.960
<v Speaker 1>going to happen? We absolutely make the playoffs and we

0:18:37.000 --> 0:18:44.600
<v Speaker 1>will hit the double digit wins. We'll tell you that. First.

0:18:44.880 --> 0:18:48.840
<v Speaker 1>We're gonna go for the first six games. You're gonna

0:18:48.840 --> 0:18:51.479
<v Speaker 1>start off three and three, right, and then and then

0:18:51.480 --> 0:18:53.440
<v Speaker 1>we're gonna like rail off like seven in a row.

0:18:54.520 --> 0:18:56.760
<v Speaker 1>I do I do like the Eagles did last season,

0:18:56.840 --> 0:19:00.480
<v Speaker 1>Jared to take some playoff l L T one One

0:19:00.560 --> 0:19:03.159
<v Speaker 1>quick one last question before I let you go, um

0:19:03.359 --> 0:19:06.200
<v Speaker 1>is if you could pick any actor, it doesn't I

0:19:06.200 --> 0:19:08.320
<v Speaker 1>don't care who it is, Right, you get free reign

0:19:08.440 --> 0:19:10.719
<v Speaker 1>here to come on and guest star for you for

0:19:10.800 --> 0:19:13.719
<v Speaker 1>one episode. Okay, guest star. They're not gonna be lead.

0:19:13.760 --> 0:19:15.679
<v Speaker 1>They're gonna guest star one episode. We don't know what

0:19:15.720 --> 0:19:17.600
<v Speaker 1>the TV show is, right, I'm not saying Nancy Drew.

0:19:17.640 --> 0:19:19.560
<v Speaker 1>I'm not saying one of your you just it happens

0:19:19.560 --> 0:19:21.640
<v Speaker 1>to be it's gonna be an episode of TV. Who

0:19:21.720 --> 0:19:23.520
<v Speaker 1>is that guest star that Larry Tang would like to

0:19:23.520 --> 0:19:26.600
<v Speaker 1>see on his show and he's directing? Oh my god,

0:19:27.359 --> 0:19:35.400
<v Speaker 1>I would say, it's gotta be de Niro. Oh all right,

0:19:36.080 --> 0:19:38.520
<v Speaker 1>that is good. Yeah, I juste like the clocks take

0:19:38.560 --> 0:19:41.159
<v Speaker 1>it on that guy, and I just need like I

0:19:41.200 --> 0:19:42.760
<v Speaker 1>just I just need to be able to work with it,

0:19:42.880 --> 0:19:48.280
<v Speaker 1>you know. So yeah, I like I would say, if

0:19:48.280 --> 0:19:49.879
<v Speaker 1>I had to guess, I would guess de Niro is

0:19:50.080 --> 0:19:54.040
<v Speaker 1>seventy seventy seventy five. He was in his seventies when

0:19:54.080 --> 0:20:01.120
<v Speaker 1>they started The Irishman, and he probably, Oh my god,

0:20:01.760 --> 0:20:04.080
<v Speaker 1>that is so that is so funny. Well, Larry, we

0:20:04.119 --> 0:20:06.160
<v Speaker 1>would love to have you as a recurring guest here,

0:20:06.280 --> 0:20:08.840
<v Speaker 1>you know, pop in and out. We just we just

0:20:08.880 --> 0:20:11.080
<v Speaker 1>can't thank you enough for for coming on the Haypal

0:20:11.480 --> 0:20:13.320
<v Speaker 1>podcast and talking to us. And I just think it's

0:20:13.320 --> 0:20:16.280
<v Speaker 1>cool because you know, normally, like like Davo and I said,

0:20:16.320 --> 0:20:18.479
<v Speaker 1>you know, we've had Edelman on. We we've actually had

0:20:18.560 --> 0:20:21.800
<v Speaker 1>Joe buck on, which was cool. We had yeah, we

0:20:21.840 --> 0:20:25.000
<v Speaker 1>had Jeremy Piven. You know, we're gonna have j. J. Watt, Uh,

0:20:25.119 --> 0:20:27.359
<v Speaker 1>Kate Hudson, you know, a bunch of people here on

0:20:27.400 --> 0:20:29.800
<v Speaker 1>the show. And we also want to you know, flip

0:20:29.840 --> 0:20:31.560
<v Speaker 1>that in and we want to get people behind the

0:20:31.560 --> 0:20:34.520
<v Speaker 1>curtain and and and let you know, our listeners, uh

0:20:34.840 --> 0:20:36.320
<v Speaker 1>get the other side that they don't really get to

0:20:36.320 --> 0:20:39.560
<v Speaker 1>hear that often. And we think that that's pretty pretty cool. Um,

0:20:39.640 --> 0:20:42.040
<v Speaker 1>So thank you for for taking our call, and thank

0:20:42.080 --> 0:20:44.320
<v Speaker 1>you for for for coming on. We really appreciate it.

0:20:44.760 --> 0:20:57.560
<v Speaker 1>Thank you, Larry Tang. Hey Pal is a production of

0:20:57.640 --> 0:21:00.879
<v Speaker 1>I Heart Radio, Common Enemy and Tender but Be hosted

0:21:00.880 --> 0:21:04.400
<v Speaker 1>by Jared Einson and Dave Osaka. Producer is Kyle Tequila.

0:21:04.600 --> 0:21:08.000
<v Speaker 1>Executive producer for I Heart Radio is Shaun Taitone. Executive

0:21:08.000 --> 0:21:11.080
<v Speaker 1>producers for Tenderfoot TV are Donald Albright and Payne Lindsay.

0:21:11.200 --> 0:21:13.560
<v Speaker 1>Catch new episodes of Hey Pal every Tuesday on the

0:21:13.760 --> 0:21:17.119
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you get your podcasts.

0:21:17.400 --> 0:21:19.520
<v Speaker 1>And if you love the show, don't forget to rate

0:21:19.600 --> 0:21:22.679
<v Speaker 1>us five stars, share it with your friends, and subscribe