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Speaker 1: The war. Hey y'all, did you hold what the game

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Speaker 1: ship going on? The trusteeslos because it last were headed

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Speaker 1: prosletically Texas Southern University. The Any Vice Out Show is

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Speaker 1: in the building. We are back on the yard again, y'all.

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Speaker 1: What's happening? How many of y'all watched Any Vice South show?

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Speaker 1: How many of y'all seeing that b ET site for

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Speaker 1: last night. We're about to have a great time in here, y'all.

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Speaker 1: We appreciate you guys happening us here, all the faculty,

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Speaker 1: all the student body, and all the alumni. We got

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Speaker 1: some great people that's gonna be on this stage tonight.

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Speaker 1: Texas Southern University. You guys are witnessing the next Kings

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Speaker 1: of comedies. I't you ready to have a great time?

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Speaker 1: Say hell yeah, Texas some University on my left side,

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Speaker 1: if you're ready to have a great time to say

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Speaker 1: hell you, tex To seven University on my right side.

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Speaker 1: If you're ready to have a great time, say hell you.

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Speaker 1: All you guys down here on the floor, if you

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Speaker 1: ready to have a great time, say hell you. The

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Speaker 1: first member after Any Flat South show. You've seen him

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Speaker 1: on b e T. You've seen him on the MTV

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Speaker 1: wiming out. He is a cold distressed in the game,

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Speaker 1: all the way from Washington, d C. T S you

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Speaker 1: give it up. We got Chego being in the house.

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Speaker 1: It ain't nobody clean like Chingo. Be the next member

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Speaker 1: of any Vice out show. You see him everywhere. You

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Speaker 1: see him on b E G. You'll see him on

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Speaker 1: the MTV walming out. We call him loose Flag. You

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Speaker 1: see him in the movie I Got the hooks up

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Speaker 1: to with Masterpiece. He's all the way from the West

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Speaker 1: side of Atlanta. T S you. We got DC, y'all

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Speaker 1: fly in the house. It's down a third member of

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Speaker 1: the Any five South show. He needs no me interduction,

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Speaker 1: so we're gonna give him one anyway. We call him

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Speaker 1: the Sense. He is the coldness in the comedy game

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Speaker 1: right now. T S you. We got Carlos Miller in

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Speaker 1: the build. I'm gonna need everybody to stand up. The

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Speaker 1: Texas is something University stand up. We're about to get

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Speaker 1: this party started. If you fin any fire house show

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Speaker 1: on YouTube, you already know what's about to go on.

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Speaker 1: See's are the next games of comedy? T S do.

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Speaker 1: I'm gonna need you all to make some noise as

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Speaker 1: long as you can start clapping right now. This is

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Speaker 1: to eighty five South Show. Hello, what's ups you? What's

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Speaker 1: up you? I said, yea, here we all here? Hey

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Speaker 1: we here, we all here? Hey, we all here? We

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Speaker 1: all hey, we all we all t S you? Oh,

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Speaker 1: I say, ts you? What's to tell? Said? T S you?

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Speaker 1: What's all? Babe? T S you? What's up? What's all?

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Speaker 1: What's up on this side? Here? Are y'all feelings that here?

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Speaker 1: Where you are to go? They're ready? They ready? Why

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Speaker 1: are you right? I say? What's up? What's up? Why

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Speaker 1: are you? What? We asked? Why are you ask got that?

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Speaker 1: They turned up? Here? She goes, tell you all in

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Speaker 1: hold up? Where you righting? DC? You take that side? Okay?

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Speaker 1: Well you asked you take this side? I got this side?

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Speaker 1: All right? There were this out there anyway ship hold

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Speaker 1: up that over here? What we on this side? What's

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Speaker 1: up on this side? We turned up? Oh that's how

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Speaker 1: you do your go? We lay here on the floor.

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Speaker 1: What's up with the floor with y'all? U uh that

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Speaker 1: the bood deside at the bood deeside in the front,

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Speaker 1: y'all and y'all on this side. Let me see what's

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Speaker 1: side got the lab is sad, sill? My side, tie

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Speaker 1: of my side? Time, Hey, y'all on this side, y'all

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Speaker 1: on this side, and y'all on this side. It's about

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Speaker 1: to go down. Hey, we on this side with it?

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Speaker 1: Turn up? Hey? Why yeah, that's what y'all got, y'all

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Speaker 1: all right, my side, y'all had it? Here we go

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Speaker 1: talk that side? Whoa for that? Sid? Okay? Okay, okay,

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Speaker 1: she goes take it? Thank y'allas fucked up? They gottas

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Speaker 1: fucked up. Okay, I got something for y'all, y'a all ready. Look,

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Speaker 1: y'all ain't made. Y'all ain't made. Y'all ain't babe, y'all

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Speaker 1: ain't made because you sit with y'all must are? How

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Speaker 1: you here we go? Hey? What the funk? Was that?

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Speaker 1: What the okay? Why? I got something for y'all? You

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Speaker 1: don't need know? I've been to this school before. What

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Speaker 1: is for my baby? At? What's missing it? Missing it? Baby?

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Speaker 1: Happen that I miss you? Where you at up? But

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Speaker 1: you know what flying it looked like? Uh misspending on

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Speaker 1: my side? Hey, hey, some people over there with the

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Speaker 1: church folk, Hey, what you got this here? I'm hot?

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Speaker 1: The a c don't work over here? All right, bring

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Speaker 1: your ass back there? All right? There we go, we

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Speaker 1: want there, we go. Hey baby, how you doing? See

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Speaker 1: like I'm what's up darkness? This bitch, this fish? Yeah,

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Speaker 1: so I was whole coming, It's whole coming. This is

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Speaker 1: what this, this is what this caught ship like he

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Speaker 1: folk got the old trees right here? That candy? Ain't

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Speaker 1: it real? Who the who come to queen? Here? When

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Speaker 1: are you at? They didn't pick one yet? I was

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Speaker 1: up stop the mute over here? Who won that? She

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Speaker 1: go right there with the crowd, the queen you've missed?

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Speaker 1: Sing you? Oh you ain't? You ain't making it all

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Speaker 1: the way? What? Oh? No? You got her fucked up?

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Speaker 1: She like whatever, nigga, I'm the ship that's right back.

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Speaker 1: She missed twelfth grade? What miss twelfth grade? I don't

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Speaker 1: playing congratulations twe grade? What miss t s? What's she?

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Speaker 1: She ain't here? She on the way, she coming late.

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Speaker 1: She gotta make an entrance salute to my man from

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Speaker 1: w Honda. We got taking pictures right here. What's up

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Speaker 1: with your right right here? Right? Oh? The nigger with

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Speaker 1: the tanks, oh, thinking like a red garrito stupid And

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Speaker 1: then you got an apron on the fun he got

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Speaker 1: on the dud rag to you had to find that one.

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Speaker 1: Its home boy with the tanktop looked like he musted.

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Speaker 1: That gets you all the whole sidles. Homeboy with the

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Speaker 1: tanktop look like he's finished stripping this smallfucker that had

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Speaker 1: been going to this school for that A yes, Oh

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Speaker 1: what's up baby? That miss as you right there with

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Speaker 1: the white boots. What's up with your girl? You got

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Speaker 1: them pop pop pop pop sugar with you win? Hey

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Speaker 1: dc D see we got ms TS you here. She

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Speaker 1: then showed up with the cowboy boots on the white

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Speaker 1: cowboy boots. We got Mr Health Communication right here. Hold on,

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Speaker 1: what is it? Help administration? Oh but he's looks sick boots.

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Speaker 1: Well you gotta see these boots. She right there, boy

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Speaker 1: with the white boot, white cowboy boots, she got them.

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Speaker 1: Goddamn Rick James boots on that's them. God, fuck your couch,

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Speaker 1: n walk your couch. Oh you Miss t S you

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Speaker 1: turn up, come here, white boots, get up, shoot your ship,

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Speaker 1: cowboy boots. This is what we did. White names gut on,

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Speaker 1: white cowboy boots. She is Miss t S. You where

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Speaker 1: she's the leader of the class. She got the white

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Speaker 1: cowboy boots song, but she still got the big old

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Speaker 1: fat as come on, big bootist t s you don't

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Speaker 1: you like the weird boot waiting for the white sus

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Speaker 1: She like the word boots and she like a weird boots.

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Speaker 1: I can't believe we're waiting for her. We had to

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Speaker 1: wait for that whatever she turned up? So what what? What?

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Speaker 1: Mr T s? You? What? Mr? Ts? Hold up? What happened?

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Speaker 1: Ain't n he not him? They got step practice? Oh boy,

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Speaker 1: step practice secte. Yeah, it's homecoming boy. Them them steppers

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Speaker 1: in somewhere right now practicing like a mother. Do you

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Speaker 1: see what do you step practice? Doing? Two? I ask you?

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Speaker 1: What's up? You make some noise for real? Talk about hey,

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Speaker 1: y'all legendary for having a real grandma set up in here.

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Speaker 1: This's that Renter Center furniture right here. Y'are taking this

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Speaker 1: ship back in the morning. I can look until flipped over. Oh,

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Speaker 1: this is that Renater Center right here. If you wanna

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Speaker 1: pay your bill, they're coming to get this. You don't

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Speaker 1: want to follow this fake ask carpet put this ship together.

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Speaker 1: This looks like some beautiful ship at the ghetto win

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Speaker 1: that they got you didn't The beast and this ship

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Speaker 1: they got to get a winding chance. They got everybody

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Speaker 1: sitting in the white chair. Who's out there? You can

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Speaker 1: tell this a black school. This jim still smells like

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Speaker 1: a basketball game, right the champions in him? Yeah? Ok

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Speaker 1: who went to the NBA? Anybody went to the NBA? Okay, okay?

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Speaker 1: Who I did wasn't to put it on the white

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Speaker 1: the white trees and ship. It's like to get some

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Speaker 1: d This is a miss t as. You you got

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Speaker 1: these white trees, Like if you click your boots together twice,

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Speaker 1: you just show up and these white trees be around.

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Speaker 1: She said, y'all that was my idea. Okay, so you

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Speaker 1: want miss ts she said, whould like to run up? Like?

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Speaker 1: Who almost wanted? Like? Okay, she said, nope not. Did

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Speaker 1: she really stand up and save me? I'm second place

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Speaker 1: three DC? She stood up like like if she ever

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Speaker 1: gets sick, it's gonna be me. You don't see your

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Speaker 1: first alternate ends down? So what you in? You miss first?

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Speaker 1: Your first attendant? She's the first run up. Oh she

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Speaker 1: didn't need to make the list. She's the first runner up.

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Speaker 1: So who who the first run up? She's second it's

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Speaker 1: two of them. It's first attendant in the second tendant.

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Speaker 1: I don't even know why they't tell you the second tendor.

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Speaker 1: That's just a miss you you love, that's likening with you,

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Speaker 1: Like all right, let me tell you who almost want you.

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Speaker 1: They see you know, miss c Is, you'll be walking

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Speaker 1: around campus talking ship. You'll never get the white boots bitch.

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Speaker 1: That's right, I bet they start, you know that. Don't

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Speaker 1: tell them you got socks on it them boots. You

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Speaker 1: ain't being foot. It's that big fat but you got

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Speaker 1: girl you're looking at. Oh, so she gotta be graduated.

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Speaker 1: My stupid as I say, what crazy I ain't never seen.

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Speaker 1: It's many black police off system here. Y'all got going

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Speaker 1: though they ain't real police officers. They just went to pay.

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Speaker 1: They got a whole African dude outside snitching here. They

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Speaker 1: are smoking in their pocket garage. I do not know

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Speaker 1: why they are smoking. They are not even students here.

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Speaker 1: They are asked them to leave, but they did not leave.

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Speaker 1: So I am going to go back around and tell

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Speaker 1: the other aces to come here. And even the real

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Speaker 1: police were like, man, they're snitching. Man ship bir He's like, no,

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Speaker 1: I must let them know that they are smoking here.

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Speaker 1: They need to pat nigger. He's stupid. It's home coming.

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Speaker 1: It's the time to turn up the campus police. You're

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Speaker 1: supposed to are coming from. You ain't doing ship. Oh

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Speaker 1: you got somebody screaming for your call? Real for me?

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Speaker 1: That cold, it was hurt. You're a quick playing with me.

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Speaker 1: I can't funk with these college women. They want the

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Speaker 1: fun all night, all night. I tell y'all, college girls,

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Speaker 1: whoof that's what you're talking about? To do something to you? Yeah,

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Speaker 1: I don't work with the college when they want to

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Speaker 1: suck all night. I was working with this young baby.

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Speaker 1: We fuck four times, and one night she got up

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Speaker 1: and put her pantis on. I was like, what is

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Speaker 1: you going? Man? They're real. They bade four times a week.

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Speaker 1: You don't want them. They work hard, That's why they

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Speaker 1: be musty. Sometimes you gotta eight o'clock. You don't get

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Speaker 1: off till nine thirty your night. You just spread your

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Speaker 1: classes around. You'd have been outside in this Texas heat

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Speaker 1: all they used to like football. Man, I don't trust

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Speaker 1: no girl who got baby whites. But you ain't got

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Speaker 1: no baby. You don't like the baby. I up and

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Speaker 1: Joe when they got you set up a motherfucker. They boy,

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Speaker 1: you looking like a whole Look how they got Joe

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Speaker 1: when set up in the white tip here looking like

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Speaker 1: an angel. You didn't you did not see they put

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Speaker 1: it in, dude, Oh they got a shadow. Who y'all

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Speaker 1: did y'all think fantation was coming to night while y'all

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Speaker 1: set this ship up like this. They gotta they gotta

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Speaker 1: take out all this ship chain call us. Oh you

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Speaker 1: didn't turned on the lights? Uh huh in daytime? Nighttime?

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Speaker 1: It was one little ful Christmas. Hey, baby, all run

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Speaker 1: with me. You ain't gonna graduate. You better stop flying. Man.

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Speaker 1: It's home coming to Tea as You. This is my

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Speaker 1: first time coming to Tea as You. Home Coming man, y'all,

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Speaker 1: y'all here about three years Grape, y'all home, come and

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Speaker 1: get live. Y'all home come and turned up. I always

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Speaker 1: wonder what t as You home coming was like. You know,

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Speaker 1: Black HBCU home coming is different. Man, like the alumni

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Speaker 1: with alumni at any alumni in the bid. Nope, there's

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Speaker 1: some people that are still in freshman's when I came

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Speaker 1: here three years ago. Hey, alumni, y'all, y'all listen for

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Speaker 1: all the undergrads. Let me tell you something about the alumni.

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Speaker 1: Just look at the alumni this weekend. This is what

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Speaker 1: you got to look forward to, because these motherfuckers used

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Speaker 1: this weekend to come and let all their responsibilities go.

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Speaker 1: They come and funk all the people they should have sucked.

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Speaker 1: An undergrad get drunk, walk around campus with them old

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Speaker 1: motherfucking T shirts on the ship. That's what it is

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Speaker 1: when here shout out to all the women. That's alumni

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Speaker 1: that used to be fan. Now you build like a

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Speaker 1: lunch later. Ah, and that's when they want to give

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Speaker 1: you the pussy. But can't you be I'm not without graduating, No,

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Speaker 1: I mean I went no. If you got an I

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Speaker 1: d that say you went only alumni if you graduated,

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Speaker 1: you just went here. If you went here, But you

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Speaker 1: like alumni because you help other people graduate. See, black

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Speaker 1: people got two levels of being finished with college. You

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Speaker 1: like and wait and finish right like did you graduate? No,

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Speaker 1: nig But I'm finished tried. That makes sense. I want

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Speaker 1: to school for six months. I said that the refund

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Speaker 1: checking an't come quick enough. The day I dropped out.

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Speaker 1: You dropped out the day you got your rebund as

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Speaker 1: soon as I got my refund check out. Boy, you'd

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Speaker 1: be needing that refund check, don't you. I thought I

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Speaker 1: was up sell old five. I remember I had twelve

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Speaker 1: out of six six. I walked out of school, had

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Speaker 1: all my bangs. I said, I'm starting to be grown. Ship,

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Speaker 1: you be in that financial eight line line be loan

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Speaker 1: in the motherfucker. You'd be like, Ship, I know they're

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Speaker 1: gonna have my ship when I get up here. I

254
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Speaker 1: have been standing here for twenty minutes. Let me tell you.

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Speaker 1: Get up here, you be like, yeah, what's your number?

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Speaker 1: One to six to three? Last name being? Okay, let

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Speaker 1: me check? Uh No, we don't have yours yet, bitch.

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Speaker 1: Look all right, this is my third time coming up

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Speaker 1: this motherfucker. I I'm tired of eating this bullshit with

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Speaker 1: my money yet. I ain't got no gas. Helped me? Please?

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Speaker 1: Did the little lady behind? Sorry, sir, it's nothing I

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Speaker 1: can do. I can't do anything so to get financial aid,

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Speaker 1: they'll be asking you a question you don't even know

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Speaker 1: how to get the answer to. How much money did

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Speaker 1: your grandma making? Seven? What's your father's middle name? I

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Speaker 1: don't even know this, snigger. You can tell you. I'll

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Speaker 1: feel out you'll faster. You ain't feel out your fast?

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Speaker 1: We feel mine? Who filled out your hors? Somebody's tiss

269
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Speaker 1: you get off the phone. What you're doing ordering some

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Speaker 1: new boots. No, she's talking to her horse. She talking

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Speaker 1: to that nigga she fun with baby. I'm at the show.

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Speaker 1: I promise no funk that you would the white boots.

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Speaker 1: Then't you got your heads? I'm gonna kill you. What

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Speaker 1: did you find them? Boots and Burlins and co Factory

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Speaker 1: up under some ship? You found them boots up under

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Speaker 1: some ship? They didn't even haven no fox. They were

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00:19:15,000 --> 00:19:19,239
Speaker 1: just clashed together at the top together. Could have had

278
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Speaker 1: to find the other one. One was over there bout

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Speaker 1: the shoes. The other one was in the beat section.

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Speaker 1: Danny had no price on him. How much these is?

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Speaker 1: I guess you just get the number. Just give us something.

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Speaker 1: I'll tell you one thing, though t s you y'all

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Speaker 1: got some beautiful women at this school. Yes, y'all do,

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Speaker 1: God damn, yes y'all do. I was saying, y'all walk in.

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Speaker 1: I was like, nigga, I'm about to enroll. I've seen

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Speaker 1: by phone with a waist training on though buch love

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Speaker 1: to all the ladies who got their waist train on,

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Speaker 1: but your stomach still big whatever, you too, don't worry

289
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Speaker 1: about the way latest said. This is like a snack

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Speaker 1: wrapped nigger. You ever been in that daughters that got

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Speaker 1: one chickens? They don't be wrapped right with this school

292
00:20:14,640 --> 00:20:19,840
Speaker 1: bron Yeah, so stupid. Hey, Fellers, real talk. Hey, hey,

293
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Speaker 1: ain't one of the craziest possible been when you become

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Speaker 1: an upper classman in college, Fellers and the freshman come

295
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Speaker 1: in and you'd be like, Nigga, I don't want to

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Speaker 1: be a nasty nigger, but this young bitch got the

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Speaker 1: fattest ass ever. And they'd be so green, which way

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Speaker 1: to the calf? You'd be like, come on, baby, I'll

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Speaker 1: show you. Come on, I'll show you exactly how to

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Speaker 1: get there. Come onto the cake walk with me, Walk

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Speaker 1: with me. Pu'sh your name? Height? Yeah, where you're from? Okay, Yeah,

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Speaker 1: he's a pedophile. That's how you see when you be

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Speaker 1: in college, man, the freshman couple as you win school,

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Speaker 1: but once you get out of school, all you niggas

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Speaker 1: that graduating and still be on campus, you should be

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Speaker 1: ashamed of yourself. Right, freaky ass niggers get a job.

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Speaker 1: Get the last I'm not you'd be walking around campus niggas. No,

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Speaker 1: you don't go here no more? What's over ya? What's

309
00:21:08,960 --> 00:21:11,359
Speaker 1: going down? They can take your ass home. Nick, you

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00:21:11,440 --> 00:21:15,840
Speaker 1: had all the home basketball games. Go home. She don't

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Speaker 1: win it. Got her friend with some mother big shoes,

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00:21:22,040 --> 00:21:26,040
Speaker 1: that's who that's you. M Look how fun you gotta

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Speaker 1: sit back? That's sucked up. They ain't he got her? No,

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Speaker 1: see yeah going back there about go sit back in

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Speaker 1: the other grill. The first all to me, Oh gee,

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Speaker 1: what you do? What you got your old what you here?

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Speaker 1: He's like, God, damn nigga, Yeah, I'll see you. Limo driver.

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Speaker 1: You know who he looked like. He looked he looked

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Speaker 1: like the nigger from Coming to America. That saying she's

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Speaker 1: your queen to be come out here on the home

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Speaker 1: coming on the home coming committee. Okay, that's coming committee

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Speaker 1: right here. So who y'all got coming for the concert?

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Speaker 1: Who max O Cream, Young Louis? All the fights and

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Speaker 1: who gonna Okay, that's what it is. And you gotta

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00:22:24,600 --> 00:22:26,600
Speaker 1: be careful when you come to an HBCU because some

326
00:22:26,680 --> 00:22:29,560
Speaker 1: of them home coming concerts be disrespectful. But like who

327
00:22:29,600 --> 00:22:34,600
Speaker 1: we got j kwan coming, we got chingy, we got

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Speaker 1: called Thomas. I can't get us fat called Thomas, now

329
00:22:38,880 --> 00:22:42,840
Speaker 1: called Thomas Crazy? Which Carl Thomas song? You're like with

330
00:22:42,960 --> 00:22:49,240
Speaker 1: the curls, with the curls ring. I feel like you

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Speaker 1: can only perform that in the summer though you can't

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Speaker 1: see summer ringing the fall and looking at the young

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Speaker 1: cheers down. Nothing about that. Got quiet over there. It's

334
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Speaker 1: called Thomas. You gotta see SpongeBob preas up. Look at

335
00:23:10,760 --> 00:23:14,120
Speaker 1: the white cairl code out, Halo, come out, come out,

336
00:23:14,520 --> 00:23:17,960
Speaker 1: enjoy yourself. Yeah, the white girl coming down. Hey, white girl. Hey,

337
00:23:18,240 --> 00:23:20,400
Speaker 1: that's how equipment. She's just checking up on it. Yeah,

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00:23:20,480 --> 00:23:27,120
Speaker 1: the lights still work. So do y'all do this every year?

339
00:23:27,359 --> 00:23:30,240
Speaker 1: Y'all had this event every year like the midnight late

340
00:23:30,400 --> 00:23:36,560
Speaker 1: night comedy show who y'all had? I will hear you?

341
00:23:40,880 --> 00:23:43,560
Speaker 1: And just here you want here? You just got here

342
00:23:44,800 --> 00:23:51,440
Speaker 1: with a freshman that hey, freshman, ladies don't walk around

343
00:23:51,440 --> 00:23:53,960
Speaker 1: and get pregnant by local this weekend. And that happened

344
00:23:54,000 --> 00:23:57,119
Speaker 1: to you put up on him swingers. You think that

345
00:23:57,240 --> 00:24:00,399
Speaker 1: nigga go here? Nope, he is a dope from the

346
00:24:00,480 --> 00:24:03,960
Speaker 1: civil ward. That's what local. What the South more is

347
00:24:04,000 --> 00:24:10,919
Speaker 1: that them freaking motherfucker's right there? Some of them still freshman.

348
00:24:10,960 --> 00:24:13,480
Speaker 1: They're lying. You know, you ain't got the credits yet.

349
00:24:14,320 --> 00:24:16,760
Speaker 1: They're gonna be somethingmoes by the end of this sust

350
00:24:16,880 --> 00:24:19,000
Speaker 1: They're not wrong with going to repeated freshman ship. Get

351
00:24:19,119 --> 00:24:26,600
Speaker 1: start over a Lesia here, Julius. Okay, back to graduate, Okay, okay,

352
00:24:27,080 --> 00:24:32,040
Speaker 1: but the seniors why to say yours and you got

353
00:24:32,119 --> 00:24:35,840
Speaker 1: your credits though you got your credits right, well, you

354
00:24:35,920 --> 00:24:38,680
Speaker 1: said the credits. Let people right, have you got to

355
00:24:38,760 --> 00:24:41,000
Speaker 1: ask two questions when you had hbc U. You say

356
00:24:41,040 --> 00:24:43,959
Speaker 1: we're the seniors. Then you gotta say we're a graduating seniors.

357
00:24:46,920 --> 00:24:50,840
Speaker 1: They like somebody lying, You're gonna be mad. And you

358
00:24:50,920 --> 00:24:53,800
Speaker 1: asked that question? Why boy? Because she jumped up and

359
00:24:53,880 --> 00:24:57,560
Speaker 1: she was waving like that, and they're all was soft that,

360
00:24:58,400 --> 00:25:04,320
Speaker 1: you know, So that's yeah, like a little water band.

361
00:25:05,520 --> 00:25:08,040
Speaker 1: Some of y'all graduating senior's gonna go to that line

362
00:25:08,080 --> 00:25:09,960
Speaker 1: to get your cabin gown. They're gonna hit your ass

363
00:25:10,000 --> 00:25:14,840
Speaker 1: with the you say your name is what we don't

364
00:25:14,880 --> 00:25:17,680
Speaker 1: We don't have you on here, baby, But I told

365
00:25:17,760 --> 00:25:22,359
Speaker 1: my mama was walking. Sorry, sorry, man, you're going to

366
00:25:22,400 --> 00:25:24,280
Speaker 1: tell your mama that you lie because we don't have

367
00:25:24,440 --> 00:25:28,400
Speaker 1: your name, that you're walking home with the outstanding ballets

368
00:25:29,600 --> 00:25:31,960
Speaker 1: and listen to I don't know if they go on

369
00:25:32,080 --> 00:25:34,439
Speaker 1: to ts you, but if the campus polie is in here,

370
00:25:34,480 --> 00:25:36,760
Speaker 1: hey man, funk y'all for not letting us graduate from them.

371
00:25:36,800 --> 00:25:39,680
Speaker 1: Goo fast parking tickets. Y'all be giving nigger You gotta

372
00:25:39,720 --> 00:25:42,800
Speaker 1: pay your parking ticket balance before you graduated. Yeah, they

373
00:25:42,880 --> 00:25:46,520
Speaker 1: give you parking ticket on campus. I wish the nigga

374
00:25:46,560 --> 00:25:49,960
Speaker 1: would write me up parking ticket at school. You don't

375
00:25:49,960 --> 00:25:54,320
Speaker 1: get this ship. I got a scooter. You gotta pay

376
00:25:54,840 --> 00:25:57,639
Speaker 1: ten thousand dollars a semester, then they may Yeah, you're

377
00:25:57,640 --> 00:25:59,600
Speaker 1: gonna have to pay a hundred ninety dollars for parking

378
00:25:59,640 --> 00:26:02,280
Speaker 1: paths and ain't know where to park. Ain't that a bit?

379
00:26:05,160 --> 00:26:06,680
Speaker 1: I wonder where they had them to their tables in

380
00:26:06,720 --> 00:26:12,359
Speaker 1: the back for y'all. Can they had no seats? All

381
00:26:12,440 --> 00:26:14,280
Speaker 1: that needs that point to be starting on. Oh, y'all

382
00:26:14,320 --> 00:26:16,960
Speaker 1: got money, money, y'all got food in this bit. Oh yeah,

383
00:26:17,000 --> 00:26:23,080
Speaker 1: they're doing it big, but it's Texas money. You did that,

384
00:26:23,160 --> 00:26:27,520
Speaker 1: mis tsue? You coordinated this? Like okay, did you ship,

385
00:26:28,040 --> 00:26:30,000
Speaker 1: fun with it. That's why you get doing the big

386
00:26:30,080 --> 00:26:36,840
Speaker 1: boots because you want boss. Where are you from? Baby Chicago? Okay?

387
00:26:37,320 --> 00:26:40,520
Speaker 1: Anybody else in from Chicago? Who we got in this month? Ucker?

388
00:26:40,880 --> 00:26:47,680
Speaker 1: I know? I know, Texas, Houston in here? What Dallas said,

389
00:26:47,720 --> 00:26:51,120
Speaker 1: What Dallas said? I already know y'all, look at all.

390
00:26:51,200 --> 00:26:56,520
Speaker 1: I'll tell it all my part. No April, Dallas, niggas

391
00:26:56,560 --> 00:27:02,080
Speaker 1: be everywhere except Dallas, I Megan, don't never be in Dallas.

392
00:27:02,160 --> 00:27:06,160
Speaker 1: Just arewell. I'm from Dada, but you didn't San Antonio nigga?

393
00:27:06,200 --> 00:27:13,040
Speaker 1: What anybody from San Antonio here? I do? I raise chickens, dude.

394
00:27:14,080 --> 00:27:21,000
Speaker 1: Anybody from Galveston and this mother? What about Austin ship

395
00:27:22,320 --> 00:27:24,520
Speaker 1: o rain on the farm with a moat, with a

396
00:27:24,600 --> 00:27:27,639
Speaker 1: moat with a with a bigger places? Yeah? I know

397
00:27:27,760 --> 00:27:29,800
Speaker 1: it's some little places. Now what bow money and bow

398
00:27:29,880 --> 00:27:37,560
Speaker 1: money in this bit? Louisiana, isn't it? Okay? Mississippi and

399
00:27:37,560 --> 00:27:41,640
Speaker 1: in it? What about the latter? And yeah, we ain't

400
00:27:41,640 --> 00:27:44,560
Speaker 1: coming there far ship. I'm from d C. I know

401
00:27:44,640 --> 00:27:46,800
Speaker 1: it ain't. No motherucker's here from where I'm from. Just

402
00:27:47,000 --> 00:27:49,520
Speaker 1: that one girl right there appreciate you think it could

403
00:27:49,560 --> 00:27:55,600
Speaker 1: come there far? They're like tendon to far, I love you.

404
00:27:56,960 --> 00:28:02,320
Speaker 1: What would you say? What do you say? What? What's

405
00:28:02,320 --> 00:28:08,760
Speaker 1: the fund? Is the for California? Baby's califorce? Hollo, Wait

406
00:28:08,800 --> 00:28:14,399
Speaker 1: a minute, California's from California. Damn y'all try to get

407
00:28:14,440 --> 00:28:17,120
Speaker 1: a white ain't from no, damn California. They mama moved

408
00:28:17,119 --> 00:28:19,439
Speaker 1: out here when they was two years old. You've been

409
00:28:19,480 --> 00:28:22,280
Speaker 1: you from Houston. Boy, you gotta see this ship. That

410
00:28:22,400 --> 00:28:28,800
Speaker 1: police officer's shirts so small you can see his undershirt. Hey,

411
00:28:29,040 --> 00:28:30,960
Speaker 1: keeping one hunting officer and y'll be trying to funk

412
00:28:30,960 --> 00:28:36,800
Speaker 1: with the students. You think, yes, y'all do y'all stop

413
00:28:36,880 --> 00:28:39,960
Speaker 1: before he tells you. And I know there's too many

414
00:28:40,000 --> 00:28:41,720
Speaker 1: bad women on this game, but I know y'all need

415
00:28:42,000 --> 00:28:48,640
Speaker 1: look baby now would take you in. But that's all, dude.

416
00:28:48,640 --> 00:28:50,760
Speaker 1: They always want to be talking to the student. They

417
00:28:50,880 --> 00:28:52,560
Speaker 1: just be standing there talking to the teachers for a

418
00:28:52,600 --> 00:28:56,040
Speaker 1: full hour. You know, I stood a little biology, you know, Oh,

419
00:28:56,120 --> 00:28:58,520
Speaker 1: I got into low enforcement. Ain't no police officer something

420
00:28:58,560 --> 00:29:03,080
Speaker 1: low enforcement? You know the police in school. Police ain't

421
00:29:03,120 --> 00:29:07,000
Speaker 1: read in the real police. No, they not. You go

422
00:29:07,120 --> 00:29:09,840
Speaker 1: outside on the curve, you can't do that over here.

423
00:29:10,760 --> 00:29:14,200
Speaker 1: You almost broke that goddamn table table fate. No, that's

424
00:29:14,200 --> 00:29:17,920
Speaker 1: a real glass right there, that's on tea table that's

425
00:29:17,960 --> 00:29:24,040
Speaker 1: missing the nil. You're not gonna up. We're not gonna

426
00:29:24,080 --> 00:29:25,600
Speaker 1: suck it up. We know this got to go back

427
00:29:25,640 --> 00:29:28,520
Speaker 1: in somebody apartment when we finished that, going back to

428
00:29:28,600 --> 00:29:33,400
Speaker 1: run a center's such. It's good. This is about a

429
00:29:33,440 --> 00:29:37,520
Speaker 1: good about twelve eighty. Yeah, this is the This is

430
00:29:37,640 --> 00:29:39,760
Speaker 1: the couches where you get the most puzzy at in

431
00:29:39,840 --> 00:29:42,200
Speaker 1: college because you gotta sit there and watch that movie

432
00:29:42,280 --> 00:29:50,120
Speaker 1: for an hour. That's if your wife found you ain't

433
00:29:50,120 --> 00:29:51,560
Speaker 1: got a wife. Fire. You gotta have a hell of

434
00:29:51,600 --> 00:29:55,920
Speaker 1: a game. You ever have one? Come to the crib

435
00:29:56,000 --> 00:29:57,600
Speaker 1: and have three home girls just be sitting on the

436
00:29:57,680 --> 00:30:01,560
Speaker 1: camp looking stupid. Why do y'all do that? Ladies? You

437
00:30:01,640 --> 00:30:04,680
Speaker 1: got something to eat? Why do y'all do hey? Home

438
00:30:04,760 --> 00:30:07,400
Speaker 1: girls sitting on the couch hongry as a mother and

439
00:30:07,440 --> 00:30:09,840
Speaker 1: it's a big girl on that breathing heavy here. What

440
00:30:10,040 --> 00:30:19,080
Speaker 1: y'all going to do? Yeah, us ladies, y'all always been Hey,

441
00:30:19,120 --> 00:30:21,480
Speaker 1: I'm a come by my home girls coming with me.

442
00:30:22,560 --> 00:30:25,160
Speaker 1: Y'all will not let us bring our homeboys to y'all house?

443
00:30:25,200 --> 00:30:27,000
Speaker 1: And be like, yeah, my man, coming women. What the

444
00:30:27,000 --> 00:30:29,000
Speaker 1: fund y'all think going on over here? What y'all trying

445
00:30:29,080 --> 00:30:30,760
Speaker 1: on a train? They'll never want to tell you how

446
00:30:30,800 --> 00:30:34,280
Speaker 1: they look, how they look. They're my friends. I don't

447
00:30:34,280 --> 00:30:37,120
Speaker 1: have enough egnant friends. All right? Then they bring the

448
00:30:37,160 --> 00:30:39,240
Speaker 1: home girls. You don't be ugly, but it be something

449
00:30:39,240 --> 00:30:41,080
Speaker 1: wrong with it that you can't funk with. Like you

450
00:30:41,200 --> 00:30:43,240
Speaker 1: look at her nick and she's been shaving or something

451
00:30:44,880 --> 00:30:47,080
Speaker 1: she got exceba right here. You can't even lick at

452
00:30:47,200 --> 00:30:53,520
Speaker 1: Nick and it's the same count you'd be sitting on

453
00:30:53,680 --> 00:30:56,080
Speaker 1: when she tell you she ain't coming, When she tell

454
00:30:56,120 --> 00:30:57,640
Speaker 1: you she can't make it through that to night, you'll

455
00:30:57,640 --> 00:30:59,640
Speaker 1: be on the floor of the dumb man position. See man,

456
00:30:59,680 --> 00:31:04,120
Speaker 1: you be bullshit play too, you see you coming, man,

457
00:31:04,240 --> 00:31:07,880
Speaker 1: it's see man play. When you're in college, you know

458
00:31:07,960 --> 00:31:10,120
Speaker 1: when they come through the really doing fellas, you come

459
00:31:10,120 --> 00:31:13,000
Speaker 1: through with them Lottle shorts on them, Lotter shorts out.

460
00:31:13,080 --> 00:31:14,720
Speaker 1: Don't they know what type of short they'd be like

461
00:31:14,800 --> 00:31:17,160
Speaker 1: them Russell shorts side of the wall they called by

462
00:31:17,200 --> 00:31:19,520
Speaker 1: short little booty shorts and a T shirt. You got

463
00:31:19,600 --> 00:31:21,959
Speaker 1: that hair rap ball you'd be like and them flip flops.

464
00:31:21,960 --> 00:31:25,160
Speaker 1: You like she got that swaters ain't got no shirt

465
00:31:25,240 --> 00:31:28,880
Speaker 1: on under this water trying to be playing that move.

466
00:31:29,040 --> 00:31:31,480
Speaker 1: You play that little move through the shorts, you go

467
00:31:31,600 --> 00:31:35,760
Speaker 1: through the bottom of the short and Bro, you'd be

468
00:31:35,840 --> 00:31:38,040
Speaker 1: so thirsty you don't even be looking at what's on

469
00:31:38,120 --> 00:31:42,600
Speaker 1: their T shirt. See you gotta be arid. That's a

470
00:31:42,680 --> 00:31:45,280
Speaker 1: real boy friend T shirt. Phillas start reading that shirt.

471
00:31:46,160 --> 00:31:49,720
Speaker 1: That shirt say T s U football athletic department. You

472
00:31:49,840 --> 00:31:52,960
Speaker 1: know she played no goddamn football. What's in your short?

473
00:31:53,600 --> 00:31:57,920
Speaker 1: Sit huge, it'd be from another school. And Ship bids travels.

474
00:31:57,960 --> 00:32:01,960
Speaker 1: He's a travel hard. Salute dollar niggas up top that

475
00:32:02,240 --> 00:32:04,520
Speaker 1: came late because y'all was drinking and smoking, and Ship

476
00:32:04,640 --> 00:32:06,160
Speaker 1: y'all want to be to get out of here early.

477
00:32:06,240 --> 00:32:08,560
Speaker 1: Salute to y'all. Nigga's up top them nigga cute dollars,

478
00:32:08,640 --> 00:32:12,120
Speaker 1: y'all cute out. I can tell that look like they're

479
00:32:12,120 --> 00:32:31,360
Speaker 1: ready to eat ass a cute doll I don't never

480
00:32:31,440 --> 00:32:35,239
Speaker 1: know what to sit down. They're just standing up them

481
00:32:35,320 --> 00:32:39,080
Speaker 1: cute dog niggers, a wedding boots everywhere. Nig at the

482
00:32:39,160 --> 00:32:40,960
Speaker 1: job interview. Hey, how are you doing, nigga? Do you

483
00:32:41,080 --> 00:32:44,120
Speaker 1: have on the probate boots at the sea and the

484
00:32:44,240 --> 00:32:51,760
Speaker 1: funeral with no motherfucker and they would crying like, hey, no,

485
00:32:51,920 --> 00:32:54,320
Speaker 1: I'll be scared to have a cute dog at my funeral. Man,

486
00:32:54,360 --> 00:32:57,200
Speaker 1: Them niggas around be carrying the cast. Get outside, somebody

487
00:32:57,280 --> 00:32:59,400
Speaker 1: ripe past playing the stomic dog. Them nigga is gonna

488
00:32:59,440 --> 00:33:07,200
Speaker 1: drop your can skip who who? Hell? Nah? You got

489
00:33:07,320 --> 00:33:11,640
Speaker 1: y'all got all the divine night here is stupid? All right? Okay,

490
00:33:11,760 --> 00:33:13,560
Speaker 1: so we already got the cute dogs with the cute

491
00:33:13,560 --> 00:33:20,720
Speaker 1: dogs that they ain't go top with the ak boy

492
00:33:20,760 --> 00:33:26,080
Speaker 1: them ak a sound like your brake's gone baden, I

493
00:33:26,160 --> 00:33:27,800
Speaker 1: need to take my ship to get a tune off.

494
00:33:28,760 --> 00:33:31,000
Speaker 1: My ship sounds like a k a nigger got got

495
00:33:31,760 --> 00:33:44,320
Speaker 1: My motherfucking breaks is fucked up. My runs is bad. Bro.

496
00:33:44,480 --> 00:33:47,600
Speaker 1: They're saying ski week ski. YEA thought they were saying

497
00:33:47,680 --> 00:33:51,080
Speaker 1: we we like they want some wee week Nah. They're saying,

498
00:33:51,200 --> 00:33:55,520
Speaker 1: ski on me ski. That's what you gotta do. Fly.

499
00:33:56,280 --> 00:33:57,800
Speaker 1: If you ever if you ever get to hit a

500
00:33:58,040 --> 00:34:00,480
Speaker 1: k a a fellas, if you ever get the blessing

501
00:34:00,520 --> 00:34:01,920
Speaker 1: to hear the a K were you're about to not

502
00:34:02,040 --> 00:34:11,040
Speaker 1: just be like hey, baby, I'm about to get us up,

503
00:34:12,080 --> 00:34:20,279
Speaker 1: get us who else? What a death is? That ship

504
00:34:20,440 --> 00:34:30,239
Speaker 1: sounds like a stupid owl? Who uh us? I'm gonna child.

505
00:34:30,239 --> 00:34:32,200
Speaker 1: I love a delta. What is zata? Is that? That's

506
00:34:32,200 --> 00:34:35,760
Speaker 1: why I have an elephants? Just one? Well, hey, baby,

507
00:34:36,760 --> 00:34:40,480
Speaker 1: salute to you. You are a special persons, the one

508
00:34:40,560 --> 00:34:46,839
Speaker 1: that's like Rode in the Blues Rose three one. You're

509
00:34:46,840 --> 00:34:48,680
Speaker 1: the one that kind of had to sign a promission slip.

510
00:34:51,960 --> 00:34:54,839
Speaker 1: Who ell here, chicot se al right when the cap

511
00:34:55,000 --> 00:35:05,319
Speaker 1: is that, y'all stupid Them niggas, Boy, them niggas, Them

512
00:35:05,440 --> 00:35:09,040
Speaker 1: niggas getting sexy for no reason. Fly them niggas getting

513
00:35:09,040 --> 00:35:12,600
Speaker 1: sexy for no reason. Them niggas be anywhere you be

514
00:35:12,680 --> 00:35:14,799
Speaker 1: at the motherfucker's, you'd be in the grocery store. Them

515
00:35:14,840 --> 00:35:16,560
Speaker 1: niggas be like, hey man, we'll open thezation you play.

516
00:35:16,680 --> 00:35:22,160
Speaker 1: You already know what it is. That kick nick do

517
00:35:22,320 --> 00:35:26,320
Speaker 1: that kid trying to do that go hit that go

518
00:35:26,600 --> 00:35:34,480
Speaker 1: hit there being for the home coming. Come on, he

519
00:35:34,640 --> 00:35:37,759
Speaker 1: can't get that load. Snick a pair two tight, Oh,

520
00:35:38,000 --> 00:35:42,279
Speaker 1: he can't get that load. There it is. And then

521
00:35:42,320 --> 00:35:44,799
Speaker 1: he did that role. He was like, Yeah, that's gonna

522
00:35:44,800 --> 00:35:46,960
Speaker 1: do it. That nigga did that role. That nigga titty

523
00:35:46,960 --> 00:35:50,279
Speaker 1: started shaking. He was like Chico, there was chet over this.

524
00:35:51,920 --> 00:35:55,560
Speaker 1: I think I had a church shirt on. All right,

525
00:35:57,920 --> 00:36:02,239
Speaker 1: what a bad fraternity? What the ca case out y'all that? Hey,

526
00:36:02,320 --> 00:36:05,080
Speaker 1: they got the coldest move there? You go up, nigger?

527
00:36:06,120 --> 00:36:12,840
Speaker 1: Who y'all at sigmas? What the sigmas are? Yeah, y'all know,

528
00:36:13,000 --> 00:36:16,520
Speaker 1: y'all don't know each other? Answer his own response, he't

529
00:36:16,520 --> 00:36:19,600
Speaker 1: know them, niggers don't know each other? What do you? Hey? Huh?

530
00:36:19,719 --> 00:36:27,399
Speaker 1: What do you say? Somebody? What I old us? Hey?

531
00:36:27,880 --> 00:36:32,680
Speaker 1: Salute to you, bro, Hey, I salute to the olders.

532
00:36:32,719 --> 00:36:34,279
Speaker 1: I don't know where y'all be at, but y'all got

533
00:36:34,360 --> 00:36:37,560
Speaker 1: the coldest move all the fraternities. I don't give this

534
00:36:37,640 --> 00:36:44,279
Speaker 1: ship hit. What the fund is that? I don't know?

535
00:36:44,760 --> 00:36:46,279
Speaker 1: You do that in the fight. You're gonna get your

536
00:36:46,280 --> 00:36:49,600
Speaker 1: asks up and tell you that. All right? What the alphas?

537
00:36:49,640 --> 00:37:01,960
Speaker 1: That any alphas in here? All right? Niggas is cors funning? Okay,

538
00:37:02,840 --> 00:37:05,719
Speaker 1: salute to the alpha's. I'm my alpha man. So yeah,

539
00:37:06,400 --> 00:37:08,919
Speaker 1: your ship there, altpha? You say, what do y'all ship?

540
00:37:10,160 --> 00:37:11,880
Speaker 1: I ain't got the knees for that. Ship no more. No,

541
00:37:12,400 --> 00:37:13,880
Speaker 1: I wunk around and try to step in here, and

542
00:37:13,880 --> 00:37:16,400
Speaker 1: they got my booboo a little bit. My ship fucked up.

543
00:37:19,320 --> 00:37:21,880
Speaker 1: Salute to the Alphas though, But hey man, hey, bro's

544
00:37:21,960 --> 00:37:24,160
Speaker 1: real quick piece of advice. You niggas don't have to

545
00:37:24,200 --> 00:37:27,560
Speaker 1: be so serious about everything. You niggas with dress hues

546
00:37:27,600 --> 00:37:30,440
Speaker 1: to a basketball game, you're like, yeah, check up if

547
00:37:30,440 --> 00:37:37,640
Speaker 1: you don't take them. Yeah, they get yeah, they go

548
00:37:37,760 --> 00:37:41,279
Speaker 1: one man, y'all represent they had bad practice, you know,

549
00:37:41,320 --> 00:37:44,040
Speaker 1: they gotta get ready for home coming down that that

550
00:37:44,200 --> 00:37:45,840
Speaker 1: that that little move y'all got right now, that's it

551
00:37:46,000 --> 00:37:50,000
Speaker 1: so smooth. Everybody who not in no organization. You've got

552
00:37:50,080 --> 00:37:54,960
Speaker 1: like three friends, you got like you got like three friends.

553
00:37:55,040 --> 00:37:57,560
Speaker 1: But y'all keep a blunt and something to drink. Y'all

554
00:37:57,600 --> 00:38:00,680
Speaker 1: eat good, you know what we call them? Some more

555
00:38:00,719 --> 00:38:03,400
Speaker 1: shoutouts me find me up. Shout out to all the

556
00:38:03,440 --> 00:38:07,719
Speaker 1: women who do hell in the dorm right and be

557
00:38:07,880 --> 00:38:10,440
Speaker 1: doing half flying fish on a George Foreman. How the

558
00:38:10,520 --> 00:38:12,680
Speaker 1: funk she did that? Shout out to the ones who

559
00:38:12,760 --> 00:38:15,439
Speaker 1: tried to join the return but you got scared. Yeah,

560
00:38:15,520 --> 00:38:19,279
Speaker 1: they was almost in there till they asked for the money. Yeah,

561
00:38:19,320 --> 00:38:22,879
Speaker 1: that money you're making wit, especially if you're a young mother,

562
00:38:23,440 --> 00:38:29,200
Speaker 1: it'll be yeah. But no, no, no, no, they don't

563
00:38:29,239 --> 00:38:37,200
Speaker 1: do that. They don't do that. The Divine Yes non

564
00:38:37,400 --> 00:38:44,160
Speaker 1: hazing organization. Do you want to join? Yes, Get off

565
00:38:44,239 --> 00:38:48,600
Speaker 1: your knees, nigger. How many times are you going? You're

566
00:38:48,640 --> 00:38:51,799
Speaker 1: not supposed to be on your knees? Man? Hellotle bro,

567
00:38:51,920 --> 00:39:02,759
Speaker 1: what do you want to join it? Yeah? Fun, get

568
00:39:02,840 --> 00:39:09,360
Speaker 1: off your knees to do to the white man? Right man?

569
00:39:10,480 --> 00:39:14,400
Speaker 1: Slap your ass him? What you over there? Acting like

570
00:39:14,480 --> 00:39:19,080
Speaker 1: he owned the chim What time is this over? Yeah?

571
00:39:19,120 --> 00:39:21,600
Speaker 1: What's that? What's you? What you do sir? What do

572
00:39:21,719 --> 00:39:25,759
Speaker 1: you do? Whatever the funk I want? Are you? He

573
00:39:25,880 --> 00:39:29,520
Speaker 1: owned a community church down the street. Count s any

574
00:39:29,600 --> 00:39:33,120
Speaker 1: fucking questions. I'll shut this ship. He got four people

575
00:39:33,160 --> 00:39:39,239
Speaker 1: at his church. Y'all band talked up. Y'all got a

576
00:39:39,280 --> 00:39:43,680
Speaker 1: dope bass bangs? That's really who make the home coming?

577
00:39:43,760 --> 00:39:45,840
Speaker 1: Your football team can get blown the funk out. But

578
00:39:45,920 --> 00:39:49,439
Speaker 1: if the band right, Oh, y'all football team, some ship,

579
00:39:51,600 --> 00:39:55,200
Speaker 1: y'all as holdo, if you're talking, you're talking about the band.

580
00:39:55,320 --> 00:39:57,200
Speaker 1: Let me play my band right, quick man, play me

581
00:39:57,320 --> 00:39:59,960
Speaker 1: some pimping. We're at home coming. We got a real

582
00:40:00,000 --> 00:40:05,960
Speaker 1: a band though, y'all drumajors at here. When y'all drummajors

583
00:40:06,000 --> 00:40:15,239
Speaker 1: at uh oh that go one, come here, drummacher e

584
00:40:15,600 --> 00:40:22,399
Speaker 1: e e squatch your stuff. Hey, yeah, you're like, yeah,

585
00:40:22,440 --> 00:40:25,480
Speaker 1: we're in the band. Lamb. I can tell stupid ass home. Hey,

586
00:40:25,600 --> 00:40:29,920
Speaker 1: it's home coming at t SU at t s U,

587
00:40:30,760 --> 00:40:34,400
Speaker 1: at t S you. I said it's homecoming at t

588
00:40:34,840 --> 00:40:39,160
Speaker 1: S you as t S you s you. I said

589
00:40:39,239 --> 00:40:43,279
Speaker 1: it's home coming at t s U. At t S

590
00:40:43,400 --> 00:40:48,320
Speaker 1: you got haircut. I said it's homecoming at t S

591
00:40:48,440 --> 00:40:51,239
Speaker 1: you that next to ts you right you at t

592
00:40:51,680 --> 00:40:57,080
Speaker 1: S you. I say, you're doing the Spider Man. Hey,

593
00:40:57,719 --> 00:41:02,720
Speaker 1: fuck them up one time? Hey fuck him up one time?

594
00:41:03,760 --> 00:41:08,520
Speaker 1: Hey up one time? I do the Spider Man one time?

595
00:41:08,680 --> 00:41:17,360
Speaker 1: Look you uh uh u? Now fly away, do the

596
00:41:17,440 --> 00:41:21,120
Speaker 1: Spider Man and fly away? What the funk wrong with

597
00:41:21,160 --> 00:41:26,680
Speaker 1: this six? What the ah? You don't want to dance? Yes,

598
00:41:27,040 --> 00:41:38,400
Speaker 1: I'm free, mama, let her go somewhere at nicking you

599
00:41:38,640 --> 00:41:44,040
Speaker 1: throw makes out of you, nigga. I think we're gonna

600
00:41:44,040 --> 00:41:48,759
Speaker 1: stop that Lana back then. Oh you can see you

601
00:41:48,840 --> 00:41:50,640
Speaker 1: saw how the other nigga showed up. Who want to

602
00:41:50,760 --> 00:41:54,080
Speaker 1: dance bell over. I think a fail on purpose so

603
00:41:54,200 --> 00:41:58,160
Speaker 1: we can see him stupid. I don't think it. Dum

604
00:41:59,480 --> 00:42:09,360
Speaker 1: oh yeah, I think we got a photographer. Dude go crazy. Well,

605
00:42:09,440 --> 00:42:13,960
Speaker 1: y'all support system and scroll down. Here he he shoot,

606
00:42:14,160 --> 00:42:18,040
Speaker 1: he shoot pictures. He'll never take down for y'all. Hey,

607
00:42:18,400 --> 00:42:23,879
Speaker 1: relever see something here, take a picture. N you gotta

608
00:42:23,880 --> 00:42:36,799
Speaker 1: add like on doing so? Look at the white man.

609
00:42:37,239 --> 00:42:42,080
Speaker 1: How many times that come any more? Minute? Nice fat

610
00:42:42,280 --> 00:42:48,040
Speaker 1: right there? Oh yeah, all the great aunts. I'm looking

611
00:42:48,160 --> 00:42:51,640
Speaker 1: for a girl that's t s you the big fat booty.

612
00:42:52,200 --> 00:42:55,160
Speaker 1: I say, what hey, I'm looking for a girl at

613
00:42:55,200 --> 00:43:00,600
Speaker 1: two as you with the big fat booty. Because it's

614
00:43:00,760 --> 00:43:05,919
Speaker 1: home coming, y'all. Come on, it's home coming, y'all. Say

615
00:43:05,960 --> 00:43:10,959
Speaker 1: what you say? Where it's home coming, y'all's home come

616
00:43:11,160 --> 00:43:14,520
Speaker 1: with the white boots, with the white boots, with the

617
00:43:14,640 --> 00:43:22,880
Speaker 1: white boots. White You want a white boots, white white bots,

618
00:43:22,920 --> 00:43:29,600
Speaker 1: some white shoot boys, white boots, white boots, white boots,

619
00:43:30,360 --> 00:43:35,760
Speaker 1: white boots, a white boots, a white boots, a white boots,

620
00:43:36,400 --> 00:43:39,960
Speaker 1: a white boots. I said, my booby wearing white boots,

621
00:43:40,400 --> 00:43:43,360
Speaker 1: white boots. I said, in those the white boots, the

622
00:43:43,480 --> 00:43:48,239
Speaker 1: white boots. Yeah, white boots. The white boots isn't in

623
00:43:48,360 --> 00:43:52,320
Speaker 1: the club. In the white boots, the white boots, white boots,

624
00:43:52,719 --> 00:43:57,440
Speaker 1: white white boots, like white boots, white white boots with

625
00:43:57,600 --> 00:44:07,320
Speaker 1: the white white white white, white white singing the white

626
00:44:07,400 --> 00:44:13,040
Speaker 1: white food. She has the white white food. She got

627
00:44:13,120 --> 00:44:21,960
Speaker 1: a white white boot, white white, white white food. She

628
00:44:22,160 --> 00:44:26,320
Speaker 1: got a white white the white white white food, white white,

629
00:44:26,600 --> 00:44:29,960
Speaker 1: the white white white food. Looking black people dants for

630
00:44:30,120 --> 00:44:36,440
Speaker 1: any time white She got that. And what they want

631
00:44:36,520 --> 00:44:39,799
Speaker 1: y'all were doing? When was that? What's that called? They

632
00:44:39,840 --> 00:44:43,439
Speaker 1: don't even know? White boots, the white boots, she said.

633
00:44:43,480 --> 00:44:48,840
Speaker 1: She had them looking like the tears and crossed. I know,

634
00:44:50,320 --> 00:44:53,120
Speaker 1: it looked like somebody like somebody father and y'all trying

635
00:44:53,120 --> 00:45:00,359
Speaker 1: to wipe the smell away white the white white dude,

636
00:45:00,480 --> 00:45:03,720
Speaker 1: white boots, white boots. They go to nigga that fail,

637
00:45:04,840 --> 00:45:09,480
Speaker 1: They go that nigga that fail, They get that fail,

638
00:45:11,000 --> 00:45:18,160
Speaker 1: they go that No talking about, Hey, my man, what

639
00:45:18,360 --> 00:45:23,759
Speaker 1: the Kyla Kaepernick right here in your hair? I say,

640
00:45:23,840 --> 00:45:27,319
Speaker 1: my man, what the fund is that? And your hair?

641
00:45:30,120 --> 00:45:36,040
Speaker 1: What type of head style is that? What is that?

642
00:45:36,280 --> 00:45:38,600
Speaker 1: Nig Come in, let me see nigga walk there and saying,

643
00:45:38,719 --> 00:45:44,440
Speaker 1: I just want to get them funked up? Nigga, What

644
00:45:44,600 --> 00:45:46,680
Speaker 1: in the world is that? No, this is gonna be

645
00:45:46,719 --> 00:45:49,080
Speaker 1: hard when it finished. When it finished that they're gonna

646
00:45:49,080 --> 00:45:51,920
Speaker 1: you're trying to get some dreads. You're trying to get

647
00:45:51,960 --> 00:45:54,440
Speaker 1: like me. I'm ohea, nigga, you don't want to. Confidence

648
00:45:54,600 --> 00:45:57,680
Speaker 1: level is high. I know when you wake up in

649
00:45:57,719 --> 00:46:00,160
Speaker 1: the morning, you'd be like, I'm ugly, it's fun up.

650
00:46:05,480 --> 00:46:08,640
Speaker 1: You can't even let me that ship with a weed

651
00:46:08,800 --> 00:46:13,680
Speaker 1: man that do he go to this school? Say what? Yeah?

652
00:46:13,880 --> 00:46:18,319
Speaker 1: Weed man? Hold up? Do he go to this school? Yeah? Yeah?

653
00:46:18,400 --> 00:46:21,719
Speaker 1: Six year seeing where are we? Mann? Do he go

654
00:46:21,880 --> 00:46:24,160
Speaker 1: to this school? I'm trying to get a little weed

655
00:46:24,239 --> 00:46:27,440
Speaker 1: and go smoke something so the pole leash list and

656
00:46:27,560 --> 00:46:29,759
Speaker 1: I don't get no funk because if they pulled me

657
00:46:29,880 --> 00:46:33,600
Speaker 1: over looking for this, don't get talked. You know that,

658
00:46:34,200 --> 00:46:37,120
Speaker 1: can't get caught. Don't ething, keeping no receipt, don't keep

659
00:46:37,200 --> 00:46:40,800
Speaker 1: up with what I just the officer. I ain't breaking

660
00:46:40,880 --> 00:46:43,120
Speaker 1: no low I yays want to smoke a weed and

661
00:46:43,320 --> 00:46:46,680
Speaker 1: have some fun with y'all. Y'all, we had a college

662
00:46:46,760 --> 00:46:49,319
Speaker 1: with these kids. They ain't got money like that. They

663
00:46:49,440 --> 00:46:51,680
Speaker 1: just might be smoking men, but I don't know if

664
00:46:51,719 --> 00:46:53,960
Speaker 1: it's true. I'm trying to find me some gass and

665
00:46:54,040 --> 00:46:56,479
Speaker 1: now I'm smoking with a girl with a big old

666
00:46:56,640 --> 00:47:00,560
Speaker 1: ass that you you know how we do Andy five

667
00:47:00,680 --> 00:47:04,080
Speaker 1: South show. You know that's the crew and everybody here,

668
00:47:04,239 --> 00:47:06,879
Speaker 1: and you know we're not bombing. We had he has

669
00:47:07,000 --> 00:47:11,400
Speaker 1: you and it's fucking hole comment. It's the home comments.

670
00:47:11,920 --> 00:47:15,439
Speaker 1: I ain't gonna play, y'all. You already, no, I ain't

671
00:47:15,480 --> 00:47:18,360
Speaker 1: gonna stay y'all. And I'm my dude is one time

672
00:47:18,480 --> 00:47:21,800
Speaker 1: all day, y'all. A white girl, bad girl, trying to

673
00:47:21,880 --> 00:47:26,240
Speaker 1: knock your boots off, knock your boots, your boots, your boots.

674
00:47:26,600 --> 00:47:30,359
Speaker 1: I'm gonna I'm trying to stupid as a white girl,

675
00:47:30,480 --> 00:47:33,400
Speaker 1: white girl, I'm stupid. You meant to say white boots.

676
00:47:33,480 --> 00:47:38,520
Speaker 1: I mean to say white boots, white white, white, white white.

677
00:47:41,280 --> 00:47:48,359
Speaker 1: I'm good and kind and started blowing smoke. I don't

678
00:47:48,360 --> 00:47:50,600
Speaker 1: even see he was on the big screen. What happened

679
00:47:50,600 --> 00:47:52,920
Speaker 1: to the A C? Y'all? Just stop? We run at

680
00:47:52,960 --> 00:47:56,560
Speaker 1: the top. Only got third minutes for the A C.

681
00:47:58,239 --> 00:47:59,880
Speaker 1: They bought the gym, but they're only about third and

682
00:48:00,080 --> 00:48:02,799
Speaker 1: it's a C. It's a bunch of niggers in here.

683
00:48:02,800 --> 00:48:05,200
Speaker 1: That's why I got it hot. When we just start,

684
00:48:05,520 --> 00:48:08,160
Speaker 1: these trees don't to come. He life, shout out to

685
00:48:08,160 --> 00:48:10,080
Speaker 1: all the dudes in here. That's all your sad chicken

686
00:48:10,120 --> 00:48:15,439
Speaker 1: here with her boyfriend. Couldn't say nothing, could they both?

687
00:48:15,520 --> 00:48:25,120
Speaker 1: Using his car? Exactly? Who Mini, Miss Bennett? Miss Bennett?

688
00:48:25,160 --> 00:48:32,280
Speaker 1: What she that? Mis Bennett? Maybe that boy. Miss Bennett

689
00:48:32,320 --> 00:48:35,759
Speaker 1: must be fine the way you keep talking. Fine, fine, yeah,

690
00:48:35,800 --> 00:48:40,800
Speaker 1: it's coogle fine. Let me see your se the box.

691
00:48:47,080 --> 00:48:50,640
Speaker 1: Miss miss Cougle right there, y'all don't know nothing about

692
00:48:50,680 --> 00:48:55,080
Speaker 1: that when she takes when she all these kids go

693
00:48:55,200 --> 00:48:58,480
Speaker 1: to class. Me and Miss Benn have a class of

694
00:48:58,520 --> 00:49:03,080
Speaker 1: our own. Well stop playing. Yeah, every time I walk

695
00:49:03,120 --> 00:49:06,799
Speaker 1: intore and be music like this. Sit down, young man.

696
00:49:13,040 --> 00:49:17,560
Speaker 1: You remember that time it's been when I came to y'all. Oh,

697
00:49:17,800 --> 00:49:21,160
Speaker 1: I ain't gonna tell him that. Talk to your lady

698
00:49:21,239 --> 00:49:30,320
Speaker 1: d c. She thought I was a cute dog. I say,

699
00:49:33,840 --> 00:49:37,680
Speaker 1: I think I'm bess been it up there, she excited, boy, y'all,

700
00:49:37,680 --> 00:49:42,320
Speaker 1: Benna leave Miss been alone. Miss Danny followed me on Facebook.

701
00:49:43,600 --> 00:49:45,799
Speaker 1: She'd be poking me, I said, stopped. The church people

702
00:49:45,800 --> 00:49:53,840
Speaker 1: are gonna see I'm trying to be a deegon. Stop

703
00:49:56,520 --> 00:49:58,480
Speaker 1: shout out to everybody. End up be sucking on the

704
00:49:58,520 --> 00:50:05,520
Speaker 1: twin side ben twins size bed. Much love to everybody

705
00:50:05,560 --> 00:50:07,640
Speaker 1: who don't have a roommate. And you just pushed both

706
00:50:07,719 --> 00:50:13,840
Speaker 1: beds together. Fuck on the twins size bed. What's your

707
00:50:13,920 --> 00:50:17,480
Speaker 1: feet hanging off? Feet hanging off? You gotta hear from

708
00:50:17,520 --> 00:50:23,000
Speaker 1: the side. You're being that bitch like this, feet hanging off,

709
00:50:23,080 --> 00:50:27,520
Speaker 1: feet hanging off, twin size bend, twin size things, feet

710
00:50:27,600 --> 00:50:33,200
Speaker 1: hanging off of twin size band. Getting it from the side,

711
00:50:33,320 --> 00:50:35,600
Speaker 1: ass on the wall, and it's cold, but you gotta

712
00:50:35,680 --> 00:50:43,920
Speaker 1: do what you gotta do. You got a wool, You

713
00:50:44,239 --> 00:50:50,920
Speaker 1: got one move, got wander with the move. Hit it

714
00:50:51,000 --> 00:50:55,040
Speaker 1: from the side, ass on the water. He did it

715
00:50:55,120 --> 00:50:59,319
Speaker 1: from the side, ass on the wall. Hit it from

716
00:50:59,360 --> 00:51:01,719
Speaker 1: the side, ass on the wall, as on the wall.

717
00:51:01,880 --> 00:51:03,760
Speaker 1: Hit it from the side, hit it from the side,

718
00:51:03,880 --> 00:51:10,000
Speaker 1: hit it from the side. One move, switch other side,

719
00:51:10,320 --> 00:51:15,720
Speaker 1: other side up, sit up, switch it up other side

720
00:51:16,120 --> 00:51:18,920
Speaker 1: on the side. Hit the other side. I gotta be

721
00:51:19,520 --> 00:51:35,600
Speaker 1: can do that? Oh oh, hit it, hit it, hit it,

722
00:51:36,320 --> 00:51:38,839
Speaker 1: hit it, hit it from the side, ass on the wall.

723
00:51:38,960 --> 00:51:41,080
Speaker 1: Hit it from the side. Ass on the wall. Hit

724
00:51:41,200 --> 00:51:44,560
Speaker 1: it from the side, as on the wall, switch it

725
00:51:44,719 --> 00:51:58,600
Speaker 1: up other side, other side, other side. What the funk drama?

726
00:51:58,680 --> 00:52:13,680
Speaker 1: Come on, now there you go. That's enough. You can't

727
00:52:13,719 --> 00:52:15,400
Speaker 1: do all your moves. You just had a little bit

728
00:52:15,400 --> 00:52:19,319
Speaker 1: of room. It's a it's a twin bid. Fund your

729
00:52:19,360 --> 00:52:21,279
Speaker 1: rhythm up sometime when your ass hit the wall that

730
00:52:21,400 --> 00:52:25,479
Speaker 1: long stroke. Hey, y'all got the nasty dorm here, shout

731
00:52:25,520 --> 00:52:28,560
Speaker 1: out to that roommate who'll be listening to you, just laughing. Hi,

732
00:52:28,880 --> 00:52:34,480
Speaker 1: y'all nasty, y'all nast Oh you look up her roommate

733
00:52:34,560 --> 00:52:43,000
Speaker 1: on the other bed like this. Hey, ladies, looks on

734
00:52:43,120 --> 00:52:48,160
Speaker 1: the wall. You didn't do I'm talked about being bid

735
00:52:48,200 --> 00:52:53,360
Speaker 1: at my mic broke. Shout out to the two presidents

736
00:52:54,200 --> 00:53:00,840
Speaker 1: who the two presidents who you see your s g A.

737
00:53:01,320 --> 00:53:04,880
Speaker 1: They got to presidents. They couldn't make a mind up.

738
00:53:07,360 --> 00:53:11,440
Speaker 1: Much love to the two presidents. Shout out to the treasurer,

739
00:53:11,719 --> 00:53:17,360
Speaker 1: the secretary, everybody they're work in the administration's office all that.

740
00:53:17,440 --> 00:53:22,680
Speaker 1: Shout out to the regular students and this motherfucking who.

741
00:53:22,840 --> 00:53:24,480
Speaker 1: Shout out to the people who work in the front

742
00:53:24,760 --> 00:53:26,520
Speaker 1: at the dorm, who'll be checking people in. Oh, the

743
00:53:26,640 --> 00:53:30,840
Speaker 1: as Salute to all, Salute to the cool as that.

744
00:53:30,920 --> 00:53:33,920
Speaker 1: Don't be on that bullshit knocking all on your door.

745
00:53:34,040 --> 00:53:36,560
Speaker 1: Hey man, I smell smoke coming out your own bitch,

746
00:53:36,600 --> 00:53:40,239
Speaker 1: because we're smoke and get your good fast down. All good.

747
00:53:44,040 --> 00:53:48,640
Speaker 1: Look at the capital. Hey, do they have like them

748
00:53:48,760 --> 00:53:51,000
Speaker 1: rules for the freshman dorms but you can't have girls

749
00:53:51,080 --> 00:53:54,680
Speaker 1: and they have a certain time. Do you sneak amn

750
00:53:54,800 --> 00:53:58,000
Speaker 1: like we you sue? Boy? I remember nigger had a

751
00:53:58,040 --> 00:54:01,120
Speaker 1: bit here in the dry one time, true story. Swear

752
00:54:01,200 --> 00:54:03,520
Speaker 1: to god, she got in the dry to come get

753
00:54:03,600 --> 00:54:05,480
Speaker 1: that dick. I was like, boy, you a legend, slim.

754
00:54:05,640 --> 00:54:07,720
Speaker 1: But the freshman don't give a ship. I know curfew

755
00:54:07,760 --> 00:54:09,960
Speaker 1: they had company and two o'clock in the afternoon, they

756
00:54:10,000 --> 00:54:12,560
Speaker 1: don't give a fuck. Oh that afternoon funck is a

757
00:54:12,640 --> 00:54:16,279
Speaker 1: college special. That fun in between your one thirty and

758
00:54:16,360 --> 00:54:19,239
Speaker 1: your three thirty. Oh you're working around and get it

759
00:54:19,280 --> 00:54:20,960
Speaker 1: out the way early so you can catch chick for

760
00:54:21,080 --> 00:54:30,319
Speaker 1: late before class. Oh yeah, oh microphone, thank you your

761
00:54:30,360 --> 00:54:34,000
Speaker 1: microphone broke again. There you go. Yeah, they could have all.

762
00:54:34,000 --> 00:54:35,759
Speaker 1: When I start talking about they bit and she got rid.

763
00:54:36,800 --> 00:54:41,400
Speaker 1: They're trying to censor you. It's all good. We got

764
00:54:41,480 --> 00:54:46,320
Speaker 1: any single ladies in here tonight, single crown ladiest, single

765
00:54:46,560 --> 00:54:51,520
Speaker 1: groan ladies, and these single grown ladies that like us.

766
00:54:52,280 --> 00:54:54,319
Speaker 1: We're looking for the ones that like us. We ain't

767
00:54:54,360 --> 00:54:56,840
Speaker 1: looking for the ones that just single grown latest we

768
00:54:56,840 --> 00:54:59,160
Speaker 1: any time about you've been eighteen for two months. Any

769
00:54:59,160 --> 00:55:02,360
Speaker 1: time about that ship. You're still a child, and ladies,

770
00:55:02,440 --> 00:55:07,000
Speaker 1: make some noise. If your screen ain't crack funk that

771
00:55:07,480 --> 00:55:09,320
Speaker 1: I watch you. If your screen cracked, that means the

772
00:55:09,360 --> 00:55:13,439
Speaker 1: pussy good right there, crack screen because grabbed the phone

773
00:55:13,440 --> 00:55:16,520
Speaker 1: and broken bear. Make some no If you pay your

774
00:55:16,560 --> 00:55:20,279
Speaker 1: own phone bill, you lying like a motherfucker. You know

775
00:55:20,480 --> 00:55:22,080
Speaker 1: damn where you're gonna pay your phone. But you'd be

776
00:55:22,120 --> 00:55:24,320
Speaker 1: like my mama, Sorry, I went over the data again.

777
00:55:24,480 --> 00:55:28,200
Speaker 1: This mom can't stand goddamn had to talk to it.

778
00:55:28,280 --> 00:55:32,160
Speaker 1: Bit's on WiFi phone over again. Shout out to all

779
00:55:32,200 --> 00:55:36,239
Speaker 1: the bad bitches who account in the negative right now, Ah,

780
00:55:41,480 --> 00:55:45,480
Speaker 1: make account like bitch puts something in here. Oh them

781
00:55:45,600 --> 00:55:48,960
Speaker 1: overdraft fees and scurry in college boy, you ever get

782
00:55:49,000 --> 00:55:50,920
Speaker 1: here with that overdraft fee and don't know, try to

783
00:55:51,000 --> 00:55:53,640
Speaker 1: go get something to eat. Swipe your ship your ship

784
00:55:53,719 --> 00:55:55,720
Speaker 1: be like, yeah, it's not going through you. Check your account.

785
00:55:55,719 --> 00:55:59,000
Speaker 1: You're just say, negative thirty eight dollars? How you getting

786
00:55:59,040 --> 00:56:01,759
Speaker 1: negative thirty eight? Yeah, because they charge you when they

787
00:56:01,800 --> 00:56:03,560
Speaker 1: take the money out. They take the money out, then

788
00:56:03,680 --> 00:56:06,399
Speaker 1: charge you for not having it. See if you're getting

789
00:56:06,480 --> 00:56:09,840
Speaker 1: like Walmart card, you ain't gotta go through that. She

790
00:56:10,000 --> 00:56:11,440
Speaker 1: just ain't gonna go through if he ain't got it.

791
00:56:11,880 --> 00:56:14,200
Speaker 1: Shout out to all everybody who in college that's broke.

792
00:56:14,440 --> 00:56:15,840
Speaker 1: You don't know what to do. You just take a

793
00:56:15,960 --> 00:56:20,360
Speaker 1: nap and hope she figure yourself out. Or everybody that

794
00:56:20,600 --> 00:56:25,560
Speaker 1: college broke boy, that's just special broke real at college

795
00:56:25,600 --> 00:56:27,200
Speaker 1: broke and make you ride to the club with six

796
00:56:27,320 --> 00:56:30,799
Speaker 1: niggers in the college, just so y'all get there. Yep,

797
00:56:31,040 --> 00:56:33,879
Speaker 1: they ain't pay bill on the sound white man get mad,

798
00:56:34,000 --> 00:56:37,799
Speaker 1: you know, got tired. He didn't let he don't even

799
00:56:37,840 --> 00:56:42,000
Speaker 1: get he work in the camera. Now, how you doing, sir?

800
00:56:43,280 --> 00:56:46,319
Speaker 1: What department you worked for? Because they got you doing

801
00:56:46,320 --> 00:56:47,840
Speaker 1: a lot of it. Don't work for the school. He

802
00:56:47,920 --> 00:56:53,320
Speaker 1: worked for a church will tell you. He's like, yeah, asshole. Alright.

803
00:56:53,360 --> 00:56:59,480
Speaker 1: They looked like the white man didn't invented vegan dog food? Hey,

804
00:56:59,560 --> 00:57:02,080
Speaker 1: what's you ain't white man? He ain't even white. Huh,

805
00:57:02,800 --> 00:57:06,480
Speaker 1: what are you feel like? You've been vegan dog through? What? What?

806
00:57:06,640 --> 00:57:12,360
Speaker 1: What's your nationality? Colombia? Oh he got the cocaine. But

807
00:57:12,600 --> 00:57:15,200
Speaker 1: you ain't go along and keep your finger. What you

808
00:57:15,239 --> 00:57:22,360
Speaker 1: said you're gonna be white? Come here any Hispanics in salute,

809
00:57:26,000 --> 00:57:28,840
Speaker 1: nign sit your ass down. You ain't Spanish. He don't

810
00:57:28,840 --> 00:57:34,680
Speaker 1: need to know no Spanish sensor, Spandish show you. Hey,

811
00:57:34,840 --> 00:57:40,160
Speaker 1: you got what do you say? He said? He'll fire

812
00:57:40,240 --> 00:57:44,640
Speaker 1: your ass up now that look gene Jackie elick. You

813
00:57:44,720 --> 00:57:49,280
Speaker 1: can't even go in your pocket. You'll grab my phone.

814
00:57:53,120 --> 00:57:55,360
Speaker 1: That nigga, that nigga said, now funk that I ain't

815
00:57:55,360 --> 00:57:58,880
Speaker 1: going up there, nigga, Yeah, I say that jacket out

816
00:57:58,920 --> 00:58:00,920
Speaker 1: just to take a ship. Come on, nigger, you got

817
00:58:01,000 --> 00:58:06,720
Speaker 1: the opportunity his home coming. Come on if you want it.

818
00:58:07,600 --> 00:58:09,480
Speaker 1: If you want to come on another guard they're free.

819
00:58:09,600 --> 00:58:14,720
Speaker 1: Come then get fun up. Come on, you got you

820
00:58:14,800 --> 00:58:17,000
Speaker 1: got the greatest roster to do it right here in

821
00:58:17,160 --> 00:58:21,840
Speaker 1: front of you. This don't make you special. Nikna bringing heads.

822
00:58:21,880 --> 00:58:27,480
Speaker 1: Goddamn driver, I ain't got a fat driver. Will get

823
00:58:27,480 --> 00:58:30,840
Speaker 1: your stupid ass off. That's my cousin. Should I get

824
00:58:30,920 --> 00:58:37,000
Speaker 1: him one? You go wherever I go. Oh ship, ship,

825
00:58:38,840 --> 00:58:46,680
Speaker 1: come on up there, go ahead, right riping, go ahead.

826
00:58:46,720 --> 00:58:48,640
Speaker 1: Then what y'all want and what y'all didn't gonna get?

827
00:58:52,080 --> 00:58:54,439
Speaker 1: And then you know your beard little hell, I'm oh yeah,

828
00:58:55,000 --> 00:59:00,200
Speaker 1: I'm quick right, little faking rules here roll too. Ain't

829
00:59:00,200 --> 00:59:07,960
Speaker 1: nobody that egla, but what your gene? Smilest him? My

830
00:59:08,160 --> 00:59:12,800
Speaker 1: jeane small tighten. I can't stand talking with plaque on

831
00:59:12,880 --> 00:59:17,000
Speaker 1: their teeth. Glad you're too old and not be pressing

832
00:59:17,080 --> 00:59:19,840
Speaker 1: your teeth. That's it urged me. I'd be like, I

833
00:59:19,920 --> 00:59:24,320
Speaker 1: hope he feared that. I know he feared that. You

834
00:59:24,480 --> 00:59:28,000
Speaker 1: got to fit it. You know when you impress your teeth. Alright, driver,

835
00:59:28,440 --> 00:59:34,560
Speaker 1: come in, bale, driver, come in, go ahead, rock got

836
00:59:34,600 --> 00:59:38,560
Speaker 1: on your bowls? You who may need gug glandy? What

837
00:59:40,800 --> 00:59:45,240
Speaker 1: come on say saying that I'm Mike. I said these

838
00:59:45,280 --> 00:59:47,560
Speaker 1: blue cutter and jeans over them, last thing about this

839
00:59:47,640 --> 00:59:51,280
Speaker 1: suit in three different places. Glad you're getting my chacket

840
00:59:51,320 --> 00:59:54,040
Speaker 1: out of chasy pennis. I got my plants out, amazing.

841
00:59:54,920 --> 00:59:57,320
Speaker 1: I couldn't find a shirt to a boarded the Glad

842
01:00:00,840 --> 01:00:02,920
Speaker 1: you're graduating the eighth grade with that same shirt. You

843
01:00:02,960 --> 01:00:09,760
Speaker 1: still ain't lost weight and glad, nigga, you're quitting the

844
01:00:09,760 --> 01:00:15,160
Speaker 1: football team to join the band. Stupid blay you played

845
01:00:15,200 --> 01:00:23,640
Speaker 1: the baritone. Stupid, I mean quitting the football. I'll join

846
01:00:23,680 --> 01:00:29,320
Speaker 1: the bear but them ain't need a real two chain

847
01:00:29,640 --> 01:00:33,080
Speaker 1: shoes and glad. But I'm on y'all. Are y'all gonna

848
01:00:33,080 --> 01:00:36,680
Speaker 1: talking to Micro? No, no, he ain't gonna talk. You

849
01:00:36,760 --> 01:00:40,520
Speaker 1: stay off campus, but you walk here, glad by they

850
01:00:40,640 --> 01:00:42,440
Speaker 1: see anything walking fast to him. I'm wanting to go

851
01:00:42,480 --> 01:00:53,480
Speaker 1: to the show, but sir, slow down, slow down, sir,

852
01:00:54,560 --> 01:00:58,080
Speaker 1: Hey boy, I can't be late. Hey then Nick is

853
01:00:58,080 --> 01:00:59,440
Speaker 1: ready to get the funk out of here. He said, Look,

854
01:00:59,560 --> 01:01:02,760
Speaker 1: we gotta say and something. I was checking one up, dude.

855
01:01:03,880 --> 01:01:10,640
Speaker 1: Smell it had the chance you could have gone. You

856
01:01:10,720 --> 01:01:14,200
Speaker 1: could have made itself a legend. The smell like mouthballs

857
01:01:14,240 --> 01:01:18,680
Speaker 1: and Buli seats alone. Bro, My nigga was the checking

858
01:01:18,720 --> 01:01:21,280
Speaker 1: on heads. A shirt took on to hit a little bit,

859
01:01:22,760 --> 01:01:24,640
Speaker 1: and they got that good H and M suit on that.

860
01:01:24,920 --> 01:01:26,800
Speaker 1: That's the H and M special right there. And then

861
01:01:27,160 --> 01:01:30,040
Speaker 1: thirty dollars for the top and bottom, sixty dollars for

862
01:01:30,120 --> 01:01:33,959
Speaker 1: the whole suit. I'm telling we had a three piece

863
01:01:34,160 --> 01:01:37,200
Speaker 1: three different stores. Is that any parties going on to

864
01:01:37,320 --> 01:01:44,120
Speaker 1: night where the party are at the East nightclub even

865
01:01:44,200 --> 01:01:56,800
Speaker 1: nightclub five? Oh live, Oak live, Oh funk that who

866
01:01:56,880 --> 01:02:00,160
Speaker 1: having a party had the dawn the night nigger? Look

867
01:02:00,160 --> 01:02:02,120
Speaker 1: at that all that? Who got a car that will

868
01:02:02,160 --> 01:02:06,880
Speaker 1: pull up? I'm talking about no change of like though.

869
01:02:10,680 --> 01:02:12,320
Speaker 1: I need you to be able to get back where

870
01:02:12,720 --> 01:02:15,840
Speaker 1: you where. We gotta get ready to wrap this ship up.

871
01:02:16,240 --> 01:02:20,040
Speaker 1: Ye got any questions? You can't come see me down?

872
01:02:20,400 --> 01:02:26,840
Speaker 1: You got to go fast? Hello, stupid, I thought that

873
01:02:27,000 --> 01:02:29,320
Speaker 1: side that's how, that's how the kid ups are right there.

874
01:02:31,320 --> 01:02:34,640
Speaker 1: We still got it right here on this side. And

875
01:02:34,840 --> 01:02:37,479
Speaker 1: get we still turned up on that side, were side

876
01:02:37,560 --> 01:02:40,280
Speaker 1: right here? Ha, But they got things to do. I thought, yeah,

877
01:02:40,400 --> 01:02:44,320
Speaker 1: you see, I'm dipping out. Then pull up. Hey, ladies,

878
01:02:44,400 --> 01:02:46,680
Speaker 1: real quick. If you like a nigger, go in and

879
01:02:46,800 --> 01:02:49,919
Speaker 1: do it. Fellas, if you like a girl, go ahead

880
01:02:49,920 --> 01:02:51,840
Speaker 1: and let her know. Hopefully she all do it because

881
01:02:51,880 --> 01:02:57,440
Speaker 1: it's home coming ready scraping up? Be safe? Ts you

882
01:02:59,320 --> 01:03:04,000
Speaker 1: ts you hold up. Hey, salute to y'all. Happy home

883
01:03:04,120 --> 01:03:07,960
Speaker 1: coming t r D They salute to t S. You

884
01:03:08,240 --> 01:03:12,600
Speaker 1: love Yeah, y'all tell you be safe that eighty five

885
01:03:13,400 --> 01:03:19,000
Speaker 1: right shoes y'all, y'all. T S shoes that he did

886
01:03:19,080 --> 01:03:26,240
Speaker 1: fave so shoes. Hey, happy home coming, Happy home coming.

887
01:03:26,480 --> 01:03:37,919
Speaker 1: All the tar shoe students, fuck you too. You ain't

888
01:03:38,000 --> 01:03:48,120
Speaker 1: ship you luckily, sen make a game? Is for my ship? Bros?

889
01:03:52,160 --> 01:04:11,400
Speaker 1: Is that she like a nag? Yeah, we're all here,

890
01:04:15,680 --> 01:04:19,400
Speaker 1: DC go over there. We're out here. T S. You

891
01:04:19,640 --> 01:04:28,600
Speaker 1: were in the field. Your bid? Was this the story? Hey?

892
01:04:30,000 --> 01:04:36,600
Speaker 1: He liked me. This nigga phone broke and he gave

893
01:04:36,640 --> 01:04:48,120
Speaker 1: it to him. I was working. Now, there we go.

894
01:04:48,680 --> 01:04:55,320
Speaker 1: Our ship was broken. At first. I had to take

895
01:04:55,360 --> 01:04:57,720
Speaker 1: a phone. He had an old picture of a thigger.

896
01:04:58,120 --> 01:05:05,160
Speaker 1: We're all here, t SU Oh crack screen. Oh yeah,

897
01:05:05,200 --> 01:05:22,560
Speaker 1: she ain't up though. We got the crack screen. That

898
01:05:22,680 --> 01:05:25,440
Speaker 1: means the gooch good. She got the crack screen. The

899
01:05:26,160 --> 01:05:31,040
Speaker 1: bet wait oh ho, hold back up, y'all. She's about

900
01:05:31,040 --> 01:05:45,320
Speaker 1: to die. Uh, we're all here, CS you there we go.

901
01:05:45,640 --> 01:05:50,080
Speaker 1: It should working now, we're all here. It's bitch. Yeah,

902
01:05:55,640 --> 01:06:03,320
Speaker 1: she says she loves me. I love her too. She's glad. Yeah, boy,

903
01:06:06,600 --> 01:06:08,480
Speaker 1: I just took her phone because I like her hat

904
01:06:08,720 --> 01:06:14,520
Speaker 1: her hat dope. God damn, what the fund you do

905
01:06:14,680 --> 01:06:23,400
Speaker 1: with this ship on your phone? We all here ds

906
01:06:23,480 --> 01:06:27,680
Speaker 1: you we all here holl coping baby damn, h damn.

907
01:06:33,920 --> 01:06:44,360
Speaker 1: She just pulls third phone in my hand. Boy, Oh

908
01:06:46,040 --> 01:06:50,120
Speaker 1: I didn't ship already goes he phone your ship broke.

909
01:06:51,920 --> 01:06:56,800
Speaker 1: Hold on, hold on, we all here, it's all coming

910
01:06:56,840 --> 01:07:01,720
Speaker 1: to tsho were waiting. Yeah, who ship is this? I'm

911
01:07:01,720 --> 01:07:03,880
Speaker 1: gonna whoop your ass for hitt mute this yat demn

912
01:07:03,960 --> 01:07:06,280
Speaker 1: phones and they can phone funked up. But we all

913
01:07:06,400 --> 01:07:16,160
Speaker 1: here know she threw this gowddamn phone and there we go.

914
01:07:16,480 --> 01:07:40,480
Speaker 1: We all hits you holl no no baby, oh ship,

915
01:07:47,400 --> 01:08:00,280
Speaker 1: she got a whole camera r ship say this. Yeah,

916
01:08:03,760 --> 01:08:15,280
Speaker 1: there we go snapchat snapchat. Yeah, we'all here as you

917
01:08:15,440 --> 01:08:32,160
Speaker 1: home from my baby. We live. Yeah, she's excited. My

918
01:08:32,280 --> 01:08:35,280
Speaker 1: nigga been standing right here for this. Nigga was serious.

919
01:08:35,320 --> 01:08:38,000
Speaker 1: I had to get my mans straight right here, real nigga.

920
01:08:38,040 --> 01:08:45,400
Speaker 1: He was patient. Salute to my nigga, Salute to my

921
01:08:45,479 --> 01:08:48,280
Speaker 1: man who fought and is they got the blind head

922
01:08:48,360 --> 01:08:55,880
Speaker 1: like the Golden Lord? We lie? Yeah, we live? He

923
01:08:56,000 --> 01:09:07,519
Speaker 1: at you baby, we're all here. Man. What's like the

924
01:09:07,600 --> 01:09:09,760
Speaker 1: phone she got us? It's a five g on it

925
01:09:10,720 --> 01:09:15,760
Speaker 1: got that good service. Yeah, turn this ship up. Turn

926
01:09:15,840 --> 01:09:21,960
Speaker 1: this ship up. Don't motherfucking yelling, man's you. We is

927
01:09:22,080 --> 01:09:24,840
Speaker 1: lived here as you. We still live at the home

928
01:09:25,040 --> 01:09:30,880
Speaker 1: coming ship ship. Chico be yeah, Chico be spending mother.

929
01:09:33,439 --> 01:09:36,080
Speaker 1: We got these pretty ladies standing at the front with

930
01:09:36,200 --> 01:09:38,920
Speaker 1: their phones. I'm wondering which one would like to take

931
01:09:38,960 --> 01:09:41,680
Speaker 1: a young nay go home. My name is Chico. I'm

932
01:09:41,720 --> 01:09:44,599
Speaker 1: spending on the phone right now. I don't know who

933
01:09:44,720 --> 01:09:47,000
Speaker 1: phone it is, but it's about to go down and

934
01:09:47,120 --> 01:09:50,360
Speaker 1: I'm about to pass it back. And I kicked the rap.

935
01:09:50,560 --> 01:09:53,800
Speaker 1: That's he as you home coming bitch, and that's a fact.

936
01:09:54,200 --> 01:09:57,400
Speaker 1: Here we go, baby girl. You know it's true. This

937
01:09:57,600 --> 01:10:01,799
Speaker 1: nigga along as fun. God say out my dude, Chico,

938
01:10:02,360 --> 01:10:05,800
Speaker 1: be what you're talking about? We are t s You

939
01:10:06,160 --> 01:10:09,760
Speaker 1: ain't no walking out and the people saying, hey, get

940
01:10:10,040 --> 01:10:13,120
Speaker 1: on my snap. So I had to talk ship with

941
01:10:13,360 --> 01:10:16,560
Speaker 1: my old school rap. I had this ship that I

942
01:10:16,800 --> 01:10:21,680
Speaker 1: was really really liking out sad Hey, everybody paying this

943
01:10:22,040 --> 01:10:28,760
Speaker 1: was so lives. Oh we're in this bit. I see

944
01:10:30,400 --> 01:10:35,960
Speaker 1: we're in that, bitch, I see you. It's a little

945
01:10:36,040 --> 01:10:42,400
Speaker 1: to everybody, Auntie s you Antis, you say what it's

946
01:10:42,439 --> 01:10:46,040
Speaker 1: a little to everybody? Anti? And I didn't say what

947
01:10:46,720 --> 01:10:51,080
Speaker 1: that t s you? I got you both. I got you, Lord, Baby,

948
01:10:51,840 --> 01:10:55,800
Speaker 1: we live at TSU, we live, We live eighty five

949
01:10:57,720 --> 01:11:01,240
Speaker 1: m the eighty five South show. This thing around. It's

950
01:11:01,320 --> 01:11:04,400
Speaker 1: the coldest got funny right here? You got the Louis

951
01:11:04,439 --> 01:11:07,920
Speaker 1: Batton ship, didn't they get baby? Hey, I'm gonna steal this.

952
01:11:09,360 --> 01:11:13,040
Speaker 1: She got the camera. I think I need to stilly.

953
01:11:13,680 --> 01:11:17,360
Speaker 1: I think I need to stilly. She got the camera.

954
01:11:18,040 --> 01:11:22,400
Speaker 1: I think I need to stilly. See say what's up?

955
01:11:22,560 --> 01:11:26,040
Speaker 1: One time? I see I think about the still this

956
01:11:27,840 --> 01:11:34,240
Speaker 1: was everybody feel this ship? Who's is this? Who's is this?

957
01:11:35,360 --> 01:11:45,400
Speaker 1: That's you? Okay? Oh wait, hey, I realize on through

958
01:11:45,439 --> 01:11:50,880
Speaker 1: the pix and he's falls it with y'all taking up? Yeah, yeah, yeah, yeah,

959
01:11:52,160 --> 01:11:55,600
Speaker 1: Who's is this? Who's is this? She just gave me

960
01:11:55,720 --> 01:12:03,320
Speaker 1: what's up? And the falls grand grad what's song? What's this?

961
01:12:03,439 --> 01:12:08,000
Speaker 1: Nigga say? I'm gonna focusing, bro, I'm gonna focus texture. Well, nigga,

962
01:12:08,240 --> 01:12:14,680
Speaker 1: you're on three. She says she got it. I don't

963
01:12:14,680 --> 01:12:16,200
Speaker 1: know if she's telling the truth. She says, she got it.

964
01:12:16,240 --> 01:12:23,360
Speaker 1: We're gonna see though. It's a look to my mand,

965
01:12:24,520 --> 01:12:26,760
Speaker 1: it's a little to my nigga, right here, love to you.

966
01:12:33,200 --> 01:12:34,759
Speaker 1: I don't know how I'm gonna get her her phone

967
01:12:34,800 --> 01:12:37,200
Speaker 1: back when she passed it up. I don't know how

968
01:12:37,200 --> 01:12:39,479
Speaker 1: I'm gonna get her phone back. And she passed it up.

969
01:12:40,439 --> 01:12:42,639
Speaker 1: She she got long off though she might be able

970
01:12:42,680 --> 01:12:45,880
Speaker 1: to grab this motherfucker. Give me that ship, give me that,

971
01:12:46,000 --> 01:12:51,240
Speaker 1: give me this ship, give me another one. I don't know. Hell, Look, hey, y'all,

972
01:12:51,240 --> 01:12:54,439
Speaker 1: say what's up to day for yourselves show. Yeah, y'all

973
01:12:54,479 --> 01:12:56,400
Speaker 1: gotta say what's up? We're saying what's up to y'all?

974
01:12:57,360 --> 01:13:00,160
Speaker 1: I forgot who phone? This is? Who phone is? It's

975
01:13:03,560 --> 01:13:11,320
Speaker 1: one of years. It's up. Take him something white awesome

976
01:13:18,120 --> 01:13:26,479
Speaker 1: about person. So basically everything that we went up, all

977
01:13:26,520 --> 01:13:31,640
Speaker 1: the story publications relaxed. They're gonna ask questions about the

978
01:13:31,720 --> 01:13:36,200
Speaker 1: whole type got started. I got gotta kicked out of

979
01:13:36,360 --> 01:13:41,720
Speaker 1: seeing every studio. Thank that he googly a wonderful And

980
01:13:41,880 --> 01:13:44,680
Speaker 1: then you know, I think Joe is gonna be like,

981
01:13:44,920 --> 01:13:46,519
Speaker 1: he's just gonna be pla. He just landed at the

982
01:13:46,600 --> 01:13:49,920
Speaker 1: rate it. I mean, I don't know how long they're

983
01:13:49,920 --> 01:13:52,040
Speaker 1: gonna tak They may be done. I'm cool, I'm chilling,

984
01:13:52,360 --> 01:13:54,599
Speaker 1: but I know if Joe is landing it in a continent.

985
01:13:54,680 --> 01:13:57,200
Speaker 1: I'm trying to get a jot. He just landed. No, Joe,

986
01:13:57,479 --> 01:13:58,720
Speaker 1: he ain't gonna like it. I thought he was with

987
01:13:58,840 --> 01:14:01,280
Speaker 1: one of the hobby he's a hop. Yeah, it's still

988
01:14:01,520 --> 01:14:04,320
Speaker 1: it's still time consuming, but he may make it. It's

989
01:14:04,320 --> 01:14:11,000
Speaker 1: hobby's closer. You got reach, you got yes, question yours.

990
01:14:13,640 --> 01:14:15,400
Speaker 1: You want to take the stairs elevator, but you want

991
01:14:15,400 --> 01:14:19,400
Speaker 1: to go to right, You're gonna each of you. That's yeah,

992
01:14:19,479 --> 01:14:37,200
Speaker 1: that's honey, you already. So yeah, now we go to

993
01:14:37,200 --> 01:14:45,800
Speaker 1: take question to to play hasty. Thank you, because yeah,

994
01:14:45,800 --> 01:14:51,360
Speaker 1: I got a big game tomorrow is yeah, so competing teams.

995
01:14:52,240 --> 01:14:56,000
Speaker 1: Wait what, Bras, let's play the morow. I don't want

996
01:14:56,000 --> 01:14:59,880
Speaker 1: to talk to I don't think we take we sho sho.

997
01:15:00,000 --> 01:15:02,760
Speaker 1: I want to last we straight. But y'all extras fans

998
01:15:02,840 --> 01:15:06,479
Speaker 1: right sometime be appreciate. I didn't know what. I don't

999
01:15:06,479 --> 01:15:15,840
Speaker 1: know what talking about fans today right now, I'm really good.

1000
01:15:17,479 --> 01:15:37,840
Speaker 1: Yeah I was late, lady good. Sorry, how you do it?

1001
01:15:38,080 --> 01:15:57,760
Speaker 1: Yas Ran takes even it's yea al riya, welcome. What's

1002
01:15:57,800 --> 01:16:08,479
Speaker 1: your name? Night to uma. We are all student publications here,

1003
01:16:09,120 --> 01:16:11,840
Speaker 1: so many of us would like to possibly get where

1004
01:16:12,040 --> 01:16:14,840
Speaker 1: y'all are one day. Uh this is call me when

1005
01:16:14,880 --> 01:16:17,000
Speaker 1: you don't, I don't want to get for you. Oh

1006
01:16:17,439 --> 01:16:21,800
Speaker 1: for sure we got you. Um so yeah, Cat take

1007
01:16:21,800 --> 01:16:30,840
Speaker 1: it away. Yes, got journalism students m R T of Radio, Radio, Television, film, entertainment, reporting,

1008
01:16:30,920 --> 01:16:35,360
Speaker 1: music industry. Really got a whole department for yes, Yes,

1009
01:16:35,479 --> 01:16:42,240
Speaker 1: we do. Yes, anybody in your angel who Yeah, entertaining.

1010
01:16:42,680 --> 01:16:45,600
Speaker 1: It's a whole school for you. This little communications and

1011
01:16:45,640 --> 01:16:49,120
Speaker 1: there's actual or dedicated to because of yourn alliances. It

1012
01:16:49,240 --> 01:16:52,360
Speaker 1: focus on the production side of the business side, a

1013
01:16:52,439 --> 01:16:55,320
Speaker 1: little bit of both because we have students that kind

1014
01:16:55,320 --> 01:16:58,360
Speaker 1: of you know, going between. So I'm Cat Gray, I'm

1015
01:16:58,400 --> 01:17:01,840
Speaker 1: the yearbook editor in chief. We have multiple student media.

1016
01:17:01,880 --> 01:17:05,160
Speaker 1: I'll listen here. We have TSU studios, we have TU Carol,

1017
01:17:05,320 --> 01:17:07,760
Speaker 1: we have her book. I don't know if you think

1018
01:17:07,760 --> 01:17:10,240
Speaker 1: about you. Here is from KT Sue see you over

1019
01:17:10,280 --> 01:17:15,479
Speaker 1: there over there. So that's our Yes, okay, Oh, y'all

1020
01:17:15,520 --> 01:17:21,120
Speaker 1: got like a whole student brain radio game. This is

1021
01:17:21,160 --> 01:17:25,599
Speaker 1: our our newspaper office right here across. I'm the energy

1022
01:17:25,720 --> 01:17:27,479
Speaker 1: over here. So we got a whole department. Got a

1023
01:17:27,479 --> 01:17:30,719
Speaker 1: studio in our school communications where we film our shows,

1024
01:17:30,840 --> 01:17:35,040
Speaker 1: the whole deal. Yep, graulized. That's really good to here

1025
01:17:35,400 --> 01:17:38,280
Speaker 1: because we need a lot of us in media. Yeah,

1026
01:17:38,439 --> 01:17:42,280
Speaker 1: go ahead introduce Yeah, let me, I'll introduce ourselves. My

1027
01:17:42,400 --> 01:17:46,120
Speaker 1: name is chadoo bray Um. I am the co founder

1028
01:17:46,240 --> 01:17:50,800
Speaker 1: of A File South Media along with Carlos Miller d

1029
01:17:50,920 --> 01:17:53,080
Speaker 1: c on Flyer Um and you know the rest of

1030
01:17:53,080 --> 01:17:55,920
Speaker 1: the guys that you see Joseph Newman and then obviously

1031
01:17:56,040 --> 01:17:58,280
Speaker 1: if you guys watch the show, Anti File South Media

1032
01:17:59,320 --> 01:18:02,760
Speaker 1: created and produce the intellectual property of the A five

1033
01:18:02,800 --> 01:18:05,040
Speaker 1: South show that you guys see in the podcast format

1034
01:18:05,080 --> 01:18:10,320
Speaker 1: and YouTube point. Um. So basically my role includes My

1035
01:18:10,479 --> 01:18:17,200
Speaker 1: role includes obviously managing calendars, operations, producing show um, launching

1036
01:18:17,240 --> 01:18:20,519
Speaker 1: more opportunities from eighty five South Media, from the apparel

1037
01:18:21,200 --> 01:18:26,280
Speaker 1: to introduce your new talent. Um. Yeah, just basically frontline

1038
01:18:26,280 --> 01:18:27,960
Speaker 1: and everything for the business that we built from the

1039
01:18:28,000 --> 01:18:30,439
Speaker 1: ground up. And this is Ryan Fam. I let him

1040
01:18:30,439 --> 01:18:33,000
Speaker 1: introduce himself as well. I'm Ryan Fam. I'm the tour

1041
01:18:33,080 --> 01:18:36,400
Speaker 1: and production manager for the live show component of eighty

1042
01:18:36,439 --> 01:18:40,320
Speaker 1: five South. So Chad mentioned there's a few different business lines,

1043
01:18:40,479 --> 01:18:43,519
Speaker 1: but I am kind of in charge of operations for

1044
01:18:43,720 --> 01:18:48,559
Speaker 1: the touring side of the business, and that's that's Craig Gregs.

1045
01:18:48,720 --> 01:18:51,800
Speaker 1: He is our assistant director any directs other content for

1046
01:18:51,920 --> 01:18:56,000
Speaker 1: us as well. So within eighty five South Media, we

1047
01:18:56,080 --> 01:18:59,240
Speaker 1: not only produce the show that y'all see, there's different

1048
01:18:59,320 --> 01:19:02,320
Speaker 1: formats that we roll out more content. We're introducing new

1049
01:19:02,360 --> 01:19:05,719
Speaker 1: content as well, So create takes a lot of direction

1050
01:19:05,760 --> 01:19:09,000
Speaker 1: and control in that space and capacities. Well, UM, so

1051
01:19:09,080 --> 01:19:11,680
Speaker 1: I don't have anything really traditional to say. I think

1052
01:19:11,680 --> 01:19:14,519
Speaker 1: it'd be easier if you guys have some questions and

1053
01:19:14,960 --> 01:19:18,080
Speaker 1: I'm sure you do good And it was really important

1054
01:19:18,120 --> 01:19:19,920
Speaker 1: for me to be able to do something like this.

1055
01:19:20,040 --> 01:19:22,960
Speaker 1: I didn't go to historically black college. I really wish

1056
01:19:23,000 --> 01:19:26,439
Speaker 1: I did UM. In the school that I did go to, UM,

1057
01:19:26,560 --> 01:19:30,200
Speaker 1: the media department was not nearly as big as what

1058
01:19:30,360 --> 01:19:32,960
Speaker 1: you guys are representing right now, So that's exciting. Community.

1059
01:19:33,080 --> 01:19:36,120
Speaker 1: Also think it's important for us to be involved in

1060
01:19:36,240 --> 01:19:40,760
Speaker 1: media because obviously we understand that media controls messaging. UM

1061
01:19:40,880 --> 01:19:44,800
Speaker 1: and I honestly believe that media is your elevator to

1062
01:19:44,960 --> 01:19:47,960
Speaker 1: break through to a lot of opportunities that you can

1063
01:19:48,000 --> 01:19:50,760
Speaker 1: create for yourself, especially in the digital space, in the

1064
01:19:50,880 --> 01:19:53,320
Speaker 1: online space, UM and I can go on and on.

1065
01:19:53,439 --> 01:19:55,120
Speaker 1: So I'll let y'all get into that, but I'm really

1066
01:19:55,160 --> 01:19:57,840
Speaker 1: excited to you that you guys are if it's in journalism, radio,

1067
01:19:58,400 --> 01:20:02,479
Speaker 1: any sort of broadcast, man messaging is extremely important um

1068
01:20:02,600 --> 01:20:07,160
Speaker 1: from tone to context, um to experience. So when you guys,

1069
01:20:07,240 --> 01:20:10,120
Speaker 1: when you see people that look like yourself, we understand

1070
01:20:10,160 --> 01:20:11,680
Speaker 1: what it means to have a grandmother they made it

1071
01:20:11,760 --> 01:20:14,439
Speaker 1: to go to church every Sunday. We understand what it

1072
01:20:14,479 --> 01:20:16,920
Speaker 1: means to have maybe a single parent that is super

1073
01:20:17,000 --> 01:20:19,800
Speaker 1: strict and we're not affording the same opportunity. So we

1074
01:20:19,920 --> 01:20:24,240
Speaker 1: have to be guided or talked to and spoken to

1075
01:20:24,360 --> 01:20:27,560
Speaker 1: in a certain type of way. So when you have

1076
01:20:27,680 --> 01:20:30,240
Speaker 1: somebody that is controlling the message, you can communicate a

1077
01:20:30,280 --> 01:20:33,200
Speaker 1: little more effectively to other people. So I'll let you

1078
01:20:33,280 --> 01:20:35,920
Speaker 1: all go from here. So where y'all on the stuff?

1079
01:20:37,960 --> 01:20:39,639
Speaker 1: And yeah, if you don't mind, can you make sure

1080
01:20:39,640 --> 01:20:40,720
Speaker 1: you give me your name and want to make sure

1081
01:20:40,720 --> 01:20:43,160
Speaker 1: you address you properly and show you the proper respect

1082
01:20:43,479 --> 01:20:55,920
Speaker 1: and share what publication for sure for sure. So Chad

1083
01:20:56,200 --> 01:20:59,280
Speaker 1: in the podcast you talk about being ahead her, you

1084
01:20:59,360 --> 01:21:03,400
Speaker 1: guys have are honestly do that. So how do you

1085
01:21:03,439 --> 01:21:07,920
Speaker 1: say being mostly content based? Right? Now yeah, let me

1086
01:21:08,280 --> 01:21:11,519
Speaker 1: let me ask you two questions. So being ahead of

1087
01:21:11,560 --> 01:21:14,360
Speaker 1: the curve, I was speaking into the context of my

1088
01:21:14,520 --> 01:21:18,120
Speaker 1: business partner Joseph Newman, who directs the show. We had

1089
01:21:18,200 --> 01:21:22,800
Speaker 1: created a content company, which was some five six seven

1090
01:21:22,880 --> 01:21:26,000
Speaker 1: years ago prior to eighty five South show what our

1091
01:21:26,120 --> 01:21:28,920
Speaker 1: job was. And I'm sure you guys everywhere now you go,

1092
01:21:29,080 --> 01:21:33,360
Speaker 1: you shoot an event or capture something, you provide a recap.

1093
01:21:33,920 --> 01:21:36,160
Speaker 1: This is before Instagram was a big deal. So I

1094
01:21:36,479 --> 01:21:40,559
Speaker 1: probably showing you howding. But content, we we didn't understand

1095
01:21:40,560 --> 01:21:42,320
Speaker 1: that we were created content what I'm saying, we were

1096
01:21:42,360 --> 01:21:44,040
Speaker 1: just shooting anything that we could shoot. We didn't know

1097
01:21:44,080 --> 01:21:46,240
Speaker 1: that there was long form, short form. Now you've got

1098
01:21:46,320 --> 01:21:48,720
Speaker 1: sixty sewod, there's all these mediums to put it on.

1099
01:21:48,960 --> 01:21:51,560
Speaker 1: We were just capturing and pushing it out. And what

1100
01:21:51,720 --> 01:21:56,040
Speaker 1: that did was it created experiences for us to teach

1101
01:21:56,120 --> 01:21:58,360
Speaker 1: us how to actually do this the right way with

1102
01:21:58,439 --> 01:22:01,800
Speaker 1: some structure, strategy, set, etcetera. So the second question was

1103
01:22:02,240 --> 01:22:04,040
Speaker 1: I'm sorry to answer that not to go into what

1104
01:22:04,120 --> 01:22:05,600
Speaker 1: you asked was, how are we staying ahead of the

1105
01:22:05,680 --> 01:22:10,479
Speaker 1: curve like you are you staying content with all the

1106
01:22:11,360 --> 01:22:18,560
Speaker 1: push being so everybody's doing everything for content, nor do

1107
01:22:18,680 --> 01:22:22,760
Speaker 1: it right? Um, I want to make sure ask me

1108
01:22:22,840 --> 01:22:23,920
Speaker 1: that one more time so I can make sure I

1109
01:22:24,000 --> 01:22:27,599
Speaker 1: answer your question properly. So, how are you staying constant

1110
01:22:27,680 --> 01:22:32,680
Speaker 1: with the Internet being mostly content based? You? So are are?

1111
01:22:32,840 --> 01:22:36,160
Speaker 1: Are you? Are you asking? How are we maintaining eyeballs

1112
01:22:36,200 --> 01:22:43,720
Speaker 1: and viewership? Understood? Understood so our mentality when we created

1113
01:22:44,880 --> 01:22:49,400
Speaker 1: the eighty five South Show, we understood the importance of

1114
01:22:49,520 --> 01:22:53,280
Speaker 1: having a platform, right. So, prior to eighty five South Show,

1115
01:22:53,320 --> 01:22:55,880
Speaker 1: I used to work for Steve Harvey and this is

1116
01:22:55,920 --> 01:23:01,599
Speaker 1: Steve Harvey yet family feud um to talk. He was everywhere. Yeah,

1117
01:23:01,600 --> 01:23:03,760
Speaker 1: he had like nine shows at the time. Me and

1118
01:23:03,920 --> 01:23:08,240
Speaker 1: Joe's UM role within that capacity was to manage his

1119
01:23:08,520 --> 01:23:14,519
Speaker 1: digital media, creative UM social anything in the Internet content space.

1120
01:23:15,720 --> 01:23:18,920
Speaker 1: But what we understood from what Steve was you don't

1121
01:23:18,960 --> 01:23:23,519
Speaker 1: have to chase eyeballs if you're actually creating a space

1122
01:23:23,600 --> 01:23:26,240
Speaker 1: for people to come to, and that's what he had

1123
01:23:26,280 --> 01:23:30,000
Speaker 1: with radio. So he created an audience that touched some

1124
01:23:30,200 --> 01:23:33,200
Speaker 1: seven million people a week. And when you're touching seven

1125
01:23:33,240 --> 01:23:35,080
Speaker 1: million people a week, all you have to do is

1126
01:23:35,200 --> 01:23:38,360
Speaker 1: feed them good content. So I don't know if I

1127
01:23:38,400 --> 01:23:41,879
Speaker 1: answered that properly, but our mentality was to reverse engineer.

1128
01:23:42,040 --> 01:23:44,280
Speaker 1: We don't have to go chase eyeballs. We'll create a

1129
01:23:44,320 --> 01:23:46,720
Speaker 1: platform for the eyeballs to come to us. If I

1130
01:23:46,760 --> 01:23:48,960
Speaker 1: could add to that too, I would say consistency I

1131
01:23:49,040 --> 01:23:51,519
Speaker 1: think is a big thing. Like in the beginnings, it's

1132
01:23:51,800 --> 01:23:54,439
Speaker 1: for me, it's crazy to see everything that five South

1133
01:23:54,520 --> 01:23:58,519
Speaker 1: has become outside of just a podcast, Like we still

1134
01:23:58,640 --> 01:24:01,639
Speaker 1: say and reference the podcast a lot, but we haven't

1135
01:24:01,680 --> 01:24:03,519
Speaker 1: even been in the studio for a while because it's

1136
01:24:03,960 --> 01:24:06,560
Speaker 1: morphed into so many different things. But I think consistency

1137
01:24:06,720 --> 01:24:09,599
Speaker 1: is key. Like you know every Friday you're gonna get

1138
01:24:09,600 --> 01:24:11,920
Speaker 1: a show, right, you know that you can content ay

1139
01:24:11,960 --> 01:24:15,040
Speaker 1: file so out Instagram and see multiple posts to day

1140
01:24:15,160 --> 01:24:17,559
Speaker 1: engaging posts, and so I think that is a big

1141
01:24:17,640 --> 01:24:20,720
Speaker 1: thing too when it comes to staying relevant, putting out

1142
01:24:21,000 --> 01:24:25,120
Speaker 1: and then it's it's understanding the platform and the mediums

1143
01:24:25,600 --> 01:24:29,799
Speaker 1: that you're pushing content towards. So we treat YouTube almost

1144
01:24:29,880 --> 01:24:33,280
Speaker 1: like a cartoon network or any other cable television. You

1145
01:24:33,360 --> 01:24:35,600
Speaker 1: know that on Friday you're gonna get an episode, no

1146
01:24:35,720 --> 01:24:38,680
Speaker 1: different thing. On Monday you're gonna watch football. So we

1147
01:24:38,800 --> 01:24:42,200
Speaker 1: created tune in to some degree, and then there's a

1148
01:24:42,280 --> 01:24:47,360
Speaker 1: level of consistency and pushing out content on her Instagram channel.

1149
01:24:47,439 --> 01:24:49,240
Speaker 1: So I know that was a long version, but I

1150
01:24:49,280 --> 01:24:55,080
Speaker 1: hope I answered. I hope I answered that questions. Yeah, yeah,

1151
01:24:55,160 --> 01:25:04,599
Speaker 1: for sure, for sure. Who's next? H what's up? What's somebody? Brandon?

1152
01:25:04,680 --> 01:25:10,040
Speaker 1: What's up Brandon? Previous en school? I just want to

1153
01:25:10,080 --> 01:25:13,200
Speaker 1: know what somebody got to challenges on. I'm not super

1154
01:25:13,280 --> 01:25:15,880
Speaker 1: road and I'm sure you got time at Yeah. I

1155
01:25:15,880 --> 01:25:19,080
Speaker 1: don't think this one he had contacts another here, Yeah,

1156
01:25:20,000 --> 01:25:23,320
Speaker 1: just just something to challenge. You gots time, and I listen,

1157
01:25:23,360 --> 01:25:25,519
Speaker 1: I'm gonna be any challenge that you have. We had it.

1158
01:25:25,600 --> 01:25:29,160
Speaker 1: It just costs way more for us. That's it. We

1159
01:25:29,320 --> 01:25:31,880
Speaker 1: have overhead. I got pay roll, I got legal, I

1160
01:25:31,960 --> 01:25:36,680
Speaker 1: got lawyers. People don't want to be hired. We deal

1161
01:25:36,760 --> 01:25:41,480
Speaker 1: with different venues that we walk into. There's different environments.

1162
01:25:42,040 --> 01:25:46,360
Speaker 1: The Midwest is different than the East coast, Ah. So

1163
01:25:46,640 --> 01:25:49,280
Speaker 1: if you have specific questions, I think I can answer

1164
01:25:49,280 --> 01:25:51,920
Speaker 1: it a little bit better for you. But I wake

1165
01:25:52,040 --> 01:25:57,720
Speaker 1: up with heads. So that's a really broader question. The job, job,

1166
01:25:58,439 --> 01:26:03,280
Speaker 1: freedom preto. And there's nothing wrong. This is not to

1167
01:26:03,360 --> 01:26:06,400
Speaker 1: say that nobody should desire to go, you know, get

1168
01:26:06,439 --> 01:26:07,920
Speaker 1: a job in any of those sort of things. I

1169
01:26:08,000 --> 01:26:11,479
Speaker 1: think freedom comes with enjoying what you do. So I've

1170
01:26:11,520 --> 01:26:14,439
Speaker 1: had jobs that I enjoyed as well. But the freedom

1171
01:26:14,520 --> 01:26:18,360
Speaker 1: to create control on the things that we do. UM,

1172
01:26:18,560 --> 01:26:20,160
Speaker 1: if we decide we want to take a left turn,

1173
01:26:20,200 --> 01:26:22,360
Speaker 1: we take a left turn. And there's not too many

1174
01:26:22,400 --> 01:26:27,720
Speaker 1: people that can tell us any different because we've created, UM,

1175
01:26:28,000 --> 01:26:32,120
Speaker 1: we've we've vertically integrated the company. We don't outsource anything.

1176
01:26:32,240 --> 01:26:35,479
Speaker 1: Everything is done in term. So that's what I appreciate it.

1177
01:26:36,880 --> 01:26:42,280
Speaker 1: I noticed side you gotta side of right, and yeah,

1178
01:26:42,600 --> 01:26:46,080
Speaker 1: how that coming about? That comes from me and Ryan's experience,

1179
01:26:46,160 --> 01:26:50,120
Speaker 1: in Joe's experience working with Steve again, so there's what

1180
01:26:50,240 --> 01:26:54,479
Speaker 1: they call ad boas or radio bibes, right and Chince.

1181
01:26:54,560 --> 01:26:59,120
Speaker 1: We're doing at the time podcasting, what's considered non traditional mediums.

1182
01:26:59,680 --> 01:27:01,920
Speaker 1: So you still still trying to write the rules on

1183
01:27:02,000 --> 01:27:06,800
Speaker 1: how you do advertising. But advertising and simple. If you

1184
01:27:06,880 --> 01:27:09,799
Speaker 1: have eyeballs, people want to get in front of eyeballs.

1185
01:27:11,080 --> 01:27:13,719
Speaker 1: That's it. So people saw that we created a platform.

1186
01:27:13,800 --> 01:27:16,880
Speaker 1: We have x amount of followers. The content is obviously

1187
01:27:17,000 --> 01:27:23,080
Speaker 1: engaging because uh, the viewership is consistent every single week.

1188
01:27:24,080 --> 01:27:27,639
Speaker 1: So you know, the exchange is that there's a dollar

1189
01:27:27,720 --> 01:27:31,200
Speaker 1: exchange for eyeballs being in front of eyeballs. And then

1190
01:27:31,520 --> 01:27:34,639
Speaker 1: what we do when we talk to advertisers is we say, hey,

1191
01:27:34,720 --> 01:27:38,439
Speaker 1: we're cool to do whatever you want to do, but um,

1192
01:27:38,720 --> 01:27:40,640
Speaker 1: you have to play within our framework if you want

1193
01:27:40,680 --> 01:27:42,920
Speaker 1: to get in front of our eyeballs. So We're not

1194
01:27:43,000 --> 01:27:45,240
Speaker 1: just gonna read some old script that you're asking us

1195
01:27:45,280 --> 01:27:46,760
Speaker 1: to read. We know how to talk to our people

1196
01:27:46,800 --> 01:27:52,479
Speaker 1: better than you do, so I hope that answer. Yes, ma'am.

1197
01:27:53,760 --> 01:27:58,360
Speaker 1: What's your name Raven Williams? Okay? And what what what

1198
01:27:58,439 --> 01:28:04,040
Speaker 1: do you? What do you do? Okay? What are you studying? Cool? Um?

1199
01:28:05,200 --> 01:28:12,320
Speaker 1: What the show? Because being a fan of the show

1200
01:28:13,360 --> 01:28:16,599
Speaker 1: starting before being also like friends with them would also

1201
01:28:16,720 --> 01:28:24,280
Speaker 1: make here I'm gonna run interday. Yeah. Um, I think

1202
01:28:24,320 --> 01:28:26,000
Speaker 1: maybe I have a little bit of a unique, unique

1203
01:28:26,040 --> 01:28:28,160
Speaker 1: perspective because I was there in the beginning of eighty

1204
01:28:28,240 --> 01:28:30,120
Speaker 1: five South, and then I moved to l A and

1205
01:28:30,160 --> 01:28:32,000
Speaker 1: then they kind of brought me back on within the

1206
01:28:32,120 --> 01:28:35,680
Speaker 1: last few months, so I'm kind of like coming at

1207
01:28:35,760 --> 01:28:39,040
Speaker 1: it as a little bit of an outsider. Um. I

1208
01:28:39,120 --> 01:28:42,840
Speaker 1: mean the friendship, and I think that is honestly what

1209
01:28:43,680 --> 01:28:47,720
Speaker 1: drives what what makes the show so good, you know.

1210
01:28:47,840 --> 01:28:51,760
Speaker 1: But the three of them, Um, they are they genuinely

1211
01:28:51,880 --> 01:28:54,439
Speaker 1: loved and respect and support each other. And then that

1212
01:28:55,520 --> 01:28:58,519
Speaker 1: because they're that, we all work in a talent driven business,

1213
01:28:58,720 --> 01:29:01,080
Speaker 1: and so you kind to take your cues from the

1214
01:29:01,160 --> 01:29:03,800
Speaker 1: talent that trickles down to, you know, the squad that

1215
01:29:03,880 --> 01:29:06,000
Speaker 1: we have that goes on the road and that travels,

1216
01:29:06,080 --> 01:29:08,640
Speaker 1: and and I think Chad has done a really good

1217
01:29:08,720 --> 01:29:11,920
Speaker 1: job of assembling people who, yes, we can you know,

1218
01:29:12,080 --> 01:29:15,200
Speaker 1: be friends. We can, uh, we do spend a lot

1219
01:29:15,240 --> 01:29:17,000
Speaker 1: of time together on the road. We've been to cities

1220
01:29:17,000 --> 01:29:20,560
Speaker 1: all over the country. But we still are capable of

1221
01:29:20,840 --> 01:29:22,840
Speaker 1: doing good business. Like I've been friends with Chad for

1222
01:29:22,920 --> 01:29:27,000
Speaker 1: a long time now. Um, I interned at a company

1223
01:29:27,280 --> 01:29:29,280
Speaker 1: and it was like one of his first jobs and

1224
01:29:29,320 --> 01:29:30,840
Speaker 1: I entered there. So we've been friends for a long

1225
01:29:30,920 --> 01:29:34,639
Speaker 1: time now. And so I think, you know, everybody kind

1226
01:29:34,680 --> 01:29:37,559
Speaker 1: of takes their cues from the three guys in terms

1227
01:29:37,600 --> 01:29:39,720
Speaker 1: of all, right, let's let's have a good time, right

1228
01:29:39,760 --> 01:29:42,320
Speaker 1: we all, like chat said about freedom, none of us

1229
01:29:42,400 --> 01:29:44,200
Speaker 1: has to wake up at a certain time. There's no

1230
01:29:44,320 --> 01:29:47,840
Speaker 1: dress code, we don't have to report anywhere, but so

1231
01:29:48,200 --> 01:29:50,320
Speaker 1: we can still have fun, but we're also you know,

1232
01:29:50,360 --> 01:30:10,600
Speaker 1: about the business. That's a good question, you um, So

1233
01:30:10,720 --> 01:30:19,600
Speaker 1: I'll explain my experience, which I don't recommend. And I

1234
01:30:19,720 --> 01:30:22,479
Speaker 1: say that because I didn't have the same resources, that's all.

1235
01:30:23,680 --> 01:30:25,479
Speaker 1: And it's not a it's not a sob story, but

1236
01:30:26,520 --> 01:30:28,880
Speaker 1: you want to None of us wants to do more

1237
01:30:28,920 --> 01:30:31,080
Speaker 1: work than we have to do. I did. I o

1238
01:30:31,320 --> 01:30:34,040
Speaker 1: d on the opportunity that was in front of me.

1239
01:30:34,160 --> 01:30:38,280
Speaker 1: So I was going to school in Jacksonville, Florida. I

1240
01:30:38,320 --> 01:30:43,479
Speaker 1: went to Jacksonville University in college, and there's very limited

1241
01:30:43,560 --> 01:30:46,519
Speaker 1: resources for the things that we want to do, the

1242
01:30:46,800 --> 01:30:49,600
Speaker 1: things that you guys are studying for small time Jacksonville.

1243
01:30:51,040 --> 01:30:53,560
Speaker 1: So I knew that I wanted to be in this

1244
01:30:54,479 --> 01:30:59,240
Speaker 1: the creative entertainment digital space, but I knew that Jacksonville

1245
01:30:59,240 --> 01:31:02,000
Speaker 1: didn't offer that sold I was on LinkedIn. I don't

1246
01:31:02,000 --> 01:31:04,760
Speaker 1: know if people still get on linked I don't even

1247
01:31:04,760 --> 01:31:06,240
Speaker 1: have them. I don't even know if I mom lift

1248
01:31:06,360 --> 01:31:10,599
Speaker 1: is activate. Okay, we're good than those because I hate

1249
01:31:10,640 --> 01:31:13,840
Speaker 1: social media. But I had to get on LinkedIn to

1250
01:31:13,960 --> 01:31:17,160
Speaker 1: figure out who were some players in the Atlanta space

1251
01:31:17,160 --> 01:31:19,840
Speaker 1: because I knew that was the closest place Timmy and

1252
01:31:19,840 --> 01:31:21,920
Speaker 1: I went to high school in Atlanta. So I reached

1253
01:31:21,960 --> 01:31:26,800
Speaker 1: out to like this CEOs or what seemed like people

1254
01:31:26,840 --> 01:31:28,839
Speaker 1: of power that could hire you and make some decisions.

1255
01:31:29,200 --> 01:31:32,519
Speaker 1: There was a company called licalto Media. This was damn

1256
01:31:32,560 --> 01:31:35,559
Speaker 1: there eight years ago. Reached out to one of their

1257
01:31:35,600 --> 01:31:38,000
Speaker 1: bosses on something like, hey man, I'll do whatever it takes,

1258
01:31:38,880 --> 01:31:42,439
Speaker 1: not really recognizing what I was putting out there because

1259
01:31:42,439 --> 01:31:45,360
Speaker 1: you're so hungry, hungry for an opportunity, not even necessarily

1260
01:31:45,360 --> 01:31:49,240
Speaker 1: recognize my own value, right, So reached out to him,

1261
01:31:50,000 --> 01:31:52,439
Speaker 1: got some access, got on the phone a couple of times,

1262
01:31:52,840 --> 01:31:55,840
Speaker 1: and I basically had to do like free work for

1263
01:31:56,000 --> 01:31:57,920
Speaker 1: like three four or five six months. I do not

1264
01:31:58,080 --> 01:32:00,760
Speaker 1: recommend that because we still have bills to pet. So

1265
01:32:00,880 --> 01:32:02,560
Speaker 1: I had to make like decisions that are not the

1266
01:32:02,600 --> 01:32:04,519
Speaker 1: best decisions. Nothing I was selling dope or nothing like that.

1267
01:32:05,200 --> 01:32:10,120
Speaker 1: But I'm like, ship, I'm at this job. Can sorry,

1268
01:32:10,560 --> 01:32:15,080
Speaker 1: I'm at this I'm at this job that's trying to

1269
01:32:15,160 --> 01:32:16,720
Speaker 1: make it is meet. I had to move back and

1270
01:32:16,800 --> 01:32:20,160
Speaker 1: my mom create the staying up basement. You know, these

1271
01:32:20,200 --> 01:32:21,960
Speaker 1: are sacrifices that I had to make that I don't

1272
01:32:22,000 --> 01:32:27,360
Speaker 1: necessarily again recommend to y'all because y'all have resources, can

1273
01:32:27,439 --> 01:32:29,479
Speaker 1: build a resume of different sort of way, because these

1274
01:32:29,520 --> 01:32:31,519
Speaker 1: are the things that I did. So I worked there,

1275
01:32:31,840 --> 01:32:34,320
Speaker 1: and I basically like my job the first day there

1276
01:32:34,479 --> 01:32:37,439
Speaker 1: after six months of free work, was to like carry

1277
01:32:37,479 --> 01:32:42,599
Speaker 1: boxes and carry coffee and take notes. I did nothing else.

1278
01:32:42,600 --> 01:32:44,040
Speaker 1: I thought I was the smartest person in the world.

1279
01:32:44,040 --> 01:32:45,519
Speaker 1: I couldn't wait to get it too. This job, It's

1280
01:32:45,560 --> 01:32:48,000
Speaker 1: gonna be so cool. But my job was to sit

1281
01:32:48,080 --> 01:32:50,080
Speaker 1: on conference cars and take notes. I did that for

1282
01:32:50,200 --> 01:32:52,960
Speaker 1: like a year, or carry bags, do whatever. And then

1283
01:32:53,560 --> 01:32:57,680
Speaker 1: the person that I was, I recognized that um that

1284
01:32:57,800 --> 01:32:59,600
Speaker 1: social media was an emerging thing. At the time, we

1285
01:32:59,680 --> 01:33:02,160
Speaker 1: didn't have me service and social media opportunities. So I

1286
01:33:02,280 --> 01:33:03,800
Speaker 1: learned to pick up I picked up a camera on

1287
01:33:03,880 --> 01:33:07,439
Speaker 1: my own and picked up um social media on my own,

1288
01:33:07,520 --> 01:33:09,280
Speaker 1: started learning how to edit on my own so that

1289
01:33:09,280 --> 01:33:12,400
Speaker 1: I could provide extra value to these people that allowed

1290
01:33:12,439 --> 01:33:14,120
Speaker 1: me to be there at this job, I want to say,

1291
01:33:14,160 --> 01:33:17,840
Speaker 1: for like two years until they downsized. During that downsize

1292
01:33:17,880 --> 01:33:20,559
Speaker 1: and me and my partner Joe started a content company.

1293
01:33:20,640 --> 01:33:23,360
Speaker 1: I was telling me was about in between that time

1294
01:33:24,400 --> 01:33:26,559
Speaker 1: when I had downside. So I since he got fired

1295
01:33:27,120 --> 01:33:29,400
Speaker 1: and I was out of work for about eight months.

1296
01:33:30,080 --> 01:33:32,760
Speaker 1: In the meantime, me and Joe was shooting from anybody

1297
01:33:33,520 --> 01:33:36,080
Speaker 1: that would give us a hundred dollars, hundred fifty dollars

1298
01:33:36,120 --> 01:33:38,920
Speaker 1: to make it work right. And again, I do not

1299
01:33:39,080 --> 01:33:40,680
Speaker 1: suggest that you do these things. I'm telling you what

1300
01:33:40,720 --> 01:33:43,519
Speaker 1: I had to do. So I did that. But all

1301
01:33:43,600 --> 01:33:47,240
Speaker 1: that time you're learning how to shoot, how to edit, um,

1302
01:33:47,600 --> 01:33:49,960
Speaker 1: working against deadlines, even learning how to email. A lot

1303
01:33:49,960 --> 01:33:52,519
Speaker 1: of people want to do that properly. But now when

1304
01:33:52,600 --> 01:33:55,680
Speaker 1: you are front facing for your company, you have to

1305
01:33:55,760 --> 01:33:58,840
Speaker 1: do these things. It's it's it's contingent on you getting

1306
01:33:58,840 --> 01:34:00,920
Speaker 1: a paycheck. So I had to do these things for

1307
01:34:01,000 --> 01:34:04,240
Speaker 1: eight months while that was happening. Steve at the time

1308
01:34:04,479 --> 01:34:08,000
Speaker 1: had was launching a new business and that business happened

1309
01:34:08,040 --> 01:34:13,320
Speaker 1: to need content. Joe was working for the radio station

1310
01:34:13,400 --> 01:34:15,320
Speaker 1: or maybe the production one of the companies that Steve

1311
01:34:15,400 --> 01:34:17,160
Speaker 1: had at the time. He was like, Hey, I got

1312
01:34:17,240 --> 01:34:19,599
Speaker 1: a business partner that's really smart. Give him a chance,

1313
01:34:19,760 --> 01:34:22,280
Speaker 1: and she really just lady gave me a chance. And

1314
01:34:22,360 --> 01:34:26,479
Speaker 1: I just did whatever I could to survive, keep showing

1315
01:34:26,520 --> 01:34:28,920
Speaker 1: I could provide more value if it was learning I'm

1316
01:34:28,920 --> 01:34:30,519
Speaker 1: really asked me if I knew how to build a websites,

1317
01:34:30,560 --> 01:34:32,040
Speaker 1: and I was like, hey, yeah, and then I went

1318
01:34:32,080 --> 01:34:34,760
Speaker 1: on YouTube that night to learn how to build a website, right,

1319
01:34:35,479 --> 01:34:37,200
Speaker 1: you know, And I'm sure all of y'all have done

1320
01:34:37,240 --> 01:34:39,840
Speaker 1: those things. But again, we're talking about eight years ago.

1321
01:34:39,960 --> 01:34:44,680
Speaker 1: Win again digital media. It's miles apart from where it

1322
01:34:44,840 --> 01:34:48,000
Speaker 1: was eight years ago. So the answer to the question

1323
01:34:48,200 --> 01:34:50,360
Speaker 1: is I just kind of thug my way through with

1324
01:34:50,479 --> 01:34:53,600
Speaker 1: this deal. I had to do find a way. What

1325
01:34:53,720 --> 01:34:55,479
Speaker 1: I would tell all of y'all because people ask me

1326
01:34:55,560 --> 01:34:57,560
Speaker 1: this question all the time. What I would do is this,

1327
01:34:58,439 --> 01:35:00,240
Speaker 1: if you can find a job, find so where to

1328
01:35:00,240 --> 01:35:02,920
Speaker 1: put some money in your pocket. League, get you some

1329
01:35:03,000 --> 01:35:05,519
Speaker 1: money in your pocket first, so that you don't have

1330
01:35:05,680 --> 01:35:09,000
Speaker 1: to make brash decisions or have to make desperate decisions.

1331
01:35:09,560 --> 01:35:12,559
Speaker 1: Because it's okay to not I noticed does not sound

1332
01:35:12,600 --> 01:35:16,200
Speaker 1: cool to here, because Instagram says otherwise. From most y'all

1333
01:35:16,200 --> 01:35:18,920
Speaker 1: gonna graduated two years old, it's okay to be broke

1334
01:35:19,000 --> 01:35:22,800
Speaker 1: from twenty two twenty seven. Can you're trying to figure

1335
01:35:22,840 --> 01:35:25,439
Speaker 1: it out because you're gonna be sacrificing what you gotta say.

1336
01:35:25,479 --> 01:35:27,479
Speaker 1: And when I say broke. You're paying your bills, you're

1337
01:35:27,520 --> 01:35:30,799
Speaker 1: not doing nothing, section not going on trips or spending

1338
01:35:30,800 --> 01:35:32,840
Speaker 1: a hundred fifty dollars at the bar. I'm not saying broke.

1339
01:35:32,880 --> 01:35:35,920
Speaker 1: Where you live at homes don't take you literally, put

1340
01:35:36,000 --> 01:35:37,960
Speaker 1: some money in your pocket, because your money can funds

1341
01:35:37,960 --> 01:35:40,599
Speaker 1: your opportunities, you can fund your dreams. If you put

1342
01:35:40,680 --> 01:35:42,160
Speaker 1: some money in your pocket, you save you some money.

1343
01:35:42,200 --> 01:35:43,680
Speaker 1: Go buy you that camera that's gonna put you in

1344
01:35:43,680 --> 01:35:46,439
Speaker 1: the space you're being, or it can afford you once

1345
01:35:47,200 --> 01:35:49,519
Speaker 1: with the mentor of the person that can hire you

1346
01:35:49,960 --> 01:35:53,960
Speaker 1: that you're looking to have hired you. I made decisions

1347
01:35:54,760 --> 01:36:00,439
Speaker 1: based on not having really two months opportunity and resources. Um,

1348
01:36:00,560 --> 01:36:02,840
Speaker 1: so that's how I got in Again, that's not like

1349
01:36:03,800 --> 01:36:07,560
Speaker 1: the perfect traditional way to do it, but you know,

1350
01:36:07,720 --> 01:36:10,080
Speaker 1: and Joe kind of has the same story, just kind

1351
01:36:10,120 --> 01:36:12,000
Speaker 1: of dugging his way through. I don't even I don't.

1352
01:36:12,040 --> 01:36:14,960
Speaker 1: I don't like it. Um what do they call it?

1353
01:36:15,400 --> 01:36:19,120
Speaker 1: When you uh? Oh, you gotta say that, see Martin,

1354
01:36:19,160 --> 01:36:21,320
Speaker 1: This is Joe on the I don't. I don't. I

1355
01:36:21,360 --> 01:36:23,479
Speaker 1: don't like the idea that some of these companies they

1356
01:36:23,760 --> 01:36:26,320
Speaker 1: make kids work for free and they use you and

1357
01:36:26,360 --> 01:36:28,360
Speaker 1: abusing and they go find somebody else that will do it.

1358
01:36:28,680 --> 01:36:31,280
Speaker 1: But that's what I had to do to get it,

1359
01:36:31,680 --> 01:36:39,400
Speaker 1: So I don't know if they answered your questions. Okay, Harrison,

1360
01:36:40,360 --> 01:36:43,519
Speaker 1: the hand of Operations from O Company also host on

1361
01:36:43,960 --> 01:36:47,479
Speaker 1: on tissue. So my questions, what does the day technically

1362
01:36:47,520 --> 01:36:49,040
Speaker 1: look like I'm leading up to a show of the

1363
01:36:49,120 --> 01:36:52,000
Speaker 1: guards to the production? Good question, very good questions. And

1364
01:36:52,040 --> 01:36:55,599
Speaker 1: if Ryan's the perfect person answered that it doesn't him

1365
01:36:55,640 --> 01:37:00,519
Speaker 1: to do. But when I was doing it a day,

1366
01:37:00,600 --> 01:37:04,000
Speaker 1: So you have what's called pre production. I'm suredn't know that, right.

1367
01:37:04,080 --> 01:37:07,120
Speaker 1: So pre production is pre production for us and may

1368
01:37:07,200 --> 01:37:12,559
Speaker 1: start in a perfect world, will start, uh four weeks

1369
01:37:12,600 --> 01:37:16,040
Speaker 1: after because we have travel including what we do, so

1370
01:37:16,200 --> 01:37:19,320
Speaker 1: you're doing everything from logistics the book and flights to

1371
01:37:19,680 --> 01:37:23,679
Speaker 1: manage in hotel travelers, calendars and schedule. And then leading

1372
01:37:23,760 --> 01:37:27,840
Speaker 1: up to the week of the show, UM, we're doing

1373
01:37:28,400 --> 01:37:35,280
Speaker 1: production calls with the house. So you're talking about your sound,

1374
01:37:35,439 --> 01:37:38,360
Speaker 1: your audio, your video, you're getting your camera plots, you're

1375
01:37:38,360 --> 01:37:41,800
Speaker 1: getting your stage plots. Um. We have merchandise that we do,

1376
01:37:41,920 --> 01:37:45,200
Speaker 1: so we're figuring out where merchandise needs to be set up. Um,

1377
01:37:45,720 --> 01:37:48,679
Speaker 1: and then we're dotty all of our eyes and crossing

1378
01:37:48,720 --> 01:37:51,160
Speaker 1: all of our teas leading into the show. So if

1379
01:37:51,160 --> 01:37:53,759
Speaker 1: there's anything we're gonna if there's any segments we're gonna introduce,

1380
01:37:53,800 --> 01:37:56,880
Speaker 1: if we're gonna um, if we're gonna have any people

1381
01:37:56,920 --> 01:37:59,680
Speaker 1: that would come out from out of the audience we're

1382
01:37:59,680 --> 01:38:03,200
Speaker 1: getting are legal, are nbas together. And then the actual

1383
01:38:03,280 --> 01:38:06,280
Speaker 1: day of show, the production team comes in the day

1384
01:38:06,280 --> 01:38:08,760
Speaker 1: before and so that they can be settled in clear mind,

1385
01:38:09,120 --> 01:38:11,959
Speaker 1: and then we have what's some people call the itineris,

1386
01:38:12,000 --> 01:38:15,160
Speaker 1: some people call it run show that's going that's that's

1387
01:38:15,800 --> 01:38:18,880
Speaker 1: hour by hour telling us where every single person is

1388
01:38:18,920 --> 01:38:21,640
Speaker 1: going to be, what their roles and responsibilities are, and

1389
01:38:21,720 --> 01:38:24,760
Speaker 1: what's happening leading up to the actual show start time.

1390
01:38:24,800 --> 01:38:29,679
Speaker 1: So you're talking about loading, you're talking about sound check,

1391
01:38:29,960 --> 01:38:34,519
Speaker 1: you're talking about your camera plis ah and everything until

1392
01:38:34,600 --> 01:38:39,160
Speaker 1: you know the actual show execute. So I'm sure just

1393
01:38:39,240 --> 01:38:45,519
Speaker 1: as busy as yours. It's not oh yeah again, I'm

1394
01:38:45,600 --> 01:38:47,680
Speaker 1: telling everything y'all are doing. Man, I will say this

1395
01:38:47,720 --> 01:38:52,320
Speaker 1: because I'm here, like nothing we're doing is magically. What

1396
01:38:52,479 --> 01:38:55,160
Speaker 1: we're doing is taking us very small brick and building

1397
01:38:55,200 --> 01:38:57,880
Speaker 1: on top of that brick. But what y'all are doing.

1398
01:38:58,000 --> 01:39:01,479
Speaker 1: Is y'all have the bricks already, So like I'm sure

1399
01:39:01,560 --> 01:39:03,360
Speaker 1: if I looked at you're running show, if I looked

1400
01:39:03,400 --> 01:39:06,760
Speaker 1: at your production calendar and production schedule, I'm telling you

1401
01:39:06,880 --> 01:39:09,840
Speaker 1: that the only difference is I'll just cost more or

1402
01:39:09,920 --> 01:39:11,920
Speaker 1: we spend more morning, we pay more people. That's really it,

1403
01:39:12,880 --> 01:39:17,760
Speaker 1: you know. But you have all the I'm sure you

1404
01:39:17,800 --> 01:39:19,320
Speaker 1: could do a show with us at not and not.

1405
01:39:21,000 --> 01:39:22,840
Speaker 1: We can hire you as a p A or something

1406
01:39:22,920 --> 01:39:24,840
Speaker 1: like that, or a production coordinator, and you wouldn't be

1407
01:39:25,760 --> 01:39:33,040
Speaker 1: you wouldn't be losing your mind right now that I

1408
01:39:33,080 --> 01:39:39,120
Speaker 1: don't know any other questions. Oh, I'm sorry, he asked,

1409
01:39:39,280 --> 01:39:42,479
Speaker 1: He asked, Oh, I said, what is the day? Looks

1410
01:39:42,560 --> 01:39:45,360
Speaker 1: like I'm leading up to a show like my cards production.

1411
01:39:45,920 --> 01:39:48,200
Speaker 1: Ryan has way more calls and emails, and I forgot

1412
01:39:48,240 --> 01:39:49,720
Speaker 1: about all that stuff that he has to do too.

1413
01:39:49,880 --> 01:39:52,679
Speaker 1: So I didn't want to. I didn't want to trying

1414
01:39:52,680 --> 01:39:55,280
Speaker 1: to miss anything. No, No, I mean I think you

1415
01:39:55,479 --> 01:39:59,240
Speaker 1: did a good job. Is really Um it's not rocket science.

1416
01:39:59,400 --> 01:40:02,479
Speaker 1: I tell people all the time. Um, we we really

1417
01:40:02,520 --> 01:40:04,920
Speaker 1: you have the show that you start with, and we

1418
01:40:05,080 --> 01:40:07,640
Speaker 1: just work backwards. We know that we have either one

1419
01:40:07,760 --> 01:40:10,000
Speaker 1: or two shows at night. And then our job is

1420
01:40:10,040 --> 01:40:14,200
Speaker 1: just um to make sure that the venues have everything

1421
01:40:14,240 --> 01:40:16,559
Speaker 1: that we need. From a production standpoint, this is how

1422
01:40:16,560 --> 01:40:19,080
Speaker 1: we're gonna shoot it, This is how the audio we're

1423
01:40:19,080 --> 01:40:21,400
Speaker 1: going to record. Um, these are the segments that we

1424
01:40:21,520 --> 01:40:23,120
Speaker 1: might do. And then yeah, we just kind of back

1425
01:40:23,160 --> 01:40:26,120
Speaker 1: it out all right. If we want the band, if

1426
01:40:26,360 --> 01:40:28,439
Speaker 1: we want certain band members here, or we want this

1427
01:40:28,560 --> 01:40:30,800
Speaker 1: look for the show, what do we need to to

1428
01:40:30,960 --> 01:40:33,760
Speaker 1: make it happen? I mean our job is really, like

1429
01:40:33,800 --> 01:40:36,080
Speaker 1: I said, to make it's a talent driven business. So

1430
01:40:36,240 --> 01:40:39,840
Speaker 1: everything that we do is just how do we have

1431
01:40:40,560 --> 01:40:42,560
Speaker 1: ensure that the show run smoothly and that they have

1432
01:40:42,680 --> 01:40:45,360
Speaker 1: everything that they need to be successful. That's that's always

1433
01:40:45,400 --> 01:40:47,519
Speaker 1: kind of at the back of my mind. Um. And

1434
01:40:47,560 --> 01:40:53,720
Speaker 1: the same thing like with Big with we missed hip,

1435
01:40:55,240 --> 01:40:59,759
Speaker 1: what you nay more time about? And you're a production

1436
01:41:00,000 --> 01:41:03,479
Speaker 1: as you said, operating many alcocohol. Let me let me

1437
01:41:03,520 --> 01:41:04,920
Speaker 1: add this too. I don't want you to think what

1438
01:41:05,080 --> 01:41:08,519
Speaker 1: we do is like a walking party body stretch. Right.

1439
01:41:10,360 --> 01:41:13,320
Speaker 1: The way you should look at production is as if

1440
01:41:13,400 --> 01:41:18,120
Speaker 1: you are a coach, right, and what coaches do prior

1441
01:41:18,200 --> 01:41:22,000
Speaker 1: to if y'all play ball heyy short of sport. Prior

1442
01:41:22,120 --> 01:41:26,200
Speaker 1: to the game, there's already a an understanding of how

1443
01:41:26,240 --> 01:41:29,360
Speaker 1: they want to attack this game offense and defense, right,

1444
01:41:29,400 --> 01:41:32,240
Speaker 1: So they're putting people in position to put the team

1445
01:41:32,280 --> 01:41:36,120
Speaker 1: in the best position to win the game. So a coach,

1446
01:41:36,880 --> 01:41:39,240
Speaker 1: it's not just not calling plays the day of. He's

1447
01:41:39,280 --> 01:41:43,760
Speaker 1: been calling plays with them there a week if it's football, right,

1448
01:41:44,400 --> 01:41:46,559
Speaker 1: and that started on that Monday leading up to that show.

1449
01:41:47,479 --> 01:41:50,479
Speaker 1: So just imagine that your game is the actual execution

1450
01:41:50,520 --> 01:41:53,759
Speaker 1: of the show, and you calling plays, running through practice

1451
01:41:53,760 --> 01:41:58,960
Speaker 1: and drills and good coaches they dissect the quarterbacks. That's

1452
01:41:59,040 --> 01:42:03,240
Speaker 1: they got their own small operation they're running. The offensive

1453
01:42:03,280 --> 01:42:05,519
Speaker 1: line is running their own operation. The defense got a

1454
01:42:05,560 --> 01:42:08,919
Speaker 1: whole operation. But when everything comes together, it's one big operation.

1455
01:42:08,960 --> 01:42:12,439
Speaker 1: But it's a bunch of small operations that's driving to

1456
01:42:12,520 --> 01:42:16,839
Speaker 1: the big operation. So that's how we attack the production.

1457
01:42:17,000 --> 01:42:19,960
Speaker 1: So there's no mistakes, there's no second guessing, and if

1458
01:42:20,040 --> 01:42:22,920
Speaker 1: something does go wrong, at least you know where your

1459
01:42:22,960 --> 01:42:25,439
Speaker 1: plan is to bring it back to the plant. I

1460
01:42:25,479 --> 01:42:29,160
Speaker 1: would say when it does go wrong too, because you know,

1461
01:42:29,200 --> 01:42:31,080
Speaker 1: I've been on a lot of sets, you know, done

1462
01:42:31,080 --> 01:42:33,040
Speaker 1: a lot of shows with these guys. Now, something will

1463
01:42:33,120 --> 01:42:36,400
Speaker 1: go wrong. So I think as the if you know

1464
01:42:36,479 --> 01:42:40,640
Speaker 1: you're in charge of production, it's your job to have

1465
01:42:40,840 --> 01:42:43,479
Speaker 1: the best plan of attack in place and to have

1466
01:42:43,720 --> 01:42:46,639
Speaker 1: thought through what are some potential things that could go wrong,

1467
01:42:46,880 --> 01:42:50,400
Speaker 1: because I promise you it will. Like production honestly, is

1468
01:42:50,720 --> 01:42:54,560
Speaker 1: a lot of time just putting out fires. Um. You know,

1469
01:42:55,040 --> 01:42:57,080
Speaker 1: you have your plan and you think through as much

1470
01:42:57,120 --> 01:42:59,160
Speaker 1: as you can, but there's always gonna be something that

1471
01:42:59,320 --> 01:43:02,400
Speaker 1: comes up that that you didn't think about. So it's

1472
01:43:02,400 --> 01:43:06,880
Speaker 1: about putting the right people in place and you having

1473
01:43:06,960 --> 01:43:10,400
Speaker 1: the you know, you thinking about everything in advance to

1474
01:43:10,479 --> 01:43:12,840
Speaker 1: try to eliminate as much as you can. But it's

1475
01:43:12,840 --> 01:43:18,479
Speaker 1: always gonna be something that goes wrong. Before we take

1476
01:43:18,520 --> 01:43:21,800
Speaker 1: any more questions, Joe, if you don't mind, it can

1477
01:43:21,920 --> 01:43:26,720
Speaker 1: here Chief. I'm also the mort Okay. My name is

1478
01:43:26,840 --> 01:43:33,240
Speaker 1: Joe Newman. I'm the co creator, director, editor, digital marketing

1479
01:43:33,520 --> 01:43:40,960
Speaker 1: person sell tickets. I run the Twitter, Happy Instagram, Facebook, Uh,

1480
01:43:41,439 --> 01:43:48,040
Speaker 1: expat it happy to be here any more, muss Um.

1481
01:43:48,520 --> 01:43:50,719
Speaker 1: My name is Kosha pol Art. I am the newest

1482
01:43:50,800 --> 01:43:53,400
Speaker 1: editor for the tissue HEROLD. But I'm also a visual

1483
01:43:53,479 --> 01:43:57,439
Speaker 1: performing art student. I act I'm older student because I'm

1484
01:43:57,479 --> 01:44:05,040
Speaker 1: a military vetterman, so this is like my career. Yes, right, right,

1485
01:44:05,280 --> 01:44:08,759
Speaker 1: so this is new for me. But you spoke about

1486
01:44:08,800 --> 01:44:12,040
Speaker 1: working in Jacksonville, that's around a lot of military installations.

1487
01:44:12,640 --> 01:44:14,679
Speaker 1: I was homeless for a little while because I stepped

1488
01:44:14,680 --> 01:44:17,280
Speaker 1: out on my dream to start my company in entertainment.

1489
01:44:17,920 --> 01:44:19,840
Speaker 1: And the biggest thing I ran into was that I

1490
01:44:19,920 --> 01:44:23,120
Speaker 1: didn't have opportunities and there weren't people that were willing

1491
01:44:23,200 --> 01:44:25,160
Speaker 1: to open their doors to me to allow me to

1492
01:44:25,200 --> 01:44:28,200
Speaker 1: get in and be successful. So my question to you

1493
01:44:28,400 --> 01:44:30,920
Speaker 1: guys is how was you? How are you manipulating your

1494
01:44:30,960 --> 01:44:35,160
Speaker 1: brand to give military veterans with media experience the opportunities

1495
01:44:35,160 --> 01:44:41,320
Speaker 1: to work with you? How are you formulating your brands

1496
01:44:41,360 --> 01:44:45,200
Speaker 1: of the speed to give military veterans the opportunities to

1497
01:44:45,320 --> 01:44:49,559
Speaker 1: work with you and gain experience in the industry. Yeah,

1498
01:44:50,080 --> 01:44:55,040
Speaker 1: we gotta get some more money from me, but to

1499
01:44:55,160 --> 01:44:59,360
Speaker 1: not be saying we do have planning suits and operations,

1500
01:45:00,120 --> 01:45:05,080
Speaker 1: still working on the very nucleus stuff what this is

1501
01:45:05,560 --> 01:45:08,639
Speaker 1: because it's still growing it. We're still finding our way

1502
01:45:08,680 --> 01:45:13,160
Speaker 1: in what we're doing. Because when you think about business growth,

1503
01:45:13,840 --> 01:45:18,160
Speaker 1: it's your business growth trajectory is usually like this, soil

1504
01:45:19,400 --> 01:45:22,080
Speaker 1: I just kind of fel like this, you know, and

1505
01:45:22,160 --> 01:45:31,040
Speaker 1: so we're still figuring out the pieces. How settling the

1506
01:45:31,120 --> 01:45:35,759
Speaker 1: shop the piece as a torn aspect should aspect paralyze.

1507
01:45:36,320 --> 01:45:38,840
Speaker 1: You want to get your town also thing. So the

1508
01:45:38,920 --> 01:45:42,040
Speaker 1: answer to your questions, we would like to offer an

1509
01:45:42,080 --> 01:45:44,240
Speaker 1: open our doors from all those opportunities, but it has

1510
01:45:44,280 --> 01:45:48,200
Speaker 1: to also made sense for Ussels attention. That's the good question.

1511
01:45:48,560 --> 01:45:52,320
Speaker 1: We want to hire young people, that people that be

1512
01:45:52,520 --> 01:45:55,240
Speaker 1: second the third chances. We want to do all those things.

1513
01:45:55,280 --> 01:46:03,719
Speaker 1: It's just we have made vis Jaylor Fields. Um really

1514
01:46:03,840 --> 01:46:08,840
Speaker 1: like a freelance Okay, I just like two three years ago. Um,

1515
01:46:08,960 --> 01:46:11,439
Speaker 1: but I've got two questions. What does an average project

1516
01:46:11,479 --> 01:46:13,439
Speaker 1: time on look like? I guess I wish you record,

1517
01:46:13,560 --> 01:46:15,519
Speaker 1: like how does do you get back out? And then, um,

1518
01:46:15,840 --> 01:46:17,240
Speaker 1: when you are recording the show, is there like a

1519
01:46:17,320 --> 01:46:19,360
Speaker 1: story you want to tell every time? Where do y'all

1520
01:46:19,360 --> 01:46:25,760
Speaker 1: just take them like doing? Uh you're talking about like

1521
01:46:26,080 --> 01:46:31,519
Speaker 1: a podcast or a live show? Uh so the live show, Um,

1522
01:46:31,800 --> 01:46:34,920
Speaker 1: I do want every week? Uh So I kind of

1523
01:46:35,000 --> 01:46:39,000
Speaker 1: have to create my own workflow. Um. So usually we

1524
01:46:39,160 --> 01:46:43,320
Speaker 1: record a show on Friday or Saturday or Thursday. And

1525
01:46:43,439 --> 01:46:47,439
Speaker 1: so what I'll do is I'll take two days UM

1526
01:46:47,840 --> 01:46:52,240
Speaker 1: to download the files from the show, and Craig actually

1527
01:46:53,080 --> 01:46:56,040
Speaker 1: showed me put me on to create proxy files. So

1528
01:46:56,160 --> 01:46:59,080
Speaker 1: when I'm editing, I'm not editing in the high quality files.

1529
01:46:59,120 --> 01:47:02,040
Speaker 1: So it'll take day day and a half, two days,

1530
01:47:02,600 --> 01:47:05,439
Speaker 1: depending on how many camera angles I have and how

1531
01:47:05,520 --> 01:47:08,639
Speaker 1: active I am watching the laptop, and you know I'm

1532
01:47:08,680 --> 01:47:10,559
Speaker 1: at home and all there's all these distractions and stuff.

1533
01:47:10,560 --> 01:47:13,160
Speaker 1: So it talks about two days to just get the

1534
01:47:13,240 --> 01:47:16,000
Speaker 1: files into the UH into final cut. I use fine

1535
01:47:16,040 --> 01:47:18,320
Speaker 1: cut protect edit UM and get them proxy and then

1536
01:47:18,360 --> 01:47:22,639
Speaker 1: I lined them all up using the audio file as

1537
01:47:22,720 --> 01:47:26,639
Speaker 1: like the main source to get everything um UM frame

1538
01:47:26,720 --> 01:47:30,599
Speaker 1: by frame lined up UM. And then we might take

1539
01:47:30,840 --> 01:47:34,360
Speaker 1: two days to create a line cut, just deciding which

1540
01:47:34,439 --> 01:47:37,840
Speaker 1: angles that tell the story the best. So what we

1541
01:47:37,960 --> 01:47:42,320
Speaker 1: do is, you know, my philosophy is, you know, I

1542
01:47:42,479 --> 01:47:45,200
Speaker 1: trust those guys and I everything that comes out of

1543
01:47:45,200 --> 01:47:48,479
Speaker 1: their mouth I support, and you know, if that wasn't

1544
01:47:48,520 --> 01:47:51,439
Speaker 1: the case, I probably wouldn't want to do this. So UM,

1545
01:47:51,520 --> 01:47:52,920
Speaker 1: I let them do what they want to do. And

1546
01:47:52,960 --> 01:47:55,840
Speaker 1: it's my job too, and me a Craigy job to

1547
01:47:55,920 --> 01:47:58,160
Speaker 1: tell the story visually. So if DC is running off

1548
01:47:58,200 --> 01:48:00,680
Speaker 1: to the corner of the stage dancing or something. I

1549
01:48:00,760 --> 01:48:03,920
Speaker 1: don't want to miss that. So it's our job to

1550
01:48:04,040 --> 01:48:06,280
Speaker 1: figure out ways to make sure that the story of

1551
01:48:06,800 --> 01:48:10,479
Speaker 1: them existing, telling their story happened. So it takes about

1552
01:48:11,000 --> 01:48:14,360
Speaker 1: five or seven days, depending on how motivated I am,

1553
01:48:14,400 --> 01:48:17,800
Speaker 1: how much coffee and other stimuli I have to work with.

1554
01:48:18,880 --> 01:48:21,720
Speaker 1: You know what I'm saying. It's so I don't think

1555
01:48:21,760 --> 01:48:26,000
Speaker 1: it's freely. It takes Yeah, I know, but I'm talking

1556
01:48:26,000 --> 01:48:35,559
Speaker 1: about keep the friend in this with me. Yeah, first

1557
01:48:35,720 --> 01:48:39,559
Speaker 1: per perspective to like what Joe does is actually pretty amazing.

1558
01:48:39,840 --> 01:48:42,200
Speaker 1: Like a one hour show. To put out a show

1559
01:48:42,320 --> 01:48:45,840
Speaker 1: every week. You know, if you watch a standard broadcast

1560
01:48:45,920 --> 01:48:50,280
Speaker 1: show that is a variety show and it's a big

1561
01:48:50,320 --> 01:48:53,519
Speaker 1: production or whatever, like The Steve, you would have a

1562
01:48:53,720 --> 01:48:57,040
Speaker 1: team of ten to fifteen people working on a one

1563
01:48:57,120 --> 01:49:00,439
Speaker 1: hour episode for like two months. It's oh. To put

1564
01:49:00,479 --> 01:49:05,680
Speaker 1: out a show week is actually pretty incredible. Yeah, thank

1565
01:49:05,760 --> 01:49:11,280
Speaker 1: your family. Hi guys, I am from KTSC too. This

1566
01:49:11,360 --> 01:49:13,479
Speaker 1: is Newer Radio. I'm also co host with t Su

1567
01:49:13,600 --> 01:49:17,720
Speaker 1: Day and um I'm also marketing student marketing chair for

1568
01:49:17,800 --> 01:49:20,360
Speaker 1: this homecoming as well, And I just wanted to ask

1569
01:49:20,479 --> 01:49:24,320
Speaker 1: what were the key components of marketing that really launched

1570
01:49:24,520 --> 01:49:29,320
Speaker 1: a pass. That's a good really question I think. I

1571
01:49:29,360 --> 01:49:34,599
Speaker 1: think when it comes to Mark, who is DC, your

1572
01:49:34,680 --> 01:49:37,840
Speaker 1: flying Carlos mulling the content more? Did that come out

1573
01:49:37,840 --> 01:49:41,240
Speaker 1: of the month? So once again like he was already

1574
01:49:41,240 --> 01:49:45,160
Speaker 1: a superstar. And also I've already had the skill set

1575
01:49:45,479 --> 01:49:48,000
Speaker 1: to be viral from vind you know, he already had

1576
01:49:48,080 --> 01:49:50,800
Speaker 1: that capability. So when me and Chad got with him,

1577
01:49:51,320 --> 01:49:53,800
Speaker 1: um he was doing rat me and when a man

1578
01:49:53,880 --> 01:49:56,720
Speaker 1: with him and interviewed him, man uh, and we understood

1579
01:49:56,760 --> 01:49:58,960
Speaker 1: he had a great talent. So I mean, I don't

1580
01:49:59,000 --> 01:50:03,160
Speaker 1: put any credit on algorithms or SEO or any of

1581
01:50:03,200 --> 01:50:05,599
Speaker 1: that type of stuff because you know, I understand all

1582
01:50:05,640 --> 01:50:07,120
Speaker 1: that type of stuff. How to you know, get the

1583
01:50:07,600 --> 01:50:12,840
Speaker 1: biggest pop out of you know, tags and UM and

1584
01:50:13,120 --> 01:50:15,880
Speaker 1: UM mostly called the you know, the bio that you

1585
01:50:16,000 --> 01:50:18,760
Speaker 1: put in your content and how all that adds. But

1586
01:50:18,920 --> 01:50:22,120
Speaker 1: DC and Carlos and the other talent is really the

1587
01:50:22,200 --> 01:50:25,519
Speaker 1: one who um make it go. So I I really

1588
01:50:25,560 --> 01:50:30,120
Speaker 1: did talent. That's that's well, I think we've separate ourselves

1589
01:50:30,120 --> 01:50:33,080
Speaker 1: from anybody else. It's just really believe it and trying

1590
01:50:33,160 --> 01:50:37,200
Speaker 1: to um. Another thing is the Internet gives us the

1591
01:50:37,280 --> 01:50:41,040
Speaker 1: capability to put any type of content out there for

1592
01:50:41,080 --> 01:50:43,080
Speaker 1: anybody to see. You know, it could be you know,

1593
01:50:43,200 --> 01:50:46,360
Speaker 1: on all different spectrums of quality. So what we really

1594
01:50:46,400 --> 01:50:49,000
Speaker 1: wanted to focus on is making sure that our quality

1595
01:50:49,080 --> 01:50:51,559
Speaker 1: is the highest level. And and so once we've got

1596
01:50:51,680 --> 01:50:55,160
Speaker 1: that um the high pour talent, and then we put

1597
01:50:55,200 --> 01:50:57,400
Speaker 1: the energy into it to make sure that we present

1598
01:50:57,520 --> 01:51:00,519
Speaker 1: them in this you know, the most all these forum

1599
01:51:00,520 --> 01:51:02,600
Speaker 1: and that's really the best thing to do. But like,

1600
01:51:02,760 --> 01:51:06,240
Speaker 1: but marketing is such a marketing. There's a lot that

1601
01:51:06,320 --> 01:51:08,960
Speaker 1: goes into the marketing you talk about from like the

1602
01:51:09,000 --> 01:51:11,760
Speaker 1: small technical side, how we sell tickets, or how we

1603
01:51:11,920 --> 01:51:16,040
Speaker 1: create views or you know, how we UM engage with

1604
01:51:16,120 --> 01:51:18,439
Speaker 1: other brands. It's a lot. It's a lot that goes

1605
01:51:18,479 --> 01:51:21,040
Speaker 1: into that. But I the main reason I think why

1606
01:51:21,080 --> 01:51:23,439
Speaker 1: we're such successful is because we focus on this quality

1607
01:51:23,479 --> 01:51:27,200
Speaker 1: product when we have exceptional time. I would say this

1608
01:51:27,520 --> 01:51:30,200
Speaker 1: looking back, it's much easier to look back now. Obviously

1609
01:51:31,680 --> 01:51:36,000
Speaker 1: when we first started, I remember was in the studio

1610
01:51:36,160 --> 01:51:38,760
Speaker 1: just first started doing a YouTube episode. There was a

1611
01:51:38,840 --> 01:51:42,280
Speaker 1: time that we would just take that hour long episode

1612
01:51:42,360 --> 01:51:45,479
Speaker 1: to cut as many clips as we could because we

1613
01:51:45,680 --> 01:51:49,880
Speaker 1: understood what you know, the share ability and engagement and

1614
01:51:49,960 --> 01:51:52,040
Speaker 1: what that does for you from a strategy side. And

1615
01:51:52,040 --> 01:51:53,640
Speaker 1: again this is looking back. We were just doing it,

1616
01:51:53,760 --> 01:51:56,720
Speaker 1: just hustling. That's what we did for see. But looking back,

1617
01:51:57,240 --> 01:51:59,240
Speaker 1: imagine when you see a funny clip online, how many

1618
01:51:59,280 --> 01:52:03,120
Speaker 1: people you share that too? That's sixty seconds or and

1619
01:52:03,200 --> 01:52:04,840
Speaker 1: then you know then that person is gonna share it

1620
01:52:04,880 --> 01:52:07,280
Speaker 1: to another four of our people. So you got Lowson

1621
01:52:07,520 --> 01:52:10,120
Speaker 1: fly cutting up and Chico cutting up with Clayton for

1622
01:52:10,120 --> 01:52:13,000
Speaker 1: a whole hour, tons of clips in it. As I

1623
01:52:13,080 --> 01:52:15,160
Speaker 1: look back on our page and you dive really deep,

1624
01:52:15,600 --> 01:52:17,680
Speaker 1: you just see a bunch of those clips and you

1625
01:52:17,800 --> 01:52:20,519
Speaker 1: just give them time do what they do, because the

1626
01:52:20,600 --> 01:52:22,560
Speaker 1: hour really does say they want to you engage with it,

1627
01:52:22,640 --> 01:52:25,320
Speaker 1: from likes to comments and shares. The more they're gonna

1628
01:52:25,320 --> 01:52:27,080
Speaker 1: push it to the top because they want to eye

1629
01:52:27,120 --> 01:52:31,080
Speaker 1: ballses as much as we want those so comedy content,

1630
01:52:31,200 --> 01:52:36,040
Speaker 1: sharable content, cutting that big five down small slices and

1631
01:52:37,360 --> 01:52:39,360
Speaker 1: had people asking, you know what it is they following

1632
01:52:39,400 --> 01:52:41,240
Speaker 1: the page taking from more. We had plenty more to

1633
01:52:41,280 --> 01:52:43,559
Speaker 1: get to him. So but that's looking back, It ain't

1634
01:52:43,560 --> 01:52:45,559
Speaker 1: like we had an idea. I don't want to act

1635
01:52:45,600 --> 01:52:50,559
Speaker 1: like were some Einstein's I mean, were pretty good at

1636
01:52:50,600 --> 01:52:51,880
Speaker 1: what we do. It mean, we did it for Steve,

1637
01:52:52,120 --> 01:52:55,760
Speaker 1: but it's the talent that me speaks for itself. So

1638
01:52:56,760 --> 01:52:59,840
Speaker 1: at about two they want questions from wrapping up, and

1639
01:53:00,760 --> 01:53:04,559
Speaker 1: I have a question, who nice thing? I'm the hero

1640
01:53:04,800 --> 01:53:09,880
Speaker 1: editor chief who inspired y'all to get into this instie

1641
01:53:10,120 --> 01:53:14,680
Speaker 1: to begin with, or who continues to inspire. Well. I

1642
01:53:14,800 --> 01:53:21,160
Speaker 1: got in this industry through Craigslist, Okay, I got I gotta.

1643
01:53:21,600 --> 01:53:24,360
Speaker 1: I got an internship at BT through Craigslist in l

1644
01:53:24,400 --> 01:53:27,400
Speaker 1: A and UM, and through that internship I was able

1645
01:53:27,479 --> 01:53:31,560
Speaker 1: to connect with people who work for Steve Harvey and

1646
01:53:32,360 --> 01:53:35,120
Speaker 1: also people who work for Tyler Perry in Atlanta. So

1647
01:53:35,520 --> 01:53:37,160
Speaker 1: after after they do you want to give me a

1648
01:53:37,240 --> 01:53:39,439
Speaker 1: job at BT, I moved back to Atlanta, which was

1649
01:53:39,479 --> 01:53:41,519
Speaker 1: safe for my family was there and I worked with

1650
01:53:41,600 --> 01:53:45,000
Speaker 1: Tyler Perry and I work with Steve Harvey, and for

1651
01:53:45,120 --> 01:53:47,000
Speaker 1: me personally, I had an op. It was one summer

1652
01:53:47,040 --> 01:53:49,559
Speaker 1: where I had an option to work for Tyler Perry,

1653
01:53:49,600 --> 01:53:51,519
Speaker 1: continue work for Tyd Perry, I work for Steve Harvey,

1654
01:53:52,000 --> 01:53:54,240
Speaker 1: and I chose Steve Harvey just because you know, I

1655
01:53:54,360 --> 01:53:58,160
Speaker 1: like Harvey. So he was basically and he's he's more

1656
01:53:58,200 --> 01:53:59,960
Speaker 1: of a comedy person in Tyler Perry, I know to

1657
01:54:00,120 --> 01:54:02,320
Speaker 1: pay makes movies and I learned a lot from working there,

1658
01:54:02,640 --> 01:54:04,840
Speaker 1: like Tyler, but Steve Hartley was just a little bit

1659
01:54:05,200 --> 01:54:09,360
Speaker 1: cooler and I liked his his his comedy style as

1660
01:54:09,400 --> 01:54:11,599
Speaker 1: opposed to Todd Prayers kind of style. So I think

1661
01:54:11,680 --> 01:54:14,479
Speaker 1: he was a big motivator. And when you're around Steve,

1662
01:54:14,560 --> 01:54:18,800
Speaker 1: he's a He's a very unique, special like person. It's

1663
01:54:18,840 --> 01:54:21,719
Speaker 1: hard to describe because he's like so cool, it works

1664
01:54:21,760 --> 01:54:24,880
Speaker 1: so hard, he's so funny. He like likes all this

1665
01:54:25,000 --> 01:54:27,360
Speaker 1: amazing music. So for me, he's one of the people

1666
01:54:27,479 --> 01:54:33,480
Speaker 1: that inspired me because I wanted to show, um, I

1667
01:54:33,600 --> 01:54:36,920
Speaker 1: wanted to do for our generation with Steve, like Bridge

1668
01:54:36,960 --> 01:54:41,520
Speaker 1: the Gap. So um, he's a big inspiration to me.

1669
01:54:41,880 --> 01:54:45,160
Speaker 1: Even I mean he fired us before he went met

1670
01:54:45,240 --> 01:54:49,480
Speaker 1: Donald Trump, so to know all that, like, you know,

1671
01:54:49,600 --> 01:54:51,760
Speaker 1: we're working, we're making him look fly, you know, and

1672
01:54:51,800 --> 01:54:54,520
Speaker 1: they he fired us and anyone to started, uh doing

1673
01:54:54,600 --> 01:54:57,360
Speaker 1: Donald Trump. So we were working on I was working

1674
01:54:57,360 --> 01:55:01,240
Speaker 1: on his legacy, making his legacy pop and U so

1675
01:55:01,360 --> 01:55:06,640
Speaker 1: he is it's my inspiration. Um yeah, uh, I wouldn't mind.

1676
01:55:06,720 --> 01:55:10,320
Speaker 1: Was as deep as that I remember in college and

1677
01:55:10,680 --> 01:55:15,440
Speaker 1: so not the dude. I'm from the waters, the Weuisiana

1678
01:55:15,560 --> 01:55:18,680
Speaker 1: and so my family, my family stretches from the Water's

1679
01:55:18,680 --> 01:55:20,920
Speaker 1: the bad room. So all I see is like people

1680
01:55:20,960 --> 01:55:25,760
Speaker 1: that work in factories, principles and police officers, right, and

1681
01:55:25,840 --> 01:55:28,960
Speaker 1: there's nothing wrong with those jobs. I was just not

1682
01:55:29,240 --> 01:55:32,720
Speaker 1: It's not anything that I had nothing wrong with the job. Yeah,

1683
01:55:35,360 --> 01:55:37,840
Speaker 1: it just it didn't It didn't touch me, right, it

1684
01:55:37,880 --> 01:55:39,920
Speaker 1: didn't pull me. That's what I'm saying. I just knew

1685
01:55:39,960 --> 01:55:42,240
Speaker 1: I wanted something different. I was in college and I

1686
01:55:42,360 --> 01:55:46,360
Speaker 1: was watching this show that is now done with called Entourage,

1687
01:55:47,400 --> 01:55:50,080
Speaker 1: and I remember watching are Gold and I was like, oh, ship,

1688
01:55:50,360 --> 01:55:54,200
Speaker 1: people get paid to do this? Is this real? Right?

1689
01:55:55,200 --> 01:55:57,720
Speaker 1: The closest thing to enterage to me was Atlanta. So

1690
01:55:57,880 --> 01:56:01,520
Speaker 1: that's how and ut, these black entrepreneurs, these black CEOs,

1691
01:56:02,000 --> 01:56:05,600
Speaker 1: And it's not just in film with entertainment. There's black

1692
01:56:05,640 --> 01:56:07,680
Speaker 1: people running down to there's black people running a T

1693
01:56:07,760 --> 01:56:10,400
Speaker 1: and T. There's black people create businesses, barbershop, all of

1694
01:56:10,480 --> 01:56:13,680
Speaker 1: some stuff, and like not just doing these things, but

1695
01:56:13,760 --> 01:56:17,360
Speaker 1: are like making decisions in politics and policy. And it's

1696
01:56:17,440 --> 01:56:22,280
Speaker 1: black police chiefs that is what inspired me. And I'm like, damn,

1697
01:56:22,440 --> 01:56:23,960
Speaker 1: I didn't even know that we can live like this

1698
01:56:24,600 --> 01:56:27,040
Speaker 1: because I ain't never seen him before. You see you

1699
01:56:27,120 --> 01:56:31,480
Speaker 1: see black cities, but like we're just participants in that city,

1700
01:56:32,080 --> 01:56:36,760
Speaker 1: whereas in Atlanta they are from entertainment to policy to

1701
01:56:37,720 --> 01:56:41,480
Speaker 1: um in anything in between. Black people have a very

1702
01:56:41,600 --> 01:56:44,880
Speaker 1: large steak and how that city moves and maintains. So

1703
01:56:45,600 --> 01:56:48,160
Speaker 1: I saw entourage. I wanted to find my version of enterage,

1704
01:56:48,160 --> 01:56:50,640
Speaker 1: and I saw that in Atlanta. That's what kept me

1705
01:56:50,680 --> 01:56:52,840
Speaker 1: in his body, and we're trying to find my way

1706
01:56:53,200 --> 01:56:57,840
Speaker 1: in that spell. We'll take to more questions just too.

1707
01:57:00,000 --> 01:57:02,440
Speaker 1: I'm sure we all know. Can you like going to

1708
01:57:02,440 --> 01:57:05,760
Speaker 1: see yourselch about having pretty personal relationships? Right? Get this

1709
01:57:05,840 --> 01:57:12,880
Speaker 1: type of business? Yes, I'll start personal relationships. Let me

1710
01:57:12,920 --> 01:57:16,280
Speaker 1: back up. The way that I approach personal relationships is

1711
01:57:18,600 --> 01:57:20,520
Speaker 1: is that I try to give more than I can

1712
01:57:20,600 --> 01:57:24,600
Speaker 1: ever ask you. And I feel like if you give

1713
01:57:25,680 --> 01:57:30,800
Speaker 1: people love, respect, integrity, honesty, all those sort of things

1714
01:57:30,880 --> 01:57:36,440
Speaker 1: that my mom's gave us, then you're usually gonna put

1715
01:57:36,480 --> 01:57:39,720
Speaker 1: yourself into good position where you ain't gotta be looking

1716
01:57:39,760 --> 01:57:43,360
Speaker 1: over your shoulder try to finess some people or try

1717
01:57:43,400 --> 01:57:46,960
Speaker 1: to outstrategize people. If you always give it, and that

1718
01:57:47,040 --> 01:57:49,160
Speaker 1: can be from a physical if you're just offering something

1719
01:57:49,200 --> 01:57:50,680
Speaker 1: that you can be paying for lunch. I don't know

1720
01:57:50,720 --> 01:57:53,560
Speaker 1: what it is. But if you're always given the more

1721
01:57:53,600 --> 01:57:55,760
Speaker 1: of those seeds that you show, that usually come back

1722
01:57:56,160 --> 01:57:59,320
Speaker 1: for you. When me and Joe created the first business

1723
01:57:59,320 --> 01:58:03,000
Speaker 1: we had as a content company, we always over probably

1724
01:58:03,080 --> 01:58:05,720
Speaker 1: gave more than anybody could give us at the time

1725
01:58:05,760 --> 01:58:07,800
Speaker 1: that we was at because you learn that your only

1726
01:58:07,920 --> 01:58:10,240
Speaker 1: your currency is not always cash. It can be a

1727
01:58:10,320 --> 01:58:14,160
Speaker 1: lot of things. Some people's currency is respects people. Some

1728
01:58:14,280 --> 01:58:17,680
Speaker 1: people your currency this time respecting any time. You don't

1729
01:58:17,680 --> 01:58:20,280
Speaker 1: know what it is, right, but we've made sure that

1730
01:58:20,400 --> 01:58:22,320
Speaker 1: we will always kind of in tune with the people

1731
01:58:22,400 --> 01:58:25,520
Speaker 1: because again, our show, it's not rocket science, our companies,

1732
01:58:25,560 --> 01:58:30,640
Speaker 1: our rocket signs, it's people. Our headaches are our headaches,

1733
01:58:30,680 --> 01:58:32,640
Speaker 1: and the things that drive this company is way more

1734
01:58:32,680 --> 01:58:35,360
Speaker 1: about the people than it is about the money, and

1735
01:58:35,440 --> 01:58:38,880
Speaker 1: it is about the legal and it is about all

1736
01:58:38,920 --> 01:58:41,800
Speaker 1: those other things that can get wrapped up in when

1737
01:58:41,840 --> 01:58:44,720
Speaker 1: you're watching somebody like Garanty on the Internet trying to

1738
01:58:44,800 --> 01:58:48,400
Speaker 1: inspire you. If you don't invest in people, then you're

1739
01:58:48,400 --> 01:58:51,680
Speaker 1: gonna fall off someone. So to answer your question, the

1740
01:58:51,720 --> 01:58:57,920
Speaker 1: importance uh relationships, I think comes from it's like it's

1741
01:58:58,040 --> 01:59:00,920
Speaker 1: to me, it's the most important thing. People make all

1742
01:59:01,000 --> 01:59:08,080
Speaker 1: this stuff work until robots take over. Yeah. So, so

1743
01:59:08,280 --> 01:59:11,480
Speaker 1: I started working at Steve Harvey UM through the internship.

1744
01:59:11,720 --> 01:59:15,360
Speaker 1: What happened once my internship coordinator her brother was a

1745
01:59:15,400 --> 01:59:17,240
Speaker 1: production coordinator. I don't know if you guys in the

1746
01:59:17,280 --> 01:59:19,720
Speaker 1: production coordinators, but the production cordiners like the person who

1747
01:59:19,840 --> 01:59:22,640
Speaker 1: hires everybody on the set um kind of like below

1748
01:59:22,720 --> 01:59:25,240
Speaker 1: the line, like underneath executive producers. So he hires the

1749
01:59:25,280 --> 01:59:27,920
Speaker 1: p a's. So I was a p A the day player,

1750
01:59:28,320 --> 01:59:30,000
Speaker 1: which means like it coming every day, I get to

1751
01:59:30,040 --> 01:59:31,960
Speaker 1: tell you the trash make copies, and I kind of

1752
01:59:32,000 --> 01:59:33,880
Speaker 1: come back to my pleas and they'll be like, yeah,

1753
01:59:33,960 --> 01:59:35,960
Speaker 1: you can come back to my life. Like that's how

1754
01:59:36,440 --> 01:59:40,680
Speaker 1: you know I was able to get into UM that environment.

1755
01:59:41,120 --> 01:59:43,440
Speaker 1: She talked about opportunity, That's that's how I was able

1756
01:59:43,440 --> 01:59:47,760
Speaker 1: to squeeze into that opportunity through Craigslist. And then my

1757
01:59:47,920 --> 01:59:52,680
Speaker 1: internship coordinator's brother. So that's relationship, right, That's like that's

1758
01:59:52,720 --> 01:59:55,920
Speaker 1: real relationship. And then so Chad moved Atlanta. I knew

1759
01:59:56,000 --> 01:59:59,440
Speaker 1: Chad from Jackson, New university, a white college. Hc us

1760
02:00:00,720 --> 02:00:06,880
Speaker 1: reading this, but uh so I'm at Chad brought Chatting.

1761
02:00:07,080 --> 02:00:10,800
Speaker 1: There's another you know, relationship um into the Steve Harvey camp.

1762
02:00:11,640 --> 02:00:15,440
Speaker 1: Chad brought Ryan fam into the Steve Harvey camp, so

1763
02:00:15,800 --> 02:00:17,760
Speaker 1: you know he works with us now. So it was

1764
02:00:17,800 --> 02:00:22,080
Speaker 1: all you know, it's all relationship. Craig, Craig, me and

1765
02:00:22,360 --> 02:00:25,160
Speaker 1: me and Chad. The way Chad got on as we

1766
02:00:25,240 --> 02:00:27,320
Speaker 1: used to do these date videos called Locate You Love

1767
02:00:27,400 --> 02:00:29,800
Speaker 1: My Steve Harvey. So Steve would talk to these people

1768
02:00:30,120 --> 02:00:31,840
Speaker 1: and then they go on the date, like the lady

1769
02:00:31,840 --> 02:00:33,440
Speaker 1: would choose them three guys that go on the day

1770
02:00:33,480 --> 02:00:35,680
Speaker 1: on the weekend. We got chat in the game, helping

1771
02:00:35,760 --> 02:00:38,680
Speaker 1: me shoot the videos. And then when we were shooting

1772
02:00:38,680 --> 02:00:41,200
Speaker 1: on the videos, Craig was one of the guys who

1773
02:00:41,280 --> 02:00:46,000
Speaker 1: was on the date. A girl didn't like him. She

1774
02:00:46,120 --> 02:00:49,440
Speaker 1: was like, now I'm okay, I don't remember what happened,

1775
02:00:49,840 --> 02:00:53,560
Speaker 1: but Craig, uh, you know, we stuck around and you

1776
02:00:53,640 --> 02:00:55,240
Speaker 1: know it was a home even just cool. You know,

1777
02:00:55,320 --> 02:00:57,080
Speaker 1: it wasn't nothing. And then you know he had those

1778
02:00:57,160 --> 02:00:59,320
Speaker 1: camera skills and we would you know, hustle up jobs

1779
02:00:59,360 --> 02:01:02,040
Speaker 1: with the first company. Me. Uh, Chad talked about and

1780
02:01:02,120 --> 02:01:03,920
Speaker 1: we stayed in contact and now he's you know, this

1781
02:01:04,040 --> 02:01:06,880
Speaker 1: is the director on any five South show. Yeah, So

1782
02:01:07,000 --> 02:01:11,400
Speaker 1: it's all relationships. But that's the practical you know, the

1783
02:01:11,560 --> 02:01:14,520
Speaker 1: story of yeah is being cool with people. There's no

1784
02:01:14,680 --> 02:01:16,800
Speaker 1: being no asshole, you know what I'm saying, because you know,

1785
02:01:17,080 --> 02:01:18,880
Speaker 1: over time people are like, man, you know, I don't know.

1786
02:01:19,200 --> 02:01:21,680
Speaker 1: It's like sometimes even if people have a certain skill

1787
02:01:21,760 --> 02:01:23,800
Speaker 1: set that you need or you want, you don't even

1788
02:01:23,840 --> 02:01:25,760
Speaker 1: want to be around that person, especially when you're a

1789
02:01:25,800 --> 02:01:27,800
Speaker 1: boss and you can make a decision, so I want

1790
02:01:27,840 --> 02:01:31,240
Speaker 1: to be around this person or not. So relationships is

1791
02:01:31,600 --> 02:01:33,400
Speaker 1: very important. It's just like you're trying to be cool.

1792
02:01:33,520 --> 02:01:35,440
Speaker 1: It's all I can say. In this business, he's spend

1793
02:01:35,520 --> 02:01:38,360
Speaker 1: so much time around each other that a lot of times,

1794
02:01:38,520 --> 02:01:43,880
Speaker 1: like the conversation around hiring, it really just revolves around

1795
02:01:43,960 --> 02:01:47,200
Speaker 1: do I like that person? Because there's a million qualified

1796
02:01:47,480 --> 02:01:50,840
Speaker 1: advocates because let me say this, our entire player is

1797
02:01:51,000 --> 02:01:56,440
Speaker 1: Craig's brother said, that's another relationship. It's an't like that.

1798
02:01:57,520 --> 02:01:59,880
Speaker 1: It's pretty much my life. You can find qualify if

1799
02:02:00,040 --> 02:02:02,680
Speaker 1: cool to do any job at your company. It's really

1800
02:02:02,720 --> 02:02:05,000
Speaker 1: about like how how well are we going to get

1801
02:02:05,000 --> 02:02:08,640
Speaker 1: along outside of work, and and and you don't always

1802
02:02:08,680 --> 02:02:10,280
Speaker 1: have to have a friendship outside of work. I think

1803
02:02:10,320 --> 02:02:12,880
Speaker 1: we do spend a lot of time outside of work.

1804
02:02:12,920 --> 02:02:15,800
Speaker 1: But yes, do I want to do I want to

1805
02:02:15,800 --> 02:02:18,400
Speaker 1: spend time with this person for twenty hours a day

1806
02:02:18,480 --> 02:02:23,320
Speaker 1: sometime when you're on the set. Yeah, yeah, speaking of relationships,

1807
02:02:23,360 --> 02:02:28,120
Speaker 1: Carlos Miller, when I was seventeen years old, being Carlo's

1808
02:02:28,200 --> 02:02:31,400
Speaker 1: work in the middle of the mall, no comedian. This

1809
02:02:31,520 --> 02:02:34,600
Speaker 1: is Carlo Miller moving to Miriam, Georgians just to get

1810
02:02:34,600 --> 02:02:38,000
Speaker 1: out of Mississipty. He worked in the middle mall seting

1811
02:02:38,080 --> 02:02:41,320
Speaker 1: cell far. He had no idea that I had the

1812
02:02:41,360 --> 02:02:43,280
Speaker 1: town that I had, and I had no idea. He

1813
02:02:43,360 --> 02:02:46,040
Speaker 1: was funny. He was the funniest person within our five

1814
02:02:46,120 --> 02:02:50,840
Speaker 1: person radius. And that's that's what he was in this

1815
02:02:50,960 --> 02:02:54,520
Speaker 1: little I don't know if they do chios anymore. So

1816
02:02:56,520 --> 02:02:58,080
Speaker 1: I don't know amend All, and I don't know if

1817
02:02:58,120 --> 02:03:02,280
Speaker 1: I one. So so this is not not even It's

1818
02:03:02,320 --> 02:03:06,240
Speaker 1: not just Lows played English worked in the same chaosk

1819
02:03:06,320 --> 02:03:10,360
Speaker 1: with me and Lottle selling cell phone playing. I go

1820
02:03:10,480 --> 02:03:13,800
Speaker 1: to college. I mean I was coming home for the summer.

1821
02:03:14,160 --> 02:03:16,200
Speaker 1: Low State he was five years older. Mean, he was

1822
02:03:16,280 --> 02:03:18,640
Speaker 1: like my big brother, big cousin. He would call. He

1823
02:03:18,680 --> 02:03:20,680
Speaker 1: always stayed in touch. He called me more than I

1824
02:03:20,760 --> 02:03:23,040
Speaker 1: called him because I was off trying to play ball

1825
02:03:23,120 --> 02:03:25,960
Speaker 1: Tayson women, you know what we're doing with nine teams, lotions,

1826
02:03:26,000 --> 02:03:28,400
Speaker 1: making sure I'm straight? Now doing that stupid. I'm like, bro,

1827
02:03:28,480 --> 02:03:30,480
Speaker 1: I'm coming home for a month. I need a job.

1828
02:03:30,560 --> 02:03:33,160
Speaker 1: He help me find job and some sporting goods story

1829
02:03:33,480 --> 02:03:37,600
Speaker 1: Dick sporting goods and stings were good story. So we

1830
02:03:37,720 --> 02:03:41,080
Speaker 1: stayed in touch. So I remember a couple of years

1831
02:03:41,120 --> 02:03:42,320
Speaker 1: later he called. He was like, man, I'm thinking, WoT

1832
02:03:42,360 --> 02:03:44,440
Speaker 1: do comedy? Men? You've always been funny. Of course, I'm

1833
02:03:44,480 --> 02:03:47,919
Speaker 1: thinking he's gonna do stand up. I look on TVs,

1834
02:03:48,280 --> 02:03:51,280
Speaker 1: on some show on BT. Not not willing, not yet,

1835
02:03:51,400 --> 02:03:54,800
Speaker 1: just like some be bands last comic standing comedy. Well

1836
02:03:54,800 --> 02:03:57,160
Speaker 1: all these right, he's just been duging his white husband's

1837
02:03:57,160 --> 02:04:01,520
Speaker 1: way through. I get back. I have, uh the job

1838
02:04:01,600 --> 02:04:04,440
Speaker 1: with the market. An cl was telling me about Fast

1839
02:04:04,440 --> 02:04:07,400
Speaker 1: Forward mat Loo, so I'm not stow that, Steve Argue.

1840
02:04:08,480 --> 02:04:10,640
Speaker 1: The joke was the way Eddie five started was The

1841
02:04:10,760 --> 02:04:14,360
Speaker 1: joke was that the office environment was so funny that

1842
02:04:14,400 --> 02:04:16,520
Speaker 1: we should have a show because I'd be arguing with Joe.

1843
02:04:16,600 --> 02:04:18,840
Speaker 1: Joe be arguing with him and all the other five

1844
02:04:18,920 --> 02:04:20,840
Speaker 1: staff men. We had this silly stuff when you ain't

1845
02:04:20,840 --> 02:04:23,720
Speaker 1: got nothing else to do. So I'm like there was like, man,

1846
02:04:23,800 --> 02:04:26,040
Speaker 1: I need a radio show. Like, bro, we're not that funny.

1847
02:04:26,080 --> 02:04:30,200
Speaker 1: I know somebody was funny. Carlinals Miller was the the

1848
02:04:30,400 --> 02:04:33,160
Speaker 1: nineties to the hip hop like that also played right.

1849
02:04:33,280 --> 02:04:35,840
Speaker 1: So we wanted to start a radio show that Los

1850
02:04:36,000 --> 02:04:40,560
Speaker 1: was gonna host as like a Saturday morning or Saturday

1851
02:04:40,560 --> 02:04:43,800
Speaker 1: afternoon radio show. We went and pitched that radio show

1852
02:04:43,840 --> 02:04:47,520
Speaker 1: that every single media outlet that we could or somebody

1853
02:04:47,520 --> 02:04:49,839
Speaker 1: that would pick up our show. We then the Atlanta

1854
02:04:50,640 --> 02:04:53,800
Speaker 1: the City radios. Nobody will pick it up. So then

1855
02:04:54,240 --> 02:04:55,920
Speaker 1: we was like, well, man, let's do getting that radio.

1856
02:04:55,960 --> 02:04:57,520
Speaker 1: We didn't really know what that was. And then Lows

1857
02:04:57,560 --> 02:04:58,720
Speaker 1: came in when it was like, well, she let's do

1858
02:04:58,800 --> 02:05:01,960
Speaker 1: a podcast. He was like, what's the podcast? So that's

1859
02:05:02,800 --> 02:05:04,920
Speaker 1: how that started through relationships and then so Joe was like,

1860
02:05:05,080 --> 02:05:08,080
Speaker 1: she let's shoot went in found creating at the music.

1861
02:05:08,240 --> 02:05:10,640
Speaker 1: That's how the show created. It's not like we sat

1862
02:05:10,680 --> 02:05:14,560
Speaker 1: around plotting on some genius stuff. We took our relationships

1863
02:05:14,600 --> 02:05:16,600
Speaker 1: and continue to build on top of that brick and

1864
02:05:16,640 --> 02:05:18,240
Speaker 1: build a business around it. But we knew that it

1865
02:05:18,360 --> 02:05:21,320
Speaker 1: was talent because it was real relationships. I know Joseph's

1866
02:05:21,320 --> 02:05:23,120
Speaker 1: I was eighteen. I know Losins I was a teen

1867
02:05:23,200 --> 02:05:25,480
Speaker 1: Bryan since I was twenty one. All these people I've

1868
02:05:25,520 --> 02:05:28,800
Speaker 1: known for five, six, seven plus years are these are

1869
02:05:28,800 --> 02:05:30,640
Speaker 1: my real friends that I just happen to make money.

1870
02:05:31,080 --> 02:05:34,040
Speaker 1: You know, which goes show like with y'all. If y'all

1871
02:05:34,080 --> 02:05:36,320
Speaker 1: are you know a lot of people come to us

1872
02:05:36,760 --> 02:05:40,760
Speaker 1: and ask for opportunity. The opportunity may not be here

1873
02:05:40,880 --> 02:05:43,240
Speaker 1: yet for you. What I would do is go build

1874
02:05:43,240 --> 02:05:45,560
Speaker 1: with your people. Why the money is not that it

1875
02:05:45,640 --> 02:05:47,880
Speaker 1: does not matter. If there's a modeling here, you should

1876
02:05:47,880 --> 02:05:50,920
Speaker 1: be shooting with somebody, if there's a if there's a

1877
02:05:51,000 --> 02:05:54,040
Speaker 1: voiceover recording artists, you should be with an engineer. And

1878
02:05:54,120 --> 02:05:58,360
Speaker 1: said he if you are uh, If you are a photographer,

1879
02:05:58,440 --> 02:06:00,040
Speaker 1: I'm not sorry. You're a producer, you should be with

1880
02:06:00,120 --> 02:06:01,560
Speaker 1: the director. If you're a writer, you should be with

1881
02:06:01,680 --> 02:06:04,680
Speaker 1: an actor. All of y'all have way more research than

1882
02:06:04,760 --> 02:06:08,280
Speaker 1: me and Joe had I promise you Joe actually understood production.

1883
02:06:08,320 --> 02:06:10,200
Speaker 1: He had to teach me production and like be patient

1884
02:06:10,240 --> 02:06:12,080
Speaker 1: with me. We just knew we wanted to hustle and

1885
02:06:12,120 --> 02:06:15,760
Speaker 1: figure it out. Y'all got some fifteen twenty people that

1886
02:06:15,800 --> 02:06:18,400
Speaker 1: are obviously passionate, very talented, and know what the hell

1887
02:06:18,440 --> 02:06:19,720
Speaker 1: y'all want to do. I didn't know what I want

1888
02:06:19,720 --> 02:06:22,920
Speaker 1: to do in twenty two. Thank God for his pace,

1889
02:06:23,760 --> 02:06:26,080
Speaker 1: But that's off relationship. So like y'all have all the

1890
02:06:26,160 --> 02:06:29,320
Speaker 1: resources to build and create. When I said earlier, it's

1891
02:06:29,320 --> 02:06:31,880
Speaker 1: okay to be broke from twenty five, what I'm telling

1892
02:06:31,880 --> 02:06:33,960
Speaker 1: you is you can go chase all that stuff that's

1893
02:06:34,000 --> 02:06:35,560
Speaker 1: gonna be here for a very long time when you

1894
02:06:35,640 --> 02:06:39,320
Speaker 1: can focus with your people, build for five years and

1895
02:06:39,440 --> 02:06:42,480
Speaker 1: watch what happens. Eighty five South eighty five South Media

1896
02:06:42,680 --> 02:06:46,320
Speaker 1: is legally I think four or five years old, and

1897
02:06:46,440 --> 02:06:49,960
Speaker 1: we went from absolutely nothing like we started this with

1898
02:06:50,200 --> 02:06:53,880
Speaker 1: a couple of dollars. If we're doing sold out some

1899
02:06:54,160 --> 02:06:56,120
Speaker 1: shows every single city we go, there's not a scene

1900
02:06:56,160 --> 02:06:58,040
Speaker 1: you meant to that has not sold up. We're doing

1901
02:06:58,080 --> 02:07:00,560
Speaker 1: a mid t If you look at tune In, we're

1902
02:07:00,560 --> 02:07:04,240
Speaker 1: doing a million views in week. Some cable television shows

1903
02:07:04,280 --> 02:07:06,960
Speaker 1: an't doing it. There's people that are pitching shows and

1904
02:07:07,040 --> 02:07:09,880
Speaker 1: putting big production budgets into the stuff that we do

1905
02:07:10,040 --> 02:07:12,240
Speaker 1: that they can't match and they can't figure out how.

1906
02:07:12,320 --> 02:07:14,360
Speaker 1: But we stayed. Now, I can tell you the saturdays

1907
02:07:14,400 --> 02:07:16,000
Speaker 1: and being Joe was up trying to figure us out.

1908
02:07:16,480 --> 02:07:17,920
Speaker 1: I can tell you the time we just we went

1909
02:07:18,000 --> 02:07:20,160
Speaker 1: into a hole the wall comedy club with Lows. It

1910
02:07:20,360 --> 02:07:22,400
Speaker 1: just shooting. We didn't know who we're shooting. There were

1911
02:07:22,440 --> 02:07:23,920
Speaker 1: times we get on the road with Los to go

1912
02:07:24,040 --> 02:07:27,200
Speaker 1: pick up a check even check what even there? But

1913
02:07:27,320 --> 02:07:29,200
Speaker 1: we rode all the way to Alabama whatever city. Do

1914
02:07:29,280 --> 02:07:30,840
Speaker 1: that because these are the people that you're down with

1915
02:07:30,920 --> 02:07:33,560
Speaker 1: where the money don't even matter right now, you know,

1916
02:07:35,080 --> 02:07:39,240
Speaker 1: relationship is a very point. All right. My last question

1917
02:07:39,280 --> 02:07:43,840
Speaker 1: to final question, can I mean, what's up man for?

1918
02:07:44,160 --> 02:07:53,360
Speaker 1: Tis you here? So? She said? He said, photographer, Yes,

1919
02:07:53,760 --> 02:07:57,520
Speaker 1: teach you sports. I'm down on the ta uh chat.

1920
02:07:57,600 --> 02:08:02,120
Speaker 1: You spoke on using LinkedIn early on bro profession and

1921
02:08:02,240 --> 02:08:05,720
Speaker 1: yo'all you smoke on using crass list. You're talking about

1922
02:08:07,080 --> 02:08:10,680
Speaker 1: how did you what was your social media presidence early on?

1923
02:08:11,000 --> 02:08:15,280
Speaker 1: Because it's hard to find you because you know your idea. Yeah,

1924
02:08:15,480 --> 02:08:19,120
Speaker 1: but it's kind of hard to find your ny Earlier

1925
02:08:19,120 --> 02:08:22,240
Speaker 1: on we have such a small face. To start, I'll

1926
02:08:22,280 --> 02:08:24,760
Speaker 1: talk about your presidence. That's a really, really, really good question.

1927
02:08:24,800 --> 02:08:28,360
Speaker 1: I'm gonna tell you how I did every single social

1928
02:08:28,400 --> 02:08:30,360
Speaker 1: media platform, and one Joe had to teach me how

1929
02:08:30,400 --> 02:08:32,040
Speaker 1: to do. Is that's how much I hated social media.

1930
02:08:32,800 --> 02:08:37,360
Speaker 1: I'm this it's Twitter to except for making Facebook, Twitter, Instagram,

1931
02:08:37,480 --> 02:08:43,640
Speaker 1: Snapchat on Instagram, like you gotta get on Instagram, Like yeah,

1932
02:08:43,680 --> 02:08:47,960
Speaker 1: you know what, So so Joe's educated me on social

1933
02:08:47,960 --> 02:08:50,320
Speaker 1: because that's number one. Number two is I know, I

1934
02:08:50,400 --> 02:08:52,440
Speaker 1: think I understand what you're asking me. How do I

1935
02:08:52,560 --> 02:08:56,080
Speaker 1: build a brand on digital media where people can take

1936
02:08:56,120 --> 02:08:57,600
Speaker 1: me serious and want to do business with me? Right,

1937
02:09:00,080 --> 02:09:04,880
Speaker 1: this is my approach. None of that stuff matters. Create

1938
02:09:04,960 --> 02:09:09,360
Speaker 1: work because your work is a resident. I could say

1939
02:09:09,440 --> 02:09:11,000
Speaker 1: I can go out there and go take a bunch

1940
02:09:11,040 --> 02:09:12,800
Speaker 1: of pictures in front of a car, and I can

1941
02:09:12,920 --> 02:09:14,560
Speaker 1: take a bunch of pictures on set and be like, yeah,

1942
02:09:14,600 --> 02:09:16,600
Speaker 1: we are here working. But when the time to ask

1943
02:09:16,680 --> 02:09:18,280
Speaker 1: you what your work is, not only got ship to say?

1944
02:09:19,360 --> 02:09:22,160
Speaker 1: Or I can say, bro, you've heard of a five

1945
02:09:22,200 --> 02:09:25,600
Speaker 1: South show and it's a million questions from that, Or

1946
02:09:26,400 --> 02:09:28,080
Speaker 1: you've heard of Steve Harvey and the work speaks for

1947
02:09:28,160 --> 02:09:32,800
Speaker 1: it sell. Now the question it becomes what is the

1948
02:09:33,000 --> 02:09:35,240
Speaker 1: what is the purpose that you wanted to position yourself

1949
02:09:35,280 --> 02:09:36,480
Speaker 1: and that way, what are you trying to do with

1950
02:09:36,560 --> 02:09:38,640
Speaker 1: this position? Are you trying to find yourself a job?

1951
02:09:40,160 --> 02:09:41,840
Speaker 1: Then it goes back to the work. Are you just

1952
02:09:41,920 --> 02:09:44,360
Speaker 1: looking for a bunch of followers? Which is cool? What

1953
02:09:44,440 --> 02:09:48,720
Speaker 1: do you want a bunch of followers for? Do you

1954
02:09:48,800 --> 02:09:54,560
Speaker 1: have that ans? Are you're asking me being a sports

1955
02:09:54,600 --> 02:10:01,440
Speaker 1: photographer that Florida dream? Since yeah, yep. But once you

1956
02:10:01,520 --> 02:10:05,600
Speaker 1: get that, once I get that position games, that would

1957
02:10:05,680 --> 02:10:07,960
Speaker 1: open game followers to open up the doors for more

1958
02:10:07,960 --> 02:10:12,560
Speaker 1: things like doing personal shoes, doing personal shoes for athletes gip,

1959
02:10:12,800 --> 02:10:17,080
Speaker 1: which is something that I followed. A major influenced for

1960
02:10:17,200 --> 02:10:20,040
Speaker 1: me is Andrew Marsky and he does he does a

1961
02:10:20,040 --> 02:10:22,320
Speaker 1: lot of work for the assaie just La Brod, so

1962
02:10:22,440 --> 02:10:24,400
Speaker 1: he does a lot of personal shoes from them. I'm sorry,

1963
02:10:25,040 --> 02:10:28,720
Speaker 1: Like that's an inspiration. So that's so I'm saying followers

1964
02:10:28,800 --> 02:10:31,720
Speaker 1: in that way, I'm saying, yours work not necessarily for

1965
02:10:31,800 --> 02:10:34,760
Speaker 1: who I am or antics or it's like good. So

1966
02:10:34,880 --> 02:10:37,320
Speaker 1: that's a good answer. Remember when I said early got

1967
02:10:37,360 --> 02:10:41,240
Speaker 1: all these people around you should be shooting all the

1968
02:10:41,320 --> 02:10:45,600
Speaker 1: ballplayers right now? Should rights and not? It needs to

1969
02:10:45,680 --> 02:10:53,880
Speaker 1: look okay, you are, and it needs to look like

1970
02:10:54,880 --> 02:10:57,080
Speaker 1: whatever the work that you want to be hired for

1971
02:10:57,720 --> 02:11:01,160
Speaker 1: on top of exactly right. So it's one thing to

1972
02:11:01,200 --> 02:11:03,880
Speaker 1: go shoot it. Or if it don't match the Nike

1973
02:11:04,000 --> 02:11:06,760
Speaker 1: campaign or what the Lakers are doing, you ain't there yet,

1974
02:11:06,800 --> 02:11:08,320
Speaker 1: and that's okay. You keep working til you get this,

1975
02:11:09,400 --> 02:11:11,600
Speaker 1: and then you're working. I promise you're working. Don't speak

1976
02:11:11,640 --> 02:11:15,960
Speaker 1: for yourself there. No. I had to introduce Safe five

1977
02:11:16,040 --> 02:11:17,920
Speaker 1: South show to every single person in the world. At

1978
02:11:18,000 --> 02:11:21,800
Speaker 1: one point nobody knew what that was. But eventually the pendulum,

1979
02:11:21,920 --> 02:11:24,800
Speaker 1: if you're doing good work consistently, the pending eventually twins.

1980
02:11:25,480 --> 02:11:28,160
Speaker 1: How are you just gonna use up? You got a

1981
02:11:28,240 --> 02:11:31,720
Speaker 1: long time. There's fifty year old, sixty year old photographs

1982
02:11:31,720 --> 02:11:33,040
Speaker 1: has been doing this for a very amount of time.

1983
02:11:33,800 --> 02:11:35,680
Speaker 1: Joe has been doing what he's doing for ten plush here,

1984
02:11:35,800 --> 02:11:37,360
Speaker 1: I've been doing what I'm doing for ten plush Is

1985
02:11:37,440 --> 02:11:39,680
Speaker 1: Ryan been doing it for very among time. Lois has

1986
02:11:39,680 --> 02:11:42,800
Speaker 1: been doing comedy for twelve years. He's just now getting

1987
02:11:42,840 --> 02:11:46,160
Speaker 1: in love. We think he deserved right, and we've been

1988
02:11:46,200 --> 02:11:48,000
Speaker 1: knowing how funny he is for god knows how long.

1989
02:11:49,640 --> 02:11:52,360
Speaker 1: So consistency, because a lot of people want to do

1990
02:11:52,480 --> 02:11:53,760
Speaker 1: what you want to do, but a lot of people

1991
02:11:53,760 --> 02:11:56,680
Speaker 1: are gonna be doing in twenty five even less gon

1992
02:11:56,760 --> 02:12:02,200
Speaker 1: be doing. A third goes back to worry about the money,

1993
02:12:02,680 --> 02:12:05,440
Speaker 1: worry about all the extra stuff. Link with your people

1994
02:12:06,160 --> 02:12:13,520
Speaker 1: and just do the work and stay consistent. Right all right, jumping,

1995
02:12:13,600 --> 02:12:15,520
Speaker 1: Thank you for taking the time off to talk to

1996
02:12:15,600 --> 02:12:18,600
Speaker 1: everybody and answer our questions. So would that be said,

1997
02:12:18,600 --> 02:12:20,360
Speaker 1: We're just gonna go give a head, clap up, give

1998
02:12:20,400 --> 02:12:26,120
Speaker 1: me y um. We would definitely like to get a

1999
02:12:26,200 --> 02:12:30,240
Speaker 1: picture with all of us, if y'all ye see wonder

2000
02:12:31,880 --> 02:12:50,600
Speaker 1: h m hm um right around the last ye how

2001
02:12:50,640 --> 02:12:53,320
Speaker 1: to shoot against them? Yes? And shoot it to more?

2002
02:12:53,920 --> 02:12:56,760
Speaker 1: Yes I do. Matter of fact, I'm gonna take you

2003
02:12:56,880 --> 02:13:01,800
Speaker 1: prob I can give you four