WEBVTT - #72 - Drag-On

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<v Speaker 1>Alright, hey, welcome to the bouleg Cavs show Man. Hope

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<v Speaker 1>everyone is enjoying their evening, etc. Whatever time of day

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<v Speaker 1>you're listening to this shit. All right, hey, listen, we

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<v Speaker 1>got a dope episode with dragon Man Rough Riders own

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<v Speaker 1>the legendary drag On. If you grew up like me

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<v Speaker 1>listening to DMX, listening to just Rough Riders, those compilations album,

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<v Speaker 1>you know all about drag Man. Drag was like, he

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<v Speaker 1>was like the proof that Eminem's proof. You know how

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<v Speaker 1>proof is? What the fuck am I trying to say?

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<v Speaker 1>He was the proof to DMX is Eminem, you know

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<v Speaker 1>what I mean? Shout out to drag Man, all right, listen,

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<v Speaker 1>had a dope conversation with him. Unfortunately, the audio got

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<v Speaker 1>a little fucked up. So if you noticed the audio

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<v Speaker 1>sounds a little weird, shit happens on our end. It's

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<v Speaker 1>all right. It's still still a good listen, so check

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<v Speaker 1>it out. Dragon talking about all kinds of shit, DMX

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<v Speaker 1>passing away obviously dope Rough Rider stories. Shout out to

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<v Speaker 1>They got odd socksoficial dot com keyword bootleg keV. Hey,

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<v Speaker 1>let's get into this interview with Dragon right now. Yo,

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<v Speaker 1>boutle CaMV Podcast Special guests. Man, the Dragon is here.

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<v Speaker 1>Thank yous going on? Bro welcome man, Yeah, yes you

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<v Speaker 1>are yo. So you just put your first album out

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<v Speaker 1>in how many years? My last album was Held Him Back?

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<v Speaker 1>So I think that drive in three or Old four,

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<v Speaker 1>So that was my last album. So that's almost twenty years. Yeah,

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<v Speaker 1>twenty years, because I mean it's close to twenty Why why,

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<v Speaker 1>like what happened? What has been going on with you? Like,

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<v Speaker 1>why has it taken that long to put a project out? Man? Well?

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<v Speaker 1>And oh six, no, oh seven? Eight, I had to

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<v Speaker 1>get my releasement for more for roth Riders. So I

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<v Speaker 1>finally got my releasement, but it took me years to

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<v Speaker 1>fight them to really get out of my contract with that.

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<v Speaker 1>And then and then by the time I got out

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<v Speaker 1>of my contract and eight, I had my daughter, me

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<v Speaker 1>going back and forth with lawyers and stuff like that.

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<v Speaker 1>Trying to get out of my contract. Made me go broke. Yeah,

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<v Speaker 1>I went, I went broke. I was twisted. My baby

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<v Speaker 1>mom was taking care of me for the first two

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<v Speaker 1>three years and I mean get oh, I mean and

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<v Speaker 1>uh then that for that uh I mean, uh, it

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<v Speaker 1>took me a while just to really start generating some

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<v Speaker 1>money again, world what I'm saying. So that was like

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<v Speaker 1>a real setback. Cause now I don't use all my

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<v Speaker 1>money to get out of my contract. But it wasn't

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<v Speaker 1>like I had other deals on the table right my

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<v Speaker 1>daughter now, which is on the table now. So I

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<v Speaker 1>me do with me just dealing with that and you know,

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<v Speaker 1>but by the same time in O six, I started

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<v Speaker 1>my company hood environment that I'm putting out on my

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<v Speaker 1>music on now. It just took ten years for everybody

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<v Speaker 1>to catch on, cause people didn't catch on to it

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<v Speaker 1>til like two thousand fifteen, two thousand six m and

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<v Speaker 1>then people started catching on to what I'm doing and

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<v Speaker 1>stuff like that. But you know, it's just been the

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<v Speaker 1>grind world in cause I was doing the real and

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<v Speaker 1>then everything out of the pocket. Yeah, I think it's dope,

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<v Speaker 1>like for you to be so transparent with that because

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<v Speaker 1>I feel like a lot of people they might see

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<v Speaker 1>rappers and think, well, you know, this guy was on

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<v Speaker 1>Rough Riders, he had a deal, he had two major

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<v Speaker 1>o uh major uh label releases and and uh you

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<v Speaker 1>know sometimes like a lot of times, rather like you're

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<v Speaker 1>like like it's it's it's hard to get really really

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<v Speaker 1>rich off a rap, you know what I'm saying, Like

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<v Speaker 1>you might get in advance, but you're obviously gonna spend that,

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<v Speaker 1>and then once that's spend, it's like, you know, So,

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<v Speaker 1>So I think that's dope because a lot of people

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<v Speaker 1>got to understand both sides of the coin. You know

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<v Speaker 1>what I'm saying, Like the end of the day, everyone's

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<v Speaker 1>bills need to get paid. That's right. Everyone bills got

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<v Speaker 1>to get paid. Everybody is parents now say so, you know,

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<v Speaker 1>and everybody got responsibilities at the end of the day,

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<v Speaker 1>you know what I'm saying. So you know, it was

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<v Speaker 1>a real grind for me world because I already had

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<v Speaker 1>too much bread and then I was trying my best

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<v Speaker 1>not to go back to the street and stuff like that,

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<v Speaker 1>and then eventually I eventually had to go back to

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<v Speaker 1>hustling on the street, you know what I'm saying. So

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<v Speaker 1>you know, I was using that money to bring myself

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<v Speaker 1>back into the forefront. It took a couple of years.

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<v Speaker 1>It's because my career was pretty much over and five

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<v Speaker 1>I would say, oh five or six, she was done.

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<v Speaker 1>So you had to go back to get to putting

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<v Speaker 1>your feet in the streets and you getting money that way. Damn, Yo,

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<v Speaker 1>It's crazy because I always think of your story as

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<v Speaker 1>like kind of like a what if. Like damn, like

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<v Speaker 1>Rough Riders the hottest shit moving in music period, right,

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<v Speaker 1>Like I went to the Hard Knock Life tour and

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<v Speaker 1>I left before jay Z got on, Like I literally

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<v Speaker 1>was there to see DMX. That was it. I was there.

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<v Speaker 1>I think Jay did one song and me and my

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<v Speaker 1>cousins left. I was thirteen maybe, but we're there for DMX.

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<v Speaker 1>That was it, you know what I mean? But like

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<v Speaker 1>you were like the perceived air apparent to the throne

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<v Speaker 1>of rough riders. It was like you were on starking,

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<v Speaker 1>Hell is hot, You're on flesh, my flesh. You were

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<v Speaker 1>on the you know the rough riders call those rough

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<v Speaker 1>Rider compilations were crazy like and it really felt like

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<v Speaker 1>they were positioning you to be like, Okay, we got

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<v Speaker 1>exes the flagship, but we but obviously we got to

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<v Speaker 1>have some some young young guns as well. What what

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<v Speaker 1>do you think went wrong in regards to your career

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<v Speaker 1>and maybe just the whole entire rough rider situation because

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<v Speaker 1>it definitely there could have been worse situations for you

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<v Speaker 1>to be a part of it at that time, because

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<v Speaker 1>at that time that was the that brand was scorching. Yeah,

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<v Speaker 1>I mean you know, like what like what means that

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<v Speaker 1>I had like a manager that was like fully behind me,

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<v Speaker 1>you said, like I always shared with d MX. DMX

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<v Speaker 1>was like a real protector for me. So I mean,

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<v Speaker 1>you know, I mean, like his management. I had that management,

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<v Speaker 1>his movie agents. I had those movie agents, like I

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<v Speaker 1>never really had your own people. I'm going drag, right,

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<v Speaker 1>just drag, you know what I'm saying. I never had

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<v Speaker 1>a movie agent that was like, okay, I'm going hard

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<v Speaker 1>for just drag our auditions for those parts because X

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<v Speaker 1>put a good word in from me, like yo, I'm

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<v Speaker 1>not gonna shoot this X one unless you use drag

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<v Speaker 1>on as my brother. He looked like me, that's my homie.

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<v Speaker 1>It makes sense. The BIBB is there, let's go. And

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<v Speaker 1>that's how I got that right the next one. But yeah,

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<v Speaker 1>you know what I'm saying. But you know that's how

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<v Speaker 1>I got that movie. Yeah, and then it led to

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<v Speaker 1>another movie and stuff like that, you know what I mean.

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<v Speaker 1>But the reason why that stops because I want something

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<v Speaker 1>happened with him as far as Hollywood it's out. Yeah

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<v Speaker 1>they yes, right, It wasn't like somebody else that could

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<v Speaker 1>be like okay, dragons. Also, those agents, those managers, obviously

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<v Speaker 1>DMX is gonna be their priority because at the time

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<v Speaker 1>he's probably bringing in so much money, you know what

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<v Speaker 1>I mean? What he what he sold thirty over probably

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<v Speaker 1>over thirty million vers just in by himself. I don't know,

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<v Speaker 1>it's crazy. I mean then, look, you did have a

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<v Speaker 1>lot of people who we see come out of cruise

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<v Speaker 1>that are you know, are big like that don't get

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<v Speaker 1>the chance to put out two albums. We see a

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<v Speaker 1>lot of like people who are get signed. Like think

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<v Speaker 1>about all the artists on Rough Riders have never even

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<v Speaker 1>dropped an album. There was a lot like when I

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<v Speaker 1>came to Roughriders, it was Casino big stand. Yeah, I

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<v Speaker 1>gotta go back. I'll go back to like the Rough

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<v Speaker 1>Riders like compilations and I see some of the artists.

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<v Speaker 1>Was somebody named Parlay? Was this Parlay? Uh? There was

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<v Speaker 1>a was there someone named I know remember young Bird

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<v Speaker 1>when he was a kid? Was was uh? I remember

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<v Speaker 1>when we first met Young Bird and extrap Young Bird

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<v Speaker 1>on that was we met him on what these bitches

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<v Speaker 1>want from that video set? Came through like a little kid,

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<v Speaker 1>But I ain't go from he always like Young Bird

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<v Speaker 1>was always like a boss, very talented kid man a

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<v Speaker 1>little kid when he came through right, but his entourage

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<v Speaker 1>he had like six different big who is this year?

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<v Speaker 1>Like he always moved like a boss even before he

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<v Speaker 1>was that. But that's one thing that I can vouch

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<v Speaker 1>for that dude. He always was a boss as a

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<v Speaker 1>little kid. Still is man doing his thing. Hit shout

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<v Speaker 1>out to hit maker man. He always like when I

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<v Speaker 1>met him, he was like, I don't know eleven, but

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<v Speaker 1>Boston it. He walked up on DMX with six big

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<v Speaker 1>security guard like, what's up? That's crazy? Got cool. At

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<v Speaker 1>the peak of the rough Rider ship, right you're on

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<v Speaker 1>tour your I mean, ship has gotta be great. But

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<v Speaker 1>like what like, like what point in time did you,

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<v Speaker 1>like do you remember vividly being like, oh, ship, we're

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<v Speaker 1>like the hottest motherfuckers in the world because legit like

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<v Speaker 1>rough Riders for like that run man, there was nothing.

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<v Speaker 1>It was like all this puff daddy shit was happening

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<v Speaker 1>and then boom, DMX came in, ripped all that ship

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<v Speaker 1>away and was like, nah, man, no more of that

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<v Speaker 1>shiny suit ship. This's a whole new energy. Like what

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<v Speaker 1>we did, we just made it fear for regular dudes

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<v Speaker 1>on the street, like just regular dudes that just happened

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<v Speaker 1>to be nice. We made it a big platform for

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<v Speaker 1>them to be successful too. You don't necessarily gotta be

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<v Speaker 1>fining around in the video and stuff like that. No,

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<v Speaker 1>disrespect to the boy. I'm a big fan of that,

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<v Speaker 1>of course, but no, but it was like you had

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<v Speaker 1>that big budgets to those kind of videos to where

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<v Speaker 1>we made it to where you can actually wear regular jeans,

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<v Speaker 1>and they told the homies to come out. Yeah, obviously

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<v Speaker 1>with X passing, man, I mean, share your thoughts, like,

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<v Speaker 1>I like, where were you at? Like, you know, obviously

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<v Speaker 1>you and X had a very close brother brotherhood, and

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<v Speaker 1>you know, I mean that poster has been there since

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<v Speaker 1>before he passed. X. More of my all time favorites,

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<v Speaker 1>you know. And I was ship that shit had me

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<v Speaker 1>fucked up man driving through New York City having Hot

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<v Speaker 1>ninety seven on and they're playing his ship and I'm like,

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<v Speaker 1>damn man, Like, but but where were you when you

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<v Speaker 1>found out about it? Man? I was in His family

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<v Speaker 1>actually called me, you don't like it's actually blood family

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<v Speaker 1>really called me, and it was like drag, you know

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<v Speaker 1>what I mean. You know, we're about to take him

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<v Speaker 1>off of the life support and stuff like that. So

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<v Speaker 1>I kind of knew he passed away before a lot

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<v Speaker 1>of people knew, you know, you know, like before the

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<v Speaker 1>media knew, you know what I mean. So I was

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<v Speaker 1>already hurt him down. You know what I'm saying, Yeah,

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<v Speaker 1>it's rough man, cause it it felt like we saw

0:11:36.040 --> 0:11:38.920
<v Speaker 1>that verses with Snoop, It felt like he was in

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<v Speaker 1>such a good place. I love to see him. I

0:11:42.800 --> 0:11:44.480
<v Speaker 1>love to see him with a belly because I was like, oh,

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<v Speaker 1>he's eating good, you know what I mean? Like good

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<v Speaker 1>and like the greatest part about that too, was that

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<v Speaker 1>dmx is was always a Snoop Doggie Dog fan. Like

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<v Speaker 1>when I was watching him versus and stuff like that,

0:11:58.679 --> 0:12:00.960
<v Speaker 1>that's all I was thinking about him because I know

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<v Speaker 1>the type of fan he is for Snoop. You know

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<v Speaker 1>what I'm saying, Like he really respected like like Snoop Dog.

0:12:07.280 --> 0:12:09.319
<v Speaker 1>He respect that dog. Right there, I ain't gonna fun.

0:12:09.360 --> 0:12:11.280
<v Speaker 1>That's one person that he always was a fan of.

0:12:11.800 --> 0:12:13.599
<v Speaker 1>So that's why we watched some of the verses, like

0:12:13.640 --> 0:12:15.160
<v Speaker 1>some of the records that he put on. Did you

0:12:15.160 --> 0:12:17.080
<v Speaker 1>see x get up like, oh hold on, this was

0:12:17.120 --> 0:12:20.160
<v Speaker 1>my really was fun? Yeah? Yeah, yeah, that was real

0:12:20.360 --> 0:12:22.319
<v Speaker 1>And that was actually like, oh snap, this is my

0:12:22.400 --> 0:12:24.959
<v Speaker 1>joint right, I remember? That was your relationship with x

0:12:25.400 --> 0:12:27.480
<v Speaker 1>uh Did you have one prior to the Rough Righters

0:12:27.520 --> 0:12:29.319
<v Speaker 1>thing or did you like how how did you come

0:12:29.320 --> 0:12:31.439
<v Speaker 1>into the fold. Were you like, like with him before

0:12:31.480 --> 0:12:36.600
<v Speaker 1>the rough Riders or like explain your guys' history. Uh, well,

0:12:36.800 --> 0:12:38.480
<v Speaker 1>D you know what I mean? You know, D the

0:12:38.640 --> 0:12:41.160
<v Speaker 1>general is the one that put me on the map,

0:12:42.400 --> 0:12:47.960
<v Speaker 1>the one that believed in me first before everybody. And

0:12:48.080 --> 0:12:52.079
<v Speaker 1>he brung me up to the studio and and it

0:12:52.160 --> 0:12:54.199
<v Speaker 1>was like to battle DM Max. But I didn't even

0:12:54.240 --> 0:12:56.280
<v Speaker 1>know it was a battle because I never was battling

0:12:56.280 --> 0:12:58.160
<v Speaker 1>at that time, you know what I'm saying. I found

0:12:58.240 --> 0:13:00.120
<v Speaker 1>out very fast though, you know what I mean. As

0:13:00.120 --> 0:13:02.240
<v Speaker 1>soon as I got in there, boom, he was right there.

0:13:02.320 --> 0:13:05.000
<v Speaker 1>They didn't quite waste any time too. I was like,

0:13:05.040 --> 0:13:06.640
<v Speaker 1>I got there, what's up? What are you doing? Yo?

0:13:06.800 --> 0:13:11.120
<v Speaker 1>Drag yo yo? Turn that beat on my quick boom

0:13:11.200 --> 0:13:13.480
<v Speaker 1>and it was straight like that. And then he just

0:13:13.520 --> 0:13:16.960
<v Speaker 1>started rapping, which was and then I'm listening to his

0:13:17.040 --> 0:13:20.760
<v Speaker 1>floor and the style of delivering. I'm listening to all that.

0:13:20.840 --> 0:13:24.520
<v Speaker 1>I'm like, Okay, this dude was incredible right here. But

0:13:24.720 --> 0:13:26.960
<v Speaker 1>at that time I was so hungry, you find trying

0:13:26.960 --> 0:13:28.880
<v Speaker 1>to say, so I still kept going back at him,

0:13:28.880 --> 0:13:31.040
<v Speaker 1>back at him, back at the back, And next thing

0:13:31.080 --> 0:13:32.680
<v Speaker 1>you know, a whole hour went bound. We were just

0:13:33.080 --> 0:13:36.480
<v Speaker 1>back and forth, trading bars, and even though I lost

0:13:36.480 --> 0:13:39.400
<v Speaker 1>that battle like the whole time. Yeah, I said, we

0:13:39.440 --> 0:13:41.760
<v Speaker 1>probably battle four hour. I lost four hour, you know

0:13:41.760 --> 0:13:44.160
<v Speaker 1>what I mean, But he respected it, like you know

0:13:44.200 --> 0:13:45.720
<v Speaker 1>what I mean, you know, like to the max. Like

0:13:45.800 --> 0:13:48.640
<v Speaker 1>he he just just like, you know what, I think,

0:13:48.679 --> 0:13:50.440
<v Speaker 1>we're gonna keep this dude right here. I like this

0:13:50.520 --> 0:13:52.320
<v Speaker 1>dude you gonna trying to say. And it was just

0:13:52.360 --> 0:13:54.080
<v Speaker 1>something that he always said that was just in my

0:13:54.200 --> 0:14:00.360
<v Speaker 1>eyes that reminded, uh uh that I always just minded

0:14:03.480 --> 0:14:06.480
<v Speaker 1>me right right right right, Yeah, yeah, I think like

0:14:08.120 --> 0:14:10.160
<v Speaker 1>you guys were it was It's almost like you guys

0:14:10.160 --> 0:14:12.679
<v Speaker 1>were so synonymous with each other, you know what I mean.

0:14:12.720 --> 0:14:14.720
<v Speaker 1>It was like, yo, you see DMX, you see Drag

0:14:14.880 --> 0:14:17.840
<v Speaker 1>Yeah yeah yeah yeah yeah. I say, like like the

0:14:17.880 --> 0:14:21.200
<v Speaker 1>whole Batman and Robin thing that was set up us

0:14:21.320 --> 0:14:25.160
<v Speaker 1>our joint was actually genuine What year was that because

0:14:25.240 --> 0:14:28.320
<v Speaker 1>obviously this was prior to his first album, So when

0:14:28.440 --> 0:14:31.840
<v Speaker 1>like when was this? That was nineteen ninety seven, ninety seven,

0:14:32.280 --> 0:14:34.600
<v Speaker 1>album came out in ninety eight, album came out in

0:14:34.680 --> 0:14:36.920
<v Speaker 1>ninety eight. After that, you know what I mean, you know,

0:14:36.960 --> 0:14:39.120
<v Speaker 1>like right after we battled, It's like me and him

0:14:39.160 --> 0:14:42.280
<v Speaker 1>got super cool. So Or had bought a house in

0:14:42.320 --> 0:14:45.400
<v Speaker 1>North Carolina and sent us out there. So he worked

0:14:45.440 --> 0:14:47.600
<v Speaker 1>on his first album and I worked on my first album.

0:14:47.680 --> 0:14:53.000
<v Speaker 1>You know what I'm saying the opposite eight two oh yeah,

0:14:53.240 --> 0:14:54.960
<v Speaker 1>at the same time with him in the house in

0:14:55.000 --> 0:14:57.360
<v Speaker 1>North Carolina. While he was working on this shit in

0:14:57.400 --> 0:14:59.440
<v Speaker 1>their room, I probably was in another room in my

0:14:59.520 --> 0:15:02.960
<v Speaker 1>room was is working on my ship? Do you you know?

0:15:03.160 --> 0:15:07.520
<v Speaker 1>There's so many profound songs on his first album. I

0:15:07.560 --> 0:15:12.680
<v Speaker 1>think that Uh Damien is one that always sticks out

0:15:12.720 --> 0:15:14.800
<v Speaker 1>to me as one of my favorites. That's one of

0:15:14.800 --> 0:15:17.280
<v Speaker 1>the songs that he wrote in North Carolina with us

0:15:17.320 --> 0:15:19.240
<v Speaker 1>in the house, and that's one of that's great. You

0:15:19.320 --> 0:15:20.520
<v Speaker 1>said that in the world. I was like, he was

0:15:20.520 --> 0:15:24.120
<v Speaker 1>actually just discussing that that's one of the fastest songs

0:15:24.320 --> 0:15:26.480
<v Speaker 1>he wrote. He actually timed himself. He said, you know what,

0:15:26.520 --> 0:15:28.040
<v Speaker 1>I'm gonna see how fast I could write. You know,

0:15:28.600 --> 0:15:31.640
<v Speaker 1>I just wrote a song before that fast kind of fast,

0:15:32.280 --> 0:15:33.800
<v Speaker 1>but didn't have the hook. He said, you know what,

0:15:34.000 --> 0:15:36.560
<v Speaker 1>I think I could write even faster than that. And

0:15:36.640 --> 0:15:37.920
<v Speaker 1>I mean because I think he had just knocked out

0:15:37.960 --> 0:15:39.480
<v Speaker 1>a song with like two and a half hour's whole

0:15:39.480 --> 0:15:42.120
<v Speaker 1>song boom, right, so he try to top that, and

0:15:42.160 --> 0:15:44.280
<v Speaker 1>he topped it with Damien. He wrote Damien in an

0:15:44.320 --> 0:15:47.480
<v Speaker 1>hour and a half Wow, hook and everything that that

0:15:47.560 --> 0:15:53.800
<v Speaker 1>whole him playing two different people. Yeah, nah, that's X

0:15:53.880 --> 0:15:57.000
<v Speaker 1>doing that. And he wrote both of those parts and everything.

0:15:58.760 --> 0:16:00.800
<v Speaker 1>So you're you were in there while he's writing this,

0:16:01.000 --> 0:16:05.960
<v Speaker 1>and uh no, But I'm curious because, like obviously him

0:16:06.080 --> 0:16:09.360
<v Speaker 1>rapping from the perspective of the you know, the devil

0:16:09.400 --> 0:16:11.920
<v Speaker 1>or whatever you wanna called Damien. You know, yod what's up?

0:16:12.000 --> 0:16:16.680
<v Speaker 1>You are smooth? So like was like did he have

0:16:16.760 --> 0:16:18.960
<v Speaker 1>the like like talk about the concept, Like how did

0:16:18.960 --> 0:16:20.640
<v Speaker 1>he come up with that concept? Because if you guys

0:16:20.640 --> 0:16:22.840
<v Speaker 1>were there, I mean, that's crazy. That's that's one of

0:16:22.840 --> 0:16:25.480
<v Speaker 1>the crazier records on his first album. That like always

0:16:25.480 --> 0:16:28.680
<v Speaker 1>just sticks out to me. Yeah, yeah, like that right there.

0:16:28.760 --> 0:16:32.000
<v Speaker 1>That was something he was actually dealing with in life

0:16:32.000 --> 0:16:33.880
<v Speaker 1>and reality, you know what I mean? That right there?

0:16:33.920 --> 0:16:35.880
<v Speaker 1>So that was real FN, Like that was I'm telling you,

0:16:35.960 --> 0:16:38.880
<v Speaker 1>that's the fastest record if because it always fell to

0:16:38.920 --> 0:16:41.720
<v Speaker 1>me as a kid, not knowing any better. I always

0:16:41.720 --> 0:16:44.520
<v Speaker 1>thought to myself, Damn DMX sold the soul to the

0:16:44.560 --> 0:16:48.560
<v Speaker 1>Devil and then Belly came out, and then the opening

0:16:48.680 --> 0:16:52.240
<v Speaker 1>scene there's the Little Boy and he's quote shit from

0:16:52.320 --> 0:16:54.320
<v Speaker 1>Damien and I was like, oh my god, he did

0:16:54.360 --> 0:16:58.200
<v Speaker 1>sell this. This shit is crazy. Now. Mind you, I'm

0:16:58.200 --> 0:17:00.360
<v Speaker 1>a grown adult now and I'm no better her. But

0:17:00.440 --> 0:17:03.040
<v Speaker 1>like I really thought, I was like this motherfucker DMXI.

0:17:03.600 --> 0:17:06.960
<v Speaker 1>He's really like you know what I'm saying. Like, so

0:17:07.040 --> 0:17:08.760
<v Speaker 1>that was something he was like really battling with, just

0:17:08.840 --> 0:17:13.639
<v Speaker 1>kind of like the battle with just just just what

0:17:13.760 --> 0:17:19.600
<v Speaker 1>life generally like. He had a hard life. Yeah, so

0:17:19.680 --> 0:17:21.560
<v Speaker 1>you know what I mean, you know, just falls him

0:17:21.600 --> 0:17:23.560
<v Speaker 1>growing up as a kid and stuff like that. You

0:17:23.600 --> 0:17:25.679
<v Speaker 1>know what I'm saying. He's really from the streets, so

0:17:25.720 --> 0:17:27.040
<v Speaker 1>you know it's times he had to hold in the

0:17:27.080 --> 0:17:30.480
<v Speaker 1>street and being a homeless and I've been homeless. There's

0:17:30.480 --> 0:17:33.240
<v Speaker 1>a lot of artists that actually came into this game

0:17:33.359 --> 0:17:36.280
<v Speaker 1>being homeless of course and having nothing to go to,

0:17:36.359 --> 0:17:37.600
<v Speaker 1>you know what I'm saying. So that was some of

0:17:37.640 --> 0:17:40.960
<v Speaker 1>the demons, you know what I'm saying that that you

0:17:41.040 --> 0:17:43.920
<v Speaker 1>might be fighting. It might be something like like I'm

0:17:44.000 --> 0:17:48.280
<v Speaker 1>hungry right now, and it's a lady and and that

0:17:48.320 --> 0:17:52.280
<v Speaker 1>person looked real nice and I'm hungry right now, and

0:17:52.480 --> 0:17:55.840
<v Speaker 1>I'm contemplating even though you're a good person, you might

0:17:55.880 --> 0:17:58.600
<v Speaker 1>you might but you like I'm starving, Yeah, but you

0:17:58.680 --> 0:18:01.760
<v Speaker 1>might have to make a hard decision. These are decisions

0:18:01.760 --> 0:18:04.560
<v Speaker 1>that he had to deal with. So he was just

0:18:05.240 --> 0:18:07.680
<v Speaker 1>he was just able to capture it, you know what

0:18:07.720 --> 0:18:09.440
<v Speaker 1>I mean, you know and put it in his music.

0:18:09.560 --> 0:18:12.720
<v Speaker 1>You know, I saw I watched the U the Rough

0:18:12.760 --> 0:18:16.119
<v Speaker 1>Riders uh bt thing. Uh I figured what what what

0:18:16.160 --> 0:18:20.160
<v Speaker 1>they call? I watched not not not the memorial the

0:18:20.160 --> 0:18:24.160
<v Speaker 1>documentary the docu series they did. Was it last year? Yeah? Yeah,

0:18:24.200 --> 0:18:27.760
<v Speaker 1>And I didn't realize that. Uh. It's crazy because Swiss

0:18:27.840 --> 0:18:32.080
<v Speaker 1>coming up as a young guy in the camp, you know,

0:18:32.320 --> 0:18:35.200
<v Speaker 1>with some favoritism because of the family situation. But there

0:18:35.280 --> 0:18:38.359
<v Speaker 1>was like a some of the other producers kind of

0:18:38.359 --> 0:18:41.200
<v Speaker 1>felt some type of way about Swiss's like a sentence

0:18:42.080 --> 0:18:45.560
<v Speaker 1>in in you know, obviously Swiss is an all time

0:18:45.640 --> 0:18:49.600
<v Speaker 1>great producer, Like how was how how was it being

0:18:49.680 --> 0:18:52.680
<v Speaker 1>around Swiss early on before he was like a thing,

0:18:52.720 --> 0:18:55.240
<v Speaker 1>because he became a thing real quick. His sound became

0:18:55.320 --> 0:18:59.639
<v Speaker 1>very distinct, very fast and automatically. I think everyone just

0:18:59.680 --> 0:19:02.679
<v Speaker 1>had was beats beats, But early on like you know,

0:19:02.720 --> 0:19:04.240
<v Speaker 1>he was a kid, he was started off as a

0:19:04.280 --> 0:19:07.760
<v Speaker 1>DJ obviously, but like, did you kind of always see

0:19:07.760 --> 0:19:11.800
<v Speaker 1>that in Swiss? Like I was like at the time,

0:19:11.880 --> 0:19:14.040
<v Speaker 1>I was just so busy working on my album. I was.

0:19:14.200 --> 0:19:16.000
<v Speaker 1>I was just working on Opposite at age two. Well,

0:19:16.040 --> 0:19:18.000
<v Speaker 1>I was trying my best to get beats from anybody,

0:19:18.160 --> 0:19:19.960
<v Speaker 1>you know what I'm saying, trying to get some ship.

0:19:19.960 --> 0:19:22.480
<v Speaker 1>The DMX didn't take. You probably got all the hot ship. Yeah,

0:19:22.520 --> 0:19:25.119
<v Speaker 1>I was, I was. I was. I was actually trying

0:19:25.160 --> 0:19:31.919
<v Speaker 1>to get beats from uh Swiss, p K Grease right an,

0:19:32.880 --> 0:19:34.320
<v Speaker 1>you know what I'm saying. You know, like a lot

0:19:34.320 --> 0:19:35.919
<v Speaker 1>of my stuff, I always work with a lot of

0:19:35.960 --> 0:19:38.040
<v Speaker 1>up and coming producers. But that's what I just always

0:19:38.080 --> 0:19:40.920
<v Speaker 1>was just focused on. I was just focused on that fire.

0:19:43.200 --> 0:19:50.159
<v Speaker 1>The rough Rider compilations were very, very historic, and you

0:19:50.320 --> 0:19:52.760
<v Speaker 1>had some of your I think some of your dopest

0:19:52.760 --> 0:19:57.800
<v Speaker 1>moments on those. Uh what was it like like when

0:19:57.840 --> 0:20:00.439
<v Speaker 1>you guys are making those compilations where they're record Like,

0:20:00.440 --> 0:20:02.800
<v Speaker 1>would you guys like purposely go in and be like, Yo,

0:20:02.960 --> 0:20:06.760
<v Speaker 1>we're working on Ride or Die Volume one, that's what

0:20:06.760 --> 0:20:10.080
<v Speaker 1>we're working on. Or was it like, hey, look who's

0:20:10.080 --> 0:20:12.239
<v Speaker 1>got extra records and everything I put together? Like how

0:20:12.320 --> 0:20:15.520
<v Speaker 1>how did those songs come to be? You know what

0:20:15.560 --> 0:20:18.399
<v Speaker 1>I mean? Like we are lay like we alay some

0:20:18.560 --> 0:20:21.480
<v Speaker 1>records and stuff like that, and some records to make

0:20:21.520 --> 0:20:24.280
<v Speaker 1>it there and some records to make it there, you'll say.

0:20:24.680 --> 0:20:26.359
<v Speaker 1>So that's what it really was, Like a lot of

0:20:26.400 --> 0:20:29.880
<v Speaker 1>people do it. The song with Me and juven Now

0:20:30.040 --> 0:20:33.679
<v Speaker 1>was gonna be on my album it made it to

0:20:35.000 --> 0:20:36.600
<v Speaker 1>and it might it might have should have been on

0:20:36.640 --> 0:20:39.960
<v Speaker 1>that on your album because that would have been a single. Yeah,

0:20:40.160 --> 0:20:41.920
<v Speaker 1>a lot of people say that, you know what I'm saying,

0:20:41.960 --> 0:20:44.280
<v Speaker 1>But they wanted that look for that. So it was

0:20:44.359 --> 0:20:47.600
<v Speaker 1>just like certain songs just where you know, I mean,

0:20:47.600 --> 0:20:49.480
<v Speaker 1>you know, like wherever they wanted it to go, you

0:20:49.520 --> 0:20:52.000
<v Speaker 1>know what I man me, My job is just writing

0:20:52.080 --> 0:20:54.760
<v Speaker 1>and just trying to lay as more songs as possible.

0:20:55.160 --> 0:20:57.560
<v Speaker 1>What was it like having the Locks be brought into

0:20:57.600 --> 0:21:00.240
<v Speaker 1>the fold? Because at the time I was se the

0:21:00.280 --> 0:21:02.760
<v Speaker 1>Locks were some of the hottest artists in New York.

0:21:03.160 --> 0:21:07.080
<v Speaker 1>There was the huge Bad Boys split and you know,

0:21:07.200 --> 0:21:09.400
<v Speaker 1>we are the Streets is a bible for a lot

0:21:09.400 --> 0:21:10.760
<v Speaker 1>of people out here, you know what I'm saying. But

0:21:10.800 --> 0:21:12.480
<v Speaker 1>what was that like, because like, Yo, think about the

0:21:12.520 --> 0:21:17.440
<v Speaker 1>competition within just the crew. It's you, it's X, it's Eve,

0:21:18.040 --> 0:21:21.600
<v Speaker 1>it's the Locks. I mean ship young one was fire.

0:21:22.200 --> 0:21:24.399
<v Speaker 1>You know what I'm saying, Like, like, what what was

0:21:24.440 --> 0:21:29.400
<v Speaker 1>that like? Having the Locks come into the fold. I've

0:21:29.480 --> 0:21:32.040
<v Speaker 1>always seen them in the fold, Like I've never really

0:21:32.040 --> 0:21:33.959
<v Speaker 1>seen them out the fold. No matter where they was at,

0:21:34.000 --> 0:21:36.359
<v Speaker 1>it was always you know, they always was like Locks

0:21:36.359 --> 0:21:39.120
<v Speaker 1>are there before me? Oh they were there already. Yeah,

0:21:39.119 --> 0:21:40.240
<v Speaker 1>I mean I felt like, yeah, it was like some

0:21:40.320 --> 0:21:43.520
<v Speaker 1>younger ship. Really it was like some wild ship. Never

0:21:43.720 --> 0:21:46.439
<v Speaker 1>was really not there, you know what I mean. You know,

0:21:47.040 --> 0:21:50.879
<v Speaker 1>I mean like me, since the first day I got

0:21:50.960 --> 0:21:53.439
<v Speaker 1>over there, they always was there. X was there, you

0:21:53.480 --> 0:21:56.320
<v Speaker 1>know what I mean. You know, give me some some

0:21:56.320 --> 0:22:00.119
<v Speaker 1>some some of your fondest memories of being on tour. Well,

0:22:00.119 --> 0:22:02.480
<v Speaker 1>first of all, we could talk about the h There

0:22:02.520 --> 0:22:05.640
<v Speaker 1>was a rough Rider's Cash Money tour, which was pretty dope.

0:22:05.640 --> 0:22:07.840
<v Speaker 1>But the the tour that I remember that we talked

0:22:07.880 --> 0:22:10.760
<v Speaker 1>about was that Hard that Hard Knock Life Tour, which

0:22:10.800 --> 0:22:13.320
<v Speaker 1>is like a moment in hip hop method Man and

0:22:13.359 --> 0:22:16.320
<v Speaker 1>Red Man flying through the air. I knock like to it.

0:22:16.440 --> 0:22:19.200
<v Speaker 1>With the tour that prepared me for the Dcast Money Tour.

0:22:19.400 --> 0:22:21.800
<v Speaker 1>You know, I mean that actually prepared me, you know

0:22:21.800 --> 0:22:23.760
<v Speaker 1>what I mean, because I actually had to come out

0:22:23.920 --> 0:22:26.840
<v Speaker 1>twice and perform, you know what I mean. You know,

0:22:27.720 --> 0:22:29.360
<v Speaker 1>on the Hard Knock Life tour, you know what I mean.

0:22:29.400 --> 0:22:33.280
<v Speaker 1>So it gave me a taste of being an artists.

0:22:33.320 --> 0:22:35.000
<v Speaker 1>You know what I'm saying. You don't performing in front

0:22:35.040 --> 0:22:37.280
<v Speaker 1>of hundreds and hundreds of thousands of people, you know

0:22:37.320 --> 0:22:39.520
<v Speaker 1>what I mean. So, you know, it kind of it

0:22:40.119 --> 0:22:49.800
<v Speaker 1>kind of molded me, you know what I mean. Of course, yeah, yeah,

0:22:50.040 --> 0:22:52.320
<v Speaker 1>what because I did that tour. The dynamic of Hove

0:22:52.480 --> 0:22:54.720
<v Speaker 1>in d m X at the time was so interesting

0:22:54.720 --> 0:22:57.520
<v Speaker 1>to me because obviously they were both at the top

0:22:57.560 --> 0:23:01.760
<v Speaker 1>of their game. There was all these rumblings about there

0:23:01.800 --> 0:23:05.000
<v Speaker 1>being that murdering group with him and jaw Rule and

0:23:05.000 --> 0:23:08.760
<v Speaker 1>and Hove and and uh. I think anybody who you

0:23:08.800 --> 0:23:10.879
<v Speaker 1>would have probably asked at the time probably would have

0:23:10.880 --> 0:23:12.680
<v Speaker 1>said the DMX should probably close that tore out, you

0:23:12.760 --> 0:23:15.040
<v Speaker 1>know what I'm saying. At the time, obviously jay Z's

0:23:15.040 --> 0:23:18.240
<v Speaker 1>the greatest of all time, but at that time DMX

0:23:18.359 --> 0:23:26.840
<v Speaker 1>was scorching, like scorching was there, like like how was

0:23:26.840 --> 0:23:31.119
<v Speaker 1>their relationship because we watched the Hard Knock Life documentary

0:23:31.280 --> 0:23:35.560
<v Speaker 1>like I mean, you know, like for a DMX and

0:23:35.560 --> 0:23:37.119
<v Speaker 1>and whole, Like I wasn't there for that, so I

0:23:37.160 --> 0:23:39.879
<v Speaker 1>don't really know what that was. I know it was

0:23:39.920 --> 0:23:43.040
<v Speaker 1>always mutual respect No, for sure, it was always respectful,

0:23:43.080 --> 0:23:44.520
<v Speaker 1>but like there had to be some sort of friendly

0:23:44.560 --> 0:23:47.880
<v Speaker 1>competition you would think between like I mean, you know,

0:23:48.320 --> 0:23:51.960
<v Speaker 1>but but that's just New York, Like, yeah, always who's

0:23:51.960 --> 0:23:54.200
<v Speaker 1>the King of New York? Talk? Yeah, that's that's that's

0:23:54.240 --> 0:23:57.840
<v Speaker 1>that's what that's about. That's that that's the New York

0:23:57.880 --> 0:24:00.000
<v Speaker 1>thing that you know what I mean, you know, we'll

0:24:00.080 --> 0:24:03.000
<v Speaker 1>always in competition with each other. You know, that's just

0:24:03.040 --> 0:24:05.600
<v Speaker 1>New York. So yeah, I feel like New York is

0:24:05.600 --> 0:24:10.200
<v Speaker 1>probably the most competitive city and hip hop everybody, especially

0:24:10.240 --> 0:24:12.760
<v Speaker 1>back then, because everybody was who's the King of New York?

0:24:12.840 --> 0:24:14.800
<v Speaker 1>I think he's gone, So who's the king of New York?

0:24:16.320 --> 0:24:18.440
<v Speaker 1>It was like is it Dove? Is it ghost Face Killer?

0:24:18.520 --> 0:24:20.920
<v Speaker 1>Is a DMX? Is it is it Fat Joe? Is?

0:24:21.760 --> 0:24:25.320
<v Speaker 1>That's crazy? So obviously you know what X passing the

0:24:25.359 --> 0:24:27.760
<v Speaker 1>way he did. Man, you know, he's had a troubled,

0:24:27.800 --> 0:24:30.080
<v Speaker 1>uh history when it comes to I mean also a

0:24:30.160 --> 0:24:33.280
<v Speaker 1>very open history when it comes to his his you know,

0:24:33.880 --> 0:24:35.919
<v Speaker 1>use of certain substances and stuff like that. Was that

0:24:36.000 --> 0:24:40.560
<v Speaker 1>something that was like was that something that everyone around

0:24:40.600 --> 0:24:43.000
<v Speaker 1>him kind of knew was going on? Or was it

0:24:43.080 --> 0:24:47.400
<v Speaker 1>something that became worse over time? Like yeah, with the drugs,

0:24:48.880 --> 0:24:51.440
<v Speaker 1>any drugs around me. Ever, not one time I put

0:24:51.440 --> 0:24:53.159
<v Speaker 1>that on my daughter. He knew nothing to do that

0:24:53.200 --> 0:24:55.920
<v Speaker 1>around me. So I don't really know too much about

0:24:55.960 --> 0:24:57.760
<v Speaker 1>the drugs, like like like far as the drug and

0:24:57.760 --> 0:25:00.800
<v Speaker 1>I put this on my daughter, my grandmam, Mom's everything,

0:25:00.880 --> 0:25:04.959
<v Speaker 1>like he never ever did. But did you guys know

0:25:05.040 --> 0:25:07.560
<v Speaker 1>that that was a thing or was it like if

0:25:07.640 --> 0:25:09.760
<v Speaker 1>you didn't see it, so you didn't really know? Or

0:25:10.240 --> 0:25:13.840
<v Speaker 1>I never really I mean, you know, he was such

0:25:13.840 --> 0:25:16.480
<v Speaker 1>a dope artist and I was just so focused on

0:25:16.520 --> 0:25:18.000
<v Speaker 1>that part of his life, you know what I mean,

0:25:18.480 --> 0:25:22.760
<v Speaker 1>you know, especially with him not trying around me, having

0:25:22.760 --> 0:25:24.960
<v Speaker 1>that respect for me. I just always looked at him

0:25:24.960 --> 0:25:27.080
<v Speaker 1>as the great artist that he is. That's it. I

0:25:27.119 --> 0:25:29.560
<v Speaker 1>never looked at him and no other way but that,

0:25:29.840 --> 0:25:32.720
<v Speaker 1>you know what I'm saying. At what what what year

0:25:32.920 --> 0:25:35.200
<v Speaker 1>did you end up kind of starting to split away

0:25:35.200 --> 0:25:38.240
<v Speaker 1>from rough Riders and being around X so much, because yeah,

0:25:38.520 --> 0:25:41.119
<v Speaker 1>I think you said Helen Back came out in two

0:25:41.160 --> 0:25:47.080
<v Speaker 1>oh three, so at that point in time, I'm trying

0:25:47.080 --> 0:25:49.919
<v Speaker 1>to think, O three oh four, that's probably around the

0:25:49.960 --> 0:25:53.800
<v Speaker 1>time the Grand Champ is that Grand Champ type era? Yeah,

0:25:53.880 --> 0:25:56.360
<v Speaker 1>like three when we were shooting Crazy in the grade,

0:25:56.400 --> 0:25:58.600
<v Speaker 1>he was working on his third album, so he was

0:25:58.640 --> 0:26:01.600
<v Speaker 1>working on uh and then there was X. Yeah because

0:26:01.600 --> 0:26:04.919
<v Speaker 1>that's that was his third album. Yeah, hey, because you

0:26:04.920 --> 0:26:06.639
<v Speaker 1>said you were after with these Bitches one video, so

0:26:06.680 --> 0:26:10.240
<v Speaker 1>that was on that album. Did did your relationship with

0:26:10.320 --> 0:26:12.960
<v Speaker 1>rough Rider souring effect your like your relationship with X?

0:26:13.960 --> 0:26:18.359
<v Speaker 1>H Nah, me and X was always brothers, always going

0:26:18.400 --> 0:26:20.159
<v Speaker 1>to remain brothers, you know what I'm saying. So you know,

0:26:20.160 --> 0:26:22.720
<v Speaker 1>we always was genuine us, Like when we came across

0:26:22.760 --> 0:26:25.200
<v Speaker 1>each other, they were straight brothership. It wasn't none of that.

0:26:25.720 --> 0:26:28.240
<v Speaker 1>Let me like, like the relationship that me and X had,

0:26:28.400 --> 0:26:30.600
<v Speaker 1>it wasn't just it wasn't just based on music, you

0:26:30.600 --> 0:26:31.840
<v Speaker 1>know what I mean? You know, it was it was

0:26:31.960 --> 0:26:34.880
<v Speaker 1>like some real genuine shit. That's yeah, when's the last

0:26:34.880 --> 0:26:37.280
<v Speaker 1>time you spoke with him? That's my script that X

0:26:37.359 --> 0:26:47.320
<v Speaker 1>probably mean, I don't know, maybe like seven eight months

0:26:47.320 --> 0:26:51.040
<v Speaker 1>ago time. I mean like like it was months before

0:26:51.080 --> 0:26:53.960
<v Speaker 1>he passed. I mean because he was working on his album, right,

0:26:54.000 --> 0:26:58.760
<v Speaker 1>and I was working on Yeah, And I just did

0:26:58.760 --> 0:27:01.240
<v Speaker 1>a big transition movie from the East to the West.

0:27:01.840 --> 0:27:03.280
<v Speaker 1>So it was kind of hard for me when I

0:27:03.359 --> 0:27:05.440
<v Speaker 1>first got to the West because I didn't really know

0:27:05.480 --> 0:27:09.000
<v Speaker 1>how the West really moved like that. It's my first yeah,

0:27:09.480 --> 0:27:11.320
<v Speaker 1>so you so focused on his joint, I was just

0:27:11.320 --> 0:27:14.480
<v Speaker 1>focused on my Yo. Have to stop the Bootleg cav

0:27:14.520 --> 0:27:17.879
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0:28:01.400 --> 0:28:04.359
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0:28:14.040 --> 0:28:17.840
<v Speaker 1>this podcast. Let's get back to it. Yeah, I think

0:28:17.880 --> 0:28:21.840
<v Speaker 1>that there's obviously an unfair expectation when we see someone

0:28:21.880 --> 0:28:25.200
<v Speaker 1>like X pass away and how he passed away, where

0:28:25.320 --> 0:28:27.240
<v Speaker 1>you know, there's so many would have could have should

0:28:27.240 --> 0:28:29.480
<v Speaker 1>have that people try to bring up like, hey, well

0:28:29.520 --> 0:28:33.160
<v Speaker 1>you know, you know, maybe people closer to him could

0:28:33.200 --> 0:28:39.200
<v Speaker 1>have spoke up or or intervened or you know, had

0:28:39.240 --> 0:28:42.239
<v Speaker 1>an intervention or whatever the case is. But you know,

0:28:42.840 --> 0:28:46.560
<v Speaker 1>I think that I think that there was probably a

0:28:46.600 --> 0:28:48.800
<v Speaker 1>lot of that that we didn't see because I know,

0:28:49.000 --> 0:28:53.400
<v Speaker 1>I don't you know, obviously Swiss is you know, somebody

0:28:53.400 --> 0:28:56.400
<v Speaker 1>who was very close to X. But did you feel

0:28:56.480 --> 0:28:59.880
<v Speaker 1>like maybe looking back, that there were people around him

0:28:59.880 --> 0:29:03.600
<v Speaker 1>that could have maybe done more way back then. At

0:29:03.600 --> 0:29:05.400
<v Speaker 1>the time, X is the hottest rapper in the world.

0:29:05.440 --> 0:29:09.400
<v Speaker 1>There's boatloads of money coming in, so I'm sure that like, yeah,

0:29:09.680 --> 0:29:12.240
<v Speaker 1>some stuff was ignored because it's like whatever makes them happy,

0:29:12.240 --> 0:29:13.719
<v Speaker 1>We're just gonna do because the money's coming. Was there

0:29:13.720 --> 0:29:16.800
<v Speaker 1>something that you think, like like you like like thinking back,

0:29:17.080 --> 0:29:19.120
<v Speaker 1>was there more that you think other people could have

0:29:19.160 --> 0:29:24.400
<v Speaker 1>did not not necessarily saying yourself, of course, I just

0:29:24.440 --> 0:29:27.720
<v Speaker 1>always looked at X as an artist. I never looked

0:29:27.720 --> 0:29:32.040
<v Speaker 1>at him how everyone else views or or or how

0:29:32.120 --> 0:29:35.160
<v Speaker 1>someone else viewed that situation. I just looked at him

0:29:35.160 --> 0:29:36.920
<v Speaker 1>as one of the greatest rappers I've ever heard in

0:29:36.920 --> 0:29:42.040
<v Speaker 1>my life. I mean, he's obviously your brother, your friend, right, Yeah,

0:29:42.120 --> 0:29:46.160
<v Speaker 1>I mean I think it's a It's just it's just tragic, man.

0:29:46.200 --> 0:29:48.840
<v Speaker 1>Anytime someone passes from that, like it's like fuck man

0:29:48.960 --> 0:29:51.760
<v Speaker 1>like that, everyone starts to think, like, well, what could

0:29:51.800 --> 0:29:56.040
<v Speaker 1>have Like my mom's Like my mom's was a crackhead,

0:29:56.200 --> 0:30:01.360
<v Speaker 1>My pops was a crackhead. My uncle did drugs and

0:30:01.360 --> 0:30:03.520
<v Speaker 1>stuff like that. I had, I had so many you

0:30:03.560 --> 0:30:04.800
<v Speaker 1>know what I mean, don't like and I mean you know,

0:30:05.920 --> 0:30:08.640
<v Speaker 1>when you from the hood and stuff like that, and

0:30:08.720 --> 0:30:12.400
<v Speaker 1>you grew up around that, Like that's just all you know,

0:30:12.440 --> 0:30:14.800
<v Speaker 1>you pretty much numb to it, you know what I'm saying.

0:30:14.880 --> 0:30:18.080
<v Speaker 1>So you know, when it came down to the relationship

0:30:18.120 --> 0:30:20.680
<v Speaker 1>with me and DMMX, I just looked at him as

0:30:20.760 --> 0:30:23.160
<v Speaker 1>one of the greatest artists I ever seen in my life.

0:30:23.520 --> 0:30:26.320
<v Speaker 1>That's it, I I j I. I didn't really nomally

0:30:26.440 --> 0:30:28.160
<v Speaker 1>fond chance to life. I mean you know, I didn't.

0:30:28.560 --> 0:30:31.479
<v Speaker 1>I didn't really get into uh not me don't like

0:30:31.960 --> 0:30:33.880
<v Speaker 1>me and him always had a respect for each other

0:30:33.920 --> 0:30:37.640
<v Speaker 1>where I mean we didn't. I mean, don't we have respect.

0:30:38.560 --> 0:30:40.640
<v Speaker 1>We didn't dig deep and you know, I mean no,

0:30:41.000 --> 0:30:42.800
<v Speaker 1>like X was a older brother to me, you know

0:30:42.840 --> 0:30:45.120
<v Speaker 1>what I mean. You know, he wasn't like like somebody

0:30:45.120 --> 0:30:47.520
<v Speaker 1>I could be like ek So what they say, like

0:30:47.520 --> 0:30:50.280
<v Speaker 1>you find like I was his little brother, right right, right,

0:30:50.320 --> 0:30:52.920
<v Speaker 1>right right. I just looked up to him, like how

0:30:52.960 --> 0:30:55.520
<v Speaker 1>you would look up to your big brother. You might

0:30:55.560 --> 0:30:58.920
<v Speaker 1>not be knowing that he's out there robbing liquor stores

0:30:59.000 --> 0:31:01.760
<v Speaker 1>or whatever you find out own, you know, is your right? Yeah,

0:31:01.760 --> 0:31:05.160
<v Speaker 1>that's firsh shit, Mmmm, that's fair man. You talk about

0:31:05.160 --> 0:31:07.760
<v Speaker 1>the Cash Money Tour, which was a adupt moment in

0:31:07.800 --> 0:31:09.680
<v Speaker 1>hip hop to have both of those crews on the

0:31:09.720 --> 0:31:15.600
<v Speaker 1>road at the same time, obviously, Uh, I missed those

0:31:15.640 --> 0:31:16.880
<v Speaker 1>kind of toys. I feel like we don't get those

0:31:16.920 --> 0:31:20.240
<v Speaker 1>kind of toys and hip hop anymore, Like that kind

0:31:20.280 --> 0:31:22.400
<v Speaker 1>of energy where there was that bigger artist all together

0:31:22.440 --> 0:31:24.080
<v Speaker 1>at the same time on the same bill. I feel

0:31:24.080 --> 0:31:25.480
<v Speaker 1>like there's too much ego and hip hop now or

0:31:25.520 --> 0:31:28.400
<v Speaker 1>that kind of shit don't even fly no more. It's

0:31:28.480 --> 0:31:35.120
<v Speaker 1>just way too much egoye. You know, the word platforms

0:31:35.400 --> 0:31:37.920
<v Speaker 1>used way too much. Oh you know, I don't know

0:31:37.960 --> 0:31:41.200
<v Speaker 1>if I already want that on my platform. Yeah, there's

0:31:41.240 --> 0:31:45.719
<v Speaker 1>some bullshit. Everyone's so worried that. Yeah, Like think about it,

0:31:45.800 --> 0:31:48.920
<v Speaker 1>rough Riders in cash Money, two different genres, like not,

0:31:49.160 --> 0:31:54.120
<v Speaker 1>two different pieces of the country, two different, totally different

0:31:54.160 --> 0:31:57.720
<v Speaker 1>sonically movements coming together on the road is fucking crazy.

0:31:57.800 --> 0:32:01.920
<v Speaker 1>That wouldn't even happen these days, Like it fucking you know,

0:32:02.200 --> 0:32:07.200
<v Speaker 1>imagine if like Kendrick Lamar went on tour with fucking

0:32:08.680 --> 0:32:13.000
<v Speaker 1>NB a young boy. Yeah, people be like what that

0:32:13.040 --> 0:32:16.040
<v Speaker 1>don't even make sense? Give me some like what what what?

0:32:16.040 --> 0:32:18.640
<v Speaker 1>What's like your some of your favorite stories about that tour, Like,

0:32:18.640 --> 0:32:20.080
<v Speaker 1>give me a story from that tour that you kind

0:32:20.080 --> 0:32:24.120
<v Speaker 1>of look back on. That was pretty crazy. Just me

0:32:24.280 --> 0:32:26.920
<v Speaker 1>being able to actually come out every night and rob

0:32:27.000 --> 0:32:30.360
<v Speaker 1>the crowd. That's the biggest story for me, just me

0:32:30.480 --> 0:32:33.200
<v Speaker 1>actually going out there and representing trag. You know what

0:32:33.200 --> 0:32:35.520
<v Speaker 1>I mean. You know, that's the biggest story for me.

0:32:35.600 --> 0:32:37.480
<v Speaker 1>That's that's what I'm going always your mumbo, you know

0:32:37.480 --> 0:32:39.640
<v Speaker 1>what I man? You know, did you and Juvenile perform

0:32:39.680 --> 0:32:43.720
<v Speaker 1>together the record off the the last show in New York?

0:32:43.960 --> 0:32:45.680
<v Speaker 1>That's it? The ho tel We didn't perform in that

0:32:45.720 --> 0:32:47.680
<v Speaker 1>one time, but you guys did it do it once?

0:32:47.920 --> 0:32:49.840
<v Speaker 1>We did it once? And I think for New York?

0:32:50.960 --> 0:32:53.920
<v Speaker 1>Did you do that song together in the studio, because

0:32:53.920 --> 0:32:57.280
<v Speaker 1>nowadays we think so it wasn't together. I met him

0:32:58.920 --> 0:33:05.400
<v Speaker 1>for the first time. I guess has been out number one. Wow, Hey,

0:33:05.440 --> 0:33:08.200
<v Speaker 1>we got that song together. We got them that's it.

0:33:08.240 --> 0:33:14.640
<v Speaker 1>That shit is crazy on tour. Wow, that ship, that's

0:33:14.720 --> 0:33:18.360
<v Speaker 1>that's wold. You just put a new album out, which

0:33:18.600 --> 0:33:22.480
<v Speaker 1>is by the way you're spinning. Man, it feels like

0:33:22.520 --> 0:33:24.400
<v Speaker 1>you said, it feels like you had like you you

0:33:24.720 --> 0:33:27.080
<v Speaker 1>almost like you had a broke fucking point to prove.

0:33:27.120 --> 0:33:29.000
<v Speaker 1>It's been almost twenty years since the last one. It's

0:33:29.000 --> 0:33:31.920
<v Speaker 1>like you can't come with no bullshit. I mean this,

0:33:32.360 --> 0:33:35.280
<v Speaker 1>I mean, like this album right here. It started from

0:33:35.400 --> 0:33:38.600
<v Speaker 1>bof Part one and I had dropped that a couple

0:33:38.640 --> 0:33:41.080
<v Speaker 1>of years ago, and it did real good on the streets.

0:33:41.120 --> 0:33:43.160
<v Speaker 1>You know what I'm saying. You know, the videos, like

0:33:43.880 --> 0:33:45.600
<v Speaker 1>some of the videos on there. I got two three

0:33:45.640 --> 0:33:48.600
<v Speaker 1>million views on my fan page, so it did real good.

0:33:49.000 --> 0:33:52.560
<v Speaker 1>Shout out to DJ get it right. Let me, he's

0:33:52.560 --> 0:33:55.000
<v Speaker 1>the one that actually started that because I didn't even

0:33:55.000 --> 0:33:58.840
<v Speaker 1>want to drop no mixed right my brother, but he

0:33:58.960 --> 0:34:02.560
<v Speaker 1>was like, nah, is doing good? Drag Ufonchin said like

0:34:02.600 --> 0:34:04.200
<v Speaker 1>you might could do it, And I mean I had

0:34:04.240 --> 0:34:06.800
<v Speaker 1>just dropped the Chok Them freestyle that did like three

0:34:06.880 --> 0:34:10.799
<v Speaker 1>four million on the streets, so h I mean you know,

0:34:11.760 --> 0:34:14.440
<v Speaker 1>so after that, it made me link up with them

0:34:14.480 --> 0:34:16.440
<v Speaker 1>and do part two. So we did Part two and

0:34:16.440 --> 0:34:19.600
<v Speaker 1>then we did Part three together. So Part four was

0:34:19.680 --> 0:34:22.759
<v Speaker 1>kind of catering to those fan base that loved that

0:34:22.880 --> 0:34:26.960
<v Speaker 1>uh saga, but I really wanted them to know that

0:34:27.040 --> 0:34:29.319
<v Speaker 1>I know how to do music too, so I put

0:34:29.360 --> 0:34:31.480
<v Speaker 1>a lot of different music and I mean, you know,

0:34:31.640 --> 0:34:35.320
<v Speaker 1>after the fourth or fifth song, if you notice the

0:34:35.400 --> 0:34:38.680
<v Speaker 1>album goal like another direction, which is me into a

0:34:38.680 --> 0:34:42.279
<v Speaker 1>biby type zone. You know what I'm saying, because you

0:34:42.320 --> 0:34:44.319
<v Speaker 1>know part one, two and three, I really was just like,

0:34:44.440 --> 0:34:46.799
<v Speaker 1>I'm back, I'm spitting part to talk about anybody. But

0:34:47.280 --> 0:34:49.680
<v Speaker 1>part four I didn't really care about that. I really

0:34:49.719 --> 0:34:53.839
<v Speaker 1>just wanted people to enjoy the project. Who's because there's

0:34:53.880 --> 0:34:56.759
<v Speaker 1>so many incredible MC's that are thriving right now in

0:34:56.840 --> 0:34:59.560
<v Speaker 1>hip hop. Who are some of the artists that you're

0:34:59.640 --> 0:35:01.520
<v Speaker 1>fans of that are currently kind of like on the

0:35:01.520 --> 0:35:11.839
<v Speaker 1>newer side of things. I like, I like Rowdy Rich

0:35:12.400 --> 0:35:18.960
<v Speaker 1>Roddy of course, of course, man, mm hmmm. I like

0:35:19.040 --> 0:35:27.000
<v Speaker 1>money Bag Yell, money Bag Yell's fire. Uh. You know,

0:35:27.800 --> 0:35:30.279
<v Speaker 1>I'm a big fan of Kendrick, big fan of j Cole.

0:35:30.760 --> 0:35:33.960
<v Speaker 1>You funk with any of the Griselda guys at all? Yeah, Yeah,

0:35:34.000 --> 0:35:36.799
<v Speaker 1>that Griselda ship is like that's the energy, like I

0:35:36.800 --> 0:35:39.880
<v Speaker 1>feel like he's been missing, man, that's the energy that

0:35:39.960 --> 0:35:44.280
<v Speaker 1>New York was once. Of course, I have much respect

0:35:44.440 --> 0:35:50.319
<v Speaker 1>for for Grazil Direcords, like all the artists is over there,

0:35:50.400 --> 0:35:54.560
<v Speaker 1>Bennie and like, yeah, and I'm a huge fan of them.

0:35:54.960 --> 0:35:57.319
<v Speaker 1>I mean, because they are just just keeping the hip

0:35:57.320 --> 0:36:00.840
<v Speaker 1>hop they their leaders and they know that they're not following.

0:36:01.840 --> 0:36:07.560
<v Speaker 1>They actually said, Uh, so you were in Exit Wound's

0:36:07.640 --> 0:36:09.960
<v Speaker 1>Cradle to the Grave. What are the movies? Were those

0:36:10.000 --> 0:36:15.919
<v Speaker 1>the two? Uh, I'm a Grave. I shot another movie

0:36:16.000 --> 0:36:18.920
<v Speaker 1>with me and Love and Doctor Dre shout out to

0:36:18.960 --> 0:36:25.680
<v Speaker 1>those guys are legends Cradle two. I mean Exit Woons

0:36:25.719 --> 0:36:29.400
<v Speaker 1>had Steven Segall Cradle to the Grave at jet Lye

0:36:30.160 --> 0:36:31.800
<v Speaker 1>at the time. I mean, obviously those are two of

0:36:31.840 --> 0:36:34.200
<v Speaker 1>the greatest like, uh, martial artists of all time when

0:36:34.239 --> 0:36:38.960
<v Speaker 1>it comes to just on movies, especially jetly Man. And

0:36:38.960 --> 0:36:40.920
<v Speaker 1>that was like early on in jet ly Is, like

0:36:41.080 --> 0:36:42.920
<v Speaker 1>you know, there was I feel like Jackie Channel was

0:36:42.960 --> 0:36:45.680
<v Speaker 1>like the first guy in the nineties that like like

0:36:45.880 --> 0:36:48.080
<v Speaker 1>was a superstar in China and crossed over and it

0:36:48.160 --> 0:36:51.120
<v Speaker 1>worked in America. And then there was jet Lye. What

0:36:51.160 --> 0:36:53.359
<v Speaker 1>was it like being on set with jet Lee? Like,

0:36:53.400 --> 0:36:56.000
<v Speaker 1>you know what I'm saying, Like, cool, dude, you know

0:36:56.080 --> 0:36:58.160
<v Speaker 1>what I'm saying. You know, he's real short, you know

0:36:58.200 --> 0:37:02.080
<v Speaker 1>what I mean, And he barely spoke English, but he

0:37:02.200 --> 0:37:04.160
<v Speaker 1>tried his best to speak to me in English, you

0:37:04.160 --> 0:37:06.239
<v Speaker 1>know what I'm saying. So I kind of respected that,

0:37:06.360 --> 0:37:08.600
<v Speaker 1>you know what I mean because he know, his English

0:37:08.680 --> 0:37:11.120
<v Speaker 1>was real bad. I know, it might have looked like

0:37:11.120 --> 0:37:17.759
<v Speaker 1>he can talk you yeah, like a translator speech. Yeah.

0:37:17.840 --> 0:37:21.000
<v Speaker 1>It's the whole time on every single part to get

0:37:21.000 --> 0:37:27.279
<v Speaker 1>it right. Did you like, you know, acting wise, I

0:37:27.320 --> 0:37:30.840
<v Speaker 1>feel like Ex's potential as an actor wasn't even sniffed. Like.

0:37:30.880 --> 0:37:32.640
<v Speaker 1>I feel like it could have been so much bigger,

0:37:32.680 --> 0:37:34.640
<v Speaker 1>Like for some reason, I mean, I don't know, we

0:37:34.680 --> 0:37:37.040
<v Speaker 1>just stopped getting DMX movies. You know, we had a

0:37:37.160 --> 0:37:40.839
<v Speaker 1>there was so many fire ass DMX movies. I don't

0:37:40.840 --> 0:37:42.160
<v Speaker 1>know if it was whatever was going on in his

0:37:42.200 --> 0:37:44.600
<v Speaker 1>personal life and he ended up stopped acting as much.

0:37:44.640 --> 0:37:47.919
<v Speaker 1>But what did you like? Did he did he try

0:37:47.960 --> 0:37:49.920
<v Speaker 1>to like kind of give you a lot of pointers

0:37:49.960 --> 0:37:52.360
<v Speaker 1>on the acting ship early on, because he was a

0:37:52.400 --> 0:37:57.040
<v Speaker 1>solid actor, unlike Nasa Nas was a terrible actor in

0:37:57.040 --> 0:37:58.880
<v Speaker 1>that movie. I'm just going to shout out to Nas.

0:37:59.080 --> 0:38:02.000
<v Speaker 1>But Ex ex X is the reason why I'm in movies,

0:38:02.080 --> 0:38:04.080
<v Speaker 1>you know what I'm saying. Of course, Ex is the

0:38:04.120 --> 0:38:06.719
<v Speaker 1>reason for Dragon. So anything you've seen that I did,

0:38:07.840 --> 0:38:09.840
<v Speaker 1>it's probably because he did it first and allowed me

0:38:09.880 --> 0:38:11.840
<v Speaker 1>to do it after. You know, what was it like

0:38:12.719 --> 0:38:15.920
<v Speaker 1>t describe Stephen Sigall as a very uh interesting fellow.

0:38:15.960 --> 0:38:17.400
<v Speaker 1>What was what was being on a movie set with

0:38:17.400 --> 0:38:21.279
<v Speaker 1>Stephen Sigga? Like it was real interesting cause he took

0:38:21.280 --> 0:38:23.680
<v Speaker 1>a liking to me, you know what I'm saying. For real,

0:38:23.760 --> 0:38:25.640
<v Speaker 1>you know what I mean. You know, out of everybody

0:38:25.680 --> 0:38:27.319
<v Speaker 1>on this set, he didn't really rock with too many

0:38:27.360 --> 0:38:29.560
<v Speaker 1>people like Steven sicgall An. They type of person that

0:38:29.840 --> 0:38:31.920
<v Speaker 1>if he rock with you, he rock with you. If

0:38:31.960 --> 0:38:33.800
<v Speaker 1>he don't, he don't it like like you know what

0:38:33.840 --> 0:38:38.520
<v Speaker 1>I mean. So you know he with him actually taking

0:38:38.520 --> 0:38:41.279
<v Speaker 1>a liking to me, like weird cause I grew up

0:38:41.320 --> 0:38:42.840
<v Speaker 1>on him, you know what I'm saying. You know, I

0:38:42.920 --> 0:38:45.520
<v Speaker 1>was a huge fan and all that. I was actually

0:38:45.520 --> 0:38:48.360
<v Speaker 1>able to tell him some of my favorite movies that

0:38:48.360 --> 0:38:50.360
<v Speaker 1>he did. Wow, Like you know what I'm saying, And

0:38:50.480 --> 0:38:52.319
<v Speaker 1>he was telling me what was going on at that time.

0:38:52.400 --> 0:38:54.920
<v Speaker 1>So I'm just sitting there listening. So you know it

0:38:54.960 --> 0:38:56.680
<v Speaker 1>was dope, you know, I mean doing like Steven Seaga

0:38:56.920 --> 0:39:00.680
<v Speaker 1>was actually a cool dude, super cool dude, super cool

0:39:00.760 --> 0:39:02.640
<v Speaker 1>dude with me dance serious, you know what I'm saying.

0:39:02.680 --> 0:39:05.320
<v Speaker 1>So yeah, you know what I mean. He used to

0:39:05.360 --> 0:39:07.920
<v Speaker 1>be in the studio with Casey and Jojo. So, I

0:39:08.000 --> 0:39:10.879
<v Speaker 1>mean he's into the music. That's so rare. I can

0:39:10.880 --> 0:39:13.279
<v Speaker 1>you imagine walking into a session and it's and it's

0:39:13.280 --> 0:39:17.919
<v Speaker 1>Casey and Jojo and Steven Sogal like all the time.

0:39:18.040 --> 0:39:19.759
<v Speaker 1>Were you ever in the studio with them? At the

0:39:19.760 --> 0:39:21.719
<v Speaker 1>same time, I was about to say, that'd have been

0:39:22.239 --> 0:39:24.640
<v Speaker 1>that's gotta be crazy. Yeah, he'snna tell me stories and

0:39:24.680 --> 0:39:26.719
<v Speaker 1>all that stuff. He just said this listen, like, you

0:39:26.719 --> 0:39:29.760
<v Speaker 1>know what I mean. But he's into the music the whole.

0:39:29.960 --> 0:39:32.359
<v Speaker 1>You know what I mean, You know he's aware. Yeah, damn,

0:39:32.440 --> 0:39:36.239
<v Speaker 1>that's that's wild man. The other thing I think that

0:39:36.360 --> 0:39:38.799
<v Speaker 1>is dope is like, you know, for people who are

0:39:38.800 --> 0:39:41.480
<v Speaker 1>watching this who might have the same situation, like you

0:39:41.560 --> 0:39:45.040
<v Speaker 1>have a speech impediment and you have never let that

0:39:45.480 --> 0:39:47.040
<v Speaker 1>be an excuse for you to do what you want

0:39:47.040 --> 0:39:52.480
<v Speaker 1>to do right, and you're also you know, some people

0:39:52.560 --> 0:39:54.560
<v Speaker 1>are shamed by that or they do their best to

0:39:54.640 --> 0:39:57.120
<v Speaker 1>hide it. But I think that it's important for there's

0:39:57.120 --> 0:39:59.160
<v Speaker 1>somebody who could be watching this right now who's going

0:39:59.160 --> 0:40:02.880
<v Speaker 1>through the same situation and might want to be a

0:40:02.960 --> 0:40:05.760
<v Speaker 1>rapper or might wanna think you might wanna do TV

0:40:05.880 --> 0:40:07.600
<v Speaker 1>or whatever. It might not think that they can you

0:40:07.640 --> 0:40:10.000
<v Speaker 1>know what I'm saying? And that's why, you know, I mean,

0:40:10.040 --> 0:40:12.520
<v Speaker 1>you don't like when I first let it out, you

0:40:12.600 --> 0:40:14.319
<v Speaker 1>know what I mean? You don't on a swed show.

0:40:14.440 --> 0:40:15.360
<v Speaker 1>You know what I mean? You know that I have

0:40:15.400 --> 0:40:17.680
<v Speaker 1>a stuttering problem. I actually went up there, not trying

0:40:17.719 --> 0:40:20.839
<v Speaker 1>to hide it and stuff like that. Right now, I've

0:40:20.840 --> 0:40:23.120
<v Speaker 1>been studying a little bit on this. Yeah, they pretty

0:40:23.200 --> 0:40:25.560
<v Speaker 1>much gonna see it. But I've been working on it,

0:40:25.719 --> 0:40:28.040
<v Speaker 1>you know what I mean. So I'm not as bad.

0:40:28.520 --> 0:40:30.320
<v Speaker 1>But if my studing is real bad, you know what

0:40:30.360 --> 0:40:33.799
<v Speaker 1>I'm saying, So I just stop hiding it because I

0:40:33.880 --> 0:40:36.360
<v Speaker 1>wanted people to know, all right, And I mean, you know,

0:40:36.480 --> 0:40:41.000
<v Speaker 1>this is my imperfection, perfection, you know I'm not perfect.

0:40:41.360 --> 0:40:43.839
<v Speaker 1>I want them you know. I mean, you know, because

0:40:43.880 --> 0:40:45.920
<v Speaker 1>I know it's a lot of people that's that's probably

0:40:46.680 --> 0:40:49.960
<v Speaker 1>capable of doing so many things that they be nervous

0:40:50.000 --> 0:40:52.880
<v Speaker 1>on how somebody's gonna look at it. Yeah, that'd be

0:40:52.920 --> 0:40:55.000
<v Speaker 1>the whole thing of when you stutter and you catch

0:40:55.000 --> 0:40:57.560
<v Speaker 1>a real bad studying and then you're wondering if they're

0:40:57.560 --> 0:41:01.000
<v Speaker 1>looking at you like you're crazy? Right right, right? Right? Yeah.

0:41:01.160 --> 0:41:04.000
<v Speaker 1>So with me being in a position that I am.

0:41:04.120 --> 0:41:07.960
<v Speaker 1>This is this is what let them know that Nope,

0:41:08.040 --> 0:41:11.000
<v Speaker 1>you have a studying problem. But you're not retarded. You say,

0:41:11.080 --> 0:41:14.160
<v Speaker 1>you're not slow. I'm very intelligent. You know. Oh you've

0:41:14.160 --> 0:41:19.520
<v Speaker 1>also got had an extremely successful you know, career using

0:41:19.800 --> 0:41:23.359
<v Speaker 1>your voice and and and I think that that's got

0:41:23.400 --> 0:41:26.000
<v Speaker 1>to be inspirational because that would be the single most

0:41:26.040 --> 0:41:29.400
<v Speaker 1>insecure thing that anybody could probably do. And that's decided

0:41:29.400 --> 0:41:32.080
<v Speaker 1>to be an artist, a musician, you know, saying a

0:41:32.200 --> 0:41:37.560
<v Speaker 1>rapper stuff like that. I really stopped doing interviews because

0:41:37.600 --> 0:41:40.000
<v Speaker 1>of my student And then I said, nah, you know what,

0:41:40.080 --> 0:41:42.919
<v Speaker 1>that's not a way where I can really show them

0:41:42.960 --> 0:41:46.600
<v Speaker 1>that it can actually be done with a studying problem.

0:41:46.680 --> 0:41:48.319
<v Speaker 1>I mean, you know I was born with this. I

0:41:48.320 --> 0:41:50.600
<v Speaker 1>got on both sides of my family. You know, my

0:41:50.640 --> 0:41:53.520
<v Speaker 1>father's stutter on my father's that's my father, Yeah, my mom.

0:41:53.600 --> 0:41:57.319
<v Speaker 1>So my grandfather stuff badly he said, which he just

0:41:58.200 --> 0:42:01.080
<v Speaker 1>me which he just passed away. But uh, he had

0:42:01.120 --> 0:42:02.920
<v Speaker 1>a real bastarding problem to the front where you came

0:42:02.960 --> 0:42:06.400
<v Speaker 1>to quotem on the phone purpose you know what I'm saying.

0:42:06.480 --> 0:42:09.520
<v Speaker 1>So you know I actually got it on both sides

0:42:09.560 --> 0:42:11.120
<v Speaker 1>of my family, you know what I mean? So I

0:42:11.280 --> 0:42:14.560
<v Speaker 1>just be wanting people to understand and know that it

0:42:14.600 --> 0:42:18.520
<v Speaker 1>could still be done. Even even with it. I could

0:42:18.560 --> 0:42:23.880
<v Speaker 1>bear them speeding, but I flat listen. I'm gonna tell

0:42:23.920 --> 0:42:26.520
<v Speaker 1>you this, man. I pressed play on your new project,

0:42:26.560 --> 0:42:28.720
<v Speaker 1>and I'm like, I haven't heard a Dragon project. And

0:42:28.880 --> 0:42:31.759
<v Speaker 1>since I was I was in high school, maybe even

0:42:31.840 --> 0:42:34.840
<v Speaker 1>junior high, and was riding around to yesterday and I

0:42:34.880 --> 0:42:38.520
<v Speaker 1>was like, yo, it might like I know, not even

0:42:38.560 --> 0:42:41.960
<v Speaker 1>gassing you man, like this might be the lyrically the

0:42:42.000 --> 0:42:45.600
<v Speaker 1>most tip top I've heard you. You was really getting

0:42:45.719 --> 0:42:49.040
<v Speaker 1>getting off, bro, because you know, sometimes you press play,

0:42:49.080 --> 0:42:50.239
<v Speaker 1>like all right, let me hear this ship. You know,

0:42:50.239 --> 0:42:52.560
<v Speaker 1>I'm afraid. I'm almost like, I'm afraid this just gonna

0:42:52.560 --> 0:42:55.200
<v Speaker 1>sound dated or something. It's gonna be. I had play

0:42:55.280 --> 0:42:59.239
<v Speaker 1>on that, bitch. I said this intro is grazy. The

0:42:59.800 --> 0:43:03.120
<v Speaker 1>next and I'm like, damn, and you had some lines

0:43:03.120 --> 0:43:06.919
<v Speaker 1>in now. I was like, yo, god man, Yeah, man,

0:43:06.960 --> 0:43:08.719
<v Speaker 1>I think, dude. I think, like I just had this

0:43:08.760 --> 0:43:13.640
<v Speaker 1>conversation with Jay Mills not too long ago, and I

0:43:13.680 --> 0:43:17.960
<v Speaker 1>think that there is a rare opportunity for artists such

0:43:18.000 --> 0:43:24.400
<v Speaker 1>as yourself who are lyrically inclined to really just you know,

0:43:25.880 --> 0:43:28.959
<v Speaker 1>thrive because I think the pandemic has made people listen

0:43:29.000 --> 0:43:32.680
<v Speaker 1>to music differently. When I like, most of the country

0:43:32.760 --> 0:43:35.160
<v Speaker 1>isn't standing on couches this the last year in the

0:43:35.280 --> 0:43:38.879
<v Speaker 1>nightclub popping bottles. They're in their cars or they're at

0:43:38.880 --> 0:43:42.360
<v Speaker 1>home listening in their headphones. So the substance and the lyrics.

0:43:42.760 --> 0:43:45.360
<v Speaker 1>That's why if you see the Grammy nominations from twenty twenty,

0:43:45.400 --> 0:43:49.440
<v Speaker 1>it was all real rap shit. It was Royster five nine,

0:43:49.560 --> 0:43:53.799
<v Speaker 1>it was Freddy Gibbs. It was all all lyrical, ill

0:43:53.920 --> 0:43:57.560
<v Speaker 1>rap shit. And I think that, you know, another thing too,

0:43:57.640 --> 0:43:59.759
<v Speaker 1>is like don't hold on to music anymore, you know.

0:43:59.800 --> 0:44:03.320
<v Speaker 1>I think if anything, if anything that Griselda and Westside

0:44:03.360 --> 0:44:05.360
<v Speaker 1>Gun and Conway and Benny the Butcher have taught us

0:44:05.360 --> 0:44:08.960
<v Speaker 1>over the last you know, four years, is run that

0:44:09.120 --> 0:44:14.799
<v Speaker 1>indie catalog up man, run it up for sure. The

0:44:14.920 --> 0:44:17.960
<v Speaker 1>music me I got dropped. I mean, you know, like

0:44:18.000 --> 0:44:20.239
<v Speaker 1>I started my own record label, Code Environment, and we

0:44:20.280 --> 0:44:23.400
<v Speaker 1>put out music every week, go every two weeks. And

0:44:23.800 --> 0:44:25.520
<v Speaker 1>that's not just songs, you know what I'm saying. But

0:44:25.520 --> 0:44:28.319
<v Speaker 1>we don't really rely on DJs, so we put the

0:44:28.320 --> 0:44:31.160
<v Speaker 1>song out with the video every day. So smart. So

0:44:31.200 --> 0:44:33.239
<v Speaker 1>when you first hear the record, you're looking at it.

0:44:33.719 --> 0:44:37.360
<v Speaker 1>That's fire. Yeah, that's smart. Man. Were you able to

0:44:37.400 --> 0:44:41.000
<v Speaker 1>make it to Ex's memorial service? How was it? Because

0:44:41.000 --> 0:44:43.440
<v Speaker 1>I mean I thought it looked so amazing on TV. Uh.

0:44:44.200 --> 0:44:47.240
<v Speaker 1>I mean, I know Kanye helped design like the stages.

0:44:47.320 --> 0:44:50.440
<v Speaker 1>It just looked great. Man, it really you know, it

0:44:50.480 --> 0:44:53.000
<v Speaker 1>was obviously a very sad day, but like, how how

0:44:53.120 --> 0:44:56.560
<v Speaker 1>was it for you to go to that? It was

0:44:56.600 --> 0:44:58.000
<v Speaker 1>a lot for me to go to that, you know

0:44:58.040 --> 0:45:01.040
<v Speaker 1>what I mean. You know, I was in denial for

0:45:01.120 --> 0:45:04.520
<v Speaker 1>a long time, so I like, like me, I had

0:45:04.520 --> 0:45:06.800
<v Speaker 1>a hard time accepting it, Like you know what I'm saying,

0:45:06.840 --> 0:45:09.919
<v Speaker 1>you know, I'm going to make my homie the rest.

0:45:10.480 --> 0:45:12.080
<v Speaker 1>Like I had a hard time accepting it. So I

0:45:12.120 --> 0:45:14.759
<v Speaker 1>actually booked my flight the day of, like I was

0:45:14.800 --> 0:45:17.560
<v Speaker 1>really contemplating it, you know what I'm saying. But I mean,

0:45:17.600 --> 0:45:22.879
<v Speaker 1>you know, overall, I'm just glad I went for DMX. Yeah,

0:45:22.920 --> 0:45:25.439
<v Speaker 1>I mean it also, you know, just has to bring

0:45:25.520 --> 0:45:27.600
<v Speaker 1>up so much old feelings and then obviously every i

0:45:27.600 --> 0:45:31.399
<v Speaker 1>mean everyone through probably through your hip hop career, was there,

0:45:31.719 --> 0:45:35.880
<v Speaker 1>you know, I mean, were you able to reconcile or

0:45:35.880 --> 0:45:38.520
<v Speaker 1>see anybody there? That you hadn't talked to for a while,

0:45:38.640 --> 0:45:40.799
<v Speaker 1>or I was just there for DMX. That was it,

0:45:41.320 --> 0:45:45.560
<v Speaker 1>in and out. I was there for DMX. DMX passed away,

0:45:45.680 --> 0:45:48.040
<v Speaker 1>So I was acting in such of that manner, you know,

0:45:48.080 --> 0:45:51.880
<v Speaker 1>I swet I saw, you know, obviously Swiss's speech I

0:45:51.920 --> 0:45:55.560
<v Speaker 1>thought was really I thought, I mean what he said

0:45:55.600 --> 0:45:58.319
<v Speaker 1>could be applied to anybody in your life, right, like

0:45:58.400 --> 0:46:00.200
<v Speaker 1>as far as just like being there for people, well

0:46:00.200 --> 0:46:02.319
<v Speaker 1>not just when they're gone, like being there when they're here.

0:46:04.560 --> 0:46:07.360
<v Speaker 1>What did you think of just the services? Like like

0:46:07.400 --> 0:46:10.759
<v Speaker 1>Swiss's speech, I thought was anybody should watch that if

0:46:10.800 --> 0:46:13.480
<v Speaker 1>they haven't seen it. You know, he kept it a thousand.

0:46:14.560 --> 0:46:16.160
<v Speaker 1>But what were your thoughts on what he had to say?

0:46:16.280 --> 0:46:20.040
<v Speaker 1>And my thoughts was on my speech. But you you're

0:46:20.080 --> 0:46:25.040
<v Speaker 1>to worry about your own ship speech. My speech was

0:46:25.080 --> 0:46:28.759
<v Speaker 1>really focused on what he had done for me. You

0:46:28.880 --> 0:46:30.680
<v Speaker 1>know what I'm saying and what he is to me,

0:46:31.320 --> 0:46:34.719
<v Speaker 1>and I'm hurting that he passed away. How hard of

0:46:34.719 --> 0:46:37.319
<v Speaker 1>that is is that to write, like to put that

0:46:37.440 --> 0:46:42.080
<v Speaker 1>together into words. See, my speech just came from the heart.

0:46:42.600 --> 0:46:45.080
<v Speaker 1>I didn't write it. So you just went up there

0:46:45.080 --> 0:46:47.480
<v Speaker 1>and just just told your truth. Man, just spoke exactly

0:46:47.600 --> 0:46:50.080
<v Speaker 1>what it was. You know what I mean. So I mean,

0:46:50.680 --> 0:46:53.400
<v Speaker 1>I mean, like like what it like with my speech

0:46:53.520 --> 0:46:58.080
<v Speaker 1>being straight from the heart world genuine It made me,

0:46:58.200 --> 0:47:01.000
<v Speaker 1>uh shed a tear, you know what I'm saying because

0:47:01.000 --> 0:47:05.919
<v Speaker 1>I know where. Let mean, you know where it came from, right,

0:47:06.360 --> 0:47:10.880
<v Speaker 1>a real place. I just I just wash, you know,

0:47:11.120 --> 0:47:16.239
<v Speaker 1>happy that everybody showed DMX love, you know, the love

0:47:16.280 --> 0:47:17.680
<v Speaker 1>that he deserved. You know what I'm saying. You know

0:47:17.920 --> 0:47:20.400
<v Speaker 1>that was my thing. My thing was just shown up

0:47:20.400 --> 0:47:24.719
<v Speaker 1>for the homie. That's Have you been privy to hear

0:47:25.520 --> 0:47:28.600
<v Speaker 1>his new album at all? Anything from his new album?

0:47:29.440 --> 0:47:31.840
<v Speaker 1>I heard two records from it, dope? You know what

0:47:31.840 --> 0:47:34.520
<v Speaker 1>I mean. You know what I mean. You know like

0:47:34.680 --> 0:47:39.040
<v Speaker 1>DMX never really put out too much songs that wasn't great.

0:47:39.080 --> 0:47:42.480
<v Speaker 1>He was just great period. This is true. I wish

0:47:42.480 --> 0:47:45.000
<v Speaker 1>we would have got more. Man. Yeah, I always think back,

0:47:45.080 --> 0:47:48.239
<v Speaker 1>like what if DMX just never let up on this

0:47:48.320 --> 0:47:51.239
<v Speaker 1>rap shit? A lot of people's careers would have been

0:47:52.360 --> 0:47:54.640
<v Speaker 1>because man, I feel like he let up and that's

0:47:54.680 --> 0:47:56.680
<v Speaker 1>when you had the job rule slide in and have

0:47:56.880 --> 0:47:58.640
<v Speaker 1>his like you know, the R and B wave. And

0:47:58.680 --> 0:48:00.400
<v Speaker 1>it was really only because that X kind of just

0:48:00.480 --> 0:48:01.959
<v Speaker 1>let up on this ship, you know what I'm saying,

0:48:01.960 --> 0:48:04.040
<v Speaker 1>and with it the acting and you know what I mean,

0:48:04.080 --> 0:48:05.799
<v Speaker 1>it was like it kind of left the hold. Yeah,

0:48:06.280 --> 0:48:09.440
<v Speaker 1>it's crazy. Would there ever be a or would you

0:48:09.480 --> 0:48:11.920
<v Speaker 1>ever consider being a part of a Rough Rider reunion?

0:48:12.320 --> 0:48:15.080
<v Speaker 1>I mean obviously without X that's gonna be hard to accomplish.

0:48:15.160 --> 0:48:18.200
<v Speaker 1>But focused on my record label called Hood Environment, which

0:48:18.239 --> 0:48:21.000
<v Speaker 1>we just dropped the album March fifth, and we're doing

0:48:21.200 --> 0:48:24.840
<v Speaker 1>successful with that company. That's a company I started since six.

0:48:25.480 --> 0:48:29.000
<v Speaker 1>It's two thousands, it's twenty twenty one. So this has

0:48:29.080 --> 0:48:32.920
<v Speaker 1>been a long grind. I got my release Smith from

0:48:33.000 --> 0:48:38.120
<v Speaker 1>Rough Riders in seven I was not men, you know,

0:48:38.280 --> 0:48:41.680
<v Speaker 1>and I started my record label from then. So it's

0:48:41.760 --> 0:48:44.680
<v Speaker 1>been so focused on that. I mean, you said that

0:48:44.680 --> 0:48:47.359
<v Speaker 1>that lawsuit kind of broke you, right, so I can

0:48:47.360 --> 0:48:49.719
<v Speaker 1>only imagine that getting on the other side of that,

0:48:49.800 --> 0:48:53.680
<v Speaker 1>like the animosity you might have towards Rough Riders in general,

0:48:53.760 --> 0:48:56.480
<v Speaker 1>like who told you that? No, I'm saying that you

0:48:56.840 --> 0:48:59.680
<v Speaker 1>said that after you got released that going through and

0:48:59.800 --> 0:49:02.200
<v Speaker 1>high and lawyers and stuff, you ended up like kind

0:49:02.200 --> 0:49:06.040
<v Speaker 1>of broke, end up. I ended up being broke. I

0:49:06.160 --> 0:49:09.200
<v Speaker 1>ended up being uh he had to go back to

0:49:09.200 --> 0:49:10.840
<v Speaker 1>the streets. But I had to go back to the

0:49:10.920 --> 0:49:14.880
<v Speaker 1>streets and restarted my career. So you ended up homeless

0:49:14.920 --> 0:49:20.000
<v Speaker 1>after Rough Riders, Yeah, I was. I was actually homeless

0:49:20.000 --> 0:49:22.440
<v Speaker 1>while I was still on rough Riers. You were homeless,

0:49:22.520 --> 0:49:24.759
<v Speaker 1>So so explain to me being homeless, Like, wouldn't you

0:49:24.800 --> 0:49:28.040
<v Speaker 1>say homeless? What does that mean? So you actually were

0:49:28.200 --> 0:49:33.520
<v Speaker 1>definitively homeless while still being on rough Riders? Right, So

0:49:33.600 --> 0:49:37.239
<v Speaker 1>I started my company and just kept building for the

0:49:37.360 --> 0:49:40.560
<v Speaker 1>past ten years. So did d n Y know you

0:49:40.560 --> 0:49:42.520
<v Speaker 1>were homeless or was that something where it was like

0:49:42.560 --> 0:49:45.040
<v Speaker 1>it was just that the relationship was so sour. I

0:49:45.040 --> 0:49:48.160
<v Speaker 1>don't know, Like, you know, like once I left Rough Riders,

0:49:48.160 --> 0:49:54.040
<v Speaker 1>I focused on hood environment. Right. Damn for people watching

0:49:54.040 --> 0:49:56.640
<v Speaker 1>this man, that that's that's a low that it's hard

0:49:56.640 --> 0:50:01.440
<v Speaker 1>to come out of being homeless, right, especially being Dragon

0:50:01.600 --> 0:50:05.480
<v Speaker 1>from rough Riders, hitting homelessness, having to get back to

0:50:05.520 --> 0:50:09.040
<v Speaker 1>the streets to get your money up. The perseverance that

0:50:09.040 --> 0:50:12.600
<v Speaker 1>that takes, the dedication, the like mental fortitude that that takes.

0:50:12.600 --> 0:50:15.879
<v Speaker 1>Then I let that shit break. You gotta be crazy, man, Yeah, yeah,

0:50:15.960 --> 0:50:19.000
<v Speaker 1>you know what I mean. You know, at the end

0:50:19.000 --> 0:50:22.799
<v Speaker 1>of the day, I don't really like rely too much

0:50:23.560 --> 0:50:25.480
<v Speaker 1>on the people that's down here on this earth with

0:50:25.600 --> 0:50:28.200
<v Speaker 1>me say, I rely on God. God got me, you

0:50:28.280 --> 0:50:30.560
<v Speaker 1>know what I mean. So you know I'm here on

0:50:30.600 --> 0:50:34.760
<v Speaker 1>the strength of God. I am living proof that God

0:50:34.840 --> 0:50:36.759
<v Speaker 1>will help you if you ask them, you know what

0:50:36.800 --> 0:50:39.359
<v Speaker 1>I'm saying. If you pray, if you prayed up, if

0:50:39.360 --> 0:50:42.960
<v Speaker 1>you keep yourself within the bubble of prayer, then God

0:50:43.000 --> 0:50:46.520
<v Speaker 1>will be there for you, and and and even for

0:50:46.600 --> 0:50:50.040
<v Speaker 1>the people that don't pray, but just believe in God.

0:50:51.440 --> 0:50:53.160
<v Speaker 1>God got them too, you know what I'm saying. So

0:50:53.200 --> 0:50:55.719
<v Speaker 1>my thing was just mean, Like once I did that,

0:50:55.760 --> 0:50:58.520
<v Speaker 1>I just focus on my company, and then the streets

0:50:58.520 --> 0:51:01.440
<v Speaker 1>started catching on to it. So I just focused on that.

0:51:01.520 --> 0:51:02.880
<v Speaker 1>How long was that period of time that you were

0:51:02.880 --> 0:51:05.160
<v Speaker 1>actually homeless, like before you got to play? Like how long?

0:51:06.239 --> 0:51:11.000
<v Speaker 1>Like how long was that? A year and a half?

0:51:11.040 --> 0:51:14.920
<v Speaker 1>Two years? Like wow, damn man, we look you came

0:51:14.960 --> 0:51:19.040
<v Speaker 1>a long way, bro, And uh as listen, you're a

0:51:19.080 --> 0:51:23.680
<v Speaker 1>part of history. You are a part of history, man.

0:51:24.560 --> 0:51:27.520
<v Speaker 1>And how did you think that the documentary came out

0:51:27.560 --> 0:51:30.120
<v Speaker 1>on BT the was it was? It? Was it? The five?

0:51:30.239 --> 0:51:33.080
<v Speaker 1>Was it five episodes? Something like that? Oh, you didn't

0:51:33.080 --> 0:51:35.919
<v Speaker 1>watch it. I didn't watch it. I thought I thought

0:51:35.920 --> 0:51:38.080
<v Speaker 1>it was dope. I mean again, I'm I'm a fucking

0:51:38.480 --> 0:51:39.920
<v Speaker 1>When I was a kid, I used to tag up

0:51:40.040 --> 0:51:42.319
<v Speaker 1>DMX and rough Rider logo on all my folders and

0:51:42.360 --> 0:51:44.040
<v Speaker 1>that was all the posters I had in my room.

0:51:44.120 --> 0:51:46.920
<v Speaker 1>And so it was just like, yeah, this ship is great,

0:51:47.560 --> 0:51:50.040
<v Speaker 1>but yeah, it's it's also kind of got to be

0:51:50.080 --> 0:51:53.799
<v Speaker 1>crazy too, because like you're kind of like a part

0:51:53.840 --> 0:51:56.280
<v Speaker 1>of a fraternity that will forever exist on this planet

0:51:56.320 --> 0:51:58.080
<v Speaker 1>that has nothing to do with hip hop. Like the

0:51:58.120 --> 0:52:01.280
<v Speaker 1>Motorcycle Club ship is so big, big just the culture

0:52:01.280 --> 0:52:03.200
<v Speaker 1>of that are that has nothing to do with the

0:52:03.239 --> 0:52:05.680
<v Speaker 1>music or the record label. It's just so big. It's like,

0:52:06.400 --> 0:52:08.319
<v Speaker 1>you know what I'm saying, Look, your album is out,

0:52:09.520 --> 0:52:11.120
<v Speaker 1>are you? I hope you keep putting out. You're gonna

0:52:11.160 --> 0:52:13.520
<v Speaker 1>keep putting out more albums. Yes, we're working on I'm

0:52:13.560 --> 0:52:17.120
<v Speaker 1>already working on another project that's so dope right now,

0:52:17.239 --> 0:52:20.120
<v Speaker 1>it's out of here, you know what I mean. So,

0:52:20.840 --> 0:52:25.200
<v Speaker 1>you know, we don't have a name. Somebody just used

0:52:25.200 --> 0:52:30.040
<v Speaker 1>the damn name, but they didn't know which name was.

0:52:28.360 --> 0:52:32.719
<v Speaker 1>It was the name that just been used, right, So

0:52:32.880 --> 0:52:35.319
<v Speaker 1>I mean, you know, but they didn't know that that

0:52:35.400 --> 0:52:37.239
<v Speaker 1>was the name of right right, right right, So you

0:52:37.239 --> 0:52:39.200
<v Speaker 1>gotta switch the name of them, switch the name of now,

0:52:39.200 --> 0:52:41.160
<v Speaker 1>switching the name. But it's so good though, you know,

0:52:41.360 --> 0:52:44.040
<v Speaker 1>the music is great. It sounds super big, you know

0:52:44.080 --> 0:52:47.759
<v Speaker 1>what I mean. You know, it's it's it and it's

0:52:48.160 --> 0:52:50.759
<v Speaker 1>and it's actually better than bof four, you know what

0:52:50.760 --> 0:52:52.439
<v Speaker 1>I mean, because it got just a little bit more

0:52:53.400 --> 0:52:55.360
<v Speaker 1>of a music type of vibe on this joint that

0:52:55.440 --> 0:52:57.600
<v Speaker 1>I just know everybody gonna love. Hey, what I didn't

0:52:57.600 --> 0:52:59.960
<v Speaker 1>ask you about? I always was curious about Eve Man

0:53:00.040 --> 0:53:02.960
<v Speaker 1>and Eve was I think when we when we always

0:53:02.960 --> 0:53:05.200
<v Speaker 1>talk about the greatest female hip hop rappers of all time.

0:53:05.200 --> 0:53:06.920
<v Speaker 1>For some reason, I feel like people kind of just

0:53:07.120 --> 0:53:08.920
<v Speaker 1>don't bring her up. And I think that's just because

0:53:08.920 --> 0:53:12.000
<v Speaker 1>she hasn't been acted for a while. But like, uh,

0:53:12.040 --> 0:53:16.239
<v Speaker 1>what was your relationship like with Eve? So just like

0:53:16.320 --> 0:53:18.800
<v Speaker 1>any brother or sister relationship, highs and lows, and it

0:53:18.920 --> 0:53:22.799
<v Speaker 1>was always love that said sisters, you know what I mean.

0:53:22.840 --> 0:53:26.080
<v Speaker 1>You know you can actually go to my Instagram piece. Actually,

0:53:26.080 --> 0:53:28.520
<v Speaker 1>I think like my last post or the post before that,

0:53:28.560 --> 0:53:31.160
<v Speaker 1>you see when we sell each other, it's genuine, you

0:53:31.200 --> 0:53:33.040
<v Speaker 1>know what I mean? You know it's Brother's Sistance. That's it.

0:53:33.239 --> 0:53:36.360
<v Speaker 1>That's a beautiful thing. Man, we'll look drag on the legend.

0:53:36.600 --> 0:53:42.080
<v Speaker 1>Go get the album, go stream it, and man, welcome

0:53:42.120 --> 0:53:44.920
<v Speaker 1>to Cali too. Yes, yes, it's glad to have you

0:53:44.960 --> 0:53:48.560
<v Speaker 1>on the West Coast. I love the weed. Man boomed up.

0:53:48.680 --> 0:53:49.240
<v Speaker 1>See ready,