WEBVTT - Best of Season Two: Part 2

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

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<v Speaker 1>Adami's Studios.

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<v Speaker 2>A few months ago, my good friend Lorne Michaels texted

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<v Speaker 2>me to say that Tina Fay was coming to London

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<v Speaker 2>to star in the movie. He knew I would love

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<v Speaker 2>her from the first meeting. It became a friendship formed

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<v Speaker 2>with food. Tina arrived at our house with a beautiful

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<v Speaker 2>box of chocolates for me, as brought up to do

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<v Speaker 2>by her mother, and I brought home a River Cafe

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<v Speaker 2>Lemon tart for her. The first dinner, I made slow

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<v Speaker 2>cooked tomato pasta. She ate two portions and then we

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<v Speaker 2>played cards. Did I think baby?

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<v Speaker 3>It was three?

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<v Speaker 2>I'm actually, you know, being polite. Of course, millions of

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<v Speaker 2>us have shared food with Tina Fay in thirty Rock,

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<v Speaker 2>which he wrote and starred in, and even her name

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<v Speaker 2>Liz Lemon was food related. Sandwiches never to be shared,

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<v Speaker 2>hard cheese eaten at midnight, advice given to John McEnroe.

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<v Speaker 2>I'm where to buy the best cupcakes in New York City.

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<v Speaker 2>Her obsession with hot dogs resulting in a food warning

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<v Speaker 2>from the street vendor, a snl, A brandy husband devouring

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<v Speaker 2>a cake. While discussing riots and weekend update and who

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<v Speaker 2>could forget the cafeteria scene in the movie, She wrote, mean, girls, Well,

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<v Speaker 2>you've just been in the River Cafe kitchen. What was

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<v Speaker 2>it like?

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<v Speaker 4>Oh my god, it's the most beautiful dance happening in

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<v Speaker 4>the kitchen, everyone working so perfectly.

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<v Speaker 5>I'm Sean Winnowen and I'm the executed chef at the

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<v Speaker 5>River Cafe. Today we're making tomato tellier renni with Tina Fee.

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<v Speaker 5>So we're going to make a tegler Reni with the

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<v Speaker 5>slow cup tomato, sauce and butter. Which is probably one

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<v Speaker 5>of Route's secrets is adding the butter to it.

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<v Speaker 2>Aha.

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<v Speaker 6>Now we know.

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<v Speaker 4>We love about a half a cup of butter, you know,

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<v Speaker 4>one person portion. Oh it's not it, yeah, only because

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<v Speaker 4>we can't court right into my mouth here.

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<v Speaker 2>At the station.

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<v Speaker 4>It's gorgeously Michael marry a non human entity.

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<v Speaker 2>I would marry this.

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<v Speaker 4>Plus thank you for joining for that.

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<v Speaker 2>Thank you you're here doing.

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<v Speaker 4>I'm acting in a movie called A Haunting in Venice,

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<v Speaker 4>directed by Sir Keneth Branna. It's when Agatha Christie inspired

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<v Speaker 4>murder mystery and it's been very fun to be here

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<v Speaker 4>shooting in an ensemble with some really great actors Michelle

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<v Speaker 4>Yo and Jamie Dornan and Kamilka Tan and Kelly Riley.

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<v Speaker 4>And it's just been fun to be basically on the

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<v Speaker 4>Haunted Mansion ride at Disney World. I've just been inside

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<v Speaker 4>that ride for three months because we're on this set

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<v Speaker 4>that's like a spooky old Venetian palazzo in the dark

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<v Speaker 4>all day, every day for three months.

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<v Speaker 2>Is the culture of filming in Britain in Europe in

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<v Speaker 2>London very different? And back to food, fo is it

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<v Speaker 2>a different food culture that it is a little different.

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<v Speaker 4>Our lunch is our hours are very civilized here. We

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<v Speaker 4>stopped every day at six on the dot, which at home,

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<v Speaker 4>depending on who you're working for, you could drift into

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<v Speaker 4>eight o'clock, ten o'clock, one am, you could work really late.

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<v Speaker 2>Yeah, we s done.

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<v Speaker 4>Our lunch is very short. It's only half an hour,

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<v Speaker 4>which was sort of we weren't used to it at first,

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<v Speaker 4>but none I grew to really like it because then

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<v Speaker 4>you don't kind of lose momentum. Usually you come back

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<v Speaker 4>from Americans that you come back from lunch a little

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<v Speaker 4>sleepy and you have to get a coffee. But this

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<v Speaker 4>was a half hour lunch and then back in and

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<v Speaker 4>just everyone offering you tea, constantly drinking so much tea,

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<v Speaker 4>which is nice tea and digestives.

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<v Speaker 2>Is there a food scene in it?

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<v Speaker 4>I didn't get to do any on camera eating.

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<v Speaker 2>Oh that's shame.

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<v Speaker 4>There was a nice thing on set, which was again

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<v Speaker 4>because food is the only way to communicate with people.

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<v Speaker 4>Because the cast we're all from different places, we started

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<v Speaker 4>kind of sharing our favorite unique snacks from our countries,

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<v Speaker 4>which started because somehow it was Halloween when I first

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<v Speaker 4>got here, and I was talking about candy corn, and

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<v Speaker 4>of course no one here knew what that was, and

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<v Speaker 4>so I had a friend bring me a couple bags

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<v Speaker 4>of candy corn to share, and we started taking a poll.

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<v Speaker 4>We'd give it to the Brits and film their reactions,

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<v Speaker 4>and people thought it was disgusting, which I respect.

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<v Speaker 2>I love it.

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<v Speaker 4>But it was a great conversation starter when we were

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<v Speaker 4>all new to each other and we were like kind

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<v Speaker 4>of an icebreaker. And then other people started bringing in

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<v Speaker 4>a woman waking A Yoshihara is our head of our

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<v Speaker 4>hair and makeup department, and she's Japanese, and so she

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<v Speaker 4>started bringing in Japanese candy and we were trying like

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<v Speaker 4>and some were great, some were disgusting. So she had

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<v Speaker 4>these plump candy that looked like a children's vitamin. I

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<v Speaker 4>apologize to anyone loves these, but she was so amused

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<v Speaker 4>to film each of us trying them, and it's so

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<v Speaker 4>funny that something could be a complete comfort treat to her.

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<v Speaker 4>That to my palette was horrible. And same with the

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<v Speaker 4>candy corn. And then some of the Brits started bringing

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<v Speaker 4>it was getting closer to Christmas, and Kelly Ryland brought in.

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<v Speaker 4>She said, this is the cheap chocolate that we grew

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<v Speaker 4>up with quality street mixing chocolates. And then Emma Laird

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<v Speaker 4>was bringing different kinds of crisps. And then we kept

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<v Speaker 4>asking Camille Catan, who's French, like you know what's unique?

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<v Speaker 4>What kind of weird candy can you bring? And she

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<v Speaker 4>was like, I don't know what I can bring. And

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<v Speaker 4>then she brought by the way, why am imitating her?

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<v Speaker 4>Like she's Salma hiak like that, and then she Camille

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<v Speaker 4>showed up with gorgeous cheese from France for the whole crew.

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<v Speaker 4>She's like, we don't eat garbage. Yeah, so she brought

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<v Speaker 4>this like gorgeous, gorgeous cheese. The one thing I used

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<v Speaker 4>to love with it's Saturday Night Live. Saturday was the

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<v Speaker 4>most fun day because it's the day where it's finally

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<v Speaker 4>all happening and you can spend a lot of time

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<v Speaker 4>being worried, and then Saturday you just have to kind

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<v Speaker 4>of go down the slide, you know. And we would

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<v Speaker 4>have these crew lunch dinner. I guess we'd sort of

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<v Speaker 4>rehearse from one pm till about five thirty pm, and

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<v Speaker 4>you'd go down to the NBC cafeteria and have lunch

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<v Speaker 4>with everybody or dinner with everybody. That's one of my

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<v Speaker 4>favorite memories of working there.

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<v Speaker 2>Actually, when you're producing a film or a theater, do

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<v Speaker 2>you think about what people are going to eat?

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<v Speaker 4>I mean I always if I'm producing something, I want

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<v Speaker 4>the food to be good and to be ample. And oftentimes,

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<v Speaker 4>if you want to reward the cast and crew, you

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<v Speaker 4>send more food. We send like food trucks, like pizza truck,

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<v Speaker 4>coffee truck.

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<v Speaker 2>Yeah, the food is.

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<v Speaker 4>In my I believe food is the only reward in life.

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<v Speaker 2>In life good I like that, sure money, sure food.

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<v Speaker 6>Yeah.

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<v Speaker 4>We still have a wonderful lady who's no longer with

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<v Speaker 4>us from an Angel who was in charge of what's

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<v Speaker 4>called craft services on thirty Rock, which is you have

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<v Speaker 4>your meals, you get in like there's a truck, there's

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<v Speaker 4>catering does breakfast and lunch, but all the food that

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<v Speaker 4>you just eat in between that all day there would

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<v Speaker 4>just be a table in the hallway with food. And

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<v Speaker 4>Angel had so much passion about her job. And she

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<v Speaker 4>was Italian American from Staten Island and she would show

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<v Speaker 4>up with these things. Would be like, Angel, what is this?

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<v Speaker 4>She would just bring them these beautiful like whatever, like

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<v Speaker 4>balls of matsarel, these crazy breads, what was that? Like

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<v Speaker 4>rolled up art of choke bread and all this stuff.

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<v Speaker 4>It was so much more than what you would normally get,

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<v Speaker 4>like a bowl of apples and some candy. And this

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<v Speaker 4>episode of thirty Rock, there's a whole storyline about the

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<v Speaker 4>perfect sandwich. And there's this thing where I'm chasing a

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<v Speaker 4>guy that I love through the airport but they want

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<v Speaker 4>you don't go through, they want me to take my

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<v Speaker 4>sandwich and that take no way.

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<v Speaker 2>Yeah, but first you have to describe that scene. I'm

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<v Speaker 2>not going to do it because I think it is

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<v Speaker 2>one of the great scenes and food.

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<v Speaker 4>Thank you, I will say I as an actor, perhaps

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<v Speaker 4>my only specialty is on camera eating. I commit to it.

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<v Speaker 4>I'm looking great at it. And so this is a

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<v Speaker 4>scene where Liz lemon Is. She's chasing her love interest,

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<v Speaker 4>who is played by Jason Sadaikis, who you all may

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<v Speaker 4>know is Ted Lasso, and I'm chasing through the airport

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<v Speaker 4>and I've been also the other part of the stories.

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<v Speaker 4>I've been trying to get the team stirs the union

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<v Speaker 4>drivers to tell me where they get these great sandwiches.

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<v Speaker 4>So I've got my special sandwich. And the security guard

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<v Speaker 4>at the airport says, you have to leave the sandwich behind,

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<v Speaker 4>you can't take it through, and I say no, women

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<v Speaker 4>can have it all. And I'm going to eat this

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<v Speaker 4>sandwich in one bite before I go through security. And

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<v Speaker 4>I'm still going to catch the man. And so it

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<v Speaker 4>came down to Angel, this woman who did our craft service.

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<v Speaker 4>I said, Angel, this is a special assignment for you.

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<v Speaker 4>I need you to make me the perfect sandwich. Normally

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<v Speaker 4>it would have been the props department, but I said, Angel,

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<v Speaker 4>You're going to make the sandwich and and I need

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<v Speaker 4>it to be I need to be able to eat

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<v Speaker 4>it in one bite. So she went to these bakers

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<v Speaker 4>that she knew in Staten Island and had them custom

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<v Speaker 4>make I don't know what it was, the softest, still

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<v Speaker 4>a chest bread. And when I tell you that sandwich,

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<v Speaker 4>I can remember to this day. That sandwich was so delicious.

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<v Speaker 4>It was an Italian sub so it had like some

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<v Speaker 4>salami and some what I would call gabba ghoul, some cheese.

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<v Speaker 4>It wasn't a fake sandwich. And I ate it in

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<v Speaker 4>one take, and I remembered saying they were like, we

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<v Speaker 4>got it, and I was like, did we? Because if

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<v Speaker 4>you need me to do it again, I am willing

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<v Speaker 4>because it was so good.

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<v Speaker 3>But it goes to angel because the bread.

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<v Speaker 4>Like melted in my mouth.

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<v Speaker 6>One of the most delicious things was very simple. We

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<v Speaker 6>lived at five stories up in this tenement and my

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<v Speaker 6>mother would throw in it, throw down in a brown

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<v Speaker 6>paper bag, a kaiser roll smeared with a lot of

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<v Speaker 6>butter and almost a whole tomato sliced and salted that

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<v Speaker 6>and it was the most delicious thing. You'd catch it,

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<v Speaker 6>and I'd always catch it. But one time I missed

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<v Speaker 6>it and splat.

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<v Speaker 2>Mel Brooks makes the world laugh. Watch the producers blazing

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<v Speaker 2>saddles Young Frankenstein. Listen to the two thousand year old man,

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<v Speaker 2>or read his autobiography All About Me, and you are

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<v Speaker 2>guaranteed to find yourself laughing out loud. But for me,

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<v Speaker 2>having known Mel for twenty five years, funny is not

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<v Speaker 2>the first word I would use to describe this amazing man.

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<v Speaker 6>Hungry, hungry. Before I forget, I would like to do

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<v Speaker 6>my imitation of a cat. That is that is a

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<v Speaker 6>perfect sound. It's hard to do, hard to do. I

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<v Speaker 6>do it in Young Frankenstein. I think it's it's a

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<v Speaker 6>dart throwing contest and one of the dots hits a cat.

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<v Speaker 7>Wow.

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<v Speaker 2>Let's begin at the beginning, earliest food memories. What do

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<v Speaker 2>you remember from you know, your early days. Did your

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<v Speaker 2>mother cook?

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<v Speaker 7>Yeah?

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<v Speaker 6>My mother, okay, it was it was a standard Williamsburg,

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<v Speaker 6>Brooklyn Jewish tenement food. So breakfast in the winter was

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<v Speaker 6>always a hot cereal, cream of wheat or Rallston which

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<v Speaker 6>was a kind of barige brown barridge, and then in

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<v Speaker 6>the summer corn flakes, rice krispies or wheaties.

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<v Speaker 2>What year would that have been? How old would you

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<v Speaker 2>I would.

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<v Speaker 6>That would be thirty five, I'd be around nine That's

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<v Speaker 6>when I went my uncle Joe, shortest jew on earth,

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<v Speaker 6>how short he was a character about four to four.

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<v Speaker 6>And when when a taxi, a big checker taxi cab

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<v Speaker 6>rolled down the streets of Brooklyn, and there was no driver,

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<v Speaker 6>that was Joe. There was no driver. It was so

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<v Speaker 6>short it get just about peer over the you know. Anyway,

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<v Speaker 6>Joe took me because his friend Al was the doorman

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<v Speaker 6>of the Alvin Theater on fifty second Street, and running

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<v Speaker 6>at that same theater was Cold Porters Anything Goes. I

0:11:51.480 --> 0:11:54.560
<v Speaker 6>had never seen a Broadway show. I was nine years old,

0:11:55.400 --> 0:12:01.880
<v Speaker 6>and Uncle Joe took me to see Anything Goes. I

0:12:02.000 --> 0:12:05.160
<v Speaker 6>was stunned. I was. I couldn't believe it, even though

0:12:05.160 --> 0:12:07.120
<v Speaker 6>we were in the second balcony, was far away from

0:12:07.160 --> 0:12:09.920
<v Speaker 6>the stage as you can get ethel Merman was too loud,

0:12:10.559 --> 0:12:11.800
<v Speaker 6>No MIC's.

0:12:11.320 --> 0:12:16.920
<v Speaker 2>She was just anything Goes? Did she say the mother?

0:12:17.120 --> 0:12:17.320
<v Speaker 6>Yeah?

0:12:17.360 --> 0:12:20.000
<v Speaker 2>Yeah, the woman. It's on a ship, isn't it.

0:12:20.040 --> 0:12:23.480
<v Speaker 6>And it's on the ship very good? Yeah. And Victim

0:12:23.520 --> 0:12:26.920
<v Speaker 6>Moore was was the gangster the gang Yeah.

0:12:27.000 --> 0:12:27.440
<v Speaker 2>Yeah.

0:12:27.440 --> 0:12:30.440
<v Speaker 6>It was so good. At the end, I nearly clapped

0:12:30.440 --> 0:12:33.360
<v Speaker 6>my hands over. I just couldn't stop clapping and screaming

0:12:33.400 --> 0:12:36.720
<v Speaker 6>and shouting. And then I got back an Uncle Joe's camp.

0:12:37.120 --> 0:12:39.439
<v Speaker 6>I said to him, Uncle John, I'm not going in

0:12:39.520 --> 0:12:43.160
<v Speaker 6>the garment center. Everybody at three sixty five South third Street,

0:12:44.120 --> 0:12:51.160
<v Speaker 6>between on Hooper and Use, three sixty five South third Street,

0:12:51.440 --> 0:12:55.400
<v Speaker 6>everybody in that building worked in the garment center. They

0:12:55.400 --> 0:13:01.080
<v Speaker 6>were shipping clerks, they were cutters, they were designers, they

0:13:01.080 --> 0:13:05.360
<v Speaker 6>were salesmen. They everybody I think on the street, these

0:13:05.440 --> 0:13:09.480
<v Speaker 6>sixty one, three sixty three through sixty five, these tenements,

0:13:09.520 --> 0:13:11.960
<v Speaker 6>everybody in the garment set. And I screamed at my

0:13:12.040 --> 0:13:16.560
<v Speaker 6>uncle Joe, Uncle Joe, I'm not I'm not going into

0:13:16.600 --> 0:13:19.400
<v Speaker 6>the garments that I'm not. I'm gonna go into the

0:13:19.559 --> 0:13:22.760
<v Speaker 6>show business. I loved it. I loved it, you know.

0:13:22.800 --> 0:13:25.000
<v Speaker 6>And it changed, but it did, and I did. And

0:13:25.880 --> 0:13:27.080
<v Speaker 6>because he take.

0:13:27.000 --> 0:13:30.760
<v Speaker 2>You to food, but do you take you out to eat?

0:13:31.200 --> 0:13:32.960
<v Speaker 2>I always went to the theater as a kid. And

0:13:33.000 --> 0:13:36.040
<v Speaker 2>then there was the meal afterwards, lunch, before it was

0:13:36.080 --> 0:13:36.520
<v Speaker 2>a day out.

0:13:36.800 --> 0:13:40.480
<v Speaker 6>We had some favorites that Uncle Joe would take us to,

0:13:40.720 --> 0:13:45.920
<v Speaker 6>where one was called Gallagher Steakhouse. They had like half

0:13:46.000 --> 0:13:48.160
<v Speaker 6>a cow in the window. I always had these half

0:13:48.200 --> 0:13:53.560
<v Speaker 6>cows in the window you know, hanging gallaghers and the

0:13:53.880 --> 0:13:57.199
<v Speaker 6>and the steak was incredible. And sometimes you go to

0:13:57.440 --> 0:13:59.560
<v Speaker 6>Jack Dempsey's restaurant.

0:13:59.120 --> 0:13:59.760
<v Speaker 2>And what was that?

0:14:00.040 --> 0:14:04.600
<v Speaker 6>And it was great, but you know it was it

0:14:04.640 --> 0:14:06.400
<v Speaker 6>was all meat, it was There never any fish in

0:14:06.440 --> 0:14:09.320
<v Speaker 6>a restaurant. Yeah, And I never liked fish. I don't

0:14:09.320 --> 0:14:11.719
<v Speaker 6>think I ever liked fish until I was seventy or

0:14:11.760 --> 0:14:13.680
<v Speaker 6>eighty and I went to the River Cafe.

0:14:13.360 --> 0:14:15.720
<v Speaker 2>And so really you never ate fish.

0:14:16.000 --> 0:14:18.000
<v Speaker 6>I hardly ever ate fish as But.

0:14:17.960 --> 0:14:20.600
<v Speaker 2>It's interesting to me that you you describe a kind

0:14:20.600 --> 0:14:24.600
<v Speaker 2>of modest home life in terms of going your food,

0:14:25.120 --> 0:14:27.320
<v Speaker 2>but but you went out to restaurants.

0:14:27.320 --> 0:14:33.760
<v Speaker 6>So what's while a lot of Jewish restaurants were called

0:14:33.840 --> 0:14:37.720
<v Speaker 6>dairy restaurants and they serve stuff like blinches with sour

0:14:37.800 --> 0:14:42.720
<v Speaker 6>cream and old dairy. You never mixed meat and dairy

0:14:42.760 --> 0:14:44.520
<v Speaker 6>with something some religious nonsense.

0:14:44.640 --> 0:14:46.200
<v Speaker 2>Did your grandmother cook for you?

0:14:46.240 --> 0:14:47.080
<v Speaker 6>My grandmother cook?

0:14:47.200 --> 0:14:49.920
<v Speaker 2>What did she cooks? Which grandmother? Your mother's mother's mother.

0:14:50.000 --> 0:14:51.960
<v Speaker 2>I never knew, you never knew your father's.

0:14:51.720 --> 0:14:54.400
<v Speaker 6>No, No, my father's grandmother. I did know. She did

0:14:54.480 --> 0:14:57.920
<v Speaker 6>say to her meals best olden meals in Bensonhurst where

0:14:57.960 --> 0:15:00.920
<v Speaker 6>they lived in a big one family.

0:15:01.120 --> 0:15:02.800
<v Speaker 2>Did they come with their first generation?

0:15:03.040 --> 0:15:05.440
<v Speaker 6>Yeah, no, they were. They were European.

0:15:05.760 --> 0:15:10.280
<v Speaker 2>Yeah, and so do you think your grandparents brought their

0:15:10.280 --> 0:15:12.360
<v Speaker 2>food with them, the food culture.

0:15:12.560 --> 0:15:18.080
<v Speaker 6>They cooked the same stuff. Mostly it was chicken, chicken

0:15:18.120 --> 0:15:19.120
<v Speaker 6>and chicken soup.

0:15:18.920 --> 0:15:21.360
<v Speaker 2>And uh, briscuit.

0:15:21.920 --> 0:15:26.120
<v Speaker 6>Yeah, they made brisket. Absolutely, they made brisket and brown potatoes.

0:15:26.480 --> 0:15:30.160
<v Speaker 2>Do you know my grandparents came, They were They came

0:15:30.160 --> 0:15:34.520
<v Speaker 2>from Hungary and Russia. And my father remembers my grandmother

0:15:34.600 --> 0:15:37.960
<v Speaker 2>having in the lower East side a carp swimming in

0:15:38.000 --> 0:15:40.840
<v Speaker 2>the bathtub that they would make it filter fish out of.

0:15:41.520 --> 0:15:43.120
<v Speaker 2>So can you imagine having aok They would bring it

0:15:43.120 --> 0:15:44.400
<v Speaker 2>a live fish.

0:15:44.440 --> 0:15:47.840
<v Speaker 6>Live fish. We would get a live fish. My brother

0:15:47.880 --> 0:15:50.920
<v Speaker 6>Bernie and I were usually one week. We loved and

0:15:50.960 --> 0:15:54.880
<v Speaker 6>we called them already, and we fed them bread crumbs

0:15:54.880 --> 0:15:58.280
<v Speaker 6>and we chased them around the bathtub. And then it

0:15:58.400 --> 0:16:03.600
<v Speaker 6>was unspeakable. I can't even describe it. Irving, my older

0:16:03.840 --> 0:16:07.160
<v Speaker 6>oldest brothers Irving and Lenny, held us back. We were screaming,

0:16:07.800 --> 0:16:10.560
<v Speaker 6>don't kill him, and my mother would say we gotta eat,

0:16:11.360 --> 0:16:14.960
<v Speaker 6>we gotta eat supper, and she'd kill audience, serve him.

0:16:15.360 --> 0:16:19.040
<v Speaker 6>It was and we would cry and we ate him.

0:16:18.800 --> 0:16:20.680
<v Speaker 2>And then would you get another carp and kill that.

0:16:20.760 --> 0:16:23.280
<v Speaker 2>We got another carp It's so interesting that they had

0:16:23.360 --> 0:16:26.440
<v Speaker 2>live fish swimming in the back in Yeah.

0:16:26.640 --> 0:16:29.240
<v Speaker 6>They it's amazing that you had to say.

0:16:29.400 --> 0:16:32.960
<v Speaker 2>My brother Michael, who you know, just wrote I have

0:16:33.080 --> 0:16:36.120
<v Speaker 2>found that something my father had written about his memories

0:16:36.160 --> 0:16:39.120
<v Speaker 2>of food and just living in the Lower east Side.

0:16:39.320 --> 0:16:40.560
<v Speaker 2>But you weren't in the Lower east Side.

0:16:41.560 --> 0:16:43.800
<v Speaker 6>The Lower east Side, an extension of the Lower east

0:16:43.800 --> 0:16:44.800
<v Speaker 6>Side was Williamsburg.

0:16:45.320 --> 0:16:47.400
<v Speaker 2>That was probably one step up, was it.

0:16:47.640 --> 0:16:52.000
<v Speaker 6>Well, it was one step up if you put it

0:16:52.120 --> 0:16:57.400
<v Speaker 6>next to a section brook called Bronzeville, East New York,

0:16:58.080 --> 0:17:01.440
<v Speaker 6>and that was really where they coldstoves they don't even

0:17:01.480 --> 0:17:02.000
<v Speaker 6>have guess.

0:17:02.440 --> 0:17:03.480
<v Speaker 2>Yeah, And we.

0:17:03.440 --> 0:17:05.560
<v Speaker 6>Had electricity and way, I guess. So we were one

0:17:05.600 --> 0:17:18.320
<v Speaker 6>step above Brownsbeil equal to the Lower east Side.

0:17:18.400 --> 0:17:21.760
<v Speaker 2>In September, the River Cafe will be thirty six years old,

0:17:22.160 --> 0:17:24.360
<v Speaker 2>and one of the great joys of having a restaurant

0:17:24.400 --> 0:17:27.560
<v Speaker 2>for so long is watching the second generation and now

0:17:27.600 --> 0:17:31.280
<v Speaker 2>even a third generation of our early customers grow up.

0:17:31.840 --> 0:17:35.520
<v Speaker 2>Adwa's parents, Charles Boa and Camilla Lowther, have been part

0:17:35.560 --> 0:17:38.520
<v Speaker 2>of the River Cafe family since we opened, and ad

0:17:38.680 --> 0:17:42.119
<v Speaker 2>was gone from being a young child ordering pasta, butter

0:17:42.280 --> 0:17:45.639
<v Speaker 2>and cheese and then playing in the garden space outside

0:17:45.680 --> 0:17:49.439
<v Speaker 2>with her friends to a formidable woman focused on the

0:17:49.480 --> 0:17:54.280
<v Speaker 2>political and social issues relevant today. After her own struggles

0:17:54.280 --> 0:17:58.920
<v Speaker 2>with mental health and to support young women's wellbeing, she

0:17:59.080 --> 0:18:03.040
<v Speaker 2>founded the organized Girls Talk, providing a safe space for

0:18:03.119 --> 0:18:08.040
<v Speaker 2>girls to access resources, share experiences, create community, and feel

0:18:08.119 --> 0:18:11.480
<v Speaker 2>less alone. A place to escape the chaos of.

0:18:11.440 --> 0:18:12.120
<v Speaker 3>The every day.

0:18:12.520 --> 0:18:13.080
<v Speaker 6>I think a.

0:18:13.000 --> 0:18:14.960
<v Speaker 3>Beautiful phrase today.

0:18:15.240 --> 0:18:17.679
<v Speaker 2>Ed was just come from the kitchen grilling scallops and

0:18:17.760 --> 0:18:21.879
<v Speaker 2>frying zucchini. It's both moving and exciting for me to

0:18:21.920 --> 0:18:22.800
<v Speaker 2>have Edward here.

0:18:23.320 --> 0:18:25.720
<v Speaker 3>Oh that was so nice.

0:18:27.760 --> 0:18:30.480
<v Speaker 2>Tell me about going to Vogue with Edward, because we did.

0:18:31.160 --> 0:18:34.920
<v Speaker 2>When Edward Nfl became the editor, we did the party here.

0:18:35.160 --> 0:18:38.080
<v Speaker 2>Remember that we had a party for him. I was

0:18:38.119 --> 0:18:41.400
<v Speaker 2>a great party. You were the cover for his first year.

0:18:41.800 --> 0:18:44.560
<v Speaker 7>That was mad, that Vogue party. I remember that like

0:18:44.600 --> 0:18:50.200
<v Speaker 7>it was yesterday. I remember I was driving here and I,

0:18:50.560 --> 0:18:52.720
<v Speaker 7>you know, Edward, and I still laugh about it now.

0:18:52.840 --> 0:18:55.840
<v Speaker 7>It's like it wasn't naivety. I think it was just this.

0:18:56.359 --> 0:18:59.760
<v Speaker 7>We were just doing something that felt very special to

0:18:59.760 --> 0:19:03.000
<v Speaker 7>both of us. It was like this we were embarking

0:19:03.040 --> 0:19:06.280
<v Speaker 7>on this new journey, and it wasn't necessarily that we were.

0:19:07.280 --> 0:19:10.040
<v Speaker 7>We were completely naive to how the world was going

0:19:10.119 --> 0:19:13.520
<v Speaker 7>to embrace it. You know, not only just people in fashion,

0:19:13.600 --> 0:19:17.000
<v Speaker 7>but worldwide. You know, it really went and viral, do

0:19:17.040 --> 0:19:17.399
<v Speaker 7>you know what I mean?

0:19:17.480 --> 0:19:17.879
<v Speaker 3>I think?

0:19:18.240 --> 0:19:21.359
<v Speaker 7>And so as we kind of pulled up, I pulled up.

0:19:21.400 --> 0:19:22.879
<v Speaker 7>I can't remember who I was in the car with.

0:19:22.880 --> 0:19:24.919
<v Speaker 7>Maybe it was like my mom and dad and system.

0:19:24.960 --> 0:19:27.439
<v Speaker 7>We pulled up the Shepherd's Bush roundabout and it was

0:19:27.480 --> 0:19:30.119
<v Speaker 7>projected on Shepherd's Bush round about.

0:19:30.440 --> 0:19:32.840
<v Speaker 3>What the hell is going on?

0:19:33.119 --> 0:19:34.720
<v Speaker 7>And I looked on my phone and it was just

0:19:34.800 --> 0:19:38.159
<v Speaker 7>like going mad and I actually like broke out into hives.

0:19:38.200 --> 0:19:40.440
<v Speaker 7>I was like, oh my god, this is so much.

0:19:40.480 --> 0:19:42.920
<v Speaker 7>I don't even know how to deal with this situation.

0:19:43.040 --> 0:19:45.399
<v Speaker 7>I pulled up the River Cafe and Edwin and I

0:19:45.560 --> 0:19:46.200
<v Speaker 7>just giggled.

0:19:46.280 --> 0:19:48.440
<v Speaker 3>We could not stop laughing.

0:19:48.480 --> 0:19:53.360
<v Speaker 7>I think we were both so overwhelmed by what had

0:19:53.400 --> 0:19:57.240
<v Speaker 7>happened that we kind of just like could not stop laughing.

0:19:57.680 --> 0:20:00.000
<v Speaker 3>It was mad. It still feels really.

0:20:00.680 --> 0:20:03.840
<v Speaker 2>We all had Ravioli. We had this long discussion before

0:20:03.880 --> 0:20:08.480
<v Speaker 2>whether all the Vogue people, the models and the actresses

0:20:08.720 --> 0:20:15.400
<v Speaker 2>and the young beauties of today would actually have gluten carbs, cheese, butter,

0:20:16.080 --> 0:20:17.960
<v Speaker 2>and whether we would serve it. And we did, and

0:20:18.560 --> 0:20:20.520
<v Speaker 2>BO was actually really cool because we said, do you

0:20:20.560 --> 0:20:23.359
<v Speaker 2>want to find out what people want? They get and

0:20:23.400 --> 0:20:25.040
<v Speaker 2>now we're done with that. We're done with you know,

0:20:25.200 --> 0:20:27.080
<v Speaker 2>if you have a food preference, We're just going to

0:20:27.160 --> 0:20:29.919
<v Speaker 2>do the menu and what they eat. And everybody had

0:20:30.000 --> 0:20:32.879
<v Speaker 2>ravili and everybody, a lot of people had seconds of

0:20:32.960 --> 0:20:36.639
<v Speaker 2>REVIALI And yet the whole issue at the of being

0:20:36.800 --> 0:20:39.320
<v Speaker 2>a model about your body, talk about being a woman

0:20:39.359 --> 0:20:42.199
<v Speaker 2>in a profession that requires you to be a certain

0:20:42.240 --> 0:20:43.320
<v Speaker 2>shape size.

0:20:43.560 --> 0:20:49.160
<v Speaker 7>I think I don't remember being worried. I think there

0:20:49.160 --> 0:20:52.119
<v Speaker 7>were moments when I was at school where I was

0:20:52.200 --> 0:20:55.600
<v Speaker 7>kind of worried about what I looked like. Sometimes I

0:20:55.640 --> 0:20:57.600
<v Speaker 7>didn't I wasn't at a girls' school, but you know,

0:20:58.440 --> 0:21:02.360
<v Speaker 7>I lived in a house of women. So sometimes when

0:21:02.400 --> 0:21:05.040
<v Speaker 7>someone would get a bit like weird with food or

0:21:06.119 --> 0:21:09.840
<v Speaker 7>they'd have you know, issues, it kind of sometimes bleeds

0:21:09.880 --> 0:21:12.480
<v Speaker 7>into everyone else within the community, do you know what

0:21:12.480 --> 0:21:12.720
<v Speaker 7>I mean?

0:21:12.720 --> 0:21:14.200
<v Speaker 3>We see that all the time.

0:21:14.520 --> 0:21:19.000
<v Speaker 7>And I think when I started modeling, I don't again

0:21:19.280 --> 0:21:22.720
<v Speaker 7>remember feeling that pressured about it. I think I just

0:21:22.760 --> 0:21:27.680
<v Speaker 7>felt like incredibly painful in my own body in general,

0:21:27.760 --> 0:21:32.480
<v Speaker 7>So it wasn't necessarily like kind of weight related. I

0:21:32.480 --> 0:21:34.639
<v Speaker 7>think there's always been like parts of my body that

0:21:34.680 --> 0:21:36.359
<v Speaker 7>I haven't like loved, you know what I mean, And

0:21:36.359 --> 0:21:38.720
<v Speaker 7>I've had to grow to love the.

0:21:38.720 --> 0:21:40.560
<v Speaker 2>Are you the kind of person that can eat but

0:21:40.640 --> 0:21:41.359
<v Speaker 2>not gain weight.

0:21:42.320 --> 0:21:44.760
<v Speaker 3>Yeah, because I've always done lots and lots of sports.

0:21:44.920 --> 0:21:47.880
<v Speaker 2>But were other models that you were with? What did

0:21:47.920 --> 0:21:49.680
<v Speaker 2>you feel that to be a model you had to

0:21:49.720 --> 0:21:50.400
<v Speaker 2>be a Yeah.

0:21:50.440 --> 0:21:52.640
<v Speaker 7>I got weird with food for a period of time

0:21:52.680 --> 0:21:55.240
<v Speaker 7>where actually when I got sober, and they call it

0:21:55.240 --> 0:21:57.520
<v Speaker 7>that transference, you know, I think I was just trying

0:21:57.520 --> 0:21:58.760
<v Speaker 7>to control something else.

0:21:58.600 --> 0:21:59.040
<v Speaker 3>In my life.

0:21:59.080 --> 0:22:00.840
<v Speaker 7>So I got a bit weird food when I was

0:22:00.880 --> 0:22:05.840
<v Speaker 7>about twenty two. I think it was just control, to

0:22:05.880 --> 0:22:11.359
<v Speaker 7>be quite honest, And and I think, wait for me,

0:22:11.720 --> 0:22:15.719
<v Speaker 7>you know, if I'm myselfle with anxiety, you know, and

0:22:15.760 --> 0:22:20.040
<v Speaker 7>so when I'm anxious, it just falls off. Yeah, I'm

0:22:20.080 --> 0:22:22.760
<v Speaker 7>not the type of person sometimes I am eating, but

0:22:22.840 --> 0:22:26.360
<v Speaker 7>it literally just falls off all the time. So sometimes

0:22:26.359 --> 0:22:31.560
<v Speaker 7>I haven't even been like aware of like dropping way.

0:22:31.720 --> 0:22:36.520
<v Speaker 7>I think I've always done a lot of exercise and

0:22:36.560 --> 0:22:39.919
<v Speaker 7>a kind of now do pilates, so I used to

0:22:40.119 --> 0:22:42.480
<v Speaker 7>build a lot of muscle, So my body has changed,

0:22:42.520 --> 0:22:46.359
<v Speaker 7>like you know, over the course of like many years,

0:22:46.400 --> 0:22:47.320
<v Speaker 7>I think, And so.

0:22:49.000 --> 0:22:49.920
<v Speaker 3>I think.

0:22:51.240 --> 0:22:56.280
<v Speaker 7>Because I think when I got started modeling properly, I

0:22:56.480 --> 0:22:59.719
<v Speaker 7>decided there was a part of me that hat that

0:23:00.400 --> 0:23:03.840
<v Speaker 7>to do it, to really kind of walk into it again,

0:23:04.480 --> 0:23:09.080
<v Speaker 7>I had to take on. It was almost like a

0:23:09.160 --> 0:23:12.120
<v Speaker 7>It wasn't necessarily that I felt like that, but I

0:23:12.160 --> 0:23:14.000
<v Speaker 7>had to be like, this is who I am, do

0:23:14.000 --> 0:23:15.959
<v Speaker 7>you know what I mean? Like take it or leave it,

0:23:16.040 --> 0:23:18.520
<v Speaker 7>you know what I mean. I'm not gonna be sucked

0:23:18.560 --> 0:23:22.800
<v Speaker 7>into this idea that I should be thinner or look

0:23:23.560 --> 0:23:25.760
<v Speaker 7>a different sort of way for you to kind of

0:23:26.400 --> 0:23:29.080
<v Speaker 7>appreciate me or want me. So I had to and

0:23:29.080 --> 0:23:31.359
<v Speaker 7>that's not exactly how I felt all the time, but

0:23:31.400 --> 0:23:34.240
<v Speaker 7>I had to sort of fake it to make it so.

0:23:35.320 --> 0:23:39.239
<v Speaker 7>It wasn't necessarily I think I've always I don't know.

0:23:39.440 --> 0:23:41.560
<v Speaker 7>I was speaking on the pod, my own podcast about

0:23:41.560 --> 0:23:45.240
<v Speaker 7>this the other day. I think, I wonder if my

0:23:45.400 --> 0:23:48.400
<v Speaker 7>relationship with myself will ever be.

0:23:50.200 --> 0:23:51.480
<v Speaker 3>What I wanted to be.

0:23:52.280 --> 0:23:56.080
<v Speaker 7>Whilst I model, I don't know if I have a

0:23:56.960 --> 0:24:00.520
<v Speaker 7>to a certain extent, a healthy relationship with myself, but

0:24:00.640 --> 0:24:03.400
<v Speaker 7>I wonder if my relationship with my body will ever

0:24:03.480 --> 0:24:07.520
<v Speaker 7>be what I want it to be as long as

0:24:07.520 --> 0:24:09.880
<v Speaker 7>I'm kind of within the industry. And yes, it has

0:24:10.000 --> 0:24:13.879
<v Speaker 7>changed like drastically, do you know what I mean, the

0:24:14.080 --> 0:24:18.720
<v Speaker 7>likes of amazing people spearheading different sorts of movements. But

0:24:19.480 --> 0:24:22.360
<v Speaker 7>you know, we only have to kind of look at

0:24:22.640 --> 0:24:26.160
<v Speaker 7>certain photos or fashion shows and we see the kind

0:24:26.160 --> 0:24:26.800
<v Speaker 7>of the.

0:24:26.760 --> 0:24:29.320
<v Speaker 3>Pressure that's play and I almost find it painful.

0:24:29.400 --> 0:24:32.200
<v Speaker 2>I haven't been to that many catwalk shows. I think

0:24:32.200 --> 0:24:35.560
<v Speaker 2>it probably it has when you see you know how

0:24:36.680 --> 0:24:40.480
<v Speaker 2>and kind of serious and all that. You know, I know,

0:24:40.560 --> 0:24:43.880
<v Speaker 2>it's there to just showcase the clothes, and so it's

0:24:43.880 --> 0:24:46.000
<v Speaker 2>like being a hanger, but there is something as a

0:24:46.040 --> 0:24:48.720
<v Speaker 2>woman to see women doing that job is a little

0:24:48.720 --> 0:24:49.200
<v Speaker 2>bit yeah.

0:24:49.240 --> 0:24:51.679
<v Speaker 7>And also when you know that someone's like kind of

0:24:51.880 --> 0:24:56.320
<v Speaker 7>unwell yeah, whatever that looks like for different people. When

0:24:56.359 --> 0:25:00.280
<v Speaker 7>you know someone's kind of suffering with and you know,

0:25:00.359 --> 0:25:04.760
<v Speaker 7>disordered eating, but they are praised and celebrated within the

0:25:04.800 --> 0:25:10.080
<v Speaker 7>industry and they work even more. It's that in itself

0:25:10.320 --> 0:25:14.399
<v Speaker 7>is an uncomfortable thing to get your head around. I

0:25:14.400 --> 0:25:17.600
<v Speaker 7>think that's where sometimes the pressure for me lies. It

0:25:17.640 --> 0:25:20.679
<v Speaker 7>isn't that I want to be onwell, it's just the

0:25:20.720 --> 0:25:23.800
<v Speaker 7>fact that I see people doing well because of it.

0:25:23.920 --> 0:25:24.480
<v Speaker 3>Do you know what I mean?

0:25:24.520 --> 0:25:27.840
<v Speaker 7>And that's a that's a mad thing to get your

0:25:27.880 --> 0:25:28.399
<v Speaker 7>head around.

0:25:34.800 --> 0:25:37.040
<v Speaker 2>When I told my friends that I would be recording

0:25:37.040 --> 0:25:41.879
<v Speaker 2>a podcast with Rick Rubin this weekend, the responses were rapturous,

0:25:42.520 --> 0:25:48.080
<v Speaker 2>what wow, incredible and can I come? It was the

0:25:48.119 --> 0:25:50.360
<v Speaker 2>same in the River Cafe the other day when Rick

0:25:50.520 --> 0:25:54.240
<v Speaker 2>was there. Grown men trembled, women found excuses to hover

0:25:54.359 --> 0:25:57.680
<v Speaker 2>near his table. Chefs could barely grill the sea bass.

0:25:58.440 --> 0:26:01.600
<v Speaker 2>Rick Rubin is a decade long creative force with a

0:26:01.720 --> 0:26:06.000
<v Speaker 2>voice and influence that carries immeasurable weight. Co founder of

0:26:06.040 --> 0:26:09.240
<v Speaker 2>def Jam, winner of seven Grammys. As a friend in

0:26:09.359 --> 0:26:14.680
<v Speaker 2>music told me, Rick is unique together with discovering, mentoring

0:26:14.840 --> 0:26:20.000
<v Speaker 2>creating beautiful music with artists such as Adele Eminin, Beastie Boys,

0:26:20.080 --> 0:26:25.200
<v Speaker 2>Public Enemy, Run DMC, and for me, most movingly Johnny Cash.

0:26:25.480 --> 0:26:30.119
<v Speaker 2>His values, principles and kindness guide everyone he comes close to.

0:26:32.160 --> 0:26:35.200
<v Speaker 2>Tell me what happens when you go into the studio.

0:26:35.400 --> 0:26:40.360
<v Speaker 2>You've eaten definitely, I've eaten before and now the way

0:26:40.400 --> 0:26:42.120
<v Speaker 2>it used to work for the majority of my life.

0:26:42.240 --> 0:26:45.720
<v Speaker 8>I would wake up, do whatever I would do before

0:26:45.760 --> 0:26:47.520
<v Speaker 8>going into the studio, but once I would go to

0:26:47.600 --> 0:26:49.639
<v Speaker 8>the studio, that would be it for until I was

0:26:49.720 --> 0:26:52.440
<v Speaker 8>time to go to bed. So I would spend the

0:26:52.480 --> 0:26:55.720
<v Speaker 8>majority of my time, and which also means in those

0:26:55.840 --> 0:26:59.160
<v Speaker 8>days working in New York, it'd be a small room

0:26:59.200 --> 0:27:02.160
<v Speaker 8>with no windows, and I would be there for as

0:27:02.200 --> 0:27:04.359
<v Speaker 8>long as you know, until the sun came up, and

0:27:04.359 --> 0:27:07.360
<v Speaker 8>then I would walk or take a taxi home. So

0:27:07.560 --> 0:27:11.000
<v Speaker 8>the majority of my life, I would say, for at

0:27:11.080 --> 0:27:14.960
<v Speaker 8>least twenty five years, was being in a small dark room.

0:27:15.320 --> 0:27:17.760
<v Speaker 8>So I had very little life outside of a recording

0:27:17.760 --> 0:27:21.200
<v Speaker 8>studio because I worked so much so long. Now I've

0:27:21.240 --> 0:27:24.600
<v Speaker 8>found a way and just through doing it enough understanding

0:27:25.080 --> 0:27:27.280
<v Speaker 8>what's important for me to be there for, what's not

0:27:27.359 --> 0:27:29.520
<v Speaker 8>important for me to be there for. And now I

0:27:29.600 --> 0:27:33.080
<v Speaker 8>tend to have lunch, go to the studio, work from

0:27:33.160 --> 0:27:36.240
<v Speaker 8>maybe one till six.

0:27:36.520 --> 0:27:38.359
<v Speaker 2>And what do you do when you say you were.

0:27:38.320 --> 0:27:40.199
<v Speaker 8>Listen to music and then talk about what we can

0:27:40.240 --> 0:27:43.320
<v Speaker 8>try next. Sometimes we do it right then, and sometimes

0:27:43.320 --> 0:27:45.560
<v Speaker 8>we're making a list of things to try after I

0:27:45.680 --> 0:27:48.680
<v Speaker 8>leave in the evening. It depends. I always have anxiety

0:27:48.680 --> 0:27:50.600
<v Speaker 8>when a project starts, because I never know what's going

0:27:50.680 --> 0:27:53.080
<v Speaker 8>to happen. We don't go in with any script. I

0:27:53.240 --> 0:27:56.080
<v Speaker 8>prefer to go in when we have songs. But then

0:27:56.359 --> 0:27:58.919
<v Speaker 8>there are a million ways to present a song. So

0:27:59.160 --> 0:28:02.359
<v Speaker 8>there's always this sense of what's going to separate this

0:28:02.520 --> 0:28:05.440
<v Speaker 8>body of work from the rest of the artist body

0:28:05.440 --> 0:28:07.679
<v Speaker 8>of work and everyone else's work. And I don't know

0:28:07.840 --> 0:28:12.400
<v Speaker 8>what that is going in, So it's a real experiment

0:28:12.480 --> 0:28:17.680
<v Speaker 8>and we come in and I'm nervous until something good happens,

0:28:17.720 --> 0:28:21.200
<v Speaker 8>like ah, And then if that thing that's good, even

0:28:21.200 --> 0:28:24.120
<v Speaker 8>if it's a even if it doesn't end up this way,

0:28:24.240 --> 0:28:26.919
<v Speaker 8>if it's a clue of what the whole vision of

0:28:26.920 --> 0:28:30.639
<v Speaker 8>the project can be, even if it's not what it is,

0:28:31.440 --> 0:28:33.840
<v Speaker 8>I feel better because at least there's a solution, even

0:28:33.880 --> 0:28:36.439
<v Speaker 8>if it doesn't end up being the solution, there's a

0:28:36.520 --> 0:28:37.480
<v Speaker 8>possible solution.

0:28:37.960 --> 0:28:41.120
<v Speaker 2>And that feels good because I was reading about the

0:28:41.160 --> 0:28:43.600
<v Speaker 2>way you work, and you said that you start with

0:28:43.640 --> 0:28:47.880
<v Speaker 2>an empty sheet. You know that you basically start with nothing, yes,

0:28:48.000 --> 0:28:51.480
<v Speaker 2>and then you move from nothing to what you're going

0:28:51.520 --> 0:28:54.280
<v Speaker 2>to record that day or work in my own little way,

0:28:54.320 --> 0:28:56.800
<v Speaker 2>in my own little restaurant, we come in with an

0:28:56.840 --> 0:28:58.920
<v Speaker 2>empty sheet of paper? Can we write the menu? Of course,

0:28:58.960 --> 0:28:59.920
<v Speaker 2>there are things that we always know.

0:29:00.000 --> 0:29:00.720
<v Speaker 3>We'll have montsarell.

0:29:00.840 --> 0:29:03.280
<v Speaker 2>We always know that we'll have four pastas, and we

0:29:03.360 --> 0:29:05.720
<v Speaker 2>always know that we'll have two dishes on the grill,

0:29:05.760 --> 0:29:08.440
<v Speaker 2>two dishes in the wood oven, then two dishes to roast.

0:29:09.120 --> 0:29:12.240
<v Speaker 2>But it does start with an empty sheet. And do

0:29:12.200 --> 0:29:13.360
<v Speaker 2>you have a parallel in that?

0:29:13.800 --> 0:29:18.720
<v Speaker 8>Absolutely? I come and we usually start by listening to

0:29:18.800 --> 0:29:22.160
<v Speaker 8>any ideas that the artists have. Whatever they are, they

0:29:22.200 --> 0:29:25.400
<v Speaker 8>could be. It could be a song. They may play

0:29:25.440 --> 0:29:27.719
<v Speaker 8>a whole song and then talk about how to do it,

0:29:27.840 --> 0:29:30.040
<v Speaker 8>or they may play a demo of a whole worked

0:29:30.040 --> 0:29:34.160
<v Speaker 8>out arrangement of a song with musicians and everything. They

0:29:34.240 --> 0:29:38.080
<v Speaker 8>may come in and with a riff, you know, just

0:29:38.120 --> 0:29:41.400
<v Speaker 8>a little snippet of a song, or a melodic idea

0:29:41.560 --> 0:29:44.960
<v Speaker 8>or a lyrical idea, and then we talk about ways

0:29:44.960 --> 0:29:47.200
<v Speaker 8>of fleshing it out and what are the next stages

0:29:47.280 --> 0:29:50.280
<v Speaker 8>and what can it be. Sometimes they'll come to me

0:29:50.360 --> 0:29:54.160
<v Speaker 8>with a whole body of work, like an album's worth

0:29:54.200 --> 0:29:58.120
<v Speaker 8>of things that are in various stages of completion, and

0:29:58.160 --> 0:30:01.080
<v Speaker 8>then we listen and see is something that we can

0:30:01.240 --> 0:30:03.200
<v Speaker 8>Is this a starting point that we could build off of,

0:30:03.440 --> 0:30:05.520
<v Speaker 8>or is this almost like a recipe that we could

0:30:05.600 --> 0:30:08.880
<v Speaker 8>use to start from scratch? You never know it really is,

0:30:09.720 --> 0:30:13.480
<v Speaker 8>and then the experiments begin. We try different things, and

0:30:13.560 --> 0:30:16.520
<v Speaker 8>I like the idea of in the case of where

0:30:16.520 --> 0:30:19.640
<v Speaker 8>someone brings in something, I like the idea of stripping

0:30:19.640 --> 0:30:22.200
<v Speaker 8>back the elements and listening to what's there and even

0:30:22.240 --> 0:30:27.160
<v Speaker 8>if it wasn't done in an intentional way for the

0:30:27.200 --> 0:30:30.040
<v Speaker 8>way that it's going to be used. Sometimes you find

0:30:30.200 --> 0:30:34.160
<v Speaker 8>very interesting things that if you were trying to do it,

0:30:34.200 --> 0:30:37.120
<v Speaker 8>you might not do. It could be very interesting to

0:30:37.160 --> 0:30:37.560
<v Speaker 8>listen to.

0:30:37.800 --> 0:30:41.240
<v Speaker 2>It's also trust, isn't it that they trust what you're

0:30:41.240 --> 0:30:43.280
<v Speaker 2>saying to them, or they trust what your thoughts.

0:30:43.480 --> 0:30:45.600
<v Speaker 8>It's like if I gave you two dishes of food

0:30:46.320 --> 0:30:48.840
<v Speaker 8>and I asked you to taste them and ask you

0:30:48.840 --> 0:30:52.080
<v Speaker 8>which one you like better. The only right answer is

0:30:52.120 --> 0:30:54.240
<v Speaker 8>the one that you like better. Do you know what

0:30:54.280 --> 0:30:57.080
<v Speaker 8>I'm saying? There is no right answer. It's with taste.

0:30:57.160 --> 0:30:59.600
<v Speaker 8>It's you taste this, You taste this, Tell me which

0:30:59.600 --> 0:31:04.080
<v Speaker 8>one you like. There's no same tell me there's no

0:31:04.320 --> 0:31:08.360
<v Speaker 8>there are no wrong answers in taste. It is I've

0:31:08.400 --> 0:31:12.480
<v Speaker 8>been lucky that when I'm true to my taste, other

0:31:12.520 --> 0:31:15.640
<v Speaker 8>people have liked it. It's not the case for everybody,

0:31:16.040 --> 0:31:19.560
<v Speaker 8>but that's the best chance we have is to make

0:31:19.600 --> 0:31:22.400
<v Speaker 8>the thing that we love and hope that someone else

0:31:22.440 --> 0:31:25.320
<v Speaker 8>loves it. If you do something that you don't like

0:31:25.400 --> 0:31:27.200
<v Speaker 8>with the idea that someone else might like it, what

0:31:27.760 --> 0:31:30.640
<v Speaker 8>are the odds that's going to be good? Then no

0:31:30.680 --> 0:31:34.160
<v Speaker 8>one might like it, at least at least I like it,

0:31:34.880 --> 0:31:37.200
<v Speaker 8>you know, and I can go to sleep knowing it's

0:31:37.200 --> 0:31:39.200
<v Speaker 8>the best I could do. I love it. If no

0:31:39.240 --> 0:31:49.000
<v Speaker 8>one else likes it, it's okay. A certain person plays

0:31:49.200 --> 0:31:53.800
<v Speaker 8>a guitar piece and it's beautiful, and another person plays

0:31:53.840 --> 0:31:58.520
<v Speaker 8>the same guitar piece and there's this other magical dimension

0:31:58.600 --> 0:32:01.320
<v Speaker 8>to it that you can put a finger on. You

0:32:01.360 --> 0:32:04.360
<v Speaker 8>don't know why it's I don't even know if it

0:32:04.360 --> 0:32:06.560
<v Speaker 8>better's the right words. You don't know why it's different,

0:32:06.600 --> 0:32:10.000
<v Speaker 8>because technically it looks the same. But one of them

0:32:10.200 --> 0:32:12.120
<v Speaker 8>you want to hear over and over and over again

0:32:12.160 --> 0:32:15.880
<v Speaker 8>forever and you're filled with wonder. And the other one

0:32:16.000 --> 0:32:18.360
<v Speaker 8>it's the same notes in the same order, at the

0:32:18.400 --> 0:32:22.840
<v Speaker 8>same speed, played with great dexterity, but it doesn't have

0:32:23.000 --> 0:32:26.280
<v Speaker 8>this other life to it, and I would say the

0:32:26.320 --> 0:32:26.800
<v Speaker 8>same with food.

0:32:26.920 --> 0:32:28.760
<v Speaker 2>It's the same with the recipe, isn't it that you

0:32:28.760 --> 0:32:31.480
<v Speaker 2>can say I always say that a recipe is part

0:32:31.520 --> 0:32:35.120
<v Speaker 2>poetry and part science. Yes, and that the science is

0:32:35.160 --> 0:32:39.520
<v Speaker 2>the cord of a teaspoon of baking powder or three

0:32:39.560 --> 0:32:43.280
<v Speaker 2>tablespoons of sugar. And yet, as you say, the way

0:32:43.320 --> 0:32:45.640
<v Speaker 2>it's stirred, in the way it sifted, the way it's

0:32:45.680 --> 0:32:46.480
<v Speaker 2>put in the past.

0:32:46.640 --> 0:32:48.600
<v Speaker 8>So I have a question for you, how difficult is

0:32:48.640 --> 0:32:52.960
<v Speaker 8>it to keep the consistency of the quality of the

0:32:52.960 --> 0:32:54.920
<v Speaker 8>food with different people involved over time.

0:32:55.000 --> 0:32:57.440
<v Speaker 2>Yeah, that's a good question. I think that we have

0:32:57.520 --> 0:33:00.479
<v Speaker 2>very few chefs, so it's not a big kitchen, and

0:33:00.520 --> 0:33:03.400
<v Speaker 2>we don't have what you're doing in Los Angeles when

0:33:03.440 --> 0:33:06.080
<v Speaker 2>I was in kitchens that you have one head chef

0:33:06.080 --> 0:33:08.680
<v Speaker 2>and a lot of chefs on the line. So there

0:33:08.760 --> 0:33:11.560
<v Speaker 2>is a kind of communication really.

0:33:11.280 --> 0:33:12.360
<v Speaker 6>Of how you do it.

0:33:12.440 --> 0:33:16.040
<v Speaker 2>But is that is what I look for every time

0:33:16.120 --> 0:33:19.040
<v Speaker 2>if you come to eat, My fears is that you know,

0:33:19.400 --> 0:33:22.600
<v Speaker 2>I'm grilled sea bass coming to the table going to

0:33:22.640 --> 0:33:25.280
<v Speaker 2>be the way it was the night before, and you know,

0:33:25.320 --> 0:33:27.680
<v Speaker 2>and very often when you're on the past, the head chef,

0:33:28.120 --> 0:33:29.680
<v Speaker 2>I don't know how it is in music, but the

0:33:29.680 --> 0:33:31.920
<v Speaker 2>head chef is the last person to see the plate

0:33:31.960 --> 0:33:35.400
<v Speaker 2>that goes out. And it's tricky because sometimes you just

0:33:35.600 --> 0:33:38.120
<v Speaker 2>keep sending it back to the chef who didn't quite

0:33:38.160 --> 0:33:41.200
<v Speaker 2>get it right, and you're taking away their confidence, you're

0:33:41.560 --> 0:33:44.880
<v Speaker 2>diminishing them, and you're destroying them. But on the other hand,

0:33:44.920 --> 0:33:46.760
<v Speaker 2>you know that you don't want to send something out,

0:33:46.760 --> 0:33:50.160
<v Speaker 2>so it's a constant, you know, judgment. How can you

0:33:50.200 --> 0:33:52.640
<v Speaker 2>tell a musician who's just the one that didn't play

0:33:52.680 --> 0:33:55.480
<v Speaker 2>the guitar the way? What do you do with someone

0:33:55.520 --> 0:33:59.880
<v Speaker 2>who's played something that isn't How do you give that?

0:34:00.040 --> 0:34:06.640
<v Speaker 8>I do my best to cast the people that can

0:34:06.680 --> 0:34:09.200
<v Speaker 8>do the work, and if not, I'll do it again

0:34:09.239 --> 0:34:09.920
<v Speaker 8>with someone else.

0:34:10.400 --> 0:34:12.400
<v Speaker 2>Tell me about some of the musicians and their food.

0:34:12.719 --> 0:34:14.600
<v Speaker 2>As there a musician that you actually.

0:34:14.440 --> 0:34:18.120
<v Speaker 8>That one of the things that because the nature of

0:34:18.200 --> 0:34:20.480
<v Speaker 8>the recording studio is this place you go to and

0:34:20.520 --> 0:34:22.759
<v Speaker 8>sometimes you spend a long time knowing what you're doing,

0:34:22.760 --> 0:34:26.120
<v Speaker 8>and sometimes you spend a long time trying to figure

0:34:26.120 --> 0:34:29.440
<v Speaker 8>out what you're doing or waiting for the thing to

0:34:29.560 --> 0:34:31.960
<v Speaker 8>come that you're there to do, but you don't know

0:34:31.960 --> 0:34:34.719
<v Speaker 8>what it is yet. So eating in the studio is

0:34:34.760 --> 0:34:37.439
<v Speaker 8>a standard. And one of the things about Shangri Laud,

0:34:37.480 --> 0:34:40.120
<v Speaker 8>the studio that I have in Malibu, is most studios

0:34:40.160 --> 0:34:43.440
<v Speaker 8>have one runner, maybe two, and we have lots of runners.

0:34:43.880 --> 0:34:47.040
<v Speaker 8>And when people come and order food, food comes very quickly,

0:34:47.080 --> 0:34:50.239
<v Speaker 8>which historically in studio you'll order lunch and it might

0:34:50.280 --> 0:34:54.399
<v Speaker 8>not come for two hours, whereas for whatever reason, at

0:34:54.400 --> 0:34:58.399
<v Speaker 8>Shangra lab's very creature, comfort oriented, and we get really

0:34:58.440 --> 0:35:00.360
<v Speaker 8>good food really fast, and sometimes we and have a

0:35:00.400 --> 0:35:02.480
<v Speaker 8>chef because there's a kitchen. If you ever saw the

0:35:02.520 --> 0:35:06.040
<v Speaker 8>movie The Last Waltz, the band are in the kitchen

0:35:06.080 --> 0:35:08.680
<v Speaker 8>at Changra La, that's.

0:35:08.560 --> 0:35:10.759
<v Speaker 2>The You came into my house today and the first

0:35:10.760 --> 0:35:13.640
<v Speaker 2>thing you said was let's eat. Yes, you did quite quickly.

0:35:14.040 --> 0:35:14.560
<v Speaker 6>Is the habit.

0:35:15.040 --> 0:35:17.239
<v Speaker 2>A friend of mine once said that his family had

0:35:17.239 --> 0:35:20.600
<v Speaker 2>a rule that there should be no longer than forty

0:35:20.600 --> 0:35:22.920
<v Speaker 2>five seconds when someone walks into your house that they

0:35:22.960 --> 0:35:24.960
<v Speaker 2>have a drink in their hand. And actually, what I

0:35:24.960 --> 0:35:27.919
<v Speaker 2>think that does is actually very nice, because it means

0:35:27.960 --> 0:35:31.400
<v Speaker 2>you're stopping what you're doing and you're giving somebody something

0:35:31.400 --> 0:35:33.239
<v Speaker 2>when they come in the house, you know, And I

0:35:33.280 --> 0:35:35.759
<v Speaker 2>think that means something. And so are the artists that

0:35:35.800 --> 0:35:39.080
<v Speaker 2>you do associate more with food than others. But then

0:35:39.200 --> 0:35:40.279
<v Speaker 2>Johnny Cash, he eat.

0:35:40.719 --> 0:35:43.839
<v Speaker 8>Johnny Cash loved a restaurant in Los Angeles called the Ivy,

0:35:43.960 --> 0:35:45.600
<v Speaker 8>and wherever he would come to town, we would always

0:35:45.640 --> 0:35:56.560
<v Speaker 8>go to get it to the Ivy.

0:35:59.440 --> 0:36:03.040
<v Speaker 2>They're very few people who, even if you rarely see them,

0:36:03.360 --> 0:36:06.640
<v Speaker 2>stay close to your heart. For me, it's Wolfgang Puck.

0:36:07.200 --> 0:36:09.840
<v Speaker 2>I'm often asked who inspired Rose and I when we

0:36:09.880 --> 0:36:13.600
<v Speaker 2>opened the River Cafe, and the answer is Wolfgang. Before

0:36:13.640 --> 0:36:16.560
<v Speaker 2>he created Spago, the choice for choosing a restaurant was

0:36:17.040 --> 0:36:19.759
<v Speaker 2>eat delicious food, but be sure to dress up and

0:36:19.840 --> 0:36:23.520
<v Speaker 2>be prepared to feel intimidated by the soumeier chef or

0:36:23.600 --> 0:36:26.320
<v Speaker 2>just the atmosphere in the room, or eat less well,

0:36:26.719 --> 0:36:29.520
<v Speaker 2>but go out and have fun in a lively, exciting,

0:36:29.600 --> 0:36:33.520
<v Speaker 2>friendly place. With Spago, Wolfgang taught us we could do both,

0:36:33.880 --> 0:36:37.919
<v Speaker 2>and he turned the world upside down. He made pizzas, luxurious,

0:36:37.960 --> 0:36:41.640
<v Speaker 2>airport food, delicious wood ovens for cooking, and took chefs

0:36:41.640 --> 0:36:44.680
<v Speaker 2>out of basement kitchens so diners could see them and

0:36:44.719 --> 0:36:47.520
<v Speaker 2>they could see the diners. A few months ago, he

0:36:47.600 --> 0:36:49.840
<v Speaker 2>came to the River Cafe for dinner with his family.

0:36:50.320 --> 0:36:52.719
<v Speaker 2>To everyone working there, it felt like a visit from

0:36:52.719 --> 0:36:55.560
<v Speaker 2>the gods. For me, it was a visit from a

0:36:55.600 --> 0:36:58.440
<v Speaker 2>man I loved, but rarely see a man who is

0:36:58.680 --> 0:36:59.840
<v Speaker 2>close to my heart.

0:37:00.480 --> 0:37:01.520
<v Speaker 9>Thank you.

0:37:01.560 --> 0:37:03.400
<v Speaker 2>Tell me about your family. Did you grow up with

0:37:03.440 --> 0:37:03.920
<v Speaker 2>good food?

0:37:04.160 --> 0:37:06.040
<v Speaker 9>You know, it's very interesting.

0:37:06.160 --> 0:37:09.040
<v Speaker 10>My mother was a chef, a professional chef, but she

0:37:09.040 --> 0:37:12.200
<v Speaker 10>didn't own a restaurant. She worked for a small hotel

0:37:12.239 --> 0:37:14.840
<v Speaker 10>on a beautiful lake in Carinthia, which is the southern

0:37:14.880 --> 0:37:18.799
<v Speaker 10>part of Austria next to Italian Slovenia, And so she was.

0:37:18.800 --> 0:37:19.439
<v Speaker 9>A good cook.

0:37:19.480 --> 0:37:23.640
<v Speaker 10>And my stepfather was a coal miner and totally crazy

0:37:23.680 --> 0:37:27.200
<v Speaker 10>and alcoholic and everything, and my mother was like an angel.

0:37:27.239 --> 0:37:29.760
<v Speaker 10>I don't know how the young and the young get together,

0:37:29.880 --> 0:37:33.680
<v Speaker 10>but it's impossible. And when I was fourteen, I had

0:37:33.719 --> 0:37:39.120
<v Speaker 10>to decide what to do, because you're the school finished.

0:37:39.120 --> 0:37:43.120
<v Speaker 10>At fourteen, I was finished with school and we didn't

0:37:43.120 --> 0:37:46.200
<v Speaker 10>have the money to go to Vienna to study. I

0:37:46.239 --> 0:37:49.120
<v Speaker 10>actually wanted to be an architect, did you yeah, But

0:37:49.239 --> 0:37:50.680
<v Speaker 10>then we didn't have the money to go.

0:37:51.760 --> 0:37:54.239
<v Speaker 9>So then my mother found me a job.

0:37:54.120 --> 0:37:57.040
<v Speaker 10>As an apprentice. My stepfather said, cooking, it's not a

0:37:57.040 --> 0:38:00.239
<v Speaker 10>profession for man. You should be a cap and or

0:38:00.280 --> 0:38:02.000
<v Speaker 10>you should be a mason, or you should be a

0:38:02.040 --> 0:38:05.160
<v Speaker 10>mechanic or whatever cooking is for women. And he said

0:38:05.160 --> 0:38:07.360
<v Speaker 10>you're good for nothing, because I hated to help.

0:38:07.239 --> 0:38:08.040
<v Speaker 9>Him and everything.

0:38:08.080 --> 0:38:11.880
<v Speaker 10>So I still remember when I left, which was fifty

0:38:11.920 --> 0:38:14.759
<v Speaker 10>miles away where I was starting my apprenticeship, and I

0:38:14.800 --> 0:38:15.680
<v Speaker 10>was fourteen years old.

0:38:15.680 --> 0:38:17.080
<v Speaker 9>I went to the train station with.

0:38:17.040 --> 0:38:22.160
<v Speaker 10>A little suitcase and then I take the train and

0:38:22.320 --> 0:38:24.120
<v Speaker 10>as I was walking out the house, he say, oh,

0:38:24.120 --> 0:38:25.799
<v Speaker 10>you're good for nothing. You're going to be back in

0:38:25.840 --> 0:38:28.680
<v Speaker 10>a month, and then cry for money and everything. I said,

0:38:28.960 --> 0:38:29.760
<v Speaker 10>I'm never.

0:38:29.560 --> 0:38:31.960
<v Speaker 2>Coming back at age fourteen.

0:38:32.040 --> 0:38:35.240
<v Speaker 10>At fourteen, yeah, And then I go there. I started

0:38:35.280 --> 0:38:38.839
<v Speaker 10>my apprenticeship and the chef there was as crazy as

0:38:38.920 --> 0:38:43.239
<v Speaker 10>my stepfather. So I went from to the next and

0:38:43.800 --> 0:38:46.320
<v Speaker 10>you know, what do you doing it in the kitchen

0:38:46.360 --> 0:38:48.719
<v Speaker 10>here in the kitchens? Yeah, he was drunk all the

0:38:48.760 --> 0:38:52.840
<v Speaker 10>time too, and screaming like crazy, throwing think like crazy,

0:38:53.080 --> 0:38:55.520
<v Speaker 10>like it happened in the old time more than you think.

0:38:55.680 --> 0:38:56.520
<v Speaker 9>Yeah.

0:38:56.800 --> 0:38:59.960
<v Speaker 10>And so like three or four weeks into my apprentic

0:39:00.080 --> 0:39:02.680
<v Speaker 10>the ship on a Sunday. Sunday lunch was always the

0:39:02.719 --> 0:39:05.520
<v Speaker 10>busy day, and I was doing the potatoes and making

0:39:05.560 --> 0:39:07.920
<v Speaker 10>the mashed potatoes. That was like my job, and peeling

0:39:08.000 --> 0:39:11.319
<v Speaker 10>onions and carrots, watching the spinach. And we ran out

0:39:11.320 --> 0:39:14.400
<v Speaker 10>of mashed potatoes. We run out of potato potatoes. And

0:39:14.480 --> 0:39:17.640
<v Speaker 10>at the end of the service, he's queened like crazy,

0:39:17.640 --> 0:39:19.919
<v Speaker 10>Oh your good for not saying we'll go back home.

0:39:20.000 --> 0:39:22.000
<v Speaker 10>So he told me, okay, you're fired, go back home

0:39:22.000 --> 0:39:24.319
<v Speaker 10>to your mother. And I was saying, I said, I

0:39:24.360 --> 0:39:27.319
<v Speaker 10>cannot go back home with my special my stepfather.

0:39:27.440 --> 0:39:27.800
<v Speaker 9>Yeah.

0:39:28.360 --> 0:39:31.320
<v Speaker 10>So that was probably the worst day in my life.

0:39:31.360 --> 0:39:34.319
<v Speaker 10>So I went on the thing and I said I'm

0:39:34.320 --> 0:39:36.840
<v Speaker 10>going to jump in the river and kill myself. And

0:39:36.920 --> 0:39:38.640
<v Speaker 10>I was fourteen years old. You know, I did not

0:39:38.840 --> 0:39:41.600
<v Speaker 10>say I said I cannot go back home. So I

0:39:41.719 --> 0:39:44.799
<v Speaker 10>was standing on the river there looking down and said,

0:39:44.800 --> 0:39:46.399
<v Speaker 10>what will happen if I die?

0:39:46.440 --> 0:39:49.080
<v Speaker 9>You know, what is happening? Or what is hell? Or what?

0:39:49.719 --> 0:39:52.160
<v Speaker 9>And it was all these thoughts were going through my head.

0:39:53.200 --> 0:39:56.879
<v Speaker 10>And then after a while, I said, you know what,

0:39:56.960 --> 0:39:58.640
<v Speaker 10>I'm just going to go back to more and see

0:39:58.640 --> 0:40:01.480
<v Speaker 10>what happened. So I went back back to the restaurant.

0:40:01.520 --> 0:40:04.799
<v Speaker 10>Back to the restaurant, so I bent. I couldn't sleep

0:40:04.840 --> 0:40:07.279
<v Speaker 10>all night. I went really early to the restaurant. Then

0:40:07.280 --> 0:40:09.719
<v Speaker 10>the apprentice who was both me came and told me that.

0:40:09.800 --> 0:40:11.520
<v Speaker 10>I said, oh, you're back. He was so happy.

0:40:11.560 --> 0:40:13.520
<v Speaker 9>I said, I don't have to build potatoes.

0:40:13.520 --> 0:40:17.080
<v Speaker 10>So he hit me down in the vegetable seller and

0:40:17.480 --> 0:40:19.760
<v Speaker 10>I was peeling potatoes there. And after a few weeks

0:40:19.760 --> 0:40:22.680
<v Speaker 10>the chef comes down and sees me and start screaming

0:40:22.680 --> 0:40:25.239
<v Speaker 10>what you're doing here? He said get out of here,

0:40:25.239 --> 0:40:27.040
<v Speaker 10>and screamed, and that was saying. And then I said,

0:40:27.040 --> 0:40:29.839
<v Speaker 10>I'm not leaving. I'm not leaving, and then he called

0:40:29.840 --> 0:40:32.080
<v Speaker 10>the owner. The owner was a little had a little

0:40:32.080 --> 0:40:36.879
<v Speaker 10>more empathy and sent me to They had another small

0:40:36.920 --> 0:40:39.319
<v Speaker 10>hotel in town, and they said, maybe it goes over there,

0:40:39.360 --> 0:40:42.080
<v Speaker 10>and there had they had a lady who was the chef,

0:40:42.800 --> 0:40:45.320
<v Speaker 10>and she said, just do your job and be quiet

0:40:45.360 --> 0:40:49.000
<v Speaker 10>and don't do anything stupid and everything will be fine.

0:40:49.040 --> 0:40:52.279
<v Speaker 10>And sure enough I stayed there for three years, did

0:40:52.320 --> 0:40:56.120
<v Speaker 10>my apprenticeship, and after that I left for France.

0:40:56.480 --> 0:40:58.440
<v Speaker 2>When you think of your own children, don't you. We

0:40:58.480 --> 0:41:00.759
<v Speaker 2>think about how we treated four ten year old, how

0:41:00.800 --> 0:41:03.080
<v Speaker 2>you treat your children. I saw you the night you

0:41:03.120 --> 0:41:05.800
<v Speaker 2>came in with your children, and I saw the parenting.

0:41:05.880 --> 0:41:08.880
<v Speaker 2>I saw the love, I saw the kindness, patience, and

0:41:08.920 --> 0:41:11.799
<v Speaker 2>then you just think what you had been through. You know,

0:41:12.160 --> 0:41:14.840
<v Speaker 2>it's interesting. We had a young woman who worked for

0:41:14.880 --> 0:41:17.879
<v Speaker 2>a very famous restaurant in London and she said that

0:41:17.920 --> 0:41:20.680
<v Speaker 2>she was once taking soufles out of the oven and

0:41:20.719 --> 0:41:23.040
<v Speaker 2>the chef came over and put a frying pan over

0:41:23.120 --> 0:41:26.200
<v Speaker 2>her head and said, if these soufles don't rise, this

0:41:26.280 --> 0:41:28.680
<v Speaker 2>frying pan's going to be on your head. And I said,

0:41:28.680 --> 0:41:31.120
<v Speaker 2>what you should have done is put the soufles back

0:41:31.160 --> 0:41:35.040
<v Speaker 2>in the oven, gone, got your coat, left the restaurant

0:41:35.040 --> 0:41:37.080
<v Speaker 2>and gone to the police. You should go to the

0:41:37.120 --> 0:41:40.840
<v Speaker 2>police because that is abuse. But you know, somehow that

0:41:41.040 --> 0:41:44.320
<v Speaker 2>idea that somehow, because everybody's under pressure in a kitchen

0:41:44.640 --> 0:41:48.040
<v Speaker 2>it's okay, it's not okay. It's old fashioned and it's wrong.

0:41:48.320 --> 0:41:53.400
<v Speaker 10>Yeah, physical abuse wrong, Emotional abuse is totally wrong. And

0:41:53.600 --> 0:41:56.319
<v Speaker 10>I think one of the lessons I learned from them,

0:41:56.400 --> 0:41:59.360
<v Speaker 10>I said, I know, I want to be like my stepfather,

0:41:59.520 --> 0:42:01.960
<v Speaker 10>and I never want to be like the first chef

0:42:02.040 --> 0:42:04.960
<v Speaker 10>I worked for, because I think they did the opposite.

0:42:05.000 --> 0:42:07.520
<v Speaker 10>And I said, you know, if somebody that makes a mistake,

0:42:07.600 --> 0:42:10.200
<v Speaker 10>somebody does something wrong, I'm going to show them how

0:42:10.239 --> 0:42:10.960
<v Speaker 10>to do it right.

0:42:11.640 --> 0:42:13.120
<v Speaker 9>And sometimes it takes.

0:42:12.840 --> 0:42:16.040
<v Speaker 10>More than once, but you want to teach people. And

0:42:16.080 --> 0:42:18.160
<v Speaker 10>I think for me that was really an important part.

0:42:18.200 --> 0:42:20.480
<v Speaker 10>And later on I opened its cooking school, so I

0:42:20.480 --> 0:42:21.400
<v Speaker 10>had to teach people.

0:42:21.520 --> 0:42:23.799
<v Speaker 2>No. And so you got on the train and went

0:42:23.840 --> 0:42:25.040
<v Speaker 2>to where did you went to? France?

0:42:25.320 --> 0:42:26.560
<v Speaker 9>So then I went down there France.

0:42:26.600 --> 0:42:28.840
<v Speaker 10>I went to Dijon first and worked in a restaurant

0:42:28.840 --> 0:42:33.040
<v Speaker 10>called Trofezon. I was seventeen, seventeen, Yeah, so said I

0:42:33.120 --> 0:42:35.200
<v Speaker 10>have a son now seventeen. I said, wow, if he

0:42:35.239 --> 0:42:37.360
<v Speaker 10>would go, tell me tomorrow he's going to work in

0:42:37.400 --> 0:42:39.960
<v Speaker 10>Mexico City or somewhere. Let's say, I don't know. If

0:42:40.040 --> 0:42:42.319
<v Speaker 10>not by yourself, I'm gonna send a shutout for you.

0:42:43.120 --> 0:42:46.799
<v Speaker 10>And so I went to France and then I was

0:42:46.840 --> 0:42:50.239
<v Speaker 10>working there, and after like a year or so, I

0:42:50.280 --> 0:42:53.000
<v Speaker 10>started to speak French. I didn't speak it at the beginning.

0:42:53.440 --> 0:42:56.120
<v Speaker 10>And then we had a party at a restaurant and

0:42:56.640 --> 0:42:58.200
<v Speaker 10>it was because we got a star.

0:42:58.120 --> 0:43:01.200
<v Speaker 9>In the gid mischland right and had a store. It

0:43:01.400 --> 0:43:03.160
<v Speaker 9>just got a new style. It didn't have one but

0:43:03.280 --> 0:43:03.960
<v Speaker 9>the go down.

0:43:04.520 --> 0:43:06.840
<v Speaker 10>And then I took one of these red books, looked

0:43:06.840 --> 0:43:09.319
<v Speaker 10>through it, and I said, oh shit, there it's one star,

0:43:09.440 --> 0:43:12.080
<v Speaker 10>two stars, three star restaurant. So I said, I'm not

0:43:12.160 --> 0:43:14.279
<v Speaker 10>going back to Austria before. I don't work in at

0:43:14.360 --> 0:43:16.239
<v Speaker 10>least in a two star, hopefully in the street star.

0:43:16.760 --> 0:43:19.359
<v Speaker 10>So I wrote to Bocus to throw go to La

0:43:19.520 --> 0:43:22.640
<v Speaker 10>sal Or Total. You know all these famous three star restaurants.

0:43:22.960 --> 0:43:26.480
<v Speaker 10>The first one who said yes was Raymondally at Bomagnier in.

0:43:26.440 --> 0:43:27.680
<v Speaker 2>Provence, Abomania.

0:43:27.920 --> 0:43:30.360
<v Speaker 9>Yea, yeah, yeah, yeah, it's an amazing restaurant. But he

0:43:30.600 --> 0:43:32.080
<v Speaker 9>was on hell yeah yeah.

0:43:32.120 --> 0:43:36.320
<v Speaker 10>He was the most amazing personality. Not only he started

0:43:36.360 --> 0:43:38.520
<v Speaker 10>cooking when he was like fifty professional when he was

0:43:38.560 --> 0:43:42.280
<v Speaker 10>fifty years old, but he was so passionate about the ingredients.

0:43:42.280 --> 0:43:44.640
<v Speaker 10>He had a lot of land there too. He had

0:43:44.680 --> 0:43:47.800
<v Speaker 10>six gardeners who bought like the best cavayon melon or

0:43:47.840 --> 0:43:52.320
<v Speaker 10>strawberries or peas or green beans, really small.

0:43:52.000 --> 0:43:52.200
<v Speaker 2>You know.

0:43:52.480 --> 0:43:55.840
<v Speaker 10>So it was really an amazing experience to have somebody

0:43:55.920 --> 0:43:56.560
<v Speaker 10>at that age.

0:43:56.560 --> 0:43:58.120
<v Speaker 9>He was already seventy years old.

0:43:58.040 --> 0:44:01.439
<v Speaker 10>But he was so passionate, and you know, going back

0:44:01.480 --> 0:44:03.680
<v Speaker 10>and forth in the dining room, and then he used

0:44:03.680 --> 0:44:07.920
<v Speaker 10>to come into the kitchen with Elizabet Taylor and who

0:44:08.080 --> 0:44:10.479
<v Speaker 10>all of us young guys looked at her and said,

0:44:10.480 --> 0:44:13.200
<v Speaker 10>oh my god. A one time he came in with

0:44:13.280 --> 0:44:16.879
<v Speaker 10>Marcelo Mastroiani and Katherine de Nerve, and I said, oh

0:44:16.960 --> 0:44:19.680
<v Speaker 10>Jesus Christ, I want to feel like him. So I

0:44:19.760 --> 0:44:21.560
<v Speaker 10>stayed there for two and a half years, and he

0:44:21.719 --> 0:44:25.719
<v Speaker 10>was the first person actually who respected me and says,

0:44:25.840 --> 0:44:28.080
<v Speaker 10>you know what, He made me feel good.

0:44:34.960 --> 0:44:37.520
<v Speaker 2>Last night, after dinner in the River cafe, I sat

0:44:37.560 --> 0:44:40.960
<v Speaker 2>with the chefs. Usually we talked about the evening service,

0:44:41.040 --> 0:44:44.240
<v Speaker 2>what happened, who came, what we cooked. But this time,

0:44:44.640 --> 0:44:47.800
<v Speaker 2>knowing he was coming to the kitchen today, we spoke

0:44:47.840 --> 0:44:52.040
<v Speaker 2>about our guests, your term Atolangi. They've all the chefs

0:44:52.040 --> 0:44:55.520
<v Speaker 2>read his books, they've all eaten in his restaurants, and

0:44:55.719 --> 0:44:59.040
<v Speaker 2>like me, love his food. In short, they were thrilled

0:44:59.080 --> 0:45:02.760
<v Speaker 2>he was coming. We both live and work in culture

0:45:02.760 --> 0:45:05.799
<v Speaker 2>as far from where we were born. Today we will

0:45:05.840 --> 0:45:11.280
<v Speaker 2>talk about separation and connection, Eastern and Western family and friends.

0:45:11.719 --> 0:45:14.960
<v Speaker 2>I did read that your first word was was it

0:45:15.040 --> 0:45:17.520
<v Speaker 2>the Israeli word for Hebrew word for soup?

0:45:18.000 --> 0:45:21.640
<v Speaker 11>Well, it is the kind of the little dumplings that

0:45:21.680 --> 0:45:23.520
<v Speaker 11>go into the soup, so it has the word soup

0:45:23.640 --> 0:45:26.319
<v Speaker 11>in it. Yeah, it was something I think my mom

0:45:26.400 --> 0:45:28.680
<v Speaker 11>used to spread on the table while we were waiting

0:45:28.680 --> 0:45:30.480
<v Speaker 11>for the food, and I just used to kind of

0:45:31.080 --> 0:45:32.040
<v Speaker 11>grab them and eat them.

0:45:32.719 --> 0:45:35.800
<v Speaker 2>And So, going back then, starting at the very very beginning,

0:45:35.880 --> 0:45:39.080
<v Speaker 2>tell me about your early childhood in terms of food

0:45:39.120 --> 0:45:39.720
<v Speaker 2>as well.

0:45:39.760 --> 0:45:43.920
<v Speaker 11>You know, yeah, so I grew up in Jerusalem and

0:45:44.080 --> 0:45:46.840
<v Speaker 11>the food in Jerusalem. At that point, can.

0:45:46.719 --> 0:45:49.400
<v Speaker 2>I just ask you, were your parents born in.

0:45:49.920 --> 0:45:53.160
<v Speaker 11>Israel or My parents were born in Europe just before

0:45:53.200 --> 0:45:57.600
<v Speaker 11>the Second World War, so, and they immigrated with their

0:45:58.200 --> 0:46:01.440
<v Speaker 11>parents as little kids just before the war in nineteen

0:46:01.480 --> 0:46:04.600
<v Speaker 11>thirty nine. My mother was from a German family, so

0:46:04.640 --> 0:46:08.319
<v Speaker 11>they were German Jews, and my father were they were

0:46:08.360 --> 0:46:10.080
<v Speaker 11>an Italian family from Florence.

0:46:10.400 --> 0:46:10.760
<v Speaker 2>Really.

0:46:10.880 --> 0:46:14.440
<v Speaker 11>Yeah, so my dad was born in Florence and they

0:46:14.440 --> 0:46:16.840
<v Speaker 11>met in Israel and they so, yeah, they met in

0:46:16.920 --> 0:46:18.680
<v Speaker 11>Israel years later.

0:46:18.800 --> 0:46:20.719
<v Speaker 8>Yeah, yeah, and.

0:46:20.760 --> 0:46:24.439
<v Speaker 11>Jerusalem was so I grew up in a very kind

0:46:24.440 --> 0:46:29.240
<v Speaker 11>of a non traditional Jewish home, very secular food wise,

0:46:29.280 --> 0:46:31.799
<v Speaker 11>Like we had pork, which nobody was unheard of.

0:46:31.960 --> 0:46:32.160
<v Speaker 3>You know.

0:46:32.719 --> 0:46:34.880
<v Speaker 11>My mom had that butcher in Jerusalem, the one and

0:46:34.920 --> 0:46:37.080
<v Speaker 11>only one that sold pork, but it was under the

0:46:37.120 --> 0:46:42.160
<v Speaker 11>counter and the brown bag. Yes, she used to come

0:46:42.200 --> 0:46:45.600
<v Speaker 11>and buy a ham, and we used to get ham

0:46:45.680 --> 0:46:48.480
<v Speaker 11>sandwiches for school. But you know, we were not allowed

0:46:48.480 --> 0:46:50.120
<v Speaker 11>to say what's in our sandwiches and we were not

0:46:50.160 --> 0:46:52.920
<v Speaker 11>allowed to share it with friends. So the cover story

0:46:53.080 --> 0:46:56.040
<v Speaker 11>was that it was a turkey where it was a

0:46:56.120 --> 0:46:57.000
<v Speaker 11>very pink turkey.

0:46:57.800 --> 0:47:01.120
<v Speaker 2>Great woman, very woman to come from Germany. She was

0:47:01.160 --> 0:47:04.239
<v Speaker 2>from Germany, so she probably had pork in Germany.

0:47:04.320 --> 0:47:05.560
<v Speaker 3>I was not going to give that up.

0:47:05.719 --> 0:47:09.359
<v Speaker 11>Yeah, yeah, there were various secular you know, and so

0:47:09.440 --> 0:47:12.600
<v Speaker 11>she just had to have poor. But it was you know,

0:47:12.920 --> 0:47:16.120
<v Speaker 11>the stories about these things they sound quite you know inoccuus,

0:47:16.160 --> 0:47:18.160
<v Speaker 11>but actually it was quite. It was a big deal.

0:47:18.280 --> 0:47:21.719
<v Speaker 11>So that butcher and when people found out that he

0:47:22.200 --> 0:47:25.400
<v Speaker 11>was selling pork, you know, his shop was vandalized and

0:47:25.560 --> 0:47:29.560
<v Speaker 11>you'd have like people would like like glue in his locks,

0:47:29.560 --> 0:47:32.359
<v Speaker 11>so he couldn't open the shop the next day, et cetera.

0:47:32.440 --> 0:47:35.920
<v Speaker 11>It was in Jerusalem. Food is not a neutral distance,

0:47:36.040 --> 0:47:38.800
<v Speaker 11>you know, like all those decisions, all those things that happened,

0:47:39.560 --> 0:47:40.920
<v Speaker 11>political implications.

0:47:41.560 --> 0:47:42.640
<v Speaker 2>What year would this have been?

0:47:43.160 --> 0:47:45.799
<v Speaker 11>So this was so I was born in sixty eight,

0:47:45.880 --> 0:47:47.440
<v Speaker 11>so we're talking about the seventies and.

0:47:47.400 --> 0:47:48.759
<v Speaker 2>Eighties, so late as that.

0:47:49.040 --> 0:47:52.440
<v Speaker 11>Yeah, yeah, yeah, completely. So the food culture of the

0:47:52.480 --> 0:47:55.439
<v Speaker 11>city was the food of the immigrants from wherever they came,

0:47:55.480 --> 0:47:59.120
<v Speaker 11>the Jewish immigrants, but also the Palestinian population, which was

0:47:59.160 --> 0:48:03.520
<v Speaker 11>so such a rich, wonderful culinary history. And I feel

0:48:03.520 --> 0:48:05.520
<v Speaker 11>that I grew up in this world in which we

0:48:05.719 --> 0:48:09.360
<v Speaker 11>ate very European food. At home, my father was cooking

0:48:09.400 --> 0:48:12.680
<v Speaker 11>traditionally Italian dishes, and my mom was kind of an

0:48:12.680 --> 0:48:16.760
<v Speaker 11>international cook, but with a very Germanic approach to cooking.

0:48:17.280 --> 0:48:20.279
<v Speaker 11>But outside, you know, when we went out, we used

0:48:20.320 --> 0:48:23.799
<v Speaker 11>to have Palestinian food Arabic food, and that's the mix

0:48:23.840 --> 0:48:25.920
<v Speaker 11>that I grew up having, and I always thought that

0:48:25.960 --> 0:48:28.320
<v Speaker 11>I was quite lucky to have had been exposed to

0:48:28.360 --> 0:48:30.840
<v Speaker 11>all those kind of foods from quite a young age.

0:48:30.920 --> 0:48:34.480
<v Speaker 2>Could your father find ingredients that he wanted for Italian.

0:48:34.080 --> 0:48:37.200
<v Speaker 11>Cooking, Yeah he could, so, first of all, had they

0:48:37.280 --> 0:48:41.759
<v Speaker 11>used to have food, like I remember my grandparents, because

0:48:41.800 --> 0:48:45.080
<v Speaker 11>they couldn't really separate themselves from their Italian background, so

0:48:45.080 --> 0:48:46.840
<v Speaker 11>they used to have food sent to them, so we

0:48:46.880 --> 0:48:49.279
<v Speaker 11>had to. We used to get like anchovy paste and

0:48:49.320 --> 0:48:54.799
<v Speaker 11>olive oil and biscuits and cookies and things. So they

0:48:54.920 --> 0:48:59.040
<v Speaker 11>always get these packages of Italian produce that arrived in Parmesan.

0:49:00.120 --> 0:49:02.560
<v Speaker 11>They lived about an hour from where we lived in Jerusalem.

0:49:02.560 --> 0:49:04.840
<v Speaker 11>They lived in the suburb of Tel Aviv, and I

0:49:04.920 --> 0:49:06.480
<v Speaker 11>used to come to their house as a kid with

0:49:07.120 --> 0:49:09.920
<v Speaker 11>my dad and the smell was just completely different. It

0:49:09.960 --> 0:49:13.680
<v Speaker 11>smelled of Italy in so many ways. So they kept

0:49:13.719 --> 0:49:16.600
<v Speaker 11>the Italian connection going on. And they used to travel

0:49:16.640 --> 0:49:18.840
<v Speaker 11>in the summer because they had a house in the

0:49:18.920 --> 0:49:21.919
<v Speaker 11>hills outside Florence that we used to go to when

0:49:21.920 --> 0:49:23.920
<v Speaker 11>I was growing up, So we had a lot of

0:49:24.080 --> 0:49:26.719
<v Speaker 11>a lot of that. So in between the Italian and

0:49:26.760 --> 0:49:31.000
<v Speaker 11>the Palestinian and the German influences, I've kind of had

0:49:31.000 --> 0:49:31.880
<v Speaker 11>all that because.

0:49:31.680 --> 0:49:34.920
<v Speaker 2>I often think that I often say that in my

0:49:35.239 --> 0:49:39.920
<v Speaker 2>history as an interviewer that many of the people, especially immigrants,

0:49:40.480 --> 0:49:44.200
<v Speaker 2>talk more about their grandparents' food than their parents. That

0:49:44.440 --> 0:49:48.000
<v Speaker 2>if you've moved from your culture to another culture, the

0:49:48.040 --> 0:49:50.239
<v Speaker 2>mothers probably tried and adapt. So if you have a

0:49:50.280 --> 0:49:54.439
<v Speaker 2>family from Ghana coming from Ghana to London, the mother

0:49:54.480 --> 0:49:57.640
<v Speaker 2>would try and kind of still remember her food she

0:49:57.680 --> 0:50:01.360
<v Speaker 2>grew up with, but would try to adapt. Children completely

0:50:01.400 --> 0:50:03.840
<v Speaker 2>adapted and would have the food of their friends, but

0:50:03.920 --> 0:50:06.799
<v Speaker 2>the grandparents when he went to their house. They would

0:50:06.840 --> 0:50:10.200
<v Speaker 2>cook the Danaan food or the Italian food. And my

0:50:10.320 --> 0:50:15.439
<v Speaker 2>mother in law left Italy for London pre war, and

0:50:15.600 --> 0:50:19.480
<v Speaker 2>her father, who's kind of Florentine site aristocrat, would send

0:50:19.520 --> 0:50:23.800
<v Speaker 2>her candied oranges every month. You know that she craved

0:50:23.880 --> 0:50:28.200
<v Speaker 2>those kind of Italian the Italian food of your culture totally.

0:50:28.200 --> 0:50:31.359
<v Speaker 11>And the only difference is that in Israel at the time,

0:50:31.440 --> 0:50:34.680
<v Speaker 11>there wasn't like a cuisine as such. It was because

0:50:34.680 --> 0:50:37.279
<v Speaker 11>it was just so early on and it was just

0:50:37.320 --> 0:50:40.680
<v Speaker 11>so new and so young, So a national cuisine has

0:50:40.719 --> 0:50:44.160
<v Speaker 11>not evolved. There was a Palestinian the Palestinian food was

0:50:44.600 --> 0:50:48.520
<v Speaker 11>extremely evolved, but what people would call Israeli food is

0:50:48.560 --> 0:50:51.200
<v Speaker 11>something that evolved later. But when I was growing up,

0:50:51.239 --> 0:50:54.680
<v Speaker 11>there was the food that Polish Jews would have cooked,

0:50:54.719 --> 0:50:58.440
<v Speaker 11>or Russian Jews, or Libyan Jews, or Moroccan Jews or

0:50:58.480 --> 0:51:01.759
<v Speaker 11>Iraqi Jews. Those each one had their own cuisine. But

0:51:01.760 --> 0:51:03.440
<v Speaker 11>I always like to say, like in Jerusalem was like

0:51:03.520 --> 0:51:05.920
<v Speaker 11>survival of the fittest, you know, like the best food

0:51:05.960 --> 0:51:10.040
<v Speaker 11>from every culture would surface and we'd have, Yeah, that's

0:51:10.080 --> 0:51:10.480
<v Speaker 11>really great.

0:51:10.520 --> 0:51:12.440
<v Speaker 2>So you would have the Sephardic and you would have

0:51:13.640 --> 0:51:14.280
<v Speaker 2>so you'd.

0:51:14.040 --> 0:51:17.240
<v Speaker 11>Have the Sephardics, you know, salads and like and messes,

0:51:17.280 --> 0:51:19.359
<v Speaker 11>and you'd have like the bubbkas that would come from

0:51:19.360 --> 0:51:23.000
<v Speaker 11>the anaz and and in some ways like some restaurants

0:51:23.040 --> 0:51:26.080
<v Speaker 11>in Jerusalem these days that then when you go, that's

0:51:26.080 --> 0:51:28.720
<v Speaker 11>what's featured, you know, like the best of every culture

0:51:29.600 --> 0:51:30.760
<v Speaker 11>that makes up the city.

0:51:31.640 --> 0:51:33.239
<v Speaker 2>Did your parents take you to restaurants?

0:51:33.280 --> 0:51:34.000
<v Speaker 3>Did you go out?

0:51:34.400 --> 0:51:38.600
<v Speaker 11>Yeah, so we didn't have we didn't have great restaurants

0:51:38.600 --> 0:51:41.160
<v Speaker 11>in Jerusalem in the sense in the way we have now.

0:51:41.280 --> 0:51:44.920
<v Speaker 11>So this whole, this whole revolution in food has not

0:51:45.080 --> 0:51:48.759
<v Speaker 11>happened yet, so we ate when we ate out. We

0:51:48.880 --> 0:51:52.799
<v Speaker 11>used to go to Palestinian restaurants. So the war just

0:51:52.880 --> 0:51:55.799
<v Speaker 11>happened not long before the nineteen sixty seven war in

0:51:55.840 --> 0:52:02.320
<v Speaker 11>which Israel occupied East Jerusalem. So in some ways this

0:52:02.360 --> 0:52:05.560
<v Speaker 11>is the pre traumatic times. You know, it was all

0:52:05.680 --> 0:52:08.640
<v Speaker 11>very new and obviously it was complicated, but it was

0:52:08.760 --> 0:52:12.400
<v Speaker 11>relatively peaceful. So I remember we used to go travel

0:52:12.560 --> 0:52:14.440
<v Speaker 11>a lot into the West Bank. We used to go

0:52:14.480 --> 0:52:18.600
<v Speaker 11>to Napolis to Jericho to have bron to have meals.

0:52:19.040 --> 0:52:21.200
<v Speaker 11>So we used to go to Jericho and have like

0:52:21.360 --> 0:52:25.399
<v Speaker 11>incredibly little meals. Oh, we would have these spreads off

0:52:25.520 --> 0:52:27.920
<v Speaker 11>delicious things that you find. Some of them you'd know,

0:52:27.960 --> 0:52:31.279
<v Speaker 11>and some of them you wouldn't, so from you know,

0:52:31.400 --> 0:52:34.040
<v Speaker 11>like hummus or in Labana, you know the strained yogurt,

0:52:34.120 --> 0:52:37.600
<v Speaker 11>but you'd also have like local herbs that'd be sauteed

0:52:37.680 --> 0:52:41.560
<v Speaker 11>in garlic and olive oil. They have incredible so they

0:52:41.560 --> 0:52:44.960
<v Speaker 11>have wonderful oranges, so you'd have orange juice freshly squeezed

0:52:45.960 --> 0:52:47.680
<v Speaker 11>a bit like Seville's, like they have some of them

0:52:47.760 --> 0:52:49.880
<v Speaker 11>that are cooking and some of them mostly for juicing

0:52:50.680 --> 0:52:53.800
<v Speaker 11>because it's so hot and humid, it's like perfect for

0:52:54.320 --> 0:52:57.640
<v Speaker 11>citrus and lamb on the grails, so they have to

0:52:57.680 --> 0:53:02.120
<v Speaker 11>cook lamb on open grill and right dishes like my cluba,

0:53:02.280 --> 0:53:06.560
<v Speaker 11>like upside down rice cakes and bulgar salads. And it

0:53:06.600 --> 0:53:11.160
<v Speaker 11>was the wrong an amazing wonderful olive oil, wonderful olive oil,

0:53:12.239 --> 0:53:16.960
<v Speaker 11>and great freshly baked breads, pizza breads, and and other

0:53:17.080 --> 0:53:20.439
<v Speaker 11>variations on that fiend. Because of Palaestinas cook their bread

0:53:20.640 --> 0:53:22.640
<v Speaker 11>in a taboon, which is that you know, that kind

0:53:22.640 --> 0:53:30.120
<v Speaker 11>of ceramic oven or earthenware oven. So all that was there,

0:53:30.160 --> 0:53:33.000
<v Speaker 11>and I really have really really strong memory of driving

0:53:33.040 --> 0:53:36.360
<v Speaker 11>down to Jericho and just having all these wonderful foods

0:53:36.360 --> 0:53:39.200
<v Speaker 11>and coming back, but also in Jerusalem, I have such

0:53:39.200 --> 0:53:41.359
<v Speaker 11>strong memories of the of these flavors.

0:53:41.520 --> 0:53:44.480
<v Speaker 2>That's a question that I ask everyone if there's a

0:53:44.640 --> 0:53:47.680
<v Speaker 2>food we know, people that we turn to for comfort

0:53:47.760 --> 0:53:50.520
<v Speaker 2>and places we go for comfort, But if there's something

0:53:50.520 --> 0:53:53.000
<v Speaker 2>that you would want to eat? Is there a food

0:53:53.040 --> 0:53:55.640
<v Speaker 2>that you reach for when you really need comfort?

0:53:56.560 --> 0:53:59.279
<v Speaker 11>So I have to say that from all the things

0:53:59.280 --> 0:54:02.400
<v Speaker 11>that I've had, it's things that my father used to cook,

0:54:02.600 --> 0:54:07.680
<v Speaker 11>or my Italian grandmother she used to make. And it's

0:54:07.680 --> 0:54:09.719
<v Speaker 11>not just because I'm at the river fam saying that

0:54:10.520 --> 0:54:12.439
<v Speaker 11>she used to make chi ala Romanah.

0:54:12.920 --> 0:54:13.280
<v Speaker 9>Yeah.

0:54:13.320 --> 0:54:17.040
<v Speaker 11>And it's the one smell that I have. As you know,

0:54:17.960 --> 0:54:20.480
<v Speaker 11>people talk too much about, you know, those you know,

0:54:20.600 --> 0:54:25.240
<v Speaker 11>moments of childhood, but this is really one that stands

0:54:25.239 --> 0:54:27.600
<v Speaker 11>so strong in my mind. In my head, that is

0:54:27.640 --> 0:54:33.480
<v Speaker 11>the thinly spread semolina and yoki on a tray dotted

0:54:33.520 --> 0:54:35.520
<v Speaker 11>with butter and cheese, and it would go under the

0:54:35.520 --> 0:54:38.840
<v Speaker 11>grail and all and since they did get great cheese

0:54:38.840 --> 0:54:41.400
<v Speaker 11>from Italy and they had great parmigiano and they she

0:54:41.440 --> 0:54:43.120
<v Speaker 11>would put that under the grill and it would just

0:54:43.160 --> 0:54:47.520
<v Speaker 11>smelt and that kind of semolina soft, you know, milky,

0:54:47.600 --> 0:54:51.319
<v Speaker 11>with the grated cheese, melted cheese on top. It's just

0:54:51.400 --> 0:54:53.560
<v Speaker 11>it's just such a childhood favor and that is definitely

0:54:53.600 --> 0:54:56.080
<v Speaker 11>the one that brings the most comfort to me. And

0:54:56.080 --> 0:54:59.040
<v Speaker 11>I've never managed to do it as not even remotely

0:54:59.040 --> 0:54:59.799
<v Speaker 11>as good as she's.

0:55:00.719 --> 0:55:02.279
<v Speaker 2>I know, well, we'll try and make it for if

0:55:02.320 --> 0:55:07.080
<v Speaker 2>I know, we would have put it on the menu. Yeah, yeah,

0:55:07.280 --> 0:55:09.640
<v Speaker 2>especially we have it on very often when we have

0:55:09.680 --> 0:55:14.200
<v Speaker 2>white truffles because it's one of those delicious recipes, which

0:55:15.040 --> 0:55:17.879
<v Speaker 2>it's still just without white truffles, but it does take

0:55:17.960 --> 0:55:19.719
<v Speaker 2>because it's like it's almost going to be like a

0:55:19.800 --> 0:55:25.160
<v Speaker 2>cheese and they are so delicious. So we're going to

0:55:25.239 --> 0:55:27.040
<v Speaker 2>go ahead and have lunch in the River Cafe now

0:55:27.160 --> 0:55:30.120
<v Speaker 2>without Jockey and Romana. For the next time we do,

0:55:30.239 --> 0:55:34.920
<v Speaker 2>we'll definitely have so yes, let's do it.

0:55:35.000 --> 0:55:37.279
<v Speaker 3>Thank you very much, great than.

0:55:42.440 --> 0:55:45.680
<v Speaker 2>If you like listening to Ruthie's Table for would you

0:55:45.800 --> 0:55:49.839
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0:55:49.880 --> 0:55:54.879
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0:55:54.920 --> 0:55:56.960
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0:56:03.400 --> 0:56:07.239
<v Speaker 1>Ruthie's Table four is a production of iHeartRadio and Adami Studios.

0:56:07.960 --> 0:56:13.040
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