1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,520 --> 00:00:06,080 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,480 --> 00:00:13,039 Speaker 1: But first a quick word from our sponsor, Iron Horns 4 00:00:13,039 --> 00:00:16,480 Speaker 1: Epic Productions. And I heard Radio present Daughters of d C. 5 00:00:18,239 --> 00:00:21,279 Speaker 1: I get white. Tonight's important. It feels like the whole 6 00:00:21,280 --> 00:00:24,520 Speaker 1: world tells Coal and boys like him that they're not valued, 7 00:00:24,880 --> 00:00:27,760 Speaker 1: that they don't matter. But the batillion is our way 8 00:00:27,800 --> 00:00:30,920 Speaker 1: of showing our belief in them, and it's Coal's opportunity 9 00:00:31,080 --> 00:00:35,720 Speaker 1: to show what a leader he'll become. But I hate 10 00:00:35,880 --> 00:00:38,640 Speaker 1: wearing big, poofy dresses that make me look like a 11 00:00:38,640 --> 00:00:50,760 Speaker 1: frilly blue cupcake. Hate you look adorable. Kids are adorable, 12 00:00:51,040 --> 00:00:56,960 Speaker 1: Dogs are adorable. You look beautiful. You have to say that. Oh, 13 00:00:57,080 --> 00:01:00,279 Speaker 1: let me slick your baby hare for you. That's an 14 00:01:00,280 --> 00:01:03,680 Speaker 1: old tooth fresh right. This isn't my first rodeo. J 15 00:01:05,440 --> 00:01:08,240 Speaker 1: do the little curly que in the front. I like that. 16 00:01:10,640 --> 00:01:15,440 Speaker 1: I appreciate you going tonight. Cole appreciates it, even if 17 00:01:15,440 --> 00:01:18,679 Speaker 1: he's too dope or gucci or whatever to say that. Mom, 18 00:01:18,840 --> 00:01:24,680 Speaker 1: that's so wrong. And I know now about Tanna Reid. 19 00:01:25,319 --> 00:01:29,319 Speaker 1: I'm not thrilled about the situation either. But it's a game. Yes, 20 00:01:30,280 --> 00:01:33,360 Speaker 1: and sometimes when you're trying to reach a particular checkpoint, 21 00:01:34,040 --> 00:01:36,160 Speaker 1: you have to wade through somebody or to rain to 22 00:01:36,440 --> 00:01:41,479 Speaker 1: beat your opponent. Tanners are freaking swamp. Hey you trust me, right? 23 00:01:42,000 --> 00:01:47,800 Speaker 1: I guess? So all done? Oh you look perfect? Oh 24 00:01:52,600 --> 00:01:57,960 Speaker 1: my baby is all grown up. You look just like 25 00:01:58,000 --> 00:02:01,360 Speaker 1: your father. Thanks, Mom, you really do look like dad. 26 00:02:01,640 --> 00:02:06,840 Speaker 1: Weird and you are adorable. Mom, I told you, I'm kidding. 27 00:02:08,000 --> 00:02:11,960 Speaker 1: You look great. I can't believe you're an addressing heels. Heels. 28 00:02:12,440 --> 00:02:19,560 Speaker 1: Never check this, yo, Chuck, that's fires. I know she 29 00:02:19,680 --> 00:02:24,480 Speaker 1: wore me down on that one. Stand together you two. Wow, 30 00:02:24,880 --> 00:02:31,280 Speaker 1: look at my family. I wish this night was just 31 00:02:31,440 --> 00:02:34,760 Speaker 1: about my family. But if I do what Locksmith said 32 00:02:34,800 --> 00:02:37,359 Speaker 1: and play this right, I might be able to get 33 00:02:37,360 --> 00:02:40,840 Speaker 1: the dirt we need on Tanner. Or I might embarrass 34 00:02:40,880 --> 00:02:50,440 Speaker 1: myself in front of the DC elite. No pressure. It's 35 00:02:50,480 --> 00:02:54,359 Speaker 1: no secret that in Washington, d C. Corruption is everywhere. 36 00:02:54,840 --> 00:02:57,800 Speaker 1: You could say it's gone viral. That's why my friends 37 00:02:57,800 --> 00:03:01,440 Speaker 1: and I decided to take on the system from the inside. 38 00:03:02,280 --> 00:03:05,960 Speaker 1: I'm James, I'm Peyton, I'm Celia, I'm Natalie, and we're 39 00:03:06,000 --> 00:03:15,880 Speaker 1: the daughters of Zy well, good evening, ladies and gentlemen, 40 00:03:16,360 --> 00:03:21,600 Speaker 1: and welcome to the fiftieth Annual Bow Tillier. Tonight, we 41 00:03:21,680 --> 00:03:25,920 Speaker 1: are celebrating the long haild tradition of ushering a new 42 00:03:26,040 --> 00:03:30,000 Speaker 1: class of young black men into Washington, d C. Society. 43 00:03:30,639 --> 00:03:34,840 Speaker 1: Congratulations to all the bows on your many accomplishments, and 44 00:03:34,920 --> 00:03:38,320 Speaker 1: thank you to our gracious donors for their generous gifts. 45 00:03:39,040 --> 00:03:48,120 Speaker 1: Up first, the procession of honorable guests James Renee Parker, 46 00:03:48,840 --> 00:03:52,520 Speaker 1: daughter of the late Lieutenant Colonel J. Lewis Parker, and 47 00:03:52,800 --> 00:03:56,200 Speaker 1: Speaker of the House Angela Parker, sister of one of 48 00:03:56,280 --> 00:04:00,920 Speaker 1: tonight's bows, Coole Parker, escorted by Tanner Juel this Read, 49 00:04:01,040 --> 00:04:04,480 Speaker 1: son of Fourth Circuit Court Judge Crawford Read, and this 50 00:04:04,600 --> 00:04:11,720 Speaker 1: is I think you're supposed to hook your hand into 51 00:04:11,720 --> 00:04:14,280 Speaker 1: my elbow pit your what? I don't know what's called? 52 00:04:15,120 --> 00:04:17,040 Speaker 1: You know what I mean? I'd rather not like touch. 53 00:04:17,440 --> 00:04:20,280 Speaker 1: I can't let you walk down there alone. Doesn't look 54 00:04:20,360 --> 00:04:24,560 Speaker 1: very gentlemanly. Since when are you a gentleman? We just 55 00:04:24,600 --> 00:04:26,680 Speaker 1: get this over with. I bet that's what all your 56 00:04:26,760 --> 00:04:29,680 Speaker 1: dates ask you. What I wish I was sitting with 57 00:04:29,760 --> 00:04:37,000 Speaker 1: Natalie and Celia. They seem happy Hey, they see me. Celia. Look, 58 00:04:37,360 --> 00:04:41,360 Speaker 1: James is weaving at us. Go James. She looks lovely, 59 00:04:42,240 --> 00:04:44,760 Speaker 1: and thank you for letting me be your date tonight. Natalie. 60 00:04:45,160 --> 00:04:47,640 Speaker 1: Of course, I'm super bummed I didn't get to me 61 00:04:47,680 --> 00:04:52,400 Speaker 1: make out Mackenzie. She'd find you very entertaining. What happened 62 00:04:52,440 --> 00:04:55,360 Speaker 1: to your ticket? Did your parents ground you after the 63 00:04:55,400 --> 00:04:58,800 Speaker 1: breaking footage leaked? I am not a child, Natalie. I 64 00:04:58,839 --> 00:05:04,520 Speaker 1: cannot be grounded. That being said, yes, my parents suggested 65 00:05:04,600 --> 00:05:07,640 Speaker 1: that I not attend the bottilion, and I simply rejected 66 00:05:07,680 --> 00:05:10,320 Speaker 1: that suggestion. I wish my dad would give me an 67 00:05:10,320 --> 00:05:13,039 Speaker 1: ounce of that independence. He doesn't have to give it 68 00:05:13,080 --> 00:05:16,560 Speaker 1: to you, You just take it. If my parents want 69 00:05:16,600 --> 00:05:19,040 Speaker 1: to put Tanna read above the freedom of their only child, 70 00:05:19,560 --> 00:05:21,280 Speaker 1: I just have to put my foot down and say 71 00:05:21,680 --> 00:05:25,640 Speaker 1: I'm in charge of my life. My dad's walking over. 72 00:05:26,040 --> 00:05:30,920 Speaker 1: Try it out on him. M mmmm. That cautious off 73 00:05:31,520 --> 00:05:35,200 Speaker 1: is just fantastic. I've got to ast the caterer for 74 00:05:35,240 --> 00:05:41,279 Speaker 1: the recipe. Did your girls try some? Natalie silent dreaming, 75 00:05:41,800 --> 00:05:48,159 Speaker 1: that's no. You know, it's strange being here, given the 76 00:05:48,279 --> 00:05:52,239 Speaker 1: history of this event. Black and indigenous people of color 77 00:05:52,360 --> 00:05:57,600 Speaker 1: deserve more spaces without the spectatorship exactly. I knew that 78 00:05:57,640 --> 00:06:01,479 Speaker 1: would spark something. To be clear, I'm not here with you. 79 00:06:02,200 --> 00:06:04,680 Speaker 1: We're simply sitting at a table that you happen to have. 80 00:06:05,600 --> 00:06:07,800 Speaker 1: I am here to support my friends who have never 81 00:06:07,880 --> 00:06:09,880 Speaker 1: lied to me because they think I am mature enough 82 00:06:09,880 --> 00:06:13,680 Speaker 1: to handle whatever may come my way. Congressman Rosenberg, what 83 00:06:13,800 --> 00:06:16,880 Speaker 1: happened to dad? I don't know what did happen to dad. 84 00:06:17,839 --> 00:06:20,800 Speaker 1: Let's play the quiet game again, No, Congressman, I'm in 85 00:06:20,880 --> 00:06:25,640 Speaker 1: charge of my life. Ladies and gentlemen, give it up 86 00:06:25,680 --> 00:06:35,400 Speaker 1: for our guests. All. You all look wonderful tonight, and 87 00:06:35,480 --> 00:06:37,720 Speaker 1: you might want to grab yourself a drink right down 88 00:06:37,800 --> 00:06:40,839 Speaker 1: while you can. In just a moment, we will start 89 00:06:40,880 --> 00:06:48,279 Speaker 1: the procession of the bowls. I'm not taking up on that, Peyton, 90 00:06:48,440 --> 00:06:53,760 Speaker 1: viv you want anything, I'm fine, dear, thank you. Hey, Peyton, honeybutter, 91 00:06:54,560 --> 00:06:58,159 Speaker 1: where's your charm bracelet? Um? I thought it was too 92 00:06:58,360 --> 00:07:03,160 Speaker 1: m bulk for the occasion. I don't think it's bulky 93 00:07:03,200 --> 00:07:06,560 Speaker 1: at all, Darling. I'm just going for a different look. 94 00:07:07,040 --> 00:07:12,360 Speaker 1: Oh okay, actually I will take you up on that 95 00:07:12,440 --> 00:07:20,560 Speaker 1: drink buck another rose, of course, be right back, Peyton, baby, 96 00:07:21,560 --> 00:07:24,480 Speaker 1: I'm gonna need you to dance with Tanner tonight. What 97 00:07:24,880 --> 00:07:28,440 Speaker 1: your daddy hates when I interfere with his political strategy, 98 00:07:28,520 --> 00:07:31,280 Speaker 1: But I know that the press seeing you and Tanner 99 00:07:31,360 --> 00:07:35,320 Speaker 1: together is just what we but he needs. Mama, I 100 00:07:35,400 --> 00:07:38,760 Speaker 1: don't want to. Well, of course you don't, I understand. 101 00:07:39,960 --> 00:07:43,160 Speaker 1: And yet the Lord calls upon us women to make 102 00:07:43,240 --> 00:07:46,480 Speaker 1: sacrifices for the sake of the family. Can't even look 103 00:07:46,520 --> 00:07:50,800 Speaker 1: at him. You're a Blackburn Peyton, and Blackburn women are resilient. 104 00:07:51,280 --> 00:07:57,520 Speaker 1: You are not gonna let him win, Darling. And now 105 00:07:57,680 --> 00:08:06,640 Speaker 1: it is, gentlemen, that procession of the Boones introducing Vocal Parker, 106 00:08:07,160 --> 00:08:10,120 Speaker 1: son of the late Lieutenant Colonel J. Lewis Parker, and 107 00:08:10,320 --> 00:08:15,480 Speaker 1: Speaker of the House Angela Parker escorting Ms. Alison G. Miller, 108 00:08:15,800 --> 00:08:24,880 Speaker 1: daughter of doctors Theo and Samantha Miller. Yeah. I don't 109 00:08:24,880 --> 00:08:28,840 Speaker 1: think I've ever seen this many white people at a botillion. Yeah, 110 00:08:28,880 --> 00:08:31,040 Speaker 1: my mom's list of invites is definitely out of the 111 00:08:31,120 --> 00:08:33,520 Speaker 1: ordinary this year. I guess it's good for the or 112 00:08:33,960 --> 00:08:38,240 Speaker 1: modern Nations. Doesn't feel much like a family event, more 113 00:08:38,320 --> 00:08:40,760 Speaker 1: like a political fundraiser. Do you think they know the 114 00:08:40,800 --> 00:08:44,679 Speaker 1: electric Slide the only dance politicians know is the running 115 00:08:44,720 --> 00:08:50,720 Speaker 1: man because they're always campaigning. Yeah, I get it. Hey, 116 00:08:50,880 --> 00:08:53,240 Speaker 1: is that Sililu? Do you think she'll take a selfie 117 00:08:53,280 --> 00:08:56,079 Speaker 1: with me? I'd get like a thousand new followers. Sure, 118 00:08:56,280 --> 00:09:00,240 Speaker 1: I hook you up. Hey, tell you can take a 119 00:09:00,240 --> 00:09:02,760 Speaker 1: pick with Allison. She wants to boost her instant always 120 00:09:03,200 --> 00:09:05,880 Speaker 1: love to support my fans. Oh my god, Celia, Oh 121 00:09:05,880 --> 00:09:15,480 Speaker 1: my god, what I'm in the middle. It's your parents. Crap. Hey, 122 00:09:15,559 --> 00:09:18,680 Speaker 1: d O DC fans stay tuned. More Daughters of d 123 00:09:18,800 --> 00:09:21,400 Speaker 1: C is up next, but first a quick word from 124 00:09:21,440 --> 00:09:28,480 Speaker 1: our sponsor. What's up? Daughters of DC fans head to 125 00:09:28,679 --> 00:09:31,120 Speaker 1: Daughters of DC dot com to get exclusive d O 126 00:09:31,240 --> 00:09:40,120 Speaker 1: DC news updates and content before everybody else. Hello, Mr 127 00:09:40,120 --> 00:09:43,600 Speaker 1: and Mrs Lou What a surprise. Hello, Natalie, is your 128 00:09:43,640 --> 00:09:47,000 Speaker 1: father here as well? He's on the search for more Cevici, Celia, 129 00:09:47,160 --> 00:09:50,760 Speaker 1: Hello mother, father w McQueen. Dress looks good on you. 130 00:09:50,880 --> 00:09:54,280 Speaker 1: Excellent choice. We'll be at our table just over there. 131 00:09:56,200 --> 00:10:00,760 Speaker 1: Your parents are so chill to chill, way too chill. 132 00:10:02,360 --> 00:10:07,040 Speaker 1: I feel sorry for Celia, I really do. But over 133 00:10:07,080 --> 00:10:10,000 Speaker 1: at the Parker table, I've been trapped in the tensest 134 00:10:10,000 --> 00:10:13,160 Speaker 1: twenty minutes of my life turns out. I do know 135 00:10:13,200 --> 00:10:15,120 Speaker 1: my mom made me go with Hannah to the bottillion 136 00:10:15,720 --> 00:10:21,719 Speaker 1: to torture me. Thank you for accepting my son's hand. 137 00:10:21,720 --> 00:10:24,720 Speaker 1: As your eyes go tonight. He's not much of a dancer, 138 00:10:24,800 --> 00:10:26,679 Speaker 1: but he knows how to get a lady down a 139 00:10:26,720 --> 00:10:29,520 Speaker 1: set of dance. Did you all manage to get a 140 00:10:29,520 --> 00:10:32,080 Speaker 1: photo together? She didn't mention a photo for what. I 141 00:10:32,200 --> 00:10:35,400 Speaker 1: will make sure they get one. With a big smile, 142 00:10:35,520 --> 00:10:39,920 Speaker 1: write you too, of course they will, James, I know 143 00:10:40,040 --> 00:10:43,040 Speaker 1: your father would be proud of you. What a loss? Truly? 144 00:10:44,760 --> 00:10:47,840 Speaker 1: Leaning on pretty thick dance? Was that talking to you? Tanna? 145 00:10:48,400 --> 00:10:51,280 Speaker 1: Looks like there's a photographer ready. I'll write you too. 146 00:10:51,760 --> 00:10:56,760 Speaker 1: Smile yeah, smile away. You can't, Tanner. I'll exuppose the 147 00:10:56,800 --> 00:10:59,920 Speaker 1: truth someday. What truth that you couldn't find a real 148 00:11:00,120 --> 00:11:03,240 Speaker 1: date tonight? I have access to information. I could tell 149 00:11:03,320 --> 00:11:05,760 Speaker 1: everyone what I know. I don't know what you're talking about. 150 00:11:05,760 --> 00:11:10,880 Speaker 1: The girl last year, the incident report. You don't know anything. 151 00:11:11,000 --> 00:11:13,480 Speaker 1: Just give me a name and I'll keep the rest quiet. 152 00:11:15,080 --> 00:11:18,480 Speaker 1: Nice try now, if you'll excuse me, I'm going to 153 00:11:18,559 --> 00:11:25,760 Speaker 1: go dance. Peyton doesn't look busy, don't you dare you 154 00:11:25,840 --> 00:11:28,160 Speaker 1: got your photo up read I've held up my end 155 00:11:28,160 --> 00:11:31,679 Speaker 1: of the bargain. Sorry speaker here, I was thinking we 156 00:11:31,679 --> 00:11:34,880 Speaker 1: were just two old friends coming together across party lines. 157 00:11:35,559 --> 00:11:38,400 Speaker 1: That could be so naive. You have other friends across 158 00:11:38,440 --> 00:11:42,520 Speaker 1: party lines, across economic lines, across state and country lines, 159 00:11:43,080 --> 00:11:47,520 Speaker 1: very powerful friends. Well it pays to be personable. Perhaps 160 00:11:47,600 --> 00:11:50,679 Speaker 1: I'm in need of a friend myself. By the looks 161 00:11:50,720 --> 00:11:54,200 Speaker 1: of your invited guests, i'd say you and I have 162 00:11:54,360 --> 00:12:00,120 Speaker 1: friends in common, anyone in particular. Well if you don't, oh, 163 00:12:01,000 --> 00:12:05,319 Speaker 1: you don't know ladies and gentlemen, les hey for all 164 00:12:05,400 --> 00:12:11,400 Speaker 1: of those, what fine, young gentleman. All right, people, it's 165 00:12:11,440 --> 00:12:16,760 Speaker 1: time to potto. Everyone on the dance floor. Pardon me, 166 00:12:16,920 --> 00:12:20,440 Speaker 1: senator and Mrs Blackburn Peyton, would you like to dance? 167 00:12:21,600 --> 00:12:26,480 Speaker 1: You can do it? Sure, keep your hands where I 168 00:12:26,520 --> 00:12:31,199 Speaker 1: can see them. Yes, Sir Tanner, Sorry, James Tanner is 169 00:12:31,200 --> 00:12:34,160 Speaker 1: about to dance with pat But excuse me, I don't 170 00:12:34,160 --> 00:12:36,719 Speaker 1: mean to interrupt. Would you like to dance with me? 171 00:12:36,920 --> 00:12:41,679 Speaker 1: James Adrian from Trick dance with me? Are you sure 172 00:12:41,840 --> 00:12:45,720 Speaker 1: you don't want to dance with literally anyone else? That 173 00:12:45,800 --> 00:12:49,800 Speaker 1: was a lot of questions, But yeah, come on. Let's 174 00:12:49,800 --> 00:12:57,839 Speaker 1: find a spot. You look really pretty tonight. I look 175 00:12:57,920 --> 00:13:05,440 Speaker 1: like a cupcake. You're beautiful. Thanks. I'm a little nervous. 176 00:13:05,760 --> 00:13:13,760 Speaker 1: You're nervous around me? Why I think a storm is brewing? 177 00:13:16,640 --> 00:13:19,120 Speaker 1: Oh my god, Oh my god. I know I should 178 00:13:19,120 --> 00:13:22,400 Speaker 1: be looking out for Peyton right now? But could this 179 00:13:22,480 --> 00:13:28,960 Speaker 1: mean what I think it means? I love this song. 180 00:13:29,400 --> 00:13:33,080 Speaker 1: I want to dance, not right now, Natalie, what's up 181 00:13:33,080 --> 00:13:35,760 Speaker 1: with you? Do you think Mackenzie would get jealous? I 182 00:13:35,760 --> 00:13:38,760 Speaker 1: can't believe how nonchalant my parents were about me being here. 183 00:13:39,040 --> 00:13:41,320 Speaker 1: I thought you said that they couldn't ground you. You're 184 00:13:41,360 --> 00:13:45,800 Speaker 1: in control, I am. Then they were so calm, we 185 00:13:45,840 --> 00:13:48,760 Speaker 1: weren't upset at all. They were cool with it. No, 186 00:13:49,760 --> 00:13:53,600 Speaker 1: then they're quiet, especially my mom. It is not good. 187 00:13:55,000 --> 00:13:56,840 Speaker 1: So all of that talk about being the one in 188 00:13:56,920 --> 00:14:01,640 Speaker 1: charge that was all fake. No, it wasn't. But the 189 00:14:01,760 --> 00:14:04,920 Speaker 1: Celia I know isn't afraid of anyone or anything that 190 00:14:04,960 --> 00:14:10,000 Speaker 1: doesn't include my parents. You know what will make you 191 00:14:10,040 --> 00:14:19,120 Speaker 1: feel better? What? Dancing? You're so extra fine? Whoa Peyton's 192 00:14:19,160 --> 00:14:22,120 Speaker 1: dancing with Tanner? Let's go over there? Are you sure 193 00:14:22,200 --> 00:14:24,760 Speaker 1: we should? Now? I know you're scared. The Celia I 194 00:14:24,800 --> 00:14:29,920 Speaker 1: know would never back down from a fight. God, you're 195 00:14:30,000 --> 00:14:33,600 Speaker 1: so tense. I can barely lead. Maybe we shouldn't be dancing, 196 00:14:33,920 --> 00:14:36,840 Speaker 1: you agreed, I'm only doing this for my family. You're 197 00:14:36,880 --> 00:14:38,760 Speaker 1: here because you want to be Is that what you 198 00:14:38,800 --> 00:14:41,080 Speaker 1: told the other girls? Are you in on this with 199 00:14:41,200 --> 00:14:43,920 Speaker 1: James Parker? What's your end game? I can't be the 200 00:14:44,040 --> 00:14:47,600 Speaker 1: only one. And what about you? What about me? What 201 00:14:47,680 --> 00:14:49,960 Speaker 1: about all the guys you parayed in front of me? 202 00:14:50,040 --> 00:14:53,880 Speaker 1: I've seen you hanging around coal my teammates. Really, that 203 00:14:54,120 --> 00:14:57,920 Speaker 1: is none of your business. Everything is my business. You're 204 00:14:58,000 --> 00:15:08,600 Speaker 1: a predatory, Well you're a dirty slot m hi. I 205 00:15:08,640 --> 00:15:12,120 Speaker 1: would like to um uh tell a lot, I mean, 206 00:15:12,560 --> 00:15:17,440 Speaker 1: make the toast excuse me. I can't just take I 207 00:15:17,600 --> 00:15:20,280 Speaker 1: realized that it is a privilege for me to even 208 00:15:20,320 --> 00:15:22,120 Speaker 1: be here, So I would like to use this time 209 00:15:22,160 --> 00:15:26,760 Speaker 1: to say, um, it takes courage to be a leader, 210 00:15:28,000 --> 00:15:33,440 Speaker 1: like the Bows are leading, because leaders lead, and when 211 00:15:33,480 --> 00:15:36,960 Speaker 1: you lead, people like to like check up on the 212 00:15:36,960 --> 00:15:40,640 Speaker 1: stuff you're doing, you know, and some people have done 213 00:15:40,680 --> 00:15:46,120 Speaker 1: some really bass up, so like they shouldn't really be leaders. 214 00:15:46,520 --> 00:15:49,400 Speaker 1: Not the Bows, of course. I mean it's like you 215 00:15:49,440 --> 00:15:51,840 Speaker 1: guys are good guys, which is hard to be in 216 00:15:51,840 --> 00:15:57,960 Speaker 1: this world because of toxic masculinity, which you do not have. 217 00:15:58,680 --> 00:16:06,600 Speaker 1: So Bravo goes, that's just yeah, rad and like it 218 00:16:06,760 --> 00:16:14,760 Speaker 1: just proves I'm so sorry, but puss off for the balls. 219 00:16:14,760 --> 00:16:19,480 Speaker 1: Thank you, random girl. All that class has been cleaned up. 220 00:16:20,000 --> 00:16:25,600 Speaker 1: Let's keep this party gone. On the dance floor, that 221 00:16:25,840 --> 00:16:30,960 Speaker 1: was interesting, Natalie is always interesting. Don't change the subject, 222 00:16:31,040 --> 00:16:34,280 Speaker 1: Adrian your Onyx. I've been trying to figure out how 223 00:16:34,320 --> 00:16:38,080 Speaker 1: to tell you why here? Why now? Because I asked 224 00:16:38,080 --> 00:16:42,040 Speaker 1: you to dance and you said yes instead of literally 225 00:16:42,120 --> 00:16:46,800 Speaker 1: running away from me at Celia's party? Do you remember that? Yeah? 226 00:16:47,400 --> 00:16:51,200 Speaker 1: But you know everything about me and I know nothing 227 00:16:51,240 --> 00:16:55,560 Speaker 1: about you. Of course you know me more than anyone here. 228 00:16:56,680 --> 00:17:00,720 Speaker 1: I was a nerd in jock's clothing looking for easy 229 00:17:01,320 --> 00:17:04,399 Speaker 1: and then I met you. And why did you release 230 00:17:04,440 --> 00:17:07,200 Speaker 1: the footage of the school break in? I didn't, but 231 00:17:07,400 --> 00:17:12,159 Speaker 1: you guys pulled off? Was dope a lotsmith though he 232 00:17:12,240 --> 00:17:18,560 Speaker 1: already got you in trouble once. Yeah, maybe I still 233 00:17:18,640 --> 00:17:23,120 Speaker 1: can't believe that I'm dancing with you in person? Storm 234 00:17:23,119 --> 00:17:27,679 Speaker 1: and Onyx, I don't know do you call that dancing? Oh? What? 235 00:17:28,119 --> 00:17:30,280 Speaker 1: You don't like my moves? I like that you're rhythmically 236 00:17:30,400 --> 00:17:35,320 Speaker 1: challenge It's endearing. Okay, okay, I have been known to 237 00:17:35,359 --> 00:17:40,080 Speaker 1: clap on the one in three cabins. Hold that thought, 238 00:17:40,280 --> 00:17:46,840 Speaker 1: ONYX ladies room, need some girl time, me too, See 239 00:17:46,840 --> 00:17:52,920 Speaker 1: you in a second. I'm there, be right back. Where 240 00:17:52,920 --> 00:17:54,600 Speaker 1: do you think you're going? Young lady? Do I have 241 00:17:54,600 --> 00:17:57,240 Speaker 1: to ask permission to use the bathroom? What you just pulled? 242 00:17:57,359 --> 00:18:00,199 Speaker 1: Keep my friend from harm and embarrassed your fault. I'll 243 00:18:00,240 --> 00:18:04,040 Speaker 1: treat embarrassment for integrity any day. Can you say the same? Natalie? Wait? 244 00:18:05,119 --> 00:18:10,520 Speaker 1: Oh boy, glad, I caught you harry your daughter put 245 00:18:10,520 --> 00:18:14,000 Speaker 1: on quite a show. I'm not in the mood, crofter, 246 00:18:14,040 --> 00:18:17,359 Speaker 1: all you've done for her, putting your reputation on the line. 247 00:18:17,960 --> 00:18:21,240 Speaker 1: What do you imply the things we do for our children, 248 00:18:21,680 --> 00:18:25,200 Speaker 1: whether they deserve them or not. She should what yelled 249 00:18:25,240 --> 00:18:28,800 Speaker 1: degrading expletives in public? Is it lonely up there on 250 00:18:28,840 --> 00:18:31,639 Speaker 1: that high haul buss off Crawford. I have a feeling 251 00:18:31,760 --> 00:18:34,879 Speaker 1: it's not as hop as it used to be. I 252 00:18:34,960 --> 00:18:36,960 Speaker 1: bet you're just as low as the rest of us, 253 00:18:37,040 --> 00:18:42,240 Speaker 1: and you're the lowest. Some folks are even lower. It's 254 00:18:42,240 --> 00:18:45,399 Speaker 1: helpful to have them on your side. What are you 255 00:18:47,640 --> 00:18:58,200 Speaker 1: son of Oh my god, Peyton, are you okay? I'm fine. 256 00:18:58,680 --> 00:19:01,800 Speaker 1: I just he can get away with anything. He can 257 00:19:01,840 --> 00:19:04,520 Speaker 1: scream at me in public, and there are no consequences 258 00:19:04,560 --> 00:19:07,480 Speaker 1: if it wasn't for Natalie. I'm so sorry, Peyton. It's 259 00:19:07,520 --> 00:19:10,919 Speaker 1: not even about me at this point. The dance was 260 00:19:10,920 --> 00:19:14,639 Speaker 1: about my dad's career. Tanner said an awful word to 261 00:19:14,760 --> 00:19:18,000 Speaker 1: defend his ego. Sometimes I just feel like a prop 262 00:19:18,080 --> 00:19:21,320 Speaker 1: in these men's lives. It's not fair. This whole night 263 00:19:21,400 --> 00:19:25,400 Speaker 1: has been weird. Yeah, definitely, and it's not even halfway over. 264 00:19:28,240 --> 00:19:33,520 Speaker 1: Oh my god, No, I cannot believe this. This system 265 00:19:33,560 --> 00:19:36,280 Speaker 1: is so screwed up under my parents. I've heard yet. 266 00:19:39,800 --> 00:19:42,879 Speaker 1: Oh there you are, James Mom. I don't want to 267 00:19:42,920 --> 00:19:45,879 Speaker 1: hear it right now. It's almost time. Check your phone. 268 00:19:46,840 --> 00:19:53,360 Speaker 1: Read got the Supreme Court nomination. Iron Horns Epic Productions 269 00:19:53,400 --> 00:19:57,960 Speaker 1: and I Heard Radio Present Daughters of DC Created and 270 00:19:58,040 --> 00:20:02,080 Speaker 1: executive produced by Heather ironh Born and Adam Stafferoni, Head 271 00:20:02,119 --> 00:20:09,520 Speaker 1: writer Sasha Stewart, Senior writer Louis Cornfeld, Writers Tyler English Beckworth, 272 00:20:09,960 --> 00:20:14,960 Speaker 1: cha Rous Senna, and Adam Stafferoni. Directed by J. B. Bloch. 273 00:20:15,920 --> 00:20:20,399 Speaker 1: Executive produced by I Heart Radio, produced by A Rupe Senna, 274 00:20:20,440 --> 00:20:26,440 Speaker 1: Kayla Kimberly Woods as James Parker, Melissa Vanderska as Peyton Blackburn, 275 00:20:26,920 --> 00:20:31,880 Speaker 1: Talia Romana as Natalie Rosenberg, Suzie Young as Celia Lou 276 00:20:32,440 --> 00:20:37,160 Speaker 1: with performances by O. G. Banks, k Bess, Vic Chow, 277 00:20:37,840 --> 00:20:44,000 Speaker 1: phyador Chen, Darren De Paul Dave Panoi, Paul Gayette, Jury Lowenthal, 278 00:20:44,480 --> 00:20:50,600 Speaker 1: Brandon Middleton, Stephanie she Shelley Shenoy, Richard Tatum, Genie Toronto, 279 00:20:50,920 --> 00:20:55,800 Speaker 1: Andia Winslow Marshall York with Francesca Ramsey and J. B. Blanc. 280 00:20:56,520 --> 00:21:02,840 Speaker 1: Development executive Greg Locker, Production manager Gail Artino, Production coordinator 281 00:21:02,880 --> 00:21:07,520 Speaker 1: and script supervisor Laura Martin. Creative direction and design by 282 00:21:07,600 --> 00:21:13,040 Speaker 1: Ryan McCann. He art illustrated by Heather Danforth. Casting by 283 00:21:13,200 --> 00:21:18,200 Speaker 1: don Neowen, Record and edit, Home and sound recording engineer 284 00:21:18,560 --> 00:21:25,200 Speaker 1: Diana David. Additional recordings Claudio Santos additional recordings Michael Schneider, 285 00:21:26,560 --> 00:21:32,119 Speaker 1: Sound supervision, Christians Wiggins, Sound designers R. D. White and 286 00:21:32,200 --> 00:21:37,480 Speaker 1: Josh Melody. Original music Josh Melody, Additional music from Jingle 287 00:21:37,520 --> 00:21:44,280 Speaker 1: Punks Consultant Kelsey Fraser ms W Culture Consultants Logan Davis, 288 00:21:44,520 --> 00:21:48,280 Speaker 1: Casey Davis and Davis Family. Special thank you to the 289 00:21:48,280 --> 00:21:52,320 Speaker 1: Shadow Unicorn, iin Horn's Epic Productions and I Heart Radio 290 00:21:52,400 --> 00:22:00,560 Speaker 1: present Daughters of Dcity. Hey there, this is Natalie Rosenberg. Yeah, 291 00:22:00,800 --> 00:22:04,119 Speaker 1: that Natalie Rosenberg. We all know that taking a stand 292 00:22:04,200 --> 00:22:07,720 Speaker 1: and speaking up has never been more important. Looking for 293 00:22:07,760 --> 00:22:10,639 Speaker 1: ways to become more informed and take action, head to 294 00:22:10,760 --> 00:22:13,800 Speaker 1: Daughters of d C dot com for resources to get started.