WEBVTT - What are the Strangest College Classes We Desperately Want to Take?

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<v Speaker 1>Guess what will? What's that? Man? Do you know that

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<v Speaker 1>Read College in Oregon actually offers an underwater basket weaving course?

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<v Speaker 1>Are you serious? I mean Read is known for being

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<v Speaker 1>a strange and wonderful place. It's actually one of those

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<v Speaker 1>campuses I've always wanted to visit, but I can't say

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<v Speaker 1>i'd heard about this course. Yeah, so, I know underwater

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<v Speaker 1>basket weaving has been a punchline for so long, but

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<v Speaker 1>it's actually todd each year during a festival at Read

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<v Speaker 1>and does account for credit. I mean, it's more for fun,

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<v Speaker 1>but I love that you can actually learn the skill.

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<v Speaker 1>And actually I read this note from a student defending it,

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<v Speaker 1>where he was saying basically that in this a d

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<v Speaker 1>h D world where we look at our phones every

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<v Speaker 1>three seconds, and you know, we need to constantly be

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<v Speaker 1>stimulated by technology and being forced to concentrate on basket

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<v Speaker 1>weaving in a pool with your face stuffed into a snorkel,

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<v Speaker 1>that that was actually good for both his patients and concentration,

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<v Speaker 1>and it also reduced his anxiety. I kind of like

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<v Speaker 1>this defense, and I mean, I think that's kind of

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<v Speaker 1>the point, right, Like, when you start looking around, there's

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<v Speaker 1>so many of these quirky classes being taught around the country,

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<v Speaker 1>and many of them are way more valuable than you

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<v Speaker 1>inc So I thought today would be a great time

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<v Speaker 1>to spotlight some of the weirdest classes we could find.

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<v Speaker 1>What do you say? We dive in? Heay their podcast listeners,

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<v Speaker 1>Welcome to Part Time Genius and Will Pearson And as

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<v Speaker 1>always I'm joined by my good friend man guest I've

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<v Speaker 1>taken up and we're so happy to welcome back our

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<v Speaker 1>producer Tristan. He's a super important part of this show

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<v Speaker 1>and he's been out for a few days, but we're

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<v Speaker 1>very glad he's back. Well, speaking of back, it is

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<v Speaker 1>back to school time, and to be honest, we're a

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<v Speaker 1>little bit jealous. I mean, there's all these weird college

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<v Speaker 1>classes out there, and we wish we could take them all.

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<v Speaker 1>I mean, maybe not all of them, but definitely way

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<v Speaker 1>more than we'd ever be able to. But that doesn't

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<v Speaker 1>mean we can't talk about them. So that's what we're

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<v Speaker 1>gonna do today. We'll also talk to a couple of

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<v Speaker 1>daring professors who spearheaded some pretty unique courses of their own.

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<v Speaker 1>So who's on the line today? Mego, yeah, So we've

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<v Speaker 1>got Kenneth Goldsmith, the poet and professor at the University

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<v Speaker 1>of Pennsylvania. Kenneth actually teaches two unusual classes. One's called

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<v Speaker 1>Uncreative Writing and the others titled Wasting time on the Internet.

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<v Speaker 1>And we'll have some wonderful quizzes too. All right, Well,

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<v Speaker 1>before we dive in, we want to hear from you listeners.

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<v Speaker 1>Let us know the weirdest college class you ever took,

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<v Speaker 1>or the one offered at your school that you always

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<v Speaker 1>wish you'd taken but maybe didn't get a chance to.

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<v Speaker 1>So send that into part time genius at how stuff

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<v Speaker 1>works dot com or hit us up on Facebook or Twitter,

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<v Speaker 1>or you can call us on our fancy new fact

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<v Speaker 1>hotline one eight four four pt genius. So we look

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<v Speaker 1>forward to hearing from you, and of course we'll be

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<v Speaker 1>sending some swag to the top three entries, so we're

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<v Speaker 1>really looking forward to that. All right, great, alright, So

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<v Speaker 1>fair warning to any listeners who haven't perused the college

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<v Speaker 1>course catalog in a while. You need to prepare to

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<v Speaker 1>be jealous. I mean, these catalogs have expanded in some

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<v Speaker 1>wild directions over the past decade or so, and the

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<v Speaker 1>result is this mortgage board of strange and quirky classes

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<v Speaker 1>that you know, they kind of bring new meaning to

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<v Speaker 1>the term liberal education. But I remember like some house

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<v Speaker 1>courses that people used to teach even back when we

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<v Speaker 1>were in college, Like during spring break, you could take

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<v Speaker 1>this course called just Enough Guitar to Impress someone and

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<v Speaker 1>and by the end of the class you learned to

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<v Speaker 1>play something that sounds impressive but actually isn't that hard,

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<v Speaker 1>like Tangerine LEDs up. But I I agree with you,

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<v Speaker 1>these courses tend to stray pretty far from the core curriculum,

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<v Speaker 1>but that definitely doesn't mean that they're all together silly

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<v Speaker 1>or or that their merit lists, although trying to sell

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<v Speaker 1>your parents on the worth of them might be another story, right,

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<v Speaker 1>you know, Because we want to cover as many of

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<v Speaker 1>these weird courses as we could. Mango and I actually

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<v Speaker 1>split up our research for this episode, so we found

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<v Speaker 1>the most interesting surprising courses we could across, you know,

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<v Speaker 1>a few few different broad categories. So we'll share our

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<v Speaker 1>findings and see if we can build our own ideal

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<v Speaker 1>course load for the fall semester. So, so where do

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<v Speaker 1>you want to start? Mango? So I want to skip

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<v Speaker 1>straight to the mouth watering food classes because they're the

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<v Speaker 1>most fun. And the first one we're gonna start with

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<v Speaker 1>is from Alfred University. It's called maple Syrup, the real Thing,

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<v Speaker 1>the real like that day they're throwing there And wait,

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<v Speaker 1>isn't that the coke slogan? Though? Yeah, but this stuff

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<v Speaker 1>is genuine thing. And the fact is that some senators

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<v Speaker 1>from Vermont and Main have actually introduced legislation that would

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<v Speaker 1>make it a felony offense to sell fake maple syrup.

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<v Speaker 1>So the stakes are actually pretty high. But the class

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<v Speaker 1>sounds fascinating. It covers the history of maple syrup production

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<v Speaker 1>and that spans from traditional methods to some of the

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<v Speaker 1>more cutting edge harvesting methods that are used today. And

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<v Speaker 1>students also get to take field trips to restaurants and

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<v Speaker 1>local syrup producers, and they even get to go to

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<v Speaker 1>a maple syrup festival. So but but the best part

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<v Speaker 1>of the best part of all of this is that

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<v Speaker 1>every student gets to create and eat their own maple syrup.

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<v Speaker 1>I mean, it does sound like a lot of fun.

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<v Speaker 1>And you know, I'm a total sucker for a good

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<v Speaker 1>course description. Like in college, I almost took organic chemistry

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<v Speaker 1>just because the class promised that um that you get

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<v Speaker 1>to make something that's the scent of pairs, like you

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<v Speaker 1>get to manufacture that in the lab. And and I'm

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<v Speaker 1>terrible at chemistry, but I like pairs. I love how

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<v Speaker 1>you felt for that with organic chemistry, which is maybe

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<v Speaker 1>like the hardest class or the we eat out class

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<v Speaker 1>in college. But anyway, what did you learn about maple syrup? So?

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<v Speaker 1>You know, I couldn't resist looking up some more facts

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<v Speaker 1>about maple syrup. So here are a few facts from

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<v Speaker 1>my new favorite website, cottage Life. Yeah you want to

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<v Speaker 1>shut up about this one, I know. The first one

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<v Speaker 1>is that of the world's maple syrup actually comes from Canada.

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<v Speaker 1>So that surprises me. I mean, I feel like, you know,

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<v Speaker 1>you always hear about Vermont's maple syrup that I wouldn't

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<v Speaker 1>have guessed that that larger percentage came from I feel

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<v Speaker 1>like Vermont is always bragging about it, but Canadas, so

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<v Speaker 1>they're king. Yeah, I guess so and and and it

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<v Speaker 1>takes forty years for a tree to actually become ready

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<v Speaker 1>to tap. And then once it's ready, it takes about

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<v Speaker 1>forty liters of sap just to make one leader of syrup,

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<v Speaker 1>which is crazy. That is crazy. So I mean that's

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<v Speaker 1>a pretty serious long term investment to be able to

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<v Speaker 1>get anything. So you said, forty years before they can

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<v Speaker 1>get any syrup from this, which is which is why

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<v Speaker 1>class is a good idea, right Can you imagine just

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<v Speaker 1>diving into the business without knowing about it. But back

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<v Speaker 1>to the college classes. There are actually a ton of

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<v Speaker 1>classes out there that deal with the history of production

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<v Speaker 1>and of specific foods and drinks, and so for example, St.

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<v Speaker 1>Mary's College of California offers a course on the science

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<v Speaker 1>behind craft beer and brewing it. And Purdue University in

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<v Speaker 1>Indiana has this wine appreciation class that helps students develop

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<v Speaker 1>their palates. All right, wait, so let me make this clear.

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<v Speaker 1>So California has the beer class and the Midwest has

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<v Speaker 1>the wine appreciation class. I know, it almost seems backwards, right,

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<v Speaker 1>but in fact, there are a lot of California schools

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<v Speaker 1>that offer courses on the business of wine making. But

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<v Speaker 1>produced class is purely about appreciating the wine. But for

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<v Speaker 1>all the listeners out there, like, it's only open to

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<v Speaker 1>students who are twenty one or older. So for anyone

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<v Speaker 1>who's going to college there, they've got to pay their

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<v Speaker 1>dues before getting the indulge into weekly wines and things.

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<v Speaker 1>Yeah that makes sense, alright, So the maple syrup classes

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<v Speaker 1>a little lot, and the beer and wine classes would

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<v Speaker 1>definitely make your parents take a second look at your

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<v Speaker 1>course load. But what would you say as the food

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<v Speaker 1>class that you found the most surprising? So Penn State's

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<v Speaker 1>College of Agricultural Studies has a course that's all about

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<v Speaker 1>ice cream making. Oh wow, all right, well, what's the

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<v Speaker 1>scoop on that? So the course is actually called I said,

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<v Speaker 1>what's the scoop? Just making sure? The course is actually

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<v Speaker 1>called the ice Cream Short Course. And it's this seven

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<v Speaker 1>day long class that's open to industry professionals as well

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<v Speaker 1>as students. Basically, people come from all over the world

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<v Speaker 1>to take part in a bunch of workshops that teach

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<v Speaker 1>them about the different aspects of ice cream and you

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<v Speaker 1>know the technology used to make it. But the really

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<v Speaker 1>crazy thing is just how long the class has been

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<v Speaker 1>going on for. Hence State has been offering it every

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<v Speaker 1>January for the last six years. Oh wow, seriously, Yeah,

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<v Speaker 1>it's crazy. So, in fact, it's very likely the first

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<v Speaker 1>continuing ed course ever offered in the US. It first

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<v Speaker 1>started back in two when the School of Agricultural held

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<v Speaker 1>this uh dairy manufacturing class in the winter and this

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<v Speaker 1>is courting the school. This is when farm work is

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<v Speaker 1>least pressing and the boys can be spared. Is that

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<v Speaker 1>really what it says, the boys can be spared? That

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<v Speaker 1>kind of sounds like an ad for like a group

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<v Speaker 1>that likes to go without underwear. They commando grew anyway,

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<v Speaker 1>So sorry. Ice cream making was was always part of

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<v Speaker 1>the curriculum, but by the Frozen treat became so popular

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<v Speaker 1>in the US that the course exclusively focused on ice cream.

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<v Speaker 1>And so so you've got to figure in this time,

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<v Speaker 1>reps from every major ice cream place and started taking

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<v Speaker 1>the course. So you've got good humor. Baskin Robbins, Ample Hills,

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<v Speaker 1>Bluebell Hog and does. It's like a finishing course for

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<v Speaker 1>every ice cream maker in the country, even Ben and

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<v Speaker 1>Jerry's they learned their craft there. That's quite a crew

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<v Speaker 1>that's been there. Well, did you find any other food

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<v Speaker 1>classes that were kind of like that, you know, a

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<v Speaker 1>bit more prestigious, but it still a little bit weird. Yeah, definitely.

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<v Speaker 1>But before we get to any of that, I've got

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<v Speaker 1>to share at least one more ice cream factor. So

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<v Speaker 1>did you know in nineteen seven, Fidel Castro was so

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<v Speaker 1>threatened by Baskin Robbins and the fact that America had

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<v Speaker 1>thirty one flavors of ice cream that he bragged that

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<v Speaker 1>Cuba was already producing twenty six flavors and they'd soon

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<v Speaker 1>be producing for I love the ramp up that he

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<v Speaker 1>didn't just say they had more, that they really were

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<v Speaker 1>working towards this goal. I know, if I understand why,

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<v Speaker 1>like eleven more flavors makes Cuba like a superior society

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<v Speaker 1>is pretty intimidating. Hey, he said they were gonna put

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<v Speaker 1>America to shame. But back to your question, and this

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<v Speaker 1>one is maybe my favorite class of this whole food category.

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<v Speaker 1>It's called gastro Diplomacy and it's offered at American University

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<v Speaker 1>in Washington, d C. It's this really neat course based

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<v Speaker 1>around the idea that food can be used to help

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<v Speaker 1>increase cultural understanding between countries. Oh wow, well that's pretty interesting.

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<v Speaker 1>I mean, especially when you consider that for a lot

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<v Speaker 1>of Americans, you know that the most personal interaction they'll

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<v Speaker 1>ever have with some foreign cultures really is through the

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<v Speaker 1>cuisine they might try at their own home. Yeah, so,

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<v Speaker 1>Public Diplomacy Magazine which I mean, we were in the

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<v Speaker 1>magazine business with Metal Plus for fifteen years and I've

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<v Speaker 1>never heard of it, but now I'm totally hooked. They

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<v Speaker 1>did a study a few years back where they surveyed

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<v Speaker 1>a hundred forty people about eating other cultures cuisine, and

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<v Speaker 1>more than half the respondents said that eating a foreign

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<v Speaker 1>country's food lead them to think more positively about that country.

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<v Speaker 1>So you know, it's true. The way to people's hearts,

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<v Speaker 1>it really is through their stomach. Well, I like that idea.

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<v Speaker 1>And how exactly though, does this translate into a college class. Yeah,

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<v Speaker 1>I was curious about that too. But the students study

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<v Speaker 1>wars and conflicts, so they might look at the Vietnam War,

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<v Speaker 1>or Ethiopia Civil war are or the Soviet War in Afghanistan,

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<v Speaker 1>And then they actually take field trips to local ethnic restaurants,

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<v Speaker 1>you know, so they can actually taste traditional meals from

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<v Speaker 1>these cultures and even get some face time with immigrants

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<v Speaker 1>who prepare them. It's pretty awesome. And the instructor and

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<v Speaker 1>Mendelssohn Foreman said, I've got this quote. The ideas for

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<v Speaker 1>students to hear from the cooks, from the owners of

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<v Speaker 1>these places about how they see their cuisine as a

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<v Speaker 1>communication tool in their own communities. I think this one

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<v Speaker 1>might be my favorite too. That that's that's pretty cool,

0:10:27.000 --> 0:10:29.840
<v Speaker 1>all right, Well, do you have any others in that category? No,

0:10:29.960 --> 0:10:32.280
<v Speaker 1>I think that covers it. Well, let's switch gears now

0:10:32.320 --> 0:10:34.600
<v Speaker 1>from a course that challenges students to look outward at

0:10:34.600 --> 0:10:36.679
<v Speaker 1>the people they share the world with, too, one that

0:10:36.760 --> 0:10:40.200
<v Speaker 1>does the exact opposite. So I'm guessing you're talking about

0:10:40.200 --> 0:10:42.199
<v Speaker 1>that selfie class you were telling me about earlier. Is

0:10:42.240 --> 0:10:44.480
<v Speaker 1>indeed that one? All right? So this course falls into

0:10:44.520 --> 0:10:46.560
<v Speaker 1>one of the broad categories I looked into, and that

0:10:46.640 --> 0:10:49.240
<v Speaker 1>these were classes that examine the use of social media

0:10:49.360 --> 0:10:53.080
<v Speaker 1>and digital technologies. And the first one is commonly referred

0:10:53.120 --> 0:10:56.320
<v Speaker 1>to as the selfie class, but it's more formally known

0:10:56.440 --> 0:11:00.760
<v Speaker 1>as Writing and Critical Reasoning Identity and diversity, and it's

0:11:00.760 --> 0:11:03.520
<v Speaker 1>you know, it's part social studies, part writing workshop, and

0:11:03.920 --> 0:11:07.040
<v Speaker 1>one of the courses assignments challenges students to take five

0:11:07.120 --> 0:11:10.280
<v Speaker 1>selfies of themselves and then write an essay on how

0:11:10.320 --> 0:11:14.000
<v Speaker 1>the selfies produced or obscured a sense of their identities.

0:11:14.240 --> 0:11:16.600
<v Speaker 1>You know, it's a pretty thoughtful course actually, Like the

0:11:16.640 --> 0:11:19.880
<v Speaker 1>students are encouraged to consider every aspect of their pictures,

0:11:20.120 --> 0:11:23.680
<v Speaker 1>whether it's how they're posing their clothing, their facial expression,

0:11:24.120 --> 0:11:27.800
<v Speaker 1>the lighting and background, even the gaze and the camera angle,

0:11:27.880 --> 0:11:30.200
<v Speaker 1>and so actually here a few questions. The students were

0:11:30.200 --> 0:11:33.480
<v Speaker 1>asked to think about what in your selfies is accurate?

0:11:34.040 --> 0:11:37.640
<v Speaker 1>What is obscured or ambiguous? Does the image portray one

0:11:37.679 --> 0:11:41.239
<v Speaker 1>identity trait more than others? How is the viewer addressed

0:11:41.280 --> 0:11:44.600
<v Speaker 1>in the image? What is the apparent context of this image?

0:11:44.600 --> 0:11:47.200
<v Speaker 1>I mean, it's it's so philosophical. Can you imagine if

0:11:47.200 --> 0:11:50.120
<v Speaker 1>Instagram or Snapchat made this the assignment that before you

0:11:50.240 --> 0:11:52.760
<v Speaker 1>hit the published button, that everyone has to write an

0:11:52.840 --> 0:11:55.280
<v Speaker 1>essay exactly. I love it and and I also love

0:11:55.320 --> 0:11:57.240
<v Speaker 1>things that don't sound that smart on the service and

0:11:57.280 --> 0:12:00.760
<v Speaker 1>then end up being so much deeper, and taking selfies

0:12:00.720 --> 0:12:04.760
<v Speaker 1>is like perfect. It's like the simple act of vanity.

0:12:04.880 --> 0:12:06.880
<v Speaker 1>But but it's fun to think about what it actually

0:12:06.880 --> 0:12:09.680
<v Speaker 1>says about ourselves, right, right, And it's a crazy phenomenon.

0:12:09.720 --> 0:12:12.800
<v Speaker 1>So Google reports that more than twenty four billion selfies

0:12:12.840 --> 0:12:15.600
<v Speaker 1>were uploaded in two thousand and fifteen, and that number

0:12:15.640 --> 0:12:18.520
<v Speaker 1>only seems to be growing every single year. So did

0:12:18.520 --> 0:12:20.440
<v Speaker 1>you come across any other courses that do this, you know,

0:12:20.559 --> 0:12:23.120
<v Speaker 1>look at some of our questionable digital habits. Well, there's

0:12:23.120 --> 0:12:25.640
<v Speaker 1>an interesting course at a pits or college called Learning

0:12:25.679 --> 0:12:28.679
<v Speaker 1>from YouTube, and it was designed to evaluate what YouTube

0:12:28.679 --> 0:12:30.680
<v Speaker 1>can teach us, you know, given that so many of

0:12:30.720 --> 0:12:33.560
<v Speaker 1>its videos or someone educational and it's in their nature

0:12:33.720 --> 0:12:37.120
<v Speaker 1>and you know, how to videos or video essays about

0:12:37.160 --> 0:12:40.520
<v Speaker 1>the philosophy of popular movies or TV shows. And one

0:12:40.559 --> 0:12:42.800
<v Speaker 1>of the weirdest things about it, though, is that all

0:12:42.840 --> 0:12:45.560
<v Speaker 1>of the coursework was not only about YouTube, it was

0:12:45.640 --> 0:12:49.080
<v Speaker 1>actually on YouTube. So the classes were all recorded and

0:12:49.160 --> 0:12:52.040
<v Speaker 1>posted on the site, and all the students essays were

0:12:52.040 --> 0:12:54.400
<v Speaker 1>done in the form of videos and the comments on

0:12:54.440 --> 0:12:57.520
<v Speaker 1>those videos. That sounds super fun. Like when I was

0:12:57.520 --> 0:12:59.160
<v Speaker 1>in school, I always tried to do the project to

0:12:59.160 --> 0:13:02.199
<v Speaker 1>get out of doing the right But is there an

0:13:02.240 --> 0:13:05.880
<v Speaker 1>advantage to that style of learning? Well maybe. Unsurprisingly, students

0:13:05.880 --> 0:13:08.520
<v Speaker 1>determine that YouTube isn't all that great for learning, or

0:13:08.520 --> 0:13:10.760
<v Speaker 1>at least not in the big classroom way that we're

0:13:10.840 --> 0:13:13.000
<v Speaker 1>used to. It was. It was daunting for them to

0:13:13.040 --> 0:13:16.400
<v Speaker 1>have all their classes and homework on public display where

0:13:16.440 --> 0:13:19.840
<v Speaker 1>commoners and trolls could ridicule them, and they basically concluded

0:13:19.880 --> 0:13:22.520
<v Speaker 1>that YouTube can be a decent educational tool on an

0:13:22.520 --> 0:13:25.960
<v Speaker 1>individual basis, but it's much less useful in a communal

0:13:25.960 --> 0:13:28.960
<v Speaker 1>setting and probably works best just as a means of entertainment.

0:13:29.120 --> 0:13:31.520
<v Speaker 1>That's fascinating. So I actually remember visiting one of my

0:13:31.520 --> 0:13:34.200
<v Speaker 1>best friends who I thought was pretty handy, but then

0:13:34.400 --> 0:13:36.600
<v Speaker 1>he suddenly put a whole new roof on his house

0:13:36.600 --> 0:13:39.560
<v Speaker 1>by himself, and I asked her, like, how did you

0:13:39.640 --> 0:13:40.800
<v Speaker 1>do that? How do you know what to do? And

0:13:41.000 --> 0:13:44.000
<v Speaker 1>he said YouTube, he learned how to. I hope the

0:13:44.080 --> 0:13:47.240
<v Speaker 1>roof is still work. It was follow up on that,

0:13:48.360 --> 0:13:50.600
<v Speaker 1>but it's amazing all the information that's out there and

0:13:50.640 --> 0:13:53.800
<v Speaker 1>like all this step by step instruction, but also you know,

0:13:53.880 --> 0:13:56.760
<v Speaker 1>to know where YouTube's failings are really interesting to think

0:13:56.760 --> 0:13:58.920
<v Speaker 1>about it too. Did you find a new media classes

0:13:58.960 --> 0:14:02.520
<v Speaker 1>that seemed, I don't know, a little more practical. Well, yeah,

0:14:02.640 --> 0:14:06.079
<v Speaker 1>I mean there's stuff like there's one called smartphone photography

0:14:06.200 --> 0:14:08.360
<v Speaker 1>at Portland Community College, and I'm sure there are other

0:14:08.400 --> 0:14:11.160
<v Speaker 1>colleges that that teach this as well, and you know,

0:14:11.200 --> 0:14:14.400
<v Speaker 1>basically teaches about the composition and lighting for the cameras

0:14:14.400 --> 0:14:16.880
<v Speaker 1>that we're all carrying around in our pockets. And and

0:14:16.920 --> 0:14:19.120
<v Speaker 1>I suppose that's useful at least the kind of skill.

0:14:19.240 --> 0:14:21.240
<v Speaker 1>And for me, you know, the most compelling course in

0:14:21.280 --> 0:14:25.840
<v Speaker 1>this category was definitely Kenneth Goldsmith's Wasting Time on the Internet.

0:14:26.440 --> 0:14:28.040
<v Speaker 1>And we actually have him here to talk with us today.

0:14:28.080 --> 0:14:29.160
<v Speaker 1>What do you say we get him on the line.

0:14:29.280 --> 0:14:33.760
<v Speaker 1>I love No, let's do it. Our guest today is

0:14:33.800 --> 0:14:36.200
<v Speaker 1>a poet and in fact the first poet Laureate of

0:14:36.240 --> 0:14:39.080
<v Speaker 1>the Museum of Modern Art. He's an author of several books,

0:14:39.080 --> 0:14:42.040
<v Speaker 1>but the one we're focused on today is called Wasting

0:14:42.120 --> 0:14:44.320
<v Speaker 1>Time on the Internet, and it's based on a course

0:14:44.320 --> 0:14:47.680
<v Speaker 1>he's taught at the University of Pennsylvania. Kenneth Goldsmith, Welcome

0:14:47.720 --> 0:14:50.760
<v Speaker 1>to part time genius. I'm glad to be here. So, Kenneth,

0:14:50.760 --> 0:14:53.600
<v Speaker 1>I was reading the first part of your of your

0:14:53.640 --> 0:14:55.960
<v Speaker 1>book Wasting Time on the Internet, and I saw that

0:14:56.480 --> 0:14:59.080
<v Speaker 1>you were talking about this tweet that you you put

0:14:59.120 --> 0:15:01.440
<v Speaker 1>out in the Fall of tooth Ius and fourteen were

0:15:01.440 --> 0:15:03.880
<v Speaker 1>you announced this new course and the tweet said, my

0:15:03.960 --> 0:15:06.600
<v Speaker 1>class called Wasting Time on the Internet will be offered

0:15:06.640 --> 0:15:09.880
<v Speaker 1>at pen next semester. And apparently this tweet just kind

0:15:09.880 --> 0:15:12.520
<v Speaker 1>of blew up. Tell us what happened after you sent

0:15:12.560 --> 0:15:15.800
<v Speaker 1>this tweet out well, you know, I mostly got a

0:15:15.880 --> 0:15:19.200
<v Speaker 1>return tweet saying, you know, I've got a PhD in that.

0:15:20.320 --> 0:15:23.760
<v Speaker 1>You know, it kind of went slightly viral, and you

0:15:23.760 --> 0:15:26.320
<v Speaker 1>know the way things go on Twitter. I got a

0:15:26.360 --> 0:15:32.040
<v Speaker 1>request from uh, the Washington Post for an interview, which

0:15:32.040 --> 0:15:35.760
<v Speaker 1>I gave UH and it was published shortly thereafter, and

0:15:35.800 --> 0:15:38.640
<v Speaker 1>then I think maybe another one for Vice. And I

0:15:38.640 --> 0:15:40.720
<v Speaker 1>didn't give too many other interviews about it. But what

0:15:40.800 --> 0:15:45.920
<v Speaker 1>starts to happen is that these UH news sources get

0:15:45.960 --> 0:15:51.960
<v Speaker 1>cannibalized by lesser fish and they go down the food chain. UH.

0:15:51.960 --> 0:15:54.400
<v Speaker 1>And each time it's like a giant game of telephone.

0:15:54.440 --> 0:15:56.640
<v Speaker 1>My facts get more and more twisted. As a matter

0:15:56.680 --> 0:15:59.200
<v Speaker 1>of fact, a lot of people were simply cutting and

0:15:59.240 --> 0:16:02.320
<v Speaker 1>pasting what had been written before slapping a new headline

0:16:02.320 --> 0:16:05.640
<v Speaker 1>on it, changing the first sentence, and then posting it

0:16:05.720 --> 0:16:10.080
<v Speaker 1>as their own original content. Finally, at the end of

0:16:10.120 --> 0:16:14.320
<v Speaker 1>the chain of telephone, about a month later, evidently a

0:16:14.640 --> 0:16:20.640
<v Speaker 1>professor named Kevin Goldberg at Penn State was giving away

0:16:20.720 --> 0:16:26.000
<v Speaker 1>PhDs in wasting time on the Internet. That's pretty funny,

0:16:26.040 --> 0:16:27.680
<v Speaker 1>So would you tell us a little bit about the

0:16:27.680 --> 0:16:29.640
<v Speaker 1>class and what actually takes place in it? The promise

0:16:29.720 --> 0:16:32.760
<v Speaker 1>the classes. This fIF team people get together in a

0:16:32.840 --> 0:16:36.080
<v Speaker 1>room with all the technology that they can possibly muster,

0:16:37.080 --> 0:16:40.880
<v Speaker 1>and we waste time together. And that's the only thing

0:16:41.440 --> 0:16:44.960
<v Speaker 1>that I require from the students. There's no papers being written,

0:16:45.120 --> 0:16:48.240
<v Speaker 1>there's no nothing other than to actually be together in

0:16:48.280 --> 0:16:51.560
<v Speaker 1>this room, wasting time on the Internet together. And what

0:16:51.600 --> 0:16:54.520
<v Speaker 1>do you discover from that? I discovered the contrary to

0:16:55.120 --> 0:17:00.840
<v Speaker 1>the popular idea that technology separates us, in fact, when

0:17:00.880 --> 0:17:03.680
<v Speaker 1>we put technology in the room with us as a group,

0:17:03.800 --> 0:17:10.800
<v Speaker 1>technology tends to act as amplifiers of emotion and affect. Uh.

0:17:10.880 --> 0:17:16.800
<v Speaker 1>It becomes a hyper emotional space driven by technology. So

0:17:16.840 --> 0:17:19.680
<v Speaker 1>when we waste time on the Internet, we normally waste time,

0:17:20.280 --> 0:17:22.840
<v Speaker 1>you know, at a Starbucks or library, and we're alone

0:17:22.960 --> 0:17:26.480
<v Speaker 1>and we're feeling lonely. But once you begin to put

0:17:26.520 --> 0:17:29.520
<v Speaker 1>those machines into a room with people who can actually

0:17:29.520 --> 0:17:32.439
<v Speaker 1>talk to each other, some real magic happens. Now. I

0:17:32.440 --> 0:17:35.199
<v Speaker 1>saw some of the assignments that you gave up made

0:17:35.240 --> 0:17:37.439
<v Speaker 1>students a bit nervous at first. You know, one of

0:17:37.480 --> 0:17:41.240
<v Speaker 1>them was you know that they could um basically take

0:17:41.280 --> 0:17:44.760
<v Speaker 1>the laptop of another class member and look up anything

0:17:44.760 --> 0:17:47.800
<v Speaker 1>that they wanted to on that person's computer. Any files,

0:17:47.880 --> 0:17:50.800
<v Speaker 1>any documents, anything like that, and then they passed the

0:17:50.880 --> 0:17:54.280
<v Speaker 1>laptop along to the next person and looked at another laptop.

0:17:54.320 --> 0:17:57.360
<v Speaker 1>And whether it was that or another assignment, I think

0:17:57.359 --> 0:18:00.240
<v Speaker 1>I saw was that the class together was us to

0:18:00.280 --> 0:18:03.000
<v Speaker 1>start some sort of rumor and then spread that rumor.

0:18:03.119 --> 0:18:06.520
<v Speaker 1>So with these sorts of assignments, which do sound really interesting,

0:18:06.600 --> 0:18:08.679
<v Speaker 1>did did you ever run into any trouble that did

0:18:08.760 --> 0:18:12.480
<v Speaker 1>ever get ugly? No, it never got really ugly, because basically,

0:18:12.480 --> 0:18:14.800
<v Speaker 1>what I have on my computer is pretty much what

0:18:14.880 --> 0:18:18.000
<v Speaker 1>you have on your computer. And it was kind of

0:18:18.000 --> 0:18:19.720
<v Speaker 1>like we, you know, we think all of this data

0:18:19.800 --> 0:18:22.399
<v Speaker 1>is so precious, but in fact it is precious to

0:18:22.520 --> 0:18:25.800
<v Speaker 1>us um but in fact there's not much revelation. I

0:18:25.800 --> 0:18:28.719
<v Speaker 1>remember when I tasked my computer around, no sort of

0:18:28.760 --> 0:18:31.640
<v Speaker 1>what what came up. I made everybody leave the windows

0:18:31.640 --> 0:18:33.639
<v Speaker 1>open that had that they had been open, so everybody

0:18:33.640 --> 0:18:35.840
<v Speaker 1>could see exactly what you would looked at. And you know,

0:18:36.000 --> 0:18:38.800
<v Speaker 1>my photos were open, and somebody went in for a

0:18:38.840 --> 0:18:41.199
<v Speaker 1>bank statement, and you know, there were a couple of

0:18:41.240 --> 0:18:44.520
<v Speaker 1>searches for porn, and maybe somebody cracked in the book

0:18:44.560 --> 0:18:46.800
<v Speaker 1>of mine that was in progress. You know, first of all,

0:18:46.800 --> 0:18:49.440
<v Speaker 1>there wasn't enough time to really dig down on it.

0:18:49.680 --> 0:18:52.119
<v Speaker 1>And second of all, you weren't really allowed to alter, delete,

0:18:52.160 --> 0:18:54.760
<v Speaker 1>or share anything on that. You could just simply look. Now,

0:18:54.800 --> 0:18:58.359
<v Speaker 1>I've done this in in in groups of up to

0:18:58.440 --> 0:19:02.760
<v Speaker 1>four people, were four hundred people put their laptops out,

0:19:02.880 --> 0:19:05.520
<v Speaker 1>and all four hundred people, for twenty minutes could go

0:19:05.640 --> 0:19:08.840
<v Speaker 1>around and see what was on everybody else's computer. I

0:19:08.840 --> 0:19:11.359
<v Speaker 1>mean it's really intimate. I mean, it's really it's a

0:19:11.400 --> 0:19:16.359
<v Speaker 1>way of breaking down the you know, the kind of

0:19:17.240 --> 0:19:21.320
<v Speaker 1>social neurosis that does happen in a class. We all think,

0:19:21.359 --> 0:19:25.399
<v Speaker 1>you know, everybody feels they're surprivate and so preserved. It

0:19:25.520 --> 0:19:28.000
<v Speaker 1>was really a way of sharing, almost like meat space

0:19:28.080 --> 0:19:32.159
<v Speaker 1>social media over sharing, which is really fascinating. Um, I'm curious,

0:19:32.240 --> 0:19:35.080
<v Speaker 1>what's your hope for students takeaway from the class. Well,

0:19:35.119 --> 0:19:37.800
<v Speaker 1>I don't have any hope. It's not really it's not

0:19:37.880 --> 0:19:42.439
<v Speaker 1>really achievement oriented. It's more immersive. I mean, it feels

0:19:42.440 --> 0:19:44.920
<v Speaker 1>like a yoga session or something, you know, it feels

0:19:44.960 --> 0:19:49.360
<v Speaker 1>like it feels like a psychotherapy encounter group. The digital

0:19:49.440 --> 0:19:53.280
<v Speaker 1>tide sweep us into these incredible emotional directions and we

0:19:53.359 --> 0:19:55.159
<v Speaker 1>really can't tell where we're going and in the end

0:19:55.160 --> 0:19:59.000
<v Speaker 1>of the day, Um, it gets uncomfortable, but that's sort

0:19:59.040 --> 0:20:01.520
<v Speaker 1>of part of it because if it's on the internet,

0:20:01.760 --> 0:20:03.600
<v Speaker 1>it's part of the class. Well, we can't wait to

0:20:03.640 --> 0:20:06.800
<v Speaker 1>post this episode under the title Kenny Goldstone gives away

0:20:06.840 --> 0:20:13.960
<v Speaker 1>PhDs to everyone. But thanks was Kevin Goldberg at Penn State.

0:20:14.160 --> 0:20:18.320
<v Speaker 1>Now this is our own headline. So, yeah, we really

0:20:18.359 --> 0:20:20.480
<v Speaker 1>appreciate your time. Thanks so much for joining us on

0:20:20.520 --> 0:20:35.040
<v Speaker 1>Part Time Genius. You're listening to Part Time Genius and

0:20:35.040 --> 0:20:37.800
<v Speaker 1>we're talking about the weirdest things you can study at college.

0:20:38.320 --> 0:20:40.920
<v Speaker 1>Somno I mentioned before how YouTube has become a place

0:20:40.920 --> 0:20:43.840
<v Speaker 1>where armchair philosophers can think their way through the deeper

0:20:43.880 --> 0:20:46.520
<v Speaker 1>aspects of pop culture, and you know, then we checked

0:20:46.560 --> 0:20:48.640
<v Speaker 1>out how this phenomenon is playing out in the classroom

0:20:48.680 --> 0:20:51.160
<v Speaker 1>as well. So what are some of the strangest pop

0:20:51.160 --> 0:20:54.399
<v Speaker 1>culture centric courses you found? Yeah, so their classes like

0:20:54.440 --> 0:20:56.840
<v Speaker 1>this for just about any movie or TV show or

0:20:57.000 --> 0:20:59.400
<v Speaker 1>music act that you can think of, including at least

0:20:59.440 --> 0:21:02.000
<v Speaker 1>four different ones in the world of Harry Potter. I mean,

0:21:02.040 --> 0:21:04.360
<v Speaker 1>there was a symposium on Jersey Shore. But the one

0:21:04.400 --> 0:21:06.239
<v Speaker 1>that really caught my eye is this class at UC

0:21:06.400 --> 0:21:10.680
<v Speaker 1>Berkeley called arguing with Judge Judy popular logic on TV

0:21:10.800 --> 0:21:13.280
<v Speaker 1>Judge shows, there is no arguing with Judge Judy. But

0:21:13.440 --> 0:21:15.360
<v Speaker 1>I think I do have a couple of older relatives

0:21:15.359 --> 0:21:18.000
<v Speaker 1>who would probably ace this course. Yeah. So what I

0:21:18.040 --> 0:21:19.960
<v Speaker 1>love is that the class doesn't take aim at Judge

0:21:20.000 --> 0:21:22.399
<v Speaker 1>Judy herself, who is actually an important judge in New

0:21:22.440 --> 0:21:25.640
<v Speaker 1>York City before she became this like sassy TV Justice.

0:21:25.760 --> 0:21:29.000
<v Speaker 1>But instead the class focuses on dissecting the illogical arguments

0:21:29.040 --> 0:21:31.520
<v Speaker 1>that the people use. So the example given in the

0:21:31.520 --> 0:21:34.399
<v Speaker 1>course description is that when someone is asked did you

0:21:34.480 --> 0:21:38.280
<v Speaker 1>hit the plantiff, respondents will often say something like if

0:21:38.320 --> 0:21:41.919
<v Speaker 1>I would have hit him, he'd be dead. You know

0:21:42.040 --> 0:21:44.240
<v Speaker 1>that that's a kind of response that avoids answering yes

0:21:44.320 --> 0:21:47.400
<v Speaker 1>or no and instead presents a perversion of standard logic. Yeah,

0:21:47.440 --> 0:21:49.399
<v Speaker 1>I mean those kinds of shows aren't exactly known for

0:21:49.480 --> 0:21:52.720
<v Speaker 1>their strong legal defenses though. Yeah, that's true, But it

0:21:52.800 --> 0:21:55.520
<v Speaker 1>also isn't billed as a class on law or legal reasoning.

0:21:55.640 --> 0:21:58.200
<v Speaker 1>The aims really to discuss why these kind of logical

0:21:58.200 --> 0:22:01.679
<v Speaker 1>fallacies are so widespread. And as a side note, do

0:22:01.720 --> 0:22:04.159
<v Speaker 1>you remember that article matt Sonia Act did a mental class?

0:22:04.400 --> 0:22:07.160
<v Speaker 1>I think it was titled what legal authority does Judge

0:22:07.240 --> 0:22:09.600
<v Speaker 1>Judy actually have? Oh, I definitely remember that was one

0:22:09.600 --> 0:22:12.000
<v Speaker 1>of my favorites. And and I remember being blown away.

0:22:12.000 --> 0:22:14.760
<v Speaker 1>He had mentioned how much Judge Judy reportedly makes and

0:22:14.800 --> 0:22:18.720
<v Speaker 1>it's something like forty six or forty seven million dollars

0:22:18.880 --> 0:22:21.399
<v Speaker 1>every year. And this is all without really being in

0:22:21.400 --> 0:22:24.040
<v Speaker 1>a court room. It's crazy. None of those Judge shows

0:22:24.080 --> 0:22:27.399
<v Speaker 1>take place in real courtrooms. And they aren't real trials either, right, No,

0:22:27.640 --> 0:22:29.879
<v Speaker 1>but they're often based on real cases. And and the

0:22:29.880 --> 0:22:32.119
<v Speaker 1>show approach the two sides about coming on TV and

0:22:32.160 --> 0:22:35.680
<v Speaker 1>having Judge duty service the arbitrator. So the people signed

0:22:35.760 --> 0:22:38.239
<v Speaker 1>contracts that bind them to whatever her decision is. But

0:22:38.680 --> 0:22:42.080
<v Speaker 1>all that robe wearing and gattle pounding, that's that's complutely

0:22:42.119 --> 0:22:44.480
<v Speaker 1>for show. Yeah, yeah, it's it's very bizarre. Well, how

0:22:44.520 --> 0:22:47.000
<v Speaker 1>about some pop culture classes that skeow a little younger

0:22:47.000 --> 0:22:49.160
<v Speaker 1>in terms of audience? Did you, uh, do you find

0:22:49.160 --> 0:22:51.679
<v Speaker 1>some weird ones there on? Maybe on modern music or something?

0:22:51.880 --> 0:22:54.480
<v Speaker 1>So just about any popular artists from the last four

0:22:54.560 --> 0:22:56.920
<v Speaker 1>years or so has at least one class devoted to them.

0:22:56.960 --> 0:22:58.760
<v Speaker 1>I mean I was looking at I found things from

0:22:58.800 --> 0:23:02.080
<v Speaker 1>Abba to Frank's Appa. There's even this one class at

0:23:02.160 --> 0:23:04.840
<v Speaker 1>University of Missouri that looks at Jay Z and Kanye

0:23:04.920 --> 0:23:08.360
<v Speaker 1>West and makes this argument that their polymats, since their

0:23:08.359 --> 0:23:11.320
<v Speaker 1>work mixes all this visual and performance, are into the wrap.

0:23:11.480 --> 0:23:13.960
<v Speaker 1>But I mean, if you're looking for more controversial topics,

0:23:14.000 --> 0:23:16.199
<v Speaker 1>one of the most popular and most divisive classes I

0:23:16.240 --> 0:23:19.160
<v Speaker 1>came across was from Skidmore College. They have a class

0:23:19.200 --> 0:23:22.600
<v Speaker 1>called Sociology of Miley Cyrus and the aim of the

0:23:22.640 --> 0:23:26.360
<v Speaker 1>classes to examine deeper ideas about identity and the interplay

0:23:26.400 --> 0:23:29.479
<v Speaker 1>among race and class and gender, all by looking at

0:23:29.480 --> 0:23:32.119
<v Speaker 1>the performers music as well as her public image. And

0:23:32.160 --> 0:23:34.800
<v Speaker 1>you said it was divisive, though I'm guessing people disagreed

0:23:34.840 --> 0:23:37.399
<v Speaker 1>about I don't know the academic rigors of a class

0:23:37.440 --> 0:23:40.159
<v Speaker 1>like this. Yeah, I mean, the college was kind of

0:23:40.200 --> 0:23:42.639
<v Speaker 1>accused of green lighting the course is a way to

0:23:42.680 --> 0:23:45.600
<v Speaker 1>get more admissions numbers and and lure a certain type

0:23:45.600 --> 0:23:49.080
<v Speaker 1>of less serious student. But uh, but I don't believe that.

0:23:49.160 --> 0:23:51.760
<v Speaker 1>And then the school totally refuted it, and places like

0:23:51.840 --> 0:23:54.439
<v Speaker 1>Time Magazine came to the courses defense as well, Like

0:23:54.600 --> 0:23:57.360
<v Speaker 1>they pointed out that classes that deal with primary sources

0:23:57.560 --> 0:24:00.679
<v Speaker 1>are actually a cornerstone of good academic practice then, And

0:24:00.840 --> 0:24:03.520
<v Speaker 1>just because Miley's impact is fairly new, it doesn't mean

0:24:03.560 --> 0:24:06.120
<v Speaker 1>there isn't value in studying her. And I'm not sure

0:24:06.119 --> 0:24:07.760
<v Speaker 1>if you remember this, but we're coming up on the

0:24:07.760 --> 0:24:11.560
<v Speaker 1>tenth anniversary of Stephen Baldwin getting a hand um Montana tattoos.

0:24:12.359 --> 0:24:14.480
<v Speaker 1>I don't I don't want to answer why I know that,

0:24:14.520 --> 0:24:17.440
<v Speaker 1>but maybe it's the right time to be teaching this class. Exactly,

0:24:17.920 --> 0:24:20.679
<v Speaker 1>I got anything less polarizing, well, I mean, in a

0:24:20.760 --> 0:24:25.080
<v Speaker 1>similar vein Rutgers has a course called Politicizing Beyonce, which

0:24:25.119 --> 0:24:27.880
<v Speaker 1>is part of the Women's and Gender Studies Department at Rutgers,

0:24:27.880 --> 0:24:29.959
<v Speaker 1>and and the idea is really to look at Beyonce

0:24:30.080 --> 0:24:32.560
<v Speaker 1>as this asian of social change rather than just this

0:24:32.640 --> 0:24:36.959
<v Speaker 1>successful performer. And according to lecture Kevin alread it quote

0:24:37.160 --> 0:24:39.560
<v Speaker 1>really ends up being a class much more about black

0:24:39.600 --> 0:24:43.000
<v Speaker 1>feminism and the current political realities of black women as

0:24:43.000 --> 0:24:45.399
<v Speaker 1>opposed to just being a class on Beyonce. But our

0:24:45.480 --> 0:24:48.440
<v Speaker 1>music is a nice way for students to enter the discussion. So,

0:24:48.520 --> 0:24:50.240
<v Speaker 1>I mean it makes sense, right, like the music is

0:24:50.280 --> 0:24:52.280
<v Speaker 1>the hook, but the class also covers all these like

0:24:52.560 --> 0:24:56.000
<v Speaker 1>black feminist authors like Alice Walker and bell hooks and stuff.

0:24:56.280 --> 0:24:57.800
<v Speaker 1>But it does seem like a great example of the

0:24:57.840 --> 0:25:00.359
<v Speaker 1>strengths of some of these unusual course is. I mean,

0:25:00.400 --> 0:25:04.119
<v Speaker 1>they do make for topical gateways and the conversations that

0:25:04.200 --> 0:25:07.320
<v Speaker 1>might otherwise seem daunting or maybe even irrelevant to these

0:25:07.359 --> 0:25:09.640
<v Speaker 1>new students. And if you think about it, we're used

0:25:09.680 --> 0:25:13.000
<v Speaker 1>to seeing novels and plays used as jumping off points

0:25:13.000 --> 0:25:16.320
<v Speaker 1>for educational inquiry. But like Keneth was saying earlier, our

0:25:16.359 --> 0:25:19.400
<v Speaker 1>current culture allows for so many ways of reading and

0:25:19.400 --> 0:25:23.040
<v Speaker 1>writing and expressing our thoughts, it makes sense to use

0:25:23.040 --> 0:25:25.320
<v Speaker 1>those in the classroom, right. So so even though of

0:25:25.359 --> 0:25:28.280
<v Speaker 1>courses like the Science of Superheroes that you see irvine

0:25:28.359 --> 0:25:30.840
<v Speaker 1>or what if Harry Potter is real? Which is this

0:25:30.920 --> 0:25:34.280
<v Speaker 1>course that appellation state you, um, they sound frivolous at

0:25:34.320 --> 0:25:36.080
<v Speaker 1>first glance, but there's a case to be made for

0:25:36.200 --> 0:25:39.040
<v Speaker 1>using them as a way to like frame and investigate

0:25:39.080 --> 0:25:41.440
<v Speaker 1>all these age old questions in a modern way well,

0:25:41.480 --> 0:25:44.680
<v Speaker 1>and keeping students engaged has always been a challenge for educators.

0:25:44.680 --> 0:25:47.439
<v Speaker 1>So while it wouldn't be smart to stop studying Shakespeare,

0:25:47.440 --> 0:25:49.760
<v Speaker 1>for instance, I don't think it's a bad idea to

0:25:49.800 --> 0:25:52.760
<v Speaker 1>look to newer stories and artists as well, so as

0:25:52.880 --> 0:25:55.280
<v Speaker 1>long as there's still some substance there beneath the pop

0:25:55.320 --> 0:25:59.120
<v Speaker 1>culture trap. Well, speaking of substance, how about we break

0:25:59.200 --> 0:26:08.160
<v Speaker 1>for a quiz. So, our guest today is a PhD

0:26:08.200 --> 0:26:11.320
<v Speaker 1>researcher and the Education Department at the University of Cambridge,

0:26:11.680 --> 0:26:14.520
<v Speaker 1>and it's also a contributor to Lego and Philosophy, a

0:26:14.560 --> 0:26:17.680
<v Speaker 1>really fun new book. Tyler Shore is welcome to Part

0:26:17.720 --> 0:26:21.240
<v Speaker 1>Time Genius. Yeah, thanks for having me on. Honored to

0:26:21.280 --> 0:26:23.840
<v Speaker 1>be on the show with you guys. Well, Tyler, tell

0:26:23.920 --> 0:26:26.320
<v Speaker 1>us a little bit about this new book, Lego and Philosophy,

0:26:26.320 --> 0:26:29.560
<v Speaker 1>and your your chapter in the book. Yeah, the So,

0:26:29.600 --> 0:26:31.639
<v Speaker 1>the general premise of the book is that we know

0:26:31.720 --> 0:26:36.359
<v Speaker 1>that Lego is the largest toy company in the world,

0:26:36.640 --> 0:26:38.560
<v Speaker 1>and the idea is sort of like, oh, we wanted

0:26:38.600 --> 0:26:42.280
<v Speaker 1>to use Lego as an example in my chapter. Specifically,

0:26:43.040 --> 0:26:44.919
<v Speaker 1>I use the idea that you know, like, when we

0:26:44.920 --> 0:26:46.800
<v Speaker 1>think about Legos, we can use it as a way

0:26:46.840 --> 0:26:50.960
<v Speaker 1>to uh, Lego can be a helpful analogy for how

0:26:51.520 --> 0:26:55.320
<v Speaker 1>philosophical thinking complete us towards new connections between thoughts and ideas,

0:26:55.760 --> 0:26:58.240
<v Speaker 1>And Lego and Philosophy invites us to question the idea

0:26:58.240 --> 0:27:00.159
<v Speaker 1>of the nature of play. We can also think of

0:27:00.240 --> 0:27:02.600
<v Speaker 1>Lego not just as a toy, but as a meetium

0:27:02.600 --> 0:27:04.520
<v Speaker 1>through which ideas can be expressed. And that's one of

0:27:04.520 --> 0:27:06.640
<v Speaker 1>the things I talked about in the book. Speaking of

0:27:06.640 --> 0:27:08.960
<v Speaker 1>of Lego. I saw in the news recently there's now

0:27:09.560 --> 0:27:11.920
<v Speaker 1>a professor of play at the University of Cambridge. Is

0:27:11.960 --> 0:27:15.160
<v Speaker 1>that right there? Is? It's it's the world's first Lego

0:27:15.240 --> 0:27:19.920
<v Speaker 1>professor And um, yeah, it's uh because it is through

0:27:19.920 --> 0:27:23.320
<v Speaker 1>the Education department. We Uh, one of the things that

0:27:23.359 --> 0:27:26.960
<v Speaker 1>we study is the idea of play and playfulness and uh,

0:27:27.040 --> 0:27:29.080
<v Speaker 1>there are Legos in our departments that were allowed to

0:27:29.080 --> 0:27:32.680
<v Speaker 1>play with two And the idea is that he'll be starting,

0:27:32.720 --> 0:27:34.800
<v Speaker 1>Paul will be starting in January and he'll take up

0:27:34.800 --> 0:27:37.000
<v Speaker 1>the position. It's kind of like the Lego Research Center

0:27:37.640 --> 0:27:42.040
<v Speaker 1>here at Cambridge. That's that's very awesome. This is totally different.

0:27:42.080 --> 0:27:44.919
<v Speaker 1>But I was curious, you know, as Lego creates more

0:27:44.920 --> 0:27:47.399
<v Speaker 1>and more of these sets that are specific for kids, like,

0:27:47.480 --> 0:27:49.919
<v Speaker 1>do you still see that open endedness with Lego and

0:27:50.000 --> 0:27:54.240
<v Speaker 1>does that plan to your philosophy at all a little bit? Um,

0:27:54.359 --> 0:27:56.040
<v Speaker 1>do you talk about that, because that's been a big

0:27:56.080 --> 0:27:57.880
<v Speaker 1>thing at least since like I was a kider we

0:27:57.880 --> 0:28:00.879
<v Speaker 1>were kids. Um this idea that like originally there were

0:28:00.880 --> 0:28:03.600
<v Speaker 1>a lot more builder sets right where it was kind

0:28:03.600 --> 0:28:06.719
<v Speaker 1>of like the big box of bricks and you just

0:28:06.760 --> 0:28:08.680
<v Speaker 1>sort of like free builds and these sort of things.

0:28:08.680 --> 0:28:11.280
<v Speaker 1>So it's kind of fin as ship, especially because like

0:28:11.320 --> 0:28:15.160
<v Speaker 1>it has become this sort of like trans media empire

0:28:15.280 --> 0:28:20.000
<v Speaker 1>where it's connected with all these different corporate and entertainment franchises.

0:28:20.040 --> 0:28:22.080
<v Speaker 1>It has like move towards the kind of like that

0:28:22.240 --> 0:28:26.520
<v Speaker 1>sort of thing. And I think it's not necessarily it's

0:28:26.560 --> 0:28:28.520
<v Speaker 1>not that one type of play is like better or worse.

0:28:28.960 --> 0:28:32.160
<v Speaker 1>I think it's a different sort of imagination driven building

0:28:32.359 --> 0:28:36.159
<v Speaker 1>versus more like storytelling and narrative play that sends to

0:28:36.200 --> 0:28:38.680
<v Speaker 1>happen with the playsets. All right, well, we know that

0:28:38.720 --> 0:28:41.040
<v Speaker 1>you're used to giving test to your students, but we're

0:28:41.040 --> 0:28:42.760
<v Speaker 1>going to flip this one on you, and we're going

0:28:42.800 --> 0:28:44.479
<v Speaker 1>to put you to the test. Mango, what game are

0:28:44.520 --> 0:28:46.840
<v Speaker 1>we playing with Tyler today? It's a little game called

0:28:47.040 --> 0:28:49.840
<v Speaker 1>is that really a scholarship? Okay, so this is a

0:28:49.880 --> 0:28:53.000
<v Speaker 1>super simple idea. We'll give you a scholarship name and

0:28:53.040 --> 0:28:55.800
<v Speaker 1>a quick description, and you tell us whether it's real

0:28:55.960 --> 0:28:58.880
<v Speaker 1>or something. We made up. You ready to play Tyler?

0:28:59.360 --> 0:29:02.640
<v Speaker 1>All right? Okay, we got five of these for you.

0:29:02.800 --> 0:29:08.560
<v Speaker 1>Number one the National Marvel Scholarship, since Marble shooters or

0:29:08.600 --> 0:29:11.400
<v Speaker 1>mibsters as they're called, have competed for up to two

0:29:11.400 --> 0:29:14.320
<v Speaker 1>thousand dollars in scholarship money and the chance to be

0:29:14.480 --> 0:29:20.560
<v Speaker 1>king or Queen of Marvel's real or something we made up. Yeah,

0:29:20.720 --> 0:29:24.719
<v Speaker 1>he's right, all right. One for one. Number two the

0:29:24.760 --> 0:29:28.520
<v Speaker 1>Grape of Code Grapest Thing since Sliced Bread Scholarship. If

0:29:28.560 --> 0:29:31.560
<v Speaker 1>you can convince the judges why you're the grapest, you

0:29:31.600 --> 0:29:34.320
<v Speaker 1>could walk away with one thousand dollars and a mini

0:29:34.400 --> 0:29:38.240
<v Speaker 1>fridge full of the beloved grape Soda reel or something

0:29:38.280 --> 0:29:42.680
<v Speaker 1>we made up. That's tricky, they're getting into unknown territory

0:29:42.720 --> 0:29:49.400
<v Speaker 1>because I've never heard of that. It is a delicious soda,

0:29:49.520 --> 0:29:53.040
<v Speaker 1>but it's something we've made up. Delicious. This is soda

0:29:53.080 --> 0:29:55.200
<v Speaker 1>popular in the South. I introduced it to Mango and

0:29:55.240 --> 0:29:58.080
<v Speaker 1>he described it his tasting like carbonated diamond. Tap right,

0:29:58.960 --> 0:30:01.520
<v Speaker 1>and a good one. Alright. So these two for two

0:30:02.000 --> 0:30:06.680
<v Speaker 1>Number three Zombie Apocalypse Scholarship just convinced the panel that

0:30:06.760 --> 0:30:09.480
<v Speaker 1>you have the best plan for surviving when zombies take

0:30:09.520 --> 0:30:11.760
<v Speaker 1>over your school and you could walk away with a

0:30:11.840 --> 0:30:15.120
<v Speaker 1>cool two thousand dollars reel or something we made up.

0:30:17.560 --> 0:30:19.480
<v Speaker 1>If that isn't a real thing, it really should be

0:30:19.520 --> 0:30:22.640
<v Speaker 1>a thing. I'm gonna say yes. I'm gonna say yeah.

0:30:23.200 --> 0:30:26.400
<v Speaker 1>Scholarship three for three, it's amazing. Oh wow, Okay, here

0:30:26.400 --> 0:30:30.160
<v Speaker 1>we go, all right. Number four, The Alice McCarver Ratford Scholarship.

0:30:30.400 --> 0:30:34.040
<v Speaker 1>This special scholarship goes to unattached female undergrads who live

0:30:34.120 --> 0:30:37.320
<v Speaker 1>on campus, don't have a car, and haven't gotten any

0:30:37.400 --> 0:30:42.520
<v Speaker 1>other scholarships. Reel or something we made up. It's awfully

0:30:42.640 --> 0:30:48.800
<v Speaker 1>big scholarship. Um, I'm oh, he's finally missed one. I

0:30:48.840 --> 0:30:51.720
<v Speaker 1>thought he was too smart for us. It is reel

0:30:51.800 --> 0:30:55.760
<v Speaker 1>and it goes exclusively to women enrolled at UNC Greensboro. Okay,

0:30:55.800 --> 0:31:00.000
<v Speaker 1>all right, last one here, the Tall Club International scholar

0:31:00.000 --> 0:31:03.520
<v Speaker 1>Our Ship. This scholarship serves the financial needs of exceptionally

0:31:03.640 --> 0:31:07.360
<v Speaker 1>tall people real or something we made up. That sounds real.

0:31:07.480 --> 0:31:11.640
<v Speaker 1>I'm gonna say real, all right. Yeah. The minimum height

0:31:11.720 --> 0:31:14.560
<v Speaker 1>requirement is five ten for women and six two for men.

0:31:14.800 --> 0:31:17.280
<v Speaker 1>That's terrific. All right, So how did Tyler do today? Yeah?

0:31:17.320 --> 0:31:20.080
<v Speaker 1>So Tyler one an amazing four for five, and while

0:31:20.120 --> 0:31:21.680
<v Speaker 1>we can't give him the sort of cash that's thrown

0:31:21.680 --> 0:31:24.720
<v Speaker 1>out by the Michigan Lama Association or the Spurious Club,

0:31:25.040 --> 0:31:27.520
<v Speaker 1>we can send a madonnut key chain, which is almost

0:31:27.520 --> 0:31:30.640
<v Speaker 1>as good. Yeah, that is almost as good. We congratulations Tyler,

0:31:30.680 --> 0:31:33.440
<v Speaker 1>and thanks so much for joining us on part time genius. Awesome.

0:31:33.480 --> 0:31:48.440
<v Speaker 1>That's going on my Twitter when I get it. Okay,

0:31:48.480 --> 0:31:51.000
<v Speaker 1>so we've gone back and forth on food classes, new

0:31:51.040 --> 0:31:54.320
<v Speaker 1>media classes, and pop culture courses, and now it's time

0:31:54.320 --> 0:31:58.360
<v Speaker 1>to tackle everything else. I don't know about you, but

0:31:58.400 --> 0:32:00.920
<v Speaker 1>I came across the like a whole bunch of weird

0:32:00.960 --> 0:32:04.080
<v Speaker 1>college courses that didn't really fit into any sort of category. Yeah.

0:32:04.160 --> 0:32:06.760
<v Speaker 1>I definitely came across some really really odd one So

0:32:07.000 --> 0:32:09.320
<v Speaker 1>I'm game for this. I'll start us off with one

0:32:09.400 --> 0:32:13.960
<v Speaker 1>called Dinosaurs and Other Failures. I love that title. It's

0:32:13.960 --> 0:32:16.320
<v Speaker 1>a course offered at the University of Michigan, and according

0:32:16.320 --> 0:32:19.880
<v Speaker 1>to the description, this Earth and Environmental Studies course quote

0:32:20.160 --> 0:32:22.960
<v Speaker 1>looks at the fossil record and the ecological issues of

0:32:23.000 --> 0:32:27.520
<v Speaker 1>diversification and extinction of the ruling reptiles. And it's pretty fun, right, No,

0:32:27.680 --> 0:32:30.280
<v Speaker 1>and legit So here's a course that takes a much

0:32:30.320 --> 0:32:34.400
<v Speaker 1>friendlier approach to animals, pet apparel, fashion and design. And

0:32:34.440 --> 0:32:36.040
<v Speaker 1>so it's taught at f i T, which is the

0:32:36.040 --> 0:32:38.840
<v Speaker 1>Fashion Institute of Technology in New York. And the course

0:32:38.880 --> 0:32:41.600
<v Speaker 1>description touts that, you know, I'm going to quote it,

0:32:42.040 --> 0:32:46.120
<v Speaker 1>from bulldogs to American bob Tales, pets are strutting designer stuff,

0:32:46.120 --> 0:32:48.800
<v Speaker 1>and owners are vying for best Dressed awards for their

0:32:48.840 --> 0:32:52.960
<v Speaker 1>four legged family members. This hands on workshop starts with

0:32:53.000 --> 0:32:56.360
<v Speaker 1>an introduction to body forms, functional needs, and a seasonal

0:32:56.440 --> 0:32:59.640
<v Speaker 1>fabric guide. Ease of dressing and safety tips are considered

0:32:59.640 --> 0:33:03.200
<v Speaker 1>in really two T shirts, winter coats, and cochure ensembles.

0:33:03.400 --> 0:33:08.200
<v Speaker 1>That's actually you remember those leather red track suits that

0:33:08.120 --> 0:33:12.120
<v Speaker 1>the fashion designers made for chickens Lava. I love those

0:33:12.160 --> 0:33:13.800
<v Speaker 1>so much. I feel like they made all the chickens

0:33:13.840 --> 0:33:16.640
<v Speaker 1>look like Eddie Murphy and delirious. That's a good point.

0:33:16.640 --> 0:33:18.720
<v Speaker 1>I didn't think about that all right. Well, I'm gonna

0:33:18.720 --> 0:33:20.920
<v Speaker 1>shift gears to to a bunch of classes devoted to

0:33:21.000 --> 0:33:23.880
<v Speaker 1>some pretty basic activities. Now, these are things that you'd

0:33:23.920 --> 0:33:28.240
<v Speaker 1>really think need no explanation, much less an entire college core. So,

0:33:28.600 --> 0:33:31.400
<v Speaker 1>for example, Center College and Daniel Kentucky has a class

0:33:31.400 --> 0:33:34.680
<v Speaker 1>called the Art of Walking, and it encourages students to

0:33:34.880 --> 0:33:38.640
<v Speaker 1>quote stop focusing on constantly doing and concentrate more on

0:33:38.800 --> 0:33:42.120
<v Speaker 1>simply experiencing, which I mean, I guess that's a little

0:33:42.120 --> 0:33:44.120
<v Speaker 1>of what the basket weaving guy was saying in the beginning,

0:33:44.200 --> 0:33:46.880
<v Speaker 1>but I know this is different. But but this is

0:33:47.000 --> 0:33:49.880
<v Speaker 1>indie video game company in New York called Baby Castles,

0:33:49.960 --> 0:33:52.760
<v Speaker 1>and they only make art video games. And one of

0:33:52.800 --> 0:33:55.000
<v Speaker 1>them was like all these levers and things that you

0:33:55.000 --> 0:33:57.360
<v Speaker 1>have to pull just to get a person to walk.

0:33:57.520 --> 0:33:59.080
<v Speaker 1>I mean like they're like hundreds of these things, and

0:33:59.120 --> 0:34:01.560
<v Speaker 1>it's nearly well, just to get your character to take

0:34:01.560 --> 0:34:04.160
<v Speaker 1>a few steps forward. But the whole idea is to

0:34:04.240 --> 0:34:07.760
<v Speaker 1>understand and appreciate, like just how incredible your body mechanics

0:34:07.760 --> 0:34:09.839
<v Speaker 1>are and everything it takes to get you to move,

0:34:10.200 --> 0:34:12.560
<v Speaker 1>which is pretty cool. All right, Well, here's another life

0:34:12.560 --> 0:34:13.960
<v Speaker 1>skill that you might not think you need to go

0:34:14.000 --> 0:34:18.040
<v Speaker 1>to college for. Cornell University has a class called tree climbing,

0:34:18.280 --> 0:34:20.800
<v Speaker 1>and it's a course that teaches students, you'll be surprised

0:34:20.800 --> 0:34:23.279
<v Speaker 1>by this, how to climb any tree and even how

0:34:23.280 --> 0:34:26.120
<v Speaker 1>to move from tree to tree without returning to the ground.

0:34:26.840 --> 0:34:29.080
<v Speaker 1>That's the that's only offered in the spring, during the

0:34:29.719 --> 0:34:32.719
<v Speaker 1>peak tree climbing season. It says, I love that, like,

0:34:32.760 --> 0:34:34.600
<v Speaker 1>just in case you're tired of the ground, you don't

0:34:34.600 --> 0:34:37.400
<v Speaker 1>want to return, right. So I came across one of

0:34:37.440 --> 0:34:40.280
<v Speaker 1>these basic activities classes too, and this one's from Princeton.

0:34:40.800 --> 0:34:43.920
<v Speaker 1>It's a freshman seminar called getting Dressed. Oh give me

0:34:43.960 --> 0:34:46.680
<v Speaker 1>a break. I mean, that's what I thought, too, But

0:34:46.760 --> 0:34:49.840
<v Speaker 1>after reading the instructor's course description, it does seem like

0:34:49.880 --> 0:34:52.560
<v Speaker 1>there's a little more to it than just tree climbing.

0:34:52.800 --> 0:34:55.680
<v Speaker 1>Apparently it's meant to be an examination of social significance

0:34:55.719 --> 0:34:59.000
<v Speaker 1>of clothing and the relationship between clothing and identity. And

0:34:59.080 --> 0:35:01.920
<v Speaker 1>in America, you know, these course names are meant to

0:35:01.920 --> 0:35:04.480
<v Speaker 1>hook people's interests. But but some of them do seem

0:35:04.520 --> 0:35:06.480
<v Speaker 1>to be a disservice to the actual content if you

0:35:06.480 --> 0:35:08.239
<v Speaker 1>look at them. Yeah, tell me about it. So I

0:35:08.480 --> 0:35:12.040
<v Speaker 1>found a course on at Occidental College. It's it's just

0:35:12.080 --> 0:35:16.799
<v Speaker 1>called stupidity, which sounds great. But then in the course

0:35:16.840 --> 0:35:21.200
<v Speaker 1>catalog gets described as quote a philosophical examination of the

0:35:21.239 --> 0:35:24.720
<v Speaker 1>operations and technologies that we conduct in order to render

0:35:24.760 --> 0:35:29.880
<v Speaker 1>ourselves uncomprehending, uncomprehending, I'm not sure quite follow us. So

0:35:29.960 --> 0:35:33.440
<v Speaker 1>it's basically a class about how stupidity is distinct from ignorance,

0:35:33.600 --> 0:35:36.400
<v Speaker 1>and it uses all these heavy readings from like Nietzsche

0:35:36.520 --> 0:35:40.000
<v Speaker 1>and and whatever. But so so there's nothing stupid about it.

0:35:40.040 --> 0:35:43.040
<v Speaker 1>But if I signed up, I'd be so upset that

0:35:43.080 --> 0:35:46.120
<v Speaker 1>we weren't just watching like dumb and dumber or exactly.

0:35:46.800 --> 0:35:49.680
<v Speaker 1>That's great, start our own class with that, all right. Well,

0:35:49.680 --> 0:35:52.360
<v Speaker 1>probably my favorite course, whose name isn't doing it any favor,

0:35:52.480 --> 0:35:57.799
<v Speaker 1>is called Oh look a chicken. Wait, so that's really

0:35:57.840 --> 0:36:00.480
<v Speaker 1>the name? Yeah, yeah, And actually that's kind of a point. So,

0:36:00.600 --> 0:36:03.319
<v Speaker 1>just like with stupidity or getting dressed, this is one

0:36:03.320 --> 0:36:06.080
<v Speaker 1>of those offbeat classes that really only makes sense once

0:36:06.080 --> 0:36:08.879
<v Speaker 1>you read the course description. And this one's a real jim,

0:36:08.960 --> 0:36:10.520
<v Speaker 1>so I'll just go ahead and read it. It says,

0:36:10.800 --> 0:36:13.719
<v Speaker 1>oh look a chicken will pursue ways of knowing through

0:36:13.760 --> 0:36:16.879
<v Speaker 1>embracing what it means to be a distracted I could

0:36:16.880 --> 0:36:19.520
<v Speaker 1>sure enjoy a peanut butter sandwich right now, learner, as

0:36:19.560 --> 0:36:20.719
<v Speaker 1>well as Oh my god, I get to go to

0:36:20.760 --> 0:36:23.359
<v Speaker 1>the beach this summer. Developing awareness, I need to trim

0:36:23.440 --> 0:36:26.359
<v Speaker 1>my fingernails of one sentence. So you get the idea here.

0:36:27.000 --> 0:36:29.319
<v Speaker 1>I mean, I'm not even sure what the what you

0:36:29.320 --> 0:36:31.640
<v Speaker 1>get with it from the description while I read an

0:36:31.640 --> 0:36:34.680
<v Speaker 1>interview with the courses instructor. This is at Belmont University,

0:36:34.760 --> 0:36:37.440
<v Speaker 1>and it seems to be about how distracted we are

0:36:37.480 --> 0:36:40.160
<v Speaker 1>as a culture and about the ways of dealing with that,

0:36:40.239 --> 0:36:43.319
<v Speaker 1>including knowing when to embrace the distractions and you know,

0:36:43.320 --> 0:36:45.080
<v Speaker 1>how to push them aside so we can get back

0:36:45.120 --> 0:36:49.040
<v Speaker 1>to whatever it was we were doing in the first place. Well,

0:36:49.400 --> 0:36:50.719
<v Speaker 1>I mean to tell you the truth, I was only

0:36:50.719 --> 0:36:52.600
<v Speaker 1>half listening because I'm thinking about all the weird stuff

0:36:52.600 --> 0:36:55.160
<v Speaker 1>I've got to prepare for today's back. All right, Well

0:36:55.200 --> 0:37:07.480
<v Speaker 1>let's see what you got. M So you know what

0:37:07.600 --> 0:37:10.040
<v Speaker 1>all the crazies is happening in the world today, I

0:37:10.120 --> 0:37:12.440
<v Speaker 1>might want to take this course from Michigan State. It's

0:37:12.480 --> 0:37:16.840
<v Speaker 1>called Surviving the Coming Zombie Apocalypse. And uh, the subtitle

0:37:16.960 --> 0:37:21.160
<v Speaker 1>is Disasters, Catastrophes and Human Behavior. That's pretty heavy. Yeah,

0:37:21.160 --> 0:37:23.319
<v Speaker 1>it sounds terrific because it's it's actually this look at

0:37:23.320 --> 0:37:26.840
<v Speaker 1>how humans behave during disaster times. And as the course

0:37:26.880 --> 0:37:30.880
<v Speaker 1>catalog explains, quote, students and survival groups will face multiple

0:37:30.960 --> 0:37:34.200
<v Speaker 1>challenges and tasks as they attempt to survive the catastrophic event,

0:37:34.680 --> 0:37:37.920
<v Speaker 1>escape debt, and preserve the future of civilization. For the

0:37:37.960 --> 0:37:41.319
<v Speaker 1>ability to survive ultimately rests not with individual but with

0:37:41.400 --> 0:37:43.600
<v Speaker 1>the group. So that does sound pretty interesting, But I

0:37:43.880 --> 0:37:45.680
<v Speaker 1>have to admit I'm surprised you didn't start with a

0:37:45.680 --> 0:37:48.279
<v Speaker 1>class that seems to be made for you. It's an

0:37:48.320 --> 0:37:52.080
<v Speaker 1>Overlin College and it's just called Calvin and Hahabs. Here's

0:37:52.080 --> 0:37:55.000
<v Speaker 1>what the description reads. It says, modern cartoonists consider Calvin

0:37:55.000 --> 0:37:57.960
<v Speaker 1>and Hobbs to be incredibly influential, and any fan will

0:37:57.960 --> 0:38:01.040
<v Speaker 1>attest to its quality and reliability. But what makes it

0:38:01.120 --> 0:38:03.879
<v Speaker 1>such a great strip? I think you could answer that.

0:38:04.640 --> 0:38:06.919
<v Speaker 1>I know, and I'm totally envious of anyone who gets

0:38:06.920 --> 0:38:09.279
<v Speaker 1>to take that class and just read Calvin Halls. But

0:38:09.960 --> 0:38:12.839
<v Speaker 1>here here's another one that's fascinating from Overlin. It's called

0:38:13.000 --> 0:38:16.080
<v Speaker 1>how to Win a Beauty Pageant, Race, Gender, Culture, and

0:38:16.200 --> 0:38:19.440
<v Speaker 1>US Identity. And according to the course description, you actually

0:38:19.480 --> 0:38:21.560
<v Speaker 1>get to take a field trip to a pageant in Ohio.

0:38:21.760 --> 0:38:24.480
<v Speaker 1>I love that includes the field trip. Actually, this episode

0:38:24.520 --> 0:38:26.040
<v Speaker 1>is maybe you can done to just turn into this

0:38:26.120 --> 0:38:29.399
<v Speaker 1>ad for Overlin because I have yet one more from there.

0:38:29.680 --> 0:38:33.800
<v Speaker 1>It's called Magic, Witchcraft and Religion from Stonehenge to Harry Potter,

0:38:34.160 --> 0:38:36.799
<v Speaker 1>and it's taught in London. So the quote from the

0:38:36.920 --> 0:38:40.600
<v Speaker 1>course catalog is through readings, discussions, site visits and materials

0:38:40.600 --> 0:38:43.359
<v Speaker 1>from the British Museum and elsewhere, the course will move

0:38:43.400 --> 0:38:46.399
<v Speaker 1>through six major periods, from Stonehenge and the Druids to

0:38:46.400 --> 0:38:51.160
<v Speaker 1>Tolkien and Harry Potter field trips require that's awesome. I

0:38:51.160 --> 0:38:53.440
<v Speaker 1>feel like Overland's turning in that like that school that

0:38:53.480 --> 0:38:56.080
<v Speaker 1>everyone's dad says, I'm not paying fifty thousand a year

0:38:56.080 --> 0:38:58.200
<v Speaker 1>for you to learn about beauty pageants and Harry Potter

0:38:59.120 --> 0:39:01.080
<v Speaker 1>actually can't wait to be you that out a few years.

0:39:01.840 --> 0:39:04.440
<v Speaker 1>Well before you start worrying, then maybe we chose the

0:39:04.480 --> 0:39:06.080
<v Speaker 1>wrong school. I want to let you know that you

0:39:06.080 --> 0:39:08.680
<v Speaker 1>should be proud of our alma mater because it offers

0:39:08.719 --> 0:39:11.800
<v Speaker 1>a course called California. Here we come the o C

0:39:12.080 --> 0:39:15.920
<v Speaker 1>and self aware culture of twenty one century America. And

0:39:16.000 --> 0:39:18.600
<v Speaker 1>actually Time magazine defended this one too. They wrote, the

0:39:18.640 --> 0:39:21.800
<v Speaker 1>course was this exploration of the hyper self awareness unique

0:39:21.800 --> 0:39:24.080
<v Speaker 1>to the Oh wow, I can't decide if I want

0:39:24.080 --> 0:39:26.880
<v Speaker 1>to cheer bury my head in the sands. But for

0:39:26.920 --> 0:39:30.280
<v Speaker 1>the purposes of this episode, I think you've redeemed our university.

0:39:30.360 --> 0:39:31.880
<v Speaker 1>So even though I was going to counter with a

0:39:31.920 --> 0:39:36.200
<v Speaker 1>fact about a tough class called demystifying the Hipsture, I'm

0:39:36.200 --> 0:39:38.799
<v Speaker 1>gonna give you this week's trophy and I will take it.

0:39:39.120 --> 0:39:41.200
<v Speaker 1>And uh and and listeners, don't forget to send us

0:39:41.200 --> 0:39:43.320
<v Speaker 1>the name of your weirdest college class you took or

0:39:43.360 --> 0:39:45.680
<v Speaker 1>heard about. We can't wait to choose the top three

0:39:45.760 --> 0:39:47.759
<v Speaker 1>and you can send those to part Time Genius at

0:39:47.760 --> 0:39:49.920
<v Speaker 1>how stuff Works dot com, or you can call our

0:39:49.960 --> 0:39:53.560
<v Speaker 1>fact plotline one, eight or four pt genius. So thanks

0:39:53.600 --> 0:40:09.240
<v Speaker 1>so much for listening to Yeah, thanks again for listening.

0:40:09.440 --> 0:40:11.600
<v Speaker 1>Part Time Genius is a production of How Stuff Works

0:40:11.600 --> 0:40:14.200
<v Speaker 1>and wouldn't be possible without several brilliant people who do

0:40:14.239 --> 0:40:17.200
<v Speaker 1>the important things we couldn't even begin to understand. CHRISTA

0:40:17.320 --> 0:40:19.919
<v Speaker 1>McNeil does the editing thing. Noel Brown made the theme

0:40:19.960 --> 0:40:23.000
<v Speaker 1>song and does the MIXI mixy sounding. Jerry Rowland does

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<v Speaker 1>the exact producer thing. Gaveluesier is our lead researcher, with

0:40:26.360 --> 0:40:29.479
<v Speaker 1>support from the research Army including Austin Thompson, Nolan Brown

0:40:29.520 --> 0:40:31.640
<v Speaker 1>and Lucas Adams and Eve Jeff Cook gets the show

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<v Speaker 1>to your ears. Good job, Eves. If you like what

0:40:33.920 --> 0:40:35.920
<v Speaker 1>you heard, we hope you'll subscribe. And if you really

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<v Speaker 1>really like what you've heard, maybe you could leave a

0:40:37.719 --> 0:40:40.000
<v Speaker 1>good review for us. Do we do we forget Jason?

0:40:40.360 --> 0:40:40.959
<v Speaker 1>Jason who