1 00:00:00,040 --> 00:00:03,440 Speaker 1: First of all, you don't know me. We all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama, Girl Drama, Girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:14,080 Speaker 1: our comic Girl Cheering for the right drama queens want 5 00:00:14,560 --> 00:00:17,079 Speaker 1: up girl fashion, but you'll tough. Girls. You could sit 6 00:00:17,120 --> 00:00:20,920 Speaker 1: with us. Girl Drama, Queens Drama, Queen's Drama, Queen's Drama, 7 00:00:20,960 --> 00:00:26,840 Speaker 1: drawn MC, Queen's Drama, Queen's Friends. It's the listener Q 8 00:00:27,000 --> 00:00:31,760 Speaker 1: and a episode. We can't wait. Let's get started. Who 9 00:00:31,800 --> 00:00:34,680 Speaker 1: has some questions for us? I'm so excited to be 10 00:00:34,800 --> 00:00:38,240 Speaker 1: doing this. You've been sending in such great questions. Honestly, 11 00:00:38,280 --> 00:00:41,839 Speaker 1: we're a little giddy because you're reminding us of so 12 00:00:41,960 --> 00:00:45,880 Speaker 1: many things you want to remember. So let's jump in, y'all. 13 00:00:45,920 --> 00:00:50,400 Speaker 1: You want to pick a question to start with, yes, darling? Um, okay, 14 00:00:51,880 --> 00:00:55,200 Speaker 1: So Ali asks, if O. T. H was filming now, 15 00:00:55,800 --> 00:00:59,040 Speaker 1: who would you want to perform at Trick? I love 16 00:00:59,080 --> 00:01:02,840 Speaker 1: this question. Yeah, this is great, oh man. You know 17 00:01:03,000 --> 00:01:05,080 Speaker 1: up and coming bands that you know, because it would 18 00:01:05,080 --> 00:01:07,240 Speaker 1: be fun to break some bands the same way that 19 00:01:07,480 --> 00:01:11,240 Speaker 1: we did on One Tree Hill, you know, bringing in newer, 20 00:01:11,400 --> 00:01:16,120 Speaker 1: newer bands as an old lady that Olivia Rodrigo. Everyone 21 00:01:16,200 --> 00:01:19,720 Speaker 1: kept being like, well, that's it, she's already famous, but 22 00:01:19,760 --> 00:01:23,280 Speaker 1: basically every song she writes is like a broken Peyton 23 00:01:23,319 --> 00:01:29,800 Speaker 1: love triangle. Like I appreciate that energy. Go get them kids. Yeah, 24 00:01:30,120 --> 00:01:32,839 Speaker 1: I like her. I also think it would be fun. 25 00:01:33,240 --> 00:01:36,520 Speaker 1: You know, we're all in that stage of life where 26 00:01:36,520 --> 00:01:38,880 Speaker 1: we're lucky enough that we have friends and cool bands, 27 00:01:38,920 --> 00:01:40,759 Speaker 1: like I want to get all our friends to come 28 00:01:40,760 --> 00:01:45,160 Speaker 1: to Wilmington's. Yes, Johnny Swim should come to Wilmington Bran 29 00:01:46,080 --> 00:01:50,840 Speaker 1: and yes, let's get Kimbra out, and then I don't know, 30 00:01:50,920 --> 00:01:53,600 Speaker 1: man Enjoy obviously you would have to sing a trip 31 00:01:53,640 --> 00:02:01,040 Speaker 1: again O music. Yeah, you're gonna something super up be 32 00:02:01,880 --> 00:02:06,200 Speaker 1: like what if Joy gets into like like E d M, 33 00:02:06,240 --> 00:02:10,480 Speaker 1: like dance club music, like get Robin? Can we just 34 00:02:10,480 --> 00:02:13,080 Speaker 1: get Robin and do a leap and like the whole 35 00:02:14,200 --> 00:02:21,040 Speaker 1: the whole electronic pop vibe happening to play a trick? 36 00:02:22,160 --> 00:02:24,440 Speaker 1: That's the I can die happy? Are you kidding me? Now? 37 00:02:25,160 --> 00:02:30,040 Speaker 1: Die happy? Robin to blow? Let's do this. I'm so 38 00:02:30,160 --> 00:02:33,640 Speaker 1: into this idea. All right, what's the next question, Van says, 39 00:02:33,680 --> 00:02:38,520 Speaker 1: who was the prankster on set? I guess Chad, right, Chad. Yeah, 40 00:02:38,639 --> 00:02:45,400 Speaker 1: but also Tyler was his accomplice, like but he but 41 00:02:45,560 --> 00:02:48,920 Speaker 1: like when he had little brother to come play, you know, 42 00:02:48,960 --> 00:02:52,119 Speaker 1: when Tyler come to town. The two of them were horrible, 43 00:02:52,280 --> 00:02:54,360 Speaker 1: And I think it's because Chad had little brothers in 44 00:02:54,400 --> 00:02:56,600 Speaker 1: real life and was just like, Yes, this is my 45 00:02:56,680 --> 00:03:00,880 Speaker 1: comfort zone. Let's go, you know, terrorize people. Do You're 46 00:03:00,919 --> 00:03:03,400 Speaker 1: really lucky that those two never burned down a sound 47 00:03:03,480 --> 00:03:07,360 Speaker 1: stage with the amount of illegal fireworks that they say. God, 48 00:03:07,400 --> 00:03:11,120 Speaker 1: I gotta say it was hilarious and scary, and I'm 49 00:03:11,560 --> 00:03:18,760 Speaker 1: just really grateful. A stink bomb. Second, which one of 50 00:03:18,840 --> 00:03:24,000 Speaker 1: you jerks, someone decorated my entire trailer with Avril Levine pictures. 51 00:03:24,040 --> 00:03:27,440 Speaker 1: Who did that? Wasn't me? That sounds like who did it? No? 52 00:03:27,560 --> 00:03:31,720 Speaker 1: That was the voice that was yes, And I think 53 00:03:31,720 --> 00:03:33,560 Speaker 1: they did like cutouts of her and we were like, 54 00:03:33,639 --> 00:03:36,240 Speaker 1: do you guys have construction paper scissor? Like? What are 55 00:03:36,240 --> 00:03:43,680 Speaker 1: going on? Why did they have so much craft? Ear? Yeah? 56 00:03:43,720 --> 00:03:47,920 Speaker 1: It was the voice. Um, all right, Carmen. If you 57 00:03:47,920 --> 00:03:52,400 Speaker 1: could change your character's names, what names would you give them? 58 00:03:52,440 --> 00:03:54,840 Speaker 1: I picked Brooks name. I would never change it. Yeah 59 00:03:54,960 --> 00:03:58,720 Speaker 1: you did? Yeah, it was tera right, that's right. I 60 00:03:58,760 --> 00:04:01,080 Speaker 1: picked her first and last him, and little did I know, 61 00:04:01,320 --> 00:04:07,920 Speaker 1: I dubbed her with big Dick energy with what about 62 00:04:08,000 --> 00:04:10,200 Speaker 1: I would I think Molly? I think Haley would have 63 00:04:10,200 --> 00:04:12,320 Speaker 1: been a Molly would have been a good name for Haley, 64 00:04:12,400 --> 00:04:17,240 Speaker 1: maybe like a little okay with I'm okay with Peyton. 65 00:04:17,360 --> 00:04:19,240 Speaker 1: Here's the thing that's like weird to me is that 66 00:04:19,360 --> 00:04:22,320 Speaker 1: we continued to use that device of everyone naming their 67 00:04:22,400 --> 00:04:27,520 Speaker 1: kids after like their last names and things and boring 68 00:04:27,800 --> 00:04:32,159 Speaker 1: after like, I wish I could change my daughter's name, Yeah, 69 00:04:32,200 --> 00:04:34,120 Speaker 1: what would you have changed it to? What was it? Sawyer, 70 00:04:34,360 --> 00:04:40,160 Speaker 1: Sawyer George? Yeah, well yeah, of course, um yeah, you know, 71 00:04:40,640 --> 00:04:46,080 Speaker 1: I like gender neutral names, and so I liked Sawyer 72 00:04:46,120 --> 00:04:49,119 Speaker 1: for that. I like Peyton for that. But I also 73 00:04:49,240 --> 00:04:53,440 Speaker 1: think like we could have been more creative. We could 74 00:04:53,440 --> 00:04:56,560 Speaker 1: have named her after Ellie or like my mom. We 75 00:04:56,600 --> 00:04:58,799 Speaker 1: could have done like a you know, a thing there. 76 00:04:59,680 --> 00:05:03,240 Speaker 1: But it feels a little like narcissism to continue to 77 00:05:03,240 --> 00:05:06,480 Speaker 1: be like, I'm going to use my name for this 78 00:05:06,640 --> 00:05:09,400 Speaker 1: child that I bring into the world. It was weird 79 00:05:09,440 --> 00:05:13,680 Speaker 1: to me that when Brooke had kids, one of them 80 00:05:13,760 --> 00:05:16,800 Speaker 1: was named Davis and then one of them was named Jude, Like, 81 00:05:17,320 --> 00:05:19,440 Speaker 1: what was that supposed to be Julian for short. Am 82 00:05:19,440 --> 00:05:22,000 Speaker 1: I supposed to know this? I don't remember, but it 83 00:05:22,279 --> 00:05:24,000 Speaker 1: I just was like, why do we keep doing this? 84 00:05:24,120 --> 00:05:26,520 Speaker 1: Like it just like, well, Peyton named for at Auto Swayer, 85 00:05:26,560 --> 00:05:31,080 Speaker 1: so I should name my son Davis obviously. Yeah, weird, 86 00:05:31,320 --> 00:05:33,760 Speaker 1: weird al right, So that's what we would change. That's 87 00:05:33,760 --> 00:05:36,359 Speaker 1: a good question. Well, thank you. Are the characters you 88 00:05:36,440 --> 00:05:38,880 Speaker 1: ended up playing who you originally auditioned for. I think 89 00:05:38,920 --> 00:05:41,479 Speaker 1: we've answered this and in the show before. We talked 90 00:05:41,480 --> 00:05:44,919 Speaker 1: about this in the first few episodes. But yes, I 91 00:05:44,960 --> 00:05:48,080 Speaker 1: mean I think we all auditioned for the characters that 92 00:05:48,160 --> 00:05:51,960 Speaker 1: we I mean I originally auditioned for that part in Radio. 93 00:05:54,040 --> 00:05:56,440 Speaker 1: I mean that was the more extensive audition where I 94 00:05:56,480 --> 00:05:59,680 Speaker 1: actually went and sat with Mike Toland and had a conversation. 95 00:06:00,440 --> 00:06:03,039 Speaker 1: He was like, oh, you're a combative young woman. That's 96 00:06:03,080 --> 00:06:05,279 Speaker 1: the energy we're looking for. So I didn't really audition 97 00:06:05,360 --> 00:06:08,839 Speaker 1: for Peyton. It was like a tape. Yeah, you sent 98 00:06:08,880 --> 00:06:12,279 Speaker 1: it a tape, I remember, and I read for Brooke 99 00:06:12,360 --> 00:06:16,200 Speaker 1: and Enjoy. I remember I read for both for Brooke 100 00:06:16,279 --> 00:06:18,640 Speaker 1: and Haley, but you knew you wanted to play Hailey, 101 00:06:18,760 --> 00:06:21,600 Speaker 1: so you read even the Brook scenes as Yeah, that's 102 00:06:21,640 --> 00:06:24,360 Speaker 1: exactly right. Yeah, I love it. I was like, I'll 103 00:06:24,440 --> 00:06:26,240 Speaker 1: let them think I'm a one note actress. As long 104 00:06:26,279 --> 00:06:28,080 Speaker 1: as I get the job, then I can prove myself. 105 00:06:28,120 --> 00:06:31,400 Speaker 1: But right now they just need to think I fit. 106 00:06:32,440 --> 00:06:35,520 Speaker 1: You're so smart. Yeah, I love it. That a strategy 107 00:06:35,560 --> 00:06:44,920 Speaker 1: that goes into that. Okay, Wait, I like this one. 108 00:06:45,240 --> 00:06:49,400 Speaker 1: The two two two is asking us what's your go 109 00:06:49,560 --> 00:06:55,720 Speaker 1: to lip sync song? I don't karaoke? Yeah, Like, what's 110 00:06:55,720 --> 00:06:59,880 Speaker 1: your go to karaoke song? Well, I feel like you 111 00:07:00,080 --> 00:07:02,520 Speaker 1: got some Dolly Parton up your slave, Hillary. I've got 112 00:07:02,560 --> 00:07:07,159 Speaker 1: two songs very different, Dolly Parton's apple Jack but also 113 00:07:07,680 --> 00:07:11,880 Speaker 1: Shaka Khan. Tell me something good is it is a 114 00:07:11,920 --> 00:07:17,040 Speaker 1: crowd pleaser. It's just the right amount of naughty and 115 00:07:17,080 --> 00:07:18,800 Speaker 1: you don't actually have to be a good singer to 116 00:07:18,840 --> 00:07:22,880 Speaker 1: sing it. You just gotta put your dits into it. 117 00:07:22,960 --> 00:07:28,800 Speaker 1: You know. You gotta's so good that it. Wait, Joy, 118 00:07:28,800 --> 00:07:32,360 Speaker 1: I've heard you do some Shania Twain. That is Oh. 119 00:07:32,640 --> 00:07:35,760 Speaker 1: I love my country music. Um. Honestly, the last couple 120 00:07:35,760 --> 00:07:39,760 Speaker 1: of years, my favorite karaoke song has been UM dancing 121 00:07:39,760 --> 00:07:43,400 Speaker 1: on my own And I just love singing Robin because 122 00:07:43,840 --> 00:07:45,960 Speaker 1: everybody who knows it as soon as they hear it, 123 00:07:46,000 --> 00:07:49,000 Speaker 1: because nobody ever sings it at karaoke. Um, because it 124 00:07:49,160 --> 00:07:52,840 Speaker 1: is kind of a hard song and you have to 125 00:07:52,880 --> 00:07:57,920 Speaker 1: be a professional to handle this song. Yeah, and so 126 00:07:58,120 --> 00:08:00,440 Speaker 1: people in the bar who know it are always really 127 00:08:00,440 --> 00:08:04,440 Speaker 1: excited to hear it. Come on, um and if nobody doesn't. 128 00:08:04,480 --> 00:08:06,040 Speaker 1: If somebody doesn't know it, then you know it's a 129 00:08:06,040 --> 00:08:08,040 Speaker 1: good song to introduce them to. So those are those 130 00:08:08,040 --> 00:08:10,600 Speaker 1: are my joy You have to do a dance album. 131 00:08:10,720 --> 00:08:14,480 Speaker 1: What are we doing? Oh my god? Like a like 132 00:08:14,520 --> 00:08:22,320 Speaker 1: a disco a throwback like dance disco club and sounds fun, Sophia, 133 00:08:22,400 --> 00:08:25,320 Speaker 1: what are you singing? Baby dude? I really like to 134 00:08:25,360 --> 00:08:29,360 Speaker 1: shock people. So my two favorite things to sing at 135 00:08:29,440 --> 00:08:32,640 Speaker 1: karaoke are either Hypnotized by Notorious b I G or 136 00:08:32,720 --> 00:08:40,520 Speaker 1: Redneck Woman by Gretchen Wilson. Woman. I like hip hop, 137 00:08:40,640 --> 00:08:44,400 Speaker 1: like like out out. When that comes on, Sofia turns 138 00:08:44,400 --> 00:08:49,080 Speaker 1: into a different animal. I really do like college, Sophia. 139 00:08:49,200 --> 00:08:50,880 Speaker 1: It's fun to throw a little bit of country music 140 00:08:50,920 --> 00:08:52,760 Speaker 1: at people because they're just like, what is going on 141 00:08:52,840 --> 00:09:00,000 Speaker 1: with this girl? And I love that. That's a fun question. Uh, 142 00:09:00,280 --> 00:09:04,160 Speaker 1: what is it? Kia? Doyle is asking us, what was 143 00:09:04,200 --> 00:09:06,680 Speaker 1: the moment when you realized O t H was a 144 00:09:06,800 --> 00:09:10,160 Speaker 1: special show compared to other shows. First of all, I 145 00:09:10,200 --> 00:09:11,840 Speaker 1: just want to say that I appreciate that you think 146 00:09:11,880 --> 00:09:17,920 Speaker 1: we're special. That feels nice. Yeah, I mean we have 147 00:09:18,320 --> 00:09:20,560 Speaker 1: a moment when I guess t r L was a 148 00:09:20,760 --> 00:09:27,440 Speaker 1: really big indicator. That was weird. That was that was crazy. 149 00:09:27,800 --> 00:09:31,480 Speaker 1: It was a weird experience. It looks like something that 150 00:09:31,520 --> 00:09:35,199 Speaker 1: you saw happening in movies. It was happening to us. 151 00:09:35,400 --> 00:09:38,400 Speaker 1: And we were in a small town. We were we 152 00:09:38,400 --> 00:09:41,120 Speaker 1: were basically in a little box together and we rarely 153 00:09:41,160 --> 00:09:43,800 Speaker 1: went outside. You know, working on a sound stage is 154 00:09:44,040 --> 00:09:46,000 Speaker 1: kind of like being in a casino. You never know 155 00:09:46,040 --> 00:09:48,520 Speaker 1: what time it is, and you're at work for like 156 00:09:48,920 --> 00:09:54,520 Speaker 1: six and and we got up there and it was 157 00:09:54,559 --> 00:09:57,280 Speaker 1: like it was like one of the biggest crowds TRL 158 00:09:57,520 --> 00:10:00,120 Speaker 1: ever had, and it was for us, and you know, 159 00:10:00,200 --> 00:10:01,880 Speaker 1: we were working for people who told us we were 160 00:10:01,920 --> 00:10:04,480 Speaker 1: lucky to be employed. We were like, wait, what, what, 161 00:10:04,480 --> 00:10:09,000 Speaker 1: what's happening? Disconnect here. Honestly, for me, it didn't happen 162 00:10:09,080 --> 00:10:13,960 Speaker 1: until after I had left, because I have a chip 163 00:10:14,000 --> 00:10:16,160 Speaker 1: on my shoulder about how we were treated as women 164 00:10:16,200 --> 00:10:18,680 Speaker 1: on the show, not by our bosses, but by the 165 00:10:18,720 --> 00:10:23,280 Speaker 1: industry at large. Every other female on our contemporary shows 166 00:10:23,640 --> 00:10:27,200 Speaker 1: had an endorsement deal for makeup, for hair, for clothing, 167 00:10:27,320 --> 00:10:29,960 Speaker 1: for this, for that, and for whatever reason, like we 168 00:10:29,960 --> 00:10:33,520 Speaker 1: weren't good enough for people to want to like engage 169 00:10:33,679 --> 00:10:35,920 Speaker 1: with us in that way, or that's how I felt. 170 00:10:36,400 --> 00:10:39,319 Speaker 1: Maybe you guys didn't field, but I did. We were 171 00:10:39,320 --> 00:10:41,360 Speaker 1: glossed over in a way that felt like we were 172 00:10:41,360 --> 00:10:45,720 Speaker 1: getting picked last for Kickball, and then to leave the 173 00:10:45,720 --> 00:10:48,839 Speaker 1: show and have all those other shows kind of peter 174 00:10:48,960 --> 00:10:50,800 Speaker 1: out and our show to still be on the air 175 00:10:51,200 --> 00:10:53,760 Speaker 1: even if I wasn't there, and then to have it 176 00:10:53,800 --> 00:10:56,280 Speaker 1: be this like legacy show that people are naming their 177 00:10:56,360 --> 00:10:59,920 Speaker 1: children after and are like watching from front to back 178 00:11:00,160 --> 00:11:03,439 Speaker 1: over and over again. When we went to conventions, that's 179 00:11:03,440 --> 00:11:06,719 Speaker 1: when I realized, like, oh, we made something that I'm 180 00:11:06,760 --> 00:11:11,640 Speaker 1: proud of you. Yeah that felt nice. Yeah, yeah, yeah, 181 00:11:11,679 --> 00:11:15,959 Speaker 1: I think there was something for me to even after 182 00:11:16,000 --> 00:11:18,800 Speaker 1: we ended, because you're right, we we we were kind 183 00:11:18,840 --> 00:11:21,560 Speaker 1: of we were kind of always treated like the kids 184 00:11:21,559 --> 00:11:23,600 Speaker 1: who got to pick where they sat at lunch last, 185 00:11:24,960 --> 00:11:27,440 Speaker 1: and and you know, there was a lot of other 186 00:11:27,600 --> 00:11:32,160 Speaker 1: just sort of gross treatment of women existing in the 187 00:11:32,200 --> 00:11:34,040 Speaker 1: press the whole time we were on that show. That 188 00:11:34,160 --> 00:11:39,040 Speaker 1: was really icky, and there's documentaries about it out now, yeah, 189 00:11:39,080 --> 00:11:43,080 Speaker 1: there sure are. And and it was wild too to 190 00:11:43,200 --> 00:11:47,959 Speaker 1: get past the show and see it still be one 191 00:11:47,960 --> 00:11:50,679 Speaker 1: of the highest watch things on streaming. And it continues 192 00:11:50,720 --> 00:11:54,280 Speaker 1: and it continues and it continues, and I almost feel 193 00:11:54,280 --> 00:11:56,960 Speaker 1: like that's what made everyone else go, oh oh, they 194 00:11:57,080 --> 00:11:59,880 Speaker 1: did the thing that everyone's trying to do and almost no, 195 00:12:00,040 --> 00:12:03,959 Speaker 1: but he can. And it It's almost changed for us 196 00:12:05,440 --> 00:12:10,320 Speaker 1: so much after the show instead of while it was happening. 197 00:12:10,679 --> 00:12:12,520 Speaker 1: You know, we had that special moment at t r 198 00:12:12,640 --> 00:12:15,480 Speaker 1: L I. I remember, you know, Hillary, when you and 199 00:12:15,559 --> 00:12:18,240 Speaker 1: me and Tyler Hilton went to the Mall of America 200 00:12:18,440 --> 00:12:20,640 Speaker 1: and the whole place was full, and we we were 201 00:12:20,679 --> 00:12:23,559 Speaker 1: just like, what is happening? But you know, we had 202 00:12:23,559 --> 00:12:26,480 Speaker 1: these little moments of surrealism and then we would just 203 00:12:26,720 --> 00:12:32,240 Speaker 1: be on our little Honestly, I thought, because we were 204 00:12:32,280 --> 00:12:34,280 Speaker 1: told so much like how replaceable we are and how 205 00:12:34,280 --> 00:12:36,080 Speaker 1: our show was always going to get canceled. I was 206 00:12:36,120 --> 00:12:38,959 Speaker 1: so gaso lit by it that I was convinced they 207 00:12:38,960 --> 00:12:41,040 Speaker 1: paid people to show up at events. I was like, 208 00:12:41,200 --> 00:12:47,240 Speaker 1: surely these are like re enactors showing up, like, you know, 209 00:12:47,360 --> 00:12:50,120 Speaker 1: stand in line for seven hours to get an autograph. Um, 210 00:12:50,120 --> 00:12:53,000 Speaker 1: oh my god. Yeah. But you know, looking back on 211 00:12:53,080 --> 00:12:57,200 Speaker 1: it in hindsight, we can be like, oh that was awesome. Yeah, 212 00:12:57,360 --> 00:13:08,080 Speaker 1: I loved it. Yeah. What is um the one thing 213 00:13:08,120 --> 00:13:11,920 Speaker 1: that you think people took away from our characters? And 214 00:13:12,120 --> 00:13:14,240 Speaker 1: is it what you hoped for? That question is from 215 00:13:14,240 --> 00:13:20,680 Speaker 1: Arian Blonde Arlane Arlane Arian Ariana, I don't know, stay 216 00:13:20,720 --> 00:13:28,480 Speaker 1: with an accent, Arian Blondean. I like that. I don't 217 00:13:28,480 --> 00:13:32,640 Speaker 1: know what. I don't know people taking away from your character. 218 00:13:32,679 --> 00:13:35,520 Speaker 1: I guess like I would want people to have walked 219 00:13:35,520 --> 00:13:40,160 Speaker 1: away from watching Hayley knowing that, Um, I mean she 220 00:13:40,200 --> 00:13:42,080 Speaker 1: did have a good backbone. We've talked about that before. 221 00:13:42,160 --> 00:13:44,920 Speaker 1: I like Hayley's backbone. And you know, it's okay even 222 00:13:44,960 --> 00:13:47,720 Speaker 1: even if you're overly stubborn, even you know you're not 223 00:13:47,720 --> 00:13:49,840 Speaker 1: gonna you're not gonna miss out on the good things 224 00:13:49,840 --> 00:13:56,680 Speaker 1: in life because you're a little too structured. Um, but 225 00:13:56,920 --> 00:13:59,680 Speaker 1: maybe it's better to loosen up. I don't know, I'm babbling. 226 00:13:59,720 --> 00:14:01,720 Speaker 1: I don't actually don't have a good answer for Because 227 00:14:01,800 --> 00:14:04,720 Speaker 1: joy your character means a lot to me, Like watching 228 00:14:04,720 --> 00:14:09,559 Speaker 1: this back. I really love Haley for her constant evolution, 229 00:14:10,280 --> 00:14:14,360 Speaker 1: you know, like she's constantly changing what she wants, who 230 00:14:14,440 --> 00:14:17,679 Speaker 1: she is, what she is true while having these also 231 00:14:17,760 --> 00:14:20,960 Speaker 1: really big things to consider, like her husband and her baby, 232 00:14:21,360 --> 00:14:26,200 Speaker 1: you know, like so that that ability to grow and 233 00:14:27,000 --> 00:14:29,720 Speaker 1: expect the people around you to grow with you is 234 00:14:29,760 --> 00:14:34,120 Speaker 1: something that I'm super love about Haley. That's awesome. Thank you. Yeah, 235 00:14:34,280 --> 00:14:37,440 Speaker 1: I can see that. I appreciate that. Yeah, I think 236 00:14:37,600 --> 00:14:41,480 Speaker 1: it's funny. It's a It's a similar thing that I 237 00:14:41,480 --> 00:14:43,880 Speaker 1: would want people to see in Brooke is that you 238 00:14:43,960 --> 00:14:49,920 Speaker 1: have permission to change. You have permission. Does it huge too? 239 00:14:50,240 --> 00:14:53,120 Speaker 1: You know, you have permission to own your space and 240 00:14:53,200 --> 00:14:57,160 Speaker 1: who you are and to be unapologetic about the experiences 241 00:14:57,160 --> 00:15:00,760 Speaker 1: that have made you who you are, whether they're good, bad, ugly, 242 00:15:00,880 --> 00:15:05,760 Speaker 1: amazing you you know, you can always dig in, go deeper, 243 00:15:05,920 --> 00:15:09,320 Speaker 1: dream bigger. Those are things that I that I love 244 00:15:09,360 --> 00:15:13,760 Speaker 1: about her, and and it's I would say that, and 245 00:15:13,760 --> 00:15:23,160 Speaker 1: and certainly the the being fiercely loyal to your friends. Yeah, yeah, yeah, 246 00:15:23,240 --> 00:15:25,440 Speaker 1: for sure. I mean Brooke is a character that does 247 00:15:25,680 --> 00:15:31,400 Speaker 1: like the biggest loop to loop and comes out how 248 00:15:31,400 --> 00:15:34,040 Speaker 1: did the season end? You're like a mom of twins. 249 00:15:36,280 --> 00:15:38,320 Speaker 1: I love it. I hope your kids are just as 250 00:15:38,360 --> 00:15:42,320 Speaker 1: wild as you. Honestly me too. I hope Brook Davis's 251 00:15:42,360 --> 00:15:46,680 Speaker 1: kids are little Helian's um like Payton's like pain management. 252 00:15:47,040 --> 00:15:49,200 Speaker 1: Do you know what I mean? After all the fan 253 00:15:49,240 --> 00:15:53,160 Speaker 1: interactions we've had, because there were so many things that 254 00:15:53,200 --> 00:15:57,160 Speaker 1: were like madly, you know, massive happening to her um, 255 00:15:57,200 --> 00:16:01,280 Speaker 1: a lot of death, a lot of destruction, a good 256 00:16:01,280 --> 00:16:03,480 Speaker 1: portion of my fan base has been like, oh, you 257 00:16:03,600 --> 00:16:07,240 Speaker 1: helped me navigate a thing. You helped me articulate how 258 00:16:07,320 --> 00:16:10,920 Speaker 1: to move through this thing. And so I think the 259 00:16:10,960 --> 00:16:13,960 Speaker 1: only thing we didn't do was light painting on fire. Um. 260 00:16:15,240 --> 00:16:17,360 Speaker 1: You know, maybe I don't know what happened after I left, 261 00:16:17,400 --> 00:16:21,720 Speaker 1: Maybe you guys did, uh. But I like that people 262 00:16:21,880 --> 00:16:26,600 Speaker 1: use her as a tool to learn how to articulate 263 00:16:27,160 --> 00:16:29,880 Speaker 1: trauma and move through it and know that there is 264 00:16:29,920 --> 00:16:33,840 Speaker 1: another side of it. Yeah, because the other side exists. 265 00:16:34,360 --> 00:16:38,000 Speaker 1: It's just sucks. The Peyton was really great as that 266 00:16:38,280 --> 00:16:42,000 Speaker 1: example of someone who holds on in spite of feeling hopeless, 267 00:16:42,000 --> 00:16:44,680 Speaker 1: in spite of feeling like everything's falling apart. And I 268 00:16:44,680 --> 00:16:46,720 Speaker 1: think a lot of high school kids really need that 269 00:16:46,800 --> 00:16:51,240 Speaker 1: to feel like they have a mirror to look into 270 00:16:51,400 --> 00:16:55,160 Speaker 1: with UM, with character, especially you know, kids watching One 271 00:16:55,200 --> 00:16:58,480 Speaker 1: Tree Hill, I feel like they've got somebody that's like, Okay, 272 00:16:58,920 --> 00:17:01,520 Speaker 1: all these horrible things happen been but as an example 273 00:17:01,560 --> 00:17:04,200 Speaker 1: of how you held on through all the dark stuff 274 00:17:04,240 --> 00:17:07,080 Speaker 1: instead of um letting it just totally run you down 275 00:17:07,080 --> 00:17:09,960 Speaker 1: and take you down. Like Peyton just kept going. She 276 00:17:10,040 --> 00:17:12,560 Speaker 1: kept holding out, finding the threat of hope and and 277 00:17:12,680 --> 00:17:15,639 Speaker 1: holding onto it until things got better, which is sometimes 278 00:17:15,640 --> 00:17:17,639 Speaker 1: just what you have to do in life. It doesn't 279 00:17:17,640 --> 00:17:19,600 Speaker 1: always have to be like a bright sunny day. You 280 00:17:19,600 --> 00:17:22,840 Speaker 1: could just be a day, you know, like, yeah, most 281 00:17:22,880 --> 00:17:25,600 Speaker 1: of them are. Yeah, don't let perfect get in the 282 00:17:25,640 --> 00:17:32,000 Speaker 1: way of good kids. It's a good day. Speaking of 283 00:17:32,040 --> 00:17:34,399 Speaker 1: a day, Robin Greenland wants to know how many hours 284 00:17:34,400 --> 00:17:40,760 Speaker 1: a day we would fill. Basketball days were eighteen hours. 285 00:17:42,400 --> 00:17:45,520 Speaker 1: I love unions. This this industry taught me the love 286 00:17:45,840 --> 00:17:49,680 Speaker 1: unions because there's a couple of things that would save us. 287 00:17:50,000 --> 00:17:53,399 Speaker 1: One was like the extras. They could only work so 288 00:17:53,440 --> 00:17:56,399 Speaker 1: many hours, so when we had basketball days, we were 289 00:17:56,440 --> 00:18:00,320 Speaker 1: limited in what they could afford to pay for UM. 290 00:18:00,320 --> 00:18:03,000 Speaker 1: But then working with kids, because the union says the 291 00:18:03,080 --> 00:18:06,120 Speaker 1: kids can only work like you know, what thirty seven 292 00:18:06,119 --> 00:18:08,760 Speaker 1: minutes a day, and so when Joy got her kid 293 00:18:08,800 --> 00:18:10,399 Speaker 1: on the show, we all were like, we want to 294 00:18:10,440 --> 00:18:16,720 Speaker 1: do scenes. Yeah, yeah, I'll do a show with kids 295 00:18:16,760 --> 00:18:20,760 Speaker 1: any day. Sounds awesome. Yeah, that's true. Are our basketball days. 296 00:18:20,760 --> 00:18:23,640 Speaker 1: It's funny because they hacked around that and they would 297 00:18:23,640 --> 00:18:26,240 Speaker 1: get a group of extras for the first half of 298 00:18:26,240 --> 00:18:27,680 Speaker 1: the day and then a group of extras for the 299 00:18:27,720 --> 00:18:30,080 Speaker 1: second half of the day a lot. So season one, 300 00:18:30,080 --> 00:18:33,520 Speaker 1: our basketball days were like eighteen hours and then, um, 301 00:18:33,760 --> 00:18:37,040 Speaker 1: you know, if you hear that a film set, for example, 302 00:18:37,080 --> 00:18:40,679 Speaker 1: works twelve to fourteen, that means we're there fourteen to 303 00:18:40,760 --> 00:18:43,280 Speaker 1: sixteen because we have to come in and get ready 304 00:18:43,320 --> 00:18:46,800 Speaker 1: before camera rolls. Yeah, and while we're while we're getting 305 00:18:46,880 --> 00:18:49,359 Speaker 1: ready in the morning, you know, getting into hair and 306 00:18:49,359 --> 00:18:51,360 Speaker 1: makeup to make sure we look exactly the same every 307 00:18:51,359 --> 00:18:53,439 Speaker 1: single day, because some of these episodes take place in 308 00:18:53,440 --> 00:18:55,480 Speaker 1: a day, but they shoot for eight days. You know, 309 00:18:55,520 --> 00:18:58,919 Speaker 1: we're in the makeup trailer, running lines. Um, we're working 310 00:18:58,960 --> 00:19:01,600 Speaker 1: in their rehearsing in stuff before we go to set, 311 00:19:01,640 --> 00:19:04,359 Speaker 1: and the teamsters are there even longer. You know, it's like, ye, 312 00:19:04,640 --> 00:19:07,480 Speaker 1: we're there longer than the set crew. And then the 313 00:19:07,520 --> 00:19:09,919 Speaker 1: teamsters and the you know, the people setting everything up 314 00:19:10,000 --> 00:19:13,080 Speaker 1: or there way before us and way after us. So 315 00:19:13,119 --> 00:19:16,960 Speaker 1: there is a it's a pyramid of on a film set. Guys, 316 00:19:17,119 --> 00:19:21,240 Speaker 1: it takes a long time. It takes a very long time. 317 00:19:21,440 --> 00:19:25,040 Speaker 1: I always used to feel kind of bad when people would, 318 00:19:25,240 --> 00:19:28,320 Speaker 1: you know, come and watch us filming, because they'd be 319 00:19:28,359 --> 00:19:30,800 Speaker 1: so excited the first day they got there, and then 320 00:19:30,800 --> 00:19:32,800 Speaker 1: by like the second or third day, they were like, wow, 321 00:19:32,840 --> 00:19:35,840 Speaker 1: so you're just still You're just still doing this, huh. 322 00:19:36,119 --> 00:19:38,439 Speaker 1: They're like, yeah, guys, for you to have a forty 323 00:19:38,480 --> 00:19:41,879 Speaker 1: five minute episode takes us like eight or nine days 324 00:19:42,200 --> 00:19:45,560 Speaker 1: of sixteen hour days. We're sorry, it's not as entertaining 325 00:19:45,600 --> 00:19:48,120 Speaker 1: as you'd hope. God forbid, it's a group scene where 326 00:19:48,119 --> 00:19:51,320 Speaker 1: there's like, you know, seven people in one scene. I mean, 327 00:19:51,359 --> 00:19:55,360 Speaker 1: it's just it's going to move then all day long. Yeah, 328 00:19:55,400 --> 00:19:57,119 Speaker 1: God forbid. You bring a guest on those days. They 329 00:19:57,240 --> 00:19:59,880 Speaker 1: just so bored. I remember what I did Um one 330 00:20:00,000 --> 00:20:02,240 Speaker 1: the movies that I did, Maria did a little cameo 331 00:20:02,400 --> 00:20:04,400 Speaker 1: in because we were in Romania and she was with 332 00:20:04,440 --> 00:20:06,439 Speaker 1: me on set. It was so cute and there was 333 00:20:06,440 --> 00:20:08,639 Speaker 1: a little like um hot chocolate stand that I was 334 00:20:08,640 --> 00:20:11,200 Speaker 1: supposed to be buying hot chocolate and brownies from and 335 00:20:11,280 --> 00:20:14,439 Speaker 1: so I'm interacting with the young boy who's taking who's 336 00:20:15,040 --> 00:20:17,720 Speaker 1: has the speaking lines, and she was sitting right next 337 00:20:17,760 --> 00:20:21,600 Speaker 1: to him taking my money. Um, and she, you know, 338 00:20:22,000 --> 00:20:24,560 Speaker 1: she had so much fun. It was like two hours 339 00:20:24,680 --> 00:20:27,960 Speaker 1: and it was cold, and we were over my shoulder 340 00:20:28,080 --> 00:20:30,840 Speaker 1: onto them. The camera was over my shoulder onto them, 341 00:20:31,200 --> 00:20:33,120 Speaker 1: and she does her little thing and takes her money. 342 00:20:33,200 --> 00:20:38,679 Speaker 1: She's actually very good, and she really was, but you know, 343 00:20:38,840 --> 00:20:40,960 Speaker 1: she's just counts the money on her own and she's 344 00:20:41,000 --> 00:20:43,320 Speaker 1: doing all her own little acting things. And I was like, wow, 345 00:20:43,359 --> 00:20:46,240 Speaker 1: this is great. And then we go to lunch and 346 00:20:46,280 --> 00:20:48,640 Speaker 1: then she says, Okay, Mommy, I'm gonna I'm like, oh no, no, 347 00:20:48,680 --> 00:20:50,520 Speaker 1: maybe you have to stay. We have to turn the 348 00:20:50,520 --> 00:20:53,560 Speaker 1: cameras around. She just looked at me, like, you've got 349 00:20:53,560 --> 00:20:55,840 Speaker 1: to be kidding me. Wait. I said, yeah, it's probably 350 00:20:55,840 --> 00:20:58,080 Speaker 1: gonna be another two hours, maybe three, and she just 351 00:20:58,200 --> 00:21:00,920 Speaker 1: was like, uh, that was the last time she ever 352 00:21:00,960 --> 00:21:07,320 Speaker 1: wanted to do anything on so ridiculous, take so much time. Yeah, well, 353 00:21:07,400 --> 00:21:09,399 Speaker 1: I wouldn't trade any of it for the world. You 354 00:21:09,440 --> 00:21:14,520 Speaker 1: guys not. We lived together, That's why you know philm 355 00:21:14,680 --> 00:21:17,639 Speaker 1: film sets are like you know, incestuous and weird. But 356 00:21:17,680 --> 00:21:21,960 Speaker 1: we're together all day, every have fun day. These were 357 00:21:21,960 --> 00:21:25,600 Speaker 1: good questions forever. Thank you guys so much. Keep them 358 00:21:25,600 --> 00:21:28,800 Speaker 1: coming because um, I like doing these these little to 359 00:21:29,359 --> 00:21:32,000 Speaker 1: these little panels. You guys are the best. Have a 360 00:21:32,000 --> 00:21:36,680 Speaker 1: great thank Hey, thanks for listening. Don't forget to leave 361 00:21:36,760 --> 00:21:39,520 Speaker 1: us a review. You can also follow us on Instagram 362 00:21:39,560 --> 00:21:43,000 Speaker 1: at Drama Queens O t H. Or email us at 363 00:21:43,080 --> 00:21:46,639 Speaker 1: Drama Queens at I heart radio dot com. See you 364 00:21:46,720 --> 00:21:51,160 Speaker 1: next time. We all about that high school drama Girl 365 00:21:51,240 --> 00:21:54,840 Speaker 1: Drama girl, all about them high school queens. We'll take 366 00:21:54,880 --> 00:21:57,800 Speaker 1: you for a ride in our comic Girl Cheering for 367 00:21:58,720 --> 00:22:02,160 Speaker 1: Drama Queens. He's my girl, up girl fashing, but your 368 00:22:02,200 --> 00:22:05,120 Speaker 1: tough girl. You could sit with us. Girl Drama Queeze Drama, 369 00:22:05,200 --> 00:22:09,439 Speaker 1: Queeze Drama, Queen's Drama, Drama, Queen's Drama Queens