WEBVTT - Lucky Star (S1, E21 “Spring Dance”)

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Hello everybody, welcome

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<v Speaker 1>to another episode of nine O two one O m G.

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<v Speaker 1>It's me Jenny Garth. I'm here with my bestie Tory

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<v Speaker 1>Spelling and hello everyon. Hello by ladies. What a show

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<v Speaker 1>we have today, you guys, I'm not I'm really really excited,

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<v Speaker 1>uh A to talk about this episode from this week

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<v Speaker 1>and be we have a super special guest. And before

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<v Speaker 1>before we get to that, let's talk about the exciting

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<v Speaker 1>thing that's going to come up soon. We have our

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<v Speaker 1>next live event. You guys. You know we've been talking.

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<v Speaker 1>We're almost done with season one and it's crazy and

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<v Speaker 1>we feel like we should celebrate. We should have a

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<v Speaker 1>rat party, because that's what you do when you finish

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<v Speaker 1>the season of a show. So we're gonna just bring

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<v Speaker 1>it into the podcast world. We're gonna have a season

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<v Speaker 1>one rat party, and we're gonna do it live on

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<v Speaker 1>April at five pm. That's five pm Pacific Standard time,

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<v Speaker 1>which will be eight p m Eastern Standard time. Tickets

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<v Speaker 1>are available at on location live dot com slash nine

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<v Speaker 1>O two one zero M and there will be meet

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<v Speaker 1>and greets, uh surprise guests They're a surprise to even us.

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<v Speaker 1>I have no idea who it's going to be excited.

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<v Speaker 1>They're gonna be games and fun and probably some technical

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<v Speaker 1>difficulties and it'll just be a lot of fun. We

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<v Speaker 1>like games. So please join us, you guys. Tickets are

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<v Speaker 1>on sale right now. Don't forget to get your merch.

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<v Speaker 1>You can buy that at my fan threads dot com

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<v Speaker 1>slash nine oh two one O MG, Oh my gosh,

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<v Speaker 1>you guys, I got the Donna Kelly t shirt. Did

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<v Speaker 1>you get you got it? Ok? Maybe we should wear

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<v Speaker 1>those to the to our rat party we have to

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<v Speaker 1>Maybe could be dazzle them or perfect. Yeah, they're so good.

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<v Speaker 1>The cuts good. Uh, it's super soft. I'm obsessed with it. Yeah.

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<v Speaker 1>Well that's really good. Fight. I'm gonna add ansis. I

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<v Speaker 1>told you guys before today we have a very very

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<v Speaker 1>special guest joining us. Uh, the one and only Darren

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<v Speaker 1>Starr is going to be coming on in a little

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<v Speaker 1>bit to talk to us about the origination of Beverly

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<v Speaker 1>Hills nine O two and oh. He's the creator of

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<v Speaker 1>our show. And I don't know, I kind of feel

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<v Speaker 1>like God is coming su Yeah, I'm nervous. Yeah, he's

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<v Speaker 1>our creator. He's he's our he's the big boss and ancho.

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<v Speaker 1>Oh my gosh. Without him, this show would not exist.

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<v Speaker 1>And of course, you know he went on to do

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<v Speaker 1>melrose Place, created that and Sex in the City and

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<v Speaker 1>Younger and now Emily and Paris. He is a god

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<v Speaker 1>amongst god's and we're super psychees coming on to be

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<v Speaker 1>with us today. We haven't seen him in so long?

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<v Speaker 1>How long has it been to be so fun? Oh? Years?

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<v Speaker 1>I really I saw him on a pot Did you

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<v Speaker 1>see him on your podcast? I saw him on a

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<v Speaker 1>podcast account. Yeah, I saw him on the computer. That

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<v Speaker 1>does not it doesn't count, right, that's not jen. Do

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<v Speaker 1>we look okay, I'm nervous. Wait were you guys nervous

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<v Speaker 1>around him? Like? What are easy to you? Like? Do

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<v Speaker 1>you feel like you owe him your career? Like what

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<v Speaker 1>are those feelings that you have? I don't know. I

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<v Speaker 1>feel like, yeah, there's some of that. Like he was

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<v Speaker 1>such a he was the reason why this show came

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<v Speaker 1>to life. You know, he created these characters and he

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<v Speaker 1>created everything about it. So you know, him and Aaron

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<v Speaker 1>together worked together to make this what it is. And

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<v Speaker 1>it's I don't know, it's like it's like you're it's

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<v Speaker 1>like your boss. I can't even explain it any other way.

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<v Speaker 1>I was always really I know you had like a

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<v Speaker 1>really good relationship with him, and you went on to

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<v Speaker 1>do another show with him afterwards, Like I was always

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<v Speaker 1>really shy around him. So I'm nervous to talk to

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<v Speaker 1>him today because I always felt and I'm still feeling it, like,

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<v Speaker 1>you know, he created the show, but he worked with

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<v Speaker 1>my dad, and I always felt like, did he feel

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<v Speaker 1>like he had to cast me? He had to write

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<v Speaker 1>for me? I mean, he gave me some of my

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<v Speaker 1>best comedy. I mean he started off my comedy in

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<v Speaker 1>Spring Dance, which he also not only did he create

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<v Speaker 1>the show, but he wrote this episode. He directed it,

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<v Speaker 1>and he gave don a kind of her first like

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<v Speaker 1>big dance stuff with the spring, you know dress. So

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<v Speaker 1>I'm very grateful for him doing that, But I don't know,

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<v Speaker 1>I just always felt like he was like, oh my god,

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<v Speaker 1>some people I cast, didn't you suggest some people to

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<v Speaker 1>cast for None on two? And no I did. I

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<v Speaker 1>feel like if you didn't want to cast you, he

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<v Speaker 1>would have, you know what I mean, Like you had

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<v Speaker 1>a big part of all of this. I'm sure it

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<v Speaker 1>is you know he had to, Like, as we've talked

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<v Speaker 1>about and we've seen, I had like a couple of

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<v Speaker 1>lines here and there in the first few episodes, and

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<v Speaker 1>it's just now kind of getting a little bit bigger,

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<v Speaker 1>um my role. But you know how you feel that way,

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<v Speaker 1>it's it's your boss. I wanted to please him. I

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<v Speaker 1>wanted him to say, like, Okay, I know why I

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<v Speaker 1>had to cast her, but I wanted to him to

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<v Speaker 1>be proud of me and approve of me. And you know,

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<v Speaker 1>it's like a parent type of thing. I think he

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<v Speaker 1>is proud of you. Yeah, I think he's proud of

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<v Speaker 1>all of us. And I love it that you can

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<v Speaker 1>tell he's still really proud of Beverly Hills nine o

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<v Speaker 1>two and oh you know, he's gone on to do

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<v Speaker 1>such huge things like Sex in the City, and he's

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<v Speaker 1>still like this show just like for us, it has

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<v Speaker 1>this amazing little part of our hearts that can never

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<v Speaker 1>be taken away. And I feel that from him too,

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<v Speaker 1>like that connection. So we're really looking forward to talk

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<v Speaker 1>to him. So should we Should we talk about episode

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<v Speaker 1>twenty one Spring Dance? He is Okay? Episode twenty one

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<v Speaker 1>Spring Dance air date was May second. Synopsis is it's

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<v Speaker 1>the big Spring Dance, and the chance of romance is

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<v Speaker 1>good for Dylan and Brenda, possible for Kelly and Brandon

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<v Speaker 1>and nil nil and nil zip zero for Steve, who

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<v Speaker 1>carries a torch that's about as cumbersome as his dates dress.

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<v Speaker 1>That's me. This episode was actually written by Darren Starr

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<v Speaker 1>and directed by Darren Starr. This was his first directing

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<v Speaker 1>job ever. Wow, big undertaking for your first job directing,

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<v Speaker 1>Like it was like a huge like so many casts,

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<v Speaker 1>so many background players. We had a band who was

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<v Speaker 1>this huge, huge race, The Rave Ups was the band

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<v Speaker 1>at the dance. They were rad they were I was

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<v Speaker 1>kind of had a crush on that lead singer Guy

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<v Speaker 1>High knew Year going to say that musicians, I can't

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<v Speaker 1>help it. I don't know. She used to love musicians.

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<v Speaker 1>Now she loves golfers. You know. I didn't realize. I

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<v Speaker 1>didn't realize that he directed this until we got our notes,

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<v Speaker 1>And now it really makes sense because I was just

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<v Speaker 1>this is my favorite episode so far, Like you could

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<v Speaker 1>tell the difference that's saying, didn't you feel like it

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<v Speaker 1>felt like a a big movie, like a nineties rom com,

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<v Speaker 1>like maybe like a six Yeah, exactly use film. That's

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<v Speaker 1>what it felt like to me too. It really did.

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<v Speaker 1>Especially you're dancing. You're dancing at the dance. It was

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<v Speaker 1>so good. I thought it was really good too. I

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<v Speaker 1>was crushing on her like that was not good dancing. Yeah,

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<v Speaker 1>we're swinging your Oh my god, all the fields of

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<v Speaker 1>like that's the popular girl. I want to be like

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<v Speaker 1>like three years that would be weird, but you know

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<v Speaker 1>what I mean. But I pulled it off. Thank goodness

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<v Speaker 1>you did. Yeah, this episode so much happened. It was

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<v Speaker 1>hugely memorable episode for all the fans, I think, and

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<v Speaker 1>when it was one of the episodes, it was kind

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<v Speaker 1>of like a defining uh moment, defining episode for the

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<v Speaker 1>show moving forward, and I felt like it just defined

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<v Speaker 1>what the group was all about, like what you know,

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<v Speaker 1>everybody had their things, but we all came together and

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<v Speaker 1>I don't know, it just it worked for me, just

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<v Speaker 1>like a little puzzle. Yeah, they were definitely an ensemble

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<v Speaker 1>by the end. By this episode, I was like, Oh,

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<v Speaker 1>this is the gang that we're gonna now go forward

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<v Speaker 1>with for the next few years, So why don't we

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<v Speaker 1>break it down from the beginning because I loved I'd

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<v Speaker 1>love to do that much. I got to start at

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<v Speaker 1>the top and I gotta go all the way through

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<v Speaker 1>over all my o MG moments. First of all, first,

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<v Speaker 1>first first thing that comes to mind is the uh,

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<v Speaker 1>the glasses that the guys were wearing in the hallway

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<v Speaker 1>when they saw the hot girls. First of all, seems

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<v Speaker 1>so horny. He's got like it does spring bring that

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<v Speaker 1>on a teen boy? It makes them especially Randy. Uh hut,

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<v Speaker 1>Nature's doing this thing. It's turning me into a total

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<v Speaker 1>dog you. I don't know. I just don't wanna think

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<v Speaker 1>about that. But it was kind of the theme of

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<v Speaker 1>the episode because obviously we know happens with Dylan and Brenda.

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<v Speaker 1>Love is in the air spring um. But speaking of

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<v Speaker 1>the glasses, so they were looking at Darla Diller, who

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<v Speaker 1>was played by Sharon Case who had on two episodes ago.

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<v Speaker 1>She was so hot in us, like I know, she

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<v Speaker 1>was like that unattainable beautiful girl. It's still hot, yeah,

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<v Speaker 1>of course, yeah she is. But that I was happy

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<v Speaker 1>to see that because I didn't know when I didn't

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<v Speaker 1>know when she came back for the second episode, is

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<v Speaker 1>Darla Dillar what that was going to be like? But

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<v Speaker 1>she she did Darla right yes, Um, I don't do vets. Sorry,

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<v Speaker 1>I don't do vets. Loved it. That's like the soul

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<v Speaker 1>crushing for Steve Sanders to hear something like that. Probably

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<v Speaker 1>always like anything, it's okay, I'll rent a Ferrari or

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<v Speaker 1>somebody was like, dag you Yeah, that's an ad lib

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<v Speaker 1>for sure. The thing that took me, I mean just

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<v Speaker 1>hearing Brian's voice when he's announcing the queens that are

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<v Speaker 1>the prince princesses. Right, his voice seemed even higher in

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<v Speaker 1>other episodes. I was like, oh my gosh, and you

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<v Speaker 1>could hear everyone laughing in the hallways. Well David, well

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<v Speaker 1>he had he had some great stuff in this episode too.

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<v Speaker 1>But yeah, the whole um nominations for the Spring Princess

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<v Speaker 1>or whatever. Um, Kelly got very excited when she got nominated.

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<v Speaker 1>I threw my I threw my notebook like that's how

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<v Speaker 1>excited I did throw it. And when I was watching,

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<v Speaker 1>I was like, oh jeez, I like that. Donna and

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<v Speaker 1>Brenda were supportive. I noticed that right away. There was

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<v Speaker 1>really kind of no jealousy of you being nominated per

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<v Speaker 1>se until the dress part. That was good. Yeah, take

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<v Speaker 1>us to the Rodeo collection. Oh, my gosh, did they

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<v Speaker 1>even call it that? Now? That is a actual place

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<v Speaker 1>on Rodeo and you would go in and they'd have

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<v Speaker 1>many different stores, which kind of Beverly Hills version of

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<v Speaker 1>a mini mall or call out dormal. Yeah. Yeah, I

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<v Speaker 1>think it's still still there Rodeo Collection now but it's

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<v Speaker 1>definitely on road drive open Monday do Sunday nine am

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<v Speaker 1>to six pm. There you got, come on in, let's

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<v Speaker 1>do it shopping. Okay, Wait, I gotta tell you something

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<v Speaker 1>which I never realized I just recently. I'm gonna go

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<v Speaker 1>I'm going to talk about the white black bow dress

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<v Speaker 1>that um Brenda and Kelly end up both wearing. But

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<v Speaker 1>did you know this fun fact I recently rewatched Mystic

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<v Speaker 1>Pizza and Julia Roberts in that movie, do you know

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<v Speaker 1>what I'm talking about? She's wearing that dress. And that's

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<v Speaker 1>a movie from the eighties I believe, or was it

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<v Speaker 1>early nineties. She comes down, she goes and she buys

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<v Speaker 1>a dress, leaves the tag on so she can return

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<v Speaker 1>it to go out on her date. She comes down

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<v Speaker 1>the stairs wearing it. So not only is that dress

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<v Speaker 1>iconic on you and Shannon, Julia Roberts as well released

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<v Speaker 1>in so three years before it was you're our mathematician,

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<v Speaker 1>good three years. Maybe that's why it was on sale

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<v Speaker 1>when you guys bought it. Actually good fact checking from

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<v Speaker 1>the riders there. But that dress has been I mean,

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<v Speaker 1>I just that's a moment that will never be forgotten

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<v Speaker 1>I think by me for sure and a lot of

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<v Speaker 1>the fans because that when they show up in the

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<v Speaker 1>same dress, and I love that um Brenda sort of

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<v Speaker 1>makes it her own with her gloves and her pearls,

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<v Speaker 1>and I just thought and their hair, everything about it

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<v Speaker 1>like was prom esque. But it wasn't the prom It

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<v Speaker 1>was just a dance. I felt like promo. It seemed

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<v Speaker 1>like prom vegetable corsage? Hello the Radish? Why tell us

0:13:47.000 --> 0:13:50.400
<v Speaker 1>some more about that? What the heck was the boutineer

0:13:50.480 --> 0:13:54.560
<v Speaker 1>thing that Kelly gave Brandon? Why you guys who? She

0:13:54.720 --> 0:13:59.520
<v Speaker 1>was like, oh, vegetable corsages are really in, but it's

0:13:59.559 --> 0:14:02.800
<v Speaker 1>a boot near And she did say corsage corsage is

0:14:02.840 --> 0:14:07.480
<v Speaker 1>what goes on? Is it? Vegetable corsages are very hip?

0:14:08.160 --> 0:14:10.120
<v Speaker 1>Was that like a thing? Maybe they were like we

0:14:10.120 --> 0:14:12.280
<v Speaker 1>were setting trends, so they were like, Okay, let's see

0:14:12.280 --> 0:14:14.800
<v Speaker 1>if people will actually pick up, and apparently that was

0:14:14.840 --> 0:14:18.440
<v Speaker 1>one that didn't take off. I really thought it was

0:14:18.520 --> 0:14:20.840
<v Speaker 1>kind of cute, but very strange, you know what. I

0:14:20.880 --> 0:14:24.440
<v Speaker 1>can remember. I can remember putting that on him, and

0:14:24.480 --> 0:14:28.760
<v Speaker 1>I can remember filming with that stupid bunch of vegetables

0:14:28.800 --> 0:14:31.960
<v Speaker 1>on his jacket, and we had to have so many

0:14:31.960 --> 0:14:35.200
<v Speaker 1>because it just kept wilting like it was. They had

0:14:35.320 --> 0:14:38.920
<v Speaker 1>like personally behind it, and then like like three radishes

0:14:38.920 --> 0:14:41.880
<v Speaker 1>clumped together and the whole thing just kept going blue.

0:14:43.800 --> 0:14:46.600
<v Speaker 1>Vegetables don't want to be worn on clothes, So it's

0:14:46.680 --> 0:14:50.000
<v Speaker 1>kind of chic. It's very farm to Talks. I like it.

0:14:50.400 --> 0:14:54.840
<v Speaker 1>Let's bring it back farm to Tuck. That scene when

0:14:55.400 --> 0:14:58.240
<v Speaker 1>Kelly arrives at Brandon's house to give him, you know,

0:14:58.520 --> 0:15:00.600
<v Speaker 1>she's putting the boot near on him him and then

0:15:00.680 --> 0:15:05.800
<v Speaker 1>you guys kiss, I screamed like Kelly just went like

0:15:05.800 --> 0:15:08.080
<v Speaker 1>like no, he had no choice in the matter. Yeah.

0:15:08.720 --> 0:15:11.080
<v Speaker 1>It literally made me scream. I was like, what about

0:15:11.080 --> 0:15:14.400
<v Speaker 1>the what about when they made out on the later Yeah,

0:15:14.560 --> 0:15:18.600
<v Speaker 1>we're not even there yet. I'm sorry, but he got

0:15:18.720 --> 0:15:21.520
<v Speaker 1>very handsy with you at the wallsh house like that.

0:15:21.520 --> 0:15:24.440
<v Speaker 1>That was very Jason, was very Jason and Jenny. Yeah,

0:15:24.600 --> 0:15:26.640
<v Speaker 1>he had his arms around you, like very comfortable. It

0:15:26.720 --> 0:15:30.440
<v Speaker 1>was like very familiar, just asked you out. Yeah, and um,

0:15:30.600 --> 0:15:33.760
<v Speaker 1>I thought it was funny when Brenda said, when I'm

0:15:33.800 --> 0:15:36.320
<v Speaker 1>already giving you all my favorite lines, sorry, but Brenda

0:15:36.400 --> 0:15:40.800
<v Speaker 1>says no. Kelly says Brenda, I'm a spring princess. And

0:15:40.800 --> 0:15:47.040
<v Speaker 1>Brenda says, Kelly, I don't give a damn frink Kelly,

0:15:47.160 --> 0:15:52.080
<v Speaker 1>I don't. It's so good. Oh my god, Brenda's cheeks

0:15:52.120 --> 0:15:58.200
<v Speaker 1>were on points, like her cheekbones, gorgeous, youth good. Yeah,

0:15:58.440 --> 0:16:03.280
<v Speaker 1>we all appreciate what we had back then. So then

0:16:03.400 --> 0:16:06.800
<v Speaker 1>what about my dress? Oh, you come in the door

0:16:07.120 --> 0:16:10.360
<v Speaker 1>and there's the dress. There's the jo g Red dress

0:16:10.480 --> 0:16:15.520
<v Speaker 1>that we actually made a copy of right for Bho

0:16:15.800 --> 0:16:17.960
<v Speaker 1>And I was like, there it is, there's the dress.

0:16:18.320 --> 0:16:20.600
<v Speaker 1>There it is. I wonder where that came from, Like

0:16:20.720 --> 0:16:24.240
<v Speaker 1>was that in the script or we should ask Darren

0:16:24.280 --> 0:16:27.520
<v Speaker 1>about the dress? Okay, Like I wonder where that inspiration?

0:16:27.560 --> 0:16:30.000
<v Speaker 1>Like she can't fit into a dress, like it's too big.

0:16:30.280 --> 0:16:33.040
<v Speaker 1>I mean it was. It was. It was like gone

0:16:33.040 --> 0:16:37.560
<v Speaker 1>with the Wind situation exactly. But your character was really

0:16:37.560 --> 0:16:40.720
<v Speaker 1>funny this episode. I finally got to do comedy. I

0:16:40.800 --> 0:16:43.200
<v Speaker 1>was like, yes, okay, this was like gone, this big

0:16:43.240 --> 0:16:46.000
<v Speaker 1>moment of like doing physical comedy, and I couldn't have

0:16:46.120 --> 0:16:50.160
<v Speaker 1>been happier to given that writing. Yeah, I mean it

0:16:50.200 --> 0:16:51.920
<v Speaker 1>was weird that you were going with Steve, but I

0:16:52.000 --> 0:16:55.560
<v Speaker 1>just really thoroughly enjoyed all of the points when you

0:16:55.600 --> 0:16:59.240
<v Speaker 1>were like I can't and then you're like, can't quite

0:16:59.280 --> 0:17:02.520
<v Speaker 1>get the dress. Sit down, You're not comfortable. It's so

0:17:02.600 --> 0:17:05.480
<v Speaker 1>cute your little face. I remember filming that in the

0:17:05.520 --> 0:17:08.080
<v Speaker 1>limo and I was just in my head still like

0:17:08.160 --> 0:17:10.520
<v Speaker 1>you know me, like very like I hope it's not

0:17:10.520 --> 0:17:12.280
<v Speaker 1>too much. I hope they're not like, oh this girl,

0:17:12.320 --> 0:17:14.880
<v Speaker 1>what's she doing again? Like making all these movements, still

0:17:14.960 --> 0:17:19.320
<v Speaker 1>questioning myself but on the outside acting like no, I'm funny,

0:17:19.359 --> 0:17:22.160
<v Speaker 1>like whatever, I got this, but like thing myself inside,

0:17:23.000 --> 0:17:26.960
<v Speaker 1>you know. Wait, and Kelly stuck up for Donna right

0:17:27.000 --> 0:17:29.080
<v Speaker 1>before Steve's like, I hope she knows it's platonic, and

0:17:29.119 --> 0:17:35.200
<v Speaker 1>you're like you as if, Yeah, thanks for staying your dreams. Yeah,

0:17:35.200 --> 0:17:39.879
<v Speaker 1>Like why was Steve so like Donna such a sed

0:17:40.600 --> 0:17:45.919
<v Speaker 1>He was a j but he had reasons. He had

0:17:45.920 --> 0:17:49.400
<v Speaker 1>a lot of reasons to be jerky. Yeah, it's confession

0:17:49.400 --> 0:17:57.360
<v Speaker 1>about being adopted. Yes, Steve's adopted. Nowhere back to one

0:17:57.400 --> 0:18:00.280
<v Speaker 1>more thing before that part. Okay, I don't even know

0:18:00.320 --> 0:18:03.480
<v Speaker 1>how to say this because it's so un PC. But

0:18:03.640 --> 0:18:06.159
<v Speaker 1>when we're all in the house and we're taking the

0:18:06.240 --> 0:18:09.639
<v Speaker 1>lineup photo of all of us, like our prom ish dates,

0:18:10.440 --> 0:18:13.160
<v Speaker 1>I think it's Brandon. Is it okay to repeat something

0:18:13.200 --> 0:18:18.000
<v Speaker 1>if it's a line that's not PC though, to say, yeah,

0:18:18.119 --> 0:18:21.240
<v Speaker 1>you got your podcast? I don't want to be the

0:18:21.280 --> 0:18:23.960
<v Speaker 1>one to say it. But it's like we said, everybody

0:18:24.080 --> 0:18:27.639
<v Speaker 1>fit around the dress, and Brandon says, I think was

0:18:27.680 --> 0:18:29.600
<v Speaker 1>it Brandon or was it Steve that said it? I

0:18:29.640 --> 0:18:32.960
<v Speaker 1>think she's hiding an an rvy of midgets under there.

0:18:33.800 --> 0:18:37.360
<v Speaker 1>No one said that, No one said that, Yes it

0:18:37.440 --> 0:18:41.520
<v Speaker 1>was said. You know what it was? Said? Who said that?

0:18:41.560 --> 0:18:44.320
<v Speaker 1>Because you know that was not written. That was an

0:18:44.320 --> 0:18:47.080
<v Speaker 1>ad lib, but they kept it. It was totally an ablett.

0:18:47.119 --> 0:18:48.840
<v Speaker 1>Do you know who said it? I couldn't hear whose

0:18:48.920 --> 0:18:50.600
<v Speaker 1>voice it was. I was just so shocked when I

0:18:50.640 --> 0:18:56.360
<v Speaker 1>watched it. It sounds like a Steve line, but I

0:18:56.359 --> 0:19:00.919
<v Speaker 1>feel like I feel like it was Brandon. So they

0:19:00.960 --> 0:19:04.399
<v Speaker 1>go to the dance. They go to the dance, and

0:19:04.520 --> 0:19:07.440
<v Speaker 1>all Dylan wants to do is get Brenda up in

0:19:07.480 --> 0:19:12.200
<v Speaker 1>that bedroom to get freaky, and uh, he's I love you.

0:19:12.400 --> 0:19:14.440
<v Speaker 1>He when he said I love you Brenda. Maybe he

0:19:14.440 --> 0:19:17.080
<v Speaker 1>said I love you Brenda back at the at the house,

0:19:17.119 --> 0:19:19.679
<v Speaker 1>I don't remember. No, it was at right when they

0:19:19.720 --> 0:19:22.399
<v Speaker 1>get there. I think he's like, don't you know I

0:19:22.480 --> 0:19:25.760
<v Speaker 1>love I love you Brend. You're not just another notch

0:19:25.840 --> 0:19:29.359
<v Speaker 1>on my belt. Yeah I didn't feel it, sorry, not

0:19:29.520 --> 0:19:31.879
<v Speaker 1>just in another notch on my belt? Like, who says that?

0:19:32.480 --> 0:19:35.159
<v Speaker 1>Did you guys feel you felt it? I know? But

0:19:35.240 --> 0:19:37.480
<v Speaker 1>I mean I was a sucker for Dylan from the

0:19:37.560 --> 0:19:41.000
<v Speaker 1>very beginning. So yeah, but I feel like you're you sis.

0:19:41.040 --> 0:19:44.399
<v Speaker 1>You are a die hard Brenda and Dylan fan. I

0:19:44.440 --> 0:19:48.399
<v Speaker 1>can feel it a little bit. Mmm, just from the

0:19:48.520 --> 0:19:52.040
<v Speaker 1>very beginning. That's okay. I don't want to give it

0:19:52.040 --> 0:19:53.760
<v Speaker 1>away from people who haven't seen it yet, but you know,

0:19:54.680 --> 0:19:58.960
<v Speaker 1>it gets it gets dicey later, it does. Okay. Okay, Now,

0:19:59.160 --> 0:20:01.400
<v Speaker 1>now we can't go to your kiss with Brandon. No, no,

0:20:01.440 --> 0:20:03.920
<v Speaker 1>not yet, not yet. First we have to talk about

0:20:03.960 --> 0:20:06.919
<v Speaker 1>when he said, um, when she says, I'm nervous, I'm

0:20:06.920 --> 0:20:10.840
<v Speaker 1>going to disappoint you. And then and then um um,

0:20:10.960 --> 0:20:15.240
<v Speaker 1>Dylan says something like it don't worry, We're gonna be

0:20:15.359 --> 0:20:18.000
<v Speaker 1>just two people up in the room enjoying each other.

0:20:18.200 --> 0:20:22.720
<v Speaker 1>And I was like, who enjoying each other? Like it

0:20:22.880 --> 0:20:27.280
<v Speaker 1>wasn't I don't know, Yah, there will be no judgments

0:20:27.359 --> 0:20:29.880
<v Speaker 1>or something, just enjoying or something. Am I the only

0:20:29.920 --> 0:20:33.680
<v Speaker 1>one that was into this so into it? I was like, yes,

0:20:33.920 --> 0:20:36.760
<v Speaker 1>I believe everything you say. Let's go upstairs. I don't

0:20:36.840 --> 0:20:39.320
<v Speaker 1>remember it that way, like I feel like I was

0:20:39.480 --> 0:20:42.320
<v Speaker 1>way into it when I watched it when I was young,

0:20:42.400 --> 0:20:45.639
<v Speaker 1>and now watching it, I don't know. I wasn't. I

0:20:45.680 --> 0:20:47.560
<v Speaker 1>got into I got more into it once they got

0:20:47.640 --> 0:20:51.080
<v Speaker 1>into the room, like I was like, okay, I bee.

0:20:51.200 --> 0:20:53.439
<v Speaker 1>Their chemistry was more than like some of the lines

0:20:53.520 --> 0:20:58.240
<v Speaker 1>he was saying didn't feel like the Dylan. I know.

0:21:01.760 --> 0:21:04.600
<v Speaker 1>We're not haters. The name of this podcast is o MG,

0:21:05.040 --> 0:21:07.400
<v Speaker 1>and these are just O m G moments for us.

0:21:08.440 --> 0:21:13.320
<v Speaker 1>Just portrayed the fantasy that every high school girl has

0:21:14.000 --> 0:21:17.159
<v Speaker 1>if they're in a relationship and they haven't done it yet.

0:21:17.320 --> 0:21:20.520
<v Speaker 1>That's how they envisioned losing their virginity, Like on A

0:21:21.200 --> 0:21:25.040
<v Speaker 1>I did and I lost my virginity at homecoming. After

0:21:25.080 --> 0:21:27.760
<v Speaker 1>the dance was at someone's house, not a hotel. But

0:21:28.400 --> 0:21:31.400
<v Speaker 1>it was almost just to have that perfect I don't know,

0:21:32.119 --> 0:21:35.320
<v Speaker 1>it's just the dance really justified it for me. I

0:21:35.320 --> 0:21:37.320
<v Speaker 1>feel so much closer to you now that I know

0:21:37.359 --> 0:21:42.960
<v Speaker 1>where you lost your virginity. Thanks for sharing. Yeah, but

0:21:43.040 --> 0:21:44.600
<v Speaker 1>I think it was a big issue for the network

0:21:44.640 --> 0:21:47.719
<v Speaker 1>at the time to show a sixteen something you're all

0:21:47.760 --> 0:21:50.399
<v Speaker 1>losing her virginity. I think they got a lot of

0:21:50.400 --> 0:21:54.720
<v Speaker 1>heat after. Yeah, I mean they had to have yeah,

0:21:54.880 --> 0:21:57.520
<v Speaker 1>even though it didn't show much, but it didn't show anything.

0:21:57.560 --> 0:22:00.919
<v Speaker 1>But at the time, like under your age, sex was

0:22:00.960 --> 0:22:05.479
<v Speaker 1>not something you really saw on TV. Right, No, okay,

0:22:05.480 --> 0:22:08.320
<v Speaker 1>but yeah, if do you have something to say about

0:22:08.359 --> 0:22:12.719
<v Speaker 1>the kiss of Kelly and Brandon, because oh, yeah, I do.

0:22:14.560 --> 0:22:16.760
<v Speaker 1>It was your first experience of him eating your face.

0:22:17.359 --> 0:22:21.680
<v Speaker 1>That was the first kiss of Kelly and Brandon. I know, Yeah,

0:22:21.880 --> 0:22:25.240
<v Speaker 1>you're ready for it. It looked like a good kiss,

0:22:25.240 --> 0:22:27.800
<v Speaker 1>so I'm not gonna lie. I was into it too.

0:22:28.080 --> 0:22:31.359
<v Speaker 1>I was really into it. Sorry, more into watching that

0:22:31.440 --> 0:22:34.800
<v Speaker 1>juicy kiss than Brendan Dylan. Sorry. It just looked like

0:22:35.119 --> 0:22:40.240
<v Speaker 1>there was just so much chemistry. I enjoyed it too,

0:22:41.960 --> 0:22:44.520
<v Speaker 1>really did, or maybe the whole rest of the scene

0:22:44.560 --> 0:22:47.439
<v Speaker 1>it was. I loved that it wasn't TV like, it

0:22:47.520 --> 0:22:51.640
<v Speaker 1>was real life, Like your lipstick was totally gone. How

0:22:51.680 --> 0:22:54.719
<v Speaker 1>you've been mashing face? And I was like, oh, I

0:22:54.760 --> 0:22:58.679
<v Speaker 1>love that, because sometimes they glossified in TV and they

0:22:58.720 --> 0:23:00.560
<v Speaker 1>would cut back and need to have pur clipstick and

0:23:00.880 --> 0:23:06.600
<v Speaker 1>powder and you weren't you go one at it? How

0:23:06.640 --> 0:23:08.639
<v Speaker 1>many takes did you guys do with that scene at

0:23:08.680 --> 0:23:12.840
<v Speaker 1>the dance? Who knows? I mean, geez, I don't remember,

0:23:14.840 --> 0:23:17.360
<v Speaker 1>but I know it was a good kiss. I mean

0:23:17.480 --> 0:23:21.639
<v Speaker 1>enough for your lipstick to come off. Not just her

0:23:21.680 --> 0:23:25.399
<v Speaker 1>lipsticks this it was like all around here. It was

0:23:25.440 --> 0:23:29.159
<v Speaker 1>like her nose, her cheeks. That's just what happens when

0:23:29.200 --> 0:23:33.439
<v Speaker 1>you make out on camera usually because you're wearing a

0:23:33.440 --> 0:23:36.760
<v Speaker 1>lot of makeup right for TV, and then and then

0:23:37.080 --> 0:23:40.120
<v Speaker 1>you do a kissing scene like that and it gets everywhere.

0:23:40.359 --> 0:23:44.680
<v Speaker 1>And also usually a guy has like stubble, like beard stubble,

0:23:44.960 --> 0:23:47.600
<v Speaker 1>and it makes your face all red and rashy. It's

0:23:47.640 --> 0:23:52.160
<v Speaker 1>not it's not pretty, it's not fun. The actual technical

0:23:52.200 --> 0:23:55.439
<v Speaker 1>aspect of it, it was good. Yeah, And then he

0:23:55.480 --> 0:23:59.200
<v Speaker 1>said you were like another sister. Oh, I don't think

0:23:59.200 --> 0:24:02.400
<v Speaker 1>he'll think that seasons to come right? What did she say?

0:24:02.560 --> 0:24:07.280
<v Speaker 1>Can't can't you fake amnische or something? Poor Kelly. I

0:24:07.320 --> 0:24:09.080
<v Speaker 1>like it that she got denied a little bit though.

0:24:09.680 --> 0:24:12.359
<v Speaker 1>I made her more human to me. I think so too,

0:24:12.400 --> 0:24:14.399
<v Speaker 1>and relatable to a lot of people because I think

0:24:14.480 --> 0:24:16.880
<v Speaker 1>like when some a boy doesn't like you back, you

0:24:16.920 --> 0:24:19.640
<v Speaker 1>want to try to convince them to and it's not

0:24:19.680 --> 0:24:23.280
<v Speaker 1>the move. I like you said, ouch, that's the ugliest thing,

0:24:23.320 --> 0:24:27.119
<v Speaker 1>and you want to say ugliest, ugliest. I love this

0:24:27.200 --> 0:24:30.520
<v Speaker 1>episode so much, such a good episode, you guys. And

0:24:30.760 --> 0:24:32.920
<v Speaker 1>my favorite part though, I love to hold the whole

0:24:33.040 --> 0:24:36.000
<v Speaker 1>dance and the band and just like all the extras

0:24:36.000 --> 0:24:39.159
<v Speaker 1>in the background atmosphere, people and just everything. But my

0:24:39.240 --> 0:24:41.960
<v Speaker 1>favorite favorite part was the very end when um the

0:24:42.040 --> 0:24:44.840
<v Speaker 1>camera pulls back and the group is dancing together. Just

0:24:45.040 --> 0:24:48.000
<v Speaker 1>was gave me all like the warm and fuzzy feels

0:24:48.080 --> 0:24:52.000
<v Speaker 1>of how how amazing that moment actually was in real

0:24:52.040 --> 0:24:55.080
<v Speaker 1>life to be standing there with that guy with those people,

0:24:55.160 --> 0:24:58.680
<v Speaker 1>and I just I sat there watching it last night

0:24:58.720 --> 0:25:03.560
<v Speaker 1>by myself, and I actually it shook me up quite

0:25:03.600 --> 0:25:06.960
<v Speaker 1>a bit because it was just one of those moments

0:25:06.960 --> 0:25:09.840
<v Speaker 1>where I really remember standing right next to Luke and

0:25:09.920 --> 0:25:14.359
<v Speaker 1>just just that connection was so strong at that point,

0:25:14.960 --> 0:25:17.639
<v Speaker 1>and it was just such a moment for me and

0:25:18.119 --> 0:25:22.560
<v Speaker 1>I was like, oh, I miss him. No, that was

0:25:22.560 --> 0:25:26.400
<v Speaker 1>an amazing scene. That's I'm sure the whole group there's

0:25:26.440 --> 0:25:28.960
<v Speaker 1>scenes we don't remember filming, Like I feel like that's

0:25:29.000 --> 0:25:32.520
<v Speaker 1>one of those scenes that we each remember and we'll

0:25:32.560 --> 0:25:36.959
<v Speaker 1>always remember because everyone we were each other's best friends

0:25:37.000 --> 0:25:40.680
<v Speaker 1>like that. You know, it wasn't what you just saw

0:25:40.720 --> 0:25:42.920
<v Speaker 1>on camera was real in real life. And that was

0:25:43.000 --> 0:25:47.240
<v Speaker 1>so huge. Yeah, and it had been a whole season already,

0:25:47.560 --> 0:25:52.760
<v Speaker 1>so your relationships just probably continued to build. Yeah, definitely

0:25:52.880 --> 0:25:56.600
<v Speaker 1>at that point for sure. It was just Also that's

0:25:56.640 --> 0:25:59.800
<v Speaker 1>the big you know, everybody, what does that always happen

0:25:59.800 --> 0:26:01.679
<v Speaker 1>at dance a school dance, when like a group of

0:26:01.680 --> 0:26:03.960
<v Speaker 1>people just kind of dances together and takes over little

0:26:04.040 --> 0:26:08.280
<v Speaker 1>dance floor. I don't know it. Yeah, it made me

0:26:08.320 --> 0:26:11.679
<v Speaker 1>feel like all those movies that we love, Like, I

0:26:11.680 --> 0:26:13.639
<v Speaker 1>don't know, I feel like that just happens in the movies.

0:26:15.160 --> 0:26:19.119
<v Speaker 1>And I loved Iron in this episode. Mm hmmm. We

0:26:19.240 --> 0:26:22.080
<v Speaker 1>really like Steve Sanders. You saw a softer side to him.

0:26:22.240 --> 0:26:24.439
<v Speaker 1>I thought he was so great in the scene with

0:26:24.520 --> 0:26:27.879
<v Speaker 1>Jason and they're in the hallway in the kitchen. Lighting

0:26:27.880 --> 0:26:31.600
<v Speaker 1>on Jason was so magical, Um, we found out I

0:26:31.840 --> 0:26:35.639
<v Speaker 1>was adopted, just such a nice moment. I feel like

0:26:35.640 --> 0:26:39.680
<v Speaker 1>he played it so well. He really had a balance

0:26:39.760 --> 0:26:45.760
<v Speaker 1>of emotion and comedy, Like, yeah, it really humanized all

0:26:45.760 --> 0:26:49.920
<v Speaker 1>the characters too, Like it just made them so much

0:26:49.960 --> 0:26:55.000
<v Speaker 1>more relatable, each of them. On Andrea h David with

0:26:55.080 --> 0:27:00.720
<v Speaker 1>his dancing, the comedy of the skirt, like just the

0:27:01.200 --> 0:27:04.560
<v Speaker 1>being the date of Steve and not really, I don't know,

0:27:04.640 --> 0:27:10.320
<v Speaker 1>it just felt Um, Andrea's the chainsaw, that was hilarious.

0:27:10.440 --> 0:27:13.119
<v Speaker 1>What about Okay, what about when she's watching it and

0:27:13.160 --> 0:27:15.440
<v Speaker 1>she doesn't she live with her grandma? Isn't that the

0:27:15.480 --> 0:27:18.879
<v Speaker 1>whole thing with her grandma? I was gonna ask you

0:27:18.960 --> 0:27:23.240
<v Speaker 1>because then she's like, Mom, can I borrow an evening gown? Yeah? Mom,

0:27:23.280 --> 0:27:25.920
<v Speaker 1>first of all, but then evening gown second of all?

0:27:26.160 --> 0:27:28.920
<v Speaker 1>She said, your evening gown? Like there's only one. Mom

0:27:28.960 --> 0:27:32.359
<v Speaker 1>has an evening gown up in the closet there and

0:27:32.400 --> 0:27:36.320
<v Speaker 1>it magically fits her perfectly with ginormous puff sleeves. Sound

0:27:36.520 --> 0:27:42.040
<v Speaker 1>the style though, those puffy sleeves and they were large

0:27:42.280 --> 0:27:46.320
<v Speaker 1>like and in charge. Those sleeves it fit her like

0:27:46.359 --> 0:27:50.160
<v Speaker 1>a glove. Well, ladies, Darren stars in the waiting room.

0:27:50.280 --> 0:27:53.400
<v Speaker 1>It's now, it's happening, it's happening. But we should take

0:27:53.400 --> 0:28:06.960
<v Speaker 1>a break. Okay, everybody's yeah, I can't wait. M h

0:28:09.800 --> 0:28:13.760
<v Speaker 1>Hello handsome, Hello, god, you guys are gorgeous. Why do

0:28:13.880 --> 0:28:19.320
<v Speaker 1>you get more and more handsome as you? Greatness? Boy

0:28:19.480 --> 0:28:22.760
<v Speaker 1>and boys get more handsome with age and us women

0:28:22.880 --> 0:28:26.040
<v Speaker 1>just you guys like you guys look amazing, you look amazing.

0:28:26.680 --> 0:28:29.520
<v Speaker 1>We're so excited to talk to you. I know me too.

0:28:29.640 --> 0:28:32.360
<v Speaker 1>I saw you, but for a second on that nine

0:28:32.400 --> 0:28:35.840
<v Speaker 1>O thing we did a while ago, I just gotta

0:28:37.720 --> 0:28:40.000
<v Speaker 1>I didn't have my glasses on. I couldn't see you. Sorry.

0:28:40.040 --> 0:28:43.920
<v Speaker 1>I loved, loved the show you did with Chessa and Alborghini.

0:28:44.720 --> 0:28:49.200
<v Speaker 1>Oh my gosh. I thought it was so good and

0:28:49.240 --> 0:28:51.920
<v Speaker 1>you guys were so good at it. I mean, everybody was.

0:28:51.960 --> 0:28:54.520
<v Speaker 1>It was like a blast. We had a great time

0:28:54.560 --> 0:28:57.520
<v Speaker 1>doing it. It was certainly a challenge. Oh my god.

0:28:57.960 --> 0:29:00.880
<v Speaker 1>Oh yeah, I didn't look like it didn't It looked

0:29:00.920 --> 0:29:02.880
<v Speaker 1>like it didn't look like a challenge. It look fun.

0:29:03.800 --> 0:29:06.440
<v Speaker 1>We'll get together and tell you the story, but I

0:29:06.440 --> 0:29:09.840
<v Speaker 1>couldn't even was shot in Canada that I don't know

0:29:09.880 --> 0:29:14.880
<v Speaker 1>how you pulled it looks so real. Really, why does

0:29:14.960 --> 0:29:19.560
<v Speaker 1>the beach scenes, no beach scenes stuff look pretty good?

0:29:19.880 --> 0:29:23.400
<v Speaker 1>It really all felt you would never know that was

0:29:23.480 --> 0:29:25.920
<v Speaker 1>crazy when they told me they was shot there. Remember

0:29:25.960 --> 0:29:29.040
<v Speaker 1>that day, Jen, they were like carting and like plants

0:29:29.240 --> 0:29:34.640
<v Speaker 1>and palm trees. Yeah, we were like, okay, it was

0:29:34.840 --> 0:29:37.720
<v Speaker 1>everything I thought. I thought the castle looked amazing. He's

0:29:37.760 --> 0:29:41.000
<v Speaker 1>all looks so good. It was so fun to be

0:29:41.040 --> 0:29:44.959
<v Speaker 1>back together with everyone, and we completely all regressed to

0:29:45.040 --> 0:29:50.520
<v Speaker 1>our younger selves within like moments. It was crazy old

0:29:50.520 --> 0:29:54.600
<v Speaker 1>behaviors kind of bubbling right back up. Every fun right,

0:29:55.840 --> 0:29:59.320
<v Speaker 1>I can imagine. But I thought, you I got you

0:29:59.400 --> 0:30:01.880
<v Speaker 1>nailed it. I thought, thank you. That means a lot

0:30:01.960 --> 0:30:04.760
<v Speaker 1>to us. Thank you. Yes, I just have to tell you.

0:30:04.840 --> 0:30:06.840
<v Speaker 1>I watch it with my kids, Emily and Paris is

0:30:06.880 --> 0:30:13.360
<v Speaker 1>so amazing. We love it. It's so fun to watch it. Really,

0:30:14.440 --> 0:30:19.720
<v Speaker 1>remember your Paris episode? What did you have to eat

0:30:19.720 --> 0:30:27.920
<v Speaker 1>when you went to Paris? Brains brains brains? Yeah, you're

0:30:27.960 --> 0:30:31.640
<v Speaker 1>all of your you know you You've created some of

0:30:31.680 --> 0:30:36.320
<v Speaker 1>the most iconic, most colorful like I don't know. The

0:30:36.360 --> 0:30:40.040
<v Speaker 1>shows that you make just sort of transport you to

0:30:40.280 --> 0:30:44.120
<v Speaker 1>like another time where things are just better and uh

0:30:44.240 --> 0:30:47.680
<v Speaker 1>easier like this. It's fantastic, you know. I love that

0:30:47.760 --> 0:30:50.480
<v Speaker 1>about your shows. Thank you well. Starting with the one

0:30:50.520 --> 0:30:54.120
<v Speaker 1>we all did together, I mean that was the o G.

0:30:55.200 --> 0:31:00.920
<v Speaker 1>That was your first first show with unbelievable. I don't

0:31:00.920 --> 0:31:03.080
<v Speaker 1>know if you don't even know the story that no

0:31:03.200 --> 0:31:06.320
<v Speaker 1>tell us. I can't remember exactly how We're so young,

0:31:06.360 --> 0:31:09.560
<v Speaker 1>Tory you Yeah, you were so young, you were like fifteen,

0:31:09.680 --> 0:31:15.240
<v Speaker 1>I think, Um, did you hear that Jen? I had

0:31:16.880 --> 0:31:20.400
<v Speaker 1>I had written some I had written a a number

0:31:20.400 --> 0:31:24.840
<v Speaker 1>of teenager in the movies. A producer I read a

0:31:24.840 --> 0:31:27.400
<v Speaker 1>film for when I was in my twenties went to

0:31:27.480 --> 0:31:30.160
<v Speaker 1>Fox to start work in drama, this guy Paul Stupid

0:31:30.200 --> 0:31:34.480
<v Speaker 1>and they were developing with Karen a show based on

0:31:34.520 --> 0:31:38.680
<v Speaker 1>Beverly Hills High for a writer, and they he thought

0:31:38.680 --> 0:31:43.560
<v Speaker 1>of me and he I met I met Dad at

0:31:43.560 --> 0:31:48.360
<v Speaker 1>the Old Old at the Old House, and we just clicked.

0:31:48.760 --> 0:31:51.600
<v Speaker 1>And he saw some film, this awful movie that I

0:31:51.720 --> 0:31:53.800
<v Speaker 1>made called Doing Time on Planet Earthing. Liked it. That

0:31:53.960 --> 0:31:57.960
<v Speaker 1>was terrible, and he's like, great, do it? And like

0:31:58.120 --> 0:32:00.200
<v Speaker 1>we just I just wrote the pilot and then I

0:32:00.200 --> 0:32:03.200
<v Speaker 1>don't know, at the beginning, it was just like me

0:32:03.280 --> 0:32:06.200
<v Speaker 1>and him. There was like it was so like it

0:32:06.280 --> 0:32:10.560
<v Speaker 1>was so um fun and I don't know, it was

0:32:10.600 --> 0:32:12.160
<v Speaker 1>just like one of those things where I thought, this

0:32:12.240 --> 0:32:14.200
<v Speaker 1>is so great. Does anybody realize how good this show is.

0:32:14.280 --> 0:32:16.320
<v Speaker 1>We made the pilot and I was like, this is amazing,

0:32:16.600 --> 0:32:19.800
<v Speaker 1>and and Fox was kind of like, well, we don't know.

0:32:19.960 --> 0:32:23.480
<v Speaker 1>And then it tested through the roof the pilot the

0:32:23.560 --> 0:32:31.280
<v Speaker 1>roof because they and they um teenagers could be actually successful.

0:32:31.640 --> 0:32:34.239
<v Speaker 1>And I think Tori recommended some actors. I remember that

0:32:34.280 --> 0:32:39.800
<v Speaker 1>we hadn't cast we had not cast, uh Jason's role,

0:32:39.960 --> 0:32:42.600
<v Speaker 1>And so the very last minute and I think you knew.

0:32:42.920 --> 0:32:45.520
<v Speaker 1>You mentioned that, you mentioned Shannon, you mentioned Jason. You

0:32:45.680 --> 0:32:47.880
<v Speaker 1>like you knew all these acts. It was such a

0:32:48.160 --> 0:32:51.240
<v Speaker 1>like a TV fan. Shannon I knew from our house,

0:32:51.280 --> 0:32:57.600
<v Speaker 1>and Heather's from and you came into read. Okay, Jenny,

0:32:57.600 --> 0:32:59.840
<v Speaker 1>you came in to read. I was so green that

0:32:59.880 --> 0:33:03.560
<v Speaker 1>you did this audition. And during the audition, like it

0:33:03.600 --> 0:33:05.680
<v Speaker 1>was it was that you waved and said a lot

0:33:05.720 --> 0:33:07.240
<v Speaker 1>of people and I thought you were waving at me.

0:33:11.760 --> 0:33:14.400
<v Speaker 1>She's in a character's doing the role. He wanted be

0:33:14.680 --> 0:33:18.520
<v Speaker 1>wigging out, like to be making this show with Aaron

0:33:18.600 --> 0:33:21.920
<v Speaker 1>Spelling and like testing through the roof, like I would

0:33:21.960 --> 0:33:24.280
<v Speaker 1>have been freaking out if I was you, like with

0:33:24.400 --> 0:33:27.480
<v Speaker 1>happiness to say he made it. He was not intimidating.

0:33:27.480 --> 0:33:30.240
<v Speaker 1>He made it really fun. He really was Your dad

0:33:30.320 --> 0:33:35.120
<v Speaker 1>was just so um he he was. He was very creative,

0:33:35.160 --> 0:33:38.720
<v Speaker 1>so it felt like working with somebody like creative and

0:33:38.760 --> 0:33:42.200
<v Speaker 1>or another writer, not like, uh, you know, the executive.

0:33:43.040 --> 0:33:45.080
<v Speaker 1>And he was what I loved this. He was always

0:33:45.080 --> 0:33:47.280
<v Speaker 1>so nervous about everything. And I would say, Tom, why

0:33:47.320 --> 0:33:50.480
<v Speaker 1>are you nervous going to the studio and pitching things?

0:33:50.520 --> 0:33:54.120
<v Speaker 1>I'm like, what do you miss about where spellings? He

0:33:54.160 --> 0:33:57.440
<v Speaker 1>would be like, I have spilkus yeah were yeah exactly.

0:33:57.440 --> 0:33:58.800
<v Speaker 1>He would still get nervous and and be like, I

0:33:58.840 --> 0:34:01.840
<v Speaker 1>can't believe you're getting nervous about anything. So where did

0:34:01.840 --> 0:34:05.640
<v Speaker 1>the title come from? So originally it was Class of

0:34:05.680 --> 0:34:10.040
<v Speaker 1>Beverly Hills that was the title, and then Barry Diller

0:34:10.120 --> 0:34:12.879
<v Speaker 1>had this idea to call it Girls nine or two

0:34:12.880 --> 0:34:14.920
<v Speaker 1>and O, which I thought was the worst time I

0:34:15.000 --> 0:34:18.200
<v Speaker 1>ever heard of. I thought, that's horrible. You know, zip

0:34:18.239 --> 0:34:22.120
<v Speaker 1>code like and he was smart because I I thought, like,

0:34:22.160 --> 0:34:23.600
<v Speaker 1>to me, it was a show about high school and

0:34:23.640 --> 0:34:27.799
<v Speaker 1>he's like, no, it's more than that, and he I

0:34:27.880 --> 0:34:33.280
<v Speaker 1>just thought, Okay, that's the beauty of collaborating, right, because

0:34:33.719 --> 0:34:36.000
<v Speaker 1>you don't have all the answers. Nobody has all the

0:34:36.080 --> 0:34:38.400
<v Speaker 1>right answers, And it's so great when a group of

0:34:38.400 --> 0:34:40.960
<v Speaker 1>people come together and make a show, especially like this

0:34:41.080 --> 0:34:43.480
<v Speaker 1>where I don't know, everybody just kind of chimed in

0:34:43.520 --> 0:34:45.960
<v Speaker 1>and helped out and it made it so wonderful. I

0:34:46.000 --> 0:34:50.000
<v Speaker 1>have a question. Did Shannon and Jason do a chemistry

0:34:50.160 --> 0:34:56.319
<v Speaker 1>read together? Yes? Yes, okay, Jason read with Shannon. Wasn't

0:34:56.320 --> 0:34:58.400
<v Speaker 1>actually chemistry, but it was like for the from the

0:34:58.440 --> 0:35:01.000
<v Speaker 1>first time Jason read, it was already cast and she

0:35:01.080 --> 0:35:03.319
<v Speaker 1>read with him, and afterwards he walked out and she

0:35:03.440 --> 0:35:06.439
<v Speaker 1>was like yeah, Like she was like, I like them.

0:35:07.800 --> 0:35:09.960
<v Speaker 1>Was there anyone else up for the role of Brandon

0:35:10.320 --> 0:35:13.239
<v Speaker 1>that we would know? Uh? I don't know they were.

0:35:13.280 --> 0:35:15.799
<v Speaker 1>I just remember there were a couple of actors that

0:35:16.719 --> 0:35:19.160
<v Speaker 1>I don't remember the names, nobody that went on to

0:35:19.239 --> 0:35:22.160
<v Speaker 1>big like stardom or anything that that we looked at.

0:35:22.239 --> 0:35:25.680
<v Speaker 1>But nobody like really clicked and really the role wasn't

0:35:25.920 --> 0:35:29.439
<v Speaker 1>cast since the very last moment. He was the last

0:35:29.560 --> 0:35:33.160
<v Speaker 1>role cast in the pilot. Yes, he was on another

0:35:33.160 --> 0:35:36.359
<v Speaker 1>show that was getting canceled, and when that show kind

0:35:36.400 --> 0:35:41.880
<v Speaker 1>of like they that show, he was suddenly available. Was that,

0:35:41.960 --> 0:35:50.000
<v Speaker 1>sister Kate? Yes? Wow? Yeah, yeah, yeah, So you directed

0:35:50.040 --> 0:35:53.480
<v Speaker 1>the first step? No, you directed this episode we're talking

0:35:53.520 --> 0:35:58.279
<v Speaker 1>about today. I directed the Spring Spring episode of the

0:35:58.360 --> 0:36:01.479
<v Speaker 1>first season. Yeah, it's the episode that we're talking we're

0:36:01.560 --> 0:36:06.640
<v Speaker 1>rewatching today and talking about. So we're seeing masterful directing.

0:36:06.840 --> 0:36:09.960
<v Speaker 1>And actually the first thing I directed was it. Were

0:36:10.000 --> 0:36:12.840
<v Speaker 1>you excited? Were you nervous? Like, that's a big step.

0:36:12.920 --> 0:36:16.239
<v Speaker 1>I think I was definitely more nervous than anything else.

0:36:16.440 --> 0:36:18.600
<v Speaker 1>It's not, you know, like one of those things we

0:36:18.640 --> 0:36:21.080
<v Speaker 1>watch what else do it? But until you're doing it,

0:36:21.560 --> 0:36:23.680
<v Speaker 1>you don't know what they really to do it, until

0:36:23.760 --> 0:36:31.080
<v Speaker 1>you call that first action. Yeah, a big episode for

0:36:31.120 --> 0:36:35.920
<v Speaker 1>your directorial debut. That was. It was a lot happened

0:36:35.920 --> 0:36:40.840
<v Speaker 1>in that episode stylistically. It was so beautiful though. Yeah,

0:36:41.000 --> 0:36:43.360
<v Speaker 1>it's not like a John Hughes film, kind of like

0:36:43.400 --> 0:36:45.120
<v Speaker 1>I feel like I was watching a nineties wrong call.

0:36:45.480 --> 0:36:47.719
<v Speaker 1>You know. Well, that was like the whole idea behind

0:36:47.760 --> 0:36:50.080
<v Speaker 1>that for me was the that there had been these

0:36:50.080 --> 0:36:51.840
<v Speaker 1>great John Hughes movies, but no one had done it

0:36:51.880 --> 0:36:54.839
<v Speaker 1>for television, and quite that John Hughes way, I felt

0:36:54.840 --> 0:36:59.560
<v Speaker 1>like captured that for TV. Yeah, he's got chills. I

0:36:59.600 --> 0:37:03.640
<v Speaker 1>love that. It's so true though, So back to the original,

0:37:04.160 --> 0:37:08.720
<v Speaker 1>uh uh, the onset of the show. You said before

0:37:08.760 --> 0:37:13.680
<v Speaker 1>that your sister was the sort of music for inspirations

0:37:14.160 --> 0:37:16.560
<v Speaker 1>for Brenda. I was just thinking about when I wrote

0:37:16.600 --> 0:37:21.839
<v Speaker 1>just think of my sister so great. You guys were close, right, yeah,

0:37:21.920 --> 0:37:23.600
<v Speaker 1>we were close. And then so we follow a lot

0:37:24.960 --> 0:37:29.040
<v Speaker 1>for which character was most like you. I guess Random

0:37:29.160 --> 0:37:33.040
<v Speaker 1>was most like me, you know, um, the sort of

0:37:33.080 --> 0:37:35.200
<v Speaker 1>like you know, Jason made it more interesting than I

0:37:35.320 --> 0:37:38.160
<v Speaker 1>was in high school. But but I guess that's a

0:37:38.239 --> 0:37:41.040
<v Speaker 1>character because I guess that I could relate to the most.

0:37:42.760 --> 0:37:46.279
<v Speaker 1>You was the first episode, the pilot episode. It was

0:37:46.280 --> 0:37:47.840
<v Speaker 1>was it meant to be a movie or was it

0:37:47.880 --> 0:37:50.600
<v Speaker 1>just meant to be a two hour situation? You know,

0:37:50.719 --> 0:37:52.640
<v Speaker 1>I had only written movies up to that point, so

0:37:52.680 --> 0:37:54.279
<v Speaker 1>that's all I knew how to do. So I wrote

0:37:54.280 --> 0:37:56.880
<v Speaker 1>it in a two hour movie, and I think it

0:37:57.000 --> 0:37:59.759
<v Speaker 1>ended up being closer than ninety minutes or something like

0:37:59.800 --> 0:38:03.560
<v Speaker 1>that when it aired, when it was cut and everything. Yeah,

0:38:04.320 --> 0:38:06.319
<v Speaker 1>how do they do that? How they don't know how

0:38:06.360 --> 0:38:09.000
<v Speaker 1>they did that? How they what made it ninety minutes? Yeah?

0:38:09.040 --> 0:38:12.439
<v Speaker 1>Like how do they air ninety minutes back then? Back then?

0:38:12.960 --> 0:38:15.440
<v Speaker 1>I think they did air as ninety minutes back then?

0:38:16.040 --> 0:38:22.440
<v Speaker 1>I said, nothing else to air? Was just starting out. Yeah,

0:38:22.960 --> 0:38:25.640
<v Speaker 1>I remember we were always on the verge of cancelation

0:38:25.719 --> 0:38:30.160
<v Speaker 1>that first season. It wasn't that. Yeah, is that the truth?

0:38:31.360 --> 0:38:34.799
<v Speaker 1>It wasn't a hit, right, wasn't a hit? With the

0:38:34.840 --> 0:38:41.080
<v Speaker 1>episodes you get like dribbled in, dribble in like three episodes,

0:38:41.239 --> 0:38:45.319
<v Speaker 1>and we first got twelve, and they ordered four and

0:38:45.360 --> 0:38:50.480
<v Speaker 1>they ordered three. Oh. Air was always on the phone

0:38:50.520 --> 0:38:52.399
<v Speaker 1>beating them up and trying to get them to order more.

0:38:53.200 --> 0:38:55.600
<v Speaker 1>You know what would have happened if they didn't order more.

0:38:55.719 --> 0:38:57.480
<v Speaker 1>We wouldn't all be sitting here talking to each other.

0:38:57.880 --> 0:38:59.719
<v Speaker 1>I know. It's so scary to think about how things

0:38:59.719 --> 0:39:02.520
<v Speaker 1>gonna go on. And and then you remember we came

0:39:02.520 --> 0:39:05.560
<v Speaker 1>back in the summer that first season and it was

0:39:06.000 --> 0:39:07.880
<v Speaker 1>it was like a good news bad news thing. When

0:39:08.000 --> 0:39:10.040
<v Speaker 1>Chuck Rosen and I went to meet the network, they're like,

0:39:10.040 --> 0:39:11.840
<v Speaker 1>great news, you guys are doing so well, and we

0:39:11.920 --> 0:39:13.759
<v Speaker 1>kind of made it through that first season, which was

0:39:13.760 --> 0:39:18.799
<v Speaker 1>still episodes at right, and then we're thinking that we're

0:39:18.800 --> 0:39:21.640
<v Speaker 1>gonna take this break. I'm not sure even knew this,

0:39:21.719 --> 0:39:27.239
<v Speaker 1>but they told us in like April or May that,

0:39:27.920 --> 0:39:31.160
<v Speaker 1>you know, just as we finished production that were that

0:39:31.200 --> 0:39:33.239
<v Speaker 1>we were going to get renewed. They wanted us to

0:39:33.239 --> 0:39:36.640
<v Speaker 1>come back in the summer, which meant that we couldn't

0:39:36.680 --> 0:39:39.600
<v Speaker 1>take a break. So that was the second season was

0:39:39.640 --> 0:39:44.440
<v Speaker 1>Summer the Beach. Oh my gosh, already we started. We

0:39:44.480 --> 0:39:48.160
<v Speaker 1>started filming like immediately. I think it aired in five

0:39:48.280 --> 0:39:51.239
<v Speaker 1>so we were like filming in May. We never really

0:39:53.000 --> 0:39:55.360
<v Speaker 1>barely No, it is for the no ite is for

0:39:55.400 --> 0:39:59.680
<v Speaker 1>the right. But Chuck Rosen was going on vacation with

0:39:59.719 --> 0:40:01.480
<v Speaker 1>his family me to Hawaiian. The only way to keep

0:40:01.560 --> 0:40:04.320
<v Speaker 1>going was I had to go on vacation with him

0:40:04.360 --> 0:40:10.960
<v Speaker 1>and his family to Hawaii. So good how that the

0:40:11.120 --> 0:40:13.480
<v Speaker 1>four seasons on Maui, I'm like, I've never been there,

0:40:13.560 --> 0:40:15.160
<v Speaker 1>and I was there with Chuck and his family and

0:40:15.160 --> 0:40:18.440
<v Speaker 1>his little kids and were standing by the pool drinking

0:40:18.480 --> 0:40:20.400
<v Speaker 1>and figuring out the next season. And matter to know,

0:40:21.480 --> 0:40:24.239
<v Speaker 1>that's hilarious. That's a perfect way to figure it out.

0:40:24.280 --> 0:40:28.600
<v Speaker 1>I think, yeah, it was. It was. It's a crazy

0:40:28.640 --> 0:40:31.719
<v Speaker 1>memily that we have actually did I wanted to know

0:40:31.760 --> 0:40:34.200
<v Speaker 1>because we have memories of how it went down. The

0:40:34.239 --> 0:40:39.160
<v Speaker 1>story of the casting of Luke I don't think. I

0:40:39.160 --> 0:40:41.799
<v Speaker 1>guess I don't remember being that complicated. You know, we

0:40:42.000 --> 0:40:44.160
<v Speaker 1>felt like we didn't have this sort of bad boy

0:40:44.280 --> 0:40:47.400
<v Speaker 1>character from the was on the pilot, and so we

0:40:47.520 --> 0:40:49.960
<v Speaker 1>kind of as we got together as a writing staff,

0:40:49.960 --> 0:40:52.920
<v Speaker 1>we kind of thought, we need character. And I don't

0:40:52.920 --> 0:40:55.080
<v Speaker 1>know if it's a network idea where it came from,

0:40:55.160 --> 0:40:59.520
<v Speaker 1>or was you know, Aaron's idea, But so we developed

0:40:59.520 --> 0:41:03.840
<v Speaker 1>a character of Dylan and then we I don't remember

0:41:03.880 --> 0:41:06.439
<v Speaker 1>reading anybody except for Luke. I just remember Luke coming

0:41:06.480 --> 0:41:08.759
<v Speaker 1>in and thinking like, oh my god, he's perfect and

0:41:08.840 --> 0:41:13.400
<v Speaker 1>he was paving parking lots at the time, and and

0:41:13.440 --> 0:41:16.600
<v Speaker 1>then like the next day he was like one basically.

0:41:18.200 --> 0:41:20.680
<v Speaker 1>And in the first season we feel like he's not

0:41:20.760 --> 0:41:22.840
<v Speaker 1>in it that much. Was he only cast like seven

0:41:22.880 --> 0:41:25.440
<v Speaker 1>out of or how did that go? He probably was,

0:41:25.920 --> 0:41:28.200
<v Speaker 1>but he was in it. He had the he was

0:41:28.280 --> 0:41:31.920
<v Speaker 1>had an affair with Brenda, and in that first episode

0:41:32.320 --> 0:41:35.160
<v Speaker 1>that he was in, he and Brandon were surfing and

0:41:35.520 --> 0:41:37.239
<v Speaker 1>I don't remember. I guess I remember Luke a bunch

0:41:37.239 --> 0:41:40.479
<v Speaker 1>of the first season, but he probably was instead out

0:41:40.520 --> 0:41:43.680
<v Speaker 1>of thirteen. Basically, you know, he wasn't in He wasn't

0:41:44.200 --> 0:41:46.120
<v Speaker 1>meant to be in all of them because it was

0:41:46.160 --> 0:41:50.120
<v Speaker 1>like a new character, we're gonna shook out. But had

0:41:50.160 --> 0:42:04.799
<v Speaker 1>some good episodes that first season. Are you like me,

0:42:04.920 --> 0:42:06.600
<v Speaker 1>like you don't like to watch your work back? Do

0:42:06.600 --> 0:42:09.799
<v Speaker 1>you have you watched? Well, I have to say I have.

0:42:10.239 --> 0:42:13.239
<v Speaker 1>I haven't watched Spring Dance, but I've seen I don't.

0:42:13.320 --> 0:42:16.520
<v Speaker 1>I saw a Slumber Party recently, which I think is

0:42:16.920 --> 0:42:20.719
<v Speaker 1>so good. There's two episodes I saw in both of them,

0:42:20.920 --> 0:42:23.319
<v Speaker 1>but you're both and all you're both in both of them,

0:42:23.520 --> 0:42:26.880
<v Speaker 1>slumber Party and the Perfect Mom episode. I don't know why.

0:42:26.920 --> 0:42:29.120
<v Speaker 1>I went back to see it, and it's like, have

0:42:29.200 --> 0:42:31.440
<v Speaker 1>you seen that one lately? We did? We watched that.

0:42:32.280 --> 0:42:34.880
<v Speaker 1>It's good? Isn't it really good? I mean like I

0:42:34.920 --> 0:42:37.319
<v Speaker 1>watched and I was like, wow, it was better than

0:42:37.360 --> 0:42:40.839
<v Speaker 1>I even remembered it being it stands the test of time.

0:42:40.880 --> 0:42:42.800
<v Speaker 1>I love it. And the and you're the woman that

0:42:42.840 --> 0:42:46.520
<v Speaker 1>plays your mom is like fantastic. I know she's so great.

0:42:47.000 --> 0:42:50.240
<v Speaker 1>She lives like somewhere else now and she's a minister,

0:42:51.000 --> 0:42:53.839
<v Speaker 1>you know. I googled her and I found that out

0:42:54.000 --> 0:42:56.240
<v Speaker 1>like really, just like about a month ago. I watched

0:42:56.239 --> 0:42:58.920
<v Speaker 1>it just I think it was because it was I

0:42:59.040 --> 0:43:01.920
<v Speaker 1>just saw that nine of when it was on the

0:43:01.920 --> 0:43:04.960
<v Speaker 1>original series on Hulu. So once I saw it, and

0:43:05.000 --> 0:43:07.400
<v Speaker 1>I was like, I just randomly clicked on that episode

0:43:07.400 --> 0:43:09.319
<v Speaker 1>to watch it. I thought I thought I was gonna

0:43:09.320 --> 0:43:10.960
<v Speaker 1>watch it for five minutes. I just like watched the

0:43:10.960 --> 0:43:15.560
<v Speaker 1>whole thing. You get sucked in, right, Ye. We hadn't

0:43:15.640 --> 0:43:20.960
<v Speaker 1>rewatched since we filmed it, so rewatching it now, it's

0:43:21.000 --> 0:43:23.880
<v Speaker 1>so relevant except for like the cell phones that are

0:43:23.920 --> 0:43:26.879
<v Speaker 1>like huge bricks. Other than that, the clothings up to date,

0:43:28.360 --> 0:43:31.719
<v Speaker 1>because it's all around again. It's so fun though, to

0:43:31.760 --> 0:43:34.440
<v Speaker 1>watch it for the first time and we're kind of

0:43:34.680 --> 0:43:37.560
<v Speaker 1>fanning out, like we're watching it as fans, like somehow

0:43:37.560 --> 0:43:41.760
<v Speaker 1>removing ourselves from from it all. I mean, I'm watching

0:43:41.760 --> 0:43:44.440
<v Speaker 1>an episode like I wrote that episode and I'm watching

0:43:44.440 --> 0:43:46.799
<v Speaker 1>it and I don't even remember I don't remember me,

0:43:47.000 --> 0:43:49.160
<v Speaker 1>I don't remember the story. So I'm like kind of

0:43:49.200 --> 0:43:52.279
<v Speaker 1>like getting surprised as I'm watching it, like you know,

0:43:52.719 --> 0:43:55.640
<v Speaker 1>I don't remember. I literally could not remember the storyline.

0:43:55.960 --> 0:43:57.880
<v Speaker 1>So it's kind of all surprised. Do you find that

0:43:57.920 --> 0:44:01.400
<v Speaker 1>when you're watching them, like you don't even remember the story? Yeah, definitely,

0:44:01.880 --> 0:44:03.719
<v Speaker 1>I have a really bad memory. Tory has to fill

0:44:03.800 --> 0:44:06.719
<v Speaker 1>me in on everything. But um, it's so good to

0:44:06.719 --> 0:44:08.799
<v Speaker 1>watch it because it kind of like refreshes, it brings

0:44:08.800 --> 0:44:13.719
<v Speaker 1>it all back a little bit. Yeah, and you were there, Yeah,

0:44:13.760 --> 0:44:21.560
<v Speaker 1>you were there? Well, I mean melrose Place? Come about that?

0:44:21.600 --> 0:44:23.560
<v Speaker 1>They that box was like, we want to spin off?

0:44:23.680 --> 0:44:25.879
<v Speaker 1>Or did you guys think of it? Come to wait?

0:44:25.960 --> 0:44:29.279
<v Speaker 1>Wasn't it the construction guy in the backyard, wasn't it right?

0:44:29.400 --> 0:44:32.200
<v Speaker 1>That's how it Melrose Place. They wanted to spin off. First,

0:44:32.280 --> 0:44:35.040
<v Speaker 1>they wanted a college show, and I I said, you guys,

0:44:35.080 --> 0:44:37.920
<v Speaker 1>we can't do a college show because these characters are

0:44:37.880 --> 0:44:39.720
<v Speaker 1>gonna go to college. And they didn't really think about

0:44:39.760 --> 0:44:42.799
<v Speaker 1>that there. They didn't have this. They didn't realize that

0:44:43.400 --> 0:44:45.359
<v Speaker 1>the cast of nine or two and oh in orders

0:44:45.400 --> 0:44:47.279
<v Speaker 1>for the show too Ball was going to like leave

0:44:47.360 --> 0:44:50.840
<v Speaker 1>high school. And I think when they you know, you

0:44:50.880 --> 0:44:52.680
<v Speaker 1>know that we were in high school for two seasons

0:44:52.880 --> 0:45:00.239
<v Speaker 1>Junior year Two's basically, Um, and I had lived in

0:45:00.280 --> 0:45:02.239
<v Speaker 1>a building like that. So I had this idea for

0:45:02.280 --> 0:45:05.600
<v Speaker 1>this show, and we kind of shoehorned it in. It

0:45:05.640 --> 0:45:08.760
<v Speaker 1>wasn't you know. It was sort of like it wasn't

0:45:08.760 --> 0:45:11.320
<v Speaker 1>the most organic spin off, but we kind of found

0:45:11.320 --> 0:45:14.279
<v Speaker 1>a way to kind of incorporate. You remember Jake and

0:45:15.200 --> 0:45:17.160
<v Speaker 1>he was the handyman at your mom's wedding? Was that

0:45:17.160 --> 0:45:19.120
<v Speaker 1>what it was? And you had an affair with him?

0:45:19.600 --> 0:45:23.399
<v Speaker 1>That story would not fly today. It was basically statutory rate.

0:45:25.000 --> 0:45:28.479
<v Speaker 1>He was a little older. He was a little older. Yeah, yeah,

0:45:28.480 --> 0:45:31.440
<v Speaker 1>you were very precocious. Kelly was very precious. So many

0:45:31.520 --> 0:45:35.319
<v Speaker 1>of the stories don't wouldn't work now. I mean, but

0:45:35.440 --> 0:45:37.839
<v Speaker 1>I find on our show that there aren't a lot

0:45:37.880 --> 0:45:40.480
<v Speaker 1>of storylines where I say to myself, I don't think

0:45:40.480 --> 0:45:43.080
<v Speaker 1>that would fly today. There are a few moments we've

0:45:43.120 --> 0:45:45.799
<v Speaker 1>had so far in the first season where you know,

0:45:45.880 --> 0:45:48.880
<v Speaker 1>things are so different now, and uh, I haven't found

0:45:48.880 --> 0:45:52.960
<v Speaker 1>myself thinking that very often. Yeah, but yeah, that that

0:45:53.040 --> 0:45:54.719
<v Speaker 1>was one of them. That was one of them, for sure.

0:45:55.400 --> 0:45:57.840
<v Speaker 1>I look back, I'm like, wow, even nobody likes so

0:45:57.920 --> 0:46:01.960
<v Speaker 1>a word at that time. Nope. Yeah, And and Brenda

0:46:02.120 --> 0:46:05.600
<v Speaker 1>was notoriously always going for older men in the first episode.

0:46:05.640 --> 0:46:08.239
<v Speaker 1>We feel like every episode in the pilot you had

0:46:08.280 --> 0:46:11.080
<v Speaker 1>affair with our college kid or something like that. Yeah,

0:46:11.120 --> 0:46:18.279
<v Speaker 1>the creepy college by Yeah, he's so creepy. Yeah yeah,

0:46:18.520 --> 0:46:24.560
<v Speaker 1>and I'm crying. You have always your shows are always,

0:46:24.600 --> 0:46:28.200
<v Speaker 1>like I said before, very um beautiful to the eye.

0:46:28.200 --> 0:46:30.719
<v Speaker 1>And a big part of that's fashion, right, Like I

0:46:30.760 --> 0:46:32.960
<v Speaker 1>know that you said that that wasn't something that you

0:46:33.040 --> 0:46:36.320
<v Speaker 1>were really concerned about in the beginning, but then you realize,

0:46:37.280 --> 0:46:40.520
<v Speaker 1>I you know, Aaron was always very concerned about fashion.

0:46:40.520 --> 0:46:42.680
<v Speaker 1>Your dad was always very in wardrobe and everything like

0:46:42.719 --> 0:46:45.960
<v Speaker 1>that always, And I never thought of nine o two

0:46:46.000 --> 0:46:48.040
<v Speaker 1>and I was like, I mean, you think about Dynasty,

0:46:48.080 --> 0:46:51.040
<v Speaker 1>that's such a fashion show. But to me, I just thought, like,

0:46:51.320 --> 0:46:54.640
<v Speaker 1>who cares what everybody's wearing? But um, you know, and

0:46:54.800 --> 0:46:57.880
<v Speaker 1>that's place. But he would always have Aaron would always

0:46:57.920 --> 0:47:00.719
<v Speaker 1>have like, um, wardrobe coming to office and you look

0:47:00.760 --> 0:47:02.520
<v Speaker 1>at everything, and first I thought, well, how does he

0:47:02.560 --> 0:47:05.080
<v Speaker 1>even know? But he had an eye, he knew. He

0:47:05.200 --> 0:47:07.759
<v Speaker 1>had a real sense of like what people wearing, with

0:47:07.840 --> 0:47:11.840
<v Speaker 1>characters wearing, and also how important wardrobe would be. Um,

0:47:12.000 --> 0:47:13.879
<v Speaker 1>wardrope and hair and makeup was something I really didn't

0:47:13.920 --> 0:47:16.319
<v Speaker 1>think about so I definitely learned a lot about that

0:47:16.400 --> 0:47:20.000
<v Speaker 1>from Aaron and even on that episode Perfect Mom. I

0:47:20.000 --> 0:47:22.719
<v Speaker 1>remember showing friends and episode when it aired, and they

0:47:22.760 --> 0:47:25.279
<v Speaker 1>were just like looking at the clothes because it was

0:47:25.320 --> 0:47:28.560
<v Speaker 1>a fashion it really the clothes, And I thought, but like,

0:47:28.680 --> 0:47:31.520
<v Speaker 1>aren't you like paying attention to the story of the characters,

0:47:32.000 --> 0:47:36.120
<v Speaker 1>But my beautiful writing, people do I mean people watch

0:47:36.200 --> 0:47:38.880
<v Speaker 1>TV for the clothes, and they watch it for the interior,

0:47:38.960 --> 0:47:40.759
<v Speaker 1>and they watch it for the set. I really feel

0:47:40.800 --> 0:47:44.360
<v Speaker 1>like they do. She used to come home with polaroids.

0:47:44.440 --> 0:47:47.680
<v Speaker 1>My dad always had polaroids in his briefcase. Yeah, and

0:47:47.880 --> 0:47:50.319
<v Speaker 1>from his office, and he'd be like, what do you

0:47:50.320 --> 0:47:53.200
<v Speaker 1>think the skirt? And it was always in the hair.

0:47:53.320 --> 0:47:55.799
<v Speaker 1>Do I think I want to change it? He would

0:47:55.840 --> 0:47:58.200
<v Speaker 1>ask my opinion, but he had the opinions as well,

0:47:58.239 --> 0:48:00.480
<v Speaker 1>and it was I used my friends and I would laugh.

0:48:00.520 --> 0:48:02.719
<v Speaker 1>They'd be like, your dad's into that. I'm like, yeah,

0:48:02.760 --> 0:48:07.040
<v Speaker 1>who knew? Well he knew? No, well he knew was

0:48:07.080 --> 0:48:09.759
<v Speaker 1>all part of Like look, that's part of in a

0:48:09.800 --> 0:48:13.040
<v Speaker 1>real old school way, like that's part of making movies,

0:48:13.080 --> 0:48:15.200
<v Speaker 1>you know, old Hollywood, Like you look at all the

0:48:15.760 --> 0:48:17.960
<v Speaker 1>hair and makeup and wardrobe tests and everything like that,

0:48:18.080 --> 0:48:21.600
<v Speaker 1>though they always would do those. Um, so yeah, I

0:48:22.840 --> 0:48:27.200
<v Speaker 1>saw how important it became, especially on our shows, you know. Yeah,

0:48:27.280 --> 0:48:29.719
<v Speaker 1>it became a huge part of your shows. I mean

0:48:29.800 --> 0:48:33.040
<v Speaker 1>Sex in the City was just like that was the

0:48:33.080 --> 0:48:35.480
<v Speaker 1>show for fashion to watch, and now Emilia in Paris

0:48:35.640 --> 0:48:38.799
<v Speaker 1>just the same. Well you're still working with Pat right, Yeah,

0:48:38.840 --> 0:48:41.520
<v Speaker 1>I work at Field, so that's yeah, that's a big

0:48:41.520 --> 0:48:43.879
<v Speaker 1>part of why that happens because of her. She's just

0:48:43.960 --> 0:48:46.640
<v Speaker 1>a genius and she just goes you know, and she

0:48:46.680 --> 0:48:48.759
<v Speaker 1>goes out there and I feel like she entered like

0:48:49.000 --> 0:48:53.279
<v Speaker 1>the clothes become entertaining and people watch for them. And

0:48:53.640 --> 0:48:55.120
<v Speaker 1>you know, when I was doing Sex and the City

0:48:55.120 --> 0:48:56.839
<v Speaker 1>with her at the beginning, I would I would sort

0:48:56.880 --> 0:49:00.120
<v Speaker 1>of get annoyed, like, you know, we can't hear the

0:49:00.160 --> 0:49:05.399
<v Speaker 1>dialogue because the closures speak are so loud. Yeah, it's

0:49:05.440 --> 0:49:07.560
<v Speaker 1>like you can't, like, who's gonna like listen to what

0:49:07.560 --> 0:49:10.600
<v Speaker 1>they're saying. They're just staring like kind of basically in

0:49:10.680 --> 0:49:13.120
<v Speaker 1>shock at what some of these characters are wearing. And

0:49:13.480 --> 0:49:16.320
<v Speaker 1>um but I know that the audience loves and I

0:49:16.560 --> 0:49:18.320
<v Speaker 1>you know, I gave her a lot of rope, and

0:49:18.360 --> 0:49:20.080
<v Speaker 1>I trust her and some I realized I look at

0:49:20.120 --> 0:49:23.319
<v Speaker 1>stuff and I'm like, it's crazy, but it's fun, you know,

0:49:23.400 --> 0:49:25.480
<v Speaker 1>and it's like, you know, we're not doing a documentary.

0:49:25.560 --> 0:49:30.480
<v Speaker 1>Not doing a documentary, right? Yeah? Have you? I was curious,

0:49:30.640 --> 0:49:35.000
<v Speaker 1>you know, have you ever gone to the darker side?

0:49:35.000 --> 0:49:37.960
<v Speaker 1>Have you ever wanted to explore like creating something not

0:49:38.080 --> 0:49:43.560
<v Speaker 1>quite so colorful? And I don't know, I I like

0:49:43.640 --> 0:49:46.240
<v Speaker 1>a Gritt've done very glasses show. I've always done pretty

0:49:46.239 --> 0:49:51.759
<v Speaker 1>glasses shows. I mean, I actually like, um, I don't know.

0:49:51.800 --> 0:49:53.440
<v Speaker 1>I would. I think if the material is right and

0:49:53.440 --> 0:49:55.960
<v Speaker 1>if I could really connect to it. You know, I

0:49:56.120 --> 0:49:58.600
<v Speaker 1>actually love science fiction. I love watching science fiction. But

0:49:58.680 --> 0:50:00.799
<v Speaker 1>you know, I think they but I think they could

0:50:00.800 --> 0:50:03.960
<v Speaker 1>have fashion in the future also or on the board

0:50:04.239 --> 0:50:09.720
<v Speaker 1>like space. I don't like horror, no do you loves

0:50:10.440 --> 0:50:14.080
<v Speaker 1>I can't watch it. I just can't. It disturbed me

0:50:14.160 --> 0:50:18.719
<v Speaker 1>too much. Yeah you know nightmares. Yeah, well, because you know,

0:50:18.800 --> 0:50:21.400
<v Speaker 1>like as actors, like you get tired of just doing

0:50:21.680 --> 0:50:24.600
<v Speaker 1>a drama and you want to go try comedy and

0:50:24.600 --> 0:50:26.239
<v Speaker 1>then you want to go to a western like you

0:50:26.640 --> 0:50:29.600
<v Speaker 1>want to try to I would like to. I would,

0:50:29.760 --> 0:50:32.840
<v Speaker 1>I mean, I I you know, side over yet so

0:50:32.880 --> 0:50:35.360
<v Speaker 1>it would be fun to try to do different things

0:50:35.920 --> 0:50:37.960
<v Speaker 1>for sure. You know, it's really just for me. It's

0:50:37.960 --> 0:50:40.279
<v Speaker 1>about what I can write and really connect to as

0:50:40.280 --> 0:50:44.000
<v Speaker 1>a writer that I can that I can do it justice.

0:50:44.120 --> 0:50:46.560
<v Speaker 1>But yeah, I would. I think it'd be cool to

0:50:46.560 --> 0:50:48.759
<v Speaker 1>do with I love thrillers. I don't love horror, but

0:50:48.760 --> 0:50:52.480
<v Speaker 1>I love thrillers, you know, mysteries that sort of stuff. Right.

0:50:52.600 --> 0:50:56.399
<v Speaker 1>Can we go back to Sex Mas City? For sure? Fan?

0:50:57.800 --> 0:51:00.239
<v Speaker 1>So I have to ask you, the character is on

0:51:00.280 --> 0:51:02.400
<v Speaker 1>Sex of the City, who would you like in Kelly

0:51:02.480 --> 0:51:08.600
<v Speaker 1>and Donna to the characters? Okay, I have to say,

0:51:08.640 --> 0:51:11.200
<v Speaker 1>And I know this is like not you know, maybe

0:51:11.200 --> 0:51:17.120
<v Speaker 1>that's like a the answer you want, But I just

0:51:17.160 --> 0:51:19.560
<v Speaker 1>think there's so I think Kelly and Donna are so different.

0:51:19.800 --> 0:51:21.880
<v Speaker 1>I think there there are some the own people. I

0:51:21.920 --> 0:51:25.440
<v Speaker 1>don't think of them in comparison to other characters, you

0:51:25.440 --> 0:51:28.120
<v Speaker 1>know what I mean, Like, I can't. I just think

0:51:28.120 --> 0:51:32.160
<v Speaker 1>they're they're Kelly and Donna. I don't I think that,

0:51:32.320 --> 0:51:36.520
<v Speaker 1>like you know, I think I would. I think you're

0:51:36.520 --> 0:51:40.920
<v Speaker 1>just both Samantha House that do you want to be Samantha? No,

0:51:41.120 --> 0:51:45.239
<v Speaker 1>that's you, I know. And I'm not like pro I'm

0:51:45.280 --> 0:51:48.840
<v Speaker 1>not like, you're not no in real life wherein Kelly

0:51:48.920 --> 0:51:52.759
<v Speaker 1>was I feel like the great the great thing is

0:51:52.880 --> 0:51:55.920
<v Speaker 1>I feel like every woman and man has a side

0:51:56.000 --> 0:51:58.239
<v Speaker 1>of every character on Sex. Yes, exactly, we all have

0:51:58.280 --> 0:52:01.080
<v Speaker 1>a little bit of that totally. There's always a little Miranda,

0:52:01.080 --> 0:52:05.160
<v Speaker 1>a little Charlotte, little carry exactly, you're not. No One's

0:52:05.640 --> 0:52:10.000
<v Speaker 1>everything exactly exactly one of those Yes, no one's exactly

0:52:10.000 --> 0:52:13.640
<v Speaker 1>one of these people, totally totally. Who would you be though,

0:52:13.640 --> 0:52:17.480
<v Speaker 1>from Sex in the City. You know, I'd probably be

0:52:18.280 --> 0:52:22.799
<v Speaker 1>to carry Mr Big, No, I would I don't know.

0:52:22.920 --> 0:52:25.000
<v Speaker 1>Mr Big was a little like, I'm not like that

0:52:25.080 --> 0:52:28.759
<v Speaker 1>emotionally distant. He's pretty emotionally, you know, emostly cut off.

0:52:28.760 --> 0:52:32.200
<v Speaker 1>I'd probably be carry. I mean, she's a writer, she's

0:52:32.239 --> 0:52:34.200
<v Speaker 1>writing about stuff. I think she had a great sense

0:52:34.239 --> 0:52:37.919
<v Speaker 1>of humor. I mean, you know, I think I would

0:52:37.960 --> 0:52:40.000
<v Speaker 1>just most identify with her only because she's like the

0:52:40.000 --> 0:52:44.840
<v Speaker 1>writer character of the group. You um, you film Emily

0:52:44.920 --> 0:52:51.200
<v Speaker 1>in Paris in Paris, Yeah, and we start filming. It

0:52:51.320 --> 0:52:53.320
<v Speaker 1>was great. I mean, we start we go back in

0:52:53.360 --> 0:52:55.440
<v Speaker 1>the third we start filming the second season. Are you

0:52:55.480 --> 0:52:58.280
<v Speaker 1>going back to Paris? We started the south of France

0:52:59.000 --> 0:53:01.279
<v Speaker 1>and then I know, you know, we gotta do it

0:53:01.920 --> 0:53:05.640
<v Speaker 1>still if you ever need some cameos were available. All right,

0:53:05.719 --> 0:53:09.400
<v Speaker 1>we can hold your script if you'd like, I mean,

0:53:09.480 --> 0:53:12.040
<v Speaker 1>would really just get your glasses. You can see the sides.

0:53:13.000 --> 0:53:16.440
<v Speaker 1>Just come on over and visit anytime. We can do that.

0:53:16.480 --> 0:53:19.560
<v Speaker 1>We can do our podcasts from there. There you go, BTS.

0:53:19.640 --> 0:53:21.799
<v Speaker 1>We could do behind the scenes for you. That's right.

0:53:22.160 --> 0:53:25.120
<v Speaker 1>I love I love that. Oh my god. Lily Collins

0:53:25.200 --> 0:53:27.239
<v Speaker 1>was on the reboot of nine or two and that

0:53:27.320 --> 0:53:30.840
<v Speaker 1>was her first job. What, Oh my god, I didn't

0:53:30.840 --> 0:53:33.920
<v Speaker 1>remember that. Oh my god. Wait, so the woman with

0:53:34.000 --> 0:53:40.040
<v Speaker 1>the young people, the new young people, Yes, the one

0:53:40.080 --> 0:53:43.080
<v Speaker 1>with the young people. What were you you young when?

0:53:44.360 --> 0:53:46.759
<v Speaker 1>But when they rebooted it, I wasn't young anymore. They

0:53:46.800 --> 0:53:51.080
<v Speaker 1>got young again. Yeah, oh I didn't know that. I

0:53:51.120 --> 0:53:54.400
<v Speaker 1>didn't know that Lily. She'd be a good guest for

0:53:54.400 --> 0:53:57.600
<v Speaker 1>you guys. Talk about that. When they did the reboot

0:53:57.719 --> 0:54:01.319
<v Speaker 1>of nine, did they come to you. No, No, not

0:54:01.360 --> 0:54:03.920
<v Speaker 1>at all, not at all, because you know, it was

0:54:04.000 --> 0:54:06.440
<v Speaker 1>just owned by them, and I think they didn't want

0:54:06.440 --> 0:54:12.799
<v Speaker 1>after hey meum, but they just went off and did it. Yeah,

0:54:12.880 --> 0:54:15.799
<v Speaker 1>we have issues with that one, even though Jen's started it.

0:54:16.200 --> 0:54:19.520
<v Speaker 1>I kind of read about in Variety like all of

0:54:19.560 --> 0:54:23.000
<v Speaker 1>oh my gosh, they killed your mother off, Like that's

0:54:23.080 --> 0:54:25.399
<v Speaker 1>the thing I didn't like because I was like, that's

0:54:25.400 --> 0:54:31.359
<v Speaker 1>an original nine character. They shouldn't mess with that, right. Yeah, yes,

0:54:31.440 --> 0:54:33.399
<v Speaker 1>I read about Variety while I was doing a show

0:54:33.440 --> 0:54:36.560
<v Speaker 1>for the c W. Oh my god, were you like

0:54:36.640 --> 0:54:44.320
<v Speaker 1>what we Yeah? Um, yeah, I think we all were.

0:54:44.400 --> 0:54:47.520
<v Speaker 1>I think we all were. Y Yeah, definitely. And then

0:54:47.520 --> 0:54:49.879
<v Speaker 1>the crazy movies they did on the c W. No, no,

0:54:50.000 --> 0:54:56.399
<v Speaker 1>on Lifetime, Lifetime, but the real life of the did

0:54:56.440 --> 0:54:59.080
<v Speaker 1>you did you like the person that played you? I thought,

0:54:59.080 --> 0:55:00.920
<v Speaker 1>you know what I looked at At first I was appalled,

0:55:00.960 --> 0:55:03.000
<v Speaker 1>and then I just laughed. I mean you have to laugh, right,

0:55:03.239 --> 0:55:05.759
<v Speaker 1>you had to laugh at that? Yeah, you just have

0:55:05.840 --> 0:55:08.600
<v Speaker 1>to laugh. The only one that looked the girl that

0:55:08.680 --> 0:55:11.000
<v Speaker 1>played me looked just like me, Like I feel like

0:55:11.040 --> 0:55:13.880
<v Speaker 1>I could hire her as my double for something. She was.

0:55:13.960 --> 0:55:18.880
<v Speaker 1>She was good. Yea. It captured a little bit of

0:55:19.040 --> 0:55:22.640
<v Speaker 1>the beginning, it did, I have to say, yeah, it did.

0:55:22.760 --> 0:55:24.239
<v Speaker 1>It captured a little bit at the beginning. I don't

0:55:24.239 --> 0:55:25.680
<v Speaker 1>know where they got it all from, but it did

0:55:25.719 --> 0:55:29.360
<v Speaker 1>sort of like, yeah, I heard that they just compiled

0:55:29.400 --> 0:55:33.040
<v Speaker 1>that from um all of our interviews or books that

0:55:33.120 --> 0:55:35.200
<v Speaker 1>we had written, Like Jason wrote a book, I wrote

0:55:35.200 --> 0:55:37.600
<v Speaker 1>a book. You've written books. So they took a lot

0:55:37.640 --> 0:55:40.719
<v Speaker 1>of that material and pasted it all together. And I

0:55:40.760 --> 0:55:43.000
<v Speaker 1>just don't how do you come to us and asking

0:55:44.400 --> 0:55:47.160
<v Speaker 1>because they went a little bit differently fact checked a

0:55:47.200 --> 0:55:52.840
<v Speaker 1>little bit right, that would have been nice. And you

0:55:52.880 --> 0:55:59.160
<v Speaker 1>know what, I'm curious because your shows are so stylized.

0:55:59.280 --> 0:56:00.680
<v Speaker 1>I'm going to keep the in that upset it like

0:56:00.719 --> 0:56:06.239
<v Speaker 1>eight times. But is that like when you're writing, when

0:56:06.239 --> 0:56:09.040
<v Speaker 1>you're Darren sitting down to write something, is that how

0:56:09.080 --> 0:56:13.680
<v Speaker 1>you see the world like sort of through those beautiful lenses?

0:56:13.920 --> 0:56:16.200
<v Speaker 1>You know? I keep thinking I'm writing something realistic and

0:56:16.200 --> 0:56:18.719
<v Speaker 1>then people come and tell me it's stylized, So it

0:56:18.880 --> 0:56:22.520
<v Speaker 1>is that's how you see the world sort of sort of,

0:56:23.080 --> 0:56:26.319
<v Speaker 1>I guess so to a degree, Yeah, that's such a

0:56:26.480 --> 0:56:29.319
<v Speaker 1>fun way to see the world. Though, Yeah, I mean

0:56:29.360 --> 0:56:32.320
<v Speaker 1>I feel like emotionally, I think the characters have a

0:56:32.360 --> 0:56:36.080
<v Speaker 1>lot of emotional truth to them. That's important. That's the

0:56:36.080 --> 0:56:39.600
<v Speaker 1>important thing. And I think people, yeah, but do you

0:56:39.600 --> 0:56:41.880
<v Speaker 1>have a lot of characters are just basically all these

0:56:41.920 --> 0:56:44.640
<v Speaker 1>shows are in a way characters in a room talking

0:56:44.680 --> 0:56:48.720
<v Speaker 1>to each other. So it's basically like the settings become

0:56:49.800 --> 0:56:53.600
<v Speaker 1>visually have to say pull you in, because ultimately the

0:56:53.600 --> 0:56:56.640
<v Speaker 1>shows are just about people talking, all of them and

0:56:56.719 --> 0:57:00.840
<v Speaker 1>personal drama. So yeah, I mean that's the thing people

0:57:00.840 --> 0:57:03.839
<v Speaker 1>always say. What that's the number one question that I've

0:57:03.880 --> 0:57:06.440
<v Speaker 1>always been asked on interviews and I'm sure you tutor

0:57:07.200 --> 0:57:10.239
<v Speaker 1>is um, why do you think it struck such a

0:57:10.360 --> 0:57:13.000
<v Speaker 1>chord with people? Why do you think people loved Beverly

0:57:13.040 --> 0:57:14.879
<v Speaker 1>Hills nine o two one oh so much? And why

0:57:14.920 --> 0:57:17.960
<v Speaker 1>is it standing the test of time? And that's the answer.

0:57:18.040 --> 0:57:21.400
<v Speaker 1>Like it was this fantastic, amazing world that no one

0:57:21.440 --> 0:57:25.040
<v Speaker 1>had ever seen before Beverly Hills and that lifestyle, but

0:57:25.160 --> 0:57:28.440
<v Speaker 1>it was just it's so much more about the characters

0:57:28.440 --> 0:57:32.560
<v Speaker 1>and the integration of the characters and like the relatability. Yeah,

0:57:32.640 --> 0:57:35.320
<v Speaker 1>I mean, it wasn't. It was all about the characters.

0:57:35.400 --> 0:57:38.600
<v Speaker 1>It wasn't as people can say, oh, it's superficial and shallow,

0:57:38.640 --> 0:57:41.000
<v Speaker 1>but it really wasn't, because the characters had depth to

0:57:41.080 --> 0:57:44.480
<v Speaker 1>them and they were relatable. I mean, it's all and

0:57:44.560 --> 0:57:46.840
<v Speaker 1>it was like the window dress is great, but that's

0:57:46.880 --> 0:57:50.080
<v Speaker 1>not when the show was utual takes you so far. Yeah,

0:57:50.080 --> 0:57:53.000
<v Speaker 1>it only takes so far exactly because that anybody can

0:57:53.040 --> 0:57:56.160
<v Speaker 1>do that show. Anybody can shoot a show that looks great.

0:57:56.280 --> 0:58:02.200
<v Speaker 1>But it's really all about the cast, the characters, the um,

0:58:02.320 --> 0:58:05.960
<v Speaker 1>the emotion, and it all has to click, you know,

0:58:06.200 --> 0:58:09.720
<v Speaker 1>the writing and the cast. You gotta get so lucky

0:58:09.840 --> 0:58:11.760
<v Speaker 1>for all to come together. It's kind of amazing when

0:58:11.760 --> 0:58:14.000
<v Speaker 1>it does. Like on our show, it's like you think

0:58:14.360 --> 0:58:17.320
<v Speaker 1>all the little things that might not have happened if

0:58:17.360 --> 0:58:20.360
<v Speaker 1>you didn't have exactly the cast that we had, you know,

0:58:20.440 --> 0:58:23.280
<v Speaker 1>like it might not have worked. You know, it all

0:58:23.280 --> 0:58:26.240
<v Speaker 1>has to come together. You know. It's cant of making

0:58:26.280 --> 0:58:30.840
<v Speaker 1>me get a little misty eyed because I thought that

0:58:30.880 --> 0:58:34.000
<v Speaker 1>because you directed this episode Spring Dance, and at the

0:58:34.120 --> 0:58:37.920
<v Speaker 1>very end, when the whole gang starts dancing on the

0:58:38.000 --> 0:58:43.360
<v Speaker 1>dance floor, it stirred something in me that I couldn't deny.

0:58:43.560 --> 0:58:47.160
<v Speaker 1>You know. It was like, oh, those people in that

0:58:47.200 --> 0:58:50.000
<v Speaker 1>moment and just yeah, and you guys you had that

0:58:50.120 --> 0:58:53.080
<v Speaker 1>you did sort of have that like real camaraderie with

0:58:53.120 --> 0:58:55.600
<v Speaker 1>each other and that real, that real connection, and it

0:58:55.640 --> 0:58:58.360
<v Speaker 1>came through you know, it was like you were able

0:58:58.360 --> 0:59:01.080
<v Speaker 1>to you really were able to kind of like get

0:59:01.120 --> 0:59:03.520
<v Speaker 1>it on the screen, that feeling of what it's like

0:59:03.560 --> 0:59:05.280
<v Speaker 1>to sort of like have these best friends in high

0:59:05.280 --> 0:59:07.800
<v Speaker 1>school together because you sort of also felt that way

0:59:07.800 --> 0:59:12.480
<v Speaker 1>about each other. Yeah at the time, you know, they

0:59:12.520 --> 0:59:16.959
<v Speaker 1>call it lightning in a bottle, right, yeah, I know. Yeah,

0:59:17.240 --> 0:59:19.320
<v Speaker 1>it's just you gotta get you do have to get lucky.

0:59:19.360 --> 0:59:22.160
<v Speaker 1>You can work so hard, but you gotta get lucky.

0:59:22.440 --> 0:59:24.840
<v Speaker 1>I remember, I really remember that. I remember that shot.

0:59:26.600 --> 0:59:31.120
<v Speaker 1>It was like for me, it was so exciting, you know,

0:59:31.160 --> 0:59:33.480
<v Speaker 1>it was like I was working with a crane that

0:59:33.600 --> 0:59:38.959
<v Speaker 1>was like, you know, exciting. The big guns came out. Yeah, right, yeah,

0:59:39.040 --> 0:59:46.920
<v Speaker 1>the toys Darren, Do you have a favorite episode of Original? Yeah?

0:59:46.920 --> 0:59:51.200
<v Speaker 1>Oh god, that's a hard question. Do I love Donna Graduates,

0:59:51.400 --> 0:59:58.320
<v Speaker 1>Donna Martin graduates who knew? Oh my gosh. Um, you know,

0:59:58.320 --> 1:00:00.479
<v Speaker 1>because I was there so much in the first few years,

1:00:00.480 --> 1:00:02.000
<v Speaker 1>I was a by the ones that are most top

1:00:02.000 --> 1:00:03.720
<v Speaker 1>of my mind. That's when I was there ad the time.

1:00:05.480 --> 1:00:07.560
<v Speaker 1>I love Swint Dance, I really do. Maybe because I

1:00:07.600 --> 1:00:09.240
<v Speaker 1>directed it was the first had directive, But I just

1:00:09.440 --> 1:00:11.600
<v Speaker 1>I just like I love the episode. I love all

1:00:11.640 --> 1:00:15.640
<v Speaker 1>the emotion that I love. Like just um, I love

1:00:15.680 --> 1:00:18.760
<v Speaker 1>the comedy. I remember you Tory, like wearing that crazy

1:00:18.840 --> 1:00:21.720
<v Speaker 1>hoop skirts and coming out of a limo. How funny

1:00:21.760 --> 1:00:23.440
<v Speaker 1>you were and trying to sit down. I don't know,

1:00:23.760 --> 1:00:26.200
<v Speaker 1>just all these things that were there, just like we're

1:00:26.280 --> 1:00:28.880
<v Speaker 1>just so excited to have that fun for me. Yeah,

1:00:29.000 --> 1:00:32.920
<v Speaker 1>that was funny and just had had emotion and it

1:00:33.040 --> 1:00:35.640
<v Speaker 1>was I think great. I was like a little John

1:00:35.720 --> 1:00:41.840
<v Speaker 1>Hughes movie and it kind of captured the ensemble so well.

1:00:42.600 --> 1:00:45.480
<v Speaker 1>I thought Iron was so good in this episode. He

1:00:45.600 --> 1:00:49.120
<v Speaker 1>was so good. Yes, I remember Brandon in the little

1:00:49.280 --> 1:00:53.040
<v Speaker 1>kitchen hallway and lighting on them. Oh my god, was gorgeous.

1:00:53.600 --> 1:00:56.880
<v Speaker 1>But his emotions were so great. You directed him so beautifully,

1:00:56.920 --> 1:01:00.640
<v Speaker 1>like thank you, thank you, piece for me him. I

1:01:00.680 --> 1:01:03.360
<v Speaker 1>thought Iron was great in the reboots. He was so

1:01:03.480 --> 1:01:09.040
<v Speaker 1>he looks he looks amazing, he looks fantastic, he's so built.

1:01:11.640 --> 1:01:17.600
<v Speaker 1>He's a handsome, handsome devil. Yeah. Yeah, everyone, I mean

1:01:17.680 --> 1:01:23.960
<v Speaker 1>everyone's everyone's held together pretty good. Yeah, Brian looked amazing. Yeah,

1:01:24.000 --> 1:01:26.680
<v Speaker 1>it's really true. Everybody looks so. Everybody looks so good.

1:01:26.720 --> 1:01:28.560
<v Speaker 1>We're doing our best to make you proud of you.

1:01:29.680 --> 1:01:33.240
<v Speaker 1>You have to keep it up for you do well.

1:01:33.280 --> 1:01:35.440
<v Speaker 1>All the fans out there that you that still watch

1:01:35.480 --> 1:01:37.760
<v Speaker 1>the show and see you and they're like, wow, it

1:01:37.800 --> 1:01:41.280
<v Speaker 1>still looks like you in my school. You know, we've

1:01:41.280 --> 1:01:44.120
<v Speaker 1>got a few more years in us. Yeah, a lot

1:01:44.160 --> 1:01:47.200
<v Speaker 1>more than a lot, more than a few. I don't know.

1:01:48.920 --> 1:01:52.720
<v Speaker 1>We boasted further back right right. You are so fun

1:01:52.800 --> 1:01:56.360
<v Speaker 1>to talk to. I feel like, oh my God, should

1:01:56.400 --> 1:01:58.480
<v Speaker 1>be great to see you in personally. Do it. We'll

1:01:58.520 --> 1:02:00.200
<v Speaker 1>do it. Let's do it in l A. Let's find

1:02:00.200 --> 1:02:02.520
<v Speaker 1>each other. I'm here. I go back to France and

1:02:02.600 --> 1:02:05.320
<v Speaker 1>like to like a week and a half to do

1:02:05.360 --> 1:02:08.280
<v Speaker 1>this next season in Paris, son, are you there for

1:02:08.360 --> 1:02:10.040
<v Speaker 1>how long? Till till the end of till the end

1:02:10.040 --> 1:02:12.280
<v Speaker 1>of July? And right now they have a lock they

1:02:12.280 --> 1:02:16.080
<v Speaker 1>have a lockdown, which is a little weird. Um, they're

1:02:16.080 --> 1:02:18.920
<v Speaker 1>not doing so well, but you do the quarantine two weeks.

1:02:18.960 --> 1:02:23.080
<v Speaker 1>Then when you get there one week, one week, one week,

1:02:23.160 --> 1:02:26.160
<v Speaker 1>and then it doesn't have start filming. Yeah we're able

1:02:26.160 --> 1:02:28.320
<v Speaker 1>to film. But you know, we filmed Younger, the series

1:02:28.320 --> 1:02:30.680
<v Speaker 1>I've doing in New York. The last season just finished

1:02:30.800 --> 1:02:35.360
<v Speaker 1>and we thank you. We filmed um in during the

1:02:35.400 --> 1:02:37.600
<v Speaker 1>pandemic and you know we have to amass on set

1:02:37.840 --> 1:02:39.120
<v Speaker 1>the whole time. I don't know if you guys have

1:02:39.200 --> 1:02:41.000
<v Speaker 1>worked at all during this period, but it's like you

1:02:41.080 --> 1:02:43.600
<v Speaker 1>have to wear masks on the set and it's just,

1:02:43.720 --> 1:02:46.440
<v Speaker 1>you know, it's not fun, but at least it's worth doing.

1:02:46.480 --> 1:02:52.480
<v Speaker 1>It's worth doing. It's not fun, yeah, of course. Yeah. Yeah. Um,

1:02:52.520 --> 1:02:54.480
<v Speaker 1>So which eisode? How many episodes have you done on

1:02:54.520 --> 1:02:57.880
<v Speaker 1>the podcast? Now? This is our spring dance, so it's

1:02:57.920 --> 1:03:02.640
<v Speaker 1>twenty one. You really have one more. Every episode we've

1:03:02.640 --> 1:03:06.000
<v Speaker 1>done since the beginning of the show. It's fun for us.

1:03:06.080 --> 1:03:09.080
<v Speaker 1>We're just reliving it. It's like it's such a gift

1:03:09.160 --> 1:03:11.560
<v Speaker 1>to be able to go back and watch all of

1:03:11.600 --> 1:03:15.320
<v Speaker 1>this from one. So what's your favorite show between one

1:03:15.320 --> 1:03:16.800
<v Speaker 1>and now that you've seen the first season? Do you

1:03:16.880 --> 1:03:20.320
<v Speaker 1>have favorites? Were ones that are surprising that you're like,

1:03:20.360 --> 1:03:21.800
<v Speaker 1>I didn't realize that was so good, Or I don't

1:03:21.800 --> 1:03:26.440
<v Speaker 1>realize that was so bad that happened that happened that

1:03:26.560 --> 1:03:30.440
<v Speaker 1>was Yes, there was an episode that we found out

1:03:30.480 --> 1:03:34.200
<v Speaker 1>that the network throughout like the weekend before everything started

1:03:34.240 --> 1:03:39.600
<v Speaker 1>the Baseball one training I was training. We heard that. Yeah,

1:03:39.680 --> 1:03:45.920
<v Speaker 1>it was like one or two episodes ago. Yeah, and

1:03:45.920 --> 1:03:48.920
<v Speaker 1>they told us that it was We don't know if

1:03:48.920 --> 1:03:50.600
<v Speaker 1>this is true, but we heard that this was an

1:03:50.600 --> 1:03:53.120
<v Speaker 1>episode that they threw out the script about Brandon meeting

1:03:53.160 --> 1:03:57.560
<v Speaker 1>a veteran and having like a whole thing with a vet. Uh,

1:03:57.600 --> 1:03:59.200
<v Speaker 1>and then they had to come up with something over

1:03:59.200 --> 1:04:00.760
<v Speaker 1>the weekend, and this is what they came up with,

1:04:00.800 --> 1:04:04.920
<v Speaker 1>the baseball one. Yeah, it was a fun episode. It

1:04:05.000 --> 1:04:09.480
<v Speaker 1>wasn't our favorite, but it felt difference a little bit.

1:04:09.680 --> 1:04:11.360
<v Speaker 1>Did it feel like it was written over the weekend?

1:04:11.480 --> 1:04:14.240
<v Speaker 1>Basically a little bit? A little bit. It was a

1:04:14.280 --> 1:04:18.800
<v Speaker 1>little bad news bears. It didn't feel like right as much. So.

1:04:18.880 --> 1:04:21.440
<v Speaker 1>Which one from the first season so far towards your favorite?

1:04:22.520 --> 1:04:27.680
<v Speaker 1>Oh my gosh, I still it's the iconic ones. It's Sleepover,

1:04:28.560 --> 1:04:33.840
<v Speaker 1>superber Parties, was slumber Party sorry, and and Spring Dance

1:04:34.160 --> 1:04:37.560
<v Speaker 1>for sure. I always say my favorite was the Pilot

1:04:37.640 --> 1:04:42.160
<v Speaker 1>because you do that. Oh my god. I loved everything

1:04:42.160 --> 1:04:44.600
<v Speaker 1>about the Pilot, the way it looked and the way

1:04:44.600 --> 1:04:47.520
<v Speaker 1>it was shot, and just it blew my mind. That

1:04:48.360 --> 1:04:50.600
<v Speaker 1>I also said, look like a John Hughes movie, Like

1:04:50.640 --> 1:04:57.360
<v Speaker 1>it was just perfect. Hunter director at the time directed that,

1:04:57.560 --> 1:05:00.040
<v Speaker 1>And No, I thought the Pilot when I saw it

1:04:59.880 --> 1:05:01.800
<v Speaker 1>was was like, this is amazing. This is so good,

1:05:01.840 --> 1:05:04.520
<v Speaker 1>and I and the network was like, yeah, we'll see

1:05:04.520 --> 1:05:06.560
<v Speaker 1>and I'm like, don't you guys get it? But they

1:05:06.560 --> 1:05:09.080
<v Speaker 1>did eventually because I thought the pilot was like you

1:05:09.120 --> 1:05:14.400
<v Speaker 1>did that was like really strong. Yeah, we hadn't seen

1:05:14.440 --> 1:05:18.360
<v Speaker 1>it before, not on TV now and then, but now

1:05:18.480 --> 1:05:20.800
<v Speaker 1>I like the pilot and I think this one is

1:05:20.800 --> 1:05:25.919
<v Speaker 1>a close second. All right, thank you, thank you, good job,

1:05:25.960 --> 1:05:30.240
<v Speaker 1>good job, thank you. Yeah, thank you for spending time

1:05:30.240 --> 1:05:35.040
<v Speaker 1>with us, for doing this. Let me reiterate, for all

1:05:35.080 --> 1:05:37.600
<v Speaker 1>those people out there that are there, they're listening to it,

1:05:37.680 --> 1:05:40.560
<v Speaker 1>they're not watching on zoom. How gorgeous you guys look,

1:05:41.800 --> 1:05:54.440
<v Speaker 1>you look amazing. Thanks, you'd be safe over there, all okay, okay,

1:05:54.560 --> 1:06:00.240
<v Speaker 1>bye bye, thank you. I was super nervous. It's like

1:06:00.240 --> 1:06:02.720
<v Speaker 1>talking to your creator, like the like the men that

1:06:02.840 --> 1:06:08.920
<v Speaker 1>made you. It's so funny talking to him. I still

1:06:09.120 --> 1:06:12.200
<v Speaker 1>revert it back in my head. I was like, careful

1:06:12.240 --> 1:06:14.200
<v Speaker 1>what you say, Like I don't know, it's the creator.

1:06:14.240 --> 1:06:17.960
<v Speaker 1>I'm just like daughter. He was forced to cast Like

1:06:18.000 --> 1:06:21.520
<v Speaker 1>I felt that way and like I wanted to say

1:06:21.560 --> 1:06:23.800
<v Speaker 1>something but I couldn't. And I'm just like God, all

1:06:23.840 --> 1:06:25.960
<v Speaker 1>these years, I've wondered, was he like, oh, I have

1:06:26.080 --> 1:06:28.920
<v Speaker 1>to cast her, like I'm still wondering I have to

1:06:29.000 --> 1:06:31.640
<v Speaker 1>cast her. I don't think you said that's how I

1:06:31.680 --> 1:06:34.640
<v Speaker 1>feel like. You know, you have to get you have

1:06:34.680 --> 1:06:37.320
<v Speaker 1>to let go of that feeling. Lady, I didn't go

1:06:37.440 --> 1:06:41.200
<v Speaker 1>to get What is it? They say? Cord cutting? Okay,

1:06:41.480 --> 1:06:44.120
<v Speaker 1>we need to we need to extract him with me. Yeah,

1:06:44.200 --> 1:06:46.560
<v Speaker 1>we needed to go to like a healer in like

1:06:46.640 --> 1:06:51.600
<v Speaker 1>ally or something. Okay, let's go. It sounds like a

1:06:51.600 --> 1:06:59.400
<v Speaker 1>good episode. What a genuine, kind, down to earth human

1:06:59.520 --> 1:07:04.240
<v Speaker 1>being with so much success, so humble mm hmm. He

1:07:04.280 --> 1:07:07.080
<v Speaker 1>doesn't have to be humble, he's a genius, but he is.

1:07:07.560 --> 1:07:10.480
<v Speaker 1>But he was great and and so um. It's so

1:07:10.520 --> 1:07:13.840
<v Speaker 1>great to have his perspective too, because we were so

1:07:13.960 --> 1:07:16.280
<v Speaker 1>young and green at that moment and we didn't know

1:07:16.320 --> 1:07:18.640
<v Speaker 1>what was happening, and we were just on the set

1:07:18.720 --> 1:07:21.240
<v Speaker 1>doing the work and he was back there, you know,

1:07:21.360 --> 1:07:24.400
<v Speaker 1>with the strings, the puppeteer. He was making it, making

1:07:24.440 --> 1:07:27.000
<v Speaker 1>it all up. What a mind. I love it. It's

1:07:27.000 --> 1:07:28.960
<v Speaker 1>funny when he said that he was excited for the crane,

1:07:29.640 --> 1:07:35.800
<v Speaker 1>because that was like a yeah, yeah, for sure, his

1:07:35.920 --> 1:07:39.520
<v Speaker 1>first episode directing. I wonder I didn't ask him, but

1:07:39.880 --> 1:07:41.680
<v Speaker 1>I wanted to ask him if he had gone on

1:07:41.720 --> 1:07:46.560
<v Speaker 1>to direct more shows or direct on his other shows.

1:07:46.800 --> 1:07:50.040
<v Speaker 1>I wanted to know, but I didn't have time. Well,

1:07:50.040 --> 1:07:52.439
<v Speaker 1>when when we joined him in Paris, we'll ask him.

1:07:52.760 --> 1:07:56.160
<v Speaker 1>All right, yes, he's booking the tickets, right, Oh is

1:07:56.200 --> 1:08:01.240
<v Speaker 1>he okay? I think so? Yeah? Like insight as to

1:08:01.720 --> 1:08:04.160
<v Speaker 1>have their starting production for Emily in Pairs season two.

1:08:04.200 --> 1:08:05.880
<v Speaker 1>I don't even think that info is out yet, so

1:08:07.640 --> 1:08:11.920
<v Speaker 1>people will be season three or season two mm hmm.

1:08:13.640 --> 1:08:16.000
<v Speaker 1>But that's it for today. That's it for this episode,

1:08:16.000 --> 1:08:18.439
<v Speaker 1>you guys, so we should we should wrap it up,

1:08:18.439 --> 1:08:23.120
<v Speaker 1>I say, speaking of wrapping it up. Rap party, Oh yeah,

1:08:23.200 --> 1:08:26.160
<v Speaker 1>wrap good one. Nice tie says, Let's see how you

1:08:26.200 --> 1:08:29.800
<v Speaker 1>did that? Are big Rap Party is coming up in

1:08:29.960 --> 1:08:33.720
<v Speaker 1>two weeks. What's the date on that tour? That'll be

1:08:33.760 --> 1:08:37.200
<v Speaker 1>on April at five pm Pacific Standard time eight p

1:08:37.360 --> 1:08:39.559
<v Speaker 1>m Eastern Standard time, and you can join us for

1:08:39.680 --> 1:08:44.200
<v Speaker 1>our live rap party. Yeah, come hang out. We have

1:08:44.240 --> 1:08:45.880
<v Speaker 1>to really try to make it like a rat party.

1:08:45.920 --> 1:08:47.320
<v Speaker 1>I don't know how we're going to pull that off,

1:08:47.320 --> 1:08:50.559
<v Speaker 1>but we gotta. We got a brainstorm. You can get

1:08:50.560 --> 1:08:53.519
<v Speaker 1>your tickets on location live dot com slash nine o

1:08:53.680 --> 1:08:57.000
<v Speaker 1>two one zero. Well, I'll just make it like our

1:08:57.040 --> 1:08:59.760
<v Speaker 1>original rap party, and I'll get drunk and puke and

1:08:59.760 --> 1:09:01.720
<v Speaker 1>you hold my hair, get wasted and throw up in

1:09:01.760 --> 1:09:03.840
<v Speaker 1>a garbage again somewhere, and then it'll be like about

1:09:03.840 --> 1:09:12.880
<v Speaker 1>party here you got beforehand, colassie or classy gals? All Right,

1:09:12.920 --> 1:09:16.719
<v Speaker 1>you guys think so much for joining us this week? Uh?

1:09:16.920 --> 1:09:22.679
<v Speaker 1>Next week coming up is the season finale of season one,

1:09:23.160 --> 1:09:27.280
<v Speaker 1>which is very excited, exciting episode twenty two Home Again,

1:09:30.080 --> 1:09:33.760
<v Speaker 1>so everybody watch in the whole season. Yeah, I love it.

1:09:33.760 --> 1:09:35.680
<v Speaker 1>It's been so much fun. But I'll save that for

1:09:35.760 --> 1:09:39.000
<v Speaker 1>next week. Okay, see you next week, you guys, Love

1:09:39.040 --> 1:09:40.320
<v Speaker 1>you one Love