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Speaker 1: Fifty percent a year. I love you. Fifty ratchets to

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Speaker 1: sit down didn't become the most prominent form. Wait you

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Speaker 1: as something early in the morning, but they told me

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Speaker 1: it was y'all. I said, oh, hell yeah, I'm getting

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Speaker 1: the US morning Shoe People's choice. Actually people who I

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Speaker 1: can't believe. You guys are the basket. Did we know

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Speaker 1: that breakfast Club morning? Everybody is DJ Envy angela Ye,

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Speaker 1: Charlemagne the guy. We are the breakfast Club. Now we

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Speaker 1: have somebody special on the line that's gonna give us

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Speaker 1: a Hurricane Harvey update. Bun Beans on the line. What up,

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Speaker 1: Bun Bun? What's something my brother? You're praying for you

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Speaker 1: and yours down there? Man, Absolutely, thank you, thank you

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Speaker 1: because it's been you know, the coastal cities and obviously

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Speaker 1: Houston the last couple of days. From now, I'm dealing

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Speaker 1: with lammifications in my hometown up dealing with disaster. But

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Speaker 1: what can be will be doing to help right now?

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Speaker 1: Because I know there's a lot of discrepancies as far

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Speaker 1: as donating money, donating clothes. What do you think has

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Speaker 1: been most effective? I think the culmination of the boat.

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Speaker 1: You know, we definitely you know they're going to need

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Speaker 1: money to help rebuilding stuff. But rebuilding this process that

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Speaker 1: takes months and years. There's an immediate need for resources

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Speaker 1: in the city, primarily water and food and more and more.

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Speaker 1: I'm here and it's not just food. It says, I'm

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Speaker 1: not a pet person, but they eat can't food, they

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Speaker 1: eat at food, they eat pads or the animals. Kids

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Speaker 1: need you know, books, art crafts, things that can keep

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Speaker 1: their minds preoccupied. Right and elderly ave let people, a

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Speaker 1: lot of them are leaving their wheelchairs behind, especially if

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Speaker 1: they're getting rescued by a boat, because they're wheelchairs and

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Speaker 1: people sit, So those people need you know, wheelchairs and

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Speaker 1: medical beds and all these kind of things that, you know,

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Speaker 1: not to mention everything that they've lost in their homes,

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Speaker 1: but there's a website called drive Texas dot org and

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Speaker 1: that shows you everywhere with roads and clods with street

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Speaker 1: chair impassable. Um, what's you know, the streets are you

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Speaker 1: know damaged that kind of thing to other areas. But

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Speaker 1: that's in the best way to kind of navigate the streets.

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Speaker 1: But if you had to recommend, you know, a charity

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Speaker 1: or organization that's actually in the field for people to

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Speaker 1: donate to that we know the money gonna get directly

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Speaker 1: to the people. Do you do you have any recommendations

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Speaker 1: right now, whether they've been Houston Port author anybody. Yeah.

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Speaker 1: I mean there's a lot of great charities out there.

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Speaker 1: I tell people to stick with faith based organizations. Faith

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Speaker 1: based organizations, got you, yeah, yeah, I find it. You know,

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Speaker 1: there's a lot of churches that are active. Um, the

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Speaker 1: Church A bat Those Family is active in the city.

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Speaker 1: Star Hope is active in the city. Um, so there's

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Speaker 1: a lot of different places. If you go to my

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Speaker 1: wife's Instagram page at one U g K wife, you'll

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Speaker 1: finally to one and we'll be putting up more. Every

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Speaker 1: day goes on and with making you know, major steps

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Speaker 1: and you know, taking major chances to try to help

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Speaker 1: these people with out here. So and you know, this

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Speaker 1: relief effort will be going on for more than just

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Speaker 1: the immediate future. It's going to be going on for years.

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Speaker 1: So people can always, I'm sure lend a hand as

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Speaker 1: far as volunteering, as far as donating, I'm sure it's

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Speaker 1: not something that even if you can't do anything at

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Speaker 1: this moment, you can continue absolutely, you know what I mean.

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Speaker 1: One of the major charity organizations, whether we're going to

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Speaker 1: be using They were quit Facebook for Hurricane Sandy, and

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Speaker 1: they were there for almost five years in that community.

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Speaker 1: Like some of the last people just left because they

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Speaker 1: don't just come in and rebuild homes and give money

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Speaker 1: and stuff like that. They they deal in social services

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Speaker 1: as well. There's going to be some people to barely

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Speaker 1: traumatize for what they've dealt with over the last couple

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Speaker 1: of days, specifically the children and the older people. And

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Speaker 1: we worry about people's homes and their clothes and stuff

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Speaker 1: like that, but we don't worry about people's minds. That's

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Speaker 1: something that a lot of people are gonna have to

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Speaker 1: deal with based on what they've seeing, what they've been

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Speaker 1: through that it's not a normal thing to have to,

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Speaker 1: you know, retreat to your attic because you got six

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Speaker 1: feet warning the house, especially if you're a five year

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Speaker 1: old kid or your eighty year old woman, you know,

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Speaker 1: you don't you don't go to sleep ranking little after

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Speaker 1: that for a couple of days. So we've got to

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Speaker 1: protect ourselves physically, and we've got to protect ourselves mentally.

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Speaker 1: Right now. People need to talk to their children and

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Speaker 1: you know, make sure they understand where they are mentally

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Speaker 1: based on what they've seen, what they've been through, and

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Speaker 1: just know where your people are at right now, or

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Speaker 1: know where your love us at mentally, not just physically,

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Speaker 1: find out where they are mentally, and make sure that

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Speaker 1: we can help to address these things, because this isn't normal,

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Speaker 1: what people are seeing, what they're going through, this is

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Speaker 1: far from normal. Wow. Well, keep us, keep us updated

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Speaker 1: to everything and whatever we can do, whether we can

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Speaker 1: send money, supplies, food, where we could tell people how

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Speaker 1: to help, please, you know, keep us a bresting, let

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Speaker 1: us know what's going on at all times. Yeah, man,

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Speaker 1: salute deport all the salute detectives, whatever we could do

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Speaker 1: to help, but let us know. Please. I'm definitely gonna

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Speaker 1: put some some change in your and on the buyo

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Speaker 1: on your wife's Instagram. Absolutely. Yeah. I appreciate you just

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Speaker 1: giving me a little platform and trying to spread the

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Speaker 1: word because I know people see a lot of images

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Speaker 1: on TV. But this is a serious, serious humanitarian situation

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Speaker 1: that we have here. It's going to take the humanity

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Speaker 1: of our fellow man to help us rebuild our city.

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Speaker 1: And the reality is it's a new normal for me

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Speaker 1: here a man had to watch six people from his

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Speaker 1: family drowned in front of him because the band got

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Speaker 1: overswept and he was able to kind of grab something,

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Speaker 1: but then that as he grabbed the boos at about

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Speaker 1: the band was overtaken and no one you have to

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Speaker 1: watch their family to die like it. It's tragic, man,

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Speaker 1: It's real tragic. Here next thousands and thousands of stories

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Speaker 1: like this that we're just slowly slowly starting to hear

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Speaker 1: more and more about. But I have strong faith in

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Speaker 1: God that we'll get older to get through this. Thank

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Speaker 1: you for checking in again, bar, Yeah, appreciate the breakfast club.

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Speaker 1: Wad wake up, you're time to get it off? Ye

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Speaker 1: your man or blas, we want to hear from you

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Speaker 1: on the breakfast. But what's your name? Bro ever? Ever? Man?

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Speaker 1: You got kicked out the crib? Man? Your girl kicked

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Speaker 1: you out the crib? What happened? So? I used to

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Speaker 1: know this girl whatever and she um, you know, we

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Speaker 1: used to be friends, but we were never like an

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Speaker 1: item or nothing. You know, we would just talk. She

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Speaker 1: was just friends and I hadn't talked to her in years,

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Speaker 1: and all of a sudden she got my number through

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Speaker 1: somebody else and texted, you know my phone, my phone,

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Speaker 1: well was my girl's phone whatever, but I use it too,

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Speaker 1: and she texted it. My girls just started tripping. She

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Speaker 1: just I started acting like it was my fault, like

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Speaker 1: something had that happened. I'm like telling her, who were

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Speaker 1: just friends and nothing ever happened, But she's like tripping out,

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Speaker 1: freaking out and talking about it's all my fault. And

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Speaker 1: I had just gotten home from work and all I

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Speaker 1: ever do is just go to work and take care

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Speaker 1: of my family, you know, And all of a sudden,

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Speaker 1: I'm getting thrown out. My brother, you know, my brother.

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Speaker 1: It's just me and you talking. It's just me, me,

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Speaker 1: It's me and you. Okay, only person, the only person

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Speaker 1: listening to Envy and Angelie. All right, you smashed other chick.

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Speaker 1: Come on now, come on, man, I'm telling you man,

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Speaker 1: I swear, I swear I never smashed her. Man, I

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Speaker 1: mean nothing. You ain't sucking nipple or nothing, no, nothing,

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Speaker 1: because nothing. I mean. I mean, she she wanted them,

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Speaker 1: you know she want Okay, Okay, what happened? That something happened? Real? Man?

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Speaker 1: That woman didn't stick, ain't kicking for no reason. When

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Speaker 1: a woman's spider sense kicking something going on? Did you

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Speaker 1: flirt with her a little bit? I mean we might

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Speaker 1: have flirted a little, you know, but then we never

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Speaker 1: like you know, you know, I never actually did anything.

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Speaker 1: But you would have did it if you got the chance, though, Craig,

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Speaker 1: don't lie tone just chance it What was you flirting for?

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Speaker 1: What was the point of that? No, I mean that

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Speaker 1: was and That's what I'm saying it was. That was

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Speaker 1: a while, but that was a long time ago. I mean,

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Speaker 1: you know, I got high. I definitely got high. Man.

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Speaker 1: You need the moon walk out of that relationship with

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Speaker 1: the other young lady. Okay, women's spider senses don't go

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Speaker 1: off for no reason, Chris, shitn't. What's up the morning, guys.

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Speaker 1: You're feeling blessed this morning? Christian. Yeah, I'm super blessed man.

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Speaker 1: I'm about to be come out to be in a

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Speaker 1: relationship with three years of my girlfriend. Congratulations that three year. Yeah.

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Speaker 1: We've both you know, got no kids, like we all

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Speaker 1: like we going on up and up, you know what

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Speaker 1: I'm saying. Like her name is Karin, Like that's my baby.

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Speaker 1: You know, Like how old you certain? How old you?

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Speaker 1: I'm tuny six? Okay, Okay, and how old she she's

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Speaker 1: twenty six, is about to be twenty seven, no doubt,

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Speaker 1: no doubt. When you have kids, you're gonna name when

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Speaker 1: you know you like, yeah, it's gonna be a junior,

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Speaker 1: you know, yeah, no doubt, no doubt. You know what

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Speaker 1: I'm saying. I want to sing for my back. You

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Speaker 1: know what I'm saying. You want to sing for sing? Oh?

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Speaker 1: You get out of here trying to hit that Kathy

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Speaker 1: and Jojo. No kick on the ass. Get it off

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Speaker 1: your chest one on five, one of your upset VIC

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Speaker 1: call us up. Now. It's the breakfast clove of the morning.

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Speaker 1: Pick up the mother, mother phone and down. This is

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Speaker 1: your time to get it off your chat mother. You're

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Speaker 1: mad or less. We want to hear from you on

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Speaker 1: the breakfast club, so you better have the same energy. Hello.

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Speaker 1: Who's this? Hello? Hey, what's up? Broke? Get it off

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Speaker 1: your chat? All right? What up? Envy? What up? Envy? Um?

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Speaker 1: Well you said up twice, I'm good. Listen, I'm blessed

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Speaker 1: and I'm not blessed. I'm both listening. My thing is

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Speaker 1: I'm getting to it and I'm not letting nothing stop

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Speaker 1: me right yet. Like I'm talking to these little kids,

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Speaker 1: and I'm trying to teach them about gun violence and

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Speaker 1: stopping the violence. You know, I got shot. I'm in

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Speaker 1: a wheelchair, but I can't be active because my wheelchair

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Speaker 1: is broke. You feel me? So I need to help me.

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Speaker 1: He can't move around all right? My my leg on

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Speaker 1: my wheelchair is messed up? Do you feel me? So?

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Speaker 1: I can't really move the way I need. Why you

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Speaker 1: got legs on your wheelchair? Wheels? They got to hold

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Speaker 1: this leg up. I'm trying to be funny, lover question.

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Speaker 1: I don't know how to leg this leg up? Man, Yeah,

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Speaker 1: I need help. I need a leg kid, y'all help me,

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Speaker 1: please don't. I don't know what you're talking about. What

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Speaker 1: is a leg on a wheelchair? I'm dead serious? How

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Speaker 1: much is that? Bro? How much is that leg piece? Bro?

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Speaker 1: I don't know. I need a new chair. Oh you

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Speaker 1: need a new chair, needs a new chair? Leg chairs,

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Speaker 1: and I can't do nothing like Once I get a

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Speaker 1: new chair, I swear to God, I'm gonna be everywhere

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Speaker 1: like everywhere. I'm not gonna stop him to My name

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Speaker 1: is on school. I hate to sound I hate to

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Speaker 1: be this guy, but how can we prove that you're

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Speaker 1: in a wheelchair? Sir, what you want me to send

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Speaker 1: you picture to me in a wheelchair? It's a lot

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Speaker 1: of dudes out of here doing a lot of scrange

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Speaker 1: things for some change. I'm gonna be honest with you.

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Speaker 1: You know, any go fund means I got from Houston yesterday.

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Speaker 1: Regular people like sending me go for me. I'm like,

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Speaker 1: I don't even know if you're from Houston. Bro, Like,

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Speaker 1: I don't look envy. I am the guy that seen

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Speaker 1: you outside of the station at night in a chair. Okay,

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Speaker 1: m d recall I gave you the flash drive in

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Speaker 1: a wheelchair? Do you remember that, envy? I don't remember that.

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Speaker 1: When was that? Was it recently? It was like last

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Speaker 1: year in the summertime. I gave you a flash drive

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Speaker 1: last summer I was in a wheelchair. I'm not gonna lie.

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Speaker 1: I run into a lot of people with wheelchairs that rap.

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Speaker 1: But is there anything I don't need to think about

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Speaker 1: you that I will remember? I was by myself and

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Speaker 1: I had my homeboy. He was well, he was drinking,

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Speaker 1: but he wasn't about myself. We're gonna put you on

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Speaker 1: We're gonna put you on hold, and we're gonna talk

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Speaker 1: to you man rapp, you have an Instagram page or something.

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Speaker 1: All right, my name on Instagram is big Homie, Big

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Speaker 1: Underscore Homie eight one as B eight one as B

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Speaker 1: free text on man, all right, we'll check that. You

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Speaker 1: know that's the homie, that's my guy. But listen, man,

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Speaker 1: we're gonna roll at this moment, but we're gonna put

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Speaker 1: you on hoole. Why he's gonna talking have a good morning,

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Speaker 1: old hold on, he's stupid. Well, I gotta roll for goodness. Hello,

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Speaker 1: we didn't want you to hang up. He hung up? Man,

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Speaker 1: I told him, hold on. I don't know if this

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Speaker 1: is him. He only has twelve posts called back. Bro.

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Speaker 1: We're gonna see if you get help. And there's nothing

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Speaker 1: in a wheelchair on him. Oh you know what I'm

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Speaker 1: telling you. People doing some screen things with some change nowadays. Bro,

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Speaker 1: My goodness, get it off your chest. Eight hundred five

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Speaker 1: eight five one on five one keep it locktics to

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Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Wake that ass

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Speaker 1: up in the morning. Check out this breakfast club. We

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Speaker 1: want we want to everybody's dj n D Angela Ye

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Speaker 1: Shlomagne the guy. We all the Breakfast club. We got

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Speaker 1: a special guest in the building. I missed her last time.

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Speaker 1: My daughter was in the hospital. I had to leave, yes,

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Speaker 1: but she's back and I'm glad to see it. I

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Speaker 1: didn't get that last time, so I'm so happy to

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Speaker 1: hear that intro. Thank you can find out some very

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Speaker 1: important information. Remember how the hold time, somebody who was

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Speaker 1: friends with Easter Ray, they actually flew here from la

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Speaker 1: together to New York, gave us a little tipit. Her

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Speaker 1: name is Regina Hall. She said that the way to

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Speaker 1: the top. I'm just gonna ask you question. Um, No,

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Speaker 1: I did not my way to the top. First of all,

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Speaker 1: I'm not at the top, so I would have been

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Speaker 1: a very poor if that would have Your very own

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Speaker 1: show that you actually community and wrote and starring on

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Speaker 1: HBO is kind of the top. We're not. We're not.

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Speaker 1: We just started, so we'll see. Are you nervous. I'm nervous,

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Speaker 1: but I'm more excited than nervous this time around. I

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Speaker 1: think season one I was mad, nervous, so crazy man

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Speaker 1: with you guys, and now you gotta it's like the

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Speaker 1: sophomore Jinkes, like every soho jinks. He wasn't here for no.

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Speaker 1: When you tapped into all my insecurities. Yeah, I mean

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Speaker 1: there's you always have pressure coming into the second season

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Speaker 1: because people are like, are you about to top season one?

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Speaker 1: Is it gonna go down? And that was one of

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Speaker 1: the things like we focused on, Like I didn't want

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Speaker 1: to come out the gate. Even just in the writer's room,

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Speaker 1: it was just very clear that we want to keep

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Speaker 1: it grounded and saying these real people's heads to make

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Speaker 1: sure that we're just telling an authentic story where you're

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Speaker 1: not it's not about twists and turns and how we

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Speaker 1: can top ourselves. So I'm nervous, but I feel really

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Speaker 1: strongly about all this stuff we're exploring this season, like

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Speaker 1: oh like what like um, one of the things I'm

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Speaker 1: excited about, like just a watched up there black women

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Speaker 1: talk about but you don't get to see on TV.

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Speaker 1: Like we we dabbled into the whole phase. Okay, every

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Speaker 1: woman has to go through the whole face. I think

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Speaker 1: I think they're three categories of women and the whole phase.

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Speaker 1: There's like the first category of women. Not everybody partakes.

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Speaker 1: Some women are just like you know, I wanna you know,

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Speaker 1: I want to meet my king, or I want to

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Speaker 1: like keep it locked, or I wanna you know, I

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Speaker 1: just want to give it up to who's right, and

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Speaker 1: they're a specific category, they're those women. Then I think

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Speaker 1: there's someone who engage and they're like, I'm about to

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Speaker 1: have fun, you know, I'm about to just go out

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Speaker 1: there and I'm about to do me. I'm about to

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Speaker 1: all I can and get my numbers up. And some

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Speaker 1: of those women are unfortunately relegated to a specific category

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Speaker 1: in guy's eyes as hose and they can't get out

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Speaker 1: of it, like they're just stuck being hose and can't

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Speaker 1: be but letting it. Maybe my choice like that guys

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Speaker 1: love women that they call hose too. At the same time,

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Speaker 1: because guys are about to call you a hole and

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Speaker 1: still try to talk to you. We don't want to

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Speaker 1: know you a hole. That's not true. We don't want

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Speaker 1: to know. But I mean, but it don't matter when

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Speaker 1: you find out, y'all will still talk to a girl. No,

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Speaker 1: we'll still try to smash. But some people end up

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Speaker 1: married to them, some people, And that's I feel like

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Speaker 1: that's the third category of women who are able to

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Speaker 1: just like like seamlessly, like they can double dutch into

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Speaker 1: hoary and they get their fakes and then they're out

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Speaker 1: and the jump out, they jump out. What's the third face?

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Speaker 1: That is a third face? You know, it'd be interesting

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Speaker 1: to see you on this season because you are single,

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Speaker 1: not by choice. Still can't believe me. I guess you're

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Speaker 1: gonna be dabbling in home with them. I mean, I

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Speaker 1: think you're gonna see these characters figure out who they

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Speaker 1: want don't want to be. So I think there's an

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Speaker 1: like she's vulnerable at this point and she's had her

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Speaker 1: heart broken, she broke her heart, and I think she's

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Speaker 1: just like you know, she wants I think she wants more.

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Speaker 1: It's back. The whole phase has got to be hard

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Speaker 1: with the social media error because everything's on social media,

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Speaker 1: but people tweeting out home right now. Me, it's hard.

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Speaker 1: I do sometimes hard to right, let's go out and

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Speaker 1: I put less hoo out and the HR right next

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Speaker 1: to each other. I've done it so much and I

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Speaker 1: think that's what that is. But I don't know. I

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Speaker 1: felt like there is a lot more one. I think

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Speaker 1: because of social media. I think people are more open

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Speaker 1: about talking about their hoary um and then there's a

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Speaker 1: lot of people blast people like there's so much, there's

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Speaker 1: so much like cruelty in terms of exposing people. And

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Speaker 1: it's like you slept together. You guys made the decision

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Speaker 1: to sleep with each other. We have more with Easter

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Speaker 1: Ray when we come back. Easter Ray still in the building. Ye.

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Speaker 1: I love that the not trying to have to act

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Speaker 1: like you're perfect, have everything together, that you have brought

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Speaker 1: that really to the forefront, because I feel like a

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Speaker 1: lot of times for a black women, we have to

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Speaker 1: try to give off this image of Okay, I got

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Speaker 1: anything game together with holding it down, but we all

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Speaker 1: fall from perfect. You just bringing it to the pot.

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Speaker 1: Nobody trusted her words, nobody okay to be awkward because

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Speaker 1: I have all kinds of awkward situations and as my

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Speaker 1: whole life. So it is nice to feel like you

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Speaker 1: can relate to somebody else that is successful and awkward.

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Speaker 1: And Regina's awkward. She is. That's why I was John tapping,

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Speaker 1: you know, having a chance to work with her for

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Speaker 1: a couple of years now, and she's just one of

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Speaker 1: the months down. She said, she walked on the plane

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Speaker 1: and saw you, and she said, what's up, bitch? She

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Speaker 1: did my headphones. Then she had to repeat it. I

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Speaker 1: was like, oh my god, got to say you know what,

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Speaker 1: I said that bitch effect. Mark did not have to

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Speaker 1: say effect. But I thank you for saying that. Thank

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Speaker 1: you for like always supporting the show. You guys been

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Speaker 1: so so amazing. I meant to tell you last time.

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Speaker 1: I was a year and I was too shy to

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Speaker 1: tell you, but I saw you at a strip club

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Speaker 1: and I was so impressed because you were like you

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Speaker 1: were dropping them once she was she was not working.

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Speaker 1: Was I at the strip club yet? It was my first? Um,

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Speaker 1: non Los Angeles strip club, because I've been my first

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Speaker 1: female scrip strip club. It was in them, was in Miami.

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Speaker 1: Fides was there that night, love, Rico Love. I don't

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Speaker 1: know where we at the office or where we at

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Speaker 1: m Tutsis. I don't know what it was called. I

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Speaker 1: don't know. It was definitely not bougie. I was first

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Speaker 1: of all, I went there. Oh, someone else brought me there.

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Speaker 1: I was just with a group of girls because it

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Speaker 1: was somebody's birthday and she wanted to go to the

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Speaker 1: strip club. But you thro, I was stalling twenties because

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Speaker 1: I was an idiot. I was idiot because I didn't

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Speaker 1: ask ready. I was very much and then I was

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Speaker 1: taking them back up and then throwing it again because

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Speaker 1: I was like, she didn't even see it. Let me

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Speaker 1: just make because twenty dollars to trust me, they've seen it?

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Speaker 1: Did they? So there and then I was going back

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Speaker 1: to the A team. I was just very impressed. I spent.

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Speaker 1: I mean I probably spent like five hundred dollars that night.

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Speaker 1: It wasn't why don't you get changed? And you know,

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Speaker 1: I don't know why. I think it was also very drunken,

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Speaker 1: and it was like it was too too much of

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Speaker 1: a line to get to get changed. And I was

385
00:19:29,520 --> 00:19:32,200
Speaker 1: also online wait online to get changed. I did it wrong.

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Speaker 1: I gave you set stack of ones to throw. You know,

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Speaker 1: you were busy, so applies. But it was it was

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Speaker 1: just very it was impressed. It. Yeah, we had a

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Speaker 1: lot of money. Question. Do you think cheating is ever justifiable? No?

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00:19:48,560 --> 00:19:50,040
Speaker 1: I don't think so. I don't think. I think you

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Speaker 1: just you have to communicate with your partner at all costs.

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Speaker 1: I think like it's it's unfair to to not tell

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Speaker 1: your partner like, hey, I'm about to be on this street,

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Speaker 1: so I want to end this relationship with you. No,

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00:20:00,840 --> 00:20:03,399
Speaker 1: it's never justifiable. I heard that if you cheat and

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Speaker 1: the person doesn't find out, you shouldn't tell them. I

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00:20:08,720 --> 00:20:10,960
Speaker 1: mean if they if they're not, because some people do

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00:20:10,960 --> 00:20:13,080
Speaker 1: it to Like I heard that too, and they say

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00:20:13,640 --> 00:20:15,399
Speaker 1: it does. Yeah, they say it's selfish to say if

400
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Speaker 1: you cheat it and you're not gonna get caught, don't

401
00:20:17,280 --> 00:20:19,160
Speaker 1: tell because all it doesn't make the other person feel

402
00:20:19,240 --> 00:20:22,680
Speaker 1: terrible and ease your own guilt. I mean, I always

403
00:20:22,760 --> 00:20:26,400
Speaker 1: ask if people want to know, like you know, like men,

404
00:20:26,480 --> 00:20:28,120
Speaker 1: I feel like men don't want to know. I don't

405
00:20:28,160 --> 00:20:31,080
Speaker 1: love this part. They just want to exist and know

406
00:20:31,160 --> 00:20:35,400
Speaker 1: that this relationship is perfect. Oh I do I want

407
00:20:35,400 --> 00:20:37,840
Speaker 1: to I always, I always want to know. I want

408
00:20:37,840 --> 00:20:40,760
Speaker 1: to know everything, like I feel like like I'm turned

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00:20:40,800 --> 00:20:44,520
Speaker 1: on by honesty. I love knowing everything that you know

410
00:20:44,920 --> 00:20:47,560
Speaker 1: is happening up front, your thoughts, your feelings, what you

411
00:20:47,560 --> 00:20:50,280
Speaker 1: don't like about the relationship, Like that's I like that.

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Speaker 1: I live. I thrive off of communication. That mystery bait.

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Speaker 1: All you gotta do if you get caught cheating and

414
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Speaker 1: just tell the truth. She was so good east to know,

415
00:21:02,480 --> 00:21:05,160
Speaker 1: all right, and not on that alright? E't some ray

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Speaker 1: ladies and gentlemen, this club, Good morning, the World's most

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Speaker 1: thing dress Morning show. It's time to shoot your shot.

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Speaker 1: To shoot your shot with the Breakfast Club. Just one chance.

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Speaker 1: Don't mess it up, mess it up, mess it up, Davante.

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Speaker 1: What's up? What's up? Guys? Who are you trying to

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00:21:24,760 --> 00:21:28,760
Speaker 1: shoot your shot with? Davante? This girl? She works at

422
00:21:28,800 --> 00:21:32,119
Speaker 1: the pharmacy. I go too. All right, now you got

423
00:21:32,200 --> 00:21:33,479
Speaker 1: to go there to pick up your vale Treks every

424
00:21:33,520 --> 00:21:35,680
Speaker 1: now and then. Oh maybe you know, fix then STD

425
00:21:35,760 --> 00:21:37,119
Speaker 1: problem because I'm letting you know if you got to

426
00:21:37,160 --> 00:21:38,399
Speaker 1: pick up your vale Treks. I don't think this is

427
00:21:38,400 --> 00:21:39,920
Speaker 1: a good idea to shoot your shot if she knows

428
00:21:39,920 --> 00:21:42,240
Speaker 1: that she's given you nah, sent it a dope. Man.

429
00:21:42,280 --> 00:21:44,280
Speaker 1: I don't even have a prescription there. I just go

430
00:21:44,359 --> 00:21:46,040
Speaker 1: there once a week to get like a pack or

431
00:21:46,119 --> 00:21:48,360
Speaker 1: dumb or something. And then you go to the pharmacy

432
00:21:48,400 --> 00:21:51,520
Speaker 1: register just to go see her. Yeah, she definitely did

433
00:21:51,560 --> 00:21:53,760
Speaker 1: should have STD and too scared to get the prescription. Bro,

434
00:21:54,080 --> 00:21:56,160
Speaker 1: I don't know. I don't know. I'm scared to shoot

435
00:21:56,200 --> 00:21:58,440
Speaker 1: my shot. I was hoping y'all help me. Why have

436
00:21:58,560 --> 00:22:00,359
Speaker 1: you ever had to come it? Had you ever had

437
00:22:00,359 --> 00:22:02,840
Speaker 1: a conversation, dude? You know, I get the gum. Ask

438
00:22:02,880 --> 00:22:05,080
Speaker 1: her how her day is doing what's going on? And

439
00:22:05,119 --> 00:22:08,960
Speaker 1: she's going to this for that concert? Not you not question?

440
00:22:09,119 --> 00:22:11,639
Speaker 1: Do you put the gum in your mouth before you

441
00:22:11,640 --> 00:22:14,040
Speaker 1: talk to her? Oh? You know, I usually get a

442
00:22:14,080 --> 00:22:16,240
Speaker 1: piece of the half of her one, because if you're

443
00:22:16,240 --> 00:22:18,040
Speaker 1: talking to her before you put the gum in your mouth,

444
00:22:18,080 --> 00:22:20,920
Speaker 1: that's probably why she's not interested, because your breath is

445
00:22:20,960 --> 00:22:24,520
Speaker 1: clearly funky. Now it's like half a half, half with gum,

446
00:22:24,600 --> 00:22:27,280
Speaker 1: half without gum. Okay, okay, all right, well let's get

447
00:22:27,280 --> 00:22:29,880
Speaker 1: about into it. I mean they've only had some brief conversations. All.

448
00:22:29,920 --> 00:22:31,639
Speaker 1: He doesn't see her when he buys some gums, So

449
00:22:31,640 --> 00:22:34,080
Speaker 1: I'll be interested to see if she's noticed you didn't

450
00:22:34,119 --> 00:22:36,680
Speaker 1: say hi when you walk in. Oh yeah, yeah, she's

451
00:22:36,760 --> 00:22:39,480
Speaker 1: very friendly. Okay. It's got to be a reason that

452
00:22:39,560 --> 00:22:42,080
Speaker 1: you haven't shot your shot yet other than just nerves.

453
00:22:42,080 --> 00:22:43,960
Speaker 1: Maybe he's scared, Maybe got a small wee week. I

454
00:22:43,960 --> 00:22:49,679
Speaker 1: don't know, damn. Okay, maybe maybe you need some some

455
00:22:49,800 --> 00:22:53,119
Speaker 1: zannies then for anxiety. I don't have a prescription for it,

456
00:22:53,160 --> 00:22:55,520
Speaker 1: you know why I could get something? Yeah, the girl,

457
00:22:55,600 --> 00:22:58,200
Speaker 1: Once you shoot your shot, hold on. When we come back,

458
00:22:58,200 --> 00:23:00,240
Speaker 1: we're gonna call the TV. That's the name, right, Let's

459
00:23:00,240 --> 00:23:04,400
Speaker 1: have ye don't move right, okay when we come back,

460
00:23:04,400 --> 00:23:07,640
Speaker 1: so don't move. It's morning. Everybody is DJ envy angela

461
00:23:07,720 --> 00:23:10,440
Speaker 1: ye Charlomagne, that god. We are the Breakfast Club. We're

462
00:23:10,440 --> 00:23:13,880
Speaker 1: in the middle of shoot your shot. We have DeVante

463
00:23:14,080 --> 00:23:30,480
Speaker 1: on the line. Shot man, make that phone call Hello, Hi, Hey,

464
00:23:30,520 --> 00:23:37,480
Speaker 1: what's up with Talia. Let's Devant from the pharmacy. Vante

465
00:23:37,600 --> 00:23:41,080
Speaker 1: from the pharmacy. How did you get my number? You

466
00:23:41,280 --> 00:23:44,800
Speaker 1: gave it to me? Remember, No, I don't remember. I

467
00:23:44,880 --> 00:23:49,080
Speaker 1: never gave you one. Wait, please, don't say what you want. Well,

468
00:23:49,359 --> 00:23:51,200
Speaker 1: you didn't actually give me a number. You actually gave

469
00:23:51,200 --> 00:23:53,760
Speaker 1: me your name, and then our search Facebook and your

470
00:23:53,800 --> 00:23:57,359
Speaker 1: number came off. Jesus Christ. Okay, you gotta stop. You

471
00:23:57,359 --> 00:23:59,600
Speaker 1: did not tell us this part. I'm sorry this. Let's

472
00:23:59,600 --> 00:24:03,040
Speaker 1: have you ever from? Hello? Yes? Wait, DJ v Angel

473
00:24:03,320 --> 00:24:06,320
Speaker 1: Charlomagne from the Breakfast Club. Mama, yeah, we're doing is going.

474
00:24:06,680 --> 00:24:08,760
Speaker 1: We thought that you gave him your number, and so

475
00:24:08,880 --> 00:24:10,600
Speaker 1: he was calling to shoot his shot because he has

476
00:24:10,600 --> 00:24:12,040
Speaker 1: a crush on you. He said he comes in there

477
00:24:12,080 --> 00:24:16,600
Speaker 1: all the time to buy gum. Oh my god, oh

478
00:24:16,640 --> 00:24:19,200
Speaker 1: my god, to do that buys gum. I don't even

479
00:24:19,320 --> 00:24:21,760
Speaker 1: put his change in his hand like I put it

480
00:24:21,800 --> 00:24:25,920
Speaker 1: on the Oh my god, he's the creepiest. Why is

481
00:24:25,960 --> 00:24:28,120
Speaker 1: he calling me? I don't understand why he still he's

482
00:24:28,119 --> 00:24:30,159
Speaker 1: still on the phone. He can hear he can hear you,

483
00:24:30,200 --> 00:24:33,680
Speaker 1: he's here. I got this point. I don't even care

484
00:24:33,760 --> 00:24:36,760
Speaker 1: because you're talking about too looked up my number on Facebook.

485
00:24:36,800 --> 00:24:42,560
Speaker 1: That's weird. It's kind of weird. That's really because Facebook

486
00:24:42,600 --> 00:24:45,320
Speaker 1: does provide this kind of information. But I do think

487
00:24:45,520 --> 00:24:47,239
Speaker 1: I wish we would have asked him, you know, did

488
00:24:47,280 --> 00:24:50,760
Speaker 1: he get your number before hand? But yeah, wait, why

489
00:24:50,920 --> 00:24:53,119
Speaker 1: is he calling me? I'm not understanding. He wants to

490
00:24:53,119 --> 00:24:54,800
Speaker 1: have sex with No, no, he wants to take you

491
00:24:54,880 --> 00:24:56,240
Speaker 1: out on the date. He wants to take you out

492
00:24:56,280 --> 00:24:59,679
Speaker 1: on the date. Why would go outs billion people on

493
00:24:59,680 --> 00:25:01,240
Speaker 1: the plane and you think I would go out with

494
00:25:01,280 --> 00:25:05,680
Speaker 1: this dude? Speak no, no, no, no, no, no, Sea,

495
00:25:06,080 --> 00:25:08,520
Speaker 1: you have the name of America. I just want to

496
00:25:08,520 --> 00:25:16,480
Speaker 1: take you and such keep no, well, let me keep

497
00:25:16,520 --> 00:25:20,520
Speaker 1: it one hundred. DeVante has adult acne. I can't even

498
00:25:20,520 --> 00:25:23,440
Speaker 1: get past that because we're not even doing it like that. No,

499
00:25:23,880 --> 00:25:30,000
Speaker 1: are you kidding me? Trying to figure out and figure

500
00:25:30,080 --> 00:25:34,040
Speaker 1: me out. No, please, and let me tell you I'm

501
00:25:34,080 --> 00:25:38,399
Speaker 1: giving out medicine for diabetes, for HIV, for cancer, and

502
00:25:38,440 --> 00:25:40,919
Speaker 1: this is coming every day buying gum. Do you know

503
00:25:41,200 --> 00:25:45,960
Speaker 1: how creepy that she is? Listen, why don't you prescribe

504
00:25:46,040 --> 00:25:47,920
Speaker 1: him something for his adult acne? Should he go see

505
00:25:47,920 --> 00:25:54,119
Speaker 1: a dermat I have a great name. I believe. I

506
00:25:54,200 --> 00:25:56,439
Speaker 1: really don't know why she's being like that. I always

507
00:25:56,480 --> 00:26:00,720
Speaker 1: offer a piece of dumb when I come, and that's creepy.

508
00:26:00,960 --> 00:26:03,600
Speaker 1: I don't think I don't think you should tell a

509
00:26:03,600 --> 00:26:09,320
Speaker 1: guy like this any last words. They're creepy. It really

510
00:26:09,520 --> 00:26:12,919
Speaker 1: okay to it all nice and slow. Flirt with me.

511
00:26:13,000 --> 00:26:14,879
Speaker 1: You know you love the girl? Yeah, why are you

512
00:26:14,880 --> 00:26:16,600
Speaker 1: taking the gun from him? Why are you leading him

513
00:26:16,600 --> 00:26:18,480
Speaker 1: on by taking the gun from gun from him? If

514
00:26:18,480 --> 00:26:22,280
Speaker 1: you're never taking a gun from him, I'm never taking guire.

515
00:26:24,400 --> 00:26:28,400
Speaker 1: I have a video. I snapshot it, LaTavia what Yeah,

516
00:26:28,520 --> 00:26:30,480
Speaker 1: next time he comes in there, I would call a policeman.

517
00:26:30,560 --> 00:26:32,440
Speaker 1: He's creepy as hell. Yeah, and the table you might

518
00:26:32,760 --> 00:26:37,040
Speaker 1: you might need to get a rest. No, we didn't know.

519
00:26:37,160 --> 00:26:41,600
Speaker 1: I'm sorry, we didn't know. Heyte your mother O father

520
00:26:41,720 --> 00:26:44,560
Speaker 1: was clearly a jodasy fan. Okay, because they named Devant.

521
00:26:44,720 --> 00:26:48,439
Speaker 1: Are you familiar with Vante Swing from Jodasi? Yeah, okay,

522
00:26:48,560 --> 00:26:50,720
Speaker 1: he did a Juicy Froo commercial back in the day.

523
00:26:50,920 --> 00:26:56,639
Speaker 1: Oh my god, La, I'm sorry. All right, we gotta go.

524
00:26:56,680 --> 00:27:00,720
Speaker 1: We got things to do. I'm sorry, God, have a

525
00:27:00,800 --> 00:27:03,440
Speaker 1: blessed day. Stops talking women. Okay, all right, I'll see

526
00:27:03,440 --> 00:27:11,840
Speaker 1: you for to see you next week. Girl. Sorry, sorry, geez.

527
00:27:12,000 --> 00:27:20,040
Speaker 1: Al right, shoot your shot. It's time to shoot your shot.

528
00:27:20,160 --> 00:27:22,879
Speaker 1: To shoot your shot with the breakfast club. Want chance,

529
00:27:23,160 --> 00:27:28,560
Speaker 1: don't mess it up? Mess it up? Good morning, come morning.

530
00:27:28,800 --> 00:27:30,359
Speaker 1: Now what's going on? Who do you want to shoot

531
00:27:30,359 --> 00:27:32,960
Speaker 1: your shot with? All right? So I met this guy

532
00:27:33,040 --> 00:27:38,080
Speaker 1: Sean at my brother's graduation and we was like we

533
00:27:38,080 --> 00:27:41,000
Speaker 1: were talking the whole night. We were really chopping it up.

534
00:27:41,240 --> 00:27:46,280
Speaker 1: He seemed like like my dream guy, but you got

535
00:27:46,280 --> 00:27:52,680
Speaker 1: an education. No, he was just like Z and I'm funny.

536
00:27:53,000 --> 00:27:56,159
Speaker 1: He just seemed like, I don't know, the conversation was

537
00:27:56,200 --> 00:27:59,719
Speaker 1: just unusual, like we're talking about like life in the

538
00:27:59,760 --> 00:28:03,480
Speaker 1: wa He just he was just like really intellectual, and

539
00:28:04,119 --> 00:28:06,119
Speaker 1: I don't know, I was just kind of blown away

540
00:28:06,119 --> 00:28:08,080
Speaker 1: by what are you used to talking about with guys

541
00:28:08,160 --> 00:28:10,520
Speaker 1: loving hip hop? And like, you know, what's the latest

542
00:28:10,640 --> 00:28:13,679
Speaker 1: popping meme on Instagram? She had a media connection, so

543
00:28:13,720 --> 00:28:16,000
Speaker 1: that's you know, that's different. Sometimes you don't have those

544
00:28:16,000 --> 00:28:19,399
Speaker 1: conversations till later on. And honestly, I've been thinking about

545
00:28:19,480 --> 00:28:22,320
Speaker 1: him since then, like wow, it was yeah, And I

546
00:28:22,359 --> 00:28:25,240
Speaker 1: didn't get asking. You hadn't ask him for his number anything,

547
00:28:25,320 --> 00:28:28,399
Speaker 1: because you know, it's my brother, my brother's event. I

548
00:28:28,400 --> 00:28:30,000
Speaker 1: didn't want to seem like, you know what I mean,

549
00:28:30,640 --> 00:28:32,800
Speaker 1: at least give me your Instagram, right, you didn't give

550
00:28:32,840 --> 00:28:38,280
Speaker 1: me Instagram at least nothing. How are we gonna call him? Well?

551
00:28:38,360 --> 00:28:40,840
Speaker 1: I just went into my brother's phone, like you know whatever,

552
00:28:41,080 --> 00:28:43,440
Speaker 1: Let me just get this guy's number and just try

553
00:28:43,520 --> 00:28:48,120
Speaker 1: this oluf what his phone? You didn't even tell your

554
00:28:48,120 --> 00:28:52,920
Speaker 1: brother saw him. You should ask your brother at least,

555
00:28:52,920 --> 00:28:54,840
Speaker 1: like yo, can you hit your friend and let him

556
00:28:54,880 --> 00:28:57,160
Speaker 1: know see if it's cool? But if he's got a girlfriend,

557
00:28:57,600 --> 00:29:00,280
Speaker 1: me and my brother aren't cool like that, you know

558
00:29:00,280 --> 00:29:02,440
Speaker 1: what I mean? Like I don't talk to about that stuff.

559
00:29:02,720 --> 00:29:04,959
Speaker 1: Your brother not about to pass off pool his sister's

560
00:29:04,960 --> 00:29:09,280
Speaker 1: poom poom did friend. That's kind of weird, right, I

561
00:29:09,320 --> 00:29:11,400
Speaker 1: think I think we should call him and see what happens,

562
00:29:11,440 --> 00:29:16,239
Speaker 1: because this can go left right right? Yeah, all right,

563
00:29:16,240 --> 00:29:17,959
Speaker 1: when we come back, we'll call him. We'll get bit

564
00:29:17,960 --> 00:29:20,440
Speaker 1: the shot. What's his name again, Sean Sean? All right,

565
00:29:20,480 --> 00:29:22,440
Speaker 1: we'll call Sean when we come back, and you get

566
00:29:22,480 --> 00:29:25,120
Speaker 1: to shoot your shot and we'll just be here for support.

567
00:29:25,160 --> 00:29:27,040
Speaker 1: What if you find out Sean Sean really has a

568
00:29:27,040 --> 00:29:31,440
Speaker 1: crush on your brother, I don't think. I don't think

569
00:29:31,520 --> 00:29:36,040
Speaker 1: he's gay or LGBTIA or any of that. LGBTIA. What

570
00:29:36,120 --> 00:29:43,040
Speaker 1: is the what the hell do you know? What number?

571
00:29:43,120 --> 00:29:46,120
Speaker 1: Yeah that it was LGBTQ. Oh, maybe I'm messing it up.

572
00:29:46,280 --> 00:29:49,200
Speaker 1: All right, all right, real, call Shan when we come back.

573
00:29:49,320 --> 00:29:52,800
Speaker 1: Is the Breakfast Cloak Morning? Is DJ Envy Angela Yee

574
00:29:52,920 --> 00:29:55,840
Speaker 1: Charlomagne the guy? We are the Breakfast Club. Now we're

575
00:29:55,880 --> 00:29:58,080
Speaker 1: in the middle of shoot your shot. We have Nala

576
00:29:58,200 --> 00:30:00,680
Speaker 1: on the line that Nala is calling show on. Let's

577
00:30:00,680 --> 00:30:02,120
Speaker 1: see how this works. Go ahead, and now let's give

578
00:30:02,160 --> 00:30:19,000
Speaker 1: him a ring. Yallo. Hello, Hi, um Sean, Yeah, hi son,

579
00:30:19,120 --> 00:30:23,200
Speaker 1: this is Nala. We met Adah mom about the Jamal's

580
00:30:23,280 --> 00:30:30,320
Speaker 1: graduation last week. Okay, what's good. I know this is

581
00:30:30,600 --> 00:30:34,440
Speaker 1: really unusual, but I just um, I got I got

582
00:30:34,480 --> 00:30:37,040
Speaker 1: your number from him, and I just wanted to hit

583
00:30:37,080 --> 00:30:39,640
Speaker 1: you up and see, like, um, if you wanted to,

584
00:30:39,880 --> 00:30:43,080
Speaker 1: you know, hang out of something. Sometimes. I really got

585
00:30:43,120 --> 00:30:46,800
Speaker 1: a conversation there, so I thought you were really a

586
00:30:46,920 --> 00:30:53,880
Speaker 1: nice guy. Yeah, yeah, I remember you. I remember you. Yeah.

587
00:30:53,920 --> 00:30:56,240
Speaker 1: That's funny though, because like I was there for, like

588
00:30:56,680 --> 00:30:58,440
Speaker 1: I'll keep it real, I was dire for like free

589
00:30:58,480 --> 00:31:00,280
Speaker 1: food and free drinks and what happen you you know

590
00:31:00,320 --> 00:31:03,080
Speaker 1: what I'm saying. I didn't know that I was gonna

591
00:31:03,080 --> 00:31:06,920
Speaker 1: have like feelings and meet some like a like like

592
00:31:07,000 --> 00:31:11,840
Speaker 1: someone like you. You know, so well, definitely we definitely

593
00:31:11,840 --> 00:31:13,680
Speaker 1: had a good time. Definitely a good time. I'm you

594
00:31:13,760 --> 00:31:17,080
Speaker 1: followed up, you know. Yeah, I'm also motivated by free

595
00:31:17,120 --> 00:31:22,400
Speaker 1: food and drink. So I got free shrimp, that was

596
00:31:22,720 --> 00:31:26,280
Speaker 1: free shrink breakfast club. He sat in a real corner,

597
00:31:26,480 --> 00:31:34,440
Speaker 1: stood drinks. Sound black, y'all? Sound bad? Some free chicken

598
00:31:34,480 --> 00:31:36,560
Speaker 1: and can you get nihilists? Some free food and free

599
00:31:36,600 --> 00:31:38,280
Speaker 1: drinks now, But I too would have been there for

600
00:31:38,320 --> 00:31:41,880
Speaker 1: the free food and free drink. My goodness, Hello, what's up?

601
00:31:41,920 --> 00:31:43,720
Speaker 1: Y know? What's going on? Oh Sean? This is the

602
00:31:43,720 --> 00:31:46,680
Speaker 1: Breakfast Club. DJ and Vangelie Charlomagne and God, how are

603
00:31:46,720 --> 00:31:49,080
Speaker 1: you sir? A segment cost shoot your shot and Nila

604
00:31:49,160 --> 00:31:52,600
Speaker 1: wanted to shoot her shot. Yah, yeah, I'm on the radio. Yeah,

605
00:31:52,720 --> 00:31:54,600
Speaker 1: Nila just wanted a little extra support. You know what

606
00:31:54,680 --> 00:31:56,640
Speaker 1: I'm saying? Why why I'm why on? Why am I

607
00:31:56,680 --> 00:31:58,360
Speaker 1: on the radio? What do you mean while you're on

608
00:31:58,400 --> 00:32:00,080
Speaker 1: the radio? She just we got a segment called with

609
00:32:00,160 --> 00:32:03,440
Speaker 1: your shot. She wanted to high ast you connection. You know, No,

610
00:32:03,840 --> 00:32:05,320
Speaker 1: I ain't. I ain't trying to be on the radio

611
00:32:05,400 --> 00:32:10,640
Speaker 1: right now. Oh you got a girl, yeah, you gotta, Nila, Nila?

612
00:32:10,720 --> 00:32:13,320
Speaker 1: What what's up with this? I just I just like

613
00:32:13,520 --> 00:32:15,320
Speaker 1: it has a segment? I heard it all the time.

614
00:32:15,360 --> 00:32:17,960
Speaker 1: I always worked, so I figured, you know, let me

615
00:32:18,040 --> 00:32:20,720
Speaker 1: just let me just hit them up. And I don't

616
00:32:20,720 --> 00:32:25,920
Speaker 1: get it, like I you're definitely married now, so you

617
00:32:26,000 --> 00:32:29,960
Speaker 1: married Shana, You're in a relationship. Definitely a relationship. Yo. Listen,

618
00:32:30,000 --> 00:32:34,200
Speaker 1: I listen, listens. No one's business right now about this man.

619
00:32:34,880 --> 00:32:37,880
Speaker 1: So right now, I don't even know why I'm I'm

620
00:32:37,920 --> 00:32:41,000
Speaker 1: incorporated right now in this. Oh so what you was drunk?

621
00:32:41,200 --> 00:32:44,520
Speaker 1: He was? You're drug? You got possessed? What you're gonna

622
00:32:44,560 --> 00:32:46,800
Speaker 1: tell you? You're gonna tell your wife. Shot. This didn't

623
00:32:46,800 --> 00:32:48,800
Speaker 1: go so well? It almost did? All right, all right,

624
00:32:48,880 --> 00:32:50,800
Speaker 1: all right, you know what. I don't know what is this?

625
00:32:50,880 --> 00:32:52,520
Speaker 1: A jo. Don't know what's going on though, but it's

626
00:32:52,560 --> 00:32:54,960
Speaker 1: not cool. Hold on, ask you one question. Let me

627
00:32:54,960 --> 00:32:57,880
Speaker 1: ask you one question. What do you why? Just tell

628
00:32:57,920 --> 00:33:00,520
Speaker 1: me if you're married or not. I gotta shafe thing.

629
00:33:00,960 --> 00:33:05,080
Speaker 1: You what he got? Anything I got under rest saan,

630
00:33:05,520 --> 00:33:09,440
Speaker 1: Jesus Christ. We don't know what I said. You don't

631
00:33:09,440 --> 00:33:15,600
Speaker 1: know what the situation is. All right, So maybe my

632
00:33:15,680 --> 00:33:17,600
Speaker 1: last name's not used here? Right? No one use my

633
00:33:17,680 --> 00:33:23,000
Speaker 1: last name. You didn't tell us your last name? San okay, Sean.

634
00:33:23,160 --> 00:33:25,640
Speaker 1: You should have hung up forty seconds ago, se Sorry,

635
00:33:26,000 --> 00:33:27,360
Speaker 1: I don't I don't think he worried out the way

636
00:33:27,360 --> 00:33:29,160
Speaker 1: you wanted. Damn it, man, that's what happens when you

637
00:33:29,160 --> 00:33:31,040
Speaker 1: move off in motion and not scrategy. As soon as

638
00:33:31,040 --> 00:33:32,840
Speaker 1: I would have heard the breakfast club, I just hung up.

639
00:33:33,520 --> 00:33:37,120
Speaker 1: My wife would have been like, ear nah, damn not me.

640
00:33:37,160 --> 00:33:40,800
Speaker 1: I's everything can't always work out. I I don't even

641
00:33:40,800 --> 00:33:42,320
Speaker 1: listen to the radio on the more I got titled

642
00:33:44,080 --> 00:33:46,680
Speaker 1: my goodness. I Well that didn't work out. Well, don't

643
00:33:46,720 --> 00:33:50,480
Speaker 1: move it's the breakfast Club. Good morning. May say the

644
00:33:50,640 --> 00:33:58,520
Speaker 1: game don't get out the shape man you are donkey

645
00:33:58,640 --> 00:34:01,160
Speaker 1: today does not discriminate. I might not have the song

646
00:34:01,200 --> 00:34:03,320
Speaker 1: of today, but I got to donkey that if you

647
00:34:03,360 --> 00:34:07,480
Speaker 1: ever feel I need to be a Donkey man, it's

648
00:34:07,480 --> 00:34:11,959
Speaker 1: the breakfast Club. Bitches. They just don't keep the day today. Boy,

649
00:34:12,880 --> 00:34:14,840
Speaker 1: I gotta get this off my chest. Don't here to

650
00:34:14,880 --> 00:34:17,280
Speaker 1: day goes to Touq. Saint Patrick. Let me tell you something.

651
00:34:17,320 --> 00:34:19,200
Speaker 1: This is how I know Power is a great show

652
00:34:19,400 --> 00:34:22,120
Speaker 1: because I am emotionally invested in a lot of these characters.

653
00:34:22,320 --> 00:34:24,520
Speaker 1: It's three people I want to see die on Power

654
00:34:24,760 --> 00:34:29,120
Speaker 1: right now, in no particular order except number one it's

655
00:34:29,160 --> 00:34:35,800
Speaker 1: Tasha dre and number one to Saint Patrick. Why Tasha,

656
00:34:36,160 --> 00:34:38,319
Speaker 1: That's a whole another story for a whole another day.

657
00:34:38,400 --> 00:34:41,320
Speaker 1: But she gotta go to No. She is not just

658
00:34:41,440 --> 00:34:45,480
Speaker 1: his fake, not even close now, has never turned her

659
00:34:45,520 --> 00:34:49,680
Speaker 1: back on her husband. Whath we'll talk about that now.

660
00:34:49,760 --> 00:34:53,040
Speaker 1: I absolutely hate that little boy, Terreq, privileged little negro

661
00:34:53,080 --> 00:34:54,600
Speaker 1: who doesn't have to do any of the things he

662
00:34:54,680 --> 00:34:57,600
Speaker 1: is doing or done. Cut in school, drinking, lean, setting

663
00:34:57,600 --> 00:35:00,440
Speaker 1: people up to get robbed. Meanwhile, his parents, rich and

664
00:35:00,480 --> 00:35:03,120
Speaker 1: he was a strade as student. I hate Tarik's face.

665
00:35:03,800 --> 00:35:05,759
Speaker 1: Last week he got a woman shot and killed because

666
00:35:05,760 --> 00:35:07,520
Speaker 1: he set her up to get robbed by a guy

667
00:35:07,640 --> 00:35:10,480
Speaker 1: named Brains and some other guy. And they told his

668
00:35:10,600 --> 00:35:12,760
Speaker 1: dumb ass, as soon as we come in the house,

669
00:35:13,239 --> 00:35:16,320
Speaker 1: you should leave, all right, just bounce. But Tariq bumbass

670
00:35:16,360 --> 00:35:18,640
Speaker 1: doesn't leave and comes up to stairs. When he comes

671
00:35:18,719 --> 00:35:21,160
Speaker 1: up to stairs, one of the guys that sexually assaulting

672
00:35:21,200 --> 00:35:24,040
Speaker 1: a woman, and Tariq green ass yells our brains tell

673
00:35:24,120 --> 00:35:31,320
Speaker 1: him stop, let's hear it, stop please, you got her killed. Tarik.

674
00:35:31,760 --> 00:35:33,840
Speaker 1: I'm not the highest grade of weed in the dispensary,

675
00:35:33,960 --> 00:35:36,800
Speaker 1: but if two people are wearing masks during an armed robbery,

676
00:35:36,960 --> 00:35:39,640
Speaker 1: you should not yell out one of the person's names.

677
00:35:39,840 --> 00:35:41,640
Speaker 1: So of course they had to kill the woman. Now,

678
00:35:41,640 --> 00:35:44,640
Speaker 1: when they killed a woman, Tarik does what he does best,

679
00:35:44,880 --> 00:35:49,800
Speaker 1: which is fleet the scene out. Tarike nicknames should actually

680
00:35:49,840 --> 00:35:52,280
Speaker 1: be fleet because that's what he does best, fleet the scene.

681
00:35:52,360 --> 00:35:55,040
Speaker 1: But it's that scene which is causing me to give

682
00:35:55,080 --> 00:35:58,160
Speaker 1: to Ark donkeyre today see the dirty cop ray Ray.

683
00:35:58,640 --> 00:36:01,400
Speaker 1: You know he's connected to all this. So he meets

684
00:36:01,480 --> 00:36:04,160
Speaker 1: up for Brains and the other guy, and he wants

685
00:36:04,160 --> 00:36:06,279
Speaker 1: to kill Tarik too, just to make sure there is

686
00:36:06,320 --> 00:36:09,040
Speaker 1: nobody that can implicate him, So he ends up killing

687
00:36:09,040 --> 00:36:11,560
Speaker 1: Brains and the other guy, and Tarik swear he's a ge,

688
00:36:11,880 --> 00:36:14,399
Speaker 1: so he promises not the towel, but listening to him

689
00:36:14,440 --> 00:36:17,080
Speaker 1: on the phone talking to Ray rays Cousin, not keep

690
00:36:17,080 --> 00:36:19,760
Speaker 1: in mind Ray rays Cousin was Terik's first piece of ass,

691
00:36:20,120 --> 00:36:23,919
Speaker 1: so you know he opened. Listen to this sucker, shoot

692
00:36:24,000 --> 00:36:28,160
Speaker 1: that lady. I don't know what you're chucking about. How

693
00:36:28,160 --> 00:36:30,480
Speaker 1: are you lying? You listen? Only called because I thought

694
00:36:30,480 --> 00:36:32,640
Speaker 1: she's gonna been, You're gonna come and nut I was

695
00:36:32,640 --> 00:36:34,600
Speaker 1: supposed to be a girl, so he's supposed to tell

696
00:36:34,640 --> 00:36:37,359
Speaker 1: me things. But if I gotta go, No, I ain't

697
00:36:37,440 --> 00:36:39,440
Speaker 1: kised the body. No, I wasn't scaring brains did that.

698
00:36:40,120 --> 00:36:42,800
Speaker 1: I'm not scary. I want to hear more, but I

699
00:36:42,800 --> 00:36:46,880
Speaker 1: got a gentle can't spot he bitched out for a bitch,

700
00:36:47,520 --> 00:36:49,360
Speaker 1: You pitched out for a bit. You confess to a

701
00:36:49,480 --> 00:36:53,760
Speaker 1: whole murder for some ass and some lean on the phone.

702
00:36:53,760 --> 00:36:56,120
Speaker 1: Confeased to a murder because his first piece of poom

703
00:36:56,200 --> 00:36:59,120
Speaker 1: poom got him gassed up? How green is Tarik dumb?

704
00:36:59,239 --> 00:37:02,680
Speaker 1: Is he is he green? Lantern green green, goblin green?

705
00:37:02,760 --> 00:37:06,160
Speaker 1: Green light means gold green? Is he Sophie green? Jolly green,

706
00:37:06,239 --> 00:37:08,680
Speaker 1: giant green? The green around soldier Boy's neck for wearing

707
00:37:08,680 --> 00:37:11,439
Speaker 1: fake jewelry green like bro. Now, to make a long

708
00:37:11,480 --> 00:37:13,960
Speaker 1: story longer, Ray Ray the cricket cop pulls up on

709
00:37:14,000 --> 00:37:16,200
Speaker 1: Trek at their school dance to kill him. This is

710
00:37:16,200 --> 00:37:18,359
Speaker 1: after pulling up on Terka at his school but he

711
00:37:18,440 --> 00:37:20,479
Speaker 1: wasn't there, but they let him talk to Tariq's sister,

712
00:37:20,600 --> 00:37:24,239
Speaker 1: rain A Raina. Raina tells Tarik that ray Ray came

713
00:37:24,320 --> 00:37:27,160
Speaker 1: looking for him, and Tik tells Raina not to say anything,

714
00:37:27,440 --> 00:37:30,520
Speaker 1: and Raina, being the loyal sister she is, didn't say anything,

715
00:37:30,560 --> 00:37:33,719
Speaker 1: but it ultimately cost her because when ray Ray pulled

716
00:37:33,800 --> 00:37:36,080
Speaker 1: up on Trek at the school and Tuik does what

717
00:37:36,160 --> 00:37:40,200
Speaker 1: he does best, Fleet the damnc Rainer decides to come

718
00:37:40,239 --> 00:37:46,799
Speaker 1: outside following her brother, being all protective, and this happens

719
00:37:46,800 --> 00:38:02,600
Speaker 1: on rain is dead, Ladies, didn't get if you're not

720
00:38:02,680 --> 00:38:05,520
Speaker 1: following me, Trek got his sister killed. Yes, his sister

721
00:38:05,640 --> 00:38:09,360
Speaker 1: Raina is dead, ladies and gentlemen, ghosts and Tasha's oldest daughter,

722
00:38:09,600 --> 00:38:12,560
Speaker 1: not Terk is getting dunkey of today, because what pissed

723
00:38:12,600 --> 00:38:14,920
Speaker 1: me off about this scene after I watched it again

724
00:38:15,360 --> 00:38:19,160
Speaker 1: was tark Ter. First of all, ter looks like the

725
00:38:19,160 --> 00:38:21,359
Speaker 1: baby from that old show Dinosaurs. He looks just like

726
00:38:21,440 --> 00:38:23,600
Speaker 1: him in the face. And when Brains and that other

727
00:38:23,640 --> 00:38:26,360
Speaker 1: guy was in the house and Terie came upstairs, he

728
00:38:26,400 --> 00:38:28,799
Speaker 1: saw this random woman he didn't know about to be

729
00:38:28,840 --> 00:38:32,719
Speaker 1: sexually assaulted and he lost it. He got upset and screamed.

730
00:38:32,840 --> 00:38:35,920
Speaker 1: But when it comes to your sister, you're fleshing blood.

731
00:38:36,080 --> 00:38:38,600
Speaker 1: You sit there and watch a man who just tried

732
00:38:38,640 --> 00:38:41,880
Speaker 1: to kill you confront your sister and you just hide.

733
00:38:42,640 --> 00:38:46,040
Speaker 1: You don't yell, you don't jump up and try to him.

734
00:38:46,200 --> 00:38:48,880
Speaker 1: Not then you don't whistle. Why you didn't hop about

735
00:38:48,880 --> 00:38:51,480
Speaker 1: to say ray ray stop tharc. I don't even know

736
00:38:51,520 --> 00:38:53,799
Speaker 1: you and I hate you. You are staying a fake

737
00:38:53,840 --> 00:38:56,279
Speaker 1: of phony, a fan of complete winkster. And because you

738
00:38:56,320 --> 00:38:58,200
Speaker 1: want to run the streech when you don't have to

739
00:38:58,600 --> 00:39:01,680
Speaker 1: raina is Daddy, Please give to Rid Saint Patrick the

740
00:39:01,680 --> 00:39:10,080
Speaker 1: biggesty Hall Police morning. Everybody is DJ Envy angela Ye,

741
00:39:10,120 --> 00:39:12,680
Speaker 1: Charlemagne the guy. We are the breakfast club. We got

742
00:39:12,719 --> 00:39:14,839
Speaker 1: a special guest in the building. You might know him

743
00:39:14,840 --> 00:39:17,440
Speaker 1: from Wilding Out. He has a new show on MTV.

744
00:39:17,520 --> 00:39:20,680
Speaker 1: When they actually bringing the show back, he's on TRL. Yeah,

745
00:39:21,080 --> 00:39:26,400
Speaker 1: DC yrsel, Hey, because gratch on getting the TRL gig. Man, Man,

746
00:39:26,400 --> 00:39:28,440
Speaker 1: I appreciate it. Man, this seat hot man. A lot

747
00:39:28,480 --> 00:39:37,960
Speaker 1: of stuff going on. I'll tell you my bad. You

748
00:39:38,080 --> 00:39:40,759
Speaker 1: always gave me. You always get you a game. I

749
00:39:40,800 --> 00:39:42,680
Speaker 1: was in the office with one of the executed MTV

750
00:39:42,760 --> 00:39:44,320
Speaker 1: and they was telling me they want to bring TRL

751
00:39:44,440 --> 00:39:46,839
Speaker 1: back and you're gonna get DC the holes And I said,

752
00:39:46,920 --> 00:39:48,879
Speaker 1: I said, that's dope. You know what I said. I've

753
00:39:48,920 --> 00:39:51,680
Speaker 1: been But I said, can DC retele prompted though, yeah,

754
00:39:51,680 --> 00:39:58,359
Speaker 1: I can read. That's the same thing read reading. Why

755
00:39:58,440 --> 00:40:00,160
Speaker 1: would he be able to read but carry the tell

756
00:40:00,200 --> 00:40:02,239
Speaker 1: the proplem. But but you know, it's like a chance,

757
00:40:02,320 --> 00:40:03,840
Speaker 1: you know, like the end of the movie. You always

758
00:40:03,880 --> 00:40:05,480
Speaker 1: try to read the names and you're like, you know what,

759
00:40:05,800 --> 00:40:08,160
Speaker 1: forget it, you know, because it's it's it's moving too fast.

760
00:40:08,200 --> 00:40:12,839
Speaker 1: But now I make the words bigger though, because I'm like, hey,

761
00:40:12,880 --> 00:40:14,640
Speaker 1: you need that a little bit bigger, because it really

762
00:40:14,719 --> 00:40:16,440
Speaker 1: was what DC first starting on TV, Like when I

763
00:40:16,440 --> 00:40:18,839
Speaker 1: had you on Uncommon Sense, I can understand you because

764
00:40:18,840 --> 00:40:20,359
Speaker 1: I'm from the South. Yeah, but a lot of the

765
00:40:20,360 --> 00:40:23,440
Speaker 1: execs was like, yeah, I had to I had to

766
00:40:23,520 --> 00:40:28,200
Speaker 1: learn how to be articulate, you know. You know classes, No,

767
00:40:28,400 --> 00:40:30,640
Speaker 1: I just when I read more, you know what I'm saying,

768
00:40:30,719 --> 00:40:32,640
Speaker 1: you kind of like sound words out that you don't know.

769
00:40:33,280 --> 00:40:35,520
Speaker 1: So it make you be articulate, you know. So I

770
00:40:35,560 --> 00:40:38,479
Speaker 1: had to just learn how to just start talking. Because

771
00:40:38,520 --> 00:40:40,359
Speaker 1: I'm so Southern, I could tell him not come up

772
00:40:40,360 --> 00:40:42,799
Speaker 1: here like I don't say saving, I say sound. There

773
00:40:42,840 --> 00:40:45,000
Speaker 1: you go, love mcclock, there you go. You know what

774
00:40:45,000 --> 00:40:50,520
Speaker 1: I'm gonna call scrap. There you go, put a cage.

775
00:40:50,719 --> 00:40:55,360
Speaker 1: Y'all got to start doing your past out together. That's

776
00:40:55,400 --> 00:41:03,279
Speaker 1: what club the Amber, the one that that's gonna say, yo,

777
00:41:03,560 --> 00:41:07,560
Speaker 1: when you need to go to the hospital. Yeah, you

778
00:41:07,600 --> 00:41:14,560
Speaker 1: know exactly what you're talking. I don't know amblam so banal.

779
00:41:14,680 --> 00:41:17,160
Speaker 1: So now I on on screen, I'll be like the

780
00:41:17,160 --> 00:41:20,839
Speaker 1: Ambu lance that that hurts. It hurts. They're gonna they're

781
00:41:20,840 --> 00:41:22,839
Speaker 1: trying to make you tone it down. It ain't really

782
00:41:22,880 --> 00:41:24,399
Speaker 1: trying to make me tone it down. Man. We got

783
00:41:24,400 --> 00:41:26,800
Speaker 1: a lot of a lot of cool co host You

784
00:41:26,840 --> 00:41:29,040
Speaker 1: know what I'm saying, so you know Lawrence, Yeah, Lawrence,

785
00:41:29,080 --> 00:41:31,840
Speaker 1: Lawrence a food man. Everybody on it shot to everybody

786
00:41:31,840 --> 00:41:34,960
Speaker 1: who on TRM. Man, So you know, I bring my

787
00:41:35,040 --> 00:41:37,640
Speaker 1: certain energy, you know, and everybody else bring they they

788
00:41:37,760 --> 00:41:39,840
Speaker 1: they power skills to the table. So we're gonna make this.

789
00:41:39,960 --> 00:41:41,400
Speaker 1: We're gonna we're gonna turn it up. It's a lot

790
00:41:41,440 --> 00:41:43,359
Speaker 1: of people that there's room for. And the's a lot

791
00:41:43,400 --> 00:41:46,120
Speaker 1: of people like guess what, man, We made him bring

792
00:41:46,160 --> 00:41:48,200
Speaker 1: it out the dad for a reason? Man, So what

793
00:41:48,239 --> 00:41:50,480
Speaker 1: about the crossover folks? You you familiar with all on

794
00:41:50,600 --> 00:41:52,200
Speaker 1: the pop and rhythmic news and all that stuff too.

795
00:41:52,239 --> 00:41:56,000
Speaker 1: I'm learning, okay, I'm learning. Every time we get somebody,

796
00:41:56,040 --> 00:41:58,560
Speaker 1: I'm like, who Okay, I'm learning. I like this show,

797
00:41:59,680 --> 00:42:03,000
Speaker 1: that's all. I like it. Opening your eyes and new things,

798
00:42:03,000 --> 00:42:05,120
Speaker 1: different genres. A lot of times we can't get married

799
00:42:05,160 --> 00:42:07,960
Speaker 1: because I'm grown. And congratulations on the baby. See what

800
00:42:08,000 --> 00:42:18,719
Speaker 1: I'm saying. I appreciate your girl. Thank good. You know

801
00:42:18,760 --> 00:42:20,279
Speaker 1: what I'm saying. It's a blessing. Man. You know, my

802
00:42:20,280 --> 00:42:24,400
Speaker 1: beautiful baby, she's crazy. I was farther change. Oh it

803
00:42:24,520 --> 00:42:27,360
Speaker 1: made me like, like certain stuff I don't like to

804
00:42:27,400 --> 00:42:29,160
Speaker 1: do normal. I don't really like going to the club

805
00:42:29,360 --> 00:42:32,680
Speaker 1: like that. I don't really like hanging out paying eight yeah,

806
00:42:32,680 --> 00:42:35,240
Speaker 1: I don't got lane like soon to get like eight fifteen.

807
00:42:35,280 --> 00:42:37,960
Speaker 1: I'm like, y'all, I'm gonna go to the stoke, go

808
00:42:38,000 --> 00:42:40,160
Speaker 1: home there you go. Yeah, man, But you know, she

809
00:42:40,160 --> 00:42:42,000
Speaker 1: she she keeps me grounding her look crazy, So I

810
00:42:42,000 --> 00:42:43,680
Speaker 1: gotta be here to make sure she don't miss what

811
00:42:43,719 --> 00:42:46,520
Speaker 1: a dude like me, what was it like when you're there?

812
00:42:46,600 --> 00:42:49,040
Speaker 1: When she was giving birth and oh man, let me

813
00:42:49,080 --> 00:42:51,439
Speaker 1: tell y'all this story. Right, So she was getting born

814
00:42:51,480 --> 00:42:57,400
Speaker 1: in my and my girl you know herself, man, because normal,

815
00:42:57,600 --> 00:43:00,680
Speaker 1: it's normal. But but it coming out though, like it

816
00:43:00,760 --> 00:43:02,719
Speaker 1: was most than the baby. So I'm like, hey, you're

817
00:43:02,719 --> 00:43:05,560
Speaker 1: pushing the wrong hole, baby, you know what I'm saying.

818
00:43:05,560 --> 00:43:07,840
Speaker 1: But when my baby came out her head with this

819
00:43:08,000 --> 00:43:12,000
Speaker 1: from no nah, she had no disease, but you know,

820
00:43:12,840 --> 00:43:15,560
Speaker 1: the head was coming out so much. It was the

821
00:43:15,600 --> 00:43:17,640
Speaker 1: head was the hardest pot for to come out coming

822
00:43:17,640 --> 00:43:19,360
Speaker 1: out the vagina. The head is not it's like a

823
00:43:19,400 --> 00:43:22,719
Speaker 1: little it's like a little smoog. So when she came out,

824
00:43:22,840 --> 00:43:25,400
Speaker 1: was like, oh man, I got a slow as baby.

825
00:43:25,480 --> 00:43:27,560
Speaker 1: All the people you didn't tease I'm like all the

826
00:43:27,640 --> 00:43:31,080
Speaker 1: people came back around to the dog. I said, please, man,

827
00:43:31,120 --> 00:43:33,279
Speaker 1: my baby got a comb head. Please, do you know

828
00:43:33,280 --> 00:43:35,520
Speaker 1: who I am? I need this baby head to start.

829
00:43:36,120 --> 00:43:38,480
Speaker 1: We take her head off, another baby head and put

830
00:43:38,560 --> 00:43:41,440
Speaker 1: up please. And she was like, na, that's normal. I'm like, baby,

831
00:43:41,600 --> 00:43:45,480
Speaker 1: they shaved it. It still shave the head. Now. I

832
00:43:45,600 --> 00:43:48,719
Speaker 1: kind of like they do this. I was over there

833
00:43:48,760 --> 00:43:50,520
Speaker 1: pushing her head, like maybe you need to do this.

834
00:43:51,000 --> 00:43:52,680
Speaker 1: But now it came out. You know what I'm saying.

835
00:43:52,680 --> 00:43:55,399
Speaker 1: Her head came out crazy. So she got a good head,

836
00:43:55,440 --> 00:43:58,759
Speaker 1: she said. Still a bald head though. Man, she going

837
00:43:58,800 --> 00:44:00,600
Speaker 1: on nine. Let's look at you. You still got a

838
00:44:00,680 --> 00:44:03,600
Speaker 1: nice hair. Yeah, you're still one out of the guys

839
00:44:03,600 --> 00:44:08,480
Speaker 1: in the room with a hairline. Old guys your age

840
00:44:08,480 --> 00:44:11,120
Speaker 1: whose hairlines be back here too? Yeah, but I got

841
00:44:11,160 --> 00:44:14,879
Speaker 1: red blood. You've seen Safari one? Oh? Man, I seen man.

842
00:44:15,000 --> 00:44:17,200
Speaker 1: Let me tell sa Fari you my home. But cut

843
00:44:17,239 --> 00:44:21,160
Speaker 1: your hair. Man, please stop using the Beijing. Man, please.

844
00:44:21,320 --> 00:44:23,919
Speaker 1: It took. He took the eyeline pencil and drew. Man

845
00:44:24,000 --> 00:44:27,200
Speaker 1: he got he got the Beijing right here. I can

846
00:44:27,280 --> 00:44:30,000
Speaker 1: see it. Did his hellp just cut ball head, please

847
00:44:30,320 --> 00:44:32,680
Speaker 1: just go ball you're keeping the family together, you and

848
00:44:32,680 --> 00:44:35,040
Speaker 1: the mom together. Yeah, manrought I brought him down to me. Man,

849
00:44:35,080 --> 00:44:36,200
Speaker 1: you know I had to make sure you know what.

850
00:44:36,360 --> 00:44:38,319
Speaker 1: I see my child every time I go home. You know,

851
00:44:38,360 --> 00:44:40,840
Speaker 1: I don't play. Have you moved to New York? And yeah,

852
00:44:40,840 --> 00:44:43,480
Speaker 1: I'm Hill we Hill up Hill. Yeah, I'm a New

853
00:44:43,560 --> 00:44:46,760
Speaker 1: York he hated, you know, like, man, I'm too sudden

854
00:44:46,840 --> 00:44:48,320
Speaker 1: for this. Man. Yeah, you'll get used to it. I

855
00:44:48,400 --> 00:44:51,680
Speaker 1: know I can't. What's different about being here in New

856
00:44:51,760 --> 00:44:53,600
Speaker 1: York that you noticed? It is so different from being

857
00:44:53,600 --> 00:44:56,680
Speaker 1: in the y'all rute. That's family rule. Yea, we always

858
00:44:56,680 --> 00:44:58,480
Speaker 1: in the rash y'all. I had to stop somebody the

859
00:44:58,520 --> 00:45:00,759
Speaker 1: other day because he bought me so hard. I'll follow

860
00:45:00,840 --> 00:45:03,040
Speaker 1: him across squee. He said, hey, I need that excuse

861
00:45:03,160 --> 00:45:06,560
Speaker 1: me that I need that excuse me. But you like

862
00:45:06,600 --> 00:45:09,399
Speaker 1: the thirty person that that hit me today, I need

863
00:45:09,480 --> 00:45:12,200
Speaker 1: my excuse me. Did he say excuse me? Yes? He did,

864
00:45:12,400 --> 00:45:14,879
Speaker 1: but a ram You're like, I'm like, all right, that's

865
00:45:14,880 --> 00:45:16,400
Speaker 1: that's good enough. But I like I like the New

866
00:45:16,520 --> 00:45:19,160
Speaker 1: York women though that aggressive, like the way they be

867
00:45:19,400 --> 00:45:23,160
Speaker 1: like jumping dudes off. I like, oh, I ain't I

868
00:45:23,200 --> 00:45:26,480
Speaker 1: like that you've been getting to New York. I mean,

869
00:45:26,640 --> 00:45:38,239
Speaker 1: you know he's in a relationship, just had a baby.

870
00:45:35,200 --> 00:45:41,040
Speaker 1: Want man, you know what one thing about me, I

871
00:45:41,239 --> 00:45:43,120
Speaker 1: take care of home though. You know I'm a realman first,

872
00:45:43,120 --> 00:45:47,439
Speaker 1: I'm you know what I'm saying. Family come first, Like hey, hey,

873
00:45:47,440 --> 00:45:49,439
Speaker 1: hey baby, you can't respect that you gotta be quiet

874
00:45:49,440 --> 00:45:50,880
Speaker 1: while I'm gonna FAI talk with my family that you

875
00:45:50,920 --> 00:45:52,399
Speaker 1: gotta get up out ahead. You know what I'm saying.

876
00:45:53,520 --> 00:45:58,160
Speaker 1: But I mean, they know you young, you're having a

877
00:45:58,160 --> 00:46:07,799
Speaker 1: good time. How dudes gotta tea? This guy's crazy, no man,

878
00:46:07,840 --> 00:46:09,640
Speaker 1: but they you know, they respect it. You know what

879
00:46:09,640 --> 00:46:12,800
Speaker 1: I'm respect respect it all. We got more with dco

880
00:46:12,920 --> 00:46:14,760
Speaker 1: Fly when we come back. We got to talk wilding

881
00:46:14,800 --> 00:46:17,640
Speaker 1: out a little bit. Also him getting stabbed in him

882
00:46:17,680 --> 00:46:19,680
Speaker 1: going on tours. You don't move. It's to breakfast club.

883
00:46:19,680 --> 00:46:23,880
Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

884
00:46:23,880 --> 00:46:26,440
Speaker 1: the guy. We are the breakfast Club. We have dco

885
00:46:26,600 --> 00:46:28,560
Speaker 1: Fly in the building. Yeah all right, Now let's look

886
00:46:28,560 --> 00:46:31,439
Speaker 1: about Kevin Hart because you're gonna be on his platforms. Dude. Yeah,

887
00:46:31,480 --> 00:46:33,120
Speaker 1: so what is it that you have going on? I

888
00:46:33,160 --> 00:46:35,360
Speaker 1: know you guys have partnered up. Oh we got the

889
00:46:35,480 --> 00:46:37,759
Speaker 1: um I'm on a couple of things with with Kevin Hart.

890
00:46:37,800 --> 00:46:40,120
Speaker 1: You know he got uh, he got the platform, but

891
00:46:40,160 --> 00:46:42,759
Speaker 1: my blood Keen Batch had don't wrote the little some

892
00:46:42,880 --> 00:46:46,160
Speaker 1: skits on there, and they made him like a series,

893
00:46:46,239 --> 00:46:49,160
Speaker 1: like a little like little episode. It's like some Walking Dead,

894
00:46:49,239 --> 00:46:51,839
Speaker 1: but like they actually be human, you know what I'm saying.

895
00:46:51,840 --> 00:46:54,239
Speaker 1: So I'm doing a couple of episodes on that. So

896
00:46:54,480 --> 00:46:56,080
Speaker 1: we're looking out for that. I don't even know when

897
00:46:56,080 --> 00:46:59,879
Speaker 1: it's gonna be out in ye yeah yeah, he's saying,

898
00:47:00,360 --> 00:47:04,239
Speaker 1: l O l is coming. I'm like, man, but what

899
00:47:04,760 --> 00:47:06,359
Speaker 1: what is it? Is it like net flicy all. They

900
00:47:06,400 --> 00:47:09,080
Speaker 1: told me would come do this and come get my check,

901
00:47:10,000 --> 00:47:12,360
Speaker 1: and that's what I did. I ain't know wherever gonna be.

902
00:47:12,760 --> 00:47:14,720
Speaker 1: That could emailed me to whether you know what I'm saying,

903
00:47:14,800 --> 00:47:16,640
Speaker 1: so I didn't know what's going on, but whether it's

904
00:47:16,640 --> 00:47:18,520
Speaker 1: a go go get it? How are you like wilding

905
00:47:18,600 --> 00:47:21,360
Speaker 1: out man, wilding out crazy? That's that's that's that's like,

906
00:47:21,880 --> 00:47:23,879
Speaker 1: that's like home. You don't you know who I would

907
00:47:23,880 --> 00:47:25,399
Speaker 1: love to see go back and forth, You and Jesse

908
00:47:25,840 --> 00:47:29,080
Speaker 1: oh Me and jess Man men see Man Jesson Larius,

909
00:47:29,120 --> 00:47:33,000
Speaker 1: that's like, that's like my cousin with her glad beat Nos.

910
00:47:33,760 --> 00:47:38,719
Speaker 1: But no, that's that's I need a microphone. But nah, man,

911
00:47:38,760 --> 00:47:40,960
Speaker 1: that's that's that's the that's the road dog man. I'm

912
00:47:41,000 --> 00:47:43,560
Speaker 1: just I'm just proud that she was on the show. Man,

913
00:47:43,640 --> 00:47:46,200
Speaker 1: just seeing like all like the social media's people come

914
00:47:46,280 --> 00:47:48,080
Speaker 1: together and just turning up because I had to tell

915
00:47:48,160 --> 00:47:52,080
Speaker 1: I said, look, social media people, I don't know, they

916
00:47:52,200 --> 00:47:54,680
Speaker 1: just call us that. So when we don't need platforms,

917
00:47:55,080 --> 00:47:57,239
Speaker 1: we got to show what you know what I'm saying

918
00:47:57,239 --> 00:47:59,720
Speaker 1: because they always be like they can't do this own stay,

919
00:48:00,000 --> 00:48:02,720
Speaker 1: they can't do this. Din realize they're just on the phone.

920
00:48:02,800 --> 00:48:05,160
Speaker 1: I'm like, all right, that cool. That cool. But when

921
00:48:05,400 --> 00:48:08,839
Speaker 1: when you get the opportunity shut them up. And when

922
00:48:08,840 --> 00:48:10,759
Speaker 1: you shut them up, they're gonna be like, man, I

923
00:48:10,800 --> 00:48:13,479
Speaker 1: always knew you could do that, you didn't. You gotta

924
00:48:13,480 --> 00:48:15,600
Speaker 1: make them believers. I saw them. I saw him breaking

925
00:48:15,640 --> 00:48:18,680
Speaker 1: to you all your cars this weekend, man, bim car,

926
00:48:18,760 --> 00:48:21,239
Speaker 1: Yeah you't hit me up, he said. Man, Look, don't

927
00:48:21,400 --> 00:48:23,960
Speaker 1: you knew? I said, all standing hood. My calls were

928
00:48:24,000 --> 00:48:26,560
Speaker 1: just in the hood and in the hood. Yeah, they

929
00:48:26,560 --> 00:48:29,799
Speaker 1: broke them all three But all three, all three, and

930
00:48:29,840 --> 00:48:31,560
Speaker 1: they know it and they know them my car. But

931
00:48:31,600 --> 00:48:33,960
Speaker 1: the only thing is they stole some teams and the radio.

932
00:48:34,840 --> 00:48:36,799
Speaker 1: Ha ha. I used to steal in call. I used

933
00:48:36,800 --> 00:48:38,759
Speaker 1: to breaking car Like you think I'm gonna leave something

934
00:48:38,760 --> 00:48:43,240
Speaker 1: in my car? You food? Ha ha? You didn't get nothing,

935
00:48:43,400 --> 00:48:45,200
Speaker 1: ha ha. Why do you think they did that? Just

936
00:48:45,239 --> 00:48:47,759
Speaker 1: hate They knew him. They thought it was gonna be

937
00:48:47,760 --> 00:48:50,160
Speaker 1: something that you know what, I man, You know it's

938
00:48:50,320 --> 00:48:52,640
Speaker 1: you never know where you break what you never knew

939
00:48:53,320 --> 00:48:56,120
Speaker 1: you break to a car. People don't have a bank account. Yeah,

940
00:48:56,160 --> 00:48:58,719
Speaker 1: you right, it'd be a whole trump full of cloth. Man,

941
00:48:58,760 --> 00:49:00,960
Speaker 1: I'm taking all that. What's the best look you ever

942
00:49:01,000 --> 00:49:02,600
Speaker 1: got when you broke in the car back in the day?

943
00:49:03,040 --> 00:49:07,480
Speaker 1: Oh like some pistols And it was like my rob

944
00:49:07,600 --> 00:49:10,160
Speaker 1: like I used to used rob, but he used to

945
00:49:10,160 --> 00:49:13,120
Speaker 1: be like peary stuff. I said, I man, I'm a hustler. Man,

946
00:49:13,520 --> 00:49:16,160
Speaker 1: Let get me give me the weed. That's what I do. Like,

947
00:49:16,719 --> 00:49:20,640
Speaker 1: I mean, I robbed for twenty dollars for gun point,

948
00:49:20,880 --> 00:49:23,680
Speaker 1: and I thought he had more than that. I'm getting

949
00:49:23,719 --> 00:49:28,160
Speaker 1: to when he had any suck too, I said, oh

950
00:49:28,360 --> 00:49:33,440
Speaker 1: check pops, Twitter you twitter dollars? Who would you hid

951
00:49:33,600 --> 00:49:36,120
Speaker 1: Twitter dollars from? Why you ing him? Know? Why what

952
00:49:36,440 --> 00:49:38,719
Speaker 1: you thought he had money? Man? He looked like he

953
00:49:38,760 --> 00:49:42,840
Speaker 1: had money. He ain't a little Jerry stuff like all that. Okay,

954
00:49:42,960 --> 00:49:44,760
Speaker 1: I like but when I say he only had twenty dollars,

955
00:49:44,760 --> 00:49:46,839
Speaker 1: I said, man, please go on man back to get

956
00:49:46,840 --> 00:49:49,439
Speaker 1: back at Twitter. Did I get him back in twittery? No?

957
00:49:49,600 --> 00:49:51,640
Speaker 1: I still had it like this, And I'm like, go, man,

958
00:49:51,760 --> 00:49:55,000
Speaker 1: go look anybody you ever ribbed? Now I see you

959
00:49:55,040 --> 00:49:56,920
Speaker 1: and be like, oh that was that's a DC young

960
00:49:56,960 --> 00:50:00,080
Speaker 1: fun tattoo right here. I gotta be man stup. That

961
00:50:00,200 --> 00:50:02,239
Speaker 1: was wrong with y'all. My city is small. If you

962
00:50:02,360 --> 00:50:04,880
Speaker 1: rose about the bad face, you gotta do some extra.

963
00:50:05,080 --> 00:50:07,040
Speaker 1: You massed up? Yeah, you gotta be massed up. You

964
00:50:09,440 --> 00:50:12,800
Speaker 1: know how long? How long did your life for crime last? Who?

965
00:50:13,600 --> 00:50:16,200
Speaker 1: Until I got stabbed up? You got stabbed? I got

966
00:50:16,200 --> 00:50:18,480
Speaker 1: two a squeak brawl in two th thirteen, got stabbed

967
00:50:18,520 --> 00:50:21,239
Speaker 1: up full time right here, got stabbed the right here,

968
00:50:21,280 --> 00:50:23,359
Speaker 1: got stabbed twice right here, got stabbed in the back,

969
00:50:23,400 --> 00:50:25,799
Speaker 1: got hit the head with a pole. But one person. Yeah,

970
00:50:26,560 --> 00:50:27,800
Speaker 1: And I was like it was like a brawl. You

971
00:50:27,840 --> 00:50:29,360
Speaker 1: know what I'm saying, Like a little squeak brawl. So

972
00:50:29,360 --> 00:50:31,000
Speaker 1: I don't know who stabbing man, I would just fight

973
00:50:31,280 --> 00:50:33,759
Speaker 1: for you know it. I was like, who but these

974
00:50:33,760 --> 00:50:37,840
Speaker 1: swings get a little slow, a lot of blood. Go

975
00:50:39,480 --> 00:50:44,880
Speaker 1: get beat up, y'all't how we played? Then thein't go

976
00:50:45,080 --> 00:50:47,719
Speaker 1: how we played? But then man that that that kind

977
00:50:47,760 --> 00:50:49,160
Speaker 1: of like changed my life in the whole two thou

978
00:50:49,280 --> 00:50:52,560
Speaker 1: thirteen situation. So you know, so him a comedy or

979
00:50:53,440 --> 00:50:55,319
Speaker 1: that wasn't if you go, but I thought we said

980
00:50:55,360 --> 00:50:57,800
Speaker 1: this on the first brothel club, like I got stabbed

981
00:50:57,840 --> 00:51:00,640
Speaker 1: up in two thou thirteen or then after that start

982
00:51:00,680 --> 00:51:02,400
Speaker 1: doing the Vince later on that year and then just

983
00:51:02,560 --> 00:51:04,400
Speaker 1: killed going. I don't remember you're telling us you got stabbed.

984
00:51:04,560 --> 00:51:07,120
Speaker 1: I remember that even I don't yeah that what happened?

985
00:51:07,400 --> 00:51:11,120
Speaker 1: You never took acting classes and nothing took. I still

986
00:51:11,160 --> 00:51:14,120
Speaker 1: do man down there, uh Dwayne board down in Alana.

987
00:51:14,400 --> 00:51:16,600
Speaker 1: I still take some um some acting class man. You

988
00:51:16,600 --> 00:51:18,440
Speaker 1: know you got to be. One thing is I always

989
00:51:18,440 --> 00:51:20,960
Speaker 1: looming for amprovement. I don't care. You know what I'm saying,

990
00:51:21,200 --> 00:51:23,560
Speaker 1: Like I always tell people, the more and more that

991
00:51:23,640 --> 00:51:25,319
Speaker 1: I keep going, you know what I'm saying, I'm just

992
00:51:25,520 --> 00:51:27,520
Speaker 1: I'm blessed. I'm humble. I just take it and I

993
00:51:27,600 --> 00:51:30,160
Speaker 1: keep going. You know what I learned from all my experiences.

994
00:51:30,320 --> 00:51:31,839
Speaker 1: But you got some people that black what you're doing

995
00:51:31,880 --> 00:51:34,640
Speaker 1: your thing? But you know, I'm like, nah, I man

996
00:51:34,680 --> 00:51:36,640
Speaker 1: ain't tripping. I'm like, I don't brad Man. I didn't

997
00:51:36,680 --> 00:51:38,800
Speaker 1: let people brand for me. You didn't know what you

998
00:51:38,840 --> 00:51:40,759
Speaker 1: went on tour? Now, how was that going on tour?

999
00:51:40,800 --> 00:51:43,279
Speaker 1: Because everybody, which one expected you your first one that

1000
00:51:43,520 --> 00:51:47,799
Speaker 1: you went on, you Chris Brown, you went on your

1001
00:51:47,840 --> 00:51:49,600
Speaker 1: own tour. Oh time about with the comedy. Yeah, and

1002
00:51:49,600 --> 00:51:51,200
Speaker 1: people expected you to fail because they were like, they

1003
00:51:51,200 --> 00:51:53,120
Speaker 1: don't know how it was gonna be. How was that tour?

1004
00:51:53,320 --> 00:51:54,759
Speaker 1: It was? It was? It was good man, it was.

1005
00:51:54,800 --> 00:51:57,240
Speaker 1: It was fun because like now we don't reach August.

1006
00:51:57,280 --> 00:51:59,440
Speaker 1: I've been doing stand up since two fourteen, so I've

1007
00:51:59,440 --> 00:52:01,279
Speaker 1: been doing it for years. When you're nervous, you first

1008
00:52:01,400 --> 00:52:05,320
Speaker 1: end up till yeah, not really nervous. It's just every everybody,

1009
00:52:05,400 --> 00:52:09,440
Speaker 1: even the ogs in the game. It's it's just butterflies

1010
00:52:09,440 --> 00:52:12,120
Speaker 1: before you're gonna stay because everybody just want to perform

1011
00:52:12,200 --> 00:52:15,520
Speaker 1: well because we all know what our peak is when

1012
00:52:15,520 --> 00:52:17,480
Speaker 1: we get on stage and when we're feeling it. We

1013
00:52:17,560 --> 00:52:19,960
Speaker 1: can feel it. It's just like everything we shay be

1014
00:52:20,120 --> 00:52:23,319
Speaker 1: funny because it's just on stage. We're feeling the moment,

1015
00:52:23,360 --> 00:52:25,879
Speaker 1: the crowd loving us, everything just coming out of our mouth.

1016
00:52:25,960 --> 00:52:27,440
Speaker 1: Just be on point. So you know what I'm saying,

1017
00:52:27,560 --> 00:52:35,479
Speaker 1: that's yeah, the best case scenario. Who why yeah? Them? Okay, yeah,

1018
00:52:35,680 --> 00:52:38,560
Speaker 1: I'm not had people not listening straight up. That's the worst.

1019
00:52:38,560 --> 00:52:40,560
Speaker 1: Some people are just talking and oh yeah. A matter

1020
00:52:40,560 --> 00:52:43,719
Speaker 1: of fact, I never forget I had a I had

1021
00:52:44,080 --> 00:52:46,719
Speaker 1: in my own city. But this, this is another one.

1022
00:52:46,800 --> 00:52:48,799
Speaker 1: I had a show and I didn't really bombed. I

1023
00:52:48,840 --> 00:52:51,640
Speaker 1: just had a show with UM with Keisha Cold. What's

1024
00:52:51,719 --> 00:52:54,880
Speaker 1: up case? So I get on stage, I'm doing my

1025
00:52:54,920 --> 00:52:59,880
Speaker 1: thingbody front row. He like, sat up, nobody want to

1026
00:52:59,880 --> 00:53:04,200
Speaker 1: hear whoa you talking to? What? Do you know why?

1027
00:53:04,400 --> 00:53:08,080
Speaker 1: I will roo one two? Having like I want to

1028
00:53:08,080 --> 00:53:11,440
Speaker 1: see Kasha, I said, you want to see Keysha out

1029
00:53:11,480 --> 00:53:13,600
Speaker 1: of all people, You're like, yam, I man, I'm gonna

1030
00:53:13,640 --> 00:53:16,719
Speaker 1: hear that fun As I came to see Kaisha, I said,

1031
00:53:17,120 --> 00:53:19,239
Speaker 1: when she come out, you better sing every word. Man,

1032
00:53:19,360 --> 00:53:22,960
Speaker 1: I damn. When he came out, he was in the

1033
00:53:22,960 --> 00:53:30,239
Speaker 1: front row. I was like, man, never again. What I

1034
00:53:30,360 --> 00:53:33,200
Speaker 1: performed with a lot of artist like the gotta be

1035
00:53:33,239 --> 00:53:35,640
Speaker 1: straight comedy all. We're still kicking it with DC Young

1036
00:53:35,719 --> 00:53:38,080
Speaker 1: Flies to Don't Move. It's the Breakfast Club, Go Morning Morning.

1037
00:53:38,120 --> 00:53:41,560
Speaker 1: Everybody is DJ Envy, Angela Ye, Charlemagne the guy. We

1038
00:53:41,600 --> 00:53:44,520
Speaker 1: are the Breakfast Club. Now we have DC Young Fly

1039
00:53:44,800 --> 00:53:46,880
Speaker 1: in the building. Now. How was going on tour with

1040
00:53:46,960 --> 00:53:48,480
Speaker 1: Chris Brown? I've seen you in a couple of days.

1041
00:53:48,600 --> 00:53:52,719
Speaker 1: Hey man, that was a goat that boy you got.

1042
00:53:54,600 --> 00:53:57,000
Speaker 1: He can dance and sing, and then even with his

1043
00:53:57,080 --> 00:53:59,480
Speaker 1: background friends, It's like I had to first see them

1044
00:53:59,520 --> 00:54:01,439
Speaker 1: in the first CD when he had on the yellow shirt,

1045
00:54:01,440 --> 00:54:03,560
Speaker 1: when he was in the womber like this. So I've

1046
00:54:03,600 --> 00:54:05,799
Speaker 1: been a fan and it was just and when I

1047
00:54:05,840 --> 00:54:08,640
Speaker 1: when I actually like seeing him for fun, I was like, man,

1048
00:54:09,239 --> 00:54:12,560
Speaker 1: I'm every show was like new. If Chris hadn't putting

1049
00:54:12,560 --> 00:54:14,200
Speaker 1: them speeding up, if he hadn't put them speed nots

1050
00:54:14,239 --> 00:54:16,439
Speaker 1: on Rihanna's forehead, he'd be on man, y'all. I can't

1051
00:54:16,520 --> 00:54:18,880
Speaker 1: say that that's that's what it was. I don't know

1052
00:54:18,960 --> 00:54:22,400
Speaker 1: what happened in the car there. We said a documentary

1053
00:54:22,440 --> 00:54:27,319
Speaker 1: he talked about in his You Ain't see. Yeah. Yeah.

1054
00:54:27,320 --> 00:54:28,799
Speaker 1: A lot of people say, but get what though, you

1055
00:54:28,840 --> 00:54:32,640
Speaker 1: can't judge man until you actually seeing him like in action,

1056
00:54:32,880 --> 00:54:34,279
Speaker 1: like what he was putting hem on earth to do,

1057
00:54:35,239 --> 00:54:39,480
Speaker 1: teach you how to dance and do things. Man, I

1058
00:54:39,840 --> 00:54:42,480
Speaker 1: ain't gonna tell you I got a surprise. You mean

1059
00:54:42,920 --> 00:54:46,719
Speaker 1: I got a surprise. The entertainer was a little more. Man,

1060
00:54:46,760 --> 00:54:49,680
Speaker 1: I got a surprise for the world. You ain't gonna

1061
00:54:49,680 --> 00:54:52,160
Speaker 1: be seeing me dance. Donna bet none of that ain't no,

1062
00:54:52,320 --> 00:54:54,960
Speaker 1: none of that ain't gonna be the job, sucking the job.

1063
00:54:55,360 --> 00:54:58,600
Speaker 1: I just entertained the people. Man, So I got something

1064
00:54:58,600 --> 00:55:01,399
Speaker 1: coming up happen but be produced Chris Brown and then

1065
00:55:01,440 --> 00:55:04,520
Speaker 1: you was withe of his background dancers. I'm telling when

1066
00:55:04,520 --> 00:55:08,319
Speaker 1: that man dance all day. Man, the boy dance all day,

1067
00:55:08,840 --> 00:55:13,239
Speaker 1: owning all stage. Even after the show he said dance,

1068
00:55:13,400 --> 00:55:15,239
Speaker 1: I'm like, well, you you the goat? What do you

1069
00:55:15,280 --> 00:55:18,680
Speaker 1: think about all Kelly's sex called. I don't know what's

1070
00:55:18,719 --> 00:55:22,200
Speaker 1: going on in the house, but you know, I know

1071
00:55:23,360 --> 00:55:26,359
Speaker 1: you know how that go? Hey? Man? Is that go? Look,

1072
00:55:26,560 --> 00:55:29,520
Speaker 1: I'm gonna pay you to come stay with me. Stop

1073
00:55:29,520 --> 00:55:31,960
Speaker 1: what you're doing, like when you got money that you

1074
00:55:31,960 --> 00:55:34,439
Speaker 1: know the conversation be different. You ain't got a big

1075
00:55:34,480 --> 00:55:36,719
Speaker 1: normal you know. He's like, hey, man, you know how

1076
00:55:36,760 --> 00:55:40,080
Speaker 1: you like skill at the e skill catch your movie?

1077
00:55:40,280 --> 00:55:41,960
Speaker 1: No man, hun take these twenty come stay with me

1078
00:55:42,000 --> 00:55:43,040
Speaker 1: for a month. But you know he got such a

1079
00:55:43,120 --> 00:55:45,360
Speaker 1: history of a sexual predator. That's that's why. And that

1080
00:55:45,560 --> 00:55:49,800
Speaker 1: really don't people forgot that he was on showtime that

1081
00:55:50,000 --> 00:55:55,480
Speaker 1: the Apollo with a side that say eighteen fair. He

1082
00:55:55,640 --> 00:55:59,080
Speaker 1: was like, if your daughter is like I remember that

1083
00:55:59,520 --> 00:56:02,279
Speaker 1: all of the Alla Apolo that and it were lived.

1084
00:56:02,280 --> 00:56:04,960
Speaker 1: They were just screaming, I kill me, are kiddy? So

1085
00:56:05,560 --> 00:56:08,359
Speaker 1: you ever seen it? I ain't never seen it. Man,

1086
00:56:08,440 --> 00:56:10,200
Speaker 1: the young girls on the age, so you can't look

1087
00:56:10,200 --> 00:56:14,279
Speaker 1: at it. But then they said, but then they say

1088
00:56:14,320 --> 00:56:17,319
Speaker 1: she lied and said she was eighteen. We don't know

1089
00:56:17,320 --> 00:56:19,120
Speaker 1: what happened and we don't even know. I don't know,

1090
00:56:19,160 --> 00:56:20,799
Speaker 1: but that's what they wore. They said, did she lied?

1091
00:56:21,080 --> 00:56:23,200
Speaker 1: But have you ever seen like now I'm getting older,

1092
00:56:23,440 --> 00:56:26,040
Speaker 1: you gotta think about it next year. Can't you believe?

1093
00:56:27,160 --> 00:56:29,760
Speaker 1: Baby that were born in two thousand gonna be grown?

1094
00:56:31,360 --> 00:56:33,040
Speaker 1: So you can't even say, man, mind to hit a

1095
00:56:33,080 --> 00:56:36,359
Speaker 1: little girl? Yes, she wanta think of two thousand that's

1096
00:56:36,520 --> 00:56:39,600
Speaker 1: that's how crazy So the old I get imagine you

1097
00:56:40,280 --> 00:56:43,479
Speaker 1: three and all, Kelly at fifty, he shouldn't be nowhere

1098
00:56:43,680 --> 00:56:47,160
Speaker 1: near a girl that age. Oh that's that's twenty three. No,

1099
00:56:47,440 --> 00:56:49,960
Speaker 1: that's that's seventeen. Oh yeah, yeah, yeah, I mean but

1100
00:56:50,040 --> 00:56:52,319
Speaker 1: eighteen is it's over with, it's over weight. If she

1101
00:56:52,360 --> 00:56:55,120
Speaker 1: could go buy you or switch out the stove. Hey,

1102
00:56:55,280 --> 00:56:56,880
Speaker 1: but you don't feel weird about it now, you know,

1103
00:56:56,920 --> 00:56:59,719
Speaker 1: having a daughter and everything. Oh man, you can't stop that.

1104
00:56:59,840 --> 00:57:02,880
Speaker 1: You can't stop that fifty year old man around your age. Man,

1105
00:57:02,920 --> 00:57:05,120
Speaker 1: I'm gonna be like, hey, baby, when he go to sleep,

1106
00:57:05,239 --> 00:57:09,360
Speaker 1: go check everything, wallets all that. Call your daddy, I

1107
00:57:09,440 --> 00:57:14,960
Speaker 1: come take doctor wall all that. I'm witty. Man. You're

1108
00:57:14,960 --> 00:57:17,760
Speaker 1: gonna shoot at him, guy long him put her hand on.

1109
00:57:17,840 --> 00:57:19,520
Speaker 1: But she gonna not a fight anyway. It's so ain't

1110
00:57:19,520 --> 00:57:23,200
Speaker 1: standing that Boozie's brother stole three hundred grand from his

1111
00:57:23,200 --> 00:57:27,280
Speaker 1: bank account, alleged alleged. We had we had a debate

1112
00:57:27,320 --> 00:57:29,240
Speaker 1: this week. Would you call? Would you press chargers on?

1113
00:57:29,840 --> 00:57:37,680
Speaker 1: I don't do that. Play games. Listen to me, Listen

1114
00:57:37,680 --> 00:57:41,920
Speaker 1: to me, Listen to me. Sometimes it's it's not about

1115
00:57:42,000 --> 00:57:45,600
Speaker 1: police games. You gotta jump over the police and go

1116
00:57:45,640 --> 00:57:48,200
Speaker 1: straight to the law. Now we can go to court.

1117
00:57:48,240 --> 00:57:50,439
Speaker 1: I'll sue you get my money back. I ain't gonna

1118
00:57:50,440 --> 00:57:52,080
Speaker 1: call a police get you. No, no, no no, no, no no no,

1119
00:57:52,280 --> 00:57:54,160
Speaker 1: I want to do that. But I'll sue you. But

1120
00:57:54,200 --> 00:57:57,760
Speaker 1: you gotta press it. Ain't it ain't really no press charges.

1121
00:57:57,880 --> 00:58:00,120
Speaker 1: It's a it's a suit. No, you can't do that.

1122
00:58:00,200 --> 00:58:02,200
Speaker 1: You have to press charges against the person to get

1123
00:58:02,200 --> 00:58:04,320
Speaker 1: your money back. Well, I will press charge, but I

1124
00:58:04,320 --> 00:58:08,280
Speaker 1: don't want him locked up. Can't you can't make you can't.

1125
00:58:10,880 --> 00:58:13,120
Speaker 1: But look this, this is this is we got. We

1126
00:58:13,120 --> 00:58:20,080
Speaker 1: got alternate we got alternate suggestions, where's my money? Or

1127
00:58:23,040 --> 00:58:30,520
Speaker 1: you know you've been around me all my life. You

1128
00:58:30,880 --> 00:58:34,560
Speaker 1: That's the thing I hate when people who really know

1129
00:58:34,720 --> 00:58:37,720
Speaker 1: somebody and you still try you know what I'm saying,

1130
00:58:37,760 --> 00:58:40,880
Speaker 1: Like you still trying on like a low ball of disrespect,

1131
00:58:40,960 --> 00:58:42,800
Speaker 1: Like I can understand if he ain't know me, like

1132
00:58:42,840 --> 00:58:44,040
Speaker 1: you don't know me, You don't know me, you don't

1133
00:58:44,040 --> 00:58:47,520
Speaker 1: know what I'm capable of, But like you know me,

1134
00:58:48,520 --> 00:58:50,560
Speaker 1: why would you do this? But I hate it when

1135
00:58:50,560 --> 00:58:53,200
Speaker 1: it be like family situation, even like brother's, and then

1136
00:58:53,200 --> 00:58:54,880
Speaker 1: it be people that you really look out for like

1137
00:58:54,920 --> 00:58:57,120
Speaker 1: you will put spin your last on. Like that's why

1138
00:58:57,120 --> 00:58:59,600
Speaker 1: I'd be so hard on my own, Like I'd be like, no,

1139
00:59:00,000 --> 00:59:02,040
Speaker 1: if you're not bettering yourself, I'm not giving you nothing.

1140
00:59:02,480 --> 00:59:04,880
Speaker 1: That's just straight up not giving no money, sitting, no dope, no,

1141
00:59:04,880 --> 00:59:08,160
Speaker 1: none of that. No businessman, if you're a businessman rocking,

1142
00:59:08,200 --> 00:59:10,400
Speaker 1: I'm rocking with you. You're still on the other where

1143
00:59:10,440 --> 00:59:14,000
Speaker 1: they're the lead, right, feel like about your success? They

1144
00:59:14,160 --> 00:59:16,760
Speaker 1: are they allowing you to grow. They don't allow myself

1145
00:59:16,760 --> 00:59:18,880
Speaker 1: to grow. I mean if I don't feel right, I

1146
00:59:19,000 --> 00:59:21,680
Speaker 1: removed myself from the situation twenty five. You don't need

1147
00:59:21,720 --> 00:59:24,920
Speaker 1: no friends. I'm in a girl. Man. Look I'm comfortable

1148
00:59:25,080 --> 00:59:27,880
Speaker 1: because when I was broke, I had the same friends

1149
00:59:27,880 --> 00:59:30,240
Speaker 1: I had. Now there you go. Now they just the

1150
00:59:30,240 --> 00:59:33,400
Speaker 1: older people coming around Like I don't know, no, no, no,

1151
00:59:33,440 --> 00:59:35,560
Speaker 1: I'm grown. I know exactly what I need to do.

1152
00:59:35,680 --> 00:59:36,960
Speaker 1: Like I just like I said, I don't go to

1153
00:59:36,960 --> 00:59:39,280
Speaker 1: the club because I know that what if it pop out?

1154
00:59:39,400 --> 00:59:41,240
Speaker 1: But I get hit with the bugs? I I want

1155
00:59:41,280 --> 00:59:43,480
Speaker 1: pot to be there, bro right. But we were left

1156
00:59:43,480 --> 00:59:47,200
Speaker 1: to hear a monologue before you go. Ah, that was

1157
00:59:47,240 --> 00:59:52,720
Speaker 1: a little boy. He was fourteen He's seen a lot

1158
00:59:52,760 --> 00:59:56,280
Speaker 1: of stuff in his life. Y'all always want to be prosperous.

1159
00:59:57,000 --> 01:00:00,080
Speaker 1: You always wanted to be successful. But it was just

1160
01:00:00,200 --> 01:00:04,440
Speaker 1: one thing that was stopping him. What was it? He

1161
01:00:04,520 --> 01:00:09,880
Speaker 1: didn't know? He always wanted to know. He looked around,

1162
01:00:11,240 --> 01:00:16,520
Speaker 1: he watched others be happy. He never once hated, He

1163
01:00:16,640 --> 01:00:22,520
Speaker 1: never once got discouraged. He stayed to himself and didn't

1164
01:00:22,560 --> 01:00:32,120
Speaker 1: talk up who had that got depcout for the crap

1165
01:00:32,200 --> 01:00:37,480
Speaker 1: for a minute, like you know what, he could hear

1166
01:00:37,520 --> 01:00:40,840
Speaker 1: a pin drop listen. We're proud of you, man, I

1167
01:00:40,840 --> 01:00:43,480
Speaker 1: appreciate watched you come up from the ground. If you

1168
01:00:43,560 --> 01:00:46,840
Speaker 1: ain't movies, you don't hosting TRL and he keep going. Man,

1169
01:00:46,920 --> 01:00:49,120
Speaker 1: I told you that you and Cardi be like the

1170
01:00:49,360 --> 01:00:52,080
Speaker 1: success story. I love Cardi B Man. I love Cardi

1171
01:00:52,120 --> 01:00:54,880
Speaker 1: B Man. I watched her. Man you that for you,

1172
01:00:54,960 --> 01:00:57,200
Speaker 1: Cardy sh sh I. Every time I see her do

1173
01:00:57,280 --> 01:00:59,440
Speaker 1: her thing, Hey man, I'm proud of her. Man. For

1174
01:00:59,480 --> 01:01:02,760
Speaker 1: real black people, we need to love each other. Man

1175
01:01:02,800 --> 01:01:06,720
Speaker 1: every time somebody doing something. Congratulator, Man, stop hating. We

1176
01:01:06,800 --> 01:01:09,320
Speaker 1: got someone hate going on. Peep the good and just

1177
01:01:09,440 --> 01:01:11,920
Speaker 1: keep moving. Man, Cardi be gotta hit record before you though, man,

1178
01:01:12,080 --> 01:01:15,160
Speaker 1: card it be got a hit, She got a hit.

1179
01:01:16,280 --> 01:01:19,480
Speaker 1: Is the Breakfast Club? Is DCO clock yil Man like

1180
01:01:19,560 --> 01:01:22,000
Speaker 1: my fourth interview up here, Man, I feel very special.

1181
01:01:22,200 --> 01:01:23,880
Speaker 1: There you go very special.