1 00:00:00,240 --> 00:00:01,960 Speaker 1: The Nikki Glazer Podcast. 2 00:00:10,080 --> 00:00:12,760 Speaker 2: Here's Nicky. Hello here, I am welcome to the show. 3 00:00:12,760 --> 00:00:15,800 Speaker 2: It's Nicky Glazer Podcast. We are in Los Angeles this week. 4 00:00:15,840 --> 00:00:17,560 Speaker 2: I was at the Grammys last night. It is a 5 00:00:17,560 --> 00:00:21,840 Speaker 2: full fun room. We've got Brian Frangie. Hey, We've got 6 00:00:21,880 --> 00:00:24,919 Speaker 2: Sean O'Connor. Hi, and we've got Andrew Collins. 7 00:00:25,040 --> 00:00:25,160 Speaker 3: Oh. 8 00:00:25,600 --> 00:00:29,560 Speaker 1: Hello, I am just fresh from doing I was late. 9 00:00:29,600 --> 00:00:29,920 Speaker 3: You guys. 10 00:00:29,920 --> 00:00:31,800 Speaker 2: You boys were like having your own podcast in here. 11 00:00:31,920 --> 00:00:34,159 Speaker 2: I walked into the studio and it was like you 12 00:00:34,200 --> 00:00:36,479 Speaker 2: were already so chatty and having fun and laughing. 13 00:00:36,520 --> 00:00:37,680 Speaker 1: It made me feel so good. 14 00:00:37,760 --> 00:00:39,920 Speaker 3: I mean, we were kind of discovering that every one 15 00:00:39,960 --> 00:00:42,640 Speaker 3: of Andrew's friends are super wealthy. 16 00:00:43,080 --> 00:00:46,239 Speaker 4: Yeah, it's independently wealthy in different fields. Also, it's not 17 00:00:46,280 --> 00:00:47,920 Speaker 4: just like I. 18 00:00:47,800 --> 00:00:50,639 Speaker 2: Wanted to become better and I noticed a trend. 19 00:00:53,320 --> 00:00:56,080 Speaker 5: Things. So well, I'm the cool I'm not a I'm 20 00:00:56,120 --> 00:00:57,440 Speaker 5: a cooler just for myself. 21 00:00:57,520 --> 00:00:58,320 Speaker 1: Yeah, let's go through it. 22 00:00:58,360 --> 00:01:01,960 Speaker 2: Okay, Andrew, your child of your childhood friends is a 23 00:01:02,080 --> 00:01:03,080 Speaker 2: very famous country star. 24 00:01:03,240 --> 00:01:06,200 Speaker 5: You went to with him last week? Really st Marquee. 25 00:01:06,400 --> 00:01:08,640 Speaker 6: Oh wow, you're just talking about his new album he's 26 00:01:08,640 --> 00:01:09,080 Speaker 6: putting out. 27 00:01:09,080 --> 00:01:11,440 Speaker 5: It's really laid back with Scooter Jennings. Actually I should 28 00:01:12,160 --> 00:01:13,480 Speaker 5: oh yeah, Blewis. 29 00:01:13,959 --> 00:01:16,440 Speaker 1: It was the name of a character on Heavy Gilmore. 30 00:01:16,560 --> 00:01:17,240 Speaker 3: Yeah, I don't know. 31 00:01:17,240 --> 00:01:19,560 Speaker 4: Those actual Shooter McGavin. 32 00:01:19,880 --> 00:01:20,200 Speaker 5: That's right. 33 00:01:21,480 --> 00:01:25,080 Speaker 3: Yes, Scooter Jennings is the son of Way. He used 34 00:01:25,080 --> 00:01:27,640 Speaker 3: to be married to Drea de Matteo. 35 00:01:27,760 --> 00:01:30,039 Speaker 1: From the Sopranos. 36 00:01:30,280 --> 00:01:32,240 Speaker 3: Depending on Sopranos. 37 00:01:32,720 --> 00:01:35,440 Speaker 2: Se Sopranos, me too. I was Sopranos. 38 00:01:35,440 --> 00:01:37,319 Speaker 3: Well, we were in New Jersey, so it's immediately coming 39 00:01:37,319 --> 00:01:40,039 Speaker 3: out Sopranos. That's something version. 40 00:01:40,360 --> 00:01:43,960 Speaker 4: That's what you should say it Sopranos is this erodyte. 41 00:01:43,480 --> 00:01:46,520 Speaker 2: And then and that word in and of itself. 42 00:01:46,440 --> 00:01:48,280 Speaker 4: You know what it means right away, even if you don't. 43 00:01:48,360 --> 00:01:49,040 Speaker 1: That's a good point. 44 00:01:49,520 --> 00:01:53,880 Speaker 3: Is the word. It's like when you have celery and carrots. 45 00:01:57,160 --> 00:02:00,760 Speaker 6: Okay, day, I feel like it's like hello. 46 00:02:00,560 --> 00:02:01,600 Speaker 5: And. 47 00:02:03,760 --> 00:02:05,600 Speaker 2: I don't even I'm asking you, and I realized I 48 00:02:05,600 --> 00:02:10,720 Speaker 2: don't even know what it would be, So come on. 49 00:02:15,560 --> 00:02:22,040 Speaker 3: You, he said, he's right, okay, rude c r yeah. 50 00:02:21,919 --> 00:02:25,120 Speaker 5: Crew de tay c Are you crude? 51 00:02:25,400 --> 00:02:28,640 Speaker 1: Duff? 52 00:02:28,760 --> 00:02:34,280 Speaker 4: Yeah A no, that's where sucked up these words. 53 00:02:34,840 --> 00:02:36,919 Speaker 5: Don't learn them. This is why I don't learn these words. 54 00:02:37,080 --> 00:02:38,839 Speaker 6: Yeah, because you don't want to be because it don't 55 00:02:38,840 --> 00:02:40,800 Speaker 6: make sense to normal speaking people. 56 00:02:40,880 --> 00:02:44,760 Speaker 2: Well know, what is a cre crew ditey It's like 57 00:02:44,800 --> 00:02:47,079 Speaker 2: it could be did say it's a crew dte Like. 58 00:02:47,520 --> 00:02:49,240 Speaker 3: You don't have to you don't have to talk about it, 59 00:02:49,280 --> 00:02:50,359 Speaker 3: like it's an Italian woman. 60 00:02:55,639 --> 00:02:59,440 Speaker 1: It's an I crew d I t e. That's it's 61 00:02:59,520 --> 00:03:00,160 Speaker 1: like front and. 62 00:03:00,160 --> 00:03:02,400 Speaker 2: I think it probably should have an accent. 63 00:03:02,840 --> 00:03:04,160 Speaker 1: A goo at the end. 64 00:03:04,280 --> 00:03:05,960 Speaker 5: So what is it? It's an appetizer. 65 00:03:06,320 --> 00:03:08,360 Speaker 1: Yeah, it's like uh, you know, raw vegetables. 66 00:03:08,480 --> 00:03:11,040 Speaker 2: Yeah, when like you know, they have hummus with peta 67 00:03:11,120 --> 00:03:12,560 Speaker 2: and crude tay, it's usually gonna be a bunch of 68 00:03:12,600 --> 00:03:13,359 Speaker 2: ship you don't want to eat. 69 00:03:13,440 --> 00:03:16,240 Speaker 4: Crew de te is also got the guy who who's 70 00:03:16,280 --> 00:03:19,600 Speaker 4: the doctor the Oprah's doctor that John Fetterman, uh Ran, 71 00:03:20,639 --> 00:03:26,160 Speaker 4: doctor Oz Oz, doctor Phil Oh, Yeah, he's also doctor 72 00:03:26,200 --> 00:03:29,639 Speaker 4: Oz had a gaff during his senate when he was 73 00:03:29,720 --> 00:03:32,920 Speaker 4: running for senator against John Fetterman in Pennsylvania where he 74 00:03:33,040 --> 00:03:34,400 Speaker 4: said like do you remember it. 75 00:03:34,400 --> 00:03:36,320 Speaker 3: Was oh yeah, no he was so basically he was 76 00:03:36,320 --> 00:03:38,280 Speaker 3: trying to show that he was like of the people 77 00:03:38,760 --> 00:03:40,840 Speaker 3: of the earth. Yeah, Like he was at Wegman's and 78 00:03:40,880 --> 00:03:44,000 Speaker 3: he was like, all right, so Selary, what eight dollars? 79 00:03:44,240 --> 00:03:46,040 Speaker 3: This is how expensive it is to make a crew 80 00:03:46,120 --> 00:03:46,440 Speaker 3: de tay. 81 00:03:46,760 --> 00:03:50,160 Speaker 4: Yeah, he was trying to relate to the common man. Yeah, 82 00:03:52,240 --> 00:03:55,760 Speaker 4: so he got caught up crap. Yeah, yeah, very. 83 00:03:55,600 --> 00:03:58,760 Speaker 2: Aerodyte aerodyte aerodype yea. 84 00:03:58,720 --> 00:04:01,000 Speaker 4: Area are you? 85 00:04:02,280 --> 00:04:06,760 Speaker 2: That's an ASATs is my new word that I oh 86 00:04:06,840 --> 00:04:09,680 Speaker 2: tell me abouts. It's like a copy of something. It 87 00:04:09,720 --> 00:04:13,760 Speaker 2: means it's ersats. It's like it's it's a less good. 88 00:04:13,640 --> 00:04:16,440 Speaker 3: Copy e R s atz. 89 00:04:16,680 --> 00:04:18,800 Speaker 2: I think it's I think that's it. I could be wrong. 90 00:04:20,680 --> 00:04:21,320 Speaker 5: Vocabulary. 91 00:04:21,320 --> 00:04:23,800 Speaker 2: I think I heard it was probably on like some 92 00:04:23,880 --> 00:04:26,800 Speaker 2: kind of app I had, and then I think I 93 00:04:26,839 --> 00:04:28,440 Speaker 2: came across it in like reading stuff, and then I 94 00:04:28,480 --> 00:04:30,279 Speaker 2: would always look it up, and then I think I 95 00:04:30,320 --> 00:04:33,320 Speaker 2: actually put in a in a note and then I 96 00:04:33,360 --> 00:04:34,000 Speaker 2: would see it. 97 00:04:34,080 --> 00:04:35,400 Speaker 1: But I think it just sunk in. 98 00:04:35,760 --> 00:04:38,080 Speaker 2: Like last week on a vocab quiz I was taking 99 00:04:38,120 --> 00:04:40,320 Speaker 2: on TikTok or like on a real that said, oh no, 100 00:04:40,440 --> 00:04:42,560 Speaker 2: was YouTube and it was a guy that was like 101 00:04:43,200 --> 00:04:43,680 Speaker 2: if I was. 102 00:04:43,720 --> 00:04:45,360 Speaker 1: It was three o'clock in the morning, I couldn't. 103 00:04:45,040 --> 00:04:47,000 Speaker 2: Sleep, and eventually it fed me this video that was 104 00:04:47,040 --> 00:04:49,240 Speaker 2: like test your vocabulary. See how smart you are? And 105 00:04:49,240 --> 00:04:51,080 Speaker 2: it was ten questions and it was one of them 106 00:04:51,120 --> 00:04:52,760 Speaker 2: and I got it right. And now it's like in 107 00:04:52,880 --> 00:04:54,720 Speaker 2: because I'm so proud of myself that I got it right. 108 00:04:54,760 --> 00:04:55,680 Speaker 1: So now it's it's love. 109 00:04:57,320 --> 00:04:59,040 Speaker 5: When do you get the balls to go? 110 00:05:00,080 --> 00:05:02,440 Speaker 1: I can't even remember the word, but ersatz. Yeah, it's 111 00:05:02,520 --> 00:05:04,520 Speaker 1: like literally never. 112 00:05:04,720 --> 00:05:04,960 Speaker 5: Yeah. 113 00:05:05,000 --> 00:05:07,279 Speaker 3: I feel like with these words because this happens to 114 00:05:07,279 --> 00:05:09,640 Speaker 3: me quite a bit. Uh, I have to wait five 115 00:05:09,720 --> 00:05:12,159 Speaker 3: years after I'm confident of what it means to just 116 00:05:12,200 --> 00:05:13,880 Speaker 3: start using it in conversation. 117 00:05:14,080 --> 00:05:15,800 Speaker 2: Yeah, I'm trying to think of the one that I 118 00:05:15,960 --> 00:05:19,120 Speaker 2: just got comfortable with and tried out patently. 119 00:05:20,040 --> 00:05:25,520 Speaker 1: Trying patently. Obviously, isn't that patently? But sometimes people say 120 00:05:25,720 --> 00:05:27,560 Speaker 1: that's why I don't. I'm not confident about it. 121 00:05:27,560 --> 00:05:30,120 Speaker 4: I'm not confident either. Now you're saying I think. 122 00:05:30,000 --> 00:05:32,480 Speaker 2: It's I think I think Sam Harris says patently. 123 00:05:32,839 --> 00:05:34,240 Speaker 1: Yeah, I hear him saying. 124 00:05:34,320 --> 00:05:36,000 Speaker 4: I got I got it. I'm gonna say he's wrong. 125 00:05:36,200 --> 00:05:38,839 Speaker 2: I think he actually might say patently and I'm making 126 00:05:38,880 --> 00:05:40,520 Speaker 2: it up, but I don't know. 127 00:05:40,720 --> 00:05:42,800 Speaker 3: I hate that because I'll listen to a podcast of 128 00:05:42,839 --> 00:05:44,600 Speaker 3: people who I think are like the smartest people in 129 00:05:44,600 --> 00:05:46,520 Speaker 3: the world, and they're always been pronouncing words and that 130 00:05:46,680 --> 00:05:49,800 Speaker 3: I start, and then someone points it out. 131 00:05:49,960 --> 00:05:56,800 Speaker 2: Yes, I with taking things for because I know granted 132 00:05:56,920 --> 00:05:59,640 Speaker 2: is the thing that everyone says wrong. Instead of granted, 133 00:06:00,360 --> 00:06:03,360 Speaker 2: I will granted, say Nikki, whatever you think is the 134 00:06:03,440 --> 00:06:05,560 Speaker 2: right thing to say, say the opposite and the because 135 00:06:05,600 --> 00:06:08,919 Speaker 2: I usually would think, like I used, I train myself 136 00:06:08,960 --> 00:06:11,000 Speaker 2: to do the opposite of what my natural inclination was. 137 00:06:11,040 --> 00:06:13,840 Speaker 1: And then I go to I say granted granted all 138 00:06:13,880 --> 00:06:14,200 Speaker 1: the time. 139 00:06:14,240 --> 00:06:18,000 Speaker 2: I cannot, literally I can't say that phrase without clenching 140 00:06:18,080 --> 00:06:19,800 Speaker 2: everything in me and being like, which one is it? 141 00:06:19,839 --> 00:06:24,240 Speaker 2: I don't know, even though it's clear it's not a countertop, No. 142 00:06:24,200 --> 00:06:27,560 Speaker 3: It's granted. It's like you just have to convince yourself. 143 00:06:27,720 --> 00:06:31,240 Speaker 3: I'm stuck in a place right now with champing at 144 00:06:31,240 --> 00:06:37,239 Speaker 3: the bit. Oh, but it's but it's champing. The Dirty 145 00:06:37,320 --> 00:06:41,000 Speaker 3: Rock pointed out that it's champing because horses champ. Oh, 146 00:06:41,400 --> 00:06:44,159 Speaker 3: And I don't know if that's a joke that Jack makes, 147 00:06:44,160 --> 00:06:46,480 Speaker 3: but it seems so correct that I've just been doing 148 00:06:46,600 --> 00:06:49,560 Speaker 3: champing at the bit. Do people think I'm an idiot? 149 00:06:49,680 --> 00:06:52,920 Speaker 2: Well, I remember Kelsey Grammar going on like Conan in 150 00:06:53,000 --> 00:06:55,560 Speaker 2: the late nineties and saying that, you know, he was 151 00:06:55,560 --> 00:06:57,400 Speaker 2: talking about a lot of words that are mispronounced most 152 00:06:57,400 --> 00:06:59,719 Speaker 2: of the time. And what I remember was people say culinary, 153 00:06:59,720 --> 00:07:02,159 Speaker 2: and it's culinary, and. 154 00:07:02,080 --> 00:07:03,240 Speaker 1: No one says it that way. 155 00:07:03,279 --> 00:07:06,200 Speaker 2: But I think he is right, but I've never said 156 00:07:07,279 --> 00:07:08,520 Speaker 2: I think it was like a bit, you know, It's 157 00:07:08,520 --> 00:07:10,120 Speaker 2: like it's Kelsey Grammer, so that they were like trying 158 00:07:10,120 --> 00:07:11,320 Speaker 2: to make a bit out of like what are some 159 00:07:11,360 --> 00:07:13,240 Speaker 2: words that you know that other people don't and you're 160 00:07:13,240 --> 00:07:15,200 Speaker 2: smarter than anyway. I was at the Grammys last night 161 00:07:15,280 --> 00:07:17,440 Speaker 2: and all your friends are famous, and wait, Ja Cohen 162 00:07:17,520 --> 00:07:17,920 Speaker 2: wasn't there. 163 00:07:18,600 --> 00:07:19,200 Speaker 1: He's been before. 164 00:07:19,240 --> 00:07:22,239 Speaker 5: I'm sure, Oh yeah, he skipped it. You know, he's busy. 165 00:07:22,360 --> 00:07:24,680 Speaker 1: Deals has a song about Jaycohon. Did you ask me 166 00:07:24,760 --> 00:07:27,600 Speaker 1: about it? I don understand it's speculated. 167 00:07:28,320 --> 00:07:28,920 Speaker 5: I'm done. 168 00:07:29,040 --> 00:07:30,640 Speaker 2: I mean, it's none of my business and I would 169 00:07:30,680 --> 00:07:34,080 Speaker 2: never pry in that way because I just I don't 170 00:07:34,080 --> 00:07:36,400 Speaker 2: do that anymore. I don't want that behind the scenes 171 00:07:36,400 --> 00:07:38,120 Speaker 2: story unless she's willing to give it to me. And 172 00:07:38,160 --> 00:07:40,840 Speaker 2: that's what I stand behind. I don't want I don't pray, 173 00:07:40,960 --> 00:07:43,040 Speaker 2: I don't want to do any investigating. I just want 174 00:07:43,080 --> 00:07:45,000 Speaker 2: to take it as it is, But I will say 175 00:07:45,000 --> 00:07:47,920 Speaker 2: that last night she wore a tea, Like she had 176 00:07:47,920 --> 00:07:49,920 Speaker 2: this awesome dress and she had like a little beaded 177 00:07:50,520 --> 00:07:53,280 Speaker 2: like necklace thing hanging off like right on her leg, 178 00:07:53,320 --> 00:07:54,120 Speaker 2: and it said tea. 179 00:07:54,800 --> 00:07:58,440 Speaker 1: And it's like, oh, is that Travis or is it her? 180 00:07:59,120 --> 00:08:00,000 Speaker 1: Or is it tortured Poe. 181 00:08:00,080 --> 00:08:02,080 Speaker 2: It's like, who knows what's So it could be all 182 00:08:02,120 --> 00:08:02,680 Speaker 2: those things. 183 00:08:02,800 --> 00:08:06,000 Speaker 3: Could be a man named Tevin, could be. 184 00:08:05,960 --> 00:08:10,120 Speaker 1: Yeah, her a long time manicurist. 185 00:08:12,520 --> 00:08:15,480 Speaker 4: Maybe it's a diagram of the couldest act she grew 186 00:08:15,560 --> 00:08:16,880 Speaker 4: up on it. It could be a tea. 187 00:08:17,120 --> 00:08:20,960 Speaker 1: It could be cross, a broken cross. So you were 188 00:08:21,000 --> 00:08:24,280 Speaker 1: so close to her, Uh yeah, well no, it's a bit. 189 00:08:24,320 --> 00:08:26,040 Speaker 2: It was a big room, so she was like in 190 00:08:26,080 --> 00:08:28,320 Speaker 2: the middle and I was like stage right with you. 191 00:08:28,480 --> 00:08:29,840 Speaker 3: Had like the best seats. 192 00:08:30,120 --> 00:08:33,680 Speaker 2: I had amazing seats for the two performances that meant well, 193 00:08:34,200 --> 00:08:36,080 Speaker 2: the one two of the three that mattered the most 194 00:08:36,080 --> 00:08:38,120 Speaker 2: to me. No, three of the four that mattered the 195 00:08:38,120 --> 00:08:40,920 Speaker 2: most to me. Charlie XCX, Sabrina Carpenter and chappal rode 196 00:08:41,040 --> 00:08:41,640 Speaker 2: right in front of me. 197 00:08:41,679 --> 00:08:42,880 Speaker 1: They were on stage right. 198 00:08:43,240 --> 00:08:45,800 Speaker 2: And and then Billie Eilish was in the middle, but 199 00:08:45,840 --> 00:08:48,160 Speaker 2: like those were the performances I was most excited to see, 200 00:08:48,160 --> 00:08:49,679 Speaker 2: and I was literally front row. 201 00:08:50,040 --> 00:08:50,480 Speaker 5: It was. 202 00:08:50,840 --> 00:08:51,480 Speaker 1: It was incredible. 203 00:08:51,559 --> 00:08:53,920 Speaker 3: It was I spotted you like four or five times 204 00:08:53,960 --> 00:08:55,880 Speaker 3: really yeah, like and it was it was I was 205 00:08:55,920 --> 00:08:57,840 Speaker 3: counting to see if I would see you more. Or 206 00:08:57,960 --> 00:09:01,400 Speaker 3: Trevor Noah doing a speech about donating to fire. 207 00:09:01,200 --> 00:09:03,760 Speaker 2: Rely, yeah, he really had to do a lot of 208 00:09:04,200 --> 00:09:04,839 Speaker 2: fire talks. 209 00:09:05,000 --> 00:09:06,240 Speaker 3: He did beat you there. 210 00:09:06,280 --> 00:09:06,679 Speaker 5: There was. 211 00:09:08,120 --> 00:09:10,840 Speaker 3: But five times that it was. 212 00:09:11,240 --> 00:09:13,520 Speaker 2: It's wild because you're sitting there and like I would 213 00:09:13,520 --> 00:09:15,960 Speaker 2: have to look around before I checked my phone because 214 00:09:15,960 --> 00:09:17,280 Speaker 2: I didn't want to look at my of course, you 215 00:09:17,320 --> 00:09:18,400 Speaker 2: want to look at you phone. And it's like a 216 00:09:18,440 --> 00:09:21,920 Speaker 2: boring talk about something that is very important in the 217 00:09:21,960 --> 00:09:24,240 Speaker 2: scope of things. But you have been you know, you're 218 00:09:24,240 --> 00:09:25,720 Speaker 2: paying attention to the whole time, and like that's a 219 00:09:25,720 --> 00:09:27,280 Speaker 2: moment to check your phone. But you don't want to 220 00:09:27,280 --> 00:09:28,840 Speaker 2: be the one looking at your phone when they're talking 221 00:09:28,840 --> 00:09:33,440 Speaker 2: about inclusion in yeah, in music. 222 00:09:33,200 --> 00:09:38,280 Speaker 1: Or like or you're donating yeah, yeah. 223 00:09:38,360 --> 00:09:40,120 Speaker 2: You don't want to be like putting it together at 224 00:09:40,160 --> 00:09:41,720 Speaker 2: Uber Eats order when they're talking about trans. 225 00:09:41,600 --> 00:09:46,439 Speaker 6: Ring you're putting a palisades home. Yeah, looks nice. 226 00:09:46,640 --> 00:09:48,320 Speaker 2: My one joke that I enjoyed of the night was, 227 00:09:48,360 --> 00:09:50,800 Speaker 2: did you guys see Jaden Smith's Oh? 228 00:09:50,880 --> 00:09:51,720 Speaker 3: Yes, yeah. 229 00:09:51,800 --> 00:09:53,640 Speaker 2: I said that that's one house I wish would have 230 00:09:53,679 --> 00:09:57,120 Speaker 2: burned out. And I said that I literally the guy 231 00:09:57,120 --> 00:10:00,560 Speaker 2: who someone someone that texted me has h He texted 232 00:10:00,600 --> 00:10:03,000 Speaker 2: me his view of the stage and it's like completely 233 00:10:03,040 --> 00:10:06,440 Speaker 2: obstructed by his giant househead, which, by. 234 00:10:06,280 --> 00:10:06,920 Speaker 1: The way, backstage. 235 00:10:06,960 --> 00:10:09,280 Speaker 2: When I was getting led backstage to my seat, I 236 00:10:09,320 --> 00:10:11,600 Speaker 2: saw him in the corridor of like the stairs, you know, 237 00:10:11,600 --> 00:10:14,000 Speaker 2: in backstage, and he was on the phone talking through 238 00:10:14,040 --> 00:10:15,359 Speaker 2: the house, holding. 239 00:10:15,040 --> 00:10:16,680 Speaker 1: On the phone up to the window. 240 00:10:17,360 --> 00:10:20,679 Speaker 2: Yes, the call was coming from outside the house, like 241 00:10:20,800 --> 00:10:25,040 Speaker 2: literally right outside. It so ridiculous, but he was, you know, 242 00:10:25,160 --> 00:10:28,960 Speaker 2: obstructing my friend's view, and my friend is, uh, my 243 00:10:29,000 --> 00:10:31,160 Speaker 2: friend was sitting next he sent a picture, and then 244 00:10:31,200 --> 00:10:33,920 Speaker 2: my other friend was like, where are you seated. We're 245 00:10:34,000 --> 00:10:37,720 Speaker 2: right behind you know, Jaden's househead, And I made I 246 00:10:37,800 --> 00:10:39,720 Speaker 2: just quickly shot off the joke. Yet I wish his 247 00:10:39,720 --> 00:10:42,280 Speaker 2: house would have burned on, not even thinking about the 248 00:10:42,280 --> 00:10:44,720 Speaker 2: fact that the guy she's sitting with who sent me 249 00:10:44,760 --> 00:10:48,040 Speaker 2: the picture his house did burn down. And so he 250 00:10:48,120 --> 00:10:50,520 Speaker 2: comes up to our table and I go oh, because 251 00:10:50,520 --> 00:10:51,200 Speaker 2: I know she goes. 252 00:10:51,240 --> 00:10:53,960 Speaker 1: I showed him. He loved it, he goes, I loved it. 253 00:10:54,080 --> 00:10:55,680 Speaker 1: I love it because he's like, I've been looking at 254 00:10:55,720 --> 00:10:57,760 Speaker 1: this house head all night long, and the second takes 255 00:10:57,760 --> 00:10:58,480 Speaker 1: a house head off. 256 00:10:58,800 --> 00:11:01,280 Speaker 2: Then Willow Smith I'm on the table and starts dancing 257 00:11:02,200 --> 00:11:03,319 Speaker 2: onto the table. 258 00:11:04,040 --> 00:11:08,000 Speaker 3: I last night really tested my patience with the Smith family. 259 00:11:08,720 --> 00:11:11,280 Speaker 3: I thought they were real unhinged. 260 00:11:11,960 --> 00:11:14,440 Speaker 1: I thought it would be sipping tea over here. 261 00:11:14,440 --> 00:11:16,880 Speaker 3: Because I thought it would be really funny if will 262 00:11:17,040 --> 00:11:20,640 Speaker 3: slapped Jada in the house spun around. 263 00:11:18,880 --> 00:11:23,640 Speaker 2: But I was thinking about that my my friend, like 264 00:11:23,679 --> 00:11:26,520 Speaker 2: Will Smith passed us in line to go in the 265 00:11:26,559 --> 00:11:28,480 Speaker 2: red carpet and I was with my publicist and he 266 00:11:28,840 --> 00:11:30,480 Speaker 2: like he just came up and was like just looked 267 00:11:30,480 --> 00:11:32,160 Speaker 2: at my I think Will Smith's just used to everyone 268 00:11:32,200 --> 00:11:33,679 Speaker 2: knowing who he is, so he'll just give out a 269 00:11:33,679 --> 00:11:36,160 Speaker 2: little like hey, nice to see you. And like my 270 00:11:36,240 --> 00:11:37,679 Speaker 2: post is like, did does he. 271 00:11:37,640 --> 00:11:38,240 Speaker 1: Think he knows me? 272 00:11:38,280 --> 00:11:39,920 Speaker 2: I'm like, I think that's just the way he behaves, 273 00:11:39,960 --> 00:11:42,119 Speaker 2: just to give people little gifts of Like Will Smith. 274 00:11:42,120 --> 00:11:45,880 Speaker 1: Touched me and I was like the hand dude, I 275 00:11:45,920 --> 00:11:50,640 Speaker 1: was like, wow, yeah that was he. 276 00:11:50,760 --> 00:11:53,160 Speaker 3: Yeah, yeah, no, it was. It was a WHI. It 277 00:11:53,240 --> 00:11:57,600 Speaker 3: was a wild night. I thought it was incredible. It 278 00:11:57,679 --> 00:12:01,240 Speaker 3: was so long, it was really globes. 279 00:12:01,280 --> 00:12:03,000 Speaker 5: My god, Kanye getting kicked out. 280 00:12:03,280 --> 00:12:04,880 Speaker 1: Well, I was on the way there when I saw. 281 00:12:05,000 --> 00:12:07,440 Speaker 2: I'm looking at the feed, seeing like who's showing up, 282 00:12:07,440 --> 00:12:10,560 Speaker 2: and I see his bride wearing nothing. 283 00:12:11,280 --> 00:12:13,400 Speaker 1: I almost wore that early. 284 00:12:13,720 --> 00:12:15,520 Speaker 2: I changed out of that when I put on my dress. 285 00:12:16,280 --> 00:12:20,080 Speaker 2: We were almost wearing the same thing earlier. That was 286 00:12:20,640 --> 00:12:21,440 Speaker 2: so sad to me. 287 00:12:21,880 --> 00:12:23,280 Speaker 3: It's so set, so prank. 288 00:12:23,320 --> 00:12:24,800 Speaker 2: He's pulling on her every time because you know he 289 00:12:24,840 --> 00:12:26,480 Speaker 2: controls what she wears because he used to do it 290 00:12:26,480 --> 00:12:26,760 Speaker 2: to kem. 291 00:12:26,880 --> 00:12:29,480 Speaker 3: Oh. Yeah, it's and it's wild. It's so sad that 292 00:12:29,600 --> 00:12:32,559 Speaker 3: they weren't invited. He just did that as a stunt 293 00:12:32,559 --> 00:12:34,959 Speaker 3: on the red carpet, and then they were quickly escorted 294 00:12:35,080 --> 00:12:35,720 Speaker 3: about even. 295 00:12:35,640 --> 00:12:37,560 Speaker 2: Get on the red carpet. Like, I don't even understand you. 296 00:12:37,600 --> 00:12:40,480 Speaker 2: We had to go through so much security to get through. 297 00:12:40,280 --> 00:12:40,680 Speaker 3: To that point. 298 00:12:40,760 --> 00:12:43,040 Speaker 4: My people probably just assumed Kanye was invited. 299 00:12:43,200 --> 00:12:46,120 Speaker 1: Yeah, I mean tickets and stuff. I'm really like they had. 300 00:12:46,400 --> 00:12:48,640 Speaker 2: It doesn't matter, Like it doesn't matter that I was presenting, 301 00:12:48,679 --> 00:12:50,840 Speaker 2: Like not that anyone would recognize me walking in, but 302 00:12:50,920 --> 00:12:53,840 Speaker 2: like it doesn't feel like they just let anyone through 303 00:12:53,880 --> 00:12:55,200 Speaker 2: no matter what, like you've got. 304 00:12:55,080 --> 00:12:56,320 Speaker 4: To prove, but he's not. 305 00:12:56,400 --> 00:12:58,520 Speaker 1: Just had to put her a little purse through the thing. 306 00:12:58,600 --> 00:13:01,440 Speaker 6: Like I can't than that, like, oh we let them 307 00:13:01,440 --> 00:13:05,200 Speaker 6: in and we came back like a state kind of thing, 308 00:13:05,480 --> 00:13:07,520 Speaker 6: you know what I mean, Like did they let him 309 00:13:07,559 --> 00:13:08,199 Speaker 6: in the kick him out? 310 00:13:08,200 --> 00:13:09,439 Speaker 2: I just hate that she had to get all dressed 311 00:13:09,520 --> 00:13:12,079 Speaker 2: up and then for nothing, you know, like she had 312 00:13:12,200 --> 00:13:13,280 Speaker 2: put on all the. 313 00:13:13,480 --> 00:13:19,199 Speaker 3: Air I went to after that, like Smashburger. 314 00:13:19,440 --> 00:13:22,960 Speaker 6: It was she did do similar things before they ever 315 00:13:23,000 --> 00:13:24,520 Speaker 6: were together, so she did. 316 00:13:24,720 --> 00:13:26,439 Speaker 2: Yeah, okay, I don't want to say it like. 317 00:13:26,440 --> 00:13:29,360 Speaker 6: I didn't look too much into making it a little 318 00:13:29,360 --> 00:13:31,040 Speaker 6: bit like it her early work. 319 00:13:31,280 --> 00:13:34,320 Speaker 2: Yeah, I know, I didn't. I didn't see them. I 320 00:13:34,400 --> 00:13:36,720 Speaker 2: was like right after getting on the red carpet, I 321 00:13:36,760 --> 00:13:38,280 Speaker 2: was in like the long line and there was like 322 00:13:38,280 --> 00:13:40,959 Speaker 2: a obviously a TSA pre check that I was waiting 323 00:13:40,960 --> 00:13:43,560 Speaker 2: in line for like forty minutes to go through this 324 00:13:43,720 --> 00:13:46,120 Speaker 2: with everyone that was walking the red carpet that was 325 00:13:46,640 --> 00:13:50,800 Speaker 2: not someone that was noticed like recognizable, and then people 326 00:13:50,840 --> 00:13:52,480 Speaker 2: are just coming through and I was like some people. 327 00:13:52,280 --> 00:13:53,720 Speaker 1: Going through the celebrity line. 328 00:13:53,760 --> 00:13:55,719 Speaker 2: I don't know who those people are, and I don't 329 00:13:55,760 --> 00:13:57,520 Speaker 2: I know that no one else does because they're not 330 00:13:57,520 --> 00:13:59,120 Speaker 2: getting the photo taken that much. So I need to 331 00:13:59,120 --> 00:14:00,600 Speaker 2: get in that line. They put me through that line, 332 00:14:00,600 --> 00:14:04,520 Speaker 2: and so I was like, I saw, I saw everyone 333 00:14:04,559 --> 00:14:06,920 Speaker 2: I saw, not Taylor, though Taylor was at the very 334 00:14:07,040 --> 00:14:08,400 Speaker 2: end after I had already gone through. 335 00:14:08,440 --> 00:14:10,079 Speaker 1: She usually shows up, I think at the tail end. 336 00:14:11,520 --> 00:14:12,360 Speaker 1: But yeah, I got to. 337 00:14:15,120 --> 00:14:17,080 Speaker 2: Yeah, that was We'll get into that next. 338 00:14:17,120 --> 00:14:17,600 Speaker 1: That was wild. 339 00:14:17,640 --> 00:14:19,480 Speaker 2: So while I'm on the red carpet, I'm next to 340 00:14:19,480 --> 00:14:22,240 Speaker 2: this guy who was a producer on Shaboozi's song. It 341 00:14:22,280 --> 00:14:24,720 Speaker 2: was really nice guy named Nevin, and I was like, Nevin, 342 00:14:24,720 --> 00:14:25,920 Speaker 2: I don't have my phone with me. I gave it 343 00:14:25,960 --> 00:14:28,680 Speaker 2: to gen ZM because I wanted to mark the carpet 344 00:14:28,720 --> 00:14:30,600 Speaker 2: without my phone, like hanging out my tiny little purse. 345 00:14:31,080 --> 00:14:32,600 Speaker 2: And so I was like, will you you just get 346 00:14:32,600 --> 00:14:34,600 Speaker 2: a picture of me with Olivia like in the background, 347 00:14:34,640 --> 00:14:36,760 Speaker 2: because I was just like, so I'm like doing this 348 00:14:36,840 --> 00:14:39,520 Speaker 2: like pointing at her, going oh my god. And then 349 00:14:39,800 --> 00:14:41,840 Speaker 2: come to find out like she might have done the 350 00:14:41,880 --> 00:14:44,080 Speaker 2: same thing to me had she known I was there, 351 00:14:44,120 --> 00:14:46,840 Speaker 2: Like it it I'll tell the story later on because 352 00:14:46,840 --> 00:14:48,560 Speaker 2: it's the longer story. We have to go to break. 353 00:14:48,840 --> 00:14:52,400 Speaker 2: But that was one of that was Olivia Rodrigo made 354 00:14:52,440 --> 00:14:55,680 Speaker 2: my Grammy Night, including a couple other people. But it 355 00:14:55,760 --> 00:14:58,800 Speaker 2: was I mean, it was like one of the coolest 356 00:14:58,800 --> 00:15:00,560 Speaker 2: things I'll ever get to go see and do. 357 00:15:00,880 --> 00:15:01,600 Speaker 1: It was in my life. 358 00:15:01,680 --> 00:15:03,800 Speaker 3: It was like watching it on TV. It was like, 359 00:15:03,880 --> 00:15:06,880 Speaker 3: this is like the best concert ever, Like, yeah, it's so. 360 00:15:07,080 --> 00:15:10,400 Speaker 3: It was so fun. All the performances were incredible. I mean, 361 00:15:10,560 --> 00:15:14,000 Speaker 3: Gaga did a little too much during her uh Moms 362 00:15:14,000 --> 00:15:15,080 Speaker 3: and Papa's like. 363 00:15:15,280 --> 00:15:17,360 Speaker 2: Oh the California I'd see it was behind it, so 364 00:15:17,400 --> 00:15:18,840 Speaker 2: I didn't see what it looked like on camera. 365 00:15:18,960 --> 00:15:21,480 Speaker 3: It's the first time I've ever seen my son openly 366 00:15:21,560 --> 00:15:25,880 Speaker 3: mock something. He just started mocking Lady gagas dancing without us, 367 00:15:25,920 --> 00:15:28,000 Speaker 3: like you can see the dancing. Oh, she was just 368 00:15:28,000 --> 00:15:31,560 Speaker 3: going like she was doing like like remember like when 369 00:15:31,640 --> 00:15:35,520 Speaker 3: Jenna played Jackie Joran job job. She was doing Jackie. 370 00:15:35,600 --> 00:15:37,280 Speaker 3: There was major Jackie Jorman job. 371 00:15:38,360 --> 00:15:38,640 Speaker 5: God. 372 00:15:39,160 --> 00:15:41,200 Speaker 2: That's so she was really embodying it. 373 00:15:41,360 --> 00:15:43,960 Speaker 3: Like but it was, oh, it was great, what a performance. Yes, 374 00:15:44,080 --> 00:15:47,000 Speaker 3: But Charlie XCXT like that was like I feel like 375 00:15:47,040 --> 00:15:51,040 Speaker 3: my son's sexual awakening. Oh yeah, it was my sexual 376 00:15:52,200 --> 00:15:52,680 Speaker 3: you started. 377 00:15:53,880 --> 00:15:56,000 Speaker 2: We'll talk about all the performances and so much more 378 00:15:56,000 --> 00:15:56,560 Speaker 2: when we get back. 379 00:15:56,600 --> 00:16:02,000 Speaker 1: After we're back, Ye, Noah's asking about Doci. 380 00:16:02,520 --> 00:16:02,920 Speaker 5: We don't. 381 00:16:03,160 --> 00:16:05,440 Speaker 2: Noah's here, but we don't have headphones so we can't 382 00:16:05,440 --> 00:16:08,840 Speaker 2: hear her. So she's texting Brian some questions Doci. I 383 00:16:08,880 --> 00:16:12,520 Speaker 2: love her so much. She won Best Rap Album and 384 00:16:13,560 --> 00:16:15,360 Speaker 2: I saw her. She was I was doing an interview 385 00:16:15,400 --> 00:16:18,000 Speaker 2: with I think ET or something, and as I was 386 00:16:18,000 --> 00:16:20,000 Speaker 2: walking off, she was walking on and I was like, 387 00:16:21,680 --> 00:16:22,080 Speaker 2: I was. 388 00:16:22,080 --> 00:16:27,320 Speaker 1: Doing her song and that was amazing to see. 389 00:16:27,360 --> 00:16:29,000 Speaker 2: Her performance was like in the middle, Like it was 390 00:16:29,000 --> 00:16:30,320 Speaker 2: in the middle, so it's kind of hard for me 391 00:16:30,400 --> 00:16:32,080 Speaker 2: to see, but I thought it was incredible. I thought 392 00:16:32,080 --> 00:16:34,120 Speaker 2: it was a great medley of everything she does. And 393 00:16:34,440 --> 00:16:36,280 Speaker 2: she's just such a She's gonna be someone that we're 394 00:16:36,320 --> 00:16:40,440 Speaker 2: gonna watch forever and no for timeible. Yeah she is. 395 00:16:41,200 --> 00:16:41,920 Speaker 1: She's so good. 396 00:16:42,040 --> 00:16:44,640 Speaker 3: She has staying power. You could tell it's because honestly, 397 00:16:44,720 --> 00:16:46,880 Speaker 3: like watching it, I was like, oh wow, this is 398 00:16:46,960 --> 00:16:50,520 Speaker 3: like welcome, like you are now a part of the 399 00:16:50,600 --> 00:16:53,920 Speaker 3: music industry forever. Like it was like a statement piece yeap. 400 00:16:54,120 --> 00:16:56,720 Speaker 2: That I thought the whole best New Artist kind of 401 00:16:56,760 --> 00:16:59,440 Speaker 2: medley where they go into each other was really well done. 402 00:16:59,520 --> 00:17:02,920 Speaker 3: Oh it was incrediblen. It was amazing. Like at the 403 00:17:03,040 --> 00:17:05,200 Speaker 3: end of it, I was like, oh wow, I now 404 00:17:05,280 --> 00:17:08,280 Speaker 3: know these best new artists everyone. Saund On who Rey 405 00:17:08,520 --> 00:17:09,200 Speaker 3: was last night? 406 00:17:09,720 --> 00:17:12,800 Speaker 2: That was sick. That was like felt like watching Whitney 407 00:17:12,840 --> 00:17:15,000 Speaker 2: Houston live or something like the vocals on that was 408 00:17:15,040 --> 00:17:16,719 Speaker 2: so insanely powerful. 409 00:17:16,720 --> 00:17:18,280 Speaker 1: Even Teddy Swims like his vocals. 410 00:17:18,880 --> 00:17:20,800 Speaker 2: Benson Boone, who I was a part of his performance 411 00:17:20,840 --> 00:17:23,760 Speaker 2: which I got asked to rip his shirt off with 412 00:17:23,800 --> 00:17:24,439 Speaker 2: Heidi Klum. 413 00:17:24,680 --> 00:17:25,480 Speaker 1: That was so fun. 414 00:17:25,640 --> 00:17:27,399 Speaker 2: So after the carpet, we get pulled back to like 415 00:17:27,480 --> 00:17:30,600 Speaker 2: go back to his trailer and I'm back in this 416 00:17:30,680 --> 00:17:33,359 Speaker 2: trailer area. It's like on a parking lot outside and 417 00:17:33,400 --> 00:17:35,119 Speaker 2: a bunch of trailers, and I see Chapel Road and 418 00:17:35,200 --> 00:17:37,280 Speaker 2: like getting her makeup done, and we're walking by and 419 00:17:37,320 --> 00:17:39,600 Speaker 2: we go in Benson Boone's trailer. His parents are there. 420 00:17:39,680 --> 00:17:41,080 Speaker 2: We're like talking outside and then we go in his 421 00:17:41,119 --> 00:17:43,520 Speaker 2: trailer and like choreograph it and rip it off and 422 00:17:43,560 --> 00:17:44,480 Speaker 2: like kind of practice. 423 00:17:44,520 --> 00:17:47,080 Speaker 1: He's so chill, so calm. 424 00:17:46,520 --> 00:17:50,800 Speaker 5: Yeah, so like Timberlake moment and pull it too. 425 00:17:50,600 --> 00:17:55,919 Speaker 1: Hardtcha God forbid? 426 00:17:56,200 --> 00:18:01,679 Speaker 2: Yeah, yeah, I was just worried that. Uh, I just was. 427 00:18:01,880 --> 00:18:03,359 Speaker 2: I literally wasn't worried about it. I don't know I 428 00:18:03,400 --> 00:18:05,040 Speaker 2: was worried about it. I was worried though, because I 429 00:18:05,080 --> 00:18:07,560 Speaker 2: didn't have control over the moment. I'm not talking, I'm 430 00:18:07,560 --> 00:18:09,880 Speaker 2: like doing. It's a movement which I'm not really great 431 00:18:09,920 --> 00:18:10,760 Speaker 2: at moving. 432 00:18:10,640 --> 00:18:12,159 Speaker 4: Right, Like if it goes wrong, you can't make a 433 00:18:12,280 --> 00:18:13,080 Speaker 4: joke to say this. 434 00:18:13,240 --> 00:18:15,600 Speaker 3: Yeah, it's a piece of choreography that you were just 435 00:18:15,640 --> 00:18:18,600 Speaker 3: like one coggan. You're one Coggan, a machine. 436 00:18:18,640 --> 00:18:21,439 Speaker 2: And it's like it affects his performance, like it's not 437 00:18:21,560 --> 00:18:23,840 Speaker 2: my performance, Like if I do something stupid, it makes 438 00:18:23,920 --> 00:18:25,760 Speaker 2: him look dumb. And they asked us to do this, 439 00:18:25,880 --> 00:18:27,639 Speaker 2: like and I don't really know the motivation. Is it 440 00:18:27,720 --> 00:18:29,720 Speaker 2: funny what we're doing? Is it like I supposed to 441 00:18:29,760 --> 00:18:31,719 Speaker 2: add to like the are we supposed to make him 442 00:18:31,760 --> 00:18:34,520 Speaker 2: more alluring? Like I just and by the way, like 443 00:18:34,720 --> 00:18:36,199 Speaker 2: when I got asked to do it, I said that 444 00:18:37,080 --> 00:18:38,719 Speaker 2: there was a funny note at the end because they go, 445 00:18:38,800 --> 00:18:40,480 Speaker 2: you know, we are not able to offer you a 446 00:18:40,480 --> 00:18:43,240 Speaker 2: presenting role, which I understand now because everyone that presented 447 00:18:43,359 --> 00:18:44,160 Speaker 2: was like a megastar. 448 00:18:44,359 --> 00:18:49,480 Speaker 3: You're like, excuse me. I actually knew Quincy jokes on Spotify. 449 00:18:50,320 --> 00:18:52,160 Speaker 2: I watched Parks and Rack and I believe his daughter 450 00:18:52,240 --> 00:18:53,199 Speaker 2: was a big part of that. 451 00:18:55,400 --> 00:18:57,720 Speaker 1: So I uh, They're. 452 00:18:57,480 --> 00:19:01,199 Speaker 2: Like, we can't offer you presenting, you know, role, but 453 00:19:01,320 --> 00:19:03,879 Speaker 2: we were wondering if you wanted to rip Benson Boone's 454 00:19:03,880 --> 00:19:07,160 Speaker 2: shirt off before during his performance with Heidi Klum, which 455 00:19:07,200 --> 00:19:09,639 Speaker 2: is I was like, yes, oh my god. And then 456 00:19:09,680 --> 00:19:11,640 Speaker 2: Aadanda says, we want to let you know he is 457 00:19:11,720 --> 00:19:13,719 Speaker 2: twenty two. We want you to be aware he is 458 00:19:13,760 --> 00:19:16,399 Speaker 2: twenty two, which is like them kind of saying like 459 00:19:16,440 --> 00:19:18,520 Speaker 2: you might look like a pedophile. 460 00:19:18,720 --> 00:19:21,960 Speaker 1: But I'm like, isn't twenty two as fuck? 461 00:19:22,080 --> 00:19:23,800 Speaker 2: Yeah? Time I checked, Like I don't I. 462 00:19:24,000 --> 00:19:25,120 Speaker 4: Think in Utah it's fourteen. 463 00:19:25,200 --> 00:19:25,400 Speaker 3: Yeah. 464 00:19:25,440 --> 00:19:27,040 Speaker 2: He even wrote to me being like I just found 465 00:19:27,040 --> 00:19:30,760 Speaker 2: out Benson Boone's twenty two. I feel disgusting, Like why 466 00:19:30,960 --> 00:19:32,760 Speaker 2: that's lee? Like, I don't know why is it? It's 467 00:19:32,760 --> 00:19:35,199 Speaker 2: no problem with men like a guy that's younger. It's like, 468 00:19:35,280 --> 00:19:37,159 Speaker 2: I don't feel any sickness about being attracted to a 469 00:19:37,160 --> 00:19:38,520 Speaker 2: twenty two year old, which I wasn't. 470 00:19:38,920 --> 00:19:41,040 Speaker 4: Like that he should be younger, but like, why would 471 00:19:41,080 --> 00:19:41,399 Speaker 4: I need to. 472 00:19:41,400 --> 00:19:44,240 Speaker 2: Be warned about that? Like why does why would that 473 00:19:44,280 --> 00:19:44,960 Speaker 2: look bad on me? 474 00:19:45,119 --> 00:19:47,200 Speaker 4: Maybe they were saying, like he was twenty two, he's 475 00:19:47,200 --> 00:19:48,160 Speaker 4: not eighteen. 476 00:19:49,400 --> 00:19:50,280 Speaker 3: No, No, I. 477 00:19:50,200 --> 00:19:52,080 Speaker 2: Don't think they were, because I think people mostly think 478 00:19:52,080 --> 00:19:54,720 Speaker 2: he's older. And it's like, I don't think you have 479 00:19:54,720 --> 00:19:57,200 Speaker 2: to apologize when someone's like if he was seventeen, I 480 00:19:57,280 --> 00:19:59,359 Speaker 2: understand them being like, maybe this isn't a good look. 481 00:19:59,400 --> 00:20:00,240 Speaker 1: When he's twenty two. 482 00:20:00,240 --> 00:20:03,000 Speaker 2: I'm like, I'm sorry, Nicholas Cage is married to something 483 00:20:03,040 --> 00:20:05,200 Speaker 2: Like I just looked today of like all the male 484 00:20:05,240 --> 00:20:07,680 Speaker 2: actors who are married to people who are thirty five 485 00:20:07,760 --> 00:20:10,960 Speaker 2: years younger than them, and I'm getting told he's what 486 00:20:11,760 --> 00:20:14,440 Speaker 2: I can't do, like eighteen years. You know that's a lot. 487 00:20:15,400 --> 00:20:16,879 Speaker 3: It is a space between us. 488 00:20:16,880 --> 00:20:22,120 Speaker 1: I can rip that guy's shirt off. Yeah, I can 489 00:20:22,200 --> 00:20:23,120 Speaker 1: do anything I want. 490 00:20:23,200 --> 00:20:24,720 Speaker 2: But it was funny to me They're like, we do 491 00:20:24,760 --> 00:20:25,680 Speaker 2: want to let you know we want to do I 492 00:20:25,760 --> 00:20:27,480 Speaker 2: understand why they said it, but I kind of don't 493 00:20:27,520 --> 00:20:29,720 Speaker 2: because I'm like, that's not a thing I should be 494 00:20:29,720 --> 00:20:32,080 Speaker 2: ashamed of. And it wasn't like ripping off his shirt 495 00:20:32,160 --> 00:20:33,600 Speaker 2: was me being like I want to have sex with 496 00:20:33,680 --> 00:20:35,480 Speaker 2: him or I'm going to It was like it's a 497 00:20:35,480 --> 00:20:36,320 Speaker 2: reveal of an outfit. 498 00:20:36,400 --> 00:20:41,919 Speaker 3: Yeah, and it's totally implied that you and Heidi want Yes, that's. 499 00:20:41,760 --> 00:20:44,080 Speaker 2: Why we got our boyfriends out of the picture. They 500 00:20:44,160 --> 00:20:48,040 Speaker 2: move and what Todd glasses? For some reason, they moved, Chris. 501 00:20:48,280 --> 00:20:50,560 Speaker 4: This is a classic setup of ages, like the Graduate 502 00:20:50,680 --> 00:20:52,959 Speaker 4: came out in nineteen seventy and that was the same 503 00:20:53,040 --> 00:20:55,280 Speaker 4: age difference or more we all know about this age. 504 00:20:55,520 --> 00:20:57,920 Speaker 2: Shout out to Benson Boone's team and Benson Boone himself, 505 00:20:57,960 --> 00:21:00,480 Speaker 2: who I believe shows me and Heidich do it like 506 00:21:01,040 --> 00:21:02,800 Speaker 2: they he wanted us to do it. They thought it 507 00:21:02,800 --> 00:21:04,679 Speaker 2: would be funny. They were so excited that we were 508 00:21:04,680 --> 00:21:09,000 Speaker 2: doing it. He was so like grateful that we did it, 509 00:21:09,080 --> 00:21:11,240 Speaker 2: so nice, so easy to work with, Like I really 510 00:21:11,240 --> 00:21:13,000 Speaker 2: thought it was something that the producers came up with, 511 00:21:13,040 --> 00:21:15,720 Speaker 2: and maybe it was, but they seemed like, thank you 512 00:21:15,760 --> 00:21:17,960 Speaker 2: for doing this, Like his whole team was so great. 513 00:21:18,000 --> 00:21:22,000 Speaker 4: And then he did a front flip. 514 00:21:22,640 --> 00:21:27,359 Speaker 3: Did that flip? I literally I reacted like I was 515 00:21:27,720 --> 00:21:31,000 Speaker 3: watching Jackass and I was like, what the fuck? Like 516 00:21:31,440 --> 00:21:38,240 Speaker 3: it immediately made me love Benson Bools. 517 00:21:36,040 --> 00:21:37,520 Speaker 2: Started shaking his hips. 518 00:21:37,800 --> 00:21:41,159 Speaker 4: Yeah, sweating and doing this now because he did it. 519 00:21:41,280 --> 00:21:44,000 Speaker 4: He did it so elegantly and cool. When he landed it, 520 00:21:44,040 --> 00:21:45,000 Speaker 4: he did like a little hop. 521 00:21:45,160 --> 00:21:46,159 Speaker 3: That guy was perfect. 522 00:21:46,240 --> 00:21:48,479 Speaker 2: Chris and I were talking to his parents and I 523 00:21:48,560 --> 00:21:49,800 Speaker 2: was just like, what is it like to have a 524 00:21:50,040 --> 00:21:51,800 Speaker 2: son this talented? I started like looking at them, they 525 00:21:51,840 --> 00:21:53,480 Speaker 2: kind of are like they're closer in age to me 526 00:21:53,640 --> 00:21:56,760 Speaker 2: than Benson is, which is wild. And I was like, 527 00:21:57,000 --> 00:21:58,280 Speaker 2: later I was talking to Chris and I was like, 528 00:21:58,440 --> 00:22:01,240 Speaker 2: if we had, if we conceived to tonight in twenty 529 00:22:01,240 --> 00:22:03,479 Speaker 2: three years, he could be backflipping off a piano at 530 00:22:03,520 --> 00:22:05,640 Speaker 2: the brand play it right, like it's not. 531 00:22:05,560 --> 00:22:07,320 Speaker 4: The most kid. 532 00:22:07,880 --> 00:22:15,000 Speaker 2: Yeah, yeah, having a disgusting old woman feel off his clothing, 533 00:22:15,840 --> 00:22:16,679 Speaker 2: you know, and. 534 00:22:16,680 --> 00:22:18,480 Speaker 1: That looks younger than her who was decades old. 535 00:22:19,240 --> 00:22:22,159 Speaker 3: Story, Yeah, you think Heidi got the email just so 536 00:22:22,200 --> 00:22:22,880 Speaker 3: you know he's twenty. 537 00:22:23,840 --> 00:22:27,840 Speaker 6: He got an email saying, do you know Nikki forty? 538 00:22:28,359 --> 00:22:29,080 Speaker 1: Oh my god? 539 00:22:29,359 --> 00:22:31,960 Speaker 6: You know he was on American Idol and like that's 540 00:22:32,000 --> 00:22:35,639 Speaker 6: what I heard. Yeah, he like he had a great audition. No, 541 00:22:35,760 --> 00:22:36,880 Speaker 6: he left the show. 542 00:22:36,880 --> 00:22:39,639 Speaker 4: Before the end of it because he was getting successful. 543 00:22:39,800 --> 00:22:42,360 Speaker 3: Yeah, yeah, they like let him win. 544 00:22:43,080 --> 00:22:46,320 Speaker 1: I think, Yeah, probably he felt like the stank of it. 545 00:22:46,400 --> 00:22:47,200 Speaker 2: Well, you know, like we. 546 00:22:47,240 --> 00:22:48,680 Speaker 5: Remember the winners of these shows. 547 00:22:48,480 --> 00:22:49,280 Speaker 1: You don't remember anything. 548 00:22:49,400 --> 00:22:53,000 Speaker 3: It's kind of like what directly, basically, they got a 549 00:22:53,040 --> 00:22:56,680 Speaker 3: record deal before X Factor ended, and you're not going 550 00:22:56,680 --> 00:22:58,560 Speaker 3: to win because you've already got something better. 551 00:22:58,760 --> 00:23:03,439 Speaker 2: Right, It's I think those shows are amazing opportunity, but 552 00:23:03,520 --> 00:23:04,080 Speaker 2: mostly like. 553 00:23:04,080 --> 00:23:07,439 Speaker 4: Well, America's got talent is great to you. Well, the 554 00:23:07,440 --> 00:23:08,240 Speaker 4: winners you remember. 555 00:23:08,320 --> 00:23:10,040 Speaker 1: That's exciting for you. That I was with Kydie Klume. 556 00:23:10,080 --> 00:23:10,560 Speaker 1: Do you want to know? 557 00:23:11,680 --> 00:23:18,880 Speaker 4: I'm ant fan. Her fingers are so long. Oh she 558 00:23:18,920 --> 00:23:20,960 Speaker 4: holds up peace sign all the time on a g 559 00:23:21,119 --> 00:23:22,960 Speaker 4: T and I'm like, wow, those are long. 560 00:23:22,800 --> 00:23:25,240 Speaker 1: Elegant fingers specimens. She's a lady. 561 00:23:25,520 --> 00:23:27,440 Speaker 3: She is an all time great. 562 00:23:27,480 --> 00:23:33,160 Speaker 2: Love, so hot and so perfect in person, like gorgeous, funny, nice. 563 00:23:33,359 --> 00:23:35,399 Speaker 1: She wanted to like, I'm not even kidding you. 564 00:23:35,520 --> 00:23:38,120 Speaker 2: She pitched loosely, but I know that she meant it 565 00:23:38,359 --> 00:23:41,440 Speaker 2: that we make out behind Benson after we rip off 566 00:23:41,440 --> 00:23:44,399 Speaker 2: his clothes, and I was like, oh, I would totally 567 00:23:44,440 --> 00:23:46,840 Speaker 2: do that, but not make out, but like really kiss 568 00:23:47,200 --> 00:23:49,240 Speaker 2: and I would totally do it, but I just didn't want. 569 00:23:49,080 --> 00:23:50,520 Speaker 1: To steal the focus. 570 00:23:51,119 --> 00:23:54,840 Speaker 2: I would do it and I think we should do something, 571 00:23:55,080 --> 00:23:56,760 Speaker 2: but I don't think we should do anything after we 572 00:23:56,840 --> 00:23:58,919 Speaker 2: rip it, like let him just take it, because we 573 00:23:58,960 --> 00:23:59,879 Speaker 2: could do something. 574 00:24:00,000 --> 00:24:02,240 Speaker 1: And I was like, this isn't our Brittany Madonna. 575 00:24:02,440 --> 00:24:06,159 Speaker 3: Yeah, yeah, moments they just fingered her, just like I 576 00:24:06,160 --> 00:24:07,320 Speaker 3: think you should make out with her. 577 00:24:07,480 --> 00:24:07,680 Speaker 2: Yeah. 578 00:24:08,680 --> 00:24:09,480 Speaker 1: She was so down. 579 00:24:09,520 --> 00:24:11,560 Speaker 2: Even when we were rehearsing it in the trailer, she 580 00:24:11,680 --> 00:24:13,680 Speaker 2: was like I could have kissed her because she was 581 00:24:13,720 --> 00:24:15,119 Speaker 2: like and then we kissed and she like went in 582 00:24:15,119 --> 00:24:16,639 Speaker 2: for it, and I'm like, I love this one. She 583 00:24:16,720 --> 00:24:19,560 Speaker 2: was so cool, so funny, just so easy going, like 584 00:24:19,760 --> 00:24:21,680 Speaker 2: really it makes sense, really nice. 585 00:24:21,880 --> 00:24:24,040 Speaker 1: She is as beautiful as she is, like fun and. 586 00:24:24,000 --> 00:24:26,000 Speaker 4: Cool, beautiful on the inside and outside. 587 00:24:26,080 --> 00:24:27,960 Speaker 2: She really I think she's and I got I think 588 00:24:28,000 --> 00:24:29,919 Speaker 2: I secured an invite to the Halloween party. 589 00:24:29,960 --> 00:24:32,080 Speaker 3: Oh my god, so you have. That's gonna be like 590 00:24:32,200 --> 00:24:33,600 Speaker 3: thirty hours of makeup for you. 591 00:24:34,200 --> 00:24:36,600 Speaker 2: It's gonna be or I don't wear any and no 592 00:24:36,600 --> 00:24:37,560 Speaker 2: one knows who I am. 593 00:24:39,160 --> 00:24:42,639 Speaker 4: Of course, so that last year she was that was 594 00:24:42,680 --> 00:24:45,119 Speaker 4: her party where she dressed up like an amba or something. 595 00:24:45,520 --> 00:24:49,119 Speaker 2: She was like a worm that was so like to 596 00:24:49,240 --> 00:24:51,879 Speaker 2: night and she's like sideways on the red carpet, Like 597 00:24:52,000 --> 00:24:54,680 Speaker 2: that was so hilarious. 598 00:24:54,680 --> 00:24:57,399 Speaker 3: Weird she is, She's fine. She does not have to 599 00:24:57,480 --> 00:25:00,240 Speaker 3: be weird. She's German bloom, She's she. 600 00:25:00,200 --> 00:25:01,480 Speaker 4: Is who she's German weird. 601 00:25:01,600 --> 00:25:03,840 Speaker 2: She rocks, she really rocks. We got to sit with 602 00:25:03,880 --> 00:25:05,359 Speaker 2: her the whole night. It was like her and her 603 00:25:05,400 --> 00:25:08,439 Speaker 2: husband and from Tokyo Hotel. I forget his name, so sorry. 604 00:25:09,200 --> 00:25:10,640 Speaker 2: I don't think I ever got it. It was said, 605 00:25:10,640 --> 00:25:13,160 Speaker 2: and then I didn't collect it. But he's a famous 606 00:25:13,200 --> 00:25:15,639 Speaker 2: and accomplishment musician in his own right. They met at 607 00:25:15,640 --> 00:25:17,760 Speaker 2: a party. I like asked about how they met. I 608 00:25:17,800 --> 00:25:19,680 Speaker 2: was like, I bet she approached you, and she's like, yeah, 609 00:25:19,720 --> 00:25:21,560 Speaker 2: she at first I tried to approach her and she 610 00:25:21,640 --> 00:25:21,960 Speaker 2: did it. 611 00:25:22,440 --> 00:25:22,959 Speaker 3: She did it. 612 00:25:24,119 --> 00:25:28,320 Speaker 5: She's getting yeah, oh yeah, because everyone. 613 00:25:30,960 --> 00:25:34,040 Speaker 1: Tom what call it? Call its Tom. I can't believe 614 00:25:34,040 --> 00:25:34,520 Speaker 1: I didn't. 615 00:25:34,359 --> 00:25:36,560 Speaker 4: Get Tom Tom, you know, but so simple. 616 00:25:36,880 --> 00:25:39,200 Speaker 2: It was so simple, but he was so they were 617 00:25:39,280 --> 00:25:42,199 Speaker 2: so nice and so cool to me and Chris, and 618 00:25:42,240 --> 00:25:43,800 Speaker 2: they were sitting there to Gaff again, who did a 619 00:25:43,840 --> 00:25:45,760 Speaker 2: really funny bit making fun of. 620 00:25:45,720 --> 00:25:46,640 Speaker 1: The Lakers trade. 621 00:25:46,720 --> 00:25:47,960 Speaker 3: Yes, yes, that was really. 622 00:25:47,840 --> 00:25:49,520 Speaker 2: Good, and Trevor came up to him and asked him 623 00:25:49,520 --> 00:25:52,440 Speaker 2: to do that literally right after his monologue. 624 00:25:52,440 --> 00:25:54,480 Speaker 1: He came and pitched him twenty minutes before he did that. 625 00:25:54,520 --> 00:25:55,120 Speaker 3: Oh that's great. 626 00:25:55,119 --> 00:25:56,040 Speaker 2: It was so funny. 627 00:25:57,560 --> 00:26:01,959 Speaker 4: And then live television, you know, in the moment it was. 628 00:26:02,119 --> 00:26:02,720 Speaker 1: It was cool. 629 00:26:02,840 --> 00:26:05,639 Speaker 4: By the way, though, you're the pull your pull off. 630 00:26:05,720 --> 00:26:09,399 Speaker 4: His shirt was absolutely perfectly clean. It was like it 631 00:26:09,440 --> 00:26:11,800 Speaker 4: was like a magician pulling a table cloth. 632 00:26:11,840 --> 00:26:12,760 Speaker 1: I thought about it a lot. 633 00:26:12,840 --> 00:26:14,080 Speaker 5: It was like a pedophile pulling. 634 00:26:15,320 --> 00:26:18,879 Speaker 1: I just went with, Yeah, I thought about it a lot. 635 00:26:18,920 --> 00:26:19,480 Speaker 1: I practiced it. 636 00:26:19,520 --> 00:26:22,200 Speaker 2: I like talked to his people about in the seamster 637 00:26:22,440 --> 00:26:26,639 Speaker 2: guy seamstress. I don't know what's the tailor the I 638 00:26:26,680 --> 00:26:28,720 Speaker 2: talked to him about where the perfect place to grip 639 00:26:28,760 --> 00:26:30,800 Speaker 2: it was. Heidi was more like, yeah, we're just going 640 00:26:30,880 --> 00:26:32,000 Speaker 2: to do this, and I was like, but then we 641 00:26:32,119 --> 00:26:35,480 Speaker 2: rise when he says to lose you and then rip 642 00:26:35,480 --> 00:26:37,000 Speaker 2: it on you and I was trying to but she 643 00:26:37,160 --> 00:26:38,919 Speaker 2: just like and she just knows how to mail it. 644 00:26:40,119 --> 00:26:41,800 Speaker 3: She was kind of following your lead a little bit 645 00:26:41,880 --> 00:26:44,919 Speaker 3: because you you like chewed her like she was a 646 00:26:44,960 --> 00:26:45,840 Speaker 3: little late, like. 647 00:26:45,960 --> 00:26:49,919 Speaker 4: Okay music timing and she had she has the uh 648 00:26:50,119 --> 00:26:51,159 Speaker 4: like fashion timing. 649 00:26:51,480 --> 00:26:53,280 Speaker 3: Yes, yes she was, Yeah, she was. 650 00:26:54,560 --> 00:26:58,240 Speaker 2: She was yeah, and then we kept each piece. She 651 00:26:58,280 --> 00:26:59,359 Speaker 2: was like, are you going to keep yourself? I was 652 00:26:59,400 --> 00:27:00,919 Speaker 2: like yes, she was, Calen's keep him forever. 653 00:27:01,200 --> 00:27:02,600 Speaker 1: She was it was really cute. 654 00:27:02,640 --> 00:27:04,399 Speaker 2: She's like, when you see your picture with both pieces, 655 00:27:04,400 --> 00:27:06,199 Speaker 2: and we never did, but she was like she was 656 00:27:06,200 --> 00:27:06,640 Speaker 2: so cute. 657 00:27:06,720 --> 00:27:08,920 Speaker 4: I just realized I'm like a huge Heidi Klum fan. 658 00:27:09,200 --> 00:27:12,000 Speaker 4: I used to watch Project Project Right. 659 00:27:12,080 --> 00:27:14,119 Speaker 2: It dawns on you like after you meet these people 660 00:27:14,440 --> 00:27:16,960 Speaker 2: or like you like hear a name and then you go, yeah, 661 00:27:16,960 --> 00:27:18,919 Speaker 2: I like them, and then after they walk away or 662 00:27:19,119 --> 00:27:21,040 Speaker 2: after you take a second, you go, oh my god, 663 00:27:21,080 --> 00:27:23,840 Speaker 2: this and this, like I've had relationships with this person 664 00:27:24,000 --> 00:27:26,639 Speaker 2: in my past that you kind of forget, like Kelsey 665 00:27:26,680 --> 00:27:29,320 Speaker 2: Ballerini of all people, like I had seen her on 666 00:27:29,359 --> 00:27:30,879 Speaker 2: the Red Car. I kind of saw her maybe in 667 00:27:30,880 --> 00:27:34,200 Speaker 2: pictures when I was on my way there, and I 668 00:27:35,080 --> 00:27:37,920 Speaker 2: like am obsessed with this one performance she did at 669 00:27:38,040 --> 00:27:41,240 Speaker 2: one of the VMAs of Penthouse, which is one of 670 00:27:41,359 --> 00:27:43,600 Speaker 2: I think the greatest songs of all time, Like it's 671 00:27:43,640 --> 00:27:46,720 Speaker 2: truly in my top ten. But there was this moment 672 00:27:46,800 --> 00:27:48,640 Speaker 2: I think I've talked about it on the podcast where 673 00:27:48,640 --> 00:27:51,399 Speaker 2: she was like she looks like she's like about to 674 00:27:51,440 --> 00:27:53,719 Speaker 2: start crying and it gets really awkward in the room 675 00:27:53,760 --> 00:27:56,000 Speaker 2: and the music kind of drops out, and then she 676 00:27:56,200 --> 00:27:58,400 Speaker 2: just like takes it back in her dress. Like It's 677 00:27:58,400 --> 00:28:01,080 Speaker 2: one of the coolest performing perform moments I've ever seen. 678 00:28:01,119 --> 00:28:03,240 Speaker 2: I showed it to Chris. We've like analyzed it to 679 00:28:03,280 --> 00:28:05,120 Speaker 2: be like, how did her dress fall off? Where did 680 00:28:05,119 --> 00:28:07,359 Speaker 2: it go? Like it's the coolest thing ever. And so 681 00:28:07,440 --> 00:28:09,280 Speaker 2: I was obsessed with that song for a really long time. 682 00:28:09,359 --> 00:28:11,639 Speaker 2: And then I was sitting there during commercial break and 683 00:28:11,720 --> 00:28:14,920 Speaker 2: Kelsey Ballerini comes up and they're like talking to Heidi 684 00:28:15,000 --> 00:28:17,760 Speaker 2: and then she's kind of like, I just want to 685 00:28:17,800 --> 00:28:19,159 Speaker 2: say I like love you so much, and she just 686 00:28:19,160 --> 00:28:22,000 Speaker 2: looked such like a normal sweet girl that I just 687 00:28:22,000 --> 00:28:24,560 Speaker 2: assumed she was just like I just couldn't place it, 688 00:28:24,920 --> 00:28:26,439 Speaker 2: and I go, what's your name? She was like, my 689 00:28:26,480 --> 00:28:29,080 Speaker 2: name's Kelsey, and I was like, oh, nice to meet you, Kelsey. 690 00:28:29,119 --> 00:28:31,159 Speaker 2: And then I'm like and then what's your name? And 691 00:28:31,200 --> 00:28:32,879 Speaker 2: then he was like Chase, and I'm like Chase Stokes 692 00:28:32,920 --> 00:28:35,439 Speaker 2: and Kelsey like it's all coming together. And then she 693 00:28:35,480 --> 00:28:37,480 Speaker 2: they keep talking to Heidi and I was like, oh 694 00:28:37,560 --> 00:28:39,719 Speaker 2: my god, that was so embarrassing that I didn't know, 695 00:28:40,120 --> 00:28:41,240 Speaker 2: like recognize her, and then. 696 00:28:41,160 --> 00:28:42,960 Speaker 1: I just go Kelsey. She was like yeah, and I 697 00:28:43,000 --> 00:28:45,000 Speaker 1: was like, I love you and she was like you 698 00:28:45,080 --> 00:28:47,800 Speaker 1: do and I was like I do. I've studied you 699 00:28:47,960 --> 00:28:48,600 Speaker 1: and she was like. 700 00:28:48,720 --> 00:28:51,840 Speaker 2: Really, She's like And Emily told me that she was 701 00:28:51,880 --> 00:28:54,320 Speaker 2: watching from like back and she saw Chase and Kelsey 702 00:28:54,400 --> 00:28:56,360 Speaker 2: kind of like being like she's right there, like should we. 703 00:28:56,280 --> 00:28:57,760 Speaker 1: Go talk, like kind of plotting it. I don't know 704 00:28:57,760 --> 00:28:58,760 Speaker 1: if that's what they were doing, but. 705 00:28:58,800 --> 00:29:03,760 Speaker 3: I had the upperhead, like you, I would have never 706 00:29:04,160 --> 00:29:05,960 Speaker 3: soon forget anyone would give a ship. 707 00:29:06,000 --> 00:29:08,280 Speaker 2: But it was so sweet that like all the things 708 00:29:08,320 --> 00:29:10,720 Speaker 2: she said to me meant so much, and like just 709 00:29:11,440 --> 00:29:13,760 Speaker 2: it's so cool when someone that you've admired or like 710 00:29:14,000 --> 00:29:17,080 Speaker 2: you were just like so talented has like is getting 711 00:29:17,080 --> 00:29:18,840 Speaker 2: the same kind of jitters talking to you. And I 712 00:29:18,880 --> 00:29:21,320 Speaker 2: had that with her and it was amazing, and like 713 00:29:21,680 --> 00:29:23,520 Speaker 2: christ and I go, do you know who that was? 714 00:29:23,560 --> 00:29:25,080 Speaker 2: And he's like, oh my god, you showed me the 715 00:29:25,120 --> 00:29:27,680 Speaker 2: video so many times, which is so exciting. And then 716 00:29:27,680 --> 00:29:28,520 Speaker 2: we exchanged numbers. 717 00:29:28,520 --> 00:29:31,680 Speaker 1: That's amazing. Oh my god, that's all amazing. 718 00:29:32,240 --> 00:29:35,320 Speaker 6: Your songwriting you can maybe hit I don't know, you're 719 00:29:35,400 --> 00:29:36,880 Speaker 6: at the point where like if you want to write 720 00:29:36,880 --> 00:29:37,840 Speaker 6: another song. 721 00:29:38,440 --> 00:29:43,320 Speaker 2: Oh yeah, a couple. I mean one song in my 722 00:29:43,360 --> 00:29:44,560 Speaker 2: life too. 723 00:29:45,480 --> 00:29:46,760 Speaker 5: I mean I don't know, you're like that. 724 00:29:47,000 --> 00:29:49,480 Speaker 3: I'd be friends with them and then like you know, 725 00:29:49,560 --> 00:29:53,520 Speaker 3: like like yeah, be like hey, like we jammed together. 726 00:29:53,800 --> 00:29:56,880 Speaker 2: Yeah, I think I just want there. I have no 727 00:29:57,200 --> 00:29:59,120 Speaker 2: motivation that way. I just do if I think being 728 00:29:59,160 --> 00:30:01,320 Speaker 2: around it though, like you absorb it and kind. 729 00:30:02,880 --> 00:30:03,800 Speaker 4: Friends friends. 730 00:30:03,840 --> 00:30:05,760 Speaker 2: Yeah, no, I need a lot more hours under my belt. 731 00:30:05,800 --> 00:30:07,360 Speaker 4: But you know what's cool about the Grammys that you 732 00:30:07,480 --> 00:30:10,000 Speaker 4: being at the Grammys for them is that this is 733 00:30:10,080 --> 00:30:13,000 Speaker 4: their like music space and you're a comedian being inserted 734 00:30:13,000 --> 00:30:14,480 Speaker 4: in there. You'd be like if you're in a room 735 00:30:14,520 --> 00:30:17,960 Speaker 4: full of comedians and you're like, yeah, Chris Rockin is amazing. 736 00:30:18,080 --> 00:30:20,280 Speaker 4: These people see these people every day. But then if 737 00:30:20,320 --> 00:30:22,280 Speaker 4: even like I don't know, uh. 738 00:30:22,280 --> 00:30:25,880 Speaker 1: Selo, you like, oh my god, that's. 739 00:30:27,600 --> 00:30:30,480 Speaker 3: Well, yeah, you're like a real like a real celebrity 740 00:30:30,760 --> 00:30:31,240 Speaker 3: and like. 741 00:30:32,160 --> 00:30:33,760 Speaker 1: Don't think of it that way. 742 00:30:33,840 --> 00:30:35,840 Speaker 2: And Chris had to remind me, he's like, you are, 743 00:30:36,120 --> 00:30:37,840 Speaker 2: don't think of yourself as a fraud here. Think of 744 00:30:37,840 --> 00:30:39,880 Speaker 2: yourself as the only person that doesn't like that kind 745 00:30:39,880 --> 00:30:40,960 Speaker 2: of stands out in this room. 746 00:30:41,000 --> 00:30:44,520 Speaker 3: Yeah, of course, Like did Herbie Hancock come up and 747 00:30:44,560 --> 00:30:45,400 Speaker 3: talk to Jim Gap. 748 00:30:47,400 --> 00:30:49,320 Speaker 5: It's you're nominated. 749 00:30:49,360 --> 00:30:51,960 Speaker 1: Man, It was like. 750 00:30:51,920 --> 00:30:53,720 Speaker 5: That you've been nominated for thirty things. 751 00:30:53,960 --> 00:31:00,160 Speaker 4: I mean it's yeah, what age is Herbie Hancock? He's old? Okay, yeah, I'm. 752 00:31:00,160 --> 00:31:02,760 Speaker 1: I would have thought he was dead, no offense. No, 753 00:31:02,840 --> 00:31:07,640 Speaker 1: he was playing incredible. He was in the pocket. He 754 00:31:07,760 --> 00:31:09,960 Speaker 1: was like truly so good. 755 00:31:09,880 --> 00:31:12,440 Speaker 3: Like he was so good that he played piano for 756 00:31:12,480 --> 00:31:13,880 Speaker 3: Stevie Wonder. 757 00:31:13,480 --> 00:31:18,040 Speaker 1: Who he's such a good point, he was so good. 758 00:31:18,120 --> 00:31:22,320 Speaker 1: She sang for Stevie Wonder, who's awful, waiting for Stevie 759 00:31:22,400 --> 00:31:24,800 Speaker 1: to say he didn't, but he could have because he gave. 760 00:31:24,680 --> 00:31:26,680 Speaker 2: Us a little taste later on he did, because he 761 00:31:26,720 --> 00:31:28,200 Speaker 2: just played a harmonica and I was like, when is 762 00:31:28,240 --> 00:31:29,840 Speaker 2: he going to sing? And then he Chris is like 763 00:31:29,840 --> 00:31:31,560 Speaker 2: maybe he can't now, and I go, but with that 764 00:31:31,640 --> 00:31:34,760 Speaker 2: kind of if you're able to like play blow and 765 00:31:34,800 --> 00:31:37,920 Speaker 2: have that kind of control with your air, like I 766 00:31:37,960 --> 00:31:38,640 Speaker 2: think you can sing. 767 00:31:38,640 --> 00:31:40,040 Speaker 1: And then so he just chose to just. 768 00:31:40,240 --> 00:31:42,400 Speaker 4: Well, I told you when I went to see Dave 769 00:31:42,480 --> 00:31:45,800 Speaker 4: Chappelle's documentary screening at the Hollywood Bowl, Stevie Wonder was 770 00:31:45,840 --> 00:31:48,600 Speaker 4: there as a special guest. Oh yeah, and Stevie Wonder 771 00:31:48,720 --> 00:31:50,480 Speaker 4: came out and everyone and Dave Chappelle was like, and 772 00:31:50,520 --> 00:31:53,240 Speaker 4: Stevie Wonder and everyone's clapping and we're like, yeah, Superstition, 773 00:31:53,320 --> 00:31:55,560 Speaker 4: give us something. And Stevie Wonder came out and he goes, 774 00:31:56,080 --> 00:31:58,440 Speaker 4: I just want to say that it is wrong to 775 00:31:58,480 --> 00:32:01,440 Speaker 4: try to cancel Dave Chappelle and you should be ashamed 776 00:32:01,440 --> 00:32:04,720 Speaker 4: of yourself. And now I am going to go home 777 00:32:04,760 --> 00:32:06,440 Speaker 4: to my wife and he walks off. 778 00:32:06,480 --> 00:32:09,440 Speaker 2: That's what you can do when you're Stevie Why, because 779 00:32:09,480 --> 00:32:12,200 Speaker 2: you can't even feel like if you're first of all, 780 00:32:12,240 --> 00:32:14,680 Speaker 2: being blind. I was realizing last night when he was 781 00:32:14,720 --> 00:32:17,120 Speaker 2: talking he has to memorize everything. He says, there's no 782 00:32:17,160 --> 00:32:20,760 Speaker 2: teleprompter for a blind person, and that is like hard 783 00:32:20,800 --> 00:32:24,239 Speaker 2: to be a blind celebrity because celebrities be relying on that. 784 00:32:24,320 --> 00:32:27,000 Speaker 2: Even like the most from the heart speeches were in 785 00:32:27,040 --> 00:32:27,720 Speaker 2: that teleprompter. 786 00:32:27,800 --> 00:32:28,760 Speaker 1: I'll tell her, yeah, you know. 787 00:32:28,840 --> 00:32:30,480 Speaker 2: So it's like when he was talking, I was like, 788 00:32:30,520 --> 00:32:34,040 Speaker 2: what's he going off of? Man, Like that's incredible, but 789 00:32:34,400 --> 00:32:38,160 Speaker 2: he yeah, that was really cool. And then so like 790 00:32:38,240 --> 00:32:40,480 Speaker 2: the best part of the like the thing that I 791 00:32:40,560 --> 00:32:43,560 Speaker 2: just couldn't even believe was when it was towards the 792 00:32:43,680 --> 00:32:45,520 Speaker 2: end of the night and I had been watching Olivia 793 00:32:45,600 --> 00:32:48,680 Speaker 2: Rodrigo throughout the evening because I knew she was there. 794 00:32:48,760 --> 00:32:50,880 Speaker 1: I thought she had one of the best dresses. 795 00:32:50,920 --> 00:32:55,880 Speaker 2: She just looked amazing, stunning, incredible artists. She's got good 796 00:32:55,920 --> 00:32:59,040 Speaker 2: take like Olivia's so legit. She will be around forever 797 00:32:59,240 --> 00:33:03,000 Speaker 2: she is. Yes, that's right, your white Ally. 798 00:33:04,160 --> 00:33:06,880 Speaker 3: I love Olivia Rorick Goes so much and I think 799 00:33:06,880 --> 00:33:09,720 Speaker 3: she's the greatest. I think her albums have been perfect. 800 00:33:10,800 --> 00:33:14,000 Speaker 3: And she's so young too, Yeah, and she's really grown 801 00:33:14,040 --> 00:33:17,800 Speaker 3: into herself, like she is a fine young woman. 802 00:33:18,200 --> 00:33:20,680 Speaker 4: Well that one song, that song that the most popular 803 00:33:20,680 --> 00:33:22,760 Speaker 4: song of all. I just heard it for the first 804 00:33:22,760 --> 00:33:24,800 Speaker 4: time in like a dentist's office good for You or 805 00:33:25,280 --> 00:33:28,160 Speaker 4: the one that's like brilliant Vampire. Yeah, I mean, I 806 00:33:28,680 --> 00:33:30,480 Speaker 4: didn't know is Olivia Rodriguez was just sitting in a 807 00:33:30,520 --> 00:33:32,560 Speaker 4: dentist chair, which is what I do frequently, and I 808 00:33:32,680 --> 00:33:34,400 Speaker 4: just heard this song and I'm just getting I was 809 00:33:34,400 --> 00:33:36,200 Speaker 4: just getting amped, and I was like, man, what is 810 00:33:36,240 --> 00:33:38,640 Speaker 4: this song? It's so rare that you hear a song 811 00:33:38,680 --> 00:33:40,200 Speaker 4: like that for the first time. You're just like this 812 00:33:40,360 --> 00:33:41,320 Speaker 4: song is amazing. 813 00:33:41,400 --> 00:33:43,000 Speaker 3: My wife and I went to see her at the 814 00:33:43,000 --> 00:33:46,560 Speaker 3: Intuit Dome and like we were the only people our 815 00:33:46,600 --> 00:33:50,240 Speaker 3: age there without kids. Yeah, and like the couple in 816 00:33:50,240 --> 00:33:52,560 Speaker 3: front of us was like talking to us. They have 817 00:33:52,680 --> 00:33:55,480 Speaker 3: like eight year olds there and they're like, where's your child? 818 00:33:56,840 --> 00:33:59,560 Speaker 3: They were like, oh, at home, we're we're actually the 819 00:33:59,640 --> 00:34:00,240 Speaker 3: fast this. 820 00:34:00,200 --> 00:34:06,600 Speaker 2: Is You're right, Yeah, she's not for like she's for everyone. 821 00:34:06,680 --> 00:34:10,880 Speaker 2: Like I've loved her almost like at first I wanted 822 00:34:10,880 --> 00:34:12,399 Speaker 2: to fight it because it was like, there's no way 823 00:34:12,400 --> 00:34:14,399 Speaker 2: someone this young can be this good and like kind 824 00:34:14,400 --> 00:34:15,880 Speaker 2: of write this kind of songs I would want to 825 00:34:15,920 --> 00:34:17,480 Speaker 2: listen to, And I don't know, I just like I 826 00:34:17,520 --> 00:34:20,279 Speaker 2: didn't dismiss it, but I was just like, you know, 827 00:34:20,320 --> 00:34:23,239 Speaker 2: the first song, Driver's License blew my mind and came 828 00:34:23,320 --> 00:34:25,359 Speaker 2: out during COVID. Was listening to it so much then 829 00:34:25,440 --> 00:34:27,799 Speaker 2: deja vu. I think I spent a really long time 830 00:34:27,800 --> 00:34:30,080 Speaker 2: with There's like so many moments I've had with her music, 831 00:34:30,440 --> 00:34:33,319 Speaker 2: very similar to my trajectory with Taylor Swift, like kind 832 00:34:33,400 --> 00:34:35,680 Speaker 2: of just had moments where it's like this is going 833 00:34:35,719 --> 00:34:38,399 Speaker 2: to be my thing and couldn't stop playing her music 834 00:34:38,440 --> 00:34:41,960 Speaker 2: and just almost like crying and to her lyrics and 835 00:34:42,040 --> 00:34:45,239 Speaker 2: discovering pieces of myself. Anyway, it's been like that for 836 00:34:45,320 --> 00:34:47,840 Speaker 2: her for me. And then so I'm watching her the 837 00:34:47,840 --> 00:34:49,400 Speaker 2: whole time because I had like a perfect view of her. 838 00:34:49,400 --> 00:34:51,520 Speaker 2: We're on opposite sides of the stage. She's all across 839 00:34:51,560 --> 00:34:51,879 Speaker 2: the room. 840 00:34:52,120 --> 00:34:54,120 Speaker 3: And when you're at one of those events in the crowd, 841 00:34:54,160 --> 00:34:56,760 Speaker 3: of course, you're like looking going like what are they enjoy? 842 00:34:57,200 --> 00:34:59,239 Speaker 2: Like during commercial break, there's nothing to look at except 843 00:34:59,239 --> 00:35:01,040 Speaker 2: the celebrities, and I don't want turn around, but she's 844 00:35:01,080 --> 00:35:03,040 Speaker 2: I don't have to turn around to see her. She's right, like, 845 00:35:03,400 --> 00:35:05,560 Speaker 2: I just have to turn my head slightly, and she's 846 00:35:05,560 --> 00:35:07,520 Speaker 2: so far away she couldn't even see me staring at her. 847 00:35:07,520 --> 00:35:09,400 Speaker 2: So it was like not risking anything by just and 848 00:35:09,440 --> 00:35:11,880 Speaker 2: she's so cute. She's there with her boyfriend and they're 849 00:35:11,920 --> 00:35:14,319 Speaker 2: just they're being like lovey dovey but not over the top, 850 00:35:14,360 --> 00:35:16,000 Speaker 2: and they just look like they're having their own little 851 00:35:16,000 --> 00:35:18,440 Speaker 2: good time. They're not like schmoozing too much. She's not, 852 00:35:18,920 --> 00:35:22,960 Speaker 2: She's just she's just adorable. And then at one point 853 00:35:23,040 --> 00:35:24,520 Speaker 2: I'm sitting there and I kind of look up and 854 00:35:24,560 --> 00:35:27,200 Speaker 2: she's like kind of walking towards our section, and there's 855 00:35:27,200 --> 00:35:29,239 Speaker 2: no I haven't seen her do that. No one's like 856 00:35:29,440 --> 00:35:31,200 Speaker 2: crossing the rooms like everyone's going to sing in the 857 00:35:31,200 --> 00:35:33,040 Speaker 2: middle because that's where all the famous people are. And 858 00:35:33,120 --> 00:35:36,480 Speaker 2: I'm we're getting no traffic towards our side because there's 859 00:35:36,480 --> 00:35:37,600 Speaker 2: no reason to go over there. 860 00:35:37,640 --> 00:35:40,560 Speaker 4: When you see Olivia Rodrigo walking in your direction, the 861 00:35:40,640 --> 00:35:45,200 Speaker 4: expectation that she is walking towards you is zero percent. 862 00:35:45,400 --> 00:35:48,560 Speaker 3: Yeah, You're like, she's probably here, She's probably Yeah. 863 00:35:48,480 --> 00:35:48,920 Speaker 1: I'm serious. 864 00:35:48,960 --> 00:35:50,799 Speaker 2: It was like a two percent part of me that 865 00:35:50,920 --> 00:35:53,480 Speaker 2: was like, maybe she is a fan, like because it 866 00:35:53,520 --> 00:35:54,400 Speaker 2: just happened with Kelsey. 867 00:35:54,760 --> 00:35:56,239 Speaker 3: Yeah, maybe. 868 00:35:57,560 --> 00:35:58,640 Speaker 1: It's in the realm of possiblity. 869 00:35:58,840 --> 00:36:01,280 Speaker 5: At some point it has then there. 870 00:36:01,239 --> 00:36:03,240 Speaker 1: Might be So she's getting closer. 871 00:36:03,920 --> 00:36:05,880 Speaker 2: But then I'm like, maybe they're pulling her backstage to 872 00:36:05,960 --> 00:36:07,680 Speaker 2: go present because it's kind of like the way, but 873 00:36:07,719 --> 00:36:10,359 Speaker 2: she already presented, and so I'm going through all the things, 874 00:36:10,360 --> 00:36:12,680 Speaker 2: and I think Chris clocked her too, because Chris obviously 875 00:36:12,680 --> 00:36:14,799 Speaker 2: knows who she is because I've just listened to her 876 00:36:14,800 --> 00:36:18,160 Speaker 2: so much, and and Chris, I only know he's thinking 877 00:36:18,160 --> 00:36:20,120 Speaker 2: this because later on he told me, like we were 878 00:36:20,120 --> 00:36:22,640 Speaker 2: both kind of watching being like this, she's getting really close, 879 00:36:22,760 --> 00:36:24,880 Speaker 2: Like oh, she must be saying hi to Heidie like 880 00:36:24,960 --> 00:36:25,440 Speaker 2: a meteor. 881 00:36:26,160 --> 00:36:28,360 Speaker 4: Yeah, Like oh man, that's like getting bigger. 882 00:36:28,400 --> 00:36:31,360 Speaker 3: Hey, how she was discovered. 883 00:36:31,400 --> 00:36:34,680 Speaker 2: I totally was like, maybe she has some backstory with Heidi, 884 00:36:34,800 --> 00:36:37,920 Speaker 2: because Heidi's literally right next to me and she just 885 00:36:38,040 --> 00:36:39,560 Speaker 2: locks eyes with me, and I think she's just gonna 886 00:36:39,560 --> 00:36:41,880 Speaker 2: say something because maybe she recognized me and she's on 887 00:36:41,920 --> 00:36:44,240 Speaker 2: her way to the bathroom or something and she just goes. 888 00:36:44,400 --> 00:36:47,440 Speaker 1: Hi, You're my favorite comedian and I just I had 889 00:36:47,440 --> 00:36:49,799 Speaker 1: to com meet you her boyfriends. She's like, I love 890 00:36:49,840 --> 00:36:51,280 Speaker 1: you so much, and she's. 891 00:36:51,120 --> 00:36:54,480 Speaker 2: Got this like wholesome, great voice and like she's like, 892 00:36:54,560 --> 00:36:56,400 Speaker 2: I'm sorry to bother you. And I was like, Olivia 893 00:36:56,480 --> 00:36:58,879 Speaker 2: like to be able to even say their first name. 894 00:36:59,360 --> 00:37:02,280 Speaker 1: I was like, I was like, I can't even believe 895 00:37:02,280 --> 00:37:03,680 Speaker 1: I'm saying her name to her. 896 00:37:04,120 --> 00:37:07,640 Speaker 2: Yeah, and just was like, you don't understand I girl, 897 00:37:07,680 --> 00:37:08,560 Speaker 2: I'm obsessed with you. 898 00:37:08,600 --> 00:37:10,759 Speaker 1: And she's like no, no, and I'm like a girl. 899 00:37:10,760 --> 00:37:13,440 Speaker 2: And then we're both like holding onto each other and 900 00:37:13,480 --> 00:37:17,560 Speaker 2: I'm like I've studied you and I couldn't like think 901 00:37:17,560 --> 00:37:19,120 Speaker 2: of what I wanted to tell her because all the 902 00:37:19,280 --> 00:37:21,799 Speaker 2: it's like that's too much to say, that's not like. 903 00:37:21,840 --> 00:37:24,440 Speaker 2: I was like, I can't tell you how much I 904 00:37:24,520 --> 00:37:26,600 Speaker 2: love you, like I truly and she was like, no, 905 00:37:26,800 --> 00:37:29,080 Speaker 2: you I make him watch everything you do and she's 906 00:37:29,120 --> 00:37:30,680 Speaker 2: like yeah, she makes me watch like kind of the 907 00:37:30,680 --> 00:37:31,480 Speaker 2: boyfriend thing, and. 908 00:37:32,160 --> 00:37:33,640 Speaker 1: She's like, I just had to say something. I'm sorry 909 00:37:33,640 --> 00:37:34,000 Speaker 1: about you. 910 00:37:34,040 --> 00:37:37,640 Speaker 2: I'm like, you made my life, like you are you 911 00:37:37,920 --> 00:37:40,000 Speaker 2: you mean so much to me. And then Chris does 912 00:37:40,040 --> 00:37:42,000 Speaker 2: the best. Chris takes a ton of pictures of us hugging, 913 00:37:42,040 --> 00:37:43,560 Speaker 2: like I have all these moments that are like I 914 00:37:43,560 --> 00:37:45,279 Speaker 2: didn't want to post on my Instagram because it feels 915 00:37:45,320 --> 00:37:49,600 Speaker 2: like it was like breaking her privacy. So we But 916 00:37:49,640 --> 00:37:52,800 Speaker 2: then Chris smarty Pants went and grabbed my friend Kevin 917 00:37:53,080 --> 00:37:54,359 Speaker 2: Mazur I believe is. 918 00:37:54,280 --> 00:37:55,120 Speaker 1: How you say his last name. 919 00:37:55,120 --> 00:37:57,279 Speaker 2: One of the best photographers in the business, and he's 920 00:37:57,280 --> 00:37:58,800 Speaker 2: always my butt at these things. And he goes and 921 00:37:58,840 --> 00:38:00,759 Speaker 2: grabs Kevin and it's like Kevin come back, and he 922 00:38:00,760 --> 00:38:03,279 Speaker 2: gets a picture of me and Olivia together her a 923 00:38:03,280 --> 00:38:05,560 Speaker 2: fictional picture that she's aware of. But I do have 924 00:38:05,640 --> 00:38:08,840 Speaker 2: my own pictures of us hugging and like her hugging 925 00:38:08,920 --> 00:38:10,880 Speaker 2: me and like closing her eyes as she hugs me 926 00:38:10,920 --> 00:38:13,040 Speaker 2: and like us like gripping onto each other. I mean, 927 00:38:13,040 --> 00:38:15,319 Speaker 2: at last we talked for like two minutes. She's like, 928 00:38:15,360 --> 00:38:17,719 Speaker 2: how's your evening going? Like this is fun right, like 929 00:38:18,120 --> 00:38:20,200 Speaker 2: so normal And I say that about a lot of people, 930 00:38:20,200 --> 00:38:21,279 Speaker 2: like they're normal and cool. 931 00:38:21,560 --> 00:38:23,040 Speaker 1: She's like, how's your like night going? 932 00:38:23,080 --> 00:38:23,719 Speaker 2: Like I don't know. 933 00:38:23,800 --> 00:38:25,280 Speaker 1: She's like how is it going? 934 00:38:25,360 --> 00:38:27,279 Speaker 2: Like are you having fun? And she's like yeah, And 935 00:38:27,320 --> 00:38:28,960 Speaker 2: I was like, you guys are so cute. I've been 936 00:38:29,000 --> 00:38:30,480 Speaker 2: watching you the whole time. Are you guys are having 937 00:38:30,520 --> 00:38:32,440 Speaker 2: the best time? She's like, you know, we're a little tipsy, 938 00:38:32,520 --> 00:38:34,400 Speaker 2: We're just having fun. We're having a good time. Like 939 00:38:34,719 --> 00:38:36,640 Speaker 2: she's like it's not too bad, like not drinking too much, 940 00:38:36,680 --> 00:38:37,960 Speaker 2: but like get kind of getting there and just like 941 00:38:38,040 --> 00:38:38,320 Speaker 2: enjoying it. 942 00:38:38,560 --> 00:38:38,799 Speaker 3: Show. 943 00:38:39,480 --> 00:38:41,799 Speaker 1: She was so sweet, so cool. 944 00:38:41,640 --> 00:38:45,960 Speaker 2: And and then she walks away, and I'm like flooded 945 00:38:46,000 --> 00:38:47,400 Speaker 2: with all the things I wanted to tell her that 946 00:38:47,440 --> 00:38:48,080 Speaker 2: I didn't tell her. 947 00:38:48,680 --> 00:38:51,560 Speaker 4: This song and that song they feel like it lasted, 948 00:38:51,640 --> 00:38:53,959 Speaker 4: like like you're falling and it's lasting like forty five minutes. 949 00:38:53,960 --> 00:38:55,400 Speaker 1: I kind of wanted her to go away because I 950 00:38:55,400 --> 00:38:57,640 Speaker 1: couldn't handle it. Right, does that ever happen to you guys? 951 00:38:57,640 --> 00:38:59,319 Speaker 2: Where it's like something so good and you're like, I 952 00:38:59,360 --> 00:39:02,680 Speaker 2: wanted to stop because yes it's perfect, and I don't want. 953 00:39:02,480 --> 00:39:04,239 Speaker 4: It to you gotta get out while while you're on top. 954 00:39:04,239 --> 00:39:06,840 Speaker 1: I don't want her to find out I'm not cool. 955 00:39:07,760 --> 00:39:10,160 Speaker 4: Yeah, I know, how many minutes would I have to 956 00:39:10,160 --> 00:39:10,960 Speaker 4: have to have take it? 957 00:39:11,080 --> 00:39:13,800 Speaker 1: I think like it was just it was two minutes. 958 00:39:13,880 --> 00:39:14,840 Speaker 1: Is all I need was someone? 959 00:39:14,920 --> 00:39:17,239 Speaker 2: And then because I also didn't have time, I knew 960 00:39:17,239 --> 00:39:18,960 Speaker 2: I wasn't gonna have time in that moment talking to 961 00:39:19,000 --> 00:39:20,560 Speaker 2: her to like come up with what I needed to 962 00:39:20,560 --> 00:39:23,000 Speaker 2: say to her. It's like winning an award, not planning 963 00:39:23,040 --> 00:39:24,839 Speaker 2: an acceptance speech. You've got to think about what you're 964 00:39:24,840 --> 00:39:26,680 Speaker 2: gonna say, because in the moment you will be flooded 965 00:39:26,680 --> 00:39:29,760 Speaker 2: with so much adrenaline you will forget. 966 00:39:29,400 --> 00:39:31,120 Speaker 1: Her last name, like it could have like I could 967 00:39:31,120 --> 00:39:32,080 Speaker 1: have forgotten anything, of. 968 00:39:32,080 --> 00:39:34,960 Speaker 3: Course, Like it's it's it's being in the moment so 969 00:39:35,080 --> 00:39:37,800 Speaker 3: much that you're not actually able to pull out things, 970 00:39:37,840 --> 00:39:40,120 Speaker 3: like you can't say like oh, I like this song 971 00:39:40,160 --> 00:39:42,399 Speaker 3: and here's why I like it or anything like that, 972 00:39:42,480 --> 00:39:43,920 Speaker 3: and then like you don't want to be like, oh, 973 00:39:43,960 --> 00:39:47,560 Speaker 3: you're getting tipsy. Don't drin it too much. 974 00:39:46,280 --> 00:39:51,520 Speaker 2: I was just so like just I couldn't handle it, 975 00:39:51,600 --> 00:39:53,920 Speaker 2: but it was so cool. It was one of the 976 00:39:53,920 --> 00:39:57,080 Speaker 2: greatest gifts I've ever been given in my life is 977 00:39:57,120 --> 00:39:59,759 Speaker 2: having Olivia Rodrigo be a fan of me. It's like, 978 00:39:59,760 --> 00:40:02,799 Speaker 2: like it just it made me go, Okay, I have 979 00:40:02,840 --> 00:40:06,759 Speaker 2: a responsibility. Now Olivia Rodrigu is watching. I need to 980 00:40:06,880 --> 00:40:10,520 Speaker 2: make comedy for her. Not just for her, but like 981 00:40:10,760 --> 00:40:15,040 Speaker 2: young girls Kelsey Ballerini, Olivia Rodrigo are paying attention. Stuff 982 00:40:15,080 --> 00:40:16,799 Speaker 2: that I do matters to them, Like I want to 983 00:40:16,800 --> 00:40:19,000 Speaker 2: think about, like what do I want to bestow to 984 00:40:19,040 --> 00:40:21,239 Speaker 2: them because they've helped me so much? And that's what 985 00:40:21,760 --> 00:40:24,160 Speaker 2: So I later on saw her at the valet. They're 986 00:40:24,239 --> 00:40:26,279 Speaker 2: right in front of us, her and I forget her 987 00:40:26,280 --> 00:40:29,680 Speaker 2: boyfriend's name, but they're waiting, and I pull up the 988 00:40:29,680 --> 00:40:32,080 Speaker 2: picture that I took earlier that evening that Nevin took 989 00:40:32,120 --> 00:40:34,400 Speaker 2: of me pointing at her like with her in the 990 00:40:34,440 --> 00:40:37,160 Speaker 2: four behind me, and I go, Olivia, just to prove 991 00:40:37,239 --> 00:40:38,799 Speaker 2: that I'm obsessed with you, I took this star. 992 00:40:39,040 --> 00:40:41,560 Speaker 1: She goes, no, you did it, No, you did it. 993 00:40:41,840 --> 00:40:43,480 Speaker 2: I was like, I truly love you, and I let 994 00:40:43,480 --> 00:40:45,359 Speaker 2: me just I collected my thoughts. Here's what I want 995 00:40:45,360 --> 00:40:47,560 Speaker 2: to say to you. I was like, thank you for 996 00:40:47,640 --> 00:40:51,000 Speaker 2: the song Pretty Isn't Pretty? I heard that song once. 997 00:40:51,120 --> 00:40:53,160 Speaker 2: The first time I heard it, I like really needed it. 998 00:40:53,200 --> 00:40:57,120 Speaker 2: And I cannot believe someone who's so young wrote a 999 00:40:57,160 --> 00:41:00,880 Speaker 2: song that helped me with aging. It's crazy that you 1000 00:41:00,920 --> 00:41:02,960 Speaker 2: were able to do that. You are one of the 1001 00:41:02,960 --> 00:41:07,040 Speaker 2: best artists that's ever lived. You're I just I can't 1002 00:41:07,040 --> 00:41:08,799 Speaker 2: wait to watch you the rest of your It was 1003 00:41:08,840 --> 00:41:11,120 Speaker 2: like I got to say what I wanted to say, yeah, 1004 00:41:11,120 --> 00:41:13,000 Speaker 2: and whisk them. And then her car was and I 1005 00:41:13,040 --> 00:41:14,719 Speaker 2: was like, your car is waiting, Please get inside, like 1006 00:41:14,760 --> 00:41:17,400 Speaker 2: I don't want to, your driver's waiting, And then she 1007 00:41:17,520 --> 00:41:20,319 Speaker 2: drove off, And I can't wait to go see her 1008 00:41:20,320 --> 00:41:22,600 Speaker 2: on the road and try to hit her up and 1009 00:41:22,600 --> 00:41:24,680 Speaker 2: be like can I say hi again back? Like I 1010 00:41:24,719 --> 00:41:27,520 Speaker 2: just it just it was the coolest. I don't even 1011 00:41:27,520 --> 00:41:29,319 Speaker 2: I don't need anything else from her, Actually. 1012 00:41:29,040 --> 00:41:30,480 Speaker 4: No, says Lewis Partridge. 1013 00:41:30,520 --> 00:41:33,120 Speaker 1: Is her boyfriends Lewis Partridge. They were very cute. I 1014 00:41:33,120 --> 00:41:35,279 Speaker 1: hope they last forever. They're very young. I just want 1015 00:41:35,360 --> 00:41:36,759 Speaker 1: young love to last forever and ever. 1016 00:41:36,960 --> 00:41:40,040 Speaker 3: I find her magical and I really love her. I 1017 00:41:40,080 --> 00:41:42,640 Speaker 3: think she's amazing. That's so cool. She was so nice, 1018 00:41:42,680 --> 00:41:45,839 Speaker 3: and it's also great to know, like listen, you are 1019 00:41:45,880 --> 00:41:48,920 Speaker 3: making traction with the Olivia Rodrigos and Kelsey Ballerini's and 1020 00:41:49,080 --> 00:41:51,839 Speaker 3: like and like yes, when we were in Atlantic City, 1021 00:41:51,880 --> 00:41:54,600 Speaker 3: the crowd was like forty five year old Italian men 1022 00:41:54,840 --> 00:42:00,080 Speaker 3: and it's like those you were forever for the people. 1023 00:42:00,120 --> 00:42:01,080 Speaker 1: Making jokes for them. 1024 00:42:01,360 --> 00:42:03,960 Speaker 2: And I'm like, I know I'm learning who my audience is, 1025 00:42:04,040 --> 00:42:06,360 Speaker 2: but I feel like I do have. It made me 1026 00:42:06,360 --> 00:42:08,680 Speaker 2: feel like a musician, like the way that music has 1027 00:42:08,719 --> 00:42:11,640 Speaker 2: affected my life and like given me messaging that I 1028 00:42:11,719 --> 00:42:14,120 Speaker 2: needed to get through tough times. It's like that's what 1029 00:42:14,400 --> 00:42:17,640 Speaker 2: these these musicians are probably relying on comedy for that 1030 00:42:17,719 --> 00:42:19,680 Speaker 2: like a thing they can't do to say the truth. 1031 00:42:19,800 --> 00:42:21,880 Speaker 2: They have to talk in metaphors. This girl gets to 1032 00:42:21,920 --> 00:42:25,320 Speaker 2: talk like and just cut to the chase, like I 1033 00:42:25,840 --> 00:42:28,040 Speaker 2: need to. I need to do as much as they're 1034 00:42:28,040 --> 00:42:29,840 Speaker 2: doing for me in that regard. So it's like it 1035 00:42:29,880 --> 00:42:35,399 Speaker 2: was a new kind of calling coming forward. Yeah, moving forward. 1036 00:42:35,480 --> 00:42:37,360 Speaker 2: Not because I'm like I want celebrities to like me, 1037 00:42:37,400 --> 00:42:40,200 Speaker 2: but it was just like she represents a young girl 1038 00:42:40,440 --> 00:42:44,319 Speaker 2: that it's just yeah, it was. It was awesome that 1039 00:42:44,480 --> 00:42:49,040 Speaker 2: I could resonate with her whatever how you say that. 1040 00:42:49,480 --> 00:42:53,239 Speaker 3: I'm I mean, pretty isn't pretty? I remember hear it 1041 00:42:53,280 --> 00:42:55,160 Speaker 3: when we like Eron and I were listening to that 1042 00:42:55,200 --> 00:42:57,399 Speaker 3: album that first morning, and when I heard that song, 1043 00:42:57,480 --> 00:43:00,080 Speaker 3: I said to Aaron got a little upset when I 1044 00:43:00,120 --> 00:43:02,040 Speaker 3: said this, but I was like, wow, sounds like being 1045 00:43:02,040 --> 00:43:02,959 Speaker 3: a girl is really hard. 1046 00:43:04,640 --> 00:43:06,960 Speaker 2: It's I love that I should have said this to her, 1047 00:43:06,960 --> 00:43:08,759 Speaker 2: but and we'll go to break. I love that song 1048 00:43:08,840 --> 00:43:11,439 Speaker 2: because it doesn't have a happy ending. There is no 1049 00:43:11,920 --> 00:43:15,719 Speaker 2: you know, even TLC's like you can die a hair 1050 00:43:15,760 --> 00:43:17,600 Speaker 2: if it won't grow, you can get to know. It 1051 00:43:17,920 --> 00:43:19,400 Speaker 2: was like, but you're so damn I'm pretty. It's like 1052 00:43:19,480 --> 00:43:21,680 Speaker 2: but if you got to look inside, you find out 1053 00:43:21,719 --> 00:43:24,360 Speaker 2: who am I to and it's like about like finding 1054 00:43:24,360 --> 00:43:26,799 Speaker 2: your worth. But that song is like you're never going 1055 00:43:26,880 --> 00:43:29,000 Speaker 2: to be pretty enough, and it's the systems fucked and 1056 00:43:29,040 --> 00:43:31,279 Speaker 2: like it's just fucked. No matter what you do, it's 1057 00:43:31,280 --> 00:43:33,120 Speaker 2: not going to change. Like I like, I like an 1058 00:43:33,239 --> 00:43:33,919 Speaker 2: unhappy ending. 1059 00:43:34,080 --> 00:43:39,960 Speaker 4: That's a generational thing and it's such a Bopretty isn't pretty? 1060 00:43:39,960 --> 00:43:40,640 Speaker 1: Okay, let's go. 1061 00:43:40,560 --> 00:43:43,400 Speaker 2: To break and then we'll come back. 1062 00:43:41,440 --> 00:43:45,560 Speaker 1: And we're back. 1063 00:43:45,840 --> 00:43:47,920 Speaker 6: So you had a moment with well, the Kendrick Lamar 1064 00:43:48,040 --> 00:43:50,600 Speaker 6: moment where everyone said a minor at the same time. 1065 00:43:50,719 --> 00:43:51,600 Speaker 1: Yeah, yeah, yeah. 1066 00:43:51,640 --> 00:43:58,279 Speaker 6: I mean, can you imagine Drake has to be I 1067 00:43:58,320 --> 00:43:59,960 Speaker 6: feel almost lost sad for him. 1068 00:44:00,000 --> 00:44:02,120 Speaker 4: He's just suing now, he's not even doing rap anymore. 1069 00:44:02,400 --> 00:44:05,080 Speaker 3: I mean like even jay Z was dancing when they 1070 00:44:05,080 --> 00:44:05,840 Speaker 3: said a minor. 1071 00:44:06,960 --> 00:44:08,000 Speaker 1: It's wild. 1072 00:44:08,440 --> 00:44:12,440 Speaker 2: It's yeah. It was like there was something about, like 1073 00:44:12,680 --> 00:44:14,120 Speaker 2: the answer is to choose violence. 1074 00:44:14,160 --> 00:44:14,960 Speaker 3: We learned last night. 1075 00:44:15,080 --> 00:44:19,200 Speaker 1: I like, it's it's it's wild that that one. 1076 00:44:19,719 --> 00:44:22,719 Speaker 6: And you know we're in a Canadian tuxedo. People are 1077 00:44:22,719 --> 00:44:25,799 Speaker 6: pointing that out. Yeah yeah, to rub it in. 1078 00:44:26,280 --> 00:44:28,239 Speaker 5: I know it would be weird. They just didn't know that. 1079 00:44:28,239 --> 00:44:30,480 Speaker 1: Emily is the biggest Drake fan, and I'm like, how 1080 00:44:30,480 --> 00:44:32,240 Speaker 1: do you feel? And she's like, it's okay, it's okay. 1081 00:44:32,360 --> 00:44:34,200 Speaker 2: I'm like I saw. I was like, I saw a 1082 00:44:34,200 --> 00:44:36,359 Speaker 2: meme of Drake like talking to Rihanna. Have you ever 1083 00:44:36,360 --> 00:44:38,840 Speaker 2: seen that one where he's talking to Rihanna and she's 1084 00:44:39,080 --> 00:44:42,040 Speaker 2: she says something and he's like he's like laughing so hard. 1085 00:44:42,080 --> 00:44:43,080 Speaker 1: It looks like he's trying to art. 1086 00:44:43,120 --> 00:44:44,520 Speaker 2: I'm like, what does it make you feel when you 1087 00:44:44,560 --> 00:44:44,880 Speaker 2: see that? 1088 00:44:44,960 --> 00:44:45,560 Speaker 1: Do you correct? 1089 00:44:45,640 --> 00:44:47,279 Speaker 2: She's like I just felt like, you know, there's some 1090 00:44:47,400 --> 00:44:49,160 Speaker 2: times that like he does make me cringe, but I 1091 00:44:49,200 --> 00:44:50,040 Speaker 2: just love him so much. 1092 00:44:50,080 --> 00:44:55,160 Speaker 3: Like I've every picture of Drake and Rihanna, I see 1093 00:44:55,200 --> 00:44:59,680 Speaker 3: myself and Drake, Uh that ulverable and actually I react 1094 00:44:59,719 --> 00:45:02,840 Speaker 3: with that like that to just her Instagram posts. 1095 00:45:02,920 --> 00:45:06,640 Speaker 6: I've seen her in person before the hotel I would 1096 00:45:06,680 --> 00:45:07,360 Speaker 6: kill myself. 1097 00:45:10,000 --> 00:45:10,319 Speaker 5: I mean. 1098 00:45:12,280 --> 00:45:17,760 Speaker 1: Hotel suicide. The hotel I will say. 1099 00:45:17,960 --> 00:45:20,600 Speaker 2: I wanted to say who the most stunning people were 1100 00:45:20,600 --> 00:45:22,680 Speaker 2: in the room last night in person, and I didn't 1101 00:45:22,680 --> 00:45:26,040 Speaker 2: see everyone up close, but I have to give an 1102 00:45:26,080 --> 00:45:29,480 Speaker 2: award out because it was so insane how hot this 1103 00:45:29,520 --> 00:45:30,720 Speaker 2: person was in person. 1104 00:45:32,200 --> 00:45:36,200 Speaker 1: Uh, Casey Musgraves was truly one of the most. 1105 00:45:35,960 --> 00:45:38,719 Speaker 2: Beautiful people I've ever seen in person, where it like 1106 00:45:39,120 --> 00:45:42,160 Speaker 2: it's she's already like a ten out of ten without 1107 00:45:42,239 --> 00:45:45,160 Speaker 2: question on you know, on Instagram, but in person it 1108 00:45:45,239 --> 00:45:48,120 Speaker 2: was just like so stunning And I usually am not 1109 00:45:48,239 --> 00:45:49,200 Speaker 2: one to be like but. 1110 00:45:49,120 --> 00:45:51,560 Speaker 1: In person, you don't understand. They glow like I don't 1111 00:45:51,640 --> 00:45:52,040 Speaker 1: like when. 1112 00:45:51,920 --> 00:45:53,880 Speaker 2: Celebrity celebrities are talked about like that just makes me 1113 00:45:53,920 --> 00:45:54,840 Speaker 2: feel shitty. 1114 00:45:55,280 --> 00:45:57,440 Speaker 1: But she her and Jlo seeing. 1115 00:45:57,800 --> 00:45:59,239 Speaker 2: Jlo was also there, and I got to meet her 1116 00:45:59,239 --> 00:46:00,759 Speaker 2: in person for the first time and it was like 1117 00:46:00,760 --> 00:46:01,560 Speaker 2: like we're old friends. 1118 00:46:01,600 --> 00:46:02,040 Speaker 1: It was great. 1119 00:46:02,440 --> 00:46:07,879 Speaker 2: She also she just looks so ridiculously. It's just there's 1120 00:46:07,960 --> 00:46:12,240 Speaker 2: it's just next level. It's out of this world. It's unfair, 1121 00:46:12,760 --> 00:46:13,560 Speaker 2: doesn't make sense. 1122 00:46:14,000 --> 00:46:16,520 Speaker 3: Truly, it feels like she came to Earth on like 1123 00:46:16,560 --> 00:46:17,600 Speaker 3: a meteor. 1124 00:46:18,840 --> 00:46:19,360 Speaker 1: Perfection. 1125 00:46:19,680 --> 00:46:20,200 Speaker 5: It really. 1126 00:46:20,320 --> 00:46:23,400 Speaker 2: They were two of the most stunning people. Gracie Abrams 1127 00:46:23,960 --> 00:46:28,000 Speaker 2: also no, but I'm such I'm so mad. 1128 00:46:28,040 --> 00:46:29,839 Speaker 1: I didn't. I just like, I don't know. 1129 00:46:29,880 --> 00:46:32,680 Speaker 2: I was thinking, like, yeah, we are buddies and have 1130 00:46:32,840 --> 00:46:36,520 Speaker 2: chatted and stuff, and and I know she would not 1131 00:46:37,400 --> 00:46:39,360 Speaker 2: like to meet me, she wouldn't be annoyed by it. 1132 00:46:39,400 --> 00:46:41,319 Speaker 2: But I was just like, she's got a lot to 1133 00:46:41,400 --> 00:46:43,680 Speaker 2: do tonight people and I kept looking over at her 1134 00:46:43,680 --> 00:46:46,480 Speaker 2: seeing if there was a window. But I would have 1135 00:46:46,520 --> 00:46:48,319 Speaker 2: to like walk up and people would like kind of 1136 00:46:48,400 --> 00:46:50,839 Speaker 2: watch me desperately, and I would have to interrupt her 1137 00:46:50,880 --> 00:46:52,960 Speaker 2: talking to someone else. I just she was wearing a veil. 1138 00:46:53,000 --> 00:46:54,480 Speaker 2: I didn't want to interrupt her on her wedding day. 1139 00:46:56,160 --> 00:46:56,960 Speaker 1: She looked. 1140 00:46:57,040 --> 00:46:59,239 Speaker 2: I just sent her because we were chatting. I just 1141 00:46:59,640 --> 00:47:01,279 Speaker 2: she was like, why didn't you say hi? And I'm like, 1142 00:47:01,360 --> 00:47:04,279 Speaker 2: I'm I'm so sorry. I was too shy and like 1143 00:47:04,960 --> 00:47:07,920 Speaker 2: I but I literally I've never gotten goosebumps from seeing 1144 00:47:07,920 --> 00:47:11,120 Speaker 2: a picture of someone, and her beauty gave me good. 1145 00:47:11,280 --> 00:47:12,560 Speaker 2: I sent her a picture of my leg that I 1146 00:47:12,600 --> 00:47:15,240 Speaker 2: took a picture of to put up maybe on my Instagram, 1147 00:47:15,320 --> 00:47:18,239 Speaker 2: because I got goosebumps from looking at a picture of her. 1148 00:47:18,239 --> 00:47:20,239 Speaker 2: And then in person, I didn't really get a chance 1149 00:47:20,280 --> 00:47:21,759 Speaker 2: to see hercuse she's behind me and you don't really 1150 00:47:21,760 --> 00:47:24,160 Speaker 2: want to turn around and just be like gawk, galking. 1151 00:47:25,200 --> 00:47:26,320 Speaker 1: She looked so. 1152 00:47:26,239 --> 00:47:29,600 Speaker 2: Stunning and then Olivia, Oh my god, up closet. 1153 00:47:29,600 --> 00:47:31,560 Speaker 4: That's why Olivia did was perfect because it's like the 1154 00:47:31,640 --> 00:47:34,600 Speaker 4: queen is coming to you, and it's like you don't 1155 00:47:34,640 --> 00:47:38,279 Speaker 4: you want to be walking through the crystal to me. 1156 00:47:38,320 --> 00:47:40,040 Speaker 2: Like you need to start going up to people because 1157 00:47:40,040 --> 00:47:42,359 Speaker 2: you don't understand like the gift that Olivia gave you. 1158 00:47:42,760 --> 00:47:45,279 Speaker 2: She could have convinced herself you, oh, she doesn't want 1159 00:47:45,280 --> 00:47:48,000 Speaker 2: to meet me, And I'm not no Olivia Rodrigo, but 1160 00:47:48,040 --> 00:47:50,360 Speaker 2: like there are people that would be honored for me 1161 00:47:50,440 --> 00:47:51,840 Speaker 2: to go up and say I'm a huge fan. That 1162 00:47:51,920 --> 00:47:53,640 Speaker 2: might just like and it wouldn't take anything out of 1163 00:47:53,640 --> 00:47:55,000 Speaker 2: them to know that, and I might be giving them 1164 00:47:55,040 --> 00:47:57,200 Speaker 2: a gift that I don't know of. Sure totally, so 1165 00:47:57,440 --> 00:48:00,960 Speaker 2: I should have said something. But but I. 1166 00:48:00,800 --> 00:48:03,680 Speaker 6: Watching them people perform, are you like, oh, I see, 1167 00:48:03,760 --> 00:48:06,560 Speaker 6: like you're so close to just like do you see 1168 00:48:06,560 --> 00:48:07,880 Speaker 6: that how they take over a stage? 1169 00:48:07,960 --> 00:48:08,120 Speaker 3: You know? 1170 00:48:08,520 --> 00:48:13,000 Speaker 2: Learning The fun part was seeing them after because the 1171 00:48:13,239 --> 00:48:15,400 Speaker 2: camera would like it would go off them and you 1172 00:48:15,440 --> 00:48:19,520 Speaker 2: got to see them, yes, you see, like chap Will 1173 00:48:19,560 --> 00:48:21,680 Speaker 2: just kind of be like it's over and like kind 1174 00:48:21,719 --> 00:48:24,319 Speaker 2: of like her shoulders kind of drop and like calm down, 1175 00:48:24,360 --> 00:48:27,000 Speaker 2: or Sabrina Carpenter just kind of like, yes, I did it. 1176 00:48:27,000 --> 00:48:30,000 Speaker 2: It's over and I nailed it. Like having watching that moment, 1177 00:48:30,080 --> 00:48:32,120 Speaker 2: or Charlie Xix and all those people like hugging and 1178 00:48:32,120 --> 00:48:35,239 Speaker 2: celebrating after all the dancers with each person was that 1179 00:48:35,320 --> 00:48:36,920 Speaker 2: was a fun part and you kind of like see 1180 00:48:37,200 --> 00:48:39,759 Speaker 2: the real them in that moment. But yeah, the I mean, 1181 00:48:40,360 --> 00:48:41,600 Speaker 2: Chapel was insane. 1182 00:48:41,840 --> 00:48:42,560 Speaker 1: It was perfection. 1183 00:48:42,680 --> 00:48:45,200 Speaker 2: You just watching these people, you're like you just feel 1184 00:48:45,239 --> 00:48:47,120 Speaker 2: so comfortable, You're not worried about them at all, even 1185 00:48:47,120 --> 00:48:49,520 Speaker 2: though I would be so nervous, there was no point 1186 00:48:49,600 --> 00:48:51,439 Speaker 2: in the whole show where I felt nervous for anything. 1187 00:48:51,520 --> 00:48:54,280 Speaker 3: I mean performing so wild to me that like Sabrina 1188 00:48:54,320 --> 00:48:56,919 Speaker 3: Carpenter not only did she have to sing her song 1189 00:48:57,000 --> 00:48:59,280 Speaker 3: in a different way at the beginning, but she alsoid 1190 00:48:59,320 --> 00:49:02,960 Speaker 3: do physical comedy ba that was why and it was flawless. 1191 00:49:03,040 --> 00:49:04,759 Speaker 2: I want to I gotta watch that how that looked 1192 00:49:04,800 --> 00:49:08,240 Speaker 2: on camera because it was cool in person, but dropping 1193 00:49:08,280 --> 00:49:10,680 Speaker 2: the thing and then the light. 1194 00:49:10,400 --> 00:49:14,520 Speaker 3: Oh, it was incredible, Like and I don't love I 1195 00:49:14,560 --> 00:49:17,240 Speaker 3: love Sabrina Now I think Sabrina is Charlie Chaplick. 1196 00:49:17,440 --> 00:49:18,960 Speaker 1: She's so funny. 1197 00:49:19,239 --> 00:49:22,520 Speaker 2: Sabriena's really funny, like she That was such a good performance. 1198 00:49:22,560 --> 00:49:26,680 Speaker 2: And then I will say hearing Cynthia Rivo's voice in 1199 00:49:26,719 --> 00:49:30,319 Speaker 2: person was I think, I I think I get into 1200 00:49:30,360 --> 00:49:35,200 Speaker 2: heaven now because like I think there's something your ears. 1201 00:49:35,239 --> 00:49:38,719 Speaker 2: Hearing that live is like I've never heard a better 1202 00:49:38,800 --> 00:49:41,960 Speaker 2: voice in my life, like like a just more flawless 1203 00:49:42,000 --> 00:49:45,680 Speaker 2: and just so you just can't even believe it's coming 1204 00:49:45,680 --> 00:49:48,000 Speaker 2: out of someone like that sound. It was so in control. 1205 00:49:48,080 --> 00:49:50,160 Speaker 2: And then the ray was also that kind of vocal 1206 00:49:50,160 --> 00:49:53,400 Speaker 2: performance that just we Heidi was like how do you 1207 00:49:53,400 --> 00:49:56,480 Speaker 2: spell her name? Like we were all like googling her afterwards, 1208 00:49:56,520 --> 00:49:57,560 Speaker 2: like where have we been on? 1209 00:49:57,680 --> 00:49:59,960 Speaker 1: I've been sleeping on this lady. She was incredible. 1210 00:50:00,640 --> 00:50:03,320 Speaker 2: And and then Trevor. I've never met Trevor Noah, but I 1211 00:50:03,360 --> 00:50:06,240 Speaker 2: want to say that he right after he finished hosting 1212 00:50:06,239 --> 00:50:09,240 Speaker 2: the fucking Grammys, like it was like, cut, we're done, 1213 00:50:09,440 --> 00:50:12,320 Speaker 2: I'm making my way out. I'm talking to someone in 1214 00:50:12,360 --> 00:50:14,840 Speaker 2: the crowd who recognized me and like just taking a 1215 00:50:14,840 --> 00:50:17,520 Speaker 2: selfie with them. And he I didn't know this because 1216 00:50:17,520 --> 00:50:18,759 Speaker 2: if I knew he was waiting, I would have been 1217 00:50:18,760 --> 00:50:20,919 Speaker 2: like fuck you, like like you know, wouldn't I would 1218 00:50:20,920 --> 00:50:22,239 Speaker 2: have just been like, hold on one second, I gotta 1219 00:50:22,280 --> 00:50:23,680 Speaker 2: get to this guy who just finished a show and 1220 00:50:23,680 --> 00:50:24,920 Speaker 2: has to go back stage and like meet a bunch 1221 00:50:24,960 --> 00:50:25,280 Speaker 2: of people. 1222 00:50:25,480 --> 00:50:27,240 Speaker 1: Trevor waits for me to finish having. 1223 00:50:27,080 --> 00:50:30,200 Speaker 2: A conversation with these two people and then just to 1224 00:50:30,239 --> 00:50:31,800 Speaker 2: tell me and great job on the Golden Globes. 1225 00:50:31,960 --> 00:50:32,879 Speaker 3: Amazing and it was and. 1226 00:50:32,840 --> 00:50:33,840 Speaker 1: I've never met him before. 1227 00:50:34,400 --> 00:50:37,360 Speaker 2: He was so flawless as a host, Like that's the 1228 00:50:37,360 --> 00:50:38,759 Speaker 2: show that I would always want to host. But I'm 1229 00:50:38,760 --> 00:50:42,160 Speaker 2: also like no, because it's that's a room that does 1230 00:50:42,200 --> 00:50:43,000 Speaker 2: not get comedy. 1231 00:50:43,200 --> 00:50:46,080 Speaker 3: It's a thankless job. And for him to do it 1232 00:50:46,160 --> 00:50:48,360 Speaker 3: five years in a row, where like you can't really 1233 00:50:48,360 --> 00:50:52,080 Speaker 3: do like a monologue with any real bite, no, like 1234 00:50:52,120 --> 00:50:54,880 Speaker 3: it has to be like jokes about like Luka doncic, 1235 00:50:55,080 --> 00:50:57,640 Speaker 3: like yeah, where you're not making fun of anyone in 1236 00:50:57,640 --> 00:50:59,839 Speaker 3: the room. And then like you have to be really 1237 00:51:00,080 --> 00:51:01,160 Speaker 3: somber at moments. 1238 00:51:01,400 --> 00:51:03,920 Speaker 2: He and but you and you just have to be 1239 00:51:04,280 --> 00:51:06,680 Speaker 2: as flawless as all the perform you have to there's 1240 00:51:06,680 --> 00:51:07,719 Speaker 2: a musicality to it. 1241 00:51:07,719 --> 00:51:09,200 Speaker 1: You just have to you have to be cool. 1242 00:51:09,600 --> 00:51:10,759 Speaker 5: Yeah, yeah, like. 1243 00:51:10,760 --> 00:51:12,040 Speaker 1: Isn't cool, but he is. 1244 00:51:12,160 --> 00:51:14,279 Speaker 2: I think he's just that's not a job that I 1245 00:51:14,280 --> 00:51:17,759 Speaker 2: would want to be able to do it the popular. 1246 00:51:18,040 --> 00:51:20,640 Speaker 3: Yeah it was he was. 1247 00:51:20,680 --> 00:51:23,400 Speaker 1: That was really awesome and like really meant a lot. 1248 00:51:23,680 --> 00:51:28,120 Speaker 6: Went through the thing, Like not many people feel that pressure. Yeah, 1249 00:51:28,200 --> 00:51:29,640 Speaker 6: like you're one of I don't know. 1250 00:51:29,719 --> 00:51:31,440 Speaker 2: But him doing it at the time, he just seems 1251 00:51:31,840 --> 00:51:34,720 Speaker 2: like I just love watching someone who just doesn't seem tense. 1252 00:51:34,760 --> 00:51:36,640 Speaker 2: I think that's the take, Like that's the best thing 1253 00:51:36,680 --> 00:51:40,200 Speaker 2: about celebrities, when you're watching people like who aren't nervous 1254 00:51:40,200 --> 00:51:42,080 Speaker 2: and are just so expert at something that looks so 1255 00:51:42,160 --> 00:51:44,640 Speaker 2: hard and just seem to do it, like Bens and Boone, 1256 00:51:44,760 --> 00:51:47,680 Speaker 2: just like chilling before his debut at the Grammys as 1257 00:51:47,719 --> 00:51:49,880 Speaker 2: the Best New Artist and having like the kind of 1258 00:51:49,880 --> 00:51:53,360 Speaker 2: swagger of someone of like a Stevie Wonder, like the. 1259 00:51:53,239 --> 00:51:56,319 Speaker 3: Idea of the wild, the idea of being twenty two 1260 00:51:56,880 --> 00:51:59,040 Speaker 3: and like a lot of America doesn't know who you are. 1261 00:51:59,400 --> 00:52:01,440 Speaker 3: And then you're to be performing in front of Taylor Stuff, 1262 00:52:01,480 --> 00:52:05,160 Speaker 3: Beyonce and like every major producer that you want to 1263 00:52:05,160 --> 00:52:12,719 Speaker 3: impress and just be like Glazer and he are gonna 1264 00:52:12,760 --> 00:52:13,280 Speaker 3: rip off. 1265 00:52:13,120 --> 00:52:16,360 Speaker 6: My because if he does that flip and he lands 1266 00:52:16,360 --> 00:52:18,640 Speaker 6: on his face, his career is over. 1267 00:52:18,840 --> 00:52:19,520 Speaker 5: I don't think so. 1268 00:52:20,280 --> 00:52:21,279 Speaker 1: But there's no chance he would. 1269 00:52:21,400 --> 00:52:23,240 Speaker 2: He's done that flip a million times and never fallen. 1270 00:52:23,280 --> 00:52:25,560 Speaker 2: Like you don't understand, Like, this is the thing I 1271 00:52:25,560 --> 00:52:28,120 Speaker 2: wanted to talk about in that goddamn book, The Anatomy 1272 00:52:28,160 --> 00:52:30,840 Speaker 2: of a break or the the. 1273 00:52:31,040 --> 00:52:31,920 Speaker 1: What's it called whatever? 1274 00:52:31,920 --> 00:52:35,920 Speaker 2: The breakthrough book I'm I'm reading it was it was 1275 00:52:35,960 --> 00:52:39,080 Speaker 2: talking about I don't I think I told you this 1276 00:52:39,080 --> 00:52:40,320 Speaker 2: weekend about this, but I don't think it said on 1277 00:52:40,360 --> 00:52:42,759 Speaker 2: the podcast there was a thing about the free solo guy. 1278 00:52:43,360 --> 00:52:46,120 Speaker 1: And did I say this on the podcast you told 1279 00:52:46,160 --> 00:52:48,359 Speaker 1: me about this, Yes, but he was able to. 1280 00:52:48,440 --> 00:52:50,520 Speaker 2: Like we think about that guy who just does l 1281 00:52:50,600 --> 00:52:55,440 Speaker 2: Capy Town without any harness or anything or ropes. I've 1282 00:52:55,480 --> 00:52:58,319 Speaker 2: always thought like, wow, he just gets lucky and he's 1283 00:52:58,360 --> 00:53:00,879 Speaker 2: like he's very obviously skilled at it. But he when 1284 00:53:00,920 --> 00:53:03,239 Speaker 2: he does that, he has no question that it's going 1285 00:53:03,320 --> 00:53:06,880 Speaker 2: to go great because he's done it literally as many 1286 00:53:06,920 --> 00:53:09,279 Speaker 2: times as possible with the ropes that it's never it's 1287 00:53:09,280 --> 00:53:11,480 Speaker 2: never gone wrong. And if he has any doubt, if 1288 00:53:11,520 --> 00:53:14,360 Speaker 2: it's raining, if the dew point is off even a margin, 1289 00:53:14,600 --> 00:53:16,640 Speaker 2: if he's like feeling like his throat's a little sore, 1290 00:53:16,680 --> 00:53:18,400 Speaker 2: he won't do it. He only does it when he 1291 00:53:18,480 --> 00:53:21,120 Speaker 2: knows for sure everything's in place for it to go well. 1292 00:53:21,360 --> 00:53:23,920 Speaker 2: So that what you learn from that is there is 1293 00:53:24,120 --> 00:53:26,040 Speaker 2: there was no risk for him. Ever, there was one 1294 00:53:26,080 --> 00:53:28,640 Speaker 2: climb he did where he decided there was a little 1295 00:53:28,640 --> 00:53:30,479 Speaker 2: bit of a weather thing that happened that made him 1296 00:53:31,080 --> 00:53:33,239 Speaker 2: go a way that he hadn't gone before, and he 1297 00:53:33,400 --> 00:53:35,440 Speaker 2: realized that there was a thing that he was going 1298 00:53:35,520 --> 00:53:37,040 Speaker 2: to do that was like fifty to fifty of he 1299 00:53:37,080 --> 00:53:38,520 Speaker 2: was gonna die, and he had to do it because 1300 00:53:38,520 --> 00:53:40,399 Speaker 2: he had gotten himself into his corner and he said, 1301 00:53:40,400 --> 00:53:43,080 Speaker 2: I'm never doing a climb again. He did it because 1302 00:53:43,080 --> 00:53:44,400 Speaker 2: I'm never doing a climb again where I'm not one 1303 00:53:44,480 --> 00:53:45,560 Speaker 2: hundred percent sure for everything. 1304 00:53:45,680 --> 00:53:46,880 Speaker 1: So you don't have to worry. 1305 00:53:46,600 --> 00:53:49,200 Speaker 2: About that guy ever because he is He's mitigated for 1306 00:53:49,280 --> 00:53:51,920 Speaker 2: every risk that could ever happen. And I realized that's 1307 00:53:51,920 --> 00:53:54,520 Speaker 2: what we did with the Golden Globes and the roast 1308 00:53:54,560 --> 00:53:57,200 Speaker 2: is we did. I thought doing all that repetition was 1309 00:53:57,239 --> 00:53:59,880 Speaker 2: about like finding the greatest jokes to do, and but 1310 00:54:00,080 --> 00:54:02,239 Speaker 2: it and it is that, but it's really about doing 1311 00:54:02,280 --> 00:54:04,440 Speaker 2: it so many times that going into it, I had 1312 00:54:04,560 --> 00:54:06,279 Speaker 2: no worry that I was going to kill There was 1313 00:54:06,560 --> 00:54:09,520 Speaker 2: there was no There was nothing in that set that 1314 00:54:09,560 --> 00:54:12,720 Speaker 2: I hadn't done perfectly. There was no margin of error. Yeah, 1315 00:54:12,840 --> 00:54:14,440 Speaker 2: you have to That's what you have to do, is you. 1316 00:54:14,640 --> 00:54:16,759 Speaker 2: And he's Benson Boone has done that flip so many times. 1317 00:54:16,760 --> 00:54:20,280 Speaker 2: To us it looks like what if, But he's done. 1318 00:54:20,120 --> 00:54:20,640 Speaker 1: It so many times. 1319 00:54:20,719 --> 00:54:23,400 Speaker 2: He's there's no chance he could fall. He has no doubt, 1320 00:54:23,480 --> 00:54:25,200 Speaker 2: and so he can do it with ease. 1321 00:54:25,120 --> 00:54:25,520 Speaker 5: No doubt. 1322 00:54:25,520 --> 00:54:28,480 Speaker 4: Was that the other concert Live aid, Oh yeah, yeah, 1323 00:54:28,520 --> 00:54:30,560 Speaker 4: they did no doubt songs. 1324 00:54:31,000 --> 00:54:31,839 Speaker 1: Did I just say no doubt? 1325 00:54:32,120 --> 00:54:33,280 Speaker 2: Oh yeah, there was no doubt? 1326 00:54:33,560 --> 00:54:35,359 Speaker 1: Yeah, yeah, yeah, weren't. 1327 00:54:35,440 --> 00:54:36,680 Speaker 4: I think it would have I think it would have 1328 00:54:36,680 --> 00:54:38,959 Speaker 4: been worse if he instead of falling on his face, 1329 00:54:39,000 --> 00:54:40,719 Speaker 4: if he did the flip and he looked like it 1330 00:54:40,760 --> 00:54:42,799 Speaker 4: was hard. I think that would have been worse if 1331 00:54:42,840 --> 00:54:43,200 Speaker 4: he was like. 1332 00:54:43,200 --> 00:54:47,640 Speaker 3: Oh it was so flawless, so cool. Yeah, you do 1333 00:54:47,680 --> 00:54:48,439 Speaker 3: a flip right now. 1334 00:54:49,719 --> 00:54:51,640 Speaker 5: I've always right. 1335 00:54:54,800 --> 00:54:56,160 Speaker 1: It would be so cool to be able to do 1336 00:54:56,239 --> 00:54:56,640 Speaker 1: it back. 1337 00:54:57,480 --> 00:55:00,960 Speaker 6: Back flips off bar and get some laid within second. Yeah, 1338 00:55:01,120 --> 00:55:05,000 Speaker 6: it's like it's kind of like, yeah, it's unbelievable. 1339 00:55:05,000 --> 00:55:07,800 Speaker 3: Wealthy people, acrobats, you know them all. 1340 00:55:08,760 --> 00:55:13,319 Speaker 2: They're all just doing flips and counting cash around. 1341 00:55:13,040 --> 00:55:15,160 Speaker 3: The scud flipping there. 1342 00:55:16,719 --> 00:55:17,960 Speaker 5: So cool being close to it. 1343 00:55:18,200 --> 00:55:20,160 Speaker 2: I love that you're rubbing scl on your hat. What 1344 00:55:20,360 --> 00:55:20,640 Speaker 2: is that? 1345 00:55:20,960 --> 00:55:21,600 Speaker 5: Saint Louis? 1346 00:55:21,640 --> 00:55:26,319 Speaker 3: This was I'm aware I nailed that. 1347 00:55:26,560 --> 00:55:28,439 Speaker 5: I've fucking nailed that. You know when you say Saint 1348 00:55:28,480 --> 00:55:29,800 Speaker 5: Louis three thousand times? 1349 00:55:29,800 --> 00:55:31,840 Speaker 1: You did live there for two years. 1350 00:55:32,000 --> 00:55:33,520 Speaker 5: Yeah, I feel like it's part of me. 1351 00:55:33,680 --> 00:55:35,600 Speaker 1: Yeah, absolutely, it's part of you. That's a hell of 1352 00:55:35,640 --> 00:55:36,200 Speaker 1: a long time. 1353 00:55:36,640 --> 00:55:39,800 Speaker 6: The golf course there, Okay, shut out that golf course? 1354 00:55:40,560 --> 00:55:42,439 Speaker 3: What's that? What's the park court? 1355 00:55:42,600 --> 00:55:42,839 Speaker 2: Wait? 1356 00:55:42,840 --> 00:55:44,800 Speaker 3: Where is the park that we live next to? 1357 00:55:44,840 --> 00:55:46,239 Speaker 1: You don't Forest Park? 1358 00:55:46,360 --> 00:55:48,200 Speaker 5: Forest Park? I love Forest Park. 1359 00:55:48,280 --> 00:55:48,719 Speaker 1: It was great. 1360 00:55:48,719 --> 00:55:49,879 Speaker 2: It's bigger than Central Park. 1361 00:55:50,200 --> 00:55:50,520 Speaker 5: I know. 1362 00:55:50,760 --> 00:55:53,799 Speaker 2: Yeah, you remember it's calling you backing me? 1363 00:55:54,160 --> 00:55:56,640 Speaker 5: Yeah, that in that one tie place and. 1364 00:55:56,520 --> 00:55:57,560 Speaker 1: Uh wait I thought. 1365 00:55:57,760 --> 00:55:59,600 Speaker 2: I took my dogs to the forest park the other 1366 00:55:59,640 --> 00:56:02,200 Speaker 2: week and all of a sudden they got like and 1367 00:56:02,239 --> 00:56:04,360 Speaker 2: I like looked around and there was a fucking huge 1368 00:56:04,400 --> 00:56:07,319 Speaker 2: ass coyote like wolf thing that I'd never seen before, 1369 00:56:07,320 --> 00:56:08,680 Speaker 2: And I'm like, if I wouldn't have seen this, it 1370 00:56:08,680 --> 00:56:10,520 Speaker 2: wouldn't have been like a snowy day with like a 1371 00:56:10,560 --> 00:56:11,520 Speaker 2: lot of snow where. 1372 00:56:11,400 --> 00:56:13,719 Speaker 1: You can easily they would have it would have gotten them. 1373 00:56:13,960 --> 00:56:15,160 Speaker 3: And I was like, do I reported? 1374 00:56:15,239 --> 00:56:17,640 Speaker 1: But then they might kill it, So I just bet 1375 00:56:17,680 --> 00:56:20,360 Speaker 1: it Mariam. I feel like it's her time. 1376 00:56:22,640 --> 00:56:25,920 Speaker 2: It really was like, oh, it looks so hungry. I 1377 00:56:26,000 --> 00:56:28,080 Speaker 2: wasn't gonna go get it like some food. But then 1378 00:56:28,080 --> 00:56:29,759 Speaker 2: I was like, it probably won't be able to get that. 1379 00:56:30,640 --> 00:56:30,920 Speaker 5: Really. 1380 00:56:31,160 --> 00:56:33,560 Speaker 3: Yeah, you're not supposed to feed coyotes. 1381 00:56:35,040 --> 00:56:38,120 Speaker 4: Oh, then they'll they become reliant on human handouts. 1382 00:56:38,280 --> 00:56:38,879 Speaker 1: Okay, good. 1383 00:56:39,000 --> 00:56:41,320 Speaker 2: Good to know. Thank you guys for listening to the podcast. 1384 00:56:41,320 --> 00:56:44,600 Speaker 2: We'll be back tomorrow with more. Thank you for listening. 1385 00:56:44,880 --> 00:56:45,880 Speaker 1: Don't be good and buye. 1386 00:56:49,080 --> 00:56:51,920 Speaker 2: The Nikki Glazer Podcast is a production by Will Ferrell's 1387 00:56:51,960 --> 00:56:55,359 Speaker 2: Big Money Players and iHeart Podcasts. Created and hosted by 1388 00:56:55,400 --> 00:56:58,960 Speaker 2: me Nikki Glazer, co hosted by Brian Frangie, Executive produced 1389 00:56:58,960 --> 00:57:02,279 Speaker 2: by Will Ferrell, Han Sonny and Noah Avior edited it 1390 00:57:02,360 --> 00:57:06,600 Speaker 2: engineered by Lean and Loaf, video production Mark Canton and 1391 00:57:06,760 --> 00:57:09,880 Speaker 2: music by Anya Marina. You can now watch full episodes 1392 00:57:09,920 --> 00:57:13,239 Speaker 2: of the Nicki Glazer Podcast on YouTube, follow at Nikki 1393 00:57:13,280 --> 00:57:15,320 Speaker 2: Glazer Pod and subscribe to our channel