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Speaker 1: Welcome back to another episode. I'm your host, Kevin Pollock. Yes,

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Speaker 1: thats Kevin. Yes, I would like the world of stuff,

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Speaker 1: so I could get off. Are you offering? But I digress.

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Speaker 1: Let's meet a chimist Shawe in no particular order, please

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Speaker 1: welcome back a tool singing thank you, thank you. Everyone's

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Speaker 1: great to be a tool, not the tool. Thoughts on

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Speaker 1: the new season premiere of Below Deck mad I did.

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Speaker 1: I did watch it. I watched it all the way,

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Speaker 1: then I watched they What they do is they watched

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Speaker 1: they show a show in Bravo, and then immediately after

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Speaker 1: they show some people talking about that show, and and yes,

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Speaker 1: and it has the song. And now it's burned into

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Speaker 1: my head. It's a horrible jingle. I'll say it. I'll say, yeah,

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Speaker 1: it's just it's a it's but it works because it's

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Speaker 1: stuck in my head. Um. And the way the DVR

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Speaker 1: records it, it records Below Deck and then for free,

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Speaker 1: it just tags on the other show. And by for free,

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Speaker 1: you mean you don't have a choice in the matter.

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Speaker 1: And so they tied right in. So it's the show ends,

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Speaker 1: the other one starts, and so you're watching it. Uh,

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Speaker 1: it was it was great. It was these people seem

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Speaker 1: nicer um and one guy looks like Jim Brewer, if

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Speaker 1: you remember Goat Boy, So so I mean a little

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Speaker 1: bit more vested and I went. So it's the way

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Speaker 1: it works. You you watched the show, you watched the

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Speaker 1: after show, and then you go to Twitter. So you

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Speaker 1: spent about probably like that show watching. That's a good

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Speaker 1: five hours. Yeah, it's a five hour Come do you

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Speaker 1: mean Eddie. That's who looks like Jim Brewer Eddie. Yeah, yes,

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Speaker 1: he's been on previous seasons. But but thank you for

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Speaker 1: being here. Thank you. Hey, it's James Heeney, Dolly heen

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Speaker 1: What happened that first time you went to an amusement park? Uh?

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Speaker 1: The first time I went to well, I guess I

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Speaker 1: would say the first time I remember a story at

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Speaker 1: amusement park was when I was at a Haunted House,

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Speaker 1: which is an indoor amusement park. I was like maybe

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Speaker 1: four or five years old, and I panicked and they

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Speaker 1: started screaming, and like, my parents did not realize how

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Speaker 1: scary it was going to be. And uh, the people

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Speaker 1: working at the Haunted House stopped like trying to scare us,

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Speaker 1: and we're like it's okay, it's okay. I don't remember

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Speaker 1: it that well, but I've heard the story so many

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Speaker 1: times I feel like I can bring myself back like that.

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Speaker 1: So they didn't realize a four or five year old

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Speaker 1: was in their super scary haunted house. No, no, no,

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Speaker 1: my parents didn't realize how scary the haunted house was.

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Speaker 1: But I'm guessing the folks who were hosting it didn't

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Speaker 1: realize that a four year old had been let in. Yeah,

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Speaker 1: I mean though, they definitely didn't know. And to James's parents,

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Speaker 1: I think, right, yes, well, thank you for being here

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Speaker 1: and sharing your year. Look Out, it's Craig Atkowski. Cow.

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Speaker 1: How would you like your eggs? You know, I never

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Speaker 1: say no to scrambled. I'll really eat them, however, but

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Speaker 1: scrambled is the best or an omelet? You know, Yeah,

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Speaker 1: you gotta crack a few eggs to make an omelet.

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Speaker 1: Then I'm eating that. And you say all of that

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Speaker 1: when the waitress says what I said, would you like

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Speaker 1: your eggs picky? You know, if you want to boil them,

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Speaker 1: I'm not gonna say no. You know, we found online

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Speaker 1: with these little silicone cups that float in your pot

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Speaker 1: of boiling water that allow you to make poached eggs

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Speaker 1: that are fucking insane and super easy. Sir, poached. I

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Speaker 1: love poached, over easy, over medium, overheard, however, just gonna

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Speaker 1: keep doing that. Bring it on. Alright, Then here's Chris

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Speaker 1: Alvarado dish wish complete this statement. If I could accomplish

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Speaker 1: one thing before I turned fifty, i'd blank star in

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Speaker 1: a major motion picture. Wow, major, not those indie bullshit.

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Speaker 1: You're gonna do it. You're gonna get everything in life. Yeah,

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Speaker 1: pulp fiction shoving up your ass. It's gotta be a

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Speaker 1: major motion picture. But I'll take under five and al right,

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Speaker 1: thank you for your honesty. And last, but close your

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Speaker 1: eyes and fall back. If you thinking least, it's Joey

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Speaker 1: Greer cattle prod Bod tell us why we should join

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Speaker 1: your new cult. Oh my god, so many reasons. Number one,

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Speaker 1: free rope. You get a free rope. And I know

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Speaker 1: what you're thinking, Oh, there's an initial fee to get in.

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Speaker 1: It's a free rope. I'm giving you this regardless of

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Speaker 1: what happens after the six month initiation period. You get

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Speaker 1: to keep that rope. Okay, you get to take that

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Speaker 1: back with you. You get to relax. It's yours. It's yours, okay,

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Speaker 1: so do not think there are any strings of ties.

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Speaker 1: Oh my god, robe in your mouth. Speaking of which,

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Speaker 1: did anyone take my advice and watch Seduced the follow

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Speaker 1: up Nexium series. I don't have Stars, it's subscribed to Stars,

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Speaker 1: so I could watch it, am I? Right, Craig, It's

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Speaker 1: a kazillion times better. No filler. Let's get to the

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Speaker 1: point and we find out real information. Yes, and it

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Speaker 1: makes the folks from the vowel that looks so good right,

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Speaker 1: Like they agreed to do it on camera just so

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Speaker 1: they could get weasel out of their responsibilities, and now

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Speaker 1: they fucked people up. Yes, everyone, no filler, all information,

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Speaker 1: only four episodes in out, nobody gets hurt. Can I

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Speaker 1: just say that I was told I could watch this,

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Speaker 1: like I'm I've got beef with Amazon. Now. This has

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Speaker 1: happened multiple times. I look something up and says, oh,

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Speaker 1: you can watch it, you can watch it, and then

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Speaker 1: I get my popcorn pop and I sit down and

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Speaker 1: then it's like, oh, but you need this other fucking subscription.

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Speaker 1: And then I'm like, well that's that da. Just because

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Speaker 1: I'm employed by Amazon doesn't mean you can tell these

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Speaker 1: complaints to me. It s nine to five for him. Dude.

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Speaker 1: It's like has a huge presence on Twitch, which is Amazon.

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Speaker 1: You know, it's it's just misleading advertising. Okay, Like if

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Speaker 1: you say I can watch something on Google, let me

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Speaker 1: just get there and watch it. Jeff is gonna kick

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Speaker 1: your ass. Can I say one last thing about and

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Speaker 1: Kevin Poll. This is gonna sound like a humble brag,

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Speaker 1: but it's not. But I was at Amazon last year

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Speaker 1: to pitch a show that sounds fun. It didn't go so,

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Speaker 1: but there was a moment where we're checking in and

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Speaker 1: I look over and Kevin is staring at me, and

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Speaker 1: there's a cardboard cutout of the cast, and I my heart,

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Speaker 1: my heart exploded. I was like, he's here with me,

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Speaker 1: He's here. Yes, you didn't give me the green light,

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Speaker 1: and I was looking for Kevin. I did not carry

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Speaker 1: the day. I was just there in support, man. That's right,

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Speaker 1: that's right, all right, Let's do a damn show. All

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Speaker 1: of our scenes justtions gather from your listener emails or

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Speaker 1: from our Patreon v I p s to become a

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Speaker 1: patroon support of the show and watch exclusive content like

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Speaker 1: a video of what I'm saying right now, just head

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Speaker 1: on over to patreon dot com slash Alchemy. That is,

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Speaker 1: if you like to do some med a scene suggestion

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Speaker 1: via old timey email, please write to the podcast at

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Speaker 1: your name here at alteve me this dot com. That's

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Speaker 1: your name here at see Number one comes from Patreon

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Speaker 1: v I P. Derek, who wrote, Hello Kevin and alchemists.

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Speaker 1: My scene suggestion is this a famous painter attempts to

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Speaker 1: reignite their spark of a career by finding the right muse.

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Speaker 1: Love the show, Derek, I mean I just don't see it,

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Speaker 1: you know, Like I mean, I understand the pain, but

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Speaker 1: I mean it's just so provincial. Give me some depth

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Speaker 1: to this, Give me some other thing, give me hi,

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Speaker 1: give me with give me substance, Give me substance. You understand.

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Speaker 1: I just can't with this. I mean, this is just

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Speaker 1: so passe. Get this art out of here. I understand

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Speaker 1: what you're saying, Um forgive me, but I'm the artist.

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Speaker 1: How are you? I'm not sure why you're coming down

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Speaker 1: so hard on my shure. Oh I thought your eyes

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Speaker 1: would be further apart. Uh. You know, this piece in

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Speaker 1: general is trash, and I don't believe it be more general. Sure, um,

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Speaker 1: step back for general trash, step back further from the

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Speaker 1: trash two more feet. Now, what do you see a

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Speaker 1: lands bill? Right? Look, Steve, you're a good artist. Okay. Yeah,

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Speaker 1: we've had some great showings here at this gallery. Yeah,

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Speaker 1: thank you. Yeah, it's been great. I'm gonna be honest,

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Speaker 1: your last two showings have felt uninspired. Now that critic

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Speaker 1: who was here, that's that's the critic New York Times. Um,

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Speaker 1: here's what I'm gonna do for you. I'm gonna take

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Speaker 1: all these paintings off the wall. I'm gonna store them

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Speaker 1: for you. Thank you, But I needs you to take

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Speaker 1: a break. Okay, go find new inspiration. Shoe right, good work.

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Speaker 1: I've been um interviewing muses hoping I could find one

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Speaker 1: a less conventional path to that music I just put out,

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Speaker 1: put it out on on socials and listen. When I

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Speaker 1: find one that works, I'll I'll reach out and thank

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Speaker 1: you for your feedback and your honesty. We think you're great.

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Speaker 1: We think you're great, but we know there's more in you.

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Speaker 1: And hey, one last piece of advice, but yeah, please anything,

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Speaker 1: maybe maybe put the phone down and just take a look.

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Speaker 1: Take a. Look, whoa, I was doing that for effect.

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Speaker 1: That was amazing. We'll see you later then, mind blown.

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Speaker 1: I know we've had a little issue in our relationship,

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Speaker 1: and I think I have the perfect solution. Let's take

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Speaker 1: a nude painting class. I don't know, dude, why do

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Speaker 1: you have to say no to everything? Just no? But

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Speaker 1: I just said, I don't know, man, I don't know.

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Speaker 1: Do you know what? I just get a beer and

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Speaker 1: go to like the billiard hall or something like that. Yeah,

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Speaker 1: we do that every Thursday. But we're having problems. Let's

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Speaker 1: let's get out of our normal spaces. Alright, alright, welcome

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Speaker 1: to nude painting. You see, we got some couples here. Nice.

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Speaker 1: Nice was that? I'm here alone? Okay, that's cool too,

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Speaker 1: that's cool. First step to nude painting. Take off your clothes.

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Speaker 1: All wait, I'm sorry, this is our first time here.

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Speaker 1: I thought the model would be nude. What model you're

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Speaker 1: gonna paint this base? I'm naked. There you go. If

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Speaker 1: you're single now, you're gonna find a partner soon. So

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Speaker 1: this isn't or no. Just do it. Quitn' asking silly questions, right,

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Speaker 1: nude painting, nude painting up do you want to be cooler?

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Speaker 1: Oh my goodness, this is gonna be so embarrassing. Just

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Speaker 1: take a beer, man, Just take your boxers off. Let's go.

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Speaker 1: I'm I'm poking out from all the way. All the

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Speaker 1: way I'm poking out from the boxers is't not good

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Speaker 1: enough for It's not a poking out painting class. Hi?

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Speaker 1: What can I get for you today? Coffee? Bagel? Both?

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Speaker 1: That sounds good. Let me get a coffee in a bagel? Yeah,

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Speaker 1: well do pumpernickel? Wow? Got it? Sorry? What um? What's

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Speaker 1: your name? Before I answer that, I gotta ask you

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Speaker 1: a question? Sure? Do you feel that? Yes? I do?

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Speaker 1: I do. This is weird. This is weird. It's not

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Speaker 1: happened to me before. Okay, okay, I need to sit down. Wow.

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Speaker 1: Do you have a break coming? Maybe? No? Sitting? No sitting, No,

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Speaker 1: I there's I don't have a break. What time do

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Speaker 1: you work too? Am? I'll see you at Oh? Okay? Yes, yes, yes,

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Speaker 1: I mean I'm feeling what I think you are. I

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Speaker 1: think there's something happening. Let's not put a name on it. Okay, okay,

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Speaker 1: but I will put your name on this coffee? What

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Speaker 1: what's what's the name looking for a muse, looking for

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Speaker 1: muse for ms polished conf umus. Okay, okay, hey Stephen,

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Speaker 1: you know I went through Einstein Bagel's like company policy doesn't.

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Speaker 1: I can sit down? Okay, I can't down. Not on

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Speaker 1: the clock. You get you get a fifteen minute break

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Speaker 1: after working four hours, and then you'll get a thirty

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Speaker 1: minute break after six. Stephen says nothing about sitting here.

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Speaker 1: I can sit down and make coffee, Steve, I can't. No,

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Speaker 1: you cannot. If you're sitting, then you don't have a

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Speaker 1: good angle. I need you to have your your feet spread.

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Speaker 1: I need you to be grounded. Nobody else here needs

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Speaker 1: to sit. We're getting rid of these stools. There's no

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Speaker 1: reason the stools behind the counter. We're getting crushed by

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Speaker 1: the goddamn flagstaff taco bell. All right, Einstein, do like

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Speaker 1: we we gotta do something here. Okay, we gotta take

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Speaker 1: a seat here. Okay, let me just let here take

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Speaker 1: this stool sitting next to this especial machine here. Okay. Now, now,

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Speaker 1: if you're sitting, look at the angle. If this was

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Speaker 1: boiling milk, which it should always be just below boiling,

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Speaker 1: never boiling milk it but it should be about two

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Speaker 1: hundred degrees should be about two hundred degrees is milk

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Speaker 1: if we steam it? Yeah, it's just it's just below boiling. Okay,

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Speaker 1: So I understand you don't want to sit down on

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Speaker 1: the job and you're going to get fired. Yeah, I

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Speaker 1: mean it's crazy. Look when I came up with the

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Speaker 1: theory of relativity, I was on to my feet. It's

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Speaker 1: the entire time. Come on, there's so many pictures of

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Speaker 1: you on your ass with your feet up. What are

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Speaker 1: you talking about? Okay, Well, after I've on the Nobel Prize,

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Speaker 1: then I could rest on my laurels a little bit. Look,

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Speaker 1: I care about this bagel, shopping water into anything that

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Speaker 1: I've haven't done, Albert, I know that, but it's it's

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Speaker 1: I'm looking at the at the by last year, at

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Speaker 1: the at the Employee Conduct manual here I there says

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Speaker 1: nothing about sitting. Look. Look, I'm sticking out my tongue.

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Speaker 1: Come on, I'm a joker. Sorry, we're close. Oh yeah,

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Speaker 1: hey you doing Wow. I'll wait outside if that's best.

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Speaker 1: I don't want to get in trouble. It's almost sounded

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Speaker 1: like a bit of a dick before, so I don't

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Speaker 1: I don't hold it against him. He's just trying to

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Speaker 1: make the best bagels and coffee possible. Hey, you guys,

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Speaker 1: closed because it says two o'clock, but it's one right now.

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Speaker 1: I mean we're in that weird area where it's a

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Speaker 1: good brother not serve you. Are you going in? Yeah? Yeah,

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Speaker 1: I'm not going in. It's closed. Well it's the technically

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Speaker 1: doesn't close the two. So if you want to go in,

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Speaker 1: we're going together that way. I won't be No. If

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Speaker 1: you're the dick, I'm out front. What let those people in?

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Speaker 1: It's not closed? Yeah? Okay? What what is it you needed? Uh?

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Speaker 1: Pumpernickel bagel? Um? Ok? Do you carry um everything but

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Speaker 1: onion bagel? Everything? But no? But I can. I can

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Speaker 1: make that for you if that's what you like. If

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Speaker 1: it's not a problem, that'd be great. I mean it

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Speaker 1: kind of feels like a big ass. I thought the

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Speaker 1: managers just yelled and said, you're open. Can I just

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Speaker 1: speak to the manager? Oh? I could just we could

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Speaker 1: probably handle this here. Check out my New York Times

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Speaker 1: food critic. Alright, just bust am I under arrest or something?

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Speaker 1: I just write our article. I don't We have no

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Speaker 1: no arresting powers. Listen, you can. I'm not carrying any

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Speaker 1: weapons on me if you need to pat me down

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Speaker 1: or whatever. No, not at all, like this lawyer. Okay,

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Speaker 1: I'm gonna I gotta call a lawyer or something. Just

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Speaker 1: give me one second. Hey, Bobby, what's a uh No,

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Speaker 1: Bobby Manager, not Bobby janitor. Bobby, Sorry, I just gotta

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Speaker 1: clean the toilet. Oh boy, I'm sorry. Why aren't you

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Speaker 1: letting these guys all the way in? They aren't. Sorry,

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Speaker 1: there's some legal issue. This guy showed me his identification

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Speaker 1: New York Times Food critic, hands up, put your hands down,

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Speaker 1: put your hands slow. I have a question for the

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Speaker 1: New York Times phil food critic, please, Bobby and the janitor,

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Speaker 1: and I have a question for you, Yes, yes, please,

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Speaker 1: Why should your singular opinion matter more than I don't

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Speaker 1: know mine? Do? Please say that? Let's talk about the

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Speaker 1: history of the New York Times. Wow, thanks for waiting

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Speaker 1: for me. And it was got a little weird there,

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Speaker 1: but it's like two fifteen. I mean, do you work

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Speaker 1: at Einstein Bagels and Coffee? Get off of me. Excuse me?

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Speaker 1: I'm sorry. Can I help work at Einstein Bagels and Coffee?

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Speaker 1: They're closer? Can can you go elsewhere? I just want

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Speaker 1: to know if you work at Einstein Bagels and Coffee. Yeah,

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Speaker 1: sure you do? No, she does? Oh yeah, so you do?

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Speaker 1: You work at Einstein Bagels and Coffee. Wait? Why do

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Speaker 1: you have to touch me as you're talking to me? Hey,

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Speaker 1: freak zoid. Here's twenty bucks. Go findal life who work

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Speaker 1: at Enstein Bagels and Coffee. So um, So let's talk

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Speaker 1: about that feeling we were feeling earlier. Part of me

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Speaker 1: is I spin underneath this lamp post? Just pools of lights?

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Speaker 1: Really do something to me? You're you're luminescent. I feel

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Speaker 1: like I'm levitating. Frankly. Uh, let me ask you three

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Speaker 1: questions starting with third okay, breakfast, yes please? Second question,

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Speaker 1: how do you like your egg? I'm into it? First question?

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Speaker 1: Are those your shoes? Right? All right? Well? Uh, may

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Speaker 1: to Blasio, looks like every the amendments of past that

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Speaker 1: we're giving food critics the ability to arrest anybody that

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Speaker 1: they deem aren't um, you know, doing what they the

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Speaker 1: good good? Love it, love it? Yeah, I guess I

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Speaker 1: don't know the word for that is anyway. Um. What

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Speaker 1: about what about art critics? Art critics? Okay, want art?

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Speaker 1: Critics to be able. First of all, I don't want them.

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Speaker 1: I want them to be able to confront the artist

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Speaker 1: in person. And uh right whenever they do a review

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Speaker 1: that it's not gonna go into the paper no more.

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Speaker 1: And uh and our critics should be a will arrest

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Speaker 1: people for bad artists. Okay, so all critics, not just

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Speaker 1: food critics. Yeah, yeah, critics, didn't I ask for an everything,

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Speaker 1: bigger without onion. You did. That's everything, but the onion.

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Speaker 1: Oh my god, I got you butt onion. Yeah you

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Speaker 1: this this biggest covered in butt onion. I'm sorry. I

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Speaker 1: can't eat this. I'm sorry, sir. I thought you wanted

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Speaker 1: butt onion. No, why would I want butt on you? Listen,

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Speaker 1: I'm happy that you two have worked in your relationship.

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Speaker 1: I guess that nude painting was really helpful. But I

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Speaker 1: don't need your advice. I think I'm in love with

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Speaker 1: the man I just met, and that's okay. Take a beer,

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Speaker 1: Take a beer. Yeah, listen. We I don't think we

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Speaker 1: could say we knew what love was until that class,

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Speaker 1: and then you were there in that class as well.

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Speaker 1: So do you do you see do you feel something

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Speaker 1: that we're feeling? Tell? Do you feel that. I feel it.

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Speaker 1: You're saying, yes, a trimordial relationship. Trimordial. Look, we're trying

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00:19:54,960 --> 00:19:59,040
Speaker 1: to make ourselves water and soupy. We want you to

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Speaker 1: be a part of I'm sorry. I'm sorry for the burbage.

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Speaker 1: I'm a I'm a critic. Problem. No problems here, everybody else,

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Speaker 1: want another beer? I'm just running through this. Here's him

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Speaker 1: and him and it's cooler. All I'm saying is why

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Speaker 1: can't I just love a man I just met? He

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Speaker 1: inspires me to be better? Sure, but we you already

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Speaker 1: know we're better. We remember that painting of the pair

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Speaker 1: that we both painted, and remember that. Yeah, okay, all right,

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Speaker 1: here's this. I'll tell you this though. He has an

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Speaker 1: opening tomorrow night, tomorrow night, and he's working all through

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Speaker 1: the night tonight. He's an opening on his calendar. Yeah,

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Speaker 1: an art gallery exhibit opening. He's opening the gallery. He's

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Speaker 1: gonna be his stuff his is you? Guys? You know

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Speaker 1: what you know? No, no, thank you. If you want

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Speaker 1: to support me, if there's any future for us, you'll

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00:21:02,400 --> 00:21:05,440
Speaker 1: be at that opening tomorrow. Oh you'll be there. Ye'll

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Speaker 1: be there? Ye be? Is she floating away? I'm so

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Speaker 1: excited and nervous at the same time, thank you for

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00:21:13,359 --> 00:21:17,800
Speaker 1: giving me this fourth chance? Or at the gallery fingers crossed,

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Speaker 1: Todds crossed. This, that's this could be it. I feel

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Speaker 1: like once I found the muse, Well, you tell me,

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Speaker 1: what do you see in this art? Do you see

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Speaker 1: what I see? Oh? Ship right? This is good? Right?

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Speaker 1: I mean last stuff was was good, but this is

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Speaker 1: there's a I'll be honest, it's speaking to me. What

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Speaker 1: is it saying when it speaks? First of all, does

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Speaker 1: it speak English? Second of all, what does it say? Yeah,

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00:21:49,160 --> 00:21:52,399
Speaker 1: it feels like English. It feels like, um, I'm here

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Speaker 1: a little bit of jibbers though too, write just a

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00:21:54,320 --> 00:21:59,479
Speaker 1: little money, money, money, money. I mean, how else are

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Speaker 1: we gonna rate it? If not by cash flow? That's

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Speaker 1: what I'm saying. This heart, this heart here me chuck

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Speaker 1: me review art New York Times. All right, okay, now,

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00:22:14,440 --> 00:22:21,720
Speaker 1: I mean like me like truck, like truck like art. Hey, listen, Chaz, welcome, welcome,

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Speaker 1: thank you for the opening compliments. But please, there's forty

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Speaker 1: two pieces. Take a look around forty two. There's a

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00:22:31,400 --> 00:22:37,000
Speaker 1: lot more pieces. Chuck more more. This bagel, this bagel

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Speaker 1: in art. That's a pumper nickel everything bagel Chuck like

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00:22:42,760 --> 00:22:45,560
Speaker 1: a good review? I like, Chuck, this is going great,

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00:22:45,640 --> 00:22:53,480
Speaker 1: This is going great, Chuck. No like oh nude painting chuckle? Yeah,

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00:22:53,600 --> 00:22:57,800
Speaker 1: that one I got away from me. You're under arrest?

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00:22:58,320 --> 00:23:05,040
Speaker 1: Oh ship, Fuck? What's happening? Bad heart? Come on, man,

363
00:23:05,119 --> 00:23:10,080
Speaker 1: gets out of here. Sucks, dude, You got weird sculpture. Man,

364
00:23:11,480 --> 00:23:14,000
Speaker 1: I made a soux flay Dude, I made a soup flame, bro,

365
00:23:14,359 --> 00:23:19,680
Speaker 1: and they brought me in here. Damn let us out, man.

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00:23:20,720 --> 00:23:25,800
Speaker 1: Let's yeah, yeah, let us out? What happened to you? Man?

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00:23:26,240 --> 00:23:28,600
Speaker 1: Are you looking familiar? Bro? Yeah? Where do I know

368
00:23:28,680 --> 00:23:31,280
Speaker 1: you from? Oh? You probably know me from my work

369
00:23:31,320 --> 00:23:34,439
Speaker 1: as a physicist. But I run a bagel shop. Now,

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00:23:35,320 --> 00:23:40,080
Speaker 1: Oh what bagel shop? You want? Bruger's bagels? No, Brugers.

371
00:23:42,760 --> 00:23:50,960
Speaker 1: Brugers is not so good. No, Bruger is not good. Alright,

372
00:23:51,040 --> 00:23:54,399
Speaker 1: knock it up, Shut the funk up. Which one of

373
00:23:54,480 --> 00:23:57,719
Speaker 1: you is the s fla man relaxing? You're here with us?

374
00:23:57,760 --> 00:24:07,240
Speaker 1: What the hell's your? Man? And that scene one see

375
00:24:07,280 --> 00:24:10,120
Speaker 1: two comes from from jade neuro Good day, Alchem, has

376
00:24:10,240 --> 00:24:13,400
Speaker 1: Jaden here been listening from day one? And love the podcast?

377
00:24:13,480 --> 00:24:17,520
Speaker 1: I haven't seen suggestion a group of Australian surfers, first

378
00:24:17,560 --> 00:24:21,600
Speaker 1: time in California doing a surf safari. Just want to

379
00:24:21,720 --> 00:24:26,720
Speaker 1: hear them beautiful Australian accents. Much love Jaden from Australia,

380
00:24:29,160 --> 00:24:37,040
Speaker 1: or cry look at it. I have been suffing before.

381
00:24:37,119 --> 00:24:41,480
Speaker 1: I don't like I loved the first time in the

382
00:24:41,560 --> 00:24:46,879
Speaker 1: first time in the States Australia, first time time on

383
00:24:46,960 --> 00:24:49,639
Speaker 1: a plane, on this time on a fucking plane. You

384
00:24:49,800 --> 00:24:53,600
Speaker 1: can't playing a kent first time. Well, just you guys

385
00:24:53,640 --> 00:24:56,960
Speaker 1: are in. You are in three A, three B and

386
00:24:57,080 --> 00:25:03,240
Speaker 1: three C. So that's the first class. Cry up tip

387
00:25:03,400 --> 00:25:08,520
Speaker 1: to a bye tip top. So as customary, we don't

388
00:25:08,520 --> 00:25:15,520
Speaker 1: want to get new middle sleep see the ticket, see

389
00:25:15,600 --> 00:25:17,920
Speaker 1: hit to take the middle. It's just how it is.

390
00:25:18,080 --> 00:25:20,640
Speaker 1: You're not giving any now, it's moving around because you've

391
00:25:20,640 --> 00:25:25,520
Speaker 1: got the middle. All right. I paid Jesse's motions day,

392
00:25:25,560 --> 00:25:30,119
Speaker 1: pay for the attack. We're surfers, we we we're professional.

393
00:25:31,480 --> 00:25:33,440
Speaker 1: I'm gonna have to be able to put myself food

394
00:25:33,440 --> 00:25:39,280
Speaker 1: on the otherhead stripped in my chest. All right, we'll

395
00:25:39,280 --> 00:25:41,200
Speaker 1: do anything for the first class people. I'll take I'll

396
00:25:41,200 --> 00:25:44,320
Speaker 1: take your surfer. It's big, okay, we'll take with them.

397
00:25:44,359 --> 00:25:51,560
Speaker 1: I careful piece, Mike, careful, just put that away safely.

398
00:25:51,600 --> 00:25:53,280
Speaker 1: Do you want anything to drink? Would you like your

399
00:25:53,920 --> 00:25:58,440
Speaker 1: beverage of choice? We'll do a little Fosters Fosters I

400
00:25:58,560 --> 00:26:02,360
Speaker 1: think almret tee fisty, but if you could just give

401
00:26:02,400 --> 00:26:08,080
Speaker 1: me some Benjamoy, can I just get sure? Of course

402
00:26:08,119 --> 00:26:11,040
Speaker 1: that's what we served first class. Do you guys gonna

403
00:26:11,080 --> 00:26:12,800
Speaker 1: be here the little screen for the team. You're not

404
00:26:12,880 --> 00:26:15,879
Speaker 1: got mad mix on? Here is a man mixt mid mix,

405
00:26:16,119 --> 00:26:19,240
Speaker 1: you know, got mid mix on it. I'll check on

406
00:26:19,320 --> 00:26:22,320
Speaker 1: the mad mix. Uh. You seem to be so all

407
00:26:22,400 --> 00:26:25,119
Speaker 1: of you seem to be very local Astrolians. I can

408
00:26:25,160 --> 00:26:32,000
Speaker 1: tell I do this route all the time. Hello, everybody,

409
00:26:32,040 --> 00:26:35,120
Speaker 1: this is your violence speaking. My name is Joey Greer,

410
00:26:35,240 --> 00:26:37,879
Speaker 1: and I want to welcome to you more. And I

411
00:26:37,960 --> 00:26:41,320
Speaker 1: hope I fight today. To America is all you wanted

412
00:26:41,400 --> 00:26:43,440
Speaker 1: to be. I thought I saw a couple of Quali

413
00:26:43,520 --> 00:26:46,879
Speaker 1: bears back there and somewhere, so people please keep look out.

414
00:26:47,760 --> 00:26:51,200
Speaker 1: They're the ones not wearing a mask. No mask, No man,

415
00:26:51,600 --> 00:26:54,840
Speaker 1: you can't see that on the mic. Jesus Christ, did

416
00:26:54,960 --> 00:26:58,400
Speaker 1: you just call them Kuala bears? Yeah? What's the problem, Jim?

417
00:26:59,160 --> 00:27:01,600
Speaker 1: I mean that is, you're gonna get us in big trouble.

418
00:27:01,680 --> 00:27:04,679
Speaker 1: Those are Can I remind you which one of us

419
00:27:04,800 --> 00:27:08,200
Speaker 1: is the fucking co pilot for story story? Are you?

420
00:27:09,520 --> 00:27:14,679
Speaker 1: I am sorry, but your mask on? Your freak? Hey, folks,

421
00:27:15,600 --> 00:27:19,640
Speaker 1: you're pilot Joe Ger again. Listen, Uh I fight attendants today.

422
00:27:19,640 --> 00:27:21,080
Speaker 1: We're gonna get to you as quickly as they can.

423
00:27:21,200 --> 00:27:25,280
Speaker 1: Remember your safety first, keep those masks on and uh

424
00:27:25,840 --> 00:27:31,360
Speaker 1: well let's sing a little song on take off. Hey,

425
00:27:31,520 --> 00:27:35,000
Speaker 1: welcome to Huntington Beach, California. This is served City, USA.

426
00:27:36,480 --> 00:27:38,800
Speaker 1: Good look at this? Look at this video? Might I gonta,

427
00:27:39,000 --> 00:27:41,399
Speaker 1: We're gonna we're gonna go to Hins and Baits, California

428
00:27:41,720 --> 00:27:43,680
Speaker 1: and this they go, all right, that's gonna be sounded around.

429
00:27:43,720 --> 00:27:50,760
Speaker 1: He's got like fifteen million you Tube subscribe, subscribe us. Well, look,

430
00:27:50,880 --> 00:27:55,000
Speaker 1: ma'm a play play it play. So as soon as

431
00:27:55,080 --> 00:27:57,800
Speaker 1: you guys touchdown, you're gonna hop in the car from

432
00:27:58,000 --> 00:27:59,960
Speaker 1: l A X and meet me right here. And honey,

433
00:28:00,119 --> 00:28:03,639
Speaker 1: he's Guilifornia, That serves city in USA. Excuse me? What

434
00:28:04,080 --> 00:28:07,080
Speaker 1: would you guys mind turning down that video or just

435
00:28:07,320 --> 00:28:09,760
Speaker 1: or watching it with your headphones on? Maybe you watch

436
00:28:09,840 --> 00:28:11,840
Speaker 1: it with my Headphanes, How the hell do I watch

437
00:28:11,920 --> 00:28:15,320
Speaker 1: something with head fans in? Yeah, well, you know, maybe

438
00:28:15,359 --> 00:28:17,800
Speaker 1: you just take turns watching the video or whatever. I'm

439
00:28:17,800 --> 00:28:19,200
Speaker 1: just trying to get it's a long flight. I'm just

440
00:28:19,240 --> 00:28:21,640
Speaker 1: trying to get some sleep, he said, the first time

441
00:28:21,640 --> 00:28:25,040
Speaker 1: I've been on a plane shouts and your first class.

442
00:28:26,119 --> 00:28:29,399
Speaker 1: Excuse me? Is there a problem here between YouTube parties?

443
00:28:29,640 --> 00:28:33,840
Speaker 1: This is uh first class. They're playing a video kind

444
00:28:33,880 --> 00:28:35,879
Speaker 1: of loud, and it's bothering me a little bit. Sir.

445
00:28:36,000 --> 00:28:38,000
Speaker 1: It's first class, so they can do whatever the funk

446
00:28:38,040 --> 00:28:40,960
Speaker 1: they want. So do you have a first I'm also

447
00:28:41,040 --> 00:28:46,800
Speaker 1: first class? Oh, we've never had this situation before. How

448
00:28:46,840 --> 00:28:48,960
Speaker 1: do you resolve it? Do we go to first class court? No?

449
00:28:49,240 --> 00:28:53,320
Speaker 1: I just get the captain to come out here. Hey,

450
00:28:53,640 --> 00:28:56,640
Speaker 1: this is your captain, Joey Greer. What seems to be

451
00:28:56,760 --> 00:29:00,680
Speaker 1: the problem there? Can he lost or is he just

452
00:29:00,760 --> 00:29:04,400
Speaker 1: on the speaking No? He can hear us? Can hear

453
00:29:04,520 --> 00:29:10,840
Speaker 1: your seat? Well? These fucking koala bears. I'm sorry I

454
00:29:10,960 --> 00:29:13,160
Speaker 1: say that because I think you all have gona rhea.

455
00:29:15,640 --> 00:29:20,720
Speaker 1: We're playing a video and I have an eyemask on,

456
00:29:21,280 --> 00:29:23,560
Speaker 1: I have ear plugs in, and yet I can still

457
00:29:23,880 --> 00:29:26,960
Speaker 1: see them and hear them do that. And I'm a

458
00:29:27,000 --> 00:29:31,440
Speaker 1: first class passenger. If I could address the Australians, get

459
00:29:31,480 --> 00:29:33,600
Speaker 1: your ship together and put your heads down around Okay,

460
00:29:34,080 --> 00:29:37,600
Speaker 1: thank you, Joey. You can't. You can't just see that

461
00:29:37,680 --> 00:29:40,320
Speaker 1: into the microphone. I mean those those are first class

462
00:29:40,360 --> 00:29:43,200
Speaker 1: passengers to the second passenger. Sorry, what the fund is

463
00:29:43,200 --> 00:29:47,760
Speaker 1: your problem? Again? Hey? Well can you just landed your now?

464
00:29:47,840 --> 00:29:52,760
Speaker 1: And how did it beach California, Serve City, USA? I

465
00:29:52,800 --> 00:29:55,520
Speaker 1: mean obviously these videos are in successions. Sorry, so I

466
00:29:55,640 --> 00:30:03,440
Speaker 1: just auto pl again. I thought we had resolved our dispute.

467
00:30:04,080 --> 00:30:09,360
Speaker 1: I thought we had resolved it. Welcome to live in

468
00:30:09,600 --> 00:30:13,240
Speaker 1: person right here. I'm going to take away your machine

469
00:30:13,440 --> 00:30:16,640
Speaker 1: positive positive video, sir. I will take away that machine.

470
00:30:17,280 --> 00:30:21,760
Speaker 1: They're still playing there, working on it all right. This

471
00:30:21,880 --> 00:30:24,200
Speaker 1: is obviously the third or fourth video that you watch

472
00:30:24,680 --> 00:30:28,960
Speaker 1: of this YouTuber. Applies it it auto applies, turn off,

473
00:30:29,040 --> 00:30:33,600
Speaker 1: auto turn be a problem if you had Mad Max

474
00:30:33,720 --> 00:30:37,600
Speaker 1: on hered mix. We don't even show the original Mad Max.

475
00:30:37,680 --> 00:30:40,480
Speaker 1: That's that's many years old. We have latest, the latest movies.

476
00:30:40,840 --> 00:30:43,680
Speaker 1: You can watch movies. Have you heard of Scotland p

477
00:30:43,840 --> 00:30:51,080
Speaker 1: a great movie? Top ten movie one? Okay, alright, So

478
00:30:51,200 --> 00:30:56,600
Speaker 1: you guys, are have you ever sifted before? I'm a

479
00:30:56,680 --> 00:30:58,840
Speaker 1: flight attendant. I work all the time. I don't don't

480
00:30:58,880 --> 00:31:04,360
Speaker 1: really have time to to leisurely hit the ocean. You

481
00:31:04,440 --> 00:31:08,760
Speaker 1: gotta find enjoyment in your law. You gotta find enjoyment. Yeah,

482
00:31:08,840 --> 00:31:11,360
Speaker 1: come with a you should come with us. Come with us,

483
00:31:12,920 --> 00:31:17,720
Speaker 1: all right, bros. Welcome to Huntington Beach, California, Serves City, USA.

484
00:31:18,400 --> 00:31:22,040
Speaker 1: Are we were exposed to meet somebody else? I don't

485
00:31:22,040 --> 00:31:24,560
Speaker 1: know who you're talking about. Man, I'm kind of the uh,

486
00:31:25,120 --> 00:31:28,680
Speaker 1: the welcome wagon here at the beach. Oh hey, bros,

487
00:31:29,400 --> 00:31:31,640
Speaker 1: Oh what the hell? Kyle? What are you doing here?

488
00:31:32,320 --> 00:31:34,160
Speaker 1: This guy in this video that I'm watching right here?

489
00:31:34,400 --> 00:31:37,479
Speaker 1: Who just all right? He started doing skits comedy at

490
00:31:37,520 --> 00:31:41,320
Speaker 1: one point. Yeah, he's it's like a Vernon earnest thing.

491
00:31:41,360 --> 00:31:47,000
Speaker 1: He talks to a Kyle that you never see. Um.

492
00:31:47,080 --> 00:31:50,400
Speaker 1: I said, you know, I got off a pine pine

493
00:31:51,040 --> 00:31:53,880
Speaker 1: and ready to do it. Ready the saft stop but

494
00:31:54,080 --> 00:31:58,480
Speaker 1: it's saft Okay. Well look everybody, Uh, I can't wait

495
00:31:58,520 --> 00:32:00,240
Speaker 1: to get you on your boards and get you out

496
00:32:00,280 --> 00:32:03,680
Speaker 1: there to you know, take on that break. But everybody's

497
00:32:03,720 --> 00:32:05,840
Speaker 1: got to get a gonna reattest before you get in

498
00:32:05,880 --> 00:32:11,560
Speaker 1: the water. I can't do that, Mike. It's no, we won't.

499
00:32:11,600 --> 00:32:14,120
Speaker 1: We won't pass. No, I mean most people pass it.

500
00:32:14,280 --> 00:32:16,840
Speaker 1: You know. We want my might might. Let's do someone

501
00:32:16,920 --> 00:32:21,120
Speaker 1: right now. It's Mike shift. Okay, Well, thank you for

502
00:32:22,280 --> 00:32:24,880
Speaker 1: being prompt. The doctor will be here in a moment

503
00:32:24,960 --> 00:32:26,880
Speaker 1: if we can just get you into this paper gown

504
00:32:28,120 --> 00:32:33,280
Speaker 1: and we're gonna check their bottom area for some gnorhea

505
00:32:34,120 --> 00:32:37,520
Speaker 1: and um see what what's happening up in there? If

506
00:32:37,560 --> 00:32:40,200
Speaker 1: you know what I'm saying. Have you had a calonic before?

507
00:32:41,280 --> 00:32:43,320
Speaker 1: So this is like a sample video of what it's

508
00:32:43,360 --> 00:32:45,840
Speaker 1: gonna be like when you go to the clinic. It's

509
00:32:46,000 --> 00:32:52,680
Speaker 1: very easy. They're very kind. Welcome to the ocean. You

510
00:32:52,760 --> 00:32:57,720
Speaker 1: can feel the water all around you here the birds,

511
00:32:58,640 --> 00:33:03,680
Speaker 1: you sir, great, great dude. Stop making these videos in

512
00:33:03,720 --> 00:33:06,720
Speaker 1: the room, okay, and go into your own bedroom to

513
00:33:06,840 --> 00:33:10,760
Speaker 1: make these videos, okay. Part of roommates STA status means

514
00:33:10,800 --> 00:33:13,760
Speaker 1: being able to use the shared spaces. That's my room

515
00:33:13,920 --> 00:33:17,440
Speaker 1: is not a shared space that Okay, I make that clear.

516
00:33:17,880 --> 00:33:19,840
Speaker 1: I made it clear. I mean it clear. You've been

517
00:33:19,840 --> 00:33:21,600
Speaker 1: doing these videos for how long? I told you? Do

518
00:33:21,760 --> 00:33:23,720
Speaker 1: you most gonna be here. You're gonna be here in

519
00:33:23,800 --> 00:33:31,800
Speaker 1: like two hours. Cliff, Riff and Tiff the Australian Serp trio. Okay,

520
00:33:32,680 --> 00:33:35,120
Speaker 1: so that should be a big deal to you. They're

521
00:33:35,160 --> 00:33:37,320
Speaker 1: not staying here, is just say they're not staying here.

522
00:33:37,400 --> 00:33:40,960
Speaker 1: Of course, they are in the shared Jesus fucking Christ, Adam,

523
00:33:41,000 --> 00:33:42,880
Speaker 1: why did you invite me over if all these surfers

524
00:33:42,920 --> 00:33:45,200
Speaker 1: from another country are coming? And why can't you have

525
00:33:45,320 --> 00:33:48,920
Speaker 1: your bedroom better? I'm I'm working on it, Lucy, give

526
00:33:48,960 --> 00:33:52,440
Speaker 1: me a second. Please give you a second, yes, please,

527
00:33:52,520 --> 00:33:55,240
Speaker 1: Just I'm funny. It means it means you shouldn't have

528
00:33:55,240 --> 00:33:57,240
Speaker 1: bought a dog. Okay, I mean you shouldn't have bought

529
00:33:57,280 --> 00:33:59,080
Speaker 1: a dog. And it made me take care of it. Okay,

530
00:33:59,280 --> 00:34:02,760
Speaker 1: that's what I mean. You just rocked it off at

531
00:34:02,800 --> 00:34:04,000
Speaker 1: the house and you said, like can you can you

532
00:34:04,040 --> 00:34:07,760
Speaker 1: watch it? My apartment doesn't allow animals. Thank you, Captain Exposition.

533
00:34:07,800 --> 00:34:10,480
Speaker 1: I know what happened. I was there. Listen, get this

534
00:34:10,560 --> 00:34:13,680
Speaker 1: asshole out of your bedroom and let's do this. I'm trying.

535
00:34:14,120 --> 00:34:18,160
Speaker 1: I'm trying. Somebody promised some ass playing. Yes, I'll let

536
00:34:18,200 --> 00:34:22,719
Speaker 1: you touch my butt. Jesus Christ. All right, welcome to

537
00:34:22,840 --> 00:34:26,920
Speaker 1: the USA. Now you're at customs and a customs we're

538
00:34:26,920 --> 00:34:30,000
Speaker 1: gonna ask you a series of questions to make sure

539
00:34:30,280 --> 00:34:33,400
Speaker 1: you get into the United States safely and we protect

540
00:34:33,560 --> 00:34:37,200
Speaker 1: our citizens. So are you talking like that, mate, Just

541
00:34:37,360 --> 00:34:41,000
Speaker 1: a normal way of speaking. So welcome again to the

542
00:34:41,160 --> 00:34:43,920
Speaker 1: United States. First, if you just walk in front of

543
00:34:43,920 --> 00:34:47,720
Speaker 1: these things, it starts is automated to the United States.

544
00:34:49,120 --> 00:34:52,320
Speaker 1: First thing we're gonna do is go to customs. Welcome

545
00:34:52,400 --> 00:34:59,200
Speaker 1: to the United States. First thing you can welcome. Welcome, Welcome,

546
00:34:59,280 --> 00:35:04,399
Speaker 1: we welcome, Welcome to the US. If yourself, it will

547
00:35:04,440 --> 00:35:08,239
Speaker 1: be all day. Everyone likes you. Waves, waters, wet waters, drive,

548
00:35:08,400 --> 00:35:14,920
Speaker 1: sand is nice, spires high, everyone likes the ossies. That

549
00:35:15,080 --> 00:35:18,640
Speaker 1: was good. You three have been selected to proceed to

550
00:35:18,680 --> 00:35:25,680
Speaker 1: the United States. Welcome dudes, Yes, yes, all right. Hey

551
00:35:25,800 --> 00:35:28,640
Speaker 1: are you guys, Cliff, Riff and Tiff. That's all right,

552
00:35:28,760 --> 00:35:34,560
Speaker 1: I'm your driver. Well, get a little drive. I look

553
00:35:34,600 --> 00:35:43,200
Speaker 1: at Tiny's all right, let's guy, let's go. Yeah, I'm

554
00:35:43,239 --> 00:35:49,440
Speaker 1: only I'm only six inches tall. It is ty. I'm

555
00:35:49,480 --> 00:35:53,319
Speaker 1: a small guy. I'm a small guy. Ye, tiny's man.

556
00:35:53,400 --> 00:35:57,759
Speaker 1: If he be seen, Yeah, a lot, get that a lot? Yeah?

557
00:35:57,960 --> 00:36:01,799
Speaker 1: Is it a regular size? A full size? Full size car.

558
00:36:05,600 --> 00:36:07,600
Speaker 1: So are we heading straight to hunting to Beach? Check

559
00:36:07,600 --> 00:36:09,600
Speaker 1: out the waves? Are we going by your hotel? First

560
00:36:12,360 --> 00:36:15,279
Speaker 1: tail stand in the friend's house? Are you staying in

561
00:36:15,320 --> 00:36:18,959
Speaker 1: a friend's house? Great? Is it just is that looks

562
00:36:19,000 --> 00:36:20,960
Speaker 1: like a nose show sock. You're using it like a

563
00:36:21,040 --> 00:36:27,279
Speaker 1: little jacket, is it right? Yeah? They don't make a

564
00:36:27,320 --> 00:36:29,520
Speaker 1: lot of clothes in my size, so I gotta get improvised.

565
00:36:30,239 --> 00:36:32,879
Speaker 1: There's a loading zone, guys, there's a loading zone. I'm

566
00:36:32,920 --> 00:36:37,360
Speaker 1: having trouble getting all the surf parts on the roof. Daddy, Okay,

567
00:36:37,440 --> 00:36:39,880
Speaker 1: my son's trying to load your load your board? Can

568
00:36:39,920 --> 00:36:43,120
Speaker 1: what do you freak surfers? Help me? Please? All right?

569
00:36:43,640 --> 00:36:48,839
Speaker 1: In a child cliff riff tiff, I'll help out. I'll

570
00:36:48,880 --> 00:36:52,520
Speaker 1: holp out. I feel like I shouldn't have to do right,

571
00:36:52,680 --> 00:36:56,320
Speaker 1: but you can, can't you? Yeah? But maybe you go

572
00:36:56,560 --> 00:37:00,000
Speaker 1: shouldn't get in the car like we gotta load up

573
00:37:00,000 --> 00:37:05,120
Speaker 1: base staff because they're gonna tell us otherwise. Cares of art?

574
00:37:06,360 --> 00:37:09,040
Speaker 1: Well it works of art. I'll be the judge of that.

575
00:37:09,680 --> 00:37:11,120
Speaker 1: You know, in New York they can arrest you for

576
00:37:11,200 --> 00:37:20,960
Speaker 1: bad art. No, why, no fucking what? Donloading moved the

577
00:37:21,200 --> 00:37:31,719
Speaker 1: vehicle that loaded video was annoying. Okay, okay, and we're

578
00:37:31,880 --> 00:37:34,719
Speaker 1: off my My boy's gonna operate the pedal and I'm

579
00:37:34,760 --> 00:37:42,000
Speaker 1: just gonna be up here at the wheel. Daddy, you're

580
00:37:42,040 --> 00:37:45,680
Speaker 1: standing on my knee. Stop, Okay, sorry about that. I

581
00:37:45,760 --> 00:37:50,240
Speaker 1: mean we're I'm six inches tall. You ever consider saffing

582
00:37:50,360 --> 00:37:54,640
Speaker 1: on a popsicle stick make a good long board a

583
00:37:54,800 --> 00:38:00,680
Speaker 1: popsicle stick? Damn? I yeah, I might. Obviously you get

584
00:38:00,680 --> 00:38:03,760
Speaker 1: a couple of them and you shove it down. Obvious

585
00:38:04,320 --> 00:38:12,640
Speaker 1: single popsicle stick, popsicle stick. Well, maybe one tongue depressor. No,

586
00:38:12,840 --> 00:38:15,480
Speaker 1: I like that. I like that. Just a tongue depressor. Yeah,

587
00:38:15,480 --> 00:38:17,000
Speaker 1: you know I've always wanted to do that. I'm just

588
00:38:17,360 --> 00:38:20,440
Speaker 1: just you know, I can be easily swallowed by most fish,

589
00:38:20,560 --> 00:38:24,440
Speaker 1: so might I could easily swaller you. Yeah, we get

590
00:38:24,480 --> 00:38:30,040
Speaker 1: swa Down't tear him. Don't tear him half what you're saying.

591
00:38:30,040 --> 00:38:32,840
Speaker 1: I can. I can ride a surfboard while in your entrails.

592
00:38:34,280 --> 00:38:36,200
Speaker 1: I can do something like Joan in the whale you

593
00:38:36,360 --> 00:38:42,279
Speaker 1: leave in my mouth? Al sif? All right? You know

594
00:38:42,360 --> 00:38:44,640
Speaker 1: what I would like to live in your mouth while

595
00:38:44,680 --> 00:39:00,320
Speaker 1: you sir? And that is seen too Alcmaniac scene three today,

596
00:39:01,360 --> 00:39:04,600
Speaker 1: he wrote, before you consider shoving my suggestion in the

597
00:39:04,719 --> 00:39:09,600
Speaker 1: so called Q you've invented to spare our feelings when

598
00:39:09,680 --> 00:39:13,080
Speaker 1: we shipped the bed on seen ideas before warned, I

599
00:39:13,239 --> 00:39:19,000
Speaker 1: am as recently reminded by a very lovely personalized Marvin

600
00:39:19,080 --> 00:39:25,799
Speaker 1: MQ YouTube video an Alcamaniac that said, please avoid using

601
00:39:25,960 --> 00:39:30,160
Speaker 1: any bias when assessing the comedic value of the following suggestion.

602
00:39:32,239 --> 00:39:37,160
Speaker 1: Live announcers review improv as if it were a game

603
00:39:37,239 --> 00:39:44,560
Speaker 1: show or a sporting event. Xander all right, looks as

604
00:39:44,600 --> 00:39:48,520
Speaker 1: though the improvisors are taking the stage here at the

605
00:39:49,760 --> 00:39:53,840
Speaker 1: Juggle Fox chuck a butt. Let's uh go down to

606
00:39:54,000 --> 00:39:58,239
Speaker 1: the of course, I'm there and get an interview with

607
00:39:58,360 --> 00:40:02,640
Speaker 1: one of the players, Sandy taking away. Thank you so much, Roger.

608
00:40:02,680 --> 00:40:05,120
Speaker 1: I'm down here with some of the team right now.

609
00:40:05,160 --> 00:40:07,400
Speaker 1: I got the laughs laps here and they're about to

610
00:40:07,400 --> 00:40:10,640
Speaker 1: do a short form twenty minutes. Said. If I'm mistaken

611
00:40:10,680 --> 00:40:13,799
Speaker 1: and taking suggestions from the audience, laugh slap, How how

612
00:40:13,800 --> 00:40:15,399
Speaker 1: are you feeling? What's going through your head right before

613
00:40:15,440 --> 00:40:19,680
Speaker 1: you go on? We're just getting everybody's backs. We're trying

614
00:40:19,719 --> 00:40:22,800
Speaker 1: to get in tune with Counted to twenty synchron like

615
00:40:22,920 --> 00:40:26,440
Speaker 1: without anybody talking over each other. Uh, we're doing some

616
00:40:26,600 --> 00:40:28,479
Speaker 1: arm ups right now, and I think we're feeling pretty

617
00:40:28,480 --> 00:40:35,440
Speaker 1: strong about it. Artists. We're artists, all white, all male team.

618
00:40:35,920 --> 00:40:38,600
Speaker 1: How is that going to affect some of the content

619
00:40:38,680 --> 00:40:40,399
Speaker 1: as well as the humor going back and forth? Don't

620
00:40:40,400 --> 00:40:44,520
Speaker 1: you think your perspective at the moment is just limited? Uh?

621
00:40:45,239 --> 00:40:48,480
Speaker 1: I don't think so. I don't think so. No, I

622
00:40:48,520 --> 00:40:53,320
Speaker 1: don't I don't No, I don't think so either. Honestly,

623
00:40:53,520 --> 00:40:56,759
Speaker 1: what you could say is we represent about of the

624
00:40:56,840 --> 00:40:59,480
Speaker 1: people up there on stage anyway, So I think we're

625
00:40:59,520 --> 00:41:01,719
Speaker 1: going to really eight to all the performers very well.

626
00:41:05,160 --> 00:41:08,920
Speaker 1: You question first here it is laugh slaps coming up next.

627
00:41:09,080 --> 00:41:11,640
Speaker 1: Good luck, gentlemen. I hope you have some fun up there. Okay,

628
00:41:12,400 --> 00:41:14,680
Speaker 1: thank you so much. The report from the floor. Let's

629
00:41:14,719 --> 00:41:24,600
Speaker 1: take it now backstage. Everybody backstage with our backstage commentator. Yeah,

630
00:41:24,600 --> 00:41:27,080
Speaker 1: I'm here. Thanks, thanks for professing it down to me.

631
00:41:27,320 --> 00:41:29,160
Speaker 1: I can just see I'm going to get the same

632
00:41:29,200 --> 00:41:35,560
Speaker 1: two people we just interviewed. I got the left slaps here. Um,

633
00:41:35,760 --> 00:41:37,640
Speaker 1: so can you tell us anything new that you didn't

634
00:41:37,719 --> 00:41:41,480
Speaker 1: just say to my colleague Honestly, you're getting in my

635
00:41:41,560 --> 00:41:43,319
Speaker 1: head right now. I'm trying to stay president and I'm

636
00:41:43,320 --> 00:41:48,239
Speaker 1: trying to just give and take. Uh No, So this

637
00:41:48,440 --> 00:41:51,680
Speaker 1: is live, sir, um No, this is not the way.

638
00:41:51,719 --> 00:41:53,640
Speaker 1: The Bathom bathroom is the other way by the red door.

639
00:41:55,120 --> 00:41:57,759
Speaker 1: Should probably tell him, yes it is, and then add

640
00:41:57,800 --> 00:42:03,719
Speaker 1: some more information. I'm just reporter, alright, Well I don't know, Yes, sir,

641
00:42:03,800 --> 00:42:08,800
Speaker 1: it is. And you can pee on the supporter's leg. Yesee.

642
00:42:08,800 --> 00:42:11,480
Speaker 1: And if you pe on the reporter's leg, it's possible

643
00:42:11,520 --> 00:42:14,360
Speaker 1: that a new legal crow. What's happened? And if that

644
00:42:14,480 --> 00:42:16,239
Speaker 1: new leg grows, you might be able to cut it

645
00:42:16,280 --> 00:42:18,239
Speaker 1: off and sell it on the black market. I'm gonna

646
00:42:18,280 --> 00:42:20,759
Speaker 1: send yes, and then you'll have a great This is

647
00:42:20,760 --> 00:42:25,759
Speaker 1: a stand up show, right, That's what we don't. We don't.

648
00:42:25,920 --> 00:42:30,520
Speaker 1: We don't use that world right here, Jennifer talking, I've

649
00:42:30,600 --> 00:42:33,800
Speaker 1: lost what I've lost control this time. I didn't buy it.

650
00:42:33,840 --> 00:42:35,840
Speaker 1: Take it to an improv show, make it make it personal,

651
00:42:35,920 --> 00:42:41,000
Speaker 1: make it personal, telesecret Do you I I love improv shows?

652
00:42:41,080 --> 00:42:44,000
Speaker 1: What about you? Yes? Yes? Yes? So do we so?

653
00:42:44,120 --> 00:42:47,560
Speaker 1: Do you realize that stand up is written? Okay, sir sir?

654
00:42:47,880 --> 00:42:50,640
Speaker 1: Now if you go to the improv, you'll see stand up,

655
00:42:50,680 --> 00:42:54,000
Speaker 1: which is weird, confusing. That's what I'm saying. I love

656
00:42:54,040 --> 00:42:58,160
Speaker 1: the improv, and you might love improv even more. No,

657
00:42:58,280 --> 00:43:00,120
Speaker 1: I know I don't like it. Well, how do you know?

658
00:43:00,520 --> 00:43:02,400
Speaker 1: I saw it once and it sucks. We'll give me

659
00:43:02,480 --> 00:43:08,920
Speaker 1: a word. Just working for Pineapple Pineapple Express. You see

660
00:43:08,960 --> 00:43:13,560
Speaker 1: what I did there. I didn't write that on my leg.

661
00:43:14,640 --> 00:43:21,600
Speaker 1: I this is just a commercial commercial I've been trying

662
00:43:21,600 --> 00:43:26,200
Speaker 1: to We're gonna go to commercial. Well, there's bank stage.

663
00:43:26,280 --> 00:43:30,600
Speaker 1: We're gonna take a comercial break here and stay with us.

664
00:43:30,719 --> 00:43:34,160
Speaker 1: More excitement right after this the new Ford F one

665
00:43:34,239 --> 00:43:37,880
Speaker 1: fifty complete leather interior and exterior. If you're looking for

666
00:43:38,000 --> 00:43:40,799
Speaker 1: a Ford off road vehicle that can go on any road,

667
00:43:41,080 --> 00:43:45,279
Speaker 1: check out the new Ford f I can stop you there.

668
00:43:45,320 --> 00:43:48,399
Speaker 1: I know you are aware that you missed the line there,

669
00:43:48,480 --> 00:43:50,200
Speaker 1: So let's just go back to the wagon and take

670
00:43:50,239 --> 00:43:51,879
Speaker 1: from the top. And I think what we're missing now

671
00:43:52,120 --> 00:43:55,360
Speaker 1: is some of that fun that we were having earlier.

672
00:43:55,480 --> 00:44:00,239
Speaker 1: So maybe, yeah, well you're joking about my wife wasn't

673
00:44:00,280 --> 00:44:07,319
Speaker 1: necessarily universal. Fine, Okay, Chris, I think I'm in my head.

674
00:44:07,360 --> 00:44:08,799
Speaker 1: I don't think I can do this show. We're being

675
00:44:08,920 --> 00:44:12,120
Speaker 1: judged everywhere right now. I brought a little bit of script.

676
00:44:13,480 --> 00:44:15,719
Speaker 1: Was and I brought a little script. Just don't make

677
00:44:15,760 --> 00:44:17,320
Speaker 1: a big deal out of it, and try not to.

678
00:44:18,160 --> 00:44:21,279
Speaker 1: Don't don't draw any attention to us. Again, this is

679
00:44:21,360 --> 00:44:24,040
Speaker 1: not We're not We're not just we're not at the improv.

680
00:44:24,120 --> 00:44:27,359
Speaker 1: We're ygg. This is a lot of fucking people do this. Okay,

681
00:44:27,440 --> 00:44:29,719
Speaker 1: don't don't sunk this up there watching. So just take

682
00:44:29,800 --> 00:44:34,680
Speaker 1: your script. Just take this, okay, Okay, alright, alright. Should

683
00:44:34,680 --> 00:44:36,600
Speaker 1: we rehearse it or should we just memorize? I don't

684
00:44:36,600 --> 00:44:40,759
Speaker 1: think we should. Okay, I don't know. I just I

685
00:44:40,880 --> 00:44:42,920
Speaker 1: just feel like these guys are setting us up to fail.

686
00:44:43,040 --> 00:44:46,200
Speaker 1: All those questions reporters asked those weren't to help us

687
00:44:46,320 --> 00:44:49,480
Speaker 1: get free in calm down, I just rememorized your lines.

688
00:44:49,600 --> 00:44:52,680
Speaker 1: I got the script. It's in my head. Okay, all right,

689
00:44:53,440 --> 00:44:57,040
Speaker 1: Uh let me just all right, So if I'm not

690
00:44:57,160 --> 00:45:05,520
Speaker 1: off book entirely, I didn't. We just don't draw attention

691
00:45:05,560 --> 00:45:07,839
Speaker 1: to anything that I'm looking at in my hands. Okay, okay,

692
00:45:07,880 --> 00:45:11,279
Speaker 1: but how did I memorize it? You wrote it? I didn't.

693
00:45:11,280 --> 00:45:12,759
Speaker 1: I didn't know that I was. I wrote it, but

694
00:45:12,800 --> 00:45:14,040
Speaker 1: I didn't know that we were going to use it.

695
00:45:14,080 --> 00:45:18,360
Speaker 1: It's a bat pocket trick. It's not we need you

696
00:45:18,480 --> 00:45:25,960
Speaker 1: on stage, everybody. We are an improv team. We're here before.

697
00:45:28,280 --> 00:45:31,360
Speaker 1: Please everybody sit down. Everybody stays seats, Please stay in

698
00:45:31,400 --> 00:45:35,920
Speaker 1: your seats. Just getting a beer? Are you, sir? You sir?

699
00:45:35,920 --> 00:45:37,839
Speaker 1: Who was just getting a beer? Uh? Can you give

700
00:45:37,880 --> 00:45:43,400
Speaker 1: us a suggestion? It's something that makes you horny? Um no, no, no, no,

701
00:45:43,520 --> 00:45:46,960
Speaker 1: that doesn't make anybody horny. You don't know me, you

702
00:45:47,000 --> 00:45:50,440
Speaker 1: don't know my life. I'm sorry. That's a bad suggestion.

703
00:45:50,520 --> 00:45:59,799
Speaker 1: We're not taking pineapple? Uh? Co co co? What this? Yeah? Yeah? Right,

704
00:46:00,120 --> 00:46:02,960
Speaker 1: give us any word? Hey, Charlie, why is there so

705
00:46:03,040 --> 00:46:09,600
Speaker 1: much pineapple in the kitchen? I just like pineapple? Okay,

706
00:46:10,800 --> 00:46:12,759
Speaker 1: all right, I'm gonna take a couple of them, Si cool.

707
00:46:13,520 --> 00:46:15,680
Speaker 1: I'm going to don't take the ones with the holes

708
00:46:15,719 --> 00:46:19,160
Speaker 1: in them. That's the one that's gonna take. I'm going

709
00:46:19,200 --> 00:46:20,840
Speaker 1: to a Luau party and I thought I cut a

710
00:46:20,880 --> 00:46:23,080
Speaker 1: hole in a couple of those pineapples. Yeah. I was

711
00:46:23,080 --> 00:46:25,560
Speaker 1: gonna walk into the party with that pineapple on my

712
00:46:25,640 --> 00:46:30,680
Speaker 1: penis and be like, look, I'm here Oh, yeah, I

713
00:46:30,760 --> 00:46:33,120
Speaker 1: knew we were roommates for a reason. Yeah, I know,

714
00:46:33,200 --> 00:46:37,960
Speaker 1: I scripted the joke. All right, so you gave us. Uh,

715
00:46:40,000 --> 00:46:48,479
Speaker 1: we'll take baseball bat and now we will improvides. Thanks

716
00:46:48,560 --> 00:46:51,560
Speaker 1: for coming into my office today. I really want to

717
00:46:51,600 --> 00:46:53,719
Speaker 1: talk about the work that you've been doing on the floor.

718
00:46:55,200 --> 00:46:59,080
Speaker 1: Thank you for having me in this room, boss, your office, boss,

719
00:47:00,840 --> 00:47:05,200
Speaker 1: it was this office, this office boss. Cool. Please have

720
00:47:05,280 --> 00:47:09,520
Speaker 1: a seat, Terry. When you're announcing, you need to announce

721
00:47:09,560 --> 00:47:12,480
Speaker 1: while they're performing and fill in all the space on

722
00:47:12,600 --> 00:47:15,520
Speaker 1: the dead space. That's more of a commentator's job. I

723
00:47:15,680 --> 00:47:19,879
Speaker 1: believe color by play by plays sort of. Fellow, I'm

724
00:47:20,239 --> 00:47:22,560
Speaker 1: throw it to the guy down on the guy. We

725
00:47:22,680 --> 00:47:25,560
Speaker 1: need you to to pivot and uh and to really

726
00:47:25,600 --> 00:47:27,480
Speaker 1: fill in the death space. All right, who is this

727
00:47:27,680 --> 00:47:32,560
Speaker 1: addressing me? Now? This is management? Uh? Got your name

728
00:47:32,680 --> 00:47:38,080
Speaker 1: that goes with that? Big guys, you seem kind of

729
00:47:38,239 --> 00:47:41,840
Speaker 1: unsure of yourself. That doesn't seem like a yes, Dan situation.

730
00:47:42,200 --> 00:47:44,960
Speaker 1: Not my job. My job. Give you direction because I'll

731
00:47:45,040 --> 00:47:50,399
Speaker 1: kill you and I'll take everybody with me. Okay, Well,

732
00:47:50,480 --> 00:47:53,680
Speaker 1: then I would say start with Sherry. She's not a

733
00:47:53,840 --> 00:47:59,000
Speaker 1: very good worker. It is actually good. It feels like

734
00:47:59,080 --> 00:48:03,760
Speaker 1: it's scripted. There's your report from inside the audience feels

735
00:48:03,880 --> 00:48:07,000
Speaker 1: like it's scripted. Let's take it back down to the stage.

736
00:48:08,600 --> 00:48:12,040
Speaker 1: Is that the sort of thing you're looking for? Pete? Yeah, yeah, Phil, Phil,

737
00:48:12,480 --> 00:48:15,840
Speaker 1: all right. I thought it was Pete. That's why the

738
00:48:16,080 --> 00:48:17,560
Speaker 1: name my mother gave me. But I changed it. But

739
00:48:17,680 --> 00:48:19,600
Speaker 1: you know this, You know I changed it, and you

740
00:48:19,719 --> 00:48:23,200
Speaker 1: do it and fucking rub it in. All right. I

741
00:48:23,239 --> 00:48:28,360
Speaker 1: guess this is this is goodbye? Oh god, I'm actually

742
00:48:28,400 --> 00:48:31,439
Speaker 1: moved by this. This is where we're supposed to kiss.

743
00:48:31,440 --> 00:48:33,840
Speaker 1: We're supposed to kiss. Come on in, just go in.

744
00:48:33,960 --> 00:48:43,360
Speaker 1: And this is funny from moving from the stage tonight, folks.

745
00:48:43,440 --> 00:48:45,600
Speaker 1: That's what we're saying. Stay tuned. Will be right back

746
00:48:45,719 --> 00:48:50,880
Speaker 1: right after this word from s what king of beers?

747
00:48:51,160 --> 00:48:53,400
Speaker 1: I want to get fucked up? You drink this thing?

748
00:48:53,480 --> 00:48:59,400
Speaker 1: It's slits from the top. Maybe he's leave out the

749
00:48:59,520 --> 00:49:02,080
Speaker 1: F bomb man. Any sort of editorializing you feel like

750
00:49:02,160 --> 00:49:05,360
Speaker 1: you need to just read the copy. I think this

751
00:49:05,480 --> 00:49:07,200
Speaker 1: is going great. I mean, I don't think they know

752
00:49:07,280 --> 00:49:09,680
Speaker 1: the scripted this this positive for commercials a little weird,

753
00:49:09,760 --> 00:49:12,840
Speaker 1: but I think we're doing great. Hey, hey, you guys,

754
00:49:13,120 --> 00:49:16,920
Speaker 1: I was just watching that and that was fantastic. I

755
00:49:17,000 --> 00:49:19,160
Speaker 1: said I didn't like improv but I totally do now,

756
00:49:21,560 --> 00:49:26,520
Speaker 1: thank you. Alright backstage, listen, who are the dig Reduced?

757
00:49:26,520 --> 00:49:32,239
Speaker 1: They're all white team from New Zealand. Who's on? Who's

758
00:49:32,280 --> 00:49:35,560
Speaker 1: on that? Can you go and speak up? And yeah? Here?

759
00:49:36,120 --> 00:49:42,040
Speaker 1: Yeah I was told there was told there's four people?

760
00:49:42,120 --> 00:49:46,200
Speaker 1: So did you dying? Oh? We actually hated the mania.

761
00:49:46,360 --> 00:49:52,200
Speaker 1: Remember living inside my mouth? Okay, yeah that's me. Sorry, Uh,

762
00:49:53,280 --> 00:49:55,759
Speaker 1: I'm just I'm a limo driver living inside this guy's mouth.

763
00:49:55,920 --> 00:49:59,760
Speaker 1: Oh you're you're definitely not from New Zealand. No, no, no, okay,

764
00:50:00,000 --> 00:50:02,080
Speaker 1: so that's three. I need this problem. No no, I

765
00:50:02,160 --> 00:50:04,600
Speaker 1: just need a I need a check to see everyone's here.

766
00:50:04,680 --> 00:50:12,320
Speaker 1: So you know that did drive that he's from Dinda. Okay, okay,

767
00:50:12,680 --> 00:50:16,200
Speaker 1: So when one Lord of the Rings was filmed in

768
00:50:16,280 --> 00:50:22,080
Speaker 1: our country, when saw his mouth? Yeah, the little guy talks,

769
00:50:22,160 --> 00:50:24,800
Speaker 1: the big guy can't talk. Okay, this is the bathroom?

770
00:50:27,440 --> 00:50:31,840
Speaker 1: Uh yes, and seeing that's our show. Thank you so much, everybody.

771
00:50:32,120 --> 00:50:36,880
Speaker 1: We holly improvise that tonight off of your suggestion of

772
00:50:36,960 --> 00:50:40,120
Speaker 1: baseball bat and if you notice, um, you know we

773
00:50:40,200 --> 00:50:45,440
Speaker 1: mentioned pineapple and they're uh just for fun. U A minute,

774
00:50:46,200 --> 00:50:49,440
Speaker 1: A minute? What is this? It seems that this is

775
00:50:49,760 --> 00:50:54,040
Speaker 1: script in one of those improvised give me, give me that.

776
00:50:55,040 --> 00:51:00,200
Speaker 1: They didn't improvise any of this. It was all written, Listenn.

777
00:51:00,440 --> 00:51:06,960
Speaker 1: No one likes you, okay, fuck you, all right, fuck you.

778
00:51:07,200 --> 00:51:10,320
Speaker 1: It's not an open mic, all right. No one talks

779
00:51:10,400 --> 00:51:13,080
Speaker 1: to Marland that way, not not in front of one

780
00:51:13,080 --> 00:51:17,480
Speaker 1: of his best mates. We're all here. Teddy introduced yourself

781
00:51:17,600 --> 00:51:24,880
Speaker 1: as well. Teddy, okay, I'll introduce myself. It's me Teddy.

782
00:51:25,440 --> 00:51:27,799
Speaker 1: If you want the founding, you better keep it up.

783
00:51:28,400 --> 00:51:32,080
Speaker 1: M h it was John was John Connor? Where is he? Wait?

784
00:51:32,160 --> 00:51:35,680
Speaker 1: What's going on? They weren't improvising that, No, I feel

785
00:51:35,800 --> 00:51:39,520
Speaker 1: lied to. No, Shay, it was scripted. You just watched

786
00:51:39,560 --> 00:51:51,000
Speaker 1: the play. Oh god, no, I hate theater. McBeth show

787
00:51:51,120 --> 00:51:55,240
Speaker 1: for today. That's our show. We can't go any further.

788
00:51:56,360 --> 00:52:00,279
Speaker 1: Oh man, Let's thank all of our improvisers star arting

789
00:52:00,320 --> 00:52:04,040
Speaker 1: with returning champion a tool sing, thank you, thank you

790
00:52:04,160 --> 00:52:06,440
Speaker 1: very much to be here. I appreciate anything you'd like

791
00:52:06,560 --> 00:52:11,759
Speaker 1: to mention or plug. Uh no, not really a time

792
00:52:12,360 --> 00:52:17,000
Speaker 1: A tool time all right. And you have mentioned that

793
00:52:17,120 --> 00:52:19,120
Speaker 1: you wanted to share with us. You had a magic

794
00:52:19,280 --> 00:52:22,560
Speaker 1: word for the day you mentioned in your email to me,

795
00:52:22,840 --> 00:52:24,759
Speaker 1: so if you want to share that now, maybe we

796
00:52:24,880 --> 00:52:28,879
Speaker 1: can have some fun with it. I said, I said

797
00:52:28,920 --> 00:52:34,280
Speaker 1: earlier that this election is a mail biter, Yes, mail mail.

798
00:52:35,560 --> 00:52:43,840
Speaker 1: That's good. Thank you for that. James Heeney, thank you

799
00:52:44,040 --> 00:52:47,400
Speaker 1: for having me here. There's no harm in going to

800
00:52:48,239 --> 00:52:53,400
Speaker 1: uh twitch dot tv slash bs comedy. You might find

801
00:52:53,640 --> 00:52:57,600
Speaker 1: that on Wednesday nights, probably closer to eight depenny. Just

802
00:52:57,760 --> 00:53:02,080
Speaker 1: go check it out. Fair improp from Bear Supply. Thank

803
00:53:02,120 --> 00:53:03,880
Speaker 1: you for that. Joey Gary, you want a piggyback on

804
00:53:04,000 --> 00:53:06,719
Speaker 1: that ship, I will, and I'll actually give a time.

805
00:53:06,760 --> 00:53:10,680
Speaker 1: I'm gonna say eight o'clock definitively jump on their West

806
00:53:10,760 --> 00:53:14,040
Speaker 1: coast time, So if you're on the East East, that's

807
00:53:14,080 --> 00:53:18,959
Speaker 1: probably eleven. That's probably eleven or exactly, because you seem

808
00:53:19,080 --> 00:53:26,960
Speaker 1: so certain about the West coast. All right, Chris all Vado,

809
00:53:28,760 --> 00:53:31,840
Speaker 1: just you know, I hope everything in soon so we

810
00:53:31,920 --> 00:53:35,759
Speaker 1: can open up theaters. I really we do like the

811
00:53:36,160 --> 00:53:39,640
Speaker 1: yuckle fox chuckle, but in other spaces like that, I

812
00:53:39,719 --> 00:53:41,000
Speaker 1: just want to I just wanted to say that one

813
00:53:41,040 --> 00:53:45,400
Speaker 1: more time. Yeah, yuckle fox chuckle. But I recorded a

814
00:53:46,800 --> 00:53:51,680
Speaker 1: a stand up gig from home, just into into my

815
00:53:51,840 --> 00:53:55,840
Speaker 1: phone shooting video. Uh. It was the first time I've

816
00:53:55,920 --> 00:53:59,920
Speaker 1: ever performed without an audience. And thankfully I've been watching

817
00:54:00,719 --> 00:54:02,920
Speaker 1: Colbert and Conan and the people who've been doing their

818
00:54:03,120 --> 00:54:05,200
Speaker 1: talk show from home the first five or six months.

819
00:54:05,239 --> 00:54:07,560
Speaker 1: Otherwise I don't know what the funk I would have done,

820
00:54:07,600 --> 00:54:11,440
Speaker 1: because they gave me a heads up about um the

821
00:54:11,640 --> 00:54:16,840
Speaker 1: freedom um of of something I've always used on this podcast,

822
00:54:16,920 --> 00:54:28,680
Speaker 1: which is no one's listening, I'm sorry something oh man.

823
00:54:29,760 --> 00:54:34,279
Speaker 1: Uh Craigkowski. Yeah, happy announced I've got my first on

824
00:54:34,480 --> 00:54:39,000
Speaker 1: camera job tomorrow since the pandemic began. I'm getting a Colonoski.

825
00:54:39,280 --> 00:54:44,279
Speaker 1: So yeah, you gotta drink that juice today. Yeah, I'm

826
00:54:44,320 --> 00:54:47,920
Speaker 1: drinking the juice today. Not sure what it's gonna be

827
00:54:48,000 --> 00:54:50,640
Speaker 1: streaming on, but I am. I am stag afters, so

828
00:54:50,760 --> 00:54:53,239
Speaker 1: they gotta pay me. It's gonna be streaming out. Yeah,

829
00:54:53,280 --> 00:54:56,759
Speaker 1: you're gonna be streaming a little bit later. Yeah yeah. Um,

830
00:54:57,880 --> 00:55:02,840
Speaker 1: and that's everyone. Yeah, let's thank our engine into this

831
00:55:02,960 --> 00:55:08,680
Speaker 1: and producer of the stars, Mr Doug Bam bam, and

832
00:55:08,800 --> 00:55:14,760
Speaker 1: fine folks that I hurt media. I'm your host Kevin Pollock.

833
00:55:14,800 --> 00:55:16,960
Speaker 1: Thank you you once again for dolling us up and

834
00:55:17,120 --> 00:55:21,000
Speaker 1: writing on in your scene suggestions. Please don't stop. We

835
00:55:21,120 --> 00:55:24,680
Speaker 1: love hearing from you. Be kind to each other, come

836
00:55:24,760 --> 00:55:30,480
Speaker 1: what may, uh, We're all we've got. And just be

837
00:55:32,000 --> 00:55:33,960
Speaker 1: a little more patient with each other. I think would

838
00:55:33,960 --> 00:55:39,480
Speaker 1: be a great suggestion for today. Um, but until next time,

839
00:55:40,400 --> 00:56:09,440
Speaker 1: I'll come the pep