1 00:00:00,680 --> 00:00:03,440 Speaker 1: From Hollywood. See you, thank you for listening to us. 2 00:00:03,520 --> 00:00:14,080 Speaker 1: Ryan Air with Ryan Seacrest, Ryan Seacrest. Here morning, everybody, everybody, 3 00:00:14,280 --> 00:00:17,479 Speaker 1: Good morning. How was your night sistening? It was nice. 4 00:00:17,560 --> 00:00:19,479 Speaker 1: I caught up on some of my TV shows that 5 00:00:19,520 --> 00:00:22,640 Speaker 1: I had backed up, like Shrinking and Ted Lasso, and 6 00:00:22,680 --> 00:00:25,279 Speaker 1: so Michael and I got snuggled up on our new couch. 7 00:00:26,160 --> 00:00:28,560 Speaker 1: Oh boy, and it's just it was all nice. But 8 00:00:28,680 --> 00:00:32,720 Speaker 1: the kids to bed early. Things are happening for us, 9 00:00:33,240 --> 00:00:37,519 Speaker 1: I mean the small victories. The kids are in bad 10 00:00:37,560 --> 00:00:40,720 Speaker 1: him on a new couch, and that's a holiday. It 11 00:00:40,760 --> 00:00:44,199 Speaker 1: really is saying that. Last night you just like, we 12 00:00:44,240 --> 00:00:47,120 Speaker 1: really love our couch. We just were so grateful. We 13 00:00:47,200 --> 00:00:51,199 Speaker 1: love our kids. What we You don't you don't know 14 00:00:51,200 --> 00:00:54,560 Speaker 1: how much we hate our last couch. I missed Jason Siegel. 15 00:00:54,720 --> 00:00:59,080 Speaker 1: I missed him. I missed him too that I missed him. Yeah, 16 00:00:59,120 --> 00:01:03,160 Speaker 1: that shows really good Jason Siegal and Harrison Ford right 17 00:01:03,200 --> 00:01:05,520 Speaker 1: and Shrinking? Yeah? How many total episodes? I think I'm 18 00:01:05,520 --> 00:01:09,319 Speaker 1: about to start ten? Yeah, like I'm up to date two. 19 00:01:09,640 --> 00:01:11,200 Speaker 1: Oh So that was it. That was the season for 20 00:01:11,319 --> 00:01:15,760 Speaker 1: now done? How sad well succession just started? Yeah? You 21 00:01:15,800 --> 00:01:17,520 Speaker 1: know what I am going to pick that one back up. 22 00:01:18,200 --> 00:01:22,600 Speaker 1: I love Brian Cox that one. And Yellow Jackets started too, 23 00:01:22,680 --> 00:01:25,840 Speaker 1: so that's crazy. That's another one. That a new season 24 00:01:25,880 --> 00:01:27,760 Speaker 1: of that. So we got some good stuff lined up. 25 00:01:28,120 --> 00:01:31,520 Speaker 1: Boom boom. Brian Cox does McDonald's commercials. He plays the 26 00:01:32,000 --> 00:01:37,920 Speaker 1: Fearless Leader and he does all the Chicken Sandwich bay 27 00:01:38,760 --> 00:01:41,200 Speaker 1: we put. When I'm streaming, I hear him, Um chiny, 28 00:01:41,200 --> 00:01:43,039 Speaker 1: how was your night? My night was good. We're a 29 00:01:43,040 --> 00:01:45,120 Speaker 1: little bit annoyed because we've never been caught up on 30 00:01:45,160 --> 00:01:48,160 Speaker 1: Love Island before and now we only get one episode 31 00:01:48,160 --> 00:01:52,920 Speaker 1: a day. How was your date? Day? Night? Was really 32 00:01:52,920 --> 00:01:56,760 Speaker 1: really great? Thank you for asking, really romantic. He liked 33 00:01:56,800 --> 00:02:00,360 Speaker 1: my look and it was a great look. And we 34 00:02:00,400 --> 00:02:02,400 Speaker 1: got that look at six am yesterday and he got 35 00:02:02,440 --> 00:02:04,520 Speaker 1: it at six pm exactly. You know, get you a 36 00:02:04,560 --> 00:02:06,680 Speaker 1: woman that can do both. I like it, We lived 37 00:02:06,680 --> 00:02:09,640 Speaker 1: with it, and we liked it. We'll get some details 38 00:02:09,639 --> 00:02:11,639 Speaker 1: on that date later, but yesterday they should jump into 39 00:02:11,639 --> 00:02:13,320 Speaker 1: it here. You said that you had something to critique 40 00:02:13,320 --> 00:02:16,200 Speaker 1: about my uni Instagram post. Yeah, well it might not 41 00:02:16,240 --> 00:02:18,120 Speaker 1: have been that when I was something you posted this weekend. 42 00:02:18,160 --> 00:02:20,760 Speaker 1: Let me pull it up. But I noticed something that 43 00:02:20,840 --> 00:02:26,440 Speaker 1: was very much not like you, and it was your 44 00:02:27,200 --> 00:02:32,360 Speaker 1: thumbnail is very long, like you haven't gotten a manicure 45 00:02:32,400 --> 00:02:37,079 Speaker 1: in a minute. You couldn't, You couldn't be more accurate. Yeah, 46 00:02:37,120 --> 00:02:39,880 Speaker 1: So I wanted to bring it to your attention. Thank 47 00:02:39,919 --> 00:02:44,880 Speaker 1: you for doing it so privately. I mean, yeah, you 48 00:02:44,919 --> 00:02:48,120 Speaker 1: could have told him in private. We're in private. We're 49 00:02:48,160 --> 00:02:50,760 Speaker 1: never in private. We're in private every time I play 50 00:02:50,760 --> 00:02:54,360 Speaker 1: a song, yeah or yeah, or you immercial. You could 51 00:02:54,360 --> 00:02:56,560 Speaker 1: have texted. I was going to text you what I forgot, 52 00:02:56,600 --> 00:02:58,079 Speaker 1: And then when we were talking about your anything, it 53 00:02:58,200 --> 00:03:01,720 Speaker 1: sparked my memory. All right, Well, for the record, if 54 00:03:01,800 --> 00:03:03,919 Speaker 1: there's anything like this for me, don't tell me on 55 00:03:03,960 --> 00:03:10,120 Speaker 1: the air. Yeah. It's like, hey, there's a hair growing 56 00:03:10,160 --> 00:03:15,240 Speaker 1: between your meant to tell you there was a real 57 00:03:15,280 --> 00:03:21,000 Speaker 1: celhouette to that dangling hair from yours. Yeah, when you 58 00:03:21,120 --> 00:03:26,839 Speaker 1: thought wrong. I'm not happy. It's so long. It's really long, 59 00:03:26,880 --> 00:03:28,720 Speaker 1: and you know what I'm trying to do not bite it, 60 00:03:29,720 --> 00:03:33,400 Speaker 1: because my my, what I wanted to is bite my nails, 61 00:03:33,440 --> 00:03:35,440 Speaker 1: and I don't do that because then they get jagged 62 00:03:35,480 --> 00:03:38,240 Speaker 1: and that hurts. Oh really your nail bite her? Is 63 00:03:38,240 --> 00:03:42,960 Speaker 1: that what you bite your pens? Wow? Uh? No, it's 64 00:03:43,000 --> 00:03:46,480 Speaker 1: not why I bite my pens. That's another flaw. I 65 00:03:46,480 --> 00:03:48,400 Speaker 1: bite my nails when they get too long, but then 66 00:03:48,440 --> 00:03:51,680 Speaker 1: they get like not smooth. Right. Yeah, well you need 67 00:03:51,720 --> 00:03:55,560 Speaker 1: to have a little like manicure set with you. Don't 68 00:03:55,560 --> 00:03:58,960 Speaker 1: you have one in your glove compartment? Yeah, I've got that. 69 00:03:59,520 --> 00:04:03,800 Speaker 1: I've got rations in case I have to camp. I 70 00:04:03,880 --> 00:04:07,920 Speaker 1: know how am I gonna get through this day like this? 71 00:04:08,720 --> 00:04:13,000 Speaker 1: That was helpful? Ti Uh, Yeah, you thought you thought 72 00:04:13,040 --> 00:04:15,600 Speaker 1: a lot? Love you. We'll get past more than that. 73 00:04:16,440 --> 00:04:19,240 Speaker 1: All right, Well, guess who's on today that's gonna turn 74 00:04:19,320 --> 00:04:22,640 Speaker 1: this frown upside down? The first American Idol, the one 75 00:04:22,640 --> 00:04:25,279 Speaker 1: and only Kelly Clarkson. So I don't know if you saw, 76 00:04:25,360 --> 00:04:29,200 Speaker 1: but Kelly she announced her album is gonna be called Chemistry, 77 00:04:30,440 --> 00:04:35,000 Speaker 1: and this is one that she wrote about an entire relationship, 78 00:04:35,080 --> 00:04:37,000 Speaker 1: one that she thought was going to be it forever 79 00:04:37,120 --> 00:04:39,240 Speaker 1: that ended up not being got the divorce and didn't 80 00:04:39,240 --> 00:04:40,719 Speaker 1: know if she was going to release the music ever. 81 00:04:42,200 --> 00:04:44,080 Speaker 1: I mean, I don't know, like, would I ever get 82 00:04:44,160 --> 00:04:47,200 Speaker 1: past the pain? Would I ever get past the pain 83 00:04:47,240 --> 00:04:49,200 Speaker 1: of something like that to be able to release song 84 00:04:49,279 --> 00:04:53,599 Speaker 1: lyrics of the vulnerability and then goes sing them you 85 00:04:53,880 --> 00:04:57,200 Speaker 1: know no me, No, no, really, I think you could 86 00:04:57,560 --> 00:05:02,400 Speaker 1: not me. You're a lat bigger because like you're friends 87 00:05:02,400 --> 00:05:04,760 Speaker 1: with your exes and stuff, So I feel like you could. 88 00:05:05,800 --> 00:05:08,520 Speaker 1: I don't know, the friendship thing and being able to 89 00:05:08,520 --> 00:05:14,520 Speaker 1: go sing about those really vulnerable moments. Talk about it here, 90 00:05:15,480 --> 00:05:20,640 Speaker 1: not his personal feelings. I talk about my feelings. Yeah, 91 00:05:20,800 --> 00:05:25,039 Speaker 1: not the deep down the therapy ones. What do you 92 00:05:25,040 --> 00:05:26,880 Speaker 1: want to know? I feel like the more removed you 93 00:05:26,920 --> 00:05:28,680 Speaker 1: are from it, the more you're opening up about things 94 00:05:28,680 --> 00:05:30,440 Speaker 1: in the past that you did maybe you did them 95 00:05:30,440 --> 00:05:32,320 Speaker 1: wrong in the past, or so the reason why something 96 00:05:32,320 --> 00:05:34,880 Speaker 1: didn't work out. Yeah, we've never gone into like the 97 00:05:34,920 --> 00:05:38,160 Speaker 1: root of like why you broke up with each one 98 00:05:39,040 --> 00:05:42,400 Speaker 1: therapy session. I was teased as a kid. All right, 99 00:05:42,400 --> 00:05:44,440 Speaker 1: well that's it. That's the root of all the issues. 100 00:05:45,520 --> 00:05:51,240 Speaker 1: That's what they tell me. Who's they whole? The therapists 101 00:05:51,240 --> 00:05:55,799 Speaker 1: on the panel, all right, we need a family meeting. 102 00:05:55,839 --> 00:06:03,400 Speaker 1: Who's available? Okay? Everybody else available? Tubbs MICHAELA, I'm available, 103 00:06:03,720 --> 00:06:10,240 Speaker 1: all right, great. How's it going on? Hinge MICHAELA not good? Ryan, Okay, No, 104 00:06:10,760 --> 00:06:13,279 Speaker 1: it's okay, it just takes one. How's it going on, Tinder? 105 00:06:14,000 --> 00:06:20,040 Speaker 1: I don't use Tinder, got it? Got it? Bumble? Yeah, 106 00:06:20,080 --> 00:06:22,960 Speaker 1: I actually really like bumble. Here we go. Oh all right, 107 00:06:23,200 --> 00:06:28,240 Speaker 1: I got to it. It's positive positive. Yeah, I like that. 108 00:06:28,839 --> 00:06:31,600 Speaker 1: But now for the family meeting. What's what's the problem sistening? 109 00:06:31,720 --> 00:06:36,159 Speaker 1: Here's the deal. Every now and then my parking space 110 00:06:36,200 --> 00:06:38,520 Speaker 1: gets taken in the mornings, and I know we don't 111 00:06:38,520 --> 00:06:41,280 Speaker 1: have a sign parking spots, but we all get here 112 00:06:41,320 --> 00:06:45,200 Speaker 1: so dang early that we kind of do. Okay, I 113 00:06:45,240 --> 00:06:47,520 Speaker 1: have my spot. You do have a signed parking spots. 114 00:06:47,560 --> 00:06:50,200 Speaker 1: I have an assigned parking so you do. We don't 115 00:06:50,720 --> 00:06:53,120 Speaker 1: you also have a gold mic I gave away my 116 00:06:53,200 --> 00:06:58,640 Speaker 1: spot to whom honestly, yeah you did. I know someone 117 00:06:58,720 --> 00:07:01,440 Speaker 1: does park in your spot. That's Blenda that parks down there. Well, 118 00:07:01,520 --> 00:07:03,880 Speaker 1: Blend is not here. It should be you. I don't 119 00:07:03,880 --> 00:07:08,760 Speaker 1: want your spot, actually, yeah, I'm happy to what numbers 120 00:07:08,760 --> 00:07:11,920 Speaker 1: it again, No, it's too tight that those spaces are 121 00:07:11,920 --> 00:07:14,640 Speaker 1: too tight over there, perfect for my fourd escape. Anyways, 122 00:07:15,880 --> 00:07:18,320 Speaker 1: so I park in the same spot. I would never 123 00:07:18,360 --> 00:07:20,560 Speaker 1: park where o're ting we're talking its parks, because I 124 00:07:20,600 --> 00:07:24,000 Speaker 1: know that's her spot. I wouldn't park where marks parks 125 00:07:24,000 --> 00:07:28,760 Speaker 1: because spots like it's like not verified of visial. Yeah, 126 00:07:29,040 --> 00:07:32,920 Speaker 1: but I know exactly a little bit of Like that 127 00:07:33,120 --> 00:07:35,480 Speaker 1: be so messed up if I parked we're Tanya parks 128 00:07:35,480 --> 00:07:39,120 Speaker 1: and she comes in and my car's there. That's rude. 129 00:07:39,840 --> 00:07:41,920 Speaker 1: And same with other morning shows, like we all kind 130 00:07:41,960 --> 00:07:44,120 Speaker 1: of get here at the same time. Like I know 131 00:07:44,200 --> 00:07:46,720 Speaker 1: where other morning shows kind of parked too. Who do 132 00:07:46,760 --> 00:07:49,480 Speaker 1: you see most often in the parking deck? Um, I 133 00:07:49,480 --> 00:07:53,720 Speaker 1: don't really see any I see actually like our staff. Yeah, 134 00:07:56,040 --> 00:07:57,800 Speaker 1: I don't know. I think he parks on the other side. 135 00:07:57,840 --> 00:08:00,640 Speaker 1: There's different wings, and so we're kind of on the 136 00:08:00,640 --> 00:08:04,440 Speaker 1: same section, like our our section of who's who's taking 137 00:08:04,480 --> 00:08:08,200 Speaker 1: your spot? I don't know because the car, I don't 138 00:08:08,240 --> 00:08:12,200 Speaker 1: recognize the car or the person. But today I'm coming 139 00:08:12,280 --> 00:08:14,960 Speaker 1: up and sure enough that car was in my spot 140 00:08:15,400 --> 00:08:21,640 Speaker 1: and the person was getting out. So I made it 141 00:08:21,680 --> 00:08:25,320 Speaker 1: a point to drive very slow past the spot and 142 00:08:25,360 --> 00:08:29,560 Speaker 1: make eye contact with her. God how awkward, yea, the 143 00:08:29,640 --> 00:08:36,360 Speaker 1: aries from a fo I just say, roll slow and 144 00:08:36,400 --> 00:08:38,480 Speaker 1: I made eye contact with her. Did you give like 145 00:08:38,520 --> 00:08:41,680 Speaker 1: an eat you know what look? She knew because she 146 00:08:41,800 --> 00:08:44,160 Speaker 1: sees my car parked there all the time. Did you 147 00:08:44,200 --> 00:08:46,560 Speaker 1: squint your eyes a little? Bit. Do you know who 148 00:08:46,600 --> 00:08:48,800 Speaker 1: she was? I didn't, but I know she. I think 149 00:08:48,840 --> 00:08:51,520 Speaker 1: she works on this floor, probably one of the other 150 00:08:51,520 --> 00:08:54,520 Speaker 1: morning shows, who knows where. But then so then we 151 00:08:54,559 --> 00:08:56,880 Speaker 1: get we both park, so I parked in the different spot, 152 00:08:56,920 --> 00:09:00,400 Speaker 1: that's my backup spot. And then I hate back spot, 153 00:09:00,480 --> 00:09:02,839 Speaker 1: I know, and I don't get in it right. And 154 00:09:03,040 --> 00:09:06,080 Speaker 1: sometimes you know, I've hit the pool before and the 155 00:09:06,120 --> 00:09:08,280 Speaker 1: poles on the other side. It's not a pole, it's 156 00:09:08,280 --> 00:09:11,760 Speaker 1: a cement pot, right, and so whatever, And so we 157 00:09:11,840 --> 00:09:13,440 Speaker 1: both get out kind of at the same time, and 158 00:09:13,480 --> 00:09:16,559 Speaker 1: I'm behind her going up to the elevator and she 159 00:09:16,679 --> 00:09:20,160 Speaker 1: doesn't wait. She she gets in the elevator and doesn't 160 00:09:20,200 --> 00:09:23,360 Speaker 1: wait for me. She's actually your nemesis. She literally was 161 00:09:23,400 --> 00:09:25,160 Speaker 1: like she knew that, Like she did not want to 162 00:09:25,160 --> 00:09:29,160 Speaker 1: share an elevator with me to because she really so 163 00:09:29,200 --> 00:09:31,760 Speaker 1: she now knows she takes your spot. Doesn't care, not 164 00:09:31,760 --> 00:09:35,240 Speaker 1: even gonna wait in the elevator, doesn't care. It doesn't 165 00:09:35,320 --> 00:09:37,960 Speaker 1: What did you do to this woman? I kick up 166 00:09:38,000 --> 00:09:41,320 Speaker 1: her fewing and I missed her. It's beard. I don't 167 00:09:41,280 --> 00:09:45,640 Speaker 1: know to you individual that's taking cissy spot and not 168 00:09:45,760 --> 00:09:49,160 Speaker 1: on the elevator door. We are not going to you know, 169 00:09:49,520 --> 00:09:53,559 Speaker 1: turn you in. We're not going to pursue damages. But 170 00:09:53,600 --> 00:09:56,840 Speaker 1: what did cisany do? What did she do to you? Yeah? 171 00:09:57,040 --> 00:09:59,000 Speaker 1: I get the reason why. She probably didn't hold the 172 00:09:59,000 --> 00:10:02,000 Speaker 1: elevator because it's probably awkward when you gave her that stare. No, 173 00:10:02,080 --> 00:10:04,360 Speaker 1: but I think I would have said, Hey, I'm so sorry. 174 00:10:04,400 --> 00:10:06,160 Speaker 1: I was running late one day and I just needed 175 00:10:06,160 --> 00:10:13,480 Speaker 1: to bite your spot. You know, there's so many empty spots. 176 00:10:13,800 --> 00:10:16,880 Speaker 1: I would be upset. Oh, it starts your It's just 177 00:10:16,920 --> 00:10:19,600 Speaker 1: the dumb little things. It starts your day off from Yeah, 178 00:10:19,600 --> 00:10:21,280 Speaker 1: but really it's just like if I would get here 179 00:10:21,320 --> 00:10:23,440 Speaker 1: five minutes earlier than I would get my spot, so 180 00:10:23,480 --> 00:10:25,600 Speaker 1: now I know the time when I have to park 181 00:10:25,640 --> 00:10:28,480 Speaker 1: my backup spot, I'm totally thrown off. It throws off 182 00:10:28,520 --> 00:10:33,000 Speaker 1: your whole day. I related but not related story. I 183 00:10:33,080 --> 00:10:36,120 Speaker 1: forgot to put the tray under the coffee grinder machine, 184 00:10:36,160 --> 00:10:39,800 Speaker 1: and the coffee grounds bit everywhere all of the kitchen floor, 185 00:10:39,880 --> 00:10:43,839 Speaker 1: I mean everywhere, all over, like a huge explosion. Set 186 00:10:43,840 --> 00:10:45,360 Speaker 1: me off for the day. Yeah, I could have a 187 00:10:45,360 --> 00:10:47,800 Speaker 1: normal day after No way, one little thing in your 188 00:10:47,880 --> 00:10:50,920 Speaker 1: routine throws you off, and for some reason I can't 189 00:10:50,960 --> 00:10:56,320 Speaker 1: get back on track. Nope again to you listening, probably 190 00:10:56,400 --> 00:10:59,040 Speaker 1: by the way, probably listening to us, because you're always 191 00:10:59,040 --> 00:11:04,240 Speaker 1: say no, who are you, sissy? And are you dangerous? 192 00:11:05,880 --> 00:11:08,199 Speaker 1: Your morning hack is next here. How often should you 193 00:11:08,280 --> 00:11:10,360 Speaker 1: change your underwear out, like get rid of it? What 194 00:11:10,520 --> 00:11:13,240 Speaker 1: is the shelf life of your underwear? What would you say, 195 00:11:13,320 --> 00:11:17,920 Speaker 1: sissony pooh? I mean, I've got some underwear that's probably 196 00:11:20,920 --> 00:11:25,920 Speaker 1: ten years old. I for sure have underwear I treat 197 00:11:26,000 --> 00:11:27,640 Speaker 1: as new, which is six years old, I know, And 198 00:11:27,760 --> 00:11:30,080 Speaker 1: it isn't like the bottom of the drawer, like I 199 00:11:30,080 --> 00:11:33,760 Speaker 1: don't think I wear them, It's just they're there. Teps 200 00:11:33,760 --> 00:11:38,000 Speaker 1: you different cuts of underwear, No, they're all just the trunks, 201 00:11:38,600 --> 00:11:40,800 Speaker 1: because I have a short trunk and then I have 202 00:11:40,840 --> 00:11:44,559 Speaker 1: a boxer brief, regular trunk, you know, like different versions 203 00:11:44,600 --> 00:11:46,800 Speaker 1: of them, and depending on what I'm wearing, I'll wear 204 00:11:46,840 --> 00:11:49,200 Speaker 1: a different version of the cut, Like if you have 205 00:11:49,240 --> 00:11:53,440 Speaker 1: a tighter pant versus a looser pant. Yeah. Yeah, But 206 00:11:53,520 --> 00:11:58,160 Speaker 1: I don't change them out much. So they say you 207 00:11:58,200 --> 00:12:02,840 Speaker 1: should change and buy new underwear, get rid of the old, 208 00:12:02,840 --> 00:12:09,439 Speaker 1: buy new every six to nine months usual after one 209 00:12:09,480 --> 00:12:13,120 Speaker 1: hundred hot washes. The fibers in the underwear will harbor 210 00:12:13,280 --> 00:12:19,559 Speaker 1: bacteria and that's not what you want. Washes up there right, Yeah, 211 00:12:19,640 --> 00:12:21,600 Speaker 1: essentially that's one hundred days, so that's like a third 212 00:12:21,600 --> 00:12:25,200 Speaker 1: of a year. Oh no, you don't want bacteria there. 213 00:12:26,559 --> 00:12:29,800 Speaker 1: So let's expensive. I don't buy cheap underwear, buy it 214 00:12:29,880 --> 00:12:33,240 Speaker 1: in bulk. Buy it in bulk, like I get sardines 215 00:12:33,240 --> 00:12:36,880 Speaker 1: in bulk. You could get underwear the same way. Serious 216 00:12:36,880 --> 00:12:39,600 Speaker 1: Cities quote, your progress does not need to be seen. 217 00:12:40,240 --> 00:12:42,240 Speaker 1: Let me buy my bulk of sardines in my bulk 218 00:12:42,280 --> 00:12:48,000 Speaker 1: of underwear, Please cash for justister, person's like Costco, costco all. 219 00:12:48,200 --> 00:12:50,559 Speaker 1: Your progress does not need to be seen or validated 220 00:12:50,600 --> 00:12:53,800 Speaker 1: by others. Your progress does not need to be seen 221 00:12:53,880 --> 00:12:56,800 Speaker 1: or validated by others to be real. Do it for you, 222 00:12:57,440 --> 00:13:02,960 Speaker 1: kiss FM headlines. Next week, members of Service Employees International 223 00:13:03,040 --> 00:13:06,559 Speaker 1: Union Local ninety nine will be voting to ratify an 224 00:13:06,600 --> 00:13:10,760 Speaker 1: agreement reached with LAUSD after a three day strike shut 225 00:13:10,800 --> 00:13:14,320 Speaker 1: down the district did last week. Members who aren't able 226 00:13:14,400 --> 00:13:17,440 Speaker 1: to vote in person will be able to vote online 227 00:13:17,480 --> 00:13:20,400 Speaker 1: April sixth through the seventh. Results are expected to be 228 00:13:20,440 --> 00:13:24,640 Speaker 1: announced Saturday, April eighth. If approved, the LUSD board will 229 00:13:24,679 --> 00:13:28,360 Speaker 1: then vote to make the deal Final. An LA based 230 00:13:28,440 --> 00:13:32,520 Speaker 1: nonprofit organization is making a trip to Nashville to create 231 00:13:32,600 --> 00:13:35,560 Speaker 1: a memorial to honor the six victims killed in the 232 00:13:35,600 --> 00:13:38,680 Speaker 1: mass shooting at the private Christian grade school that happened 233 00:13:38,679 --> 00:13:44,520 Speaker 1: on Monday. Classroom of Compassion will be creating six public altars, 234 00:13:44,559 --> 00:13:47,319 Speaker 1: each dedicated to the six lives lost in the tragedy 235 00:13:47,320 --> 00:13:50,280 Speaker 1: that unfolded at the Cominent school. The nonprofit has been 236 00:13:50,320 --> 00:13:52,800 Speaker 1: traveling across the country actually for the past year to 237 00:13:52,880 --> 00:13:57,400 Speaker 1: create memorial spaces at the sites of mass shooting. Mariah 238 00:13:57,440 --> 00:14:01,320 Speaker 1: Carey and Megan V. Stallion will head line the Pride 239 00:14:01,360 --> 00:14:05,120 Speaker 1: in the Park festival in June. Additional performers will are 240 00:14:05,160 --> 00:14:08,320 Speaker 1: also expected to be announced along with the two Grammy 241 00:14:08,360 --> 00:14:12,559 Speaker 1: winning superstars for the multiple stage event that is expanding 242 00:14:12,600 --> 00:14:15,959 Speaker 1: to two days this year, June ninth and tenth. Megan 243 00:14:16,000 --> 00:14:18,600 Speaker 1: the Stallion will perform on June ninth, Mariah Carey on 244 00:14:18,640 --> 00:14:24,880 Speaker 1: the tenth at LA State Historic Park with Ryan Seacrest. 245 00:14:26,560 --> 00:14:29,600 Speaker 1: Smart people are telling me rain will end, but right 246 00:14:29,640 --> 00:14:33,920 Speaker 1: now it's raining lact Long Beach downtown, But smart people 247 00:14:34,040 --> 00:14:37,280 Speaker 1: keep whispering it actually will end. It's only going to 248 00:14:37,440 --> 00:14:39,840 Speaker 1: stick around, probably till lunch time and then we'll have 249 00:14:39,880 --> 00:14:43,440 Speaker 1: a break until tonight. When I see it, I know, 250 00:14:44,160 --> 00:14:47,240 Speaker 1: and then there's actually more rain next week. Even I'm 251 00:14:47,280 --> 00:14:51,480 Speaker 1: seeing you next week, something on Thursday. Let's not do that. 252 00:14:52,600 --> 00:14:54,880 Speaker 1: I mean, do not do that to us. Hold on, 253 00:14:54,920 --> 00:14:57,840 Speaker 1: I'm going to look at the forecast now, I know, well, 254 00:14:58,960 --> 00:15:01,960 Speaker 1: she's right Monday, Ursday next week. I have a little 255 00:15:01,960 --> 00:15:05,680 Speaker 1: bit of imposter syndrome right now. Why well, I just 256 00:15:05,720 --> 00:15:09,080 Speaker 1: realized it. If you look at what I'm wearing, I'm 257 00:15:09,080 --> 00:15:12,320 Speaker 1: wearing a blazer and a shirt. Why because the mayor 258 00:15:12,400 --> 00:15:15,200 Speaker 1: is on with us. Yeah, and I don't normally wear 259 00:15:15,240 --> 00:15:18,160 Speaker 1: a blazer and a shirt on the radio. But why 260 00:15:18,240 --> 00:15:21,080 Speaker 1: don't do that? And even if you have a mayor 261 00:15:21,160 --> 00:15:25,200 Speaker 1: or someone coming in, sometimes I do. Maybe you don't 262 00:15:25,200 --> 00:15:28,200 Speaker 1: notice it, but sometimes I do. I guess because she's 263 00:15:28,200 --> 00:15:31,440 Speaker 1: gonna see us. I want the mayor to you know, 264 00:15:31,800 --> 00:15:33,840 Speaker 1: I feel like we do important stuff too. You even 265 00:15:33,920 --> 00:15:38,200 Speaker 1: put a hanky in your pocket pocket square but otherwise 266 00:15:38,200 --> 00:15:43,920 Speaker 1: known as a handkerchief hanky, hankerchief. Uh So, Mayor bast 267 00:15:44,040 --> 00:15:45,600 Speaker 1: is coming on in just a little bit after a 268 00:15:45,640 --> 00:15:48,400 Speaker 1: three days strike. I wonder if she's following this trial. 269 00:15:48,520 --> 00:15:53,000 Speaker 1: I bet you she is, well, you should stilazer. We 270 00:15:53,000 --> 00:15:56,080 Speaker 1: can ask anything. Everybody knows about this. Gwyneth pals Oh, 271 00:15:56,160 --> 00:15:58,800 Speaker 1: I've been watching it. Well. The Mayor's coming on and 272 00:15:58,800 --> 00:16:01,280 Speaker 1: talk about stepping in to resolved that strike. I'm very 273 00:16:01,280 --> 00:16:03,720 Speaker 1: curious to hear the steps there. We'll behind the scenes 274 00:16:04,000 --> 00:16:05,560 Speaker 1: this morning, and how do we make sure we don't 275 00:16:05,560 --> 00:16:09,600 Speaker 1: get into a bind again? All right, Gwyneth Paltrow, this 276 00:16:10,680 --> 00:16:13,720 Speaker 1: case involves a ski accident, so bring us up to speed. 277 00:16:13,760 --> 00:16:15,520 Speaker 1: I've not seen all of it, okay, So for the 278 00:16:15,520 --> 00:16:17,520 Speaker 1: people that are not following it at all, give you 279 00:16:17,560 --> 00:16:21,320 Speaker 1: a little kind of like the cliff notes time. Ryan. 280 00:16:22,240 --> 00:16:27,280 Speaker 1: You that does not know, here's the quick recap. Twenty nineteen, 281 00:16:27,640 --> 00:16:32,560 Speaker 1: this guy, Terry Sanderson, a retired optometrist, claims that or 282 00:16:32,600 --> 00:16:35,840 Speaker 1: He sued technically Gwyneth Paltrow for three point one million, 283 00:16:36,480 --> 00:16:39,960 Speaker 1: later reduced it to three hundred thousand over an incident 284 00:16:40,000 --> 00:16:43,880 Speaker 1: in which he claims she skied out of control and 285 00:16:44,040 --> 00:16:49,680 Speaker 1: crashed into him, causing a permanent traumatic brain injury, four 286 00:16:49,720 --> 00:16:54,720 Speaker 1: broken ribs, and emotional distress. The crash actually took place 287 00:16:54,760 --> 00:16:59,480 Speaker 1: February of twenty sixteen on a beginner's run at the 288 00:16:59,720 --> 00:17:03,560 Speaker 1: nature Jorious Lee Bougie Deer Valley ski resort in Park 289 00:17:03,560 --> 00:17:07,359 Speaker 1: City where they do one of those film festivals. Yeah. Yeah, 290 00:17:07,440 --> 00:17:11,680 Speaker 1: So then Gwyneth Paltrow has countersued now for one dollar 291 00:17:11,840 --> 00:17:16,440 Speaker 1: plus legal fees, claiming that he actually hid her in 292 00:17:16,480 --> 00:17:20,240 Speaker 1: the back. Okay, Gwyneth steam says his whole the whole 293 00:17:20,240 --> 00:17:23,240 Speaker 1: thing with this dude, it's that it's his attempt to 294 00:17:23,280 --> 00:17:27,119 Speaker 1: exploit her celebrity and wealth. And that's kind of the 295 00:17:27,720 --> 00:17:30,080 Speaker 1: beginning of the gist of like this trial, in this 296 00:17:30,119 --> 00:17:33,200 Speaker 1: whole situation. But what's kind of crazy and what's bizarre 297 00:17:33,200 --> 00:17:35,800 Speaker 1: with this trial or the moments that we've seen, like 298 00:17:35,920 --> 00:17:40,159 Speaker 1: Sanderson's lawyer, her name is Kristin Van Orman, and she 299 00:17:40,160 --> 00:17:42,399 Speaker 1: she kind of seems to be a little star struck 300 00:17:42,440 --> 00:17:45,200 Speaker 1: by Gwyneth Paltrow. And I think maybe we all the 301 00:17:45,320 --> 00:17:49,439 Speaker 1: other guy, the other party's lawyer. Yes, yes, so I 302 00:17:49,480 --> 00:17:51,159 Speaker 1: have some audio. This is the audio of her kind 303 00:17:51,200 --> 00:17:53,560 Speaker 1: of being almost like admitting that she's jealous of her height. 304 00:17:53,640 --> 00:17:55,640 Speaker 1: Take a listen, May I ask how tall you are? 305 00:17:56,200 --> 00:18:00,879 Speaker 1: I'm just under five ten. Okay, I am jealous. I 306 00:18:00,960 --> 00:18:03,399 Speaker 1: think I'm shrinking though you and me book, I have 307 00:18:03,480 --> 00:18:05,560 Speaker 1: to wear four in shields just to make it to 308 00:18:05,600 --> 00:18:09,240 Speaker 1: five five. They're very nice. I think that's so fascinating. 309 00:18:09,560 --> 00:18:11,680 Speaker 1: And if you were to play that back for me, 310 00:18:11,760 --> 00:18:13,159 Speaker 1: I'd be like, what's the big deal? But when you 311 00:18:13,200 --> 00:18:15,480 Speaker 1: give me the context of she's representing the other person, 312 00:18:15,640 --> 00:18:19,280 Speaker 1: that's like if I don't know. If I were the client, 313 00:18:19,320 --> 00:18:21,879 Speaker 1: I'd be like, excuse me, yeah, like hold on together. 314 00:18:22,600 --> 00:18:25,720 Speaker 1: Although I will tell you that Gwyned I would answer 315 00:18:25,720 --> 00:18:29,400 Speaker 1: the same way, just under I would not say five nine. 316 00:18:29,440 --> 00:18:33,040 Speaker 1: I would say just under five ten. But that is fascinating. 317 00:18:33,359 --> 00:18:36,680 Speaker 1: There's good, there's more. So then there's other one that's 318 00:18:36,720 --> 00:18:38,480 Speaker 1: kind of been making the rounds on social media a 319 00:18:38,480 --> 00:18:41,640 Speaker 1: little bit, Taylor the Taylor Swift comment. Take a listen 320 00:18:41,640 --> 00:18:44,600 Speaker 1: to this one. Are you good friends with Taylor Swift? No, 321 00:18:47,840 --> 00:18:50,199 Speaker 1: you're not good friends with Taylor Swift. I would not 322 00:18:50,280 --> 00:18:54,680 Speaker 1: say we're good friends. We are friendly. I take my kids. 323 00:18:54,720 --> 00:18:57,119 Speaker 1: I've taken my kids to one of her concerts before, 324 00:18:57,280 --> 00:19:01,200 Speaker 1: but we don't talk very often. You've never given miss 325 00:19:01,240 --> 00:19:08,560 Speaker 1: Swift personal intimate gifts for Christmas? What was the answer? No? No, 326 00:19:08,600 --> 00:19:11,240 Speaker 1: But the reason is because of the whole the fact 327 00:19:11,240 --> 00:19:14,000 Speaker 1: that Gwyneth Paltrow is a countersteing for one dollar. And 328 00:19:14,080 --> 00:19:16,879 Speaker 1: Taylor Swift also did the same thing when she was 329 00:19:16,960 --> 00:19:19,480 Speaker 1: in I got it. But what about the gifts? Did 330 00:19:19,480 --> 00:19:21,800 Speaker 1: she give a gift? What was the gift? No? No, 331 00:19:21,800 --> 00:19:23,919 Speaker 1: And I gotta tell you. I had to tell you. 332 00:19:24,000 --> 00:19:27,000 Speaker 1: I know that Taylor will probably not consider us good friends, 333 00:19:27,600 --> 00:19:31,680 Speaker 1: but if asked me in a moment of excitement, will 334 00:19:31,720 --> 00:19:34,520 Speaker 1: probably say, yeah, you wouldn't if you were under oath. 335 00:19:34,640 --> 00:19:36,320 Speaker 1: Well no, no, no, no, But I'm just saying, like, 336 00:19:36,760 --> 00:19:40,120 Speaker 1: just out of under oath, I'm just saying, like, I 337 00:19:40,160 --> 00:19:43,000 Speaker 1: think we would consider ourselves good friends. She sends us 338 00:19:43,000 --> 00:19:45,359 Speaker 1: those sweaters and things when an album comes out, she 339 00:19:45,400 --> 00:19:48,520 Speaker 1: has sent me a handwritten note, right, But it makes 340 00:19:48,520 --> 00:19:50,840 Speaker 1: me feel I will tell you this, Taylor, you do 341 00:19:51,080 --> 00:19:56,760 Speaker 1: make us feel close to you, me because she's so personal. Rights, right, 342 00:19:56,960 --> 00:19:59,400 Speaker 1: that's a tricky one, really. I don't know. I saw 343 00:19:59,400 --> 00:20:03,760 Speaker 1: it the Rose and you know she is singing to me, 344 00:20:05,200 --> 00:20:06,760 Speaker 1: even though there were a lot of other people there. 345 00:20:06,800 --> 00:20:09,760 Speaker 1: But it feels like when you I don't know. That's 346 00:20:09,760 --> 00:20:14,320 Speaker 1: that's an interesting one, right, right. And yesterday Apple and 347 00:20:14,400 --> 00:20:17,000 Speaker 1: Moses when it's kids had to uh, they were sworn. 348 00:20:17,320 --> 00:20:20,000 Speaker 1: They were sworn state, and they had their sworn statements 349 00:20:20,160 --> 00:20:23,680 Speaker 1: entered into the record where they said that they were 350 00:20:23,720 --> 00:20:27,520 Speaker 1: not there, but they remember their mom being very annoyed 351 00:20:27,680 --> 00:20:31,000 Speaker 1: that some guy ran into her. So when is this 352 00:20:31,080 --> 00:20:32,600 Speaker 1: net net out? When are we going to find out 353 00:20:32,640 --> 00:20:36,239 Speaker 1: who what happened? And everyone is kind of just so 354 00:20:36,560 --> 00:20:38,760 Speaker 1: we're all in it. We're all kind of now involved 355 00:20:38,880 --> 00:20:41,919 Speaker 1: in this bizarre trial editing stuff together like you can 356 00:20:41,960 --> 00:20:44,199 Speaker 1: catch up fast on TikTok, right, you can catch up 357 00:20:44,240 --> 00:20:47,520 Speaker 1: fast anywhere, and then on the introwe it's so I'm 358 00:20:47,560 --> 00:20:51,040 Speaker 1: so fascinated by it. All right, thank you for bringing 359 00:20:51,080 --> 00:20:52,960 Speaker 1: us up to speed. Interesting to hear the sound when 360 00:20:53,000 --> 00:20:57,320 Speaker 1: you put into context like that on air with Ryan 361 00:20:57,480 --> 00:21:03,919 Speaker 1: Seacrets there it is a little California love. It is 362 00:21:04,040 --> 00:21:06,639 Speaker 1: Tupac and Doctor Dre one or two point seven, kiss 363 00:21:06,680 --> 00:21:10,119 Speaker 1: up them. Let's bring in Kelly Clarkson, Casey, how are you? 364 00:21:11,520 --> 00:21:15,040 Speaker 1: I love following Tupac and Doctor Dre I ever done 365 00:21:15,040 --> 00:21:18,919 Speaker 1: a comer of California love? Oh my god. We've actually 366 00:21:18,960 --> 00:21:22,359 Speaker 1: talked about it, doing a like flipping that song because 367 00:21:22,359 --> 00:21:25,600 Speaker 1: I'd have to in order to actually incredibly do it. 368 00:21:26,480 --> 00:21:30,680 Speaker 1: But yes, we've talked about it. Well, Kelly, let us 369 00:21:30,760 --> 00:21:33,439 Speaker 1: talk about some exciting news here. This is Kelly Clarkson 370 00:21:33,560 --> 00:21:36,439 Speaker 1: on with Yes, and she has announced you may have 371 00:21:36,480 --> 00:21:39,800 Speaker 1: seen this. She announced that her new album Chemistry is 372 00:21:39,840 --> 00:21:42,840 Speaker 1: coming soon. And I was reading a little bit about 373 00:21:43,160 --> 00:21:46,040 Speaker 1: you know why you called it chemistry because chemistry can 374 00:21:46,119 --> 00:21:49,119 Speaker 1: mean a lot of different things. Was it a challenge 375 00:21:49,160 --> 00:21:54,119 Speaker 1: to pinpoint the one word? No? And I because I 376 00:21:54,160 --> 00:21:57,199 Speaker 1: actually mess that up to an announcement because there's a 377 00:21:57,240 --> 00:22:01,920 Speaker 1: song called that on the album, which I accidentally said, 378 00:22:01,920 --> 00:22:05,679 Speaker 1: and one of my things. Um, anyway, So no, I 379 00:22:05,680 --> 00:22:10,040 Speaker 1: wrote this song um because it's I mean, I'm sure 380 00:22:10,040 --> 00:22:12,560 Speaker 1: we've all been there, right, You're in like a relationship 381 00:22:12,600 --> 00:22:17,000 Speaker 1: where it's um, it's intoxicating, and it's amazing, and it's sexy, 382 00:22:17,040 --> 00:22:19,240 Speaker 1: it's fun, it's all these things, but it can also 383 00:22:19,359 --> 00:22:22,600 Speaker 1: be like so detrimental for you, like you know, it's 384 00:22:22,600 --> 00:22:26,000 Speaker 1: it's it's also just not good for you. And and 385 00:22:26,040 --> 00:22:29,120 Speaker 1: I wrote this whole song one night, like almost three 386 00:22:29,160 --> 00:22:33,000 Speaker 1: years ago about um that so and it kind of 387 00:22:33,040 --> 00:22:35,199 Speaker 1: it's hard, you know when you I've never made an 388 00:22:35,200 --> 00:22:37,560 Speaker 1: album like this, for the whole album is like about 389 00:22:37,600 --> 00:22:40,359 Speaker 1: a full relationship, right, So it's all the good and 390 00:22:41,080 --> 00:22:44,679 Speaker 1: the tough times too. So um, so it was it 391 00:22:44,720 --> 00:22:46,600 Speaker 1: was hard to like think, what do I name the 392 00:22:46,640 --> 00:22:49,240 Speaker 1: album to kind of encompass everything, like all the different 393 00:22:50,040 --> 00:22:53,720 Speaker 1: kind of stages of grief. Honestly, So, um I went 394 00:22:53,720 --> 00:22:56,480 Speaker 1: with Chemistry because I felt like it represented the great 395 00:22:56,520 --> 00:22:59,760 Speaker 1: side and the fun side and then also the kind 396 00:22:59,760 --> 00:23:04,040 Speaker 1: of sad, more intense rough patches you know. So and Kelly, 397 00:23:04,080 --> 00:23:07,080 Speaker 1: there were days or maybe weeks or even longer were 398 00:23:07,119 --> 00:23:09,520 Speaker 1: you weren't quite sure if you were going to release 399 00:23:09,560 --> 00:23:13,240 Speaker 1: it at all or when you were going to release it. No, 400 00:23:13,440 --> 00:23:15,920 Speaker 1: I was maybe not going to release it at all. 401 00:23:16,440 --> 00:23:19,760 Speaker 1: I mean, I just I've went through so much and 402 00:23:19,800 --> 00:23:23,360 Speaker 1: I wrote so much that I've I was like, oh, 403 00:23:23,400 --> 00:23:25,879 Speaker 1: what what are we doing here? Like I just am 404 00:23:25,920 --> 00:23:27,960 Speaker 1: I doing this for like therapy purposes because I do 405 00:23:28,040 --> 00:23:30,000 Speaker 1: that a lot of times, a lot of songs that 406 00:23:30,000 --> 00:23:34,159 Speaker 1: I've never released. But um no, it was I just 407 00:23:34,200 --> 00:23:36,760 Speaker 1: didn't know if it was. I think at the time, 408 00:23:36,800 --> 00:23:39,480 Speaker 1: when you're going through something right, you you can't even 409 00:23:39,560 --> 00:23:42,280 Speaker 1: see the end, although people tell you it's there, like 410 00:23:42,520 --> 00:23:46,480 Speaker 1: and so I just couldn't even realize. I couldn't actualize 411 00:23:46,520 --> 00:23:48,240 Speaker 1: me sitting here in an interview right now with you 412 00:23:48,760 --> 00:23:50,760 Speaker 1: talking about it. I just didn't know that day would 413 00:23:50,760 --> 00:23:54,040 Speaker 1: be able to come. It sounds very dramatic now that 414 00:23:54,080 --> 00:23:57,640 Speaker 1: I say it out loud, but it's you know, it's 415 00:23:57,640 --> 00:23:59,560 Speaker 1: just so painful that you don't know if you want 416 00:23:59,560 --> 00:24:02,400 Speaker 1: to vocal lies that or even go near it. So um. 417 00:24:02,440 --> 00:24:05,520 Speaker 1: But it's been a few years almost now, so UM. 418 00:24:05,880 --> 00:24:08,240 Speaker 1: And it turns out they were right, Ryan, So there 419 00:24:08,320 --> 00:24:11,959 Speaker 1: is the other side. UM. And So I think I 420 00:24:12,000 --> 00:24:15,040 Speaker 1: think once you get there, you're you're more comfortable with 421 00:24:15,040 --> 00:24:17,679 Speaker 1: the fact that like, okay, we go through things to 422 00:24:17,800 --> 00:24:21,040 Speaker 1: connect with people, to um to learn from it and 423 00:24:21,040 --> 00:24:24,280 Speaker 1: whatnot and and um and that you know, I'm an artist, 424 00:24:24,280 --> 00:24:28,160 Speaker 1: so obviously that's how I get things out, So do 425 00:24:28,280 --> 00:24:30,880 Speaker 1: you Okay. So, because this is personal and the cut 426 00:24:31,720 --> 00:24:33,959 Speaker 1: of all the things you just said, what will it 427 00:24:34,040 --> 00:24:36,960 Speaker 1: be like when it's the first few hours that the 428 00:24:36,960 --> 00:24:39,680 Speaker 1: world can listen to these raw emotions and these lyrics 429 00:24:39,680 --> 00:24:41,639 Speaker 1: and these experiences for you, what will that be like? 430 00:24:41,720 --> 00:24:46,040 Speaker 1: You think? You know, it's interesting, I've never actually been 431 00:24:46,560 --> 00:24:52,640 Speaker 1: nervous to release anything, um, And I I think it's 432 00:24:52,680 --> 00:24:55,800 Speaker 1: I'm more nervous like on a on a personal level, 433 00:24:55,960 --> 00:24:59,680 Speaker 1: like you know, with with everyone in my world. Like personally, 434 00:24:59,680 --> 00:25:03,560 Speaker 1: I'm nervous about that, um than anything else. I know. 435 00:25:03,720 --> 00:25:07,000 Speaker 1: My fans are like super supportive and I've I've I've 436 00:25:07,000 --> 00:25:10,000 Speaker 1: always written with a vulnerable heart, so I'm very open. 437 00:25:10,119 --> 00:25:13,560 Speaker 1: So I'm I'm not nervous about that. I'm I think 438 00:25:13,560 --> 00:25:16,800 Speaker 1: I'm just more nervous on a personal on a personal 439 00:25:16,840 --> 00:25:20,919 Speaker 1: note and um, and you know, because it's it's one 440 00:25:20,920 --> 00:25:22,960 Speaker 1: of those things where you I'm gonna have to keep 441 00:25:23,160 --> 00:25:25,160 Speaker 1: talking about it and then keep you know what I'm saying, 442 00:25:25,200 --> 00:25:29,320 Speaker 1: and keep on performing it. Yeah. Yeah, so I did it. 443 00:25:29,440 --> 00:25:32,320 Speaker 1: I will say, though I had to do I've already 444 00:25:32,320 --> 00:25:35,800 Speaker 1: had to do it, uh once so far, just to 445 00:25:35,840 --> 00:25:38,479 Speaker 1: perform something from it. And I was like, oh, I 446 00:25:38,560 --> 00:25:40,600 Speaker 1: was like, well, that wasn't I think because that maybe 447 00:25:40,640 --> 00:25:43,520 Speaker 1: I'm not removed from it. I'm not like compartmentalizing by 448 00:25:43,520 --> 00:25:45,879 Speaker 1: any means. I just mean, like, I think I've gotten 449 00:25:45,880 --> 00:25:48,920 Speaker 1: through it, so I think it. I don't know. It 450 00:25:49,280 --> 00:25:52,360 Speaker 1: was much easier than I thought. So everyone was excited 451 00:25:52,400 --> 00:25:54,360 Speaker 1: to hear the news. I know that for sure, your 452 00:25:54,400 --> 00:25:58,320 Speaker 1: fans and everybody around the world. Chemistry is the name 453 00:25:58,359 --> 00:26:01,520 Speaker 1: of it. Now. This is an intimate night, so we're 454 00:26:01,560 --> 00:26:05,280 Speaker 1: talking about a show at Planet Hollywood Resorting Casino. Tickets 455 00:26:05,320 --> 00:26:07,600 Speaker 1: on sale Friday morning at TENNA. I'm ticketmaster dot com 456 00:26:07,680 --> 00:26:11,760 Speaker 1: slash Kelly Vegas. What will the chemistry an Intimated Night 457 00:26:11,760 --> 00:26:14,600 Speaker 1: with Kelly Clarkson be? Like, Well, I wanted to do 458 00:26:14,720 --> 00:26:18,760 Speaker 1: something different than I've ever done, so, um, I mean 459 00:26:18,800 --> 00:26:20,879 Speaker 1: I think I've I've done something actually once here to 460 00:26:20,960 --> 00:26:24,600 Speaker 1: Troubadour in Los Angeles, and it was my favorite show. 461 00:26:25,680 --> 00:26:27,639 Speaker 1: I did a show and I was so personal and 462 00:26:28,080 --> 00:26:29,399 Speaker 1: you know, I was right there at the fans, right 463 00:26:29,440 --> 00:26:31,000 Speaker 1: at the end of the stage and I was talking 464 00:26:31,040 --> 00:26:33,359 Speaker 1: and it was more of like a storyteller vibe like 465 00:26:33,840 --> 00:26:37,119 Speaker 1: with the songs, and it just felt really intimate and 466 00:26:37,320 --> 00:26:40,879 Speaker 1: very much me. And I wanted to be able to 467 00:26:40,920 --> 00:26:42,960 Speaker 1: reach as many people though, because I did think I 468 00:26:43,000 --> 00:26:45,800 Speaker 1: was going to go really small with these settings. But 469 00:26:46,080 --> 00:26:49,280 Speaker 1: I also knew Mama's got a lot of jobs, so 470 00:26:49,400 --> 00:26:51,919 Speaker 1: I was like, we gotta, we gotta I was like, 471 00:26:51,960 --> 00:26:54,160 Speaker 1: we gotta hit like as many people as we can, 472 00:26:54,320 --> 00:26:56,240 Speaker 1: you know, possibly like it's only ten nights, But I 473 00:26:56,280 --> 00:26:58,840 Speaker 1: still wanted to keep it intimate. So um, I felt 474 00:26:58,880 --> 00:27:01,680 Speaker 1: like the back was the best way to go for me. 475 00:27:01,760 --> 00:27:04,800 Speaker 1: So um. So you know it's it's still intimate. It's 476 00:27:04,800 --> 00:27:07,320 Speaker 1: gonna be um, you know, very much like a storyteller 477 00:27:07,400 --> 00:27:10,080 Speaker 1: vibe and like, you know, conversational, but at the same time, 478 00:27:10,320 --> 00:27:12,280 Speaker 1: I'll be playing all the Look, I hate going to 479 00:27:12,359 --> 00:27:13,880 Speaker 1: a show when you love an artist and they don't 480 00:27:13,880 --> 00:27:15,840 Speaker 1: play the songs you want. But right I'm going to 481 00:27:15,920 --> 00:27:18,880 Speaker 1: totally play the songs that people want obviously, UM and 482 00:27:18,920 --> 00:27:21,400 Speaker 1: I want. I haven't performed them in years, um, so 483 00:27:21,760 --> 00:27:23,600 Speaker 1: you know, I'm excited about that, like all the hits, 484 00:27:23,600 --> 00:27:27,240 Speaker 1: but also um, sprinkling the new stuff you know, throughout 485 00:27:27,240 --> 00:27:30,080 Speaker 1: those ten dates and and really just making it more 486 00:27:30,160 --> 00:27:31,920 Speaker 1: you know, even the songs that you know, like maybe 487 00:27:31,960 --> 00:27:33,879 Speaker 1: you don't know some of the stuff behind the songs, 488 00:27:33,960 --> 00:27:36,760 Speaker 1: you know, So it's just more of like a low 489 00:27:36,840 --> 00:27:39,760 Speaker 1: key like rock and roll vibe. Like it's not like, um, 490 00:27:39,800 --> 00:27:42,879 Speaker 1: it's definitely not like your normal I guess Vegas right show. 491 00:27:43,040 --> 00:27:45,760 Speaker 1: That's what I'm saying. Well, listen, if you want a 492 00:27:45,800 --> 00:27:47,800 Speaker 1: chance to go see Kelly, I do have some tickets 493 00:27:47,800 --> 00:27:49,399 Speaker 1: to call it one or two right now. They're in 494 00:27:49,480 --> 00:27:51,720 Speaker 1: Vegas with the hotel Staying Gascard one eight hundred and 495 00:27:51,760 --> 00:27:54,920 Speaker 1: five two one or two seven tickets to Chemistry and 496 00:27:55,000 --> 00:27:57,440 Speaker 1: Into a Night with Kelly Clarkson Plant Hollywood Resort in Casino, 497 00:27:57,560 --> 00:28:00,000 Speaker 1: on sale Friday, ten am ticketmaster dot com slash Kelly Vin. 498 00:28:00,680 --> 00:28:03,760 Speaker 1: Congratulations Cal good to hear from him, Thanks for coming on. Yeah, 499 00:28:03,840 --> 00:28:08,600 Speaker 1: thanks right by ya by Justin Grini and Kelly Clarkson 500 00:28:08,680 --> 00:28:12,919 Speaker 1: standing there, and then I think, is this my favorite 501 00:28:12,960 --> 00:28:17,920 Speaker 1: Kelly song? They're also is this my favorite? Or is 502 00:28:17,920 --> 00:28:22,960 Speaker 1: this my name? That one's my favorite? Oh no, this 503 00:28:23,080 --> 00:28:28,080 Speaker 1: is my favorite. Oh yeah, this is mine too. This 504 00:28:28,160 --> 00:28:35,879 Speaker 1: is my favorite. She's the nicest. I'm just real. On 505 00:28:36,040 --> 00:28:41,480 Speaker 1: air with Ryan Seacrest, Zach is online. Zach, how are 506 00:28:41,480 --> 00:28:46,320 Speaker 1: you this morning? Hi? Ryan? I'm pretty good. Um yeah, 507 00:28:46,360 --> 00:28:50,120 Speaker 1: I just I really need some advice, Okay, Zach, what's 508 00:28:50,160 --> 00:28:54,680 Speaker 1: the topic? What category? Um? So, Michaelson is mad at 509 00:28:54,720 --> 00:28:57,960 Speaker 1: me because of it, I lost a snapchat streak that 510 00:28:58,040 --> 00:29:01,480 Speaker 1: we had. Uh yeah, So I just I just want 511 00:29:01,520 --> 00:29:03,400 Speaker 1: to know if there's anything I can do or what 512 00:29:03,440 --> 00:29:05,280 Speaker 1: I could do to make it up to her. So 513 00:29:05,320 --> 00:29:09,960 Speaker 1: she's mad at you for losing your snapchat streak? How 514 00:29:10,000 --> 00:29:13,640 Speaker 1: long was the streak? It was? We've had it since 515 00:29:13,680 --> 00:29:16,760 Speaker 1: the pandemic began. It would go around nine hundred thirty 516 00:29:16,800 --> 00:29:20,920 Speaker 1: seventy okay, and why time be mad at me if 517 00:29:20,920 --> 00:29:24,080 Speaker 1: I did that, because that's like your streak. It's like 518 00:29:24,120 --> 00:29:26,560 Speaker 1: your crap. I know people that are really obsessed with 519 00:29:26,600 --> 00:29:28,760 Speaker 1: stuff like this and it's kind of a big deal. 520 00:29:29,520 --> 00:29:31,600 Speaker 1: But she shall they be obsessed about something? You can't 521 00:29:31,640 --> 00:29:34,080 Speaker 1: make it up, Like you can't just start over again. 522 00:29:34,520 --> 00:29:38,520 Speaker 1: I mean, can you to find what the streak is 523 00:29:38,520 --> 00:29:41,520 Speaker 1: for everybody? It's basically you have to send snaps to 524 00:29:41,560 --> 00:29:44,320 Speaker 1: each other every day and if you lose, if you don't, 525 00:29:44,360 --> 00:29:46,680 Speaker 1: then the street goes away and then just wipes out 526 00:29:46,680 --> 00:29:49,560 Speaker 1: and they have to start different. Then erasing text messages 527 00:29:50,400 --> 00:29:53,719 Speaker 1: it's kind of different. No, it's not on text message, 528 00:29:53,720 --> 00:29:56,360 Speaker 1: it's on snapchat, right, but you erase a chain like 529 00:29:56,400 --> 00:29:58,120 Speaker 1: a text, like I erase the chain we have all 530 00:29:58,160 --> 00:30:00,120 Speaker 1: the time of our stuff. Is that like getting to 531 00:30:00,200 --> 00:30:02,040 Speaker 1: my street? Who do you think it's going to go 532 00:30:02,120 --> 00:30:05,200 Speaker 1: in there? And like read that um tubbs is like 533 00:30:05,480 --> 00:30:09,280 Speaker 1: really there's nothing in there. It's like no, I don't know, 534 00:30:09,440 --> 00:30:11,240 Speaker 1: I don't know. I don't need tub seeing all my photos. 535 00:30:12,280 --> 00:30:14,000 Speaker 1: I feel I guarantee if Tub's got in my phone, 536 00:30:14,040 --> 00:30:16,880 Speaker 1: you go right to my photos. I'd love to look 537 00:30:16,880 --> 00:30:20,360 Speaker 1: through your photos. Tubs can get into everything of yours. 538 00:30:20,480 --> 00:30:23,000 Speaker 1: By the way, he's gonna find bedroom photos like that. 539 00:30:24,040 --> 00:30:26,160 Speaker 1: Tums is the one that created all your passwords. By 540 00:30:26,200 --> 00:30:29,320 Speaker 1: the way, I know, did you post that photo? No? 541 00:30:29,600 --> 00:30:31,840 Speaker 1: What are you doing with that photo? I can you 542 00:30:31,920 --> 00:30:36,920 Speaker 1: send your girlfriend? Yeah? Yeah, I just woke out and 543 00:30:37,040 --> 00:30:40,120 Speaker 1: send it to her, said good morning, good morning picture 544 00:30:40,160 --> 00:30:42,280 Speaker 1: me and a T shirt with Deadhead. But I know 545 00:30:46,400 --> 00:30:49,440 Speaker 1: it's the worst. I feel so bad about myself showing 546 00:30:49,480 --> 00:30:52,200 Speaker 1: this picture to you. Guys. You know what you do, 547 00:30:52,280 --> 00:30:55,440 Speaker 1: you Zach, it's no thirst travel to tell you that 548 00:30:56,880 --> 00:30:59,360 Speaker 1: could be Zach, I don't. I don't like that she 549 00:30:59,480 --> 00:31:03,320 Speaker 1: gives such to you know what, Right, there's bigger things 550 00:31:03,440 --> 00:31:06,760 Speaker 1: in the world to worry about. But but let's let's 551 00:31:06,760 --> 00:31:08,720 Speaker 1: tackle this issue so much you got mad? How do 552 00:31:08,840 --> 00:31:11,920 Speaker 1: we get past somebody being mad? We apologize? Yeah, you're 553 00:31:11,960 --> 00:31:13,560 Speaker 1: saying you're sorry, you didn't mean to do it, Just 554 00:31:13,600 --> 00:31:15,480 Speaker 1: be honest. Can you just do that and move on? 555 00:31:17,000 --> 00:31:19,920 Speaker 1: I mean I think I can, but I'm just worried 556 00:31:19,960 --> 00:31:22,840 Speaker 1: it's not going to be enough, you know. It's It's 557 00:31:22,840 --> 00:31:25,720 Speaker 1: so we started dating, the long distance and the snaptap 558 00:31:25,880 --> 00:31:27,920 Speaker 1: streak was kind of important to her and to me, 559 00:31:28,640 --> 00:31:31,320 Speaker 1: So you know, it's it's kind of a sentimental staing. 560 00:31:32,200 --> 00:31:35,680 Speaker 1: Uh and you you're not long distance anymore? No, no, 561 00:31:35,760 --> 00:31:39,280 Speaker 1: not anymore. Well, maybe Ryan, what he what he needs 562 00:31:39,480 --> 00:31:41,720 Speaker 1: is a romantic gesture, like something that we can do 563 00:31:41,800 --> 00:31:44,840 Speaker 1: to fix it, something that he can do to really 564 00:31:44,920 --> 00:31:48,320 Speaker 1: prove that he's sorry or that can So you need 565 00:31:48,320 --> 00:31:50,960 Speaker 1: a candle, Zach. Okay, what is he gonna do with 566 00:31:50,960 --> 00:31:53,120 Speaker 1: this candle? I's gonna bring it to her and say, 567 00:31:53,320 --> 00:31:57,560 Speaker 1: this is symbolic of my feeling bad about doing it. 568 00:31:57,840 --> 00:31:59,480 Speaker 1: I didn't mean to do it, did you mean? Said? 569 00:31:59,520 --> 00:32:02,120 Speaker 1: Anybody here and I love you, And this candle we're 570 00:32:02,160 --> 00:32:06,160 Speaker 1: gonna light now in memory of our street. The candle 571 00:32:06,360 --> 00:32:08,920 Speaker 1: flame will never burn out like our streets. Yeah. I mean, 572 00:32:08,960 --> 00:32:10,520 Speaker 1: you've figured out the verbiage, but maybe you get it, 573 00:32:10,600 --> 00:32:15,400 Speaker 1: Zach cane a little something. I think I can do that, Zach. 574 00:32:15,440 --> 00:32:21,320 Speaker 1: Are all these pictures gone? Right? They're all gone? Yeah? Yeah? 575 00:32:21,720 --> 00:32:23,080 Speaker 1: All right, Well, Zach, I think we gave you some 576 00:32:23,120 --> 00:32:25,080 Speaker 1: advice there. Good luck. I thought maybe you could like 577 00:32:25,160 --> 00:32:29,960 Speaker 1: frame it. Thank you? All right, all right, bye bye, 578 00:32:30,200 --> 00:32:33,320 Speaker 1: But let's get to the match. Game, shall we hit it? 579 00:32:34,600 --> 00:32:36,960 Speaker 1: So we piloted a lot of games on the show, 580 00:32:36,960 --> 00:32:38,080 Speaker 1: and this is the one that we have the most 581 00:32:38,120 --> 00:32:41,120 Speaker 1: fun playing. Hopefully you do too. I did two contestants. 582 00:32:41,160 --> 00:32:44,240 Speaker 1: We have Melinda Melenda, Good morning Sherman Oaks on this Wednesday. 583 00:32:44,240 --> 00:32:49,040 Speaker 1: How are you? I'm good? How are you super good? Melenda? 584 00:32:49,080 --> 00:32:51,080 Speaker 1: Tell me a little bit about yourself there in Sherman Oaks. 585 00:32:54,080 --> 00:32:56,000 Speaker 1: I'm trying to win the tickets frow By door day 586 00:32:56,040 --> 00:33:02,480 Speaker 1: as a graduation I guess perfect well the educational Nora, Now, 587 00:33:03,520 --> 00:33:09,520 Speaker 1: Nora and palm deal. Nora, are you there? Hell, hi's 588 00:33:09,600 --> 00:33:13,120 Speaker 1: Nora there. Yeah, should be here, Yeah, we're here. Sorry, 589 00:33:13,240 --> 00:33:19,080 Speaker 1: this is sorry. Who's this? Hi? Ryan, You're you're, you're you're. 590 00:33:19,160 --> 00:33:21,840 Speaker 1: You're kind of on speaker phone in my classroom, all 591 00:33:21,920 --> 00:33:24,320 Speaker 1: right at a little valley college and we just wanted 592 00:33:24,360 --> 00:33:27,600 Speaker 1: to say we love you. Hey, good luck to my wife. Ah, 593 00:33:27,600 --> 00:33:34,000 Speaker 1: thank you so much. All right, Hi, everybody, students, all right, 594 00:33:34,080 --> 00:33:38,280 Speaker 1: Nora are you there? Yep, I'm here. Okay, God, everybody's 595 00:33:38,280 --> 00:33:41,120 Speaker 1: listening and we have a big audience, so sit up straight, everybody. 596 00:33:42,000 --> 00:33:45,920 Speaker 1: So Melinda and Nora, Nora, I think I know a 597 00:33:45,920 --> 00:33:49,200 Speaker 1: lot about you, so I can just jump into it. Uh. 598 00:33:49,360 --> 00:33:51,480 Speaker 1: Here's the deal. The winner of match game gets to 599 00:33:51,560 --> 00:33:55,200 Speaker 1: pick Drake or BBO exit tickets. All right, here we go. 600 00:33:56,360 --> 00:33:58,160 Speaker 1: Tell your match game works. I give you a phrase 601 00:33:58,160 --> 00:34:00,640 Speaker 1: with a blank in our panel here if Sisney, Tanya, Ruby, 602 00:34:00,640 --> 00:34:02,520 Speaker 1: and Tubs will write down what they think should go 603 00:34:02,520 --> 00:34:04,840 Speaker 1: on the blank, and then we'll hear your answer and 604 00:34:04,880 --> 00:34:07,880 Speaker 1: see who you match with. Here we go. Contest it 605 00:34:08,040 --> 00:34:12,120 Speaker 1: number one, Melinda, don't say it out loud, just think 606 00:34:12,120 --> 00:34:17,160 Speaker 1: about it. But Easter what Easter? Blank? Easter what think? Think? Think? Panel, 607 00:34:17,200 --> 00:34:24,920 Speaker 1: write down your answers and here we go. Okay, Melinda, 608 00:34:24,960 --> 00:34:36,280 Speaker 1: Easter what did you say, big Easter pigg Easter egg? Okay, 609 00:34:36,280 --> 00:34:38,440 Speaker 1: Easter egg. Let's see if you match with any of 610 00:34:38,440 --> 00:34:41,560 Speaker 1: our team here on the panel. Sysney, Easter, I said, 611 00:34:41,600 --> 00:34:55,000 Speaker 1: Easter Bunny. Tanya Eastern No Ruby, Easter Bunny, no Egg. 612 00:34:55,640 --> 00:35:00,600 Speaker 1: All right, I'm still in clutch situation there he and 613 00:35:00,680 --> 00:35:04,000 Speaker 1: you are aligned with the egg. All right, great, chocolate 614 00:35:04,000 --> 00:35:07,759 Speaker 1: go Yeah, let's get to the next So Nora, I 615 00:35:07,880 --> 00:35:10,520 Speaker 1: think about this. Here we go, Nora, don't say I'll 616 00:35:10,560 --> 00:35:14,879 Speaker 1: just think about it. Chocolate chocolate blank, chocolate blank. Think 617 00:35:14,880 --> 00:35:17,839 Speaker 1: about that. Tannl right down your answers. Gotta get more 618 00:35:17,840 --> 00:35:20,040 Speaker 1: than one match for the Wind this round. Can you 619 00:35:20,080 --> 00:35:27,160 Speaker 1: do it? Okay, here we go. Norah Chocolate, what chocolate cake? 620 00:35:27,960 --> 00:35:31,479 Speaker 1: Chocolate cakes? Is any chocolate white chocolate cake? Yes, that's 621 00:35:31,520 --> 00:35:39,000 Speaker 1: one for the wind, tiny chocolate? What chocolate syrup? Ruby 622 00:35:39,000 --> 00:35:44,200 Speaker 1: for the wind? Chocolate white chocolate mouse? No, Tobb's last round, 623 00:35:44,239 --> 00:35:47,280 Speaker 1: you had egg. If you get cake, then Norah winds 624 00:35:47,360 --> 00:35:55,439 Speaker 1: chocolate what cake? Wow, I'm surprised. I said chocolate bar. 625 00:35:57,000 --> 00:36:02,880 Speaker 1: That's what I was thinking. Nora, Nora. Would you like 626 00:36:02,960 --> 00:36:07,959 Speaker 1: to go see Drake or Baby Rex? Up? Yeah? No, Drake? Okay, Drake, 627 00:36:08,040 --> 00:36:11,480 Speaker 1: congratulation Melinda, you're going to see Baby Rex. Uh, thank 628 00:36:11,520 --> 00:36:18,279 Speaker 1: you guys for playing a match game. All right, hang 629 00:36:18,320 --> 00:36:23,560 Speaker 1: on one second. Yeah, chocolate milkshake, I said, chocolate milkshake. 630 00:36:23,920 --> 00:36:27,360 Speaker 1: Chocolate milk is good too. Yeah, I'm not on the panels. 631 00:36:27,400 --> 00:36:30,120 Speaker 1: That doesn't really matter. Mayor Karen Bass coming on. You 632 00:36:30,160 --> 00:36:33,960 Speaker 1: know LAUSD and the strike last week. It came to 633 00:36:35,280 --> 00:36:38,600 Speaker 1: a close that strike after she stepped into mediate. I'm 634 00:36:38,600 --> 00:36:41,000 Speaker 1: just curious. I want to dive in a little bit, like, 635 00:36:41,040 --> 00:36:45,040 Speaker 1: at what point does she say I gotta get involved? 636 00:36:45,560 --> 00:36:47,320 Speaker 1: And how do you get involved to make it productive. 637 00:36:47,400 --> 00:36:49,640 Speaker 1: And by the way, when you're having a challenging situation 638 00:36:49,640 --> 00:36:52,960 Speaker 1: at work, yourself or we're in life, like, what are 639 00:36:52,960 --> 00:36:57,000 Speaker 1: the steps to bring compromise. I'm just curious tonow our 640 00:36:57,080 --> 00:37:00,200 Speaker 1: process too. And one of the first big challenges I 641 00:37:00,239 --> 00:37:04,640 Speaker 1: think that she's been met with while mayor that needed 642 00:37:04,840 --> 00:37:11,920 Speaker 1: immediate attention, right resolution. Certainly in the world of our 643 00:37:12,239 --> 00:37:16,120 Speaker 1: schools here in La Now, Tanya comes in with her 644 00:37:16,160 --> 00:37:19,720 Speaker 1: trending reports and good news is she picks them based 645 00:37:19,760 --> 00:37:21,759 Speaker 1: on what's happening in the world, and then she has 646 00:37:21,800 --> 00:37:25,200 Speaker 1: her view on them, at which point we hear the view, 647 00:37:25,239 --> 00:37:28,480 Speaker 1: and then we're asked, what's your view? So let's get 648 00:37:28,520 --> 00:37:30,839 Speaker 1: into it. Well, this one, I feel like maybe we 649 00:37:32,480 --> 00:37:34,759 Speaker 1: ask find a professional because I don't know quite know 650 00:37:34,840 --> 00:37:37,440 Speaker 1: the answer. But I bring this question up because I'm 651 00:37:37,480 --> 00:37:39,000 Speaker 1: sure you were just as shocked as I was to 652 00:37:39,040 --> 00:37:41,880 Speaker 1: hear Reese Witherspoon and Jim Toth we're getting a divorce 653 00:37:41,960 --> 00:37:45,960 Speaker 1: after twelve years of marriage. I thought everybody thought that 654 00:37:46,000 --> 00:37:47,840 Speaker 1: this was like a celebrity couple that was going to 655 00:37:47,880 --> 00:37:51,160 Speaker 1: go the distance. So what in the world happened? Well, 656 00:37:51,200 --> 00:37:53,839 Speaker 1: the US sun is reporting. They said, this is from 657 00:37:53,880 --> 00:37:57,680 Speaker 1: the US Sun. Jim just isn't the guy resmarried. His personality, 658 00:37:57,760 --> 00:38:00,000 Speaker 1: his attitude, and his whole take on life really changed 659 00:38:00,200 --> 00:38:02,719 Speaker 1: when he got out of the agency business. Call it 660 00:38:02,760 --> 00:38:06,000 Speaker 1: a midlife crisis if you want, But that's when the tattoos, 661 00:38:06,080 --> 00:38:08,759 Speaker 1: the weird jewelry, the dressing like somebody half of his 662 00:38:08,840 --> 00:38:12,359 Speaker 1: age really took hold. And so I wanted to talk 663 00:38:12,400 --> 00:38:16,120 Speaker 1: about this because I feel like I do believe midlife 664 00:38:16,120 --> 00:38:21,880 Speaker 1: crisis a crisis crisis exist, and I do believe that 665 00:38:21,920 --> 00:38:24,040 Speaker 1: people change over time. And I think that's kind of 666 00:38:24,080 --> 00:38:25,319 Speaker 1: what you want, you know what I mean, Like, you 667 00:38:25,360 --> 00:38:28,280 Speaker 1: want to grow as an individual as you get older, 668 00:38:28,680 --> 00:38:31,359 Speaker 1: But how do you make it so that you guys 669 00:38:31,400 --> 00:38:34,400 Speaker 1: grow together as a couple and not apart? Because you 670 00:38:34,440 --> 00:38:36,240 Speaker 1: hear this often, you know, people go through a midlife 671 00:38:36,239 --> 00:38:38,800 Speaker 1: crisis and then they just completely change and they abandon 672 00:38:38,920 --> 00:38:41,680 Speaker 1: their significant other. So interesting to think about a midlife 673 00:38:41,719 --> 00:38:44,480 Speaker 1: crisis or just like wanting to dress younger because I 674 00:38:44,520 --> 00:38:48,360 Speaker 1: put bracelets on? Why because I want to feel younger? Yeah, 675 00:38:48,400 --> 00:38:50,839 Speaker 1: but I don't think to me personally, I don't think, 676 00:38:50,920 --> 00:38:52,680 Speaker 1: at least up until now, I don't think you've had 677 00:38:52,719 --> 00:38:55,359 Speaker 1: a midlife crisis. But now you think I am No, 678 00:38:55,440 --> 00:38:57,240 Speaker 1: I'm saying I mean, maybe you can in the future. 679 00:38:57,440 --> 00:39:00,960 Speaker 1: I don't know. I can't look in the future. Why 680 00:39:00,960 --> 00:39:02,880 Speaker 1: do you have to say crisis. I'm not having a 681 00:39:02,920 --> 00:39:05,360 Speaker 1: crisis because crisis because I think you just wanted to 682 00:39:05,360 --> 00:39:08,200 Speaker 1: turn back time. But I don't think that you've experienced this. 683 00:39:08,320 --> 00:39:11,800 Speaker 1: I think a midlife crisis is when you really panic 684 00:39:11,960 --> 00:39:15,080 Speaker 1: about where you are and in your life. You're age well, 685 00:39:15,360 --> 00:39:17,359 Speaker 1: I will say that I think I don't know. For me, 686 00:39:17,400 --> 00:39:20,000 Speaker 1: it's become a natural thing to start like looking at 687 00:39:21,880 --> 00:39:29,759 Speaker 1: younger guys and wanting to wear their clothes. That's not 688 00:39:29,840 --> 00:39:34,400 Speaker 1: the same thing. I'm just telling you. For me, I 689 00:39:35,719 --> 00:39:38,239 Speaker 1: don't know that you want. I think you do it 690 00:39:38,280 --> 00:39:41,319 Speaker 1: for style more so. The fact that you want to 691 00:39:42,360 --> 00:39:45,520 Speaker 1: look younger, Well, then I'm playing it off, well or 692 00:39:45,640 --> 00:39:50,040 Speaker 1: like younger? Do you really want to be younger? Yeah? 693 00:39:51,080 --> 00:39:53,960 Speaker 1: I don't hate the notion. Grasses and green are over there, 694 00:39:54,120 --> 00:39:56,200 Speaker 1: do you think? But think about it. What would you 695 00:39:56,239 --> 00:39:59,080 Speaker 1: do if you're partner with someone and they just completely 696 00:39:59,480 --> 00:40:03,200 Speaker 1: change everything about themselves, how they're how they're acting, how 697 00:40:03,200 --> 00:40:06,520 Speaker 1: they're eating, how they're dressing, looking couples therapy. I'd have 698 00:40:06,560 --> 00:40:09,680 Speaker 1: to understand you could go both ways, and I don't think. 699 00:40:09,800 --> 00:40:12,960 Speaker 1: I don't think either one of them is innocent here. 700 00:40:13,200 --> 00:40:14,960 Speaker 1: You know, we're only kind of getting one side of 701 00:40:15,000 --> 00:40:17,480 Speaker 1: the story. Well, right, I think it's obviously, I mean, 702 00:40:17,480 --> 00:40:21,320 Speaker 1: a relationship is two people. So yeah, I think changed 703 00:40:21,360 --> 00:40:23,640 Speaker 1: a little too, and then and then that's they grew 704 00:40:23,640 --> 00:40:26,839 Speaker 1: even further apart. So maybe it was a long time 705 00:40:27,200 --> 00:40:32,520 Speaker 1: coming too, right, Yeah, But I think that for me, 706 00:40:32,719 --> 00:40:37,279 Speaker 1: I do laugh at myself sometimes taking a cue from 707 00:40:38,000 --> 00:40:41,879 Speaker 1: someone younger to make myself feel like I'm staying the same, 708 00:40:42,000 --> 00:40:44,280 Speaker 1: Like I'm not evolving, I'm not aging, I'm not getting older, 709 00:40:44,320 --> 00:40:47,319 Speaker 1: Like I don't know. Maybe it's it's just do we 710 00:40:47,400 --> 00:40:49,840 Speaker 1: do it for young or do we do it for style? 711 00:40:50,000 --> 00:40:54,280 Speaker 1: Like what's the difference between in style makes me feel 712 00:40:54,560 --> 00:40:57,640 Speaker 1: ten years younger? Sometimes? Right, it's the young people that 713 00:40:57,920 --> 00:41:01,840 Speaker 1: myos my cargo pants. Haley Bieber wore those. It just elbow. 714 00:41:02,640 --> 00:41:04,600 Speaker 1: I wanted to order them. Yeah. I think if you 715 00:41:04,640 --> 00:41:07,839 Speaker 1: were having a midlife crisis, I would step in. Now 716 00:41:07,920 --> 00:41:12,040 Speaker 1: you wouldn't You don't think so, I'd hope not. Why 717 00:41:12,719 --> 00:41:16,319 Speaker 1: you want your friends to help step in? Hell? Yeah, 718 00:41:16,840 --> 00:41:20,440 Speaker 1: I got a red car. So what that's not a 719 00:41:20,480 --> 00:41:25,799 Speaker 1: midlife crisis? M Sarah, Hey Sarah, good morning, thank you 720 00:41:25,840 --> 00:41:28,719 Speaker 1: for calling. How are you good? How are you? I'm 721 00:41:28,719 --> 00:41:34,080 Speaker 1: doing well? Thank you. So your roommate is up all night? Yeah? Um, 722 00:41:34,239 --> 00:41:37,239 Speaker 1: so I've just recently moved in with her. Um. I 723 00:41:37,280 --> 00:41:39,280 Speaker 1: was referred to her by a friend. And she's really 724 00:41:39,280 --> 00:41:43,359 Speaker 1: really nice and sweet, but she just stays up all night. Um. Like, 725 00:41:43,440 --> 00:41:45,600 Speaker 1: she will decide to wash the dishes at midnight, and 726 00:41:45,680 --> 00:41:48,799 Speaker 1: she's not even gentle about putting anything away. And then 727 00:41:48,800 --> 00:41:51,320 Speaker 1: she'll sometimes shower at when I am and then proceed 728 00:41:51,360 --> 00:41:55,719 Speaker 1: to blow dry her hair right after. And why why 729 00:41:55,760 --> 00:41:58,319 Speaker 1: is she up all night? Well, she's a bartender, so 730 00:41:58,400 --> 00:42:01,360 Speaker 1: she doesn't get home to like midnight when I am, 731 00:42:01,360 --> 00:42:04,440 Speaker 1: but when she untill noon. Can you go to bed 732 00:42:04,440 --> 00:42:09,160 Speaker 1: with wet hair? Great? I do it every night me too. 733 00:42:09,280 --> 00:42:11,560 Speaker 1: I don't like to. I can get sick that way. 734 00:42:11,840 --> 00:42:13,960 Speaker 1: But would you air dryed or hair dried or whatever 735 00:42:13,960 --> 00:42:15,600 Speaker 1: it is in the moment night, No, that's not I 736 00:42:15,680 --> 00:42:17,200 Speaker 1: feel like that would be rude. If you have roommates 737 00:42:17,239 --> 00:42:20,000 Speaker 1: that are asleep already, like Michael was sleeping, I wouldn't 738 00:42:20,040 --> 00:42:22,640 Speaker 1: do that your schedules complict. So she works late and 739 00:42:22,719 --> 00:42:24,560 Speaker 1: she's up all night, then she sleeps till noon. What's 740 00:42:24,600 --> 00:42:29,720 Speaker 1: your schedule? I just work on nine to five, Okay, 741 00:42:30,000 --> 00:42:32,160 Speaker 1: So like I come home right after work and like 742 00:42:32,200 --> 00:42:34,880 Speaker 1: I'm up at like six thirty seven in the morning. 743 00:42:35,440 --> 00:42:37,200 Speaker 1: Is it just that she makes too much noise? That's 744 00:42:37,239 --> 00:42:40,560 Speaker 1: really what's bothering you. Yeah, And I didn't mention it 745 00:42:40,600 --> 00:42:42,760 Speaker 1: to her, but it just kind of really hasn't stopped. 746 00:42:43,000 --> 00:42:45,120 Speaker 1: So like I don't know if I should be like 747 00:42:45,320 --> 00:42:48,800 Speaker 1: normal volume in the morning when like I'm getting ready 748 00:42:48,920 --> 00:42:51,920 Speaker 1: because she doesn't use normal she us like normal volume 749 00:42:51,960 --> 00:42:56,000 Speaker 1: at night. It's a problem because she's really on that 750 00:42:56,040 --> 00:42:59,160 Speaker 1: schedule for work. It's not like she's like partying all 751 00:42:59,239 --> 00:43:03,160 Speaker 1: night and her hair over having a beer. She's like 752 00:43:03,239 --> 00:43:05,440 Speaker 1: on that schedule. I remember I worked that overnight schedule. 753 00:43:05,440 --> 00:43:07,759 Speaker 1: It's I mean, I mean she's bartender. I worked overnight 754 00:43:07,800 --> 00:43:10,160 Speaker 1: the radio Stationsisney you did too, And you get off 755 00:43:10,160 --> 00:43:14,720 Speaker 1: at five am, and you you're like nighttime is your morning, 756 00:43:14,760 --> 00:43:16,439 Speaker 1: and then you go to bed, you have breakfast, which 757 00:43:16,480 --> 00:43:17,759 Speaker 1: is dinner, and then you go to sleep. It's kind 758 00:43:17,760 --> 00:43:21,520 Speaker 1: of a dreadful schedule. Some tough hours. And so I mean, 759 00:43:21,680 --> 00:43:24,200 Speaker 1: we've all had roommates and it may not be the 760 00:43:24,320 --> 00:43:33,120 Speaker 1: ideal match. So what can you do to say, sound machines, earplugs. Ah, 761 00:43:33,160 --> 00:43:35,960 Speaker 1: that's not ideal, but it's just temporary. And I also 762 00:43:36,040 --> 00:43:37,600 Speaker 1: think Sarah, you say to her, Look, I'm gonna do 763 00:43:37,640 --> 00:43:39,480 Speaker 1: my part. I'm gonna put the white noise machine on. 764 00:43:39,520 --> 00:43:42,319 Speaker 1: I've got these earplugs. But please can you help me 765 00:43:42,840 --> 00:43:46,400 Speaker 1: by being as considerate as possible when you have to 766 00:43:46,440 --> 00:43:50,560 Speaker 1: blow dry your hair and you know, clean up in 767 00:43:50,560 --> 00:43:53,880 Speaker 1: the kitchen. Yeah, there's a way to meet in here 768 00:43:53,880 --> 00:43:58,319 Speaker 1: in the middle. Yeah, I could definitely do that. All right, great, well, 769 00:43:58,360 --> 00:44:03,200 Speaker 1: good luck, good luck than you and I had plenty 770 00:44:03,239 --> 00:44:07,680 Speaker 1: of roommate situations. We don't have these awful meetings. They 771 00:44:07,800 --> 00:44:09,880 Speaker 1: have to have roommate meetings. We lived with six of us, 772 00:44:09,880 --> 00:44:11,960 Speaker 1: I think five or six of us at once, and 773 00:44:12,000 --> 00:44:14,719 Speaker 1: we do these dreadful like Wednesday night meetings at nine 774 00:44:14,719 --> 00:44:17,840 Speaker 1: o'clock or every Wednesday. Well, there was always a problem. 775 00:44:17,840 --> 00:44:19,680 Speaker 1: So it seemed like it was every Wednesday. You know, 776 00:44:19,719 --> 00:44:22,719 Speaker 1: somebody was eating your food, somebody was like not doing 777 00:44:23,040 --> 00:44:26,120 Speaker 1: the towels, like they you share a bathroom and they 778 00:44:26,560 --> 00:44:29,399 Speaker 1: have There's be one towel and you'd have to use 779 00:44:29,400 --> 00:44:32,359 Speaker 1: the same towel as your roommate. Okay, you have your 780 00:44:32,360 --> 00:44:34,200 Speaker 1: own towels. I know. That's where we had the meeting 781 00:44:36,760 --> 00:44:39,760 Speaker 1: that I had the meeting so gross. It's so gross, 782 00:44:39,920 --> 00:44:42,920 Speaker 1: But I mean there's a fine line between so gross 783 00:44:42,920 --> 00:44:45,480 Speaker 1: and so lazy. Yeah, Like sometimes I was just too 784 00:44:45,560 --> 00:44:50,280 Speaker 1: lazy that the gross didn't matter because of my laziness. Yeah, 785 00:44:50,400 --> 00:44:52,919 Speaker 1: nine o'clock Wednesday night meetings with the roommates. Somebody would 786 00:44:52,920 --> 00:44:57,000 Speaker 1: forget to pay a bill, you know, they didn't contribute drama, 787 00:44:57,080 --> 00:45:01,080 Speaker 1: and then we'd go to Craigslist or replace them. You did, Yeah, 788 00:45:01,160 --> 00:45:04,040 Speaker 1: that's how you found roommates. Back in the days, we 789 00:45:04,120 --> 00:45:11,960 Speaker 1: interviewed people through interviews on air with Ryan Secrets are 790 00:45:12,000 --> 00:45:13,279 Speaker 1: people asking you like, hey, what do you think is 791 00:45:13,280 --> 00:45:15,440 Speaker 1: going on with TikTok Im? I don't know. I know, 792 00:45:16,160 --> 00:45:18,560 Speaker 1: like I at the end inside scoop, what are you 793 00:45:18,800 --> 00:45:19,880 Speaker 1: my friends? What do you think is go on with 794 00:45:19,880 --> 00:45:28,520 Speaker 1: TikTok Away? Tensions are high, you know between our country 795 00:45:28,520 --> 00:45:34,000 Speaker 1: and China, tensions are high, and we're in a fragile 796 00:45:34,480 --> 00:45:39,759 Speaker 1: international environment right now. So I saw it TikTok and 797 00:45:39,760 --> 00:45:42,440 Speaker 1: I found this interesting about the negative things we say 798 00:45:42,480 --> 00:45:44,880 Speaker 1: all the time without even thinking about it. We always 799 00:45:44,880 --> 00:45:49,759 Speaker 1: talk about cutting down the negative self talk, but they're 800 00:45:49,760 --> 00:45:53,000 Speaker 1: so common they just come out. So there's a science plans. 801 00:45:53,040 --> 00:45:55,799 Speaker 1: The brain is wired to filter out whatever you're not 802 00:45:55,920 --> 00:45:58,719 Speaker 1: directly focused on. So if you're not focused on it 803 00:45:58,719 --> 00:46:02,840 Speaker 1: directly then and you know, your brain is wired to 804 00:46:02,920 --> 00:46:05,840 Speaker 1: not retain it. So if you're obsessing about your pimples 805 00:46:05,920 --> 00:46:08,120 Speaker 1: or you don't like your nose, you're not going to 806 00:46:08,200 --> 00:46:12,120 Speaker 1: see how amazing your eyes are or great your smile is. 807 00:46:12,840 --> 00:46:15,000 Speaker 1: So we focus on the positive instead. We filter out 808 00:46:15,000 --> 00:46:18,600 Speaker 1: the name. So, for example, phrases to stop saying they 809 00:46:18,640 --> 00:46:22,920 Speaker 1: say when something is funny, don't say I'm dead I'm dying. 810 00:46:22,960 --> 00:46:26,200 Speaker 1: Instead say I'm living. For that, I say that all 811 00:46:26,239 --> 00:46:30,000 Speaker 1: the time. Everyone says that. Everyone says, which everyone says, 812 00:46:30,120 --> 00:46:33,640 Speaker 1: oh I'm dead. That's like the phrase to say when 813 00:46:33,680 --> 00:46:39,440 Speaker 1: something is hilarious or sund like the Skull and Crossbones emoji, dying, laughing, dying. 814 00:46:39,600 --> 00:46:42,959 Speaker 1: When you love it, you say I'm dead, right, they're saying, 815 00:46:42,960 --> 00:46:45,719 Speaker 1: say I'm living. I like that and I like it too. 816 00:46:46,200 --> 00:46:49,440 Speaker 1: When you're dread, when you're dreading it dreading, dreading, dreading 817 00:46:49,480 --> 00:46:53,799 Speaker 1: anything in life. People say kill me instead, they say, 818 00:46:53,800 --> 00:46:55,799 Speaker 1: don't say that. They say, I'll be so happy when 819 00:46:55,800 --> 00:46:58,200 Speaker 1: I get over through this basically and stronger for it. 820 00:47:00,000 --> 00:47:03,200 Speaker 1: It's bordy. It seems like a lot to me makes 821 00:47:03,239 --> 00:47:08,440 Speaker 1: me that much stronger. Yeah, when you forget something, I 822 00:47:08,440 --> 00:47:10,920 Speaker 1: mean you beat yourself up. Maybe say I'm so dumb, 823 00:47:10,960 --> 00:47:14,520 Speaker 1: so stupid, Just say I will do better. These are 824 00:47:14,560 --> 00:47:19,120 Speaker 1: what TikTok says. So positive. That's good, kind of corny though, 825 00:47:19,800 --> 00:47:23,680 Speaker 1: I know what you mean. Though, it's crazy. It's crazy 826 00:47:23,719 --> 00:47:26,319 Speaker 1: that you feel that. It's corny like that. We need 827 00:47:26,360 --> 00:47:28,960 Speaker 1: to change our mindset. I know, I know, well, I 828 00:47:28,960 --> 00:47:31,040 Speaker 1: guess when. So if you get the flu and you 829 00:47:31,080 --> 00:47:35,040 Speaker 1: say how are you doing? You say I'm sick. They say, 830 00:47:35,120 --> 00:47:37,880 Speaker 1: don't say I'm sick, say I'm healing. Yeah, I'll be 831 00:47:38,040 --> 00:47:43,799 Speaker 1: better soon. I'll be better soon. No, I feel like crap. 832 00:47:44,040 --> 00:47:45,839 Speaker 1: You have a healing day? Do you take a healing day? 833 00:47:45,920 --> 00:47:50,160 Speaker 1: Last year? Any any healing days? Only two more healing 834 00:47:50,239 --> 00:47:54,080 Speaker 1: days left? Do you think we give each other positive 835 00:47:54,080 --> 00:47:57,000 Speaker 1: reinforcement here and use positive words? I feel like in general, 836 00:47:57,280 --> 00:48:01,120 Speaker 1: I mean sure, we can be like trying to be funny, cynical, 837 00:48:01,160 --> 00:48:03,920 Speaker 1: but I think in general we're pretty positive. I don't know, 838 00:48:03,920 --> 00:48:06,120 Speaker 1: what do you think? Yes, curious to know if you 839 00:48:06,160 --> 00:48:09,840 Speaker 1: always text me to four, one to two, seven, where's 840 00:48:10,239 --> 00:48:13,799 Speaker 1: the positivity level of this show? Where are we? One 841 00:48:13,840 --> 00:48:17,480 Speaker 1: to ten? Where's the positivity level of this show? I 842 00:48:17,560 --> 00:48:20,880 Speaker 1: forget the entertainment value of our sarcasm and sometimes but 843 00:48:21,960 --> 00:48:23,680 Speaker 1: or used to talk back feature on a I at 844 00:48:23,760 --> 00:48:25,759 Speaker 1: radio app let gonna play some of that back one 845 00:48:25,840 --> 00:48:28,920 Speaker 1: to ten? Sysn'tee? Where's the positivity factor on this show? 846 00:48:29,239 --> 00:48:31,040 Speaker 1: I would say, if you were to say to me, 847 00:48:31,160 --> 00:48:32,520 Speaker 1: what do you want this show to be? I would 848 00:48:32,520 --> 00:48:35,560 Speaker 1: say I wanted to be positive. What would you say? 849 00:48:34,280 --> 00:48:42,640 Speaker 1: Y right, happy, happy, escapism, levity, sometimes like fool and nothing. 850 00:48:42,960 --> 00:48:44,480 Speaker 1: There depends on the day of the week, because I 851 00:48:44,480 --> 00:48:49,440 Speaker 1: think sometimes on Tuesdays we can be a little like draggy. Yeah, 852 00:48:49,560 --> 00:48:52,160 Speaker 1: well we're supposed to be so that Wednesday's upbeat. But 853 00:48:52,239 --> 00:48:54,560 Speaker 1: if you didn't drag on Tuesday, Wednesday, what's Wednesday? But 854 00:48:54,600 --> 00:48:58,080 Speaker 1: then you started this morning I'm talking about his long nail. Yeah, 855 00:48:58,120 --> 00:48:59,800 Speaker 1: well you dragged me down, but I came out of 856 00:48:59,840 --> 00:49:08,040 Speaker 1: it as I'm positive. On air with Ryan Seacrests speaking 857 00:49:08,080 --> 00:49:11,520 Speaker 1: of Los Angeles and all the hit music coming out 858 00:49:11,520 --> 00:49:14,200 Speaker 1: of here. We've got our mayor on the line with 859 00:49:14,280 --> 00:49:17,160 Speaker 1: us now, Mayor Karen Bass, Hello, Mayor, how are you? 860 00:49:18,040 --> 00:49:21,120 Speaker 1: I am doing just fine. How are you? I'm doing well? 861 00:49:21,120 --> 00:49:22,960 Speaker 1: But you know, I gotta tell you something. Well, sometimes 862 00:49:22,960 --> 00:49:25,560 Speaker 1: when we play some of the songs here on Kiss FM, 863 00:49:25,640 --> 00:49:29,000 Speaker 1: I do picture you in like a suburban being driven 864 00:49:29,040 --> 00:49:37,439 Speaker 1: around listening. Does that ever happen? Nice? That makes us happy? Yeah? 865 00:49:37,920 --> 00:49:40,360 Speaker 1: Uh well, listen, there's something I really want to have 866 00:49:40,400 --> 00:49:44,200 Speaker 1: you on with us to discuss. Was the la Usd 867 00:49:44,480 --> 00:49:49,000 Speaker 1: striking situation. But before that, you know, we too many 868 00:49:49,000 --> 00:49:51,320 Speaker 1: times start our days and we see this horrible news 869 00:49:51,320 --> 00:49:54,320 Speaker 1: of kids being shot and not being safe in schools 870 00:49:54,400 --> 00:49:58,200 Speaker 1: and places around the country. Um, it rocks us to 871 00:49:58,239 --> 00:50:00,520 Speaker 1: the court. This when in Nashville happened very close to 872 00:50:00,520 --> 00:50:02,359 Speaker 1: where my niece was in school, about ten minutes away, 873 00:50:02,360 --> 00:50:05,880 Speaker 1: and they were on lockdown. Oh, when everything was active 874 00:50:05,880 --> 00:50:09,440 Speaker 1: there in Nashville. And you can't you can't help but 875 00:50:09,520 --> 00:50:11,319 Speaker 1: think if you've got kids and your kids are going 876 00:50:11,320 --> 00:50:13,759 Speaker 1: off to school here in southern California, this goes through 877 00:50:13,800 --> 00:50:18,480 Speaker 1: your mind, right, So what do you say to those parents, well, 878 00:50:18,520 --> 00:50:22,279 Speaker 1: you know, absolutely, I mean, and as a parent, I mean, 879 00:50:22,280 --> 00:50:25,000 Speaker 1: it's just chilling, and I'm sorry to hear that your 880 00:50:25,080 --> 00:50:28,000 Speaker 1: niece had to experience that. You know, we have been 881 00:50:28,080 --> 00:50:31,360 Speaker 1: lucky so far in LA Unified, we've not experienced that, 882 00:50:31,520 --> 00:50:34,120 Speaker 1: and fingers crossed that we won't. But you know, the 883 00:50:34,239 --> 00:50:37,720 Speaker 1: sad thing is is that until we have national laws 884 00:50:37,760 --> 00:50:40,160 Speaker 1: in place, I mean, we have the best laws in 885 00:50:40,239 --> 00:50:43,560 Speaker 1: California and in Los Angeles, but still this has to 886 00:50:43,600 --> 00:50:46,520 Speaker 1: be dealt with as a nation. And I'm very worried, 887 00:50:46,640 --> 00:50:49,960 Speaker 1: especially with the House of Representatives, how it has taken 888 00:50:50,000 --> 00:50:52,799 Speaker 1: such an extreme turn to the right, was the Republicans 889 00:50:52,840 --> 00:50:55,360 Speaker 1: taking over, that there's not going to be much hope 890 00:50:55,360 --> 00:50:58,680 Speaker 1: that we would get significant legislation passed out of this 891 00:50:58,760 --> 00:51:04,000 Speaker 1: House today this year when when this news is breaking, Um, 892 00:51:04,400 --> 00:51:08,040 Speaker 1: what goes through your mind, your your mind personally, well, 893 00:51:08,080 --> 00:51:11,880 Speaker 1: just just the fear, just imagining the terror that those 894 00:51:11,920 --> 00:51:15,160 Speaker 1: parents must steal, especially as they wait and you know 895 00:51:15,200 --> 00:51:18,399 Speaker 1: they always have to wait hours and hours before they 896 00:51:18,480 --> 00:51:22,440 Speaker 1: know whether their children are alive. And that's something that 897 00:51:22,600 --> 00:51:26,239 Speaker 1: is just gut wrenching. Mayor Karen Bass with us now 898 00:51:26,280 --> 00:51:29,400 Speaker 1: Here on Kiss FM, Well, listen. It was a tense 899 00:51:29,440 --> 00:51:32,640 Speaker 1: and tough three day strike. As people know here in 900 00:51:32,640 --> 00:51:35,279 Speaker 1: southern California, they were so directly impacted by it. In 901 00:51:35,360 --> 00:51:39,360 Speaker 1: Los Angeles. You stepped in, you mediated we got to 902 00:51:39,400 --> 00:51:42,560 Speaker 1: a place of an agreement. What were those those initial 903 00:51:42,680 --> 00:51:45,319 Speaker 1: days like for you where you didn't you didn't step in, 904 00:51:45,360 --> 00:51:47,640 Speaker 1: and what what was the determining factor for you to 905 00:51:47,640 --> 00:51:51,080 Speaker 1: get in and fix this. Well, actually I had stepped 906 00:51:51,080 --> 00:51:55,760 Speaker 1: in quite early. It just wasn't public. Both parties decided 907 00:51:55,800 --> 00:51:57,720 Speaker 1: it would be best for it not to be public, 908 00:51:57,760 --> 00:52:01,120 Speaker 1: so we didn't say anything until toward the end. But 909 00:52:01,200 --> 00:52:03,759 Speaker 1: I will tell you it was a real education for me, 910 00:52:04,120 --> 00:52:06,759 Speaker 1: and I think it probably was not just for those 911 00:52:06,800 --> 00:52:09,680 Speaker 1: of us in Los Angeles, but around the country. I mean, 912 00:52:09,719 --> 00:52:12,880 Speaker 1: here you have people who work in our schools and 913 00:52:13,000 --> 00:52:16,680 Speaker 1: take care of our children every single day, and their 914 00:52:16,760 --> 00:52:21,440 Speaker 1: wages are so low that many of them experience housing insecurity. 915 00:52:22,160 --> 00:52:24,200 Speaker 1: Many of them are in and out of living in 916 00:52:24,239 --> 00:52:27,719 Speaker 1: their cars and moving from place to place, and that's 917 00:52:27,760 --> 00:52:30,719 Speaker 1: just unacceptable. And the thing I think also that people 918 00:52:30,800 --> 00:52:34,120 Speaker 1: might forget about this part of the workforce is that 919 00:52:34,239 --> 00:52:38,239 Speaker 1: they are parents and their kids go to LA Unified. 920 00:52:38,640 --> 00:52:41,759 Speaker 1: So not only are they of the first responders with 921 00:52:41,760 --> 00:52:46,120 Speaker 1: our kids, but they are also parents of LAUSD children. 922 00:52:47,120 --> 00:52:52,279 Speaker 1: How just in terms of your role, how did you 923 00:52:52,360 --> 00:52:55,239 Speaker 1: specifically as the time went by, how did you get 924 00:52:55,239 --> 00:52:58,040 Speaker 1: it to be two parties agreeing to something here for 925 00:52:58,080 --> 00:53:01,920 Speaker 1: a solution? Well, I mean, I think that what was 926 00:53:02,040 --> 00:53:06,799 Speaker 1: most important is that the union was very clear that 927 00:53:06,840 --> 00:53:09,960 Speaker 1: this was going to be a line in the sand. 928 00:53:10,000 --> 00:53:13,600 Speaker 1: Their workforce had to be paid wages where they could 929 00:53:13,640 --> 00:53:17,680 Speaker 1: support themselves. And then the superintendent who agreed with that. 930 00:53:17,800 --> 00:53:22,600 Speaker 1: I mean, this was a monumental raise. The question was 931 00:53:22,960 --> 00:53:27,319 Speaker 1: how can the district afford it? So with that alone, 932 00:53:27,360 --> 00:53:30,080 Speaker 1: I think there was a lot of common ground. The 933 00:53:30,120 --> 00:53:35,200 Speaker 1: superintendent agreed that a significant raise was necessary. He agreed 934 00:53:35,360 --> 00:53:39,560 Speaker 1: that health insurance should cover not just the employees but 935 00:53:39,600 --> 00:53:44,200 Speaker 1: their families. That's a big deal. But the biggest obstacle 936 00:53:44,400 --> 00:53:47,759 Speaker 1: was just doing the math. And so that made me 937 00:53:47,800 --> 00:53:50,719 Speaker 1: feel like over time we were going to reach agreement. 938 00:53:51,000 --> 00:53:53,879 Speaker 1: We just needed to stick with it, you know, dig deep, 939 00:53:53,920 --> 00:53:57,440 Speaker 1: look at the finances, come up with several scenarios, several 940 00:53:57,480 --> 00:54:00,640 Speaker 1: different ways of financing it. And so that happened, and 941 00:54:00,719 --> 00:54:04,439 Speaker 1: I believe the union will ratify the contract today. That's 942 00:54:04,480 --> 00:54:07,440 Speaker 1: good news. It's interesting to hear that you were involved 943 00:54:07,440 --> 00:54:09,480 Speaker 1: early on. We just didn't know, you know, because I 944 00:54:09,760 --> 00:54:12,080 Speaker 1: felt relief when I read the news that you stepped in, 945 00:54:12,840 --> 00:54:15,000 Speaker 1: and I didn't know that you were already behind the 946 00:54:15,000 --> 00:54:18,200 Speaker 1: scenes exactly. Oh yeah, very much so. But you know what, 947 00:54:18,480 --> 00:54:23,440 Speaker 1: I'm not somebody that jumps in front of camera, you know, 948 00:54:23,520 --> 00:54:31,240 Speaker 1: to me either, I had no need to grandstand, even 949 00:54:31,280 --> 00:54:33,840 Speaker 1: though I was being hit by the press for quote 950 00:54:33,880 --> 00:54:37,080 Speaker 1: unquote not being involved. It was more important for me 951 00:54:37,200 --> 00:54:40,280 Speaker 1: to get to resolution than it was to worry about 952 00:54:40,280 --> 00:54:44,160 Speaker 1: whether I was being criticized. So that's a relief, you know, 953 00:54:44,200 --> 00:54:46,560 Speaker 1: it's good. It's actually great to hear you say that. 954 00:54:47,600 --> 00:54:49,200 Speaker 1: Thanks for coming on. I know you've got a luck 955 00:54:49,200 --> 00:54:51,120 Speaker 1: going on. But we really wanted to reflect on that 956 00:54:51,160 --> 00:54:55,360 Speaker 1: moment because we had very emotional listeners calling in saying 957 00:54:55,520 --> 00:54:58,040 Speaker 1: exactly what you said. I've got to have two jobs. 958 00:54:58,080 --> 00:55:01,880 Speaker 1: I can't afford to sleep somewhere crazy, and it really 959 00:55:02,520 --> 00:55:04,759 Speaker 1: you know, when we heard the almotion and tears from 960 00:55:04,760 --> 00:55:07,200 Speaker 1: our listeners calling in, from moms calling in who are working, 961 00:55:08,400 --> 00:55:12,279 Speaker 1: it was very striking and very moving. And you know, 962 00:55:12,360 --> 00:55:14,400 Speaker 1: one thing that we have to figure out in our city. 963 00:55:14,760 --> 00:55:17,040 Speaker 1: You shouldn't have to get to the point of living 964 00:55:17,040 --> 00:55:19,359 Speaker 1: in a tent in order to get help. So I 965 00:55:19,440 --> 00:55:21,960 Speaker 1: am very very worried that right now we're going to 966 00:55:22,000 --> 00:55:26,839 Speaker 1: see another real big increase in homelessness because of the protections, 967 00:55:26,920 --> 00:55:31,680 Speaker 1: the COVID protections going away and massive evictions taking place, 968 00:55:31,719 --> 00:55:33,440 Speaker 1: and so one thing that I would love to follow 969 00:55:33,520 --> 00:55:36,239 Speaker 1: up with you is to let listeners know that the 970 00:55:36,280 --> 00:55:40,640 Speaker 1: city Council did pass protections for tenants, and I'm just 971 00:55:40,760 --> 00:55:43,800 Speaker 1: worried that people won't know that those protections were passed. 972 00:55:44,040 --> 00:55:46,239 Speaker 1: So I would love to give you that information so 973 00:55:46,280 --> 00:55:48,960 Speaker 1: that your listeners, the ones that we're calling you in tears, 974 00:55:49,080 --> 00:55:52,279 Speaker 1: know that there is help from the city available. Well, 975 00:55:52,320 --> 00:55:55,080 Speaker 1: that's great to hear, and we will absolutely love to 976 00:55:55,120 --> 00:55:57,920 Speaker 1: have that follow up with you. Mayor Karen Bass, thank 977 00:55:57,960 --> 00:55:59,640 Speaker 1: you for coming up. I'm just looking here. They're telling 978 00:55:59,680 --> 00:56:01,719 Speaker 1: me that you are the fourth so I've been here 979 00:56:01,760 --> 00:56:05,560 Speaker 1: for I don't have tens of years, but the fourth mayor. 980 00:56:05,560 --> 00:56:08,080 Speaker 1: We've had on Mara Han y Had Dragosa, Margo Setti, 981 00:56:08,160 --> 00:56:10,520 Speaker 1: now Mayor Bass. I'm very very proud to know that. 982 00:56:10,680 --> 00:56:13,880 Speaker 1: Thank you so much for coming with us. I'm always 983 00:56:13,920 --> 00:56:16,040 Speaker 1: happy to be on. Thank you, you take your care 984 00:56:16,040 --> 00:56:23,120 Speaker 1: of goodbye. It's like Mayor Bascott the right energy. Yeah, 985 00:56:23,280 --> 00:56:28,280 Speaker 1: good energy in the morning. Right, Interesting because I thought 986 00:56:28,360 --> 00:56:31,799 Speaker 1: when I read oh she stepped into mediate, what was 987 00:56:31,840 --> 00:56:35,680 Speaker 1: the like? Why right now? Why this hour? What was 988 00:56:35,719 --> 00:56:38,480 Speaker 1: the straw this hour? Turns out she said she was 989 00:56:38,480 --> 00:56:40,319 Speaker 1: involved from the get go, right. It was almost like 990 00:56:40,360 --> 00:56:42,120 Speaker 1: she came in to save the day. But nope, she 991 00:56:42,200 --> 00:56:47,000 Speaker 1: was there the whole time. Um, all right, Mark, Mayor Han, 992 00:56:48,520 --> 00:56:51,600 Speaker 1: you're taking me back. What do we talk to Mayor 993 00:56:51,600 --> 00:56:54,200 Speaker 1: Han about? That was very early on when we were 994 00:56:54,200 --> 00:56:56,560 Speaker 1: doing the show from Hollywood and Highland. Oh do you 995 00:56:56,600 --> 00:57:00,560 Speaker 1: remember the conversations? I can't remember what challenges we were 996 00:57:00,600 --> 00:57:04,279 Speaker 1: facing then with Mayor Han two thousand and five or 997 00:57:04,280 --> 00:57:15,040 Speaker 1: early two thig challenges on Air with Ryan Seacrest. I 998 00:57:15,080 --> 00:57:16,560 Speaker 1: was gonna do it for us Tomorrow we're back with 999 00:57:16,640 --> 00:57:20,760 Speaker 1: the Ryan's roses, Sisney, what's the plan till eleven? I've 1000 00:57:20,800 --> 00:57:24,200 Speaker 1: got San Diego Zoo tickets come in your way, go 1001 00:57:24,480 --> 00:57:27,640 Speaker 1: see all the animals. Have a good day. Guys, Thanks 1002 00:57:27,640 --> 00:57:30,360 Speaker 1: for listening to On Air with Ryan Seacrest. Make sure 1003 00:57:30,400 --> 00:57:32,400 Speaker 1: to subscribe and we'll talk to you again. Tomorrow,