WEBVTT - The Beautillion, Part 1

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<v Speaker 1>Hey, listeners, it's James Parker. Can you keep a secret?

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<v Speaker 1>The next episode of Daughters of d C is up next,

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<v Speaker 1>But first a quick word from our sponsor, Iron Horns

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<v Speaker 1>Epic Productions. And I heard Radio present Daughters of d C.

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<v Speaker 1>I get white. Tonight's important. It feels like the whole

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<v Speaker 1>world tells Coal and boys like him that they're not valued,

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<v Speaker 1>that they don't matter. But the batillion is our way

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<v Speaker 1>of showing our belief in them, and it's Coal's opportunity

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<v Speaker 1>to show what a leader he'll become. But I hate

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<v Speaker 1>wearing big, poofy dresses that make me look like a

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<v Speaker 1>frilly blue cupcake. Hate you look adorable. Kids are adorable,

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<v Speaker 1>Dogs are adorable. You look beautiful. You have to say that. Oh,

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<v Speaker 1>let me slick your baby hare for you. That's an

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<v Speaker 1>old tooth fresh right. This isn't my first rodeo. J

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<v Speaker 1>do the little curly que in the front. I like that.

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<v Speaker 1>I appreciate you going tonight. Cole appreciates it, even if

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<v Speaker 1>he's too dope or gucci or whatever to say that. Mom,

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<v Speaker 1>that's so wrong. And I know now about Tanna Reid.

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<v Speaker 1>I'm not thrilled about the situation either. But it's a game. Yes,

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<v Speaker 1>and sometimes when you're trying to reach a particular checkpoint,

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<v Speaker 1>you have to wade through somebody or to rain to

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<v Speaker 1>beat your opponent. Tanners are freaking swamp. Hey you trust me, right?

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<v Speaker 1>I guess? So all done? Oh you look perfect? Oh

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<v Speaker 1>my baby is all grown up. You look just like

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<v Speaker 1>your father. Thanks, Mom, you really do look like dad.

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<v Speaker 1>Weird and you are adorable. Mom, I told you, I'm kidding.

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<v Speaker 1>You look great. I can't believe you're an addressing heels. Heels.

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<v Speaker 1>Never check this, yo, Chuck, that's fires. I know she

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<v Speaker 1>wore me down on that one. Stand together you two. Wow,

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<v Speaker 1>look at my family. I wish this night was just

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<v Speaker 1>about my family. But if I do what Locksmith said

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<v Speaker 1>and play this right, I might be able to get

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<v Speaker 1>the dirt we need on Tanner. Or I might embarrass

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<v Speaker 1>myself in front of the DC elite. No pressure. It's

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<v Speaker 1>no secret that in Washington, d C. Corruption is everywhere.

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<v Speaker 1>You could say it's gone viral. That's why my friends

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<v Speaker 1>and I decided to take on the system from the inside.

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<v Speaker 1>I'm James, I'm Peyton, I'm Celia, I'm Natalie, and we're

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<v Speaker 1>the daughters of Zy well, good evening, ladies and gentlemen,

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<v Speaker 1>and welcome to the fiftieth Annual Bow Tillier. Tonight, we

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<v Speaker 1>are celebrating the long haild tradition of ushering a new

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<v Speaker 1>class of young black men into Washington, d C. Society.

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<v Speaker 1>Congratulations to all the bows on your many accomplishments, and

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<v Speaker 1>thank you to our gracious donors for their generous gifts.

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<v Speaker 1>Up first, the procession of honorable guests James Renee Parker,

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<v Speaker 1>daughter of the late Lieutenant Colonel J. Lewis Parker, and

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<v Speaker 1>Speaker of the House Angela Parker, sister of one of

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<v Speaker 1>tonight's bows, Coole Parker, escorted by Tanner Juel this Read,

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<v Speaker 1>son of Fourth Circuit Court Judge Crawford Read, and this

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<v Speaker 1>is I think you're supposed to hook your hand into

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<v Speaker 1>my elbow pit your what? I don't know what's called?

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<v Speaker 1>You know what I mean? I'd rather not like touch.

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<v Speaker 1>I can't let you walk down there alone. Doesn't look

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<v Speaker 1>very gentlemanly. Since when are you a gentleman? We just

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<v Speaker 1>get this over with. I bet that's what all your

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<v Speaker 1>dates ask you. What I wish I was sitting with

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<v Speaker 1>Natalie and Celia. They seem happy Hey, they see me. Celia. Look,

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<v Speaker 1>James is weaving at us. Go James. She looks lovely,

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<v Speaker 1>and thank you for letting me be your date tonight. Natalie.

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<v Speaker 1>Of course, I'm super bummed I didn't get to me

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<v Speaker 1>make out Mackenzie. She'd find you very entertaining. What happened

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<v Speaker 1>to your ticket? Did your parents ground you after the

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<v Speaker 1>breaking footage leaked? I am not a child, Natalie. I

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<v Speaker 1>cannot be grounded. That being said, yes, my parents suggested

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<v Speaker 1>that I not attend the bottilion, and I simply rejected

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<v Speaker 1>that suggestion. I wish my dad would give me an

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<v Speaker 1>ounce of that independence. He doesn't have to give it

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<v Speaker 1>to you, You just take it. If my parents want

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<v Speaker 1>to put Tanna read above the freedom of their only child,

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<v Speaker 1>I just have to put my foot down and say

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<v Speaker 1>I'm in charge of my life. My dad's walking over.

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<v Speaker 1>Try it out on him. M mmmm. That cautious off

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<v Speaker 1>is just fantastic. I've got to ast the caterer for

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<v Speaker 1>the recipe. Did your girls try some? Natalie silent dreaming,

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<v Speaker 1>that's no. You know, it's strange being here, given the

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<v Speaker 1>history of this event. Black and indigenous people of color

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<v Speaker 1>deserve more spaces without the spectatorship exactly. I knew that

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<v Speaker 1>would spark something. To be clear, I'm not here with you.

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<v Speaker 1>We're simply sitting at a table that you happen to have.

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<v Speaker 1>I am here to support my friends who have never

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<v Speaker 1>lied to me because they think I am mature enough

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<v Speaker 1>to handle whatever may come my way. Congressman Rosenberg, what

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<v Speaker 1>happened to dad? I don't know what did happen to dad.

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<v Speaker 1>Let's play the quiet game again, No, Congressman, I'm in

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<v Speaker 1>charge of my life. Ladies and gentlemen, give it up

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<v Speaker 1>for our guests. All. You all look wonderful tonight, and

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<v Speaker 1>you might want to grab yourself a drink right down

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<v Speaker 1>while you can. In just a moment, we will start

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<v Speaker 1>the procession of the bowls. I'm not taking up on that, Peyton,

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<v Speaker 1>viv you want anything, I'm fine, dear, thank you. Hey, Peyton, honeybutter,

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<v Speaker 1>where's your charm bracelet? Um? I thought it was too

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<v Speaker 1>m bulk for the occasion. I don't think it's bulky

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<v Speaker 1>at all, Darling. I'm just going for a different look.

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<v Speaker 1>Oh okay, actually I will take you up on that

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<v Speaker 1>drink buck another rose, of course, be right back, Peyton, baby,

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<v Speaker 1>I'm gonna need you to dance with Tanner tonight. What

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<v Speaker 1>your daddy hates when I interfere with his political strategy,

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<v Speaker 1>But I know that the press seeing you and Tanner

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<v Speaker 1>together is just what we but he needs. Mama, I

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<v Speaker 1>don't want to. Well, of course you don't, I understand.

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<v Speaker 1>And yet the Lord calls upon us women to make

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<v Speaker 1>sacrifices for the sake of the family. Can't even look

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<v Speaker 1>at him. You're a Blackburn Peyton, and Blackburn women are resilient.

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<v Speaker 1>You are not gonna let him win, Darling. And now

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<v Speaker 1>it is, gentlemen, that procession of the Boones introducing Vocal Parker,

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<v Speaker 1>son of the late Lieutenant Colonel J. Lewis Parker, and

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<v Speaker 1>Speaker of the House Angela Parker escorting Ms. Alison G. Miller,

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<v Speaker 1>daughter of doctors Theo and Samantha Miller. Yeah. I don't

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<v Speaker 1>think I've ever seen this many white people at a botillion. Yeah,

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<v Speaker 1>my mom's list of invites is definitely out of the

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<v Speaker 1>ordinary this year. I guess it's good for the or

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<v Speaker 1>modern Nations. Doesn't feel much like a family event, more

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<v Speaker 1>like a political fundraiser. Do you think they know the

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<v Speaker 1>electric Slide the only dance politicians know is the running

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<v Speaker 1>man because they're always campaigning. Yeah, I get it. Hey,

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<v Speaker 1>is that Sililu? Do you think she'll take a selfie

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<v Speaker 1>with me? I'd get like a thousand new followers. Sure,

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<v Speaker 1>I hook you up. Hey, tell you can take a

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<v Speaker 1>pick with Allison. She wants to boost her instant always

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<v Speaker 1>love to support my fans. Oh my god, Celia, Oh

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<v Speaker 1>my god, what I'm in the middle. It's your parents. Crap. Hey,

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<v Speaker 1>d O DC fans stay tuned. More Daughters of d

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<v Speaker 1>C is up next, but first a quick word from

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<v Speaker 1>our sponsor. What's up? Daughters of DC fans head to

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<v Speaker 1>Daughters of DC dot com to get exclusive d O

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<v Speaker 1>DC news updates and content before everybody else. Hello, Mr

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<v Speaker 1>and Mrs Lou What a surprise. Hello, Natalie, is your

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<v Speaker 1>father here as well? He's on the search for more Cevici, Celia,

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<v Speaker 1>Hello mother, father w McQueen. Dress looks good on you.

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<v Speaker 1>Excellent choice. We'll be at our table just over there.

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<v Speaker 1>Your parents are so chill to chill, way too chill.

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<v Speaker 1>I feel sorry for Celia, I really do. But over

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<v Speaker 1>at the Parker table, I've been trapped in the tensest

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<v Speaker 1>twenty minutes of my life turns out. I do know

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<v Speaker 1>my mom made me go with Hannah to the bottillion

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<v Speaker 1>to torture me. Thank you for accepting my son's hand.

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<v Speaker 1>As your eyes go tonight. He's not much of a dancer,

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<v Speaker 1>but he knows how to get a lady down a

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<v Speaker 1>set of dance. Did you all manage to get a

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<v Speaker 1>photo together? She didn't mention a photo for what. I

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<v Speaker 1>will make sure they get one. With a big smile,

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<v Speaker 1>write you too, of course they will, James, I know

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<v Speaker 1>your father would be proud of you. What a loss? Truly?

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<v Speaker 1>Leaning on pretty thick dance? Was that talking to you? Tanna?

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<v Speaker 1>Looks like there's a photographer ready. I'll write you too.

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<v Speaker 1>Smile yeah, smile away. You can't, Tanner. I'll exuppose the

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<v Speaker 1>truth someday. What truth that you couldn't find a real

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<v Speaker 1>date tonight? I have access to information. I could tell

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<v Speaker 1>everyone what I know. I don't know what you're talking about.

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<v Speaker 1>The girl last year, the incident report. You don't know anything.

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<v Speaker 1>Just give me a name and I'll keep the rest quiet.

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<v Speaker 1>Nice try now, if you'll excuse me, I'm going to

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<v Speaker 1>go dance. Peyton doesn't look busy, don't you dare you

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<v Speaker 1>got your photo up read I've held up my end

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<v Speaker 1>of the bargain. Sorry speaker here, I was thinking we

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<v Speaker 1>were just two old friends coming together across party lines.

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<v Speaker 1>That could be so naive. You have other friends across

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<v Speaker 1>party lines, across economic lines, across state and country lines,

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<v Speaker 1>very powerful friends. Well it pays to be personable. Perhaps

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<v Speaker 1>I'm in need of a friend myself. By the looks

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<v Speaker 1>of your invited guests, i'd say you and I have

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<v Speaker 1>friends in common, anyone in particular. Well if you don't, oh,

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<v Speaker 1>you don't know ladies and gentlemen, les hey for all

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<v Speaker 1>of those, what fine, young gentleman. All right, people, it's

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<v Speaker 1>time to potto. Everyone on the dance floor. Pardon me,

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<v Speaker 1>senator and Mrs Blackburn Peyton, would you like to dance?

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<v Speaker 1>You can do it? Sure, keep your hands where I

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<v Speaker 1>can see them. Yes, Sir Tanner, Sorry, James Tanner is

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<v Speaker 1>about to dance with pat But excuse me, I don't

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<v Speaker 1>mean to interrupt. Would you like to dance with me?

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<v Speaker 1>James Adrian from Trick dance with me? Are you sure

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<v Speaker 1>you don't want to dance with literally anyone else? That

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<v Speaker 1>was a lot of questions, But yeah, come on. Let's

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<v Speaker 1>find a spot. You look really pretty tonight. I look

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<v Speaker 1>like a cupcake. You're beautiful. Thanks. I'm a little nervous.

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<v Speaker 1>You're nervous around me? Why I think a storm is brewing?

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<v Speaker 1>Oh my god, Oh my god. I know I should

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<v Speaker 1>be looking out for Peyton right now? But could this

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<v Speaker 1>mean what I think it means? I love this song.

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<v Speaker 1>I want to dance, not right now, Natalie, what's up

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<v Speaker 1>with you? Do you think Mackenzie would get jealous? I

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<v Speaker 1>can't believe how nonchalant my parents were about me being here.

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<v Speaker 1>I thought you said that they couldn't ground you. You're

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<v Speaker 1>in control, I am. Then they were so calm, we

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<v Speaker 1>weren't upset at all. They were cool with it. No,

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<v Speaker 1>then they're quiet, especially my mom. It is not good.

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<v Speaker 1>So all of that talk about being the one in

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<v Speaker 1>charge that was all fake. No, it wasn't. But the

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<v Speaker 1>Celia I know isn't afraid of anyone or anything that

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<v Speaker 1>doesn't include my parents. You know what will make you

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<v Speaker 1>feel better? What? Dancing? You're so extra fine? Whoa Peyton's

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<v Speaker 1>dancing with Tanner? Let's go over there? Are you sure

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<v Speaker 1>we should? Now? I know you're scared. The Celia I

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<v Speaker 1>know would never back down from a fight. God, you're

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<v Speaker 1>so tense. I can barely lead. Maybe we shouldn't be dancing,

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<v Speaker 1>you agreed, I'm only doing this for my family. You're

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<v Speaker 1>here because you want to be Is that what you

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<v Speaker 1>told the other girls? Are you in on this with

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<v Speaker 1>James Parker? What's your end game? I can't be the

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<v Speaker 1>only one. And what about you? What about me? What

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<v Speaker 1>about all the guys you parayed in front of me?

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<v Speaker 1>I've seen you hanging around coal my teammates. Really, that

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<v Speaker 1>is none of your business. Everything is my business. You're

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<v Speaker 1>a predatory, Well you're a dirty slot m hi. I

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<v Speaker 1>would like to um uh tell a lot, I mean,

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<v Speaker 1>make the toast excuse me. I can't just take I

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<v Speaker 1>realized that it is a privilege for me to even

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<v Speaker 1>be here, So I would like to use this time

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<v Speaker 1>to say, um, it takes courage to be a leader,

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<v Speaker 1>like the Bows are leading, because leaders lead, and when

0:15:33.480 --> 0:15:36.960
<v Speaker 1>you lead, people like to like check up on the

0:15:36.960 --> 0:15:40.640
<v Speaker 1>stuff you're doing, you know, and some people have done

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<v Speaker 1>some really bass up, so like they shouldn't really be leaders.

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<v Speaker 1>Not the Bows, of course. I mean it's like you

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<v Speaker 1>guys are good guys, which is hard to be in

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<v Speaker 1>this world because of toxic masculinity, which you do not have.

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<v Speaker 1>So Bravo goes, that's just yeah, rad and like it

0:16:06.760 --> 0:16:14.760
<v Speaker 1>just proves I'm so sorry, but puss off for the balls.

0:16:14.760 --> 0:16:19.480
<v Speaker 1>Thank you, random girl. All that class has been cleaned up.

0:16:20.000 --> 0:16:25.600
<v Speaker 1>Let's keep this party gone. On the dance floor, that

0:16:25.840 --> 0:16:30.960
<v Speaker 1>was interesting, Natalie is always interesting. Don't change the subject,

0:16:31.040 --> 0:16:34.280
<v Speaker 1>Adrian your Onyx. I've been trying to figure out how

0:16:34.320 --> 0:16:38.080
<v Speaker 1>to tell you why here? Why now? Because I asked

0:16:38.080 --> 0:16:42.040
<v Speaker 1>you to dance and you said yes instead of literally

0:16:42.120 --> 0:16:46.800
<v Speaker 1>running away from me at Celia's party? Do you remember that? Yeah?

0:16:47.400 --> 0:16:51.200
<v Speaker 1>But you know everything about me and I know nothing

0:16:51.240 --> 0:16:55.560
<v Speaker 1>about you. Of course you know me more than anyone here.

0:16:56.680 --> 0:17:00.720
<v Speaker 1>I was a nerd in jock's clothing looking for easy

0:17:01.320 --> 0:17:04.399
<v Speaker 1>and then I met you. And why did you release

0:17:04.440 --> 0:17:07.200
<v Speaker 1>the footage of the school break in? I didn't, but

0:17:07.400 --> 0:17:12.159
<v Speaker 1>you guys pulled off? Was dope a lotsmith though he

0:17:12.240 --> 0:17:18.560
<v Speaker 1>already got you in trouble once. Yeah, maybe I still

0:17:18.640 --> 0:17:23.120
<v Speaker 1>can't believe that I'm dancing with you in person? Storm

0:17:23.119 --> 0:17:27.679
<v Speaker 1>and Onyx, I don't know do you call that dancing? Oh? What?

0:17:28.119 --> 0:17:30.280
<v Speaker 1>You don't like my moves? I like that you're rhythmically

0:17:30.400 --> 0:17:35.320
<v Speaker 1>challenge It's endearing. Okay, okay, I have been known to

0:17:35.359 --> 0:17:40.080
<v Speaker 1>clap on the one in three cabins. Hold that thought,

0:17:40.280 --> 0:17:46.840
<v Speaker 1>ONYX ladies room, need some girl time, me too, See

0:17:46.840 --> 0:17:52.920
<v Speaker 1>you in a second. I'm there, be right back. Where

0:17:52.920 --> 0:17:54.600
<v Speaker 1>do you think you're going? Young lady? Do I have

0:17:54.600 --> 0:17:57.240
<v Speaker 1>to ask permission to use the bathroom? What you just pulled?

0:17:57.359 --> 0:18:00.199
<v Speaker 1>Keep my friend from harm and embarrassed your fault. I'll

0:18:00.240 --> 0:18:04.040
<v Speaker 1>treat embarrassment for integrity any day. Can you say the same? Natalie? Wait?

0:18:05.119 --> 0:18:10.520
<v Speaker 1>Oh boy, glad, I caught you harry your daughter put

0:18:10.520 --> 0:18:14.000
<v Speaker 1>on quite a show. I'm not in the mood, crofter,

0:18:14.040 --> 0:18:17.359
<v Speaker 1>all you've done for her, putting your reputation on the line.

0:18:17.960 --> 0:18:21.240
<v Speaker 1>What do you imply the things we do for our children,

0:18:21.680 --> 0:18:25.200
<v Speaker 1>whether they deserve them or not. She should what yelled

0:18:25.240 --> 0:18:28.800
<v Speaker 1>degrading expletives in public? Is it lonely up there on

0:18:28.840 --> 0:18:31.639
<v Speaker 1>that high haul buss off Crawford. I have a feeling

0:18:31.760 --> 0:18:34.879
<v Speaker 1>it's not as hop as it used to be. I

0:18:34.960 --> 0:18:36.960
<v Speaker 1>bet you're just as low as the rest of us,

0:18:37.040 --> 0:18:42.240
<v Speaker 1>and you're the lowest. Some folks are even lower. It's

0:18:42.240 --> 0:18:45.399
<v Speaker 1>helpful to have them on your side. What are you

0:18:47.640 --> 0:18:58.200
<v Speaker 1>son of Oh my god, Peyton, are you okay? I'm fine.

0:18:58.680 --> 0:19:01.800
<v Speaker 1>I just he can get away with anything. He can

0:19:01.840 --> 0:19:04.520
<v Speaker 1>scream at me in public, and there are no consequences

0:19:04.560 --> 0:19:07.480
<v Speaker 1>if it wasn't for Natalie. I'm so sorry, Peyton. It's

0:19:07.520 --> 0:19:10.919
<v Speaker 1>not even about me at this point. The dance was

0:19:10.920 --> 0:19:14.639
<v Speaker 1>about my dad's career. Tanner said an awful word to

0:19:14.760 --> 0:19:18.000
<v Speaker 1>defend his ego. Sometimes I just feel like a prop

0:19:18.080 --> 0:19:21.320
<v Speaker 1>in these men's lives. It's not fair. This whole night

0:19:21.400 --> 0:19:25.400
<v Speaker 1>has been weird. Yeah, definitely, and it's not even halfway over.

0:19:28.240 --> 0:19:33.520
<v Speaker 1>Oh my god, No, I cannot believe this. This system

0:19:33.560 --> 0:19:36.280
<v Speaker 1>is so screwed up under my parents. I've heard yet.

0:19:39.800 --> 0:19:42.879
<v Speaker 1>Oh there you are, James Mom. I don't want to

0:19:42.920 --> 0:19:45.879
<v Speaker 1>hear it right now. It's almost time. Check your phone.

0:19:46.840 --> 0:19:53.360
<v Speaker 1>Read got the Supreme Court nomination. Iron Horns Epic Productions

0:19:53.400 --> 0:19:57.960
<v Speaker 1>and I Heard Radio Present Daughters of DC Created and

0:19:58.040 --> 0:20:02.080
<v Speaker 1>executive produced by Heather ironh Born and Adam Stafferoni, Head

0:20:02.119 --> 0:20:09.520
<v Speaker 1>writer Sasha Stewart, Senior writer Louis Cornfeld, Writers Tyler English Beckworth,

0:20:09.960 --> 0:20:14.960
<v Speaker 1>cha Rous Senna, and Adam Stafferoni. Directed by J. B. Bloch.

0:20:15.920 --> 0:20:20.399
<v Speaker 1>Executive produced by I Heart Radio, produced by A Rupe Senna,

0:20:20.440 --> 0:20:26.440
<v Speaker 1>Kayla Kimberly Woods as James Parker, Melissa Vanderska as Peyton Blackburn,

0:20:26.920 --> 0:20:31.880
<v Speaker 1>Talia Romana as Natalie Rosenberg, Suzie Young as Celia Lou

0:20:32.440 --> 0:20:37.160
<v Speaker 1>with performances by O. G. Banks, k Bess, Vic Chow,

0:20:37.840 --> 0:20:44.000
<v Speaker 1>phyador Chen, Darren De Paul Dave Panoi, Paul Gayette, Jury Lowenthal,

0:20:44.480 --> 0:20:50.600
<v Speaker 1>Brandon Middleton, Stephanie she Shelley Shenoy, Richard Tatum, Genie Toronto,

0:20:50.920 --> 0:20:55.800
<v Speaker 1>Andia Winslow Marshall York with Francesca Ramsey and J. B. Blanc.

0:20:56.520 --> 0:21:02.840
<v Speaker 1>Development executive Greg Locker, Production manager Gail Artino, Production coordinator

0:21:02.880 --> 0:21:07.520
<v Speaker 1>and script supervisor Laura Martin. Creative direction and design by

0:21:07.600 --> 0:21:13.040
<v Speaker 1>Ryan McCann. He art illustrated by Heather Danforth. Casting by

0:21:13.200 --> 0:21:18.200
<v Speaker 1>don Neowen, Record and edit, Home and sound recording engineer

0:21:18.560 --> 0:21:25.200
<v Speaker 1>Diana David. Additional recordings Claudio Santos additional recordings Michael Schneider,

0:21:26.560 --> 0:21:32.119
<v Speaker 1>Sound supervision, Christians Wiggins, Sound designers R. D. White and

0:21:32.200 --> 0:21:37.480
<v Speaker 1>Josh Melody. Original music Josh Melody, Additional music from Jingle

0:21:37.520 --> 0:21:44.280
<v Speaker 1>Punks Consultant Kelsey Fraser ms W Culture Consultants Logan Davis,

0:21:44.520 --> 0:21:48.280
<v Speaker 1>Casey Davis and Davis Family. Special thank you to the

0:21:48.280 --> 0:21:52.320
<v Speaker 1>Shadow Unicorn, iin Horn's Epic Productions and I Heart Radio

0:21:52.400 --> 0:22:00.560
<v Speaker 1>present Daughters of Dcity. Hey there, this is Natalie Rosenberg. Yeah,

0:22:00.800 --> 0:22:04.119
<v Speaker 1>that Natalie Rosenberg. We all know that taking a stand

0:22:04.200 --> 0:22:07.720
<v Speaker 1>and speaking up has never been more important. Looking for

0:22:07.760 --> 0:22:10.639
<v Speaker 1>ways to become more informed and take action, head to

0:22:10.760 --> 0:22:13.800
<v Speaker 1>Daughters of d C dot com for resources to get started.