WEBVTT - #Throwback Episode - w/ Wyclef | (Ep.90)

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<v Speaker 1>Hey, Hank sag Gree, Hope you're sovia, this is your

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<v Speaker 1>boy in what up?

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<v Speaker 2>Dj e F and this streak Chance motherfucking Paul.

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<v Speaker 1>And right now we've got hands down, one of the

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<v Speaker 1>best producers, one of the most diverse artists, one of

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<v Speaker 1>the persons who's been part of the most influential groups

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<v Speaker 1>in the world, that changed the world, that helped personally,

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<v Speaker 1>helped change me in my outlooking life. They came from

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<v Speaker 1>the depths of the hell bottom and they rose to

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<v Speaker 1>the top. He continued to make hits for people like

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<v Speaker 1>Carlos Santana, Beyonce, Destiny Child and you know whatever else

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<v Speaker 1>you want to say.

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<v Speaker 3>In pop started.

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<v Speaker 1>They had to come to see him. They had to

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<v Speaker 1>come to see him if they wanted to go to

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<v Speaker 1>that next level. And right now we got John wat

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<v Speaker 1>Clip Jean. So you know, this is how I'm gonna

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<v Speaker 1>do it, because I'm a real fan. I want to

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<v Speaker 1>take it from the booger basement.

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<v Speaker 3>Is that what it's called. Yes, it's called a bug of.

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<v Speaker 2>The book Jersey, right, yeah, studio, Yeah, the studio is

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<v Speaker 2>called a booker. But first, you know, I want to

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<v Speaker 2>bring you salute from the whole the whole entire Haiti.

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<v Speaker 2>You know what I mean. You know, we love you,

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<v Speaker 2>we salute you representative.

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<v Speaker 3>Yeah, so uh he ran for president.

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<v Speaker 2>We wanted to make sure that that was clear. You know,

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<v Speaker 2>that was the first thing. So I'd say, man, the

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<v Speaker 2>Booker basement. You know, I was after Haiti leaving Brooklyn,

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<v Speaker 2>kim Marlboro Projects, Coney Island. My dad was searching for

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<v Speaker 2>a better life. He brought us to.

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<v Speaker 3>Jersey and and we lived in East Orange.

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<v Speaker 4>Yeah.

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<v Speaker 2>So so from East Orange, I one O seven South Clinton.

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<v Speaker 2>From there we moved to Newark. So I was back

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<v Speaker 2>and forth between Noyork and EASTTNGE. And you know, my

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<v Speaker 2>dad was a minister. So when the church they had that,

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<v Speaker 2>it was that whole myth about circular music and so

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<v Speaker 2>the same thing that the Cats went through. That was

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<v Speaker 2>in the seventies where if you was playing church music,

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<v Speaker 2>you couldn't be playing you couldn't go to be playing

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<v Speaker 2>club music, you know what I'm saying. So basically we

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<v Speaker 2>had to sneak. So when I was playing, you know,

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<v Speaker 2>like if I was playing outside of the church, I

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<v Speaker 2>was sneaking to do that because you couldn't do that

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<v Speaker 2>around Yeah, it was blasphemous, so similar like Marvin gay

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<v Speaker 2>father so for me, but my passion was battle rapping.

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<v Speaker 2>So I went to Vellsburg High School. Anybody who's listening

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<v Speaker 2>to this right now, Vellsburg High School, you already know

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<v Speaker 2>my first name is Nell. Yeah, for Nelly.

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<v Speaker 3>Nell.

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<v Speaker 2>I used to eat motherfuckers up for breakfast and lunch dinner.

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<v Speaker 3>Barely seventeen years old.

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<v Speaker 2>I was obsessed with just because coming from Haiti, I

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<v Speaker 2>was like, yo, the only way I'm gonna get attention

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<v Speaker 2>and people to pay attention. It's almost like you gotta

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<v Speaker 2>spit better than them. So I took the vocabulary to

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<v Speaker 2>Shakespeare and just became like a wordsmith, you know what

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<v Speaker 2>I mean. And the Booger Basement, the way it sound,

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<v Speaker 2>that's what it is, you know. I meant a Kon.

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<v Speaker 2>A Kon came to the Booger Uh was.

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<v Speaker 3>Actually Jersey City? Correct? Yeah, the Royal Black Warrior.

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<v Speaker 2>Yeah, so so I'm you know, I'm gonna give it

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<v Speaker 2>to you like the death Man. A Kon was a

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<v Speaker 2>barber like akond this. Yeah, you know I'm gonna give

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<v Speaker 2>it to you. Yeah, one of the jobs, yeah a

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<v Speaker 2>kon Yeah, yeah, so a Kon one of his jobs man.

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<v Speaker 2>He was an incredible barber, but he always used to

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<v Speaker 2>come to the bugger and he come to the book

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<v Speaker 2>and be like, Yo, look Clett, listen to my music.

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<v Speaker 2>I got this music. So in my hood I was

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<v Speaker 2>like Doctor Dre. So I was like that Haitian Doctor Dre.

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<v Speaker 2>You're still like doctor the early nineties. Yeah, this was

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<v Speaker 2>like you know when you watched the whole n w

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<v Speaker 2>A up him. Yeah, well this is before this, way

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<v Speaker 2>before I'm talking about here. So this like the foundation.

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<v Speaker 2>So the Booger was the spot everybody would come through.

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<v Speaker 2>Now I'm gonna give you another fact on ACN. So

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<v Speaker 2>when we did the score, there's a remix of Fuji. Yeah,

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<v Speaker 2>the Fujili remix. I put a con on it. So

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<v Speaker 2>this is like way before anything, like yeah, so this

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<v Speaker 2>is what. So when we did in the remix, I

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<v Speaker 2>was like, yo, I gotta put this kid on it

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<v Speaker 2>because I think, like he's gonna go somewhere, Like he's

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<v Speaker 2>incredible every time I see him. So whenever I used

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<v Speaker 2>to do shows, I would just bring a kN on

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<v Speaker 2>stage if he was there. So I only take you

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<v Speaker 2>that far back to show you. So there was two

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<v Speaker 2>sides of Jersey we was representing the refugee side and

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<v Speaker 2>then you had the outsiders. The outsiders was Eminem Eminem,

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<v Speaker 2>young z I dig Up Pace one, so all of

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<v Speaker 2>that was on the other side. So when we was

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<v Speaker 2>doing the score, I was like, Yo, it would be

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<v Speaker 2>dope if we could unify both clicks on one record.

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<v Speaker 2>So on the score, the song Cowboys was when we

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<v Speaker 2>unified it was refugees and the outsiders and we put

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<v Speaker 2>that together.

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<v Speaker 3>That was a scenario.

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<v Speaker 2>A Kon was on our side, but it was sort

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<v Speaker 2>of like a Kon was doing his thing. It was

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<v Speaker 2>just he always was on the grind. So even though

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<v Speaker 2>when Fuji's was blowing up, he still was like, Yo,

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<v Speaker 2>you need to check out my music. And then years

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<v Speaker 2>after it's all good that years years later he blew up.

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<v Speaker 2>But it's just to show you erkabat do. A lot

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<v Speaker 2>of people came through that book of basement, you know

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<v Speaker 2>what I mean? A lot of a lot of talent

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<v Speaker 2>came through that basement. And it was crazy because Diamond D.

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<v Speaker 2>I remember Diamond D shout out to domind D Salam

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<v Speaker 2>remy Salam, Salam is like na salam is like the

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<v Speaker 2>gurule like before the Fuji's before everything, Like, right, yeah, Salam,

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<v Speaker 2>did you know that Amy Winehouse documentary when she's talking

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<v Speaker 2>about the Sensey and she she's calling the freestyle in

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<v Speaker 2>the studio. He yeah, yeah, so she's calling him. So

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<v Speaker 2>Salam was the like Salam was doing hits man. I

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<v Speaker 2>think he was like fifteen sixteen years old. He was

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<v Speaker 2>like the dude doing like the super cat all of

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<v Speaker 2>that crazy stuff that was like that was like flex

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<v Speaker 2>flex right hand man. So for me, all of those

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<v Speaker 2>that was really the come up. So to think that

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<v Speaker 2>all of that really came from the booger I told people,

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<v Speaker 2>I said, what the Fuji's and Steve job got in common?

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<v Speaker 2>You know, Steve jobs invention was in the garage. Our

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<v Speaker 2>invention was in the basement. Yeah.

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<v Speaker 1>So so you being from Hayden coming to you went

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<v Speaker 1>to Brooklyn first, because I think you went to Brooklyn

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<v Speaker 1>and then you went to Jersey, right, yeah, we lived

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<v Speaker 1>in Brooklyn. You let in Brooklyn, went over Brooklyn and

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<v Speaker 1>you But but Haiti is Caribbean, correct?

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<v Speaker 3>How was that that first call when they said, Yo,

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<v Speaker 3>Shakiro wants to work with you. Did you think about

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<v Speaker 3>Ian pussy? Did you think about because.

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<v Speaker 2>That's the first thing I'm.

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<v Speaker 3>Thinking about.

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<v Speaker 2>Before you don't have the clar.

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<v Speaker 3>I'm sorry, I forgot awkward.

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<v Speaker 2>So the funny thing about the Shakira record is that, uh,

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<v Speaker 2>that record was done.

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<v Speaker 3>Two years before Shakira. I did it for a movie.

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<v Speaker 2>Called Havana Knights. So Clive told me that he wanted it.

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<v Speaker 1>And at the time we said, clip you talk about

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<v Speaker 1>talking about the regular nigga.

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<v Speaker 2>He's got a bigga from.

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<v Speaker 3>Down the.

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<v Speaker 2>Clid from flat Bush who used to sell.

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<v Speaker 3>You know what.

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<v Speaker 2>So yeah, so that climb. So Clive hit me up like, yo,

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<v Speaker 2>I'm doing the soundtrack and I need a joy from you.

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<v Speaker 2>So for me, the whole, the whole idea of what

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<v Speaker 2>I do, because you know, Haiti is just Spinola, so

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<v Speaker 2>it's like basically Haiti and the d R.

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<v Speaker 3>Geographically it is really one because we want let's break that.

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<v Speaker 1>But for Columbus actually discovered that island, well he didn't

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<v Speaker 1>discover it.

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<v Speaker 2>He came there and the people was already there.

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<v Speaker 1>It was actually originally called Espanol and that was Dominican Republican.

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<v Speaker 2>And hey, I'm sorry, I got smart.

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<v Speaker 3>I'm so sorry.

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<v Speaker 2>Let me get back to come. I don't want people

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<v Speaker 2>to know.

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<v Speaker 5>And then the French colonized the side, right, Yeah, is

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<v Speaker 5>that the way when in the Spaniards stayed on the

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<v Speaker 5>Dominican side is out of the division.

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<v Speaker 2>And somebody a pussy along them every time I secure

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<v Speaker 2>you dancing, continued I'm sorry, my mom, don't don't repeat

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<v Speaker 2>these bad words.

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<v Speaker 6>Yeah.

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<v Speaker 2>So, so, basically, he just wanted me to do the

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<v Speaker 2>song for the movie. At the time, we had a

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<v Speaker 2>group called City High. So City High we had to

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<v Speaker 2>start as Claude artists.

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<v Speaker 3>She got pregnant by the other guy, right, which came.

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<v Speaker 2>Later, right, which came later. A lot of mistakes, you

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<v Speaker 2>know what I mean, learn from So so it was

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<v Speaker 2>you got no, no, you was breaking on. I didn't

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<v Speaker 2>get him pregnant yet, I didn't get nobody pregnant was bad.

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<v Speaker 3>Nobody would be mad at you. We thought it was

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<v Speaker 3>your baby for a long time, be honest to No. No,

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<v Speaker 3>Billy Jean myself with forward continued Yeah.

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<v Speaker 2>So, so so we do it for the movie and

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<v Speaker 2>the record sits there, and you know, Clive, I was like, Clive,

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<v Speaker 2>just record feel special. I think it's bigger, but he

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<v Speaker 2>was like, no, it's just for the movie. So two

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<v Speaker 2>years later I get a call from Donniana and Charlie

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<v Speaker 2>walk and Charlie walks like, Yo, we need a record

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<v Speaker 2>for Shakira because we're trying to get her on the

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<v Speaker 2>other side of the fence and is also a big guy.

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<v Speaker 3>Let's continuey. She hadn't done it bi lingual record yet

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<v Speaker 3>at this point.

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<v Speaker 2>Yeah, there was, there was. There had a few records

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<v Speaker 2>on her, but they was trying to cross her the

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<v Speaker 2>way that I had crossed Santana over.

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<v Speaker 3>So we got to get to that because into today's

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<v Speaker 3>yeah on college wild thoughts.

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<v Speaker 2>But yeah, so so then so I told him, I said, look,

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<v Speaker 2>I got a record. I was sitting here for two years.

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<v Speaker 2>So anybody if you listen to the original record, it

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<v Speaker 2>was on the Havana Night soundtrack. It's Claudette singing it

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<v Speaker 2>word to Bond, It's the same record. The only thing

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<v Speaker 2>I added was Shakira, Shakira, Shakira and Cara veryble. So

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<v Speaker 2>I get the call man and and then it's Shakira.

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<v Speaker 2>It's real talk. And then so she hits me, Shakira

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<v Speaker 2>called you direct, Yeah, she needs to hear. Yeah, So

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<v Speaker 2>Shaky calls me.

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<v Speaker 3>Right now.

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<v Speaker 2>Yeah, So so shaq collar and she's like I was like, Yo,

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<v Speaker 2>you know you heard the record. She was like, I

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<v Speaker 2>love the record, and she was like, I had I

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<v Speaker 2>had a dream about you. Yeah, so exactly. I I

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<v Speaker 2>didn't know where it was going either.

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<v Speaker 7>I was in I was.

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<v Speaker 2>Nigga, I was so I get the call and Shackie's

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<v Speaker 2>So the dream wasn't what I wanted to dream at

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<v Speaker 2>the time, but it was just the fact that we

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<v Speaker 2>was connected. And then we we met in Miami and

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<v Speaker 2>when we got together, I would say, what made that

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<v Speaker 2>record special was the fusion. She came with that straight

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<v Speaker 2>Columbian fusion. And sometimes you could write a record it's

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<v Speaker 2>like a movie. It takes a certain actor to make

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<v Speaker 2>the movie a hit, a certain mattress. So basically I

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<v Speaker 2>remember me and Jerry doing that the record Jerry, Yeah,

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<v Speaker 2>Jerry Wonder my partner. And then she basically I remember

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<v Speaker 2>she was like, Yo, if my hips don't move, the

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<v Speaker 2>record ain't a hit. So when she said that, like,

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<v Speaker 2>I was like, Wow, we're gonna have Shakira dancing in

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<v Speaker 2>the studio for eight hours is I started banging on

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<v Speaker 2>everything and then that's how really the magic happened. And

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<v Speaker 2>from there, you know, she she recorded the record, we

0:13:12.440 --> 0:13:16.000
<v Speaker 2>put the cultures together. It's something about when you it's

0:13:16.040 --> 0:13:19.840
<v Speaker 2>an algorithm dog when you put cultures together, and because

0:13:20.040 --> 0:13:22.600
<v Speaker 2>that kind of music is no longer music, it becomes

0:13:22.720 --> 0:13:24.840
<v Speaker 2>just a cultural phenomenon, you know what I mean.

0:13:25.360 --> 0:13:27.920
<v Speaker 3>So that was the situation with that, and it was

0:13:27.960 --> 0:13:28.680
<v Speaker 3>an incredible and it.

0:13:28.679 --> 0:13:30.120
<v Speaker 5>Felt like y'all kind of did that on the hip

0:13:30.160 --> 0:13:32.960
<v Speaker 5>hop side with Cypress before that with Cubans me Haitians.

0:13:33.000 --> 0:13:35.280
<v Speaker 5>That felt, oh yeah, yeah, a big record for you,

0:13:35.960 --> 0:13:38.000
<v Speaker 5>Yeah yeah, I just feeling that record.

0:13:37.840 --> 0:13:39.880
<v Speaker 2>Yeah, big time, big time. But for me, you know,

0:13:40.000 --> 0:13:43.560
<v Speaker 2>the melting pot for me is like as much as

0:13:43.600 --> 0:13:46.200
<v Speaker 2>of Haitian, no one can't tell me I ain't Latin.

0:13:46.240 --> 0:13:48.400
<v Speaker 2>No one can't tell me I ain't African, because you know,

0:13:48.520 --> 0:13:51.080
<v Speaker 2>if I if I start to play sousa or Caribbean,

0:13:51.280 --> 0:13:53.240
<v Speaker 2>if you close your eyes and I start to play piano,

0:13:53.280 --> 0:13:55.360
<v Speaker 2>so you be thinking I'm from Cuba. Because for me,

0:13:55.520 --> 0:13:57.520
<v Speaker 2>no one could okie dope me. Like at the end

0:13:57.559 --> 0:14:00.360
<v Speaker 2>of the day, we want people they separate us whatever.

0:14:00.559 --> 0:14:02.560
<v Speaker 2>But for me, it's like, I know, I got family

0:14:02.640 --> 0:14:03.480
<v Speaker 2>from Cuba, from.

0:14:03.400 --> 0:14:04.520
<v Speaker 3>Jamaica or whatever, you know what I mean.

0:14:05.280 --> 0:14:07.719
<v Speaker 2>The percussions were exactly were connected.

0:14:07.360 --> 0:14:08.040
<v Speaker 3>By them drums.

0:14:08.080 --> 0:14:09.440
<v Speaker 2>So that's that's how it what happened.

0:14:09.480 --> 0:14:13.439
<v Speaker 3>Man, So let me ask you something. You did Cara call?

0:14:13.679 --> 0:14:16.240
<v Speaker 3>Now that you're just a shaky shaky, shaky I'm sorry,

0:14:17.320 --> 0:14:22.600
<v Speaker 3>cool like that. I still got called. But so you're

0:14:22.600 --> 0:14:23.240
<v Speaker 3>saying you got the.

0:14:23.360 --> 0:14:27.440
<v Speaker 1>Call Santana call prior that that that record came prior.

0:14:27.520 --> 0:14:29.600
<v Speaker 1>For some reason, I thought you Carra came first here.

0:14:29.720 --> 0:14:32.080
<v Speaker 2>Now you know in Santana. Remember I did Santana and

0:14:32.160 --> 0:14:33.160
<v Speaker 2>I did Whitney Houston.

0:14:34.520 --> 0:14:36.480
<v Speaker 3>God you did what?

0:14:37.080 --> 0:14:37.280
<v Speaker 2>Yeah?

0:14:37.320 --> 0:14:37.560
<v Speaker 3>I did?

0:14:37.600 --> 0:14:40.720
<v Speaker 2>I'm doing that road. My love is your love, and

0:14:41.080 --> 0:14:50.960
<v Speaker 2>your love I forget. Yeah, we never.

0:14:55.040 --> 0:14:59.920
<v Speaker 3>You gotta rely. So it's super now.

0:15:00.000 --> 0:15:02.880
<v Speaker 1>Now, now here's the reason why Colos Santana for artists

0:15:03.000 --> 0:15:07.960
<v Speaker 1>like us, right, it's super like special because Carlos doesn't sing.

0:15:08.560 --> 0:15:09.080
<v Speaker 2>Oh he does.

0:15:09.160 --> 0:15:10.240
<v Speaker 3>This is me. I'm sorry, I'm mad.

0:15:10.360 --> 0:15:13.720
<v Speaker 2>I come on, that's me. It's me, it's me.

0:15:15.600 --> 0:15:20.480
<v Speaker 3>So so called Santana traditionally doesn't actually sing on the records.

0:15:20.800 --> 0:15:23.360
<v Speaker 3>He actually tried to compose. So when Carlos called you,

0:15:23.480 --> 0:15:26.240
<v Speaker 3>what was your very first thought? First off, did you

0:15:26.320 --> 0:15:28.840
<v Speaker 3>think it was Carlos Santana or you knew because you

0:15:28.960 --> 0:15:29.400
<v Speaker 3>was that big?

0:15:29.760 --> 0:15:32.920
<v Speaker 2>You know the way that it happened. It happened through

0:15:32.960 --> 0:15:35.440
<v Speaker 2>Clive Davis. So Clive is like, just a.

0:15:37.560 --> 0:15:38.680
<v Speaker 3>Clip from flat.

0:15:41.000 --> 0:15:44.000
<v Speaker 8>You gonna start clapping. You can't be around here. If

0:15:44.040 --> 0:15:50.240
<v Speaker 8>I clap your clap, we're.

0:15:50.080 --> 0:15:55.240
<v Speaker 1>Gonna step love in the building, stephead. So so Clid

0:15:55.280 --> 0:15:57.560
<v Speaker 1>from flat Bush calls it. Yeah, so Clod from flat

0:15:57.600 --> 0:15:58.120
<v Speaker 1>bushit me.

0:15:58.720 --> 0:16:01.200
<v Speaker 2>And you know, he gave you the big godfather talk,

0:16:01.320 --> 0:16:04.760
<v Speaker 2>you know, and the talk is like, yo, why cleft?

0:16:06.320 --> 0:16:11.040
<v Speaker 9>I know you study your presence by the way, study jazz.

0:16:11.160 --> 0:16:14.800
<v Speaker 9>And I've been thinking, what do you think about a

0:16:14.880 --> 0:16:16.880
<v Speaker 9>fusion with Carlos Santana?

0:16:17.440 --> 0:16:19.320
<v Speaker 2>And I was like, yo, I love Carlos Santana.

0:16:19.440 --> 0:16:21.360
<v Speaker 3>He's on arist at the time. Yeah, okay.

0:16:21.480 --> 0:16:23.400
<v Speaker 2>And then you know, and then Clive then he gonna

0:16:23.440 --> 0:16:25.720
<v Speaker 2>hit you with that pressure. He's like, okay, you have

0:16:25.880 --> 0:16:30.840
<v Speaker 2>twenty four hours. So basically, so when I do these records, though,

0:16:30.960 --> 0:16:34.200
<v Speaker 2>it's like all of my records got schemes in them, man,

0:16:34.800 --> 0:16:37.480
<v Speaker 2>Like you know what I mean, I break down the fundamentals,

0:16:37.560 --> 0:16:39.720
<v Speaker 2>you know, saying hip hop is one of my schemes.

0:16:40.120 --> 0:16:42.600
<v Speaker 2>But growing up in the hood, I used to escape,

0:16:42.920 --> 0:16:44.880
<v Speaker 2>and I used to scape and watch movies one movie

0:16:44.920 --> 0:16:47.480
<v Speaker 2>I used to watch was West Side Story. And west

0:16:47.520 --> 0:16:50.480
<v Speaker 2>Side Story is a deep story, man, It's about like

0:16:50.880 --> 0:16:53.880
<v Speaker 2>gun culture, you know what I mean, gang culture, clash culture.

0:16:54.320 --> 0:16:56.840
<v Speaker 2>And and then remember West Side Story, the girl name

0:16:56.920 --> 0:17:25.359
<v Speaker 2>was Maria say no, rest story was going on.

0:17:28.920 --> 0:17:31.320
<v Speaker 3>Watch what happened to Product g n B.

0:17:32.200 --> 0:17:33.320
<v Speaker 2>Man, that's a good question.

0:17:33.640 --> 0:17:36.080
<v Speaker 3>So the guys that saying on that, oh.

0:17:36.040 --> 0:17:38.040
<v Speaker 2>Yeah they finished, yeah, but they.

0:17:40.040 --> 0:17:40.760
<v Speaker 3>Don't finish that.

0:17:42.880 --> 0:17:45.000
<v Speaker 2>We never knew who they was from again they got

0:17:45.920 --> 0:17:47.639
<v Speaker 2>that was a big record, No, no, you know what.

0:17:47.880 --> 0:17:51.240
<v Speaker 2>So so one thing that you said, which is is

0:17:51.880 --> 0:17:54.879
<v Speaker 2>how the records are put together? Right? So from a

0:17:55.040 --> 0:17:58.040
<v Speaker 2>composer aspect, right, the first thing I'm gonna do is

0:17:58.080 --> 0:18:00.600
<v Speaker 2>I'm gonna say who can and sing this?

0:18:01.480 --> 0:18:04.200
<v Speaker 3>Right? So I was obsessed with David Ruffins.

0:18:04.800 --> 0:18:09.679
<v Speaker 2>So Product g m B from from from from Long Island,

0:18:10.760 --> 0:18:14.959
<v Speaker 2>Kid Money Harmed had that vocal where it was like yo,

0:18:15.080 --> 0:18:17.240
<v Speaker 2>he just had because I needed somebody, like you said,

0:18:17.480 --> 0:18:20.440
<v Speaker 2>Santana a singer. He's an instrumental.

0:18:22.680 --> 0:18:27.800
<v Speaker 1>Like Willie Cologne in Puerto Rico. Willi Cologne only plays instruments, correct, Yeah, and.

0:18:34.160 --> 0:18:35.160
<v Speaker 3>He always a singer.

0:18:35.240 --> 0:18:38.600
<v Speaker 2>But so that's what is So I had to put

0:18:38.640 --> 0:18:46.040
<v Speaker 2>the whole sky. Yeah, no, that's dope what you said.

0:18:46.080 --> 0:18:49.359
<v Speaker 2>So to your point, So as a composer, this this

0:18:49.560 --> 0:18:53.520
<v Speaker 2>is where you know reality has to always How I'm

0:18:53.560 --> 0:18:56.320
<v Speaker 2>able to do this over and over again, it's because

0:18:56.400 --> 0:18:59.600
<v Speaker 2>my background is, like I'm a hip hopper, but I'm

0:18:59.640 --> 0:19:03.119
<v Speaker 2>a jazz major, Like I love jazz, So jazz is

0:19:03.160 --> 0:19:06.000
<v Speaker 2>based on the composition. So I gotta set the scheme up.

0:19:06.080 --> 0:19:08.720
<v Speaker 2>So there's a few schemes on that record. The other

0:19:08.840 --> 0:19:11.560
<v Speaker 2>scheme is I'm a big fan of Wu Tang clan

0:19:15.040 --> 0:19:18.880
<v Speaker 2>angle and that whole record. Did y'all hear the part

0:19:18.960 --> 0:19:20.640
<v Speaker 2>that was that sounded like Wu Tang?

0:19:21.119 --> 0:19:21.159
<v Speaker 7>No?

0:19:21.720 --> 0:19:27.320
<v Speaker 3>Okay, So I'm gonna grab my guitar. It's a different

0:19:27.359 --> 0:19:32.000
<v Speaker 3>type of park. We got niggaso guitars and ship got

0:19:32.480 --> 0:19:32.920
<v Speaker 3>with guitar.

0:19:33.000 --> 0:19:33.600
<v Speaker 6>You gotta.

0:19:35.160 --> 0:19:38.160
<v Speaker 3>Da says your day.

0:19:45.640 --> 0:19:49.360
<v Speaker 1>Everybody be quiet, everybody quiet, please walk continue.

0:19:49.480 --> 0:19:52.600
<v Speaker 2>Yeah, So this is what we're going to producing one

0:19:52.680 --> 0:19:53.600
<v Speaker 2>on one vibe and we.

0:19:53.600 --> 0:19:57.000
<v Speaker 3>Don't got to play this or night right now, you

0:19:57.080 --> 0:19:57.600
<v Speaker 3>ain't got it.

0:20:00.200 --> 0:20:07.760
<v Speaker 2>The music younger, clear it man, I own it, mano right,

0:20:07.880 --> 0:20:11.080
<v Speaker 2>so check it out. So so when I'm composing, right,

0:20:11.200 --> 0:20:25.000
<v Speaker 2>So the first part we composed was right, So that

0:20:25.160 --> 0:20:27.520
<v Speaker 2>was the first zone you feel and they all feel

0:20:27.920 --> 0:20:31.560
<v Speaker 2>that record. So so then when we said Wu Tang

0:20:31.640 --> 0:20:33.879
<v Speaker 2>clan ain't nothing to funk with. So one of the

0:20:34.000 --> 0:20:37.560
<v Speaker 2>things I thought that public would identify with with Santana's

0:20:37.560 --> 0:20:40.720
<v Speaker 2>an instrument tillis right, this is where the haitian comes out?

0:20:41.160 --> 0:20:43.760
<v Speaker 2>Did somebody who plays the instruments? I was like, what

0:20:43.920 --> 0:20:49.879
<v Speaker 2>if I could take this, this Rizard scheme, so what.

0:20:49.960 --> 0:20:52.480
<v Speaker 10>If that.

0:20:55.280 --> 0:20:56.399
<v Speaker 7>Ain't with.

0:21:03.880 --> 0:21:06.000
<v Speaker 3>I'm giving them my hip hop hip hop car for

0:21:06.080 --> 0:21:06.399
<v Speaker 3>one day.

0:21:06.600 --> 0:21:08.639
<v Speaker 11>I know that.

0:21:11.040 --> 0:21:15.520
<v Speaker 2>So when we said we said playing by card Little Santana,

0:21:19.240 --> 0:21:22.280
<v Speaker 2>they did in the record. Yeah, yeah, So my whole

0:21:22.400 --> 0:21:25.080
<v Speaker 2>vibes be about the mashups. As a hip hop student,

0:21:25.160 --> 0:21:27.040
<v Speaker 2>you know what I mean, I consider myself a hip

0:21:27.040 --> 0:21:30.280
<v Speaker 2>hop guitarist first, so so I think a lot of

0:21:30.320 --> 0:21:34.040
<v Speaker 2>the records like I always pay tribute to. So that

0:21:34.240 --> 0:21:36.960
<v Speaker 2>fusion came out like that because of you know what

0:21:37.000 --> 0:21:39.439
<v Speaker 2>I mean, like when when? And then so that scale

0:21:39.600 --> 0:21:42.600
<v Speaker 2>sounds like Wu Tang, but it's originally a gypsy scale,

0:21:43.000 --> 0:21:45.840
<v Speaker 2>So Santana is the king of that gypsy scale. So

0:21:45.920 --> 0:21:47.720
<v Speaker 2>at the end of the day, even though Rizza would

0:21:47.720 --> 0:21:50.040
<v Speaker 2>bring it back in a different form. So for me

0:21:50.240 --> 0:21:52.800
<v Speaker 2>that it all boils down to the basic science. You're there.

0:21:53.240 --> 0:21:57.440
<v Speaker 7>Yeah, so l L wait but did that science translate

0:21:57.520 --> 0:21:58.800
<v Speaker 7>to the to the new calid record?

0:21:59.480 --> 0:22:02.400
<v Speaker 2>So so so so cal we go back to that question,

0:22:03.040 --> 0:22:05.400
<v Speaker 2>the record. We can stay in the record.

0:22:05.440 --> 0:22:09.960
<v Speaker 1>You're right, yeah, wild thoughts Rihanna, Yeah, did they clear

0:22:10.040 --> 0:22:10.680
<v Speaker 1>that record with you?

0:22:10.800 --> 0:22:14.119
<v Speaker 2>Yeah, definitely. So so Khalid, who I've known man for

0:22:14.920 --> 0:22:17.560
<v Speaker 2>we're all good for. We all know. Yeah, so we

0:22:17.840 --> 0:22:20.080
<v Speaker 2>we you know, I go back with Color. That's like

0:22:20.200 --> 0:22:23.760
<v Speaker 2>brother the brother together. Yeah, that's how far he was.

0:22:25.440 --> 0:22:25.640
<v Speaker 11>Yeah.

0:22:27.600 --> 0:22:29.920
<v Speaker 2>Yeah. And then like people don't even know like I

0:22:30.080 --> 0:22:33.520
<v Speaker 2>used to like clash like dub plates, so I used

0:22:33.560 --> 0:22:35.359
<v Speaker 2>to this is there's a part of me like in

0:22:35.440 --> 0:22:39.480
<v Speaker 2>Miami in the early days with Kali. Yeah, so dudes

0:22:39.520 --> 0:22:41.760
<v Speaker 2>don't even know, like I could show up with a

0:22:41.840 --> 0:22:44.600
<v Speaker 2>crate and the murder the place. So so for me,

0:22:45.359 --> 0:22:47.480
<v Speaker 2>So I get the call from from my brother Colored

0:22:47.920 --> 0:22:51.480
<v Speaker 2>and he's like, yo, just this one seemed like it's

0:22:51.680 --> 0:22:54.000
<v Speaker 2>this this cleft. You don't understand. This is going to

0:22:54.080 --> 0:22:57.440
<v Speaker 2>be the biggest one. And boom boom boom boom. So

0:22:57.560 --> 0:23:00.159
<v Speaker 2>we need to get Santana, you know, the clear on

0:23:00.280 --> 0:23:02.960
<v Speaker 2>his part, I know you and Santana did the record.

0:23:03.320 --> 0:23:07.280
<v Speaker 2>So I called up Madeline Nelson, my CEO. She got

0:23:07.359 --> 0:23:11.800
<v Speaker 2>Santana and Santana's like my godfather. So Santana cleared it. Now,

0:23:11.880 --> 0:23:14.600
<v Speaker 2>this is what I love most about that. I remember

0:23:14.680 --> 0:23:18.000
<v Speaker 2>when I was doing killing Me Softly with the Fujis

0:23:18.280 --> 0:23:23.359
<v Speaker 2>killing Me one time, two times, and then her reality

0:23:23.520 --> 0:23:27.240
<v Speaker 2>struck me after I did that record, because the record

0:23:27.320 --> 0:23:30.159
<v Speaker 2>blew up like crazy. And after the record blew up,

0:23:30.600 --> 0:23:35.200
<v Speaker 2>I was like, damn, we just made somebody a gazillion

0:23:35.400 --> 0:23:38.520
<v Speaker 2>dollars of publishing because I didn't know how.

0:23:38.440 --> 0:23:40.439
<v Speaker 3>That worked, because you could do it the record, well,

0:23:40.480 --> 0:23:41.280
<v Speaker 3>you clear it.

0:23:41.440 --> 0:23:43.639
<v Speaker 2>But at the end of the day, So it just

0:23:43.760 --> 0:23:48.040
<v Speaker 2>it's a beautiful thing to be in twenty and seventeen

0:23:48.200 --> 0:23:52.480
<v Speaker 2>to hear the new generation sampling either the Fujis or

0:23:52.560 --> 0:23:54.280
<v Speaker 2>music by Wild Cleff is incredible.

0:23:54.359 --> 0:23:54.479
<v Speaker 7>Man.

0:23:54.560 --> 0:23:58.560
<v Speaker 3>So he directly sampled your version. Yeah that's the way.

0:23:58.760 --> 0:24:03.879
<v Speaker 2>Yeah, that's I just want to but yeah, and then just.

0:24:05.000 --> 0:24:05.560
<v Speaker 3>Was that the guitar.

0:24:05.720 --> 0:24:06.359
<v Speaker 2>That was the guitar?

0:24:06.560 --> 0:24:08.760
<v Speaker 3>Okay, that was play what they said.

0:24:09.960 --> 0:24:14.560
<v Speaker 2>Yeah, So basically when you hear this, so so the

0:24:14.600 --> 0:24:15.359
<v Speaker 2>whole grove is this.

0:24:23.920 --> 0:24:31.680
<v Speaker 3>For some reason. But it is a foundation.

0:24:31.880 --> 0:24:34.199
<v Speaker 2>So a lot of the foundations, that's how we create them,

0:24:34.200 --> 0:24:37.880
<v Speaker 2>you know what I mean. But that's how that want happen.

0:24:38.200 --> 0:24:41.920
<v Speaker 2>So from there, like I said, so Clive Davis knew

0:24:41.960 --> 0:24:43.560
<v Speaker 2>I had the Latin pulse with me, you know what

0:24:43.600 --> 0:24:46.359
<v Speaker 2>I mean? And I go back so far. This is

0:24:46.400 --> 0:24:51.399
<v Speaker 2>why I be crediting like you pud like you don't know,

0:24:51.560 --> 0:24:54.000
<v Speaker 2>like I go back back with the music as a

0:24:54.080 --> 0:24:57.280
<v Speaker 2>as a student, I go so far back, right, I

0:24:57.440 --> 0:24:58.640
<v Speaker 2>go back to Evy queen.

0:25:00.440 --> 0:25:03.439
<v Speaker 3>So one of my reporter we on, but.

0:25:03.920 --> 0:25:09.200
<v Speaker 2>Some money's walk up. That's one through out there.

0:25:09.440 --> 0:25:11.840
<v Speaker 1>We had sting raised, Sting Rays one hundred and thirty

0:25:11.880 --> 0:25:15.879
<v Speaker 1>second and what fifth Avenue sting Raised. In case you

0:25:15.920 --> 0:25:18.080
<v Speaker 1>guys don't know, they gotta s rock cola. They got

0:25:18.119 --> 0:25:20.200
<v Speaker 1>the Delion, which is the best of killing in the world.

0:25:20.520 --> 0:25:22.680
<v Speaker 1>And you know they got walk left and the drink

0:25:22.760 --> 0:25:25.200
<v Speaker 1>Champs and in the af everybody here.

0:25:25.359 --> 0:25:28.800
<v Speaker 3>That's why you know what I'm saying, don't forget sting raids.

0:25:28.840 --> 0:25:31.359
<v Speaker 3>Come see us. The owner got a cowboy hat on,

0:25:31.720 --> 0:25:34.040
<v Speaker 3>we got we got streets.

0:25:36.960 --> 0:25:40.760
<v Speaker 1>And guess what and guess what he's We are also

0:25:41.040 --> 0:25:44.680
<v Speaker 1>leasing a horse very soon, so your kids, we will

0:25:44.680 --> 0:25:45.840
<v Speaker 1>have a donkey in the front and.

0:25:45.880 --> 0:25:47.760
<v Speaker 2>A whole back. Let's do it.

0:25:47.840 --> 0:25:49.920
<v Speaker 3>Sting Rays one hundred thirty second up town.

0:25:55.440 --> 0:25:57.639
<v Speaker 2>Yeah we we we.

0:25:59.240 --> 0:25:59.440
<v Speaker 8>Sam.

0:25:59.600 --> 0:26:02.639
<v Speaker 3>I was very to go somewhere else. Need to go.

0:26:03.080 --> 0:26:06.280
<v Speaker 2>Remind us when we're coming back. We come back to that. Okay, listen,

0:26:06.400 --> 0:26:08.399
<v Speaker 2>you gotta relax. This is where I want to go.

0:26:08.880 --> 0:26:14.440
<v Speaker 3>Yeah, l L and Cannabis has a problem. Yeah you

0:26:14.640 --> 0:26:15.520
<v Speaker 3>picked cannabis.

0:26:17.359 --> 0:26:23.679
<v Speaker 1>I respected your decision, but I knew you wasn't gonna

0:26:23.800 --> 0:26:28.640
<v Speaker 1>win all that because this is l L cool chat

0:26:29.520 --> 0:26:30.080
<v Speaker 1>at the time.

0:26:30.400 --> 0:26:32.080
<v Speaker 2>Yeah, and l L.

0:26:33.560 --> 0:26:34.720
<v Speaker 3>Had all the back.

0:26:34.600 --> 0:26:37.359
<v Speaker 1>End from the whole universal system. This is the first

0:26:37.840 --> 0:26:41.200
<v Speaker 1>artist that actually developed universals. So I just want to

0:26:41.280 --> 0:26:44.639
<v Speaker 1>know why was it loyalty because that was your artist.

0:26:44.960 --> 0:26:47.320
<v Speaker 1>Because I heard somebody say that that was I didn't

0:26:47.320 --> 0:26:50.040
<v Speaker 1>ever knew cannabis are signior J just your friend.

0:26:50.200 --> 0:26:55.440
<v Speaker 2>Okay, So you know I'm a I'm an artist, but

0:26:55.800 --> 0:27:00.400
<v Speaker 2>before artists, I'm a personality from the Caribbean. So when

0:27:00.920 --> 0:27:04.280
<v Speaker 2>you know, so, I say, I'm never ashamed of my friends.

0:27:04.320 --> 0:27:04.520
<v Speaker 3>You know.

0:27:05.119 --> 0:27:09.400
<v Speaker 2>So I grow up as a Caribbean youth. We're very

0:27:09.560 --> 0:27:14.040
<v Speaker 2>strong where I come from. So when Cannabis approached me,

0:27:15.040 --> 0:27:18.920
<v Speaker 2>he approached me on a conversation. It was not it

0:27:19.040 --> 0:27:20.359
<v Speaker 2>was in a music conversation.

0:27:21.119 --> 0:27:24.440
<v Speaker 3>So so you know the gist of my problems.

0:27:24.600 --> 0:27:28.560
<v Speaker 2>So the gist of my conversation with Cannabis, it wasn't

0:27:28.680 --> 0:27:33.320
<v Speaker 2>based on It didn't start off musically. It's just it

0:27:33.480 --> 0:27:36.240
<v Speaker 2>was it was just certain people come to talk to

0:27:36.400 --> 0:27:39.800
<v Speaker 2>me about when certain things happen sometimes, you know, if

0:27:39.840 --> 0:27:50.920
<v Speaker 2>someone goested.

0:27:56.560 --> 0:27:58.840
<v Speaker 3>This is probably one of the most historical battles in

0:27:58.920 --> 0:27:59.280
<v Speaker 3>hip hop.

0:27:59.600 --> 0:28:03.800
<v Speaker 2>Yeah yeah, so so yeah, definitely one of the most

0:28:03.920 --> 0:28:07.480
<v Speaker 2>historical battles. So once again, right, so me and you

0:28:07.600 --> 0:28:09.800
<v Speaker 2>we not communicate right at this point. So you got

0:28:09.840 --> 0:28:11.840
<v Speaker 2>you looking at it like, yo, the cleft just choose

0:28:11.880 --> 0:28:15.159
<v Speaker 2>his side, right yeah yeah yeah, because it looked like

0:28:15.640 --> 0:28:15.800
<v Speaker 2>you know.

0:28:15.800 --> 0:28:16.160
<v Speaker 3>What I mean.

0:28:16.280 --> 0:28:18.439
<v Speaker 2>So because so now I'm gonna tell you that's right,

0:28:18.480 --> 0:28:20.800
<v Speaker 2>because I'm gonna tell you the way it goes down.

0:28:21.280 --> 0:28:26.440
<v Speaker 2>So the conversation with Cannabis was as followed. He comes

0:28:26.480 --> 0:28:31.080
<v Speaker 2>in the studio, he lays his part. He's a big

0:28:31.359 --> 0:28:34.639
<v Speaker 2>l L fan and the tattoo on his arm, you know,

0:28:35.640 --> 0:28:38.440
<v Speaker 2>he's he's like when it comes to ll at that time,

0:28:38.640 --> 0:28:41.959
<v Speaker 2>like there's nobody bigger than L. Who J Cannabis had

0:28:42.000 --> 0:28:44.720
<v Speaker 2>the L L walk. He just loved L. So he

0:28:44.840 --> 0:28:46.960
<v Speaker 2>was like yo when he left the studio, L came

0:28:47.000 --> 0:28:48.160
<v Speaker 2>in later verse this.

0:28:48.280 --> 0:28:52.440
<v Speaker 3>Is L's record, by the way, record, Yeah, the record.

0:28:52.240 --> 0:28:56.040
<v Speaker 2>That started it off. Yeah, so so So basically cannabis

0:28:56.080 --> 0:28:58.400
<v Speaker 2>point of view was like yo, when L was like yo,

0:28:58.600 --> 0:29:01.680
<v Speaker 2>the tattoo on my arm is limited to challenges, you know.

0:29:02.080 --> 0:29:06.120
<v Speaker 2>And in Cannabis verse, he was acting, could he borrowed atack?

0:29:07.760 --> 0:29:09.680
<v Speaker 2>Give me the tack, right, give me give me the

0:29:09.720 --> 0:29:14.600
<v Speaker 2>mic on your arm. So now now what Cannabis decides

0:29:14.680 --> 0:29:18.440
<v Speaker 2>to do is now keep in mind I'm a producer,

0:29:19.560 --> 0:29:25.560
<v Speaker 2>and so L l Is puts his record out and

0:29:25.720 --> 0:29:31.120
<v Speaker 2>Cannabis says, I have an idea for a record. Right now,

0:29:33.320 --> 0:29:36.800
<v Speaker 2>I'm going to have a long conversation with Cannabis before

0:29:36.880 --> 0:29:39.360
<v Speaker 2>he goes there. Right, I might have to take my

0:29:39.440 --> 0:29:40.040
<v Speaker 2>glasses off.

0:29:44.160 --> 0:29:48.560
<v Speaker 3>Look, this is this is you heard of this all

0:29:49.800 --> 0:29:50.080
<v Speaker 3>this is.

0:29:51.640 --> 0:29:55.160
<v Speaker 2>Right now? Okay, this is getting a stout from flats

0:29:55.200 --> 0:29:59.960
<v Speaker 2>over there, all right, but look how a shot you'll

0:30:00.040 --> 0:30:00.400
<v Speaker 2>hit the shot?

0:30:00.840 --> 0:30:02.920
<v Speaker 3>Problem walk clup, y'all, me walking you.

0:30:05.040 --> 0:30:09.920
<v Speaker 2>Me walk clips y'all, And got funked up. Yeah yeah, yeah, yeah,

0:30:10.320 --> 0:30:12.960
<v Speaker 2>oh no, let me go. It's open.

0:30:13.000 --> 0:30:15.600
<v Speaker 3>It's one is open, it's one. It's open. Right there.

0:30:15.720 --> 0:30:18.920
<v Speaker 12>Come on, you're talking about you know what, you're going

0:30:18.960 --> 0:30:23.080
<v Speaker 12>into the second round, knockout, right, So we got.

0:30:26.920 --> 0:30:32.240
<v Speaker 4>Many pressed that right there? Yeah, rock Coloada. Everybody focusing

0:30:32.280 --> 0:30:37.600
<v Speaker 4>on me the best away. That's what I do, baby,

0:30:38.080 --> 0:30:39.800
<v Speaker 4>that's what this cup.

0:30:40.160 --> 0:30:42.040
<v Speaker 3>Listen, you heard jay Z. You knew al we gotta

0:30:42.080 --> 0:30:47.680
<v Speaker 3>push your people brand. God damn it. I bounced over that.

0:30:47.800 --> 0:30:51.800
<v Speaker 2>Go ahead, that was good. Goody.

0:30:52.920 --> 0:30:56.280
<v Speaker 3>You haven't drinks plays? You know what?

0:30:56.360 --> 0:30:59.920
<v Speaker 2>I'll bring you on some rum by uncle. Next, I.

0:31:03.520 --> 0:31:04.960
<v Speaker 3>Open the doors. You ain't taking a shot?

0:31:05.400 --> 0:31:08.400
<v Speaker 2>You gotta take ah, don't don't be wal clip, don't

0:31:08.400 --> 0:31:08.840
<v Speaker 2>take it yet.

0:31:11.640 --> 0:31:18.160
<v Speaker 3>I gotta get bro. I got one for your class.

0:31:18.280 --> 0:31:20.560
<v Speaker 3>I don't know, you know, Please can you remember where

0:31:20.600 --> 0:31:20.959
<v Speaker 3>he was at?

0:31:22.040 --> 0:31:25.560
<v Speaker 2>I'm talking about what we're talking about. We know.

0:31:27.040 --> 0:31:36.160
<v Speaker 1>I'most the best walk. Why Cliff been my friend for

0:31:36.320 --> 0:31:39.560
<v Speaker 1>so long? Well listen, please, everybody focusing on me?

0:31:39.880 --> 0:31:40.360
<v Speaker 3>Why Cliff?

0:31:40.360 --> 0:31:41.920
<v Speaker 1>You've been my friend for so long? And I don't

0:31:41.960 --> 0:31:44.560
<v Speaker 1>know if you understand or you know what drink champs is.

0:31:45.040 --> 0:31:47.640
<v Speaker 1>But so many shows. They want to get these artists

0:31:47.680 --> 0:31:49.959
<v Speaker 1>there and they want to ask them who they fucking

0:31:50.320 --> 0:31:52.080
<v Speaker 1>and who they fucked and all this other ship.

0:31:52.080 --> 0:31:54.640
<v Speaker 3>It's not what we do here. We salute our artists

0:31:55.000 --> 0:31:57.360
<v Speaker 3>because you know what, what was it that you sound

0:31:57.440 --> 0:32:00.720
<v Speaker 3>like a pig? Don't lose focus, my friend.

0:32:02.560 --> 0:32:07.800
<v Speaker 1>What's up with artists is I'm a quote unquote legend.

0:32:07.880 --> 0:32:09.440
<v Speaker 1>That's what they want to say. I don't give a

0:32:09.520 --> 0:32:12.640
<v Speaker 1>funk about that ship. But what I am first and

0:32:12.760 --> 0:32:16.000
<v Speaker 1>foremost is a fan, and I'm a fan of people

0:32:16.040 --> 0:32:17.920
<v Speaker 1>before me. I'm a fan of people in the middle

0:32:17.960 --> 0:32:19.840
<v Speaker 1>of me and a fan of people after me. And

0:32:20.000 --> 0:32:21.760
<v Speaker 1>that's what I want to do. I choose to celebrate

0:32:21.840 --> 0:32:22.200
<v Speaker 1>hip hop.

0:32:22.920 --> 0:32:23.560
<v Speaker 3>I don't. I don't.

0:32:23.680 --> 0:32:26.080
<v Speaker 1>I don't care about these other shows, these other podcasts

0:32:26.120 --> 0:32:26.720
<v Speaker 1>or whatever they do.

0:32:26.880 --> 0:32:27.640
<v Speaker 2>That's not what we do.

0:32:27.960 --> 0:32:30.720
<v Speaker 3>What we do is we celebrate our motherfuckers. And you

0:32:31.120 --> 0:32:41.840
<v Speaker 3>need to be celebrated tonight. So today this is and

0:32:41.840 --> 0:32:43.720
<v Speaker 3>I'm gonna take this. This is the best block in

0:32:43.800 --> 0:32:46.640
<v Speaker 3>the world. Baby down, take it down. We got tune

0:32:46.680 --> 0:32:47.280
<v Speaker 3>in on me, man.

0:32:49.880 --> 0:32:56.080
<v Speaker 2>Yeah, that's that's that's more.

0:32:58.880 --> 0:33:00.760
<v Speaker 3>I'm sorry you looking. You used to need a shot

0:33:01.080 --> 0:33:03.920
<v Speaker 3>you I don't know who you w I'm sorry you're

0:33:03.960 --> 0:33:04.560
<v Speaker 3>not coming to you.

0:33:04.640 --> 0:33:06.880
<v Speaker 2>I'm married, but I'm just I just want to make

0:33:06.880 --> 0:33:07.320
<v Speaker 2>you have one.

0:33:07.680 --> 0:33:07.920
<v Speaker 3>Look.

0:33:08.080 --> 0:33:10.960
<v Speaker 2>I don't know you look like that because I just

0:33:11.080 --> 0:33:14.480
<v Speaker 2>want to get you. I just want to get you.

0:33:14.760 --> 0:33:16.640
<v Speaker 2>Take a shot, girl, Take a shot girl.

0:33:17.680 --> 0:33:18.040
<v Speaker 11>Your name?

0:33:18.360 --> 0:33:19.720
<v Speaker 2>It takes all.

0:33:21.200 --> 0:33:24.440
<v Speaker 13>Shot, got Dren's stud I'm.

0:33:24.320 --> 0:33:26.520
<v Speaker 2>Married, so I'm not going at you. Just want to.

0:33:28.320 --> 0:33:30.720
<v Speaker 3>Know. But you look like you needed who you were.

0:33:32.400 --> 0:33:34.040
<v Speaker 2>You look Arian, comar Marian.

0:33:34.680 --> 0:33:35.760
<v Speaker 3>You know your name is Arian?

0:33:38.000 --> 0:33:39.280
<v Speaker 6>Name wrong?

0:33:41.560 --> 0:33:44.920
<v Speaker 2>I was close, look, I said, begging his brother and

0:33:46.480 --> 0:33:50.480
<v Speaker 2>look very Come on, come on, everybody, take a showering.

0:33:50.480 --> 0:33:57.360
<v Speaker 2>I'm taking shot. Where's about Listen?

0:33:57.440 --> 0:33:59.000
<v Speaker 3>This is playing this up.

0:33:59.160 --> 0:34:02.520
<v Speaker 14>You're taking a shot. I'm taking a shot a wild

0:34:02.520 --> 0:34:10.040
<v Speaker 14>cup because you know what an empty botty it looks.

0:34:16.480 --> 0:34:19.799
<v Speaker 3>It's yo.

0:34:20.480 --> 0:34:21.279
<v Speaker 2>Let me tell you something.

0:34:21.280 --> 0:34:26.879
<v Speaker 1>Everybody focusing on me, robs loving the building steps, Let's

0:34:26.960 --> 0:34:27.680
<v Speaker 1>way more.

0:34:27.520 --> 0:34:28.160
<v Speaker 3>In the building.

0:34:32.080 --> 0:34:32.319
<v Speaker 15>Listen.

0:34:32.440 --> 0:34:36.720
<v Speaker 3>Let me tell something red listen, and our culture.

0:34:38.320 --> 0:34:42.480
<v Speaker 1>It's kind of corny to big up somebody else if

0:34:42.520 --> 0:34:45.239
<v Speaker 1>you say you're a legend, or you somebody that's made

0:34:45.320 --> 0:34:48.560
<v Speaker 1>it as somebody that got money or somebody got status,

0:34:49.280 --> 0:34:52.720
<v Speaker 1>and you big up somebody else in our culture, that's corny.

0:34:53.120 --> 0:34:56.920
<v Speaker 3>And guess what I need to change that. We're corny.

0:34:57.360 --> 0:35:03.719
<v Speaker 3>We just got forty nine million lists. Do we have

0:35:03.800 --> 0:35:06.840
<v Speaker 3>to buy fifty million? No? CBS gonna take care of.

0:35:08.360 --> 0:35:08.400
<v Speaker 7>No.

0:35:08.520 --> 0:35:10.120
<v Speaker 1>But I'm saying, should they take care of that as

0:35:10.320 --> 0:35:13.960
<v Speaker 1>as as real a good part? Tell us give us

0:35:14.000 --> 0:35:18.520
<v Speaker 1>a fifty million plaque. But listen, in our culture, people

0:35:18.600 --> 0:35:21.120
<v Speaker 1>don't big up each other. People don't say great job,

0:35:21.800 --> 0:35:29.080
<v Speaker 1>hazardous sounds, great job communicating, Sonny Drain, We appreciate your pictures.

0:35:29.920 --> 0:35:32.360
<v Speaker 1>People don't say that in our culture. And you know

0:35:32.440 --> 0:35:34.800
<v Speaker 1>what we gotta do, being that we have a platform

0:35:34.880 --> 0:35:36.400
<v Speaker 1>and we have an audience.

0:35:36.239 --> 0:35:40.359
<v Speaker 3>We have to change that. One of our best episodes.

0:35:39.840 --> 0:35:43.760
<v Speaker 1>And people that tuned in was when we saluted Prodigy,

0:35:44.680 --> 0:35:47.880
<v Speaker 1>and we love Prodigy, but we wish we were saluted

0:35:47.920 --> 0:35:49.360
<v Speaker 1>Prodigy where he was alive.

0:35:49.440 --> 0:35:53.080
<v Speaker 3>Absolutely, because we got to give our legends. They flowers

0:35:53.160 --> 0:35:55.920
<v Speaker 3>when they can smell, and they treat.

0:36:04.080 --> 0:36:07.760
<v Speaker 2>You look at and something you look at, and something

0:36:08.680 --> 0:36:12.520
<v Speaker 2>when they think, and what drinks when they can drink.

0:36:14.400 --> 0:36:16.680
<v Speaker 3>Don't understand and this is what we gotta do.

0:36:17.280 --> 0:36:20.200
<v Speaker 1>Listen, so many people praise people when you're going away

0:36:20.280 --> 0:36:22.960
<v Speaker 1>and you die and it's great, but that person could

0:36:23.000 --> 0:36:25.439
<v Speaker 1>have really appreciated live.

0:36:25.960 --> 0:36:30.359
<v Speaker 3>So why left tonight? We want to praise you. Watch,

0:36:31.120 --> 0:36:34.040
<v Speaker 3>we want to salute you. When I'm taking a shot,

0:36:34.040 --> 0:36:45.080
<v Speaker 3>I don't know who pulled me to shot shots the

0:36:45.160 --> 0:36:47.320
<v Speaker 3>Book of Base to the President.

0:36:47.440 --> 0:36:48.680
<v Speaker 16>I hate this.

0:36:48.840 --> 0:36:53.560
<v Speaker 1>Nigga was two seconds away from me the President. You No,

0:36:53.800 --> 0:36:59.080
<v Speaker 1>this is like taking a shot of Bill Clinton? Looking

0:36:59.080 --> 0:37:06.880
<v Speaker 1>about what cleft? Always we're going to continue, want to

0:37:06.960 --> 0:37:08.640
<v Speaker 1>concrete say what cleft?

0:37:08.880 --> 0:37:08.920
<v Speaker 7>What?

0:37:09.320 --> 0:37:10.160
<v Speaker 17>Two three.

0:37:11.480 --> 0:37:13.960
<v Speaker 2>Two three two three?

0:37:14.560 --> 0:37:14.880
<v Speaker 8>Clef?

0:37:23.680 --> 0:37:25.560
<v Speaker 3>I mean, honestly, did something to be this time? Did

0:37:25.640 --> 0:37:26.439
<v Speaker 3>something to be this time?

0:37:29.800 --> 0:37:30.200
<v Speaker 18>I don't know what.

0:37:33.080 --> 0:37:37.240
<v Speaker 5>We're going back the second round knockouts, knockout those infamous

0:37:37.320 --> 0:37:38.000
<v Speaker 5>battle records.

0:37:39.239 --> 0:37:42.200
<v Speaker 2>The deal, Clef, Mike Tyson on this record, and everybody listen.

0:37:42.280 --> 0:37:42.920
<v Speaker 3>Everybody listening.

0:37:43.320 --> 0:37:46.759
<v Speaker 1>Everybody listening, everybody, everybody, white girl conversations, come over here, listen,

0:37:47.640 --> 0:37:48.520
<v Speaker 1>because here's the deal.

0:37:49.040 --> 0:37:49.920
<v Speaker 3>We didn't know.

0:37:50.800 --> 0:37:53.759
<v Speaker 1>We knew you produced the record, but we didn't know

0:37:53.960 --> 0:38:00.279
<v Speaker 1>you got dragged into the battle. So how what was

0:38:00.320 --> 0:38:02.800
<v Speaker 1>the exact moment you got dragged because you produced the

0:38:02.840 --> 0:38:03.560
<v Speaker 1>record with cannabis?

0:38:03.600 --> 0:38:04.040
<v Speaker 11>Is that true?

0:38:04.320 --> 0:38:04.520
<v Speaker 3>Yeah?

0:38:04.640 --> 0:38:07.920
<v Speaker 2>But the whole record was like sunsu the art of

0:38:08.000 --> 0:38:11.560
<v Speaker 2>war Son sou So, so when you told me who won, right,

0:38:11.760 --> 0:38:14.560
<v Speaker 2>So we we're gonna get into who actually won, right,

0:38:15.080 --> 0:38:17.960
<v Speaker 2>So who won for me would start off with the

0:38:18.120 --> 0:38:22.680
<v Speaker 2>conversation that I had with Cannabis. And the conversation I

0:38:22.760 --> 0:38:26.160
<v Speaker 2>had with Cannabis is like, Okay, if you want to

0:38:26.239 --> 0:38:29.320
<v Speaker 2>really go on this route, there's a few things that

0:38:29.600 --> 0:38:31.760
<v Speaker 2>I have to let you know that's going to happen,

0:38:32.440 --> 0:38:38.280
<v Speaker 2>and you have to be ready. You're of course listen

0:38:38.640 --> 0:38:41.560
<v Speaker 2>because I got what happened is at the end of

0:38:41.600 --> 0:38:46.320
<v Speaker 2>the day is chess, So with any of course, because

0:38:46.320 --> 0:38:49.719
<v Speaker 2>I'm a fighter, right and then so Cannabis is a

0:38:49.800 --> 0:38:52.920
<v Speaker 2>young bull, right, so my job is I gotta give

0:38:52.960 --> 0:38:56.920
<v Speaker 2>them the information. Right now, I come from the Caribbean,

0:38:57.080 --> 0:39:01.000
<v Speaker 2>So if like I say, like I'm really the Haitian

0:39:01.080 --> 0:39:04.239
<v Speaker 2>Sinatra for real, like and what I mean by that, like,

0:39:04.400 --> 0:39:08.000
<v Speaker 2>I'm never embarrassed by who my friends are, right, So.

0:39:08.080 --> 0:39:10.120
<v Speaker 3>I'm looking at you, but I was just looking up

0:39:10.160 --> 0:39:19.040
<v Speaker 3>just so you know.

0:39:19.160 --> 0:39:21.360
<v Speaker 2>So what I mean the reality of it is like

0:39:21.680 --> 0:39:25.480
<v Speaker 2>you know, we we all grow up in a certain environment,

0:39:25.600 --> 0:39:28.000
<v Speaker 2>you feel me, So it's like okay, like I ain't

0:39:28.040 --> 0:39:29.920
<v Speaker 2>a shame like my mama took a gun out of

0:39:29.960 --> 0:39:31.480
<v Speaker 2>my hand, put a guitar on my hand.

0:39:31.560 --> 0:39:31.680
<v Speaker 3>Right.

0:39:32.120 --> 0:39:34.200
<v Speaker 2>So, but at the end of the day, we all

0:39:34.280 --> 0:39:36.719
<v Speaker 2>came up like once upon a time in America. Right,

0:39:37.160 --> 0:39:40.040
<v Speaker 2>So it's like, it's still my family. So whether if

0:39:40.080 --> 0:39:43.160
<v Speaker 2>it's gangsters, it's still my family. You know, Whether if

0:39:43.200 --> 0:39:45.240
<v Speaker 2>it's my brother that's a lawyer, it's still my family.

0:39:45.640 --> 0:39:47.680
<v Speaker 2>So at the end of the day, I felt like,

0:39:47.960 --> 0:39:50.239
<v Speaker 2>as a Caribbean man, if someone comes to me from

0:39:50.280 --> 0:39:53.200
<v Speaker 2>the Caribbean that have an issue, I'm going to address it.

0:39:53.719 --> 0:39:55.759
<v Speaker 2>But I want to know how you want to deal

0:39:55.800 --> 0:39:58.320
<v Speaker 2>with it. So Cannabis said, I want to deal with

0:39:58.400 --> 0:40:00.719
<v Speaker 2>it on some music stuff. So being you want to

0:40:00.760 --> 0:40:03.560
<v Speaker 2>deal with it on some music stuff, let me explain

0:40:03.640 --> 0:40:05.279
<v Speaker 2>to you who l L cool J is.

0:40:05.920 --> 0:40:08.359
<v Speaker 3>Okay, so this is the this is me you're telling him,

0:40:08.560 --> 0:40:09.160
<v Speaker 3>dude this.

0:40:11.040 --> 0:40:14.040
<v Speaker 2>So so yeah, so so let me tell you And

0:40:14.120 --> 0:40:17.400
<v Speaker 2>it's good because the beautiful thing about this is the

0:40:17.440 --> 0:40:20.600
<v Speaker 2>beautiful thing about this is l L is listening, you

0:40:20.640 --> 0:40:23.560
<v Speaker 2>know what I mean, because Y'll give you know how

0:40:23.560 --> 0:40:26.840
<v Speaker 2>when things happen, you get a one way perspective until this.

0:40:27.080 --> 0:40:28.440
<v Speaker 2>So this is the real conversation.

0:40:28.640 --> 0:40:28.759
<v Speaker 3>Right.

0:40:29.280 --> 0:40:35.680
<v Speaker 2>So basically with l L cool J. You know, coming

0:40:35.800 --> 0:40:39.760
<v Speaker 2>from Haiti and watching that movie when l L comes

0:40:39.840 --> 0:40:42.719
<v Speaker 2>out with the radio and he places it down and

0:40:42.800 --> 0:40:46.200
<v Speaker 2>then he goes into it. I mean he wants this

0:40:46.280 --> 0:40:48.160
<v Speaker 2>is the reason, you know what I mean. So now

0:40:48.239 --> 0:40:51.160
<v Speaker 2>we all take this and we say, if we want

0:40:51.200 --> 0:40:53.640
<v Speaker 2>to be battle rappers, we take this. This is one

0:40:53.800 --> 0:40:56.319
<v Speaker 2>chapter of how we hit the block when we hit

0:40:56.360 --> 0:40:59.160
<v Speaker 2>it with that determination. So I said, look, at the

0:40:59.280 --> 0:41:01.359
<v Speaker 2>end of the day, you want to go there, I'm

0:41:01.400 --> 0:41:03.080
<v Speaker 2>gonna go there with you. But there's a few things

0:41:03.120 --> 0:41:06.280
<v Speaker 2>that's gonna happen. One is I want you to understand

0:41:07.520 --> 0:41:10.400
<v Speaker 2>that l L is loved. You know, l L is

0:41:10.480 --> 0:41:13.680
<v Speaker 2>loved by dudes in the streets. You have his people.

0:41:13.960 --> 0:41:17.239
<v Speaker 2>But at the same time, l L like me. He

0:41:17.440 --> 0:41:21.200
<v Speaker 2>has a high female base. And when you have a

0:41:21.320 --> 0:41:25.279
<v Speaker 2>high female base, it's hard for somebody to knock you down, right,

0:41:25.360 --> 0:41:27.839
<v Speaker 2>because what that means is, at the end of the day,

0:41:27.880 --> 0:41:30.239
<v Speaker 2>even if niggas don't want to fuck with me, the

0:41:30.400 --> 0:41:32.160
<v Speaker 2>chicks want to be like yo, if you want some

0:41:32.680 --> 0:41:39.279
<v Speaker 2>you better play someone. Please call. At the end of

0:41:39.360 --> 0:41:40.680
<v Speaker 2>the day, it's gonna go there.

0:41:40.760 --> 0:41:41.920
<v Speaker 1>So so we have.

0:41:47.760 --> 0:41:50.799
<v Speaker 2>Come to myself, why can I.

0:41:57.200 --> 0:42:03.200
<v Speaker 6>But but you, my men, you got.

0:42:09.239 --> 0:42:11.440
<v Speaker 3>And they like this, nigga, I got the night.

0:42:13.400 --> 0:42:17.080
<v Speaker 2>I'm sorry, no, no, I love it baby, so so so,

0:42:17.239 --> 0:42:21.520
<v Speaker 2>after this conversation, After this conversation, we go into it.

0:42:22.160 --> 0:42:26.560
<v Speaker 2>And now in order to compete with a giant, right,

0:42:26.600 --> 0:42:29.840
<v Speaker 2>because l is a giant, the first thing that we

0:42:30.000 --> 0:42:31.759
<v Speaker 2>have to do is we got to come.

0:42:31.760 --> 0:42:32.520
<v Speaker 3>Up with a scheme.

0:42:32.800 --> 0:42:35.960
<v Speaker 2>You feel me so and then so the scheme becomes

0:42:36.000 --> 0:42:40.680
<v Speaker 2>second round knockout. And then so Mike Tyson at the

0:42:40.800 --> 0:42:42.399
<v Speaker 2>time had Beep in mind.

0:42:42.520 --> 0:42:43.480
<v Speaker 3>I don't know what Mike was.

0:42:43.880 --> 0:42:47.320
<v Speaker 2>Yeah, so so so so so Mike. Once again, the

0:42:47.440 --> 0:42:48.640
<v Speaker 2>strategy was war.

0:42:49.239 --> 0:42:49.399
<v Speaker 10>Right.

0:42:49.840 --> 0:42:53.040
<v Speaker 2>I'm a composer, right, so keep in mind, whether if

0:42:53.040 --> 0:42:56.200
<v Speaker 2>it's Santana or anything, I'm gonna come from the level

0:42:56.200 --> 0:43:00.320
<v Speaker 2>of composition. I'm gonna put a Shakespeare movie together. That's

0:43:00.360 --> 0:43:03.360
<v Speaker 2>what I'm gonna do. So so in putting this movie together,

0:43:03.800 --> 0:43:05.960
<v Speaker 2>you know we need Mike. You know, Mike has to

0:43:06.080 --> 0:43:08.920
<v Speaker 2>say he eats people, you know, ears, and you know

0:43:09.080 --> 0:43:09.520
<v Speaker 2>we need that.

0:43:09.960 --> 0:43:10.360
<v Speaker 3>We need that.

0:43:12.920 --> 0:43:15.600
<v Speaker 2>So you have it's about to go down on some

0:43:15.800 --> 0:43:18.360
<v Speaker 2>hood Shakespeare vibe. Now, keep in mind, at the end

0:43:18.400 --> 0:43:21.440
<v Speaker 2>of the day, it's no beef with nothing it's still

0:43:22.440 --> 0:43:25.560
<v Speaker 2>it's hip hop, right because when I came from Haiti

0:43:26.080 --> 0:43:28.560
<v Speaker 2>listening to KRS one, these are this is how you

0:43:28.640 --> 0:43:33.480
<v Speaker 2>can settle a situation. So Cannabis does the record, and

0:43:33.640 --> 0:43:36.399
<v Speaker 2>Cannabis was one of the first artists. I literally used

0:43:36.400 --> 0:43:40.359
<v Speaker 2>to watch sit on a laptop computer just right. Yeah,

0:43:40.440 --> 0:43:41.760
<v Speaker 2>so see that in the hip factory.

0:43:41.880 --> 0:43:45.560
<v Speaker 3>One time I came in, y'all, y'all said, yo, niggas

0:43:45.560 --> 0:43:48.800
<v Speaker 3>started writing. I say, yo, I gotta leave yo. He

0:43:49.000 --> 0:43:50.439
<v Speaker 3>just on paper.

0:43:51.080 --> 0:43:57.719
<v Speaker 1>It was like, yeah, you know what I mean, like

0:43:57.840 --> 0:44:03.880
<v Speaker 1>this like this the first right around with word facts

0:44:04.160 --> 0:44:08.040
<v Speaker 1>before because you know, your phone wasn't that so back then.

0:44:08.440 --> 0:44:09.600
<v Speaker 3>Said he said, you know that's.

0:44:11.080 --> 0:44:13.520
<v Speaker 1>You know, that's the natural thing to see another MC

0:44:14.160 --> 0:44:15.960
<v Speaker 1>I need the verse and they like you have a

0:44:16.040 --> 0:44:22.279
<v Speaker 1>real and he was like, yeah, what is that?

0:44:24.960 --> 0:44:28.480
<v Speaker 2>Immediately I'm so sorry, No, no, no, that's at least

0:44:28.520 --> 0:44:32.000
<v Speaker 2>somebody else seen Cannabis writing rhymes on computer. Yeah, So

0:44:32.120 --> 0:44:34.360
<v Speaker 2>he was one of the first. So he did that.

0:44:35.160 --> 0:44:39.719
<v Speaker 2>Now we did the record and Second Round Knockout comes out.

0:44:40.440 --> 0:44:44.080
<v Speaker 2>Now when Second Round Knockout comes out, the once again,

0:44:44.120 --> 0:44:47.520
<v Speaker 2>when we talk about hip hop and we talk about

0:44:47.560 --> 0:44:50.160
<v Speaker 2>the culture. That's why I say, you already know me.

0:44:50.239 --> 0:44:53.400
<v Speaker 2>I'm a culture bunny, so I'm always inside of the

0:44:53.480 --> 0:44:57.440
<v Speaker 2>culture somehow. So I got dragged into a situation for

0:44:57.600 --> 0:44:59.919
<v Speaker 2>me that look, you got dragged that start.

0:45:00.120 --> 0:45:02.600
<v Speaker 1>Poor person that's outside looking at I feel like you

0:45:02.719 --> 0:45:05.280
<v Speaker 1>just produced the record and then Elle said.

0:45:05.080 --> 0:45:07.279
<v Speaker 2>Your name, and then you had the response. Yeah, So

0:45:07.440 --> 0:45:09.080
<v Speaker 2>now I get dragged into the record.

0:45:09.560 --> 0:45:10.440
<v Speaker 1>So l L.

0:45:10.800 --> 0:45:16.279
<v Speaker 2>Basically now he goes and he now he has to

0:45:16.360 --> 0:45:19.080
<v Speaker 2>do his response right because it's Shakespeare at Jouston. And

0:45:19.200 --> 0:45:22.600
<v Speaker 2>then the process of his response, he calls me the

0:45:22.719 --> 0:45:41.120
<v Speaker 2>Bob Marley impost right, Yo, this ship gets funnier, right, Yo,

0:45:41.239 --> 0:45:42.840
<v Speaker 2>I'm gonna tell y'all some real ship.

0:45:43.000 --> 0:45:43.120
<v Speaker 5>Right.

0:45:43.480 --> 0:45:49.440
<v Speaker 2>So but yo, what the thing is though, It's like

0:45:49.719 --> 0:45:54.200
<v Speaker 2>the thing is the way that I love l L

0:45:55.520 --> 0:45:58.879
<v Speaker 2>and was obsessed by him, and he ain't know. When

0:45:58.960 --> 0:46:01.359
<v Speaker 2>I came from Haiti, one of my skits was holding

0:46:01.400 --> 0:46:03.640
<v Speaker 2>the radio act like I was talking to Russell Simmons,

0:46:04.040 --> 0:46:05.960
<v Speaker 2>but I had an invisible mirror in front of me,

0:46:06.480 --> 0:46:10.000
<v Speaker 2>so so so for me, so I was like, okay,

0:46:10.400 --> 0:46:12.680
<v Speaker 2>now this is what I mean by its chest. So

0:46:12.840 --> 0:46:15.640
<v Speaker 2>what I did was I said, now that he called

0:46:15.760 --> 0:46:19.359
<v Speaker 2>my name, so I have to be careful because I'm

0:46:19.400 --> 0:46:33.760
<v Speaker 2>on my going to November ship, right, be real careful

0:46:34.120 --> 0:46:37.359
<v Speaker 2>because we see that happen. We see that happen. It's

0:46:37.400 --> 0:46:41.880
<v Speaker 2>the walk where Nigga will call you out and depending

0:46:41.960 --> 0:46:46.120
<v Speaker 2>on how you respond, it determines your doom day because

0:46:46.160 --> 0:46:48.160
<v Speaker 2>you gotta be careful because you gotta know.

0:46:48.440 --> 0:46:52.319
<v Speaker 1>You But in all honesty, Cannabis is in trouble. You're

0:46:52.400 --> 0:46:56.120
<v Speaker 1>not really in trouble because you know your financial is great.

0:46:56.920 --> 0:46:59.120
<v Speaker 1>But you're a hip hop person.

0:46:59.760 --> 0:47:02.120
<v Speaker 3>That's what makes you feel like you're in trouble, not

0:47:02.280 --> 0:47:03.600
<v Speaker 3>your financial.

0:47:03.160 --> 0:47:05.120
<v Speaker 2>But wait, wait, how at what point do you see

0:47:05.160 --> 0:47:05.959
<v Speaker 2>Cannabis in trouble?

0:47:05.960 --> 0:47:07.320
<v Speaker 3>Because it's such a great record.

0:47:07.480 --> 0:47:10.480
<v Speaker 1>But I tell you, when I didn't go for him,

0:47:10.800 --> 0:47:12.799
<v Speaker 1>I'm gonna walk left finish, And I'm telling you when

0:47:12.840 --> 0:47:14.160
<v Speaker 1>I Cannabis is in trouble.

0:47:14.280 --> 0:47:15.600
<v Speaker 2>I mean, I know the lyric side of it.

0:47:16.400 --> 0:47:18.719
<v Speaker 3>Come on, we've done the podcast only for a million

0:47:18.760 --> 0:47:19.239
<v Speaker 3>years right now.

0:47:19.280 --> 0:47:22.959
<v Speaker 2>So what happened was we talked about what would happen

0:47:23.040 --> 0:47:25.400
<v Speaker 2>when you did this record? Right, so I think like

0:47:25.560 --> 0:47:30.120
<v Speaker 2>a few things had to happen. So when Cannabis did

0:47:30.200 --> 0:47:33.400
<v Speaker 2>this record, one of the things that had to happen

0:47:34.200 --> 0:47:39.360
<v Speaker 2>is now his entire album would have had to been changed.

0:47:40.040 --> 0:47:43.239
<v Speaker 2>That's the first thing, because he was bigger. Because what

0:47:43.440 --> 0:47:47.359
<v Speaker 2>happens was one second round knockout comes out. The bar

0:47:47.520 --> 0:47:50.000
<v Speaker 2>is also said to that it's so so now what

0:47:50.080 --> 0:47:52.840
<v Speaker 2>would have to have happened was it would have to

0:47:52.920 --> 0:47:57.239
<v Speaker 2>be eleven more second round knockouts that record, of course,

0:47:57.560 --> 0:48:00.640
<v Speaker 2>not towards l L now, but towards the cold. So

0:48:00.880 --> 0:48:03.440
<v Speaker 2>take all of that anger now, because now when you

0:48:03.560 --> 0:48:06.279
<v Speaker 2>do second round knockout, the next ship you're gonna do.

0:48:06.600 --> 0:48:09.160
<v Speaker 2>Nigga's gonna want to hear whatever that next thing is.

0:48:10.600 --> 0:48:12.600
<v Speaker 2>That's right, you win it. The king So so in

0:48:12.719 --> 0:48:17.560
<v Speaker 2>this process, so now he has to so LL takes

0:48:17.600 --> 0:48:20.799
<v Speaker 2>a shot at me. But meanwhile, what was his shot?

0:48:21.040 --> 0:48:21.440
<v Speaker 3>I forget?

0:48:21.560 --> 0:48:25.120
<v Speaker 2>Well, we said so we said tell yeah, yeah, So

0:48:25.320 --> 0:48:28.440
<v Speaker 2>now I didn't so I do a record. So when

0:48:28.480 --> 0:48:33.000
<v Speaker 2>he does this record, so brilliant brilliance is I said, Okay,

0:48:33.920 --> 0:48:36.879
<v Speaker 2>I know who this guy is and I know who's

0:48:37.000 --> 0:48:41.080
<v Speaker 2>backing them, and now yeah, and I said, this is

0:48:41.239 --> 0:48:45.400
<v Speaker 2>L who J this is the King. And now I said,

0:48:45.680 --> 0:48:48.920
<v Speaker 2>I'm gonna respond with a record. Now I respond with

0:48:49.040 --> 0:48:51.480
<v Speaker 2>a record. The record is called What's clef? Got to

0:48:51.560 --> 0:48:55.960
<v Speaker 2>do with it. And now this record is brilliant because

0:48:56.000 --> 0:48:59.480
<v Speaker 2>what happens is I'm actually LLL. What's CLEF got to

0:48:59.560 --> 0:49:02.799
<v Speaker 2>do with it? And on the record, I attacked all

0:49:02.880 --> 0:49:05.919
<v Speaker 2>of l L's bosses at the time, so I don't

0:49:05.960 --> 0:49:09.200
<v Speaker 2>even talk about L like I barely talk. So I

0:49:09.360 --> 0:49:12.560
<v Speaker 2>talk about L's bosses. And now I said, I got

0:49:12.680 --> 0:49:15.080
<v Speaker 2>to neutralize him at the end of the record. And

0:49:15.200 --> 0:49:18.560
<v Speaker 2>I know that he gonna meet me somewhere if we

0:49:18.760 --> 0:49:21.879
<v Speaker 2>playing chess. He has a female fan base, and I'm

0:49:21.920 --> 0:49:24.479
<v Speaker 2>going to November. So then I called up my friend

0:49:24.520 --> 0:49:27.880
<v Speaker 2>at the time, Naomi Campbell, and said to Yaomi, you

0:49:28.040 --> 0:49:39.920
<v Speaker 2>know a millionaire. So I called up Naomi and I'm like, Naomi,

0:49:40.000 --> 0:49:42.080
<v Speaker 2>I need a dub played at the end of this record.

0:49:42.160 --> 0:49:53.839
<v Speaker 2>You know, come on, Naomi, jim me a con down.

0:49:54.000 --> 0:49:54.840
<v Speaker 2>I'm bred j.

0:49:59.360 --> 0:49:59.760
<v Speaker 3>Weekend.

0:50:00.120 --> 0:50:04.560
<v Speaker 2>Yes, good girl. So so Naomi does the end of

0:50:04.640 --> 0:50:07.839
<v Speaker 2>the record, and so she's like, l L. You need

0:50:07.920 --> 0:50:09.719
<v Speaker 2>to give it up. You need to stop. This is

0:50:09.920 --> 0:50:12.719
<v Speaker 2>because now when I put a top model at the

0:50:12.800 --> 0:50:14.759
<v Speaker 2>end of the record, you know you can't say I

0:50:14.840 --> 0:50:17.320
<v Speaker 2>don't like females. So I'm gonna so I'm coming straight

0:50:17.400 --> 0:50:21.560
<v Speaker 2>for your base. So for me in doing that, the

0:50:21.680 --> 0:50:25.640
<v Speaker 2>only reason I even did that bro, because I felt

0:50:25.719 --> 0:50:27.839
<v Speaker 2>like I didn't when he did that record. I went

0:50:27.960 --> 0:50:32.920
<v Speaker 2>back home and my girl, right, she like, she's like

0:50:33.120 --> 0:50:36.920
<v Speaker 2>I call a bougie hood. So she was in the

0:50:37.560 --> 0:50:41.640
<v Speaker 2>beauty salon with her girlfriends, and so I came and

0:50:42.239 --> 0:50:44.600
<v Speaker 2>the L record was playing, The disc record was playing.

0:50:44.600 --> 0:50:46.640
<v Speaker 2>So I came home on some Will Smith shit, you

0:50:46.680 --> 0:50:49.000
<v Speaker 2>know what I mean, Like I came home on something

0:50:50.120 --> 0:50:54.359
<v Speaker 2>that she was like. She was like, why I'm tire,

0:50:55.400 --> 0:50:59.239
<v Speaker 2>you're not her error? And why I'm tying.

0:51:00.520 --> 0:51:08.680
<v Speaker 3>The blood clean million pasta? So y'all gotta sit here

0:51:08.680 --> 0:51:10.360
<v Speaker 3>and eat the chicken it or I said, no, I

0:51:10.440 --> 0:51:11.120
<v Speaker 3>respond to the.

0:51:24.920 --> 0:51:28.680
<v Speaker 2>Yeah, leave it to a woman. A woman always sends

0:51:28.719 --> 0:51:29.400
<v Speaker 2>the king to war.

0:51:29.600 --> 0:51:33.600
<v Speaker 3>The queen always says the gotta respect the queen.

0:51:33.880 --> 0:51:37.640
<v Speaker 2>Yes, But in all seriousness, it was like the amount

0:51:37.680 --> 0:51:41.000
<v Speaker 2>of respect that I have for LLL and continue to

0:51:41.120 --> 0:51:43.719
<v Speaker 2>have for l L. I would say it was at

0:51:43.760 --> 0:51:45.880
<v Speaker 2>the pun funeral, you know what I mean, when I

0:51:46.000 --> 0:51:49.680
<v Speaker 2>saw him and after that I like shook his hand.

0:51:49.719 --> 0:51:52.200
<v Speaker 2>But for me, it was it was a battle, you

0:51:52.280 --> 0:51:54.919
<v Speaker 2>know what I mean, And it was all I want

0:51:55.000 --> 0:51:57.040
<v Speaker 2>him to get out of it even till today. Is

0:51:57.080 --> 0:51:59.879
<v Speaker 2>like we were so obsessed by him at the time.

0:52:00.040 --> 0:52:01.080
<v Speaker 2>I just wanted to beat him.

0:52:01.160 --> 0:52:03.359
<v Speaker 1>You know, you think when you just produced the record

0:52:03.440 --> 0:52:05.239
<v Speaker 1>for Cannabis that you can stay out of it.

0:52:06.320 --> 0:52:06.360
<v Speaker 7>No.

0:52:06.960 --> 0:52:09.080
<v Speaker 2>I knew it once. I mean, it's the art of war, right,

0:52:09.160 --> 0:52:10.759
<v Speaker 2>you would a gang, You would a gang, So I

0:52:10.880 --> 0:52:13.959
<v Speaker 2>knew it. Even got worse, Like, forget about the fact

0:52:13.960 --> 0:52:16.200
<v Speaker 2>that I did the record. I was the freaking referee

0:52:16.239 --> 0:52:21.799
<v Speaker 2>in the video. So once I said, I, he's all

0:52:21.840 --> 0:52:23.719
<v Speaker 2>the way in. But that's the kind of dude. I

0:52:24.120 --> 0:52:26.600
<v Speaker 2>was like, look, we're gonna go in. He's gonna come

0:52:26.680 --> 0:52:28.400
<v Speaker 2>at me, He's gonna come at you, but you have

0:52:28.520 --> 0:52:31.919
<v Speaker 2>to be ready. And I would say, really, the first

0:52:32.000 --> 0:52:35.680
<v Speaker 2>Fuji album was Blunting on Reality and that shit sold

0:52:35.760 --> 0:52:40.320
<v Speaker 2>two copies. The second one was The Score Cannabis first album.

0:52:40.760 --> 0:52:44.319
<v Speaker 2>I felt like after his first album, he just copped away,

0:52:44.480 --> 0:52:46.080
<v Speaker 2>like you know what I mean, because he wanted it

0:52:46.200 --> 0:52:48.720
<v Speaker 2>so successfully, And I think you got like three shots

0:52:48.760 --> 0:52:51.120
<v Speaker 2>in this game. I think one, two, three. Till today,

0:52:51.120 --> 0:52:54.280
<v Speaker 2>I always say Cannabis is one of the most lethless

0:52:54.480 --> 0:52:58.040
<v Speaker 2>lyricists that I've ever heard in my entire life. L

0:52:58.280 --> 0:53:02.279
<v Speaker 2>L is one of the greatest hip hop entertainers that

0:53:02.400 --> 0:53:04.920
<v Speaker 2>I've ever seen in my life. And because of l L.

0:53:05.480 --> 0:53:07.320
<v Speaker 2>I know how to control the stage, you know what

0:53:07.360 --> 0:53:12.480
<v Speaker 2>I mean, radio facts facts.

0:53:13.320 --> 0:53:19.760
<v Speaker 19>So so do you think, so what what what intent

0:53:19.920 --> 0:53:23.040
<v Speaker 19>does it make a person to say that that that's

0:53:23.120 --> 0:53:23.879
<v Speaker 19>person is the star?

0:53:25.120 --> 0:53:28.640
<v Speaker 1>Is it all those qualities that you just said, yeah,

0:53:28.719 --> 0:53:32.000
<v Speaker 1>to make a person a star? Like, well, okay, so

0:53:32.320 --> 0:53:35.840
<v Speaker 1>I remember called that. Yeah, I remember that.

0:53:36.360 --> 0:53:41.719
<v Speaker 2>No no, no, no no, but you know.

0:53:43.239 --> 0:53:43.440
<v Speaker 7>You know.

0:53:46.800 --> 0:53:48.520
<v Speaker 2>No, no, no, you mean good.

0:53:49.800 --> 0:53:50.400
<v Speaker 3>I would have got it.

0:53:51.280 --> 0:53:55.160
<v Speaker 2>So emparamilitary, emparamilitary.

0:53:56.080 --> 0:53:56.200
<v Speaker 3>Right.

0:53:57.200 --> 0:54:00.120
<v Speaker 2>So is in general what we do is when we

0:54:00.200 --> 0:54:05.080
<v Speaker 2>want to get information from the certain people, right, what

0:54:05.239 --> 0:54:08.879
<v Speaker 2>we do is we make them drink to the point

0:54:08.920 --> 0:54:13.279
<v Speaker 2>where they their consciousness and they start to tell you,

0:54:15.360 --> 0:54:16.560
<v Speaker 2>I'm watching you man, I.

0:54:21.719 --> 0:54:22.040
<v Speaker 3>Got you.

0:54:22.200 --> 0:54:25.080
<v Speaker 2>Come on, we go way back definitely. So for me,

0:54:25.520 --> 0:54:28.759
<v Speaker 2>what makes it a star is the it factor. So

0:54:28.920 --> 0:54:33.000
<v Speaker 2>I remember Sony was like, Yo, cleft, there's these four girls.

0:54:33.680 --> 0:54:35.880
<v Speaker 2>You have to go listen to them sing. We need

0:54:36.000 --> 0:54:37.880
<v Speaker 2>you to do a record for them. And I go

0:54:37.960 --> 0:54:41.160
<v Speaker 2>into a hotel and it's four girls and I remember like, Yo,

0:54:41.560 --> 0:54:43.440
<v Speaker 2>It's like, yo, what would you like us? To sing

0:54:43.600 --> 0:54:45.960
<v Speaker 2>for you, mister. I was like yo. I was like yo,

0:54:46.040 --> 0:54:48.040
<v Speaker 2>I'm from the church singer church song and one of

0:54:48.120 --> 0:54:50.680
<v Speaker 2>them girls just stepped out and just the way she

0:54:50.800 --> 0:54:53.480
<v Speaker 2>started going, I was like, that was the if factor.

0:54:53.480 --> 0:54:54.320
<v Speaker 2>And that was Beyonce.

0:54:54.920 --> 0:54:56.960
<v Speaker 6>You guys, you know what I mean.

0:54:57.440 --> 0:55:08.120
<v Speaker 2>So and then you know what the if factor is.

0:55:08.200 --> 0:55:11.600
<v Speaker 2>It goes deeper, right, the if factor goes deeper because

0:55:11.920 --> 0:55:14.440
<v Speaker 2>you know who's going to be the it because they're studying.

0:55:14.640 --> 0:55:14.759
<v Speaker 11>Right.

0:55:15.280 --> 0:55:18.000
<v Speaker 2>So if Beyonce is listening to this right now, right,

0:55:18.440 --> 0:55:23.360
<v Speaker 2>this is what's the deepest part is this is probably listening.

0:55:24.080 --> 0:55:29.719
<v Speaker 2>I just got you a three three female Campbell, right,

0:55:29.840 --> 0:55:33.520
<v Speaker 2>So this is this is the if factor which determines it.

0:55:33.640 --> 0:55:38.280
<v Speaker 2>To me, I remember us performing like I'm performing on stage,

0:55:38.560 --> 0:55:41.080
<v Speaker 2>and I remember Beyonce on the side of the stage

0:55:41.200 --> 0:55:46.160
<v Speaker 2>watching Destiny Child already performed, believing she's.

0:55:46.040 --> 0:55:47.360
<v Speaker 3>There as you were studying.

0:55:47.640 --> 0:55:51.040
<v Speaker 2>Are you with I'm performing as why cleft the Carnival right,

0:55:51.280 --> 0:55:57.840
<v Speaker 2>I'm performing, yeah, the first one, Carnival three soon.

0:55:58.520 --> 0:56:06.040
<v Speaker 16>Three as they said that, so Carnival. I had to

0:56:06.120 --> 0:56:08.520
<v Speaker 16>piss for like two hours. I've been holding because I

0:56:08.800 --> 0:56:09.920
<v Speaker 16>respect our class so much.

0:56:10.320 --> 0:56:11.719
<v Speaker 2>You know, if you got pissed. We'll just take a

0:56:11.760 --> 0:56:13.920
<v Speaker 2>pissed bread. No, it's okay, just peri, but.

0:56:15.840 --> 0:56:22.440
<v Speaker 3>That's drink history. Don't stop. We're gonna go Carnival stop

0:56:23.920 --> 0:56:32.920
<v Speaker 3>stop good you look at you look like you've been

0:56:33.000 --> 0:56:33.520
<v Speaker 3>teared up.

0:56:35.440 --> 0:56:36.399
<v Speaker 18>I don't know what you've been.

0:56:37.880 --> 0:56:43.440
<v Speaker 3>Your beach, but I'm saying a good way. You gotta know,

0:56:44.280 --> 0:56:44.680
<v Speaker 3>I don't like.

0:56:45.800 --> 0:56:46.439
<v Speaker 6>That's my sister.

0:56:46.680 --> 0:56:50.480
<v Speaker 3>You really like that? You ready open this?

0:56:51.000 --> 0:56:55.239
<v Speaker 20>Yes, many class man, you're talking about the album, the

0:56:55.320 --> 0:56:58.160
<v Speaker 20>new album, the album, the new album three?

0:56:58.680 --> 0:57:01.840
<v Speaker 2>Yes, man, you know listen everybody.

0:57:03.400 --> 0:57:06.359
<v Speaker 3>Yeah, Carnival three. Yeah, you got, you got, you got,

0:57:06.440 --> 0:57:08.239
<v Speaker 3>you got Shakiro on it.

0:57:08.520 --> 0:57:10.920
<v Speaker 2>Yeah, this is what makes this no no, no, I

0:57:11.000 --> 0:57:13.040
<v Speaker 2>was saying, yeah, this is what makes this album dope.

0:57:13.960 --> 0:57:14.120
<v Speaker 12>Right.

0:57:14.320 --> 0:57:19.280
<v Speaker 2>So for me, it's twenty years later and we're celebrating

0:57:19.480 --> 0:57:23.760
<v Speaker 2>the Carnival and the first Carnival is all people. It

0:57:23.800 --> 0:57:26.280
<v Speaker 2>was like, yo, you can't do a record. You can't

0:57:26.280 --> 0:57:28.680
<v Speaker 2>do a hip hop album in four languages and get

0:57:28.720 --> 0:57:31.200
<v Speaker 2>it to sell. It don't exist. So I was like, no,

0:57:31.480 --> 0:57:34.240
<v Speaker 2>I said, I'm from Haiti, Espanola. We speak Spanish, we

0:57:34.280 --> 0:57:38.240
<v Speaker 2>speak French, crayle, we gonna get it. And so the Carnival. Yeah,

0:57:38.280 --> 0:57:42.120
<v Speaker 2>so the Carnival broke records like it did like seven

0:57:42.240 --> 0:57:45.520
<v Speaker 2>eight million dollars eight million copies. It's the Carnival. So

0:57:45.680 --> 0:57:48.840
<v Speaker 2>now what happens is now we're on the Carnival three.

0:57:49.240 --> 0:57:53.400
<v Speaker 2>Now what even makes this special is that? A few things.

0:57:53.720 --> 0:57:58.840
<v Speaker 2>One is I'm hearing the record out of nowhere and

0:57:58.960 --> 0:58:01.920
<v Speaker 2>the record is called one Cleve Jean, and I'm like, yo,

0:58:02.880 --> 0:58:05.600
<v Speaker 2>who did this record? And why is this like, you know,

0:58:05.760 --> 0:58:13.240
<v Speaker 2>skateboard like that? So I said, it's the Try record.

0:58:13.640 --> 0:58:19.880
<v Speaker 2>So record, why clee gotta let y'all pulling up.

0:58:23.480 --> 0:58:25.880
<v Speaker 3>The record? The record we're gonna play it though.

0:58:27.720 --> 0:58:29.760
<v Speaker 2>So it's a young man by the name of Young

0:58:29.880 --> 0:58:36.560
<v Speaker 2>Thug and he decides, come on, he's got you got

0:58:36.800 --> 0:58:38.960
<v Speaker 2>your niggas, not got a riddle y'all niggas.

0:58:41.440 --> 0:58:42.760
<v Speaker 3>In front of the projects man.

0:58:43.560 --> 0:58:44.600
<v Speaker 2>No, no, that was his scheme.

0:58:44.840 --> 0:58:45.400
<v Speaker 3>That was a kid.

0:58:46.200 --> 0:58:49.560
<v Speaker 2>But so but who produced that record with Super Mario?

0:58:50.160 --> 0:58:52.320
<v Speaker 2>And I was like, Yo, this dad boy know this

0:58:52.520 --> 0:58:54.840
<v Speaker 2>little kid was just coming up. He's worked with Drake.

0:58:55.320 --> 0:58:58.960
<v Speaker 2>But you know, I was like, this kid sound his frequency?

0:58:59.120 --> 0:59:01.840
<v Speaker 2>Sound like why c at twenty years old? Who's this kid?

0:59:02.360 --> 0:59:03.800
<v Speaker 3>Like? How is he doing?

0:59:03.840 --> 0:59:07.480
<v Speaker 2>These drums in this. So the whole thing about Carnival

0:59:07.560 --> 0:59:10.240
<v Speaker 2>three is I went and I got all of the

0:59:10.440 --> 0:59:14.360
<v Speaker 2>kids that were influenced by the Carnival. When the Carnival

0:59:14.440 --> 0:59:18.120
<v Speaker 2>came out, there was twelve thirteen. So you got Super Mario,

0:59:18.320 --> 0:59:22.320
<v Speaker 2>you got the Knocks, you got Wavy Boy. So what

0:59:22.480 --> 0:59:27.120
<v Speaker 2>happens is now the fusion on Carnival three is the

0:59:27.320 --> 0:59:32.080
<v Speaker 2>nephews meet the uncle. So it sounds like Teddy Riley

0:59:32.200 --> 0:59:35.640
<v Speaker 2>meets Michael Jackson or Michael Jackson meets Quincy Jones. What

0:59:35.800 --> 0:59:39.640
<v Speaker 2>happens with that fusion? So we put so it's sort

0:59:39.680 --> 0:59:41.760
<v Speaker 2>of like, so if I'm coming from ninety seven with

0:59:41.880 --> 0:59:44.840
<v Speaker 2>a certain sonics, what happens when you put that twenty

0:59:45.400 --> 0:59:49.440
<v Speaker 2>seventeen against those acoustic guitars? What happens? So that's the

0:59:49.520 --> 0:59:52.640
<v Speaker 2>whole idea with the Carnival, the Carnival three. So we

0:59:52.760 --> 0:59:54.880
<v Speaker 2>got two joints up. One is called what Happened to

0:59:54.960 --> 0:59:59.480
<v Speaker 2>Love and the others called Fella Kutie. So basically we

1:00:00.240 --> 1:00:04.000
<v Speaker 2>back on that bullship, you know what I mean? And

1:00:04.080 --> 1:00:08.240
<v Speaker 2>you're rich as fuck, that's way he's rich.

1:00:08.920 --> 1:00:13.400
<v Speaker 21>Listen, I know, listen, listen, But tell these niggas tell

1:00:13.480 --> 1:00:18.760
<v Speaker 21>these niggas that the psycle picture you took, you have

1:00:18.840 --> 1:00:22.240
<v Speaker 21>the speedo, you.

1:00:22.360 --> 1:00:30.520
<v Speaker 3>Gotta you gotta know that the way you was well

1:00:30.600 --> 1:00:37.920
<v Speaker 3>defined oil. Yeah, I can tell that was that was

1:00:37.960 --> 1:00:42.720
<v Speaker 3>a house lady. Come on, you was riches and using

1:00:43.000 --> 1:00:44.160
<v Speaker 3>a five million dollar house?

1:00:44.360 --> 1:00:44.520
<v Speaker 2>Is that?

1:00:44.920 --> 1:00:47.280
<v Speaker 3>Am I correct? Eight man?

1:00:48.520 --> 1:00:53.920
<v Speaker 2>Like, yo, I mean you know it is what it is, right,

1:00:54.440 --> 1:01:12.800
<v Speaker 2>But I mean the Ducatti pick man you yeah, yo,

1:01:12.880 --> 1:01:18.840
<v Speaker 2>real talking. I seen my Twitter get divided, right. All

1:01:18.920 --> 1:01:25.200
<v Speaker 2>the niggas ran off one damn you know what I mean?

1:01:25.560 --> 1:01:27.320
<v Speaker 3>It was crazy. I did.

1:01:29.640 --> 1:01:36.760
<v Speaker 22>Yeahs went crazy man, you like just one minute, yo,

1:01:36.960 --> 1:01:40.640
<v Speaker 22>but you know I did it, bro, just to get

1:01:40.840 --> 1:01:44.400
<v Speaker 22>back to the fact that I'm human and like I'm human,

1:01:44.520 --> 1:01:47.280
<v Speaker 22>my nigga, Like, I felt like so many people was

1:01:47.360 --> 1:01:51.040
<v Speaker 22>coming at me at this time as if I wasn't human,

1:01:51.400 --> 1:01:53.560
<v Speaker 22>Like it was like, yo, dude, try to run for

1:01:53.680 --> 1:01:55.400
<v Speaker 22>president his charity.

1:01:56.000 --> 1:01:58.520
<v Speaker 2>It was sort of like dudes was coming at me

1:01:58.680 --> 1:02:00.800
<v Speaker 2>as if I didn't have a fan family, as if

1:02:00.880 --> 1:02:03.439
<v Speaker 2>I'm not from the culture. And I was like, dude,

1:02:03.560 --> 1:02:05.360
<v Speaker 2>I'm a rare, I'm that dude that used to be

1:02:05.440 --> 1:02:07.920
<v Speaker 2>on the block making niggas laugh. So it was like

1:02:08.040 --> 1:02:10.919
<v Speaker 2>at the end of the day, I stripped it all down,

1:02:11.080 --> 1:02:14.200
<v Speaker 2>and I knew with my antics that everybody would talk

1:02:14.560 --> 1:02:16.800
<v Speaker 2>and get back to the fact like this is a

1:02:16.920 --> 1:02:18.920
<v Speaker 2>regular nigga at the end of the day, you know

1:02:18.960 --> 1:02:22.720
<v Speaker 2>what I mean. So shout out to the speed stripped

1:02:22.720 --> 1:02:24.000
<v Speaker 2>down the conversation, Like I.

1:02:24.080 --> 1:02:28.320
<v Speaker 3>Feel like if it wasn't for you wanting for president,

1:02:28.600 --> 1:02:32.000
<v Speaker 3>I think like you kind of gave Trump the idea.

1:02:32.200 --> 1:02:36.160
<v Speaker 3>Come on, man, don't put that on this. You almost became.

1:02:37.480 --> 1:02:39.640
<v Speaker 13>I'm not putting it on you. I'm sorry, but it's

1:02:39.640 --> 1:02:48.840
<v Speaker 13>not like that Clapper was the first president.

1:02:49.400 --> 1:02:51.880
<v Speaker 3>I'm gonna tell you what's I'm gonna tell you what

1:02:53.680 --> 1:02:58.880
<v Speaker 3>from sweet Nigga is brother?

1:03:00.320 --> 1:03:04.440
<v Speaker 2>Okay, I mean, okay, So here's a few facts to

1:03:04.520 --> 1:03:07.480
<v Speaker 2>your point. That's not my point. No, I'm gonna show

1:03:07.480 --> 1:03:09.440
<v Speaker 2>you you got you hitting on I'm I'm gonna show

1:03:09.440 --> 1:03:11.960
<v Speaker 2>you like you're hitting on some science. So it's important

1:03:12.000 --> 1:03:15.640
<v Speaker 2>that the listeners fully get your science because you hitting

1:03:15.640 --> 1:03:17.960
<v Speaker 2>on some science that I'm gonna get into because I.

1:03:18.000 --> 1:03:20.280
<v Speaker 1>Feel like Trump seen you and said this nigga almost

1:03:20.320 --> 1:03:23.600
<v Speaker 1>made Trump. I'm almost made president, and he said, let

1:03:23.640 --> 1:03:28.360
<v Speaker 1>me try won I think it's your fault.

1:03:29.280 --> 1:03:32.800
<v Speaker 2>Now, we wouldn't put it on me.

1:03:32.920 --> 1:03:33.440
<v Speaker 1>But now.

1:03:34.920 --> 1:03:36.920
<v Speaker 3>Because you're you're your he was this close.

1:03:37.520 --> 1:03:37.760
<v Speaker 1>I was.

1:03:40.440 --> 1:03:41.840
<v Speaker 3>Like, were eligible?

1:03:42.560 --> 1:03:45.120
<v Speaker 2>Yeah, well the first part of it. Let's let's if

1:03:45.120 --> 1:03:49.080
<v Speaker 2>you are if if we go online, right, you'll find

1:03:49.560 --> 1:03:56.880
<v Speaker 2>a picture of me, Donald Trump, Sweet Mickey together together.

1:03:57.080 --> 1:03:58.320
<v Speaker 3>That sounds like a controversy.

1:03:58.680 --> 1:04:00.160
<v Speaker 2>Just listen to this. Listen to this.

1:04:01.280 --> 1:04:01.880
<v Speaker 5>The old.

1:04:05.320 --> 1:04:12.160
<v Speaker 2>Ain't even president yet even president yo, it's just three celebrities.

1:04:12.520 --> 1:04:17.680
<v Speaker 2>The biggest artist I'm taking you yeah three So Mickey.

1:04:18.120 --> 1:04:21.919
<v Speaker 2>So basically sweet Mickey is like for me like he's

1:04:22.080 --> 1:04:25.080
<v Speaker 2>our Michael Jackson if that makes sense, Like he like

1:04:25.200 --> 1:04:26.160
<v Speaker 2>we all grew up.

1:04:26.160 --> 1:04:26.720
<v Speaker 3>With his music.

1:04:29.040 --> 1:04:31.720
<v Speaker 2>Sweet Mickey was the president, correct, Yeah, but listen to

1:04:31.800 --> 1:04:34.400
<v Speaker 2>how he became the president. So when we took Michael

1:04:34.640 --> 1:04:37.080
<v Speaker 2>Michael Jackson become the president. Yeah, so this is like

1:04:37.200 --> 1:04:40.560
<v Speaker 2>in Haiti. Yeah, but think about this. When I took

1:04:40.640 --> 1:04:45.160
<v Speaker 2>the picture, this picture like becomeing president. Yeah exactly. So

1:04:45.280 --> 1:04:48.080
<v Speaker 2>when I took this picture with Trump, me and Mickey.

1:04:48.200 --> 1:04:52.000
<v Speaker 3>Hold on, yeah, go ahead, fan nineties hippob junkie, what

1:04:52.080 --> 1:04:52.480
<v Speaker 3>you're doing?

1:04:52.760 --> 1:04:56.840
<v Speaker 2>Come on, yo?

1:04:56.920 --> 1:04:58.920
<v Speaker 3>We had one hundred and thirty seconds between what.

1:05:02.480 --> 1:05:03.880
<v Speaker 2>Thirty second and fifth come through?

1:05:04.200 --> 1:05:06.800
<v Speaker 3>We interview and walk left and you gotta relax. That's it.

1:05:08.000 --> 1:05:12.280
<v Speaker 23>Let it look it real quick, real quick rock perform

1:05:13.240 --> 1:05:14.920
<v Speaker 23>time at twenty years at the column.

1:05:14.960 --> 1:05:18.160
<v Speaker 3>We got that want to relax. We had tickets.

1:05:18.240 --> 1:05:35.040
<v Speaker 20>We had tickets two years ago, tickets second, I'm sorry

1:05:35.440 --> 1:05:36.800
<v Speaker 20>you got no.

1:05:36.960 --> 1:05:39.560
<v Speaker 2>No, it's good. So what we do is what we

1:05:39.680 --> 1:05:43.560
<v Speaker 2>call a random real quick. So Eric being rock Kim.

1:05:43.840 --> 1:05:46.880
<v Speaker 2>So I'm gonna call it random real quick. So Eric

1:05:47.000 --> 1:05:52.120
<v Speaker 2>being rock Kim my first music video ever. I was

1:05:52.200 --> 1:05:56.080
<v Speaker 2>an extra for a rock camp video and I got

1:05:56.200 --> 1:06:00.000
<v Speaker 2>more shots than any other extra history. What's don't swim

1:06:00.040 --> 1:06:08.880
<v Speaker 2>at the technique? I'm playing up right then, I'm your

1:06:08.960 --> 1:06:18.240
<v Speaker 2>bunny man. I told y'all man, yeah, son, do you know?

1:06:18.360 --> 1:06:19.520
<v Speaker 2>He said hip hop junkie.

1:06:19.560 --> 1:06:20.120
<v Speaker 24>I you know.

1:06:23.600 --> 1:06:25.040
<v Speaker 3>But we gotta go back to Donald Trump.

1:06:26.160 --> 1:06:29.320
<v Speaker 2>Yeah, it's a deep picture. He said that because family

1:06:29.400 --> 1:06:31.720
<v Speaker 2>was saying, like when he probably saw that. So now

1:06:31.840 --> 1:06:36.880
<v Speaker 2>look this is like Donald Trump ain't the president. Everybody's chilling.

1:06:37.520 --> 1:06:41.080
<v Speaker 2>Donald Trump book us for a show. We show up.

1:06:41.120 --> 1:06:43.720
<v Speaker 2>We at the Caesar. I called my man sweet Mickey,

1:06:44.240 --> 1:06:46.520
<v Speaker 2>and I'm like, yo, Mickey, were out here with Trump,

1:06:46.840 --> 1:06:48.360
<v Speaker 2>come on over. But let's be clearsed.

1:06:48.560 --> 1:06:51.800
<v Speaker 3>Micky is the president, and the president he's just chilling.

1:06:52.880 --> 1:06:54.840
<v Speaker 2>He's like my friend, you know what I mean? So yo,

1:06:55.200 --> 1:07:00.200
<v Speaker 2>were down here, come so now and years later, right,

1:07:00.520 --> 1:07:04.320
<v Speaker 2>because all I could do is tell y'all because back then, yeah,

1:07:04.360 --> 1:07:07.960
<v Speaker 2>but all I could do say, all I could do

1:07:08.120 --> 1:07:10.040
<v Speaker 2>is tell y'all. Right, all I could go is by

1:07:10.240 --> 1:07:11.000
<v Speaker 2>facts checks.

1:07:11.120 --> 1:07:12.680
<v Speaker 3>Right, I'm gonna give y'all the facts.

1:07:12.760 --> 1:07:14.920
<v Speaker 2>Man. The fact is at the end of the day,

1:07:15.480 --> 1:07:18.560
<v Speaker 2>coming from where I came from, if somebody gave me

1:07:18.680 --> 1:07:23.440
<v Speaker 2>a check to perform, right, and it actually wrote the

1:07:23.640 --> 1:07:27.080
<v Speaker 2>check right at the time, at the time, and the

1:07:27.240 --> 1:07:29.160
<v Speaker 2>check clai at the time, I was like, this person's

1:07:29.360 --> 1:07:32.520
<v Speaker 2>by the business now then, But dude, when you sit

1:07:32.640 --> 1:07:35.920
<v Speaker 2>on a presidential chair, that's a whole another scheme now

1:07:36.160 --> 1:07:39.600
<v Speaker 2>because you representing the world and you're representing like you

1:07:39.720 --> 1:07:41.760
<v Speaker 2>can't be for one side of this, it don't exist.

1:07:41.800 --> 1:07:43.640
<v Speaker 2>You gotta be for the whole America, you feel me.

1:07:43.920 --> 1:07:47.120
<v Speaker 2>So it's a different gameck Obama, yeah so so so

1:07:47.320 --> 1:07:51.320
<v Speaker 2>on that note, what ended up happening is I ran

1:07:51.560 --> 1:07:56.960
<v Speaker 2>right when I ran for president, I ran, But all

1:07:57.040 --> 1:08:00.160
<v Speaker 2>y'all did was see me run. What y'all did and

1:08:00.280 --> 1:08:04.840
<v Speaker 2>see was the backstory. There's a documentary called The Ghostive Seat.

1:08:04.840 --> 1:08:13.960
<v Speaker 2>They're so late. So yeah, now look at it again

1:08:14.040 --> 1:08:17.040
<v Speaker 2>from the top, y'all see that it's brought by y'all

1:08:17.840 --> 1:08:21.400
<v Speaker 2>by Sock Possitive Films. Sock Positive Films is one of

1:08:21.479 --> 1:08:22.400
<v Speaker 2>my film companies.

1:08:23.000 --> 1:08:23.120
<v Speaker 3>Right.

1:08:23.760 --> 1:08:25.800
<v Speaker 2>So I only tell y'all that because at the end

1:08:25.800 --> 1:08:30.120
<v Speaker 2>of the day, I wanted to show out in America

1:08:30.920 --> 1:08:33.439
<v Speaker 2>or all of the kids that was here, how dudes

1:08:33.560 --> 1:08:36.799
<v Speaker 2>was getting down in Haiti, and how hip hop music

1:08:37.520 --> 1:08:42.120
<v Speaker 2>influenced Haiti. Right, so you have. So at the end

1:08:42.120 --> 1:08:45.280
<v Speaker 2>of the day, y'all saw me run for president. But

1:08:45.360 --> 1:08:48.320
<v Speaker 2>what they didn't show, y'all is when they had beef

1:08:48.400 --> 1:08:51.800
<v Speaker 2>with the gangs. I had to go negotiate for the

1:08:51.960 --> 1:09:02.439
<v Speaker 2>gangs visa rappers. I'm talking about the gangs. I'm talking

1:09:02.479 --> 1:09:06.519
<v Speaker 2>about So I said, I sit with the gunmen. Why

1:09:06.640 --> 1:09:10.839
<v Speaker 2>Clef sit with the gunman hand in hand, ten thousand

1:09:10.920 --> 1:09:14.840
<v Speaker 2>ouzies eye to eye. Let's have a conversation because at

1:09:14.880 --> 1:09:19.080
<v Speaker 2>the end of the day, I can't let my people suffer.

1:09:19.640 --> 1:09:21.240
<v Speaker 2>So at the end of the day, you have to

1:09:21.360 --> 1:09:25.000
<v Speaker 2>figure this out. Because the youth of tomorrow got advanced,

1:09:25.280 --> 1:09:28.559
<v Speaker 2>so how are we gonna do this? I get a note,

1:09:28.800 --> 1:09:31.960
<v Speaker 2>a list of what they demands are. I take this

1:09:32.200 --> 1:09:36.000
<v Speaker 2>list to Washington, d C. The UN is listening. I

1:09:36.200 --> 1:09:38.799
<v Speaker 2>was the one who negotiated the truth with the gangs.

1:09:39.160 --> 1:09:39.600
<v Speaker 3>This is me.

1:09:39.760 --> 1:09:42.240
<v Speaker 2>But y'all don't see none of this yet. Then I

1:09:42.479 --> 1:09:47.920
<v Speaker 2>fly back to my country. This is clef Then I

1:09:48.040 --> 1:09:49.879
<v Speaker 2>fly back to Washington.

1:09:50.000 --> 1:09:50.120
<v Speaker 3>Right.

1:09:50.439 --> 1:09:52.840
<v Speaker 2>Anybody who's watching this, it ain't hard. You could google this.

1:09:53.520 --> 1:09:58.800
<v Speaker 2>I'm in front of Congress and I'm talking about Look,

1:09:59.360 --> 1:10:02.000
<v Speaker 2>y'all need to yet a bill passed. It's called a

1:10:02.120 --> 1:10:07.960
<v Speaker 2>textile bill. This bill help brought back textile and manufactured

1:10:08.040 --> 1:10:10.400
<v Speaker 2>of my country. While I'm doing all of this, y'all

1:10:10.439 --> 1:10:12.880
<v Speaker 2>don't see any of this. This ain't promoted. The only

1:10:12.960 --> 1:10:16.439
<v Speaker 2>thing y'all saw was y Cleve Jean, Yola Haiti scandal.

1:10:16.800 --> 1:10:18.360
<v Speaker 2>Y Cleve jen run for president?

1:10:18.800 --> 1:10:18.960
<v Speaker 3>Right.

1:10:19.479 --> 1:10:24.519
<v Speaker 2>The only thing is this. I'm a garvyiit just the

1:10:24.640 --> 1:10:28.120
<v Speaker 2>part of me that people don't know. I'm a Marcus

1:10:28.320 --> 1:10:31.640
<v Speaker 2>garvyit and what that means is at the end of

1:10:31.680 --> 1:10:35.320
<v Speaker 2>the day, yeah, niggas see me run. But who told

1:10:35.400 --> 1:10:37.400
<v Speaker 2>me to run? What made me think I could run?

1:10:37.840 --> 1:10:41.759
<v Speaker 2>No one know. I sat with Nelson, Mandela, Me and Mandela.

1:10:41.840 --> 1:10:43.920
<v Speaker 2>We had the conversation eye to eye like we have

1:10:44.040 --> 1:10:47.599
<v Speaker 2>in this conversation. I had a few questions for Mandela.

1:10:47.600 --> 1:10:50.479
<v Speaker 2>It was only three people in the room, Me, Mandela,

1:10:50.560 --> 1:10:55.080
<v Speaker 2>and my cousin Jerry Wonder, So for me, this was

1:10:55.200 --> 1:11:01.360
<v Speaker 2>important information. After that, I flew and sat with Harry Belafonte.

1:11:02.360 --> 1:11:05.439
<v Speaker 2>I spoke to Harry. Harry told me this is how

1:11:05.479 --> 1:11:08.040
<v Speaker 2>they're gonna get you, and this is what's gonna happen

1:11:08.120 --> 1:11:12.120
<v Speaker 2>to you, and if you're able to handle this, you're

1:11:12.160 --> 1:11:14.800
<v Speaker 2>gonna be okay. So at the end of the day,

1:11:15.320 --> 1:11:18.040
<v Speaker 2>now I run for president of my country. And then

1:11:18.120 --> 1:11:21.720
<v Speaker 2>they said I gotta be in a country five years, right,

1:11:22.360 --> 1:11:26.080
<v Speaker 2>But beat this right, They told you the legibility is

1:11:26.200 --> 1:11:29.599
<v Speaker 2>five years. But if I ask anyone who's listening right now,

1:11:30.360 --> 1:11:34.280
<v Speaker 2>what the hell does the Haitian constitution say? Nobody knows.

1:11:35.000 --> 1:11:38.880
<v Speaker 2>So you call that Western propaganda. So it's propaganda that's

1:11:38.920 --> 1:11:41.160
<v Speaker 2>given on the other side to fool you over on

1:11:41.320 --> 1:11:44.760
<v Speaker 2>this side. Because on this side we come here, we

1:11:44.880 --> 1:11:47.880
<v Speaker 2>study black history. We know who our forefathers, well, we

1:11:48.000 --> 1:11:50.720
<v Speaker 2>know who George Washington is. But if I tell somebody, yo,

1:11:50.800 --> 1:11:53.760
<v Speaker 2>who's two sons lover with your who's jack this on it?

1:11:54.120 --> 1:11:56.280
<v Speaker 2>So how would you come up with a law and

1:11:56.360 --> 1:11:58.559
<v Speaker 2>tell me I gotta live in a country for five

1:11:58.680 --> 1:12:04.320
<v Speaker 2>years when I already had a diplomatic passport. So why

1:12:04.400 --> 1:12:08.240
<v Speaker 2>didn't I contest it? Why did not raise my finger?

1:12:09.240 --> 1:12:13.120
<v Speaker 2>And I'm not no ordinary dude. I bought Minister farra

1:12:13.240 --> 1:12:16.160
<v Speaker 2>khon to Haiti to Sain't no ordinary guys?

1:12:16.200 --> 1:12:16.960
<v Speaker 3>Who's speaking to you?

1:12:17.600 --> 1:12:20.960
<v Speaker 2>At the end of the day, Bill Clinton, who's listening

1:12:21.040 --> 1:12:23.720
<v Speaker 2>to the show right now? I'm getting off of Air

1:12:23.840 --> 1:12:26.720
<v Speaker 2>Force one. I'm getting off of Air Force one with

1:12:26.880 --> 1:12:30.200
<v Speaker 2>Bill Clinton as a youngster. So I'm not no ordinary

1:12:30.320 --> 1:12:33.320
<v Speaker 2>dude at the end of the day. Though they had

1:12:33.400 --> 1:12:36.160
<v Speaker 2>to block me. The reason why they blocked me is

1:12:36.200 --> 1:12:39.120
<v Speaker 2>because they didn't see me as a capitalist, even though

1:12:39.160 --> 1:12:42.240
<v Speaker 2>I am a capitalist. They saw me as a populist,

1:12:43.240 --> 1:12:44.880
<v Speaker 2>somebody that's going to be for the people.

1:12:45.000 --> 1:12:45.920
<v Speaker 3>You know what I'm saying to you.

1:12:46.280 --> 1:12:48.760
<v Speaker 2>So that's the bottom line, and that's how I went down.

1:12:49.040 --> 1:12:50.960
<v Speaker 2>But look, at the end of the day, I could

1:12:51.000 --> 1:12:54.240
<v Speaker 2>have raised my pinky and the country with a turned red.

1:12:54.800 --> 1:12:56.920
<v Speaker 2>I didn't do that because I didn't want the youth

1:12:57.479 --> 1:13:00.439
<v Speaker 2>to fight over me. Because at the end of the

1:13:00.520 --> 1:13:03.240
<v Speaker 2>day was bigger than me. It was about Haiti. So

1:13:03.400 --> 1:13:08.000
<v Speaker 2>we helped get Sweet Mickey elected. So my party, my

1:13:08.200 --> 1:13:12.479
<v Speaker 2>party back was my party, Dicky Mickey Sweet it was.

1:13:16.040 --> 1:13:18.000
<v Speaker 8>Yeah, it was, it was, it was, it was.

1:13:18.400 --> 1:13:23.240
<v Speaker 2>It was Sweet Mickey aka Michelle Michelle Martin Lee. So

1:13:23.320 --> 1:13:26.240
<v Speaker 2>at the end of the day, that crew raised me

1:13:26.360 --> 1:13:29.360
<v Speaker 2>to a point. So I backed him up and at

1:13:29.400 --> 1:13:30.920
<v Speaker 2>the end of the day we all got together. He

1:13:31.080 --> 1:13:34.840
<v Speaker 2>became the president. After him, it's another president that's young.

1:13:35.320 --> 1:13:38.120
<v Speaker 2>All I wanted to do my job is accomplish what

1:13:38.280 --> 1:13:41.120
<v Speaker 2>I wanted to do. Before I ran, we had an

1:13:41.200 --> 1:13:41.880
<v Speaker 2>old regime.

1:13:42.080 --> 1:13:42.280
<v Speaker 3>Dog.

1:13:42.840 --> 1:13:46.519
<v Speaker 2>Everything was over sixty five, seventy years old. There was

1:13:47.080 --> 1:13:50.280
<v Speaker 2>controlling a country. There was controlling for country for over

1:13:50.360 --> 1:13:54.000
<v Speaker 2>seventy eighty years. I broke the cycle and that was

1:13:54.080 --> 1:13:55.280
<v Speaker 2>the mission that I wanted to do.

1:13:55.640 --> 1:13:58.439
<v Speaker 3>So Cleft, I know, I know because I know you

1:13:58.800 --> 1:14:01.920
<v Speaker 3>so many years, and I know you for being rich

1:14:02.040 --> 1:14:02.720
<v Speaker 3>for every year.

1:14:04.920 --> 1:14:07.719
<v Speaker 25>And then these people they say, oh, well, wow, Cleft

1:14:07.760 --> 1:14:10.080
<v Speaker 25>took from there, and I said, not, Cleft ain't taken

1:14:10.080 --> 1:14:14.200
<v Speaker 25>from ship. This is me defending you from the outside

1:14:14.240 --> 1:14:16.559
<v Speaker 25>looking in because I know you, I know your personal

1:14:16.680 --> 1:14:17.840
<v Speaker 25>lifestyle and.

1:14:19.240 --> 1:14:21.320
<v Speaker 2>How many years I said, what what you told me?

1:14:21.479 --> 1:14:23.160
<v Speaker 11>That this is whatever?

1:14:23.240 --> 1:14:25.519
<v Speaker 1>They said that they they said that you stole from

1:14:25.680 --> 1:14:28.280
<v Speaker 1>the campaign? How what was I like, Sonny keep.

1:14:28.120 --> 1:14:33.680
<v Speaker 2>It said, got it wrong, and it's going on with

1:14:33.800 --> 1:14:35.439
<v Speaker 2>this white.

1:14:35.240 --> 1:14:38.000
<v Speaker 1>Cleft and I said it on the podcast. But I

1:14:38.160 --> 1:14:40.040
<v Speaker 1>just want, I just want you to shut all the

1:14:40.120 --> 1:14:40.760
<v Speaker 1>haters down.

1:14:40.920 --> 1:14:41.160
<v Speaker 3>Please.

1:14:41.640 --> 1:14:43.559
<v Speaker 2>Well, I think I think, first of all, it's an

1:14:43.680 --> 1:14:47.960
<v Speaker 2>insult to say I stole sixteen First of all, it's

1:14:48.000 --> 1:14:53.400
<v Speaker 2>an insult. First of all, it's an insult to say

1:14:53.680 --> 1:14:57.840
<v Speaker 2>that's what that I would steal sixteen million, right, at

1:14:57.960 --> 1:15:01.040
<v Speaker 2>least say I would steal one billion. This is a

1:15:01.160 --> 1:15:05.439
<v Speaker 2>complete insult because sixty million, it were equal to the

1:15:05.680 --> 1:15:08.000
<v Speaker 2>artwork and a few cars.

1:15:07.720 --> 1:15:17.160
<v Speaker 3>In the That's the truth to That's the truth, right

1:15:18.560 --> 1:15:18.880
<v Speaker 3>about it.

1:15:20.200 --> 1:15:23.320
<v Speaker 2>I gotta tell him right. Sometimes you tell him right.

1:15:23.439 --> 1:15:30.479
<v Speaker 2>You feel me sometimes for some of the Yeah, but yo,

1:15:30.640 --> 1:15:32.960
<v Speaker 2>at the end of the day, though, think about this, though,

1:15:33.200 --> 1:15:36.880
<v Speaker 2>anyone who's really paying attention, like what part of their

1:15:37.040 --> 1:15:39.679
<v Speaker 2>history you want to know? I mean, j Edgar Hoover

1:15:39.800 --> 1:15:44.400
<v Speaker 2>set up the FBI for Look, Marcus Garvey was infiltrated.

1:15:45.040 --> 1:15:48.320
<v Speaker 2>They came in and said everything They said I did.

1:15:48.920 --> 1:15:52.519
<v Speaker 2>They said Marcus Garvey did. At the time, Marcus Garvey

1:15:52.640 --> 1:15:57.360
<v Speaker 2>people wasn't that strong. Marcus Garvey got deported and Obama

1:15:57.800 --> 1:16:02.200
<v Speaker 2>just pardoned Marcus Garvey. I'll even give you something crazier.

1:16:02.800 --> 1:16:06.160
<v Speaker 2>Think about the nub A CP Martin Luther King. They

1:16:06.240 --> 1:16:10.920
<v Speaker 2>said Martin Luther King was stealing personal funds to basically

1:16:11.520 --> 1:16:14.080
<v Speaker 2>take care of his family. Then they had to retract

1:16:14.160 --> 1:16:17.960
<v Speaker 2>this story. My question for y'all is when they're telling

1:16:18.040 --> 1:16:25.880
<v Speaker 2>y'all Y cleft stole and then yeah, yeah, but at

1:16:25.920 --> 1:16:27.920
<v Speaker 2>the same time, right, let me take it to a

1:16:28.040 --> 1:16:31.920
<v Speaker 2>level of legislation because we smart people. So if you

1:16:32.120 --> 1:16:35.519
<v Speaker 2>basically says I took something, I'm going to have my

1:16:35.760 --> 1:16:39.000
<v Speaker 2>CEO now write a piece of paper which is a

1:16:39.120 --> 1:16:41.800
<v Speaker 2>rebuttal to show where all of the money went. Why

1:16:41.960 --> 1:16:45.320
<v Speaker 2>nobody printed that up when we did the rebuttal. Why

1:16:45.360 --> 1:16:47.880
<v Speaker 2>didn't y'all print up the rebuttal? Because at the end

1:16:47.920 --> 1:16:51.040
<v Speaker 2>of the day, it's real simple. Long before I was born,

1:16:51.840 --> 1:16:55.280
<v Speaker 2>it was set up that NGOs would come to my

1:16:55.439 --> 1:16:58.840
<v Speaker 2>country and when they can't make no money nowhere else,

1:16:59.800 --> 1:17:01.200
<v Speaker 2>you know what I mean, a due what a local

1:17:01.320 --> 1:17:04.000
<v Speaker 2>job would be making thirty forty thousand dollars a month

1:17:04.360 --> 1:17:07.120
<v Speaker 2>while my people is living on less than eighty percent,

1:17:07.840 --> 1:17:10.000
<v Speaker 2>you know. And I didn't want to start a charity.

1:17:10.080 --> 1:17:14.400
<v Speaker 2>I started in NGO and NGO non governmental organization.

1:17:14.960 --> 1:17:16.799
<v Speaker 3>We was moving like an organization.

1:17:17.200 --> 1:17:20.599
<v Speaker 2>This was a threat to everybody, including the Red Cross,

1:17:21.000 --> 1:17:23.880
<v Speaker 2>including everyone else. And what's funny is I've worked with

1:17:23.960 --> 1:17:26.880
<v Speaker 2>the Red Cross, I've worked with different people. But why

1:17:27.040 --> 1:17:29.280
<v Speaker 2>is it if you google the Red Cross right now

1:17:29.520 --> 1:17:32.160
<v Speaker 2>and say how many houses y'all put in Haiti? Y'all

1:17:32.200 --> 1:17:36.120
<v Speaker 2>going to see five houses? They raised billions? What happened

1:17:36.120 --> 1:17:38.519
<v Speaker 2>with the Clinton Foundation got me anything? But think about this,

1:17:38.760 --> 1:17:42.800
<v Speaker 2>But think about that. But once again, why Clef Young

1:17:43.320 --> 1:17:46.800
<v Speaker 2>was a patsy? Only different niggas couldn't gun me down

1:17:47.040 --> 1:17:49.880
<v Speaker 2>because to gun me down, you gotta get my people

1:17:49.920 --> 1:17:52.240
<v Speaker 2>to gun me down. That's the only way it's gonna

1:17:52.280 --> 1:17:55.040
<v Speaker 2>make sense. You did it to Malcolm X, so you

1:17:55.120 --> 1:17:56.920
<v Speaker 2>would have to have my own and I'm in my

1:17:57.120 --> 1:18:01.120
<v Speaker 2>country gun me down. You can't justify by that. Ain't

1:18:01.120 --> 1:18:10.880
<v Speaker 2>nobody gunning me down where I come from, expect, But.

1:18:10.920 --> 1:18:11.519
<v Speaker 3>I still want to know.

1:18:11.640 --> 1:18:13.680
<v Speaker 2>Do you think that Plinn Foundation did their job in then?

1:18:15.680 --> 1:18:15.720
<v Speaker 7>No?

1:18:15.920 --> 1:18:18.560
<v Speaker 2>I think that to your point that I did the

1:18:18.640 --> 1:18:20.760
<v Speaker 2>tour of the houses, the model houses, and none of

1:18:20.800 --> 1:18:23.519
<v Speaker 2>that was building. Once again, I think that a lot

1:18:23.640 --> 1:18:26.679
<v Speaker 2>of the money that went to Haiti through the relief

1:18:26.760 --> 1:18:30.080
<v Speaker 2>fund is a disaster. It's the same thing that disaster,

1:18:30.320 --> 1:18:31.719
<v Speaker 2>the same thing that happened and control.

1:18:33.200 --> 1:18:35.720
<v Speaker 1>I'm so sorry, sorry to cut you off, but can

1:18:35.840 --> 1:18:39.519
<v Speaker 1>you just explain to the people because me personally, I

1:18:39.720 --> 1:18:42.439
<v Speaker 1>know that you don't need me personally.

1:18:42.840 --> 1:18:46.320
<v Speaker 3>When they said I cant to anything, I know you personally.

1:18:46.479 --> 1:18:48.920
<v Speaker 3>I know how you ball. I know how you don't

1:18:49.000 --> 1:18:53.280
<v Speaker 3>need this money. I know that, But how do you

1:18:53.720 --> 1:18:56.240
<v Speaker 3>like address these people who think.

1:18:56.240 --> 1:18:59.000
<v Speaker 2>That, Well, the first thing is anyone who thinks that

1:18:59.240 --> 1:19:02.240
<v Speaker 2>you have to go facts right, So the only thing

1:19:02.720 --> 1:19:06.400
<v Speaker 2>is look if you if I bring you to the

1:19:06.479 --> 1:19:10.400
<v Speaker 2>well and you a donkey, that mean you're gonna drink

1:19:10.439 --> 1:19:14.280
<v Speaker 2>the water. But if you're a giraffe, I can't get

1:19:14.400 --> 1:19:19.439
<v Speaker 2>mad at you. So those that after at the end

1:19:19.479 --> 1:19:21.080
<v Speaker 2>of the day, right at the end of the day,

1:19:21.120 --> 1:19:24.200
<v Speaker 2>I can't force people to believe what they don't believe, right,

1:19:24.439 --> 1:19:26.320
<v Speaker 2>you feel me At the end of the day, when

1:19:26.360 --> 1:19:29.960
<v Speaker 2>I'm on Oprah and I tell y'all the story on

1:19:30.080 --> 1:19:33.120
<v Speaker 2>Oprah when I sit on Oprah's couch when I tell

1:19:33.160 --> 1:19:36.080
<v Speaker 2>y'all story, right, But once again, what is this another

1:19:36.280 --> 1:19:38.519
<v Speaker 2>black man defending himself for what?

1:19:39.040 --> 1:19:39.200
<v Speaker 3>Right?

1:19:39.560 --> 1:19:41.360
<v Speaker 2>Because at the end of the day, when you look

1:19:41.439 --> 1:19:45.080
<v Speaker 2>at it, it's all a distraction for what And I'm

1:19:45.120 --> 1:19:48.920
<v Speaker 2>going to state it again on your show. First of all,

1:19:49.640 --> 1:19:54.320
<v Speaker 2>the idea of why Cleff winning a Grammy and putting

1:19:54.400 --> 1:19:59.880
<v Speaker 2>his Haitian flag around his back and establishing Haitian pride,

1:20:00.439 --> 1:20:01.000
<v Speaker 2>it is cool?

1:20:01.080 --> 1:20:01.519
<v Speaker 3>Were with you?

1:20:03.400 --> 1:20:07.000
<v Speaker 2>After that? The idea of why Cleft trying to become

1:20:07.120 --> 1:20:12.320
<v Speaker 2>president and set up a governmental organization where you're not

1:20:12.439 --> 1:20:16.800
<v Speaker 2>going to sing it. It starts to change, right, And

1:20:16.920 --> 1:20:20.920
<v Speaker 2>in this process you have to do what's called covert

1:20:21.520 --> 1:20:25.759
<v Speaker 2>and dude, any everyone that's paying attention, this ain't conspiracy theory,

1:20:26.120 --> 1:20:29.360
<v Speaker 2>This ain't the Luminati. The bottom line to it is

1:20:29.840 --> 1:20:33.240
<v Speaker 2>in this room right here, as you do what you do,

1:20:34.720 --> 1:20:37.960
<v Speaker 2>if they feel like it's an infiltration, they will plant

1:20:38.080 --> 1:20:41.160
<v Speaker 2>somebody inside of this room. That's just the way that

1:20:41.320 --> 1:20:44.080
<v Speaker 2>it works. So at the end of the day, it's

1:20:44.160 --> 1:20:44.840
<v Speaker 2>so important.

1:20:45.560 --> 1:20:46.080
<v Speaker 3>I'm so sorry.

1:20:47.240 --> 1:20:53.240
<v Speaker 1>But now Cleft takes this job genre and he wins

1:20:53.320 --> 1:20:57.680
<v Speaker 1>the presidency will be wa Cleff's first thing to do

1:20:58.320 --> 1:21:00.000
<v Speaker 1>as president as president of Hey.

1:21:00.520 --> 1:21:02.519
<v Speaker 2>Well, the first thing that we would have to do

1:21:03.160 --> 1:21:06.759
<v Speaker 2>as president of Haiti. You have a population that's living

1:21:06.920 --> 1:21:09.760
<v Speaker 2>on less than eighty percent, right, is living on less

1:21:09.800 --> 1:21:11.760
<v Speaker 2>than a dollar a day. So then you would have

1:21:11.880 --> 1:21:15.800
<v Speaker 2>to establish what's the wealth right of the country. So

1:21:15.960 --> 1:21:19.120
<v Speaker 2>then there's two parts of it. What's the richness? Human

1:21:19.240 --> 1:21:23.360
<v Speaker 2>capital is one? What that mean? Human capital? Human capital

1:21:23.439 --> 1:21:27.879
<v Speaker 2>is important because whether if we're talking about Haiti, Philly, Compton, everywhere,

1:21:28.120 --> 1:21:31.280
<v Speaker 2>you got a group of young men that are like Masons,

1:21:31.360 --> 1:21:34.200
<v Speaker 2>they are workers, they can work like Mexico. What Mexico does.

1:21:34.560 --> 1:21:37.960
<v Speaker 2>Human capital is one. The second part of it is

1:21:38.640 --> 1:21:42.720
<v Speaker 2>we call education and education comes in different forms. I

1:21:42.760 --> 1:21:45.639
<v Speaker 2>ain't talking about just putting up schools. I'm talking about

1:21:45.720 --> 1:21:48.400
<v Speaker 2>putting up trade schools. And what is it that we

1:21:48.600 --> 1:21:51.960
<v Speaker 2>have right everything is controlled from air and c So

1:21:52.080 --> 1:21:55.160
<v Speaker 2>at the end of the day, Haiti used to export coffee.

1:21:55.560 --> 1:21:58.360
<v Speaker 2>That's what we was known for, coffee and sugar. So

1:21:58.560 --> 1:22:00.880
<v Speaker 2>at the end of the day, all of this we

1:22:01.000 --> 1:22:03.320
<v Speaker 2>can What happens is if we come up with a

1:22:03.439 --> 1:22:08.760
<v Speaker 2>trade policy and we got duty if we got duty free,

1:22:08.840 --> 1:22:11.160
<v Speaker 2>we come up with a trade policy, then we can work.

1:22:11.439 --> 1:22:13.760
<v Speaker 2>So the whole thing is I would have to show

1:22:13.800 --> 1:22:16.240
<v Speaker 2>you what Haiti is willing to trade for you to

1:22:16.320 --> 1:22:18.560
<v Speaker 2>want to trade with me. It's like if you're on

1:22:18.640 --> 1:22:20.240
<v Speaker 2>a block and I'm on the block. If you don't

1:22:20.280 --> 1:22:23.000
<v Speaker 2>have nothing to trade, then ain't really nothing to talk about.

1:22:23.400 --> 1:22:28.559
<v Speaker 2>So human capital and education is the most important thing.

1:22:28.880 --> 1:22:31.720
<v Speaker 2>And how do we invest in education? When companies was

1:22:31.760 --> 1:22:34.680
<v Speaker 2>coming into Haiti after the earthquake, this is what I

1:22:34.840 --> 1:22:38.519
<v Speaker 2>ran because I said, anybody's coming on corporate interests. Dudes,

1:22:38.560 --> 1:22:40.160
<v Speaker 2>you want to come in and you want to help,

1:22:40.200 --> 1:22:43.160
<v Speaker 2>that's no problem. But dudes, we got ten boroughs here.

1:22:43.200 --> 1:22:46.240
<v Speaker 2>Why don't you put ten universities and put these people

1:22:46.320 --> 1:22:49.679
<v Speaker 2>to schools because when you leave after the earthquake, they're

1:22:49.760 --> 1:22:51.519
<v Speaker 2>actually going to have a job and be able to

1:22:51.600 --> 1:22:53.599
<v Speaker 2>do stuff. These are some of the things.

1:22:54.920 --> 1:22:56.280
<v Speaker 3>I saw that that's the only thing I saw.

1:22:56.360 --> 1:22:58.000
<v Speaker 2>Money go to police.

1:23:00.120 --> 1:23:03.120
<v Speaker 1>What do you think happened to Haiti after what was

1:23:03.200 --> 1:23:04.760
<v Speaker 1>it the earthquake that happened right here?

1:23:05.520 --> 1:23:08.200
<v Speaker 2>So sostating earth questions? They were stating there there.

1:23:08.680 --> 1:23:11.960
<v Speaker 3>So what do you think was the problem? Message with

1:23:12.560 --> 1:23:13.400
<v Speaker 3>you would have took.

1:23:13.320 --> 1:23:16.679
<v Speaker 2>If you was the president, the problem is this. It's

1:23:16.960 --> 1:23:20.040
<v Speaker 2>eighteen oh four, right, eighteen oh four, the Haitians get

1:23:20.120 --> 1:23:25.400
<v Speaker 2>their independence, the first Black republication. I gotta take you there.

1:23:25.760 --> 1:23:27.680
<v Speaker 2>I gotta take you there to understand the root of

1:23:27.760 --> 1:23:29.200
<v Speaker 2>the problem. Eighteen oh four.

1:23:29.840 --> 1:23:30.679
<v Speaker 3>Peep this guard.

1:23:30.880 --> 1:23:33.080
<v Speaker 2>Eighteen oh four. I gotta go on my five percent

1:23:33.160 --> 1:23:40.519
<v Speaker 2>them over, please me, okay, watch this eighteen oh four. God,

1:23:41.360 --> 1:23:44.839
<v Speaker 2>in eighteen oh four, we basically was free. We defeated

1:23:44.880 --> 1:23:48.800
<v Speaker 2>the Napoleon army. What that means the most army at

1:23:48.840 --> 1:23:52.280
<v Speaker 2>the time, the best army at the time. The Haitians

1:23:52.800 --> 1:23:57.240
<v Speaker 2>defeated them. They were outgunned. How was they able to

1:23:57.320 --> 1:24:00.400
<v Speaker 2>do that? Right now, what happens is after they has

1:24:00.439 --> 1:24:04.479
<v Speaker 2>defeated the Napoleons, the French now put a tax on Haiti.

1:24:06.040 --> 1:24:09.000
<v Speaker 2>This tax still till today is hurting Haiti.

1:24:09.200 --> 1:24:11.320
<v Speaker 3>And that's why Haiti people speaking.

1:24:13.720 --> 1:24:17.160
<v Speaker 2>The reason why Haitians speak French is because Haiti was

1:24:17.320 --> 1:24:21.120
<v Speaker 2>occupied it it was by the French, but because they

1:24:21.240 --> 1:24:24.800
<v Speaker 2>never agreed to be colonized, because they agreed to be free.

1:24:25.400 --> 1:24:30.720
<v Speaker 2>Some people say Haiti God its independence too early. Some

1:24:30.880 --> 1:24:32.840
<v Speaker 2>people say that because at the end of the day.

1:24:33.080 --> 1:24:35.360
<v Speaker 2>So now when you say damn, well, how do we

1:24:35.439 --> 1:24:38.120
<v Speaker 2>get Haiti back. The way that we get Haiti back

1:24:38.240 --> 1:24:40.840
<v Speaker 2>is to bring Haiti into the modern world. And the

1:24:40.880 --> 1:24:44.520
<v Speaker 2>way we bring Haiti into the modern world is through technology.

1:24:44.920 --> 1:24:47.800
<v Speaker 2>It's through in capital and you got to invest. I'm

1:24:47.840 --> 1:24:50.800
<v Speaker 2>gonna give you a last example how you bring Haiti back.

1:24:51.040 --> 1:24:54.320
<v Speaker 2>You have something which is called agrabank, call me agrabank.

1:24:54.720 --> 1:24:57.200
<v Speaker 2>So you use the soil. At the end of the day,

1:24:57.280 --> 1:25:00.920
<v Speaker 2>if we plant, that's right. Through agriculture, whether if it's

1:25:01.000 --> 1:25:03.160
<v Speaker 2>the dr whether if it's Haiti with I it's Jamaica.

1:25:03.560 --> 1:25:07.679
<v Speaker 2>Through agriculture, you're able to create an environment for people

1:25:07.720 --> 1:25:09.719
<v Speaker 2>to work, make money and trade.

1:25:10.040 --> 1:25:10.479
<v Speaker 3>You know what I mean.

1:25:12.520 --> 1:25:15.720
<v Speaker 7>Yo, Haiti is beautiful, man, I'm telling you when I went,

1:25:15.920 --> 1:25:16.680
<v Speaker 7>it's beautiful.

1:25:16.840 --> 1:25:19.040
<v Speaker 2>And then in order and we get our only got

1:25:19.160 --> 1:25:22.439
<v Speaker 2>to be economically and that's the that's the problem over there.

1:25:24.040 --> 1:25:26.680
<v Speaker 7>It's one of the best. Like I went there as

1:25:26.720 --> 1:25:30.840
<v Speaker 7>a non Haitian and it was beautiful people, beautiful landscape.

1:25:31.240 --> 1:25:32.680
<v Speaker 7>And then they were telling us like we went into

1:25:32.680 --> 1:25:34.800
<v Speaker 7>the mountains, that's where all the rich people live and

1:25:35.200 --> 1:25:37.719
<v Speaker 7>it's the only place where the beachfront is the poorest.

1:25:37.840 --> 1:25:42.000
<v Speaker 2>But let me ask you something though, in California, isn't

1:25:42.000 --> 1:25:44.200
<v Speaker 2>there a rich place of course, right? And then they

1:25:44.280 --> 1:25:45.400
<v Speaker 2>but the.

1:25:45.479 --> 1:25:47.879
<v Speaker 3>Beach side it's still high property value.

1:25:47.680 --> 1:25:50.479
<v Speaker 2>That's right, it's high property value. And then when we

1:25:50.600 --> 1:25:53.400
<v Speaker 2>go into Compton, certain places we see the difference, right,

1:25:53.760 --> 1:25:56.120
<v Speaker 2>and then those boys in Compton can't really come to

1:25:56.200 --> 1:25:59.160
<v Speaker 2>the beachfront property value, right. So in Haiti it's the

1:25:59.240 --> 1:26:03.800
<v Speaker 2>same way. So you have places called by that's right.

1:26:04.160 --> 1:26:06.800
<v Speaker 2>So then what is that telling us? It's not really

1:26:06.880 --> 1:26:10.240
<v Speaker 2>a hated thing. This is a this is a world thing. Weather.

1:26:10.320 --> 1:26:14.280
<v Speaker 2>We love Brazil, whether we go to Brazil to the fulvelas,

1:26:14.479 --> 1:26:16.880
<v Speaker 2>we don't see the same thing. So my thing is this,

1:26:17.200 --> 1:26:18.519
<v Speaker 2>at the end of the day, if we want to

1:26:18.560 --> 1:26:20.800
<v Speaker 2>have a real talk about like hold up, man, from

1:26:20.920 --> 1:26:23.439
<v Speaker 2>now on, man, let's just be careful who we let

1:26:23.520 --> 1:26:25.680
<v Speaker 2>the mayor be, and let's be careful who we let

1:26:25.760 --> 1:26:28.920
<v Speaker 2>the governor be. Just be careful, like really really take that,

1:26:29.040 --> 1:26:30.960
<v Speaker 2>because they the ones that is gonna really care about

1:26:30.960 --> 1:26:31.559
<v Speaker 2>your environment.

1:26:32.960 --> 1:26:40.760
<v Speaker 3>Walk up political.

1:26:42.360 --> 1:26:43.599
<v Speaker 26>Yeah, we need to get.

1:26:45.080 --> 1:26:55.200
<v Speaker 3>You know, you gotta get.

1:26:55.960 --> 1:26:59.720
<v Speaker 2>I got y'all, man, it took me dark and you

1:26:59.800 --> 1:27:00.479
<v Speaker 2>want broke off.

1:27:00.600 --> 1:27:03.320
<v Speaker 24>Fine, I'm so sorry to ask question. Laura Hill, Baby

1:27:03.400 --> 1:27:11.759
<v Speaker 24>not your baby. That's what they told me about.

1:27:13.560 --> 1:27:17.599
<v Speaker 3>I'm so sorry. That's not sorry. You can do it. Yeah,

1:27:18.000 --> 1:27:19.160
<v Speaker 3>a fake media right.

1:27:19.120 --> 1:27:23.840
<v Speaker 2>Now so your media my friends.

1:27:28.000 --> 1:27:35.240
<v Speaker 16>Yeah, and not with n you film this fil now

1:27:35.800 --> 1:27:38.000
<v Speaker 16>I'm making this a salt little Sarah.

1:27:39.439 --> 1:27:40.320
<v Speaker 1>Some uk.

1:27:42.280 --> 1:27:48.680
<v Speaker 3>Yeah hard that drinks. We're catching the five.

1:27:50.200 --> 1:27:59.720
<v Speaker 15>And that's got to try. If I was president outside

1:27:59.760 --> 1:28:00.400
<v Speaker 15>that day.

1:28:01.400 --> 1:28:12.840
<v Speaker 3>By done some day then Monday, body egles back. It's

1:28:12.960 --> 1:28:14.599
<v Speaker 3>just though. And every day.

1:28:16.560 --> 1:28:20.320
<v Speaker 2>On my way to the airport they stopped me. It's

1:28:20.360 --> 1:28:22.439
<v Speaker 2>not this gonna smelled something funny.

1:28:23.800 --> 1:28:28.800
<v Speaker 3>I am my backpack. I told mister German Shepherd, I

1:28:28.920 --> 1:28:34.920
<v Speaker 3>know sniff no cocaine ever been Shepherd. I don't need

1:28:35.080 --> 1:28:40.400
<v Speaker 3>no ecstasy. No, no, no, no, mister German Shepherd Sheper.

1:28:40.800 --> 1:28:41.400
<v Speaker 7>You do the.

1:28:43.400 --> 1:28:48.280
<v Speaker 17>Bitch, lock me up, bitchnock him up, bitch as I

1:28:48.400 --> 1:28:56.000
<v Speaker 17>smoke my marrow, smoking my maman.

1:28:56.439 --> 1:29:03.040
<v Speaker 2>Yeah, different from there. If I was president day, I

1:29:03.200 --> 1:29:08.640
<v Speaker 2>get elected on Friday, Saturday on Saturday.

1:29:09.600 --> 1:29:15.360
<v Speaker 3>Might be on Sunday. If my month president, I'll be

1:29:15.600 --> 1:29:25.400
<v Speaker 3>on Monday. As who you want to Wednesday, I was president.

1:29:26.840 --> 1:29:32.600
<v Speaker 24>Wow on Thursday, it's like you on Friday, there was

1:29:32.640 --> 1:29:34.000
<v Speaker 24>a wal cliff On Saturday.

1:29:36.479 --> 1:29:42.879
<v Speaker 3>President president.

1:29:44.320 --> 1:29:50.320
<v Speaker 15>If I was president, day I will was the presenting.

1:29:56.400 --> 1:29:59.839
<v Speaker 3>Class. Let's take someday.

1:30:01.960 --> 1:30:06.280
<v Speaker 1>I don't know if you know, Cleff, You've always been

1:30:06.320 --> 1:30:10.479
<v Speaker 1>an inspiration to hood niggas because one everybody.

1:30:11.240 --> 1:30:14.559
<v Speaker 3>But one thing Nigga's hood niggas.

1:30:15.040 --> 1:30:15.640
<v Speaker 1>We made it.

1:30:16.760 --> 1:30:19.040
<v Speaker 3>We made it and we knew he made it before.

1:30:19.880 --> 1:30:21.880
<v Speaker 3>And Walk Cleff for coming down studios and be like,

1:30:21.960 --> 1:30:22.320
<v Speaker 3>what's up?

1:30:25.600 --> 1:30:25.800
<v Speaker 1>You know.

1:30:27.640 --> 1:30:29.000
<v Speaker 3>Show I used to eat dog.

1:30:30.640 --> 1:30:38.280
<v Speaker 1>In my mind, I thought you said, listen, that's real

1:30:38.360 --> 1:30:39.520
<v Speaker 1>ship walk Cliff.

1:30:40.960 --> 1:30:43.880
<v Speaker 3>Always he never was scared of anywhere.

1:30:44.320 --> 1:30:47.200
<v Speaker 1>He always came through. And this is the reason why

1:30:47.280 --> 1:30:51.160
<v Speaker 1>the foogies work. And how how are you in the

1:30:51.200 --> 1:30:52.200
<v Speaker 1>foogies right now?

1:30:52.400 --> 1:30:52.599
<v Speaker 3>Man?

1:30:52.840 --> 1:30:54.320
<v Speaker 2>At the end of the day, I saw I love.

1:30:54.479 --> 1:30:57.479
<v Speaker 2>Like I said, everybody's forty something like what kind of

1:30:57.560 --> 1:30:59.800
<v Speaker 2>beef they could be? Nobody shooting on my mama house.

1:31:00.720 --> 1:31:03.559
<v Speaker 2>Everybody stingy, you know what I mean?

1:31:03.600 --> 1:31:04.479
<v Speaker 3>We sting ray.

1:31:05.040 --> 1:31:08.759
<v Speaker 2>So it's all good for me. The energy is all positive.

1:31:08.880 --> 1:31:12.040
<v Speaker 2>Like I said, when people talk about drama, man, you're

1:31:12.080 --> 1:31:15.560
<v Speaker 2>talking about something that happened twenty five years ago that

1:31:15.680 --> 1:31:17.920
<v Speaker 2>I think everybody that went through their things and we

1:31:18.080 --> 1:31:20.439
<v Speaker 2>are grown folks now, you know, so we do what

1:31:20.520 --> 1:31:21.479
<v Speaker 2>we gotta do, man.

1:31:22.160 --> 1:31:27.000
<v Speaker 27>Yeah, yeah, yeah, listen, man, because we got we gotta

1:31:27.000 --> 1:31:32.240
<v Speaker 27>support my you know wonder Miami by all night, right, what.

1:31:32.439 --> 1:31:33.240
<v Speaker 3>The fucking.

1:31:35.120 --> 1:31:51.320
<v Speaker 18>I'm gotta come out out.

1:31:52.840 --> 1:32:14.080
<v Speaker 3>Your question. It's coming is running from mayor of South Beach.

1:32:15.439 --> 1:32:15.760
<v Speaker 8>Get it.

1:32:16.439 --> 1:32:18.840
<v Speaker 3>He has been arrested seventeen times.

1:32:21.479 --> 1:32:21.800
<v Speaker 18>I don't know.

1:32:21.920 --> 1:32:25.880
<v Speaker 11>It's funny everything I don't even man their.

1:32:25.840 --> 1:32:28.760
<v Speaker 3>Own property on South Beach. Everything he's been telling.

1:32:28.800 --> 1:32:32.840
<v Speaker 1>Listen, listen everything that Jay's e been talking about. Everything

1:32:32.880 --> 1:32:35.639
<v Speaker 1>we've been talking about today. If you go to Miami,

1:32:36.439 --> 1:32:39.120
<v Speaker 1>you be in that area and you don't vote for Aconelli,

1:32:39.280 --> 1:32:41.560
<v Speaker 1>just for one day, even if you don't care for

1:32:41.600 --> 1:32:42.439
<v Speaker 1>you gonna win or not.

1:32:42.880 --> 1:32:45.320
<v Speaker 3>The thing about it is, this is the only black

1:32:45.439 --> 1:32:48.720
<v Speaker 3>man that owned property on South Beach. He happened to

1:32:48.800 --> 1:32:49.880
<v Speaker 3>be from left Rock City.

1:32:50.160 --> 1:32:52.519
<v Speaker 1>But if he was from Flatbush, if he was from

1:32:52.600 --> 1:32:55.519
<v Speaker 1>Booker Basement, if he's from Ravens Laws.

1:32:55.040 --> 1:32:58.120
<v Speaker 2>From a story and Kindle in the South Bronx.

1:32:58.280 --> 1:33:00.599
<v Speaker 1>He's from one about seven and Jamar he was from

1:33:00.640 --> 1:33:03.040
<v Speaker 1>one four seven, and War he was from wherever.

1:33:04.760 --> 1:33:09.960
<v Speaker 3>It was another black man owning the business. Got so

1:33:10.600 --> 1:33:12.200
<v Speaker 3>even if you don't live in Miami.

1:33:12.880 --> 1:33:15.120
<v Speaker 1>This man is really running from Maya, even though you

1:33:15.200 --> 1:33:19.280
<v Speaker 1>got arrested seventeen times, saying that if you.

1:33:19.280 --> 1:33:24.720
<v Speaker 8>Want no black people might say for the struggle, that's what.

1:33:30.400 --> 1:33:33.519
<v Speaker 3>We're gonna do. We're gonna go out there support I cannell, leave.

1:33:35.240 --> 1:33:40.040
<v Speaker 23>Guy and be more strip cups. Yeah, sure you can't,

1:33:42.880 --> 1:33:47.639
<v Speaker 23>that's what class. Come on, let's know already.

1:33:48.439 --> 1:33:51.759
<v Speaker 3>Let me tell you some about Listen.

1:33:52.040 --> 1:33:54.280
<v Speaker 1>Let me tell you I can't sleep for two months

1:33:54.360 --> 1:33:57.240
<v Speaker 1>at one point, and then me and Plumber was in

1:33:57.320 --> 1:33:59.599
<v Speaker 1>the studio and then walk clup just came and play

1:33:59.640 --> 1:33:59.960
<v Speaker 1>some ship.

1:34:02.360 --> 1:34:03.120
<v Speaker 3>I believe.

1:34:05.080 --> 1:34:08.000
<v Speaker 28>What Listen, I'll kid you up. Proba, take a piss,

1:34:14.120 --> 1:34:16.600
<v Speaker 28>bringing the piss. I got to take a piss. You

1:34:16.760 --> 1:34:19.200
<v Speaker 28>gotta be take a picture for you.

1:34:21.320 --> 1:34:26.439
<v Speaker 3>He wanted to listen to the school sounds of class.

1:34:26.840 --> 1:34:27.759
<v Speaker 2>I take a piss.

1:34:34.520 --> 1:34:37.559
<v Speaker 7>This man.

1:34:38.000 --> 1:34:45.400
<v Speaker 3>Let's go wherever man check it out. I'm gonna do

1:34:45.560 --> 1:34:46.959
<v Speaker 3>this one for my homies.

1:34:47.000 --> 1:34:51.960
<v Speaker 2>Gone, hey, chide the hammer Dan coming home now threw

1:34:52.080 --> 1:34:55.360
<v Speaker 2>me all from the changes. Soon the devil pulled the

1:34:55.479 --> 1:34:59.160
<v Speaker 2>card and he said, youse one. I chose music, my

1:34:59.280 --> 1:35:00.120
<v Speaker 2>homies choke.

1:35:01.479 --> 1:35:05.280
<v Speaker 3>Some of my balls. Chose the NBA because it's on

1:35:05.360 --> 1:35:09.559
<v Speaker 3>that block. Man, they gang bang funeral role polers making

1:35:09.680 --> 1:35:10.639
<v Speaker 3>all that changing.

1:35:11.400 --> 1:35:14.439
<v Speaker 2>Yo. When my cousin got his worst texts, I was

1:35:14.520 --> 1:35:18.679
<v Speaker 2>playing Jimmy and Tricks in the face. All I wanted

1:35:18.800 --> 1:35:21.800
<v Speaker 2>to be was a rap star, and all they wanted

1:35:21.920 --> 1:35:39.280
<v Speaker 2>to be wasn't Escabar Gil Chap going to November. He

1:35:39.320 --> 1:35:42.680
<v Speaker 2>ain't coming back. I was talking about my homeies. Man,

1:35:42.760 --> 1:35:45.800
<v Speaker 2>that's so rapp in the trap here from the back.

1:35:46.040 --> 1:35:49.080
<v Speaker 2>They hit this steal like a hour boy that's hitting

1:35:49.160 --> 1:35:52.519
<v Speaker 2>on the dollar bill up into the rotten apple, the

1:35:52.640 --> 1:35:56.080
<v Speaker 2>city of lights. No matter how they shine, they can't

1:35:56.120 --> 1:35:58.840
<v Speaker 2>steal the knights. Was when the goo s knock knocked,

1:35:59.200 --> 1:36:02.000
<v Speaker 2>just before your yes written out at your chest, Then

1:36:02.040 --> 1:36:04.320
<v Speaker 2>you go raise the Google nest. You meta be with them.

1:36:04.360 --> 1:36:12.600
<v Speaker 12>I telerepact. They'd be doing that young when they like

1:36:12.640 --> 1:36:14.640
<v Speaker 12>when you're up in the trap, you are bucking. They

1:36:14.680 --> 1:36:15.519
<v Speaker 12>bucking you back in the.

1:36:15.560 --> 1:36:18.840
<v Speaker 3>Middle of muking some iron flat I even do this.

1:36:19.680 --> 1:36:22.160
<v Speaker 3>My homies gone cut.

1:36:22.360 --> 1:36:25.320
<v Speaker 2>I am a thing. He ain't coming home, no, Nori.

1:36:25.720 --> 1:36:29.200
<v Speaker 2>We all are from the danger zone. Devine pulled the

1:36:29.320 --> 1:36:30.920
<v Speaker 2>card and he said, Juice.

1:36:30.720 --> 1:36:36.439
<v Speaker 3>One music my only choicer. Yeah, some of my balls

1:36:36.520 --> 1:36:39.280
<v Speaker 3>Josie n b and because.

1:36:39.000 --> 1:36:44.000
<v Speaker 2>Also No Man's Gang Bang Funeral Poles making.

1:36:43.840 --> 1:36:44.679
<v Speaker 3>All that change.

1:36:45.880 --> 1:36:49.160
<v Speaker 2>When my cousin got his first tech, I was playing

1:36:49.280 --> 1:36:50.720
<v Speaker 2>Jimby Hendricksonder this.

1:36:52.320 --> 1:36:56.040
<v Speaker 3>Call I wanted to be was a rock star. Carli

1:36:56.200 --> 1:37:01.200
<v Speaker 3>wanted to be was an escaby see the stupid this

1:37:01.360 --> 1:37:05.719
<v Speaker 3>on mouse shot to ear Finn. He bought a new house.

1:37:08.400 --> 1:37:08.960
<v Speaker 3>You gotta do.

1:37:10.120 --> 1:37:11.160
<v Speaker 8>Hazard is sold.

1:37:11.280 --> 1:37:16.160
<v Speaker 3>You know where. You gotta know. You gotta stop chilling

1:37:17.880 --> 1:37:22.760
<v Speaker 3>to see you join.

1:37:22.880 --> 1:37:23.320
<v Speaker 1>That was off.

1:37:24.520 --> 1:37:28.360
<v Speaker 3>I got relax, I was off. Wait a little freeze.

1:37:28.400 --> 1:37:31.639
<v Speaker 3>You gotta relax. I got break the break the break

1:37:32.479 --> 1:37:48.360
<v Speaker 3>that get to wear this, get to the freeze.

1:37:53.760 --> 1:38:09.960
<v Speaker 2>I'm gonna stopping together. That's you know, for a fact,

1:38:10.240 --> 1:38:14.080
<v Speaker 2>this is the funnest interview walk in my life.

1:38:14.120 --> 1:38:23.240
<v Speaker 3>Baby. I'm just saying. The Carnival. It is the dirt Carnival.

1:38:23.800 --> 1:38:26.600
<v Speaker 2>Carnival. It is the Dirk Carnival right now, you know

1:38:26.640 --> 1:38:28.880
<v Speaker 2>what I mean. Everybody who's a fan of Carnival one two,

1:38:29.360 --> 1:38:31.800
<v Speaker 2>y'all can hit up that pre order. And we also

1:38:31.880 --> 1:38:34.760
<v Speaker 2>got two new joints. One is called Fella Cootie and

1:38:34.880 --> 1:38:38.320
<v Speaker 2>the others called the Complicated What Happened to Love? What

1:38:38.479 --> 1:38:43.559
<v Speaker 2>happened to love. We take you to the barbecue, a group.

1:38:45.840 --> 1:38:46.120
<v Speaker 1>That is.

1:38:49.400 --> 1:38:49.920
<v Speaker 3>To do it for the.

1:38:51.560 --> 1:38:52.880
<v Speaker 2>So we just say fellaw.

1:39:00.080 --> 1:39:01.439
<v Speaker 3>Man, I can't. I can't.

1:39:01.479 --> 1:39:01.800
<v Speaker 29>I don't know.

1:39:04.120 --> 1:39:07.679
<v Speaker 3>Great education. I'm just throwing up. Not even that's amazing.

1:39:07.720 --> 1:39:08.040
<v Speaker 3>I'm here.

1:39:08.240 --> 1:39:15.400
<v Speaker 2>Yeah, I can't.

1:39:15.600 --> 1:39:16.880
<v Speaker 3>I can't believe anybody love me.

1:39:16.960 --> 1:39:18.720
<v Speaker 2>I'm sorry, sorry for.

1:39:18.800 --> 1:39:22.880
<v Speaker 3>The people who love me. All we gotta relax. It's

1:39:22.960 --> 1:39:27.760
<v Speaker 3>not one not one woman just like.

1:39:30.720 --> 1:39:39.840
<v Speaker 8>You want to listen, listen, rid Of, I need promise.

1:39:39.479 --> 1:39:41.840
<v Speaker 3>Not left laft. I need, I need, I need a

1:39:41.920 --> 1:39:42.760
<v Speaker 3>working for the woman.

1:39:43.479 --> 1:39:46.679
<v Speaker 1>Okay, because because the woman, the woman sucking me, they'd

1:39:46.720 --> 1:39:50.000
<v Speaker 1>be like, you're a little cute, but we don't really

1:39:50.040 --> 1:39:50.439
<v Speaker 1>believe you.

1:39:51.360 --> 1:39:53.040
<v Speaker 2>Come on, make it ready for me for the I'm

1:39:53.040 --> 1:39:54.160
<v Speaker 2>gonna do a whole tough place.

1:39:54.400 --> 1:39:55.120
<v Speaker 3>Let's go right now.

1:39:56.720 --> 1:39:59.759
<v Speaker 2>Let's noy with that play man official.

1:40:00.120 --> 1:40:05.599
<v Speaker 3>Now what's the dupel? It's why you take a good

1:40:05.680 --> 1:40:18.200
<v Speaker 3>record and you just add your name to it. Mixes so.

1:40:20.840 --> 1:40:21.080
<v Speaker 11>Mine.

1:40:24.439 --> 1:40:32.720
<v Speaker 3>Listen. I want you to know girl, NOA loves you,

1:40:33.680 --> 1:40:35.960
<v Speaker 3>little white love my.

1:40:36.000 --> 1:40:39.920
<v Speaker 2>Wife Mary and no man, I tell I would to bear.

1:40:42.000 --> 1:40:49.600
<v Speaker 3>Only to you. I would refuel my hots last to

1:40:49.760 --> 1:40:51.879
<v Speaker 3>tell the police at home tonight.

1:40:52.400 --> 1:40:54.920
<v Speaker 11>Not that'st it around with you.

1:41:02.439 --> 1:41:09.160
<v Speaker 29>You see you guy, you work the sad room by

1:41:14.200 --> 1:41:17.840
<v Speaker 29>it this easy kind of that alone is the honey.

1:41:20.560 --> 1:41:23.880
<v Speaker 2>Show a show.

1:41:24.640 --> 1:41:25.559
<v Speaker 3>Come on, let's go.

1:41:27.439 --> 1:41:35.040
<v Speaker 11>Kind I tell me around after the show, I'm every

1:41:35.120 --> 1:41:47.120
<v Speaker 11>open show, someone's who don't anyone don't tell about.

1:41:49.040 --> 1:41:56.680
<v Speaker 3>Hell and it's facing mass until I let you.

1:41:58.280 --> 1:41:59.679
<v Speaker 2>My point came.

1:42:05.000 --> 1:42:05.960
<v Speaker 3>Said to these guys have.

1:42:08.000 --> 1:42:11.719
<v Speaker 11>Yeah, yeah, said I gotta relax.

1:42:12.840 --> 1:42:13.800
<v Speaker 3>What's that you.

1:42:16.520 --> 1:42:21.040
<v Speaker 8>Got you gotta last got you got.

1:42:28.600 --> 1:42:38.400
<v Speaker 11>You gotta rel you gotta.

1:42:40.000 --> 1:42:50.760
<v Speaker 15>Y Yeah.

1:42:51.360 --> 1:42:56.760
<v Speaker 1>First off, there's a there's a very boss but it's

1:42:56.800 --> 1:43:00.880
<v Speaker 1>a very secret from me and fun where we we

1:43:01.160 --> 1:43:05.240
<v Speaker 1>we we actually escaped from where Fat Joe, Puff Daddy

1:43:05.479 --> 1:43:07.439
<v Speaker 1>and all these people was recording and the.

1:43:07.560 --> 1:43:17.600
<v Speaker 3>Only person that was in the other Studiosribean it was

1:43:17.960 --> 1:43:22.120
<v Speaker 3>me pun and Climb is coming there and be like

1:43:22.479 --> 1:43:28.599
<v Speaker 3>damn Caribbean connections. He's coming there check us every night.

1:43:29.400 --> 1:43:32.599
<v Speaker 1>But the thing about it, it was, if I could

1:43:32.640 --> 1:43:36.320
<v Speaker 1>take anything else back from my career, that part I

1:43:36.320 --> 1:43:38.880
<v Speaker 1>will never change because he.

1:43:38.960 --> 1:43:40.720
<v Speaker 3>Stood in there. He was the bigger man.

1:43:41.240 --> 1:43:45.439
<v Speaker 2>What I mean, you know big in Jamaican big man,

1:43:45.920 --> 1:43:47.479
<v Speaker 2>big man big he was.

1:43:50.120 --> 1:43:55.200
<v Speaker 3>He could have been like niggas when he came, he said, Yo,

1:43:55.240 --> 1:43:58.479
<v Speaker 3>what's up? And that's what you did.

1:44:00.280 --> 1:44:00.920
<v Speaker 2>In Connections.

1:44:01.400 --> 1:44:04.160
<v Speaker 3>It was the same. He brought the studio though, that's

1:44:09.240 --> 1:44:13.120
<v Speaker 3>brought kind of and then.

1:44:14.760 --> 1:44:17.080
<v Speaker 1>They said, you know why Cliff all that ship. I said, damn,

1:44:17.120 --> 1:44:18.160
<v Speaker 1>that's that's that's different.

1:44:19.800 --> 1:44:20.639
<v Speaker 2>We all work there.

1:44:21.400 --> 1:44:25.040
<v Speaker 3>He actually bought it. And you know what, I want

1:44:25.080 --> 1:44:27.679
<v Speaker 3>to big you up because I big you up behind

1:44:27.760 --> 1:44:28.240
<v Speaker 3>your face.

1:44:28.640 --> 1:44:32.680
<v Speaker 1>Love family, and you know that's great big you up

1:44:32.720 --> 1:44:34.280
<v Speaker 1>behind your face, but I want to big you up

1:44:34.600 --> 1:44:37.600
<v Speaker 1>to your face and I want to say that you know,

1:44:39.800 --> 1:44:43.840
<v Speaker 1>hip hop is the thing that we should continue to do.

1:44:44.160 --> 1:44:47.200
<v Speaker 1>This what I'm doing right now and saying that we

1:44:47.479 --> 1:44:51.080
<v Speaker 1>love you for contributed what you did to hip hop.

1:44:51.880 --> 1:44:58.439
<v Speaker 1>Fucking continuous say staying because you because honest, if I.

1:45:01.160 --> 1:45:05.559
<v Speaker 2>Never came back, it turned out keeping the real.

1:45:08.280 --> 1:45:10.120
<v Speaker 3>So now I realized what you did.

1:45:11.200 --> 1:45:12.640
<v Speaker 2>But back then I would have been like that.

1:45:13.240 --> 1:45:15.160
<v Speaker 3>Niggas say your what clap never came back?

1:45:15.240 --> 1:45:21.479
<v Speaker 2>I say, man, that's it's twenty years later about clip.

1:45:21.600 --> 1:45:24.679
<v Speaker 1>Man, I'm sitting back and now actually representing the culture

1:45:24.840 --> 1:45:25.479
<v Speaker 1>by mistake.

1:45:26.920 --> 1:45:29.719
<v Speaker 3>But I'm representing the culture, so I'm gonna hold that down.

1:45:30.200 --> 1:45:32.240
<v Speaker 3>It's not D and D. This is the new dn D.

1:45:33.080 --> 1:45:35.479
<v Speaker 3>Look at that ship, Look at this, there's more.

1:45:36.600 --> 1:45:39.479
<v Speaker 8>Actually, Yeah, you can't go to the breakfast club and

1:45:39.600 --> 1:45:39.760
<v Speaker 8>do this.

1:45:39.920 --> 1:45:43.439
<v Speaker 3>You can't go Sey, you can't go anywhere else in

1:45:43.520 --> 1:45:46.080
<v Speaker 3>the world and doing what we're doing right now. This is.

1:45:54.840 --> 1:45:58.680
<v Speaker 8>My club, brother, And the thing about this is the

1:45:58.720 --> 1:45:59.400
<v Speaker 8>whole hold hold.

1:45:59.600 --> 1:46:03.160
<v Speaker 1>The thing about this is, let's not ever lose the

1:46:03.360 --> 1:46:06.479
<v Speaker 1>journey of what we're doing. What we're doing is big

1:46:06.640 --> 1:46:11.960
<v Speaker 1>enough our artists and today while clip it's one bus

1:46:14.080 --> 1:46:19.080
<v Speaker 1>and I can't believe because you're blacker than.

1:46:19.080 --> 1:46:21.599
<v Speaker 3>Me, I'm blacking in him.

1:46:21.880 --> 1:46:25.880
<v Speaker 2>Yeah, I'm so black. I'm like akon, we're blue. But

1:46:27.200 --> 1:46:39.479
<v Speaker 2>you're also more Spanish than me. That's beautiful time, that

1:46:39.640 --> 1:46:45.320
<v Speaker 2>makes you advocated.

1:46:45.400 --> 1:46:52.000
<v Speaker 1>But that's beautiful. Listen, calm down, everybody. This what makes

1:46:52.040 --> 1:46:56.320
<v Speaker 1>it beautiful is that we're both on the same element.

1:46:56.400 --> 1:47:01.599
<v Speaker 1>I'm Puerto Rican, I'm black. You Hatian Haitian And that's all.

1:47:11.560 --> 1:47:15.000
<v Speaker 8>Doubt.

1:47:19.720 --> 1:47:22.720
<v Speaker 3>No, Lie, I've been a couple of year joints. I

1:47:22.760 --> 1:47:23.639
<v Speaker 3>don't know that everybody.

1:47:23.720 --> 1:47:23.960
<v Speaker 18>Ship.

1:47:24.640 --> 1:47:26.599
<v Speaker 3>I told you, my wife is a big fan this ship.

1:47:27.320 --> 1:47:34.360
<v Speaker 3>Your wife, listen, don't in that way anyway. Yeah, it's

1:47:34.439 --> 1:47:35.320
<v Speaker 3>just so listen.

1:47:36.800 --> 1:47:38.840
<v Speaker 2>I don't know because like like he.

1:47:39.000 --> 1:47:42.400
<v Speaker 15>Said, oh man, if y'all won't pay attention, he's a strategist.

1:47:43.800 --> 1:47:47.760
<v Speaker 17>So he saw two hundred and fifty episodes this man

1:47:47.840 --> 1:47:49.800
<v Speaker 17>that destroyed everybody that came.

1:47:49.960 --> 1:47:50.320
<v Speaker 1>I love.

1:47:50.520 --> 1:47:53.720
<v Speaker 3>I loved a lot of episode this ship. This is

1:47:54.400 --> 1:48:06.120
<v Speaker 3>the best ship we got, yo.

1:48:06.360 --> 1:48:10.320
<v Speaker 2>Check it out right. So you know when I say

1:48:10.439 --> 1:48:13.719
<v Speaker 2>like big pump forever, like, that's not just in words.

1:48:13.800 --> 1:48:15.960
<v Speaker 2>You feel me. So I think like a lot of

1:48:16.080 --> 1:48:21.479
<v Speaker 2>times because we have the musicality, they forget that, you know,

1:48:21.600 --> 1:48:24.200
<v Speaker 2>we wordsmith's you know what I mean, and appreciate it.

1:48:24.280 --> 1:48:28.040
<v Speaker 2>And we appreciate that so definitely. So I leave y'allut

1:48:28.080 --> 1:48:35.960
<v Speaker 2>with something like bars. You want bars with guitars. Guitar

1:48:36.320 --> 1:48:40.160
<v Speaker 2>check it out, Relax, you can throw some cub in there.

1:48:44.720 --> 1:48:49.920
<v Speaker 2>Guitars beat the big fun love you my man. It's

1:48:49.960 --> 1:48:55.040
<v Speaker 2>the bars over guitars. Yeah, I keep it hot. No,

1:48:55.200 --> 1:48:59.560
<v Speaker 2>we got me lit on the rock. Yeah, bro, this

1:48:59.720 --> 1:49:02.920
<v Speaker 2>is how I do this. I came here sipping on

1:49:03.080 --> 1:49:03.679
<v Speaker 2>some guinness.

1:49:03.800 --> 1:49:04.080
<v Speaker 3>Listen.

1:49:04.479 --> 1:49:08.280
<v Speaker 2>My life started out in a small village. I ate

1:49:08.400 --> 1:49:11.360
<v Speaker 2>dirt from the floor home me no kidding, I ain't

1:49:11.439 --> 1:49:14.960
<v Speaker 2>had no kitchen Grandma said, pray to Christ this Jesus.

1:49:15.080 --> 1:49:16.920
<v Speaker 2>Baby Belly had a bag of rice.

1:49:17.720 --> 1:49:19.080
<v Speaker 3>My life started out.

1:49:19.240 --> 1:49:22.280
<v Speaker 2>I was belly too. Papa flew to the States searching

1:49:22.400 --> 1:49:25.800
<v Speaker 2>for the Golden Goose. No work, papers, offices.

1:49:25.360 --> 1:49:26.400
<v Speaker 3>Rayon on the ground.

1:49:26.680 --> 1:49:28.800
<v Speaker 2>They try to get him. Boy took off like a

1:49:28.920 --> 1:49:32.679
<v Speaker 2>grayhound his life. He got hunted like a ground hog

1:49:33.080 --> 1:49:36.000
<v Speaker 2>sting operation in the legal alley in in New York.

1:49:36.320 --> 1:49:39.479
<v Speaker 2>But like the King, my daddy had a dream. Ten

1:49:39.640 --> 1:49:42.360
<v Speaker 2>years later, I was sitting up in Brooklyn. What if

1:49:42.439 --> 1:49:44.439
<v Speaker 2>Martin Luther stayed in the room, never stepped foot in

1:49:44.479 --> 1:49:46.880
<v Speaker 2>the balcony. What if they had a bulletpoof call instead

1:49:46.880 --> 1:49:49.679
<v Speaker 2>of a drop top for Kennedy Malcolm exit to speech.

1:49:49.800 --> 1:49:51.760
<v Speaker 2>What if I sat a monthst of congregation so when

1:49:51.800 --> 1:49:53.599
<v Speaker 2>the boys can get Tan has a pocket of five

1:49:53.640 --> 1:49:57.120
<v Speaker 2>shots at the assassin and listen, ain't nothing knowing to

1:49:57.200 --> 1:49:59.599
<v Speaker 2>the sun. What if I have put blank in Marvin

1:49:59.680 --> 1:50:02.800
<v Speaker 2>Gaye Father's gun. What if y'all knew the truth before

1:50:02.880 --> 1:50:05.000
<v Speaker 2>sending your kids to war. I told y'all that man

1:50:05.080 --> 1:50:07.720
<v Speaker 2>to care about Iraqi, cared about the oil. Now, what

1:50:07.840 --> 1:50:09.920
<v Speaker 2>if I could go back in time? I'll love Race

1:50:10.040 --> 1:50:12.639
<v Speaker 2>nine eleven, dip to the Bahamas and put alias luggage

1:50:12.640 --> 1:50:13.240
<v Speaker 2>in the seven.

1:50:13.120 --> 1:50:16.920
<v Speaker 3>Forty seven in the palace, put all the paparazzi.

1:50:16.360 --> 1:50:18.559
<v Speaker 2>And a slammer, so that way that night they would

1:50:18.560 --> 1:50:22.040
<v Speaker 2>have never chased Princess Diana. Listen, man, the age stands

1:50:22.080 --> 1:50:25.320
<v Speaker 2>for out for omega, the bee stands for burial. That's

1:50:25.360 --> 1:50:26.759
<v Speaker 2>what I'm known to do. The rappers.

1:50:27.040 --> 1:50:28.080
<v Speaker 3>C stands for chance.

1:50:28.160 --> 1:50:30.560
<v Speaker 2>Once you take you guard your ship. DF is a

1:50:30.640 --> 1:50:34.880
<v Speaker 2>squad nigga. Read my lips, gh General from aighty make

1:50:35.000 --> 1:50:37.920
<v Speaker 2>my day. Ah stood in my jas in front of

1:50:38.120 --> 1:50:40.920
<v Speaker 2>act K and for me to take a l It's

1:50:41.000 --> 1:50:45.759
<v Speaker 2>gonna say, Amen, what's that mother nature with them strong winds?

1:50:46.040 --> 1:50:49.479
<v Speaker 2>And my piece productions like the Q as in Quincy

1:50:49.520 --> 1:50:52.360
<v Speaker 2>when he did that thriller Michael Jackson Blue And this

1:50:52.600 --> 1:50:57.080
<v Speaker 2>is who we are STU abbreviation for the studio are

1:50:57.200 --> 1:50:59.920
<v Speaker 2>killing in the booth and the V be very care

1:51:00.160 --> 1:51:02.960
<v Speaker 2>for when you're watching shots the double. You could turn

1:51:03.040 --> 1:51:06.600
<v Speaker 2>the am that murdered for higher by the window like X,

1:51:06.960 --> 1:51:09.960
<v Speaker 2>don't ask y, I ain't taking no seats because the

1:51:10.080 --> 1:51:14.960
<v Speaker 2>clans outside. Why Cliff, I'm with my nigga Nori trust

1:51:15.040 --> 1:51:17.800
<v Speaker 2>me Freestyle you don't want to chest sweet as I

1:51:17.920 --> 1:51:21.920
<v Speaker 2>be going to November. I be gone to November. Tell

1:51:22.040 --> 1:51:25.679
<v Speaker 2>my girl, I be gone to November. Abby, go to November.

1:51:25.800 --> 1:51:29.120
<v Speaker 2>I be gone to norvembery Ya, you're telling says I'll

1:51:29.160 --> 1:51:34.240
<v Speaker 2>be gone to November January, February, March, bro Ma, I

1:51:34.360 --> 1:51:37.519
<v Speaker 2>say you're crying, but girl, I can't stay ibby going

1:51:37.560 --> 1:51:38.240
<v Speaker 2>to November.

1:51:38.400 --> 1:51:39.840
<v Speaker 3>I be gone to November.

1:51:40.240 --> 1:51:42.440
<v Speaker 2>Carnival three pre orders you already.

1:51:50.240 --> 1:52:05.920
<v Speaker 10>Right now, no, boss, God, real quick before we get

1:52:05.960 --> 1:52:07.760
<v Speaker 10>out of it, because this is in a sense like

1:52:07.840 --> 1:52:08.679
<v Speaker 10>Haitian episode.

1:52:08.840 --> 1:52:12.280
<v Speaker 7>Yes, I want to get the people I met in Haiti.

1:52:12.320 --> 1:52:19.120
<v Speaker 7>Shout out to buddy. Hey, everybody out there.

1:52:19.200 --> 1:52:22.599
<v Speaker 5>Man, I love thank y'all for receiving us well over

1:52:22.640 --> 1:52:24.840
<v Speaker 5>them at thinks that's.

1:52:27.120 --> 1:52:38.120
<v Speaker 3>Yeah, baby. Okay, we don't get it.

1:52:40.560 --> 1:52:47.760
<v Speaker 2>We don't get enough facts, so tell them Cornif Carnival three, man,

1:52:47.800 --> 1:52:50.280
<v Speaker 2>this is what happened. Was the nephews meet the uncles.

1:52:50.320 --> 1:52:53.200
<v Speaker 2>You know what I mean. It's nineteen ninety seven meets

1:52:53.280 --> 1:52:56.960
<v Speaker 2>twenty seventeen. We put the sonics together and y'all gonna

1:52:56.960 --> 1:53:00.120
<v Speaker 2>get all that live instrumentation that y'all love against the

1:53:00.240 --> 1:53:03.080
<v Speaker 2>trap Sonics. What happens when we put that together is

1:53:03.120 --> 1:53:05.960
<v Speaker 2>called a carnival. Of course we got English on the record.

1:53:06.320 --> 1:53:09.200
<v Speaker 2>Of course we got Spanish is naturally from Haiti. We

1:53:09.240 --> 1:53:10.800
<v Speaker 2>got a bit of French on the record, a bit

1:53:10.880 --> 1:53:15.400
<v Speaker 2>of Crayle. It's hard hip hop influence and at the

1:53:15.479 --> 1:53:17.680
<v Speaker 2>same time, what is hip hop is the culture. So

1:53:17.800 --> 1:53:19.679
<v Speaker 2>I never got caught up in the bag of saying

1:53:19.720 --> 1:53:21.960
<v Speaker 2>it has to sign a certain way. Hip hop is

1:53:22.000 --> 1:53:23.800
<v Speaker 2>if we could move the world, and that's what we do.

1:53:24.000 --> 1:53:26.400
<v Speaker 2>So Quincy Jones saw me a word, I'll give it

1:53:26.479 --> 1:53:28.559
<v Speaker 2>to you. The ship is called Global Gumbo.

1:53:28.680 --> 1:53:29.560
<v Speaker 3>My niggas.

1:53:34.479 --> 1:53:38.479
<v Speaker 2>Beside in September, baby September. But the preorders is up now.

1:53:45.000 --> 1:53:47.720
<v Speaker 3>Quincy joneses, Yeah, that's my man.

1:53:48.600 --> 1:53:55.160
<v Speaker 2>You feel meal, big guy.

1:53:56.880 --> 1:54:05.760
<v Speaker 3>I feel that my life is he met for like

1:54:05.880 --> 1:54:11.000
<v Speaker 3>the day one degree of separation and then I let

1:54:11.080 --> 1:54:12.120
<v Speaker 3>that out, like.

1:54:15.000 --> 1:54:17.519
<v Speaker 2>Yo, Nori, man, I really hope you know how you

1:54:17.680 --> 1:54:20.760
<v Speaker 2>influence a culture, man, Like it's important. I mean, you

1:54:20.880 --> 1:54:23.800
<v Speaker 2>talk about me, but it's just important, like so the

1:54:23.920 --> 1:54:28.040
<v Speaker 2>world understand, like people like why Clef, you know, people

1:54:28.160 --> 1:54:32.000
<v Speaker 2>like Puffy, people like jay Z, people like nas. I'm

1:54:32.120 --> 1:54:34.680
<v Speaker 2>just saying, like, Nori, you're grind from the get go

1:54:35.280 --> 1:54:39.800
<v Speaker 2>Fat Joe Pun. It's important because you you would be that.

1:54:39.880 --> 1:54:40.600
<v Speaker 3>Guy in that room.

1:54:40.640 --> 1:54:42.040
<v Speaker 2>But you know what I mean, like what you're doing

1:54:42.080 --> 1:54:45.400
<v Speaker 2>today was obvious, like you would be a leader. So

1:54:45.760 --> 1:54:48.839
<v Speaker 2>it would be great, you know, to see people like Tupac.

1:54:49.280 --> 1:54:51.600
<v Speaker 2>He would have transformed to that spot. You know, like

1:54:51.720 --> 1:54:53.840
<v Speaker 2>you're straight up You're straight up a leader.

1:54:53.960 --> 1:54:54.160
<v Speaker 3>Dog.

1:54:54.240 --> 1:54:57.040
<v Speaker 2>We back you up one hundred percent, and I can't

1:54:57.120 --> 1:55:00.080
<v Speaker 2>after this. It's downhill from here with every other a

1:55:00.160 --> 1:55:00.920
<v Speaker 2>show in the world.

1:55:06.200 --> 1:55:08.160
<v Speaker 11>You got what you.

1:55:13.320 --> 1:55:13.880
<v Speaker 15>Pull me out?

1:55:14.720 --> 1:55:20.120
<v Speaker 3>Oh my god, he said, I'm just finance.

1:55:20.680 --> 1:55:21.520
<v Speaker 2>Who's holding us up?

1:55:23.920 --> 1:55:24.400
<v Speaker 1>The teacher?

1:55:24.440 --> 1:55:28.920
<v Speaker 3>Get your shot, just like like.

1:55:34.200 --> 1:55:35.200
<v Speaker 6>On the Running.

1:55:36.480 --> 1:55:36.760
<v Speaker 29>Shop.

1:55:37.680 --> 1:55:44.480
<v Speaker 3>Listen, listen, I don't want why did you about my

1:55:44.640 --> 1:55:46.000
<v Speaker 3>tripping and my trippers?

1:55:49.160 --> 1:55:50.960
<v Speaker 8>You get what.

1:55:52.440 --> 1:55:53.880
<v Speaker 6>You playing about?

1:55:54.040 --> 1:55:54.839
<v Speaker 2>You know, gets.

1:55:59.720 --> 1:56:09.720
<v Speaker 3>Like that for the ground, you know, to relax. You

1:56:09.720 --> 1:56:17.680
<v Speaker 3>know he's gonna take the strings. I'm gonna bill looking. Listen.

1:56:17.880 --> 1:56:20.640
<v Speaker 3>You know s I don't like I said, I don't

1:56:21.480 --> 1:56:22.760
<v Speaker 3>be out all these ships you do.

1:56:23.720 --> 1:56:25.800
<v Speaker 2>But I'm playing when I mean I love you. I

1:56:26.080 --> 1:56:27.560
<v Speaker 2>wish I have to be I can't afford it.

1:56:27.720 --> 1:56:32.120
<v Speaker 3>But listen, what I'm saying that what you do is

1:56:32.200 --> 1:56:36.840
<v Speaker 3>what you do you ain't. I'm fucking imitating nobody else.

1:56:37.400 --> 1:56:39.560
<v Speaker 3>And this is why your ship is so successful.

1:56:39.960 --> 1:56:41.560
<v Speaker 2>This is why you are who you are.

1:56:41.760 --> 1:57:04.320
<v Speaker 6>You know me parents, That's why why crazy?

1:57:06.520 --> 1:57:07.919
<v Speaker 2>What you want to know about the foodies?

1:57:07.960 --> 1:57:11.800
<v Speaker 3>Baby? Nothing but loves already know we we we we

1:57:11.960 --> 1:57:13.080
<v Speaker 3>all about you know what I mean?

1:57:13.160 --> 1:57:15.160
<v Speaker 2>The fogie was walking.

1:57:16.000 --> 1:57:19.440
<v Speaker 8>Yeah, I don't get drop telling me.

1:57:19.560 --> 1:57:23.160
<v Speaker 15>Get to listen and say something later, ye.

1:57:25.280 --> 1:57:25.880
<v Speaker 3>Yelling one?

1:57:26.000 --> 1:57:27.760
<v Speaker 6>They all know ya.

1:57:27.840 --> 1:57:41.760
<v Speaker 26>Who's who's the goddess rapper in here right now? Somebody that's.

1:57:43.400 --> 1:57:46.000
<v Speaker 18>Going to take a picture where some of my niggas

1:57:46.040 --> 1:57:48.480
<v Speaker 18>name gang baby cur do you need you no name?

1:57:48.720 --> 1:57:48.960
<v Speaker 1>Really?

1:57:49.640 --> 1:57:54.440
<v Speaker 7>Blame really a pretty black's.

1:57:56.520 --> 1:57:59.760
<v Speaker 3>L like, oh oh ge you pick on me at

1:57:59.760 --> 1:58:01.160
<v Speaker 3>a SOMEWHERELD.

1:58:01.200 --> 1:58:02.120
<v Speaker 2>We got to take the picture of the.

1:58:04.960 --> 1:58:05.280
<v Speaker 3>Howl?

1:58:06.280 --> 1:58:08.320
<v Speaker 12>Yes, what is you know?

1:58:08.560 --> 1:58:12.560
<v Speaker 3>You know you think young a.

1:58:14.120 --> 1:58:15.000
<v Speaker 6>Right way an night?

1:58:16.320 --> 1:58:16.480
<v Speaker 11>Right?

1:58:16.800 --> 1:58:17.400
<v Speaker 6>Come on right?

1:58:18.560 --> 1:58:19.480
<v Speaker 2>Where was Blanco?

1:58:20.080 --> 1:58:20.680
<v Speaker 5>You know I