WEBVTT - The Devil's Coming to Get Me

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<v Speaker 1>Welcome to Haunted Road, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Minky.

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<v Speaker 2>Listener discretion is advised.

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<v Speaker 1>The very first episode of this podcast covered a haunting

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<v Speaker 1>that I find to be very emotional and traumatic. It's

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<v Speaker 1>one I feel close to, even though there's absolutely nothing

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<v Speaker 1>about it that connects me to it other than emotion.

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<v Speaker 1>I'm talking about the Veliska House where, in June of

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<v Speaker 1>nineteen twelve, eight people were brutally killed with an axe

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<v Speaker 1>as they slept, two parents, their four children, and two

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<v Speaker 1>other children who had been sleeping over. I've investigated the

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<v Speaker 1>house a few times, and it's incredibly hard to reconcile

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<v Speaker 1>what happened there and the fact no one was ever

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<v Speaker 1>held accountable for the crimes. But along with the haunting

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<v Speaker 1>that exists there now and the fascination with the true

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<v Speaker 1>crime element, there are many theories that the murder made

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<v Speaker 1>a few stops on their journey to Veliska, and even

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<v Speaker 1>some evidence suggesting it wasn't his only axe murder. That

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<v Speaker 1>being said, there is a building also in Iowa that

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<v Speaker 1>many feel has some sort of connection to the Velliska murders,

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<v Speaker 1>though it has seen plenty of death in trauma and

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<v Speaker 1>its own right. This large home, now called Malvern Manor,

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<v Speaker 1>sits just thirty eight miles from Velliska and has some

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<v Speaker 1>very interesting stories to tell. Let's pay a visit, shall we.

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<v Speaker 1>I'm Amy Bruney and this is Haunted Road. The small

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<v Speaker 1>town of Malvern, Iowa can seem like the embodiment of

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<v Speaker 1>rural heartland life. In fact, in The Devil's Coming to

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<v Speaker 1>Get Me The Haunting of Malvern Manor by Richard Estep,

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<v Speaker 1>the community is described as a classic American small town.

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<v Speaker 1>For the past one hundred and fifty years, its population

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<v Speaker 1>had held fairly steady, around one thousand people or so,

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<v Speaker 1>give or take a few hundred in either direction, and

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<v Speaker 1>perched in the outskirts of Malvern's downtown neighborhood. One strange

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<v Speaker 1>old home looks like a child took a bunch of

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<v Speaker 1>pieces from different toy houses and wedged them together into one.

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<v Speaker 1>The ten thousand square foot structure is two stories tall,

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<v Speaker 1>not counting the basement in attic It has a peaked

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<v Speaker 1>roof on one side, which abuts more industrial looking blocky

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<v Speaker 1>wings on the other side. Its twenty eight interior rooms

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<v Speaker 1>feature abandoned furniture before it grew worn and began peeling.

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<v Speaker 1>The floral wallpaper may have once been cheerful, but it's

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<v Speaker 1>hard to imagine the winding, narrow hallways and unfinished smokescuarred

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<v Speaker 1>attic feeling anything but ominous. The reason the structure Malvern

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<v Speaker 1>Manor looks so haphazard is because it has grown in

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<v Speaker 1>fits and starts, with many new additions over the course

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<v Speaker 1>of its existence. It was originally built in the nineteenth

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<v Speaker 1>century as a home for lumber magnate Isaac b Ringland.

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<v Speaker 1>He and his family lived there until their deaths, at

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<v Speaker 1>which point it was sold to a hotel year named

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<v Speaker 1>Julia Betts. After she acquired the home in eighteen ninety,

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<v Speaker 1>she spent a year or so renovating and expanding the

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<v Speaker 1>building to transform it into an inn. According to reporting

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<v Speaker 1>in The Malvern Leader, at some point during this round

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<v Speaker 1>of construction, workers unearthed a Bible inside a cornice molding.

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<v Speaker 1>It's unclear how the book ended up there, but the

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<v Speaker 1>Paranormal Warehouse website suggested this may have been evidence of

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<v Speaker 1>an earlier Masonic ritual from the time the building was

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<v Speaker 1>first erected. This didn't slow the renovations, and in eighteen

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<v Speaker 1>ninety one, the business opened its doors, then called the

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<v Speaker 1>Cottage Hotel. The inn didn't just host travelers for the night.

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<v Speaker 1>It was also a social hub and the site of

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<v Speaker 1>numerous weddings and funerals. Although Malvern was still a rural community,

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<v Speaker 1>the Cottage Hotel was at least the town's fourth lodging house.

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<v Speaker 1>This was because Malvern sat near a major railway, and

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<v Speaker 1>travelers would stop there for the night during long train journeys.

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<v Speaker 1>Nancy Hendrix wrote in Haunted Histories in America that the

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<v Speaker 1>manner specifically courted traveling salesmen for their client base. We

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<v Speaker 1>can only imagine how many people spent the night there

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<v Speaker 1>over the years. According to some speculation, one particularly notorious

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<v Speaker 1>individual stopped at the Cottage in for the night, the

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<v Speaker 1>unidentified killer who committed the Veliska ex murders. The unsolved

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<v Speaker 1>multiple homicide happened in June nineteen twelve when an unknown

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<v Speaker 1>perpetrator slaughtered an entire family in Velliska, Iowa, which is

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<v Speaker 1>about forty miles from Malvern. Now, as we don't even

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<v Speaker 1>know their identity, there is no record or proof that

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<v Speaker 1>the killer ever set foot in the town of Malvern

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<v Speaker 1>or the Cottage hotel, but it's possible investigators believe the

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<v Speaker 1>murderer took the t so the lodging would have been

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<v Speaker 1>a reasonable place to stop for the night. Today, the

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<v Speaker 1>site of the Veliska Axe Murders employs Johnny Hauser, friend

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<v Speaker 1>of the show, as a caretaker. Johnny claims he's somehow

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<v Speaker 1>drawn to the Malvern manner, and he sees this as

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<v Speaker 1>evidence that the two houses are connected. As reported by

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<v Speaker 1>Richard Estep, Hauser has also alleged that a large quartz

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<v Speaker 1>vein runs between the homes, supernaturally linking them. While we

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<v Speaker 1>can't verify any formal connection between the Malvern manner and

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<v Speaker 1>the multiple homicide, it's possible the killer contributed to some

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<v Speaker 1>of the eerie energy that seems to permeate the grounds

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<v Speaker 1>Throughout the early nineteen hundreds. The hotel changed ownership numerous times.

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<v Speaker 1>During that period. It also underwent numerous renovations and expansions,

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<v Speaker 1>creating that patch together esthetic I referenced earlier in an

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<v Speaker 1>article A Brief History of the Malvern, John D. Paddock

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<v Speaker 1>speculated the hotel might have been suffering from bad luck

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<v Speaker 1>due to Whodo. Regardless, in nineteen fifty six, the facility

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<v Speaker 1>stopped operating as a lodging and was converted into a

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<v Speaker 1>nursing home, but it wasn't much more successful now than

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<v Speaker 1>it had been as a hotel. While the residents were

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<v Speaker 1>initially pleased with the clean, well maintained facility, it soon

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<v Speaker 1>had to be shut down when government officials discovered the

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<v Speaker 1>hallways were too narrow to wheel beds down them. In

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<v Speaker 1>June nineteen seventy six, the manner transformed once again, this

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<v Speaker 1>time to a hospital for people with physical and mental disabilities.

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<v Speaker 1>Reporting in a local newspaper suggested the staff went to

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<v Speaker 1>great lengths to make patients feel safe and comfortable. One

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<v Speaker 1>client described how they dined, worshiped, and explored their hobbies

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<v Speaker 1>with the other residents, forming a makeshift family. The Devil's

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<v Speaker 1>Coming to Get Me The Haunting of Malvern Manor by

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<v Speaker 1>Richard Estep, tells a different story. In this book, Richard

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<v Speaker 1>discussed one resident who was said to be highly aggressive

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<v Speaker 1>and murdered at least two people. He chased staffers down

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<v Speaker 1>the hall when they were performing checks, and many employees

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<v Speaker 1>were afraid to interact with him at all. They'd refuse

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<v Speaker 1>to help him dress or put his shoes on in

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<v Speaker 1>the morning. There are also accounts which are unverified, of

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<v Speaker 1>another patient named Grace, who stayed in a room on

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<v Speaker 1>the first floor. Rumors suggests she suffered from multiple personality disorder.

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<v Speaker 1>The American Haunting's Ghost Hunts web page titled Night at

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<v Speaker 1>the Milevern Manor discussed how staffers would often walk by

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<v Speaker 1>Grace's room late in the evening. They'd hear a man's

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<v Speaker 1>voice repeating the Devil's coming to get me, The devils

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<v Speaker 1>coming to get me. When these employees would open the

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<v Speaker 1>door to investigate, they'd find Grace alone, speaking in the

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<v Speaker 1>deep male voice to herself. While the residents sought treatment

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<v Speaker 1>at the hospital, history repeated itself once more. The state

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<v Speaker 1>had to intervene and shut the business down. This time

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<v Speaker 1>it was because, as Clark Kaufman wrote for the Des

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<v Speaker 1>Moines Register, the structure's electrical system wasn't up to code. Additionally,

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<v Speaker 1>they weren't maintaining the proper records on their employees or patients,

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<v Speaker 1>adhering to food safety and preparation procedures, or taking proper

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<v Speaker 1>steps to prevent outbreaks and spread of infectious disease. In

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<v Speaker 1>two thousand and four, the hospital was shuttered. Afterward, the

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<v Speaker 1>Malvern Manors spent one year as another care facility called

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<v Speaker 1>the Heritage House before it was finally condemned for good.

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<v Speaker 1>Today the building belongs to private owners with an interest

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<v Speaker 1>in the paranormal. They gave the facility its current name,

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<v Speaker 1>Malvern Manor, and they host haunted tours on the premises

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<v Speaker 1>because supposedly it's a hub for supernatural activities. It's been

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<v Speaker 1>estimated that roughly one hundred people have died in the

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<v Speaker 1>building since its construction, so it's almost to be expected

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<v Speaker 1>that the house has halways echo with disembard moans, footsteps,

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<v Speaker 1>and voices. Visitors say they hear heavy dragging sounds like

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<v Speaker 1>someone unseen as moving furniture around. Others have seen balls

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<v Speaker 1>roll or rocking chair shift without being pushed. Partial shadow

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<v Speaker 1>figures sometimes appear, and guests should expect to be touched

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<v Speaker 1>or groped as they pass through the house. Many have

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<v Speaker 1>pointed at one possible source for all these disturbances in

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<v Speaker 1>the house. A display case holds a doll named Rose,

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<v Speaker 1>who is said to be haunted. Reportedly, Rose often moves

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<v Speaker 1>around on her own. Some speculate that Rose's influence extends

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<v Speaker 1>beyond her enclosed case and she can cause disturbances throughout

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<v Speaker 1>the house, particularly on the second floor. Rose has been

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<v Speaker 1>linked to another spirit called Number One. Richard Estep highlighted

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<v Speaker 1>this connection in the text in his book. He also

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<v Speaker 1>reported that Number One has a deep male voice when

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<v Speaker 1>he speaks and growls a aggressively at visitors. But Rose

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<v Speaker 1>and Number One don't seem to be responsible for everything

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<v Speaker 1>that happens at Malvern Manor. The still unidentified perpetrator of

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<v Speaker 1>the Veleska axe murders has reportedly made contact with investigators

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<v Speaker 1>at the Manor, and earlier I discussed one former patient

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<v Speaker 1>from when the building operated as a mental health facility,

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<v Speaker 1>the man who chased terrified staffers in the halls. His

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<v Speaker 1>six foot seven inch specter still appears in the second

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<v Speaker 1>floor hallways, charging at guests the same way he bore

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<v Speaker 1>down on employees so many years ago. Visitors have also

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<v Speaker 1>reported instances associated with Grace, the woman who allegedly spoke

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<v Speaker 1>in a deep male voice while alone late at night

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<v Speaker 1>in her room. At times, the overwhelming sour scent of

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<v Speaker 1>urine will fill her former chambers. In room seven, A

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<v Speaker 1>spectral spirit screams in terror, believing her family left her

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<v Speaker 1>unloved and forgotten at the facility, and another ghost in

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<v Speaker 1>the lobby has been identified as had Harry, who lived

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<v Speaker 1>at the manor when it was a nursing home. Richard

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<v Speaker 1>Estep reports that Harry was wheelchair bound in life and

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<v Speaker 1>enjoyed humming along and whistling to the radio. Today he'll

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<v Speaker 1>push seemingly empty wheelchairs around, still whistling and humming all

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<v Speaker 1>the while. Particularly dark energy seemed to permeate rooms seventeen

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<v Speaker 1>and eighteen. It's hard to say exactly what happened there

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<v Speaker 1>as reports are contradictory. It said that while Malvern Manor

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<v Speaker 1>operated as a mental health facility, two men lived in

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<v Speaker 1>the side by side rooms. Reportedly, late at night after

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<v Speaker 1>checks were complete, the man in Room eighteen would slip

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<v Speaker 1>into Room seventeen and possibly sexually assault the other resident.

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<v Speaker 1>But in an interview with Richard Estep, paranormal investigator Dustin

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<v Speaker 1>Perry said he connected with the spirit that still remains

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<v Speaker 1>in Room seventeen. When he asked about the abuse, the

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<v Speaker 1>spirit told him that never happened. I loved him. Visitors

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<v Speaker 1>have also seen the spirit of a young girl lurking

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<v Speaker 1>in the house, particularly in one second floor room. Investigators

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<v Speaker 1>have captured audio of the phantom introducing herself as Inez

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<v Speaker 1>Gibson now Ainas Gibson is a real, historically documented person,

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<v Speaker 1>a Malvern local who died at the tender age of twelve.

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<v Speaker 1>She was the adopted daughter of a grocer who took

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<v Speaker 1>her in after her mother and father divorced and neither

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<v Speaker 1>parent was willing or able to care for her. In

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<v Speaker 1>December nineteen ninety, Ainez tragically died allegedly just before she

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<v Speaker 1>was supposed to move back in with her birth mother.

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<v Speaker 1>While her demise was initially believed to be a suicide,

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<v Speaker 1>further investigation revealed it was actually a horrific freak accident.

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<v Speaker 1>The Daily Non Parell described the deadly incident in an

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<v Speaker 1>article titled was Not a Suicide. Reportedly, Inez wrapped her

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<v Speaker 1>jump rope around her neck before digging through her closet

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<v Speaker 1>for some gifts she'd bought to give away on Christmas.

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<v Speaker 1>Somehow the jump rope got on a clothing hook it

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<v Speaker 1>tightened around her neck, forming a makeshift noose and strangling her.

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<v Speaker 1>Now to be very clear, Inez did not pass away

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<v Speaker 1>at Malvern Manor, but at her house a short distance away,

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<v Speaker 1>but according to some speculation, After her house was demolished,

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<v Speaker 1>her spirit sought a new home, one that was already

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<v Speaker 1>full of other ghosts to keep her company, and so

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<v Speaker 1>she ended up at the Manor. Another explanation is that

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<v Speaker 1>some other spirit is impersonating Inez Or. Perhaps visitors to

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<v Speaker 1>the Manor have essentially manifested the spirit they expected to

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<v Speaker 1>interact with the little girl named Ainez, and the power

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<v Speaker 1>of that anticipation actually brought this entity into existence. But ultimately,

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<v Speaker 1>it's almost impossible to guess where a spirit came from

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<v Speaker 1>or what it wants. Now, that's true in any haunted location,

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<v Speaker 1>but particularly in Malvern Manor. Throughout its history, the structure

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<v Speaker 1>has been locked in a cycle of new beginnings and condemnations,

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<v Speaker 1>followed by even more fresh starts. It's hard to pinpoint

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<v Speaker 1>where the facility story begins or ends, let alone the

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<v Speaker 1>narratives of those who now linger in its halls. But

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<v Speaker 1>up next, we'll chat with Josh Heard. He is a

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<v Speaker 1>co owner of Malvern Manor, and he'll explain why destiny

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<v Speaker 1>brought him there, and he'll also dive into the many

0:14:25.680 --> 0:14:29.600
<v Speaker 1>haunting experiences he's had there over the years. That's coming

0:14:29.680 --> 0:14:40.760
<v Speaker 1>up after the break. All right, So I am now

0:14:40.880 --> 0:14:44.320
<v Speaker 1>joined by Josh Hurd, who is one of the co

0:14:44.440 --> 0:14:48.440
<v Speaker 1>owners of Malvern manor really not anyone more perfect to

0:14:48.480 --> 0:14:50.560
<v Speaker 1>speak with about this, so welcome to the program.

0:14:50.640 --> 0:14:53.200
<v Speaker 2>Josh, oh, thank you so much for having me, of.

0:14:53.200 --> 0:14:55.440
<v Speaker 1>Course, And how did you get involved with Malvern?

0:14:56.080 --> 0:14:59.400
<v Speaker 2>You know, it's weird, Like I was, actually I had

0:14:59.440 --> 0:15:02.640
<v Speaker 2>no idea that this building existed. I was actually filming

0:15:02.680 --> 0:15:08.240
<v Speaker 2>a documentary across the street at this really cool restaurant

0:15:08.720 --> 0:15:11.200
<v Speaker 2>called the Classic Cafe, and they have their own slew

0:15:11.240 --> 0:15:13.280
<v Speaker 2>of paranormal happenings and they were kind enough to say,

0:15:13.280 --> 0:15:16.440
<v Speaker 2>bring your cameras, do all that fun stuff. And we

0:15:16.480 --> 0:15:18.040
<v Speaker 2>went over there and I didn't realize there was a

0:15:18.080 --> 0:15:21.000
<v Speaker 2>bar that's attached to the Classic Cafe. It was a

0:15:21.000 --> 0:15:23.560
<v Speaker 2>Friday evening, and apparently it had been a pretty rough week

0:15:23.600 --> 0:15:26.480
<v Speaker 2>for a lot of people because they were very loud

0:15:26.680 --> 0:15:30.440
<v Speaker 2>and boisterous. But we really couldn't investigate at all and

0:15:30.480 --> 0:15:33.840
<v Speaker 2>give it really a fair shake, just from noise contamination

0:15:33.960 --> 0:15:36.160
<v Speaker 2>and all that. So I went outside and I met

0:15:36.160 --> 0:15:39.800
<v Speaker 2>this guy who was like, what's with all the cameras, dude,

0:15:39.960 --> 0:15:44.880
<v Speaker 2>And I told him what we were doing, and oh

0:15:44.880 --> 0:15:46.720
<v Speaker 2>my god, this guy's going to think I'm crazy, you

0:15:46.760 --> 0:15:48.120
<v Speaker 2>know what I mean. But he was like, oh, that's

0:15:48.200 --> 0:15:51.000
<v Speaker 2>kind of cool. He goes, I really don't believe in

0:15:51.040 --> 0:15:53.920
<v Speaker 2>this stuff. However, He's like, I got this building and

0:15:53.960 --> 0:15:56.960
<v Speaker 2>it used to be, you know, basically a hotel, and

0:15:56.960 --> 0:16:00.000
<v Speaker 2>then it was a group home or a nursing home

0:16:00.080 --> 0:16:02.160
<v Speaker 2>and then like a group home for mentally handicapped people,

0:16:02.160 --> 0:16:04.360
<v Speaker 2>all that stuff. And he's like, yeah, the place is

0:16:04.400 --> 0:16:07.000
<v Speaker 2>like ten thousand square feet. I'm like, where is this place?

0:16:07.040 --> 0:16:10.240
<v Speaker 2>And he's like, right there across the street. I'm like, wow,

0:16:10.440 --> 0:16:12.720
<v Speaker 2>pretty sure. We just became best friends, you know. I'm like,

0:16:12.800 --> 0:16:17.000
<v Speaker 2>hey man, he let us in, and I mean we

0:16:17.080 --> 0:16:19.280
<v Speaker 2>had more happened to us in the first two hours

0:16:19.320 --> 0:16:21.600
<v Speaker 2>than we had in the last two years. So it

0:16:21.680 --> 0:16:27.840
<v Speaker 2>was it was absolutely mind boggling, like what was happening.

0:16:27.840 --> 0:16:29.520
<v Speaker 2>And I'm like, I don't think you realize what you

0:16:29.680 --> 0:16:33.040
<v Speaker 2>have here, you know what I mean. And so it

0:16:33.120 --> 0:16:35.120
<v Speaker 2>was that point that I was like kind of talked

0:16:35.160 --> 0:16:38.680
<v Speaker 2>him into opening the doors to the public because the

0:16:38.720 --> 0:16:42.720
<v Speaker 2>building was just sitting here completely vacant, right, and so yeah,

0:16:42.800 --> 0:16:45.240
<v Speaker 2>and now we're lucky enough to keep the building doing

0:16:45.320 --> 0:16:45.960
<v Speaker 2>what it's doing.

0:16:46.360 --> 0:16:48.160
<v Speaker 1>Yeah, that's great. I mean, it is kind of one

0:16:48.200 --> 0:16:52.440
<v Speaker 1>of those situations where it seems like the paranormal kind

0:16:52.480 --> 0:16:54.840
<v Speaker 1>of keeps history alive, you know, And I really like

0:16:54.920 --> 0:16:58.600
<v Speaker 1>that because sometimes there are these buildings, especially kind of

0:16:58.680 --> 0:17:02.640
<v Speaker 1>in the Midwest, where if someone wasn't looking for ghosts

0:17:02.640 --> 0:17:04.760
<v Speaker 1>in them, there probably wouldn't be a whole lot else

0:17:04.800 --> 0:17:07.560
<v Speaker 1>happening inside of them, if that makes sense. And so,

0:17:08.800 --> 0:17:11.440
<v Speaker 1>you know, weirdly you breathe new life into it, which

0:17:11.480 --> 0:17:14.679
<v Speaker 1>I really like. The history to me is fascinating. We

0:17:14.760 --> 0:17:17.280
<v Speaker 1>cover that in the first half, but you know, I

0:17:17.320 --> 0:17:20.879
<v Speaker 1>can't imagine you know, having those experiences so quickly and

0:17:20.880 --> 0:17:23.000
<v Speaker 1>then convincing him to open the doors to going on

0:17:23.160 --> 0:17:25.919
<v Speaker 1>to be you know, part owner of the location. Has

0:17:25.960 --> 0:17:28.760
<v Speaker 1>this place just kind of become like your life in

0:17:28.760 --> 0:17:29.240
<v Speaker 1>some ways?

0:17:29.520 --> 0:17:31.399
<v Speaker 2>My god? Yeah, Like I feel like I'm married to

0:17:31.440 --> 0:17:34.280
<v Speaker 2>the place right Like It's one of those things where

0:17:34.320 --> 0:17:38.280
<v Speaker 2>it's like, I'm I'm very similar in the respect that

0:17:38.520 --> 0:17:45.320
<v Speaker 2>I really enjoy history, and when you can correlate historical

0:17:45.400 --> 0:17:48.040
<v Speaker 2>fact with paranormal happenings like that, to me is the

0:17:48.040 --> 0:17:51.160
<v Speaker 2>good stuff. When those two things can kind of come

0:17:51.160 --> 0:17:54.199
<v Speaker 2>together and momentarily shake hands, you know, it's like Wow,

0:17:55.640 --> 0:17:59.399
<v Speaker 2>very very interesting stuff. And so I became obsessed with

0:17:59.520 --> 0:18:04.400
<v Speaker 2>this place more in a healthy respect. My wife may argue,

0:18:04.400 --> 0:18:08.480
<v Speaker 2>I don't know, but still like it's amazing to me.

0:18:08.720 --> 0:18:11.080
<v Speaker 2>Like like one of the first things that I did after,

0:18:11.160 --> 0:18:13.920
<v Speaker 2>you know, acquiring this building then for ourselves, is I

0:18:13.960 --> 0:18:17.199
<v Speaker 2>invited the former nursing staff back here, like walk me

0:18:17.320 --> 0:18:19.359
<v Speaker 2>down memory Lane, like I wanted to know what the

0:18:19.440 --> 0:18:23.840
<v Speaker 2>day to day was like here. It's fascinating stuff to me.

0:18:24.480 --> 0:18:26.960
<v Speaker 1>That's a great move. I love that. You know, not

0:18:27.000 --> 0:18:29.480
<v Speaker 1>a lot of people have that opportunity, which is is

0:18:30.080 --> 0:18:34.160
<v Speaker 1>so that's valuable information to have when you're investigating. Now,

0:18:34.160 --> 0:18:37.040
<v Speaker 1>when you first went in there, where was the moment

0:18:37.280 --> 0:18:39.600
<v Speaker 1>when you were like this is something special, Like when

0:18:39.600 --> 0:18:43.600
<v Speaker 1>something happened, you know, paranormally speaking, like when were you like, oh,

0:18:43.640 --> 0:18:45.480
<v Speaker 1>there's something to this. You know?

0:18:45.920 --> 0:18:48.960
<v Speaker 2>It was honestly, like within the first forty five minutes

0:18:49.320 --> 0:18:52.000
<v Speaker 2>of getting into the building, we were upstairs on the

0:18:52.000 --> 0:18:57.320
<v Speaker 2>second floor, and I remember specifically hearing footsteps coming down

0:18:57.560 --> 0:19:00.639
<v Speaker 2>the hallway, which it's an old building and you're certainly

0:19:00.680 --> 0:19:04.359
<v Speaker 2>going to hear footsteps coming towards you. But everybody was

0:19:04.359 --> 0:19:08.400
<v Speaker 2>accounted for. Everybody was in the room, and so I'm like, well,

0:19:08.400 --> 0:19:13.480
<v Speaker 2>that's interesting. But then we heard a very audible, disembodied

0:19:13.480 --> 0:19:17.280
<v Speaker 2>like female voice, and it couldn't make out anything that

0:19:17.280 --> 0:19:19.560
<v Speaker 2>it was saying. It almost sounded like a like a

0:19:19.600 --> 0:19:23.399
<v Speaker 2>moan or a hum or something similar. But it happened twice,

0:19:23.880 --> 0:19:25.720
<v Speaker 2>and I was like, what in the world is going

0:19:25.720 --> 0:19:28.480
<v Speaker 2>on here? So it really left me like scratching my

0:19:28.520 --> 0:19:31.800
<v Speaker 2>head because again, like, no females were present with us

0:19:31.800 --> 0:19:34.480
<v Speaker 2>that night, and everybody was accounted for, so I'm like,

0:19:34.520 --> 0:19:38.840
<v Speaker 2>I don't understand. There were numerous things that happened just

0:19:39.359 --> 0:19:43.560
<v Speaker 2>that night that that really made me scratch my head

0:19:43.600 --> 0:19:45.800
<v Speaker 2>and think, Okay, this place is something special.

0:19:46.040 --> 0:19:48.440
<v Speaker 1>You know, do you think that most of the activity

0:19:48.440 --> 0:19:51.440
<v Speaker 1>there seems to be kind of more on the intelligent

0:19:51.560 --> 0:19:54.639
<v Speaker 1>side or do you think it's a lot of residual activity.

0:19:55.040 --> 0:19:58.000
<v Speaker 2>I would say there's a fair amount of both going on.

0:20:00.240 --> 0:20:03.560
<v Speaker 2>A lot of what I seem to capture does seem

0:20:03.600 --> 0:20:06.440
<v Speaker 2>to have some form of intelligence to it. It's answering

0:20:06.520 --> 0:20:10.560
<v Speaker 2>questions and things like that. Then there are other times

0:20:10.760 --> 0:20:14.919
<v Speaker 2>where it's almost as if and I don't even know

0:20:14.920 --> 0:20:17.400
<v Speaker 2>how this is possible, if it is something that's intelligent,

0:20:17.480 --> 0:20:19.560
<v Speaker 2>I don't know, maybe they just think I'm a resident,

0:20:19.640 --> 0:20:22.160
<v Speaker 2>but that I've been told numerous times to get back

0:20:22.200 --> 0:20:23.399
<v Speaker 2>in my room.

0:20:23.840 --> 0:20:24.879
<v Speaker 1>Strange now, Mike.

0:20:24.960 --> 0:20:27.000
<v Speaker 2>So if I'm walking around in the middle of the night,

0:20:27.280 --> 0:20:29.440
<v Speaker 2>you know, and it's like get back to your room,

0:20:29.520 --> 0:20:32.320
<v Speaker 2>it's like, oh, you think I'm I'm a patient here.

0:20:32.800 --> 0:20:36.119
<v Speaker 1>Yeah, So they know they're like, you're up and about

0:20:36.119 --> 0:20:38.240
<v Speaker 1>when you are not supposed to be, and you're either

0:20:38.320 --> 0:20:41.040
<v Speaker 1>getting in trouble or someone's looking out for you. Both

0:20:41.240 --> 0:20:42.959
<v Speaker 1>very interesting, I think so too.

0:20:43.040 --> 0:20:45.639
<v Speaker 2>So I'm like, gosh, is this something that's intelligent or

0:20:45.640 --> 0:20:48.480
<v Speaker 2>something that's residual, or is it somehow a mixture of both,

0:20:48.560 --> 0:20:49.960
<v Speaker 2>Like I have no idea.

0:20:50.200 --> 0:20:54.320
<v Speaker 1>Have you been able to kind of verify activity and

0:20:54.440 --> 0:20:57.919
<v Speaker 1>link it to people who were, you know, who lived

0:20:58.000 --> 0:20:59.600
<v Speaker 1>in that location at some point?

0:21:00.280 --> 0:21:03.800
<v Speaker 2>Definitely, And that was one of the biggest things of

0:21:03.880 --> 0:21:07.600
<v Speaker 2>why I wanted to invite some of that former nursing

0:21:07.640 --> 0:21:10.760
<v Speaker 2>staff back, is to see if we could correlate specific

0:21:10.960 --> 0:21:15.040
<v Speaker 2>names without giving them any information whatsoever. Just again walk

0:21:15.119 --> 0:21:18.040
<v Speaker 2>me down memory lane. And it was fascinating. One of

0:21:18.040 --> 0:21:21.160
<v Speaker 2>the first rooms that we came to, we had been

0:21:21.160 --> 0:21:25.680
<v Speaker 2>getting the name of this woman calling herself Gracie. I'm like, oh,

0:21:25.680 --> 0:21:27.240
<v Speaker 2>that's a pretty name, you know, all that stuff, And

0:21:27.240 --> 0:21:31.280
<v Speaker 2>I would go into Gracie's room often, and it wasn't

0:21:31.280 --> 0:21:34.359
<v Speaker 2>then until we had that group of nurses kind of

0:21:34.400 --> 0:21:36.600
<v Speaker 2>walking with us. They're like, and this over here was

0:21:36.640 --> 0:21:39.399
<v Speaker 2>Grace's room, or Gracie's room as she liked to be called.

0:21:39.400 --> 0:21:42.520
<v Speaker 2>But now Gracie was also she had schizophrenia, but she

0:21:42.560 --> 0:21:44.879
<v Speaker 2>also had the idea or what they used to refer

0:21:44.920 --> 0:21:50.480
<v Speaker 2>to as multiple personalities, So Gracie had a lot going on.

0:21:50.480 --> 0:21:53.280
<v Speaker 2>One evening in particular, three nurses sat with Gracie for

0:21:53.320 --> 0:21:58.000
<v Speaker 2>an hour and documented thirteen separate distinguishable personalities, which is

0:21:58.359 --> 0:22:01.240
<v Speaker 2>I mean almost medically un of like the wheelhouse is

0:22:01.240 --> 0:22:04.920
<v Speaker 2>like two to five, so it's certainly tipping the scales.

0:22:06.240 --> 0:22:08.840
<v Speaker 2>But that fascinated me because I was like, I'm sorry, what, like,

0:22:08.920 --> 0:22:11.320
<v Speaker 2>say again, what what was her name? Because that's the

0:22:11.400 --> 0:22:12.040
<v Speaker 2>name we're.

0:22:11.880 --> 0:22:16.280
<v Speaker 1>Getting now when you interact with Gracie, do you feel

0:22:16.320 --> 0:22:19.560
<v Speaker 1>like she's taken that with her, like that kind of

0:22:20.040 --> 0:22:22.960
<v Speaker 1>personality disorder for lack of a better term, you think

0:22:22.960 --> 0:22:25.879
<v Speaker 1>that that is showing itself in the afterlife, or do

0:22:25.920 --> 0:22:28.800
<v Speaker 1>you think she's like whole and healthy and herself.

0:22:29.119 --> 0:22:32.159
<v Speaker 2>See, that's the way I want to imagine her in

0:22:32.200 --> 0:22:36.840
<v Speaker 2>her afterlife. I can't imagine taking something like that with us, right,

0:22:36.840 --> 0:22:41.800
<v Speaker 2>because it's a horrifying thought. But so every time that

0:22:41.840 --> 0:22:44.360
<v Speaker 2>I've seemed to have an interaction with her, it has

0:22:44.400 --> 0:22:47.600
<v Speaker 2>been her. I will say that. Now. I will also

0:22:47.720 --> 0:22:51.760
<v Speaker 2>say that I've had numerous conversations with friends, you know,

0:22:51.800 --> 0:22:55.280
<v Speaker 2>those weird late night conversations where you've had one too

0:22:55.320 --> 0:22:58.680
<v Speaker 2>many glasses of wine. Had a few of those, Yeah,

0:22:58.720 --> 0:23:00.600
<v Speaker 2>and you go down rabbit holes, right, I mean, that's

0:23:00.640 --> 0:23:03.199
<v Speaker 2>what happens. But numerous times we've talked and we're like,

0:23:03.240 --> 0:23:08.280
<v Speaker 2>my god, like, what if those personalities do transfer on

0:23:09.240 --> 0:23:11.760
<v Speaker 2>to the next life or what have you. It's like,

0:23:11.920 --> 0:23:14.760
<v Speaker 2>what if Gracie is just the antecedent of the haunting?

0:23:14.800 --> 0:23:17.280
<v Speaker 2>What if she's haunting this place and it's just an

0:23:17.320 --> 0:23:20.240
<v Speaker 2>offshoot of different personalities and things like that, which is

0:23:20.280 --> 0:23:23.639
<v Speaker 2>also a terrifying thought to entertain.

0:23:23.560 --> 0:23:25.639
<v Speaker 1>Right, And then it also makes you wonder like where

0:23:25.680 --> 0:23:28.320
<v Speaker 1>does that actually come from? Is that our brain or

0:23:28.440 --> 0:23:30.600
<v Speaker 1>is it our psyche? Is it our soul? You know,

0:23:30.640 --> 0:23:33.080
<v Speaker 1>I don't know. It does raise a lot of questions

0:23:33.200 --> 0:23:36.880
<v Speaker 1>but now when you had the staff there, did they

0:23:36.960 --> 0:23:40.480
<v Speaker 1>ever claim that they had experiences when it was operating?

0:23:40.840 --> 0:23:45.440
<v Speaker 2>Absolutely, which I also found fascinating because they like, oh,

0:23:45.480 --> 0:23:48.439
<v Speaker 2>They're like, gosh, this feels just like before. What do

0:23:48.480 --> 0:23:50.320
<v Speaker 2>you mean by that? They're like, it just feels like

0:23:50.440 --> 0:23:54.000
<v Speaker 2>eyes are on me. And I have had numerous people

0:23:54.040 --> 0:23:58.000
<v Speaker 2>that were former staff members here that have come through,

0:23:58.040 --> 0:24:00.520
<v Speaker 2>and they they always say, oh, this was the best

0:24:00.600 --> 0:24:03.399
<v Speaker 2>job I ever had, or this was the worst job

0:24:03.520 --> 0:24:07.400
<v Speaker 2>I've ever had, And it's interesting to me just how

0:24:08.359 --> 0:24:11.560
<v Speaker 2>how that dichotomy works, right, And they're like, oh, I

0:24:11.600 --> 0:24:15.080
<v Speaker 2>remember specifically this one time, like I went upstairs and

0:24:15.119 --> 0:24:19.760
<v Speaker 2>I was trying to fix a residen's bed and all

0:24:19.800 --> 0:24:23.520
<v Speaker 2>of this stuff was happening around them, but nobody was around,

0:24:23.640 --> 0:24:26.359
<v Speaker 2>and so I was like, this is fascinating to me

0:24:26.400 --> 0:24:30.159
<v Speaker 2>that they were having different pieces of activity happened that

0:24:30.200 --> 0:24:34.600
<v Speaker 2>they couldn't themselves just explain away. And some of them,

0:24:34.840 --> 0:24:37.080
<v Speaker 2>I mean Gracie for an example, some of them were

0:24:37.119 --> 0:24:40.480
<v Speaker 2>so terrified of Gracy because she would speak sometimes in

0:24:40.600 --> 0:24:46.400
<v Speaker 2>a weird, growy kind of a male voice and say

0:24:46.480 --> 0:24:49.000
<v Speaker 2>things like the Devil's coming to get me, you know,

0:24:49.160 --> 0:24:50.919
<v Speaker 2>things like that. It freaked them out. So I'm like,

0:24:51.000 --> 0:24:53.800
<v Speaker 2>turnover here was almost laughable, you.

0:24:53.680 --> 0:24:57.160
<v Speaker 1>Know, really, right, having gone through this, I mean, I

0:24:57.160 --> 0:25:00.520
<v Speaker 1>imagine you investigate other locations as well, Right, do you

0:25:00.520 --> 0:25:02.600
<v Speaker 1>ever feel like, I don't want to say that you

0:25:02.640 --> 0:25:05.159
<v Speaker 1>compare them, but do you? I mean, how does that

0:25:05.200 --> 0:25:07.800
<v Speaker 1>feel to be so kind of connected to one location

0:25:07.960 --> 0:25:11.560
<v Speaker 1>but then occasionally branch out to others? Does it feel different?

0:25:11.800 --> 0:25:14.200
<v Speaker 1>Or do you ever? I mean, honestly, do you ever

0:25:14.240 --> 0:25:16.879
<v Speaker 1>feel like part of Malvern comes with you elsewhere? If

0:25:16.920 --> 0:25:17.600
<v Speaker 1>that makes sense?

0:25:17.800 --> 0:25:20.879
<v Speaker 2>It does. It's super weird. One of my favorite places

0:25:20.880 --> 0:25:23.080
<v Speaker 2>to go is obviously the Veliska Axe Murder House, which

0:25:23.160 --> 0:25:26.080
<v Speaker 2>is just thirty minutes down the same stretch of road.

0:25:26.320 --> 0:25:28.639
<v Speaker 2>And Johnny over there at the Veliska House is one

0:25:28.680 --> 0:25:29.439
<v Speaker 2>of my best friends.

0:25:29.680 --> 0:25:30.320
<v Speaker 1>I love Johnny.

0:25:30.400 --> 0:25:32.600
<v Speaker 2>Yeah, he's one of the best, you know, And so

0:25:33.280 --> 0:25:37.080
<v Speaker 2>it's it's just good people and good fun. But it's interesting,

0:25:37.200 --> 0:25:43.640
<v Speaker 2>like going into another location and separating yourself from what

0:25:43.680 --> 0:25:46.920
<v Speaker 2>you already know to be the normal. Right, So it's like, oh,

0:25:47.000 --> 0:25:50.000
<v Speaker 2>I could go and investigate the Queen Mary for an example,

0:25:50.119 --> 0:25:56.119
<v Speaker 2>or someplace like that and have to mentally say to myself, Okay, dude,

0:25:56.119 --> 0:25:58.520
<v Speaker 2>This is not going to be what you're used to,

0:25:58.720 --> 0:26:00.240
<v Speaker 2>you know what I mean, this is not going to

0:26:00.240 --> 0:26:02.919
<v Speaker 2>be And I think, honestly, as weird as this sounds,

0:26:02.960 --> 0:26:07.760
<v Speaker 2>the spirits here are more familiar with me. Oh that's

0:26:07.800 --> 0:26:09.760
<v Speaker 2>the guy that wipes down the counters, that's the guy

0:26:09.800 --> 0:26:12.960
<v Speaker 2>that annoys me with the vacuum cleaner, you know, things

0:26:13.040 --> 0:26:15.120
<v Speaker 2>like that. But they see me as more of, like,

0:26:15.600 --> 0:26:18.159
<v Speaker 2>you know, a caretaker of the place, and so I

0:26:18.200 --> 0:26:21.600
<v Speaker 2>think they're more familiar with me and more willing to

0:26:23.160 --> 0:26:26.960
<v Speaker 2>mess with me a little bit more than maybe anybody else.

0:26:27.000 --> 0:26:28.160
<v Speaker 2>But yeah, it's interesting.

0:26:28.200 --> 0:26:30.119
<v Speaker 1>I was going to ask that actually, like if you

0:26:30.240 --> 0:26:32.720
<v Speaker 1>felt like you had kind of built up a camaraderie

0:26:32.760 --> 0:26:35.120
<v Speaker 1>with some of the spirits there, or if there are

0:26:35.119 --> 0:26:37.320
<v Speaker 1>some there that might not like you.

0:26:37.320 --> 0:26:42.000
<v Speaker 2>You know, there's that like Gracie, for an example, is

0:26:42.000 --> 0:26:44.320
<v Speaker 2>one of my favorites. She's become my built in therapist,

0:26:44.359 --> 0:26:45.640
<v Speaker 2>you know what I mean. Like, I'll just go into

0:26:45.680 --> 0:26:47.680
<v Speaker 2>Gracie's room and I'll be like, You're never gonna believe this,

0:26:47.800 --> 0:26:50.119
<v Speaker 2>and I'll just word vomit for a half hour and

0:26:50.160 --> 0:26:54.439
<v Speaker 2>I'll feel great and she's probably annoyed. But regardless, like

0:26:54.480 --> 0:26:58.480
<v Speaker 2>there is one gentleman upstairs, and his name is Hank

0:26:58.840 --> 0:27:01.680
<v Speaker 2>or Henry, and it kind of depends on the day

0:27:01.800 --> 0:27:04.880
<v Speaker 2>and what he wants to be called. He's your very

0:27:04.880 --> 0:27:07.639
<v Speaker 2>stereotypical grumpy old man, and he just doesn't seem to

0:27:08.200 --> 0:27:12.680
<v Speaker 2>enjoy company. He certainly doesn't enjoy the company of female investigators,

0:27:12.680 --> 0:27:15.680
<v Speaker 2>that is for sure. But like he's just a crotchety

0:27:15.680 --> 0:27:17.240
<v Speaker 2>old dude, and like he would sit out on the

0:27:17.240 --> 0:27:20.200
<v Speaker 2>front porch and like throw rocks at children and things

0:27:20.240 --> 0:27:22.480
<v Speaker 2>like that. So he's just kind of a butt heead.

0:27:22.560 --> 0:27:25.320
<v Speaker 2>I also kind of aspire to be this man one day, right.

0:27:25.160 --> 0:27:27.320
<v Speaker 1>But yeah, this right, you might be.

0:27:27.760 --> 0:27:31.280
<v Speaker 2>Maybe maybe, but no, he's honestly like one of my

0:27:31.320 --> 0:27:35.200
<v Speaker 2>favorites too, because he will just kind of flip you crap,

0:27:35.280 --> 0:27:37.439
<v Speaker 2>you know what I mean. But I'm also flipping it

0:27:37.520 --> 0:27:40.679
<v Speaker 2>right back. But it's almost like a buddy thing. But

0:27:40.800 --> 0:27:43.080
<v Speaker 2>I do think that I get on her nerves more

0:27:43.119 --> 0:27:43.879
<v Speaker 2>often than not.

0:27:44.359 --> 0:27:47.960
<v Speaker 1>Do you really think there's a connection between Malvern and Fliska.

0:27:48.400 --> 0:27:52.520
<v Speaker 2>It's it's fascinating again, one of those conversations that happened

0:27:52.520 --> 0:27:55.040
<v Speaker 2>after too many glasses of wine with Johnny House, Right.

0:27:55.960 --> 0:27:59.760
<v Speaker 1>But I can only imagine he's so much.

0:28:00.359 --> 0:28:05.160
<v Speaker 2>Oh my god. Yes, but it is interesting because there

0:28:05.200 --> 0:28:09.159
<v Speaker 2>does seem to be some kind of correlation, some kind

0:28:09.200 --> 0:28:12.680
<v Speaker 2>of a tie that we're not quite privy to yet,

0:28:12.920 --> 0:28:17.719
<v Speaker 2>things that I don't quite know, Like we're getting EVPs

0:28:17.760 --> 0:28:22.000
<v Speaker 2>here for an example, that would suggest Veliska. However, they're

0:28:22.040 --> 0:28:25.560
<v Speaker 2>also getting EVPs and Velliska that are suggesting Malvern. It

0:28:25.600 --> 0:28:29.440
<v Speaker 2>makes no sense, like I would give my left arm

0:28:29.520 --> 0:28:33.600
<v Speaker 2>to see a ledger from the hotel right back in

0:28:33.680 --> 0:28:36.160
<v Speaker 2>nineteen ten in June specifically, or.

0:28:36.840 --> 0:28:39.680
<v Speaker 1>Excuse me, well, no, yeah, exactly. And what also makes

0:28:39.720 --> 0:28:44.200
<v Speaker 1>you wonder too, because obviously Feliska was huge news, and

0:28:44.240 --> 0:28:48.120
<v Speaker 1>so sometimes even just a news story can be enough

0:28:48.120 --> 0:28:51.320
<v Speaker 1>of triggering information to get a spirit to speak with you,

0:28:51.320 --> 0:28:53.520
<v Speaker 1>even if they weren't necessarily involved in it, it's enough

0:28:53.520 --> 0:28:55.960
<v Speaker 1>for them to be like, oh, yeah, I remember that.

0:28:56.360 --> 0:29:01.040
<v Speaker 1>Clearly everyone who was at Malvern knew about that. Obviously

0:29:01.080 --> 0:29:04.040
<v Speaker 1>we could go down the rabbit hole. But but that's

0:29:04.080 --> 0:29:07.640
<v Speaker 1>a possibility too. I find that connection to be very interesting,

0:29:07.680 --> 0:29:09.880
<v Speaker 1>and Johnny brought it up to me when I was

0:29:09.920 --> 0:29:11.880
<v Speaker 1>at Veliska last He was like, you got to go

0:29:11.920 --> 0:29:14.080
<v Speaker 1>to Malvern, and I still can't believe I haven't been there.

0:29:14.200 --> 0:29:17.280
<v Speaker 1>To be honest, I have this very weird draw to Iowa.

0:29:17.560 --> 0:29:19.680
<v Speaker 1>So like I've always, like every time we've gone there

0:29:19.680 --> 0:29:22.000
<v Speaker 1>to investigate or whatever, I've always had this kind of

0:29:22.840 --> 0:29:24.960
<v Speaker 1>draw to it and can come to find out like

0:29:25.280 --> 0:29:28.160
<v Speaker 1>I was half adopted and all bunch of my birth

0:29:28.200 --> 0:29:33.400
<v Speaker 1>families all from Iowa, like I descended from Iowan's. So yeah,

0:29:33.520 --> 0:29:34.960
<v Speaker 1>so strange, but well.

0:29:34.840 --> 0:29:38.000
<v Speaker 2>That's interesting, yeah, I mean honestly, like what you guys

0:29:38.040 --> 0:29:41.920
<v Speaker 2>go to Belvoir a lot, yeah, which I mean that's

0:29:41.960 --> 0:29:43.960
<v Speaker 2>just two hours away, give.

0:29:43.840 --> 0:29:46.320
<v Speaker 1>Her and a half. Yeah. When we were filming at

0:29:46.400 --> 0:29:49.440
<v Speaker 1>Veliska for Kindred, the owner of Belvoir, so Jesse is

0:29:49.480 --> 0:29:51.120
<v Speaker 1>one of my best friends, and so he came out

0:29:51.120 --> 0:29:54.720
<v Speaker 1>and hung out with us, and so personally, like, do

0:29:54.800 --> 0:29:57.360
<v Speaker 1>you ever well, first of all, do you live in

0:29:57.400 --> 0:29:59.360
<v Speaker 1>Malvern or are you just like there all the time.

0:29:59.480 --> 0:30:03.200
<v Speaker 2>I'm just overcoming it feels like I live in Malverne.

0:30:03.440 --> 0:30:05.840
<v Speaker 2>I live like ten or fifteen minutes away, which is

0:30:05.880 --> 0:30:08.360
<v Speaker 2>like just close enough and just far enough away, you know.

0:30:08.480 --> 0:30:11.960
<v Speaker 1>Yeah, no, that makes sense. Now do you ever regret

0:30:12.080 --> 0:30:15.160
<v Speaker 1>the decision to be so heavily involved in it?

0:30:15.280 --> 0:30:18.840
<v Speaker 2>Sometimes? I guess like it's weird, right, Like I can't

0:30:18.960 --> 0:30:23.120
<v Speaker 2>imagine doing anything else now, like I honestly can't. I

0:30:23.880 --> 0:30:26.480
<v Speaker 2>feel also very fortunate to be doing what I'm doing,

0:30:26.480 --> 0:30:28.920
<v Speaker 2>because I know a lot of people that would die

0:30:29.200 --> 0:30:33.160
<v Speaker 2>to do this, you know. But there are certain times

0:30:33.160 --> 0:30:35.440
<v Speaker 2>like I mean, I remember one time giving an interview,

0:30:36.120 --> 0:30:39.280
<v Speaker 2>sitting in the main room over here, and somebody asked

0:30:39.280 --> 0:30:42.040
<v Speaker 2>that question, does anything ever follow you home? And I

0:30:42.040 --> 0:30:44.760
<v Speaker 2>said no, not really like and right at that moment,

0:30:44.880 --> 0:30:47.720
<v Speaker 2>my wife called me and I was like, sorry, guys,

0:30:47.760 --> 0:30:49.920
<v Speaker 2>I gotta take this real quick. And I asked if

0:30:49.920 --> 0:30:51.560
<v Speaker 2>everything was okay. She goes, I don't know what you

0:30:51.600 --> 0:30:53.840
<v Speaker 2>guys are doing over there, but you need to knock

0:30:53.840 --> 0:30:57.000
<v Speaker 2>it off. I'm like, what do you mean. She's like, like,

0:30:57.040 --> 0:30:59.600
<v Speaker 2>the kitchen cabinet doors are opening. The dog is like

0:30:59.640 --> 0:31:04.160
<v Speaker 2>going absolutely batcrap crazy. He's like. My wife was like,

0:31:04.200 --> 0:31:06.840
<v Speaker 2>something is going on over here. Please stop. I'm like,

0:31:07.000 --> 0:31:08.920
<v Speaker 2>we're not doing anything, we're just talking.

0:31:10.080 --> 0:31:12.680
<v Speaker 1>Yeah, your Malvern friends were like, oh, that's something we

0:31:12.720 --> 0:31:16.240
<v Speaker 1>can do. Let's explore this option exactly.

0:31:16.280 --> 0:31:18.080
<v Speaker 2>It's like, oh and now they heard that, yes.

0:31:19.080 --> 0:31:21.680
<v Speaker 1>Well, hopefully you set some boundaries since then, so that's

0:31:21.680 --> 0:31:22.320
<v Speaker 1>not happening.

0:31:22.600 --> 0:31:23.120
<v Speaker 2>Definitely.

0:31:23.160 --> 0:31:25.760
<v Speaker 1>Well I love that now, I know. So Malvern is

0:31:25.800 --> 0:31:29.120
<v Speaker 1>open for tours and investigations, is that correct?

0:31:29.200 --> 0:31:29.720
<v Speaker 2>Absolutely?

0:31:29.800 --> 0:31:31.760
<v Speaker 1>Yes, Okay, and how does that work, like if people

0:31:31.800 --> 0:31:34.040
<v Speaker 1>want to come visit and check it out?

0:31:34.320 --> 0:31:39.280
<v Speaker 2>Yeah, So malvernmanor dotweeble dot com is the website. And

0:31:39.360 --> 0:31:42.200
<v Speaker 2>on that website, I mean you can check out the

0:31:42.240 --> 0:31:46.240
<v Speaker 2>calendar with available dates, you can request a date and

0:31:46.320 --> 0:31:50.080
<v Speaker 2>from there it just emails me directly and we get

0:31:50.120 --> 0:31:51.840
<v Speaker 2>you on the calendar and off you go, you know

0:31:53.120 --> 0:31:56.240
<v Speaker 2>type of thing. So it's it's super fun. I love

0:31:56.680 --> 0:32:00.520
<v Speaker 2>meeting new people and seeing people's approach to an investigating

0:32:00.600 --> 0:32:01.400
<v Speaker 2>and all that stuff.

0:32:01.640 --> 0:32:04.120
<v Speaker 1>I'm sure you have boundaries and things, and everybody's super

0:32:04.200 --> 0:32:07.400
<v Speaker 1>respectful and I can only imagine.

0:32:07.000 --> 0:32:09.760
<v Speaker 2>Yeah, you know, for the most part they are. It's

0:32:10.280 --> 0:32:13.880
<v Speaker 2>there's obviously your your outliers, right like once in a while,

0:32:14.040 --> 0:32:17.000
<v Speaker 2>but no, like for the most part, ninety nine percent

0:32:17.040 --> 0:32:21.480
<v Speaker 2>of people come in here very respectfully, which I also

0:32:21.560 --> 0:32:24.320
<v Speaker 2>say is probably the only way that you're going to

0:32:24.440 --> 0:32:29.360
<v Speaker 2>get legitimate interactions because absolutely if you come in kind

0:32:29.360 --> 0:32:31.760
<v Speaker 2>of like what I call guns a blazon, you know,

0:32:31.800 --> 0:32:34.680
<v Speaker 2>where you're like kicking indoors saying show yourself and all that, tiff,

0:32:34.680 --> 0:32:36.360
<v Speaker 2>it's really not going to get you very far. But

0:32:36.880 --> 0:32:40.320
<v Speaker 2>if you take an hour or you take ninety minutes,

0:32:40.320 --> 0:32:42.680
<v Speaker 2>and you go and just sit in a room and

0:32:42.720 --> 0:32:46.840
<v Speaker 2>you just ask very generic questions, what did you do today?

0:32:47.280 --> 0:32:49.680
<v Speaker 2>You know, what are you doing tomorrow? How is your day?

0:32:50.080 --> 0:32:52.360
<v Speaker 2>You have things like that, like it seems to really

0:32:52.480 --> 0:32:54.920
<v Speaker 2>elicit a response from these people.

0:32:55.440 --> 0:32:58.760
<v Speaker 1>Yeah, I agree completely. So well, I'm going to have

0:32:58.840 --> 0:33:02.200
<v Speaker 1>to pay a visit clearly next time I'm in Iowa

0:33:02.280 --> 0:33:07.280
<v Speaker 1>exploring my heritage, and I will. But I really do

0:33:07.360 --> 0:33:09.400
<v Speaker 1>appreciate you taking the time. It's been a lot of

0:33:09.440 --> 0:33:12.360
<v Speaker 1>fun chatting with you, and like I said, hopefully I'll

0:33:12.360 --> 0:33:13.080
<v Speaker 1>be visiting soon.

0:33:13.440 --> 0:33:14.480
<v Speaker 2>That sounds great, Thank you.

0:33:17.280 --> 0:33:20.600
<v Speaker 1>Malvern Manor has left behind its old role as care

0:33:20.680 --> 0:33:26.400
<v Speaker 1>facility and now caters to supernatural enthusiasts and paranormal investigators.

0:33:27.080 --> 0:33:30.920
<v Speaker 1>It's oddly appropriate that the facility still straddles the line

0:33:30.960 --> 0:33:35.040
<v Speaker 1>between looking forward and looking back. Its business model is

0:33:35.080 --> 0:33:38.360
<v Speaker 1>different from anything it had before, but any interaction with

0:33:38.480 --> 0:33:42.880
<v Speaker 1>mysticism and spirituality will always involve some engagement with the past.

0:33:43.720 --> 0:33:47.400
<v Speaker 1>So while spirits from long ago continue to dwell there today.

0:33:47.840 --> 0:33:52.160
<v Speaker 1>We can only hope they'll find a pathway forward as well.

0:33:52.360 --> 0:34:05.640
<v Speaker 1>I'm Amy Bruney and this was Haunted Road. Haunted Road

0:34:05.880 --> 0:34:09.280
<v Speaker 1>is hosted and written by me Amy Bruney, with additional

0:34:09.320 --> 0:34:13.360
<v Speaker 1>research by Cassandra de Alba. This show is edited and

0:34:13.440 --> 0:34:17.719
<v Speaker 1>produced by Rima Alkali, with supervising producer Josh Thain and

0:34:17.800 --> 0:34:23.040
<v Speaker 1>executive producers Aaron Menke, Alex Williams, and Matt Frederick. Haunted

0:34:23.120 --> 0:34:26.640
<v Speaker 1>Road is a production of iHeartRadio and Grim and Mild

0:34:26.640 --> 0:34:29.799
<v Speaker 1>from Aaron Menke. Learn more about this show over at

0:34:29.840 --> 0:34:35.160
<v Speaker 1>Grimanmild dot com, and for more podcasts from iHeartRadio, visit

0:34:35.200 --> 0:34:38.960
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you listen to

0:34:39.000 --> 0:34:49.560
<v Speaker 1>your favorite shows.