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Speaker 1: Hey, Hank sag Gree, Hope you're sovia, this is your

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Speaker 1: boy in what up?

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Speaker 2: Dj e F and this streak Chance motherfucking Paul.

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Speaker 1: And right now we've got hands down, one of the

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Speaker 1: best producers, one of the most diverse artists, one of

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Speaker 1: the persons who's been part of the most influential groups

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Speaker 1: in the world, that changed the world, that helped personally,

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Speaker 1: helped change me in my outlooking life. They came from

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Speaker 1: the depths of the hell bottom and they rose to

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Speaker 1: the top. He continued to make hits for people like

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Speaker 1: Carlos Santana, Beyonce, Destiny Child and you know whatever else

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Speaker 1: you want to say.

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Speaker 3: In pop started.

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Speaker 1: They had to come to see him. They had to

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Speaker 1: come to see him if they wanted to go to

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Speaker 1: that next level. And right now we got John wat

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Speaker 1: Clip Jean. So you know, this is how I'm gonna

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Speaker 1: do it, because I'm a real fan. I want to

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Speaker 1: take it from the booger basement.

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Speaker 3: Is that what it's called. Yes, it's called a bug of.

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Speaker 2: The book Jersey, right, yeah, studio, Yeah, the studio is

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Speaker 2: called a booker. But first, you know, I want to

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Speaker 2: bring you salute from the whole the whole entire Haiti.

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Speaker 2: You know what I mean. You know, we love you,

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Speaker 2: we salute you representative.

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Speaker 3: Yeah, so uh he ran for president.

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Speaker 2: We wanted to make sure that that was clear. You know,

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Speaker 2: that was the first thing. So I'd say, man, the

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Speaker 2: Booker basement. You know, I was after Haiti leaving Brooklyn,

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Speaker 2: kim Marlboro Projects, Coney Island. My dad was searching for

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Speaker 2: a better life. He brought us to.

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Speaker 3: Jersey and and we lived in East Orange.

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Speaker 4: Yeah.

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Speaker 2: So so from East Orange, I one O seven South Clinton.

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Speaker 2: From there we moved to Newark. So I was back

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Speaker 2: and forth between Noyork and EASTTNGE. And you know, my

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Speaker 2: dad was a minister. So when the church they had that,

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Speaker 2: it was that whole myth about circular music and so

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Speaker 2: the same thing that the Cats went through. That was

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Speaker 2: in the seventies where if you was playing church music,

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Speaker 2: you couldn't be playing you couldn't go to be playing

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Speaker 2: club music, you know what I'm saying. So basically we

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Speaker 2: had to sneak. So when I was playing, you know,

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Speaker 2: like if I was playing outside of the church, I

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Speaker 2: was sneaking to do that because you couldn't do that

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Speaker 2: around Yeah, it was blasphemous, so similar like Marvin gay

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Speaker 2: father so for me, but my passion was battle rapping.

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Speaker 2: So I went to Vellsburg High School. Anybody who's listening

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Speaker 2: to this right now, Vellsburg High School, you already know

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Speaker 2: my first name is Nell. Yeah, for Nelly.

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Speaker 3: Nell.

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Speaker 2: I used to eat motherfuckers up for breakfast and lunch dinner.

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Speaker 3: Barely seventeen years old.

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Speaker 2: I was obsessed with just because coming from Haiti, I

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Speaker 2: was like, yo, the only way I'm gonna get attention

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Speaker 2: and people to pay attention. It's almost like you gotta

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Speaker 2: spit better than them. So I took the vocabulary to

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Speaker 2: Shakespeare and just became like a wordsmith, you know what

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Speaker 2: I mean. And the Booger Basement, the way it sound,

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Speaker 2: that's what it is, you know. I meant a Kon.

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Speaker 2: A Kon came to the Booger Uh was.

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Speaker 3: Actually Jersey City? Correct? Yeah, the Royal Black Warrior.

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Speaker 2: Yeah, so so I'm you know, I'm gonna give it

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Speaker 2: to you like the death Man. A Kon was a

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Speaker 2: barber like akond this. Yeah, you know I'm gonna give

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Speaker 2: it to you. Yeah, one of the jobs, yeah a

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Speaker 2: kon Yeah, yeah, so a Kon one of his jobs man.

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Speaker 2: He was an incredible barber, but he always used to

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Speaker 2: come to the bugger and he come to the book

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Speaker 2: and be like, Yo, look Clett, listen to my music.

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Speaker 2: I got this music. So in my hood I was

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Speaker 2: like Doctor Dre. So I was like that Haitian Doctor Dre.

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Speaker 2: You're still like doctor the early nineties. Yeah, this was

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Speaker 2: like you know when you watched the whole n w

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Speaker 2: A up him. Yeah, well this is before this, way

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Speaker 2: before I'm talking about here. So this like the foundation.

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Speaker 2: So the Booger was the spot everybody would come through.

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Speaker 2: Now I'm gonna give you another fact on ACN. So

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Speaker 2: when we did the score, there's a remix of Fuji. Yeah,

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Speaker 2: the Fujili remix. I put a con on it. So

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Speaker 2: this is like way before anything, like yeah, so this

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Speaker 2: is what. So when we did in the remix, I

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Speaker 2: was like, yo, I gotta put this kid on it

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Speaker 2: because I think, like he's gonna go somewhere, Like he's

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Speaker 2: incredible every time I see him. So whenever I used

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Speaker 2: to do shows, I would just bring a kN on

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Speaker 2: stage if he was there. So I only take you

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Speaker 2: that far back to show you. So there was two

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Speaker 2: sides of Jersey we was representing the refugee side and

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Speaker 2: then you had the outsiders. The outsiders was Eminem Eminem,

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Speaker 2: young z I dig Up Pace one, so all of

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Speaker 2: that was on the other side. So when we was

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Speaker 2: doing the score, I was like, Yo, it would be

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Speaker 2: dope if we could unify both clicks on one record.

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Speaker 2: So on the score, the song Cowboys was when we

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Speaker 2: unified it was refugees and the outsiders and we put

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Speaker 2: that together.

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Speaker 3: That was a scenario.

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Speaker 2: A Kon was on our side, but it was sort

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Speaker 2: of like a Kon was doing his thing. It was

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Speaker 2: just he always was on the grind. So even though

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Speaker 2: when Fuji's was blowing up, he still was like, Yo,

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Speaker 2: you need to check out my music. And then years

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Speaker 2: after it's all good that years years later he blew up.

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Speaker 2: But it's just to show you erkabat do. A lot

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Speaker 2: of people came through that book of basement, you know

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Speaker 2: what I mean? A lot of a lot of talent

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Speaker 2: came through that basement. And it was crazy because Diamond D.

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Speaker 2: I remember Diamond D shout out to domind D Salam

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Speaker 2: remy Salam, Salam is like na salam is like the

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Speaker 2: gurule like before the Fuji's before everything, Like, right, yeah, Salam,

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Speaker 2: did you know that Amy Winehouse documentary when she's talking

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Speaker 2: about the Sensey and she she's calling the freestyle in

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Speaker 2: the studio. He yeah, yeah, so she's calling him. So

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Speaker 2: Salam was the like Salam was doing hits man. I

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Speaker 2: think he was like fifteen sixteen years old. He was

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Speaker 2: like the dude doing like the super cat all of

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Speaker 2: that crazy stuff that was like that was like flex

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Speaker 2: flex right hand man. So for me, all of those

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Speaker 2: that was really the come up. So to think that

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Speaker 2: all of that really came from the booger I told people,

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Speaker 2: I said, what the Fuji's and Steve job got in common?

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Speaker 2: You know, Steve jobs invention was in the garage. Our

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Speaker 2: invention was in the basement. Yeah.

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Speaker 1: So so you being from Hayden coming to you went

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Speaker 1: to Brooklyn first, because I think you went to Brooklyn

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Speaker 1: and then you went to Jersey, right, yeah, we lived

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Speaker 1: in Brooklyn. You let in Brooklyn, went over Brooklyn and

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Speaker 1: you But but Haiti is Caribbean, correct?

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Speaker 3: How was that that first call when they said, Yo,

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Speaker 3: Shakiro wants to work with you. Did you think about

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Speaker 3: Ian pussy? Did you think about because.

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Speaker 2: That's the first thing I'm.

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Speaker 3: Thinking about.

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Speaker 2: Before you don't have the clar.

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Speaker 3: I'm sorry, I forgot awkward.

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Speaker 2: So the funny thing about the Shakira record is that, uh,

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Speaker 2: that record was done.

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Speaker 3: Two years before Shakira. I did it for a movie.

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Speaker 2: Called Havana Knights. So Clive told me that he wanted it.

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Speaker 1: And at the time we said, clip you talk about

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Speaker 1: talking about the regular nigga.

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Speaker 2: He's got a bigga from.

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Speaker 3: Down the.

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Speaker 2: Clid from flat Bush who used to sell.

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Speaker 3: You know what.

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Speaker 2: So yeah, so that climb. So Clive hit me up like, yo,

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Speaker 2: I'm doing the soundtrack and I need a joy from you.

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Speaker 2: So for me, the whole, the whole idea of what

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Speaker 2: I do, because you know, Haiti is just Spinola, so

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Speaker 2: it's like basically Haiti and the d R.

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Speaker 3: Geographically it is really one because we want let's break that.

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Speaker 1: But for Columbus actually discovered that island, well he didn't

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Speaker 1: discover it.

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Speaker 2: He came there and the people was already there.

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Speaker 1: It was actually originally called Espanol and that was Dominican Republican.

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Speaker 2: And hey, I'm sorry, I got smart.

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Speaker 3: I'm so sorry.

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Speaker 2: Let me get back to come. I don't want people

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Speaker 2: to know.

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Speaker 5: And then the French colonized the side, right, Yeah, is

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Speaker 5: that the way when in the Spaniards stayed on the

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Speaker 5: Dominican side is out of the division.

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Speaker 2: And somebody a pussy along them every time I secure

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Speaker 2: you dancing, continued I'm sorry, my mom, don't don't repeat

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Speaker 2: these bad words.

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Speaker 6: Yeah.

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Speaker 2: So, so, basically, he just wanted me to do the

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Speaker 2: song for the movie. At the time, we had a

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Speaker 2: group called City High. So City High we had to

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Speaker 2: start as Claude artists.

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Speaker 3: She got pregnant by the other guy, right, which came.

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Speaker 2: Later, right, which came later. A lot of mistakes, you

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Speaker 2: know what I mean, learn from So so it was

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Speaker 2: you got no, no, you was breaking on. I didn't

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Speaker 2: get him pregnant yet, I didn't get nobody pregnant was bad.

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Speaker 3: Nobody would be mad at you. We thought it was

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Speaker 3: your baby for a long time, be honest to No. No,

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Speaker 3: Billy Jean myself with forward continued Yeah.

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Speaker 2: So, so so we do it for the movie and

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Speaker 2: the record sits there, and you know, Clive, I was like, Clive,

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Speaker 2: just record feel special. I think it's bigger, but he

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Speaker 2: was like, no, it's just for the movie. So two

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Speaker 2: years later I get a call from Donniana and Charlie

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Speaker 2: walk and Charlie walks like, Yo, we need a record

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Speaker 2: for Shakira because we're trying to get her on the

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Speaker 2: other side of the fence and is also a big guy.

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Speaker 3: Let's continuey. She hadn't done it bi lingual record yet

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Speaker 3: at this point.

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Speaker 2: Yeah, there was, there was. There had a few records

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Speaker 2: on her, but they was trying to cross her the

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Speaker 2: way that I had crossed Santana over.

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Speaker 3: So we got to get to that because into today's

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Speaker 3: yeah on college wild thoughts.

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Speaker 2: But yeah, so so then so I told him, I said, look,

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Speaker 2: I got a record. I was sitting here for two years.

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Speaker 2: So anybody if you listen to the original record, it

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Speaker 2: was on the Havana Night soundtrack. It's Claudette singing it

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Speaker 2: word to Bond, It's the same record. The only thing

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Speaker 2: I added was Shakira, Shakira, Shakira and Cara veryble. So

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Speaker 2: I get the call man and and then it's Shakira.

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Speaker 2: It's real talk. And then so she hits me, Shakira

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Speaker 2: called you direct, Yeah, she needs to hear. Yeah, So

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Speaker 2: Shaky calls me.

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Speaker 3: Right now.

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Speaker 2: Yeah, So so shaq collar and she's like I was like, Yo,

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Speaker 2: you know you heard the record. She was like, I

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Speaker 2: love the record, and she was like, I had I

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Speaker 2: had a dream about you. Yeah, so exactly. I I

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Speaker 2: didn't know where it was going either.

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Speaker 7: I was in I was.

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Speaker 2: Nigga, I was so I get the call and Shackie's

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Speaker 2: So the dream wasn't what I wanted to dream at

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Speaker 2: the time, but it was just the fact that we

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Speaker 2: was connected. And then we we met in Miami and

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Speaker 2: when we got together, I would say, what made that

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Speaker 2: record special was the fusion. She came with that straight

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Speaker 2: Columbian fusion. And sometimes you could write a record it's

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Speaker 2: like a movie. It takes a certain actor to make

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Speaker 2: the movie a hit, a certain mattress. So basically I

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Speaker 2: remember me and Jerry doing that the record Jerry, Yeah,

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Speaker 2: Jerry Wonder my partner. And then she basically I remember

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Speaker 2: she was like, Yo, if my hips don't move, the

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Speaker 2: record ain't a hit. So when she said that, like,

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Speaker 2: I was like, Wow, we're gonna have Shakira dancing in

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Speaker 2: the studio for eight hours is I started banging on

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Speaker 2: everything and then that's how really the magic happened. And

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Speaker 2: from there, you know, she she recorded the record, we

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Speaker 2: put the cultures together. It's something about when you it's

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Speaker 2: an algorithm dog when you put cultures together, and because

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Speaker 2: that kind of music is no longer music, it becomes

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Speaker 2: just a cultural phenomenon, you know what I mean.

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Speaker 3: So that was the situation with that, and it was

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Speaker 3: an incredible and it.

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Speaker 5: Felt like y'all kind of did that on the hip

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Speaker 5: hop side with Cypress before that with Cubans me Haitians.

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Speaker 5: That felt, oh yeah, yeah, a big record for you,

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Speaker 5: Yeah yeah, I just feeling that record.

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Speaker 2: Yeah, big time, big time. But for me, you know,

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Speaker 2: the melting pot for me is like as much as

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Speaker 2: of Haitian, no one can't tell me I ain't Latin.

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Speaker 2: No one can't tell me I ain't African, because you know,

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Speaker 2: if I if I start to play sousa or Caribbean,

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Speaker 2: if you close your eyes and I start to play piano,

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Speaker 2: so you be thinking I'm from Cuba. Because for me,

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Speaker 2: no one could okie dope me. Like at the end

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Speaker 2: of the day, we want people they separate us whatever.

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Speaker 2: But for me, it's like, I know, I got family

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Speaker 2: from Cuba, from.

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Speaker 3: Jamaica or whatever, you know what I mean.

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Speaker 2: The percussions were exactly were connected.

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Speaker 3: By them drums.

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Speaker 2: So that's that's how it what happened.

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Speaker 3: Man, So let me ask you something. You did Cara call?

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Speaker 3: Now that you're just a shaky shaky, shaky I'm sorry,

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Speaker 3: cool like that. I still got called. But so you're

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Speaker 3: saying you got the.

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Speaker 1: Call Santana call prior that that that record came prior.

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Speaker 1: For some reason, I thought you Carra came first here.

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Speaker 2: Now you know in Santana. Remember I did Santana and

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Speaker 2: I did Whitney Houston.

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Speaker 3: God you did what?

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Speaker 2: Yeah?

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Speaker 3: I did?

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Speaker 2: I'm doing that road. My love is your love, and

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Speaker 2: your love I forget. Yeah, we never.

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Speaker 3: You gotta rely. So it's super now.

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Speaker 1: Now, now here's the reason why Colos Santana for artists

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Speaker 1: like us, right, it's super like special because Carlos doesn't sing.

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Speaker 2: Oh he does.

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Speaker 3: This is me. I'm sorry, I'm mad.

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Speaker 2: I come on, that's me. It's me, it's me.

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Speaker 3: So so called Santana traditionally doesn't actually sing on the records.

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Speaker 3: He actually tried to compose. So when Carlos called you,

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Speaker 3: what was your very first thought? First off, did you

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Speaker 3: think it was Carlos Santana or you knew because you

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Speaker 3: was that big?

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Speaker 2: You know the way that it happened. It happened through

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Speaker 2: Clive Davis. So Clive is like, just a.

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Speaker 3: Clip from flat.

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Speaker 8: You gonna start clapping. You can't be around here. If

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Speaker 8: I clap your clap, we're.

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Speaker 1: Gonna step love in the building, stephead. So so Clid

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Speaker 1: from flat Bush calls it. Yeah, so Clod from flat

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Speaker 1: bushit me.

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Speaker 2: And you know, he gave you the big godfather talk,

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Speaker 2: you know, and the talk is like, yo, why cleft?

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Speaker 9: I know you study your presence by the way, study jazz.

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Speaker 9: And I've been thinking, what do you think about a

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Speaker 9: fusion with Carlos Santana?

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Speaker 2: And I was like, yo, I love Carlos Santana.

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Speaker 3: He's on arist at the time. Yeah, okay.

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Speaker 2: And then you know, and then Clive then he gonna

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Speaker 2: hit you with that pressure. He's like, okay, you have

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Speaker 2: twenty four hours. So basically, so when I do these records, though,

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Speaker 2: it's like all of my records got schemes in them, man,

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Speaker 2: Like you know what I mean, I break down the fundamentals,

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Speaker 2: you know, saying hip hop is one of my schemes.

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Speaker 2: But growing up in the hood, I used to escape,

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Speaker 2: and I used to scape and watch movies one movie

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Speaker 2: I used to watch was West Side Story. And west

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Speaker 2: Side Story is a deep story, man, It's about like

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Speaker 2: gun culture, you know what I mean, gang culture, clash culture.

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Speaker 2: And and then remember West Side Story, the girl name

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Speaker 2: was Maria say no, rest story was going on.

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Speaker 3: Watch what happened to Product g n B.

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Speaker 2: Man, that's a good question.

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Speaker 3: So the guys that saying on that, oh.

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Speaker 2: Yeah they finished, yeah, but they.

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Speaker 3: Don't finish that.

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Speaker 2: We never knew who they was from again they got

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Speaker 2: that was a big record, No, no, you know what.

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Speaker 2: So so one thing that you said, which is is

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Speaker 2: how the records are put together? Right? So from a

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Speaker 2: composer aspect, right, the first thing I'm gonna do is

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Speaker 2: I'm gonna say who can and sing this?

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Speaker 3: Right? So I was obsessed with David Ruffins.

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Speaker 2: So Product g m B from from from from Long Island,

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Speaker 2: Kid Money Harmed had that vocal where it was like yo,

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Speaker 2: he just had because I needed somebody, like you said,

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Speaker 2: Santana a singer. He's an instrumental.

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Speaker 1: Like Willie Cologne in Puerto Rico. Willi Cologne only plays instruments, correct, Yeah, and.

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Speaker 3: He always a singer.

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Speaker 2: But so that's what is So I had to put

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Speaker 2: the whole sky. Yeah, no, that's dope what you said.

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Speaker 2: So to your point, So as a composer, this this

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Speaker 2: is where you know reality has to always How I'm

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Speaker 2: able to do this over and over again, it's because

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Speaker 2: my background is, like I'm a hip hopper, but I'm

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Speaker 2: a jazz major, Like I love jazz, So jazz is

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Speaker 2: based on the composition. So I gotta set the scheme up.

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Speaker 2: So there's a few schemes on that record. The other

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Speaker 2: scheme is I'm a big fan of Wu Tang clan

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Speaker 2: angle and that whole record. Did y'all hear the part

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Speaker 2: that was that sounded like Wu Tang?

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Speaker 7: No?

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Speaker 3: Okay, So I'm gonna grab my guitar. It's a different

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Speaker 3: type of park. We got niggaso guitars and ship got

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Speaker 3: with guitar.

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Speaker 6: You gotta.

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Speaker 3: Da says your day.

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Speaker 1: Everybody be quiet, everybody quiet, please walk continue.

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Speaker 2: Yeah, So this is what we're going to producing one

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Speaker 2: on one vibe and we.

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Speaker 3: Don't got to play this or night right now, you

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Speaker 3: ain't got it.

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Speaker 2: The music younger, clear it man, I own it, mano right,

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Speaker 2: so check it out. So so when I'm composing, right,

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Speaker 2: So the first part we composed was right, So that

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Speaker 2: was the first zone you feel and they all feel

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Speaker 2: that record. So so then when we said Wu Tang

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Speaker 2: clan ain't nothing to funk with. So one of the

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Speaker 2: things I thought that public would identify with with Santana's

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Speaker 2: an instrument tillis right, this is where the haitian comes out?

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Speaker 2: Did somebody who plays the instruments? I was like, what

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Speaker 2: if I could take this, this Rizard scheme, so what.

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Speaker 10: If that.

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Speaker 7: Ain't with.

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Speaker 3: I'm giving them my hip hop hip hop car for

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Speaker 3: one day.

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Speaker 11: I know that.

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Speaker 2: So when we said we said playing by card Little Santana,

363
00:21:19,240 --> 00:21:22,280
Speaker 2: they did in the record. Yeah, yeah, So my whole

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Speaker 2: vibes be about the mashups. As a hip hop student,

365
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Speaker 2: you know what I mean, I consider myself a hip

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Speaker 2: hop guitarist first, so so I think a lot of

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Speaker 2: the records like I always pay tribute to. So that

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00:21:34,240 --> 00:21:36,960
Speaker 2: fusion came out like that because of you know what

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Speaker 2: I mean, like when when? And then so that scale

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00:21:39,600 --> 00:21:42,600
Speaker 2: sounds like Wu Tang, but it's originally a gypsy scale,

371
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Speaker 2: So Santana is the king of that gypsy scale. So

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Speaker 2: at the end of the day, even though Rizza would

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Speaker 2: bring it back in a different form. So for me

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Speaker 2: that it all boils down to the basic science. You're there.

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Speaker 7: Yeah, so l L wait but did that science translate

376
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Speaker 7: to the to the new calid record?

377
00:21:59,480 --> 00:22:02,400
Speaker 2: So so so so cal we go back to that question,

378
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Speaker 2: the record. We can stay in the record.

379
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Speaker 1: You're right, yeah, wild thoughts Rihanna, Yeah, did they clear

380
00:22:10,040 --> 00:22:10,680
Speaker 1: that record with you?

381
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Speaker 2: Yeah, definitely. So so Khalid, who I've known man for

382
00:22:14,920 --> 00:22:17,560
Speaker 2: we're all good for. We all know. Yeah, so we

383
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Speaker 2: we you know, I go back with Color. That's like

384
00:22:20,200 --> 00:22:23,760
Speaker 2: brother the brother together. Yeah, that's how far he was.

385
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Speaker 11: Yeah.

386
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Speaker 2: Yeah. And then like people don't even know like I

387
00:22:30,080 --> 00:22:33,520
Speaker 2: used to like clash like dub plates, so I used

388
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Speaker 2: to this is there's a part of me like in

389
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Speaker 2: Miami in the early days with Kali. Yeah, so dudes

390
00:22:39,520 --> 00:22:41,760
Speaker 2: don't even know, like I could show up with a

391
00:22:41,840 --> 00:22:44,600
Speaker 2: crate and the murder the place. So so for me,

392
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Speaker 2: So I get the call from from my brother Colored

393
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Speaker 2: and he's like, yo, just this one seemed like it's

394
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Speaker 2: this this cleft. You don't understand. This is going to

395
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Speaker 2: be the biggest one. And boom boom boom boom. So

396
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Speaker 2: we need to get Santana, you know, the clear on

397
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Speaker 2: his part, I know you and Santana did the record.

398
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Speaker 2: So I called up Madeline Nelson, my CEO. She got

399
00:23:07,359 --> 00:23:11,800
Speaker 2: Santana and Santana's like my godfather. So Santana cleared it. Now,

400
00:23:11,880 --> 00:23:14,600
Speaker 2: this is what I love most about that. I remember

401
00:23:14,680 --> 00:23:18,000
Speaker 2: when I was doing killing Me Softly with the Fujis

402
00:23:18,280 --> 00:23:23,359
Speaker 2: killing Me one time, two times, and then her reality

403
00:23:23,520 --> 00:23:27,240
Speaker 2: struck me after I did that record, because the record

404
00:23:27,320 --> 00:23:30,159
Speaker 2: blew up like crazy. And after the record blew up,

405
00:23:30,600 --> 00:23:35,200
Speaker 2: I was like, damn, we just made somebody a gazillion

406
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Speaker 2: dollars of publishing because I didn't know how.

407
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Speaker 3: That worked, because you could do it the record, well,

408
00:23:40,480 --> 00:23:41,280
Speaker 3: you clear it.

409
00:23:41,440 --> 00:23:43,639
Speaker 2: But at the end of the day, So it just

410
00:23:43,760 --> 00:23:48,040
Speaker 2: it's a beautiful thing to be in twenty and seventeen

411
00:23:48,200 --> 00:23:52,480
Speaker 2: to hear the new generation sampling either the Fujis or

412
00:23:52,560 --> 00:23:54,280
Speaker 2: music by Wild Cleff is incredible.

413
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Speaker 7: Man.

414
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Speaker 3: So he directly sampled your version. Yeah that's the way.

415
00:23:58,760 --> 00:24:03,879
Speaker 2: Yeah, that's I just want to but yeah, and then just.

416
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Speaker 3: Was that the guitar.

417
00:24:05,720 --> 00:24:06,359
Speaker 2: That was the guitar?

418
00:24:06,560 --> 00:24:08,760
Speaker 3: Okay, that was play what they said.

419
00:24:09,960 --> 00:24:14,560
Speaker 2: Yeah, So basically when you hear this, so so the

420
00:24:14,600 --> 00:24:15,359
Speaker 2: whole grove is this.

421
00:24:23,920 --> 00:24:31,680
Speaker 3: For some reason. But it is a foundation.

422
00:24:31,880 --> 00:24:34,199
Speaker 2: So a lot of the foundations, that's how we create them,

423
00:24:34,200 --> 00:24:37,880
Speaker 2: you know what I mean. But that's how that want happen.

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00:24:38,200 --> 00:24:41,920
Speaker 2: So from there, like I said, so Clive Davis knew

425
00:24:41,960 --> 00:24:43,560
Speaker 2: I had the Latin pulse with me, you know what

426
00:24:43,600 --> 00:24:46,359
Speaker 2: I mean? And I go back so far. This is

427
00:24:46,400 --> 00:24:51,399
Speaker 2: why I be crediting like you pud like you don't know,

428
00:24:51,560 --> 00:24:54,000
Speaker 2: like I go back back with the music as a

429
00:24:54,080 --> 00:24:57,280
Speaker 2: as a student, I go so far back, right, I

430
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Speaker 2: go back to Evy queen.

431
00:25:00,440 --> 00:25:03,439
Speaker 3: So one of my reporter we on, but.

432
00:25:03,920 --> 00:25:09,200
Speaker 2: Some money's walk up. That's one through out there.

433
00:25:09,440 --> 00:25:11,840
Speaker 1: We had sting raised, Sting Rays one hundred and thirty

434
00:25:11,880 --> 00:25:15,879
Speaker 1: second and what fifth Avenue sting Raised. In case you

435
00:25:15,920 --> 00:25:18,080
Speaker 1: guys don't know, they gotta s rock cola. They got

436
00:25:18,119 --> 00:25:20,200
Speaker 1: the Delion, which is the best of killing in the world.

437
00:25:20,520 --> 00:25:22,680
Speaker 1: And you know they got walk left and the drink

438
00:25:22,760 --> 00:25:25,200
Speaker 1: Champs and in the af everybody here.

439
00:25:25,359 --> 00:25:28,800
Speaker 3: That's why you know what I'm saying, don't forget sting raids.

440
00:25:28,840 --> 00:25:31,359
Speaker 3: Come see us. The owner got a cowboy hat on,

441
00:25:31,720 --> 00:25:34,040
Speaker 3: we got we got streets.

442
00:25:36,960 --> 00:25:40,760
Speaker 1: And guess what and guess what he's We are also

443
00:25:41,040 --> 00:25:44,680
Speaker 1: leasing a horse very soon, so your kids, we will

444
00:25:44,680 --> 00:25:45,840
Speaker 1: have a donkey in the front and.

445
00:25:45,880 --> 00:25:47,760
Speaker 2: A whole back. Let's do it.

446
00:25:47,840 --> 00:25:49,920
Speaker 3: Sting Rays one hundred thirty second up town.

447
00:25:55,440 --> 00:25:57,639
Speaker 2: Yeah we we we.

448
00:25:59,240 --> 00:25:59,440
Speaker 8: Sam.

449
00:25:59,600 --> 00:26:02,639
Speaker 3: I was very to go somewhere else. Need to go.

450
00:26:03,080 --> 00:26:06,280
Speaker 2: Remind us when we're coming back. We come back to that. Okay, listen,

451
00:26:06,400 --> 00:26:08,399
Speaker 2: you gotta relax. This is where I want to go.

452
00:26:08,880 --> 00:26:14,440
Speaker 3: Yeah, l L and Cannabis has a problem. Yeah you

453
00:26:14,640 --> 00:26:15,520
Speaker 3: picked cannabis.

454
00:26:17,359 --> 00:26:23,679
Speaker 1: I respected your decision, but I knew you wasn't gonna

455
00:26:23,800 --> 00:26:28,640
Speaker 1: win all that because this is l L cool chat

456
00:26:29,520 --> 00:26:30,080
Speaker 1: at the time.

457
00:26:30,400 --> 00:26:32,080
Speaker 2: Yeah, and l L.

458
00:26:33,560 --> 00:26:34,720
Speaker 3: Had all the back.

459
00:26:34,600 --> 00:26:37,359
Speaker 1: End from the whole universal system. This is the first

460
00:26:37,840 --> 00:26:41,200
Speaker 1: artist that actually developed universals. So I just want to

461
00:26:41,280 --> 00:26:44,639
Speaker 1: know why was it loyalty because that was your artist.

462
00:26:44,960 --> 00:26:47,320
Speaker 1: Because I heard somebody say that that was I didn't

463
00:26:47,320 --> 00:26:50,040
Speaker 1: ever knew cannabis are signior J just your friend.

464
00:26:50,200 --> 00:26:55,440
Speaker 2: Okay, So you know I'm a I'm an artist, but

465
00:26:55,800 --> 00:27:00,400
Speaker 2: before artists, I'm a personality from the Caribbean. So when

466
00:27:00,920 --> 00:27:04,280
Speaker 2: you know, so, I say, I'm never ashamed of my friends.

467
00:27:04,320 --> 00:27:04,520
Speaker 3: You know.

468
00:27:05,119 --> 00:27:09,400
Speaker 2: So I grow up as a Caribbean youth. We're very

469
00:27:09,560 --> 00:27:14,040
Speaker 2: strong where I come from. So when Cannabis approached me,

470
00:27:15,040 --> 00:27:18,920
Speaker 2: he approached me on a conversation. It was not it

471
00:27:19,040 --> 00:27:20,359
Speaker 2: was in a music conversation.

472
00:27:21,119 --> 00:27:24,440
Speaker 3: So so you know the gist of my problems.

473
00:27:24,600 --> 00:27:28,560
Speaker 2: So the gist of my conversation with Cannabis, it wasn't

474
00:27:28,680 --> 00:27:33,320
Speaker 2: based on It didn't start off musically. It's just it

475
00:27:33,480 --> 00:27:36,240
Speaker 2: was it was just certain people come to talk to

476
00:27:36,400 --> 00:27:39,800
Speaker 2: me about when certain things happen sometimes, you know, if

477
00:27:39,840 --> 00:27:50,920
Speaker 2: someone goested.

478
00:27:56,560 --> 00:27:58,840
Speaker 3: This is probably one of the most historical battles in

479
00:27:58,920 --> 00:27:59,280
Speaker 3: hip hop.

480
00:27:59,600 --> 00:28:03,800
Speaker 2: Yeah yeah, so so yeah, definitely one of the most

481
00:28:03,920 --> 00:28:07,480
Speaker 2: historical battles. So once again, right, so me and you

482
00:28:07,600 --> 00:28:09,800
Speaker 2: we not communicate right at this point. So you got

483
00:28:09,840 --> 00:28:11,840
Speaker 2: you looking at it like, yo, the cleft just choose

484
00:28:11,880 --> 00:28:15,159
Speaker 2: his side, right yeah yeah yeah, because it looked like

485
00:28:15,640 --> 00:28:15,800
Speaker 2: you know.

486
00:28:15,800 --> 00:28:16,160
Speaker 3: What I mean.

487
00:28:16,280 --> 00:28:18,439
Speaker 2: So because so now I'm gonna tell you that's right,

488
00:28:18,480 --> 00:28:20,800
Speaker 2: because I'm gonna tell you the way it goes down.

489
00:28:21,280 --> 00:28:26,440
Speaker 2: So the conversation with Cannabis was as followed. He comes

490
00:28:26,480 --> 00:28:31,080
Speaker 2: in the studio, he lays his part. He's a big

491
00:28:31,359 --> 00:28:34,639
Speaker 2: l L fan and the tattoo on his arm, you know,

492
00:28:35,640 --> 00:28:38,440
Speaker 2: he's he's like when it comes to ll at that time,

493
00:28:38,640 --> 00:28:41,959
Speaker 2: like there's nobody bigger than L. Who J Cannabis had

494
00:28:42,000 --> 00:28:44,720
Speaker 2: the L L walk. He just loved L. So he

495
00:28:44,840 --> 00:28:46,960
Speaker 2: was like yo when he left the studio, L came

496
00:28:47,000 --> 00:28:48,160
Speaker 2: in later verse this.

497
00:28:48,280 --> 00:28:52,440
Speaker 3: Is L's record, by the way, record, Yeah, the record.

498
00:28:52,240 --> 00:28:56,040
Speaker 2: That started it off. Yeah, so so So basically cannabis

499
00:28:56,080 --> 00:28:58,400
Speaker 2: point of view was like yo, when L was like yo,

500
00:28:58,600 --> 00:29:01,680
Speaker 2: the tattoo on my arm is limited to challenges, you know.

501
00:29:02,080 --> 00:29:06,120
Speaker 2: And in Cannabis verse, he was acting, could he borrowed atack?

502
00:29:07,760 --> 00:29:09,680
Speaker 2: Give me the tack, right, give me give me the

503
00:29:09,720 --> 00:29:14,600
Speaker 2: mic on your arm. So now now what Cannabis decides

504
00:29:14,680 --> 00:29:18,440
Speaker 2: to do is now keep in mind I'm a producer,

505
00:29:19,560 --> 00:29:25,560
Speaker 2: and so L l Is puts his record out and

506
00:29:25,720 --> 00:29:31,120
Speaker 2: Cannabis says, I have an idea for a record. Right now,

507
00:29:33,320 --> 00:29:36,800
Speaker 2: I'm going to have a long conversation with Cannabis before

508
00:29:36,880 --> 00:29:39,360
Speaker 2: he goes there. Right, I might have to take my

509
00:29:39,440 --> 00:29:40,040
Speaker 2: glasses off.

510
00:29:44,160 --> 00:29:48,560
Speaker 3: Look, this is this is you heard of this all

511
00:29:49,800 --> 00:29:50,080
Speaker 3: this is.

512
00:29:51,640 --> 00:29:55,160
Speaker 2: Right now? Okay, this is getting a stout from flats

513
00:29:55,200 --> 00:29:59,960
Speaker 2: over there, all right, but look how a shot you'll

514
00:30:00,040 --> 00:30:00,400
Speaker 2: hit the shot?

515
00:30:00,840 --> 00:30:02,920
Speaker 3: Problem walk clup, y'all, me walking you.

516
00:30:05,040 --> 00:30:09,920
Speaker 2: Me walk clips y'all, And got funked up. Yeah yeah, yeah, yeah,

517
00:30:10,320 --> 00:30:12,960
Speaker 2: oh no, let me go. It's open.

518
00:30:13,000 --> 00:30:15,600
Speaker 3: It's one is open, it's one. It's open. Right there.

519
00:30:15,720 --> 00:30:18,920
Speaker 12: Come on, you're talking about you know what, you're going

520
00:30:18,960 --> 00:30:23,080
Speaker 12: into the second round, knockout, right, So we got.

521
00:30:26,920 --> 00:30:32,240
Speaker 4: Many pressed that right there? Yeah, rock Coloada. Everybody focusing

522
00:30:32,280 --> 00:30:37,600
Speaker 4: on me the best away. That's what I do, baby,

523
00:30:38,080 --> 00:30:39,800
Speaker 4: that's what this cup.

524
00:30:40,160 --> 00:30:42,040
Speaker 3: Listen, you heard jay Z. You knew al we gotta

525
00:30:42,080 --> 00:30:47,680
Speaker 3: push your people brand. God damn it. I bounced over that.

526
00:30:47,800 --> 00:30:51,800
Speaker 2: Go ahead, that was good. Goody.

527
00:30:52,920 --> 00:30:56,280
Speaker 3: You haven't drinks plays? You know what?

528
00:30:56,360 --> 00:30:59,920
Speaker 2: I'll bring you on some rum by uncle. Next, I.

529
00:31:03,520 --> 00:31:04,960
Speaker 3: Open the doors. You ain't taking a shot?

530
00:31:05,400 --> 00:31:08,400
Speaker 2: You gotta take ah, don't don't be wal clip, don't

531
00:31:08,400 --> 00:31:08,840
Speaker 2: take it yet.

532
00:31:11,640 --> 00:31:18,160
Speaker 3: I gotta get bro. I got one for your class.

533
00:31:18,280 --> 00:31:20,560
Speaker 3: I don't know, you know, Please can you remember where

534
00:31:20,600 --> 00:31:20,959
Speaker 3: he was at?

535
00:31:22,040 --> 00:31:25,560
Speaker 2: I'm talking about what we're talking about. We know.

536
00:31:27,040 --> 00:31:36,160
Speaker 1: I'most the best walk. Why Cliff been my friend for

537
00:31:36,320 --> 00:31:39,560
Speaker 1: so long? Well listen, please, everybody focusing on me?

538
00:31:39,880 --> 00:31:40,360
Speaker 3: Why Cliff?

539
00:31:40,360 --> 00:31:41,920
Speaker 1: You've been my friend for so long? And I don't

540
00:31:41,960 --> 00:31:44,560
Speaker 1: know if you understand or you know what drink champs is.

541
00:31:45,040 --> 00:31:47,640
Speaker 1: But so many shows. They want to get these artists

542
00:31:47,680 --> 00:31:49,959
Speaker 1: there and they want to ask them who they fucking

543
00:31:50,320 --> 00:31:52,080
Speaker 1: and who they fucked and all this other ship.

544
00:31:52,080 --> 00:31:54,640
Speaker 3: It's not what we do here. We salute our artists

545
00:31:55,000 --> 00:31:57,360
Speaker 3: because you know what, what was it that you sound

546
00:31:57,440 --> 00:32:00,720
Speaker 3: like a pig? Don't lose focus, my friend.

547
00:32:02,560 --> 00:32:07,800
Speaker 1: What's up with artists is I'm a quote unquote legend.

548
00:32:07,880 --> 00:32:09,440
Speaker 1: That's what they want to say. I don't give a

549
00:32:09,520 --> 00:32:12,640
Speaker 1: funk about that ship. But what I am first and

550
00:32:12,760 --> 00:32:16,000
Speaker 1: foremost is a fan, and I'm a fan of people

551
00:32:16,040 --> 00:32:17,920
Speaker 1: before me. I'm a fan of people in the middle

552
00:32:17,960 --> 00:32:19,840
Speaker 1: of me and a fan of people after me. And

553
00:32:20,000 --> 00:32:21,760
Speaker 1: that's what I want to do. I choose to celebrate

554
00:32:21,840 --> 00:32:22,200
Speaker 1: hip hop.

555
00:32:22,920 --> 00:32:23,560
Speaker 3: I don't. I don't.

556
00:32:23,680 --> 00:32:26,080
Speaker 1: I don't care about these other shows, these other podcasts

557
00:32:26,120 --> 00:32:26,720
Speaker 1: or whatever they do.

558
00:32:26,880 --> 00:32:27,640
Speaker 2: That's not what we do.

559
00:32:27,960 --> 00:32:30,720
Speaker 3: What we do is we celebrate our motherfuckers. And you

560
00:32:31,120 --> 00:32:41,840
Speaker 3: need to be celebrated tonight. So today this is and

561
00:32:41,840 --> 00:32:43,720
Speaker 3: I'm gonna take this. This is the best block in

562
00:32:43,800 --> 00:32:46,640
Speaker 3: the world. Baby down, take it down. We got tune

563
00:32:46,680 --> 00:32:47,280
Speaker 3: in on me, man.

564
00:32:49,880 --> 00:32:56,080
Speaker 2: Yeah, that's that's that's more.

565
00:32:58,880 --> 00:33:00,760
Speaker 3: I'm sorry you looking. You used to need a shot

566
00:33:01,080 --> 00:33:03,920
Speaker 3: you I don't know who you w I'm sorry you're

567
00:33:03,960 --> 00:33:04,560
Speaker 3: not coming to you.

568
00:33:04,640 --> 00:33:06,880
Speaker 2: I'm married, but I'm just I just want to make

569
00:33:06,880 --> 00:33:07,320
Speaker 2: you have one.

570
00:33:07,680 --> 00:33:07,920
Speaker 3: Look.

571
00:33:08,080 --> 00:33:10,960
Speaker 2: I don't know you look like that because I just

572
00:33:11,080 --> 00:33:14,480
Speaker 2: want to get you. I just want to get you.

573
00:33:14,760 --> 00:33:16,640
Speaker 2: Take a shot, girl, Take a shot girl.

574
00:33:17,680 --> 00:33:18,040
Speaker 11: Your name?

575
00:33:18,360 --> 00:33:19,720
Speaker 2: It takes all.

576
00:33:21,200 --> 00:33:24,440
Speaker 13: Shot, got Dren's stud I'm.

577
00:33:24,320 --> 00:33:26,520
Speaker 2: Married, so I'm not going at you. Just want to.

578
00:33:28,320 --> 00:33:30,720
Speaker 3: Know. But you look like you needed who you were.

579
00:33:32,400 --> 00:33:34,040
Speaker 2: You look Arian, comar Marian.

580
00:33:34,680 --> 00:33:35,760
Speaker 3: You know your name is Arian?

581
00:33:38,000 --> 00:33:39,280
Speaker 6: Name wrong?

582
00:33:41,560 --> 00:33:44,920
Speaker 2: I was close, look, I said, begging his brother and

583
00:33:46,480 --> 00:33:50,480
Speaker 2: look very Come on, come on, everybody, take a showering.

584
00:33:50,480 --> 00:33:57,360
Speaker 2: I'm taking shot. Where's about Listen?

585
00:33:57,440 --> 00:33:59,000
Speaker 3: This is playing this up.

586
00:33:59,160 --> 00:34:02,520
Speaker 14: You're taking a shot. I'm taking a shot a wild

587
00:34:02,520 --> 00:34:10,040
Speaker 14: cup because you know what an empty botty it looks.

588
00:34:16,480 --> 00:34:19,799
Speaker 3: It's yo.

589
00:34:20,480 --> 00:34:21,279
Speaker 2: Let me tell you something.

590
00:34:21,280 --> 00:34:26,879
Speaker 1: Everybody focusing on me, robs loving the building steps, Let's

591
00:34:26,960 --> 00:34:27,680
Speaker 1: way more.

592
00:34:27,520 --> 00:34:28,160
Speaker 3: In the building.

593
00:34:32,080 --> 00:34:32,319
Speaker 15: Listen.

594
00:34:32,440 --> 00:34:36,720
Speaker 3: Let me tell something red listen, and our culture.

595
00:34:38,320 --> 00:34:42,480
Speaker 1: It's kind of corny to big up somebody else if

596
00:34:42,520 --> 00:34:45,239
Speaker 1: you say you're a legend, or you somebody that's made

597
00:34:45,320 --> 00:34:48,560
Speaker 1: it as somebody that got money or somebody got status,

598
00:34:49,280 --> 00:34:52,720
Speaker 1: and you big up somebody else in our culture, that's corny.

599
00:34:53,120 --> 00:34:56,920
Speaker 3: And guess what I need to change that. We're corny.

600
00:34:57,360 --> 00:35:03,719
Speaker 3: We just got forty nine million lists. Do we have

601
00:35:03,800 --> 00:35:06,840
Speaker 3: to buy fifty million? No? CBS gonna take care of.

602
00:35:08,360 --> 00:35:08,400
Speaker 7: No.

603
00:35:08,520 --> 00:35:10,120
Speaker 1: But I'm saying, should they take care of that as

604
00:35:10,320 --> 00:35:13,960
Speaker 1: as as real a good part? Tell us give us

605
00:35:14,000 --> 00:35:18,520
Speaker 1: a fifty million plaque. But listen, in our culture, people

606
00:35:18,600 --> 00:35:21,120
Speaker 1: don't big up each other. People don't say great job,

607
00:35:21,800 --> 00:35:29,080
Speaker 1: hazardous sounds, great job communicating, Sonny Drain, We appreciate your pictures.

608
00:35:29,920 --> 00:35:32,360
Speaker 1: People don't say that in our culture. And you know

609
00:35:32,440 --> 00:35:34,800
Speaker 1: what we gotta do, being that we have a platform

610
00:35:34,880 --> 00:35:36,400
Speaker 1: and we have an audience.

611
00:35:36,239 --> 00:35:40,359
Speaker 3: We have to change that. One of our best episodes.

612
00:35:39,840 --> 00:35:43,760
Speaker 1: And people that tuned in was when we saluted Prodigy,

613
00:35:44,680 --> 00:35:47,880
Speaker 1: and we love Prodigy, but we wish we were saluted

614
00:35:47,920 --> 00:35:49,360
Speaker 1: Prodigy where he was alive.

615
00:35:49,440 --> 00:35:53,080
Speaker 3: Absolutely, because we got to give our legends. They flowers

616
00:35:53,160 --> 00:35:55,920
Speaker 3: when they can smell, and they treat.

617
00:36:04,080 --> 00:36:07,760
Speaker 2: You look at and something you look at, and something

618
00:36:08,680 --> 00:36:12,520
Speaker 2: when they think, and what drinks when they can drink.

619
00:36:14,400 --> 00:36:16,680
Speaker 3: Don't understand and this is what we gotta do.

620
00:36:17,280 --> 00:36:20,200
Speaker 1: Listen, so many people praise people when you're going away

621
00:36:20,280 --> 00:36:22,960
Speaker 1: and you die and it's great, but that person could

622
00:36:23,000 --> 00:36:25,439
Speaker 1: have really appreciated live.

623
00:36:25,960 --> 00:36:30,359
Speaker 3: So why left tonight? We want to praise you. Watch,

624
00:36:31,120 --> 00:36:34,040
Speaker 3: we want to salute you. When I'm taking a shot,

625
00:36:34,040 --> 00:36:45,080
Speaker 3: I don't know who pulled me to shot shots the

626
00:36:45,160 --> 00:36:47,320
Speaker 3: Book of Base to the President.

627
00:36:47,440 --> 00:36:48,680
Speaker 16: I hate this.

628
00:36:48,840 --> 00:36:53,560
Speaker 1: Nigga was two seconds away from me the President. You No,

629
00:36:53,800 --> 00:36:59,080
Speaker 1: this is like taking a shot of Bill Clinton? Looking

630
00:36:59,080 --> 00:37:06,880
Speaker 1: about what cleft? Always we're going to continue, want to

631
00:37:06,960 --> 00:37:08,640
Speaker 1: concrete say what cleft?

632
00:37:08,880 --> 00:37:08,920
Speaker 7: What?

633
00:37:09,320 --> 00:37:10,160
Speaker 17: Two three.

634
00:37:11,480 --> 00:37:13,960
Speaker 2: Two three two three?

635
00:37:14,560 --> 00:37:14,880
Speaker 8: Clef?

636
00:37:23,680 --> 00:37:25,560
Speaker 3: I mean, honestly, did something to be this time? Did

637
00:37:25,640 --> 00:37:26,439
Speaker 3: something to be this time?

638
00:37:29,800 --> 00:37:30,200
Speaker 18: I don't know what.

639
00:37:33,080 --> 00:37:37,240
Speaker 5: We're going back the second round knockouts, knockout those infamous

640
00:37:37,320 --> 00:37:38,000
Speaker 5: battle records.

641
00:37:39,239 --> 00:37:42,200
Speaker 2: The deal, Clef, Mike Tyson on this record, and everybody listen.

642
00:37:42,280 --> 00:37:42,920
Speaker 3: Everybody listening.

643
00:37:43,320 --> 00:37:46,759
Speaker 1: Everybody listening, everybody, everybody, white girl conversations, come over here, listen,

644
00:37:47,640 --> 00:37:48,520
Speaker 1: because here's the deal.

645
00:37:49,040 --> 00:37:49,920
Speaker 3: We didn't know.

646
00:37:50,800 --> 00:37:53,759
Speaker 1: We knew you produced the record, but we didn't know

647
00:37:53,960 --> 00:38:00,279
Speaker 1: you got dragged into the battle. So how what was

648
00:38:00,320 --> 00:38:02,800
Speaker 1: the exact moment you got dragged because you produced the

649
00:38:02,840 --> 00:38:03,560
Speaker 1: record with cannabis?

650
00:38:03,600 --> 00:38:04,040
Speaker 11: Is that true?

651
00:38:04,320 --> 00:38:04,520
Speaker 3: Yeah?

652
00:38:04,640 --> 00:38:07,920
Speaker 2: But the whole record was like sunsu the art of

653
00:38:08,000 --> 00:38:11,560
Speaker 2: war Son sou So, so when you told me who won, right,

654
00:38:11,760 --> 00:38:14,560
Speaker 2: So we we're gonna get into who actually won, right,

655
00:38:15,080 --> 00:38:17,960
Speaker 2: So who won for me would start off with the

656
00:38:18,120 --> 00:38:22,680
Speaker 2: conversation that I had with Cannabis. And the conversation I

657
00:38:22,760 --> 00:38:26,160
Speaker 2: had with Cannabis is like, Okay, if you want to

658
00:38:26,239 --> 00:38:29,320
Speaker 2: really go on this route, there's a few things that

659
00:38:29,600 --> 00:38:31,760
Speaker 2: I have to let you know that's going to happen,

660
00:38:32,440 --> 00:38:38,280
Speaker 2: and you have to be ready. You're of course listen

661
00:38:38,640 --> 00:38:41,560
Speaker 2: because I got what happened is at the end of

662
00:38:41,600 --> 00:38:46,320
Speaker 2: the day is chess, So with any of course, because

663
00:38:46,320 --> 00:38:49,719
Speaker 2: I'm a fighter, right and then so Cannabis is a

664
00:38:49,800 --> 00:38:52,920
Speaker 2: young bull, right, so my job is I gotta give

665
00:38:52,960 --> 00:38:56,920
Speaker 2: them the information. Right now, I come from the Caribbean,

666
00:38:57,080 --> 00:39:01,000
Speaker 2: So if like I say, like I'm really the Haitian

667
00:39:01,080 --> 00:39:04,239
Speaker 2: Sinatra for real, like and what I mean by that, like,

668
00:39:04,400 --> 00:39:08,000
Speaker 2: I'm never embarrassed by who my friends are, right, So.

669
00:39:08,080 --> 00:39:10,120
Speaker 3: I'm looking at you, but I was just looking up

670
00:39:10,160 --> 00:39:19,040
Speaker 3: just so you know.

671
00:39:19,160 --> 00:39:21,360
Speaker 2: So what I mean the reality of it is like

672
00:39:21,680 --> 00:39:25,480
Speaker 2: you know, we we all grow up in a certain environment,

673
00:39:25,600 --> 00:39:28,000
Speaker 2: you feel me, So it's like okay, like I ain't

674
00:39:28,040 --> 00:39:29,920
Speaker 2: a shame like my mama took a gun out of

675
00:39:29,960 --> 00:39:31,480
Speaker 2: my hand, put a guitar on my hand.

676
00:39:31,560 --> 00:39:31,680
Speaker 3: Right.

677
00:39:32,120 --> 00:39:34,200
Speaker 2: So, but at the end of the day, we all

678
00:39:34,280 --> 00:39:36,719
Speaker 2: came up like once upon a time in America. Right,

679
00:39:37,160 --> 00:39:40,040
Speaker 2: So it's like, it's still my family. So whether if

680
00:39:40,080 --> 00:39:43,160
Speaker 2: it's gangsters, it's still my family. You know, Whether if

681
00:39:43,200 --> 00:39:45,240
Speaker 2: it's my brother that's a lawyer, it's still my family.

682
00:39:45,640 --> 00:39:47,680
Speaker 2: So at the end of the day, I felt like,

683
00:39:47,960 --> 00:39:50,239
Speaker 2: as a Caribbean man, if someone comes to me from

684
00:39:50,280 --> 00:39:53,200
Speaker 2: the Caribbean that have an issue, I'm going to address it.

685
00:39:53,719 --> 00:39:55,759
Speaker 2: But I want to know how you want to deal

686
00:39:55,800 --> 00:39:58,320
Speaker 2: with it. So Cannabis said, I want to deal with

687
00:39:58,400 --> 00:40:00,719
Speaker 2: it on some music stuff. So being you want to

688
00:40:00,760 --> 00:40:03,560
Speaker 2: deal with it on some music stuff, let me explain

689
00:40:03,640 --> 00:40:05,279
Speaker 2: to you who l L cool J is.

690
00:40:05,920 --> 00:40:08,359
Speaker 3: Okay, so this is the this is me you're telling him,

691
00:40:08,560 --> 00:40:09,160
Speaker 3: dude this.

692
00:40:11,040 --> 00:40:14,040
Speaker 2: So so yeah, so so let me tell you And

693
00:40:14,120 --> 00:40:17,400
Speaker 2: it's good because the beautiful thing about this is the

694
00:40:17,440 --> 00:40:20,600
Speaker 2: beautiful thing about this is l L is listening, you

695
00:40:20,640 --> 00:40:23,560
Speaker 2: know what I mean, because Y'll give you know how

696
00:40:23,560 --> 00:40:26,840
Speaker 2: when things happen, you get a one way perspective until this.

697
00:40:27,080 --> 00:40:28,440
Speaker 2: So this is the real conversation.

698
00:40:28,640 --> 00:40:28,759
Speaker 3: Right.

699
00:40:29,280 --> 00:40:35,680
Speaker 2: So basically with l L cool J. You know, coming

700
00:40:35,800 --> 00:40:39,760
Speaker 2: from Haiti and watching that movie when l L comes

701
00:40:39,840 --> 00:40:42,719
Speaker 2: out with the radio and he places it down and

702
00:40:42,800 --> 00:40:46,200
Speaker 2: then he goes into it. I mean he wants this

703
00:40:46,280 --> 00:40:48,160
Speaker 2: is the reason, you know what I mean. So now

704
00:40:48,239 --> 00:40:51,160
Speaker 2: we all take this and we say, if we want

705
00:40:51,200 --> 00:40:53,640
Speaker 2: to be battle rappers, we take this. This is one

706
00:40:53,800 --> 00:40:56,319
Speaker 2: chapter of how we hit the block when we hit

707
00:40:56,360 --> 00:40:59,160
Speaker 2: it with that determination. So I said, look, at the

708
00:40:59,280 --> 00:41:01,359
Speaker 2: end of the day, you want to go there, I'm

709
00:41:01,400 --> 00:41:03,080
Speaker 2: gonna go there with you. But there's a few things

710
00:41:03,120 --> 00:41:06,280
Speaker 2: that's gonna happen. One is I want you to understand

711
00:41:07,520 --> 00:41:10,400
Speaker 2: that l L is loved. You know, l L is

712
00:41:10,480 --> 00:41:13,680
Speaker 2: loved by dudes in the streets. You have his people.

713
00:41:13,960 --> 00:41:17,239
Speaker 2: But at the same time, l L like me. He

714
00:41:17,440 --> 00:41:21,200
Speaker 2: has a high female base. And when you have a

715
00:41:21,320 --> 00:41:25,279
Speaker 2: high female base, it's hard for somebody to knock you down, right,

716
00:41:25,360 --> 00:41:27,839
Speaker 2: because what that means is, at the end of the day,

717
00:41:27,880 --> 00:41:30,239
Speaker 2: even if niggas don't want to fuck with me, the

718
00:41:30,400 --> 00:41:32,160
Speaker 2: chicks want to be like yo, if you want some

719
00:41:32,680 --> 00:41:39,279
Speaker 2: you better play someone. Please call. At the end of

720
00:41:39,360 --> 00:41:40,680
Speaker 2: the day, it's gonna go there.

721
00:41:40,760 --> 00:41:41,920
Speaker 1: So so we have.

722
00:41:47,760 --> 00:41:50,799
Speaker 2: Come to myself, why can I.

723
00:41:57,200 --> 00:42:03,200
Speaker 6: But but you, my men, you got.

724
00:42:09,239 --> 00:42:11,440
Speaker 3: And they like this, nigga, I got the night.

725
00:42:13,400 --> 00:42:17,080
Speaker 2: I'm sorry, no, no, I love it baby, so so so,

726
00:42:17,239 --> 00:42:21,520
Speaker 2: after this conversation, After this conversation, we go into it.

727
00:42:22,160 --> 00:42:26,560
Speaker 2: And now in order to compete with a giant, right,

728
00:42:26,600 --> 00:42:29,840
Speaker 2: because l is a giant, the first thing that we

729
00:42:30,000 --> 00:42:31,759
Speaker 2: have to do is we got to come.

730
00:42:31,760 --> 00:42:32,520
Speaker 3: Up with a scheme.

731
00:42:32,800 --> 00:42:35,960
Speaker 2: You feel me so and then so the scheme becomes

732
00:42:36,000 --> 00:42:40,680
Speaker 2: second round knockout. And then so Mike Tyson at the

733
00:42:40,800 --> 00:42:42,399
Speaker 2: time had Beep in mind.

734
00:42:42,520 --> 00:42:43,480
Speaker 3: I don't know what Mike was.

735
00:42:43,880 --> 00:42:47,320
Speaker 2: Yeah, so so so so so Mike. Once again, the

736
00:42:47,440 --> 00:42:48,640
Speaker 2: strategy was war.

737
00:42:49,239 --> 00:42:49,399
Speaker 10: Right.

738
00:42:49,840 --> 00:42:53,040
Speaker 2: I'm a composer, right, so keep in mind, whether if

739
00:42:53,040 --> 00:42:56,200
Speaker 2: it's Santana or anything, I'm gonna come from the level

740
00:42:56,200 --> 00:43:00,320
Speaker 2: of composition. I'm gonna put a Shakespeare movie together. That's

741
00:43:00,360 --> 00:43:03,360
Speaker 2: what I'm gonna do. So so in putting this movie together,

742
00:43:03,800 --> 00:43:05,960
Speaker 2: you know we need Mike. You know, Mike has to

743
00:43:06,080 --> 00:43:08,920
Speaker 2: say he eats people, you know, ears, and you know

744
00:43:09,080 --> 00:43:09,520
Speaker 2: we need that.

745
00:43:09,960 --> 00:43:10,360
Speaker 3: We need that.

746
00:43:12,920 --> 00:43:15,600
Speaker 2: So you have it's about to go down on some

747
00:43:15,800 --> 00:43:18,360
Speaker 2: hood Shakespeare vibe. Now, keep in mind, at the end

748
00:43:18,400 --> 00:43:21,440
Speaker 2: of the day, it's no beef with nothing it's still

749
00:43:22,440 --> 00:43:25,560
Speaker 2: it's hip hop, right because when I came from Haiti

750
00:43:26,080 --> 00:43:28,560
Speaker 2: listening to KRS one, these are this is how you

751
00:43:28,640 --> 00:43:33,480
Speaker 2: can settle a situation. So Cannabis does the record, and

752
00:43:33,640 --> 00:43:36,399
Speaker 2: Cannabis was one of the first artists. I literally used

753
00:43:36,400 --> 00:43:40,359
Speaker 2: to watch sit on a laptop computer just right. Yeah,

754
00:43:40,440 --> 00:43:41,760
Speaker 2: so see that in the hip factory.

755
00:43:41,880 --> 00:43:45,560
Speaker 3: One time I came in, y'all, y'all said, yo, niggas

756
00:43:45,560 --> 00:43:48,800
Speaker 3: started writing. I say, yo, I gotta leave yo. He

757
00:43:49,000 --> 00:43:50,439
Speaker 3: just on paper.

758
00:43:51,080 --> 00:43:57,719
Speaker 1: It was like, yeah, you know what I mean, like

759
00:43:57,840 --> 00:44:03,880
Speaker 1: this like this the first right around with word facts

760
00:44:04,160 --> 00:44:08,040
Speaker 1: before because you know, your phone wasn't that so back then.

761
00:44:08,440 --> 00:44:09,600
Speaker 3: Said he said, you know that's.

762
00:44:11,080 --> 00:44:13,520
Speaker 1: You know, that's the natural thing to see another MC

763
00:44:14,160 --> 00:44:15,960
Speaker 1: I need the verse and they like you have a

764
00:44:16,040 --> 00:44:22,279
Speaker 1: real and he was like, yeah, what is that?

765
00:44:24,960 --> 00:44:28,480
Speaker 2: Immediately I'm so sorry, No, no, no, that's at least

766
00:44:28,520 --> 00:44:32,000
Speaker 2: somebody else seen Cannabis writing rhymes on computer. Yeah, So

767
00:44:32,120 --> 00:44:34,360
Speaker 2: he was one of the first. So he did that.

768
00:44:35,160 --> 00:44:39,719
Speaker 2: Now we did the record and Second Round Knockout comes out.

769
00:44:40,440 --> 00:44:44,080
Speaker 2: Now when Second Round Knockout comes out, the once again,

770
00:44:44,120 --> 00:44:47,520
Speaker 2: when we talk about hip hop and we talk about

771
00:44:47,560 --> 00:44:50,160
Speaker 2: the culture. That's why I say, you already know me.

772
00:44:50,239 --> 00:44:53,400
Speaker 2: I'm a culture bunny, so I'm always inside of the

773
00:44:53,480 --> 00:44:57,440
Speaker 2: culture somehow. So I got dragged into a situation for

774
00:44:57,600 --> 00:44:59,919
Speaker 2: me that look, you got dragged that start.

775
00:45:00,120 --> 00:45:02,600
Speaker 1: Poor person that's outside looking at I feel like you

776
00:45:02,719 --> 00:45:05,280
Speaker 1: just produced the record and then Elle said.

777
00:45:05,080 --> 00:45:07,279
Speaker 2: Your name, and then you had the response. Yeah, So

778
00:45:07,440 --> 00:45:09,080
Speaker 2: now I get dragged into the record.

779
00:45:09,560 --> 00:45:10,440
Speaker 1: So l L.

780
00:45:10,800 --> 00:45:16,279
Speaker 2: Basically now he goes and he now he has to

781
00:45:16,360 --> 00:45:19,080
Speaker 2: do his response right because it's Shakespeare at Jouston. And

782
00:45:19,200 --> 00:45:22,600
Speaker 2: then the process of his response, he calls me the

783
00:45:22,719 --> 00:45:41,120
Speaker 2: Bob Marley impost right, Yo, this ship gets funnier, right, Yo,

784
00:45:41,239 --> 00:45:42,840
Speaker 2: I'm gonna tell y'all some real ship.

785
00:45:43,000 --> 00:45:43,120
Speaker 5: Right.

786
00:45:43,480 --> 00:45:49,440
Speaker 2: So but yo, what the thing is though, It's like

787
00:45:49,719 --> 00:45:54,200
Speaker 2: the thing is the way that I love l L

788
00:45:55,520 --> 00:45:58,879
Speaker 2: and was obsessed by him, and he ain't know. When

789
00:45:58,960 --> 00:46:01,359
Speaker 2: I came from Haiti, one of my skits was holding

790
00:46:01,400 --> 00:46:03,640
Speaker 2: the radio act like I was talking to Russell Simmons,

791
00:46:04,040 --> 00:46:05,960
Speaker 2: but I had an invisible mirror in front of me,

792
00:46:06,480 --> 00:46:10,000
Speaker 2: so so so for me, so I was like, okay,

793
00:46:10,400 --> 00:46:12,680
Speaker 2: now this is what I mean by its chest. So

794
00:46:12,840 --> 00:46:15,640
Speaker 2: what I did was I said, now that he called

795
00:46:15,760 --> 00:46:19,359
Speaker 2: my name, so I have to be careful because I'm

796
00:46:19,400 --> 00:46:33,760
Speaker 2: on my going to November ship, right, be real careful

797
00:46:34,120 --> 00:46:37,359
Speaker 2: because we see that happen. We see that happen. It's

798
00:46:37,400 --> 00:46:41,880
Speaker 2: the walk where Nigga will call you out and depending

799
00:46:41,960 --> 00:46:46,120
Speaker 2: on how you respond, it determines your doom day because

800
00:46:46,160 --> 00:46:48,160
Speaker 2: you gotta be careful because you gotta know.

801
00:46:48,440 --> 00:46:52,319
Speaker 1: You But in all honesty, Cannabis is in trouble. You're

802
00:46:52,400 --> 00:46:56,120
Speaker 1: not really in trouble because you know your financial is great.

803
00:46:56,920 --> 00:46:59,120
Speaker 1: But you're a hip hop person.

804
00:46:59,760 --> 00:47:02,120
Speaker 3: That's what makes you feel like you're in trouble, not

805
00:47:02,280 --> 00:47:03,600
Speaker 3: your financial.

806
00:47:03,160 --> 00:47:05,120
Speaker 2: But wait, wait, how at what point do you see

807
00:47:05,160 --> 00:47:05,959
Speaker 2: Cannabis in trouble?

808
00:47:05,960 --> 00:47:07,320
Speaker 3: Because it's such a great record.

809
00:47:07,480 --> 00:47:10,480
Speaker 1: But I tell you, when I didn't go for him,

810
00:47:10,800 --> 00:47:12,799
Speaker 1: I'm gonna walk left finish, And I'm telling you when

811
00:47:12,840 --> 00:47:14,160
Speaker 1: I Cannabis is in trouble.

812
00:47:14,280 --> 00:47:15,600
Speaker 2: I mean, I know the lyric side of it.

813
00:47:16,400 --> 00:47:18,719
Speaker 3: Come on, we've done the podcast only for a million

814
00:47:18,760 --> 00:47:19,239
Speaker 3: years right now.

815
00:47:19,280 --> 00:47:22,959
Speaker 2: So what happened was we talked about what would happen

816
00:47:23,040 --> 00:47:25,400
Speaker 2: when you did this record? Right, so I think like

817
00:47:25,560 --> 00:47:30,120
Speaker 2: a few things had to happen. So when Cannabis did

818
00:47:30,200 --> 00:47:33,400
Speaker 2: this record, one of the things that had to happen

819
00:47:34,200 --> 00:47:39,360
Speaker 2: is now his entire album would have had to been changed.

820
00:47:40,040 --> 00:47:43,239
Speaker 2: That's the first thing, because he was bigger. Because what

821
00:47:43,440 --> 00:47:47,359
Speaker 2: happens was one second round knockout comes out. The bar

822
00:47:47,520 --> 00:47:50,000
Speaker 2: is also said to that it's so so now what

823
00:47:50,080 --> 00:47:52,840
Speaker 2: would have to have happened was it would have to

824
00:47:52,920 --> 00:47:57,239
Speaker 2: be eleven more second round knockouts that record, of course,

825
00:47:57,560 --> 00:48:00,640
Speaker 2: not towards l L now, but towards the cold. So

826
00:48:00,880 --> 00:48:03,440
Speaker 2: take all of that anger now, because now when you

827
00:48:03,560 --> 00:48:06,279
Speaker 2: do second round knockout, the next ship you're gonna do.

828
00:48:06,600 --> 00:48:09,160
Speaker 2: Nigga's gonna want to hear whatever that next thing is.

829
00:48:10,600 --> 00:48:12,600
Speaker 2: That's right, you win it. The king So so in

830
00:48:12,719 --> 00:48:17,560
Speaker 2: this process, so now he has to so LL takes

831
00:48:17,600 --> 00:48:20,799
Speaker 2: a shot at me. But meanwhile, what was his shot?

832
00:48:21,040 --> 00:48:21,440
Speaker 3: I forget?

833
00:48:21,560 --> 00:48:25,120
Speaker 2: Well, we said so we said tell yeah, yeah, So

834
00:48:25,320 --> 00:48:28,440
Speaker 2: now I didn't so I do a record. So when

835
00:48:28,480 --> 00:48:33,000
Speaker 2: he does this record, so brilliant brilliance is I said, Okay,

836
00:48:33,920 --> 00:48:36,879
Speaker 2: I know who this guy is and I know who's

837
00:48:37,000 --> 00:48:41,080
Speaker 2: backing them, and now yeah, and I said, this is

838
00:48:41,239 --> 00:48:45,400
Speaker 2: L who J this is the King. And now I said,

839
00:48:45,680 --> 00:48:48,920
Speaker 2: I'm gonna respond with a record. Now I respond with

840
00:48:49,040 --> 00:48:51,480
Speaker 2: a record. The record is called What's clef? Got to

841
00:48:51,560 --> 00:48:55,960
Speaker 2: do with it. And now this record is brilliant because

842
00:48:56,000 --> 00:48:59,480
Speaker 2: what happens is I'm actually LLL. What's CLEF got to

843
00:48:59,560 --> 00:49:02,799
Speaker 2: do with it? And on the record, I attacked all

844
00:49:02,880 --> 00:49:05,919
Speaker 2: of l L's bosses at the time, so I don't

845
00:49:05,960 --> 00:49:09,200
Speaker 2: even talk about L like I barely talk. So I

846
00:49:09,360 --> 00:49:12,560
Speaker 2: talk about L's bosses. And now I said, I got

847
00:49:12,680 --> 00:49:15,080
Speaker 2: to neutralize him at the end of the record. And

848
00:49:15,200 --> 00:49:18,560
Speaker 2: I know that he gonna meet me somewhere if we

849
00:49:18,760 --> 00:49:21,879
Speaker 2: playing chess. He has a female fan base, and I'm

850
00:49:21,920 --> 00:49:24,479
Speaker 2: going to November. So then I called up my friend

851
00:49:24,520 --> 00:49:27,880
Speaker 2: at the time, Naomi Campbell, and said to Yaomi, you

852
00:49:28,040 --> 00:49:39,920
Speaker 2: know a millionaire. So I called up Naomi and I'm like, Naomi,

853
00:49:40,000 --> 00:49:42,080
Speaker 2: I need a dub played at the end of this record.

854
00:49:42,160 --> 00:49:53,839
Speaker 2: You know, come on, Naomi, jim me a con down.

855
00:49:54,000 --> 00:49:54,840
Speaker 2: I'm bred j.

856
00:49:59,360 --> 00:49:59,760
Speaker 3: Weekend.

857
00:50:00,120 --> 00:50:04,560
Speaker 2: Yes, good girl. So so Naomi does the end of

858
00:50:04,640 --> 00:50:07,839
Speaker 2: the record, and so she's like, l L. You need

859
00:50:07,920 --> 00:50:09,719
Speaker 2: to give it up. You need to stop. This is

860
00:50:09,920 --> 00:50:12,719
Speaker 2: because now when I put a top model at the

861
00:50:12,800 --> 00:50:14,759
Speaker 2: end of the record, you know you can't say I

862
00:50:14,840 --> 00:50:17,320
Speaker 2: don't like females. So I'm gonna so I'm coming straight

863
00:50:17,400 --> 00:50:21,560
Speaker 2: for your base. So for me in doing that, the

864
00:50:21,680 --> 00:50:25,640
Speaker 2: only reason I even did that bro, because I felt

865
00:50:25,719 --> 00:50:27,839
Speaker 2: like I didn't when he did that record. I went

866
00:50:27,960 --> 00:50:32,920
Speaker 2: back home and my girl, right, she like, she's like

867
00:50:33,120 --> 00:50:36,920
Speaker 2: I call a bougie hood. So she was in the

868
00:50:37,560 --> 00:50:41,640
Speaker 2: beauty salon with her girlfriends, and so I came and

869
00:50:42,239 --> 00:50:44,600
Speaker 2: the L record was playing, The disc record was playing.

870
00:50:44,600 --> 00:50:46,640
Speaker 2: So I came home on some Will Smith shit, you

871
00:50:46,680 --> 00:50:49,000
Speaker 2: know what I mean, Like I came home on something

872
00:50:50,120 --> 00:50:54,359
Speaker 2: that she was like. She was like, why I'm tire,

873
00:50:55,400 --> 00:50:59,239
Speaker 2: you're not her error? And why I'm tying.

874
00:51:00,520 --> 00:51:08,680
Speaker 3: The blood clean million pasta? So y'all gotta sit here

875
00:51:08,680 --> 00:51:10,360
Speaker 3: and eat the chicken it or I said, no, I

876
00:51:10,440 --> 00:51:11,120
Speaker 3: respond to the.

877
00:51:24,920 --> 00:51:28,680
Speaker 2: Yeah, leave it to a woman. A woman always sends

878
00:51:28,719 --> 00:51:29,400
Speaker 2: the king to war.

879
00:51:29,600 --> 00:51:33,600
Speaker 3: The queen always says the gotta respect the queen.

880
00:51:33,880 --> 00:51:37,640
Speaker 2: Yes, But in all seriousness, it was like the amount

881
00:51:37,680 --> 00:51:41,000
Speaker 2: of respect that I have for LLL and continue to

882
00:51:41,120 --> 00:51:43,719
Speaker 2: have for l L. I would say it was at

883
00:51:43,760 --> 00:51:45,880
Speaker 2: the pun funeral, you know what I mean, when I

884
00:51:46,000 --> 00:51:49,680
Speaker 2: saw him and after that I like shook his hand.

885
00:51:49,719 --> 00:51:52,200
Speaker 2: But for me, it was it was a battle, you

886
00:51:52,280 --> 00:51:54,919
Speaker 2: know what I mean, And it was all I want

887
00:51:55,000 --> 00:51:57,040
Speaker 2: him to get out of it even till today. Is

888
00:51:57,080 --> 00:51:59,879
Speaker 2: like we were so obsessed by him at the time.

889
00:52:00,040 --> 00:52:01,080
Speaker 2: I just wanted to beat him.

890
00:52:01,160 --> 00:52:03,359
Speaker 1: You know, you think when you just produced the record

891
00:52:03,440 --> 00:52:05,239
Speaker 1: for Cannabis that you can stay out of it.

892
00:52:06,320 --> 00:52:06,360
Speaker 7: No.

893
00:52:06,960 --> 00:52:09,080
Speaker 2: I knew it once. I mean, it's the art of war, right,

894
00:52:09,160 --> 00:52:10,759
Speaker 2: you would a gang, You would a gang, So I

895
00:52:10,880 --> 00:52:13,959
Speaker 2: knew it. Even got worse, Like, forget about the fact

896
00:52:13,960 --> 00:52:16,200
Speaker 2: that I did the record. I was the freaking referee

897
00:52:16,239 --> 00:52:21,799
Speaker 2: in the video. So once I said, I, he's all

898
00:52:21,840 --> 00:52:23,719
Speaker 2: the way in. But that's the kind of dude. I

899
00:52:24,120 --> 00:52:26,600
Speaker 2: was like, look, we're gonna go in. He's gonna come

900
00:52:26,680 --> 00:52:28,400
Speaker 2: at me, He's gonna come at you, but you have

901
00:52:28,520 --> 00:52:31,919
Speaker 2: to be ready. And I would say, really, the first

902
00:52:32,000 --> 00:52:35,680
Speaker 2: Fuji album was Blunting on Reality and that shit sold

903
00:52:35,760 --> 00:52:40,320
Speaker 2: two copies. The second one was The Score Cannabis first album.

904
00:52:40,760 --> 00:52:44,319
Speaker 2: I felt like after his first album, he just copped away,

905
00:52:44,480 --> 00:52:46,080
Speaker 2: like you know what I mean, because he wanted it

906
00:52:46,200 --> 00:52:48,720
Speaker 2: so successfully, And I think you got like three shots

907
00:52:48,760 --> 00:52:51,120
Speaker 2: in this game. I think one, two, three. Till today,

908
00:52:51,120 --> 00:52:54,280
Speaker 2: I always say Cannabis is one of the most lethless

909
00:52:54,480 --> 00:52:58,040
Speaker 2: lyricists that I've ever heard in my entire life. L

910
00:52:58,280 --> 00:53:02,279
Speaker 2: L is one of the greatest hip hop entertainers that

911
00:53:02,400 --> 00:53:04,920
Speaker 2: I've ever seen in my life. And because of l L.

912
00:53:05,480 --> 00:53:07,320
Speaker 2: I know how to control the stage, you know what

913
00:53:07,360 --> 00:53:12,480
Speaker 2: I mean, radio facts facts.

914
00:53:13,320 --> 00:53:19,760
Speaker 19: So so do you think, so what what what intent

915
00:53:19,920 --> 00:53:23,040
Speaker 19: does it make a person to say that that that's

916
00:53:23,120 --> 00:53:23,879
Speaker 19: person is the star?

917
00:53:25,120 --> 00:53:28,640
Speaker 1: Is it all those qualities that you just said, yeah,

918
00:53:28,719 --> 00:53:32,000
Speaker 1: to make a person a star? Like, well, okay, so

919
00:53:32,320 --> 00:53:35,840
Speaker 1: I remember called that. Yeah, I remember that.

920
00:53:36,360 --> 00:53:41,719
Speaker 2: No no, no, no no, but you know.

921
00:53:43,239 --> 00:53:43,440
Speaker 7: You know.

922
00:53:46,800 --> 00:53:48,520
Speaker 2: No, no, no, you mean good.

923
00:53:49,800 --> 00:53:50,400
Speaker 3: I would have got it.

924
00:53:51,280 --> 00:53:55,160
Speaker 2: So emparamilitary, emparamilitary.

925
00:53:56,080 --> 00:53:56,200
Speaker 3: Right.

926
00:53:57,200 --> 00:54:00,120
Speaker 2: So is in general what we do is when we

927
00:54:00,200 --> 00:54:05,080
Speaker 2: want to get information from the certain people, right, what

928
00:54:05,239 --> 00:54:08,879
Speaker 2: we do is we make them drink to the point

929
00:54:08,920 --> 00:54:13,279
Speaker 2: where they their consciousness and they start to tell you,

930
00:54:15,360 --> 00:54:16,560
Speaker 2: I'm watching you man, I.

931
00:54:21,719 --> 00:54:22,040
Speaker 3: Got you.

932
00:54:22,200 --> 00:54:25,080
Speaker 2: Come on, we go way back definitely. So for me,

933
00:54:25,520 --> 00:54:28,759
Speaker 2: what makes it a star is the it factor. So

934
00:54:28,920 --> 00:54:33,000
Speaker 2: I remember Sony was like, Yo, cleft, there's these four girls.

935
00:54:33,680 --> 00:54:35,880
Speaker 2: You have to go listen to them sing. We need

936
00:54:36,000 --> 00:54:37,880
Speaker 2: you to do a record for them. And I go

937
00:54:37,960 --> 00:54:41,160
Speaker 2: into a hotel and it's four girls and I remember like, Yo,

938
00:54:41,560 --> 00:54:43,440
Speaker 2: It's like, yo, what would you like us? To sing

939
00:54:43,600 --> 00:54:45,960
Speaker 2: for you, mister. I was like yo. I was like yo,

940
00:54:46,040 --> 00:54:48,040
Speaker 2: I'm from the church singer church song and one of

941
00:54:48,120 --> 00:54:50,680
Speaker 2: them girls just stepped out and just the way she

942
00:54:50,800 --> 00:54:53,480
Speaker 2: started going, I was like, that was the if factor.

943
00:54:53,480 --> 00:54:54,320
Speaker 2: And that was Beyonce.

944
00:54:54,920 --> 00:54:56,960
Speaker 6: You guys, you know what I mean.

945
00:54:57,440 --> 00:55:08,120
Speaker 2: So and then you know what the if factor is.

946
00:55:08,200 --> 00:55:11,600
Speaker 2: It goes deeper, right, the if factor goes deeper because

947
00:55:11,920 --> 00:55:14,440
Speaker 2: you know who's going to be the it because they're studying.

948
00:55:14,640 --> 00:55:14,759
Speaker 11: Right.

949
00:55:15,280 --> 00:55:18,000
Speaker 2: So if Beyonce is listening to this right now, right,

950
00:55:18,440 --> 00:55:23,360
Speaker 2: this is what's the deepest part is this is probably listening.

951
00:55:24,080 --> 00:55:29,719
Speaker 2: I just got you a three three female Campbell, right,

952
00:55:29,840 --> 00:55:33,520
Speaker 2: So this is this is the if factor which determines it.

953
00:55:33,640 --> 00:55:38,280
Speaker 2: To me, I remember us performing like I'm performing on stage,

954
00:55:38,560 --> 00:55:41,080
Speaker 2: and I remember Beyonce on the side of the stage

955
00:55:41,200 --> 00:55:46,160
Speaker 2: watching Destiny Child already performed, believing she's.

956
00:55:46,040 --> 00:55:47,360
Speaker 3: There as you were studying.

957
00:55:47,640 --> 00:55:51,040
Speaker 2: Are you with I'm performing as why cleft the Carnival right,

958
00:55:51,280 --> 00:55:57,840
Speaker 2: I'm performing, yeah, the first one, Carnival three soon.

959
00:55:58,520 --> 00:56:06,040
Speaker 16: Three as they said that, so Carnival. I had to

960
00:56:06,120 --> 00:56:08,520
Speaker 16: piss for like two hours. I've been holding because I

961
00:56:08,800 --> 00:56:09,920
Speaker 16: respect our class so much.

962
00:56:10,320 --> 00:56:11,719
Speaker 2: You know, if you got pissed. We'll just take a

963
00:56:11,760 --> 00:56:13,920
Speaker 2: pissed bread. No, it's okay, just peri, but.

964
00:56:15,840 --> 00:56:22,440
Speaker 3: That's drink history. Don't stop. We're gonna go Carnival stop

965
00:56:23,920 --> 00:56:32,920
Speaker 3: stop good you look at you look like you've been

966
00:56:33,000 --> 00:56:33,520
Speaker 3: teared up.

967
00:56:35,440 --> 00:56:36,399
Speaker 18: I don't know what you've been.

968
00:56:37,880 --> 00:56:43,440
Speaker 3: Your beach, but I'm saying a good way. You gotta know,

969
00:56:44,280 --> 00:56:44,680
Speaker 3: I don't like.

970
00:56:45,800 --> 00:56:46,439
Speaker 6: That's my sister.

971
00:56:46,680 --> 00:56:50,480
Speaker 3: You really like that? You ready open this?

972
00:56:51,000 --> 00:56:55,239
Speaker 20: Yes, many class man, you're talking about the album, the

973
00:56:55,320 --> 00:56:58,160
Speaker 20: new album, the album, the new album three?

974
00:56:58,680 --> 00:57:01,840
Speaker 2: Yes, man, you know listen everybody.

975
00:57:03,400 --> 00:57:06,359
Speaker 3: Yeah, Carnival three. Yeah, you got, you got, you got,

976
00:57:06,440 --> 00:57:08,239
Speaker 3: you got Shakiro on it.

977
00:57:08,520 --> 00:57:10,920
Speaker 2: Yeah, this is what makes this no no, no, I

978
00:57:11,000 --> 00:57:13,040
Speaker 2: was saying, yeah, this is what makes this album dope.

979
00:57:13,960 --> 00:57:14,120
Speaker 12: Right.

980
00:57:14,320 --> 00:57:19,280
Speaker 2: So for me, it's twenty years later and we're celebrating

981
00:57:19,480 --> 00:57:23,760
Speaker 2: the Carnival and the first Carnival is all people. It

982
00:57:23,800 --> 00:57:26,280
Speaker 2: was like, yo, you can't do a record. You can't

983
00:57:26,280 --> 00:57:28,680
Speaker 2: do a hip hop album in four languages and get

984
00:57:28,720 --> 00:57:31,200
Speaker 2: it to sell. It don't exist. So I was like, no,

985
00:57:31,480 --> 00:57:34,240
Speaker 2: I said, I'm from Haiti, Espanola. We speak Spanish, we

986
00:57:34,280 --> 00:57:38,240
Speaker 2: speak French, crayle, we gonna get it. And so the Carnival. Yeah,

987
00:57:38,280 --> 00:57:42,120
Speaker 2: so the Carnival broke records like it did like seven

988
00:57:42,240 --> 00:57:45,520
Speaker 2: eight million dollars eight million copies. It's the Carnival. So

989
00:57:45,680 --> 00:57:48,840
Speaker 2: now what happens is now we're on the Carnival three.

990
00:57:49,240 --> 00:57:53,400
Speaker 2: Now what even makes this special is that? A few things.

991
00:57:53,720 --> 00:57:58,840
Speaker 2: One is I'm hearing the record out of nowhere and

992
00:57:58,960 --> 00:58:01,920
Speaker 2: the record is called one Cleve Jean, and I'm like, yo,

993
00:58:02,880 --> 00:58:05,600
Speaker 2: who did this record? And why is this like, you know,

994
00:58:05,760 --> 00:58:13,240
Speaker 2: skateboard like that? So I said, it's the Try record.

995
00:58:13,640 --> 00:58:19,880
Speaker 2: So record, why clee gotta let y'all pulling up.

996
00:58:23,480 --> 00:58:25,880
Speaker 3: The record? The record we're gonna play it though.

997
00:58:27,720 --> 00:58:29,760
Speaker 2: So it's a young man by the name of Young

998
00:58:29,880 --> 00:58:36,560
Speaker 2: Thug and he decides, come on, he's got you got

999
00:58:36,800 --> 00:58:38,960
Speaker 2: your niggas, not got a riddle y'all niggas.

1000
00:58:41,440 --> 00:58:42,760
Speaker 3: In front of the projects man.

1001
00:58:43,560 --> 00:58:44,600
Speaker 2: No, no, that was his scheme.

1002
00:58:44,840 --> 00:58:45,400
Speaker 3: That was a kid.

1003
00:58:46,200 --> 00:58:49,560
Speaker 2: But so but who produced that record with Super Mario?

1004
00:58:50,160 --> 00:58:52,320
Speaker 2: And I was like, Yo, this dad boy know this

1005
00:58:52,520 --> 00:58:54,840
Speaker 2: little kid was just coming up. He's worked with Drake.

1006
00:58:55,320 --> 00:58:58,960
Speaker 2: But you know, I was like, this kid sound his frequency?

1007
00:58:59,120 --> 00:59:01,840
Speaker 2: Sound like why c at twenty years old? Who's this kid?

1008
00:59:02,360 --> 00:59:03,800
Speaker 3: Like? How is he doing?

1009
00:59:03,840 --> 00:59:07,480
Speaker 2: These drums in this. So the whole thing about Carnival

1010
00:59:07,560 --> 00:59:10,240
Speaker 2: three is I went and I got all of the

1011
00:59:10,440 --> 00:59:14,360
Speaker 2: kids that were influenced by the Carnival. When the Carnival

1012
00:59:14,440 --> 00:59:18,120
Speaker 2: came out, there was twelve thirteen. So you got Super Mario,

1013
00:59:18,320 --> 00:59:22,320
Speaker 2: you got the Knocks, you got Wavy Boy. So what

1014
00:59:22,480 --> 00:59:27,120
Speaker 2: happens is now the fusion on Carnival three is the

1015
00:59:27,320 --> 00:59:32,080
Speaker 2: nephews meet the uncle. So it sounds like Teddy Riley

1016
00:59:32,200 --> 00:59:35,640
Speaker 2: meets Michael Jackson or Michael Jackson meets Quincy Jones. What

1017
00:59:35,800 --> 00:59:39,640
Speaker 2: happens with that fusion? So we put so it's sort

1018
00:59:39,680 --> 00:59:41,760
Speaker 2: of like, so if I'm coming from ninety seven with

1019
00:59:41,880 --> 00:59:44,840
Speaker 2: a certain sonics, what happens when you put that twenty

1020
00:59:45,400 --> 00:59:49,440
Speaker 2: seventeen against those acoustic guitars? What happens? So that's the

1021
00:59:49,520 --> 00:59:52,640
Speaker 2: whole idea with the Carnival, the Carnival three. So we

1022
00:59:52,760 --> 00:59:54,880
Speaker 2: got two joints up. One is called what Happened to

1023
00:59:54,960 --> 00:59:59,480
Speaker 2: Love and the others called Fella Kutie. So basically we

1024
01:00:00,240 --> 01:00:04,000
Speaker 2: back on that bullship, you know what I mean? And

1025
01:00:04,080 --> 01:00:08,240
Speaker 2: you're rich as fuck, that's way he's rich.

1026
01:00:08,920 --> 01:00:13,400
Speaker 21: Listen, I know, listen, listen, But tell these niggas tell

1027
01:00:13,480 --> 01:00:18,760
Speaker 21: these niggas that the psycle picture you took, you have

1028
01:00:18,840 --> 01:00:22,240
Speaker 21: the speedo, you.

1029
01:00:22,360 --> 01:00:30,520
Speaker 3: Gotta you gotta know that the way you was well

1030
01:00:30,600 --> 01:00:37,920
Speaker 3: defined oil. Yeah, I can tell that was that was

1031
01:00:37,960 --> 01:00:42,720
Speaker 3: a house lady. Come on, you was riches and using

1032
01:00:43,000 --> 01:00:44,160
Speaker 3: a five million dollar house?

1033
01:00:44,360 --> 01:00:44,520
Speaker 2: Is that?

1034
01:00:44,920 --> 01:00:47,280
Speaker 3: Am I correct? Eight man?

1035
01:00:48,520 --> 01:00:53,920
Speaker 2: Like, yo, I mean you know it is what it is, right,

1036
01:00:54,440 --> 01:01:12,800
Speaker 2: But I mean the Ducatti pick man you yeah, yo,

1037
01:01:12,880 --> 01:01:18,840
Speaker 2: real talking. I seen my Twitter get divided, right. All

1038
01:01:18,920 --> 01:01:25,200
Speaker 2: the niggas ran off one damn you know what I mean?

1039
01:01:25,560 --> 01:01:27,320
Speaker 3: It was crazy. I did.

1040
01:01:29,640 --> 01:01:36,760
Speaker 22: Yeahs went crazy man, you like just one minute, yo,

1041
01:01:36,960 --> 01:01:40,640
Speaker 22: but you know I did it, bro, just to get

1042
01:01:40,840 --> 01:01:44,400
Speaker 22: back to the fact that I'm human and like I'm human,

1043
01:01:44,520 --> 01:01:47,280
Speaker 22: my nigga, Like, I felt like so many people was

1044
01:01:47,360 --> 01:01:51,040
Speaker 22: coming at me at this time as if I wasn't human,

1045
01:01:51,400 --> 01:01:53,560
Speaker 22: Like it was like, yo, dude, try to run for

1046
01:01:53,680 --> 01:01:55,400
Speaker 22: president his charity.

1047
01:01:56,000 --> 01:01:58,520
Speaker 2: It was sort of like dudes was coming at me

1048
01:01:58,680 --> 01:02:00,800
Speaker 2: as if I didn't have a fan family, as if

1049
01:02:00,880 --> 01:02:03,439
Speaker 2: I'm not from the culture. And I was like, dude,

1050
01:02:03,560 --> 01:02:05,360
Speaker 2: I'm a rare, I'm that dude that used to be

1051
01:02:05,440 --> 01:02:07,920
Speaker 2: on the block making niggas laugh. So it was like

1052
01:02:08,040 --> 01:02:10,919
Speaker 2: at the end of the day, I stripped it all down,

1053
01:02:11,080 --> 01:02:14,200
Speaker 2: and I knew with my antics that everybody would talk

1054
01:02:14,560 --> 01:02:16,800
Speaker 2: and get back to the fact like this is a

1055
01:02:16,920 --> 01:02:18,920
Speaker 2: regular nigga at the end of the day, you know

1056
01:02:18,960 --> 01:02:22,720
Speaker 2: what I mean. So shout out to the speed stripped

1057
01:02:22,720 --> 01:02:24,000
Speaker 2: down the conversation, Like I.

1058
01:02:24,080 --> 01:02:28,320
Speaker 3: Feel like if it wasn't for you wanting for president,

1059
01:02:28,600 --> 01:02:32,000
Speaker 3: I think like you kind of gave Trump the idea.

1060
01:02:32,200 --> 01:02:36,160
Speaker 3: Come on, man, don't put that on this. You almost became.

1061
01:02:37,480 --> 01:02:39,640
Speaker 13: I'm not putting it on you. I'm sorry, but it's

1062
01:02:39,640 --> 01:02:48,840
Speaker 13: not like that Clapper was the first president.

1063
01:02:49,400 --> 01:02:51,880
Speaker 3: I'm gonna tell you what's I'm gonna tell you what

1064
01:02:53,680 --> 01:02:58,880
Speaker 3: from sweet Nigga is brother?

1065
01:03:00,320 --> 01:03:04,440
Speaker 2: Okay, I mean, okay, So here's a few facts to

1066
01:03:04,520 --> 01:03:07,480
Speaker 2: your point. That's not my point. No, I'm gonna show

1067
01:03:07,480 --> 01:03:09,440
Speaker 2: you you got you hitting on I'm I'm gonna show

1068
01:03:09,440 --> 01:03:11,960
Speaker 2: you like you're hitting on some science. So it's important

1069
01:03:12,000 --> 01:03:15,640
Speaker 2: that the listeners fully get your science because you hitting

1070
01:03:15,640 --> 01:03:17,960
Speaker 2: on some science that I'm gonna get into because I.

1071
01:03:18,000 --> 01:03:20,280
Speaker 1: Feel like Trump seen you and said this nigga almost

1072
01:03:20,320 --> 01:03:23,600
Speaker 1: made Trump. I'm almost made president, and he said, let

1073
01:03:23,640 --> 01:03:28,360
Speaker 1: me try won I think it's your fault.

1074
01:03:29,280 --> 01:03:32,800
Speaker 2: Now, we wouldn't put it on me.

1075
01:03:32,920 --> 01:03:33,440
Speaker 1: But now.

1076
01:03:34,920 --> 01:03:36,920
Speaker 3: Because you're you're your he was this close.

1077
01:03:37,520 --> 01:03:37,760
Speaker 1: I was.

1078
01:03:40,440 --> 01:03:41,840
Speaker 3: Like, were eligible?

1079
01:03:42,560 --> 01:03:45,120
Speaker 2: Yeah, well the first part of it. Let's let's if

1080
01:03:45,120 --> 01:03:49,080
Speaker 2: you are if if we go online, right, you'll find

1081
01:03:49,560 --> 01:03:56,880
Speaker 2: a picture of me, Donald Trump, Sweet Mickey together together.

1082
01:03:57,080 --> 01:03:58,320
Speaker 3: That sounds like a controversy.

1083
01:03:58,680 --> 01:04:00,160
Speaker 2: Just listen to this. Listen to this.

1084
01:04:01,280 --> 01:04:01,880
Speaker 5: The old.

1085
01:04:05,320 --> 01:04:12,160
Speaker 2: Ain't even president yet even president yo, it's just three celebrities.

1086
01:04:12,520 --> 01:04:17,680
Speaker 2: The biggest artist I'm taking you yeah three So Mickey.

1087
01:04:18,120 --> 01:04:21,919
Speaker 2: So basically sweet Mickey is like for me like he's

1088
01:04:22,080 --> 01:04:25,080
Speaker 2: our Michael Jackson if that makes sense, Like he like

1089
01:04:25,200 --> 01:04:26,160
Speaker 2: we all grew up.

1090
01:04:26,160 --> 01:04:26,720
Speaker 3: With his music.

1091
01:04:29,040 --> 01:04:31,720
Speaker 2: Sweet Mickey was the president, correct, Yeah, but listen to

1092
01:04:31,800 --> 01:04:34,400
Speaker 2: how he became the president. So when we took Michael

1093
01:04:34,640 --> 01:04:37,080
Speaker 2: Michael Jackson become the president. Yeah, so this is like

1094
01:04:37,200 --> 01:04:40,560
Speaker 2: in Haiti. Yeah, but think about this. When I took

1095
01:04:40,640 --> 01:04:45,160
Speaker 2: the picture, this picture like becomeing president. Yeah exactly. So

1096
01:04:45,280 --> 01:04:48,080
Speaker 2: when I took this picture with Trump, me and Mickey.

1097
01:04:48,200 --> 01:04:52,000
Speaker 3: Hold on, yeah, go ahead, fan nineties hippob junkie, what

1098
01:04:52,080 --> 01:04:52,480
Speaker 3: you're doing?

1099
01:04:52,760 --> 01:04:56,840
Speaker 2: Come on, yo?

1100
01:04:56,920 --> 01:04:58,920
Speaker 3: We had one hundred and thirty seconds between what.

1101
01:05:02,480 --> 01:05:03,880
Speaker 2: Thirty second and fifth come through?

1102
01:05:04,200 --> 01:05:06,800
Speaker 3: We interview and walk left and you gotta relax. That's it.

1103
01:05:08,000 --> 01:05:12,280
Speaker 23: Let it look it real quick, real quick rock perform

1104
01:05:13,240 --> 01:05:14,920
Speaker 23: time at twenty years at the column.

1105
01:05:14,960 --> 01:05:18,160
Speaker 3: We got that want to relax. We had tickets.

1106
01:05:18,240 --> 01:05:35,040
Speaker 20: We had tickets two years ago, tickets second, I'm sorry

1107
01:05:35,440 --> 01:05:36,800
Speaker 20: you got no.

1108
01:05:36,960 --> 01:05:39,560
Speaker 2: No, it's good. So what we do is what we

1109
01:05:39,680 --> 01:05:43,560
Speaker 2: call a random real quick. So Eric being rock Kim.

1110
01:05:43,840 --> 01:05:46,880
Speaker 2: So I'm gonna call it random real quick. So Eric

1111
01:05:47,000 --> 01:05:52,120
Speaker 2: being rock Kim my first music video ever. I was

1112
01:05:52,200 --> 01:05:56,080
Speaker 2: an extra for a rock camp video and I got

1113
01:05:56,200 --> 01:06:00,000
Speaker 2: more shots than any other extra history. What's don't swim

1114
01:06:00,040 --> 01:06:08,880
Speaker 2: at the technique? I'm playing up right then, I'm your

1115
01:06:08,960 --> 01:06:18,240
Speaker 2: bunny man. I told y'all man, yeah, son, do you know?

1116
01:06:18,360 --> 01:06:19,520
Speaker 2: He said hip hop junkie.

1117
01:06:19,560 --> 01:06:20,120
Speaker 24: I you know.

1118
01:06:23,600 --> 01:06:25,040
Speaker 3: But we gotta go back to Donald Trump.

1119
01:06:26,160 --> 01:06:29,320
Speaker 2: Yeah, it's a deep picture. He said that because family

1120
01:06:29,400 --> 01:06:31,720
Speaker 2: was saying, like when he probably saw that. So now

1121
01:06:31,840 --> 01:06:36,880
Speaker 2: look this is like Donald Trump ain't the president. Everybody's chilling.

1122
01:06:37,520 --> 01:06:41,080
Speaker 2: Donald Trump book us for a show. We show up.

1123
01:06:41,120 --> 01:06:43,720
Speaker 2: We at the Caesar. I called my man sweet Mickey,

1124
01:06:44,240 --> 01:06:46,520
Speaker 2: and I'm like, yo, Mickey, were out here with Trump,

1125
01:06:46,840 --> 01:06:48,360
Speaker 2: come on over. But let's be clearsed.

1126
01:06:48,560 --> 01:06:51,800
Speaker 3: Micky is the president, and the president he's just chilling.

1127
01:06:52,880 --> 01:06:54,840
Speaker 2: He's like my friend, you know what I mean? So yo,

1128
01:06:55,200 --> 01:07:00,200
Speaker 2: were down here, come so now and years later, right,

1129
01:07:00,520 --> 01:07:04,320
Speaker 2: because all I could do is tell y'all because back then, yeah,

1130
01:07:04,360 --> 01:07:07,960
Speaker 2: but all I could do say, all I could do

1131
01:07:08,120 --> 01:07:10,040
Speaker 2: is tell y'all. Right, all I could go is by

1132
01:07:10,240 --> 01:07:11,000
Speaker 2: facts checks.

1133
01:07:11,120 --> 01:07:12,680
Speaker 3: Right, I'm gonna give y'all the facts.

1134
01:07:12,760 --> 01:07:14,920
Speaker 2: Man. The fact is at the end of the day,

1135
01:07:15,480 --> 01:07:18,560
Speaker 2: coming from where I came from, if somebody gave me

1136
01:07:18,680 --> 01:07:23,440
Speaker 2: a check to perform, right, and it actually wrote the

1137
01:07:23,640 --> 01:07:27,080
Speaker 2: check right at the time, at the time, and the

1138
01:07:27,240 --> 01:07:29,160
Speaker 2: check clai at the time, I was like, this person's

1139
01:07:29,360 --> 01:07:32,520
Speaker 2: by the business now then, But dude, when you sit

1140
01:07:32,640 --> 01:07:35,920
Speaker 2: on a presidential chair, that's a whole another scheme now

1141
01:07:36,160 --> 01:07:39,600
Speaker 2: because you representing the world and you're representing like you

1142
01:07:39,720 --> 01:07:41,760
Speaker 2: can't be for one side of this, it don't exist.

1143
01:07:41,800 --> 01:07:43,640
Speaker 2: You gotta be for the whole America, you feel me.

1144
01:07:43,920 --> 01:07:47,120
Speaker 2: So it's a different gameck Obama, yeah so so so

1145
01:07:47,320 --> 01:07:51,320
Speaker 2: on that note, what ended up happening is I ran

1146
01:07:51,560 --> 01:07:56,960
Speaker 2: right when I ran for president, I ran, But all

1147
01:07:57,040 --> 01:08:00,160
Speaker 2: y'all did was see me run. What y'all did and

1148
01:08:00,280 --> 01:08:04,840
Speaker 2: see was the backstory. There's a documentary called The Ghostive Seat.

1149
01:08:04,840 --> 01:08:13,960
Speaker 2: They're so late. So yeah, now look at it again

1150
01:08:14,040 --> 01:08:17,040
Speaker 2: from the top, y'all see that it's brought by y'all

1151
01:08:17,840 --> 01:08:21,400
Speaker 2: by Sock Possitive Films. Sock Positive Films is one of

1152
01:08:21,479 --> 01:08:22,400
Speaker 2: my film companies.

1153
01:08:23,000 --> 01:08:23,120
Speaker 3: Right.

1154
01:08:23,760 --> 01:08:25,800
Speaker 2: So I only tell y'all that because at the end

1155
01:08:25,800 --> 01:08:30,120
Speaker 2: of the day, I wanted to show out in America

1156
01:08:30,920 --> 01:08:33,439
Speaker 2: or all of the kids that was here, how dudes

1157
01:08:33,560 --> 01:08:36,799
Speaker 2: was getting down in Haiti, and how hip hop music

1158
01:08:37,520 --> 01:08:42,120
Speaker 2: influenced Haiti. Right, so you have. So at the end

1159
01:08:42,120 --> 01:08:45,280
Speaker 2: of the day, y'all saw me run for president. But

1160
01:08:45,360 --> 01:08:48,320
Speaker 2: what they didn't show, y'all is when they had beef

1161
01:08:48,400 --> 01:08:51,800
Speaker 2: with the gangs. I had to go negotiate for the

1162
01:08:51,960 --> 01:09:02,439
Speaker 2: gangs visa rappers. I'm talking about the gangs. I'm talking

1163
01:09:02,479 --> 01:09:06,519
Speaker 2: about So I said, I sit with the gunmen. Why

1164
01:09:06,640 --> 01:09:10,839
Speaker 2: Clef sit with the gunman hand in hand, ten thousand

1165
01:09:10,920 --> 01:09:14,840
Speaker 2: ouzies eye to eye. Let's have a conversation because at

1166
01:09:14,880 --> 01:09:19,080
Speaker 2: the end of the day, I can't let my people suffer.

1167
01:09:19,640 --> 01:09:21,240
Speaker 2: So at the end of the day, you have to

1168
01:09:21,360 --> 01:09:25,000
Speaker 2: figure this out. Because the youth of tomorrow got advanced,

1169
01:09:25,280 --> 01:09:28,559
Speaker 2: so how are we gonna do this? I get a note,

1170
01:09:28,800 --> 01:09:31,960
Speaker 2: a list of what they demands are. I take this

1171
01:09:32,200 --> 01:09:36,000
Speaker 2: list to Washington, d C. The UN is listening. I

1172
01:09:36,200 --> 01:09:38,799
Speaker 2: was the one who negotiated the truth with the gangs.

1173
01:09:39,160 --> 01:09:39,600
Speaker 3: This is me.

1174
01:09:39,760 --> 01:09:42,240
Speaker 2: But y'all don't see none of this yet. Then I

1175
01:09:42,479 --> 01:09:47,920
Speaker 2: fly back to my country. This is clef Then I

1176
01:09:48,040 --> 01:09:49,879
Speaker 2: fly back to Washington.

1177
01:09:50,000 --> 01:09:50,120
Speaker 3: Right.

1178
01:09:50,439 --> 01:09:52,840
Speaker 2: Anybody who's watching this, it ain't hard. You could google this.

1179
01:09:53,520 --> 01:09:58,800
Speaker 2: I'm in front of Congress and I'm talking about Look,

1180
01:09:59,360 --> 01:10:02,000
Speaker 2: y'all need to yet a bill passed. It's called a

1181
01:10:02,120 --> 01:10:07,960
Speaker 2: textile bill. This bill help brought back textile and manufactured

1182
01:10:08,040 --> 01:10:10,400
Speaker 2: of my country. While I'm doing all of this, y'all

1183
01:10:10,439 --> 01:10:12,880
Speaker 2: don't see any of this. This ain't promoted. The only

1184
01:10:12,960 --> 01:10:16,439
Speaker 2: thing y'all saw was y Cleve Jean, Yola Haiti scandal.

1185
01:10:16,800 --> 01:10:18,360
Speaker 2: Y Cleve jen run for president?

1186
01:10:18,800 --> 01:10:18,960
Speaker 3: Right.

1187
01:10:19,479 --> 01:10:24,519
Speaker 2: The only thing is this. I'm a garvyiit just the

1188
01:10:24,640 --> 01:10:28,120
Speaker 2: part of me that people don't know. I'm a Marcus

1189
01:10:28,320 --> 01:10:31,640
Speaker 2: garvyit and what that means is at the end of

1190
01:10:31,680 --> 01:10:35,320
Speaker 2: the day, yeah, niggas see me run. But who told

1191
01:10:35,400 --> 01:10:37,400
Speaker 2: me to run? What made me think I could run?

1192
01:10:37,840 --> 01:10:41,759
Speaker 2: No one know. I sat with Nelson, Mandela, Me and Mandela.

1193
01:10:41,840 --> 01:10:43,920
Speaker 2: We had the conversation eye to eye like we have

1194
01:10:44,040 --> 01:10:47,599
Speaker 2: in this conversation. I had a few questions for Mandela.

1195
01:10:47,600 --> 01:10:50,479
Speaker 2: It was only three people in the room, Me, Mandela,

1196
01:10:50,560 --> 01:10:55,080
Speaker 2: and my cousin Jerry Wonder, So for me, this was

1197
01:10:55,200 --> 01:11:01,360
Speaker 2: important information. After that, I flew and sat with Harry Belafonte.

1198
01:11:02,360 --> 01:11:05,439
Speaker 2: I spoke to Harry. Harry told me this is how

1199
01:11:05,479 --> 01:11:08,040
Speaker 2: they're gonna get you, and this is what's gonna happen

1200
01:11:08,120 --> 01:11:12,120
Speaker 2: to you, and if you're able to handle this, you're

1201
01:11:12,160 --> 01:11:14,800
Speaker 2: gonna be okay. So at the end of the day,

1202
01:11:15,320 --> 01:11:18,040
Speaker 2: now I run for president of my country. And then

1203
01:11:18,120 --> 01:11:21,720
Speaker 2: they said I gotta be in a country five years, right,

1204
01:11:22,360 --> 01:11:26,080
Speaker 2: But beat this right, They told you the legibility is

1205
01:11:26,200 --> 01:11:29,599
Speaker 2: five years. But if I ask anyone who's listening right now,

1206
01:11:30,360 --> 01:11:34,280
Speaker 2: what the hell does the Haitian constitution say? Nobody knows.

1207
01:11:35,000 --> 01:11:38,880
Speaker 2: So you call that Western propaganda. So it's propaganda that's

1208
01:11:38,920 --> 01:11:41,160
Speaker 2: given on the other side to fool you over on

1209
01:11:41,320 --> 01:11:44,760
Speaker 2: this side. Because on this side we come here, we

1210
01:11:44,880 --> 01:11:47,880
Speaker 2: study black history. We know who our forefathers, well, we

1211
01:11:48,000 --> 01:11:50,720
Speaker 2: know who George Washington is. But if I tell somebody, yo,

1212
01:11:50,800 --> 01:11:53,760
Speaker 2: who's two sons lover with your who's jack this on it?

1213
01:11:54,120 --> 01:11:56,280
Speaker 2: So how would you come up with a law and

1214
01:11:56,360 --> 01:11:58,559
Speaker 2: tell me I gotta live in a country for five

1215
01:11:58,680 --> 01:12:04,320
Speaker 2: years when I already had a diplomatic passport. So why

1216
01:12:04,400 --> 01:12:08,240
Speaker 2: didn't I contest it? Why did not raise my finger?

1217
01:12:09,240 --> 01:12:13,120
Speaker 2: And I'm not no ordinary dude. I bought Minister farra

1218
01:12:13,240 --> 01:12:16,160
Speaker 2: khon to Haiti to Sain't no ordinary guys?

1219
01:12:16,200 --> 01:12:16,960
Speaker 3: Who's speaking to you?

1220
01:12:17,600 --> 01:12:20,960
Speaker 2: At the end of the day, Bill Clinton, who's listening

1221
01:12:21,040 --> 01:12:23,720
Speaker 2: to the show right now? I'm getting off of Air

1222
01:12:23,840 --> 01:12:26,720
Speaker 2: Force one. I'm getting off of Air Force one with

1223
01:12:26,880 --> 01:12:30,200
Speaker 2: Bill Clinton as a youngster. So I'm not no ordinary

1224
01:12:30,320 --> 01:12:33,320
Speaker 2: dude at the end of the day. Though they had

1225
01:12:33,400 --> 01:12:36,160
Speaker 2: to block me. The reason why they blocked me is

1226
01:12:36,200 --> 01:12:39,120
Speaker 2: because they didn't see me as a capitalist, even though

1227
01:12:39,160 --> 01:12:42,240
Speaker 2: I am a capitalist. They saw me as a populist,

1228
01:12:43,240 --> 01:12:44,880
Speaker 2: somebody that's going to be for the people.

1229
01:12:45,000 --> 01:12:45,920
Speaker 3: You know what I'm saying to you.

1230
01:12:46,280 --> 01:12:48,760
Speaker 2: So that's the bottom line, and that's how I went down.

1231
01:12:49,040 --> 01:12:50,960
Speaker 2: But look, at the end of the day, I could

1232
01:12:51,000 --> 01:12:54,240
Speaker 2: have raised my pinky and the country with a turned red.

1233
01:12:54,800 --> 01:12:56,920
Speaker 2: I didn't do that because I didn't want the youth

1234
01:12:57,479 --> 01:13:00,439
Speaker 2: to fight over me. Because at the end of the

1235
01:13:00,520 --> 01:13:03,240
Speaker 2: day was bigger than me. It was about Haiti. So

1236
01:13:03,400 --> 01:13:08,000
Speaker 2: we helped get Sweet Mickey elected. So my party, my

1237
01:13:08,200 --> 01:13:12,479
Speaker 2: party back was my party, Dicky Mickey Sweet it was.

1238
01:13:16,040 --> 01:13:18,000
Speaker 8: Yeah, it was, it was, it was, it was.

1239
01:13:18,400 --> 01:13:23,240
Speaker 2: It was Sweet Mickey aka Michelle Michelle Martin Lee. So

1240
01:13:23,320 --> 01:13:26,240
Speaker 2: at the end of the day, that crew raised me

1241
01:13:26,360 --> 01:13:29,360
Speaker 2: to a point. So I backed him up and at

1242
01:13:29,400 --> 01:13:30,920
Speaker 2: the end of the day we all got together. He

1243
01:13:31,080 --> 01:13:34,840
Speaker 2: became the president. After him, it's another president that's young.

1244
01:13:35,320 --> 01:13:38,120
Speaker 2: All I wanted to do my job is accomplish what

1245
01:13:38,280 --> 01:13:41,120
Speaker 2: I wanted to do. Before I ran, we had an

1246
01:13:41,200 --> 01:13:41,880
Speaker 2: old regime.

1247
01:13:42,080 --> 01:13:42,280
Speaker 3: Dog.

1248
01:13:42,840 --> 01:13:46,519
Speaker 2: Everything was over sixty five, seventy years old. There was

1249
01:13:47,080 --> 01:13:50,280
Speaker 2: controlling a country. There was controlling for country for over

1250
01:13:50,360 --> 01:13:54,000
Speaker 2: seventy eighty years. I broke the cycle and that was

1251
01:13:54,080 --> 01:13:55,280
Speaker 2: the mission that I wanted to do.

1252
01:13:55,640 --> 01:13:58,439
Speaker 3: So Cleft, I know, I know because I know you

1253
01:13:58,800 --> 01:14:01,920
Speaker 3: so many years, and I know you for being rich

1254
01:14:02,040 --> 01:14:02,720
Speaker 3: for every year.

1255
01:14:04,920 --> 01:14:07,719
Speaker 25: And then these people they say, oh, well, wow, Cleft

1256
01:14:07,760 --> 01:14:10,080
Speaker 25: took from there, and I said, not, Cleft ain't taken

1257
01:14:10,080 --> 01:14:14,200
Speaker 25: from ship. This is me defending you from the outside

1258
01:14:14,240 --> 01:14:16,559
Speaker 25: looking in because I know you, I know your personal

1259
01:14:16,680 --> 01:14:17,840
Speaker 25: lifestyle and.

1260
01:14:19,240 --> 01:14:21,320
Speaker 2: How many years I said, what what you told me?

1261
01:14:21,479 --> 01:14:23,160
Speaker 11: That this is whatever?

1262
01:14:23,240 --> 01:14:25,519
Speaker 1: They said that they they said that you stole from

1263
01:14:25,680 --> 01:14:28,280
Speaker 1: the campaign? How what was I like, Sonny keep.

1264
01:14:28,120 --> 01:14:33,680
Speaker 2: It said, got it wrong, and it's going on with

1265
01:14:33,800 --> 01:14:35,439
Speaker 2: this white.

1266
01:14:35,240 --> 01:14:38,000
Speaker 1: Cleft and I said it on the podcast. But I

1267
01:14:38,160 --> 01:14:40,040
Speaker 1: just want, I just want you to shut all the

1268
01:14:40,120 --> 01:14:40,760
Speaker 1: haters down.

1269
01:14:40,920 --> 01:14:41,160
Speaker 3: Please.

1270
01:14:41,640 --> 01:14:43,559
Speaker 2: Well, I think I think, first of all, it's an

1271
01:14:43,680 --> 01:14:47,960
Speaker 2: insult to say I stole sixteen First of all, it's

1272
01:14:48,000 --> 01:14:53,400
Speaker 2: an insult. First of all, it's an insult to say

1273
01:14:53,680 --> 01:14:57,840
Speaker 2: that's what that I would steal sixteen million, right, at

1274
01:14:57,960 --> 01:15:01,040
Speaker 2: least say I would steal one billion. This is a

1275
01:15:01,160 --> 01:15:05,439
Speaker 2: complete insult because sixty million, it were equal to the

1276
01:15:05,680 --> 01:15:08,000
Speaker 2: artwork and a few cars.

1277
01:15:07,720 --> 01:15:17,160
Speaker 3: In the That's the truth to That's the truth, right

1278
01:15:18,560 --> 01:15:18,880
Speaker 3: about it.

1279
01:15:20,200 --> 01:15:23,320
Speaker 2: I gotta tell him right. Sometimes you tell him right.

1280
01:15:23,439 --> 01:15:30,479
Speaker 2: You feel me sometimes for some of the Yeah, but yo,

1281
01:15:30,640 --> 01:15:32,960
Speaker 2: at the end of the day, though, think about this, though,

1282
01:15:33,200 --> 01:15:36,880
Speaker 2: anyone who's really paying attention, like what part of their

1283
01:15:37,040 --> 01:15:39,679
Speaker 2: history you want to know? I mean, j Edgar Hoover

1284
01:15:39,800 --> 01:15:44,400
Speaker 2: set up the FBI for Look, Marcus Garvey was infiltrated.

1285
01:15:45,040 --> 01:15:48,320
Speaker 2: They came in and said everything They said I did.

1286
01:15:48,920 --> 01:15:52,519
Speaker 2: They said Marcus Garvey did. At the time, Marcus Garvey

1287
01:15:52,640 --> 01:15:57,360
Speaker 2: people wasn't that strong. Marcus Garvey got deported and Obama

1288
01:15:57,800 --> 01:16:02,200
Speaker 2: just pardoned Marcus Garvey. I'll even give you something crazier.

1289
01:16:02,800 --> 01:16:06,160
Speaker 2: Think about the nub A CP Martin Luther King. They

1290
01:16:06,240 --> 01:16:10,920
Speaker 2: said Martin Luther King was stealing personal funds to basically

1291
01:16:11,520 --> 01:16:14,080
Speaker 2: take care of his family. Then they had to retract

1292
01:16:14,160 --> 01:16:17,960
Speaker 2: this story. My question for y'all is when they're telling

1293
01:16:18,040 --> 01:16:25,880
Speaker 2: y'all Y cleft stole and then yeah, yeah, but at

1294
01:16:25,920 --> 01:16:27,920
Speaker 2: the same time, right, let me take it to a

1295
01:16:28,040 --> 01:16:31,920
Speaker 2: level of legislation because we smart people. So if you

1296
01:16:32,120 --> 01:16:35,519
Speaker 2: basically says I took something, I'm going to have my

1297
01:16:35,760 --> 01:16:39,000
Speaker 2: CEO now write a piece of paper which is a

1298
01:16:39,120 --> 01:16:41,800
Speaker 2: rebuttal to show where all of the money went. Why

1299
01:16:41,960 --> 01:16:45,320
Speaker 2: nobody printed that up when we did the rebuttal. Why

1300
01:16:45,360 --> 01:16:47,880
Speaker 2: didn't y'all print up the rebuttal? Because at the end

1301
01:16:47,920 --> 01:16:51,040
Speaker 2: of the day, it's real simple. Long before I was born,

1302
01:16:51,840 --> 01:16:55,280
Speaker 2: it was set up that NGOs would come to my

1303
01:16:55,439 --> 01:16:58,840
Speaker 2: country and when they can't make no money nowhere else,

1304
01:16:59,800 --> 01:17:01,200
Speaker 2: you know what I mean, a due what a local

1305
01:17:01,320 --> 01:17:04,000
Speaker 2: job would be making thirty forty thousand dollars a month

1306
01:17:04,360 --> 01:17:07,120
Speaker 2: while my people is living on less than eighty percent,

1307
01:17:07,840 --> 01:17:10,000
Speaker 2: you know. And I didn't want to start a charity.

1308
01:17:10,080 --> 01:17:14,400
Speaker 2: I started in NGO and NGO non governmental organization.

1309
01:17:14,960 --> 01:17:16,799
Speaker 3: We was moving like an organization.

1310
01:17:17,200 --> 01:17:20,599
Speaker 2: This was a threat to everybody, including the Red Cross,

1311
01:17:21,000 --> 01:17:23,880
Speaker 2: including everyone else. And what's funny is I've worked with

1312
01:17:23,960 --> 01:17:26,880
Speaker 2: the Red Cross, I've worked with different people. But why

1313
01:17:27,040 --> 01:17:29,280
Speaker 2: is it if you google the Red Cross right now

1314
01:17:29,520 --> 01:17:32,160
Speaker 2: and say how many houses y'all put in Haiti? Y'all

1315
01:17:32,200 --> 01:17:36,120
Speaker 2: going to see five houses? They raised billions? What happened

1316
01:17:36,120 --> 01:17:38,519
Speaker 2: with the Clinton Foundation got me anything? But think about this,

1317
01:17:38,760 --> 01:17:42,800
Speaker 2: But think about that. But once again, why Clef Young

1318
01:17:43,320 --> 01:17:46,800
Speaker 2: was a patsy? Only different niggas couldn't gun me down

1319
01:17:47,040 --> 01:17:49,880
Speaker 2: because to gun me down, you gotta get my people

1320
01:17:49,920 --> 01:17:52,240
Speaker 2: to gun me down. That's the only way it's gonna

1321
01:17:52,280 --> 01:17:55,040
Speaker 2: make sense. You did it to Malcolm X, so you

1322
01:17:55,120 --> 01:17:56,920
Speaker 2: would have to have my own and I'm in my

1323
01:17:57,120 --> 01:18:01,120
Speaker 2: country gun me down. You can't justify by that. Ain't

1324
01:18:01,120 --> 01:18:10,880
Speaker 2: nobody gunning me down where I come from, expect, But.

1325
01:18:10,920 --> 01:18:11,519
Speaker 3: I still want to know.

1326
01:18:11,640 --> 01:18:13,680
Speaker 2: Do you think that Plinn Foundation did their job in then?

1327
01:18:15,680 --> 01:18:15,720
Speaker 7: No?

1328
01:18:15,920 --> 01:18:18,560
Speaker 2: I think that to your point that I did the

1329
01:18:18,640 --> 01:18:20,760
Speaker 2: tour of the houses, the model houses, and none of

1330
01:18:20,800 --> 01:18:23,519
Speaker 2: that was building. Once again, I think that a lot

1331
01:18:23,640 --> 01:18:26,679
Speaker 2: of the money that went to Haiti through the relief

1332
01:18:26,760 --> 01:18:30,080
Speaker 2: fund is a disaster. It's the same thing that disaster,

1333
01:18:30,320 --> 01:18:31,719
Speaker 2: the same thing that happened and control.

1334
01:18:33,200 --> 01:18:35,720
Speaker 1: I'm so sorry, sorry to cut you off, but can

1335
01:18:35,840 --> 01:18:39,519
Speaker 1: you just explain to the people because me personally, I

1336
01:18:39,720 --> 01:18:42,439
Speaker 1: know that you don't need me personally.

1337
01:18:42,840 --> 01:18:46,320
Speaker 3: When they said I cant to anything, I know you personally.

1338
01:18:46,479 --> 01:18:48,920
Speaker 3: I know how you ball. I know how you don't

1339
01:18:49,000 --> 01:18:53,280
Speaker 3: need this money. I know that, But how do you

1340
01:18:53,720 --> 01:18:56,240
Speaker 3: like address these people who think.

1341
01:18:56,240 --> 01:18:59,000
Speaker 2: That, Well, the first thing is anyone who thinks that

1342
01:18:59,240 --> 01:19:02,240
Speaker 2: you have to go facts right, So the only thing

1343
01:19:02,720 --> 01:19:06,400
Speaker 2: is look if you if I bring you to the

1344
01:19:06,479 --> 01:19:10,400
Speaker 2: well and you a donkey, that mean you're gonna drink

1345
01:19:10,439 --> 01:19:14,280
Speaker 2: the water. But if you're a giraffe, I can't get

1346
01:19:14,400 --> 01:19:19,439
Speaker 2: mad at you. So those that after at the end

1347
01:19:19,479 --> 01:19:21,080
Speaker 2: of the day, right at the end of the day,

1348
01:19:21,120 --> 01:19:24,200
Speaker 2: I can't force people to believe what they don't believe, right,

1349
01:19:24,439 --> 01:19:26,320
Speaker 2: you feel me At the end of the day, when

1350
01:19:26,360 --> 01:19:29,960
Speaker 2: I'm on Oprah and I tell y'all the story on

1351
01:19:30,080 --> 01:19:33,120
Speaker 2: Oprah when I sit on Oprah's couch when I tell

1352
01:19:33,160 --> 01:19:36,080
Speaker 2: y'all story, right, But once again, what is this another

1353
01:19:36,280 --> 01:19:38,519
Speaker 2: black man defending himself for what?

1354
01:19:39,040 --> 01:19:39,200
Speaker 3: Right?

1355
01:19:39,560 --> 01:19:41,360
Speaker 2: Because at the end of the day, when you look

1356
01:19:41,439 --> 01:19:45,080
Speaker 2: at it, it's all a distraction for what And I'm

1357
01:19:45,120 --> 01:19:48,920
Speaker 2: going to state it again on your show. First of all,

1358
01:19:49,640 --> 01:19:54,320
Speaker 2: the idea of why Cleff winning a Grammy and putting

1359
01:19:54,400 --> 01:19:59,880
Speaker 2: his Haitian flag around his back and establishing Haitian pride,

1360
01:20:00,439 --> 01:20:01,000
Speaker 2: it is cool?

1361
01:20:01,080 --> 01:20:01,519
Speaker 3: Were with you?

1362
01:20:03,400 --> 01:20:07,000
Speaker 2: After that? The idea of why Cleft trying to become

1363
01:20:07,120 --> 01:20:12,320
Speaker 2: president and set up a governmental organization where you're not

1364
01:20:12,439 --> 01:20:16,800
Speaker 2: going to sing it. It starts to change, right, And

1365
01:20:16,920 --> 01:20:20,920
Speaker 2: in this process you have to do what's called covert

1366
01:20:21,520 --> 01:20:25,759
Speaker 2: and dude, any everyone that's paying attention, this ain't conspiracy theory,

1367
01:20:26,120 --> 01:20:29,360
Speaker 2: This ain't the Luminati. The bottom line to it is

1368
01:20:29,840 --> 01:20:33,240
Speaker 2: in this room right here, as you do what you do,

1369
01:20:34,720 --> 01:20:37,960
Speaker 2: if they feel like it's an infiltration, they will plant

1370
01:20:38,080 --> 01:20:41,160
Speaker 2: somebody inside of this room. That's just the way that

1371
01:20:41,320 --> 01:20:44,080
Speaker 2: it works. So at the end of the day, it's

1372
01:20:44,160 --> 01:20:44,840
Speaker 2: so important.

1373
01:20:45,560 --> 01:20:46,080
Speaker 3: I'm so sorry.

1374
01:20:47,240 --> 01:20:53,240
Speaker 1: But now Cleft takes this job genre and he wins

1375
01:20:53,320 --> 01:20:57,680
Speaker 1: the presidency will be wa Cleff's first thing to do

1376
01:20:58,320 --> 01:21:00,000
Speaker 1: as president as president of Hey.

1377
01:21:00,520 --> 01:21:02,519
Speaker 2: Well, the first thing that we would have to do

1378
01:21:03,160 --> 01:21:06,759
Speaker 2: as president of Haiti. You have a population that's living

1379
01:21:06,920 --> 01:21:09,760
Speaker 2: on less than eighty percent, right, is living on less

1380
01:21:09,800 --> 01:21:11,760
Speaker 2: than a dollar a day. So then you would have

1381
01:21:11,880 --> 01:21:15,800
Speaker 2: to establish what's the wealth right of the country. So

1382
01:21:15,960 --> 01:21:19,120
Speaker 2: then there's two parts of it. What's the richness? Human

1383
01:21:19,240 --> 01:21:23,360
Speaker 2: capital is one? What that mean? Human capital? Human capital

1384
01:21:23,439 --> 01:21:27,879
Speaker 2: is important because whether if we're talking about Haiti, Philly, Compton, everywhere,

1385
01:21:28,120 --> 01:21:31,280
Speaker 2: you got a group of young men that are like Masons,

1386
01:21:31,360 --> 01:21:34,200
Speaker 2: they are workers, they can work like Mexico. What Mexico does.

1387
01:21:34,560 --> 01:21:37,960
Speaker 2: Human capital is one. The second part of it is

1388
01:21:38,640 --> 01:21:42,720
Speaker 2: we call education and education comes in different forms. I

1389
01:21:42,760 --> 01:21:45,639
Speaker 2: ain't talking about just putting up schools. I'm talking about

1390
01:21:45,720 --> 01:21:48,400
Speaker 2: putting up trade schools. And what is it that we

1391
01:21:48,600 --> 01:21:51,960
Speaker 2: have right everything is controlled from air and c So

1392
01:21:52,080 --> 01:21:55,160
Speaker 2: at the end of the day, Haiti used to export coffee.

1393
01:21:55,560 --> 01:21:58,360
Speaker 2: That's what we was known for, coffee and sugar. So

1394
01:21:58,560 --> 01:22:00,880
Speaker 2: at the end of the day, all of this we

1395
01:22:01,000 --> 01:22:03,320
Speaker 2: can What happens is if we come up with a

1396
01:22:03,439 --> 01:22:08,760
Speaker 2: trade policy and we got duty if we got duty free,

1397
01:22:08,840 --> 01:22:11,160
Speaker 2: we come up with a trade policy, then we can work.

1398
01:22:11,439 --> 01:22:13,760
Speaker 2: So the whole thing is I would have to show

1399
01:22:13,800 --> 01:22:16,240
Speaker 2: you what Haiti is willing to trade for you to

1400
01:22:16,320 --> 01:22:18,560
Speaker 2: want to trade with me. It's like if you're on

1401
01:22:18,640 --> 01:22:20,240
Speaker 2: a block and I'm on the block. If you don't

1402
01:22:20,280 --> 01:22:23,000
Speaker 2: have nothing to trade, then ain't really nothing to talk about.

1403
01:22:23,400 --> 01:22:28,559
Speaker 2: So human capital and education is the most important thing.

1404
01:22:28,880 --> 01:22:31,720
Speaker 2: And how do we invest in education? When companies was

1405
01:22:31,760 --> 01:22:34,680
Speaker 2: coming into Haiti after the earthquake, this is what I

1406
01:22:34,840 --> 01:22:38,519
Speaker 2: ran because I said, anybody's coming on corporate interests. Dudes,

1407
01:22:38,560 --> 01:22:40,160
Speaker 2: you want to come in and you want to help,

1408
01:22:40,200 --> 01:22:43,160
Speaker 2: that's no problem. But dudes, we got ten boroughs here.

1409
01:22:43,200 --> 01:22:46,240
Speaker 2: Why don't you put ten universities and put these people

1410
01:22:46,320 --> 01:22:49,679
Speaker 2: to schools because when you leave after the earthquake, they're

1411
01:22:49,760 --> 01:22:51,519
Speaker 2: actually going to have a job and be able to

1412
01:22:51,600 --> 01:22:53,599
Speaker 2: do stuff. These are some of the things.

1413
01:22:54,920 --> 01:22:56,280
Speaker 3: I saw that that's the only thing I saw.

1414
01:22:56,360 --> 01:22:58,000
Speaker 2: Money go to police.

1415
01:23:00,120 --> 01:23:03,120
Speaker 1: What do you think happened to Haiti after what was

1416
01:23:03,200 --> 01:23:04,760
Speaker 1: it the earthquake that happened right here?

1417
01:23:05,520 --> 01:23:08,200
Speaker 2: So sostating earth questions? They were stating there there.

1418
01:23:08,680 --> 01:23:11,960
Speaker 3: So what do you think was the problem? Message with

1419
01:23:12,560 --> 01:23:13,400
Speaker 3: you would have took.

1420
01:23:13,320 --> 01:23:16,679
Speaker 2: If you was the president, the problem is this. It's

1421
01:23:16,960 --> 01:23:20,040
Speaker 2: eighteen oh four, right, eighteen oh four, the Haitians get

1422
01:23:20,120 --> 01:23:25,400
Speaker 2: their independence, the first Black republication. I gotta take you there.

1423
01:23:25,760 --> 01:23:27,680
Speaker 2: I gotta take you there to understand the root of

1424
01:23:27,760 --> 01:23:29,200
Speaker 2: the problem. Eighteen oh four.

1425
01:23:29,840 --> 01:23:30,679
Speaker 3: Peep this guard.

1426
01:23:30,880 --> 01:23:33,080
Speaker 2: Eighteen oh four. I gotta go on my five percent

1427
01:23:33,160 --> 01:23:40,519
Speaker 2: them over, please me, okay, watch this eighteen oh four. God,

1428
01:23:41,360 --> 01:23:44,839
Speaker 2: in eighteen oh four, we basically was free. We defeated

1429
01:23:44,880 --> 01:23:48,800
Speaker 2: the Napoleon army. What that means the most army at

1430
01:23:48,840 --> 01:23:52,280
Speaker 2: the time, the best army at the time. The Haitians

1431
01:23:52,800 --> 01:23:57,240
Speaker 2: defeated them. They were outgunned. How was they able to

1432
01:23:57,320 --> 01:24:00,400
Speaker 2: do that? Right now, what happens is after they has

1433
01:24:00,439 --> 01:24:04,479
Speaker 2: defeated the Napoleons, the French now put a tax on Haiti.

1434
01:24:06,040 --> 01:24:09,000
Speaker 2: This tax still till today is hurting Haiti.

1435
01:24:09,200 --> 01:24:11,320
Speaker 3: And that's why Haiti people speaking.

1436
01:24:13,720 --> 01:24:17,160
Speaker 2: The reason why Haitians speak French is because Haiti was

1437
01:24:17,320 --> 01:24:21,120
Speaker 2: occupied it it was by the French, but because they

1438
01:24:21,240 --> 01:24:24,800
Speaker 2: never agreed to be colonized, because they agreed to be free.

1439
01:24:25,400 --> 01:24:30,720
Speaker 2: Some people say Haiti God its independence too early. Some

1440
01:24:30,880 --> 01:24:32,840
Speaker 2: people say that because at the end of the day.

1441
01:24:33,080 --> 01:24:35,360
Speaker 2: So now when you say damn, well, how do we

1442
01:24:35,439 --> 01:24:38,120
Speaker 2: get Haiti back. The way that we get Haiti back

1443
01:24:38,240 --> 01:24:40,840
Speaker 2: is to bring Haiti into the modern world. And the

1444
01:24:40,880 --> 01:24:44,520
Speaker 2: way we bring Haiti into the modern world is through technology.

1445
01:24:44,920 --> 01:24:47,800
Speaker 2: It's through in capital and you got to invest. I'm

1446
01:24:47,840 --> 01:24:50,800
Speaker 2: gonna give you a last example how you bring Haiti back.

1447
01:24:51,040 --> 01:24:54,320
Speaker 2: You have something which is called agrabank, call me agrabank.

1448
01:24:54,720 --> 01:24:57,200
Speaker 2: So you use the soil. At the end of the day,

1449
01:24:57,280 --> 01:25:00,920
Speaker 2: if we plant, that's right. Through agriculture, whether if it's

1450
01:25:01,000 --> 01:25:03,160
Speaker 2: the dr whether if it's Haiti with I it's Jamaica.

1451
01:25:03,560 --> 01:25:07,679
Speaker 2: Through agriculture, you're able to create an environment for people

1452
01:25:07,720 --> 01:25:09,719
Speaker 2: to work, make money and trade.

1453
01:25:10,040 --> 01:25:10,479
Speaker 3: You know what I mean.

1454
01:25:12,520 --> 01:25:15,720
Speaker 7: Yo, Haiti is beautiful, man, I'm telling you when I went,

1455
01:25:15,920 --> 01:25:16,680
Speaker 7: it's beautiful.

1456
01:25:16,840 --> 01:25:19,040
Speaker 2: And then in order and we get our only got

1457
01:25:19,160 --> 01:25:22,439
Speaker 2: to be economically and that's the that's the problem over there.

1458
01:25:24,040 --> 01:25:26,680
Speaker 7: It's one of the best. Like I went there as

1459
01:25:26,720 --> 01:25:30,840
Speaker 7: a non Haitian and it was beautiful people, beautiful landscape.

1460
01:25:31,240 --> 01:25:32,680
Speaker 7: And then they were telling us like we went into

1461
01:25:32,680 --> 01:25:34,800
Speaker 7: the mountains, that's where all the rich people live and

1462
01:25:35,200 --> 01:25:37,719
Speaker 7: it's the only place where the beachfront is the poorest.

1463
01:25:37,840 --> 01:25:42,000
Speaker 2: But let me ask you something though, in California, isn't

1464
01:25:42,000 --> 01:25:44,200
Speaker 2: there a rich place of course, right? And then they

1465
01:25:44,280 --> 01:25:45,400
Speaker 2: but the.

1466
01:25:45,479 --> 01:25:47,879
Speaker 3: Beach side it's still high property value.

1467
01:25:47,680 --> 01:25:50,479
Speaker 2: That's right, it's high property value. And then when we

1468
01:25:50,600 --> 01:25:53,400
Speaker 2: go into Compton, certain places we see the difference, right,

1469
01:25:53,760 --> 01:25:56,120
Speaker 2: and then those boys in Compton can't really come to

1470
01:25:56,200 --> 01:25:59,160
Speaker 2: the beachfront property value, right. So in Haiti it's the

1471
01:25:59,240 --> 01:26:03,800
Speaker 2: same way. So you have places called by that's right.

1472
01:26:04,160 --> 01:26:06,800
Speaker 2: So then what is that telling us? It's not really

1473
01:26:06,880 --> 01:26:10,240
Speaker 2: a hated thing. This is a this is a world thing. Weather.

1474
01:26:10,320 --> 01:26:14,280
Speaker 2: We love Brazil, whether we go to Brazil to the fulvelas,

1475
01:26:14,479 --> 01:26:16,880
Speaker 2: we don't see the same thing. So my thing is this,

1476
01:26:17,200 --> 01:26:18,519
Speaker 2: at the end of the day, if we want to

1477
01:26:18,560 --> 01:26:20,800
Speaker 2: have a real talk about like hold up, man, from

1478
01:26:20,920 --> 01:26:23,439
Speaker 2: now on, man, let's just be careful who we let

1479
01:26:23,520 --> 01:26:25,680
Speaker 2: the mayor be, and let's be careful who we let

1480
01:26:25,760 --> 01:26:28,920
Speaker 2: the governor be. Just be careful, like really really take that,

1481
01:26:29,040 --> 01:26:30,960
Speaker 2: because they the ones that is gonna really care about

1482
01:26:30,960 --> 01:26:31,559
Speaker 2: your environment.

1483
01:26:32,960 --> 01:26:40,760
Speaker 3: Walk up political.

1484
01:26:42,360 --> 01:26:43,599
Speaker 26: Yeah, we need to get.

1485
01:26:45,080 --> 01:26:55,200
Speaker 3: You know, you gotta get.

1486
01:26:55,960 --> 01:26:59,720
Speaker 2: I got y'all, man, it took me dark and you

1487
01:26:59,800 --> 01:27:00,479
Speaker 2: want broke off.

1488
01:27:00,600 --> 01:27:03,320
Speaker 24: Fine, I'm so sorry to ask question. Laura Hill, Baby

1489
01:27:03,400 --> 01:27:11,759
Speaker 24: not your baby. That's what they told me about.

1490
01:27:13,560 --> 01:27:17,599
Speaker 3: I'm so sorry. That's not sorry. You can do it. Yeah,

1491
01:27:18,000 --> 01:27:19,160
Speaker 3: a fake media right.

1492
01:27:19,120 --> 01:27:23,840
Speaker 2: Now so your media my friends.

1493
01:27:28,000 --> 01:27:35,240
Speaker 16: Yeah, and not with n you film this fil now

1494
01:27:35,800 --> 01:27:38,000
Speaker 16: I'm making this a salt little Sarah.

1495
01:27:39,439 --> 01:27:40,320
Speaker 1: Some uk.

1496
01:27:42,280 --> 01:27:48,680
Speaker 3: Yeah hard that drinks. We're catching the five.

1497
01:27:50,200 --> 01:27:59,720
Speaker 15: And that's got to try. If I was president outside

1498
01:27:59,760 --> 01:28:00,400
Speaker 15: that day.

1499
01:28:01,400 --> 01:28:12,840
Speaker 3: By done some day then Monday, body egles back. It's

1500
01:28:12,960 --> 01:28:14,599
Speaker 3: just though. And every day.

1501
01:28:16,560 --> 01:28:20,320
Speaker 2: On my way to the airport they stopped me. It's

1502
01:28:20,360 --> 01:28:22,439
Speaker 2: not this gonna smelled something funny.

1503
01:28:23,800 --> 01:28:28,800
Speaker 3: I am my backpack. I told mister German Shepherd, I

1504
01:28:28,920 --> 01:28:34,920
Speaker 3: know sniff no cocaine ever been Shepherd. I don't need

1505
01:28:35,080 --> 01:28:40,400
Speaker 3: no ecstasy. No, no, no, no, mister German Shepherd Sheper.

1506
01:28:40,800 --> 01:28:41,400
Speaker 7: You do the.

1507
01:28:43,400 --> 01:28:48,280
Speaker 17: Bitch, lock me up, bitchnock him up, bitch as I

1508
01:28:48,400 --> 01:28:56,000
Speaker 17: smoke my marrow, smoking my maman.

1509
01:28:56,439 --> 01:29:03,040
Speaker 2: Yeah, different from there. If I was president day, I

1510
01:29:03,200 --> 01:29:08,640
Speaker 2: get elected on Friday, Saturday on Saturday.

1511
01:29:09,600 --> 01:29:15,360
Speaker 3: Might be on Sunday. If my month president, I'll be

1512
01:29:15,600 --> 01:29:25,400
Speaker 3: on Monday. As who you want to Wednesday, I was president.

1513
01:29:26,840 --> 01:29:32,600
Speaker 24: Wow on Thursday, it's like you on Friday, there was

1514
01:29:32,640 --> 01:29:34,000
Speaker 24: a wal cliff On Saturday.

1515
01:29:36,479 --> 01:29:42,879
Speaker 3: President president.

1516
01:29:44,320 --> 01:29:50,320
Speaker 15: If I was president, day I will was the presenting.

1517
01:29:56,400 --> 01:29:59,839
Speaker 3: Class. Let's take someday.

1518
01:30:01,960 --> 01:30:06,280
Speaker 1: I don't know if you know, Cleff, You've always been

1519
01:30:06,320 --> 01:30:10,479
Speaker 1: an inspiration to hood niggas because one everybody.

1520
01:30:11,240 --> 01:30:14,559
Speaker 3: But one thing Nigga's hood niggas.

1521
01:30:15,040 --> 01:30:15,640
Speaker 1: We made it.

1522
01:30:16,760 --> 01:30:19,040
Speaker 3: We made it and we knew he made it before.

1523
01:30:19,880 --> 01:30:21,880
Speaker 3: And Walk Cleff for coming down studios and be like,

1524
01:30:21,960 --> 01:30:22,320
Speaker 3: what's up?

1525
01:30:25,600 --> 01:30:25,800
Speaker 1: You know.

1526
01:30:27,640 --> 01:30:29,000
Speaker 3: Show I used to eat dog.

1527
01:30:30,640 --> 01:30:38,280
Speaker 1: In my mind, I thought you said, listen, that's real

1528
01:30:38,360 --> 01:30:39,520
Speaker 1: ship walk Cliff.

1529
01:30:40,960 --> 01:30:43,880
Speaker 3: Always he never was scared of anywhere.

1530
01:30:44,320 --> 01:30:47,200
Speaker 1: He always came through. And this is the reason why

1531
01:30:47,280 --> 01:30:51,160
Speaker 1: the foogies work. And how how are you in the

1532
01:30:51,200 --> 01:30:52,200
Speaker 1: foogies right now?

1533
01:30:52,400 --> 01:30:52,599
Speaker 3: Man?

1534
01:30:52,840 --> 01:30:54,320
Speaker 2: At the end of the day, I saw I love.

1535
01:30:54,479 --> 01:30:57,479
Speaker 2: Like I said, everybody's forty something like what kind of

1536
01:30:57,560 --> 01:30:59,800
Speaker 2: beef they could be? Nobody shooting on my mama house.

1537
01:31:00,720 --> 01:31:03,559
Speaker 2: Everybody stingy, you know what I mean?

1538
01:31:03,600 --> 01:31:04,479
Speaker 3: We sting ray.

1539
01:31:05,040 --> 01:31:08,759
Speaker 2: So it's all good for me. The energy is all positive.

1540
01:31:08,880 --> 01:31:12,040
Speaker 2: Like I said, when people talk about drama, man, you're

1541
01:31:12,080 --> 01:31:15,560
Speaker 2: talking about something that happened twenty five years ago that

1542
01:31:15,680 --> 01:31:17,920
Speaker 2: I think everybody that went through their things and we

1543
01:31:18,080 --> 01:31:20,439
Speaker 2: are grown folks now, you know, so we do what

1544
01:31:20,520 --> 01:31:21,479
Speaker 2: we gotta do, man.

1545
01:31:22,160 --> 01:31:27,000
Speaker 27: Yeah, yeah, yeah, listen, man, because we got we gotta

1546
01:31:27,000 --> 01:31:32,240
Speaker 27: support my you know wonder Miami by all night, right, what.

1547
01:31:32,439 --> 01:31:33,240
Speaker 3: The fucking.

1548
01:31:35,120 --> 01:31:51,320
Speaker 18: I'm gotta come out out.

1549
01:31:52,840 --> 01:32:14,080
Speaker 3: Your question. It's coming is running from mayor of South Beach.

1550
01:32:15,439 --> 01:32:15,760
Speaker 8: Get it.

1551
01:32:16,439 --> 01:32:18,840
Speaker 3: He has been arrested seventeen times.

1552
01:32:21,479 --> 01:32:21,800
Speaker 18: I don't know.

1553
01:32:21,920 --> 01:32:25,880
Speaker 11: It's funny everything I don't even man their.

1554
01:32:25,840 --> 01:32:28,760
Speaker 3: Own property on South Beach. Everything he's been telling.

1555
01:32:28,800 --> 01:32:32,840
Speaker 1: Listen, listen everything that Jay's e been talking about. Everything

1556
01:32:32,880 --> 01:32:35,639
Speaker 1: we've been talking about today. If you go to Miami,

1557
01:32:36,439 --> 01:32:39,120
Speaker 1: you be in that area and you don't vote for Aconelli,

1558
01:32:39,280 --> 01:32:41,560
Speaker 1: just for one day, even if you don't care for

1559
01:32:41,600 --> 01:32:42,439
Speaker 1: you gonna win or not.

1560
01:32:42,880 --> 01:32:45,320
Speaker 3: The thing about it is, this is the only black

1561
01:32:45,439 --> 01:32:48,720
Speaker 3: man that owned property on South Beach. He happened to

1562
01:32:48,800 --> 01:32:49,880
Speaker 3: be from left Rock City.

1563
01:32:50,160 --> 01:32:52,519
Speaker 1: But if he was from Flatbush, if he was from

1564
01:32:52,600 --> 01:32:55,519
Speaker 1: Booker Basement, if he's from Ravens Laws.

1565
01:32:55,040 --> 01:32:58,120
Speaker 2: From a story and Kindle in the South Bronx.

1566
01:32:58,280 --> 01:33:00,599
Speaker 1: He's from one about seven and Jamar he was from

1567
01:33:00,640 --> 01:33:03,040
Speaker 1: one four seven, and War he was from wherever.

1568
01:33:04,760 --> 01:33:09,960
Speaker 3: It was another black man owning the business. Got so

1569
01:33:10,600 --> 01:33:12,200
Speaker 3: even if you don't live in Miami.

1570
01:33:12,880 --> 01:33:15,120
Speaker 1: This man is really running from Maya, even though you

1571
01:33:15,200 --> 01:33:19,280
Speaker 1: got arrested seventeen times, saying that if you.

1572
01:33:19,280 --> 01:33:24,720
Speaker 8: Want no black people might say for the struggle, that's what.

1573
01:33:30,400 --> 01:33:33,519
Speaker 3: We're gonna do. We're gonna go out there support I cannell, leave.

1574
01:33:35,240 --> 01:33:40,040
Speaker 23: Guy and be more strip cups. Yeah, sure you can't,

1575
01:33:42,880 --> 01:33:47,639
Speaker 23: that's what class. Come on, let's know already.

1576
01:33:48,439 --> 01:33:51,759
Speaker 3: Let me tell you some about Listen.

1577
01:33:52,040 --> 01:33:54,280
Speaker 1: Let me tell you I can't sleep for two months

1578
01:33:54,360 --> 01:33:57,240
Speaker 1: at one point, and then me and Plumber was in

1579
01:33:57,320 --> 01:33:59,599
Speaker 1: the studio and then walk clup just came and play

1580
01:33:59,640 --> 01:33:59,960
Speaker 1: some ship.

1581
01:34:02,360 --> 01:34:03,120
Speaker 3: I believe.

1582
01:34:05,080 --> 01:34:08,000
Speaker 28: What Listen, I'll kid you up. Proba, take a piss,

1583
01:34:14,120 --> 01:34:16,600
Speaker 28: bringing the piss. I got to take a piss. You

1584
01:34:16,760 --> 01:34:19,200
Speaker 28: gotta be take a picture for you.

1585
01:34:21,320 --> 01:34:26,439
Speaker 3: He wanted to listen to the school sounds of class.

1586
01:34:26,840 --> 01:34:27,759
Speaker 2: I take a piss.

1587
01:34:34,520 --> 01:34:37,559
Speaker 7: This man.

1588
01:34:38,000 --> 01:34:45,400
Speaker 3: Let's go wherever man check it out. I'm gonna do

1589
01:34:45,560 --> 01:34:46,959
Speaker 3: this one for my homies.

1590
01:34:47,000 --> 01:34:51,960
Speaker 2: Gone, hey, chide the hammer Dan coming home now threw

1591
01:34:52,080 --> 01:34:55,360
Speaker 2: me all from the changes. Soon the devil pulled the

1592
01:34:55,479 --> 01:34:59,160
Speaker 2: card and he said, youse one. I chose music, my

1593
01:34:59,280 --> 01:35:00,120
Speaker 2: homies choke.

1594
01:35:01,479 --> 01:35:05,280
Speaker 3: Some of my balls. Chose the NBA because it's on

1595
01:35:05,360 --> 01:35:09,559
Speaker 3: that block. Man, they gang bang funeral role polers making

1596
01:35:09,680 --> 01:35:10,639
Speaker 3: all that changing.

1597
01:35:11,400 --> 01:35:14,439
Speaker 2: Yo. When my cousin got his worst texts, I was

1598
01:35:14,520 --> 01:35:18,679
Speaker 2: playing Jimmy and Tricks in the face. All I wanted

1599
01:35:18,800 --> 01:35:21,800
Speaker 2: to be was a rap star, and all they wanted

1600
01:35:21,920 --> 01:35:39,280
Speaker 2: to be wasn't Escabar Gil Chap going to November. He

1601
01:35:39,320 --> 01:35:42,680
Speaker 2: ain't coming back. I was talking about my homeies. Man,

1602
01:35:42,760 --> 01:35:45,800
Speaker 2: that's so rapp in the trap here from the back.

1603
01:35:46,040 --> 01:35:49,080
Speaker 2: They hit this steal like a hour boy that's hitting

1604
01:35:49,160 --> 01:35:52,519
Speaker 2: on the dollar bill up into the rotten apple, the

1605
01:35:52,640 --> 01:35:56,080
Speaker 2: city of lights. No matter how they shine, they can't

1606
01:35:56,120 --> 01:35:58,840
Speaker 2: steal the knights. Was when the goo s knock knocked,

1607
01:35:59,200 --> 01:36:02,000
Speaker 2: just before your yes written out at your chest, Then

1608
01:36:02,040 --> 01:36:04,320
Speaker 2: you go raise the Google nest. You meta be with them.

1609
01:36:04,360 --> 01:36:12,600
Speaker 12: I telerepact. They'd be doing that young when they like

1610
01:36:12,640 --> 01:36:14,640
Speaker 12: when you're up in the trap, you are bucking. They

1611
01:36:14,680 --> 01:36:15,519
Speaker 12: bucking you back in the.

1612
01:36:15,560 --> 01:36:18,840
Speaker 3: Middle of muking some iron flat I even do this.

1613
01:36:19,680 --> 01:36:22,160
Speaker 3: My homies gone cut.

1614
01:36:22,360 --> 01:36:25,320
Speaker 2: I am a thing. He ain't coming home, no, Nori.

1615
01:36:25,720 --> 01:36:29,200
Speaker 2: We all are from the danger zone. Devine pulled the

1616
01:36:29,320 --> 01:36:30,920
Speaker 2: card and he said, Juice.

1617
01:36:30,720 --> 01:36:36,439
Speaker 3: One music my only choicer. Yeah, some of my balls

1618
01:36:36,520 --> 01:36:39,280
Speaker 3: Josie n b and because.

1619
01:36:39,000 --> 01:36:44,000
Speaker 2: Also No Man's Gang Bang Funeral Poles making.

1620
01:36:43,840 --> 01:36:44,679
Speaker 3: All that change.

1621
01:36:45,880 --> 01:36:49,160
Speaker 2: When my cousin got his first tech, I was playing

1622
01:36:49,280 --> 01:36:50,720
Speaker 2: Jimby Hendricksonder this.

1623
01:36:52,320 --> 01:36:56,040
Speaker 3: Call I wanted to be was a rock star. Carli

1624
01:36:56,200 --> 01:37:01,200
Speaker 3: wanted to be was an escaby see the stupid this

1625
01:37:01,360 --> 01:37:05,719
Speaker 3: on mouse shot to ear Finn. He bought a new house.

1626
01:37:08,400 --> 01:37:08,960
Speaker 3: You gotta do.

1627
01:37:10,120 --> 01:37:11,160
Speaker 8: Hazard is sold.

1628
01:37:11,280 --> 01:37:16,160
Speaker 3: You know where. You gotta know. You gotta stop chilling

1629
01:37:17,880 --> 01:37:22,760
Speaker 3: to see you join.

1630
01:37:22,880 --> 01:37:23,320
Speaker 1: That was off.

1631
01:37:24,520 --> 01:37:28,360
Speaker 3: I got relax, I was off. Wait a little freeze.

1632
01:37:28,400 --> 01:37:31,639
Speaker 3: You gotta relax. I got break the break the break

1633
01:37:32,479 --> 01:37:48,360
Speaker 3: that get to wear this, get to the freeze.

1634
01:37:53,760 --> 01:38:09,960
Speaker 2: I'm gonna stopping together. That's you know, for a fact,

1635
01:38:10,240 --> 01:38:14,080
Speaker 2: this is the funnest interview walk in my life.

1636
01:38:14,120 --> 01:38:23,240
Speaker 3: Baby. I'm just saying. The Carnival. It is the dirt Carnival.

1637
01:38:23,800 --> 01:38:26,600
Speaker 2: Carnival. It is the Dirk Carnival right now, you know

1638
01:38:26,640 --> 01:38:28,880
Speaker 2: what I mean. Everybody who's a fan of Carnival one two,

1639
01:38:29,360 --> 01:38:31,800
Speaker 2: y'all can hit up that pre order. And we also

1640
01:38:31,880 --> 01:38:34,760
Speaker 2: got two new joints. One is called Fella Cootie and

1641
01:38:34,880 --> 01:38:38,320
Speaker 2: the others called the Complicated What Happened to Love? What

1642
01:38:38,479 --> 01:38:43,559
Speaker 2: happened to love. We take you to the barbecue, a group.

1643
01:38:45,840 --> 01:38:46,120
Speaker 1: That is.

1644
01:38:49,400 --> 01:38:49,920
Speaker 3: To do it for the.

1645
01:38:51,560 --> 01:38:52,880
Speaker 2: So we just say fellaw.

1646
01:39:00,080 --> 01:39:01,439
Speaker 3: Man, I can't. I can't.

1647
01:39:01,479 --> 01:39:01,800
Speaker 29: I don't know.

1648
01:39:04,120 --> 01:39:07,679
Speaker 3: Great education. I'm just throwing up. Not even that's amazing.

1649
01:39:07,720 --> 01:39:08,040
Speaker 3: I'm here.

1650
01:39:08,240 --> 01:39:15,400
Speaker 2: Yeah, I can't.

1651
01:39:15,600 --> 01:39:16,880
Speaker 3: I can't believe anybody love me.

1652
01:39:16,960 --> 01:39:18,720
Speaker 2: I'm sorry, sorry for.

1653
01:39:18,800 --> 01:39:22,880
Speaker 3: The people who love me. All we gotta relax. It's

1654
01:39:22,960 --> 01:39:27,760
Speaker 3: not one not one woman just like.

1655
01:39:30,720 --> 01:39:39,840
Speaker 8: You want to listen, listen, rid Of, I need promise.

1656
01:39:39,479 --> 01:39:41,840
Speaker 3: Not left laft. I need, I need, I need a

1657
01:39:41,920 --> 01:39:42,760
Speaker 3: working for the woman.

1658
01:39:43,479 --> 01:39:46,679
Speaker 1: Okay, because because the woman, the woman sucking me, they'd

1659
01:39:46,720 --> 01:39:50,000
Speaker 1: be like, you're a little cute, but we don't really

1660
01:39:50,040 --> 01:39:50,439
Speaker 1: believe you.

1661
01:39:51,360 --> 01:39:53,040
Speaker 2: Come on, make it ready for me for the I'm

1662
01:39:53,040 --> 01:39:54,160
Speaker 2: gonna do a whole tough place.

1663
01:39:54,400 --> 01:39:55,120
Speaker 3: Let's go right now.

1664
01:39:56,720 --> 01:39:59,759
Speaker 2: Let's noy with that play man official.

1665
01:40:00,120 --> 01:40:05,599
Speaker 3: Now what's the dupel? It's why you take a good

1666
01:40:05,680 --> 01:40:18,200
Speaker 3: record and you just add your name to it. Mixes so.

1667
01:40:20,840 --> 01:40:21,080
Speaker 11: Mine.

1668
01:40:24,439 --> 01:40:32,720
Speaker 3: Listen. I want you to know girl, NOA loves you,

1669
01:40:33,680 --> 01:40:35,960
Speaker 3: little white love my.

1670
01:40:36,000 --> 01:40:39,920
Speaker 2: Wife Mary and no man, I tell I would to bear.

1671
01:40:42,000 --> 01:40:49,600
Speaker 3: Only to you. I would refuel my hots last to

1672
01:40:49,760 --> 01:40:51,879
Speaker 3: tell the police at home tonight.

1673
01:40:52,400 --> 01:40:54,920
Speaker 11: Not that'st it around with you.

1674
01:41:02,439 --> 01:41:09,160
Speaker 29: You see you guy, you work the sad room by

1675
01:41:14,200 --> 01:41:17,840
Speaker 29: it this easy kind of that alone is the honey.

1676
01:41:20,560 --> 01:41:23,880
Speaker 2: Show a show.

1677
01:41:24,640 --> 01:41:25,559
Speaker 3: Come on, let's go.

1678
01:41:27,439 --> 01:41:35,040
Speaker 11: Kind I tell me around after the show, I'm every

1679
01:41:35,120 --> 01:41:47,120
Speaker 11: open show, someone's who don't anyone don't tell about.

1680
01:41:49,040 --> 01:41:56,680
Speaker 3: Hell and it's facing mass until I let you.

1681
01:41:58,280 --> 01:41:59,679
Speaker 2: My point came.

1682
01:42:05,000 --> 01:42:05,960
Speaker 3: Said to these guys have.

1683
01:42:08,000 --> 01:42:11,719
Speaker 11: Yeah, yeah, said I gotta relax.

1684
01:42:12,840 --> 01:42:13,800
Speaker 3: What's that you.

1685
01:42:16,520 --> 01:42:21,040
Speaker 8: Got you gotta last got you got.

1686
01:42:28,600 --> 01:42:38,400
Speaker 11: You gotta rel you gotta.

1687
01:42:40,000 --> 01:42:50,760
Speaker 15: Y Yeah.

1688
01:42:51,360 --> 01:42:56,760
Speaker 1: First off, there's a there's a very boss but it's

1689
01:42:56,800 --> 01:43:00,880
Speaker 1: a very secret from me and fun where we we

1690
01:43:01,160 --> 01:43:05,240
Speaker 1: we we actually escaped from where Fat Joe, Puff Daddy

1691
01:43:05,479 --> 01:43:07,439
Speaker 1: and all these people was recording and the.

1692
01:43:07,560 --> 01:43:17,600
Speaker 3: Only person that was in the other Studiosribean it was

1693
01:43:17,960 --> 01:43:22,120
Speaker 3: me pun and Climb is coming there and be like

1694
01:43:22,479 --> 01:43:28,599
Speaker 3: damn Caribbean connections. He's coming there check us every night.

1695
01:43:29,400 --> 01:43:32,599
Speaker 1: But the thing about it, it was, if I could

1696
01:43:32,640 --> 01:43:36,320
Speaker 1: take anything else back from my career, that part I

1697
01:43:36,320 --> 01:43:38,880
Speaker 1: will never change because he.

1698
01:43:38,960 --> 01:43:40,720
Speaker 3: Stood in there. He was the bigger man.

1699
01:43:41,240 --> 01:43:45,439
Speaker 2: What I mean, you know big in Jamaican big man,

1700
01:43:45,920 --> 01:43:47,479
Speaker 2: big man big he was.

1701
01:43:50,120 --> 01:43:55,200
Speaker 3: He could have been like niggas when he came, he said, Yo,

1702
01:43:55,240 --> 01:43:58,479
Speaker 3: what's up? And that's what you did.

1703
01:44:00,280 --> 01:44:00,920
Speaker 2: In Connections.

1704
01:44:01,400 --> 01:44:04,160
Speaker 3: It was the same. He brought the studio though, that's

1705
01:44:09,240 --> 01:44:13,120
Speaker 3: brought kind of and then.

1706
01:44:14,760 --> 01:44:17,080
Speaker 1: They said, you know why Cliff all that ship. I said, damn,

1707
01:44:17,120 --> 01:44:18,160
Speaker 1: that's that's that's different.

1708
01:44:19,800 --> 01:44:20,639
Speaker 2: We all work there.

1709
01:44:21,400 --> 01:44:25,040
Speaker 3: He actually bought it. And you know what, I want

1710
01:44:25,080 --> 01:44:27,679
Speaker 3: to big you up because I big you up behind

1711
01:44:27,760 --> 01:44:28,240
Speaker 3: your face.

1712
01:44:28,640 --> 01:44:32,680
Speaker 1: Love family, and you know that's great big you up

1713
01:44:32,720 --> 01:44:34,280
Speaker 1: behind your face, but I want to big you up

1714
01:44:34,600 --> 01:44:37,600
Speaker 1: to your face and I want to say that you know,

1715
01:44:39,800 --> 01:44:43,840
Speaker 1: hip hop is the thing that we should continue to do.

1716
01:44:44,160 --> 01:44:47,200
Speaker 1: This what I'm doing right now and saying that we

1717
01:44:47,479 --> 01:44:51,080
Speaker 1: love you for contributed what you did to hip hop.

1718
01:44:51,880 --> 01:44:58,439
Speaker 1: Fucking continuous say staying because you because honest, if I.

1719
01:45:01,160 --> 01:45:05,559
Speaker 2: Never came back, it turned out keeping the real.

1720
01:45:08,280 --> 01:45:10,120
Speaker 3: So now I realized what you did.

1721
01:45:11,200 --> 01:45:12,640
Speaker 2: But back then I would have been like that.

1722
01:45:13,240 --> 01:45:15,160
Speaker 3: Niggas say your what clap never came back?

1723
01:45:15,240 --> 01:45:21,479
Speaker 2: I say, man, that's it's twenty years later about clip.

1724
01:45:21,600 --> 01:45:24,679
Speaker 1: Man, I'm sitting back and now actually representing the culture

1725
01:45:24,840 --> 01:45:25,479
Speaker 1: by mistake.

1726
01:45:26,920 --> 01:45:29,719
Speaker 3: But I'm representing the culture, so I'm gonna hold that down.

1727
01:45:30,200 --> 01:45:32,240
Speaker 3: It's not D and D. This is the new dn D.

1728
01:45:33,080 --> 01:45:35,479
Speaker 3: Look at that ship, Look at this, there's more.

1729
01:45:36,600 --> 01:45:39,479
Speaker 8: Actually, Yeah, you can't go to the breakfast club and

1730
01:45:39,600 --> 01:45:39,760
Speaker 8: do this.

1731
01:45:39,920 --> 01:45:43,439
Speaker 3: You can't go Sey, you can't go anywhere else in

1732
01:45:43,520 --> 01:45:46,080
Speaker 3: the world and doing what we're doing right now. This is.

1733
01:45:54,840 --> 01:45:58,680
Speaker 8: My club, brother, And the thing about this is the

1734
01:45:58,720 --> 01:45:59,400
Speaker 8: whole hold hold.

1735
01:45:59,600 --> 01:46:03,160
Speaker 1: The thing about this is, let's not ever lose the

1736
01:46:03,360 --> 01:46:06,479
Speaker 1: journey of what we're doing. What we're doing is big

1737
01:46:06,640 --> 01:46:11,960
Speaker 1: enough our artists and today while clip it's one bus

1738
01:46:14,080 --> 01:46:19,080
Speaker 1: and I can't believe because you're blacker than.

1739
01:46:19,080 --> 01:46:21,599
Speaker 3: Me, I'm blacking in him.

1740
01:46:21,880 --> 01:46:25,880
Speaker 2: Yeah, I'm so black. I'm like akon, we're blue. But

1741
01:46:27,200 --> 01:46:39,479
Speaker 2: you're also more Spanish than me. That's beautiful time, that

1742
01:46:39,640 --> 01:46:45,320
Speaker 2: makes you advocated.

1743
01:46:45,400 --> 01:46:52,000
Speaker 1: But that's beautiful. Listen, calm down, everybody. This what makes

1744
01:46:52,040 --> 01:46:56,320
Speaker 1: it beautiful is that we're both on the same element.

1745
01:46:56,400 --> 01:47:01,599
Speaker 1: I'm Puerto Rican, I'm black. You Hatian Haitian And that's all.

1746
01:47:11,560 --> 01:47:15,000
Speaker 8: Doubt.

1747
01:47:19,720 --> 01:47:22,720
Speaker 3: No, Lie, I've been a couple of year joints. I

1748
01:47:22,760 --> 01:47:23,639
Speaker 3: don't know that everybody.

1749
01:47:23,720 --> 01:47:23,960
Speaker 18: Ship.

1750
01:47:24,640 --> 01:47:26,599
Speaker 3: I told you, my wife is a big fan this ship.

1751
01:47:27,320 --> 01:47:34,360
Speaker 3: Your wife, listen, don't in that way anyway. Yeah, it's

1752
01:47:34,439 --> 01:47:35,320
Speaker 3: just so listen.

1753
01:47:36,800 --> 01:47:38,840
Speaker 2: I don't know because like like he.

1754
01:47:39,000 --> 01:47:42,400
Speaker 15: Said, oh man, if y'all won't pay attention, he's a strategist.

1755
01:47:43,800 --> 01:47:47,760
Speaker 17: So he saw two hundred and fifty episodes this man

1756
01:47:47,840 --> 01:47:49,800
Speaker 17: that destroyed everybody that came.

1757
01:47:49,960 --> 01:47:50,320
Speaker 1: I love.

1758
01:47:50,520 --> 01:47:53,720
Speaker 3: I loved a lot of episode this ship. This is

1759
01:47:54,400 --> 01:48:06,120
Speaker 3: the best ship we got, yo.

1760
01:48:06,360 --> 01:48:10,320
Speaker 2: Check it out right. So you know when I say

1761
01:48:10,439 --> 01:48:13,719
Speaker 2: like big pump forever, like, that's not just in words.

1762
01:48:13,800 --> 01:48:15,960
Speaker 2: You feel me. So I think like a lot of

1763
01:48:16,080 --> 01:48:21,479
Speaker 2: times because we have the musicality, they forget that, you know,

1764
01:48:21,600 --> 01:48:24,200
Speaker 2: we wordsmith's you know what I mean, and appreciate it.

1765
01:48:24,280 --> 01:48:28,040
Speaker 2: And we appreciate that so definitely. So I leave y'allut

1766
01:48:28,080 --> 01:48:35,960
Speaker 2: with something like bars. You want bars with guitars. Guitar

1767
01:48:36,320 --> 01:48:40,160
Speaker 2: check it out, Relax, you can throw some cub in there.

1768
01:48:44,720 --> 01:48:49,920
Speaker 2: Guitars beat the big fun love you my man. It's

1769
01:48:49,960 --> 01:48:55,040
Speaker 2: the bars over guitars. Yeah, I keep it hot. No,

1770
01:48:55,200 --> 01:48:59,560
Speaker 2: we got me lit on the rock. Yeah, bro, this

1771
01:48:59,720 --> 01:49:02,920
Speaker 2: is how I do this. I came here sipping on

1772
01:49:03,080 --> 01:49:03,679
Speaker 2: some guinness.

1773
01:49:03,800 --> 01:49:04,080
Speaker 3: Listen.

1774
01:49:04,479 --> 01:49:08,280
Speaker 2: My life started out in a small village. I ate

1775
01:49:08,400 --> 01:49:11,360
Speaker 2: dirt from the floor home me no kidding, I ain't

1776
01:49:11,439 --> 01:49:14,960
Speaker 2: had no kitchen Grandma said, pray to Christ this Jesus.

1777
01:49:15,080 --> 01:49:16,920
Speaker 2: Baby Belly had a bag of rice.

1778
01:49:17,720 --> 01:49:19,080
Speaker 3: My life started out.

1779
01:49:19,240 --> 01:49:22,280
Speaker 2: I was belly too. Papa flew to the States searching

1780
01:49:22,400 --> 01:49:25,800
Speaker 2: for the Golden Goose. No work, papers, offices.

1781
01:49:25,360 --> 01:49:26,400
Speaker 3: Rayon on the ground.

1782
01:49:26,680 --> 01:49:28,800
Speaker 2: They try to get him. Boy took off like a

1783
01:49:28,920 --> 01:49:32,679
Speaker 2: grayhound his life. He got hunted like a ground hog

1784
01:49:33,080 --> 01:49:36,000
Speaker 2: sting operation in the legal alley in in New York.

1785
01:49:36,320 --> 01:49:39,479
Speaker 2: But like the King, my daddy had a dream. Ten

1786
01:49:39,640 --> 01:49:42,360
Speaker 2: years later, I was sitting up in Brooklyn. What if

1787
01:49:42,439 --> 01:49:44,439
Speaker 2: Martin Luther stayed in the room, never stepped foot in

1788
01:49:44,479 --> 01:49:46,880
Speaker 2: the balcony. What if they had a bulletpoof call instead

1789
01:49:46,880 --> 01:49:49,679
Speaker 2: of a drop top for Kennedy Malcolm exit to speech.

1790
01:49:49,800 --> 01:49:51,760
Speaker 2: What if I sat a monthst of congregation so when

1791
01:49:51,800 --> 01:49:53,599
Speaker 2: the boys can get Tan has a pocket of five

1792
01:49:53,640 --> 01:49:57,120
Speaker 2: shots at the assassin and listen, ain't nothing knowing to

1793
01:49:57,200 --> 01:49:59,599
Speaker 2: the sun. What if I have put blank in Marvin

1794
01:49:59,680 --> 01:50:02,800
Speaker 2: Gaye Father's gun. What if y'all knew the truth before

1795
01:50:02,880 --> 01:50:05,000
Speaker 2: sending your kids to war. I told y'all that man

1796
01:50:05,080 --> 01:50:07,720
Speaker 2: to care about Iraqi, cared about the oil. Now, what

1797
01:50:07,840 --> 01:50:09,920
Speaker 2: if I could go back in time? I'll love Race

1798
01:50:10,040 --> 01:50:12,639
Speaker 2: nine eleven, dip to the Bahamas and put alias luggage

1799
01:50:12,640 --> 01:50:13,240
Speaker 2: in the seven.

1800
01:50:13,120 --> 01:50:16,920
Speaker 3: Forty seven in the palace, put all the paparazzi.

1801
01:50:16,360 --> 01:50:18,559
Speaker 2: And a slammer, so that way that night they would

1802
01:50:18,560 --> 01:50:22,040
Speaker 2: have never chased Princess Diana. Listen, man, the age stands

1803
01:50:22,080 --> 01:50:25,320
Speaker 2: for out for omega, the bee stands for burial. That's

1804
01:50:25,360 --> 01:50:26,759
Speaker 2: what I'm known to do. The rappers.

1805
01:50:27,040 --> 01:50:28,080
Speaker 3: C stands for chance.

1806
01:50:28,160 --> 01:50:30,560
Speaker 2: Once you take you guard your ship. DF is a

1807
01:50:30,640 --> 01:50:34,880
Speaker 2: squad nigga. Read my lips, gh General from aighty make

1808
01:50:35,000 --> 01:50:37,920
Speaker 2: my day. Ah stood in my jas in front of

1809
01:50:38,120 --> 01:50:40,920
Speaker 2: act K and for me to take a l It's

1810
01:50:41,000 --> 01:50:45,759
Speaker 2: gonna say, Amen, what's that mother nature with them strong winds?

1811
01:50:46,040 --> 01:50:49,479
Speaker 2: And my piece productions like the Q as in Quincy

1812
01:50:49,520 --> 01:50:52,360
Speaker 2: when he did that thriller Michael Jackson Blue And this

1813
01:50:52,600 --> 01:50:57,080
Speaker 2: is who we are STU abbreviation for the studio are

1814
01:50:57,200 --> 01:50:59,920
Speaker 2: killing in the booth and the V be very care

1815
01:51:00,160 --> 01:51:02,960
Speaker 2: for when you're watching shots the double. You could turn

1816
01:51:03,040 --> 01:51:06,600
Speaker 2: the am that murdered for higher by the window like X,

1817
01:51:06,960 --> 01:51:09,960
Speaker 2: don't ask y, I ain't taking no seats because the

1818
01:51:10,080 --> 01:51:14,960
Speaker 2: clans outside. Why Cliff, I'm with my nigga Nori trust

1819
01:51:15,040 --> 01:51:17,800
Speaker 2: me Freestyle you don't want to chest sweet as I

1820
01:51:17,920 --> 01:51:21,920
Speaker 2: be going to November. I be gone to November. Tell

1821
01:51:22,040 --> 01:51:25,679
Speaker 2: my girl, I be gone to November. Abby, go to November.

1822
01:51:25,800 --> 01:51:29,120
Speaker 2: I be gone to norvembery Ya, you're telling says I'll

1823
01:51:29,160 --> 01:51:34,240
Speaker 2: be gone to November January, February, March, bro Ma, I

1824
01:51:34,360 --> 01:51:37,519
Speaker 2: say you're crying, but girl, I can't stay ibby going

1825
01:51:37,560 --> 01:51:38,240
Speaker 2: to November.

1826
01:51:38,400 --> 01:51:39,840
Speaker 3: I be gone to November.

1827
01:51:40,240 --> 01:51:42,440
Speaker 2: Carnival three pre orders you already.

1828
01:51:50,240 --> 01:52:05,920
Speaker 10: Right now, no, boss, God, real quick before we get

1829
01:52:05,960 --> 01:52:07,760
Speaker 10: out of it, because this is in a sense like

1830
01:52:07,840 --> 01:52:08,679
Speaker 10: Haitian episode.

1831
01:52:08,840 --> 01:52:12,280
Speaker 7: Yes, I want to get the people I met in Haiti.

1832
01:52:12,320 --> 01:52:19,120
Speaker 7: Shout out to buddy. Hey, everybody out there.

1833
01:52:19,200 --> 01:52:22,599
Speaker 5: Man, I love thank y'all for receiving us well over

1834
01:52:22,640 --> 01:52:24,840
Speaker 5: them at thinks that's.

1835
01:52:27,120 --> 01:52:38,120
Speaker 3: Yeah, baby. Okay, we don't get it.

1836
01:52:40,560 --> 01:52:47,760
Speaker 2: We don't get enough facts, so tell them Cornif Carnival three, man,

1837
01:52:47,800 --> 01:52:50,280
Speaker 2: this is what happened. Was the nephews meet the uncles.

1838
01:52:50,320 --> 01:52:53,200
Speaker 2: You know what I mean. It's nineteen ninety seven meets

1839
01:52:53,280 --> 01:52:56,960
Speaker 2: twenty seventeen. We put the sonics together and y'all gonna

1840
01:52:56,960 --> 01:53:00,120
Speaker 2: get all that live instrumentation that y'all love against the

1841
01:53:00,240 --> 01:53:03,080
Speaker 2: trap Sonics. What happens when we put that together is

1842
01:53:03,120 --> 01:53:05,960
Speaker 2: called a carnival. Of course we got English on the record.

1843
01:53:06,320 --> 01:53:09,200
Speaker 2: Of course we got Spanish is naturally from Haiti. We

1844
01:53:09,240 --> 01:53:10,800
Speaker 2: got a bit of French on the record, a bit

1845
01:53:10,880 --> 01:53:15,400
Speaker 2: of Crayle. It's hard hip hop influence and at the

1846
01:53:15,479 --> 01:53:17,680
Speaker 2: same time, what is hip hop is the culture. So

1847
01:53:17,800 --> 01:53:19,679
Speaker 2: I never got caught up in the bag of saying

1848
01:53:19,720 --> 01:53:21,960
Speaker 2: it has to sign a certain way. Hip hop is

1849
01:53:22,000 --> 01:53:23,800
Speaker 2: if we could move the world, and that's what we do.

1850
01:53:24,000 --> 01:53:26,400
Speaker 2: So Quincy Jones saw me a word, I'll give it

1851
01:53:26,479 --> 01:53:28,559
Speaker 2: to you. The ship is called Global Gumbo.

1852
01:53:28,680 --> 01:53:29,560
Speaker 3: My niggas.

1853
01:53:34,479 --> 01:53:38,479
Speaker 2: Beside in September, baby September. But the preorders is up now.

1854
01:53:45,000 --> 01:53:47,720
Speaker 3: Quincy joneses, Yeah, that's my man.

1855
01:53:48,600 --> 01:53:55,160
Speaker 2: You feel meal, big guy.

1856
01:53:56,880 --> 01:54:05,760
Speaker 3: I feel that my life is he met for like

1857
01:54:05,880 --> 01:54:11,000
Speaker 3: the day one degree of separation and then I let

1858
01:54:11,080 --> 01:54:12,120
Speaker 3: that out, like.

1859
01:54:15,000 --> 01:54:17,519
Speaker 2: Yo, Nori, man, I really hope you know how you

1860
01:54:17,680 --> 01:54:20,760
Speaker 2: influence a culture, man, Like it's important. I mean, you

1861
01:54:20,880 --> 01:54:23,800
Speaker 2: talk about me, but it's just important, like so the

1862
01:54:23,920 --> 01:54:28,040
Speaker 2: world understand, like people like why Clef, you know, people

1863
01:54:28,160 --> 01:54:32,000
Speaker 2: like Puffy, people like jay Z, people like nas. I'm

1864
01:54:32,120 --> 01:54:34,680
Speaker 2: just saying, like, Nori, you're grind from the get go

1865
01:54:35,280 --> 01:54:39,800
Speaker 2: Fat Joe Pun. It's important because you you would be that.

1866
01:54:39,880 --> 01:54:40,600
Speaker 3: Guy in that room.

1867
01:54:40,640 --> 01:54:42,040
Speaker 2: But you know what I mean, like what you're doing

1868
01:54:42,080 --> 01:54:45,400
Speaker 2: today was obvious, like you would be a leader. So

1869
01:54:45,760 --> 01:54:48,839
Speaker 2: it would be great, you know, to see people like Tupac.

1870
01:54:49,280 --> 01:54:51,600
Speaker 2: He would have transformed to that spot. You know, like

1871
01:54:51,720 --> 01:54:53,840
Speaker 2: you're straight up You're straight up a leader.

1872
01:54:53,960 --> 01:54:54,160
Speaker 3: Dog.

1873
01:54:54,240 --> 01:54:57,040
Speaker 2: We back you up one hundred percent, and I can't

1874
01:54:57,120 --> 01:55:00,080
Speaker 2: after this. It's downhill from here with every other a

1875
01:55:00,160 --> 01:55:00,920
Speaker 2: show in the world.

1876
01:55:06,200 --> 01:55:08,160
Speaker 11: You got what you.

1877
01:55:13,320 --> 01:55:13,880
Speaker 15: Pull me out?

1878
01:55:14,720 --> 01:55:20,120
Speaker 3: Oh my god, he said, I'm just finance.

1879
01:55:20,680 --> 01:55:21,520
Speaker 2: Who's holding us up?

1880
01:55:23,920 --> 01:55:24,400
Speaker 1: The teacher?

1881
01:55:24,440 --> 01:55:28,920
Speaker 3: Get your shot, just like like.

1882
01:55:34,200 --> 01:55:35,200
Speaker 6: On the Running.

1883
01:55:36,480 --> 01:55:36,760
Speaker 29: Shop.

1884
01:55:37,680 --> 01:55:44,480
Speaker 3: Listen, listen, I don't want why did you about my

1885
01:55:44,640 --> 01:55:46,000
Speaker 3: tripping and my trippers?

1886
01:55:49,160 --> 01:55:50,960
Speaker 8: You get what.

1887
01:55:52,440 --> 01:55:53,880
Speaker 6: You playing about?

1888
01:55:54,040 --> 01:55:54,839
Speaker 2: You know, gets.

1889
01:55:59,720 --> 01:56:09,720
Speaker 3: Like that for the ground, you know, to relax. You

1890
01:56:09,720 --> 01:56:17,680
Speaker 3: know he's gonna take the strings. I'm gonna bill looking. Listen.

1891
01:56:17,880 --> 01:56:20,640
Speaker 3: You know s I don't like I said, I don't

1892
01:56:21,480 --> 01:56:22,760
Speaker 3: be out all these ships you do.

1893
01:56:23,720 --> 01:56:25,800
Speaker 2: But I'm playing when I mean I love you. I

1894
01:56:26,080 --> 01:56:27,560
Speaker 2: wish I have to be I can't afford it.

1895
01:56:27,720 --> 01:56:32,120
Speaker 3: But listen, what I'm saying that what you do is

1896
01:56:32,200 --> 01:56:36,840
Speaker 3: what you do you ain't. I'm fucking imitating nobody else.

1897
01:56:37,400 --> 01:56:39,560
Speaker 3: And this is why your ship is so successful.

1898
01:56:39,960 --> 01:56:41,560
Speaker 2: This is why you are who you are.

1899
01:56:41,760 --> 01:57:04,320
Speaker 6: You know me parents, That's why why crazy?

1900
01:57:06,520 --> 01:57:07,919
Speaker 2: What you want to know about the foodies?

1901
01:57:07,960 --> 01:57:11,800
Speaker 3: Baby? Nothing but loves already know we we we we

1902
01:57:11,960 --> 01:57:13,080
Speaker 3: all about you know what I mean?

1903
01:57:13,160 --> 01:57:15,160
Speaker 2: The fogie was walking.

1904
01:57:16,000 --> 01:57:19,440
Speaker 8: Yeah, I don't get drop telling me.

1905
01:57:19,560 --> 01:57:23,160
Speaker 15: Get to listen and say something later, ye.

1906
01:57:25,280 --> 01:57:25,880
Speaker 3: Yelling one?

1907
01:57:26,000 --> 01:57:27,760
Speaker 6: They all know ya.

1908
01:57:27,840 --> 01:57:41,760
Speaker 26: Who's who's the goddess rapper in here right now? Somebody that's.

1909
01:57:43,400 --> 01:57:46,000
Speaker 18: Going to take a picture where some of my niggas

1910
01:57:46,040 --> 01:57:48,480
Speaker 18: name gang baby cur do you need you no name?

1911
01:57:48,720 --> 01:57:48,960
Speaker 1: Really?

1912
01:57:49,640 --> 01:57:54,440
Speaker 7: Blame really a pretty black's.

1913
01:57:56,520 --> 01:57:59,760
Speaker 3: L like, oh oh ge you pick on me at

1914
01:57:59,760 --> 01:58:01,160
Speaker 3: a SOMEWHERELD.

1915
01:58:01,200 --> 01:58:02,120
Speaker 2: We got to take the picture of the.

1916
01:58:04,960 --> 01:58:05,280
Speaker 3: Howl?

1917
01:58:06,280 --> 01:58:08,320
Speaker 12: Yes, what is you know?

1918
01:58:08,560 --> 01:58:12,560
Speaker 3: You know you think young a.

1919
01:58:14,120 --> 01:58:15,000
Speaker 6: Right way an night?

1920
01:58:16,320 --> 01:58:16,480
Speaker 11: Right?

1921
01:58:16,800 --> 01:58:17,400
Speaker 6: Come on right?

1922
01:58:18,560 --> 01:58:19,480
Speaker 2: Where was Blanco?

1923
01:58:20,080 --> 01:58:20,680
Speaker 5: You know I