WEBVTT - #533 - Tech N9ne

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<v Speaker 1>Man, you got to check me out on the Bootleg

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<v Speaker 1>keV podcast. Man, we just talked for a long time.

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<v Speaker 2>Hey, before we start the episode, we're gonna remind everybody. Man,

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<v Speaker 2>we got one of the biggest radio shows in the country,

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<v Speaker 2>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 2>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 2>we've been able to add. Man, want to give a

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<v Speaker 2>shout out to ninety three point nine the Beat in Honolulu.

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<v Speaker 2>That's right, Hawaii, We over there going crazy. I also

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<v Speaker 2>want to give a shout out Hot ninety eight three

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<v Speaker 2>and Tucson. Shout out to Tucson going crazy. Also want

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<v Speaker 2>to give a shout out to Wild ninety four one

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<v Speaker 2>in Tampa going crazy. We just got Richmond. We also

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<v Speaker 2>just got the good folks in Bakersfield at Hot one

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<v Speaker 2>O four to seven. So we're going crazy on the

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<v Speaker 2>radio with my partner James Andre Jefferson Junior for the

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<v Speaker 2>Bootleg CAV Show. So make sure you tune in and

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<v Speaker 2>you can listen anywhere on that iHeart Radio app. That's right,

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<v Speaker 2>let's get into the interview Bootleg CAV Podcast. Man, one

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<v Speaker 2>of the greatest rappers of all time. Hey, greatest performer

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<v Speaker 2>in hip hop history.

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<v Speaker 1>Hey tech nine, chech nine.

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<v Speaker 2>What's up y'all? What's up? Brother?

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<v Speaker 1>Oh Man? Good to be here, man, of course, I

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<v Speaker 1>can't believe I'm here. I'm half fifteen hours from Australia.

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<v Speaker 2>You were in Australia.

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<v Speaker 1>Yeah, wow. I was only at home with my family

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<v Speaker 1>for like six hours. Man. Then I had to get

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<v Speaker 1>on the plane to come out here to shuit this video.

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<v Speaker 2>I don't say people understand because I had to go

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<v Speaker 2>to Thailand for Roland Love last year. That time difference

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<v Speaker 2>is the worst.

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<v Speaker 1>Australia is like a day ahead, right, you know what

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<v Speaker 1>I'm saying. So when I was going on stage, No,

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<v Speaker 1>when I was getting off stage, it was seven in

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<v Speaker 1>the morning. For you know, when my wife wakes up

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<v Speaker 1>for the kid, you know, so I would call her

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<v Speaker 1>like eleven o'clock at night. It's like seven o'clock in

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<v Speaker 1>the morning in casey right, man, it's.

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<v Speaker 2>Horrible, It's horrible. Congrats on the baby, by the way,

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<v Speaker 2>Thank you man.

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<v Speaker 1>New Life, Man, New Life.

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<v Speaker 2>You know what I love about your transparency through your

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<v Speaker 2>music over the years, You've always been extremely open about

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<v Speaker 2>open book. Yes, you're because with everything. There's a sacrifice,

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<v Speaker 2>and your older kids had to really like wear the

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<v Speaker 2>brunt of like you building this career. We see, yes,

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<v Speaker 2>you being on the road. Yes, the rain is one

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<v Speaker 2>of my favorite rest, sir. Yes, sir.

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<v Speaker 1>Now they're like thirty years old now.

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<v Speaker 2>You know, right, So for you to have a baby

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<v Speaker 2>like now, like it's almost like you're in a different space.

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<v Speaker 1>Yes, sir.

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<v Speaker 2>You know you're you're You're obviously a different person. You know,

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<v Speaker 2>we all should be evolving, you know.

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<v Speaker 1>Yeah, Well, in my mid forties, I met I got

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<v Speaker 1>it on my last album. It's a song called I

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<v Speaker 1>Met a Morph. And what I realized is that that

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<v Speaker 1>morph that I met in my mid forties kind of late,

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<v Speaker 1>is maturity. You know what I'm saying. My maturity started,

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<v Speaker 1>you know, really making me pay attention, and I wanted

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<v Speaker 1>to start doing something different. I didn't want to start.

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<v Speaker 1>I don't want I don't want to continue to share

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<v Speaker 1>my energies, my bright energy and my Harnald energy with

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<v Speaker 1>multiple women anymore. You know what I'm saying. It's like,

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<v Speaker 1>you know, I've done it my whole life. Yea, and uh,

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<v Speaker 1>and then do nothing but bring me strife. You know

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<v Speaker 1>what I'm saying, or bring other people hurt.

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<v Speaker 2>Short term gratification yeah, man, is usually when you get

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<v Speaker 2>the short term gratification, it's at an expensive something else.

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<v Speaker 1>Yeah. Man, you know what I'm saying. And I used

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<v Speaker 1>to call it therapy. I need to have my therapy,

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<v Speaker 1>you know what I mean. And that's just an ego thing.

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<v Speaker 1>And uh, in my mid forties, I wanted to uh

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<v Speaker 1>dial that back, you know. And I met my I

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<v Speaker 1>met my lady who is my wife now, right when

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<v Speaker 1>it was happening, you know. And she she she helped me.

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<v Speaker 1>She helped the transition, you know what I mean. She

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<v Speaker 1>helped the trans She helped me transition with the drinking.

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<v Speaker 1>I'm four years sober now. She did it with me.

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<v Speaker 1>When my doctor told me, if I keep drinking like

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<v Speaker 1>I do, mister Kraboloo, You're gonna your heart's gonna explode.

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<v Speaker 1>You're gonna you know what I'm saying. I'm like, Okay,

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<v Speaker 1>I quit, you know. So she said, I'll quit with

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<v Speaker 1>you because she knows, like, as a team, if one of.

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<v Speaker 2>Us, if one of you guys is doing it's going

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<v Speaker 2>to be it's almost impossible. Yeah.

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<v Speaker 1>Yeah, yeah, so she she she helped me with that.

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<v Speaker 1>She helped me with a lot of things in my

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<v Speaker 1>life that I didn't know was out of whack, you

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<v Speaker 1>know what I mean. And uh, we're we're evolving every day, man,

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<v Speaker 1>you know what I mean, every second. And you know

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<v Speaker 1>that's what Kanye said, I always find it. I always

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<v Speaker 1>find something wrong. That's that's that's the part of evolving.

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<v Speaker 1>It's part of life, you know what I'm saying. And uh,

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<v Speaker 1>I figured and we we've been together, this is going

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<v Speaker 1>on eleven years now, you know what I'm saying. So

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<v Speaker 1>we got married in our tenth year, you know what

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<v Speaker 1>I mean, last last June.

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<v Speaker 2>Yeah, I've made my wife a couple of times. Man. Yeah,

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<v Speaker 2>you know what I mean.

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<v Speaker 1>So we actually lived with each other for a while.

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<v Speaker 1>And that's how I feel like people should do it.

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<v Speaker 1>A lot of people, they say, wise man, say only

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<v Speaker 1>foods jump in you know what I'm saying. But I

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<v Speaker 1>can't help fall in love with you that A lot

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<v Speaker 1>of people just jump into it and get married immediately

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<v Speaker 1>before they learn different chemic levels about each other and

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<v Speaker 1>you know things that Yeah, when.

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<v Speaker 2>You live with someone, yeah, you have to kind of

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<v Speaker 2>like you almost have to get to the point of

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<v Speaker 2>like seeing each other at your lowest, Yes, so you

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<v Speaker 2>can have that like understand that person on another level.

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<v Speaker 2>So when you do get married, it's like, Okay, now

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<v Speaker 2>that we've seen each other at our absolute lowest, or

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<v Speaker 2>we know what each other's faults are, we know how

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<v Speaker 2>to deal with each other, we know how to deal

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<v Speaker 2>with certain arguments, certain exactly.

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<v Speaker 1>I think people should take time to do that, and

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<v Speaker 1>that's what we did. We took ten years now, not

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<v Speaker 1>saying that she wasn't worthy of marriage in the fifth, sixth, seventh, eighth, ninth,

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<v Speaker 1>you know what I'm saying, because she was, you know

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<v Speaker 1>what I mean. But we have to go through ups

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<v Speaker 1>and downs, and we indeed had ups and downs, you

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<v Speaker 1>know what I'm saying, financially and everything with the irs.

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<v Speaker 1>You know what I'm saying. She had to go through

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<v Speaker 1>that with everything, you know, give away my millions and

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<v Speaker 1>get millions back. You know what I'm saying. That was

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<v Speaker 1>a flex you know what I mean. But I think

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<v Speaker 1>people need to go through those type things with each

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<v Speaker 1>other before they actually get married, because people actually have

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<v Speaker 1>problems when they jump in. Not everybody, though, I'm saying,

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<v Speaker 1>I'm not just generalizing. You know, when I say that,

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<v Speaker 1>I think people should take time. And that's what we did. Man,

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<v Speaker 1>we took time. We took ten years, and we tied

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<v Speaker 1>the knot in ten years. I felt like we had

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<v Speaker 1>been through everything possible, right, you know what I mean?

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<v Speaker 1>And uh, I'm glad we did it. We're best friends.

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<v Speaker 1>And with that being said, I said, I want to

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<v Speaker 1>have I want to be connected to that woman. So

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<v Speaker 1>we had Alena.

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<v Speaker 2>I love this too, now you know, yeah, man, that's

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<v Speaker 2>big bro. Yeah. So it's so crazy too, because, like

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<v Speaker 2>I said, with your transparency, like you've for people who

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<v Speaker 2>because I feel like a lot of generic hip hop fans,

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<v Speaker 2>I feel like twenty twelve twenty I feel like all

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<v Speaker 2>sixes and sevens was a lot of like people's like

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<v Speaker 2>general introduction to what you had going on for so

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<v Speaker 2>many years, right right right, right right right, Because that's

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<v Speaker 2>like when the Wayne Coat sign happens and you're doing

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<v Speaker 2>records with Tea Pain.

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<v Speaker 1>And yeah, he'll be crazy, he'll go crazy all that, but.

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<v Speaker 2>You know you have had such a crazy like like

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<v Speaker 2>like that Caraboolu is double platinum by now it's platinum,

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<v Speaker 2>should be I know it's platinum, but like you know,

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<v Speaker 2>you also like like you're in your heyday, you're known

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<v Speaker 2>for being like a crazy motherfucker. Yeah, like you've never

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<v Speaker 2>you know obviously, Eba. Is it ties into that, like.

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<v Speaker 1>Yeah, yeah, yeah yeah. I hung my uh player jersey

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<v Speaker 1>up like tapestry like eleven years ago. You know what

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<v Speaker 1>I'm saying. And uh, I'm glad I did. Man saved

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<v Speaker 1>my life because my brother Maxilla was actually writing a

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<v Speaker 1>movie about me called Georgie. We had this We've been

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<v Speaker 1>working on this movie about Tech ninees called Georgie. You know,

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<v Speaker 1>the Georgie Porgie pudding Pie story. Kissed the girls and

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<v Speaker 1>make him cry. That was me, you know what I mean?

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<v Speaker 1>And uh, I told him at the end of it,

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<v Speaker 1>a lady has to kill me. He said, I'm not

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<v Speaker 1>writing that. I'm not writing that. I'm putting it in

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<v Speaker 1>the universe.

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<v Speaker 2>I'm like, that's that's damn near the only way that

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<v Speaker 2>could end.

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<v Speaker 1>That's what I'm saying. You play the game of hearts,

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<v Speaker 1>you know, usually the the the punishment is death, you

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<v Speaker 1>know what I'm saying, punishment by death. So I said,

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<v Speaker 1>you have to kill Georgie by a lady. You know

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<v Speaker 1>what I'm saying, Lady, you have to do it. He

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<v Speaker 1>just stopped. We don't even write it no more. You

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<v Speaker 1>know what I'm saying. He stopped. He's like, I'm not

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<v Speaker 1>writing that, man. You gotta come up with an alternate, uh, ending,

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<v Speaker 1>you know what I mean. But uh I, I I

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<v Speaker 1>felt like that I had to stop that before that

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<v Speaker 1>came to pass, you know what I'm saying.

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<v Speaker 2>Because it was it could have been an inevitable thing

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<v Speaker 2>for sure, even if it was even if it wasn't

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<v Speaker 2>necessarily like actual death, but a form of like something

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<v Speaker 2>like damn, like I don't.

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<v Speaker 1>Yeah, like herpes or something that's good, you know what

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<v Speaker 1>I'm saying, Because if I happened to get herpes when

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<v Speaker 1>I was in the field, I would not be here now,

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<v Speaker 1>you know. I sure, because if I can't have my Dick,

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<v Speaker 1>I can't have no no, no, So sorry, right.

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<v Speaker 2>Sometimes I just talk this is I feel like you've

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<v Speaker 2>had one of the most And when we talk about longevity,

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<v Speaker 2>when we talk about errors of your career, what year

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<v Speaker 2>is this so far in terms of let's say album

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<v Speaker 2>one to now, So.

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<v Speaker 1>What do you mean what year?

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<v Speaker 2>What year in your career are we in? I know,

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<v Speaker 2>I know, like you know, if we go back to

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<v Speaker 2>the sway days.

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<v Speaker 1>And so for me for strange music is twenty five years. Okay,

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<v Speaker 1>for Tech nine is forty years because nineteen eighty five,

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<v Speaker 1>you know what I'm saying is when I started, you

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<v Speaker 1>know what I mean, this, that and the other not

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<v Speaker 1>professionally bright like in hip hop period, you know what

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<v Speaker 1>I mean. It was forty years of my life and

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<v Speaker 1>year forty that's crazy. Twenty five years for strange music.

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<v Speaker 2>That's God's crazy.

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<v Speaker 1>That's crazy.

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<v Speaker 2>Yeah. Because even before Strange, it was what was the.

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<v Speaker 1>Was with Westside?

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<v Speaker 2>No I'm thinking was it was like was Angelic was

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<v Speaker 2>on Strange? Right?

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<v Speaker 1>Yeah? Angelic? What was Strange? You know what I'm saying.

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<v Speaker 1>The common before the storm was midwest Side and you

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<v Speaker 1>know then you know with midwest Side, I got signed

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<v Speaker 1>with Quincy Jones, you know what I'm saying in ninety seven,

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<v Speaker 1>you know what I mean? So, uh, you know those

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<v Speaker 1>records never came out though. Yeah, so my first record

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<v Speaker 1>to come out, well major album to come out, was Angelic,

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<v Speaker 1>but midwest Side was the first label in Kansas City

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<v Speaker 1>with Diamond and Don Juan that put out the com

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<v Speaker 1>before the Storm, The Worst, the Worst two k stuff

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<v Speaker 1>like that and Celsius.

0:10:31.200 --> 0:10:33.880
<v Speaker 2>It's so crazy to think that that's how long it's been, bro,

0:10:33.920 --> 0:10:36.080
<v Speaker 2>because I remember first finding your shit, Like my cousin

0:10:36.120 --> 0:10:42.600
<v Speaker 2>Austin put me onto your shit. Yeah, what was what

0:10:42.640 --> 0:10:45.240
<v Speaker 2>was the song that they were working the radio off, Angelic.

0:10:46.080 --> 0:10:47.080
<v Speaker 1>Angela, It's Alive.

0:10:47.440 --> 0:10:50.480
<v Speaker 2>It's yeah, you know what I'm saying. It's crazy too, man,

0:10:50.520 --> 0:10:55.160
<v Speaker 2>because like you've survived so many different like waves of music,

0:10:55.320 --> 0:10:58.520
<v Speaker 2>like yeah, and even just like your own shit, like

0:10:58.559 --> 0:11:01.880
<v Speaker 2>I was. I think it was a twenty eighteen or

0:11:01.960 --> 0:11:05.640
<v Speaker 2>nineteen was the first time I had ever seen you

0:11:06.400 --> 0:11:11.720
<v Speaker 2>on stage without Chris Calico. Oh yeah, yeah, yeah, yeah yeah,

0:11:11.760 --> 0:11:14.520
<v Speaker 2>and it And I know this sounds crazy because I'm

0:11:14.640 --> 0:11:16.040
<v Speaker 2>you know, going all the way back to the Unholy

0:11:16.080 --> 0:11:19.439
<v Speaker 2>Trinity with you, him and cut was crazy, crazy times.

0:11:19.480 --> 0:11:23.160
<v Speaker 2>But the way that you were able to figure out

0:11:23.200 --> 0:11:25.800
<v Speaker 2>a way to like you, I think you were it

0:11:25.840 --> 0:11:31.040
<v Speaker 2>was the Gangster, the King and the clown. Listen. That

0:11:31.160 --> 0:11:34.800
<v Speaker 2>tour was fucking insane.

0:11:34.240 --> 0:11:36.840
<v Speaker 1>Though it makes me feel good, you know.

0:11:36.960 --> 0:11:39.320
<v Speaker 2>It was so good. And like my wife is like

0:11:39.400 --> 0:11:41.280
<v Speaker 2>not a Tech nine fan, she's not a hip hop family.

0:11:41.800 --> 0:11:43.360
<v Speaker 2>She just went along, you know, and she's like, Yo,

0:11:43.400 --> 0:11:44.400
<v Speaker 2>this was this is cool.

0:11:45.400 --> 0:11:47.360
<v Speaker 1>But like you don't have to you don't have to

0:11:47.640 --> 0:11:50.280
<v Speaker 1>know tech nize music to enjoy the music or the show,

0:11:50.320 --> 0:11:50.600
<v Speaker 1>you know.

0:11:50.559 --> 0:11:53.400
<v Speaker 2>The live show for sure. Yeah yeah, but like, man,

0:11:53.440 --> 0:11:56.040
<v Speaker 2>there's been so many different eras of like, you know,

0:11:56.120 --> 0:12:00.000
<v Speaker 2>the live show. I mean, yeah, how do you feel

0:12:00.080 --> 0:12:03.800
<v Speaker 2>like obviously you're fifty, you're uh, you're freshly married, you

0:12:03.840 --> 0:12:07.199
<v Speaker 2>got a two year fifty What what am I? You're

0:12:07.160 --> 0:12:07.679
<v Speaker 2>over fifty?

0:12:07.760 --> 0:12:07.840
<v Speaker 1>Right?

0:12:07.960 --> 0:12:09.480
<v Speaker 2>Oh? Yeah, well I don't want.

0:12:09.320 --> 0:12:11.920
<v Speaker 1>To Yeah, I don't give a fuck about that. Yeah yeah,

0:12:11.960 --> 0:12:13.240
<v Speaker 1>I'll be fifty four this year.

0:12:13.520 --> 0:12:15.319
<v Speaker 2>And no, remember, well how long how long do you

0:12:15.400 --> 0:12:16.600
<v Speaker 2>plan on doing the touring thing?

0:12:17.559 --> 0:12:19.880
<v Speaker 1>They still want to hear technico man, every everywhere. I

0:12:19.960 --> 0:12:23.520
<v Speaker 1>just did seven shows out there down under Man and uh,

0:12:24.440 --> 0:12:26.920
<v Speaker 1>the fans even in the US man, even in the

0:12:26.920 --> 0:12:30.319
<v Speaker 1>states Man they are they're getting younger.

0:12:30.080 --> 0:12:32.720
<v Speaker 2>Because how many years straight? Have you toured? Every single

0:12:32.800 --> 0:12:33.720
<v Speaker 2>year for twenty five?

0:12:34.000 --> 0:12:37.120
<v Speaker 1>Yeah? Yeah, yeah, yeah, for sure, you know what I mean?

0:12:37.240 --> 0:12:39.560
<v Speaker 1>And uh, even me and the Rogue Dog Villains, our

0:12:39.640 --> 0:12:41.800
<v Speaker 1>DVS was touring, you know what I'm saying. Not like

0:12:42.640 --> 0:12:46.360
<v Speaker 1>trib didn't put together tours, but we did tours you know,

0:12:46.440 --> 0:12:51.200
<v Speaker 1>in the area. You know what I mean, but uh uh,

0:12:51.720 --> 0:12:55.160
<v Speaker 1>I feel like that the fans are not gonna let

0:12:55.160 --> 0:12:59.120
<v Speaker 1>me stop. I mean, do they ask They don't. They

0:12:59.120 --> 0:13:01.719
<v Speaker 1>don't ask Mick Jagger that you know, say, they don't ask.

0:13:01.760 --> 0:13:03.240
<v Speaker 2>No, for sure, the rolling students are still know what

0:13:03.280 --> 0:13:03.720
<v Speaker 2>I'm saying.

0:13:03.840 --> 0:13:04.560
<v Speaker 1>They don't, they don't.

0:13:04.760 --> 0:13:07.640
<v Speaker 2>But I'm just thinking like that. You just it's like

0:13:07.720 --> 0:13:10.800
<v Speaker 2>so much a part of your lifestyle right to where

0:13:10.800 --> 0:13:13.400
<v Speaker 2>like you damn near spent more time on the road

0:13:13.400 --> 0:13:14.840
<v Speaker 2>than you have maybe in your own home at this

0:13:15.240 --> 0:13:15.960
<v Speaker 2>in the last.

0:13:15.760 --> 0:13:17.600
<v Speaker 1>In the last couple of years, man, I've been we've

0:13:17.600 --> 0:13:18.520
<v Speaker 1>been doing less.

0:13:18.760 --> 0:13:19.040
<v Speaker 2>No.

0:13:19.360 --> 0:13:21.600
<v Speaker 1>I've noticed that I went on tour with falling Reversals

0:13:21.640 --> 0:13:22.480
<v Speaker 1>only like twenty two.

0:13:22.400 --> 0:13:24.240
<v Speaker 2>Days, right, which is different for you because you're just

0:13:24.280 --> 0:13:27.320
<v Speaker 2>like fifty eight, sixty seventy, you know what I'm saying.

0:13:27.360 --> 0:13:30.440
<v Speaker 1>So we've been kind of dialing it back and just

0:13:30.480 --> 0:13:33.720
<v Speaker 1>doing festivals. You know, I haven't I don't remember my

0:13:33.800 --> 0:13:36.679
<v Speaker 1>last Tech nine tour. Maybe maybe you know.

0:13:36.720 --> 0:13:38.319
<v Speaker 2>It's probably twenty twenty two.

0:13:38.720 --> 0:13:41.559
<v Speaker 1>Maybe yeah, maybe maybe maybe you know what I'm saying.

0:13:41.600 --> 0:13:46.720
<v Speaker 1>But the fans are getting younger every show that I do. Now,

0:13:46.840 --> 0:13:49.839
<v Speaker 1>I said, I got to know one thing first though,

0:13:50.120 --> 0:13:51.800
<v Speaker 1>how many of you. That's your first Tech nine show.

0:13:51.880 --> 0:13:54.480
<v Speaker 1>The whole fucking place go up. As three thousand people there,

0:13:54.600 --> 0:13:56.640
<v Speaker 1>the whole people, the whole place goes up.

0:13:57.080 --> 0:13:58.800
<v Speaker 2>I'm likely they'll be able to do that.

0:13:59.080 --> 0:14:03.160
<v Speaker 1>So I come to the realization that, uh, they're not

0:14:03.160 --> 0:14:05.760
<v Speaker 1>gonna let me stop now. Me and Travis talked about

0:14:05.840 --> 0:14:08.120
<v Speaker 1>last year. We said five more years, and when we

0:14:08.120 --> 0:14:09.600
<v Speaker 1>get to that five, if we still want to go,

0:14:09.640 --> 0:14:12.120
<v Speaker 1>we will. So it's four now, you know what I'm saying.

0:14:12.160 --> 0:14:14.160
<v Speaker 1>So we don't know. You know what I'm saying, We

0:14:14.200 --> 0:14:17.920
<v Speaker 1>don't know. All I'm saying is that the RDV video

0:14:18.400 --> 0:14:20.240
<v Speaker 1>ran up like crazy already. You know what I'm saying.

0:14:20.280 --> 0:14:21.720
<v Speaker 1>It's almost at two million, you know what I mean.

0:14:21.760 --> 0:14:25.320
<v Speaker 1>And people still want to hear Tech nine. Man, they

0:14:25.360 --> 0:14:26.920
<v Speaker 1>still calling for me. I'm about to go on another

0:14:26.960 --> 0:14:31.480
<v Speaker 1>tour now and day after tomorrow with Hollywood and Dead

0:14:31.480 --> 0:14:33.960
<v Speaker 1>We're gonna we're gonna continue the Hollywood nine tour that

0:14:34.040 --> 0:14:36.200
<v Speaker 1>the places we didn't hit on the first one, right,

0:14:36.400 --> 0:14:38.080
<v Speaker 1>and now we're gonna go all the way over to

0:14:38.120 --> 0:14:39.640
<v Speaker 1>Canada and give it to them as well, you know

0:14:39.680 --> 0:14:43.800
<v Speaker 1>what I mean. So it's gonna be more young people

0:14:43.880 --> 0:14:45.040
<v Speaker 1>that want to see Tech nine.

0:14:45.080 --> 0:14:48.320
<v Speaker 2>Man, do you remember because when I say you're the

0:14:48.320 --> 0:14:51.640
<v Speaker 2>greatest hip hop live before, in my opinion, you're my favorite.

0:14:51.640 --> 0:14:54.080
<v Speaker 2>I've probably seen you in concert like fifty times at

0:14:54.080 --> 0:14:57.560
<v Speaker 2>this point, but uh, I think you're the goat on stage.

0:14:59.160 --> 0:15:03.400
<v Speaker 2>Do you remember when you really felt like you had

0:15:03.440 --> 0:15:06.680
<v Speaker 2>dialed in that element of what you do? Because I

0:15:06.760 --> 0:15:09.200
<v Speaker 2>remember the first time I ever saw you in concert

0:15:09.280 --> 0:15:13.640
<v Speaker 2>was probably in eighth seven or eight. It was on

0:15:13.680 --> 0:15:17.800
<v Speaker 2>the Bone cotton Mouth King Shit or was it? No?

0:15:17.880 --> 0:15:20.920
<v Speaker 2>It was was it Bone Bone ICP cotton Mouth Kings

0:15:21.240 --> 0:15:25.200
<v Speaker 2>three damn walka to her? Yes, So I saw you

0:15:25.240 --> 0:15:29.080
<v Speaker 2>then and that was super early. But I think the

0:15:29.080 --> 0:15:31.160
<v Speaker 2>first time I saw you like headlining some ship was

0:15:31.160 --> 0:15:36.320
<v Speaker 2>probably like seven eight. Yeah, but but so much like

0:15:36.520 --> 0:15:38.920
<v Speaker 2>there's so much to your live show and it's evolved

0:15:38.920 --> 0:15:40.840
<v Speaker 2>over the years, But do you remember kind of like

0:15:42.000 --> 0:15:44.920
<v Speaker 2>you gain fans just because they saw you and they

0:15:44.920 --> 0:15:47.560
<v Speaker 2>were like, Yo, this is crazy. I gotta go to

0:15:47.600 --> 0:15:49.480
<v Speaker 2>the music, Like when did you have that dialed in?

0:15:49.520 --> 0:15:50.920
<v Speaker 2>Like all the way you feel like me?

0:15:52.600 --> 0:15:59.320
<v Speaker 1>Cut Grant and Chris and Travis we would rent out

0:15:59.720 --> 0:16:03.720
<v Speaker 1>a conservatory or something and we'll go over steps for

0:16:03.840 --> 0:16:06.000
<v Speaker 1>Angelic you know what I'm saying. Before we went on tour,

0:16:07.040 --> 0:16:09.480
<v Speaker 1>I knew back then, Bro, you know what I'm saying

0:16:09.480 --> 0:16:10.800
<v Speaker 1>that we was locked in and we was doing stuff

0:16:10.800 --> 0:16:13.360
<v Speaker 1>that people wasn't doing on stage. I knew back then

0:16:13.560 --> 0:16:19.920
<v Speaker 1>that us as a team in uniform, not just in

0:16:19.960 --> 0:16:26.240
<v Speaker 1>play clothes, signifies togetherness. So that's saying like, Okay, if

0:16:26.280 --> 0:16:28.520
<v Speaker 1>he's dressed like him, that means if I fuck with him,

0:16:28.560 --> 0:16:30.400
<v Speaker 1>I gotta fuck with him. Him him him, you know

0:16:30.440 --> 0:16:32.520
<v Speaker 1>what I'm saying. So I learned that from soldiers, you

0:16:32.560 --> 0:16:35.560
<v Speaker 1>know what I'm saying. So I knew back then early

0:16:35.600 --> 0:16:38.960
<v Speaker 1>on that we were locked in. You know what I mean,

0:16:39.320 --> 0:16:42.640
<v Speaker 1>who got this motherfucking household lot? If you got speak?

0:16:43.200 --> 0:16:44.600
<v Speaker 1>You know the little dance we do, you know what

0:16:44.640 --> 0:16:46.520
<v Speaker 1>I'm saying. I still do it to this day, you know.

0:16:47.680 --> 0:16:50.920
<v Speaker 1>So it's like, uh, I knew it at the beginning

0:16:51.400 --> 0:16:56.880
<v Speaker 1>when we were doing it. The steps that is that

0:16:57.960 --> 0:17:01.440
<v Speaker 1>we were doing something that we had never seen. Because

0:17:01.600 --> 0:17:03.920
<v Speaker 1>I started dancing before hip hop.

0:17:03.960 --> 0:17:04.520
<v Speaker 2>You know what I'm saying.

0:17:04.520 --> 0:17:07.159
<v Speaker 1>I was I was like like MC hammer style, you know,

0:17:07.160 --> 0:17:09.080
<v Speaker 1>I was a big boy bring dancing poplock and you

0:17:09.080 --> 0:17:11.560
<v Speaker 1>know what I'm saying, All that so I brought that

0:17:11.640 --> 0:17:14.080
<v Speaker 1>to Tech nine, you know what I mean, And throughout

0:17:14.119 --> 0:17:18.399
<v Speaker 1>the years, if it's something we didn't rehearse at the

0:17:18.400 --> 0:17:22.640
<v Speaker 1>Ballet Conservatory, if I started doing a step that was extra,

0:17:23.200 --> 0:17:25.280
<v Speaker 1>they would join in. Or if Chris started doing a

0:17:25.400 --> 0:17:27.560
<v Speaker 1>step that was extra, we do it over Cut said, man,

0:17:27.600 --> 0:17:29.240
<v Speaker 1>I'm gonna do the B walk on this. I would

0:17:29.280 --> 0:17:30.560
<v Speaker 1>join in, you know what I'm saying, to do it

0:17:30.560 --> 0:17:32.840
<v Speaker 1>with him, you know. So we would add stuff throughout

0:17:32.840 --> 0:17:36.120
<v Speaker 1>the years, you know what I mean. So it's it's

0:17:36.160 --> 0:17:43.400
<v Speaker 1>just a magical thing. So now before okay, I'm gonna

0:17:43.400 --> 0:17:51.880
<v Speaker 1>talk about this, twenty twenty COVID hits correct. Chris Calico say,

0:17:51.960 --> 0:17:53.680
<v Speaker 1>you know, we got a we got a jelly Roll

0:17:54.520 --> 0:17:56.760
<v Speaker 1>tour on the horizon, you know what I'm saying.

0:17:56.800 --> 0:18:00.520
<v Speaker 2>And jelly Roll was with Strange, Yeah, said he was.

0:18:00.560 --> 0:18:03.600
<v Speaker 1>He had signed to our distribution.

0:18:04.040 --> 0:18:06.320
<v Speaker 2>Was that around the time you guys did the Red

0:18:06.400 --> 0:18:08.320
<v Speaker 2>Rocks and there was like the big I think Chris

0:18:08.359 --> 0:18:09.399
<v Speaker 2>came out at Red Rocks.

0:18:09.520 --> 0:18:12.399
<v Speaker 1>That was like that was like twenty nineteen, yeah, yep, yeah,

0:18:12.440 --> 0:18:15.480
<v Speaker 1>so that was like the last hurrah. Yeah, because Chris

0:18:15.520 --> 0:18:17.480
<v Speaker 1>was talking about leaving then and then he came out

0:18:17.640 --> 0:18:20.080
<v Speaker 1>like boom, and the fans like, holy yeah, he's staying.

0:18:20.080 --> 0:18:23.040
<v Speaker 1>He's gonna Yeah, he said, he's gonna do some more

0:18:23.119 --> 0:18:24.399
<v Speaker 1>years with us, you know what I'm saying. Because he

0:18:24.960 --> 0:18:27.600
<v Speaker 1>was thinking about going on and doing his own label,

0:18:27.680 --> 0:18:28.879
<v Speaker 1>this and the other, you know what I'm saying. So

0:18:28.920 --> 0:18:31.080
<v Speaker 1>he came out of Red Rocks twenty nineteen. Yeah, boom boom,

0:18:31.080 --> 0:18:33.840
<v Speaker 1>boom boom. It was a big thing, you know. And uh,

0:18:34.200 --> 0:18:37.720
<v Speaker 1>twenty twenty came, and then that tour got canceled, the

0:18:37.840 --> 0:18:40.879
<v Speaker 1>Jelly Roll Tour with Take nine, you know, and before

0:18:40.920 --> 0:18:44.040
<v Speaker 1>we went on at Chris Calico said, Yo, teg, I

0:18:44.040 --> 0:18:45.879
<v Speaker 1>can't go for this price no more. You know what

0:18:45.920 --> 0:18:48.000
<v Speaker 1>I'm saying. I gotta have more of I'm gonna go.

0:18:48.520 --> 0:18:50.080
<v Speaker 1>And I said, let me see what I can do.

0:18:51.240 --> 0:18:53.000
<v Speaker 1>So I said, you know, I called in the Travis.

0:18:53.080 --> 0:18:56.760
<v Speaker 1>I'm like, if you can get him two more hunted,

0:18:57.440 --> 0:18:59.199
<v Speaker 1>I think he'll be good. You know what I mean

0:18:59.240 --> 0:19:01.400
<v Speaker 1>that I'll put him at a you know, a nice

0:19:01.520 --> 0:19:06.280
<v Speaker 1>place you know, and travels like tech. Because the tour

0:19:06.800 --> 0:19:08.720
<v Speaker 1>got canceled and now we were trying to go on

0:19:08.800 --> 0:19:13.080
<v Speaker 1>tour after that, we're getting reductions. You know what I'm saying, because.

0:19:12.840 --> 0:19:15.919
<v Speaker 2>People don't go down because they.

0:19:15.040 --> 0:19:16.960
<v Speaker 1>Don't know if people are going to come. So that's

0:19:16.960 --> 0:19:19.200
<v Speaker 1>what the promoters were using against us, like we don't

0:19:19.200 --> 0:19:20.960
<v Speaker 1>know what you're going to do, you know what I'm saying.

0:19:21.800 --> 0:19:25.120
<v Speaker 1>So paying somebody extra money when we're getting reduction would

0:19:25.200 --> 0:19:28.359
<v Speaker 1>be like shooting, yeah, counter productive to shooting myself in

0:19:28.400 --> 0:19:31.520
<v Speaker 1>the foot. So travel like at this point I would

0:19:32.240 --> 0:19:34.560
<v Speaker 1>I wouldn't do this, but I would ask Chris if

0:19:34.600 --> 0:19:37.000
<v Speaker 1>we can reduce his pay, you know what I'm saying.

0:19:37.040 --> 0:19:39.720
<v Speaker 1>And I'm not going to do that, right, No, he's

0:19:39.760 --> 0:19:41.160
<v Speaker 1>not going to do that, you know what I mean.

0:19:41.280 --> 0:19:44.080
<v Speaker 1>So I had to call Chris and say that to him.

0:19:44.119 --> 0:19:46.320
<v Speaker 1>He's like, I can't go there TECH and I'm like damn.

0:19:47.200 --> 0:19:51.080
<v Speaker 1>I'm like okay. I was like, maybe this this just

0:19:51.119 --> 0:19:53.639
<v Speaker 1>this last one. I'm trying to keep him held on.

0:19:53.720 --> 0:19:55.280
<v Speaker 1>Maybe just this last one, you know what I'm saying.

0:19:55.320 --> 0:19:57.399
<v Speaker 1>He's like, no, man, I gotta you know, and you know,

0:19:58.320 --> 0:20:00.399
<v Speaker 1>during COVID, you know you have to find way to

0:20:00.400 --> 0:20:02.440
<v Speaker 1>take care of your family. He found ways, you know

0:20:02.480 --> 0:20:04.399
<v Speaker 1>what I mean, And to let him see that he

0:20:04.440 --> 0:20:06.879
<v Speaker 1>could do his own. So when he came to me

0:20:06.920 --> 0:20:10.359
<v Speaker 1>and said, I want to leave, but I want to

0:20:10.440 --> 0:20:13.520
<v Speaker 1>let the fans know that we're still connected and ain't

0:20:13.520 --> 0:20:14.920
<v Speaker 1>bad blood or nothing, because it's not you know what

0:20:14.960 --> 0:20:18.359
<v Speaker 1>I'm saying. So we created this live stream. We were

0:20:18.400 --> 0:20:19.880
<v Speaker 1>doing live streams during.

0:20:19.800 --> 0:20:21.760
<v Speaker 2>Yeah, you guys are doing like the concert shit us.

0:20:21.920 --> 0:20:24.320
<v Speaker 1>Yeah, because we couldn't tour yea, so we were we

0:20:24.359 --> 0:20:25.280
<v Speaker 1>were doing live streams.

0:20:25.280 --> 0:20:25.480
<v Speaker 2>We can.

0:20:25.640 --> 0:20:27.880
<v Speaker 1>You know, we always survived strange music. We're gonna find

0:20:27.920 --> 0:20:30.080
<v Speaker 1>a way, you know what I mean. So Chris said,

0:20:30.200 --> 0:20:32.720
<v Speaker 1>let's do a farewell one for me, you know what

0:20:32.720 --> 0:20:36.080
<v Speaker 1>I'm saying, and introduce my new label, Earhouse, And we

0:20:36.160 --> 0:20:41.240
<v Speaker 1>did that, you know what I mean. So I'm happy

0:20:41.320 --> 0:20:43.720
<v Speaker 1>doing this for Chris. But on the inside, I ain't

0:20:43.720 --> 0:20:45.760
<v Speaker 1>never said this. On the inside, I'm like, damn IA

0:20:45.760 --> 0:20:48.600
<v Speaker 1>need my brother man right up there, man, my guys,

0:20:49.280 --> 0:20:51.960
<v Speaker 1>because I had to think back to where when I started,

0:20:52.080 --> 0:20:55.479
<v Speaker 1>I was by myself, but not really when I when

0:20:55.520 --> 0:20:57.960
<v Speaker 1>I got with Travis, I brought Grant and Cut and

0:20:58.040 --> 0:20:59.600
<v Speaker 1>Chris came in last. You know what I'm saying.

0:21:00.080 --> 0:21:02.399
<v Speaker 2>For sure, I mean, your guys is dynamic on stage.

0:21:03.400 --> 0:21:05.679
<v Speaker 2>Yeah we grab a bottle, yeah yeah, yeah no, but

0:21:05.680 --> 0:21:08.680
<v Speaker 2>your guys dynamic on stage is it's historical.

0:21:08.840 --> 0:21:12.879
<v Speaker 1>Yeah, So with me remembering that, I came in with

0:21:13.000 --> 0:21:18.560
<v Speaker 1>full motherfucker right, thank you. I was kind of leery

0:21:18.640 --> 0:21:21.360
<v Speaker 1>about what I would do by myself. I ain't never

0:21:21.400 --> 0:21:23.399
<v Speaker 1>said that because I'm a king, I can you know

0:21:23.440 --> 0:21:28.120
<v Speaker 1>what I'm saying. So in my in my heart, I'm like, man,

0:21:30.840 --> 0:21:38.080
<v Speaker 1>what am I gonna do without my backup? But once

0:21:38.119 --> 0:21:42.240
<v Speaker 1>I start rehearsing by myself, I'm like, Damn, I got

0:21:42.280 --> 0:21:45.320
<v Speaker 1>all this wind myself. You know what I'm saying. I've

0:21:45.320 --> 0:21:49.640
<v Speaker 1>always done uh breathing exercises throughout my career that will

0:21:49.640 --> 0:21:51.960
<v Speaker 1>allow me say a whole four bars without breathing. You

0:21:51.960 --> 0:21:58.199
<v Speaker 1>know what I'm saying. You know what I'm saying for

0:21:58.240 --> 0:22:00.679
<v Speaker 1>a whole four bars. So I had to remember that

0:22:00.760 --> 0:22:04.160
<v Speaker 1>and when I started, when I did my first show

0:22:04.240 --> 0:22:09.840
<v Speaker 1>by myself and I rocked it, that gave me the

0:22:09.920 --> 0:22:12.159
<v Speaker 1>confidence because I was worried. I was worried.

0:22:12.840 --> 0:22:14.680
<v Speaker 2>Yeah, I didn't know it. I didn't know what to expect.

0:22:14.960 --> 0:22:17.919
<v Speaker 1>Yeah, nobody did. It's not the same without Chris. I

0:22:17.960 --> 0:22:19.920
<v Speaker 1>know it's not the same, but it's fucking.

0:22:20.280 --> 0:22:22.440
<v Speaker 2>The way you guys had those led walls and ship

0:22:22.480 --> 0:22:24.520
<v Speaker 2>and the way that like the whole like you're doing

0:22:24.520 --> 0:22:26.800
<v Speaker 2>the outfit changes. It also probably gave you time to

0:22:27.080 --> 0:22:30.680
<v Speaker 2>breathe a little, you know, reset it did Chris.

0:22:30.760 --> 0:22:33.240
<v Speaker 1>Chris being there gave Chris can cut them being there

0:22:33.320 --> 0:22:35.680
<v Speaker 1>gave me a lot of breathing time.

0:22:35.800 --> 0:22:36.480
<v Speaker 2>You know what I'm saying.

0:22:37.440 --> 0:22:38.840
<v Speaker 1>I don't have that no more. So now I say,

0:22:38.840 --> 0:22:41.800
<v Speaker 1>I'm getting my DMX on. You know what I'm saying, resting,

0:22:43.160 --> 0:22:46.480
<v Speaker 1>May God rest the soul. I'm getting my Kendrick on.

0:22:46.640 --> 0:22:48.879
<v Speaker 1>You know what I'm saying. I'm getting my jay z on.

0:22:49.080 --> 0:22:53.280
<v Speaker 1>You know what I'm saying. So I realized after a

0:22:53.359 --> 0:22:55.520
<v Speaker 1>first couple of the first couple of shows that I

0:22:55.560 --> 0:22:57.280
<v Speaker 1>got this ship. You know what I'm saying. And you

0:22:57.320 --> 0:23:02.399
<v Speaker 1>know it would I would love for Chris to return,

0:23:03.920 --> 0:23:04.520
<v Speaker 1>but I got.

0:23:04.440 --> 0:23:08.080
<v Speaker 2>It, you know Yeah, I think I think before it's

0:23:08.119 --> 0:23:10.760
<v Speaker 2>all said and done, man, the Unholy Trinity's got to

0:23:10.760 --> 0:23:14.040
<v Speaker 2>get back together for one one more fucking Hurrah dog,

0:23:15.400 --> 0:23:17.280
<v Speaker 2>even if it's one show, even if it's like a

0:23:17.320 --> 0:23:19.080
<v Speaker 2>single show in casey or something like that.

0:23:19.200 --> 0:23:23.600
<v Speaker 1>I will never say never, but I'm saying, maybe you'll

0:23:23.600 --> 0:23:24.600
<v Speaker 1>get the duo.

0:23:25.280 --> 0:23:26.880
<v Speaker 2>Yeah, you and Chris is definitely on the table.

0:23:26.920 --> 0:23:28.520
<v Speaker 1>You know what I'm saying, maybe you'll get the duo

0:23:29.640 --> 0:23:32.080
<v Speaker 1>TRAVI and Cuddy ain't gonna never see how to eye.

0:23:32.160 --> 0:23:34.000
<v Speaker 2>That's fair, you know what I'm saying.

0:23:34.000 --> 0:23:37.719
<v Speaker 1>Some things were said that I can't even fix because

0:23:37.800 --> 0:23:40.320
<v Speaker 1>you know, me and some of the people that strained

0:23:40.320 --> 0:23:43.639
<v Speaker 1>when we were doing COSM, we's for sure, you know,

0:23:43.680 --> 0:23:47.159
<v Speaker 1>we had we had we had uh talks with Travis

0:23:47.240 --> 0:23:51.879
<v Speaker 1>about Cuddy and he was like, man, He's like, so

0:23:52.000 --> 0:23:54.560
<v Speaker 1>you think the fans want to hear Cuddy and everybody

0:23:54.600 --> 0:23:56.640
<v Speaker 1>in the office like, yes, you know what I'm saying.

0:23:56.680 --> 0:23:59.679
<v Speaker 1>And Travis was like, I ain't got no problem, man,

0:23:59.680 --> 0:24:01.800
<v Speaker 1>I just I just don't feel I don't feel complete,

0:24:01.840 --> 0:24:03.320
<v Speaker 1>you know what I'm saying with that part. You know

0:24:03.359 --> 0:24:05.680
<v Speaker 1>what I'm saying, the misunderstanding they had, you know what

0:24:05.720 --> 0:24:08.439
<v Speaker 1>I'm saying, And I gotta I gotta feel that, you

0:24:08.440 --> 0:24:10.720
<v Speaker 1>know what I'm saying, And as men, I gotta feel.

0:24:10.920 --> 0:24:13.640
<v Speaker 1>You know, I can't that it wasn't petty for trap

0:24:13.720 --> 0:24:15.159
<v Speaker 1>or nothing like that. I don't think it's petty. I

0:24:15.200 --> 0:24:18.159
<v Speaker 1>just think that it never got resolved. You know. It

0:24:18.240 --> 0:24:20.200
<v Speaker 1>was something that brought Trav's wife into it. You know

0:24:20.200 --> 0:24:20.720
<v Speaker 1>what I'm saying, and.

0:24:21.359 --> 0:24:24.200
<v Speaker 2>Yeah, I feel like once you cross certain you know, yeah,

0:24:24.320 --> 0:24:24.840
<v Speaker 2>you know like.

0:24:25.359 --> 0:24:28.800
<v Speaker 1>I've never seen when Kanye said this about jay Z's

0:24:29.040 --> 0:24:32.359
<v Speaker 1>kids or whatever. But after you cross that, it's.

0:24:32.280 --> 0:24:35.640
<v Speaker 2>Hard to walk back that. You get like, I'm fair

0:24:35.760 --> 0:24:37.000
<v Speaker 2>game ship.

0:24:37.760 --> 0:24:40.600
<v Speaker 1>Yeah, when you're talking about some family.

0:24:40.560 --> 0:24:43.040
<v Speaker 2>It's like it's just hard to you know, it's.

0:24:42.920 --> 0:24:44.600
<v Speaker 1>You know, I don't know if you'll ever be able

0:24:44.640 --> 0:24:46.439
<v Speaker 1>to come back to that, you know what I mean.

0:24:46.600 --> 0:24:51.240
<v Speaker 1>I think luckily nobody else on the label I've done

0:24:51.280 --> 0:24:52.800
<v Speaker 1>anything like that. You know what I'm saying.

0:24:52.800 --> 0:24:54.800
<v Speaker 2>And you know, I.

0:24:54.800 --> 0:24:59.399
<v Speaker 1>Remember I remember talking to Cuddy about it, you know,

0:25:00.520 --> 0:25:02.199
<v Speaker 1>and he's like, oh, we're talking about him. You know.

0:25:02.840 --> 0:25:05.440
<v Speaker 1>But you know, if you say on a song, that's

0:25:05.440 --> 0:25:08.880
<v Speaker 1>why I fucked Joe, bitch, you fat motherfucker, Like pup,

0:25:10.240 --> 0:25:12.800
<v Speaker 1>you can't say that in the circle you're in. You

0:25:12.800 --> 0:25:15.159
<v Speaker 1>know what I'm saying. When when you're breaking up, you

0:25:15.160 --> 0:25:16.200
<v Speaker 1>know what I'm saying with the group.

0:25:16.280 --> 0:25:18.280
<v Speaker 2>You know what I'm saying. You know what I'm saying.

0:25:18.320 --> 0:25:21.520
<v Speaker 1>It's like, yeah, it's like I know, like, you know,

0:25:21.600 --> 0:25:24.040
<v Speaker 1>our good friend just bad taste, you know, bad timing.

0:25:24.119 --> 0:25:26.560
<v Speaker 2>You know, I know that we have a mutual friend

0:25:26.560 --> 0:25:29.000
<v Speaker 2>who's a psycho or boy ritz, I know, like he

0:25:29.080 --> 0:25:31.600
<v Speaker 2>had hit had his Uh it wasn't that bad, but

0:25:31.640 --> 0:25:33.240
<v Speaker 2>it wasn't anything you couldn't come back from.

0:25:33.280 --> 0:25:35.360
<v Speaker 1>No, because he's on Cosm right.

0:25:35.680 --> 0:25:38.520
<v Speaker 2>And and like and like and like you know because

0:25:39.160 --> 0:25:42.040
<v Speaker 2>like like again, it wasn't ever anything like and then

0:25:42.040 --> 0:25:45.640
<v Speaker 2>he could always be like I was drunk man, Yeah, yeah,

0:25:46.119 --> 0:25:47.879
<v Speaker 2>And if you've been on tour with Rich you're like,

0:25:48.119 --> 0:25:50.120
<v Speaker 2>you know, this motherfucker's a psycho, right, Like.

0:25:50.160 --> 0:25:57.560
<v Speaker 1>Well, you know, when people lose something. I'm not generalizing,

0:25:57.600 --> 0:26:02.359
<v Speaker 1>but uh, some people, what I've learned over the years,

0:26:02.680 --> 0:26:06.200
<v Speaker 1>they deflect and it's always the label's.

0:26:05.800 --> 0:26:08.480
<v Speaker 2>Fault instead of looking in the mirror.

0:26:08.640 --> 0:26:10.679
<v Speaker 1>Yes, yeah, you know what I mean, and that and

0:26:10.720 --> 0:26:14.439
<v Speaker 1>that's what some people do. I don't remember none of

0:26:14.440 --> 0:26:16.960
<v Speaker 1>the ship, you know what I mean? And trap, like,

0:26:17.000 --> 0:26:19.120
<v Speaker 1>how don't you remember the ship that people have done

0:26:19.119 --> 0:26:22.119
<v Speaker 1>to us? I'm like, I don't know, but I know

0:26:22.400 --> 0:26:24.600
<v Speaker 1>that the music is first and foremost, you know, for sure,

0:26:24.560 --> 0:26:28.200
<v Speaker 1>And we did Cosm and everybody came back, almost everybody,

0:26:28.280 --> 0:26:30.200
<v Speaker 1>Chris Kellicole almost made it. But we're trying to get

0:26:30.200 --> 0:26:33.640
<v Speaker 1>some We're trying to get some some back business done

0:26:33.680 --> 0:26:34.600
<v Speaker 1>before we go forward.

0:26:34.640 --> 0:26:37.840
<v Speaker 2>You know who else on the new album? Me?

0:26:39.520 --> 0:26:43.840
<v Speaker 1>Because this album fifty eight sixteen Forrest is coming out

0:26:43.840 --> 0:26:47.680
<v Speaker 1>this summer. When black first came to me, it's like, man,

0:26:47.720 --> 0:26:49.879
<v Speaker 1>you need to do an album.

0:26:50.119 --> 0:26:51.800
<v Speaker 2>Is that your bar code number? What?

0:26:52.560 --> 0:26:52.679
<v Speaker 1>No?

0:26:52.680 --> 0:26:54.520
<v Speaker 2>No, no, okay, you have your bar code number.

0:26:55.520 --> 0:26:57.600
<v Speaker 1>That's six six triple a FO that's in that house.

0:26:57.600 --> 0:26:58.080
<v Speaker 2>You know what I'm saying.

0:26:58.400 --> 0:27:02.240
<v Speaker 1>That's something else, you know to shit. When Blackwall first

0:27:02.240 --> 0:27:05.080
<v Speaker 1>came to me, he said, man, people want to hear you.

0:27:05.200 --> 0:27:10.680
<v Speaker 1>Do you without no collaborations? I said, that's boring as fuck.

0:27:11.119 --> 0:27:12.920
<v Speaker 1>You know, my whole career, I'm always collabed. You know

0:27:12.920 --> 0:27:13.320
<v Speaker 1>what I'm saying.

0:27:13.400 --> 0:27:15.280
<v Speaker 2>I mean, you got Tech nine collab as its own

0:27:15.320 --> 0:27:15.840
<v Speaker 2>artist page.

0:27:15.840 --> 0:27:17.440
<v Speaker 1>I do, I do, I do. But you know, even

0:27:17.480 --> 0:27:20.400
<v Speaker 1>in my on my albums, I got major collapse of course,

0:27:20.440 --> 0:27:23.280
<v Speaker 1>you know what I'm saying. So he telling me that

0:27:23.560 --> 0:27:27.200
<v Speaker 1>people want to hear you, and I'm like, that's boring.

0:27:27.240 --> 0:27:30.320
<v Speaker 1>I went to travel. I said, listen, black Wall, he

0:27:30.480 --> 0:27:33.400
<v Speaker 1>just got out. He's been locked up fifteen years. He's

0:27:33.400 --> 0:27:35.280
<v Speaker 1>the guy that gave me my Tech nine name in

0:27:35.359 --> 0:27:39.080
<v Speaker 1>eighty eight. You know, And uh, I said, black Wall

0:27:39.160 --> 0:27:42.240
<v Speaker 1>said that people want to hear me on the verses,

0:27:42.320 --> 0:27:46.240
<v Speaker 1>that's it, and uh I said, I think that's boring

0:27:46.280 --> 0:27:48.240
<v Speaker 1>as fuck, and Trav said, he's.

0:27:48.200 --> 0:27:52.240
<v Speaker 2>Right, because you've never given given one of those.

0:27:52.800 --> 0:27:55.919
<v Speaker 1>So my idea was to do an album called fifty

0:27:55.960 --> 0:27:59.359
<v Speaker 1>eight sixteen Forests where I moved there when I was

0:27:59.359 --> 0:28:03.480
<v Speaker 1>twelve to seven. So as I got into the writing

0:28:03.520 --> 0:28:05.920
<v Speaker 1>of it, you know, me writing all the verses, maybe

0:28:06.000 --> 0:28:08.840
<v Speaker 1>have you know a few hooks done by some major

0:28:08.920 --> 0:28:11.080
<v Speaker 1>artists or something that's about it, you know what I mean.

0:28:11.160 --> 0:28:14.959
<v Speaker 1>But I got into a couple of songs and I'm like,

0:28:15.000 --> 0:28:19.160
<v Speaker 1>this is beautiful. So it turns out to be an

0:28:19.200 --> 0:28:23.720
<v Speaker 1>audio series with seventeen episodes of my life on fifty

0:28:23.760 --> 0:28:27.480
<v Speaker 1>eight sixteen fours from age twelve to age seventeen, when

0:28:27.480 --> 0:28:30.600
<v Speaker 1>I ran away from home to become Tech nine, you

0:28:30.600 --> 0:28:32.240
<v Speaker 1>know I'm saying, on the quest to become Tech nine,

0:28:32.640 --> 0:28:35.120
<v Speaker 1>you know what I mean. So it's in chronological order.

0:28:35.200 --> 0:28:39.240
<v Speaker 1>Only one producer from Kansas City's name is Jaypeas. You

0:28:39.280 --> 0:28:41.440
<v Speaker 1>know what I'm saying. I've never done that one producer.

0:28:41.560 --> 0:28:43.880
<v Speaker 1>He had all seventeen tracks, you know what I mean.

0:28:44.080 --> 0:28:47.840
<v Speaker 1>And this is the album where I don't have any features,

0:28:48.080 --> 0:28:51.240
<v Speaker 1>you know what I mean. And you know a lot

0:28:51.240 --> 0:28:53.640
<v Speaker 1>of fans been asking for that for a long time.

0:28:53.680 --> 0:28:55.960
<v Speaker 1>You know, Trav' already always been in my ear about it.

0:28:56.000 --> 0:28:59.240
<v Speaker 1>But this is the moment when it made sense to me,

0:28:59.800 --> 0:29:04.200
<v Speaker 1>because why how can I have anybody on these verses

0:29:04.240 --> 0:29:05.720
<v Speaker 1>when I'm telling my story?

0:29:06.560 --> 0:29:08.240
<v Speaker 2>Yeah, And like, if you really think about some of

0:29:08.240 --> 0:29:10.400
<v Speaker 2>your I mean not maybe not like radio songs, but

0:29:10.480 --> 0:29:13.760
<v Speaker 2>like your biggest songs for real, like that the fans love,

0:29:13.800 --> 0:29:16.760
<v Speaker 2>they're mostly all you by yourself. If you think about

0:29:16.800 --> 0:29:20.800
<v Speaker 2>like your technicians and ship you know, Einstein, you.

0:29:20.720 --> 0:29:21.240
<v Speaker 1>Know what I'm saying.

0:29:21.320 --> 0:29:27.720
<v Speaker 2>Oh yeah, eas even the word shit on kod is

0:29:27.760 --> 0:29:31.320
<v Speaker 2>you by yourself? Like that's crazy, Like, yeah, it's probably

0:29:31.360 --> 0:29:32.360
<v Speaker 2>my favorite tech song ever.

0:29:32.440 --> 0:29:35.840
<v Speaker 1>Crazy, that's crazy. I never thought of it like that

0:29:35.920 --> 0:29:40.160
<v Speaker 1>mental giant, mettal giant. Holy shit, now that one.

0:29:41.520 --> 0:29:42.120
<v Speaker 2>It's hard.

0:29:42.240 --> 0:29:44.720
<v Speaker 1>That it's hard. We was tripping on that in Australia

0:29:44.760 --> 0:29:48.840
<v Speaker 1>because we would sound check my, my, my, my sound guys.

0:29:48.880 --> 0:29:50.680
<v Speaker 1>They would sound check with that song, you know what

0:29:50.720 --> 0:29:52.480
<v Speaker 1>I mean? For me and I'll be in there and

0:29:53.440 --> 0:29:57.760
<v Speaker 1>you know, seven on the what possessed him that night

0:29:57.800 --> 0:30:00.360
<v Speaker 1>to do that song? But holy ship, man, you know

0:30:00.360 --> 0:30:02.400
<v Speaker 1>what I'm saying. It's hip hop at its finest for sure,

0:30:02.640 --> 0:30:06.680
<v Speaker 1>but all those songs being by myself. Like you said,

0:30:07.320 --> 0:30:10.920
<v Speaker 1>this is the album where I tell my story with

0:30:11.080 --> 0:30:14.760
<v Speaker 1>only a few major collaborations on the hooks.

0:30:14.760 --> 0:30:15.840
<v Speaker 2>So there's some hooks stuff.

0:30:16.120 --> 0:30:18.000
<v Speaker 1>There's some hook stuff, you know what I'm saying, you know,

0:30:18.160 --> 0:30:23.000
<v Speaker 1>here and there, But that's about it. But it's special, man,

0:30:23.040 --> 0:30:26.720
<v Speaker 1>it's special and audio series with seventeen episodes about my life.

0:30:26.720 --> 0:30:27.720
<v Speaker 2>Anybody's really done that.

0:30:28.600 --> 0:30:32.160
<v Speaker 1>I've never heard it. Yeah, But the last song on

0:30:32.200 --> 0:30:35.920
<v Speaker 1>the album, you know how strange music albums and strange music,

0:30:36.600 --> 0:30:40.640
<v Speaker 1>there's a song after the strange music called JA six

0:30:40.760 --> 0:30:44.000
<v Speaker 1>is about my lucky Jay sixes in ninety one, how

0:30:44.240 --> 0:30:48.200
<v Speaker 1>I could afford to get some Georgian Jordan six black

0:30:48.240 --> 0:30:51.760
<v Speaker 1>infrared color ways. You know what I'm saying. That song

0:30:51.840 --> 0:30:54.480
<v Speaker 1>is after the tag, and it's a humongous one too,

0:30:54.560 --> 0:30:57.800
<v Speaker 1>because it happens what happened was after I ran away,

0:30:57.840 --> 0:31:00.160
<v Speaker 1>two years after that Jay six has occurred, you know

0:31:00.200 --> 0:31:03.480
<v Speaker 1>what I'm saying. And so after the tag, there's a

0:31:03.480 --> 0:31:05.640
<v Speaker 1>song that happened that's some shit that happened two years

0:31:05.680 --> 0:31:08.280
<v Speaker 1>after I ran away, and I put Jay six. I

0:31:08.320 --> 0:31:10.600
<v Speaker 1>put it there like that in case I wanted to

0:31:10.720 --> 0:31:13.239
<v Speaker 1>keep going, right, just in case I don't know if

0:31:13.240 --> 0:31:14.520
<v Speaker 1>I'm gonna keep going, you know what I'm saying with

0:31:14.560 --> 0:31:14.920
<v Speaker 1>the story.

0:31:14.960 --> 0:31:17.120
<v Speaker 2>But in case, yeah, I mean, because you could always

0:31:17.120 --> 0:31:19.520
<v Speaker 2>do it. I mean, if you get inspired to do so,

0:31:19.600 --> 0:31:23.360
<v Speaker 2>you could always do another album, a continuation of yeah.

0:31:23.040 --> 0:31:26.520
<v Speaker 1>From me from becoming Technine. I can do it, but

0:31:26.760 --> 0:31:29.600
<v Speaker 1>I don't want to bore people. But this one is special.

0:31:32.480 --> 0:31:36.360
<v Speaker 1>Our DV just coming out, you know, a few days ago,

0:31:36.560 --> 0:31:40.479
<v Speaker 1>while like last week, you know, let everybody know that, Okay,

0:31:40.520 --> 0:31:43.960
<v Speaker 1>this is gonna be some tech nine nineties kind of

0:31:43.960 --> 0:31:46.040
<v Speaker 1>field beats and everything. You know what I'm saying, It's

0:31:46.080 --> 0:31:48.800
<v Speaker 1>going all the way back to the beginning. JPZ did

0:31:49.200 --> 0:31:53.800
<v Speaker 1>a stand up job with making the beats current but

0:31:53.960 --> 0:31:58.520
<v Speaker 1>still with that feel of Rogue Dogs and Mitch Baide

0:31:58.680 --> 0:32:01.320
<v Speaker 1>and all that kind of hcladiog stroll feel that Don

0:32:01.400 --> 0:32:05.280
<v Speaker 1>Juan did early on. You know what I mean, what.

0:32:05.400 --> 0:32:07.920
<v Speaker 2>You You've had the pleasure to change a lot of

0:32:08.000 --> 0:32:11.720
<v Speaker 2>artist lives that aren't necessarily strange music affiliated. You've I

0:32:11.720 --> 0:32:13.960
<v Speaker 2>think about some of the tours that I've been to

0:32:14.800 --> 0:32:20.160
<v Speaker 2>Uh yeah, I mean yeah, j Rock, Ko Glass of Malone.

0:32:20.720 --> 0:32:24.880
<v Speaker 2>Malone was on that tour. Dax, Yeah, shout out to Dax,

0:32:24.880 --> 0:32:25.480
<v Speaker 2>Freddy Gibbs.

0:32:27.080 --> 0:32:28.360
<v Speaker 1>Look how well he's doing.

0:32:28.560 --> 0:32:31.760
<v Speaker 2>Yeah for sure, but it's been it's been so dope.

0:32:31.760 --> 0:32:34.960
<v Speaker 2>But I want to know because you know, Fragile was

0:32:35.000 --> 0:32:38.520
<v Speaker 2>such a moment that had been. I would say that

0:32:38.600 --> 0:32:41.320
<v Speaker 2>relationship because a lot of people who don't know, like

0:32:41.480 --> 0:32:44.400
<v Speaker 2>Jay Rock had had to deal with strange you guys

0:32:44.400 --> 0:32:47.920
<v Speaker 2>put out his his was that his first full length album.

0:32:47.960 --> 0:32:49.840
<v Speaker 2>It was his first album because he had to do.

0:32:52.280 --> 0:32:52.440
<v Speaker 1>Right.

0:32:52.480 --> 0:32:55.400
<v Speaker 2>But that was like his first solo album that came out,

0:32:55.440 --> 0:32:58.200
<v Speaker 2>follow Me Home, Follow Me Home. Yeah, And that was

0:32:58.240 --> 0:33:01.120
<v Speaker 2>a partnership you guys had with TD. We see Kendrick's

0:33:01.160 --> 0:33:02.479
<v Speaker 2>on the road with Rocky.

0:33:03.360 --> 0:33:06.080
<v Speaker 1>Kendrick was on the road with Ray Jock. Uh, Jay Rock.

0:33:08.600 --> 0:33:13.120
<v Speaker 1>I almost said Ray j Dude Kendricks on the road

0:33:13.160 --> 0:33:16.400
<v Speaker 1>with Jay Rock because the guy that was out there

0:33:16.480 --> 0:33:21.640
<v Speaker 1>before Jay Rock's Kim Folk MJ. He got killed in Reno,

0:33:23.040 --> 0:33:26.040
<v Speaker 1>you know what I mean. On that tour, Damn. You

0:33:26.080 --> 0:33:31.600
<v Speaker 1>know we were we were performing at one of the

0:33:31.640 --> 0:33:34.160
<v Speaker 1>venues out there and it was way after the venue,

0:33:34.240 --> 0:33:35.800
<v Speaker 1>like three o'clock in the morning. We were sitting in

0:33:35.800 --> 0:33:40.600
<v Speaker 1>the sitting in the in the alley way, waiting for

0:33:40.720 --> 0:33:44.360
<v Speaker 1>the bus drivers. You know, yeah, you know what I'm saying.

0:33:44.360 --> 0:33:46.440
<v Speaker 1>That's back when I was still partying ship. I'm up

0:33:46.480 --> 0:33:48.280
<v Speaker 1>partying with bitches everything, you know what I'm saying. And

0:33:48.360 --> 0:33:53.360
<v Speaker 1>uh we heard shots three o'clock in the morning, and uh,

0:33:53.680 --> 0:33:55.920
<v Speaker 1>m J. He you know, I guess he was on

0:33:55.960 --> 0:33:59.080
<v Speaker 1>the phone with his wife because the bus is going crazy.

0:33:59.120 --> 0:34:00.320
<v Speaker 1>He wants to go call us life. You know what

0:34:00.320 --> 0:34:00.960
<v Speaker 1>I'm saying, Let.

0:34:00.920 --> 0:34:03.760
<v Speaker 2>Me walk away, call my wife, make sure she does bullshit.

0:34:03.880 --> 0:34:07.640
<v Speaker 1>I guess they said it was some like Cambodian crips

0:34:07.680 --> 0:34:12.880
<v Speaker 1>across the street at the the liquor store early on.

0:34:13.040 --> 0:34:14.560
<v Speaker 1>Just looking over there, you know what I'm saying. And

0:34:14.600 --> 0:34:18.680
<v Speaker 1>everybody knows, you know, where we come from, the neighborhoods

0:34:18.680 --> 0:34:20.280
<v Speaker 1>and all that kind of thing, you know what I'm saying.

0:34:20.360 --> 0:34:24.680
<v Speaker 1>So I guess MJ had on a red J Rock shirt.

0:34:25.160 --> 0:34:26.680
<v Speaker 1>MJ is actually the crip. You know what I'm saying.

0:34:26.680 --> 0:34:29.359
<v Speaker 1>I have on read J Rock shirt because he's who's

0:34:29.360 --> 0:34:31.640
<v Speaker 1>on he's on tour with he's on the phone's wife.

0:34:31.680 --> 0:34:34.000
<v Speaker 1>And then three of them walked up and they said

0:34:34.040 --> 0:34:37.239
<v Speaker 1>that he said, uh, They said, y'all ready and then

0:34:37.640 --> 0:34:39.880
<v Speaker 1>tried to score up with him. Cut out, Houn, come

0:34:39.880 --> 0:34:41.520
<v Speaker 1>out the buzz like what you're trying to jump my nigga?

0:34:41.520 --> 0:34:42.879
<v Speaker 1>You know what I'm saying. That's when the guys pulled

0:34:42.880 --> 0:34:46.040
<v Speaker 1>out and shot MJ all in the lower his lower park.

0:34:46.360 --> 0:34:48.080
<v Speaker 1>He was still alive, you know what I'm saying. I

0:34:48.120 --> 0:34:49.680
<v Speaker 1>talked to him on the phone a couple of days

0:34:49.760 --> 0:34:52.000
<v Speaker 1>later U at the hospital. We had to leave him

0:34:52.000 --> 0:34:55.120
<v Speaker 1>there in Reno at the hospital, you know, and and

0:34:55.239 --> 0:34:57.480
<v Speaker 1>go on to South Salt Lake City. By the time

0:34:57.480 --> 0:34:59.920
<v Speaker 1>we got to Salt Lake City, we got the call

0:35:00.040 --> 0:35:04.400
<v Speaker 1>all the buck blood clots killed him, you know. So

0:35:04.719 --> 0:35:06.839
<v Speaker 1>that's when they had to call on Kendrick to come

0:35:06.880 --> 0:35:10.480
<v Speaker 1>and fill fill out, fill in for MJ. It was hard, man,

0:35:10.640 --> 0:35:12.840
<v Speaker 1>it was hard. It was hard. And that's how I

0:35:12.880 --> 0:35:15.799
<v Speaker 1>met Kendrick, and that's when he gave me the section

0:35:15.880 --> 0:35:19.080
<v Speaker 1>eighty CD and that's when I put him on all

0:35:19.120 --> 0:35:20.800
<v Speaker 1>sixes and seven so nobody knew who he was. And

0:35:21.000 --> 0:35:23.400
<v Speaker 1>I love music with me and my family Marcus Jads

0:35:23.400 --> 0:35:26.120
<v Speaker 1>and then we did the one you're talking about, Fragile

0:35:26.160 --> 0:35:28.520
<v Speaker 1>after that when City just came.

0:35:28.360 --> 0:35:29.600
<v Speaker 2>Out, Yeah, which went platinum.

0:35:29.680 --> 0:35:30.640
<v Speaker 1>Yeah, it went platinum.

0:35:30.760 --> 0:35:36.759
<v Speaker 2>That was was fragile before Hood Go Crazy. Rod was

0:35:37.080 --> 0:35:42.360
<v Speaker 2>after Okay, okay, okay, m what was it something about?

0:35:42.400 --> 0:35:44.440
<v Speaker 2>Because I feel like Kendrick was like the kind of

0:35:44.520 --> 0:35:46.439
<v Speaker 2>artists because around that time I had him on my show,

0:35:46.480 --> 0:35:48.240
<v Speaker 2>I think when I was in Vegas and like twenty

0:35:48.280 --> 0:35:49.759
<v Speaker 2>ten he came and freest out on the show. And

0:35:49.800 --> 0:35:53.279
<v Speaker 2>this was right before section eighty dropped. But like if

0:35:53.320 --> 0:35:55.520
<v Speaker 2>you were around him, you kind of knew, like, this

0:35:55.600 --> 0:35:56.800
<v Speaker 2>dude's alien.

0:35:56.440 --> 0:35:59.320
<v Speaker 1>For reason, Yes he was. He was a quiet dude

0:35:59.600 --> 0:36:04.200
<v Speaker 1>still that to this day. But you can tell that.

0:36:04.280 --> 0:36:06.359
<v Speaker 1>You know, Jay Rock would play me black hippie shit

0:36:06.440 --> 0:36:08.400
<v Speaker 1>on the bus. He was, you know, and I'm like,

0:36:08.480 --> 0:36:11.440
<v Speaker 1>who is that? That's k Dot? This is when j

0:36:11.640 --> 0:36:12.160
<v Speaker 1>was on the tour.

0:36:12.239 --> 0:36:12.839
<v Speaker 2>It's k Dot.

0:36:13.120 --> 0:36:17.239
<v Speaker 1>He's crazy. You know, I'm like, katok crazy, you know

0:36:17.280 --> 0:36:19.080
<v Speaker 1>what I'm saying. And then I finally met him, and

0:36:20.200 --> 0:36:22.360
<v Speaker 1>you know, on that tour we found out that he

0:36:22.560 --> 0:36:23.400
<v Speaker 1>was a special.

0:36:23.600 --> 0:36:24.239
<v Speaker 2>You know what I mean.

0:36:24.400 --> 0:36:27.840
<v Speaker 1>He watched me every night on stage when I was performing.

0:36:28.560 --> 0:36:32.640
<v Speaker 1>When you see his show now, man, you know, nothing

0:36:32.680 --> 0:36:38.440
<v Speaker 1>resembles Tech nine. He got his own energy, his own ideas. Man,

0:36:38.600 --> 0:36:41.560
<v Speaker 1>it is. It is massive. I watched that show in

0:36:41.680 --> 0:36:45.799
<v Speaker 1>Paris on Hulu or whatever, you know, and I was

0:36:45.920 --> 0:36:48.560
<v Speaker 1>just in awe. Man, you know what I'm saying, what

0:36:48.680 --> 0:36:51.960
<v Speaker 1>he's become on stage, and I've been to multiple tours

0:36:52.040 --> 0:36:54.760
<v Speaker 1>over the years to Kansas City, brings me on stage

0:36:54.800 --> 0:36:57.000
<v Speaker 1>and tells the story of us and all that man

0:36:57.040 --> 0:37:01.640
<v Speaker 1>and what he's turned into. Man is a mom monster live. Man.

0:37:01.800 --> 0:37:03.520
<v Speaker 1>You know what I'm saying, you guys saying that I'm

0:37:03.520 --> 0:37:06.399
<v Speaker 1>the best show man that nigga, that nigga is. It's

0:37:06.680 --> 0:37:07.160
<v Speaker 1>hard to beat.

0:37:07.160 --> 0:37:10.440
<v Speaker 2>You see him on fucking Super Bowl two bows crazy.

0:37:11.160 --> 0:37:12.879
<v Speaker 1>I was there. I was there.

0:37:12.960 --> 0:37:15.360
<v Speaker 2>I bet you were a sad day for you. I

0:37:15.400 --> 0:37:18.319
<v Speaker 2>was there only I know it was. I'm sure halftime was. Son.

0:37:19.920 --> 0:37:21.360
<v Speaker 1>I was there. I was seeing it at Homie.

0:37:21.480 --> 0:37:23.000
<v Speaker 2>At least he gave you a good show to take

0:37:23.040 --> 0:37:24.360
<v Speaker 2>the take your mind off of the score.

0:37:25.600 --> 0:37:29.160
<v Speaker 1>I know. I'm gonna tell you like this, Before he

0:37:29.239 --> 0:37:35.200
<v Speaker 1>came on stage, the Eagles was.

0:37:35.200 --> 0:37:36.319
<v Speaker 2>They was already clapping, y'all.

0:37:36.360 --> 0:37:38.560
<v Speaker 1>They were, they were, they were, they were scoring so much.

0:37:38.640 --> 0:37:42.720
<v Speaker 1>After a while, I just started laughing, like Travis was heated.

0:37:42.760 --> 0:37:44.120
<v Speaker 1>He was just sitting there like this next to me

0:37:44.280 --> 0:37:46.480
<v Speaker 1>was Travis right here, Me right here, my uncle Ike

0:37:46.560 --> 0:37:48.640
<v Speaker 1>right there, my son next to him. You know what

0:37:48.680 --> 0:37:51.480
<v Speaker 1>I'm saying, and you know other people that was with us.

0:37:53.880 --> 0:37:58.000
<v Speaker 1>Travis was like he wasn't laughing at all. I'm like,

0:37:59.080 --> 0:38:01.680
<v Speaker 1>I'm eating my food, just laughing like this is old.

0:38:01.680 --> 0:38:02.600
<v Speaker 2>I got enough rings.

0:38:03.360 --> 0:38:05.880
<v Speaker 1>It's never enough ring, No for sure, especially what it

0:38:05.920 --> 0:38:06.640
<v Speaker 1>does for the city.

0:38:06.840 --> 0:38:07.719
<v Speaker 2>No for sure. For sure.

0:38:07.719 --> 0:38:10.319
<v Speaker 1>You know what I mean, the morale and all that

0:38:10.400 --> 0:38:12.279
<v Speaker 1>kind of thing. You know, the parade, we wouldn't have

0:38:12.280 --> 0:38:14.319
<v Speaker 1>the official record like parade we wasn't gonna have no

0:38:14.360 --> 0:38:16.280
<v Speaker 1>more because the last parade they start shooting.

0:38:16.600 --> 0:38:18.040
<v Speaker 2>But you I mean I'm saying, I mean, I feel

0:38:18.040 --> 0:38:20.200
<v Speaker 2>like it's good too for for I mean, you have

0:38:20.360 --> 0:38:23.200
<v Speaker 2>the anthem, so if they win, it's good for business.

0:38:23.560 --> 0:38:26.719
<v Speaker 1>It is. Yeah, Red Kingdom. I wrote that shit in

0:38:26.920 --> 0:38:30.600
<v Speaker 1>twenty nineteen. I put it out in twenty nineteen. Isold

0:38:30.680 --> 0:38:35.400
<v Speaker 1>king Io did the beat. We lost a year, but

0:38:35.640 --> 0:38:37.440
<v Speaker 1>it's still here after all these years.

0:38:37.480 --> 0:38:37.839
<v Speaker 2>For sure.

0:38:37.880 --> 0:38:39.480
<v Speaker 1>I took it off the set list though, you know

0:38:39.520 --> 0:38:41.760
<v Speaker 1>they let me know it. And uh, when we lost

0:38:41.760 --> 0:38:43.160
<v Speaker 1>the Super Bowl, I took it off the set list.

0:38:43.280 --> 0:38:45.400
<v Speaker 1>I can't. I can't came brag no more. You know

0:38:45.440 --> 0:38:49.160
<v Speaker 1>what I'm saying. But uh, the fans in Australia let

0:38:49.200 --> 0:38:51.160
<v Speaker 1>me know, like we want to hear Red Kingdom, So

0:38:51.200 --> 0:38:53.879
<v Speaker 1>I had to do it a cappella.

0:38:53.360 --> 0:38:55.360
<v Speaker 2>Yeah, just to give them a little taste.

0:38:55.560 --> 0:38:58.080
<v Speaker 1>They like they got Red Kingdom up on the signs

0:38:58.080 --> 0:39:00.480
<v Speaker 1>and shit, I'm like, it's just a song. The people

0:39:00.520 --> 0:39:01.560
<v Speaker 1>love who.

0:39:03.000 --> 0:39:05.279
<v Speaker 2>Who was the one artist who you brought on the

0:39:05.320 --> 0:39:07.160
<v Speaker 2>road that gave you a run for your money live

0:39:09.520 --> 0:39:12.120
<v Speaker 2>where you were just like, oh okay you you showed

0:39:12.200 --> 0:39:13.680
<v Speaker 2>up like.

0:39:15.920 --> 0:39:19.719
<v Speaker 1>Shit, I always been the what it is? You know

0:39:19.760 --> 0:39:20.080
<v Speaker 1>what I'm saying.

0:39:20.080 --> 0:39:22.120
<v Speaker 2>I know what I'm saying, Like someone who you brought

0:39:22.120 --> 0:39:23.520
<v Speaker 2>on the road, who opened for you where you were

0:39:23.560 --> 0:39:24.919
<v Speaker 2>just like yo, that there there.

0:39:25.120 --> 0:39:27.160
<v Speaker 1>No, I didn't have love. I ain't never have my

0:39:27.239 --> 0:39:30.360
<v Speaker 1>jay Z uh DMX moment because.

0:39:30.239 --> 0:39:33.200
<v Speaker 2>Yeah, because I remember when DMX opened for Hope on

0:39:33.239 --> 0:39:35.799
<v Speaker 2>the Hard Knock Live tour. I was like, I don't

0:39:35.840 --> 0:39:36.680
<v Speaker 2>know how jay Z's.

0:39:36.760 --> 0:39:39.160
<v Speaker 1>Nobody ever know they ain't taking nothing away from Ritz,

0:39:39.160 --> 0:39:42.560
<v Speaker 1>They ain't taking nothing away from or mg K or nothing.

0:39:42.600 --> 0:39:45.960
<v Speaker 1>But no, ain't nobody ever made me feel like holy shit,

0:39:46.000 --> 0:39:48.360
<v Speaker 1>I got to bring my egga, you know what I'm saying.

0:39:49.480 --> 0:39:52.239
<v Speaker 1>I went on before Ronnie Radkey and following reverse on

0:39:52.280 --> 0:39:54.319
<v Speaker 1>this last tour, you know what I mean. And I

0:39:54.360 --> 0:39:56.080
<v Speaker 1>saw all the ship that they do won't stay. I

0:39:56.120 --> 0:39:58.600
<v Speaker 1>was like, God, damn, I gotta step my ship up,

0:39:58.960 --> 0:40:01.680
<v Speaker 1>you know what I'm saying. Ship like that recently, But

0:40:01.960 --> 0:40:05.799
<v Speaker 1>uh na, man, I ain't never had that jay z

0:40:06.400 --> 0:40:08.960
<v Speaker 1>DMX moment like, Oh, these niggas out here killing it.

0:40:09.680 --> 0:40:14.319
<v Speaker 1>I encourage even the openers tear that shit down. Make

0:40:14.320 --> 0:40:16.560
<v Speaker 1>it hard for me. Always tell my artists make it

0:40:16.600 --> 0:40:17.040
<v Speaker 1>hard for me.

0:40:17.080 --> 0:40:20.640
<v Speaker 2>What I think is like a real like sign that

0:40:20.680 --> 0:40:23.000
<v Speaker 2>you are amazing at what you do is because I've

0:40:23.000 --> 0:40:26.799
<v Speaker 2>seen you do festivals where it's not a crowd full

0:40:26.800 --> 0:40:31.279
<v Speaker 2>of technicians and just cultivate the whole crowd. And that's

0:40:31.320 --> 0:40:32.800
<v Speaker 2>the hardest thing to do because it's easy. And I

0:40:32.840 --> 0:40:34.800
<v Speaker 2>wouldn't say it's easy, but it's one thing to perform

0:40:34.880 --> 0:40:37.520
<v Speaker 2>in front of your people. Yeah, it's another thing to

0:40:37.600 --> 0:40:39.600
<v Speaker 2>be like, oh, this is a radio show.

0:40:39.719 --> 0:40:41.960
<v Speaker 1>Yes, radio show. I've done those and killed.

0:40:41.719 --> 0:40:44.319
<v Speaker 2>Them, and you know what I'm saying, It's just different though.

0:40:44.400 --> 0:40:49.280
<v Speaker 1>Yeah, man, Yeah, it's like I'm the one backstage hearing

0:40:49.320 --> 0:40:53.480
<v Speaker 1>the crowd going so so right. I love that. I

0:40:53.600 --> 0:40:56.440
<v Speaker 1>love that for people to have that, But it doesn't

0:40:56.440 --> 0:40:58.719
<v Speaker 1>make me feel like, Okay, I got a fucking kill shit.

0:40:58.800 --> 0:41:00.040
<v Speaker 1>You know what I'm saying, because I already know I

0:41:00.120 --> 0:41:01.840
<v Speaker 1>kill shit, you know what I mean? My spot is

0:41:01.880 --> 0:41:02.560
<v Speaker 1>forever reserved.

0:41:02.560 --> 0:41:05.000
<v Speaker 2>Like forty was great too, when you guys had that

0:41:05.040 --> 0:41:08.520
<v Speaker 2>forty tour, that was great. Talk to me about there.

0:41:08.640 --> 0:41:10.640
<v Speaker 2>There's the moment when you get shouted out by Lil

0:41:10.719 --> 0:41:17.640
<v Speaker 2>Wayne when he's incarcerated. Around that time, there was this

0:41:17.880 --> 0:41:20.040
<v Speaker 2>light that was flashed on what you guys are doing

0:41:20.040 --> 0:41:24.000
<v Speaker 2>in case, yes, I remember there, Yeah, there was list.

0:41:24.040 --> 0:41:26.239
<v Speaker 2>I remember it might have been Double Excel. Someone on

0:41:26.280 --> 0:41:29.880
<v Speaker 2>YouTube went and showed the operation, and all of a

0:41:29.920 --> 0:41:33.440
<v Speaker 2>sudden it was like, well shit, you know, people are

0:41:33.480 --> 0:41:35.719
<v Speaker 2>paying a lot more attention to what we got going on.

0:41:35.960 --> 0:41:38.120
<v Speaker 2>Tell me how the Little Wayne relationship kind of like

0:41:38.239 --> 0:41:41.360
<v Speaker 2>helped kind of change the trajectory of like opening you

0:41:41.440 --> 0:41:43.480
<v Speaker 2>up to new fans, and how it's still intact to

0:41:43.520 --> 0:41:44.120
<v Speaker 2>this day.

0:41:45.040 --> 0:41:47.879
<v Speaker 1>Wayne speaking my name saying that he wanted to work

0:41:47.920 --> 0:41:49.440
<v Speaker 1>with me in one hundred three thousand.

0:41:49.560 --> 0:41:51.600
<v Speaker 2>Man, because you're on the Carter four.

0:41:51.880 --> 0:41:53.520
<v Speaker 1>Yeah, I'm on the Carter four. He said he was

0:41:53.520 --> 0:41:55.359
<v Speaker 1>gonna make that happen. I didn't know he was going

0:41:55.440 --> 0:41:56.560
<v Speaker 1>to put.

0:41:56.520 --> 0:41:58.680
<v Speaker 2>Us both on the same song, which is Yeah, the

0:41:58.680 --> 0:42:01.320
<v Speaker 2>introduwser my favorite part of that. It's crazy for sure.

0:42:01.400 --> 0:42:03.719
<v Speaker 1>And the way I heard it, he said, you want

0:42:03.719 --> 0:42:05.480
<v Speaker 1>to hear your song and he came to Kansas City.

0:42:05.520 --> 0:42:07.720
<v Speaker 1>I'm like, yeah, he played it in Travis's office And

0:42:07.880 --> 0:42:10.480
<v Speaker 1>when Andre came on after me, I was trying to

0:42:10.520 --> 0:42:14.160
<v Speaker 1>be cool, but the inside of me is like, holy

0:42:14.360 --> 0:42:20.880
<v Speaker 1>fucking ship. Here, I got a song where Andrey I

0:42:20.920 --> 0:42:22.640
<v Speaker 1>was blown away. I was like, holy shit, you know

0:42:22.680 --> 0:42:24.160
<v Speaker 1>what I'm saying. I didn't know he was gonna do that.

0:42:24.640 --> 0:42:28.360
<v Speaker 1>So after that, I noticed that at the gathering of

0:42:28.360 --> 0:42:30.840
<v Speaker 1>the Juggalos, whenever I'd say it, they boo. You know

0:42:30.880 --> 0:42:33.719
<v Speaker 1>what I'm saying, They boo when I say little Waye.

0:42:33.719 --> 0:42:36.280
<v Speaker 1>I'm like, that's my family.

0:42:36.400 --> 0:42:37.160
<v Speaker 2>We ain't go do that.

0:42:37.719 --> 0:42:41.800
<v Speaker 1>Yeah, this is for the love of hip hop. Respect

0:42:41.840 --> 0:42:43.719
<v Speaker 1>that when I'm here, and they would clap, you know

0:42:43.719 --> 0:42:45.279
<v Speaker 1>what I'm saying, Like, they respected that, you know what

0:42:45.280 --> 0:42:47.040
<v Speaker 1>I'm saying. Because a lot of my fans didn't want

0:42:47.640 --> 0:42:52.120
<v Speaker 1>the mainstream over here. They wanted there's a secret, and

0:42:52.400 --> 0:42:54.680
<v Speaker 1>that's how fans do. They are like all fans are

0:42:54.760 --> 0:42:58.200
<v Speaker 1>like they want they want the best kept secret. But

0:42:58.480 --> 0:43:01.600
<v Speaker 1>something like Tech nine you can't keep contained, man, you

0:43:01.640 --> 0:43:03.839
<v Speaker 1>know what I'm saying. So I said a long time ago,

0:43:04.640 --> 0:43:07.400
<v Speaker 1>tech won't go mainstream. The mainstream will go tech. And

0:43:07.520 --> 0:43:10.640
<v Speaker 1>that's what gradually happened, you know what I mean. Wayne,

0:43:10.960 --> 0:43:14.200
<v Speaker 1>was that first thing that happened when he said out

0:43:14.200 --> 0:43:18.000
<v Speaker 1>of the blue, when I forgot who asked him? I

0:43:18.000 --> 0:43:21.080
<v Speaker 1>forgot I was funk Master flex Or. I forgot who

0:43:21.120 --> 0:43:22.919
<v Speaker 1>it was, Yeah, asked him when I was in jail,

0:43:22.920 --> 0:43:24.720
<v Speaker 1>who you want to I want to work with my

0:43:24.480 --> 0:43:28.000
<v Speaker 1>main man, Tech nine and Andre two thousand. Everybody's calling me.

0:43:29.040 --> 0:43:33.000
<v Speaker 1>I had to fight strange Land, meaning the fans, you

0:43:33.080 --> 0:43:35.040
<v Speaker 1>know what I'm saying, because they wanted to keep that

0:43:35.080 --> 0:43:37.000
<v Speaker 1>shit over there. You know what I'm saying. Lollipop was

0:43:37.000 --> 0:43:39.040
<v Speaker 1>out at the time. I want to hear that shit,

0:43:39.680 --> 0:43:43.480
<v Speaker 1>you know what I'm saying. But I fucked with elite artists,

0:43:44.120 --> 0:43:49.719
<v Speaker 1>and I adore elite artistry. So Wayne saying that, I

0:43:49.760 --> 0:43:52.440
<v Speaker 1>went to Rikers and said thank you. Me and Traft

0:43:52.640 --> 0:43:55.040
<v Speaker 1>you know, went out to the East Coast and said

0:43:55.080 --> 0:43:57.719
<v Speaker 1>thank you, you know, and he said when I get

0:43:57.719 --> 0:43:59.719
<v Speaker 1>out his on and it was as soon as he

0:43:59.760 --> 0:44:01.880
<v Speaker 1>got out, he said, come on down here in Florida.

0:44:02.160 --> 0:44:04.080
<v Speaker 1>We got a song. And they played it for me.

0:44:04.200 --> 0:44:10.600
<v Speaker 1>Mike Bangor was the engineer. He played it, damn dud.

0:44:11.280 --> 0:44:15.120
<v Speaker 1>I'm like, oh my god, get on there and chop

0:44:15.200 --> 0:44:18.719
<v Speaker 1>that ship up. Wayne came in at twelve midnight, heard

0:44:18.719 --> 0:44:22.200
<v Speaker 1>it the next day and say, yeah, now I'm ready.

0:44:22.239 --> 0:44:24.440
<v Speaker 1>Now I'm ready. That's what I wanted. I'm like, yeah,

0:44:24.480 --> 0:44:28.120
<v Speaker 1>you know what I'm saying. And uh, the hood responded,

0:44:28.400 --> 0:44:31.120
<v Speaker 1>Tech killed it. Tech killed it? On all of surprise

0:44:31.200 --> 0:44:33.440
<v Speaker 1>to see Tech on the carter Ford did it. It

0:44:33.520 --> 0:44:36.560
<v Speaker 1>did so well with me for the culture for sure,

0:44:36.560 --> 0:44:38.280
<v Speaker 1>you know what I'm saying, because when you think about

0:44:38.360 --> 0:44:43.319
<v Speaker 1>strange music, did you kind of think subculture? Right? It's yeah,

0:44:43.360 --> 0:44:46.680
<v Speaker 1>you know what I'm saying. So for the culture, that

0:44:46.840 --> 0:44:47.680
<v Speaker 1>was a win for me.

0:44:48.520 --> 0:44:50.759
<v Speaker 2>Yeah. It was funny to watch it because it was

0:44:50.920 --> 0:44:54.680
<v Speaker 2>like all of a sudden because you would always kind

0:44:54.719 --> 0:44:58.720
<v Speaker 2>of hear people talking about Tech nine and they would,

0:44:59.239 --> 0:45:01.360
<v Speaker 2>you know, because you had the face paint. How you

0:45:01.440 --> 0:45:02.439
<v Speaker 2>deal with this your whole career?

0:45:02.520 --> 0:45:02.640
<v Speaker 1>Right?

0:45:02.920 --> 0:45:06.560
<v Speaker 2>Read here and like, I feel like the Wayne, because

0:45:06.560 --> 0:45:10.320
<v Speaker 2>it always takes somebody when you are doing something underground

0:45:10.360 --> 0:45:13.160
<v Speaker 2>or doing something out of the norm, out of the box,

0:45:14.400 --> 0:45:17.000
<v Speaker 2>for pop culture to kind of embrace it. You kind

0:45:17.000 --> 0:45:20.120
<v Speaker 2>of need like a Wayne to be like, nah, this

0:45:20.280 --> 0:45:22.600
<v Speaker 2>is it, yeah, man. And then I feel like I

0:45:22.640 --> 0:45:24.520
<v Speaker 2>feel like you had gone through me and you had

0:45:24.520 --> 0:45:29.560
<v Speaker 2>a conversation. It might have been a backstage in Orlando,

0:45:29.600 --> 0:45:33.560
<v Speaker 2>it might have been to Freddy Gibbs tour, and this

0:45:33.680 --> 0:45:36.719
<v Speaker 2>was around the time breaking into colored houses to drive,

0:45:39.040 --> 0:45:44.799
<v Speaker 2>but I remember you were a little frustrated with the

0:45:44.920 --> 0:45:47.320
<v Speaker 2>lack of support from your own community.

0:45:47.480 --> 0:45:49.200
<v Speaker 1>Of course I've been, I've been. I've been banging that

0:45:49.360 --> 0:45:52.399
<v Speaker 1>my whole career. The message to the black man, all

0:45:52.480 --> 0:45:55.000
<v Speaker 1>those songs. Many why you ain't called me? You know

0:45:55.040 --> 0:45:56.560
<v Speaker 1>what I'm saying all that, you know what I'm saying.

0:45:56.600 --> 0:45:59.200
<v Speaker 1>It's like I've been talking about it because I always

0:45:59.200 --> 0:46:01.560
<v Speaker 1>felt like technol because I am the king, the clown

0:46:01.560 --> 0:46:04.799
<v Speaker 1>and the g I'm three dimensional, that it should be

0:46:04.840 --> 0:46:07.680
<v Speaker 1>for everybody. And that's what started with the gangsters in

0:46:07.719 --> 0:46:09.280
<v Speaker 1>the hood, you know what I'm saying, in Kansas City,

0:46:09.840 --> 0:46:13.000
<v Speaker 1>then the metal heads and then the college kids and

0:46:13.000 --> 0:46:14.560
<v Speaker 1>all that kind of shit, and then the Juggalos, you

0:46:14.560 --> 0:46:16.640
<v Speaker 1>know what I'm saying, and then you know rock and

0:46:16.719 --> 0:46:19.200
<v Speaker 1>roll all that. You know, I felt like that it

0:46:19.239 --> 0:46:21.960
<v Speaker 1>shouldn't exclude my people.

0:46:21.680 --> 0:46:22.239
<v Speaker 2>You know what I mean.

0:46:22.360 --> 0:46:26.239
<v Speaker 1>So usually when you do something and I don't like

0:46:26.239 --> 0:46:28.520
<v Speaker 1>to generalize, I'm saying that, ain't all black folks, right,

0:46:28.760 --> 0:46:35.319
<v Speaker 1>you know for sure painted face, red, spiked hair at

0:46:35.360 --> 0:46:35.760
<v Speaker 1>the time.

0:46:36.480 --> 0:46:41.239
<v Speaker 2>Nah bro Even now people are like like, you know,

0:46:41.320 --> 0:46:45.880
<v Speaker 2>like but it became cool though, but now like there's

0:46:45.960 --> 0:46:49.000
<v Speaker 2>this like you know, sub genre of like kind of

0:46:49.000 --> 0:46:51.600
<v Speaker 2>punk rock you look at like Woozy has done.

0:46:51.719 --> 0:46:55.440
<v Speaker 1>Yeah, playbrook CARDI said, he playbrock CARTI went on and

0:46:55.480 --> 0:46:57.600
<v Speaker 1>said that I was the pioneer of what he does,

0:46:58.680 --> 0:46:59.839
<v Speaker 1>uh image wise, And.

0:47:00.200 --> 0:47:00.920
<v Speaker 2>You know I didn't know that.

0:47:01.000 --> 0:47:02.560
<v Speaker 1>Yeah he did like a year and a half ago.

0:47:02.640 --> 0:47:05.200
<v Speaker 2>Shout. I just saw his show and it was it

0:47:05.320 --> 0:47:07.279
<v Speaker 2>was a lot yeah yah yeah yeah yeah yeah yeah

0:47:07.360 --> 0:47:08.359
<v Speaker 2>yeah yeah he said.

0:47:08.719 --> 0:47:11.879
<v Speaker 1>And you know, I think a lot of people don't know.

0:47:12.200 --> 0:47:14.080
<v Speaker 1>You was just talking about how I've been in it

0:47:14.120 --> 0:47:17.520
<v Speaker 1>for so long and still on the incline and all

0:47:17.560 --> 0:47:19.560
<v Speaker 1>this kind of thing. Man. I always tell my fans

0:47:19.640 --> 0:47:23.000
<v Speaker 1>that I'm Alu Card that's Dracula backwards. You know what

0:47:23.040 --> 0:47:24.759
<v Speaker 1>I'm saying. I don't look like I'm about to be

0:47:24.800 --> 0:47:25.279
<v Speaker 1>fifty four.

0:47:25.480 --> 0:47:28.200
<v Speaker 2>Now you look better than ever, bro, I'm honest. Yeah,

0:47:28.400 --> 0:47:30.759
<v Speaker 2>you look like Yeah, I'm gonna be here. You look

0:47:30.880 --> 0:47:32.680
<v Speaker 2>like better than you looked in like two thousand.

0:47:32.840 --> 0:47:34.239
<v Speaker 1>Yes, I've seen because he.

0:47:34.320 --> 0:47:38.719
<v Speaker 2>Was wearing all that drugs and all that liquor. Yeah. Yeah.

0:47:38.760 --> 0:47:40.640
<v Speaker 1>And I don't eat nothing but sour dough bread now, man,

0:47:40.719 --> 0:47:43.000
<v Speaker 1>only we bread on eat white bread. Don't you eat another

0:47:43.000 --> 0:47:47.640
<v Speaker 1>ship because Sarado has health benefits. But that's here you

0:47:47.680 --> 0:47:49.879
<v Speaker 1>need to hear. No there. But it's like certain things

0:47:49.880 --> 0:47:53.200
<v Speaker 1>that I changed that my wife implemented, right, you know

0:47:53.200 --> 0:47:57.560
<v Speaker 1>what I mean? And uh, I think that uh people

0:47:57.760 --> 0:48:01.680
<v Speaker 1>always going to give the props to Tech nine for

0:48:01.840 --> 0:48:07.759
<v Speaker 1>what we done early on independently and image wise that

0:48:07.840 --> 0:48:10.560
<v Speaker 1>I got crucified for and I didn't give a fuck.

0:48:10.680 --> 0:48:12.960
<v Speaker 1>You know I have. I have the worst sacrifice across

0:48:12.960 --> 0:48:15.000
<v Speaker 1>my chest, really big. It's been there for years, you know.

0:48:15.520 --> 0:48:19.360
<v Speaker 1>And I sacrificed myself for them to run right now.

0:48:19.320 --> 0:48:21.080
<v Speaker 2>You know what I'm saying. Yeah, I think of like

0:48:21.360 --> 0:48:24.520
<v Speaker 2>Denzel Curry had an album where his face is painted

0:48:25.280 --> 0:48:27.800
<v Speaker 2>NBA young boy had a little wave where he painted

0:48:27.800 --> 0:48:31.160
<v Speaker 2>his face on it on social media decades later, Yeah,

0:48:31.320 --> 0:48:34.680
<v Speaker 2>decades later, and I just remember like you being chack

0:48:34.760 --> 0:48:37.200
<v Speaker 2>at it or weekend it. Yeah for sure, weekend it,

0:48:37.239 --> 0:48:39.160
<v Speaker 2>for sure. But you were put into this like box

0:48:39.200 --> 0:48:41.560
<v Speaker 2>because I think around that time, like there was like

0:48:41.760 --> 0:48:43.279
<v Speaker 2>you know, it was also kids were a lot more

0:48:43.280 --> 0:48:44.600
<v Speaker 2>shallow with their taste back then.

0:48:45.400 --> 0:48:48.920
<v Speaker 1>I think I think I think some some of the

0:48:48.960 --> 0:48:54.960
<v Speaker 1>culture they think, I said, some of the culture. People

0:48:54.960 --> 0:48:58.080
<v Speaker 1>in the culture, they think that when you do stuff

0:48:58.120 --> 0:49:00.000
<v Speaker 1>like that, like paint your face. I have a Bishops

0:49:00.120 --> 0:49:09.400
<v Speaker 1>robe on with red spiked haear that that's me saying

0:49:09.440 --> 0:49:12.840
<v Speaker 1>that I don't have the skill to get people's attention,

0:49:13.000 --> 0:49:13.880
<v Speaker 1>you know what I'm saying.

0:49:13.719 --> 0:49:16.200
<v Speaker 2>So let me but the rest to get the attention. Yeah,

0:49:16.440 --> 0:49:17.640
<v Speaker 2>they already write you off.

0:49:17.640 --> 0:49:20.480
<v Speaker 1>They write me off. But the motherfuckers found out that

0:49:20.640 --> 0:49:22.560
<v Speaker 1>I can do this shit butt naked with none of

0:49:22.560 --> 0:49:24.400
<v Speaker 1>that shit, and fuck all you niggas up lyrically. You

0:49:24.440 --> 0:49:26.160
<v Speaker 1>know what I'm saying. This is how I feel right

0:49:26.239 --> 0:49:27.800
<v Speaker 1>and that's and that's what people know, you know, and

0:49:28.040 --> 0:49:29.279
<v Speaker 1>know when they get on the song with me, they

0:49:29.320 --> 0:49:30.759
<v Speaker 1>really got to go you know what I'm saying, not

0:49:30.800 --> 0:49:32.920
<v Speaker 1>saying that you got to chop every time you You know,

0:49:33.000 --> 0:49:34.680
<v Speaker 1>even though that's all people say me, they want to

0:49:34.760 --> 0:49:37.719
<v Speaker 1>race me. I'm tired of racing motherfuckers. You know. They

0:49:37.719 --> 0:49:39.200
<v Speaker 1>don't have to race me on songs. I can do

0:49:39.280 --> 0:49:40.279
<v Speaker 1>hip hop shit. You know what I'm saying.

0:49:40.320 --> 0:49:40.560
<v Speaker 2>We can.

0:49:40.840 --> 0:49:42.960
<v Speaker 1>Me and Conway just did some shit for saying on

0:49:42.960 --> 0:49:43.560
<v Speaker 1>my last album.

0:49:43.640 --> 0:49:46.359
<v Speaker 2>You know what I mean. It's like, you know.

0:49:48.000 --> 0:49:50.680
<v Speaker 1>You don't have to do that. But motherfuckers know now

0:49:50.840 --> 0:49:53.000
<v Speaker 1>that I didn't need none of that ship. I don't

0:49:53.040 --> 0:49:54.920
<v Speaker 1>need none of that ship. I don't need the mask.

0:49:54.960 --> 0:49:56.640
<v Speaker 1>I don't need none of that ship to go toe

0:49:56.719 --> 0:49:58.520
<v Speaker 1>to toe lyrically with anybody in the industry.

0:49:58.840 --> 0:50:02.840
<v Speaker 2>You know, yo, talk to me. You had another insane,

0:50:02.960 --> 0:50:05.160
<v Speaker 2>like out of nowhere moment when you guys do this

0:50:05.239 --> 0:50:07.920
<v Speaker 2>record with the Rock. Okay, and now the Rock has

0:50:07.960 --> 0:50:10.480
<v Speaker 2>always been a supporter of your music.

0:50:10.680 --> 0:50:11.879
<v Speaker 1>Since since Riot Maker.

0:50:12.160 --> 0:50:14.719
<v Speaker 2>Yes, and he always is posting working out to tech

0:50:14.800 --> 0:50:18.400
<v Speaker 2>stuff and shut the gate. Yeah, and and so it

0:50:18.480 --> 0:50:20.839
<v Speaker 2>was so cool. You had to have written that verse, though,

0:50:21.160 --> 0:50:24.239
<v Speaker 2>Did you write the verse? No, the Rocks verse? No? No, no?

0:50:24.640 --> 0:50:26.399
<v Speaker 2>Does it sound like it sounded like you're paying.

0:50:27.239 --> 0:50:32.040
<v Speaker 1>Okay, I'm gonna tell you how I went. I said,

0:50:32.840 --> 0:50:36.520
<v Speaker 1>I got some words that I think will be good.

0:50:37.520 --> 0:50:42.120
<v Speaker 1>It's about drive, it's about power, it's about you know.

0:50:42.160 --> 0:50:44.960
<v Speaker 1>It was doing still like that. He's like, no, no, no, no, no,

0:50:45.080 --> 0:50:46.680
<v Speaker 1>I want to go fast. He said, I want to

0:50:46.680 --> 0:50:49.000
<v Speaker 1>say it's about drive, it's about power. He was stay, hunger,

0:50:49.040 --> 0:50:51.560
<v Speaker 1>we devouring the work. I wouldn't I wouldn't have said

0:50:51.560 --> 0:50:52.799
<v Speaker 1>what he said. I put in the work, put in

0:50:52.800 --> 0:50:55.040
<v Speaker 1>the hours and take what's hours. That's all him.

0:50:55.160 --> 0:50:55.399
<v Speaker 2>Yeah.

0:50:55.840 --> 0:50:58.520
<v Speaker 1>Like in some moment in my veins, I was just thinking,

0:50:58.560 --> 0:51:00.319
<v Speaker 1>for sure, mother, that's him.

0:51:00.560 --> 0:51:03.160
<v Speaker 2>Oh wow. So he put together if.

0:51:03.080 --> 0:51:05.880
<v Speaker 1>You're that's me, just like, okay, you should put this

0:51:06.000 --> 0:51:09.360
<v Speaker 1>right here. That's what the that's what the mass. I

0:51:09.440 --> 0:51:12.080
<v Speaker 1>just helped him put the cadences together. You already had

0:51:12.080 --> 0:51:13.920
<v Speaker 1>the words he did that ship man, that nigga know

0:51:13.960 --> 0:51:14.600
<v Speaker 1>what he's doing.

0:51:15.239 --> 0:51:16.799
<v Speaker 2>And that was you guys were in the studio together

0:51:16.840 --> 0:51:18.160
<v Speaker 2>for that. No no, no, no no no.

0:51:18.320 --> 0:51:20.120
<v Speaker 1>He's too busy for that. I did. I mean, I

0:51:20.160 --> 0:51:21.840
<v Speaker 1>had him on his DM. I was like, hey, I

0:51:21.840 --> 0:51:23.720
<v Speaker 1>think I found it because I met him out here.

0:51:24.200 --> 0:51:25.840
<v Speaker 1>He wanted to meet me on his set of Ballers

0:51:25.880 --> 0:51:27.759
<v Speaker 1>when he was out here with my people shining. You

0:51:27.800 --> 0:51:29.440
<v Speaker 1>know what I'm saying. They always trying to get me

0:51:29.440 --> 0:51:31.480
<v Speaker 1>to do movies, and I feel like I'm too weird

0:51:32.120 --> 0:51:34.600
<v Speaker 1>to act. And I've done a couple of things weird.

0:51:34.880 --> 0:51:36.120
<v Speaker 1>You know what I'm saying, Yeah, I might do that.

0:51:36.120 --> 0:51:37.960
<v Speaker 2>You got to get that Rob Zombie shit cracking, man,

0:51:37.960 --> 0:51:38.680
<v Speaker 2>you got you know what I'm.

0:51:38.520 --> 0:51:41.000
<v Speaker 1>Saying, Like my horror brain and I let out out.

0:51:41.040 --> 0:51:43.040
<v Speaker 1>They ain't never seen no ship like that. Jordan Peel

0:51:43.040 --> 0:51:44.759
<v Speaker 1>all them up be like, what the fuck is wrong

0:51:44.760 --> 0:51:50.080
<v Speaker 1>with nigga? But anyway, I met uh the Rock. Then

0:51:50.360 --> 0:51:53.480
<v Speaker 1>I said, I'm gonna find something. Then uh face off came.

0:51:54.320 --> 0:51:56.600
<v Speaker 1>I said, uh in his DM, I said, hey, I

0:51:56.600 --> 0:51:57.239
<v Speaker 1>think I found it.

0:51:57.280 --> 0:51:57.440
<v Speaker 2>Man.

0:51:57.480 --> 0:51:59.759
<v Speaker 1>He sent me his number, sent me his email all that.

0:52:00.200 --> 0:52:01.879
<v Speaker 1>You know what I'm saying. I was like, And then

0:52:01.920 --> 0:52:03.719
<v Speaker 1>we start talking on the phone, and we start talking

0:52:03.760 --> 0:52:05.279
<v Speaker 1>our way through it, and he said, this is what

0:52:05.320 --> 0:52:09.120
<v Speaker 1>I want to say, and I just helped him, you know,

0:52:10.160 --> 0:52:11.520
<v Speaker 1>put it in the right place. You know what I'm

0:52:11.560 --> 0:52:13.160
<v Speaker 1>saying on that last part, You know what I mean,

0:52:13.200 --> 0:52:16.760
<v Speaker 1>that's all him, dude, He killed it, killed it yeah.

0:52:16.600 --> 0:52:19.440
<v Speaker 2>Man, Yeah, and then and then the video.

0:52:19.640 --> 0:52:22.919
<v Speaker 1>I knew he could do it because Molana was out

0:52:23.600 --> 0:52:30.360
<v Speaker 1>right and yeah, look at it, make it everything happened.

0:52:30.400 --> 0:52:32.919
<v Speaker 1>Look at the but the top of but I'm like, oh,

0:52:33.000 --> 0:52:35.680
<v Speaker 1>oh yeah, he could do this. He did the Malana City,

0:52:36.000 --> 0:52:38.839
<v Speaker 1>He's he's Maui Mali can do this. So I knew

0:52:38.880 --> 0:52:40.279
<v Speaker 1>he could do it. You know what I'm saying. When

0:52:40.320 --> 0:52:43.040
<v Speaker 1>I said that, if you want to bring it to

0:52:43.080 --> 0:52:44.920
<v Speaker 1>the massive, you know what I'm saying, then up there

0:52:44.960 --> 0:52:48.040
<v Speaker 1>the booth, ascids whatever the he said. I knew he

0:52:48.120 --> 0:52:48.560
<v Speaker 1>could do it.

0:52:48.600 --> 0:52:51.399
<v Speaker 2>Man, you know what I'm saying, Yo, Can you talk

0:52:51.440 --> 0:52:54.920
<v Speaker 2>to me because obviously, uh one of the most uh

0:52:55.000 --> 0:52:57.240
<v Speaker 2>you know when we talk about West Coast goats, especially

0:52:57.239 --> 0:52:59.919
<v Speaker 2>people who are underrated. As a guy, Mac Dre, who

0:53:00.200 --> 0:53:03.719
<v Speaker 2>his life in Casey. Yes, you've obviously shouted him out

0:53:03.760 --> 0:53:05.960
<v Speaker 2>a lot over the years and your music. What was

0:53:05.960 --> 0:53:09.040
<v Speaker 2>your relationship like with mac Dre? Was it? Did you

0:53:09.040 --> 0:53:10.800
<v Speaker 2>guys have a relationship when he was alive? I know

0:53:10.880 --> 0:53:13.359
<v Speaker 2>he was in k C a lot.

0:53:13.680 --> 0:53:16.680
<v Speaker 1>This is what my homie say. I was on big drugs.

0:53:16.800 --> 0:53:20.560
<v Speaker 1>We was running a fucking strip club called Satin Dolls

0:53:20.640 --> 0:53:25.080
<v Speaker 1>downtown van Brunt. You know what I'm saying. Uh, they

0:53:25.080 --> 0:53:28.200
<v Speaker 1>said Mac Drake came in there and I was high,

0:53:28.239 --> 0:53:30.480
<v Speaker 1>and I gave him his first thistles. I don't fucking know.

0:53:31.840 --> 0:53:35.600
<v Speaker 1>I'm not gonna I'm not gonna claim that this man.

0:53:35.800 --> 0:53:39.239
<v Speaker 1>Somebody says that my nigga said, nigga, you gave it

0:53:39.280 --> 0:53:41.520
<v Speaker 1>to him, because I remember him coming in the club

0:53:42.000 --> 0:53:43.799
<v Speaker 1>and I was like, he's like, man, yuh told me

0:53:43.880 --> 0:53:45.719
<v Speaker 1>y'all was family. I'm like, he is, and that means

0:53:45.760 --> 0:53:47.360
<v Speaker 1>you family too. Because he told him to me, I'm like,

0:53:47.520 --> 0:53:49.319
<v Speaker 1>I remember, yeah, like this, you know what I'm saying.

0:53:51.600 --> 0:53:54.080
<v Speaker 1>But I don't remember giving him no goddamn th I

0:53:54.120 --> 0:53:56.520
<v Speaker 1>just knew I had sixty on me all the time.

0:53:57.040 --> 0:53:58.520
<v Speaker 1>You know what I'm saying. I had, I had, I

0:53:58.520 --> 0:54:01.480
<v Speaker 1>had a hook up. It was the flower girl in there.

0:54:01.520 --> 0:54:03.440
<v Speaker 1>You know what I'm saying. That she would front me

0:54:03.440 --> 0:54:04.680
<v Speaker 1>the shit and not pay her later. You know what

0:54:04.680 --> 0:54:07.719
<v Speaker 1>I'm saying. Sometimes I had three of them and I'd

0:54:07.760 --> 0:54:09.720
<v Speaker 1>share them with the girls. I was like the house dad, nigga,

0:54:09.719 --> 0:54:11.000
<v Speaker 1>I go in there and get everybody high. You know

0:54:11.000 --> 0:54:12.560
<v Speaker 1>what I'm saying. I was. That was back then when

0:54:12.560 --> 0:54:13.800
<v Speaker 1>I was putting it on my tongue, Like take it

0:54:13.800 --> 0:54:16.000
<v Speaker 1>off my tongue, baby. You know that kind of crazy times.

0:54:16.000 --> 0:54:17.840
<v Speaker 1>You know what I'm saying, Crazy times for me. So

0:54:18.640 --> 0:54:23.200
<v Speaker 1>they said my homies like Nigga, he came in the

0:54:23.239 --> 0:54:27.120
<v Speaker 1>club that night and you gave him like Nigga, this

0:54:27.120 --> 0:54:29.200
<v Speaker 1>is what we do. And he's like for real. I

0:54:29.239 --> 0:54:32.400
<v Speaker 1>was like, I don't remember that sit at all. I

0:54:32.400 --> 0:54:34.399
<v Speaker 1>don't remember that sit at all, but I remember meeting

0:54:34.440 --> 0:54:36.920
<v Speaker 1>them in the club that sat and dolls, and you know,

0:54:37.040 --> 0:54:41.239
<v Speaker 1>he came in shining, you know, and the thing that

0:54:41.280 --> 0:54:44.480
<v Speaker 1>happened to him in case the negative thing. I was

0:54:44.520 --> 0:54:50.200
<v Speaker 1>on tour and I was doing a Halloween show in

0:54:50.280 --> 0:54:52.600
<v Speaker 1>Salt Lake City that day when I found out, Wow,

0:54:53.000 --> 0:54:54.880
<v Speaker 1>I called young Mouth immediately. I said, man, did he

0:54:54.960 --> 0:54:56.800
<v Speaker 1>have kids? He said, yeah, you fucking had kids.

0:54:56.840 --> 0:54:56.960
<v Speaker 2>Man.

0:54:57.000 --> 0:55:01.560
<v Speaker 1>I'm like, ah, you know, And they said it was

0:55:01.560 --> 0:55:04.440
<v Speaker 1>some street shit that happened over twenty thousand or something, right,

0:55:04.600 --> 0:55:06.520
<v Speaker 1>he was getting for a show and they left.

0:55:06.760 --> 0:55:07.200
<v Speaker 2>I don't know.

0:55:07.520 --> 0:55:08.319
<v Speaker 1>I wasn't there, man.

0:55:08.400 --> 0:55:09.000
<v Speaker 2>That's crazy.

0:55:09.000 --> 0:55:13.440
<v Speaker 1>And uh, I hate it for Kansas City because they

0:55:13.640 --> 0:55:16.560
<v Speaker 1>love macdre. You would think he was from there. Man,

0:55:17.200 --> 0:55:21.000
<v Speaker 1>When any of his goe stupid comes on or anything.

0:55:21.080 --> 0:55:23.200
<v Speaker 1>You know what I'm saying. It's not my job. They

0:55:23.239 --> 0:55:27.440
<v Speaker 1>play everything right. You know, everybody moves like Dre in

0:55:27.520 --> 0:55:30.319
<v Speaker 1>the city. You know what I'm saying. If you and

0:55:30.360 --> 0:55:35.120
<v Speaker 1>E forty because forty with mister Flamboyant opened up the

0:55:35.120 --> 0:55:38.319
<v Speaker 1>floodgates for the bay to come in to Kansas City,

0:55:38.480 --> 0:55:40.000
<v Speaker 1>you know what I'm saying. To the Midwest, you know

0:55:40.000 --> 0:55:45.000
<v Speaker 1>what I'm saying. But macdre Man, you know that that's

0:55:45.040 --> 0:55:45.879
<v Speaker 1>his town as well.

0:55:46.400 --> 0:55:51.000
<v Speaker 2>For sure. You I remember I don't know shit, ten

0:55:51.920 --> 0:55:55.520
<v Speaker 2>plus years ago us having like talks about like you'd

0:55:55.560 --> 0:55:58.600
<v Speaker 2>worked with everybody. Obviously the one like person that was

0:55:58.640 --> 0:56:03.000
<v Speaker 2>still escaping the the tech feature was always eminem Speed

0:56:03.080 --> 0:56:06.120
<v Speaker 2>him comes out right, which was crazy because you brought

0:56:06.160 --> 0:56:10.600
<v Speaker 2>him to like literally brought him to your world. You've

0:56:10.640 --> 0:56:13.040
<v Speaker 2>worked with Surge, which I know was another one of

0:56:13.080 --> 0:56:17.600
<v Speaker 2>those ones. Right, is there anybody left that is there

0:56:17.600 --> 0:56:21.279
<v Speaker 2>anything new that you thought like, all right, well, I've

0:56:21.280 --> 0:56:24.080
<v Speaker 2>conquered all these dragons, I've had am all my shit.

0:56:24.200 --> 0:56:27.600
<v Speaker 2>I've worked with Lingree three thousand, you had Surged, Hanky

0:56:27.640 --> 0:56:28.480
<v Speaker 2>and opening up an album.

0:56:28.560 --> 0:56:31.560
<v Speaker 1>I mean it started the elite. That's started way back

0:56:31.600 --> 0:56:35.040
<v Speaker 1>in the day, you know, saying with me and Ice Que. Yeah,

0:56:35.040 --> 0:56:37.560
<v Speaker 1>I was on kimas Spice one and forty over and

0:56:37.600 --> 0:56:40.879
<v Speaker 1>over and over. The elite shit that just started back

0:56:41.080 --> 0:56:42.279
<v Speaker 1>in the day, you know, I'm saying. And then the

0:56:42.320 --> 0:56:44.279
<v Speaker 1>new generation came, you know.

0:56:44.200 --> 0:56:45.839
<v Speaker 2>So there's got to be some newer guy because you're

0:56:45.840 --> 0:56:48.279
<v Speaker 2>a fan of this ship. So I know people don't know,

0:56:48.320 --> 0:56:50.600
<v Speaker 2>like you'll like catch a flight to catch a concert

0:56:50.920 --> 0:56:53.080
<v Speaker 2>just to go. Like people like, yo, I'm in Arizona

0:56:53.160 --> 0:56:55.560
<v Speaker 2>right now. I'm here because I want to watch this concert.

0:56:56.239 --> 0:57:01.000
<v Speaker 1>I saw Travis Scott down there. I saw Chris Brown

0:57:01.080 --> 0:57:04.000
<v Speaker 1>down there, I saw her, I saw Daniel Caesar down

0:57:04.239 --> 0:57:07.000
<v Speaker 1>and my wife will come down to Arizona to go

0:57:07.040 --> 0:57:07.879
<v Speaker 1>to them goddamn show.

0:57:07.960 --> 0:57:10.840
<v Speaker 2>But what what is the what's thes what's the latest?

0:57:10.840 --> 0:57:13.120
<v Speaker 2>The latest artist? You're like, man, that this would just

0:57:13.160 --> 0:57:14.520
<v Speaker 2>be special, Like I really would love it.

0:57:14.600 --> 0:57:17.400
<v Speaker 1>I tried to get j Cole on my last record

0:57:17.440 --> 0:57:19.520
<v Speaker 1>on a song called I Met Morph. I was trying

0:57:19.520 --> 0:57:24.200
<v Speaker 1>to get him on that one, and we couldn't find

0:57:24.200 --> 0:57:25.800
<v Speaker 1>a way to get a response, you know what I'm saying.

0:57:26.360 --> 0:57:27.880
<v Speaker 1>So that was one I wanted to cause, you know,

0:57:27.960 --> 0:57:30.360
<v Speaker 1>he'd be, he'd be on motherfucker ship killing ship. I'm like,

0:57:30.400 --> 0:57:33.520
<v Speaker 1>for sure he's come over, come over here and kill ship.

0:57:33.800 --> 0:57:36.280
<v Speaker 1>Let's go, you know what I'm saying. And when did it?

0:57:36.360 --> 0:57:38.000
<v Speaker 1>When did he get you know what I'm saying. I

0:57:38.040 --> 0:57:44.440
<v Speaker 1>always wanted to do that. I always wanted some and

0:57:44.600 --> 0:57:48.280
<v Speaker 1>this is some old ship. But when I say old ship,

0:57:48.280 --> 0:57:50.280
<v Speaker 1>I mean this is something I've always wanted, you know,

0:57:52.400 --> 0:57:54.880
<v Speaker 1>Trent Reznor to do a track, you know what I'm saying.

0:57:55.040 --> 0:57:55.800
<v Speaker 2>Of course I'm saying.

0:57:56.160 --> 0:57:58.800
<v Speaker 1>I just I just did that one with Ronnie Radkey

0:57:58.840 --> 0:58:01.640
<v Speaker 1>falling of Reverse to Ronald song Man, and that turned

0:58:01.640 --> 0:58:04.120
<v Speaker 1>into a tour with us, you know what I mean,

0:58:04.200 --> 0:58:06.320
<v Speaker 1>And that that was a big one for me because

0:58:06.400 --> 0:58:09.240
<v Speaker 1>you know, they killing ship, you know Ronnie. I was

0:58:09.240 --> 0:58:13.640
<v Speaker 1>looking for Ronnie. The way I found Ronnie is when

0:58:13.680 --> 0:58:18.080
<v Speaker 1>I was doing Bliss, I was looking for metal Choppers.

0:58:18.840 --> 0:58:20.840
<v Speaker 1>I googled metal Choppers and he was at the top

0:58:20.880 --> 0:58:24.960
<v Speaker 1>of the list. Then Kim Dracula right then it was

0:58:25.080 --> 0:58:29.160
<v Speaker 1>like Suicide Boys after that and saying and uh then

0:58:29.200 --> 0:58:32.320
<v Speaker 1>it was City Morgan Auto. But Ronnie was on the

0:58:32.360 --> 0:58:34.120
<v Speaker 1>top of the list, so I hit him in his DM.

0:58:34.440 --> 0:58:36.240
<v Speaker 1>I'm a damn type of motherfucker. You know I'm saying,

0:58:36.240 --> 0:58:39.920
<v Speaker 1>that's how I got Duran Bnar own my ship everything. Yeah, man,

0:58:39.960 --> 0:58:43.320
<v Speaker 1>why not saying? But uh I hit him and he's like, man,

0:58:43.600 --> 0:58:45.400
<v Speaker 1>I've been wanting to work with you for the longest.

0:58:45.440 --> 0:58:45.800
<v Speaker 2>Man.

0:58:45.960 --> 0:58:48.120
<v Speaker 1>I sent him the song what I was gonna get

0:58:48.160 --> 0:58:50.640
<v Speaker 1>him and Kim Dracula on it. Because Kim Dracula's from Australia.

0:58:50.640 --> 0:58:51.080
<v Speaker 2>You know what I'm saying.

0:58:51.080 --> 0:58:53.560
<v Speaker 1>He's fucking crazy chopper. You know what I'm saying metal

0:58:54.160 --> 0:58:57.560
<v Speaker 1>And uh, Ronnie said, I loved the song. Man, I

0:58:57.600 --> 0:58:59.480
<v Speaker 1>just can't do it because I'm working on this huge album,

0:58:59.480 --> 0:59:00.400
<v Speaker 1>but I want you to be on one.

0:59:00.920 --> 0:59:01.240
<v Speaker 2>Okay.

0:59:01.360 --> 0:59:03.640
<v Speaker 1>Kim Dracula still did it, you know what I mean?

0:59:03.800 --> 0:59:08.240
<v Speaker 1>And I was happy about that one. J Cole is one.

0:59:08.760 --> 0:59:14.560
<v Speaker 1>Trent Reznor is one. Brittany from Alabama shakes. I love

0:59:14.640 --> 0:59:17.080
<v Speaker 1>what she can do, you know what I'm saying vocally?

0:59:17.920 --> 0:59:20.000
<v Speaker 1>You know, I just love musicians, man. You know I

0:59:20.040 --> 0:59:22.760
<v Speaker 1>got a song with Gary Clark Jr. You know, like

0:59:23.760 --> 0:59:26.360
<v Speaker 1>I'm so, I'm so, I'm such a decorated m See. Man,

0:59:26.520 --> 0:59:28.120
<v Speaker 1>that's what my next album is gonna be called. Its

0:59:28.120 --> 0:59:32.320
<v Speaker 1>gonna be called decorated and I've done it, and I

0:59:32.320 --> 0:59:34.240
<v Speaker 1>got a weed song with Boys the Men, Dude, you

0:59:34.280 --> 0:59:36.200
<v Speaker 1>know what I'm saying, called Buddha. You know a lot

0:59:36.200 --> 0:59:38.200
<v Speaker 1>of people don't know. It's just went over people's heads

0:59:38.240 --> 0:59:41.400
<v Speaker 1>on the Storm, you know. And you know, I think

0:59:41.480 --> 0:59:44.280
<v Speaker 1>I think Gary Clark Jr. Is on that album as well.

0:59:45.440 --> 0:59:49.040
<v Speaker 1>Marsha Ambroses Is on that album from a Flower Trees all.

0:59:49.280 --> 0:59:51.439
<v Speaker 1>It's all over the spectrum, man. You know what I'm saying,

0:59:51.760 --> 0:59:56.640
<v Speaker 1>like rock, new metal, metal, you know what I'm saying,

0:59:56.800 --> 1:00:03.240
<v Speaker 1>slip knot. It's I'm so decorated that I only have

1:00:03.280 --> 1:00:05.160
<v Speaker 1>a few people that I have left. You know what I'm saying.

1:00:05.200 --> 1:00:06.360
<v Speaker 1>Jay Z's one of them as well.

1:00:06.720 --> 1:00:09.160
<v Speaker 2>It would be crazy. Yeah, you know what I'm saying.

1:00:09.760 --> 1:00:12.040
<v Speaker 1>I already got Kendrick, already got Jay Rock. You know

1:00:12.080 --> 1:00:16.280
<v Speaker 1>what I'm saying. I still haven't done that feature for

1:00:16.600 --> 1:00:17.680
<v Speaker 1>j I D. He sent me.

1:00:17.760 --> 1:00:19.760
<v Speaker 2>Man, It's like J I D. Would be crazy.

1:00:19.800 --> 1:00:22.880
<v Speaker 1>How many sent it to me, like around my birthday,

1:00:23.240 --> 1:00:27.040
<v Speaker 1>like November seventh, And then I went on a run

1:00:27.160 --> 1:00:30.400
<v Speaker 1>right after that and I got sick three times from

1:00:30.440 --> 1:00:32.480
<v Speaker 1>Thanksgiving all the way to the New Year. So I

1:00:32.520 --> 1:00:33.920
<v Speaker 1>haven't been able to do it because I didn't want

1:00:33.920 --> 1:00:34.640
<v Speaker 1>to get about.

1:00:34.400 --> 1:00:36.600
<v Speaker 2>To turn his album man if it's not already turned in.

1:00:36.840 --> 1:00:39.240
<v Speaker 2>Oh man, he's crazy.

1:00:39.040 --> 1:00:41.080
<v Speaker 1>Because I'm just now letting up, you know what I'm saying.

1:00:41.080 --> 1:00:44.560
<v Speaker 1>And I gotta I gotta hit him and say, am

1:00:44.560 --> 1:00:48.600
<v Speaker 1>I late? That was like almost five months ago? Yeah,

1:00:48.600 --> 1:00:49.320
<v Speaker 1>I know I'm saying.

1:00:49.360 --> 1:00:51.160
<v Speaker 2>I know he did like a little private listening for

1:00:51.280 --> 1:00:54.760
<v Speaker 2>whatever this new project is, but maybe not. I mean

1:00:55.360 --> 1:00:58.840
<v Speaker 2>there's no dat announced. As you know, there's always there's

1:00:58.880 --> 1:01:00.560
<v Speaker 2>always time to get ship over finish line.

1:01:00.600 --> 1:01:02.720
<v Speaker 1>Yeah. I got sick three times, man, and I couldn't

1:01:02.720 --> 1:01:04.120
<v Speaker 1>get in the studio with him like that.

1:01:04.280 --> 1:01:07.960
<v Speaker 2>Yeah, because he wanted the race, right, He's one of them.

1:01:08.440 --> 1:01:10.400
<v Speaker 1>He wanted to race, like oh you want to raise

1:01:10.400 --> 1:01:12.880
<v Speaker 1>Look here we go, you know, the day before my

1:01:12.920 --> 1:01:15.440
<v Speaker 1>birthday and my birthday November eighties and the November seventh,

1:01:15.480 --> 1:01:17.600
<v Speaker 1>and still haven't done it. Man. I'm like, damn, I

1:01:17.600 --> 1:01:19.400
<v Speaker 1>gotta I gotta get that done for j I.

1:01:19.360 --> 1:01:25.200
<v Speaker 2>D talk to me about like your guys' model. I

1:01:25.240 --> 1:01:27.800
<v Speaker 2>just saw Travis just did an interview with King Court

1:01:28.240 --> 1:01:30.520
<v Speaker 2>with the Whole Court podcast where he was kind of

1:01:30.520 --> 1:01:32.640
<v Speaker 2>breaking down just kind of how things have changed since streaming,

1:01:32.640 --> 1:01:36.600
<v Speaker 2>the streaming era, and how you know, obviously the lack

1:01:36.760 --> 1:01:41.600
<v Speaker 2>of physical product in the marketplace. It's kind of you know,

1:01:41.680 --> 1:01:43.600
<v Speaker 2>like you said, strangers always gonna find a way. You

1:01:43.600 --> 1:01:46.760
<v Speaker 2>guys have always found a way to survive and evolve.

1:01:48.360 --> 1:01:53.960
<v Speaker 2>But just the og like, when did you realize as

1:01:54.000 --> 1:01:57.480
<v Speaker 2>a whether it was you or Travis or together, like, yo,

1:01:57.600 --> 1:02:00.959
<v Speaker 2>we gotta have like multiple Skew was on tour because

1:02:01.000 --> 1:02:03.800
<v Speaker 2>I remember, man, when you used to I mean, I

1:02:03.800 --> 1:02:05.920
<v Speaker 2>remember the first time I went to one of your shows, bro,

1:02:06.760 --> 1:02:11.360
<v Speaker 2>a solo show. I was absolutely floored by the merch section.

1:02:11.400 --> 1:02:12.960
<v Speaker 1>Oh yeah, that's all travels right there.

1:02:13.280 --> 1:02:15.760
<v Speaker 2>And I mean we're talking about Jersey's license plates.

1:02:15.760 --> 1:02:17.360
<v Speaker 1>That's back then. That's back then when I had to

1:02:17.440 --> 1:02:18.760
<v Speaker 1>okay everything.

1:02:18.360 --> 1:02:20.120
<v Speaker 2>Now, I was like, I'm like, and then the other

1:02:20.160 --> 1:02:22.760
<v Speaker 2>thing too. You would have the dude who would walk

1:02:22.760 --> 1:02:23.760
<v Speaker 2>around with the box of CDs.

1:02:23.840 --> 1:02:26.520
<v Speaker 1>Yes, sir, we have we have three CD sellers.

1:02:26.240 --> 1:02:29.360
<v Speaker 2>In the hitting the line. Yeah, hey, you guys want

1:02:29.360 --> 1:02:34.560
<v Speaker 2>to buy the see and and COVID for sure. And

1:02:34.600 --> 1:02:38.840
<v Speaker 2>I think back to like, you know, obviously, I would

1:02:38.880 --> 1:02:41.960
<v Speaker 2>say probably before in terms of taking advantage of the

1:02:42.000 --> 1:02:44.000
<v Speaker 2>merch thing, I would say ICP was before you, guys.

1:02:44.360 --> 1:02:47.680
<v Speaker 2>But in terms of perfecting that model of like cultivating

1:02:47.720 --> 1:02:52.600
<v Speaker 2>your fan base into like a real core core that

1:02:52.720 --> 1:02:56.840
<v Speaker 2>like physically can support you with what you might even

1:02:56.880 --> 1:02:58.160
<v Speaker 2>have to have the album out, like hey guys, we're

1:02:58.160 --> 1:03:00.480
<v Speaker 2>gonna do merch drop. I remember the jerseys great that

1:03:00.640 --> 1:03:02.720
<v Speaker 2>the red case jersey with the nine and good.

1:03:02.960 --> 1:03:07.400
<v Speaker 1>But I think, I think, I think surviving for twenty

1:03:07.400 --> 1:03:12.600
<v Speaker 1>five years is a blessing to have the core that

1:03:12.680 --> 1:03:15.360
<v Speaker 1>we can still sell physical product to, you know what

1:03:15.400 --> 1:03:20.439
<v Speaker 1>I'm saying, and and everything and merchandise. Our story is crazy, man,

1:03:20.680 --> 1:03:23.560
<v Speaker 1>year after year, you know what I'm saying. So that's

1:03:23.720 --> 1:03:26.880
<v Speaker 1>just that's just a blessing. We were able to keep

1:03:28.440 --> 1:03:32.800
<v Speaker 1>all that, all those people with me evolving over the years,

1:03:32.800 --> 1:03:36.120
<v Speaker 1>and people having something to draw from, Like your best

1:03:36.160 --> 1:03:40.520
<v Speaker 1>album was Angelic, your best album was ever Ready. You

1:03:40.520 --> 1:03:42.680
<v Speaker 1>know what I'm saying. Special Effects was the last good album.

1:03:42.720 --> 1:03:44.000
<v Speaker 2>You know what I'm saying. People say, I love that,

1:03:44.520 --> 1:03:47.040
<v Speaker 2>bro crazy, you know what I'm saying.

1:03:47.120 --> 1:03:50.080
<v Speaker 1>So so you know they have something to draw from

1:03:50.200 --> 1:03:51.960
<v Speaker 1>because we've been in it for twenty five years with

1:03:52.080 --> 1:03:54.800
<v Speaker 1>strange music, you know what I mean. So if they

1:03:54.800 --> 1:03:57.360
<v Speaker 1>didn't have so much to draw from, they would probably

1:03:58.240 --> 1:04:01.120
<v Speaker 1>like really respect all the new I'm dropping, you know

1:04:01.160 --> 1:04:03.720
<v Speaker 1>what I'm saying. But people have their favorites because they'll

1:04:03.760 --> 1:04:05.440
<v Speaker 1>attach nostalgia to it.

1:04:05.600 --> 1:04:06.680
<v Speaker 2>Yes, the time of their life.

1:04:06.800 --> 1:04:09.560
<v Speaker 1>Yes, when this thing happened and Tech nine was there,

1:04:09.720 --> 1:04:13.600
<v Speaker 1>kod O nine, that's when whoa he really hit that there?

1:04:13.640 --> 1:04:15.720
<v Speaker 1>You know after that, he ain't had nothing good since.

1:04:15.760 --> 1:04:18.320
<v Speaker 1>I'm like, bullshit, right, you know what I mean. But

1:04:18.640 --> 1:04:22.400
<v Speaker 1>the fact that we've been able to keep all those

1:04:22.520 --> 1:04:28.000
<v Speaker 1>people people's attention for these twenty five years, and we

1:04:28.000 --> 1:04:31.360
<v Speaker 1>can call it the core, is a testament to great

1:04:32.360 --> 1:04:35.440
<v Speaker 1>and good product. You know what I'm saying.

1:04:36.080 --> 1:04:39.120
<v Speaker 2>Yeah, because you don't get on the Forbes list without

1:04:39.520 --> 1:04:42.760
<v Speaker 2>a lot of stuff that isn't just the music, right exactly.

1:04:43.000 --> 1:04:44.400
<v Speaker 1>You know what I'm saying is everything that comes with

1:04:44.600 --> 1:04:47.200
<v Speaker 1>the experience. It's the tour merchandise, you know what I'm saying,

1:04:47.280 --> 1:04:53.160
<v Speaker 1>the video game placements, the TV placements and everything. You know,

1:04:53.360 --> 1:04:57.320
<v Speaker 1>it counts, and uh, I'm just you know, that's why

1:04:57.640 --> 1:05:01.400
<v Speaker 1>lately I've been talking to Trav about directed consumer.

1:05:02.160 --> 1:05:06.120
<v Speaker 2>Which I think is honestly the next It's kind of

1:05:06.160 --> 1:05:08.760
<v Speaker 2>like things have to be be full circle event. We're

1:05:08.760 --> 1:05:10.880
<v Speaker 2>talking to him about it since as nine because think

1:05:10.920 --> 1:05:14.280
<v Speaker 2>about it, there's a I don't know if you've heard

1:05:14.280 --> 1:05:17.640
<v Speaker 2>of a something called even Yes. Yeah, So there's a

1:05:17.680 --> 1:05:19.480
<v Speaker 2>lot of artists who are doing that, right, Like Dizzey

1:05:19.480 --> 1:05:21.600
<v Speaker 2>Wright did an album on there. It was like at

1:05:21.600 --> 1:05:24.080
<v Speaker 2>the end of the day, like if you actually were

1:05:24.120 --> 1:05:27.080
<v Speaker 2>to calculate even if you release an album for the

1:05:27.120 --> 1:05:30.160
<v Speaker 2>first three months directed consumer.

1:05:29.880 --> 1:05:32.160
<v Speaker 1>That's what I'm talking about, you know, That's what I'm

1:05:32.160 --> 1:05:34.600
<v Speaker 1>talking about, Like, hey, let's let's get some money first.

1:05:34.360 --> 1:05:36.920
<v Speaker 2>Because you got to look at I mean, thirty nine

1:05:37.120 --> 1:05:39.680
<v Speaker 2>I think thirty nine hundred dollars is about a million streams.

1:05:39.680 --> 1:05:41.360
<v Speaker 2>So if you do a million streams, it's like between

1:05:41.360 --> 1:05:43.840
<v Speaker 2>like thirty seven and like four thousand dollars essentially. So

1:05:43.880 --> 1:05:47.120
<v Speaker 2>when you start breaking down like some of the numbers,

1:05:47.120 --> 1:05:50.320
<v Speaker 2>you're like, damn, Like we put so much into this shit,

1:05:50.600 --> 1:05:55.240
<v Speaker 2>right and the streaming shit is really fucked I mean

1:05:55.280 --> 1:05:56.560
<v Speaker 2>like it's it's really fucked up.

1:05:56.600 --> 1:05:58.000
<v Speaker 1>Like you got to get money off of you know,

1:05:58.040 --> 1:05:58.720
<v Speaker 1>the music is.

1:05:58.800 --> 1:06:01.400
<v Speaker 2>We have no it's a it's a vessel to get

1:06:01.440 --> 1:06:03.280
<v Speaker 2>to get other things, the other's things. Fuck that.

1:06:03.600 --> 1:06:05.920
<v Speaker 1>Yeah, fuck that man, you know what I'm saying, Especially

1:06:05.920 --> 1:06:08.680
<v Speaker 1>for fifty eight sixteen Forest a personal album like that.

1:06:08.720 --> 1:06:10.160
<v Speaker 1>I don't want to get that sit away for free,

1:06:10.160 --> 1:06:10.640
<v Speaker 1>my nigga.

1:06:10.720 --> 1:06:14.200
<v Speaker 2>Also, like your fans would rather buy a piece of

1:06:14.280 --> 1:06:15.320
<v Speaker 2>vinyl from you?

1:06:15.440 --> 1:06:18.440
<v Speaker 1>Yeah, that's coming to like hey sixteen, Hey, look, the

1:06:18.480 --> 1:06:19.880
<v Speaker 1>first people who are going to hear this album are

1:06:19.880 --> 1:06:22.200
<v Speaker 1>gonna get it on CD and vinyl. Yeah, that's exactly

1:06:22.240 --> 1:06:24.560
<v Speaker 1>what's happening. That's crazy that your mind's thinking that because

1:06:24.560 --> 1:06:26.160
<v Speaker 1>Travis was on that already.

1:06:25.840 --> 1:06:27.480
<v Speaker 2>Like you guys are going to get this piece of art.

1:06:27.880 --> 1:06:29.520
<v Speaker 1>Wait till the pre order drop, you gonna see.

1:06:29.400 --> 1:06:31.640
<v Speaker 2>It, and then eventually you'll be able to put it

1:06:31.720 --> 1:06:33.320
<v Speaker 2>up on you know, and you can watch the music

1:06:33.400 --> 1:06:34.200
<v Speaker 2>videos on YouTube.

1:06:34.240 --> 1:06:37.120
<v Speaker 1>Yeah, it's easier said than done when you were you know,

1:06:37.280 --> 1:06:43.200
<v Speaker 1>connected to you know, a distribution and uses connected to

1:06:43.600 --> 1:06:44.600
<v Speaker 1>you know, it's Virgin.

1:06:44.320 --> 1:06:46.560
<v Speaker 2>Now right right, and then they're like, well, it's a

1:06:46.600 --> 1:06:48.360
<v Speaker 2>little bit harder to be like, well, we're gonna just

1:06:49.000 --> 1:06:52.240
<v Speaker 2>crack this, crack our fans real quick and make sure

1:06:52.280 --> 1:06:54.960
<v Speaker 2>they get first access. Well, you know, the business the

1:06:55.040 --> 1:06:57.320
<v Speaker 2>business model of Virgin is like no, no, no, not.

1:06:57.720 --> 1:07:02.120
<v Speaker 1>Their percentages are included in that right, So it's like, sorry,

1:07:02.160 --> 1:07:07.000
<v Speaker 1>I just snored it. Their percentages are included and directed consumer.

1:07:07.160 --> 1:07:09.240
<v Speaker 1>You know what I'm saying. It's like it seems like

1:07:09.280 --> 1:07:12.520
<v Speaker 1>that everybody else would want to make more money, you

1:07:12.560 --> 1:07:13.080
<v Speaker 1>know what I'm saying.

1:07:13.120 --> 1:07:14.920
<v Speaker 2>It would seem too as if there's an artist that

1:07:15.040 --> 1:07:20.840
<v Speaker 2>is capable of fucking up the.

1:07:19.400 --> 1:07:22.880
<v Speaker 1>The game, fucking the industry again, it'd be you. Yeah,

1:07:23.120 --> 1:07:25.200
<v Speaker 1>you remember that. You remember that thing we had in

1:07:25.600 --> 1:07:29.520
<v Speaker 1>two uh FTI. It was like fun the industry.

1:07:29.640 --> 1:07:29.800
<v Speaker 2>You know.

1:07:29.840 --> 1:07:32.680
<v Speaker 1>We did the commercial like download my album Absolute Power

1:07:32.720 --> 1:07:34.320
<v Speaker 1>for free and if you like it, you know what

1:07:34.320 --> 1:07:36.560
<v Speaker 1>I'm saying, support, We got that shit away for free,

1:07:36.600 --> 1:07:39.640
<v Speaker 1>my nig and it worked. So here we are again.

1:07:41.640 --> 1:07:45.720
<v Speaker 1>Streaming is killing the industry. We're still afloat, by the

1:07:45.720 --> 1:07:50.960
<v Speaker 1>grace of God. Now's the time. I think it's time

1:07:51.000 --> 1:07:54.720
<v Speaker 1>to fuck the industry again. Man said and done. Though,

1:07:54.760 --> 1:07:56.680
<v Speaker 1>I know we got a lot of susts that are connected.

1:07:56.720 --> 1:08:01.080
<v Speaker 2>And have you been paying attention to the Russell?

1:08:01.800 --> 1:08:04.520
<v Speaker 1>Of course he's on my last album. The Russell is

1:08:04.560 --> 1:08:07.960
<v Speaker 1>like Russell and Stunnermento two. Shout to Russell, man, you

1:08:08.000 --> 1:08:08.760
<v Speaker 1>know they moving.

1:08:09.600 --> 1:08:12.000
<v Speaker 2>He's also got he's got this out. He thinks outside

1:08:12.040 --> 1:08:14.080
<v Speaker 2>the box of everything and it's working for him. Yes,

1:08:14.120 --> 1:08:15.400
<v Speaker 2>it's like, hey, if you want to come see me,

1:08:15.480 --> 1:08:17.880
<v Speaker 2>my show starts at two p m. Because I don't

1:08:17.920 --> 1:08:21.320
<v Speaker 2>like being outside of night and you get to put

1:08:21.320 --> 1:08:22.280
<v Speaker 2>a bit in on your ticket.

1:08:22.320 --> 1:08:24.880
<v Speaker 1>He's on He's on COSM. We got a song called

1:08:25.560 --> 1:08:29.960
<v Speaker 1>sour though. Okay, you know, but it's why while you

1:08:29.960 --> 1:08:33.800
<v Speaker 1>sal while you so. I think he's the sneaker is.

1:08:33.800 --> 1:08:37.360
<v Speaker 2>On the hook. He's done a good job of showing

1:08:37.520 --> 1:08:40.479
<v Speaker 2>artists like, hey, like, you don't have to play by

1:08:40.520 --> 1:08:42.200
<v Speaker 2>the rules you think you have to play by.

1:08:43.160 --> 1:08:48.600
<v Speaker 1>L Russell and Russ you know the same guy? Uh

1:08:48.640 --> 1:08:51.200
<v Speaker 1>who did it? Who did it? Glorilla did it? You know,

1:08:51.400 --> 1:08:54.320
<v Speaker 1>directing Consumer Lately. I think gn X was like that

1:08:54.360 --> 1:08:54.960
<v Speaker 1>with Kendrick.

1:08:55.479 --> 1:08:59.720
<v Speaker 2>Yeah, they man that just from a hip hop fan perspective,

1:09:00.120 --> 1:09:03.519
<v Speaker 2>you had to have loved the last year of hip hop.

1:09:03.560 --> 1:09:06.040
<v Speaker 2>I mean because the Kendrick Drake beef brought out. I mean,

1:09:06.120 --> 1:09:07.880
<v Speaker 2>however you feel about the results, I mean, we know

1:09:07.880 --> 1:09:11.240
<v Speaker 2>who won, but uh, just it was just good to

1:09:11.240 --> 1:09:15.519
<v Speaker 2>see like people dissecting bars, like.

1:09:15.720 --> 1:09:17.760
<v Speaker 1>Really good on that and in that aspect, you know

1:09:17.760 --> 1:09:20.759
<v Speaker 1>what I'm saying the hip hop energy that was brought

1:09:20.800 --> 1:09:23.680
<v Speaker 1>forth by that beef. What I worry about is the

1:09:23.720 --> 1:09:27.040
<v Speaker 1>street element of it all. And that's why I put

1:09:27.040 --> 1:09:29.840
<v Speaker 1>out no popcorn. I don't have no popcorn emojis because

1:09:29.840 --> 1:09:33.040
<v Speaker 1>I know we're all gang members, right, you know what

1:09:33.080 --> 1:09:36.599
<v Speaker 1>I'm saying. And Uh, you can't control the.

1:09:36.760 --> 1:09:40.400
<v Speaker 2>Entourage, you can't control the Philly, the family.

1:09:40.520 --> 1:09:45.000
<v Speaker 1>The fanaticis yeah, you know what I'm saying. And when

1:09:45.280 --> 1:09:47.760
<v Speaker 1>Drake's house got shot at, you know what I'm here

1:09:47.880 --> 1:09:50.519
<v Speaker 1>comes That's what I didn't want. You know what I'm saying.

1:09:50.600 --> 1:09:52.519
<v Speaker 1>I don't I want to. I wanted to. I want

1:09:52.520 --> 1:09:55.320
<v Speaker 1>to keep it in the spirit of hip hop. Would

1:09:55.320 --> 1:10:00.800
<v Speaker 1>have done what it did, uh for it positively. But

1:10:01.080 --> 1:10:04.559
<v Speaker 1>we have to keep our eye on the street element

1:10:04.640 --> 1:10:06.760
<v Speaker 1>because it comes with us. You know what I'm saying.

1:10:06.800 --> 1:10:09.360
<v Speaker 1>So so far, so good, so far, so good.

1:10:09.439 --> 1:10:09.839
<v Speaker 2>Yeah.

1:10:09.960 --> 1:10:12.400
<v Speaker 1>I was talking to day Free the other day with

1:10:12.479 --> 1:10:15.000
<v Speaker 1>a og muggs. He had him on three Way, and

1:10:15.040 --> 1:10:17.400
<v Speaker 1>I said, I think y'all gonna be really good in Toronto, man,

1:10:17.439 --> 1:10:18.760
<v Speaker 1>you know what I'm saying. He's like, oh yeah, man,

1:10:18.760 --> 1:10:21.599
<v Speaker 1>they come out in Toronto, man, is wonderful. I think

1:10:21.640 --> 1:10:23.839
<v Speaker 1>I think y'all gonna be good, and I would expect

1:10:23.960 --> 1:10:24.400
<v Speaker 1>Drake to.

1:10:24.360 --> 1:10:27.120
<v Speaker 2>Be okay in two stadium shows. Yeah, I know, two

1:10:27.160 --> 1:10:28.360
<v Speaker 2>stadium shows in Toronto.

1:10:28.560 --> 1:10:29.519
<v Speaker 1>Yes, I know, I know.

1:10:30.520 --> 1:10:31.240
<v Speaker 2>Yeah. Yeah.

1:10:31.280 --> 1:10:32.760
<v Speaker 1>I think they think they're gonna be good. You know

1:10:32.800 --> 1:10:33.280
<v Speaker 1>what I'm saying.

1:10:33.320 --> 1:10:36.000
<v Speaker 2>And I think Drake is in LA enough to be like.

1:10:36.000 --> 1:10:39.360
<v Speaker 1>He shouldn't be good here? Yeah, man, he better be man,

1:10:39.400 --> 1:10:41.080
<v Speaker 1>you know what I'm saying. But you know, with the

1:10:41.080 --> 1:10:43.719
<v Speaker 1>street element, man, you just never they take it beyond.

1:10:43.800 --> 1:10:47.160
<v Speaker 1>We've always took it beyond. Because this is my theory

1:10:47.200 --> 1:10:51.320
<v Speaker 1>on it. If you say something negative about technolo on

1:10:51.320 --> 1:10:54.080
<v Speaker 1>the record, that means you're now in the spirit of

1:10:54.160 --> 1:10:57.320
<v Speaker 1>hip hop. I get it. But that means you're trying

1:10:57.360 --> 1:10:59.759
<v Speaker 1>to take food out of my family's mouth, my nigga.

1:10:59.840 --> 1:11:02.080
<v Speaker 1>So we're gonna have a problem. You know what I'm saying. Now,

1:11:03.040 --> 1:11:09.160
<v Speaker 1>I've been in battles and I haven't lost. I've never lost,

1:11:09.200 --> 1:11:12.080
<v Speaker 1>you know what I'm saying. So, and that it has

1:11:12.120 --> 1:11:15.479
<v Speaker 1>never gotten so personal that you couldn't shooting at each

1:11:15.520 --> 1:11:18.160
<v Speaker 1>other or fighting in the club waiting about to have

1:11:18.160 --> 1:11:21.320
<v Speaker 1>that shit in casey, you know what I'm saying. So, uh,

1:11:23.160 --> 1:11:26.920
<v Speaker 1>But with that street element. You're trying to take food

1:11:27.000 --> 1:11:29.439
<v Speaker 1>and money away from me by turning people away from me. Nigga,

1:11:29.479 --> 1:11:31.960
<v Speaker 1>I got something for you. That's what I don't want.

1:11:32.720 --> 1:11:34.479
<v Speaker 2>Yeah, and then there's like you said that you can't

1:11:34.479 --> 1:11:38.240
<v Speaker 2>control somebody who's young, who's affiliated, who wants to prove

1:11:38.320 --> 1:11:40.599
<v Speaker 2>himself right right right, that you aren't even you might

1:11:40.640 --> 1:11:41.920
<v Speaker 2>not even we didn't even send it.

1:11:41.920 --> 1:11:42.680
<v Speaker 1>We didn't even send it.

1:11:42.720 --> 1:11:44.160
<v Speaker 2>We didn't even know this was gonna happen. And then

1:11:44.200 --> 1:11:46.200
<v Speaker 2>there's also insane fans like people.

1:11:46.040 --> 1:11:48.960
<v Speaker 1>Might say Tech nine's name, I would never send it.

1:11:49.439 --> 1:11:52.120
<v Speaker 1>They send it to themselves because I have followers.

1:11:52.320 --> 1:11:55.960
<v Speaker 2>Yeah, you you're you're you're inviting certain energy to your yea,

1:11:56.640 --> 1:11:57.519
<v Speaker 2>to your So.

1:11:57.520 --> 1:12:00.360
<v Speaker 1>The thing when it happened with ICP, that's me and

1:12:00.479 --> 1:12:01.920
<v Speaker 1>Joe Bruce talked about.

1:12:01.960 --> 1:12:04.840
<v Speaker 2>I'm like, man, yeah, he talked about it.

1:12:04.840 --> 1:12:06.960
<v Speaker 1>We don't want to we don't want to turn this

1:12:07.080 --> 1:12:09.840
<v Speaker 1>into something. We just had a we we had a

1:12:09.920 --> 1:12:12.599
<v Speaker 1>really good two hour talk when the ship was happening,

1:12:12.600 --> 1:12:14.880
<v Speaker 1>when I was getting death threats from a few juggalos,

1:12:15.920 --> 1:12:17.960
<v Speaker 1>we had like a two hour talk and it was

1:12:18.040 --> 1:12:21.840
<v Speaker 1>like a history lesson from Tech nine from Kansas City

1:12:22.080 --> 1:12:24.559
<v Speaker 1>what started the killer clown and all this kind of

1:12:24.560 --> 1:12:26.960
<v Speaker 1>thing because they was under the impressing that I got

1:12:27.080 --> 1:12:29.360
<v Speaker 1>it from them, and I'm like, I was the clown

1:12:29.360 --> 1:12:31.439
<v Speaker 1>in ninety four, you know what I'm saying, And I

1:12:31.439 --> 1:12:34.360
<v Speaker 1>have to tell them all that, and uh, but they

1:12:34.360 --> 1:12:36.840
<v Speaker 1>did show us a lot of shit on that tour No.

1:12:37.000 --> 1:12:39.519
<v Speaker 1>Three that we had to up our game and merch

1:12:39.560 --> 1:12:42.200
<v Speaker 1>and everything, and their stage show was fucking I just

1:12:42.240 --> 1:12:45.080
<v Speaker 1>saw them performing the other day and it's still crazy

1:12:45.200 --> 1:12:45.559
<v Speaker 1>for sure.

1:12:45.680 --> 1:12:48.000
<v Speaker 2>Yeah, you have this energy about thinking about them shooting

1:12:48.200 --> 1:12:49.639
<v Speaker 2>two leaders of FA go into the crowd.

1:12:49.680 --> 1:12:51.840
<v Speaker 1>Oh they're still doing that. They're still doing that. They're

1:12:51.840 --> 1:12:54.840
<v Speaker 1>still doing that. And it's like me and Joe Bruce

1:12:54.880 --> 1:12:58.479
<v Speaker 1>talked about that, about the history and what I learned,

1:12:58.520 --> 1:13:02.599
<v Speaker 1>and you know, we got to clear about the gang element.

1:13:03.320 --> 1:13:06.320
<v Speaker 1>I don't want it to bleed into this, you know

1:13:06.360 --> 1:13:09.000
<v Speaker 1>what I'm saying, because whether they know it or not,

1:13:09.320 --> 1:13:12.000
<v Speaker 1>you know what I'm saying, The Clowns, the Juggalos are

1:13:12.000 --> 1:13:14.679
<v Speaker 1>not a gang, but people look at them as a gang,

1:13:15.080 --> 1:13:17.400
<v Speaker 1>you know what I'm saying. It's all over the world too. Sure,

1:13:17.520 --> 1:13:22.280
<v Speaker 1>it's in Australia, it's in the UK, Juggalos are everywhere

1:13:22.360 --> 1:13:25.120
<v Speaker 1>and they come show love my nigga and like they

1:13:25.160 --> 1:13:25.560
<v Speaker 1>always have.

1:13:25.720 --> 1:13:27.040
<v Speaker 2>Yeah, if you go to a tech show, you're gonna

1:13:27.000 --> 1:13:30.320
<v Speaker 2>se Juggles of course, of course, and a lot of

1:13:30.320 --> 1:13:33.160
<v Speaker 2>people have strange and hatchet Man tattooed yes sir, yes, sir.

1:13:34.080 --> 1:13:38.320
<v Speaker 1>So we talked about the gang element that I didn't

1:13:38.360 --> 1:13:41.360
<v Speaker 1>want to bleed over into that. And they came to

1:13:41.400 --> 1:13:43.719
<v Speaker 1>my show in Detroit and they introduced me and everything

1:13:43.800 --> 1:13:46.920
<v Speaker 1>and it was good, you know what I mean. After

1:13:48.080 --> 1:13:53.880
<v Speaker 1>after they did your show, I did a song what

1:13:53.960 --> 1:13:56.640
<v Speaker 1>was it called? I forgot what it was called. And I

1:13:56.720 --> 1:14:00.439
<v Speaker 1>was talking telling people that I'm not upset and what

1:14:00.479 --> 1:14:02.040
<v Speaker 1>they were saying on the show. You know what I'm saying.

1:14:02.040 --> 1:14:04.840
<v Speaker 1>I'm like, they didn't say nothing wrong, but you know

1:14:04.840 --> 1:14:08.200
<v Speaker 1>what I mean, It's like the face paint thing was unclear,

1:14:08.280 --> 1:14:11.160
<v Speaker 1>you know what I mean. And they didn't know that.

1:14:11.520 --> 1:14:14.800
<v Speaker 1>When I was on that tour, I only had my

1:14:14.960 --> 1:14:19.200
<v Speaker 1>guy doing words across my head, you know what I'm saying.

1:14:19.240 --> 1:14:22.960
<v Speaker 1>But before that, I had Brian Bezel Dennis in ninety

1:14:23.000 --> 1:14:25.880
<v Speaker 1>four doing my full skull face, right, you know what

1:14:25.920 --> 1:14:28.080
<v Speaker 1>I'm saying. I didn't know nothing about dark loadus and

1:14:28.080 --> 1:14:29.400
<v Speaker 1>none of that shit I'm talking about when I did

1:14:29.640 --> 1:14:33.720
<v Speaker 1>when I did the show and Lawrence Kansas with the

1:14:34.720 --> 1:14:37.400
<v Speaker 1>luminous paint on my face and the black cross across

1:14:37.439 --> 1:14:39.400
<v Speaker 1>my face. You know what I'm saying, lights cut off

1:14:39.400 --> 1:14:41.400
<v Speaker 1>you could see just across on my face. I didn't

1:14:41.400 --> 1:14:43.639
<v Speaker 1>know nothing about dark Lotus back then. That's what they did.

1:14:44.000 --> 1:14:47.120
<v Speaker 1>And it's like those were in That was in the

1:14:47.160 --> 1:14:49.439
<v Speaker 1>early nineties, you know what I mean, and shit like that.

1:14:49.520 --> 1:14:52.120
<v Speaker 1>So we had to talk about all that, you know

1:14:52.160 --> 1:14:55.280
<v Speaker 1>what I mean, because we had similarities when it come

1:14:55.360 --> 1:14:56.800
<v Speaker 1>to face paint and all that kind of shit. And

1:14:56.800 --> 1:14:58.599
<v Speaker 1>I was trying to say that I've never been a bier.

1:14:58.800 --> 1:15:02.920
<v Speaker 1>I've always been an innovator. I've always you know, saw

1:15:03.080 --> 1:15:07.599
<v Speaker 1>things that y'all did and purposely didn't want to try

1:15:07.600 --> 1:15:10.760
<v Speaker 1>to mimic it, right because that's their thing. I would

1:15:10.840 --> 1:15:12.960
<v Speaker 1>never get up there and have clowns come out and

1:15:13.400 --> 1:15:15.160
<v Speaker 1>throw feyo or nothing, you know what I'm saying. Even

1:15:15.200 --> 1:15:17.360
<v Speaker 1>though I'm the killer clown, I do mine in a

1:15:17.360 --> 1:15:21.960
<v Speaker 1>different way, you know what I mean. So I talked

1:15:21.960 --> 1:15:24.360
<v Speaker 1>about that gang element and we got that shit straight early.

1:15:24.439 --> 1:15:24.599
<v Speaker 2>Man.

1:15:24.600 --> 1:15:26.439
<v Speaker 1>You know what I'm saying, and then it didn't it

1:15:26.439 --> 1:15:27.160
<v Speaker 1>didn't keep going.

1:15:27.240 --> 1:15:29.559
<v Speaker 2>That's good. Yeah, I feel like like trying to split

1:15:29.600 --> 1:15:31.519
<v Speaker 2>up your guys's fans, is that insane because there are

1:15:31.600 --> 1:15:32.599
<v Speaker 2>a lot of the same people.

1:15:33.080 --> 1:15:35.400
<v Speaker 1>Yeah, man, you know, yeah, man, you know what I'm saying.

1:15:35.520 --> 1:15:37.840
<v Speaker 2>It's gotta be wild too, because you've like we're talking

1:15:37.840 --> 1:15:39.800
<v Speaker 2>about twenty five years of strange music at this point

1:15:39.800 --> 1:15:43.080
<v Speaker 2>in time. Like there's people probably with Tech nine tattoos

1:15:43.080 --> 1:15:49.800
<v Speaker 2>that are like fucking teachers, Dennis. Yeah, Like there's like

1:15:49.880 --> 1:15:52.000
<v Speaker 2>technicians that are like probably in high places that you

1:15:52.000 --> 1:15:53.920
<v Speaker 2>would even do unless they took their shirt off.

1:15:54.800 --> 1:15:57.559
<v Speaker 1>Man, they approached me and people that I don't think

1:15:57.560 --> 1:15:59.200
<v Speaker 1>that's gonna come up with me and say anything about

1:15:59.240 --> 1:16:02.439
<v Speaker 1>techno tuned in for twenty years, I'm like, holy shit, right,

1:16:02.600 --> 1:16:05.360
<v Speaker 1>Tech nine always felt like fight club, you know what

1:16:05.400 --> 1:16:07.479
<v Speaker 1>I mean. Like you go into the restaurant and all

1:16:07.520 --> 1:16:09.800
<v Speaker 1>the people with all the cooks, all the servers, they

1:16:10.120 --> 1:16:11.720
<v Speaker 1>gnawed at you, you know what I'm saying. But all

1:16:11.760 --> 1:16:13.640
<v Speaker 1>the rich people, you know, they don't know what the

1:16:13.840 --> 1:16:16.160
<v Speaker 1>is going on until at the end when I'm taking

1:16:16.160 --> 1:16:18.320
<v Speaker 1>pictures with everybody, like who are you again? You know,

1:16:18.920 --> 1:16:19.800
<v Speaker 1>it's fight club thing.

1:16:19.840 --> 1:16:24.080
<v Speaker 2>You know what I'm saying, yo talk about obviously, you know,

1:16:25.040 --> 1:16:27.000
<v Speaker 2>for people who don't know, Save Me was a record

1:16:27.040 --> 1:16:29.080
<v Speaker 2>that came out under Strange Music's distro. Shout to our

1:16:29.080 --> 1:16:31.320
<v Speaker 2>brother Jelly Roll, who is one of the biggest stars

1:16:31.320 --> 1:16:35.360
<v Speaker 2>on the planet these days. You know, he's had a

1:16:35.479 --> 1:16:39.360
<v Speaker 2>crazy journey through musical You know, I think back to

1:16:39.600 --> 1:16:43.360
<v Speaker 2>damn like him opening up FORCP on tour. I mean,

1:16:43.400 --> 1:16:48.719
<v Speaker 2>he really was an actual underground rap like rappers, like really,

1:16:48.880 --> 1:16:52.000
<v Speaker 2>you know, it's the human talking about subculture like he

1:16:52.040 --> 1:16:54.800
<v Speaker 2>came from that kind of like yes, that subculture of

1:16:54.840 --> 1:16:57.160
<v Speaker 2>like Ritz and Wolf and Haystack, and he was he

1:16:57.200 --> 1:17:01.080
<v Speaker 2>was really in the streets and for sure, but what

1:17:01.080 --> 1:17:04.120
<v Speaker 2>what what what I mean? Obviously you guys also have

1:17:04.320 --> 1:17:06.920
<v Speaker 2>a platinum record together at this point, we do a creature.

1:17:06.960 --> 1:17:10.880
<v Speaker 2>Creature is platinum? Yeah? How cool has it been? Just

1:17:11.040 --> 1:17:14.639
<v Speaker 2>as somebody who knows Jelly and and and it's obviously

1:17:14.720 --> 1:17:15.639
<v Speaker 2>broken bread with him.

1:17:15.520 --> 1:17:18.040
<v Speaker 1>But just it couldn't happen to a better person. It

1:17:18.080 --> 1:17:20.639
<v Speaker 1>couldn't happened to a better person. And he's so thankful

1:17:20.920 --> 1:17:22.760
<v Speaker 1>it couldn't happen to a better person. He's always been

1:17:22.840 --> 1:17:25.160
<v Speaker 1>stand up cat you know what I mean, him and

1:17:25.200 --> 1:17:27.400
<v Speaker 1>Travis going back and forth because he didn't want to

1:17:27.400 --> 1:17:29.920
<v Speaker 1>release save Me, you know, to his fans, because he

1:17:29.920 --> 1:17:32.000
<v Speaker 1>thought that they would be making fun of him because

1:17:32.000 --> 1:17:36.200
<v Speaker 1>he's singing. I'm like, dude, your singing voice like we

1:17:36.240 --> 1:17:38.880
<v Speaker 1>did Easier for you, ef you man, I'm like, when

1:17:38.880 --> 1:17:41.920
<v Speaker 1>he sang on that easy up for you, I'm like, dude,

1:17:42.000 --> 1:17:45.240
<v Speaker 1>your singing voice is crazy, though, you know what I'm saying.

1:17:45.240 --> 1:17:46.160
<v Speaker 1>And then save Me.

1:17:48.840 --> 1:17:51.880
<v Speaker 2>Took over. It's just one of those beautiful songs ever.

1:17:52.080 --> 1:17:54.439
<v Speaker 1>Yeah, and Eminem just reused it, you know what I'm saying.

1:17:54.520 --> 1:17:56.840
<v Speaker 2>In fact, Eminem sampled the song that was like five

1:17:56.880 --> 1:17:57.360
<v Speaker 2>years old.

1:17:58.400 --> 1:18:01.519
<v Speaker 1>Yeah, so crazy man, But it couldn't happen to a

1:18:01.600 --> 1:18:02.479
<v Speaker 1>better human being.

1:18:02.360 --> 1:18:05.400
<v Speaker 2>Man, Yeah, it's dope to just see. Like I'm like,

1:18:05.400 --> 1:18:06.720
<v Speaker 2>that's why I try to tell people. I'm like, if

1:18:06.760 --> 1:18:09.000
<v Speaker 2>you knew Jelly, because I would always tell Jelly the

1:18:09.000 --> 1:18:10.559
<v Speaker 2>same shit. I'd be like, brother, Like as soon as

1:18:10.600 --> 1:18:14.040
<v Speaker 2>people just like get to anybody who knows Jelly, when

1:18:14.479 --> 1:18:17.000
<v Speaker 2>back then, it would just take people to meet him

1:18:17.040 --> 1:18:19.439
<v Speaker 2>and they'd be like, y'all love this guy. I might

1:18:19.520 --> 1:18:21.519
<v Speaker 2>not know him, but I just love this fucking guy,

1:18:21.600 --> 1:18:23.280
<v Speaker 2>and it was almost like the world went through that

1:18:23.320 --> 1:18:24.360
<v Speaker 2>experience himself.

1:18:24.520 --> 1:18:26.559
<v Speaker 1>He don't have to put on a mask or anything.

1:18:26.640 --> 1:18:28.040
<v Speaker 1>You know what I'm saying. I don't mean like a

1:18:28.080 --> 1:18:30.560
<v Speaker 1>mask to put on them somebody, like a fake persona.

1:18:30.840 --> 1:18:32.880
<v Speaker 1>You know what I'm saying, because my mask was really

1:18:32.920 --> 1:18:35.400
<v Speaker 1>going on inside. You know what I'm saying. But he

1:18:35.439 --> 1:18:38.800
<v Speaker 1>doesn't have to put on a fake persona to be

1:18:39.000 --> 1:18:42.160
<v Speaker 1>jelly roll. He's jelly roll everywhere, you know what I mean.

1:18:42.320 --> 1:18:47.640
<v Speaker 1>And people love that authenticity, authenticity, and it's gonna be

1:18:47.760 --> 1:18:52.040
<v Speaker 1>him and until he's ready to say bucket.

1:18:51.800 --> 1:18:55.400
<v Speaker 2>Yeah sure, yeah, yeah, you mentioned earlier. Certain fans will

1:18:55.439 --> 1:18:57.120
<v Speaker 2>like point some of your older albums. If you in

1:18:57.160 --> 1:18:59.760
<v Speaker 2>your estimation, let's take the new album coming out out

1:18:59.800 --> 1:19:02.360
<v Speaker 2>of the equation, what would you what would you say

1:19:02.439 --> 1:19:05.600
<v Speaker 2>is your best album? I'm sure it changes for you

1:19:05.640 --> 1:19:06.120
<v Speaker 2>all the time.

1:19:07.240 --> 1:19:08.840
<v Speaker 1>They are all my babies, man, tell them this all

1:19:08.880 --> 1:19:10.720
<v Speaker 1>the time. They are all my babies, from Angelic to

1:19:10.800 --> 1:19:13.680
<v Speaker 1>Absolute Power to the vintage Tech too. You know what

1:19:13.680 --> 1:19:17.040
<v Speaker 1>I'm saying. Ever ready to all sixes and sevens to

1:19:19.920 --> 1:19:22.040
<v Speaker 1>I got so many, man, It's like I'm on album

1:19:22.080 --> 1:19:23.519
<v Speaker 1>like twenty five or twenty six right now.

1:19:23.640 --> 1:19:24.320
<v Speaker 2>That's insane.

1:19:26.920 --> 1:19:29.000
<v Speaker 1>I think ever Ready was the turning point. You know

1:19:29.040 --> 1:19:32.000
<v Speaker 1>what I'm saying. Like, we was out here, Bias One

1:19:32.160 --> 1:19:34.840
<v Speaker 1>was giving me beats and we were all, that's Richie

1:19:34.880 --> 1:19:37.080
<v Speaker 1>Abbit over there. You know what I'm saying is that

1:19:37.120 --> 1:19:41.240
<v Speaker 1>I'm looking at yeah out here. I took so many turns.

1:19:41.680 --> 1:19:44.640
<v Speaker 1>You know what. I realized that y'all gave me a

1:19:44.760 --> 1:19:48.240
<v Speaker 1>Jay Dilla CD back then that I don't I remember

1:19:48.320 --> 1:19:51.280
<v Speaker 1>seeing that. I never really got into it. And then

1:19:51.400 --> 1:19:55.240
<v Speaker 1>years later I realized that I dropped that ball I'm

1:19:55.240 --> 1:19:57.360
<v Speaker 1>talking about. We was doing ever Ready. They was giving

1:19:57.360 --> 1:19:58.439
<v Speaker 1>me you.

1:19:59.240 --> 1:20:01.720
<v Speaker 2>Had his Diller Beat CD full of them.

1:20:01.800 --> 1:20:04.400
<v Speaker 1>That's crazy, And I'm like, you know, buys One, like

1:20:04.439 --> 1:20:07.400
<v Speaker 1>you need to check out this dealer guy. I'm like, okay, whatever.

1:20:07.520 --> 1:20:09.559
<v Speaker 2>Yeah, I mean Caribou's on ever Ready right.

1:20:09.560 --> 1:20:12.839
<v Speaker 1>Yes, sir, care Blue come Gangs come Gangster, right Baker.

1:20:13.479 --> 1:20:16.160
<v Speaker 1>You know what I'm saying. The rain, Yeah, that was

1:20:16.200 --> 1:20:20.200
<v Speaker 1>the turning point when we got with When we got

1:20:20.200 --> 1:20:24.080
<v Speaker 1>with Fontana, that turned into Ingrows that we're with now.

1:20:24.160 --> 1:20:27.120
<v Speaker 1>You know what I'm saying, Uh, that was a turning point.

1:20:27.439 --> 1:20:30.000
<v Speaker 1>Ever Ready, that's a big one. Rick Rock is on

1:20:30.080 --> 1:20:32.160
<v Speaker 1>there you know what I'm saying with my wife, my bitch,

1:20:32.240 --> 1:20:35.840
<v Speaker 1>my girl and no can do you know? Rick Rock

1:20:35.920 --> 1:20:38.640
<v Speaker 1>just came through and just dropped some barrier shit on us.

1:20:38.720 --> 1:20:41.519
<v Speaker 1>You know what I'm saying, Like for real, for real, man,

1:20:41.720 --> 1:20:44.760
<v Speaker 1>ever Ready was the turning point for Tech nine to

1:20:45.160 --> 1:20:46.759
<v Speaker 1>get really really massive.

1:20:47.439 --> 1:20:49.920
<v Speaker 2>Yeah. I feel like Everready has, especially if you like,

1:20:50.360 --> 1:20:52.080
<v Speaker 2>I mean, if you go to one of your shows,

1:20:52.360 --> 1:20:55.160
<v Speaker 2>it's like there's like there's certain songs I've noticed you

1:20:55.280 --> 1:20:56.960
<v Speaker 2>like move in and out of the set list, like

1:20:56.960 --> 1:20:58.519
<v Speaker 2>like like, yeah, it was one of my favorite songs,

1:20:58.520 --> 1:20:59.880
<v Speaker 2>but I haven't heard like you do, Like yeah for

1:21:00.040 --> 1:21:03.720
<v Speaker 2>some I have years, but like that album has got

1:21:03.800 --> 1:21:06.560
<v Speaker 2>like they ain't going nowhere in the set list, you

1:21:06.600 --> 1:21:07.679
<v Speaker 2>know what I mean? Yeah?

1:21:07.880 --> 1:21:10.599
<v Speaker 1>Man, Yeah, Man, ever Ready, I would say every Ready

1:21:10.600 --> 1:21:13.080
<v Speaker 1>as the turning point. It's not my I can't say

1:21:13.080 --> 1:21:13.960
<v Speaker 1>it's my best album.

1:21:14.000 --> 1:21:15.160
<v Speaker 2>What do you think is your best? Though?

1:21:15.600 --> 1:21:17.639
<v Speaker 1>I don't think I think they're all the best. My nigga,

1:21:17.880 --> 1:21:20.080
<v Speaker 1>Have you heard Frank Hellic Angelic come on?

1:21:20.160 --> 1:21:20.280
<v Speaker 2>Man?

1:21:20.560 --> 1:21:25.080
<v Speaker 1>For sure Angelic Tormented from Tormented to the song with

1:21:25.160 --> 1:21:27.160
<v Speaker 1>Roger Trappman at the end. You know what I'm saying, Twisted,

1:21:27.280 --> 1:21:31.400
<v Speaker 1>you know what I mean. It's like angelic is you

1:21:31.400 --> 1:21:32.960
<v Speaker 1>don't skip it. You know what I'm saying, you can't

1:21:32.960 --> 1:21:37.360
<v Speaker 1>skip it. Absolute power industry is punks to whatever. This

1:21:37.439 --> 1:21:39.120
<v Speaker 1>is me or whatever. You know what I'm saying. Do

1:21:39.160 --> 1:21:42.080
<v Speaker 1>you remember, Uh No, that's not that's ever ready, this

1:21:42.120 --> 1:21:42.280
<v Speaker 1>is me.

1:21:42.320 --> 1:21:47.000
<v Speaker 2>I'm sorry. Do you remember you're recording stamina in the

1:21:47.080 --> 1:21:47.719
<v Speaker 2>in the studio.

1:21:47.960 --> 1:21:48.840
<v Speaker 1>Let me tell you something.

1:21:48.840 --> 1:21:49.919
<v Speaker 2>You want to hear this story.

1:21:50.640 --> 1:21:54.400
<v Speaker 1>So I've always had stamina in my mind. You know

1:21:54.439 --> 1:21:55.760
<v Speaker 1>what I'm saying. I want to shoot, I want to

1:21:55.800 --> 1:21:58.040
<v Speaker 1>wrap to a gun. You know what I'm saying. So

1:21:58.120 --> 1:22:01.320
<v Speaker 1>me and don Wan's in his basement and he sets

1:22:01.600 --> 1:22:06.320
<v Speaker 1>the m p C three thousand or yea to this swing.

1:22:06.439 --> 1:22:11.000
<v Speaker 1>That's kind of like the way you make me feel like, uh,

1:22:11.040 --> 1:22:17.479
<v Speaker 1>Michael Jackson stamina. I'll be damn if I ever be

1:22:17.640 --> 1:22:19.800
<v Speaker 1>took away by the demons. I'll never be what the

1:22:19.880 --> 1:22:21.680
<v Speaker 1>weather win. That was the rhythm I come with the

1:22:21.760 --> 1:22:24.439
<v Speaker 1>heater cleverly Nigga went out and will never be so

1:22:24.600 --> 1:22:27.439
<v Speaker 1>killer Flow Zilla Gorilla and Flow was a fella meee,

1:22:27.479 --> 1:22:29.599
<v Speaker 1>I'll be in the line Hella doing time for the

1:22:29.640 --> 1:22:32.559
<v Speaker 1>Tech nine is so he said, you got to play

1:22:32.600 --> 1:22:34.519
<v Speaker 1>it because you know what, I'm like, pop up up.

1:22:40.000 --> 1:22:42.160
<v Speaker 1>I did it. So I told the one I got

1:22:42.160 --> 1:22:44.519
<v Speaker 1>on the I got on the mic. I said, okay,

1:22:44.560 --> 1:22:49.240
<v Speaker 1>now speed it up. Stemina Stamina. I said, keep going, Stamena.

1:22:49.439 --> 1:22:52.720
<v Speaker 1>And when he got into the first perfect pitch, I

1:22:52.760 --> 1:22:54.840
<v Speaker 1>was like, Stemina, I'll be done. Ever be took away

1:22:54.840 --> 1:22:56.200
<v Speaker 1>by the demons that never be what. The weather went,

1:22:56.560 --> 1:22:58.280
<v Speaker 1>hythm come with the heat cover leaue nigga noo, the

1:22:58.280 --> 1:23:00.720
<v Speaker 1>one ever be so killer. If I was a fell

1:23:01.040 --> 1:23:03.400
<v Speaker 1>I began to lie doing time for the now you

1:23:03.400 --> 1:23:05.599
<v Speaker 1>know what I'm saying. He's like, what the fuck? Yeah?

1:23:05.800 --> 1:23:08.040
<v Speaker 1>I did that Ship of the Road Dogs. We had

1:23:08.040 --> 1:23:10.280
<v Speaker 1>this album. We had this song I'll call Let's get

1:23:10.280 --> 1:23:13.439
<v Speaker 1>fucked Up. It's fucking the town up. So def Jammer

1:23:13.560 --> 1:23:16.040
<v Speaker 1>came to Kansas City at this place called it wasn't

1:23:16.080 --> 1:23:21.519
<v Speaker 1>called uh this name at the time, this club. I

1:23:21.560 --> 1:23:23.120
<v Speaker 1>forgot what it is, you know, since down there on

1:23:23.160 --> 1:23:27.920
<v Speaker 1>the East side where the Essays are, and they had

1:23:28.520 --> 1:23:30.800
<v Speaker 1>they had this thing that was like a not a

1:23:30.840 --> 1:23:35.040
<v Speaker 1>talent show, but a industry party where people will be showcasing,

1:23:35.360 --> 1:23:38.760
<v Speaker 1>saying a showcasing. And me and Roddargs went down there.

1:23:38.760 --> 1:23:40.679
<v Speaker 1>I remember, I just came out here from QD three

1:23:40.680 --> 1:23:43.200
<v Speaker 1>and I did a photo shooting. I had that ship on.

1:23:43.240 --> 1:23:45.240
<v Speaker 1>You know what I'm saying. I had my special boots on,

1:23:45.360 --> 1:23:47.400
<v Speaker 1>my Kenneth Cold boots on, and all them niggas was

1:23:47.479 --> 1:23:49.080
<v Speaker 1>dressed in their bloodshit. You know what I'm saying. I

1:23:49.120 --> 1:23:51.120
<v Speaker 1>came out there and I started out and I Chris

1:23:51.120 --> 1:23:54.800
<v Speaker 1>Callico said, he was in the crowd. It was Boulevard Knights.

1:23:54.800 --> 1:23:56.680
<v Speaker 1>Now this's the club. That's what I just thought about it.

1:23:56.720 --> 1:23:59.000
<v Speaker 1>Boulevard Knights called that. Now it's called something that then.

1:23:59.040 --> 1:24:01.559
<v Speaker 1>Back then something was back then. I did that ship,

1:24:01.640 --> 1:24:03.639
<v Speaker 1>Chris Callico said. When I was in that crowd, man,

1:24:03.720 --> 1:24:07.800
<v Speaker 1>when you first did Stamina and that whole place went up.

1:24:08.320 --> 1:24:11.160
<v Speaker 1>When I did it first live, when I said Tech

1:24:11.320 --> 1:24:13.880
<v Speaker 1>nine and the whole place stood up, I just fell

1:24:13.920 --> 1:24:14.519
<v Speaker 1>out laughing.

1:24:14.840 --> 1:24:18.280
<v Speaker 2>Did you always do the head cock? Yeah, yes, yeah, yeah,

1:24:18.360 --> 1:24:22.080
<v Speaker 2>yeah yes, because you have certain songs, you have, you

1:24:22.120 --> 1:24:24.479
<v Speaker 2>have your like. I wouldn't necessarily choreography, but you have

1:24:24.560 --> 1:24:26.599
<v Speaker 2>your like, your moves, you record.

1:24:26.680 --> 1:24:29.759
<v Speaker 1>Yeah, I had don Wan put the cock click clack,

1:24:30.040 --> 1:24:32.559
<v Speaker 1>stamming up. You know what I'm saying that Tech nine,

1:24:32.600 --> 1:24:34.080
<v Speaker 1>you know, I knew exactly how I was gonna do it.

1:24:34.120 --> 1:24:36.599
<v Speaker 1>I had it in my head and uh, next thing,

1:24:36.600 --> 1:24:39.400
<v Speaker 1>you know, I did it at this place called Maniacs

1:24:39.760 --> 1:24:42.960
<v Speaker 1>and Independence Man and it fucked everybody up. I think

1:24:43.000 --> 1:24:45.519
<v Speaker 1>Twister was there or something like that, and fuck everybody up.

1:24:45.560 --> 1:24:48.519
<v Speaker 1>And I was doing I was doing that Einstein and

1:24:48.600 --> 1:24:51.720
<v Speaker 1>let's get fucked up with the planet Rock with the

1:24:51.800 --> 1:24:55.920
<v Speaker 1>rogue Dogs, you know what I'm saying. And Uh, I

1:24:56.000 --> 1:24:59.880
<v Speaker 1>just knew I had some special with stamina, so I

1:25:00.080 --> 1:25:02.479
<v Speaker 1>left it back there in the nineties. Now, recently, I

1:25:02.560 --> 1:25:04.880
<v Speaker 1>did a song called RDV on my new album fifty

1:25:04.880 --> 1:25:06.920
<v Speaker 1>A sixteen fours. We just put out videos out the

1:25:07.000 --> 1:25:10.920
<v Speaker 1>videos out, so I thought, at the end of the song,

1:25:11.040 --> 1:25:15.600
<v Speaker 1>when I'm talking about giving a salute to some of

1:25:15.640 --> 1:25:21.040
<v Speaker 1>the rogue Dog villains that were not with us anymore

1:25:21.080 --> 1:25:22.920
<v Speaker 1>and the ones that are still here, I thought I'd

1:25:22.920 --> 1:25:24.960
<v Speaker 1>give a salute to my soldiers. I thought it was

1:25:25.040 --> 1:25:30.800
<v Speaker 1>worthy of medalling back that, I mean, dialing up that

1:25:30.920 --> 1:25:34.840
<v Speaker 1>stamming a style and yelling out all the names. And

1:25:34.880 --> 1:25:38.680
<v Speaker 1>it's effective. Still I still I did it again. This

1:25:38.840 --> 1:25:42.240
<v Speaker 1>time me and Bengineer did it and we didn't have

1:25:42.240 --> 1:25:44.679
<v Speaker 1>to use the MPC three thousand. You know what I'm saying.

1:25:44.720 --> 1:25:49.680
<v Speaker 1>It's like, Ben, let me going there on a metronome

1:25:51.800 --> 1:25:54.680
<v Speaker 1>and do that shit. Sippy Bigs are a picture star,

1:25:54.760 --> 1:25:56.800
<v Speaker 1>demmit star, Williama? Send this League one John John, Michael

1:25:56.800 --> 1:25:59.320
<v Speaker 1>werber TONI D, Tony Kennedy, Doctor Bob, Marty, Duken, Fly Mac.

1:25:59.439 --> 1:26:00.000
<v Speaker 1>You know what I'm saying.

1:26:00.040 --> 1:26:00.320
<v Speaker 2>M hm.

1:26:00.880 --> 1:26:04.240
<v Speaker 1>I'm like, just on those names, put the put that

1:26:04.280 --> 1:26:06.120
<v Speaker 1>AK forty seven sound, you know what I'm saying, or

1:26:06.160 --> 1:26:07.760
<v Speaker 1>the sk sound on top of it. You know what

1:26:07.760 --> 1:26:13.320
<v Speaker 1>I'm saying. It's just as effective as it was in

1:26:13.360 --> 1:26:13.919
<v Speaker 1>the nineties.

1:26:14.720 --> 1:26:17.480
<v Speaker 2>Yeah, it's crazy because it's like one of those moments

1:26:17.720 --> 1:26:19.800
<v Speaker 2>in your live show that like it doesn't take up

1:26:19.800 --> 1:26:22.360
<v Speaker 2>a lot of space, but it's so like like again,

1:26:22.400 --> 1:26:23.640
<v Speaker 2>if you don't know Tech nine and you go and

1:26:23.680 --> 1:26:25.040
<v Speaker 2>see you see do you do that? You're like, did

1:26:25.040 --> 1:26:25.679
<v Speaker 2>this motherfucker?

1:26:25.840 --> 1:26:26.479
<v Speaker 1>Just yeah?

1:26:26.760 --> 1:26:27.960
<v Speaker 2>Wrap over a machine gun.

1:26:28.160 --> 1:26:30.479
<v Speaker 1>For a long time, I was doing it at the beginning.

1:26:31.200 --> 1:26:33.800
<v Speaker 1>Now I've been doing it at the end a lot lately.

1:26:33.840 --> 1:26:36.360
<v Speaker 1>You know, at the end of my show, you know, boom.

1:26:36.439 --> 1:26:39.200
<v Speaker 1>But when I did the show with when I did

1:26:39.240 --> 1:26:42.559
<v Speaker 1>this tour with Falling in Reverse and Blackveilt Brides and

1:26:45.000 --> 1:26:47.920
<v Speaker 1>all the other guys that are on the tour, Dance,

1:26:47.920 --> 1:26:51.080
<v Speaker 1>Gavin Dance. I felt like this was a new crowd,

1:26:51.320 --> 1:26:52.720
<v Speaker 1>so I put it at the beginning.

1:26:52.920 --> 1:26:56.719
<v Speaker 2>Right and let them just to just to be like, hey, yeah,

1:26:57.080 --> 1:26:57.759
<v Speaker 2>you pay attention.

1:26:57.840 --> 1:26:59.840
<v Speaker 1>I had. I took it all the way back to

1:27:00.120 --> 1:27:02.400
<v Speaker 1>O two when I was on the ICP tour with

1:27:02.439 --> 1:27:05.760
<v Speaker 1>the high top boxing shoes, you know what I'm saying,

1:27:05.840 --> 1:27:07.280
<v Speaker 1>and all that kind of shit. I brought that back

1:27:07.320 --> 1:27:12.519
<v Speaker 1>with the scrubs and uh, I had stamina at the

1:27:12.560 --> 1:27:15.320
<v Speaker 1>beginning right into industry as punks like I used to do,

1:27:16.640 --> 1:27:18.639
<v Speaker 1>and it fucked them up. And I had my band

1:27:18.680 --> 1:27:20.479
<v Speaker 1>with me playing that shit. Yo.

1:27:20.720 --> 1:27:23.639
<v Speaker 2>You you mentioned your album number twenty five, twenty six,

1:27:23.720 --> 1:27:26.840
<v Speaker 2>whatever it might be. There's been a trend going on

1:27:26.880 --> 1:27:29.920
<v Speaker 2>in music recently where a lot of people's catalogs are

1:27:29.920 --> 1:27:34.760
<v Speaker 2>getting bought. Oh yeah, have you and Trav ever considered

1:27:35.720 --> 1:27:37.120
<v Speaker 2>listening to those convos?

1:27:37.400 --> 1:27:40.840
<v Speaker 1>No, not now, because when it comes time to sell,

1:27:42.360 --> 1:27:44.760
<v Speaker 1>we want to have something in the selle. You know

1:27:44.800 --> 1:27:48.920
<v Speaker 1>what I'm saying. When we if we ever sell strange music, right,

1:27:49.320 --> 1:27:53.439
<v Speaker 1>you know what I'm saying, We've we've done a deal

1:27:54.520 --> 1:27:56.519
<v Speaker 1>with the.

1:27:56.479 --> 1:27:58.720
<v Speaker 2>Streaming side, right, you know what I'm saying.

1:27:58.760 --> 1:28:01.280
<v Speaker 1>But other than that, all the pub listening, everything, all hours,

1:28:01.320 --> 1:28:05.280
<v Speaker 1>you know what I'm saying. And uh, other than that, man, no, man,

1:28:05.320 --> 1:28:07.040
<v Speaker 1>we just steady building.

1:28:07.760 --> 1:28:12.680
<v Speaker 2>What was the catalyst that implemented? Because I always talk

1:28:12.720 --> 1:28:15.840
<v Speaker 2>about this on the show with certain artists, I bring

1:28:15.920 --> 1:28:18.320
<v Speaker 2>up your guys's the tour regimen is pretty wild, but

1:28:18.479 --> 1:28:23.679
<v Speaker 2>specifically the rules. Yes, you guys will find people, Yes

1:28:23.760 --> 1:28:27.240
<v Speaker 2>they break the rules. It's it's it's very like it's

1:28:27.240 --> 1:28:31.080
<v Speaker 2>a professional setting. But it wasn't always that way. What

1:28:31.080 --> 1:28:33.599
<v Speaker 2>what happened was it was it? What was the thing

1:28:33.680 --> 1:28:36.559
<v Speaker 2>that kind of was the turning point where you said, hey,

1:28:37.479 --> 1:28:39.680
<v Speaker 2>maybe it was a Travis thing, but hey, we're not

1:28:39.760 --> 1:28:41.479
<v Speaker 2>fucking around here anymore. It's too much to lose.

1:28:41.520 --> 1:28:46.040
<v Speaker 1>This is the rules with any rule system, the fuck

1:28:46.120 --> 1:28:47.200
<v Speaker 1>ups have to happen first.

1:28:47.680 --> 1:28:47.880
<v Speaker 2>Yeah.

1:28:48.479 --> 1:28:52.680
<v Speaker 1>So if MGK is having food fights at you know,

1:28:52.840 --> 1:28:55.320
<v Speaker 1>saying the buffet spot, Oh.

1:28:55.320 --> 1:28:58.400
<v Speaker 2>Yeah, you guys had MGK during his wild really literally

1:28:58.560 --> 1:28:59.120
<v Speaker 2>like let me.

1:28:59.120 --> 1:29:02.519
<v Speaker 1>Just fuck up a hotel room. Yeah, it's real. It

1:29:02.560 --> 1:29:05.680
<v Speaker 1>was real for sure. I'm talking about Golden Corral. They

1:29:05.760 --> 1:29:08.759
<v Speaker 1>kicked us out, we were banned from all golden corrals

1:29:08.760 --> 1:29:09.479
<v Speaker 1>around the Midwest.

1:29:09.680 --> 1:29:12.880
<v Speaker 2>Crazy because so was an MGK that started the rule book.

1:29:14.040 --> 1:29:14.879
<v Speaker 2>Was he the inspiration?

1:29:15.280 --> 1:29:16.840
<v Speaker 1>He got a lot in the rule book? The rule

1:29:16.880 --> 1:29:17.960
<v Speaker 1>book started before him.

1:29:18.280 --> 1:29:20.560
<v Speaker 2>Okay, but but there's like you can point to the

1:29:20.640 --> 1:29:22.440
<v Speaker 2>rules now and be like, don't.

1:29:22.200 --> 1:29:25.320
<v Speaker 1>Climb and trust, don't don't don't do this, don't throw food,

1:29:26.000 --> 1:29:30.799
<v Speaker 1>don't fucking tear up, don't fucking paint the motherfucking venue walls.

1:29:30.960 --> 1:29:33.720
<v Speaker 1>It's all mg K, you know what I'm saying. But

1:29:34.840 --> 1:29:38.639
<v Speaker 1>everything that Me and Cut did not Chris Calico, because

1:29:38.640 --> 1:29:41.000
<v Speaker 1>he's always been the same, right, everything that Me and

1:29:41.040 --> 1:29:46.639
<v Speaker 1>Cut did, you know, like fucking fat bitches and ship

1:29:46.760 --> 1:29:49.000
<v Speaker 1>and then they sit on the toilet and break the

1:29:49.040 --> 1:29:52.360
<v Speaker 1>toilet and all the water goes everywhere and floods all

1:29:52.400 --> 1:29:55.240
<v Speaker 1>the fucking you know what I'm saying, all that ship,

1:29:55.240 --> 1:29:56.599
<v Speaker 1>and we got to pay for all this and all

1:29:56.640 --> 1:29:59.760
<v Speaker 1>that ship. It don't have don't fuck fat bitches. In

1:29:59.760 --> 1:30:02.240
<v Speaker 1>the then rule book, it's just saying, be careful what

1:30:02.280 --> 1:30:03.880
<v Speaker 1>you do in the rooms, because we have to pay

1:30:03.920 --> 1:30:06.000
<v Speaker 1>for everything to mess up, you know what I'm saying.

1:30:06.040 --> 1:30:08.640
<v Speaker 1>But all the ship that we did over the years,

1:30:09.479 --> 1:30:12.920
<v Speaker 1>you know, don't have sex in the bathroom on the

1:30:12.920 --> 1:30:15.320
<v Speaker 1>bus because you're gonna break the sink. You know, stuff

1:30:15.400 --> 1:30:18.160
<v Speaker 1>that happened, you know what I'm saying. So with any

1:30:18.360 --> 1:30:21.280
<v Speaker 1>rule system, we had to do all that fucking up

1:30:21.320 --> 1:30:22.280
<v Speaker 1>to get all that in there.

1:30:23.160 --> 1:30:25.479
<v Speaker 2>Yeah, because I remember when Dizzey Wright was on tour

1:30:25.520 --> 1:30:27.080
<v Speaker 2>with you guys meet and him would be talking and

1:30:27.080 --> 1:30:29.320
<v Speaker 2>he'd be like, I'm just getting fine every day, man,

1:30:29.439 --> 1:30:32.240
<v Speaker 2>because I got to smoke, right, because I can'tnot smoke.

1:30:32.280 --> 1:30:34.320
<v Speaker 1>Well, you can smoke, you just can't smoke on the bus,

1:30:34.400 --> 1:30:37.360
<v Speaker 1>right on the bus right sometimes on the premises they

1:30:37.360 --> 1:30:40.720
<v Speaker 1>don't want you to smoke. So, you know, because if

1:30:40.720 --> 1:30:42.840
<v Speaker 1>you break the rules, you can find yes, you do, yes,

1:30:42.920 --> 1:30:45.280
<v Speaker 1>you know, it'll start low and then they'll go up

1:30:45.320 --> 1:30:47.080
<v Speaker 1>to five hundred dollars if you do this. If you

1:30:47.360 --> 1:30:51.320
<v Speaker 1>if you transport fans from one city to another to another,

1:30:51.680 --> 1:30:52.559
<v Speaker 1>you know you can't do that.

1:30:52.560 --> 1:30:55.200
<v Speaker 2>That's it. That's like what you call that ship, you

1:30:55.280 --> 1:30:58.360
<v Speaker 2>know that they'll call that something. Yeah, they call nowadays

1:30:58.400 --> 1:30:59.160
<v Speaker 2>it's human trafficking.

1:30:59.240 --> 1:30:59.960
<v Speaker 1>Yeah, it's trafficking.

1:31:00.080 --> 1:31:01.880
<v Speaker 2>Yeah, Like if you if you fly a girl out

1:31:02.040 --> 1:31:05.000
<v Speaker 2>for the intent of sex, it's human trafficking, even if

1:31:05.280 --> 1:31:09.439
<v Speaker 2>it's weird. Well, yeah, there are like some of these things,

1:31:09.479 --> 1:31:11.400
<v Speaker 2>like obviously Diddy is a piece of shit, but some

1:31:11.479 --> 1:31:13.800
<v Speaker 2>of the things are saying did he did? I'm like, well,

1:31:13.840 --> 1:31:16.120
<v Speaker 2>like ninety eight percent of every rapper and hip hop

1:31:16.160 --> 1:31:18.080
<v Speaker 2>has flown a check out and gave her some money.

1:31:18.080 --> 1:31:25.559
<v Speaker 2>The fuck I ain't, not necessarily, not directly, but like, yeah,

1:31:25.640 --> 1:31:27.880
<v Speaker 2>let's go shopping, let's go, let's go get dinner. Ye,

1:31:28.439 --> 1:31:29.200
<v Speaker 2>let me pay for the fly.

1:31:29.400 --> 1:31:31.200
<v Speaker 1>Yeah, you're you're you're indirectly Pavel.

1:31:30.960 --> 1:31:35.040
<v Speaker 2>But for sure, Yo, there's so many of your records

1:31:35.040 --> 1:31:38.040
<v Speaker 2>because I know you're such a huge fan of horror movies.

1:31:38.080 --> 1:31:40.920
<v Speaker 2>You are a horror movie buff. Yes, yes, what's your

1:31:40.960 --> 1:31:42.760
<v Speaker 2>what's your goat? But like, what's you likely your top

1:31:42.760 --> 1:31:44.479
<v Speaker 2>three or four hor horror movies of all time?

1:31:44.600 --> 1:31:46.880
<v Speaker 1>I'm the lyrical Michael Myers man, everybody know that.

1:31:47.160 --> 1:31:49.080
<v Speaker 2>You know what I'm saying. So it's Halloween, do you, fellow?

1:31:49.240 --> 1:31:51.439
<v Speaker 2>Did you love the rob Zombie Halloweens? Of course I

1:31:51.439 --> 1:31:53.080
<v Speaker 2>loved them. Yeah, I own all of I know that

1:31:53.120 --> 1:31:55.480
<v Speaker 2>they're very like ow all of I think they're polarizing

1:31:55.520 --> 1:31:57.640
<v Speaker 2>for some people. Yeah, on all of what do you

1:31:57.640 --> 1:31:58.439
<v Speaker 2>think about terrifier.

1:31:58.720 --> 1:32:00.920
<v Speaker 1>I love terrifier. I love art. Now, you know, I've

1:32:00.920 --> 1:32:02.559
<v Speaker 1>seen all of them. I saw the three hour one,

1:32:02.600 --> 1:32:03.680
<v Speaker 1>me and my wife. You know what I'm saying.

1:32:03.760 --> 1:32:06.519
<v Speaker 2>Yeah, the new one was pretty crazy. It's like Christmas

1:32:06.520 --> 1:32:06.960
<v Speaker 2>movie people.

1:32:07.040 --> 1:32:08.840
<v Speaker 1>Yeah, people were leaving out. You know what I'm saying.

1:32:08.840 --> 1:32:11.040
<v Speaker 1>People were leaving out. We were we were on rooms laughing.

1:32:11.240 --> 1:32:14.600
<v Speaker 2>But I feel like some of your records could be

1:32:15.280 --> 1:32:16.719
<v Speaker 2>horror movie Csycho Bitch.

1:32:16.880 --> 1:32:19.600
<v Speaker 1>Well, this is the thing. I hear. A lot of

1:32:19.600 --> 1:32:21.960
<v Speaker 1>people say that I'm a horror core a rapper, but

1:32:22.000 --> 1:32:23.799
<v Speaker 1>they don't know. I've never looked at myself as.

1:32:23.640 --> 1:32:25.320
<v Speaker 2>A horror core I don't think you're that at all,

1:32:25.320 --> 1:32:25.439
<v Speaker 2>you know.

1:32:25.439 --> 1:32:26.720
<v Speaker 1>What I'm saying. But a lot of people think that

1:32:26.800 --> 1:32:28.360
<v Speaker 1>because of my darkness. You know what I'm saying. My

1:32:28.400 --> 1:32:31.400
<v Speaker 1>darkness is my life. Psycho Bitch is real stories, right,

1:32:31.600 --> 1:32:33.519
<v Speaker 1>you know what I'm saying. But when you get into

1:32:33.600 --> 1:32:37.280
<v Speaker 1>ko D, that's when the lines get blurred because I

1:32:37.280 --> 1:32:39.120
<v Speaker 1>got things on there like black in the Sun. That's

1:32:39.120 --> 1:32:41.679
<v Speaker 1>my imagination and they will put that in the horror

1:32:41.720 --> 1:32:45.200
<v Speaker 1>core bracket, I think. But I've never looked at myself

1:32:45.320 --> 1:32:49.439
<v Speaker 1>as a shock horror core MC. I've just I've always

1:32:49.520 --> 1:32:55.560
<v Speaker 1>been infatuated with the darkness, per my Christian mom, Marty Soyer's.

1:32:55.200 --> 1:32:58.400
<v Speaker 2>Khalifa, And if you listen to KOD, it was was

1:32:58.439 --> 1:33:00.240
<v Speaker 2>show me a God kicking that off.

1:33:00.280 --> 1:33:04.040
<v Speaker 1>Yes, show me a guy. Yes, but all that shit

1:33:04.160 --> 1:33:06.200
<v Speaker 1>is dark. But it's my life. I've always wrote my life.

1:33:06.240 --> 1:33:09.720
<v Speaker 1>I didn't ever have to say things to really shock anybody,

1:33:10.200 --> 1:33:13.439
<v Speaker 1>but I've done it in my career to where I

1:33:13.520 --> 1:33:16.080
<v Speaker 1>talk about nipples and noodles and ship this in my mine.

1:33:16.120 --> 1:33:18.120
<v Speaker 1>You know what I'm saying. Because I'm a horror fan,

1:33:18.280 --> 1:33:21.640
<v Speaker 1>you know, but I've never looked at myself in that

1:33:22.080 --> 1:33:26.920
<v Speaker 1>horror genre like Grave Diggers or when it when WU

1:33:27.000 --> 1:33:30.000
<v Speaker 1>Tang them did it Netcrow? I don't really know if

1:33:30.040 --> 1:33:31.320
<v Speaker 1>Neckro did that all really know?

1:33:31.760 --> 1:33:34.519
<v Speaker 2>But no, yeah, but Grave Diggers with Prince Paul and Rizza, Yeah.

1:33:34.360 --> 1:33:36.240
<v Speaker 1>Yeah, yeah, yeah, yeah, yeah. You know what I'm saying,

1:33:36.680 --> 1:33:39.720
<v Speaker 1>flatliners and all the mothers I've never done. I never

1:33:40.520 --> 1:33:41.599
<v Speaker 1>aspire to be that.

1:33:41.880 --> 1:33:43.720
<v Speaker 2>Yeah. I feel like KOD was like, if you're in

1:33:43.760 --> 1:33:45.280
<v Speaker 2>a dark place because of what you're going through with

1:33:45.800 --> 1:33:48.240
<v Speaker 2>your with your mind, like you're going to create a

1:33:48.360 --> 1:33:48.760
<v Speaker 2>dark So.

1:33:49.120 --> 1:33:52.599
<v Speaker 1>With the face paint and the Bishops Robe. They thought

1:33:52.800 --> 1:33:54.519
<v Speaker 1>horror core, you know what I'm saying, And that's what

1:33:54.600 --> 1:33:55.160
<v Speaker 1>people were like.

1:33:55.360 --> 1:33:58.240
<v Speaker 2>I'm just curious, Like you're such a visionary, like at

1:33:58.240 --> 1:34:00.599
<v Speaker 2>a certain point in time, like I can see you

1:34:00.640 --> 1:34:03.560
<v Speaker 2>like executive, Like I don't know if it's directing or

1:34:03.600 --> 1:34:07.000
<v Speaker 2>executive producing horror movies or or just getting into like

1:34:07.360 --> 1:34:09.160
<v Speaker 2>flashing out some of these ideas you have.

1:34:09.600 --> 1:34:14.640
<v Speaker 1>I got with Joseph Bashara. He's the composer for you know,

1:34:14.760 --> 1:34:21.000
<v Speaker 1>the music for the Conjuring, for Annabelle, for Insidious, he's

1:34:21.040 --> 1:34:25.720
<v Speaker 1>the Red Devil and Insidious. Joseph We've worked a couple

1:34:25.760 --> 1:34:29.719
<v Speaker 1>of times on music and I, you know, would Rob Pryor.

1:34:30.320 --> 1:34:32.760
<v Speaker 1>I've built with him, you know, on images coming out

1:34:32.800 --> 1:34:34.960
<v Speaker 1>of my head. You know, he's a comic book artist,

1:34:35.000 --> 1:34:37.479
<v Speaker 1>you know what I'm saying, one of the best. I've

1:34:37.479 --> 1:34:39.360
<v Speaker 1>talked to him about getting stuff out of my head,

1:34:39.360 --> 1:34:43.280
<v Speaker 1>and he's drawn things are creatures that come out of

1:34:43.280 --> 1:34:44.560
<v Speaker 1>my head, and we got it in our books and

1:34:44.560 --> 1:34:47.560
<v Speaker 1>stuff like that. But I haven't done it on a

1:34:47.680 --> 1:34:52.360
<v Speaker 1>level to where I took time to stop touring with

1:34:52.439 --> 1:34:56.240
<v Speaker 1>Tech nine and writing albums commitment. That's a big commitment

1:34:56.720 --> 1:34:59.240
<v Speaker 1>to do movies. You know what I mean. You know,

1:35:00.800 --> 1:35:02.760
<v Speaker 1>acting feels weird to me. I've done a few. I've

1:35:02.760 --> 1:35:04.880
<v Speaker 1>done The Devil's Carnival with Darren Bousman, you know what

1:35:04.920 --> 1:35:08.400
<v Speaker 1>I'm saying. And I've done one back in the day

1:35:08.439 --> 1:35:15.720
<v Speaker 1>with Denny Treyo called Vengeance. You know. I've done the

1:35:15.760 --> 1:35:19.600
<v Speaker 1>Life of Lucky Cucumber with the Jackass Dudes. You know

1:35:19.640 --> 1:35:23.280
<v Speaker 1>what I'm saying. But every time I've done it, people

1:35:23.280 --> 1:35:25.920
<v Speaker 1>say I do it well, but I feel weird. I

1:35:25.920 --> 1:35:29.639
<v Speaker 1>feel weird trying to be somebody else, and I feel

1:35:29.680 --> 1:35:30.960
<v Speaker 1>comfortable doing music though.

1:35:31.920 --> 1:35:32.680
<v Speaker 2>Yeah.

1:35:32.760 --> 1:35:36.559
<v Speaker 1>So directing out of the comfort zone. No, no, No, directing

1:35:36.600 --> 1:35:37.519
<v Speaker 1>is good, but acting, no.

1:35:37.720 --> 1:35:39.040
<v Speaker 2>You know what I'm saying, I would say, yeah, I

1:35:39.080 --> 1:35:42.360
<v Speaker 2>mean I think like, I just feel like, if you

1:35:42.400 --> 1:35:45.479
<v Speaker 2>know you have the you have it in you to

1:35:45.520 --> 1:35:46.800
<v Speaker 2>do it. Yes, I do, Yes, I do.

1:35:46.880 --> 1:35:53.160
<v Speaker 1>I just I just wrote seventeen episodes for my audio

1:35:53.240 --> 1:35:56.400
<v Speaker 1>series fifty sixteen four US, so it's going in that direction.

1:35:56.600 --> 1:35:59.000
<v Speaker 2>I love it. Yeah, man, did you ever really let

1:35:59.000 --> 1:36:01.200
<v Speaker 2>a stripper burn you on the arm with a cigarette?

1:36:01.240 --> 1:36:03.639
<v Speaker 2>Look at it? That's okay, Look at that, man.

1:36:03.560 --> 1:36:06.720
<v Speaker 1>That's that's a cigarette. Ten times in a row. If

1:36:06.760 --> 1:36:11.200
<v Speaker 1>you see me, do uh am? I psycho on stage?

1:36:11.960 --> 1:36:14.360
<v Speaker 1>On stage, I'm holding my mic and I'm pointing at it.

1:36:14.600 --> 1:36:16.080
<v Speaker 1>Why do I let the stripper burn me on my

1:36:16.160 --> 1:36:18.040
<v Speaker 1>arm with a cigarette and the saint about ten times

1:36:18.040 --> 1:36:19.519
<v Speaker 1>on the road. And I feel that when I feel

1:36:19.560 --> 1:36:23.040
<v Speaker 1>that burner, palm could arrest I'm gonna yeah, yeah, it's

1:36:23.080 --> 1:36:26.679
<v Speaker 1>right there. That was in my high day that night.

1:36:26.800 --> 1:36:29.720
<v Speaker 1>Like it's like a couple It happened a couple of

1:36:29.720 --> 1:36:34.160
<v Speaker 1>times right there. Happened a couple of times. Then the

1:36:34.280 --> 1:36:37.200
<v Speaker 1>room I realized it was damaging my beautiful skin. Yeah,

1:36:37.560 --> 1:36:41.120
<v Speaker 1>no ship and I'm like, I can't. I gotta stop this. Yeah,

1:36:41.439 --> 1:36:44.400
<v Speaker 1>you know, I was on big XD back then, big shrooms,

1:36:44.760 --> 1:36:48.320
<v Speaker 1>big g hb out of all. You know what I'm

1:36:48.320 --> 1:36:50.040
<v Speaker 1>saying all the one time, you know what I'm saying,

1:36:50.360 --> 1:36:53.240
<v Speaker 1>liquor everything all at once. I'm still here. That's crazy.

1:36:53.240 --> 1:36:53.760
<v Speaker 1>I'm still here.

1:36:53.840 --> 1:36:57.639
<v Speaker 2>Thank god. You you weren't You weren't on those runs

1:36:57.920 --> 1:36:59.280
<v Speaker 2>when Fetanah was so prevalent.

1:36:59.320 --> 1:37:00.760
<v Speaker 1>Oh no, no, I never. I never putting none.

1:37:01.400 --> 1:37:02.920
<v Speaker 2>I know back then. Though, you know what I'm saying,

1:37:02.960 --> 1:37:05.480
<v Speaker 2>Ecstasy now is pressing pressed with fantom.

1:37:05.240 --> 1:37:07.200
<v Speaker 1>Yea, yeah, yeah, everything, you know what I mean, crazy,

1:37:07.560 --> 1:37:08.080
<v Speaker 1>you gotta be.

1:37:08.040 --> 1:37:10.519
<v Speaker 2>Just be super super careful these days. If you're partying, Damn,

1:37:10.520 --> 1:37:11.720
<v Speaker 2>you can only eat rooms and smoke.

1:37:11.880 --> 1:37:13.360
<v Speaker 1>You see that, you see you see you see that,

1:37:13.400 --> 1:37:15.240
<v Speaker 1>you see that. That's That's when I was being a

1:37:15.280 --> 1:37:18.400
<v Speaker 1>fucking weirdo and fire against my skin in my mind

1:37:18.479 --> 1:37:22.759
<v Speaker 1>felt great, right, but my skin, my skin, my skin

1:37:22.840 --> 1:37:25.240
<v Speaker 1>would be pink and bleeding. You know what I'm saying.

1:37:25.720 --> 1:37:27.880
<v Speaker 2>The night for sure, you know what I'm saying.

1:37:28.200 --> 1:37:31.320
<v Speaker 1>She got she's smoking, sitting next to me. She's right here,

1:37:31.640 --> 1:37:33.960
<v Speaker 1>I got my handles. Man, I'm like hit me with

1:37:34.040 --> 1:37:39.479
<v Speaker 1>it every time, and she's like, you know all remembers,

1:37:39.640 --> 1:37:42.920
<v Speaker 1>like you're fucking freaky, Like shut up, just keep burning me.

1:37:43.000 --> 1:37:46.880
<v Speaker 2>What's next for a Strange? Strange music obviously is a powerhouse.

1:37:46.920 --> 1:37:50.120
<v Speaker 2>I mean, I know, you know you guys can kind

1:37:50.120 --> 1:37:53.040
<v Speaker 2>of switch to like more of a distro model recently.

1:37:53.200 --> 1:37:54.400
<v Speaker 1>Yeah, yeah, it goes up.

1:37:55.120 --> 1:37:57.000
<v Speaker 2>What is what is next for for Strange Man?

1:37:58.080 --> 1:38:01.240
<v Speaker 1>Next for Strange just fifty eight sixteen? Next for Strangers,

1:38:01.280 --> 1:38:03.719
<v Speaker 1>ISO's new album X Rated. You know what I'm saying,

1:38:03.840 --> 1:38:07.759
<v Speaker 1>Hush Joey cool j Jerry Robinson. You know what I'm saying.

1:38:09.400 --> 1:38:11.679
<v Speaker 1>We're not slowing down, bro, Bro, you know what I'm saying.

1:38:11.680 --> 1:38:17.599
<v Speaker 1>They I'm getting I'm getting way more polished with my writing.

1:38:20.720 --> 1:38:28.160
<v Speaker 1>I'm getting better with my songs period. And we're all elite.

1:38:29.960 --> 1:38:31.920
<v Speaker 1>When I say we all, I mean all my artist

1:38:32.439 --> 1:38:35.519
<v Speaker 1>and myself. I didn't eat no breakfast today, man.

1:38:36.160 --> 1:38:38.000
<v Speaker 2>Makes two of us. I'm off a fucking energy.

1:38:38.040 --> 1:38:40.600
<v Speaker 1>But this was the first thing I had to do.

1:38:41.400 --> 1:38:43.040
<v Speaker 1>They don't even have no fucking water in my room

1:38:43.080 --> 1:38:45.360
<v Speaker 1>when I was in Australia. Man, Yet they have water.

1:38:45.600 --> 1:38:47.799
<v Speaker 1>You can go in the mini bar and get two waters.

1:38:47.800 --> 1:38:51.720
<v Speaker 1>And I ain't got shit in this but anyway, they

1:38:51.800 --> 1:38:55.880
<v Speaker 1>just want nigga die. But anyway, it's next for strange. Man,

1:38:55.920 --> 1:39:00.559
<v Speaker 1>it's we're doing bigger tours. Man, We're doing better music.

1:39:02.800 --> 1:39:04.960
<v Speaker 1>No sign of slowing down, man, You know what I'm saying.

1:39:05.280 --> 1:39:10.200
<v Speaker 2>Was there ever any truth I had heard and you

1:39:10.240 --> 1:39:11.960
<v Speaker 2>tell me this is true or not that you guys

1:39:12.360 --> 1:39:16.120
<v Speaker 2>had talked about maybe signing Bone Thugs and Harmony at

1:39:16.120 --> 1:39:19.160
<v Speaker 2>a certain point in time. Was that ever sniffed around about? Like,

1:39:19.280 --> 1:39:21.080
<v Speaker 2>was that ever anything that almost happened?

1:39:21.680 --> 1:39:25.160
<v Speaker 1>I don't remember this. I don't remember this. I know

1:39:25.200 --> 1:39:28.479
<v Speaker 1>we're on tour with them and O three and we've

1:39:28.520 --> 1:39:33.920
<v Speaker 1>done you know, shows together lately, but uh, I don't

1:39:33.960 --> 1:39:34.920
<v Speaker 1>think they ever needed it.

1:39:35.720 --> 1:39:36.599
<v Speaker 2>I mean, that's that's fair.

1:39:36.640 --> 1:39:37.840
<v Speaker 1>I don't think they ever needed it.

1:39:37.960 --> 1:39:43.519
<v Speaker 2>What was there ever, anybody who you guys were talking

1:39:43.600 --> 1:39:45.800
<v Speaker 2>to who I mean, obviously, I feel like jelly Roll

1:39:45.880 --> 1:39:48.200
<v Speaker 2>is a big example of somebody who kind of came

1:39:48.240 --> 1:39:50.080
<v Speaker 2>on board with the distro side early on when you

1:39:50.080 --> 1:39:52.479
<v Speaker 2>guys started the distro thing and it turned into you

1:39:52.520 --> 1:39:57.519
<v Speaker 2>know what we see now? Yeah, yeah, shout out to yeah, yeah,

1:39:57.560 --> 1:39:58.080
<v Speaker 2>for sure.

1:39:57.920 --> 1:39:59.719
<v Speaker 1>For sure, for sure, fucking Grammys and shit?

1:40:00.960 --> 1:40:04.439
<v Speaker 2>Was there ever any artists who almost did a strange

1:40:04.479 --> 1:40:08.040
<v Speaker 2>deal who just for whatever reason just never hop.

1:40:08.720 --> 1:40:13.320
<v Speaker 1>Hopson pre funk volume Yes, Wow, Hopson and Dame came

1:40:13.360 --> 1:40:14.160
<v Speaker 1>into the office.

1:40:14.880 --> 1:40:15.880
<v Speaker 2>Wow. What I'm saying.

1:40:16.760 --> 1:40:18.479
<v Speaker 1>Travels was trying to get me to listen to Snow

1:40:18.479 --> 1:40:22.320
<v Speaker 1>the product for two years before I did, Please, man,

1:40:22.360 --> 1:40:23.559
<v Speaker 1>listen to this. I never did.

1:40:24.479 --> 1:40:30.000
<v Speaker 2>And look Grammy nominated, Latin Grammy nominated. She's She's on Yeah, Yeah, Yeah,

1:40:30.040 --> 1:40:31.400
<v Speaker 2>that's one of my favorite songs on the album.

1:40:31.479 --> 1:40:33.280
<v Speaker 1>She's On a Cosm. You know what I'm saying the

1:40:33.360 --> 1:40:37.840
<v Speaker 1>later is she on I'm trying to think a lot

1:40:37.840 --> 1:40:39.599
<v Speaker 1>of ship. She's on a lot of shit with you. Yes,

1:40:39.920 --> 1:40:42.479
<v Speaker 1>she on one with me and Russ. That's my favorite

1:40:42.520 --> 1:40:44.320
<v Speaker 1>right on the album. Yeah, man, you know what I'm saying.

1:40:44.360 --> 1:40:46.320
<v Speaker 1>I think we could have had Snow. You know what

1:40:46.320 --> 1:40:48.200
<v Speaker 1>I'm saying. I don't know why. I don't know what

1:40:48.240 --> 1:40:49.679
<v Speaker 1>I was doing in my life that I never listened

1:40:50.280 --> 1:40:54.840
<v Speaker 1>and and that's why we've been We've been connected since

1:40:54.920 --> 1:40:57.040
<v Speaker 1>way back in the day, right, I mean Snow, man.

1:40:57.520 --> 1:41:01.519
<v Speaker 1>I think she's an elite lyricist, but she's a songwriter, man,

1:41:01.600 --> 1:41:02.479
<v Speaker 1>And she's diverse.

1:41:02.920 --> 1:41:05.680
<v Speaker 2>Yes, she is man like, she could do anything that.

1:41:05.840 --> 1:41:08.400
<v Speaker 2>She's crazy and she's so like, she's like she could

1:41:08.720 --> 1:41:09.920
<v Speaker 2>hold her fucking own.

1:41:10.000 --> 1:41:10.639
<v Speaker 1>It's like a mother.

1:41:10.720 --> 1:41:10.920
<v Speaker 2>Fight.

1:41:11.720 --> 1:41:13.439
<v Speaker 1>Always put her at the end of our wrap and everybody.

1:41:13.479 --> 1:41:15.160
<v Speaker 1>That's why I always put her at the end of

1:41:15.200 --> 1:41:18.200
<v Speaker 1>the song crazy. On my last song, I got Kevin

1:41:18.240 --> 1:41:22.320
<v Speaker 1>Gates on it. It's called ZOD It's me Joey Cool,

1:41:22.520 --> 1:41:25.000
<v Speaker 1>Kevin Gates and Snow. At the end, he says, she said,

1:41:25.240 --> 1:41:26.960
<v Speaker 1>not take put me on the last verse again.

1:41:27.120 --> 1:41:27.720
<v Speaker 2>You know what I'm saying.

1:41:27.800 --> 1:41:31.479
<v Speaker 1>She start off like that you know what she's worthy

1:41:31.479 --> 1:41:32.000
<v Speaker 1>of that ship?

1:41:32.160 --> 1:41:32.760
<v Speaker 2>Did did you?

1:41:32.760 --> 1:41:33.200
<v Speaker 1>Guys? Ever?

1:41:33.600 --> 1:41:36.479
<v Speaker 2>You know who I when Funk Volume broke up, somebody

1:41:36.479 --> 1:41:37.920
<v Speaker 2>who's a close friend of mine, who I think toward

1:41:37.960 --> 1:41:40.280
<v Speaker 2>with you guys too. Jared Benton's like my brother. I

1:41:40.320 --> 1:41:43.120
<v Speaker 2>love that. I felt like it would have been perfect,

1:41:43.160 --> 1:41:45.519
<v Speaker 2>like a perfect marriage because Jared Benton is is also

1:41:45.640 --> 1:41:48.519
<v Speaker 2>like very like he's a crazy bastard.

1:41:48.680 --> 1:41:53.080
<v Speaker 1>Well he is. But when when Hop and Dame broke,

1:41:53.240 --> 1:41:57.960
<v Speaker 1>I didn't want everybody to come to Strange. That would

1:41:58.000 --> 1:42:01.360
<v Speaker 1>have been ship like that. A lot of people when

1:42:01.360 --> 1:42:04.679
<v Speaker 1>the when the split happened with a Brainstick and Iso,

1:42:05.080 --> 1:42:09.160
<v Speaker 1>they's like, but you said you wouldn't sign them niggas

1:42:09.200 --> 1:42:11.760
<v Speaker 1>from Funk Volume, but you signed Iso. I was like,

1:42:12.479 --> 1:42:15.200
<v Speaker 1>Iso was a different thing than me because they fell

1:42:15.240 --> 1:42:20.200
<v Speaker 1>out because of me, because I did bad juju with Iso,

1:42:20.720 --> 1:42:22.680
<v Speaker 1>and then the bad blood started after that, you know

1:42:22.720 --> 1:42:26.360
<v Speaker 1>what I'm saying. So I felt like I owed Io

1:42:27.439 --> 1:42:29.800
<v Speaker 1>what he wanted from Strange, you know what I'm saying.

1:42:29.840 --> 1:42:31.360
<v Speaker 1>So he wanted to tour with us. I got a

1:42:31.479 --> 1:42:34.040
<v Speaker 1>net and I was always talking to twisting and saying

1:42:34.040 --> 1:42:35.600
<v Speaker 1>in between that, Like you know what I'm saying. We

1:42:35.640 --> 1:42:37.960
<v Speaker 1>have texted. He's like, that was the kick in the

1:42:38.080 --> 1:42:40.200
<v Speaker 1>that was the kick in the gut. I'm like, no, man,

1:42:40.200 --> 1:42:41.519
<v Speaker 1>don't look at it like that. Man, I'm just trying

1:42:41.520 --> 1:42:43.160
<v Speaker 1>to help young brother. You know what I'm saying. This,

1:42:43.160 --> 1:42:47.800
<v Speaker 1>that and the other and but the funk volume thing.

1:42:47.960 --> 1:42:51.559
<v Speaker 1>I just didn't want that, you know, would hop to

1:42:51.640 --> 1:42:53.639
<v Speaker 1>be like, damn, man' just gonna take all my artists.

1:42:54.800 --> 1:42:57.320
<v Speaker 2>That makes sense. That makes sense, Worldwide Choppers, would you

1:42:57.360 --> 1:42:58.720
<v Speaker 2>do another one?

1:43:00.080 --> 1:43:03.280
<v Speaker 1>It another one? It's called speed Him with eminem Now.

1:43:03.439 --> 1:43:05.000
<v Speaker 2>I mean another one. I know that speed Him is

1:43:05.000 --> 1:43:06.920
<v Speaker 2>like I keep in mind.

1:43:07.360 --> 1:43:10.640
<v Speaker 1>I had people slated for speed Him. You know, I'm like,

1:43:11.439 --> 1:43:14.800
<v Speaker 1>I had Daddy Yankee. Really, you know what I'm saying.

1:43:14.800 --> 1:43:16.719
<v Speaker 1>I was, I was in contact, you know what I'm saying.

1:43:17.040 --> 1:43:20.839
<v Speaker 1>I wanted Nicki Minaj. I wanted Kool Egga from Germany.

1:43:21.880 --> 1:43:22.880
<v Speaker 1>I wanted.

1:43:24.680 --> 1:43:26.639
<v Speaker 2>I'm gonna tell you this, I'm sad that we never

1:43:26.680 --> 1:43:30.320
<v Speaker 2>got rits on a worldwide Choppers. Don't worry, but listen.

1:43:30.920 --> 1:43:36.240
<v Speaker 1>I wanted Gabby gabb female artists from Atlanta. She had

1:43:36.240 --> 1:43:39.320
<v Speaker 1>already sent her verse in for Speed Him. I had

1:43:39.360 --> 1:43:41.720
<v Speaker 1>all these people. I had more people slated. You know

1:43:41.720 --> 1:43:42.080
<v Speaker 1>what I'm saying.

1:43:42.080 --> 1:43:44.240
<v Speaker 2>I just can't remember what's Eminem calls though. It's like,

1:43:44.280 --> 1:43:44.960
<v Speaker 2>hey guys, this is something.

1:43:45.800 --> 1:43:48.559
<v Speaker 1>This is Travis saying, Man, you cannot put all those

1:43:48.600 --> 1:43:51.120
<v Speaker 1>people that people don't you know on the song with

1:43:51.200 --> 1:43:53.920
<v Speaker 1>Eminem and you you know, he just wanted to be

1:43:53.920 --> 1:43:55.640
<v Speaker 1>me and Eminem. But Chris Calico said, I got to

1:43:55.640 --> 1:43:57.840
<v Speaker 1>get some of that, bro. I had to give it

1:43:57.840 --> 1:44:00.040
<v Speaker 1>to Chris Calico. I never listened to his verse. I

1:44:00.040 --> 1:44:03.479
<v Speaker 1>didn't want to be influenced. And after I did my verse,

1:44:03.520 --> 1:44:06.000
<v Speaker 1>I did my intro. You know what I'm saying, because

1:44:06.000 --> 1:44:08.599
<v Speaker 1>I knew once I sent it an m it's so dope,

1:44:08.640 --> 1:44:10.360
<v Speaker 1>he's gonna do it. So I'm talking about him in

1:44:10.400 --> 1:44:13.240
<v Speaker 1>the first little eight bars. I guess not because he'd

1:44:13.240 --> 1:44:14.760
<v Speaker 1>be the guest spot. You know what I'm saying. I knew,

1:44:15.200 --> 1:44:18.840
<v Speaker 1>you know what I'm saying. So I did my verse

1:44:18.880 --> 1:44:20.439
<v Speaker 1>and I did my last verse with all the el's,

1:44:20.439 --> 1:44:22.040
<v Speaker 1>I'm theory of the final fight. I figuring on fight

1:44:22.680 --> 1:44:27.040
<v Speaker 1>audit and send it to him. Travis's like, man, we

1:44:27.080 --> 1:44:29.160
<v Speaker 1>got to cut all the other people out, man, So

1:44:29.280 --> 1:44:33.120
<v Speaker 1>when we dropped it, it was speed them worldwide choppers too,

1:44:33.920 --> 1:44:36.920
<v Speaker 1>So the fans are like, this is not Worldwide Choppers.

1:44:37.160 --> 1:44:38.280
<v Speaker 1>You know what I'm saying, I'm not.

1:44:38.200 --> 1:44:39.280
<v Speaker 2>The spirit of the first one.

1:44:39.680 --> 1:44:42.240
<v Speaker 1>They was upset, but they had to give it up though.

1:44:42.640 --> 1:44:45.160
<v Speaker 1>I had to like have a rebuttle, like we're the

1:44:45.200 --> 1:44:48.040
<v Speaker 1>dopest rappers worldwide, so so.

1:44:48.520 --> 1:44:50.240
<v Speaker 2>You know in the world.

1:44:50.479 --> 1:44:53.760
<v Speaker 1>Yeah, yeah, yeah, you know it was bullshit. Yeah. So

1:44:56.520 --> 1:44:59.439
<v Speaker 1>like in the last three years, Like three years ago,

1:45:00.880 --> 1:45:04.720
<v Speaker 1>David Banner was sending me beats and he sent me

1:45:04.800 --> 1:45:12.000
<v Speaker 1>this Annie Lynox beat man, this dun d D. I said.

1:45:12.920 --> 1:45:15.120
<v Speaker 1>I was like, oh my god, I found a new

1:45:15.120 --> 1:45:18.240
<v Speaker 1>world wide Choppers. But it was something. It was another

1:45:18.479 --> 1:45:21.320
<v Speaker 1>ship that was in the beat that we couldn't get

1:45:21.400 --> 1:45:23.439
<v Speaker 1>clarity on the clearances, you know what I'm saying. So

1:45:23.560 --> 1:45:25.200
<v Speaker 1>I never got to do it. And I'm like, now

1:45:25.240 --> 1:45:27.880
<v Speaker 1>I could bring NICKI Minaj back, I can finally get

1:45:27.960 --> 1:45:30.400
<v Speaker 1>Daddy Yankee, and I can finally get j I D

1:45:30.400 --> 1:45:31.720
<v Speaker 1>And I can finally get you know what I'm saying,

1:45:31.720 --> 1:45:33.200
<v Speaker 1>whoever want to go. You know what I'm saying, whoever

1:45:33.240 --> 1:45:36.840
<v Speaker 1>want to go? You know, I can get Foster from Nigeria.

1:45:37.080 --> 1:45:38.880
<v Speaker 1>You know what I'm saying. All these choppers all over

1:45:38.880 --> 1:45:41.560
<v Speaker 1>the world, man, you know what I'm saying, Fucking hurricane

1:45:41.600 --> 1:45:42.840
<v Speaker 1>finally from Kansas City.

1:45:42.920 --> 1:45:43.599
<v Speaker 2>You know what I'm saying.

1:45:44.800 --> 1:45:49.400
<v Speaker 1>Just suss Mace, you know, from Topeka, just all these people.

1:45:49.479 --> 1:45:51.920
<v Speaker 1>You know what I'm saying, King Ioul haven't been on

1:45:51.920 --> 1:45:54.479
<v Speaker 1>one yet. You know what I'm saying. And who would

1:45:54.520 --> 1:45:56.560
<v Speaker 1>you say, rits haven't been on one? You know what

1:45:56.560 --> 1:46:00.200
<v Speaker 1>I'm saying, Just do one? You know. So as it

1:46:00.240 --> 1:46:05.080
<v Speaker 1>stands now, if a beat is worthy, because I said,

1:46:05.120 --> 1:46:07.800
<v Speaker 1>it's on the table, because I said, I said, me

1:46:07.880 --> 1:46:09.800
<v Speaker 1>and my nigga twist the ruler and this it at

1:46:09.800 --> 1:46:13.080
<v Speaker 1>the end of speed on. Because everybody who's done it

1:46:13.080 --> 1:46:16.720
<v Speaker 1>thus far from Eminem to everybody, from k Deane to

1:46:17.160 --> 1:46:20.479
<v Speaker 1>Crazy Bone to who de lo can dilemma, all the

1:46:20.520 --> 1:46:23.000
<v Speaker 1>people Chris Calico, all of them in are in my

1:46:23.400 --> 1:46:25.400
<v Speaker 1>circle of choppers. So I said, if you ain't in

1:46:25.439 --> 1:46:27.000
<v Speaker 1>my circle of choppers, you missed it. Because me and

1:46:27.040 --> 1:46:28.720
<v Speaker 1>my doing nigga twist the ruler and this is it.

1:46:28.960 --> 1:46:32.759
<v Speaker 1>This is it. You know what I'm saying. And uh

1:46:32.880 --> 1:46:36.479
<v Speaker 1>I said that. But now I'm thinking, if I find

1:46:36.479 --> 1:46:39.200
<v Speaker 1>the right beat, nigga, We're gonna go again. We're gonna

1:46:39.200 --> 1:46:42.080
<v Speaker 1>go again. World wid Choppers three. Fuck that, you know

1:46:42.080 --> 1:46:45.320
<v Speaker 1>what I'm saying, because I'm getting more crispy, and you know,

1:46:45.439 --> 1:46:48.559
<v Speaker 1>I'm tired of racing motherfuckers, but I'm down to race still.

1:46:48.600 --> 1:46:50.840
<v Speaker 1>I'm just tired of racing, motherfucker. Everybody to send me

1:46:50.840 --> 1:46:53.280
<v Speaker 1>a track, want me to race. I'm so tired of racing.

1:46:53.880 --> 1:46:57.840
<v Speaker 2>It's almost like when they think, oh this is we

1:46:57.880 --> 1:46:59.080
<v Speaker 2>need to put Tech nine on this one.

1:47:00.080 --> 1:47:04.960
<v Speaker 1>Hurt me on the fucking n F track. Trust yeah, everybody,

1:47:04.960 --> 1:47:07.040
<v Speaker 1>no nomber death bring up. I'm just going, man, you

1:47:07.080 --> 1:47:08.720
<v Speaker 1>know what I'm saying. Everybody want to race? You know

1:47:08.760 --> 1:47:10.800
<v Speaker 1>what I'm saying. The one with me and Chris Webby,

1:47:10.840 --> 1:47:11.760
<v Speaker 1>we just did feel like it.

1:47:11.840 --> 1:47:14.160
<v Speaker 2>I feel like Mexican OT could chop two pretty crazy.

1:47:14.200 --> 1:47:16.640
<v Speaker 1>Mexican Ot is another one. Mexican O two is another one.

1:47:16.960 --> 1:47:21.560
<v Speaker 2>Mexican Yeah, I met him.

1:47:22.040 --> 1:47:25.000
<v Speaker 1>MEXICANOT is indeed a chopper is one that I would

1:47:25.000 --> 1:47:25.639
<v Speaker 1>call for sure.

1:47:25.840 --> 1:47:27.200
<v Speaker 2>Yeah, yeah, you know what I'm saying.

1:47:27.240 --> 1:47:29.040
<v Speaker 1>So if the beat steps up, the beat has to

1:47:29.080 --> 1:47:31.400
<v Speaker 1>be massive because all the world wide choppers from Midwest

1:47:31.439 --> 1:47:34.200
<v Speaker 1>Choppers one to Mike West Choppers two to Worldwide Choppers

1:47:34.200 --> 1:47:39.439
<v Speaker 1>to Worldward Choppers two speed them. These beats are massive bullshit.

1:47:39.520 --> 1:47:40.840
<v Speaker 1>That's beat to send motherfuckers.

1:47:40.840 --> 1:47:41.000
<v Speaker 2>Man.

1:47:41.160 --> 1:47:42.960
<v Speaker 1>You know, I really I know NICKI Minaj can do

1:47:43.000 --> 1:47:48.400
<v Speaker 1>that ship. You know what I'm saying. I know that.

1:47:50.600 --> 1:47:53.760
<v Speaker 1>Let me see, I know that. Uh, Denzel Curry can

1:47:53.800 --> 1:47:54.080
<v Speaker 1>do it.

1:47:54.280 --> 1:47:55.120
<v Speaker 2>Logic can do it.

1:47:55.640 --> 1:47:57.600
<v Speaker 1>Yeah, Logic can do it. He had a, he had a,

1:47:57.640 --> 1:47:58.680
<v Speaker 1>he had a he had a chance to do it

1:47:58.680 --> 1:48:02.240
<v Speaker 1>on Rocha. Yeah, he didn't do it after a Joiner though,

1:48:03.080 --> 1:48:05.920
<v Speaker 1>But then they got together afterwards and did one together

1:48:05.960 --> 1:48:09.120
<v Speaker 1>and was hard. Yes sir, yes, yes sir, yes sir,

1:48:09.439 --> 1:48:10.800
<v Speaker 1>but forget he can do it for sure.

1:48:10.960 --> 1:48:12.679
<v Speaker 2>Do you and Chris talk still a lot?

1:48:12.800 --> 1:48:14.840
<v Speaker 1>Or it was my brother beyond music?

1:48:14.920 --> 1:48:15.680
<v Speaker 2>I love Chris Man.

1:48:15.760 --> 1:48:18.000
<v Speaker 1>Yeah, Man, you know what I'm saying. You know all

1:48:18.040 --> 1:48:19.840
<v Speaker 1>the time, you know what I'm saying. I got him

1:48:19.840 --> 1:48:22.400
<v Speaker 1>in my phone under son of Sam because his name

1:48:22.439 --> 1:48:25.880
<v Speaker 1>is Samuel Christopher William Washington or Sammy William Christopher Watson,

1:48:25.880 --> 1:48:27.680
<v Speaker 1>you know what I'm saying. And I called him a

1:48:27.680 --> 1:48:29.560
<v Speaker 1>son of Sam because his dad's name was Sam. You

1:48:29.600 --> 1:48:32.519
<v Speaker 1>know what I'm saying, Chris the best always Son of

1:48:32.520 --> 1:48:33.559
<v Speaker 1>Sam is in my favorites.

1:48:33.680 --> 1:48:34.960
<v Speaker 2>You know what I'm saying, Yeah, that was like when

1:48:35.040 --> 1:48:36.760
<v Speaker 2>when you guys had that moment at Red Rocks. It

1:48:36.840 --> 1:48:38.679
<v Speaker 2>felt good just because I know both of y'all.

1:48:38.880 --> 1:48:42.160
<v Speaker 1>And then he just came out and surprised everybody and

1:48:42.200 --> 1:48:49.160
<v Speaker 1>did Anxiety with the Casey Orchestra with me Casey Symphony.

1:48:49.800 --> 1:48:52.280
<v Speaker 1>He came out at the end and they fucking blew

1:48:52.400 --> 1:48:55.200
<v Speaker 1>the fucking place up. And I like doing shit like

1:48:55.240 --> 1:48:58.439
<v Speaker 1>that because people think that when people leave it's bad blood.

1:48:59.240 --> 1:49:01.760
<v Speaker 1>But Cosm, you know that it's no bad blood. You

1:49:01.760 --> 1:49:03.479
<v Speaker 1>know what I'm saying, Not at all. It's just people

1:49:03.840 --> 1:49:07.679
<v Speaker 1>going on their own to leave something for their children. Yep,

1:49:07.720 --> 1:49:09.040
<v Speaker 1>you know what I'm saying. Because me and Trave already

1:49:09.040 --> 1:49:11.960
<v Speaker 1>got strange music for our children and our families, you

1:49:11.960 --> 1:49:14.160
<v Speaker 1>know what I'm saying. So motherfuckers want to go on

1:49:14.160 --> 1:49:16.599
<v Speaker 1>their own to start something on their own, like may Day.

1:49:16.680 --> 1:49:18.040
<v Speaker 2>You know what I'm saying today?

1:49:18.080 --> 1:49:20.200
<v Speaker 1>Yeah, yeah, man, you know what I mean. And they're

1:49:20.240 --> 1:49:24.280
<v Speaker 1>still on. It goes up all day, all day, So

1:49:24.479 --> 1:49:26.479
<v Speaker 1>no bad blood at all. Scatter managed snowb brim all

1:49:26.479 --> 1:49:28.920
<v Speaker 1>that ship, man, you know what I'm saying. I don't

1:49:28.920 --> 1:49:33.560
<v Speaker 1>know if Travis and Cuddle ever rekindle.

1:49:32.640 --> 1:49:35.880
<v Speaker 2>Hopefully one day. Yeah, time hotel I've never seen never

1:49:36.479 --> 1:49:39.080
<v Speaker 2>would be nice to see all on stage one more time.

1:49:39.320 --> 1:49:41.680
<v Speaker 1>I think. Cut he's like a minister now, man, I

1:49:41.680 --> 1:49:43.840
<v Speaker 1>don't know if he'll do that.

1:49:43.840 --> 1:49:44.280
<v Speaker 2>That's fair.

1:49:44.439 --> 1:49:46.800
<v Speaker 1>He said, he said he was battling demons and ship

1:49:46.800 --> 1:49:48.200
<v Speaker 1>when he was with me, you know, And.

1:49:49.160 --> 1:49:50.920
<v Speaker 2>I mean he was also with you in probably the

1:49:51.360 --> 1:49:53.839
<v Speaker 2>wildest times. Oh yeah, yeah, oh yeah.

1:49:54.360 --> 1:49:58.320
<v Speaker 1>So if he looks at strange music as he's going

1:49:58.400 --> 1:50:02.120
<v Speaker 1>to have to battle demons war, I don't I don't know.

1:50:02.439 --> 1:50:05.240
<v Speaker 1>I don't expect, I don't suspect that he will even

1:50:05.320 --> 1:50:06.240
<v Speaker 1>think about doing this.

1:50:06.800 --> 1:50:07.040
<v Speaker 2>Yeah.

1:50:07.080 --> 1:50:09.439
<v Speaker 1>I heard he was driving the church van and all

1:50:09.439 --> 1:50:11.680
<v Speaker 1>that kind of shit. So who's to say that he

1:50:11.720 --> 1:50:13.479
<v Speaker 1>would even want to do anything like that.

1:50:13.600 --> 1:50:14.680
<v Speaker 2>You know, that's a fair point, man.

1:50:14.720 --> 1:50:17.840
<v Speaker 1>And make no mistake, there's no demons over here. It's

1:50:17.880 --> 1:50:22.320
<v Speaker 1>only angel baby worldly angel or angel babies. Make no mistake.

1:50:22.720 --> 1:50:27.080
<v Speaker 1>The demons and the angels are within ourselves, you know

1:50:27.160 --> 1:50:29.400
<v Speaker 1>what I'm saying. And we have to we have to

1:50:29.680 --> 1:50:32.000
<v Speaker 1>figure out which ones are we going to give power.

1:50:32.520 --> 1:50:36.200
<v Speaker 2>Can you tell me what's been different about being a

1:50:36.280 --> 1:50:38.040
<v Speaker 2>dad at this point in time of your life than

1:50:38.080 --> 1:50:40.320
<v Speaker 2>being a dad at an earlier stage in your life.

1:50:40.320 --> 1:50:43.880
<v Speaker 1>When I had two children at twenty two. Aliah was

1:50:43.880 --> 1:50:48.880
<v Speaker 1>the first. Dantees was right after I hit the road

1:50:48.920 --> 1:50:51.040
<v Speaker 1>like crazy. That's why I made the rain and O six. Yep,

1:50:51.439 --> 1:50:55.280
<v Speaker 1>it's hurt me that I was missing birthdays and missing

1:50:55.320 --> 1:50:58.080
<v Speaker 1>graduations and all this kind of thing. Now that we

1:50:58.120 --> 1:51:04.040
<v Speaker 1>had Alena doing less shows, bigger shows and less let's dates,

1:51:04.680 --> 1:51:07.200
<v Speaker 1>I'm home more and it made me realize how much

1:51:07.200 --> 1:51:10.240
<v Speaker 1>time I didn't have with my children that are thirty

1:51:10.280 --> 1:51:12.519
<v Speaker 1>now and twenty six and thirty one and all that

1:51:12.600 --> 1:51:18.000
<v Speaker 1>kind of shit. I have more time now at home,

1:51:18.880 --> 1:51:24.280
<v Speaker 1>and it sucks that my kids had to endure my absence.

1:51:24.880 --> 1:51:29.599
<v Speaker 2>But there I'm sure like they also probably appreciate. I mean,

1:51:29.640 --> 1:51:33.320
<v Speaker 2>you say you have sacrifice tattooed on your I mean yeah, you.

1:51:33.240 --> 1:51:37.160
<v Speaker 1>Know, and they we have a brand new relationship. You know.

1:51:37.439 --> 1:51:40.320
<v Speaker 1>For a while, me and my first Aaliyah, she was like,

1:51:40.640 --> 1:51:44.400
<v Speaker 1>not on my team. She was like not pro daddy,

1:51:44.680 --> 1:51:46.320
<v Speaker 1>you know what I'm saying, And for a good reason.

1:51:47.200 --> 1:51:49.880
<v Speaker 1>And lately in the last year she said, Dad, it's like,

1:51:49.960 --> 1:51:51.599
<v Speaker 1>you're all this new person. Now I don't have any

1:51:51.640 --> 1:51:53.240
<v Speaker 1>more insults for you. And I'm like, I'm sure you'll

1:51:53.280 --> 1:51:53.880
<v Speaker 1>find something soon.

1:51:54.960 --> 1:51:55.679
<v Speaker 2>You know what I'm saying.

1:51:56.000 --> 1:51:58.439
<v Speaker 1>Really good, man, really good. We're starting a new chapter

1:51:59.040 --> 1:52:03.760
<v Speaker 1>with Aliyah, Rainbow and Dantees And now Lina's here and

1:52:04.280 --> 1:52:07.519
<v Speaker 1>my wife has Bella Isabella. You know what I'm saying.

1:52:07.800 --> 1:52:11.880
<v Speaker 1>She's she's going on seventeen and we're all a family, man,

1:52:11.920 --> 1:52:16.520
<v Speaker 1>and it's time to start creating new memories.

1:52:16.840 --> 1:52:19.639
<v Speaker 2>I love that. Man. Yeah. Well look Tech, the new

1:52:19.680 --> 1:52:20.320
<v Speaker 2>album is.

1:52:20.240 --> 1:52:24.080
<v Speaker 1>On the way, the sixteenth Forest, This summer new tour

1:52:24.400 --> 1:52:29.680
<v Speaker 1>is coming. Yes, yes, sir, Hollywood and nine tour. I

1:52:29.760 --> 1:52:32.720
<v Speaker 1>might be going back with Ronnie Rocky soon, you know

1:52:32.760 --> 1:52:33.240
<v Speaker 1>what I'm saying.

1:52:33.479 --> 1:52:36.240
<v Speaker 2>And then you got something going on with the World Cup.

1:52:36.680 --> 1:52:39.280
<v Speaker 1>Oh yeah, I did the World Cup Sonic. I d

1:52:39.479 --> 1:52:41.040
<v Speaker 1>for k C. Man, you know what I'm saying. That

1:52:41.160 --> 1:52:46.080
<v Speaker 1>was a flex, you know. And they chose me. They

1:52:46.200 --> 1:52:51.960
<v Speaker 1>called FIFA called me. That's strange. Talked to Travis and said,

1:52:53.120 --> 1:52:56.639
<v Speaker 1>we love Red Kingdom and we love what y'all do.

1:52:57.040 --> 1:52:58.800
<v Speaker 1>We want Tech. They didn't want words. They thought I

1:52:58.800 --> 1:53:02.559
<v Speaker 1>was a producer. Wow, So I'm like, uh, write, I

1:53:02.600 --> 1:53:06.800
<v Speaker 1>write songs. Yeah, That's why I'm the only ID that

1:53:06.920 --> 1:53:09.240
<v Speaker 1>has lyrics, right, you know what I mean, because we

1:53:09.280 --> 1:53:11.679
<v Speaker 1>pushed it, like listen to this, you know what I mean.

1:53:11.800 --> 1:53:14.280
<v Speaker 1>And I fucking did Tech nine on it, you know

1:53:14.280 --> 1:53:15.960
<v Speaker 1>what I mean. And they loved it, and they I

1:53:15.960 --> 1:53:19.439
<v Speaker 1>did five different versions and that fifth one they said, yes,

1:53:20.280 --> 1:53:22.360
<v Speaker 1>that's dope. I had too much in the hook. I guess.

1:53:22.760 --> 1:53:27.080
<v Speaker 2>I feel like you and Travy eventually are gonna own

1:53:27.120 --> 1:53:29.520
<v Speaker 2>the pieces of Royals or the Chiefs or something.

1:53:29.840 --> 1:53:31.519
<v Speaker 1>Everybody say you need to run from Mayor. I'm like,

1:53:31.560 --> 1:53:32.639
<v Speaker 1>I don't know if I want that job.

1:53:32.680 --> 1:53:34.840
<v Speaker 2>No, you just got to either bring an NBA team

1:53:34.840 --> 1:53:37.880
<v Speaker 2>to Kansas City or or or you know, buy a

1:53:37.960 --> 1:53:39.679
<v Speaker 2>chunk of the Royals or something, yeah.

1:53:39.520 --> 1:53:43.160
<v Speaker 1>Man, or build my amusement park strange Land man or

1:53:43.200 --> 1:53:44.639
<v Speaker 1>that yeah yeah, yeah.

1:53:44.680 --> 1:53:45.960
<v Speaker 2>You guys got so much other building.

1:53:45.960 --> 1:53:48.120
<v Speaker 1>I'm building roller coasters in my notebook, man, I've been

1:53:48.120 --> 1:53:49.920
<v Speaker 1>doing it for the last four years. I'm like, but

1:53:49.960 --> 1:53:54.080
<v Speaker 1>it's so it's so intricate, man. And if I saw

1:53:54.160 --> 1:53:56.320
<v Speaker 1>short of the drawing, man, you're laugh like, an this

1:53:56.640 --> 1:54:00.280
<v Speaker 1>is ship I've never seen. And my daughter I was

1:54:00.320 --> 1:54:02.720
<v Speaker 1>going through my pages. It's like the fact that you're

1:54:02.720 --> 1:54:06.120
<v Speaker 1>even trying something like this on paper is crazy. Dad.

1:54:06.200 --> 1:54:09.559
<v Speaker 1>I'm like, I know, I'm to go to sleep. I

1:54:09.640 --> 1:54:13.200
<v Speaker 1>was doing my mantra this roller coaster I see, I'm

1:54:13.200 --> 1:54:16.479
<v Speaker 1>going through the motions of what it does and how

1:54:16.479 --> 1:54:19.880
<v Speaker 1>it goes up and goes down this hole and cone

1:54:19.880 --> 1:54:21.640
<v Speaker 1>at the bottom that you go down and around and

1:54:21.640 --> 1:54:24.800
<v Speaker 1>it's crazy. I'm I'm asleep by the time it goes

1:54:24.840 --> 1:54:26.920
<v Speaker 1>back around. It goes frontwards and then it goes backwards.

1:54:27.080 --> 1:54:29.160
<v Speaker 2>You know, I feel like you guys could do. I

1:54:29.160 --> 1:54:33.400
<v Speaker 2>feel like if you curated a yearly haunted experience. Of course,

1:54:33.560 --> 1:54:35.280
<v Speaker 2>like all you know you go to haunted houses.

1:54:35.520 --> 1:54:39.080
<v Speaker 1>Yeah, of course we went up that could be a Halloween,

1:54:39.120 --> 1:54:41.520
<v Speaker 1>that could be a strange music Halloween. Before last, me

1:54:41.640 --> 1:54:43.280
<v Speaker 1>and my wife and some friends we went down to

1:54:43.360 --> 1:54:44.600
<v Speaker 1>Universal Cities in Orlando.

1:54:44.760 --> 1:54:46.800
<v Speaker 2>Right, you go to the Halloween hornits right.

1:54:46.720 --> 1:54:48.400
<v Speaker 1>And the weekend had a fucking hunter house.

1:54:48.480 --> 1:54:50.280
<v Speaker 2>Dude, he's had a hundred house three or street. That's

1:54:50.280 --> 1:54:51.800
<v Speaker 2>fucking crazy, insane.

1:54:51.480 --> 1:54:53.160
<v Speaker 1>And you can see all these ones where you know,

1:54:53.200 --> 1:54:57.240
<v Speaker 1>you have the boh and all of them are jumping

1:54:57.240 --> 1:55:00.840
<v Speaker 1>out at you. I'm like, I do people are gonna

1:55:00.840 --> 1:55:02.879
<v Speaker 1>be fucking petrified, homie.

1:55:02.920 --> 1:55:04.600
<v Speaker 2>No, but I'm saying like you could do it in

1:55:04.680 --> 1:55:07.080
<v Speaker 2>case of course, Yeah, I think that would be crazy.

1:55:07.080 --> 1:55:08.080
<v Speaker 1>I just need to take time.

1:55:08.560 --> 1:55:10.880
<v Speaker 2>It's about the time still doing music. It's about the time.

1:55:10.960 --> 1:55:11.640
<v Speaker 1>It's about time.

1:55:11.680 --> 1:55:15.120
<v Speaker 2>It's about the time, man. So well listen, brother, I

1:55:15.160 --> 1:55:17.520
<v Speaker 2>appreciate you hanging out. We finally got a pod done.

1:55:17.560 --> 1:55:20.080
<v Speaker 2>I mean we've how long was it two hours or so?

1:55:20.960 --> 1:55:25.080
<v Speaker 2>We've We've done so many interviews over the years. Yeah, yeah, yeah.

1:55:25.120 --> 1:55:27.080
<v Speaker 2>This one was the first time I ever had you

1:55:27.120 --> 1:55:28.960
<v Speaker 2>on my show was in two thousand and nine and

1:55:29.040 --> 1:55:32.560
<v Speaker 2>Boise Idaho you Wouldn't Merge came in freestyled, Yeah, and

1:55:32.600 --> 1:55:35.280
<v Speaker 2>you did. Uh. I forget which verse you did you did?

1:55:35.640 --> 1:55:36.080
<v Speaker 1>I don't know.

1:55:36.200 --> 1:55:37.920
<v Speaker 2>It was one of the verses off Tech Night Collapse,

1:55:38.280 --> 1:55:43.600
<v Speaker 2>probably where you were I forget yeah too. But yeah, man,

1:55:43.600 --> 1:55:45.280
<v Speaker 2>it's been, it's been. It's been dope to just.

1:55:45.240 --> 1:55:47.080
<v Speaker 1>A long time. It's been. It's been good to see

1:55:47.320 --> 1:55:48.600
<v Speaker 1>your ascension.

1:55:48.080 --> 1:55:49.400
<v Speaker 2>Too, brother. I appreciate it.

1:55:49.480 --> 1:55:52.400
<v Speaker 1>Man, You're a fixture and this ship trying, brother, Yeah,

1:55:52.440 --> 1:55:53.040
<v Speaker 1>for sure, damn.

1:55:53.640 --> 1:55:55.400
<v Speaker 2>And I try to do my part to always mention you,

1:55:55.440 --> 1:55:57.120
<v Speaker 2>bro when we talk about every time.

1:55:57.160 --> 1:56:00.000
<v Speaker 1>Every time you do they my fans send it to me. Yeah,

1:56:00.040 --> 1:56:02.560
<v Speaker 1>I appreciate it. Yeah, I appreciate it. There's always some

1:56:02.640 --> 1:56:05.080
<v Speaker 1>connection with all the new the new guys too.

1:56:05.120 --> 1:56:06.880
<v Speaker 2>That's what I always say. I'm like, yo, like I

1:56:07.080 --> 1:56:10.040
<v Speaker 2>like feel like when it comes to like a certain

1:56:10.200 --> 1:56:13.720
<v Speaker 2>like pocket of the underground world that I kind of

1:56:13.760 --> 1:56:17.920
<v Speaker 2>came up pushing, it's like my responsibility to be like Yo,

1:56:18.000 --> 1:56:20.680
<v Speaker 2>Yellow hangout for the Mexicano TA interview we're about to do.

1:56:20.800 --> 1:56:23.000
<v Speaker 2>You were there that night? Oh, like, oh you were there?

1:56:23.080 --> 1:56:29.320
<v Speaker 2>I was fucked. Yeah, you know it's like like, you know, like,

1:56:29.360 --> 1:56:32.960
<v Speaker 2>how how can I try to bring like either artists

1:56:32.960 --> 1:56:36.360
<v Speaker 2>who I feel like would be dope to that world

1:56:36.640 --> 1:56:39.920
<v Speaker 2>or just you know, shine light to like right to

1:56:40.240 --> 1:56:42.520
<v Speaker 2>some of these guys who are you know, I consider

1:56:42.560 --> 1:56:44.560
<v Speaker 2>to be goats? You like yourself? You know, I appreciate it.

1:56:44.560 --> 1:56:44.760
<v Speaker 1>Man.

1:56:45.120 --> 1:56:47.760
<v Speaker 2>Do you feel like you get the recognition and the

1:56:47.800 --> 1:56:49.720
<v Speaker 2>greatest of all time convo? I'm sure you don't give

1:56:49.720 --> 1:56:51.720
<v Speaker 2>a fuck, but I'm not.

1:56:51.960 --> 1:56:55.680
<v Speaker 1>I don't get that recognition because, uh, I don't need

1:56:55.760 --> 1:56:57.200
<v Speaker 1>I don't need it. I don't need I don't need

1:56:59.320 --> 1:57:03.440
<v Speaker 1>I don't need thatccolades from anybody. I just do music

1:57:04.280 --> 1:57:08.280
<v Speaker 1>and if people like it, I love it. You know

1:57:08.320 --> 1:57:16.520
<v Speaker 1>what I'm saying, And I don't need validation from people

1:57:16.640 --> 1:57:18.400
<v Speaker 1>or the culture or anything. You know what I'm saying,

1:57:18.440 --> 1:57:19.400
<v Speaker 1>But I would like it.

1:57:20.440 --> 1:57:22.400
<v Speaker 2>No, I know you would like it. I know, I

1:57:22.440 --> 1:57:23.760
<v Speaker 2>know like it. I mean you like it?

1:57:24.080 --> 1:57:27.240
<v Speaker 1>Yeah, you know what I mean? And uh, I mean fragile.

1:57:27.240 --> 1:57:30.680
<v Speaker 2>One of your biggest records is literally about people critiquing.

1:57:30.280 --> 1:57:32.080
<v Speaker 1>Yes, sir, yes, sir, yes sir. That's why I took

1:57:32.120 --> 1:57:33.960
<v Speaker 1>the time to do that on a song like that,

1:57:34.000 --> 1:57:36.280
<v Speaker 1>and it blew up on the radio. I had no idea,

1:57:36.920 --> 1:57:40.760
<v Speaker 1>But I don't need it, but I'd like it, you

1:57:40.760 --> 1:57:42.440
<v Speaker 1>know what I'm saying, because I put a lot into

1:57:42.880 --> 1:57:44.880
<v Speaker 1>what I write. You know what I mean. I always have.

1:57:45.600 --> 1:57:51.240
<v Speaker 1>And over the years, you hear all the new generation

1:57:51.440 --> 1:57:54.920
<v Speaker 1>talking about Tech nine. That's the validation right there. You

1:57:54.920 --> 1:57:57.760
<v Speaker 1>know what I'm saying. You hear you know, L Russell

1:57:57.840 --> 1:58:00.800
<v Speaker 1>talking about Tech nine. You hear Russtop about Tech nine.

1:58:00.840 --> 1:58:03.320
<v Speaker 1>You hear all these people, Playboy CARDI. You know what

1:58:03.360 --> 1:58:05.720
<v Speaker 1>I'm saying. You hear all these people. I just met

1:58:05.840 --> 1:58:09.080
<v Speaker 1>Offset at the super Bowl and as soon as he

1:58:09.560 --> 1:58:13.240
<v Speaker 1>said Tech nine, he looked, he smiled, and he said, legend, man, Legend,

1:58:13.280 --> 1:58:15.680
<v Speaker 1>you know what I'm saying. It's like, that's validation right there.

1:58:15.760 --> 1:58:18.080
<v Speaker 2>Yeah, it's almost like all that other shit you would like,

1:58:18.320 --> 1:58:22.280
<v Speaker 2>but that is as rewarding to hear from from the peers,

1:58:22.320 --> 1:58:24.640
<v Speaker 2>from your peers and from like a whole new generation

1:58:24.680 --> 1:58:26.000
<v Speaker 2>that aren't necessarily your peers.

1:58:26.480 --> 1:58:28.000
<v Speaker 1>And them to do a song for you, like to speed.

1:58:28.040 --> 1:58:30.840
<v Speaker 2>The man that's val doesn't do a song for anybody, No, man,

1:58:31.000 --> 1:58:33.080
<v Speaker 2>for sure, you damn you gotta signed to him to

1:58:33.080 --> 1:58:33.480
<v Speaker 2>get a burse.

1:58:34.200 --> 1:58:37.240
<v Speaker 1>All that's is validation. You know what I'm saying, Two chains, Bob,

1:58:37.440 --> 1:58:39.560
<v Speaker 1>All that shit is validation. Yeah, you know what I'm saying,

1:58:39.640 --> 1:58:40.879
<v Speaker 1>Kendrick Lamar is validation.

1:58:40.960 --> 1:58:41.400
<v Speaker 2>You know what I'm saying.

1:58:41.400 --> 1:58:44.840
<v Speaker 1>We shooting the video in Kansas City for Fragile. We're

1:58:44.840 --> 1:58:47.840
<v Speaker 1>sitting in this super cold outside, so Travis got his

1:58:48.000 --> 1:58:49.760
<v Speaker 1>RV down there and we're in the RV trying to

1:58:49.800 --> 1:58:52.000
<v Speaker 1>warm up from the top is with him and he's

1:58:52.040 --> 1:58:55.160
<v Speaker 1>like tech Fragile's dope. Man. You know what I'm saying.

1:58:55.360 --> 1:58:57.680
<v Speaker 1>That's Kendrick talking to me, and I'm like, thank you, brother.

1:58:57.880 --> 1:59:01.480
<v Speaker 2>It's been cool to see just topped off evolve as

1:59:01.520 --> 1:59:08.280
<v Speaker 2>this like powerhouse. Right. It's it's it's it's insane. And

1:59:08.280 --> 1:59:10.920
<v Speaker 2>and I I mean, and I'm sure if you asked

1:59:10.960 --> 1:59:14.400
<v Speaker 2>top he took I'm sure a lot of inspiration and

1:59:14.560 --> 1:59:16.320
<v Speaker 2>he learned a lot. I learned a lot from his

1:59:16.400 --> 1:59:19.760
<v Speaker 2>experience with with y'all and putting out that J rock album.

1:59:20.080 --> 1:59:23.440
<v Speaker 1>Man, yes, sir, And what's happening to them? Man? Him

1:59:23.440 --> 1:59:27.960
<v Speaker 1>and Punch and all them is? Uh is astronomical? Man?

1:59:28.120 --> 1:59:28.360
<v Speaker 2>Yeah?

1:59:28.680 --> 1:59:32.800
<v Speaker 1>And Kendrick is beyond the Stars.

1:59:32.560 --> 1:59:36.600
<v Speaker 2>And then it's like removed Kendrick all that all the

1:59:36.640 --> 1:59:41.720
<v Speaker 2>Stars is. I don't know if you heard her album is.

1:59:42.120 --> 1:59:42.960
<v Speaker 1>She Is a Monster?

1:59:43.440 --> 1:59:46.840
<v Speaker 2>Is my favorite album last year?

1:59:46.880 --> 1:59:49.920
<v Speaker 1>And and and and dude, how do they find these motherfuckers?

1:59:50.400 --> 1:59:52.160
<v Speaker 2>She's an alien creatively.

1:59:52.720 --> 2:00:00.400
<v Speaker 3>Man fucking lyrically inclined, conceptualistically incline. It's so c MC

2:00:01.400 --> 2:00:03.320
<v Speaker 3>song stress everything.

2:00:03.400 --> 2:00:03.560
<v Speaker 1>Man.

2:00:03.720 --> 2:00:06.960
<v Speaker 2>Yeah, it's like, damn, like, y'all really got whoever? Like

2:00:07.040 --> 2:00:10.280
<v Speaker 2>you know? Shouts to uh top Son Musa's who I

2:00:10.320 --> 2:00:14.640
<v Speaker 2>believe signed? Uh Dochi? Really yeah, Musa signed do I?

2:00:15.040 --> 2:00:17.800
<v Speaker 2>So it's like, man, good, that's a grab right there

2:00:17.960 --> 2:00:19.960
<v Speaker 2>out of Tampa too. She's out of here, man, she

2:00:20.160 --> 2:00:24.280
<v Speaker 2>is out of here? Yes, yes, yes, yeah, Well listen brother.

2:00:24.320 --> 2:00:27.360
<v Speaker 2>I appreciate you. Uh man, I'm just I'm a fan

2:00:27.480 --> 2:00:30.080
<v Speaker 2>bro first, you know, and obviously her my friend and

2:00:30.080 --> 2:00:33.920
<v Speaker 2>and uh, you know, I feel like a lot of

2:00:34.040 --> 2:00:37.200
<v Speaker 2>a lot of people if you're getting into the music industry,

2:00:37.320 --> 2:00:39.960
<v Speaker 2>like you're watching this and you may be like, man,

2:00:40.160 --> 2:00:41.960
<v Speaker 2>it's the first I heard of tech. Like, hey, man, like,

2:00:41.960 --> 2:00:44.240
<v Speaker 2>if you go take this rap shit series, you got

2:00:44.240 --> 2:00:46.760
<v Speaker 2>to like study what you do.

2:00:46.800 --> 2:00:50.000
<v Speaker 1>Exactly for real. Yeah, it's a blessed position being.

2:00:50.640 --> 2:00:53.720
<v Speaker 2>Yeah, it's like when I think of all this independent ship,

2:00:53.800 --> 2:00:56.920
<v Speaker 2>it's like hot all of a sudden, I'm like, man.

2:00:57.280 --> 2:00:59.360
<v Speaker 1>They but just don't don't think like that, because they

2:00:59.440 --> 2:01:03.480
<v Speaker 1>all to me and say, if it wasn't for you,

2:01:03.560 --> 2:01:06.120
<v Speaker 1>for sure, man, you showed us early on. Man, they

2:01:06.120 --> 2:01:07.840
<v Speaker 1>all say it, they all give they all give it up.

2:01:07.960 --> 2:01:09.760
<v Speaker 2>Yeah, for sure, man, you change I mean, whether I mean,

2:01:09.800 --> 2:01:11.440
<v Speaker 2>I'm sure you know, but you changed the rap game

2:01:11.480 --> 2:01:14.240
<v Speaker 2>for real, whether or not as sonic sonically or but

2:01:14.320 --> 2:01:16.320
<v Speaker 2>the business of rap music has changed because the.

2:01:16.320 --> 2:01:21.640
<v Speaker 1>Strange track record that's untouchable.

2:01:21.640 --> 2:01:23.400
<v Speaker 2>Shout out to Travis two, who's got way too many cars.

2:01:23.440 --> 2:01:25.760
<v Speaker 2>He should let me have one, and uh he's waiting

2:01:25.840 --> 2:01:26.280
<v Speaker 2>those cars.

2:01:26.280 --> 2:01:27.240
<v Speaker 1>Man, he's in the car business.

2:01:27.240 --> 2:01:28.560
<v Speaker 2>I want to give shot out to Travis two for

2:01:28.560 --> 2:01:30.360
<v Speaker 2>being the buffet old man. They don't just the cars

2:01:30.360 --> 2:01:32.920
<v Speaker 2>from that motherfucker. He's lifting a lot of weights. Oh yes,

2:01:33.000 --> 2:01:33.879
<v Speaker 2>he is jacked.

2:01:34.120 --> 2:01:36.160
<v Speaker 1>He ain't. He ain't big trave no more.

2:01:36.280 --> 2:01:38.560
<v Speaker 2>Yeah. You know what's so funny is like I don't

2:01:38.560 --> 2:01:41.120
<v Speaker 2>think people would understand because early tech shows Travis would

2:01:41.120 --> 2:01:44.480
<v Speaker 2>be on stage of security is certain shows you'll still

2:01:44.480 --> 2:01:48.920
<v Speaker 2>see him standing. Will you ever bring the face paint back?

2:01:50.800 --> 2:01:52.440
<v Speaker 2>Because that's it, that's a commitment. You got to have

2:01:52.440 --> 2:01:54.440
<v Speaker 2>the face paint guy on on. I forget that over

2:01:54.520 --> 2:01:55.960
<v Speaker 2>the years. I forget the old guy who used to

2:01:56.000 --> 2:01:58.400
<v Speaker 2>paint your face. Yeah. Scenario, yeah, scenario, that's right.

2:01:58.480 --> 2:02:02.800
<v Speaker 1>Scenario before scenario that was Craig David. He died before.

2:02:02.840 --> 2:02:06.440
<v Speaker 1>The very first was Brian Dennis, he died. You know

2:02:06.480 --> 2:02:10.560
<v Speaker 1>what I'm saying. My last was second to the last

2:02:11.000 --> 2:02:14.040
<v Speaker 1>was Jose Ramirez. He quit. He wanted to be at

2:02:14.040 --> 2:02:16.080
<v Speaker 1>home with his little girl, Millie, you know what I'm saying,

2:02:16.080 --> 2:02:19.520
<v Speaker 1>to raise her, which is noble. And then on my

2:02:19.600 --> 2:02:23.400
<v Speaker 1>lapt my fifth one was Ubi from Sess Crew. He's

2:02:23.520 --> 2:02:28.440
<v Speaker 1>too massive of an artist to be following me around

2:02:29.120 --> 2:02:33.960
<v Speaker 1>and over the years started you know, Brian Dinnis started

2:02:33.960 --> 2:02:36.160
<v Speaker 1>the skull face. Then I just started doing my forehead,

2:02:36.400 --> 2:02:38.920
<v Speaker 1>but over the years turned into my whole face and

2:02:38.960 --> 2:02:41.480
<v Speaker 1>my whole head. That shit takes three hours every night.

2:02:42.520 --> 2:02:44.200
<v Speaker 2>I feel like when you did the mask, it was

2:02:44.200 --> 2:02:45.160
<v Speaker 2>a perfect compromise.

2:02:45.320 --> 2:02:48.880
<v Speaker 1>That's what I'm saying, take it off. Called Corey Taylor.

2:02:48.920 --> 2:02:52.960
<v Speaker 1>I said, listen, man, I can't afford to keep taking,

2:02:53.080 --> 2:02:56.520
<v Speaker 1>not money wise, but like the time, because the time.

2:02:56.560 --> 2:02:58.640
<v Speaker 1>I can't afford the time, and you be being an

2:02:58.720 --> 2:03:01.520
<v Speaker 1>artist that's on the incline. I cannot. Hey, man, we

2:03:01.560 --> 2:03:03.440
<v Speaker 1>got to go to fucking UK if you could paint

2:03:03.480 --> 2:03:06.040
<v Speaker 1>my face and he got to have his shit held up?

2:03:06.160 --> 2:03:08.160
<v Speaker 2>No, who's making the slipknop mask? Give me there?

2:03:08.280 --> 2:03:11.680
<v Speaker 1>Saying no, I called Corey Taylor and I said, listen, man,

2:03:12.080 --> 2:03:15.320
<v Speaker 1>I need a mask that can endure a two hour

2:03:15.440 --> 2:03:18.400
<v Speaker 1>fucking show. And y'all the only ones I know that

2:03:18.600 --> 2:03:23.120
<v Speaker 1>got him for sure, he said, Jake Rounjass California, gave

2:03:23.120 --> 2:03:25.880
<v Speaker 1>me the number. I've been fucking with Jake on like,

2:03:26.640 --> 2:03:31.520
<v Speaker 1>I think we've had three or four different versions of

2:03:31.520 --> 2:03:32.800
<v Speaker 1>the clown thus far.

2:03:32.960 --> 2:03:34.960
<v Speaker 2>You know, what I'm saying, that's dope.

2:03:35.480 --> 2:03:40.160
<v Speaker 1>And uh, I think for a show maybe.

2:03:39.960 --> 2:03:42.200
<v Speaker 2>Maybe for the thirty video. What about for the thirty

2:03:42.280 --> 2:03:43.760
<v Speaker 2>year anniversary.

2:03:43.720 --> 2:03:46.520
<v Speaker 1>Maybe for a video or something. I'll call Ubi and

2:03:46.560 --> 2:03:49.360
<v Speaker 1>see if he's in town and will three hours to

2:03:49.400 --> 2:03:50.920
<v Speaker 1>do my fucking whole head.

2:03:51.080 --> 2:03:52.560
<v Speaker 2>I feel like y'all got to do like a crazy

2:03:52.560 --> 2:03:55.640
<v Speaker 2>show for the thirty years. The thirty years are strange.

2:03:56.800 --> 2:03:58.920
<v Speaker 1>That shit used to burn my eyes like crazy. Oh,

2:03:58.960 --> 2:04:02.160
<v Speaker 1>I bet know what I'm saying. So the Silicon mask

2:04:02.240 --> 2:04:03.440
<v Speaker 1>man really helps me?

2:04:04.200 --> 2:04:06.320
<v Speaker 2>Yeah, for sure? For sure. I can only imagine I'd

2:04:06.360 --> 2:04:09.560
<v Speaker 2>be like, damn like that shit is a commitment every night, yeah, man,

2:04:09.680 --> 2:04:10.720
<v Speaker 2>Yeah for sure.

2:04:11.120 --> 2:04:15.440
<v Speaker 1>Yeah yeah, every night, three hours. The last gathering we did,

2:04:16.120 --> 2:04:18.240
<v Speaker 1>he had to paint my face three hours before I

2:04:18.280 --> 2:04:20.040
<v Speaker 1>went on outside back in here.

2:04:19.880 --> 2:04:23.120
<v Speaker 2>Walking around sweating before the show. Anyway, for sure, man.

2:04:22.960 --> 2:04:24.600
<v Speaker 1>It's hard, hard to do, hard to deal with the

2:04:24.640 --> 2:04:27.360
<v Speaker 1>face plants, A hard commitment because the way I see

2:04:27.400 --> 2:04:30.960
<v Speaker 1>the clown morphing, it keeps getting worse and worse every year.

2:04:31.000 --> 2:04:32.240
<v Speaker 1>You know what I'm saying in my mind, You know

2:04:32.280 --> 2:04:35.760
<v Speaker 1>what I'm saying. With the corrosion and everything. So I

2:04:35.800 --> 2:04:38.800
<v Speaker 1>don't know, man, maybe I'll sit down for three hours.

2:04:38.880 --> 2:04:41.720
<v Speaker 1>I won't say never though, right I like it? Man, Well, listen, Tech,

2:04:41.760 --> 2:04:44.160
<v Speaker 1>I appreciate you pulling up by the album. This summer

2:04:44.840 --> 2:04:49.200
<v Speaker 1>tour coming. When's the tour start day after tomorrow? Oh yeah,

2:04:49.360 --> 2:04:50.160
<v Speaker 1>you're you're locked in?

2:04:50.240 --> 2:04:55.240
<v Speaker 2>How many from Australia? Like twenty something bad? That's something

2:04:55.320 --> 2:04:59.400
<v Speaker 2>light for you, twenty five? Anything under forty is light

2:04:59.440 --> 2:05:02.680
<v Speaker 2>work for you. Ain't for sure, you know what I'm saying.

2:05:03.000 --> 2:05:05.080
<v Speaker 2>So hey, man, Tech, go go see him on on

2:05:05.360 --> 2:05:07.640
<v Speaker 2>the road. The new record is out right now too,

2:05:07.680 --> 2:05:09.280
<v Speaker 2>so you can go support to the new singles out

2:05:09.320 --> 2:05:12.240
<v Speaker 2>right now. Yeah, the new record in the new record,

2:05:12.240 --> 2:05:14.960
<v Speaker 2>don't come out to Uh. Well, when I think of record,

2:05:15.000 --> 2:05:15.600
<v Speaker 2>I think of a song.

2:05:15.680 --> 2:05:16.440
<v Speaker 1>Yeah you can say that.

2:05:16.600 --> 2:05:20.400
<v Speaker 2>Yes, yes, the technicality new record RDV is the new song.

2:05:20.560 --> 2:05:21.880
<v Speaker 1>Yeah, it's out.

2:05:22.040 --> 2:05:24.640
<v Speaker 2>Go watch the video and Tech, I appreciate you pulling up, brother,

2:05:24.680 --> 2:05:27.480
<v Speaker 2>Thank you brother, Yes, Sir Tech nine, Yes boom