1 00:00:01,200 --> 00:00:05,480 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:06,000 --> 00:00:15,120 Speaker 1: Bobby Bones. I know my phone kind of sucks because 3 00:00:15,160 --> 00:00:17,640 Speaker 1: it's like two generations old, and I feel like getting 4 00:00:17,680 --> 00:00:20,040 Speaker 1: worse and worse. This is stupid. I know that Apple's 5 00:00:20,040 --> 00:00:22,360 Speaker 1: doing to me. I know it's getting worse because everybody 6 00:00:22,360 --> 00:00:23,960 Speaker 1: get the new one and I got a new number. 7 00:00:24,520 --> 00:00:26,079 Speaker 1: I got a new phone and I use it some. 8 00:00:26,640 --> 00:00:29,040 Speaker 1: It's been small and I can't see a vision's bad. 9 00:00:29,240 --> 00:00:30,440 Speaker 1: I don't know what to do. It is already paid 10 00:00:30,440 --> 00:00:31,840 Speaker 1: for that phone. It know it's gonna be small, and 11 00:00:31,880 --> 00:00:33,800 Speaker 1: now I didn't know I could send it back. Now 12 00:00:34,000 --> 00:00:37,159 Speaker 1: I'm over the thirty days of keeping it. These are 13 00:00:37,159 --> 00:00:38,760 Speaker 1: my problems right now. Yeah, I don't feel like I've 14 00:00:38,760 --> 00:00:41,120 Speaker 1: been enough sympathy here. This phone sucks. It won't stay 15 00:00:41,159 --> 00:00:43,440 Speaker 1: on the internet, and I know it's Apple doing it 16 00:00:43,479 --> 00:00:48,160 Speaker 1: to me and it's so irritating. So but I need big. 17 00:00:48,200 --> 00:00:51,280 Speaker 1: I need big for my vision and it's not huge. 18 00:00:51,320 --> 00:00:53,080 Speaker 1: My text don't come through like some pie see Grandpa 19 00:00:53,159 --> 00:00:55,680 Speaker 1: doing it. But it's an older uncle, sure, instead of 20 00:00:55,680 --> 00:00:58,000 Speaker 1: a grandpa in the fifties. But I have always had 21 00:00:58,040 --> 00:00:59,720 Speaker 1: bad vision, so I was like that when I was nine. 22 00:01:00,240 --> 00:01:02,040 Speaker 1: But so I was trying to connect to the internet here, 23 00:01:02,400 --> 00:01:05,640 Speaker 1: which maybe the internet here sucks, but it also bombs 24 00:01:05,640 --> 00:01:08,360 Speaker 1: out of my house too. But this place, this building weird. 25 00:01:08,480 --> 00:01:11,760 Speaker 1: Right now we're the only ones here. Our shows. We 26 00:01:11,800 --> 00:01:14,360 Speaker 1: have the floor, the bottom floor, the rest of the building. 27 00:01:14,360 --> 00:01:17,240 Speaker 1: The company's moved to another building. We don't have anywhere park. 28 00:01:17,600 --> 00:01:20,320 Speaker 1: We were parking across the street. Almost got hit by 29 00:01:20,319 --> 00:01:24,200 Speaker 1: a car yesterday, almost died. It's part of the job 30 00:01:24,360 --> 00:01:29,560 Speaker 1: now it is the street. Yeah, it's like Hubert Frogger whatever, Yeah, frogger. 31 00:01:29,840 --> 00:01:33,080 Speaker 1: I was jumping stuff's dodging stuff. And now we're we're 32 00:01:33,120 --> 00:01:34,959 Speaker 1: allowed to park somewhere, but I feel like it's shady. 33 00:01:35,040 --> 00:01:37,840 Speaker 1: Well now we're parking like two layers below in the garage. 34 00:01:38,000 --> 00:01:40,640 Speaker 1: And just to get through, there was some guy that 35 00:01:40,840 --> 00:01:46,039 Speaker 1: was guarding the bridge and he was like, Billy got gruff. Yeah, 36 00:01:46,080 --> 00:01:48,600 Speaker 1: so I had to say that to get through. And 37 00:01:48,680 --> 00:01:50,600 Speaker 1: so it's a whole situation. I don't even know. And 38 00:01:50,640 --> 00:01:52,400 Speaker 1: I bought some crack while I was down there. Oh, 39 00:01:52,480 --> 00:01:54,000 Speaker 1: you didn't mean to, well, I needed to just to 40 00:01:54,040 --> 00:01:56,760 Speaker 1: get that. That's what you have to do. I don't 41 00:01:56,760 --> 00:02:00,400 Speaker 1: know what to do now. Let me in Yeah. Well, yeah, 42 00:02:01,680 --> 00:02:04,440 Speaker 1: it's so weird. It's weird to come into work right 43 00:02:04,480 --> 00:02:06,520 Speaker 1: now because and I think we get to go back 44 00:02:06,520 --> 00:02:09,239 Speaker 1: to the garage soon. But they're like rebuilt, you know 45 00:02:09,280 --> 00:02:11,280 Speaker 1: what they're putting in this place. By the way, No, 46 00:02:11,480 --> 00:02:15,480 Speaker 1: I'm like a sports agency. Really, it's like looking swanky. 47 00:02:15,680 --> 00:02:18,680 Speaker 1: Yeah wait wait wait wait, So while we're here, because 48 00:02:18,680 --> 00:02:20,560 Speaker 1: we're gonna be here for a little bit, Yeah, they're 49 00:02:20,560 --> 00:02:22,640 Speaker 1: gonna be athletes run around all yeah. So I'm gonna 50 00:02:22,639 --> 00:02:25,160 Speaker 1: start doing sprints in front of the building. Start stretches 51 00:02:25,200 --> 00:02:27,520 Speaker 1: and sprints. I'm just trying to get noticed. That guy's 52 00:02:27,600 --> 00:02:31,040 Speaker 1: good losers. Y'all should book some podcast. What I'm saying. 53 00:02:31,040 --> 00:02:33,680 Speaker 1: We're just gonna go off from anybody that comes to 54 00:02:33,720 --> 00:02:39,080 Speaker 1: with a microphone. What's up? Cool? So it's been difficult 55 00:02:39,200 --> 00:02:42,680 Speaker 1: for us ish because we never know where to park. Yeah, 56 00:02:42,720 --> 00:02:45,400 Speaker 1: we get here, we almost get robbed. You're gonna walk 57 00:02:45,440 --> 00:02:49,480 Speaker 1: through streets? I heard well, as I say, there's plenty 58 00:02:49,520 --> 00:02:51,119 Speaker 1: of parking in the stairwell where I put my bike. 59 00:02:51,200 --> 00:02:53,320 Speaker 1: You hard white, Well, it's the latest. I don't know 60 00:02:53,400 --> 00:02:55,600 Speaker 1: Scoobasy was talking about it, I guess. So it's not 61 00:02:55,639 --> 00:02:58,639 Speaker 1: like I heard something people don't know what what. We're 62 00:02:58,680 --> 00:03:01,560 Speaker 1: not moving for a long time. No, he said, longer 63 00:03:01,680 --> 00:03:03,839 Speaker 1: next November as one, we'll be out of here, he said, 64 00:03:03,880 --> 00:03:07,040 Speaker 1: a year and a half from next. Great man, great, 65 00:03:07,120 --> 00:03:08,960 Speaker 1: keep us here. Yeah, I don't want to leave as 66 00:03:09,000 --> 00:03:10,359 Speaker 1: long as we can park in normal spots. I want 67 00:03:10,360 --> 00:03:12,040 Speaker 1: to be around salespeople. We have a good studio. This 68 00:03:12,120 --> 00:03:14,040 Speaker 1: is great. They're gonna put us somewhere and they have 69 00:03:14,040 --> 00:03:15,560 Speaker 1: to rebuild all this crap and it's not gonna work 70 00:03:15,600 --> 00:03:18,600 Speaker 1: for three months. So yeah, I don't want to move. Okay, 71 00:03:18,639 --> 00:03:20,320 Speaker 1: I just want to not walk to the crack dinner. 72 00:03:20,320 --> 00:03:22,320 Speaker 1: But it's gonna get more convenient here, I mean, because 73 00:03:22,360 --> 00:03:25,000 Speaker 1: I guess the construction will end, and eventually I would 74 00:03:25,000 --> 00:03:27,760 Speaker 1: assume it'll feel like right now, it does not feel good. Yeah, 75 00:03:27,800 --> 00:03:31,519 Speaker 1: because we were trying to record stuff and it's like, oh, yeah, 76 00:03:31,520 --> 00:03:35,120 Speaker 1: Theackham instruction happening next to the wall. Yeah yeah. And 77 00:03:35,200 --> 00:03:39,400 Speaker 1: I'll be on talking and I'll hear I'm like, hey, yeah, Scooba, 78 00:03:39,680 --> 00:03:41,400 Speaker 1: do you hear that? And he's like yeah, I'll go 79 00:03:41,400 --> 00:03:42,960 Speaker 1: shut him down. And I'll hear him reach his head 80 00:03:42,960 --> 00:03:44,600 Speaker 1: out the door and be like, Tim, go shut him down. 81 00:03:45,240 --> 00:03:47,280 Speaker 1: So he really doesn't. He just tells someone to do it, 82 00:03:47,800 --> 00:03:49,400 Speaker 1: but he's the here and then yeah, and he's like 83 00:03:49,520 --> 00:03:51,880 Speaker 1: I took care of a guess, but then it stops. 84 00:03:52,440 --> 00:03:54,600 Speaker 1: You got to go beg someone to stop the other day, huh, Yeah, 85 00:03:54,640 --> 00:03:57,160 Speaker 1: because they wouldn't stop. And there's just the lack of 86 00:03:57,200 --> 00:04:00,200 Speaker 1: communication between them and us is what's not their fault too. 87 00:04:00,040 --> 00:04:02,200 Speaker 1: They're kind. Yeah, someone's tired him and say hey please 88 00:04:02,280 --> 00:04:04,600 Speaker 1: jack camera. Yeah, I get it. And they're paid to Jackhameer, 89 00:04:04,640 --> 00:04:06,600 Speaker 1: So what do they do? They're freaking Jackamer. But how 90 00:04:06,640 --> 00:04:08,760 Speaker 1: awesome that someone comes to you and says, hey, you 91 00:04:08,920 --> 00:04:10,440 Speaker 1: don't have to do your job for a couple of hours, 92 00:04:10,480 --> 00:04:12,680 Speaker 1: just chill And you're like, oh, take a hey, let's go. 93 00:04:12,720 --> 00:04:14,200 Speaker 1: I don't think we had thor to really do that. 94 00:04:15,440 --> 00:04:17,800 Speaker 1: That's so weird. They took a lunch the other day 95 00:04:17,839 --> 00:04:19,960 Speaker 1: when we asked a two hour long while we do 96 00:04:20,160 --> 00:04:22,599 Speaker 1: this today not so much, but we do this sometimes 97 00:04:22,600 --> 00:04:24,520 Speaker 1: we're an eleven thirty or so, we've been off the 98 00:04:24,520 --> 00:04:26,280 Speaker 1: air for an hour and half. It's close to lunch anyway. Yeah, 99 00:04:26,320 --> 00:04:28,560 Speaker 1: this was that in like noon. Yeah, so I did 100 00:04:28,600 --> 00:04:30,440 Speaker 1: see someone today. I went over to the b team 101 00:04:30,480 --> 00:04:33,200 Speaker 1: Facebook pages and someone's like, why is scoober Steve running 102 00:04:33,200 --> 00:04:35,080 Speaker 1: the board? Well, Ray head elive early today, Like, well, 103 00:04:35,080 --> 00:04:37,279 Speaker 1: if scoop Steve running the board, they're not live. And 104 00:04:37,279 --> 00:04:39,480 Speaker 1: I was like, yeah, we're live. That's why he's run. 105 00:04:39,839 --> 00:04:41,640 Speaker 1: More reason we're live because we run on the board. 106 00:04:41,720 --> 00:04:47,440 Speaker 1: Otherwise Ray would be fingercootes running the board. So yeah, yeah, yeah, 107 00:04:47,480 --> 00:04:49,920 Speaker 1: so that that happened. Let's see what do we do here? 108 00:04:50,240 --> 00:04:53,040 Speaker 1: Joe Galani he is going into the Country Music Hall 109 00:04:53,080 --> 00:04:56,520 Speaker 1: of Fame, which is massive to get into and even 110 00:04:56,600 --> 00:04:59,200 Speaker 1: harder to get into if you're not a big time performer. 111 00:04:59,560 --> 00:05:02,160 Speaker 1: Last year Brooks and Dunne got in. This year Keith Whitley, 112 00:05:02,400 --> 00:05:04,880 Speaker 1: Jerry Lee Lewis, and Joe Gilani and I had him 113 00:05:04,920 --> 00:05:07,080 Speaker 1: a podcast and so this is him talking about back 114 00:05:07,080 --> 00:05:10,800 Speaker 1: in nineteen eighty one he signed Alabama. He went saw 115 00:05:10,839 --> 00:05:14,200 Speaker 1: them and signed al a freak Ambama. Here's a clip there. 116 00:05:14,240 --> 00:05:16,200 Speaker 1: Where's nobody else pursuing them? They were on a small 117 00:05:16,240 --> 00:05:19,280 Speaker 1: independent label called MDJ, and so it really was just 118 00:05:19,320 --> 00:05:22,360 Speaker 1: a direct negotiation between us and in terms of vision, 119 00:05:22,480 --> 00:05:24,320 Speaker 1: I think at that time we didn't know what the 120 00:05:24,360 --> 00:05:27,359 Speaker 1: word vision meant. It was just we like you. We 121 00:05:27,440 --> 00:05:30,159 Speaker 1: think you got the potential and the songs I mean, 122 00:05:30,240 --> 00:05:33,080 Speaker 1: and they only got better as performers. One of the 123 00:05:33,160 --> 00:05:35,760 Speaker 1: first things that we did was we did a tour 124 00:05:36,080 --> 00:05:37,960 Speaker 1: of rock and roll clubs and we flew in a 125 00:05:38,000 --> 00:05:40,320 Speaker 1: bunch of radio people and industry people, and even then 126 00:05:40,440 --> 00:05:42,919 Speaker 1: people were just going, we've just seen the Country Beatles. 127 00:05:43,040 --> 00:05:46,120 Speaker 1: It's nineteen eighty one, right, And so his story is awesome, 128 00:05:46,320 --> 00:05:49,240 Speaker 1: especially considering all the massive acts he signed before they 129 00:05:49,279 --> 00:05:51,880 Speaker 1: were any act at all, including Kenny Chesney. So I 130 00:05:51,920 --> 00:05:53,839 Speaker 1: hope you listened to the Bobycast today with Joe Gilani 131 00:05:54,240 --> 00:05:56,080 Speaker 1: really good. Is ruly an honor that he came over 132 00:05:56,160 --> 00:05:58,520 Speaker 1: the house and we got to do it. I want 133 00:05:58,560 --> 00:06:01,400 Speaker 1: to play a voicemail here from Mary in Oklahoma, Scuba. 134 00:06:01,400 --> 00:06:04,800 Speaker 1: That'll be a voicemail number two. If you see that. Yeah, here, 135 00:06:04,960 --> 00:06:09,160 Speaker 1: I should say, oh, sorry, okay, sorry about that. No, 136 00:06:09,279 --> 00:06:12,800 Speaker 1: I'm sorry about that. All right, here we go. All right, guys, Hi, 137 00:06:12,960 --> 00:06:16,000 Speaker 1: I'm calling about Addie going on vacation by herself, getting 138 00:06:16,040 --> 00:06:19,039 Speaker 1: ready to go to Australia by myself. So I say 139 00:06:19,160 --> 00:06:23,119 Speaker 1: more power to you, Abbie, do it. Go have fun, 140 00:06:23,680 --> 00:06:28,520 Speaker 1: take safety precautions, be vigilant, but do it, girl, I agreed. 141 00:06:28,720 --> 00:06:31,640 Speaker 1: I just thought it was too long, and I thought 142 00:06:31,680 --> 00:06:35,240 Speaker 1: that Eddie and Scuba peer pressured her and Abbie, are 143 00:06:35,240 --> 00:06:37,680 Speaker 1: you still going? Oh yeah, I'm still going. And what 144 00:06:38,640 --> 00:06:42,120 Speaker 1: you're gonna go for? How many days? Five days? Bret 145 00:06:42,279 --> 00:06:43,880 Speaker 1: n But break down the trip though. What she's doing. 146 00:06:44,040 --> 00:06:46,800 Speaker 1: Is it in the country, Yes, So she's going to 147 00:06:46,839 --> 00:06:49,760 Speaker 1: Miami for an experience that for one night, okay, one night, 148 00:06:49,880 --> 00:06:52,080 Speaker 1: one night, and then drive from Miami to Key West, 149 00:06:52,080 --> 00:06:53,680 Speaker 1: which is like a four hour drive, and that in 150 00:06:53,720 --> 00:06:55,719 Speaker 1: itself and Austin it's a full day because you could 151 00:06:55,720 --> 00:06:58,160 Speaker 1: spend the whole day drive and stop and checking things out. 152 00:06:58,400 --> 00:07:00,520 Speaker 1: So that's two days. Then you're in Key West for 153 00:07:00,600 --> 00:07:02,960 Speaker 1: two days and you drive back to that fifth day. 154 00:07:03,240 --> 00:07:05,960 Speaker 1: There's no peer pressure. We're not flying at all, Abby, 155 00:07:06,160 --> 00:07:09,120 Speaker 1: I mean to Miami. Yeah, I'm playing Miami and then 156 00:07:09,240 --> 00:07:13,600 Speaker 1: driving all over. But I think it's awesome. I've done 157 00:07:13,640 --> 00:07:17,080 Speaker 1: a few solo vacations, so I do recommend it, especially 158 00:07:17,120 --> 00:07:18,400 Speaker 1: because you want to go somewhere and you're just like, 159 00:07:18,480 --> 00:07:22,080 Speaker 1: I'm ready to go with But three days for me, 160 00:07:22,120 --> 00:07:26,200 Speaker 1: I was like, I've been vacationing enough on myself. You know. 161 00:07:26,280 --> 00:07:27,680 Speaker 1: I think it's gonna be awesome. I can't wait for 162 00:07:27,760 --> 00:07:30,920 Speaker 1: you to come back. Yeah, did you book any gigs 163 00:07:30,920 --> 00:07:33,240 Speaker 1: down there? Hey? You never know. I may have some 164 00:07:33,280 --> 00:07:38,320 Speaker 1: stuff in the work, anything with the band. Nope, ghosted her. 165 00:07:38,760 --> 00:07:40,640 Speaker 1: He did not ghost me. But I mean we're going 166 00:07:40,640 --> 00:07:42,920 Speaker 1: on to town, so they are too for the holidays. 167 00:07:42,960 --> 00:07:45,720 Speaker 1: So all right, well after that, good luck, Thank you. 168 00:07:46,040 --> 00:07:48,920 Speaker 1: Here is Kayla from Clearwater, Florida. This is a voicemail 169 00:07:49,000 --> 00:07:51,880 Speaker 1: number three scoopste My mom has a joke. She wants 170 00:07:51,880 --> 00:07:54,400 Speaker 1: you guys to hear, but she cannot, for the life 171 00:07:54,400 --> 00:07:57,040 Speaker 1: of her stay correctly, so she's making me call it 172 00:07:57,080 --> 00:08:00,160 Speaker 1: in What do you get when you come by an 173 00:08:00,240 --> 00:08:09,640 Speaker 1: elephant with a rhino elephin? No, that's pretty good, I 174 00:08:09,680 --> 00:08:13,760 Speaker 1: Hear's Taylor in Murphysboro, Tennessee. Hey, Bobby, I don't think 175 00:08:13,760 --> 00:08:17,560 Speaker 1: you'll get this message, but I'm blind and I'm fourteen, 176 00:08:18,040 --> 00:08:20,400 Speaker 1: and i'd just love to meet you. I know you 177 00:08:20,480 --> 00:08:22,000 Speaker 1: get a turn of these a day, but that's why 178 00:08:22,040 --> 00:08:24,600 Speaker 1: I don't think you'll get it. I got it, buddy, good, 179 00:08:24,640 --> 00:08:26,800 Speaker 1: I played it. I would love to meet you too, buddy, 180 00:08:26,880 --> 00:08:29,480 Speaker 1: so I'll come over today. Just some of your address. Really, 181 00:08:29,720 --> 00:08:31,600 Speaker 1: I don't know where he loves. It'd be funny, I don't. 182 00:08:34,559 --> 00:08:36,520 Speaker 1: I appreciate. I appreciate that call. I appreciate you being 183 00:08:36,559 --> 00:08:38,840 Speaker 1: so so nice and kind. A pole ask people if 184 00:08:38,840 --> 00:08:41,280 Speaker 1: they believe they'll become financially independent at some point, and 185 00:08:41,440 --> 00:08:45,080 Speaker 1: only fifty five percent said yes, like straight up, what 186 00:08:45,080 --> 00:08:47,199 Speaker 1: does that mean? Financial? Here's the story. This is from 187 00:08:47,240 --> 00:08:50,679 Speaker 1: Financial Educator's Council dot org. To coincide with Independence Day, 188 00:08:50,720 --> 00:08:54,120 Speaker 1: the National Financial Educator's Council conducted a survey discover with 189 00:08:54,240 --> 00:08:58,280 Speaker 1: Americans thought that financial independence is completely attainable. It was 190 00:08:58,320 --> 00:09:00,600 Speaker 1: all too assess and vidual attitudes and emotion around money 191 00:09:00,640 --> 00:09:04,280 Speaker 1: management and how confident they feel out making personal finance decisions. 192 00:09:04,600 --> 00:09:06,839 Speaker 1: They were asked if they agree or disagree with the 193 00:09:06,920 --> 00:09:10,640 Speaker 1: statement I will become financially independent at some point in 194 00:09:10,679 --> 00:09:14,079 Speaker 1: my life. It is vague by financially independent meaning you 195 00:09:14,080 --> 00:09:18,200 Speaker 1: don't rely on anybody, you don't rely on your parents, 196 00:09:18,320 --> 00:09:22,280 Speaker 1: You're you just can take care of it yourself. Eddie, 197 00:09:22,760 --> 00:09:25,480 Speaker 1: it's me right now. Nice? Yeah, dude, I got out 198 00:09:25,480 --> 00:09:28,720 Speaker 1: of some crazy debt, crazy debt, and my parents, my 199 00:09:28,840 --> 00:09:33,800 Speaker 1: parents paid for my phone bill probably till about I 200 00:09:33,840 --> 00:09:37,520 Speaker 1: don't know, six years ago. And I had my dad's 201 00:09:37,600 --> 00:09:40,400 Speaker 1: car that I paid off about three years ago. So 202 00:09:40,480 --> 00:09:42,320 Speaker 1: I think that was probably the last thing that I 203 00:09:42,360 --> 00:09:44,319 Speaker 1: had that would belong to my dad had it three 204 00:09:44,360 --> 00:09:48,040 Speaker 1: years ago. Though, I am financially independent. When did I 205 00:09:48,040 --> 00:09:53,000 Speaker 1: become financially independent? Twenty six age twenty six age twenty 206 00:09:53,000 --> 00:09:56,400 Speaker 1: six lunchbox. Yeah, I'm independent. I mean I don't know 207 00:09:56,400 --> 00:09:59,320 Speaker 1: when nothing from your parents at all? No, no, no, no no, 208 00:09:59,440 --> 00:10:03,200 Speaker 1: our parents. No. They may help her, but well, but 209 00:10:03,320 --> 00:10:07,439 Speaker 1: that's that's her, that's her finances, that's not mine. But 210 00:10:07,480 --> 00:10:10,160 Speaker 1: she she's at home. Yeah, I agree, right, yeah, no, no no, no, 211 00:10:10,280 --> 00:10:12,280 Speaker 1: you're getting help. The Fani was getting help. You're getting help. 212 00:10:12,320 --> 00:10:13,760 Speaker 1: No, No No, I'm not getting help because you would have 213 00:10:13,800 --> 00:10:16,080 Speaker 1: to help her if she didn't get help from her family. 214 00:10:17,600 --> 00:10:19,280 Speaker 1: I don't understand what you're saying. It didn't matter, you 215 00:10:19,280 --> 00:10:22,040 Speaker 1: get it. So she's not financially independent maybe, but I am. 216 00:10:22,280 --> 00:10:24,960 Speaker 1: A wrap around Florida named spot Um got Him was 217 00:10:25,040 --> 00:10:27,439 Speaker 1: arrested last weekend in Miami after leading authorities on a 218 00:10:27,480 --> 00:10:29,880 Speaker 1: jet ski Chase Bottom got him botom got is pretty 219 00:10:29,880 --> 00:10:31,360 Speaker 1: good name. Hell yeah, I like that, Like I want 220 00:10:31,360 --> 00:10:35,040 Speaker 1: to go and start Spotom got him the hard aches there. Yeah, 221 00:10:35,120 --> 00:10:39,000 Speaker 1: he must really like that name Box five. The officer 222 00:10:39,080 --> 00:10:41,600 Speaker 1: tried to stop spot them got him by using life 223 00:10:41,640 --> 00:10:44,280 Speaker 1: and sirens, but he refused to stop and just went away. 224 00:10:44,320 --> 00:10:47,800 Speaker 1: I mean Spotom got him took off. The rappers best 225 00:10:47,800 --> 00:10:50,120 Speaker 1: known for his twenty twenty hit single Beatbox Let's Go 226 00:10:50,400 --> 00:10:53,280 Speaker 1: by spot Um got him pretty cool. A Barbie fan 227 00:10:53,320 --> 00:10:55,560 Speaker 1: spends almost two hundred thousand dollars to turn her dream 228 00:10:55,559 --> 00:10:58,960 Speaker 1: house pink. A Barbie fan has become an Instagram star 229 00:10:59,040 --> 00:11:01,400 Speaker 1: for sharing her obsession with the color pink and creating 230 00:11:01,400 --> 00:11:04,920 Speaker 1: her own real life Barbie dreamhouse. You know a song 231 00:11:05,000 --> 00:11:07,080 Speaker 1: this is Barbie Girl. They're not using it in the movie. 232 00:11:07,120 --> 00:11:11,080 Speaker 1: I read at all and Aqua who had this songs 233 00:11:11,080 --> 00:11:12,920 Speaker 1: like hey, let's go because they're like I want to 234 00:11:12,920 --> 00:11:15,400 Speaker 1: make some money. But they're like, now we're good. But 235 00:11:15,440 --> 00:11:18,880 Speaker 1: I have you seen the pictures of Ryan Gosling and 236 00:11:19,559 --> 00:11:23,800 Speaker 1: what's her name? Mike Margot Robbie so Ran. Oh wow, 237 00:11:24,000 --> 00:11:27,600 Speaker 1: they both pull it off and he's ripped again, dude, 238 00:11:27,679 --> 00:11:30,760 Speaker 1: like just ripped. You're looking guy. Yeah. A professional stay 239 00:11:30,760 --> 00:11:32,880 Speaker 1: at home daughter says spending her parents money as her job, 240 00:11:33,480 --> 00:11:36,400 Speaker 1: she's twenty six years old. She flaunts her luxuria's life 241 00:11:36,400 --> 00:11:39,000 Speaker 1: on TikTok. She's gained almost seven hundred thousand followers. She 242 00:11:39,040 --> 00:11:41,280 Speaker 1: hasn't worked in two years. She works out thousands of 243 00:11:41,280 --> 00:11:43,240 Speaker 1: dollars a day on luxury designer goods, and then she 244 00:11:43,320 --> 00:11:45,160 Speaker 1: puts on her parents credit card. She's supposed to do. 245 00:11:45,240 --> 00:11:47,920 Speaker 1: This is my job. That's her parents fault. That's awesome, 246 00:11:47,960 --> 00:11:50,560 Speaker 1: Daily Mail. I mean that's they let that happen. That's 247 00:11:51,040 --> 00:11:53,959 Speaker 1: I would agree with that statement. The report is Taylor 248 00:11:54,000 --> 00:11:57,920 Speaker 1: Swift and her boyfriend are engaged. Who is he? Joe 249 00:11:58,000 --> 00:12:01,000 Speaker 1: Alwan I think's his name, Tall blonde guy, real good looking. 250 00:12:01,040 --> 00:12:03,000 Speaker 1: They've been together for a while. Yeah, yeah, The Sun 251 00:12:03,080 --> 00:12:05,880 Speaker 1: reports that Taylor Swift and Joe Allen are engaged. I 252 00:12:05,960 --> 00:12:07,760 Speaker 1: maybe saying his name wrong. I'm not sure. A source 253 00:12:07,800 --> 00:12:09,520 Speaker 1: claims they've been engaged for a few months and Taylor 254 00:12:09,720 --> 00:12:11,920 Speaker 1: as a ring she only wears behind closed doors. I 255 00:12:11,960 --> 00:12:14,360 Speaker 1: don't know if I believe it, but at least it's there, 256 00:12:14,480 --> 00:12:16,560 Speaker 1: so it's not a shock when it is announced. But 257 00:12:16,720 --> 00:12:18,480 Speaker 1: I don't know. They've been together for a long time. 258 00:12:19,400 --> 00:12:20,839 Speaker 1: You think Amy tru Falls if you had to pick, 259 00:12:20,880 --> 00:12:23,360 Speaker 1: I mean probably true. I wouldn't be surprised if one 260 00:12:23,440 --> 00:12:25,600 Speaker 1: day they're like, yeah, we've been married, we have four kids. Right. 261 00:12:26,360 --> 00:12:30,760 Speaker 1: The whole thing an eight foot wide London studio apartment. 262 00:12:31,080 --> 00:12:32,680 Speaker 1: You can rent it for twelve hundred bucks a months. 263 00:12:32,679 --> 00:12:36,439 Speaker 1: Eight foot wide. That's very big. If I laid down, 264 00:12:36,800 --> 00:12:38,840 Speaker 1: it would be one foot eleven inches to the to 265 00:12:38,920 --> 00:12:43,200 Speaker 1: the other wall. That's a jail cell. More like two feet. 266 00:12:43,320 --> 00:12:45,480 Speaker 1: But no, no, I said what I said one foot 267 00:12:45,520 --> 00:12:48,800 Speaker 1: eleven inches to the other wall. You heard what you 268 00:12:48,840 --> 00:12:50,360 Speaker 1: heard me what I said, and we just were moving 269 00:12:50,440 --> 00:12:51,839 Speaker 1: from that. You heard what I said, I said what 270 00:12:51,840 --> 00:12:54,000 Speaker 1: I said. We're just gonna move on from that. Okay, Um, 271 00:12:54,160 --> 00:12:57,480 Speaker 1: Cameron Diaz comes out of retirement. He was retired. He 272 00:12:57,600 --> 00:12:59,679 Speaker 1: was retired. Well, here's the thing. Yeah, that's the big 273 00:12:59,720 --> 00:13:01,520 Speaker 1: story that she was retired, and I knew she was, 274 00:13:01,600 --> 00:13:05,200 Speaker 1: but I forgot. Yeah, we don't want to care if 275 00:13:05,240 --> 00:13:08,080 Speaker 1: any actors retired or not. And that just means they're 276 00:13:08,120 --> 00:13:10,040 Speaker 1: not taking movie roles right now? Does that mean they're 277 00:13:10,080 --> 00:13:12,360 Speaker 1: not being offered roles? I should did, They should be 278 00:13:12,400 --> 00:13:15,200 Speaker 1: offered roles. She's a big star and she quit, but 279 00:13:15,240 --> 00:13:18,920 Speaker 1: we didn't know, and we wouldn't have known unless they 280 00:13:18,960 --> 00:13:22,080 Speaker 1: tell us, because actors aren't on a schedule like ballplayers. 281 00:13:22,520 --> 00:13:27,640 Speaker 1: We know every fall football time. Oh wait, Tom Brady's 282 00:13:27,640 --> 00:13:30,920 Speaker 1: not playing quarterback for the Buccaneers. He retired. Oh my 283 00:13:30,960 --> 00:13:35,480 Speaker 1: expectation is when the year comes around, boom or oh 284 00:13:35,600 --> 00:13:38,640 Speaker 1: are the vice president of sales? He'd been here for 285 00:13:38,640 --> 00:13:40,760 Speaker 1: twenty six years. He didn't come in today. I expect 286 00:13:40,760 --> 00:13:43,000 Speaker 1: to see him every single day. Yeah, my expectations. I 287 00:13:43,000 --> 00:13:44,839 Speaker 1: come to work and he's here. Where is he are 288 00:13:44,840 --> 00:13:47,920 Speaker 1: he retired? Oh, camer Dys, I don't know. Is this 289 00:13:47,960 --> 00:13:50,480 Speaker 1: like Garth though, because Garth retired and then he said 290 00:13:50,520 --> 00:13:52,160 Speaker 1: I'd be back some day, and then he came back. 291 00:13:52,280 --> 00:13:55,040 Speaker 1: If Garth would have said nothing about it, we just 292 00:13:55,080 --> 00:13:57,040 Speaker 1: saw Garth probably working on some stuff. We would have known. 293 00:13:57,840 --> 00:14:01,360 Speaker 1: In a world where we don't have an expectation of timeline, 294 00:14:02,920 --> 00:14:06,360 Speaker 1: retirement isn't something that we would keep up with. But yes, 295 00:14:06,440 --> 00:14:08,200 Speaker 1: she's back. She's gonna do a movie with Jamie Fox. 296 00:14:08,240 --> 00:14:10,680 Speaker 1: He's the one that got her to come back. So 297 00:14:10,960 --> 00:14:14,000 Speaker 1: there you go. Camerdz from BBC US one of my 298 00:14:14,040 --> 00:14:17,120 Speaker 1: favorite retirement story ever. Steve Martin, one of the greatest 299 00:14:17,120 --> 00:14:20,200 Speaker 1: comedians of all time, retired, never told anybody, just quit 300 00:14:20,320 --> 00:14:22,480 Speaker 1: insaything about it. Just he just wasn't a comedy anymore. 301 00:14:22,880 --> 00:14:24,640 Speaker 1: Like ten years later, they're like, hey, what's up, buddy. 302 00:14:24,720 --> 00:14:27,920 Speaker 1: He's like, good, I'm done, But are you retired? He's 303 00:14:27,920 --> 00:14:31,160 Speaker 1: I gotta stop. It's like, really, you're a massive You're 304 00:14:31,160 --> 00:14:33,400 Speaker 1: the biggest star in the whole world time. Yeah, it's good. 305 00:14:33,520 --> 00:14:36,000 Speaker 1: I need to tell anybody just for me, it's good. 306 00:14:36,120 --> 00:14:38,440 Speaker 1: I need to retire. Wow, pretty cool that it's cool. 307 00:14:38,840 --> 00:14:41,520 Speaker 1: We're watching only Murders in the Building. Season two started, 308 00:14:41,560 --> 00:14:42,880 Speaker 1: It came out a couple of days ago. Yeah, they 309 00:14:42,880 --> 00:14:45,760 Speaker 1: put out two episodes. And so I love Steve Martin. 310 00:14:45,960 --> 00:14:49,920 Speaker 1: Like the version of Steve Martin you see now is 311 00:14:50,040 --> 00:14:52,640 Speaker 1: older Steve, funny, family friendly Steve Martin, and he was 312 00:14:52,680 --> 00:14:56,440 Speaker 1: always clean, but he was I wish I could compare 313 00:14:56,480 --> 00:14:58,480 Speaker 1: them to somebody now, but there's not. It's like comparing 314 00:14:58,520 --> 00:15:01,520 Speaker 1: TV shows. There really aren't things now that dominate so 315 00:15:01,640 --> 00:15:05,440 Speaker 1: much of the market. Chair But like mash TV in 316 00:15:05,480 --> 00:15:07,840 Speaker 1: the eighties, Friends in the nineties, Now there's just so 317 00:15:07,880 --> 00:15:10,120 Speaker 1: many shows and there's not one show that everybody watches, right, 318 00:15:10,320 --> 00:15:12,920 Speaker 1: But Steve Martin was the absolute biggest comedian by far. 319 00:15:12,960 --> 00:15:14,640 Speaker 1: He was the first comedian to play stadiums, and it 320 00:15:14,720 --> 00:15:16,680 Speaker 1: was unheard of for a comedian to play a stadium 321 00:15:16,720 --> 00:15:20,200 Speaker 1: because it was mostly comedians played clubs. But just the 322 00:15:20,240 --> 00:15:23,240 Speaker 1: biggest thing in entertainment. It was crazy. He had hit songs, 323 00:15:23,240 --> 00:15:26,400 Speaker 1: just wild when so he was Saturday Night Live Guy. 324 00:15:27,520 --> 00:15:31,240 Speaker 1: He was on the first Wild and Crazy Guy. Yeah, yeah, 325 00:15:31,360 --> 00:15:34,000 Speaker 1: so but then you know, there's a Father of the 326 00:15:34,040 --> 00:15:36,000 Speaker 1: Bride the Steve Martin was in right, big movie, but 327 00:15:36,040 --> 00:15:38,320 Speaker 1: I believe that's the second version. There's a third version 328 00:15:38,320 --> 00:15:41,120 Speaker 1: on HBO Max now that is now going. It's really big, 329 00:15:41,160 --> 00:15:42,560 Speaker 1: and it's got a really famous actor and it what's 330 00:15:42,560 --> 00:15:47,320 Speaker 1: his name, Mike. It's two people maybe like Gloria that's 331 00:15:47,320 --> 00:15:50,000 Speaker 1: it and Glory Stefens and it too, so Andy Glory 332 00:15:50,080 --> 00:15:54,760 Speaker 1: Steffon and the the daughters, like the Sophia What do 333 00:15:54,800 --> 00:15:56,800 Speaker 1: I know Sophia Herrera from I feel like she's been 334 00:15:56,800 --> 00:15:59,040 Speaker 1: in something I've seen too. But there's a Father of 335 00:15:59,040 --> 00:16:02,880 Speaker 1: the Bride on HBO ax or is that her name 336 00:16:03,200 --> 00:16:07,400 Speaker 1: on the show? Okay, um, because I haven't watched the show. 337 00:16:07,400 --> 00:16:08,320 Speaker 1: I just saw it and I was like, oh, that 338 00:16:08,320 --> 00:16:09,720 Speaker 1: looks lame, And then I saw people were loving it, and 339 00:16:09,680 --> 00:16:11,720 Speaker 1: and I was like, oh, i's wrong. I'm going to 340 00:16:11,800 --> 00:16:13,640 Speaker 1: have to watch it, so father would buy. Twenty twenty 341 00:16:13,640 --> 00:16:15,600 Speaker 1: two is doing great on HBO Max. The first one 342 00:16:15,680 --> 00:16:20,000 Speaker 1: nineteen forty nine, the next one, this one. A Florida 343 00:16:20,000 --> 00:16:21,840 Speaker 1: man's arrested for trying to swipe an R two D 344 00:16:21,920 --> 00:16:28,640 Speaker 1: two statue at Disney World. Boy, that is how I mean. 345 00:16:28,680 --> 00:16:32,880 Speaker 1: They got cameras everywhere. Don't think it's bold, Yes, it's aggressive. 346 00:16:34,440 --> 00:16:37,000 Speaker 1: They said he was arrested for trying to impersonate an 347 00:16:37,000 --> 00:16:39,880 Speaker 1: employee so he could still thinks from the property, including 348 00:16:39,880 --> 00:16:42,240 Speaker 1: an R two D two statue worth up ten thousand bucks. 349 00:16:42,840 --> 00:16:44,280 Speaker 1: I just wonder how heavy it was. Doesn't say how 350 00:16:44,280 --> 00:16:46,840 Speaker 1: heavy it was, but honestly, that could have worked if 351 00:16:46,840 --> 00:16:48,560 Speaker 1: he was an employee being like, yeah, I'm just we're 352 00:16:48,560 --> 00:16:54,480 Speaker 1: moving this to UMU construction area from Walt Disney World today. Listen. 353 00:16:54,480 --> 00:16:55,880 Speaker 1: All you gotta do is act like you know what 354 00:16:55,880 --> 00:16:57,560 Speaker 1: you're doing and you can do it. We went to 355 00:16:58,520 --> 00:17:01,360 Speaker 1: Kaitlin and I went to Ben Rector concert. I don't 356 00:17:01,400 --> 00:17:05,400 Speaker 1: know what day it was at this point, last weekend. Yeah, 357 00:17:05,480 --> 00:17:11,000 Speaker 1: And so we go and we're friends with directors just 358 00:17:11,080 --> 00:17:14,120 Speaker 1: In normal life. And so we go and we sit 359 00:17:14,200 --> 00:17:17,920 Speaker 1: in our seats and we're sitting next to Steve Mochler 360 00:17:18,000 --> 00:17:22,240 Speaker 1: and Gracie Mokler, who were also friendly with and we're 361 00:17:22,280 --> 00:17:23,680 Speaker 1: just watching the show, having a good time. And the 362 00:17:23,720 --> 00:17:26,320 Speaker 1: show ends and we're like, well, we should go back 363 00:17:26,359 --> 00:17:28,320 Speaker 1: and say hi to Ben, but we don't really know 364 00:17:28,320 --> 00:17:30,800 Speaker 1: how to get back anywhere. And Ben gave us the tickets. 365 00:17:30,800 --> 00:17:32,760 Speaker 1: He's like, yeah, see you guys, and so I was like, 366 00:17:32,840 --> 00:17:34,879 Speaker 1: I don't know, guys, let's just act like we know 367 00:17:34,920 --> 00:17:37,120 Speaker 1: we're doing. We're walking through places. We're like, yeah, we're good. 368 00:17:37,800 --> 00:17:41,560 Speaker 1: They were just like okay, like they were confused we were. 369 00:17:41,600 --> 00:17:45,199 Speaker 1: So we we'd stand there and Steve's like, man, can 370 00:17:45,240 --> 00:17:47,240 Speaker 1: you can you like get you know, do you know 371 00:17:47,240 --> 00:17:48,960 Speaker 1: what you're doing? And I'm like, I know that the 372 00:17:49,080 --> 00:17:52,119 Speaker 1: AREAA because we've played that amphitheater before, so I know 373 00:17:52,160 --> 00:17:54,160 Speaker 1: where he probably is. How to get to the dressing rooms? 374 00:17:54,200 --> 00:17:56,000 Speaker 1: I said, I don't have anything that would get us there, 375 00:17:56,359 --> 00:17:57,920 Speaker 1: and he's like, well you lead, and I was like 376 00:17:57,960 --> 00:18:00,320 Speaker 1: all right. And so we're walking through and it's like 377 00:18:00,400 --> 00:18:02,480 Speaker 1: people that are and I'm like, yeah, yeah, we're gonna 378 00:18:02,520 --> 00:18:04,760 Speaker 1: we're going here. And they're like, oh okay, and they 379 00:18:04,760 --> 00:18:06,280 Speaker 1: were like, should I question them? Because I don't want 380 00:18:06,280 --> 00:18:08,679 Speaker 1: to get in trouble, And so no one knew is 381 00:18:08,840 --> 00:18:11,720 Speaker 1: me from the show. It was just some guy with confidence. 382 00:18:12,320 --> 00:18:13,440 Speaker 1: I was like, yeah, but if you just act like 383 00:18:13,480 --> 00:18:15,040 Speaker 1: you know what you're doing, most time people think that 384 00:18:15,080 --> 00:18:16,679 Speaker 1: they don't know what they're doing, and they don't want 385 00:18:16,680 --> 00:18:18,600 Speaker 1: to question you because you know what you're doing. I'm 386 00:18:18,640 --> 00:18:20,280 Speaker 1: not saying as you walk around trying to get back sage, 387 00:18:20,320 --> 00:18:22,960 Speaker 1: no, no no, no, no, don't don't do that. But but generally, 388 00:18:23,040 --> 00:18:25,600 Speaker 1: if you just look like you belong, people will assume 389 00:18:25,640 --> 00:18:28,359 Speaker 1: you belong. But if you don't know the artist or 390 00:18:28,400 --> 00:18:32,480 Speaker 1: anyone back there, you're gonna get caught because they know 391 00:18:32,520 --> 00:18:34,639 Speaker 1: who doesn't belong back there. Well, if you look like 392 00:18:34,720 --> 00:18:36,840 Speaker 1: you don't belong, right, But when it's four of you 393 00:18:36,880 --> 00:18:39,840 Speaker 1: guys and you're all like, oh no, no, no, I'm saying, 394 00:18:39,880 --> 00:18:43,680 Speaker 1: if you sneak backstage, yeah, and you don't know the artist, 395 00:18:43,720 --> 00:18:46,320 Speaker 1: you're just a fan, they're gonna spot you and be like, 396 00:18:46,359 --> 00:18:48,800 Speaker 1: those are fans, they don't belong back here. Only if 397 00:18:48,840 --> 00:18:51,359 Speaker 1: you look like a fan that doesn't belong there, so 398 00:18:51,400 --> 00:18:52,959 Speaker 1: you can't walk back and be like no, what now, 399 00:18:52,960 --> 00:18:54,800 Speaker 1: what do we do? Which is what you're gonna do 400 00:18:54,840 --> 00:18:56,280 Speaker 1: if you've never been back there. You just have to 401 00:18:56,320 --> 00:18:58,359 Speaker 1: have a purpose, even if it's not a real purpose. 402 00:18:58,760 --> 00:19:00,320 Speaker 1: You just have to walk with a purpose. And if 403 00:19:00,320 --> 00:19:02,440 Speaker 1: you don't know, just keep walking starting like you just 404 00:19:02,440 --> 00:19:05,080 Speaker 1: stop moving because then they'll be like, wait, why is 405 00:19:05,080 --> 00:19:08,480 Speaker 1: this person just hanging out? So, yes, that's what I 406 00:19:08,520 --> 00:19:10,960 Speaker 1: had to do half the time at iHeart festivals backstage 407 00:19:10,960 --> 00:19:13,080 Speaker 1: because I forget my badge and stuff, and so I 408 00:19:13,119 --> 00:19:16,120 Speaker 1: just I'm like walk fast, walk and walk right through. Yeah, 409 00:19:16,200 --> 00:19:17,960 Speaker 1: and you just I just have a power walk like 410 00:19:18,000 --> 00:19:23,280 Speaker 1: I have towhere, be somewhere fast. And then because excuse me, 411 00:19:23,320 --> 00:19:24,639 Speaker 1: excuse me, And if you just keep walking like well, 412 00:19:24,640 --> 00:19:27,280 Speaker 1: they must they're in a hurry. They're working, or they 413 00:19:27,320 --> 00:19:29,919 Speaker 1: send like security to get you one out of five times, 414 00:19:30,040 --> 00:19:31,840 Speaker 1: and that's always embarrassing, I know, And I'm like no, 415 00:19:31,840 --> 00:19:33,520 Speaker 1: no, no no, no, I swhere. I'm supposed to be her. 416 00:19:33,560 --> 00:19:36,719 Speaker 1: I work for Heart. I snuck backstage one time and 417 00:19:36,760 --> 00:19:38,720 Speaker 1: it was just me and the artists. It was like 418 00:19:38,800 --> 00:19:42,359 Speaker 1: the guy from Slash the Pars Slash, the guy from 419 00:19:42,400 --> 00:19:45,800 Speaker 1: Guns and Roses, and like four other like big artists 420 00:19:45,840 --> 00:19:48,080 Speaker 1: and me. And they started playing and I just sat 421 00:19:48,119 --> 00:19:50,000 Speaker 1: there and like, this is cool. Oh you just said 422 00:19:50,040 --> 00:19:52,440 Speaker 1: it all. I acted like I was just part of them. 423 00:19:52,680 --> 00:19:55,080 Speaker 1: So who was in the room. It was Slash from 424 00:19:55,080 --> 00:19:58,280 Speaker 1: Guns and Roses, it was Perry Farrell from Jane's Addiction, 425 00:19:58,680 --> 00:20:01,439 Speaker 1: it was Tom Morello from Rage against the Machine, and 426 00:20:01,560 --> 00:20:04,320 Speaker 1: it was I don't know the guy from Extreme, one 427 00:20:04,359 --> 00:20:06,840 Speaker 1: of the guys from Extreme. And they're playing and they're 428 00:20:06,840 --> 00:20:08,520 Speaker 1: playing a show and I'm sitting there and like two 429 00:20:08,560 --> 00:20:12,639 Speaker 1: other managers and backstage, backstage and where to go. I 430 00:20:12,680 --> 00:20:14,639 Speaker 1: just followed them. I saw them walking back to the 431 00:20:14,640 --> 00:20:16,679 Speaker 1: group and just went. I just walked in and I 432 00:20:16,720 --> 00:20:19,159 Speaker 1: sat down on the couch and they started playing music. 433 00:20:19,400 --> 00:20:21,800 Speaker 1: And I lasted about forty five seconds. It was less 434 00:20:21,840 --> 00:20:23,960 Speaker 1: than a minute. I know. To one of the manager goes, 435 00:20:24,119 --> 00:20:26,440 Speaker 1: who's that guy? And I just saw his lips move 436 00:20:26,480 --> 00:20:27,959 Speaker 1: and look at me. I'm like, oh crap, this is it. 437 00:20:28,000 --> 00:20:30,280 Speaker 1: Did you go out of metiately then they came to me, 438 00:20:30,400 --> 00:20:32,320 Speaker 1: was like, hey, you you gotta get you gotta go. 439 00:20:32,320 --> 00:20:34,280 Speaker 1: I'm like, no problem, no problem, I'm out of here. 440 00:20:34,320 --> 00:20:38,159 Speaker 1: Were you looking confused? Like no? He just kept going wow, Wow. 441 00:20:39,119 --> 00:20:40,679 Speaker 1: I think they all just kind of knew, like we 442 00:20:40,720 --> 00:20:42,880 Speaker 1: all know each other, but no one knows that you're 443 00:20:43,000 --> 00:20:47,160 Speaker 1: clapping in song. That's awesome, guys, give me another one. Yeah, 444 00:20:47,200 --> 00:20:49,200 Speaker 1: you gotta take a request. I'm a big fan. Love 445 00:20:49,240 --> 00:20:52,680 Speaker 1: all you guys. Once and again. We don't want people 446 00:20:52,680 --> 00:20:57,720 Speaker 1: to do this, just telling you that. Um. Once I 447 00:20:57,800 --> 00:21:00,639 Speaker 1: was doing a show and it was after the show, 448 00:21:01,359 --> 00:21:05,800 Speaker 1: and what happens is Tim, who is my security guy 449 00:21:05,880 --> 00:21:08,399 Speaker 1: and is our security guy here in the morning, he 450 00:21:08,480 --> 00:21:10,399 Speaker 1: will go back. He travels with me everywhere I go. 451 00:21:10,520 --> 00:21:12,679 Speaker 1: He will go back to my dressing room before I 452 00:21:12,800 --> 00:21:14,440 Speaker 1: go back there and make sure that no one has 453 00:21:14,560 --> 00:21:17,960 Speaker 1: infiltrated the dressing room and and my hotel room, because 454 00:21:18,000 --> 00:21:22,080 Speaker 1: both happened oddly. And so I remember walking back into 455 00:21:22,119 --> 00:21:25,239 Speaker 1: a dressing room and I'm right, I'm three feet behind him. 456 00:21:25,240 --> 00:21:26,720 Speaker 1: I should have waited a minute, but I was trying 457 00:21:26,720 --> 00:21:28,320 Speaker 1: to get back to the dressing room for some reason quickly. 458 00:21:28,760 --> 00:21:31,000 Speaker 1: And he walks in ahead of me, and he sees 459 00:21:31,280 --> 00:21:34,000 Speaker 1: somebody sitting waiting for me to come in. And you 460 00:21:34,000 --> 00:21:35,920 Speaker 1: know how, sometimes the Secret Service will shove the president 461 00:21:35,920 --> 00:21:38,000 Speaker 1: into a car with no regard to if it's gonna 462 00:21:38,040 --> 00:21:39,360 Speaker 1: hurt them shoving him in the car because they don't 463 00:21:39,359 --> 00:21:42,119 Speaker 1: want to get hurt worse by a threat. There was 464 00:21:42,160 --> 00:21:44,440 Speaker 1: a bathroom to the right and this person sit the 465 00:21:44,520 --> 00:21:46,879 Speaker 1: left and the door was kind of open, and Tim 466 00:21:47,000 --> 00:21:49,840 Speaker 1: takes me, just shoves me through the door, boom, pulls 467 00:21:49,840 --> 00:21:52,199 Speaker 1: the door shut, and it's like stay there, and all 468 00:21:52,200 --> 00:21:55,920 Speaker 1: I hear is like and then I'm like what And 469 00:21:55,920 --> 00:21:57,880 Speaker 1: then he goes all right, good and walk out. Has 470 00:21:57,920 --> 00:22:00,040 Speaker 1: never mentioned a guy. I don't know what happened. It 471 00:22:00,080 --> 00:22:02,520 Speaker 1: gonna be que what happened. I don't ask anything. Wow, 472 00:22:04,119 --> 00:22:07,600 Speaker 1: that person was not in the room after that. It 473 00:22:07,680 --> 00:22:09,800 Speaker 1: was scary because I walked down the person just like her, 474 00:22:10,840 --> 00:22:13,920 Speaker 1: and I know if that hey was aggressive or hey 475 00:22:14,000 --> 00:22:15,719 Speaker 1: like so cool to see you, or hey, you own 476 00:22:15,760 --> 00:22:17,879 Speaker 1: me money? I didn't know. But all I know is 477 00:22:17,880 --> 00:22:20,160 Speaker 1: I got chunked in her side room and the door shut. 478 00:22:20,560 --> 00:22:24,600 Speaker 1: Hurt some rustling, not z it. We never we never 479 00:22:24,680 --> 00:22:26,920 Speaker 1: talked about it. I never said, hey, so did you 480 00:22:27,000 --> 00:22:29,919 Speaker 1: kill the guy? I never said anything. I'm still not 481 00:22:29,960 --> 00:22:34,040 Speaker 1: going to say anything then me talking about this. It 482 00:22:34,080 --> 00:22:37,600 Speaker 1: ain't gonna get mentioned after I finished this. But yes, 483 00:22:38,119 --> 00:22:40,760 Speaker 1: don't do it, don't do it. But if you're in 484 00:22:40,760 --> 00:22:42,840 Speaker 1: a situation like at a work, just act like you 485 00:22:42,920 --> 00:22:44,320 Speaker 1: belong no one to love a question, you're just in 486 00:22:44,320 --> 00:22:46,399 Speaker 1: general life. If you're like, oh man, I feel awkward 487 00:22:46,520 --> 00:22:48,359 Speaker 1: in any situation, just act like you're supposed to be 488 00:22:48,440 --> 00:22:52,000 Speaker 1: there social situation. Everybody thinks like this person, they're cool, 489 00:22:52,440 --> 00:22:56,159 Speaker 1: they got girl confidence. Um, all right, I got a 490 00:22:56,160 --> 00:22:58,600 Speaker 1: couple of things I want to mention here. At least 491 00:22:58,680 --> 00:23:01,359 Speaker 1: one thing. Um, Lunchbox has a bone to pick with 492 00:23:01,400 --> 00:23:04,560 Speaker 1: Morgan number two because it's something she put on social media. Morgan, 493 00:23:04,600 --> 00:23:07,800 Speaker 1: do you know what he's gonna say? I have no idea. Okay, Well, 494 00:23:08,160 --> 00:23:10,159 Speaker 1: she's the head of our digital and she makes us 495 00:23:10,160 --> 00:23:13,480 Speaker 1: look stupid when she wow are well when she makes 496 00:23:13,560 --> 00:23:17,280 Speaker 1: posts and she put put up Zach Brown band is 497 00:23:17,400 --> 00:23:21,040 Speaker 1: underrated and I'm like, no, like, how are they underrated? 498 00:23:21,040 --> 00:23:24,160 Speaker 1: They are a massive band. Everybody loves them. They are huge, 499 00:23:24,359 --> 00:23:26,760 Speaker 1: And when you put things like that, it's like, we 500 00:23:26,800 --> 00:23:28,920 Speaker 1: don't know who Zach Brown Band is. Like, no, they're 501 00:23:29,000 --> 00:23:33,440 Speaker 1: amazing everybody. And I've said they're the best banded country 502 00:23:33,480 --> 00:23:36,120 Speaker 1: music history. Yeah, barely edging out Alabama. That's what I'm saying. 503 00:23:36,119 --> 00:23:37,439 Speaker 1: When she puts that up there, I'm like, that's a 504 00:23:37,440 --> 00:23:40,359 Speaker 1: bad look for the show. Okay, Morgan, your response, I 505 00:23:40,359 --> 00:23:43,760 Speaker 1: said they're underrated because they're not recognized often in awards 506 00:23:43,760 --> 00:23:47,040 Speaker 1: and other things. So I said they're underrated because as 507 00:23:47,080 --> 00:23:49,760 Speaker 1: far as the country music community, they often go under 508 00:23:49,760 --> 00:23:53,240 Speaker 1: the radar. So I believe they're underrated because they're so great. 509 00:23:53,520 --> 00:23:57,080 Speaker 1: So in the industry awards like to see amaz ACMs, 510 00:23:57,119 --> 00:24:00,280 Speaker 1: all of that, you think they deserve better than they 511 00:24:00,280 --> 00:24:02,480 Speaker 1: get and that makes them money. Okay, I think that's 512 00:24:02,480 --> 00:24:06,399 Speaker 1: fair in that world. Okay, I mean, I just apologize 513 00:24:06,400 --> 00:24:08,960 Speaker 1: for being No. I don't apologize. I just I mean 514 00:24:09,119 --> 00:24:11,280 Speaker 1: I saw it and I was just like, that is 515 00:24:11,280 --> 00:24:13,800 Speaker 1: a weird statement. They have won the Grammy for Best 516 00:24:13,840 --> 00:24:16,320 Speaker 1: Country Album, They've won the Grammy for Best New Artists, 517 00:24:16,320 --> 00:24:19,600 Speaker 1: They've won the Grammy for Best Country Collaboration, They've won 518 00:24:19,640 --> 00:24:22,040 Speaker 1: the ACM, they've won CMA. So they've been raided. It 519 00:24:22,080 --> 00:24:24,639 Speaker 1: sounds like they haven't pretty good. We've been maybe recently 520 00:24:25,000 --> 00:24:27,399 Speaker 1: not in like you know how there's like people that 521 00:24:27,440 --> 00:24:29,880 Speaker 1: win multiple awards and they keep winning the same awards, 522 00:24:29,920 --> 00:24:32,160 Speaker 1: like Zach Brown band, Like it's not often that they 523 00:24:32,160 --> 00:24:35,360 Speaker 1: get brought up time and time again and stand your point. 524 00:24:35,960 --> 00:24:38,000 Speaker 1: They should be entertainer of the year. Yeah. I mean 525 00:24:38,040 --> 00:24:39,840 Speaker 1: I've gone into so many of their concerts and every 526 00:24:39,840 --> 00:24:41,760 Speaker 1: time I'm like, this is one of the best bands 527 00:24:41,760 --> 00:24:44,800 Speaker 1: in country music, and I am surprised and shocked every time. 528 00:24:45,119 --> 00:24:47,439 Speaker 1: So I said they're underrated because I don't feel like 529 00:24:47,440 --> 00:24:49,880 Speaker 1: we talk about them or they're recognized enough. You invested 530 00:24:49,960 --> 00:24:52,159 Speaker 1: a lot of emotion into that thought, though, Lunch I 531 00:24:52,160 --> 00:24:57,280 Speaker 1: thought she personally attacked him. Well, he attacked his favorite band. 532 00:24:58,280 --> 00:25:01,280 Speaker 1: Is it your favorite band? Yeah? Can awesome, Yeah, freaking awesome. 533 00:25:01,800 --> 00:25:04,600 Speaker 1: They're so good. I don't know about they're live. Yes, 534 00:25:04,800 --> 00:25:06,399 Speaker 1: I think the best, and you're gonna take away the 535 00:25:06,440 --> 00:25:09,720 Speaker 1: freaking Well. Here's the thing. If I'm putting it right now, 536 00:25:09,920 --> 00:25:12,080 Speaker 1: my ranking system. Let's say, you know, if some college 537 00:25:12,119 --> 00:25:15,600 Speaker 1: football polls just come out recently, okay, um, and they 538 00:25:15,680 --> 00:25:19,359 Speaker 1: change based on different players each season. Right now, I 539 00:25:19,440 --> 00:25:22,480 Speaker 1: probably put Old Dominion at number one. They're not gonna 540 00:25:22,480 --> 00:25:24,080 Speaker 1: sell shows as big as Zak Brown Band right now, 541 00:25:24,119 --> 00:25:26,439 Speaker 1: because Zak Brown Ban has had more massive songs over 542 00:25:26,480 --> 00:25:29,879 Speaker 1: a long period of time. But right now I'm probably 543 00:25:29,920 --> 00:25:34,240 Speaker 1: gonna put Old Dominion at one, Zach Brown at two. 544 00:25:35,440 --> 00:25:38,679 Speaker 1: Raging idiots at three. Nice. That sounds all right. I 545 00:25:38,680 --> 00:25:41,159 Speaker 1: did put up a rare Raging Idiots performance clip yesterday 546 00:25:41,160 --> 00:25:42,800 Speaker 1: on my Instagram of eddying. I do in a whole 547 00:25:42,800 --> 00:25:44,840 Speaker 1: song of Hobby Lobby Bobby, which I rarely do. I 548 00:25:44,880 --> 00:25:46,480 Speaker 1: really because I don't want people being like you. Guys 549 00:25:46,520 --> 00:25:50,240 Speaker 1: should be signed to play massive shows too. Everywhere I 550 00:25:50,280 --> 00:25:51,560 Speaker 1: go down the street, people yelling me all the time, 551 00:25:51,600 --> 00:25:53,639 Speaker 1: play bigger shows. I want to pay more for tickets, 552 00:25:53,640 --> 00:25:58,640 Speaker 1: and I'm just like, stop, stop it, leave us alone. Yes, 553 00:25:58,720 --> 00:26:00,960 Speaker 1: we just want to keep it real. So if you 554 00:26:01,000 --> 00:26:03,679 Speaker 1: want to check that out, I'd probably post our performance 555 00:26:04,080 --> 00:26:06,639 Speaker 1: acoustic a Fannie Pack, which pretty good too, if you 556 00:26:06,680 --> 00:26:08,320 Speaker 1: want to see it. But I post on a TikTok 557 00:26:08,320 --> 00:26:10,119 Speaker 1: and that's where the real truth comes because people will 558 00:26:10,119 --> 00:26:12,320 Speaker 1: see it on there for you page. Let me see 559 00:26:12,320 --> 00:26:15,040 Speaker 1: if TikTok street and let's see if we've gone viral yet, Eddie, 560 00:26:15,040 --> 00:26:18,000 Speaker 1: come on, come on, TikTok we have. I posted it yesterday. 561 00:26:18,840 --> 00:26:21,800 Speaker 1: As of right now, it has twenty seven thousand views. 562 00:26:22,680 --> 00:26:26,080 Speaker 1: It's okay, it's okay, decent, it's okay. I posted a 563 00:26:26,080 --> 00:26:28,520 Speaker 1: clip of me bringing our waiter on stage and it 564 00:26:28,560 --> 00:26:31,040 Speaker 1: has one hundred and fourteen thousand. Oh that's that's pretty good. 565 00:26:31,080 --> 00:26:35,000 Speaker 1: That's a good video. Pretty good. Um. I posted this 566 00:26:35,040 --> 00:26:39,639 Speaker 1: one when Kaylin tricked me with my phone plug in. 567 00:26:39,720 --> 00:26:42,000 Speaker 1: When I plug it in, it goes boomer sooner into 568 00:26:42,000 --> 00:26:44,840 Speaker 1: a charger. Oh yeah, that's half a million views. I 569 00:26:44,840 --> 00:26:47,560 Speaker 1: guess people like to see me suffer. That one's good. 570 00:26:47,640 --> 00:26:49,920 Speaker 1: Let's see any I got one point two million on 571 00:26:50,560 --> 00:26:54,200 Speaker 1: Yellowstone Facts. That blew my mind. Oh wow, that means 572 00:26:54,200 --> 00:26:56,920 Speaker 1: there's just a lot of fans out there Yellowstone. Six 573 00:26:56,960 --> 00:27:01,479 Speaker 1: point three million on a New Year's post with Kaitlin 574 00:27:01,640 --> 00:27:05,719 Speaker 1: six point three million. You're not gonna only dream of that. Um, 575 00:27:06,840 --> 00:27:11,840 Speaker 1: that'd be a lot of real dollars, that's all. Yeah, 576 00:27:11,840 --> 00:27:14,240 Speaker 1: six I think that's all Eddie dreams about is reels dollars. 577 00:27:14,280 --> 00:27:17,040 Speaker 1: But I mean, dude, if I got a six million view, 578 00:27:17,320 --> 00:27:19,480 Speaker 1: I got a one point seven million on five Things 579 00:27:19,480 --> 00:27:21,879 Speaker 1: You May Not Know About Miranda Lambert. I got a 580 00:27:21,880 --> 00:27:24,880 Speaker 1: one point three million with Reba. I got a three 581 00:27:24,920 --> 00:27:27,359 Speaker 1: point nine million on the guy that the guy that 582 00:27:27,400 --> 00:27:30,360 Speaker 1: works at the Car the car Washington got in Tulsa. Yeah, 583 00:27:30,359 --> 00:27:31,880 Speaker 1: we got three point one on that, three point mine 584 00:27:31,880 --> 00:27:33,280 Speaker 1: on that one. I'll stop this in a second. Never 585 00:27:33,320 --> 00:27:36,200 Speaker 1: looked at us in a while. Let's see making Eddie 586 00:27:36,240 --> 00:27:38,000 Speaker 1: jealous with the views. Oh dude, I mean I can't 587 00:27:38,000 --> 00:27:40,239 Speaker 1: get over one hundred thousand, Like that's amazing. I got 588 00:27:40,240 --> 00:27:42,920 Speaker 1: two point three million on something here with Kaitlyn. Let's see, 589 00:27:43,080 --> 00:27:44,880 Speaker 1: maybe I should do five things you don't know about 590 00:27:44,880 --> 00:27:48,680 Speaker 1: Bobby And it's all like scandalous. Yeah yeah, like this 591 00:27:48,720 --> 00:27:50,440 Speaker 1: is him in the nude. That's how I get my 592 00:27:50,480 --> 00:27:52,280 Speaker 1: six million? Like, why'd you? How did you get that picture? 593 00:27:52,640 --> 00:27:55,479 Speaker 1: I got a lot of views though, Um, all right, 594 00:27:55,480 --> 00:27:58,600 Speaker 1: I got a seven point eight million? What what's that one? 595 00:27:58,640 --> 00:28:01,960 Speaker 1: When people ask you? So it's when people ask you 596 00:28:02,000 --> 00:28:03,720 Speaker 1: how you got a wife that's harder and smart, smarter 597 00:28:03,760 --> 00:28:05,199 Speaker 1: than you? And it turns into the Michael Jordan thing 598 00:28:05,200 --> 00:28:07,760 Speaker 1: where he's like, I don't know why he's like in 599 00:28:07,760 --> 00:28:09,680 Speaker 1: the zone. It does the hands out. It's like, it's good. 600 00:28:09,720 --> 00:28:12,199 Speaker 1: I don't know. I got seven million, pretty good. I 601 00:28:12,200 --> 00:28:14,440 Speaker 1: didn't look at this, So what how I come out 602 00:28:14,440 --> 00:28:16,840 Speaker 1: of many money doing this? I don't know. They're just 603 00:28:16,880 --> 00:28:18,440 Speaker 1: trying to help the little guy. I guess, well, Mike 604 00:28:20,080 --> 00:28:22,480 Speaker 1: TikTok and kiss my ball hole. Man. They need to 605 00:28:22,480 --> 00:28:28,399 Speaker 1: give me some oh show dude after dark? All right? Um? 606 00:28:28,480 --> 00:28:34,159 Speaker 1: I think that is it? Anything you want to say? Amy? Um? Sure, 607 00:28:34,320 --> 00:28:37,159 Speaker 1: if you're looking for you know, podcasts listen to and 608 00:28:37,280 --> 00:28:43,800 Speaker 1: maybe you're struggling with fashion and like getting dressed sometimes 609 00:28:43,840 --> 00:28:46,960 Speaker 1: I'm overwhelmed by that, just like picking out qute outfits 610 00:28:46,960 --> 00:28:51,120 Speaker 1: and like but from affordable places. I had these two 611 00:28:51,280 --> 00:28:54,000 Speaker 1: neighbors that turn best friends that started a business on 612 00:28:54,280 --> 00:28:57,160 Speaker 1: called next Door Life, and they're on my podcast this week. 613 00:28:57,200 --> 00:28:58,760 Speaker 1: So you can search four things with Amy Brown and 614 00:28:58,760 --> 00:29:00,720 Speaker 1: they give like fashion tips, but how they mix like 615 00:29:00,960 --> 00:29:03,880 Speaker 1: high low items for like the perfect outfit and like 616 00:29:03,920 --> 00:29:06,200 Speaker 1: the one item you need in your closet for that 617 00:29:06,320 --> 00:29:09,160 Speaker 1: ties everything together. So they give some really fun tipsy 618 00:29:09,200 --> 00:29:12,360 Speaker 1: ties is not whity tidies ties it all together. They 619 00:29:12,600 --> 00:29:15,120 Speaker 1: don't it. Boys don't even out a pair of whity tidies. 620 00:29:15,120 --> 00:29:17,120 Speaker 1: Although I have some, I don't either have some white 621 00:29:18,280 --> 00:29:24,560 Speaker 1: um boxer briefs. Yeah brands Tommy John and there. Yeah, 622 00:29:24,600 --> 00:29:26,760 Speaker 1: you can't buy white under anymore. What do you mean? 623 00:29:27,760 --> 00:29:30,239 Speaker 1: It's just you shouldn't. I got you, I got you. You 624 00:29:30,120 --> 00:29:33,520 Speaker 1: You just should because that was you dribble. It's just white. 625 00:29:33,560 --> 00:29:36,840 Speaker 1: It's not even you're embarrassed. You're right, they're away. You're right, 626 00:29:37,320 --> 00:29:39,480 Speaker 1: are you guys some time away? But I don't have 627 00:29:39,560 --> 00:29:42,040 Speaker 1: why wounds? How good for you? Is it? Because they're 628 00:29:42,040 --> 00:29:49,600 Speaker 1: all brown now? Naturally? Waits are the stories different now? Well, 629 00:29:49,600 --> 00:29:53,440 Speaker 1: they've changed the layout so and then Morgan Parks speak 630 00:29:53,440 --> 00:29:56,240 Speaker 1: on this more. But um, I don't know that's covered 631 00:29:56,240 --> 00:29:58,160 Speaker 1: everyone yet. But it looks more like a full page 632 00:29:58,520 --> 00:30:02,920 Speaker 1: even in the feed, right, Yeah, they change the video 633 00:30:03,000 --> 00:30:05,640 Speaker 1: so it's it competes with TikTok is essentially what they're doing. 634 00:30:05,720 --> 00:30:09,280 Speaker 1: So it's no longer second my feed now okay, yeah, 635 00:30:09,280 --> 00:30:11,360 Speaker 1: so it's your feed, so your feed looks more like TikTok. 636 00:30:11,400 --> 00:30:13,880 Speaker 1: So the videos are going to be like vertically longer. 637 00:30:14,400 --> 00:30:17,000 Speaker 1: And no, your Instagram stories are still the same. Yeah, 638 00:30:17,080 --> 00:30:18,840 Speaker 1: my stories have been this. I don't see any different. Yeah, 639 00:30:19,000 --> 00:30:20,760 Speaker 1: wats I was trying to load up a video from 640 00:30:20,760 --> 00:30:23,080 Speaker 1: my podcast interview because I recorded it, you know when 641 00:30:23,120 --> 00:30:24,760 Speaker 1: I was going to put a video of them talking 642 00:30:25,120 --> 00:30:27,880 Speaker 1: in the stories. But it's not. It's being weird to me. 643 00:30:27,920 --> 00:30:30,440 Speaker 1: I need help if you may need to update your app. Okay, 644 00:30:30,440 --> 00:30:32,680 Speaker 1: I gotta I'm looking at your phone. You know you're 645 00:30:32,680 --> 00:30:36,600 Speaker 1: on my Space that still exists. Can you get on 646 00:30:36,640 --> 00:30:39,560 Speaker 1: my Space? So I don't know, Yeah you can't. No, 647 00:30:39,760 --> 00:30:43,160 Speaker 1: my it is, but it's still you can still get on. 648 00:30:43,240 --> 00:30:47,360 Speaker 1: There's a new version, right. Oh. I do play a 649 00:30:47,400 --> 00:30:48,760 Speaker 1: game on mine which I have another one ready I 650 00:30:48,760 --> 00:30:50,960 Speaker 1: am about to load, called how Much of these Shoes? Oh? 651 00:30:51,000 --> 00:30:52,680 Speaker 1: Do you guys like that game? Yeah? Do you ever 652 00:30:52,760 --> 00:30:56,479 Speaker 1: play it? No? You don't like it? How do you 653 00:30:56,520 --> 00:30:58,600 Speaker 1: like it? I mean it just says, yeah, I talked 654 00:30:58,640 --> 00:31:00,040 Speaker 1: about it, You've talked about it on the show, but 655 00:31:00,080 --> 00:31:01,640 Speaker 1: I haven't played it. Put up pair of tennis shoes 656 00:31:01,640 --> 00:31:03,680 Speaker 1: and I got how much are they some? And it's like, okay, 657 00:31:03,680 --> 00:31:06,120 Speaker 1: seventy bucks for the next one, like I'm ninety and 658 00:31:06,200 --> 00:31:08,440 Speaker 1: it's like four thousand, and you just guess how much 659 00:31:08,480 --> 00:31:10,160 Speaker 1: the shoes are, and then the second one shows you 660 00:31:10,200 --> 00:31:11,920 Speaker 1: the price of it, and then do you ever sell 661 00:31:11,960 --> 00:31:14,280 Speaker 1: it for that price? I don't own the shoes? Oh 662 00:31:14,280 --> 00:31:16,360 Speaker 1: I thought you owned these shoes? God? No, I put 663 00:31:16,400 --> 00:31:18,400 Speaker 1: a pair of twenty three thousand dollars shoes yesterday. Where 664 00:31:18,400 --> 00:31:21,680 Speaker 1: do they sell those? Is the ugliest? Everywhere you go stock? Yeah, actually, 665 00:31:21,720 --> 00:31:23,400 Speaker 1: getta far fetch you? But is there like a brick 666 00:31:23,440 --> 00:31:24,960 Speaker 1: and mortar, where you're gonna walk in those shoes or 667 00:31:25,000 --> 00:31:26,880 Speaker 1: sitting right. Mike said he saw some at Flight Club, 668 00:31:27,440 --> 00:31:29,840 Speaker 1: New York. Crap, Yeah, I got anyway, I got my 669 00:31:29,880 --> 00:31:32,600 Speaker 1: third version of that game going up today. Amy, what else? Quickly, 670 00:31:32,960 --> 00:31:34,720 Speaker 1: what do you mean? You said you're you're coming on 671 00:31:34,760 --> 00:31:38,120 Speaker 1: strong with some words, and then I go ahead, Oh 672 00:31:38,320 --> 00:31:40,720 Speaker 1: I I'm trying to figure out on Instagram right now. 673 00:31:40,760 --> 00:31:44,240 Speaker 1: I look no, but I was saying, like, look, I 674 00:31:44,280 --> 00:31:46,920 Speaker 1: started a record. I'm just super excited because you know 675 00:31:46,960 --> 00:31:49,240 Speaker 1: how Eddie puts bugs like the Bobby Bone Show bug 676 00:31:49,320 --> 00:31:51,440 Speaker 1: lives on videos. That's called a bug, right, Yeah, that's 677 00:31:51,440 --> 00:31:53,440 Speaker 1: a bug. I got a four things. Theamy around bug 678 00:31:53,520 --> 00:31:55,560 Speaker 1: on my video, a gift that you're gonna get from 679 00:31:55,560 --> 00:31:58,680 Speaker 1: the section or no, it's automatically uploaded on the video 680 00:31:58,840 --> 00:32:01,200 Speaker 1: when I start to record. That's cool. Amy bug is 681 00:32:01,240 --> 00:32:03,600 Speaker 1: just there so no one can steal your video. I 682 00:32:03,600 --> 00:32:05,320 Speaker 1: feel so advanced. Or if they do, it has the 683 00:32:05,360 --> 00:32:07,520 Speaker 1: bugs on it, right yeah, and it shows the podcast 684 00:32:07,600 --> 00:32:10,080 Speaker 1: that it came from. Okay, you guys have that's pretty cool. 685 00:32:10,160 --> 00:32:11,480 Speaker 1: Have a good weekend, have a good fourth of July. 686 00:32:12,320 --> 00:32:14,480 Speaker 1: I can teach the store loser there's anything else I 687 00:32:14,520 --> 00:32:21,160 Speaker 1: need to mention it. That's it good, all right, USA, USA, 688 00:32:21,240 --> 00:32:23,240 Speaker 1: Do you have anything you want to I have already 689 00:32:23,240 --> 00:32:24,880 Speaker 1: said that's what I do for five hours. Everything I 690 00:32:24,920 --> 00:32:26,840 Speaker 1: do want to, I do. That's kind of my job, 691 00:32:26,920 --> 00:32:30,200 Speaker 1: you know. Okay, anything I don't, I don't, anything you do, 692 00:32:30,240 --> 00:32:31,560 Speaker 1: you do, and then we wrap it up and go home. 693 00:32:32,000 --> 00:32:33,720 Speaker 1: All right, you guys have a good weekend, have a 694 00:32:33,760 --> 00:32:36,160 Speaker 1: great Monday. I hope your holiday is safe and awesome, 695 00:32:36,320 --> 00:32:37,920 Speaker 1: and we will see you guys soon. Bye, everybody.