1 00:00:00,320 --> 00:00:05,440 Speaker 1: Warren't. Today's episode contains spoilers for various movies that we 2 00:00:05,519 --> 00:00:10,360 Speaker 1: have that we're fond of, including The Secret Agent Who 3 00:00:10,400 --> 00:00:31,680 Speaker 1: Left Handed Girl, Sentimental Value and All You Need Is Kille. Hello, 4 00:00:32,080 --> 00:00:33,440 Speaker 1: my name is Jasoncepcion. 5 00:00:34,240 --> 00:00:36,400 Speaker 2: Yes, and I'm Rosie Knight. How's it going? 6 00:00:37,479 --> 00:00:40,080 Speaker 1: And welcome back to Extra Vision. Love by Guys. Are 7 00:00:40,120 --> 00:00:42,120 Speaker 1: we'd have to be your favorite shows, movies, comics of 8 00:00:42,159 --> 00:00:44,120 Speaker 1: pop culture, Company from my Heart, where we're bringing you 9 00:00:44,479 --> 00:00:47,920 Speaker 1: three episodes a week, plus news plus news. 10 00:00:47,960 --> 00:00:50,640 Speaker 3: In today's episode, as we tease in the spoiler warning, 11 00:00:50,880 --> 00:00:52,199 Speaker 3: we are going to be talking about some of the 12 00:00:52,240 --> 00:00:53,880 Speaker 3: movies we've checked out this year, but I haven't had 13 00:00:53,880 --> 00:00:56,240 Speaker 3: a time to talk about because there's so many incredible 14 00:00:56,240 --> 00:00:58,880 Speaker 3: movies and TV shows coming out that we have been covering. 15 00:00:59,560 --> 00:01:03,200 Speaker 1: But for first, let's get into it. Let's talk about 16 00:01:03,240 --> 00:01:06,360 Speaker 1: these movies. Okay, Rosie, You and I are avid movie fans. 17 00:01:06,520 --> 00:01:07,480 Speaker 2: We love a movie. 18 00:01:07,560 --> 00:01:10,160 Speaker 1: We love to go to the theater. If I'm missing 19 00:01:10,240 --> 00:01:13,319 Speaker 1: in the theater, I'll always rent and or buy a 20 00:01:13,400 --> 00:01:17,680 Speaker 1: correct film. This time of year, it being late February, 21 00:01:17,760 --> 00:01:21,520 Speaker 1: as we head down the ski slope of Awards season, 22 00:01:22,480 --> 00:01:28,080 Speaker 1: past the Golden globes past the BAFTAs, and that's a 23 00:01:28,120 --> 00:01:30,960 Speaker 1: whole thing that we will talk about in No God, 24 00:01:31,240 --> 00:01:38,959 Speaker 1: Oh God. On our way towards SAG Independent Spirit and 25 00:01:39,000 --> 00:01:44,039 Speaker 1: the Academy Awards. It's always a time in which you 26 00:01:44,080 --> 00:01:47,720 Speaker 1: and I and I think all movie fans seek to 27 00:01:48,800 --> 00:01:53,280 Speaker 1: just get prepped to know about these films that are 28 00:01:53,320 --> 00:01:57,800 Speaker 1: nominated in various award ceremonies and have our own opinions, 29 00:01:57,800 --> 00:01:59,880 Speaker 1: because it's always fun to have our opinions. And so 30 00:02:00,160 --> 00:02:02,080 Speaker 1: today we're going to talk about some movies that we 31 00:02:02,160 --> 00:02:07,120 Speaker 1: have seen recently that we love. Some of them are 32 00:02:07,760 --> 00:02:14,960 Speaker 1: are nominated in various award programs, some of them are not. Regardless, 33 00:02:15,000 --> 00:02:16,120 Speaker 1: we're fond of these movies. 34 00:02:16,360 --> 00:02:18,840 Speaker 2: Let's begin. I'll unveil my first movie. 35 00:02:19,160 --> 00:02:21,079 Speaker 3: I do think if we were living in a more 36 00:02:21,400 --> 00:02:27,280 Speaker 3: just world, this should have been nominated as the Taiwanese 37 00:02:28,360 --> 00:02:32,119 Speaker 3: entry into as well. It was nominated as the Taiwanese 38 00:02:32,240 --> 00:02:34,280 Speaker 3: entry into the Oscars. I believe it should have been 39 00:02:34,400 --> 00:02:36,280 Speaker 3: up for Best Foreign Language Film. 40 00:02:36,360 --> 00:02:36,760 Speaker 2: It was not. 41 00:02:37,120 --> 00:02:43,080 Speaker 3: But this is a really incredible film by Shanshi Sashao, 42 00:02:43,160 --> 00:02:47,800 Speaker 3: who you probably know best from co producing movies alongside 43 00:02:47,800 --> 00:02:51,200 Speaker 3: Sean Baker, Like Florida project like Takeout, which is my 44 00:02:51,240 --> 00:02:53,480 Speaker 3: favorite Sean Baker movie, which she also co directed. 45 00:02:53,680 --> 00:02:56,799 Speaker 1: I love love Takeout as a New York guy. 46 00:02:56,680 --> 00:03:01,079 Speaker 2: And crazy movie. I just recently did beautiful film. There's 47 00:03:01,120 --> 00:03:04,360 Speaker 2: a gorgeous, gorgeous. 48 00:03:03,600 --> 00:03:07,519 Speaker 1: Watching Criteria now. If you have Criterion, you can see 49 00:03:07,520 --> 00:03:07,880 Speaker 1: it now. 50 00:03:08,160 --> 00:03:11,000 Speaker 3: And I will say there is so much of Takeout 51 00:03:11,040 --> 00:03:13,280 Speaker 3: in Left Handed Girl. Sean Baker even said that I 52 00:03:13,280 --> 00:03:16,239 Speaker 3: recently did a Q and A with Sean and Charles Jang, 53 00:03:16,320 --> 00:03:19,120 Speaker 3: the lead who plays ming in Takeout. It's such an 54 00:03:19,240 --> 00:03:21,560 Speaker 3: unbelievable movie. If I'm sure, if you're a New York 55 00:03:21,680 --> 00:03:24,240 Speaker 3: if you're someone who's ever worked a really shitty service job. 56 00:03:25,040 --> 00:03:26,320 Speaker 2: There's so many layers to it. 57 00:03:26,320 --> 00:03:29,280 Speaker 3: It's one of the true movies that captures the drudgery 58 00:03:29,360 --> 00:03:31,720 Speaker 3: of everyday life. And the reason I mention it is 59 00:03:31,720 --> 00:03:35,600 Speaker 3: because Shishing had co directed that. And when you see 60 00:03:36,040 --> 00:03:40,440 Speaker 3: Left Handed Girl open in these night markets, you just 61 00:03:40,560 --> 00:03:43,920 Speaker 3: feel that same raw energy. This kind of hybrid filmmaking 62 00:03:43,960 --> 00:03:45,720 Speaker 3: where you know that some of the people you're seeing 63 00:03:45,760 --> 00:03:48,000 Speaker 3: on screen are actually just living their day to day 64 00:03:48,000 --> 00:03:50,680 Speaker 3: lives and some of them are actually you. 65 00:03:50,600 --> 00:03:51,400 Speaker 2: Know, performers. 66 00:03:51,640 --> 00:03:54,880 Speaker 3: In this we follow a young girl who is told 67 00:03:55,280 --> 00:03:58,880 Speaker 3: by her grandfather that her left hand is essentially a 68 00:03:58,920 --> 00:04:01,360 Speaker 3: devil hand, and that leads to kind of getting into 69 00:04:01,400 --> 00:04:03,880 Speaker 3: these scrapes where anything bad she wants to do, she 70 00:04:04,000 --> 00:04:06,280 Speaker 3: just does it with her left hand. It's a really 71 00:04:06,520 --> 00:04:11,040 Speaker 3: great parable about like superstition and belief and the way 72 00:04:11,080 --> 00:04:12,920 Speaker 3: that things people say to you when you're a kid 73 00:04:12,960 --> 00:04:17,600 Speaker 3: can shape you. But it's also this unbelievably engaging family 74 00:04:17,680 --> 00:04:22,279 Speaker 3: drama with incredible performances. It will grip you. It feels 75 00:04:22,320 --> 00:04:24,960 Speaker 3: like this kind of vital indie cinema. 76 00:04:24,560 --> 00:04:26,960 Speaker 2: That we just need so so much more. 77 00:04:26,800 --> 00:04:28,479 Speaker 3: Of, and I feel like it's gonna go straight into 78 00:04:28,480 --> 00:04:30,240 Speaker 3: criteria and if there's any justice. 79 00:04:30,360 --> 00:04:33,680 Speaker 2: It kind of reminds me of the era. 80 00:04:33,520 --> 00:04:36,479 Speaker 3: When like I was watching a lot of movies under 81 00:04:36,520 --> 00:04:38,880 Speaker 3: what they would call the tart and Asia Extreme banner, 82 00:04:38,920 --> 00:04:41,599 Speaker 3: which was like a British way of releasing movies, but 83 00:04:41,640 --> 00:04:44,080 Speaker 3: it was very much in the direction of like Chinese 84 00:04:44,120 --> 00:04:47,320 Speaker 3: cinema like All About Lily Shueshoe, or Japanese cinema like 85 00:04:47,320 --> 00:04:48,040 Speaker 3: Battle Royale. 86 00:04:48,440 --> 00:04:52,239 Speaker 2: There's kind of this rawness and truth and kind. 87 00:04:52,080 --> 00:04:55,120 Speaker 3: Of energy to it that reminds me of that Zero's era, 88 00:04:55,240 --> 00:04:58,120 Speaker 3: and I just was so blown away. It's on Netflix, 89 00:04:58,160 --> 00:05:00,800 Speaker 3: which is one of the most incredible things. This movie 90 00:05:00,839 --> 00:05:03,279 Speaker 3: has probably been seen, as Sean Baker told me the 91 00:05:03,320 --> 00:05:06,360 Speaker 3: other day, by more people than all of his other movies. 92 00:05:06,040 --> 00:05:08,120 Speaker 2: Put together, because it is on that It's crazy. 93 00:05:08,240 --> 00:05:10,560 Speaker 3: Yeah, so you can watch it, and it is I'm 94 00:05:10,600 --> 00:05:15,200 Speaker 3: hoping we'll set her up for many, many good movies 95 00:05:15,279 --> 00:05:16,040 Speaker 3: going forward. 96 00:05:16,200 --> 00:05:18,120 Speaker 2: And yeah, I just I love it. And it's it's 97 00:05:18,120 --> 00:05:19,080 Speaker 2: got so much energy. 98 00:05:19,120 --> 00:05:20,960 Speaker 3: It's gonna make you cry, it's gonna make you laugh, 99 00:05:21,000 --> 00:05:24,160 Speaker 3: it's gonna make you want to rebel against your family, 100 00:05:24,200 --> 00:05:26,640 Speaker 3: but also like find the members of your family you love. 101 00:05:26,720 --> 00:05:28,080 Speaker 2: It's. Yeah, it's a masterpiece. 102 00:05:28,160 --> 00:05:36,400 Speaker 1: I absolutely love the films of apparent union hater Sean Baker. 103 00:05:37,160 --> 00:05:39,039 Speaker 2: Look, we can get it. 104 00:05:39,760 --> 00:05:42,000 Speaker 3: I just want to say we have talked on this 105 00:05:42,040 --> 00:05:44,200 Speaker 3: podcast about me of Sean Baker's problems. 106 00:05:44,320 --> 00:05:47,200 Speaker 1: We get it later, but I but you know you're 107 00:05:47,560 --> 00:05:51,839 Speaker 1: Here's what I appreciate about Sean is when you watch 108 00:05:52,080 --> 00:05:56,320 Speaker 1: his movies, when you watch Takeout and I will watch 109 00:05:56,560 --> 00:05:58,040 Speaker 1: Left Handed Girl this week. 110 00:05:59,000 --> 00:06:01,680 Speaker 2: Which he did coprid h and kind of helped. 111 00:06:01,680 --> 00:06:06,239 Speaker 1: Yes and even in Nora to an extent. There it 112 00:06:06,279 --> 00:06:09,080 Speaker 1: is an if you were feeling in any type of way, 113 00:06:09,279 --> 00:06:21,720 Speaker 1: like troubled by the ongoing you know, accretion of media conglomerates, 114 00:06:21,800 --> 00:06:26,960 Speaker 1: like buying each other and feeling like there's a uniformity 115 00:06:27,160 --> 00:06:32,120 Speaker 1: to films there there isn't if you just screep down 116 00:06:32,240 --> 00:06:34,240 Speaker 1: like two or three levels and. 117 00:06:34,240 --> 00:06:37,320 Speaker 2: Sean Baker is is one an oscar So this is 118 00:06:37,360 --> 00:06:39,960 Speaker 2: not that's the top level of scraping. 119 00:06:40,520 --> 00:06:43,480 Speaker 3: Ye go below you can see direct Debon Dren who 120 00:06:43,640 --> 00:06:45,720 Speaker 3: like the Guy in a Parasite all of his movies. 121 00:06:45,720 --> 00:06:48,360 Speaker 2: You can find incredible movies by people. 122 00:06:48,120 --> 00:06:51,960 Speaker 3: Like she s and it's just so many great but 123 00:06:52,080 --> 00:06:53,480 Speaker 3: you'll make us out there. 124 00:06:53,920 --> 00:06:56,839 Speaker 1: Even Takeout, and you know, I don't know, it's like 125 00:06:57,120 --> 00:07:00,440 Speaker 1: that feels like a movie, and I don't I don't 126 00:07:00,640 --> 00:07:02,799 Speaker 1: mean to say this as a way to like discount 127 00:07:02,839 --> 00:07:05,120 Speaker 1: the people who worked on it, and there's probably you 128 00:07:05,120 --> 00:07:08,240 Speaker 1: know who work clearly very hard on it. But it 129 00:07:08,279 --> 00:07:11,280 Speaker 1: will make you, Yeah, it will make you feel like 130 00:07:11,400 --> 00:07:14,000 Speaker 1: you could make a movie if you got together with 131 00:07:14,040 --> 00:07:14,560 Speaker 1: your frenzy. 132 00:07:14,720 --> 00:07:17,160 Speaker 2: Is what's amazing about Takeout. They made it in the 133 00:07:17,160 --> 00:07:17,600 Speaker 2: best way. 134 00:07:17,960 --> 00:07:21,600 Speaker 3: Three thousand dollars and it was it was Shihang, it 135 00:07:21,760 --> 00:07:24,840 Speaker 3: was Charles Jang, the lead, and it was Sean Baker, 136 00:07:24,880 --> 00:07:27,800 Speaker 3: and the three of them basically set themselves up in 137 00:07:27,880 --> 00:07:30,640 Speaker 3: the takeout the real restaurant with the real workers. The 138 00:07:30,680 --> 00:07:33,520 Speaker 3: women you see there who is so funny and so incredible, 139 00:07:33,800 --> 00:07:37,080 Speaker 3: that's the real woman who worked behind the counter, and 140 00:07:37,360 --> 00:07:40,080 Speaker 3: those were her real customers for the most part. And 141 00:07:40,120 --> 00:07:43,800 Speaker 3: that was the rawness and realness. I think that makes 142 00:07:43,840 --> 00:07:47,440 Speaker 3: it still sing like twenty two, twenty three years later. 143 00:07:47,600 --> 00:07:50,640 Speaker 3: But also I said, that was my first question, Jason, 144 00:07:50,840 --> 00:07:53,600 Speaker 3: when I was asking Charles and Sean about. 145 00:07:53,400 --> 00:07:53,760 Speaker 2: It, was. 146 00:07:55,280 --> 00:07:58,360 Speaker 3: Like, how does it feel to have made something just 147 00:07:58,400 --> 00:08:00,600 Speaker 3: with your friends and just gone out there made it, 148 00:08:00,640 --> 00:08:02,840 Speaker 3: and then twenty five years later people are still looking 149 00:08:02,880 --> 00:08:05,080 Speaker 3: back and talking about it because that is just you 150 00:08:05,120 --> 00:08:07,400 Speaker 3: never imagine it, right, but it makes you feel like 151 00:08:07,760 --> 00:08:09,760 Speaker 3: you could be that excited that you could do it 152 00:08:09,800 --> 00:08:10,680 Speaker 3: and have that energy. 153 00:08:11,040 --> 00:08:13,520 Speaker 1: That movie was shot very cheaply. Left Handed Girl was 154 00:08:13,560 --> 00:08:16,480 Speaker 1: shot on iPhone. Yeah, I don't know about primarily, but 155 00:08:16,560 --> 00:08:17,400 Speaker 1: in large part on. 156 00:08:17,440 --> 00:08:20,520 Speaker 3: Iphons, which we know Sean also did with Tangerine, which 157 00:08:20,560 --> 00:08:23,160 Speaker 3: is another one of his best movies in my opinion. 158 00:08:22,960 --> 00:08:27,840 Speaker 1: And from what I've read, not a twenty years later 159 00:08:29,080 --> 00:08:31,560 Speaker 1: shot on iPhone where it was like a rig with 160 00:08:31,720 --> 00:08:35,679 Speaker 1: twenty iPhones, you know what, I like, like an iPhone 161 00:08:35,720 --> 00:08:37,800 Speaker 1: at a time. I'm sure they had multiple iPhones, but 162 00:08:37,840 --> 00:08:39,640 Speaker 1: you know what I mean, it's not like there's not 163 00:08:39,679 --> 00:08:42,559 Speaker 1: like a ten thousand dollars rig to put all these 164 00:08:42,559 --> 00:08:45,200 Speaker 1: iPhones together. All of which is to say, you know, 165 00:08:45,360 --> 00:08:49,960 Speaker 1: like video editing software like Resolve Da Vinci Resolve is 166 00:08:50,000 --> 00:08:55,439 Speaker 1: available with eighty five percent of the features like unlocked 167 00:08:55,920 --> 00:08:59,000 Speaker 1: on the free version, like you can anybody can make 168 00:08:59,040 --> 00:09:01,040 Speaker 1: a movie. You can go make a movie right now 169 00:09:01,480 --> 00:09:02,320 Speaker 1: if you wanted to. 170 00:09:02,679 --> 00:09:03,079 Speaker 2: Literally. 171 00:09:03,120 --> 00:09:05,760 Speaker 3: And also, guys, I think that's such a great point, Jason, 172 00:09:05,840 --> 00:09:08,080 Speaker 3: because something else that Sean Baker made at the same 173 00:09:08,120 --> 00:09:11,360 Speaker 3: time as this, so again and like we said, union 174 00:09:11,520 --> 00:09:12,200 Speaker 3: issues there. 175 00:09:12,320 --> 00:09:14,160 Speaker 2: I had many issues with the Nora that I've forgot. 176 00:09:14,440 --> 00:09:16,480 Speaker 1: You can go read about it on the Hollywood Reporter. 177 00:09:16,800 --> 00:09:19,760 Speaker 1: Hollywood Reporter has a very good interview with members of 178 00:09:19,800 --> 00:09:21,760 Speaker 1: the crew on a Nora, and you can. 179 00:09:21,640 --> 00:09:24,160 Speaker 2: Read about it, listen to our all conversations about it. 180 00:09:24,240 --> 00:09:27,160 Speaker 3: But but, but, but I do think that there is 181 00:09:27,200 --> 00:09:30,600 Speaker 3: a power to reminding people they can make things themselves. 182 00:09:30,640 --> 00:09:34,200 Speaker 3: And there is an eleven minute short short film that 183 00:09:34,240 --> 00:09:37,960 Speaker 3: Sean Baker made All on iPhone starring Michelle Yohe that 184 00:09:38,200 --> 00:09:42,479 Speaker 3: was recently released as part of kind of an art project, 185 00:09:42,600 --> 00:09:44,760 Speaker 3: and you can see again this kind of notion of 186 00:09:45,120 --> 00:09:47,680 Speaker 3: even as he grows, he's always trying to say like, hey, guys, 187 00:09:47,679 --> 00:09:49,560 Speaker 3: there's still a way you can do this, Like there's 188 00:09:49,600 --> 00:09:51,400 Speaker 3: still something you can make. And I have to say 189 00:09:51,800 --> 00:09:54,600 Speaker 3: he was there sign in movie posters and talking to 190 00:09:54,600 --> 00:09:57,160 Speaker 3: people who made make movies. 191 00:09:56,720 --> 00:09:58,200 Speaker 2: For like hours after the movie. 192 00:09:58,240 --> 00:10:01,840 Speaker 3: So yeah, it's definitely a cool time to remind yourself 193 00:10:01,920 --> 00:10:02,760 Speaker 3: like you can do that. 194 00:10:02,800 --> 00:10:04,520 Speaker 2: And guess what, you don't need to use AI, guys. 195 00:10:04,600 --> 00:10:07,319 Speaker 2: You can just do it yourself. You can do it. 196 00:10:07,160 --> 00:10:07,800 Speaker 2: Do it yourself. 197 00:10:08,880 --> 00:10:11,079 Speaker 3: Who's gonna make the first X ray vision? Listen to 198 00:10:11,080 --> 00:10:12,640 Speaker 3: a movie? We will be at the premie. 199 00:10:12,920 --> 00:10:14,240 Speaker 2: Make it. 200 00:10:14,240 --> 00:10:17,199 Speaker 1: It's very easy to do, not very easy, but it's 201 00:10:17,240 --> 00:10:20,160 Speaker 1: very easy to make it successible. It's a lot harder 202 00:10:20,200 --> 00:10:22,280 Speaker 1: make something good. But that's kind of the fun. 203 00:10:22,920 --> 00:10:24,079 Speaker 2: Yeah, Exactly. 204 00:10:24,440 --> 00:10:26,080 Speaker 1: One of the movies that I've seen recent that I've 205 00:10:26,240 --> 00:10:30,600 Speaker 1: really really loved is and this is an award a 206 00:10:30,600 --> 00:10:35,320 Speaker 1: bait movie is The Secret Agent, directed by clebre Mondino Filo. 207 00:10:35,600 --> 00:10:43,760 Speaker 1: Sorry if I mispronounced that starring Wagner Mora, Carlos Francisco, 208 00:10:44,120 --> 00:10:49,000 Speaker 1: Tanya Maria and others. And it is a movie about 209 00:10:49,280 --> 00:10:52,600 Speaker 1: It's set in nineteen seventy seven. There's a lot there's 210 00:10:52,600 --> 00:10:57,080 Speaker 1: all these wonderful references in this movie to what a 211 00:10:57,120 --> 00:10:59,600 Speaker 1: great movie year. It is like Star Wars. They're talking 212 00:10:59,720 --> 00:11:03,200 Speaker 1: like Jiz is a huge plot point in this film. 213 00:11:03,440 --> 00:11:04,120 Speaker 2: Incredible. 214 00:11:04,440 --> 00:11:05,280 Speaker 1: It's set in Brazil. 215 00:11:05,559 --> 00:11:06,200 Speaker 2: Period piece. 216 00:11:06,559 --> 00:11:11,800 Speaker 1: Yeah, set in Brazil in nineteen seventy seven was the 217 00:11:11,840 --> 00:11:18,720 Speaker 1: middle of Brazil's two decade military dictatorship. Brazil had suffered 218 00:11:19,920 --> 00:11:22,720 Speaker 1: a handful of coups in the mid twentieth century, and 219 00:11:22,760 --> 00:11:31,080 Speaker 1: then in sixty five, the military very interesting in contrast 220 00:11:31,160 --> 00:11:38,000 Speaker 1: to other South American dictatorships, took power essentially and sincerely, 221 00:11:38,040 --> 00:11:44,240 Speaker 1: I guess in their view to protect democracy. And this 222 00:11:44,440 --> 00:11:47,080 Speaker 1: is this is set in the middle of that period, 223 00:11:47,240 --> 00:11:53,520 Speaker 1: a period of repression where resistance cells kind of like 224 00:11:53,640 --> 00:11:58,439 Speaker 1: ragtag resistance cells have formed, and oftentimes this resistance was 225 00:11:58,559 --> 00:12:04,080 Speaker 1: led by the kind of political elites, upper middle class 226 00:12:04,160 --> 00:12:09,600 Speaker 1: and wealthy members of the Brazilian ruling class who initially 227 00:12:09,679 --> 00:12:13,560 Speaker 1: had supported the military dictatorship, but now we're like, oh, 228 00:12:13,600 --> 00:12:17,559 Speaker 1: we've made a mistake. And are trying and are trying 229 00:12:17,559 --> 00:12:22,080 Speaker 1: to struggle against us. Wagner More plays a former teacher 230 00:12:22,120 --> 00:12:24,160 Speaker 1: who's caught in the middle of this. He's on the run, 231 00:12:24,440 --> 00:12:29,920 Speaker 1: he's fleeing, and he is placed by this resistance cell 232 00:12:30,040 --> 00:12:34,480 Speaker 1: like in Receive. It's during carnival, and he's being hidden 233 00:12:34,520 --> 00:12:38,800 Speaker 1: there along with other political refugees from around the country 234 00:12:39,240 --> 00:12:43,800 Speaker 1: in like a collection of safe houses, and the movie 235 00:12:43,840 --> 00:12:46,600 Speaker 1: takes It's interesting because it takes a long time to 236 00:12:46,679 --> 00:12:50,600 Speaker 1: get going, and I think what it's trying to do 237 00:12:50,920 --> 00:12:55,199 Speaker 1: is really put you in the middle of the confusion of. 238 00:12:55,000 --> 00:12:58,959 Speaker 2: What the imagione of what it's like to be to be. 239 00:12:59,480 --> 00:13:03,199 Speaker 1: In this dictatorship that you don't know the shape of it. 240 00:13:03,200 --> 00:13:05,680 Speaker 1: It's hard to know what's real. The military and the 241 00:13:05,760 --> 00:13:10,160 Speaker 1: ruling forces control the media to a large extent, and 242 00:13:10,200 --> 00:13:15,480 Speaker 1: there's a lot of like self dealing and like right 243 00:13:15,520 --> 00:13:18,400 Speaker 1: wing looting of industries going on. 244 00:13:18,520 --> 00:13:18,600 Speaker 3: Ye. 245 00:13:18,800 --> 00:13:23,840 Speaker 1: Wager More plays this guy Armando, who worked like at 246 00:13:23,840 --> 00:13:29,120 Speaker 1: a research university and they developed this really cool technology 247 00:13:30,280 --> 00:13:36,600 Speaker 1: and you know, basically a like regime connected industrialist came along. 248 00:13:36,640 --> 00:13:38,880 Speaker 1: It was just like great, nice technology. I own it now, 249 00:13:39,600 --> 00:13:41,920 Speaker 1: and if you try and do anything about it, like 250 00:13:41,960 --> 00:13:45,760 Speaker 1: I'll kill you and actually sends two hitman after Armando 251 00:13:45,840 --> 00:13:48,840 Speaker 1: to try and find him. And but what really struck 252 00:13:48,880 --> 00:13:53,200 Speaker 1: me about this movie is it unexpectedly opens up at 253 00:13:53,200 --> 00:13:56,600 Speaker 1: a certain point where so he's he's all the while 254 00:13:56,640 --> 00:14:01,600 Speaker 1: he is recording his like an interview you with the 255 00:14:01,720 --> 00:14:05,400 Speaker 1: organizers of this resistance cell. They can't they have no 256 00:14:05,520 --> 00:14:08,880 Speaker 1: power at this time, or very little power. What they're 257 00:14:08,920 --> 00:14:11,480 Speaker 1: trying to do is just basically get everything down on 258 00:14:11,600 --> 00:14:14,160 Speaker 1: tape so that hopefully one day in the future something 259 00:14:14,200 --> 00:14:17,679 Speaker 1: can be done. Right. And so he's talking about, you know, 260 00:14:17,720 --> 00:14:19,760 Speaker 1: how he came to be on the run, what happened 261 00:14:19,760 --> 00:14:23,680 Speaker 1: to him, what happened to his wife, et cetera. His 262 00:14:24,040 --> 00:14:29,840 Speaker 1: child is being raised by his wife's father, who is 263 00:14:30,120 --> 00:14:32,440 Speaker 1: a projectionist in a cinema, and this is where a 264 00:14:32,480 --> 00:14:34,600 Speaker 1: lot of the Jaws stuff and that kind of stuff 265 00:14:34,640 --> 00:14:38,920 Speaker 1: comes in. A big plot point is an argument between 266 00:14:39,760 --> 00:14:43,280 Speaker 1: the father in law and Armando to take this young 267 00:14:43,360 --> 00:14:45,920 Speaker 1: kid to Jaws, which is very scary. 268 00:14:45,480 --> 00:14:48,840 Speaker 3: And it has this huge payoff, like emotionally, that huge 269 00:14:48,880 --> 00:14:49,720 Speaker 3: emotional path. 270 00:14:50,960 --> 00:14:52,440 Speaker 2: Well, Jason, something I think. 271 00:14:52,360 --> 00:14:54,560 Speaker 3: Is really cool about this movie that you kind of 272 00:14:54,800 --> 00:14:57,120 Speaker 3: I didn't even really think about because it is so immersive, 273 00:14:57,120 --> 00:14:58,840 Speaker 3: and it definitely put me in the mind of like 274 00:15:00,040 --> 00:15:03,480 Speaker 3: again kind of this like Theo's indie era, like the 275 00:15:03,520 --> 00:15:06,920 Speaker 3: French movie a prophet Less said about that director now Beta, 276 00:15:07,040 --> 00:15:10,480 Speaker 3: but that movie is fucking incredible, Like there was again 277 00:15:10,560 --> 00:15:15,440 Speaker 3: these raw immersive even like you know, Spielberg got into 278 00:15:15,480 --> 00:15:17,400 Speaker 3: it a little bit when he tried to do his 279 00:15:17,480 --> 00:15:20,920 Speaker 3: movie about the Olympic bombing and stuff, these kind of 280 00:15:21,160 --> 00:15:25,000 Speaker 3: intimate chamber dramas, but when you pull out, there's this huge, 281 00:15:25,040 --> 00:15:27,840 Speaker 3: big punch of kind of like the ripple effect. 282 00:15:28,680 --> 00:15:31,440 Speaker 2: And yeah, I mean, also, it feels crazy that. 283 00:15:31,400 --> 00:15:35,120 Speaker 3: A movie that's essentially about like an Anarco communist like 284 00:15:35,280 --> 00:15:38,320 Speaker 3: resistance group is also like one of the most celebrated 285 00:15:38,360 --> 00:15:40,320 Speaker 3: movies of the year in twenty twenty six. 286 00:15:40,480 --> 00:15:41,640 Speaker 2: It's like really surreal. 287 00:15:41,920 --> 00:15:46,640 Speaker 1: I think that there is something too, And this goes 288 00:15:46,680 --> 00:15:49,480 Speaker 1: for the other movie. I'm going to talk about sentimental value, 289 00:15:49,480 --> 00:15:52,200 Speaker 1: which people have heard me talk about before. But so 290 00:15:52,240 --> 00:15:54,160 Speaker 1: this movie opens up and at a certain point you 291 00:15:54,240 --> 00:15:58,080 Speaker 1: realize that there's a present day timeline and that there's 292 00:15:58,880 --> 00:16:02,080 Speaker 1: these two universes researchers who are listening to the tapes 293 00:16:02,120 --> 00:16:06,680 Speaker 1: that Armando put down and they're studying them, and and 294 00:16:06,720 --> 00:16:09,520 Speaker 1: what really affected me is like one of them is 295 00:16:09,760 --> 00:16:12,440 Speaker 1: you know, incredibly moved, goes out and seeks out Armando's 296 00:16:12,480 --> 00:16:14,480 Speaker 1: son and tries to talk to him about his dad. 297 00:16:14,560 --> 00:16:18,000 Speaker 1: He has no memories of the only thing he you know, 298 00:16:18,440 --> 00:16:22,800 Speaker 1: he remembers very almost nothing basically about his dad. And 299 00:16:22,800 --> 00:16:26,400 Speaker 1: and then there's the other researcher who's like, is just 300 00:16:26,600 --> 00:16:28,200 Speaker 1: was doing it for the grade and has now like 301 00:16:28,280 --> 00:16:31,720 Speaker 1: moved on to is like surfing Internet and I and 302 00:16:31,760 --> 00:16:35,200 Speaker 1: it made me realize, like that is we're kind of 303 00:16:35,240 --> 00:16:38,160 Speaker 1: living in that now where you just get the feeling 304 00:16:38,240 --> 00:16:40,920 Speaker 1: that once we are past whatever period this is and 305 00:16:40,920 --> 00:16:43,600 Speaker 1: things lighten up to an extent, there's gonna be a 306 00:16:43,640 --> 00:16:46,240 Speaker 1: lot of people who are who just check out, who 307 00:16:46,360 --> 00:16:49,800 Speaker 1: completely check out on what is happening and can't wait 308 00:16:49,840 --> 00:16:52,120 Speaker 1: to check out. You know. That's kind of like the 309 00:16:52,120 --> 00:16:58,000 Speaker 1: the the curse and the gift of peace and stability 310 00:16:58,080 --> 00:17:02,600 Speaker 1: and success is people just like check out. And the 311 00:17:02,640 --> 00:17:04,480 Speaker 1: other thing about it, and it's just the same thing 312 00:17:04,520 --> 00:17:07,560 Speaker 1: that I love about sentimental value is it feels like 313 00:17:07,640 --> 00:17:12,760 Speaker 1: there is an understanding in international cinema that to tell 314 00:17:13,520 --> 00:17:18,880 Speaker 1: stories that reflect the world, to reflect what is happening. 315 00:17:19,400 --> 00:17:22,879 Speaker 1: It is necessary to create these structures that stretch over 316 00:17:23,359 --> 00:17:28,879 Speaker 1: multiple years, multiple lifetimes of people's lives intergenerationally. You can't 317 00:17:28,920 --> 00:17:33,840 Speaker 1: just tell a story that seeks to kind of encapsulate 318 00:17:35,080 --> 00:17:38,000 Speaker 1: the feeling that we're all having, the people are having 319 00:17:38,000 --> 00:17:41,199 Speaker 1: about the world and the way it's changing without having 320 00:17:41,240 --> 00:17:49,080 Speaker 1: this multi timeline, multi generational kind of feeling that allows 321 00:17:49,920 --> 00:17:54,119 Speaker 1: the story to trace the ripple effects of decisions that 322 00:17:54,160 --> 00:17:58,480 Speaker 1: were made decades previously to the main timeline of the story. 323 00:17:58,840 --> 00:18:02,760 Speaker 1: And I think it's it's such a wonderful way to 324 00:18:02,840 --> 00:18:05,520 Speaker 1: engage with the story. I mean, you know, and it's 325 00:18:05,840 --> 00:18:10,960 Speaker 1: when it's really well done, it's incredibly moving. And the 326 00:18:11,000 --> 00:18:13,399 Speaker 1: Secret Agent was one of those not moving at maybe 327 00:18:13,400 --> 00:18:15,399 Speaker 1: in the way that like, you know, for me, it 328 00:18:15,480 --> 00:18:18,800 Speaker 1: was really about this feeling of, you know, one day 329 00:18:18,840 --> 00:18:20,880 Speaker 1: this is going to pass. People are going to study this, 330 00:18:21,520 --> 00:18:22,480 Speaker 1: and they're also. 331 00:18:22,720 --> 00:18:23,679 Speaker 2: All of the forget it. 332 00:18:24,000 --> 00:18:26,840 Speaker 1: They're going to forget and all of the texture and 333 00:18:28,040 --> 00:18:35,960 Speaker 1: fear and and togetherness and the raw kind of emotion 334 00:18:36,240 --> 00:18:38,960 Speaker 1: of the period is going to get lost in translation 335 00:18:39,200 --> 00:18:40,960 Speaker 1: and it's going to be really hard to pick it 336 00:18:41,040 --> 00:18:45,359 Speaker 1: up again. That idea was is really interesting and I 337 00:18:45,359 --> 00:18:49,800 Speaker 1: also think, you know, people may know that the former 338 00:18:49,920 --> 00:18:55,760 Speaker 1: dictator of Brazil or extremely right wing president multiple time 339 00:18:55,880 --> 00:19:00,160 Speaker 1: COVID survivor the ex president pol scenario, was put in 340 00:19:00,160 --> 00:19:03,840 Speaker 1: prison for you know, his attempted coup and take over 341 00:19:03,960 --> 00:19:07,200 Speaker 1: the country. And you know, as we sit here, we're 342 00:19:07,240 --> 00:19:09,439 Speaker 1: probably wondering, like why we can't do that? And I 343 00:19:09,480 --> 00:19:12,679 Speaker 1: do wonder if some of that South Korea did the 344 00:19:12,720 --> 00:19:14,800 Speaker 1: same thing, put a president who tried to take over 345 00:19:14,840 --> 00:19:17,960 Speaker 1: the country, who like in jail, and they have the 346 00:19:18,000 --> 00:19:20,560 Speaker 1: similar issue as Brazil, which is they went through a 347 00:19:20,600 --> 00:19:26,080 Speaker 1: period of military of dictatorship. So and kind of understood 348 00:19:26,840 --> 00:19:29,960 Speaker 1: like what how, what that is, what it looks like, 349 00:19:30,520 --> 00:19:33,480 Speaker 1: what it was like, and how important it is to 350 00:19:33,600 --> 00:19:39,000 Speaker 1: kind of smack back against. So it's a really incredible 351 00:19:39,040 --> 00:19:41,160 Speaker 1: movie that like sneaks up on you, and I mean 352 00:19:41,200 --> 00:19:44,280 Speaker 1: sneaks up on you. Like this is a movie where 353 00:19:45,000 --> 00:19:47,520 Speaker 1: you may find yourself during the first hour being like 354 00:19:47,560 --> 00:19:49,960 Speaker 1: what the fuck am I even like what's I don't 355 00:19:50,040 --> 00:19:52,199 Speaker 1: understand what the story is, but but it is worth it. 356 00:19:52,520 --> 00:19:54,000 Speaker 2: Yeah, I love that. 357 00:19:54,040 --> 00:19:59,399 Speaker 3: Also historical movie. Wagnamora making a lot of waves. He 358 00:19:59,480 --> 00:20:01,639 Speaker 3: won Best at It Can, which set him up for 359 00:20:01,720 --> 00:20:04,840 Speaker 3: his Oscar norm which he did get, which I believe 360 00:20:04,880 --> 00:20:09,520 Speaker 3: makes him a first, the first Latin American actor to 361 00:20:09,520 --> 00:20:10,800 Speaker 3: be nominated. 362 00:20:10,359 --> 00:20:13,680 Speaker 2: For Best Filian, first Brazilian. 363 00:20:13,160 --> 00:20:17,800 Speaker 3: Actor nominated for Best Actor. Love that for him. Very 364 00:20:17,800 --> 00:20:20,640 Speaker 3: excited for more people to watch this. Hopefully this will 365 00:20:20,640 --> 00:20:25,320 Speaker 3: be a movie that people can tie to the actions 366 00:20:25,359 --> 00:20:28,160 Speaker 3: of today. But we shall see, I guess. But yeah, 367 00:20:28,200 --> 00:20:30,280 Speaker 3: I mean, this is truly a great movie. I was 368 00:20:30,359 --> 00:20:32,159 Speaker 3: so glad after you saw it that you were like, 369 00:20:32,240 --> 00:20:34,679 Speaker 3: this is a must watch, because it immediately moved up 370 00:20:34,680 --> 00:20:35,080 Speaker 3: my list. 371 00:20:35,640 --> 00:20:37,320 Speaker 1: Let's take a quick break and we'll be back with 372 00:20:37,359 --> 00:20:58,080 Speaker 1: our other favorite movies. Will and we're about, Hey, Rosie, 373 00:20:58,119 --> 00:20:58,919 Speaker 1: what's your next movie. 374 00:20:59,040 --> 00:20:59,919 Speaker 2: I'm gonna go for one. 375 00:21:00,000 --> 00:21:03,600 Speaker 3: No, this is gonna be our main, like, non Oscar contender, 376 00:21:03,760 --> 00:21:06,080 Speaker 3: non critically beloved movie. 377 00:21:06,440 --> 00:21:08,040 Speaker 2: But I think it is so worthwhile. 378 00:21:08,119 --> 00:21:10,520 Speaker 3: I think in a time that people are getting more 379 00:21:10,520 --> 00:21:15,520 Speaker 3: into strange animation, rediscovering incredible artists like Mobiusts, or watching 380 00:21:15,560 --> 00:21:19,320 Speaker 3: old movies like you know, A Fantastic Planet or something 381 00:21:19,400 --> 00:21:23,639 Speaker 3: like that, I think it's a time that people should 382 00:21:23,640 --> 00:21:29,240 Speaker 3: open their eyes to non narrative, strange adventures through animation. 383 00:21:29,920 --> 00:21:33,520 Speaker 3: And the recently released adaptation of All You Need Is Kill, 384 00:21:33,960 --> 00:21:38,280 Speaker 3: which was an animation release and is now streaming, is 385 00:21:38,400 --> 00:21:39,320 Speaker 3: just unbelievable. 386 00:21:39,320 --> 00:21:43,080 Speaker 2: In my opinion. The reviews relatively middling. 387 00:21:43,480 --> 00:21:46,399 Speaker 3: It's not gonna be nominated for Best Animated Feature, though 388 00:21:46,440 --> 00:21:47,520 Speaker 3: I think that is a mistake. 389 00:21:48,000 --> 00:21:49,240 Speaker 2: This movie is. 390 00:21:49,480 --> 00:21:53,320 Speaker 3: So unbelievably beautiful. Obviously, you're probably not gonna get to 391 00:21:53,320 --> 00:21:56,080 Speaker 3: watch at the cinema now it's streaming, but there is 392 00:21:56,119 --> 00:21:58,560 Speaker 3: a reason, gee, kids, pick this movie up. You can 393 00:21:58,600 --> 00:22:01,040 Speaker 3: watch on your projector on your set and inch screen, 394 00:22:01,080 --> 00:22:02,440 Speaker 3: which I'm sure many of you have. 395 00:22:02,920 --> 00:22:06,600 Speaker 2: It is the same story that we. 396 00:22:06,480 --> 00:22:12,440 Speaker 3: Saw adapted in the incredibly enjoyable and underrated Tom Cruise 397 00:22:12,480 --> 00:22:15,679 Speaker 3: Emily Blunt action movie, very underrated Edge of Tomorrow and. 398 00:22:15,720 --> 00:22:18,080 Speaker 1: Actually good, an actual side fi masterpiece. 399 00:22:18,119 --> 00:22:21,760 Speaker 3: Yea yeah, an actual side by masterpiece, a time loop masterpiece. 400 00:22:22,000 --> 00:22:25,439 Speaker 3: It's funny, it's engaging, the action is incredible, the robots 401 00:22:25,440 --> 00:22:26,919 Speaker 3: are incredible. Go watch it. 402 00:22:26,800 --> 00:22:27,320 Speaker 2: It's great. 403 00:22:27,359 --> 00:22:30,080 Speaker 3: It's based on a light novel which was then adapted 404 00:22:30,080 --> 00:22:33,639 Speaker 3: into a really popular manga. This is an anime movie 405 00:22:33,680 --> 00:22:37,520 Speaker 3: adaptation that's very different to both of those. But if 406 00:22:37,560 --> 00:22:40,840 Speaker 3: you want to just lose yourself in gorgeous animation, time 407 00:22:40,880 --> 00:22:43,679 Speaker 3: loop animation, you know what. It really reminded me of 408 00:22:44,080 --> 00:22:49,720 Speaker 3: something the newer shows that we've gotten recently, like Scavenger's Rain. 409 00:22:50,320 --> 00:22:52,520 Speaker 3: That was the energy it was giving, Like you just 410 00:22:52,560 --> 00:22:54,960 Speaker 3: want to go and spend time in a space in 411 00:22:55,000 --> 00:23:00,400 Speaker 3: a beautiful alien world. That the show that Pendleton War 412 00:23:00,600 --> 00:23:03,199 Speaker 3: did where he was kind of doing podcast interviews with 413 00:23:03,280 --> 00:23:06,359 Speaker 3: people and it's on Netflix, and then he would kind 414 00:23:06,400 --> 00:23:09,040 Speaker 3: of animate around them as they had these conversations about 415 00:23:09,080 --> 00:23:12,920 Speaker 3: like life and death and you know, micronosing mushrooms and stuff. 416 00:23:13,040 --> 00:23:15,639 Speaker 3: To me, it felt very experimental, and I think that 417 00:23:16,920 --> 00:23:18,680 Speaker 3: g kids are releasing it in the cinema at all 418 00:23:18,720 --> 00:23:21,200 Speaker 3: is amazing. But it feels to me like the kind 419 00:23:21,200 --> 00:23:25,760 Speaker 3: of movie that's gonna find its audience in, you know, realistically, 420 00:23:25,800 --> 00:23:28,920 Speaker 3: like stoner students or kids who want to like take 421 00:23:29,000 --> 00:23:30,760 Speaker 3: drugs and watch a movie like we used to do 422 00:23:30,800 --> 00:23:31,720 Speaker 3: with Keanus Quarts. 423 00:23:31,840 --> 00:23:33,159 Speaker 1: I love it. Yeah, you gotta watch it. 424 00:23:33,160 --> 00:23:37,480 Speaker 3: It's an important thing that's gonna make it its own 425 00:23:37,560 --> 00:23:39,960 Speaker 3: cult flavor. And I just, yeah, I'm a big fan 426 00:23:40,000 --> 00:23:42,240 Speaker 3: of this movie. I think it's a great weird movie. 427 00:23:42,280 --> 00:23:44,399 Speaker 3: It's under an hour and thirty minutes long. Guys, It's 428 00:23:44,400 --> 00:23:47,840 Speaker 3: an hour and twenty two minutes long. It is really 429 00:23:48,280 --> 00:23:51,720 Speaker 3: so cool, and it is unlike any other movie you've seen. 430 00:23:51,800 --> 00:23:53,840 Speaker 3: And if you love the Light novel, you love the 431 00:23:53,960 --> 00:23:56,480 Speaker 3: at manga, and you love the Tom Cruise movie, this 432 00:23:56,600 --> 00:23:58,879 Speaker 3: is totally different story wise, so you can enjoy it 433 00:23:58,880 --> 00:24:01,360 Speaker 3: in a different way. It's not gonna win any awards, 434 00:24:01,400 --> 00:24:03,399 Speaker 3: but I do think it's worth checking out, and I 435 00:24:03,440 --> 00:24:05,199 Speaker 3: bet that a lot of our audience will love it. 436 00:24:05,440 --> 00:24:10,440 Speaker 1: And then my final movie is Yokim Trier's Sentimental Value, 437 00:24:10,560 --> 00:24:12,840 Speaker 1: which I've talked about, but this is another movie that 438 00:24:13,000 --> 00:24:19,160 Speaker 1: has that multi generational structure. Is it's about It's about trauma. 439 00:24:19,359 --> 00:24:26,480 Speaker 1: It's about attempting to attempting to say something through art. 440 00:24:27,440 --> 00:24:35,679 Speaker 1: It's about just how people fall prey to their own past, 441 00:24:35,960 --> 00:24:40,560 Speaker 1: to their own to their own traumatic experiences, and aren't 442 00:24:40,600 --> 00:24:44,320 Speaker 1: able to like see past the pain they've caused other 443 00:24:44,359 --> 00:24:46,800 Speaker 1: people or make it better in any kind of way. 444 00:24:47,000 --> 00:24:53,159 Speaker 1: It stars We're not Renceive, who was was also in 445 00:24:53,640 --> 00:24:56,600 Speaker 1: Trier's Worst Person in the World, which is I promise 446 00:24:56,640 --> 00:24:58,360 Speaker 1: you this if you've seen Worst Person in the World, 447 00:24:58,359 --> 00:25:01,600 Speaker 1: which I loved, I thought it was crazy. Movie left 448 00:25:01,680 --> 00:25:05,160 Speaker 1: me feel a beautiful film left me feeling very very sad. 449 00:25:05,200 --> 00:25:06,399 Speaker 2: Very sad. 450 00:25:06,000 --> 00:25:10,960 Speaker 1: I watched since I was. 451 00:25:10,280 --> 00:25:13,480 Speaker 3: Unexpected comic book movie because the guy is a graphic novelist. 452 00:25:13,800 --> 00:25:15,960 Speaker 3: I love the movie where there's a random person who 453 00:25:16,000 --> 00:25:17,080 Speaker 3: has a cartooning career. 454 00:25:17,960 --> 00:25:19,600 Speaker 2: But yeah, no, I'm so excited for this one. 455 00:25:19,680 --> 00:25:22,679 Speaker 3: I haven't seen it, but I'm already grateful for the 456 00:25:22,720 --> 00:25:27,240 Speaker 3: movie because of how incredible the interview they did or 457 00:25:27,280 --> 00:25:31,960 Speaker 3: Actors on Actors' Style Variety interview with both stell and 458 00:25:32,000 --> 00:25:36,320 Speaker 3: Scarsgard and Alexander kind of talking about this movie and 459 00:25:36,960 --> 00:25:39,960 Speaker 3: whether or not it is very realistic to who he 460 00:25:40,040 --> 00:25:41,840 Speaker 3: is as a father or not, which I think is 461 00:25:41,880 --> 00:25:42,560 Speaker 3: really cool. 462 00:25:43,240 --> 00:25:47,560 Speaker 1: So Stellin plays a Gustafborg, a celebrated film director who 463 00:25:47,600 --> 00:25:50,920 Speaker 1: is estrange from his daughters, Nora played by Renatt and Sieve, 464 00:25:50,960 --> 00:25:58,240 Speaker 1: who is a successful stage and TV actress but not 465 00:25:58,320 --> 00:26:02,840 Speaker 1: like a start, like a very talented, walking working actor 466 00:26:03,400 --> 00:26:07,240 Speaker 1: and very talented and respected, and her and his other daughter, Agnes, 467 00:26:07,280 --> 00:26:11,400 Speaker 1: who is a historian. Stellin's mother was in the Dutch 468 00:26:11,440 --> 00:26:14,760 Speaker 1: Resistance and she committed suicide when he was very young, 469 00:26:14,760 --> 00:26:18,400 Speaker 1: when he was walking to school and she killed herself, 470 00:26:18,880 --> 00:26:22,399 Speaker 1: and it has in his mind. He believes something to 471 00:26:22,440 --> 00:26:25,160 Speaker 1: do with her torture at the hands of the Nazis 472 00:26:25,240 --> 00:26:28,239 Speaker 1: d World War two. And all of which is to 473 00:26:28,280 --> 00:26:32,399 Speaker 1: say Stellin's a terrible dad. He is kind of a 474 00:26:32,480 --> 00:26:37,120 Speaker 1: bad He's he makes he's made brilliant films, but he's 475 00:26:37,119 --> 00:26:41,880 Speaker 1: pasted it like he's washed up. And he has not 476 00:26:42,080 --> 00:26:47,400 Speaker 1: maintained the relationships with the people who he has collaborated 477 00:26:47,480 --> 00:26:53,960 Speaker 1: with in the past, namely his his cinematographer law Peter 478 00:26:54,080 --> 00:26:59,720 Speaker 1: excuse me, who is now elderly and you know, has 479 00:26:59,800 --> 00:27:04,239 Speaker 1: mo ability issues and he's at the end of his 480 00:27:04,280 --> 00:27:07,119 Speaker 1: life or you know, approaching it. Anyway. He's healthy, but 481 00:27:07,240 --> 00:27:10,600 Speaker 1: you know, he's old, and he's starting to feel like, 482 00:27:12,320 --> 00:27:14,280 Speaker 1: I'll never make it up to any of these people 483 00:27:14,400 --> 00:27:18,240 Speaker 1: or explain to them how it came to be that 484 00:27:18,320 --> 00:27:20,639 Speaker 1: I hurt all of them so badly and I don't 485 00:27:20,640 --> 00:27:22,320 Speaker 1: know what to do about it. And so he writes 486 00:27:22,400 --> 00:27:25,119 Speaker 1: this movie, and he wants his daughter to be in it, 487 00:27:25,160 --> 00:27:28,320 Speaker 1: and he wants his old collaborators to get into it 488 00:27:28,400 --> 00:27:31,520 Speaker 1: with him. But the thing is, it's you know, twenty 489 00:27:31,560 --> 00:27:38,639 Speaker 1: twenty five, and when he fails to get his daughter 490 00:27:38,720 --> 00:27:41,960 Speaker 1: in it, he ends up shopping it around, it goes 491 00:27:42,000 --> 00:27:45,200 Speaker 1: to Netflix. In order to get the funding, he has 492 00:27:45,240 --> 00:27:47,800 Speaker 1: to cast Rachel Kent played by el Fanning, who's like 493 00:27:47,800 --> 00:27:53,240 Speaker 1: a famous, famous, famous American actor who is like excited for, 494 00:27:54,640 --> 00:27:56,560 Speaker 1: you know, to be in the movie of an auteur. 495 00:27:57,200 --> 00:27:59,880 Speaker 1: You know. It's like it was like, you know, imagine 496 00:28:00,440 --> 00:28:04,320 Speaker 1: Scarlett Johansson but without the indie cred. Yeah, right, just 497 00:28:04,480 --> 00:28:06,239 Speaker 1: is like, oh, I need Oh, this is great. I'm 498 00:28:06,240 --> 00:28:10,440 Speaker 1: gonna do a real artistic movie. And he's struggling with 499 00:28:10,480 --> 00:28:13,760 Speaker 1: the trade offs that he has to make to do 500 00:28:13,840 --> 00:28:17,919 Speaker 1: that to go down that route. Fanning is wonderful in 501 00:28:17,960 --> 00:28:21,800 Speaker 1: the role. She's like she can She's like, do I 502 00:28:21,880 --> 00:28:23,760 Speaker 1: do it in an accent because you know, this is 503 00:28:23,840 --> 00:28:27,439 Speaker 1: aw and he insists that he doesn't have to, but 504 00:28:27,520 --> 00:28:29,439 Speaker 1: then she wants to try it and she can feel 505 00:28:29,480 --> 00:28:32,600 Speaker 1: like there's something deeper in this film that is not 506 00:28:32,880 --> 00:28:37,200 Speaker 1: that I'm not doing. And the end of the movie 507 00:28:37,320 --> 00:28:40,480 Speaker 1: is wonderfully heartwarming. It's an it's like The Secret Agent 508 00:28:40,560 --> 00:28:43,440 Speaker 1: in that you don't kind of understand what it is 509 00:28:43,600 --> 00:28:46,840 Speaker 1: about until you get maybe two thirds of the way 510 00:28:46,840 --> 00:28:48,840 Speaker 1: through the movie, and then when you realize and when 511 00:28:48,880 --> 00:28:52,040 Speaker 1: it hits you like oh wow, my real really beautiful. 512 00:28:52,040 --> 00:28:54,480 Speaker 1: It doesn't excuse the fact that he again is such 513 00:28:54,480 --> 00:28:58,000 Speaker 1: a piece of shit Dad, But like you know, anybody 514 00:28:58,600 --> 00:29:03,200 Speaker 1: who's alive and who's hurt anyone, it grapples with can 515 00:29:03,200 --> 00:29:07,560 Speaker 1: you get can you forgive yourself? Can you can you 516 00:29:07,560 --> 00:29:10,080 Speaker 1: make it up to the people you hurt somehow, you know, 517 00:29:10,200 --> 00:29:12,440 Speaker 1: even if you can't make it right, can you make 518 00:29:12,560 --> 00:29:14,920 Speaker 1: can you explain yourself and can you listen to them 519 00:29:15,720 --> 00:29:19,400 Speaker 1: about their feelings about how they were affected by what 520 00:29:19,440 --> 00:29:21,040 Speaker 1: you did? And can you move past it in some 521 00:29:21,080 --> 00:29:23,160 Speaker 1: sort of way with what time you have left? And 522 00:29:23,480 --> 00:29:28,120 Speaker 1: it's a It's an incredible movie, very very beautiful. You know. 523 00:29:28,160 --> 00:29:30,840 Speaker 1: It's one of my favorite, I think of all time 524 00:29:30,880 --> 00:29:34,120 Speaker 1: now movies about people making movies. You know, even though it's. 525 00:29:34,080 --> 00:29:36,560 Speaker 2: Oh we love it about love making a movie. 526 00:29:36,640 --> 00:29:39,440 Speaker 1: I love that and I would urge people to watch it. 527 00:29:39,440 --> 00:29:42,360 Speaker 1: It's great. I think you can rent it now, Like 528 00:29:42,400 --> 00:29:45,360 Speaker 1: The Secret Agent, it's very rentable. And again it's like 529 00:29:45,520 --> 00:29:51,400 Speaker 1: it it stretches from like nineteen fifty to twenty twenty 530 00:29:51,440 --> 00:29:56,800 Speaker 1: five and weaves between those those timelines in a way 531 00:29:56,840 --> 00:29:59,520 Speaker 1: that makes you feel the weight of a person's life 532 00:29:59,520 --> 00:30:01,480 Speaker 1: and how it efects for lives that come after. It's 533 00:30:01,480 --> 00:30:02,200 Speaker 1: a great movie. 534 00:30:02,480 --> 00:30:05,320 Speaker 3: I love that so much. Yeah, I mean what, We've 535 00:30:05,320 --> 00:30:08,520 Speaker 3: had such an unbelievable year so far. Aside from even 536 00:30:08,760 --> 00:30:11,440 Speaker 3: just the ones we've mentioned, there's so many incredible movies 537 00:30:11,480 --> 00:30:12,400 Speaker 3: we have yet. 538 00:30:12,200 --> 00:30:12,880 Speaker 2: To talk about. 539 00:30:13,240 --> 00:30:16,720 Speaker 3: I'm gonna I've seen it already. It's absolutely heartbreaking, but 540 00:30:16,760 --> 00:30:19,240 Speaker 3: I cannot. I feel like it's a duty that we. 541 00:30:19,160 --> 00:30:21,120 Speaker 2: All have to watch it. The voice of. 542 00:30:21,200 --> 00:30:24,720 Speaker 3: Hind Rajab I've really actually watched it, but I'm gonna 543 00:30:24,760 --> 00:30:27,200 Speaker 3: go see on Saturday night a Q and A with 544 00:30:27,280 --> 00:30:32,360 Speaker 3: the director. That movie's just unbelievable. There's an incredible movie 545 00:30:32,360 --> 00:30:35,400 Speaker 3: that's coming out soon called My Father's Shadow, about a 546 00:30:35,480 --> 00:30:39,000 Speaker 3: dad who kind of unexpectedly spends a day with his 547 00:30:39,040 --> 00:30:43,000 Speaker 3: two sons, and it is just an unbelieva I wouldn't 548 00:30:43,000 --> 00:30:45,240 Speaker 3: want to say more than that, but it's that movie 549 00:30:45,280 --> 00:30:47,600 Speaker 3: really just like knocked it out of me. Like there's 550 00:30:47,600 --> 00:30:49,800 Speaker 3: so many great movies that are outside. 551 00:30:49,480 --> 00:30:51,160 Speaker 2: Of the ones that we love and talk about every 552 00:30:51,200 --> 00:30:52,160 Speaker 2: single week on this show. 553 00:30:52,360 --> 00:30:54,520 Speaker 1: We'll be right back after a quick break to work. 554 00:31:10,280 --> 00:31:11,280 Speaker 2: And we're back, Jason. 555 00:31:11,360 --> 00:31:13,320 Speaker 3: Any other movies you've seen and want to shout out 556 00:31:13,400 --> 00:31:15,000 Speaker 3: or that you're really excited to see. 557 00:31:15,120 --> 00:31:17,400 Speaker 1: Well, I want to see I want to see the 558 00:31:17,400 --> 00:31:19,120 Speaker 1: movies that we've talked about today that I have. 559 00:31:19,200 --> 00:31:19,760 Speaker 2: It's m hmm. 560 00:31:20,480 --> 00:31:23,040 Speaker 1: I will definitely see Left Handed Girl this weekend. Yeah, 561 00:31:23,360 --> 00:31:26,640 Speaker 1: I think I'm very excited to see that. I'm going 562 00:31:26,680 --> 00:31:29,600 Speaker 1: to see a screening of One Battle after Another with 563 00:31:29,640 --> 00:31:33,800 Speaker 1: Bincio Toro tonight at the at Vidiots. Another story, by 564 00:31:33,840 --> 00:31:41,600 Speaker 1: the way, which seeks to wretches intergenerationally is and is 565 00:31:41,760 --> 00:31:44,520 Speaker 1: I think story wise, at least a large part of 566 00:31:44,560 --> 00:31:47,560 Speaker 1: the story is a kind of baton handoff from one 567 00:31:47,600 --> 00:31:48,560 Speaker 1: generation to another. 568 00:31:51,160 --> 00:31:54,160 Speaker 3: Maybe that's our theme for our Oscars season this year. 569 00:31:54,200 --> 00:31:57,479 Speaker 3: I think you've really tapped into something very interesting that Jason. 570 00:31:57,640 --> 00:32:00,320 Speaker 2: I mean, isn't that also, Ben just Doomsday will be. 571 00:32:00,320 --> 00:32:00,920 Speaker 4: Trying to do the. 572 00:32:02,520 --> 00:32:03,520 Speaker 2: Like I guess it's. 573 00:32:04,960 --> 00:32:09,040 Speaker 1: Six What Avengers dos Day is like? What is like 574 00:32:09,160 --> 00:32:11,680 Speaker 1: not just an action masterpiece but one of the great 575 00:32:11,800 --> 00:32:12,880 Speaker 1: art films in our time? 576 00:32:13,040 --> 00:32:13,200 Speaker 2: Oh? 577 00:32:13,320 --> 00:32:13,720 Speaker 1: Please? 578 00:32:13,840 --> 00:32:17,120 Speaker 3: I would actually, I'm like, honestly, for all, look dude, 579 00:32:17,160 --> 00:32:19,920 Speaker 3: how funny would it be like Pta has been annoying 580 00:32:19,920 --> 00:32:21,520 Speaker 3: me on this press store let's say that. But I 581 00:32:21,560 --> 00:32:24,560 Speaker 3: would say, hey, look man, let that man make an 582 00:32:24,640 --> 00:32:27,360 Speaker 3: Avengers movie because he made a movie One Bottle after 583 00:32:27,360 --> 00:32:31,200 Speaker 3: another is an engaging action flick with very interesting politics 584 00:32:31,200 --> 00:32:34,800 Speaker 3: and incredible direction. So there is a space, I believe 585 00:32:35,320 --> 00:32:37,000 Speaker 3: for an art house MCU movie. 586 00:32:37,000 --> 00:32:38,360 Speaker 2: Who will be the first one to make it? 587 00:32:38,600 --> 00:32:41,400 Speaker 3: You can argue with me, Michael Giacchino has already already 588 00:32:41,400 --> 00:32:45,600 Speaker 3: maybe mostly maybe something Chloe tried. Obviously I'm a big 589 00:32:46,040 --> 00:32:48,760 Speaker 3: but again it's still a blockbuster movie. Who's gonna make 590 00:32:49,120 --> 00:32:51,640 Speaker 3: the Avengers movie that costs six thousand dollars high a 591 00:32:51,640 --> 00:32:52,400 Speaker 3: share maker? 592 00:32:53,560 --> 00:32:56,280 Speaker 1: Well, I mean, just like the IP alone, I think. 593 00:32:56,080 --> 00:32:58,640 Speaker 3: Will I know, I'm like, as long as Marvel lets 594 00:32:58,680 --> 00:33:00,680 Speaker 3: me make it, then I'll just I'll take the cost. 595 00:33:00,720 --> 00:33:01,600 Speaker 2: I'll eat the cost. 596 00:33:01,920 --> 00:33:03,440 Speaker 1: Well, I guess the other thing I would say is like, 597 00:33:03,480 --> 00:33:07,040 Speaker 1: if you like listen, I guess there's a world in 598 00:33:07,080 --> 00:33:09,920 Speaker 1: which if you have Paramount, you will now have all. 599 00:33:10,240 --> 00:33:10,640 Speaker 3: You will have. 600 00:33:11,360 --> 00:33:14,840 Speaker 1: You will have six of six of ten platforms, like 601 00:33:15,480 --> 00:33:20,640 Speaker 1: all bundled into that. But I would really recommend the 602 00:33:20,640 --> 00:33:22,920 Speaker 1: Criterion Channel if you don't just have it, and if 603 00:33:22,960 --> 00:33:23,600 Speaker 1: you have. 604 00:33:23,400 --> 00:33:27,080 Speaker 3: The money to spend yet it is the streaming service 605 00:33:27,120 --> 00:33:29,239 Speaker 3: that I have to pay for every month now I 606 00:33:29,280 --> 00:33:30,760 Speaker 3: have it, I will never go back. 607 00:33:30,880 --> 00:33:33,040 Speaker 2: They curate it unbelievably. 608 00:33:32,880 --> 00:33:37,560 Speaker 1: It's unbelievable, and the depth of movies. This is the 609 00:33:37,640 --> 00:33:39,600 Speaker 1: thing you can become a You can if you want 610 00:33:39,640 --> 00:33:42,880 Speaker 1: to become literate about movies, about the development of movies, 611 00:33:42,880 --> 00:33:45,960 Speaker 1: about international movies, not just like movies that come out here, 612 00:33:47,160 --> 00:33:49,959 Speaker 1: but the history of international cinema as well. There's all 613 00:33:49,960 --> 00:33:53,560 Speaker 1: these wonderful documentary features in their interviews with filmmaker I. 614 00:33:53,480 --> 00:33:54,240 Speaker 2: Was gonna say they have. 615 00:33:54,520 --> 00:33:58,360 Speaker 3: They put a lot of the Criterion back matter from 616 00:33:58,400 --> 00:34:01,240 Speaker 3: the DVDs and Blu ray release is onto the service. 617 00:34:01,320 --> 00:34:03,600 Speaker 3: So if you're watching a movie that they put out 618 00:34:03,680 --> 00:34:06,760 Speaker 3: on the Criterion Channel, you can access the special features. 619 00:34:07,000 --> 00:34:08,880 Speaker 3: But what really blew me away that I was not 620 00:34:09,040 --> 00:34:11,920 Speaker 3: expecting because I only got it recently to watch Megadoc. 621 00:34:12,160 --> 00:34:14,279 Speaker 4: That was like the first time I got it right, 622 00:34:14,719 --> 00:34:17,919 Speaker 4: So silly, so silly, And but the thing that blew 623 00:34:17,960 --> 00:34:20,319 Speaker 4: my mind is the curation they have that is not 624 00:34:21,040 --> 00:34:23,919 Speaker 4: in the Criterion Channel. So you can go on there 625 00:34:24,160 --> 00:34:26,680 Speaker 4: and yeah, you can watch you know, every Charlie Chaplin 626 00:34:26,719 --> 00:34:30,000 Speaker 4: movie or every Verner Herzog movie, but well not everyone, 627 00:34:30,040 --> 00:34:32,600 Speaker 4: but a selection. But you can go on there and 628 00:34:32,600 --> 00:34:36,400 Speaker 4: you can also watch like an eighties zerotic thriller curation 629 00:34:36,640 --> 00:34:39,520 Speaker 4: that they've found or you know, I watched they had 630 00:34:39,560 --> 00:34:43,799 Speaker 4: an incredible black debutantes, like kind of Ye Female Debuts. 631 00:34:44,040 --> 00:34:45,799 Speaker 3: There was a movie I think it was just called 632 00:34:45,800 --> 00:34:48,400 Speaker 3: The Video Store. I haven't been able to stop thinking about. 633 00:34:48,440 --> 00:34:51,279 Speaker 3: It's legitimately like one of the best movies I've seen, 634 00:34:51,280 --> 00:34:52,799 Speaker 3: and I would never have seen it if it wasn't 635 00:34:52,840 --> 00:34:55,520 Speaker 3: on Criterion. You can also watch classics like The Waterwork, 636 00:34:55,640 --> 00:34:58,440 Speaker 3: Melon Women and stuff, so it has everything. I had 637 00:34:58,480 --> 00:35:00,640 Speaker 3: avoided it for a long time because I think the 638 00:35:00,680 --> 00:35:03,160 Speaker 3: Criterion collection itself, as much as I spend a lot 639 00:35:03,160 --> 00:35:04,879 Speaker 3: of money on it and I love it, is very 640 00:35:04,920 --> 00:35:08,560 Speaker 3: myopic and who it chooses the streaming service is not. 641 00:35:09,080 --> 00:35:13,279 Speaker 1: It is amazing so broad. It's instance right now. There 642 00:35:13,360 --> 00:35:16,760 Speaker 1: are a number of curated collections. One of them is Stunts. 643 00:35:16,760 --> 00:35:19,960 Speaker 1: If you love great stunts. It has includes the movies 644 00:35:20,840 --> 00:35:24,319 Speaker 1: The Road Warrior, Bullet Face Off, to Live and Die 645 00:35:24,320 --> 00:35:27,080 Speaker 1: in La the General, and more so. It stretches from 646 00:35:27,160 --> 00:35:33,560 Speaker 1: silent movie era to like modern day. There is the 647 00:35:33,600 --> 00:35:37,600 Speaker 1: previous two Wuthering Heights movies are there in a collection 648 00:35:37,880 --> 00:35:39,160 Speaker 1: for you to see by. 649 00:35:39,080 --> 00:35:42,720 Speaker 3: The way, guys, both are incredible. It's the original, classic, 650 00:35:42,840 --> 00:35:45,400 Speaker 3: most well known one, really good William Wiler Uki the 651 00:35:45,440 --> 00:35:48,240 Speaker 3: William Wiler one. But there is also the other version, 652 00:35:48,280 --> 00:35:50,200 Speaker 3: which I believe is the best, most. 653 00:35:50,080 --> 00:35:56,000 Speaker 1: Paul, I completely agree. Creditable, directed by Andrea Arnold, starring 654 00:35:56,080 --> 00:35:59,440 Speaker 1: the in my mind, very underrated. 655 00:36:00,080 --> 00:36:03,839 Speaker 4: Let's do a Class Scolardario video episode because she's under 656 00:36:03,920 --> 00:36:05,080 Speaker 4: rated Skins from. 657 00:36:05,160 --> 00:36:09,920 Speaker 1: Coins, Skins Legend kaias Sculadario and James Houston, and I 658 00:36:10,080 --> 00:36:13,440 Speaker 1: agree with you. I think it's the best one and 659 00:36:13,560 --> 00:36:15,520 Speaker 1: kind of by far, like oh no, by far. 660 00:36:15,600 --> 00:36:17,760 Speaker 3: It's the first one where they cast a black person 661 00:36:17,760 --> 00:36:18,320 Speaker 3: as Heathler. 662 00:36:18,600 --> 00:36:21,200 Speaker 2: It's a good class one. Well let's talk about him 663 00:36:21,239 --> 00:36:21,720 Speaker 2: the bad. 664 00:36:21,600 --> 00:36:24,680 Speaker 1: That's why you've never o but they put him. They 665 00:36:24,680 --> 00:36:25,480 Speaker 1: put him in makeup. 666 00:36:27,640 --> 00:36:31,600 Speaker 3: But like they we also you get the true ending 667 00:36:31,840 --> 00:36:34,439 Speaker 3: of the movie, which is very cont the book, which 668 00:36:34,480 --> 00:36:37,319 Speaker 3: is very controversial. It's the only version I've seen that 669 00:36:37,600 --> 00:36:39,759 Speaker 3: makes you feel as desolate as you feel when you 670 00:36:39,800 --> 00:36:42,040 Speaker 3: are a teenager hanging out on those moors, which. 671 00:36:41,840 --> 00:36:43,239 Speaker 2: I did as a lot as a kid because my 672 00:36:43,239 --> 00:36:46,360 Speaker 2: grandma lived near there. So it is so good. Yeah, Jason, 673 00:36:46,360 --> 00:36:48,080 Speaker 2: I'm so glad you brought that up. It's such a 674 00:36:48,080 --> 00:36:49,080 Speaker 2: great investment, guys. 675 00:36:49,160 --> 00:36:51,560 Speaker 1: I think it's an incredible investment. 676 00:36:51,200 --> 00:36:53,719 Speaker 2: If you love movies, and that's the reason you stream. 677 00:36:53,760 --> 00:36:56,600 Speaker 3: This is why I pitch everyone spend ten ninety nine 678 00:36:56,640 --> 00:36:58,800 Speaker 3: a month on Criterion or get the year for ninety 679 00:36:58,880 --> 00:36:59,360 Speaker 3: nine dollars. 680 00:36:59,360 --> 00:37:01,279 Speaker 2: And we are not. By the way, we couldn't even 681 00:37:01,280 --> 00:37:03,800 Speaker 2: get into the Criterion collection truck, so we are not. 682 00:37:04,760 --> 00:37:10,080 Speaker 1: We all panel my nose for this. But I wanted 683 00:37:10,120 --> 00:37:11,400 Speaker 1: to say, here's the movie. 684 00:37:11,239 --> 00:37:14,239 Speaker 3: That would You Be and You, which is free and 685 00:37:14,280 --> 00:37:16,800 Speaker 3: you basically can cover all of cinema, which is amazing. 686 00:37:16,840 --> 00:37:18,160 Speaker 2: Jason, what's your number one movie? 687 00:37:18,520 --> 00:37:24,200 Speaker 1: Cut on Cut by the Tides China twenty twenty four 688 00:37:24,600 --> 00:37:29,960 Speaker 1: movie from China, and it is a it's it's so 689 00:37:30,080 --> 00:37:36,960 Speaker 1: hard to really describe it. Ga took like b roll 690 00:37:37,320 --> 00:37:41,839 Speaker 1: and footage that wasn't used in his other movies and 691 00:37:41,920 --> 00:37:47,840 Speaker 1: put it together in this dream like almost fashion that 692 00:37:49,239 --> 00:37:54,719 Speaker 1: chronicles the rise and development of China through you know, 693 00:37:54,840 --> 00:37:57,759 Speaker 1: the the nineties to the two thousands, and you just 694 00:37:57,840 --> 00:38:01,839 Speaker 1: watch everything change and beautiful. 695 00:38:01,360 --> 00:38:04,480 Speaker 2: Beauty, similar vibes. 696 00:38:04,800 --> 00:38:07,480 Speaker 3: Wow, yeah, guys, I can't tell you. Criterion and two 697 00:38:07,600 --> 00:38:09,520 Speaker 3: B that's the two that I live and die by. 698 00:38:09,560 --> 00:38:11,799 Speaker 3: Everything else's dress for work. But yeah, Jason, I'm so 699 00:38:11,800 --> 00:38:14,359 Speaker 3: happy and March a little bit chill. Maybe we'll get 700 00:38:14,400 --> 00:38:16,120 Speaker 3: to talk about more cool movies. 701 00:38:16,280 --> 00:38:18,120 Speaker 1: Or the next episode of Extra Vision. We're talking about 702 00:38:18,120 --> 00:38:23,720 Speaker 1: a favorite fantasy movies that aren't. That's it for this episode. 703 00:38:23,719 --> 00:38:28,400 Speaker 1: Thanks for listening, Bye x ray Vision is hosted by 704 00:38:28,480 --> 00:38:31,080 Speaker 1: Jason Concepcion and Rosie Knight and is a production of 705 00:38:31,080 --> 00:38:32,040 Speaker 1: iHeart Podcast. 706 00:38:32,400 --> 00:38:35,960 Speaker 3: Our executive producers are Joel Monique and Aaron Kaufman. 707 00:38:36,200 --> 00:38:38,239 Speaker 1: Our supervising producer is Abuzafar. 708 00:38:38,640 --> 00:38:42,600 Speaker 3: Our producers are Common Laurent Dean Jonathan and Fay Wack. 709 00:38:42,719 --> 00:38:45,480 Speaker 1: A theme song is by Brian Vasquez, with alternate theme 710 00:38:45,560 --> 00:38:46,800 Speaker 1: songs by Aaron Kaufman. 711 00:38:47,000 --> 00:38:50,359 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and 712 00:38:50,440 --> 00:38:52,239 Speaker 3: Heidi our discord moderator.