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Speaker 1: Welcome to a No Dunk's film session. We're talking Hustle,

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Speaker 1: a basketball movie people liked. Yeah, it's official warning. Many

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Speaker 1: spoilers are coming up, a lot of them, all of them,

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Speaker 1: all of them. Just gotta say it right now. I'm

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Speaker 1: Tasmelos with me. Here are the Beardy One, Trey Kirby,

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Speaker 1: heyo he and the international Man Mystery le Ellis via Zoom.

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Speaker 1: Today it's our man, j E. Skeets. What's up Skeets today?

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Speaker 1: Sweet world?

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Speaker 2: How's it going Guyskes?

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Speaker 1: And of course the man making the magic hap And

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Speaker 1: as always it's JD. Hello, wh what's up? JD? There

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Speaker 1: he is there you are first before we get to

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Speaker 1: the show. JD made the magic happen on No Breaks

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Speaker 1: with Trey and Graydon Gordian yesterday talking about the latest

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Speaker 1: F one race. It's got its own feed. Go check

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Speaker 1: that out. As for No Duns for taking a little

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Speaker 1: break from the finals.

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Speaker 3: Just a quickie, quickly, quickie.

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Speaker 1: Just one day break because Hustle dropped on Netflix and

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Speaker 1: everybody wants to talk about it.

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Speaker 3: Everybody's hustling out there.

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Speaker 1: June eighth, it dropped, everybody started watching. Everybody in the

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Speaker 1: NBA world because there's so many breaks in the NBA Finals,

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Speaker 1: people had to watch something. It's also in select theaters.

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Speaker 1: Let me give you the deeds on it before we

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Speaker 1: get into it. The director Jeremiah Zagar many producer credits

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Speaker 1: on this one, many including Lebron, James Maverick Carter, Joe Roth,

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Speaker 1: Joseph VEESSI an your relation to Peter, I don't think so,

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Speaker 1: Jeff Kershenbaum, Zach Roth, Alan Covert, and Adam Sandler who

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Speaker 1: also is the star of the show and he stars

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Speaker 1: alongside NBA player Wan Sho Hernan Gomez. And I have

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Speaker 1: to say NBA player Wantcho Hernan Gomez because I'm sure

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Speaker 1: many people out there didn't even know he was a

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Speaker 1: player in the NBA, including my wife as we watched this. Yeah,

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Speaker 1: she was how would she know? No?

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Speaker 4: But he gets a surprising you know, he gets spoken

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Speaker 4: about and you know, talked about like he's not a

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Speaker 4: he's not an unknown name, you know, like he's got.

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Speaker 1: A unique name like that. Yeah, she doesn't want to think.

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Speaker 3: You think that people would know Wancho because they know Willie, Well,

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Speaker 3: that's even more surprised.

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Speaker 1: Them of them.

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Speaker 4: And it's just kind of funny. You know to talk

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Speaker 4: about me like, I'm sure Herna Gomez has been brought

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Speaker 4: up in my house before, you know, really I think so,

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Speaker 4: that's really not not.

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Speaker 1: Yeah, we got both of them in this in this movie.

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Speaker 1: That spoiler, well we'll talk about watch. Yeah. The only

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Speaker 1: thing my wife enjoyed really at the beginning was Wancho

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Speaker 1: take their shirt off every two minutes. Yeah, which is

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Speaker 1: a great drinking game. If you're watching this movie, take

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Speaker 1: a drink every time Wancho takes his shirt off. Anyways,

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Speaker 1: just to give you more deats. Jancho's antagonist is played

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Speaker 1: by the Timberwolves Anthony Edwards, who was phenomenal Hulso Hustle

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Speaker 1: also stars some other phenomenal actors, Queen Latifa, Ben Foster,

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Speaker 1: Robert Davall, and many many NBA players and personalities. This

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Speaker 1: was surprising to me. I didn't know this going in.

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Speaker 1: Mostly playing themselves. Kenny Smith plays an agent that's probably

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Speaker 1: the NBA personality with the biggest role. Doctor Jay's out

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Speaker 1: there being cool. You got Boban Marjanovich. We'll get to

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Speaker 1: them as we get deeper into the pod. Quick Quick synopsis.

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Speaker 1: A basketball scout for the seventy six ers Stanley Sugarman

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Speaker 1: played by Sandler, discovers a phenomenal street ball player while

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Speaker 1: in Spain bo Cruise played by Wancho, and sees the

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Speaker 1: prospect as his opportunity to get back on an NBA

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Speaker 1: bench as a coach, where he truly wants to be.

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Speaker 1: But then their relationship deepens and the story really becomes

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Speaker 1: about Sugarman wanting Cruise to succeed. It's lovely, a lovely film,

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Speaker 1: and we wanted to watch this couple months ago. We

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Speaker 1: saw the trailer. It looked good and then our resident

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Speaker 1: film critic JD got in the slack called it a

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Speaker 1: near perfect film. Wow. So first question for you, JD. Sure,

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Speaker 1: how did you feel when you finished watching this movie?

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Speaker 1: How do I feel? When I finished?

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Speaker 5: Yeah, I got right on slack and I was like,

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Speaker 5: damn you guys, hustle because I thought of you guys

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Speaker 5: while I was watching it. I'm like, basketball sickos would

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Speaker 5: love this movie. It's just it's such a treat, Like

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Speaker 5: you're sitting there and you know, for me, it's like,

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Speaker 5: oh shit, there's Kyle Lowry and he's just playing himself

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Speaker 5: and you know, and just the all the cameos, all

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Speaker 5: the basketball itself. I mean, I'll let you guys speak

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Speaker 5: to it, but it was like I believed it. I

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Speaker 5: felt like I was watching real basketball happening. And part

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Speaker 5: of that is the editing, I know, but also part

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Speaker 5: of it is you have real basketball, professional cream of

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Speaker 5: the crop basketball players playing basketball. And yeah, I just

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Speaker 5: thought it had a lot of heart. I mean, you know,

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Speaker 5: movies like this. We've seen this movie before a million times,

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Speaker 5: and we watched what do we watched, like twenty five

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Speaker 5: LARTs movies. It felt like, you know, from Airbud to

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Speaker 5: the Way Back, and we've we've seen all of the

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Speaker 5: plot points in all of these movies, and this one

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Speaker 5: just comes out great. It's just like a warm blanket.

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Speaker 5: It's like tomato soup and a grilled cheese sandwich. It

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Speaker 5: just makes you feel good. And I just thought they

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Speaker 5: did a great job. So I wanted to hop on

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Speaker 5: Slack and let you guys know that I endorsed this movie.

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Speaker 1: Official official stamp of endorsement.

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Speaker 3: Very few things go farther in my household than a

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Speaker 3: JD recommendation like that. I didn't watch silver Lining's Playbook

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Speaker 3: for years just because JD said it what you like,

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Speaker 3: But this once he said it was damn near perfect.

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Speaker 3: I was like, oh, we gotta watch this soon. Then

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Speaker 3: I saw a tweet from Christiano Hoe who said, this

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Speaker 3: is what about this guy the movie? And then one

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Speaker 3: percent is like I always felt like I was doing

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Speaker 3: a checklist to make sure I got down every cameo.

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Speaker 3: Then you see the credits roll at the end, You're like, ooh,

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Speaker 3: got that one, got that one, got that one. Didn't

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Speaker 3: notice Aaron McKee in there somewhere. Check it off. But yeah,

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Speaker 3: it's really fun to watch it. Like JD's saying, the

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Speaker 3: basketball is pretty solid, there are still plays where you're like,

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Speaker 3: obviously this is set up to be an assist to

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Speaker 3: make Wancho look good or something. But at least it's

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Speaker 3: an NBA player doing it. It's better that way. I think,

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Speaker 3: get an NBA player, teach him a little bit of

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Speaker 3: acting and let the basketball happen naturally. Then get an

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Speaker 3: actor and make the basketball happen and it never looks natural.

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Speaker 3: I thought this was great, an instant addition to the

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Speaker 3: best basketball movies ever list. To me, Adam Sandler now

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Speaker 3: has two of them in the past five years. Because

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Speaker 3: the guy obviously loves basketball, this must have been a

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Speaker 3: dream for him to make this movie.

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Speaker 1: Absolutely. Sandler mentions in some of the interviews are around

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Speaker 1: the movie that he just wanted basketball players to be

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Speaker 1: playing the basketball official basketball players. He is such a diehard,

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Speaker 1: So I agree. He absolutely adored making this movie. I

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Speaker 1: guess one of the smart things he did was get

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Speaker 1: the basketball players basket playing basketball, but not so much acting,

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Speaker 1: as it's a who's who of players who make cameos,

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Speaker 1: but there isn't a lot of acting from those people. Skeets,

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Speaker 1: first impressions from you, and just in general.

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Speaker 2: Yeah, I thought we made the movie for a second,

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Speaker 2: Like Trey said, it's a hey, what about this guy?

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Speaker 2: Big part of the movie. The other thing is an

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Speaker 2: inside joke with us is where's Wancho? Of all every

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Speaker 2: time he was on film, I'm like, Oh, there he is.

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Speaker 2: So it was like the Leo meme, like, oh where's

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Speaker 2: Wanchery's right there? So there was that. Well as well,

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Speaker 2: it's you know, Jady sort of slipped in there. This

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Speaker 2: movie has already been made ten times before, and that's

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Speaker 2: okay because this is a great movie. It's a lot

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Speaker 2: like The Air up there, which is what we didn't do.

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Speaker 2: If I remember correctly with Kevin Bacon is like, it's

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Speaker 2: got vibes of that. There's a lot of like The

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Speaker 2: blind Side, I guess slipped in there a football movie.

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Speaker 2: And then it's got a of a lot of rocky,

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Speaker 2: and not just because of the Philadelphia ties. It's I mean,

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Speaker 2: it's to the point where Anthony Edwards is Apollo Creed.

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Speaker 2: Oh yeah, Jancho's rocky, which is really fun. But yeah,

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Speaker 2: I I like Trey. It's a lot of like I'm

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Speaker 2: writing down lines like not even cameos. I was like, whoa,

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Speaker 2: somebody just made a reference to Drew Holiday's post defense.

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Speaker 2: I'm like, okay, let's make note of that. And then

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Speaker 2: there's like a line about sacrificing like Manu Genobili coming

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Speaker 2: off the bench, and the best kid is the new

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Speaker 2: freak like Yannis, and there's obviously the what I think

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Speaker 2: is already an iconic Scottie Pippen a wolf had a

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Speaker 2: baby line. So yeah, it's it's for basketball sickos. I

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Speaker 2: think it's been called sort of like a love letter

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Speaker 2: to basketball from Sandler and the people that made it,

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Speaker 2: and that makes sense. It's it is a lot of fun.

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Speaker 2: It's and the basketball is solid because they're basketball players

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Speaker 2: that should.

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Speaker 1: Lee What stands out to you from your first impression

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Speaker 1: watching this.

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Speaker 4: Yeah, So when I saw A JD's Rave review, I

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Speaker 4: was like, Okay, I got to get in on this,

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Speaker 4: and I thought it was good. I wouldn't say damn

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Speaker 4: near perfect. I wouldn't say that because.

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Speaker 3: Mainly because nobody dressed up like an old one around

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Speaker 3: the house. But just my one criticism.

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Speaker 4: Because you know, in most basketball movies, you know, the

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Speaker 4: guy has some sort of issue he's got to overcome,

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Speaker 4: and then he comes back and then he hits the

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Speaker 4: game winning shot and the championship celebration, and this was

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Speaker 4: kind of the same thing in that sense that you know,

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Speaker 4: this guy was down and out, he wasn't going to

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Speaker 4: make it. He comes to America and then he's got

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Speaker 4: the issue with his assault charge back in on his

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Speaker 4: record there, and then he has to overcome that. And

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Speaker 4: then Adam Sandler he's kind of been lying to him

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Speaker 4: a bit and he's like, hey man, you lied to me.

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Speaker 4: And then he brings in his family and they come back,

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Speaker 4: and then all of a sudden at the end, it's like, oh,

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Speaker 4: so he did make it. In the end, like I

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Speaker 4: sort of felt that was going to happen and did,

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Speaker 4: and so that's that's why, that's why I just sort

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Speaker 4: of I just was like, well, it is the same

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Speaker 4: sort of storyline though, that we see in a basketball movie.

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Speaker 4: Like I thought at one point the movie was going

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Speaker 4: down the alleyway of like it was more white men

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Speaker 4: Can't jump, where he was just going to hustle people

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Speaker 4: for money and become like a great street baller, because

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Speaker 4: he was doing that early on. But so in the

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Speaker 4: end and then he gets drafted by the Celtics, and

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Speaker 4: I'm like, oh, okay. So it's a bit of a

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Speaker 4: twist at the end there, but ultimately, you know, he

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Speaker 4: reached the same goal that most of these movies do,

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Speaker 4: these blastball movies, where it's like, oh, he hit the

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Speaker 4: game winning shot, except in this case he got drafted

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Speaker 4: to the NBA.

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Speaker 1: So it was fine. It was fine.

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Speaker 4: I would I just wouldn't say damn near perfect from

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Speaker 4: my own I'll get to my I'll get.

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Speaker 1: To my rating later on, but we will. We'll get well.

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Speaker 4: Adam Sandler, his last two movies, his acting has been incredible.

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Speaker 1: He carries this movie absolutely.

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Speaker 4: Like because the wedding singer.

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Speaker 3: Happy GILMOREX classic.

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Speaker 4: But to me those movies like they were fine, but

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Speaker 4: they weren't like absolute bangers for me. And his acting

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Speaker 4: was fine then, but he's really taking a step up

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Speaker 4: in his acting, I think now and uncut gems in

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Speaker 4: this one, I thought easily his best two movies for me.

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Speaker 1: Yeah.

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Speaker 3: Firstly, I think Billy Matter is a damn near perfect

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Speaker 3: as well. But this did have a little bit of

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Speaker 3: a somewhat cut gems I would think feel to it.

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Speaker 3: There's a lot of tension in it. There's a lot

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Speaker 3: of ups, a lot of downs, and you know, there

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Speaker 3: is the slight gambling aspect of kind of the Sandman

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Speaker 3: gambling with Wancho's career a little bit. So they they

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Speaker 3: played similar tonally to me a little bit. Obviously. This

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Speaker 3: is a much more family friendly that I will say.

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Speaker 3: Was it rated R I don't know. I actually don't

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Speaker 3: remember noticing it is. There's a lot of F words

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Speaker 3: I would imagine just probably rated.

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Speaker 5: Our You know, your mother's a whore, Yeah, that kind

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Speaker 5: of thing, the masturbation stuff, of.

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Speaker 1: Course, Who's who says your mother? Adam Sandler.

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Speaker 5: The first line when he trash talks is like in

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Speaker 5: the gym and he says it's so calmly, and I

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Speaker 5: got a big laugh at me.

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Speaker 1: Actually, A Sandler was very, very, very good. I tried

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Speaker 1: to think back to the scenes that he wasn't in,

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Speaker 1: because I felt like he was in every scene. There

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Speaker 1: were a couple where he wasn't But he absolutely carries

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Speaker 1: the movie. He's really really good. Getting back to your

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Speaker 1: point of this being sort of the typical basketball movie,

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Speaker 1: I'll say there was a couple atypical things. Yeah, Wancho

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Speaker 1: makes it to the league in the end, but there

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Speaker 1: are no game winning shots. I mean, we don't even

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Speaker 1: see him playing in the NBA. The last thing we

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Speaker 1: see is him warming up for an NBA game, So

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Speaker 1: there's that aspect.

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Speaker 4: I mean really, but that to me is the game

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Speaker 4: winning shot that he makes it in the end. Yeah,

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Speaker 4: that's that's the journey for him, is to get to

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Speaker 4: the NBA.

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Speaker 1: But you could have seen some cheesiness. They could have

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Speaker 1: played that game and he could have hit a game

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Speaker 1: winning shot up yeah, but they didn't make that mistake.

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Speaker 1: Another atypical thing, which was kind of cool, when he

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Speaker 1: is hustling people, As you said, Wancho hert angelm is

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Speaker 1: hustling people. It's all block shots. Yeah, yeah, yeah, I hit.

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Speaker 1: He's not hitting bucket.

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Speaker 4: So I like that sort of twist to it where

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Speaker 4: it's like okay, rather than the guy just going out

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Speaker 4: there and no one can stop him, it's like, okay,

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Speaker 4: can you even hit the rim? I think was to

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Speaker 4: get twenty bucks in school was to get fifty bucks,

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Speaker 4: And it was like I wouldn't mind that. I mean,

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Speaker 4: and he was swatting shots. Of course the role set

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Speaker 4: up there, but that was something we haven't really seen before.

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Speaker 4: We defense is is what winded the we did the

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Speaker 4: respect defense respect.

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Speaker 1: Yeah. So, Jady, what was your favorite thing about this movie?

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Speaker 1: What carried this movie for you?

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Speaker 3: Well?

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Speaker 5: I think it is Adam Sandler, and I think that

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Speaker 5: Danny Benson brings up a good point here in the

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Speaker 5: stream team. It's it's like Rocky from but from Mickey's perspective,

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Speaker 5: he's they it's his journey, like he is the one

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Speaker 5: that you know he starts. I mean, the whole movie

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Speaker 5: is bookended by two great shots.

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Speaker 1: Really.

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Speaker 5: The first one is the first thing you see is

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Speaker 5: him all schlubbed up and he's walking through this dank,

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Speaker 5: gross tunnel. He asked the guy you taken me see

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Speaker 5: basketball or a cock fight. Like the guy's like, yeah,

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Speaker 5: we do it all here. But and then and then

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Speaker 5: that's where we we meet that we meet Boban in

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Speaker 5: this great scene where where it's just like, what, you're

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Speaker 5: twenty two now, I'm not too oh you this is

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Speaker 5: your son?

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Speaker 1: How old is he?

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Speaker 5: So all that stuff was great, but he's at the

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Speaker 5: bottom basically, and he's been doing it for thirty years.

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Speaker 5: And and then the final shot of the movie, one

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Speaker 5: of the final shots, is he's walking through the tunnel

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Speaker 5: of the Phillies or not sorry, the Phillies, the seventy

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Speaker 5: six ers, the tunnel next to Doc Rivers in the

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Speaker 5: place where he wanted to be the entire time, and

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Speaker 5: it's just an incredible shot. And it's all one of

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Speaker 5: those things where I go, how do they do this?

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Speaker 5: Because the Wells Fargo Center is completely full and they

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Speaker 5: have that great steady cam shot of him, you know

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Speaker 5: that basically circles him, and he's literally his dreams have

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Speaker 5: been realized, and of course Bo Cruz's dream has been

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Speaker 5: realized as well. But Sandler is the main character of

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Speaker 5: this movie, and it's really about his journey, and that's

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Speaker 5: a little bit of a twist on the sports movie

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Speaker 5: so to speak.

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Speaker 1: But agreed, But yeah, but.

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Speaker 4: But that point though, at the end, so he become

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Speaker 4: the assistant coach in the end, that's what his dream was,

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Speaker 4: and he basically resigns from the organization when the when

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Speaker 4: the son takes over. There's tension between those two from

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Speaker 4: the start. We can feel it in the in the

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Speaker 4: sort of player prospect conversation there anyway, So he gets

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Speaker 4: back out on the road. He doesn't want to do that,

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Speaker 4: I'm sad, wants to be the assistant coach. But then

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Speaker 4: he comes back and they have the big blow up

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Speaker 4: and he says, fuck you, I quit right And then

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Speaker 4: later on we see the sister who basically has just

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Speaker 4: come in and taken over the operation of the of

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Speaker 4: the team. Why didn't we see any conflict between the

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Speaker 4: sister and the brother at that point, because to me,

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Speaker 4: that brother he was a character that was like, there's

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Speaker 4: no way he's just going to back down, even to

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Speaker 4: his sister once he had control of the team. But

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Speaker 4: instead she's she turns up, she kind of smiles at him,

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Speaker 4: and the next thing she knows says, I'm going to

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Speaker 4: make some changes and then it's like, well, so we're

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Speaker 4: surely that would have been a good scene to have,

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Speaker 4: like the brother and the sister fighting to be like,

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Speaker 4: no way.

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Speaker 3: No way. This is a movie about Adam Sandler and

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Speaker 3: a little bit about Wancho Hernan Gomez. We don't need

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Speaker 3: like front office politics, like the Lakers Jerry Buss and

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Speaker 3: Jeanie Buss. Figure out who's leading the two.

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Speaker 4: We didn't even see him walk up.

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Speaker 1: We didn't.

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Speaker 4: We didn't see how how she even took over control

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Speaker 4: of the teams.

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Speaker 3: So you want to like a voting scene the dad

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Speaker 3: left the team too. I think that's I think that

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Speaker 3: would be super boring. That's a business movie.

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Speaker 4: Yeah, but that to me is like you've got the

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Speaker 4: brother who's in control and he's a super tense character,

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Speaker 4: and then all of a sudden he just loses Pam.

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Speaker 4: We don't even see how that happened.

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Speaker 3: And why, Well, I mean Sandler when uh he said right?

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Speaker 3: When when when Bo gets the invite to the combine,

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Speaker 3: Sugarman's saying, your owner didn't want this guy. Remember that

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Speaker 3: he went on TV and said we don't want him,

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Speaker 3: we didn't want him to come here. So I mean

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Speaker 3: he's got a bad rep there. I just just to me,

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Speaker 3: this is not a movie about like front office intrigue

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Speaker 3: in politics.

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Speaker 4: I just think he for him to get back to

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Speaker 4: his assistant coach without even seeing how that even unfolded

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Speaker 4: for because we knew he would that the son wouldn't

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Speaker 4: have brought him back in. The sister did, but the

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Speaker 4: son just like just vanished, and I was like, Okay,

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Speaker 4: I guess he's not in control anymore.

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Speaker 1: Yeah, Ben Foster there playing the son. My wife kept saying,

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Speaker 1: that's justin Timberlake with a bald cap, right, he was.

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Speaker 4: In Justin timb Blake's movie.

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Speaker 1: Ye Dog. Yeah. Interesting? Okay, So JD you were about

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Speaker 1: to say you've got a theory about taking over. There's

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Speaker 1: no theory.

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Speaker 5: I just think that they probably shot a scene some

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Speaker 5: sort of confrontation and then it just ended up on

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Speaker 5: the floor. It's a two hour movie as it is.

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Speaker 5: I mean, I see your point, Lee, But at the

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Speaker 5: same time, it's just he admitted that he fucked up

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Speaker 5: drafting the German guy at the very beginning of the movie,

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Speaker 5: and Sandler didn't want him to do that, and then

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Speaker 5: he was basically desperate to get a new piece in there,

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Speaker 5: and then the the embarrassment of trying to throw baw

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Speaker 5: Cruise under the bus on TV, and you know, and

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Speaker 5: then he's suddenly trending with the Boa challenge. I mean,

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Speaker 5: it's pretty much implied that this guy's sort of he's

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Speaker 5: messed everything up and he's in disgrace and the sister

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Speaker 5: is taking over. I get your point, but I'm I

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Speaker 5: personally am fine with it.

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Speaker 1: I like that they did do a couple of the

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Speaker 1: cutting room floor things. I think when Adam Sandler gets

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Speaker 1: the call from Kenny Smith after he says goodbye to

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Speaker 1: Bow at the airport, it looks like Bo is gone,

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Speaker 1: and Kenny Smith says, I got a game for you,

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Speaker 1: and Adam said, which says, well, Bo's gone, He's long gone.

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Speaker 1: Was he in the air what are you on the

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Speaker 1: phone with it for? And then and then it's cut

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Speaker 1: to them right in the car as opposed to him.

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Speaker 1: You know, try running in the airport. Well you do

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Speaker 1: another conversation.

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Speaker 5: You do see Sandler running down like a gangway or

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Speaker 5: something like excuse me, sorry, sorry, sorry, excuse me, But

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Speaker 5: you never see him go, hey, man, there's a game,

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Speaker 5: come with me, probably because that was during the season,

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Speaker 5: and watch I was playing maybe, uh, like.

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Speaker 1: I'm glad they didn't do it just because it would

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Speaker 1: have been so repetitive.

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Speaker 5: Sure, yes, they didn't need it, exactly skeets here, exactly right.

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Speaker 2: I actually think one of my favorite things about the

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Speaker 2: movie is like it's not heavy handed. And what I

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Speaker 2: mean by that is like you couldn't easily. I thought

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Speaker 2: they were going to. So maybe this is me like

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Speaker 2: projecting onto it. I thought, Sugarman. I thought Sandler's character

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Speaker 2: was gonna be an alcoholic or you know, like a

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Speaker 2: like a bit of more of an asshole because of

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Speaker 2: issues that he was like caught up in.

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Speaker 3: But he wasn't.

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Speaker 2: I mean, he was just like this guy that really

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Speaker 2: obviously had the goal and been putting in the work

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Speaker 2: and been overlooked, overlooked, and just you know, I was

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Speaker 2: amazed that they didn't make him. You know, he's drinking

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Speaker 2: Burger King cokes all the time and you know, having

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Speaker 2: crappy fast food out on the road. But he wasn't,

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Speaker 2: from what I can remember, like an alcoholic all So

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Speaker 2: that was good. I thought they were gonna do something

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Speaker 2: when the daughter, you know this talk about like are

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Speaker 2: you gonna go to school? Are you gonna not. I

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Speaker 2: thought like her doing all the viral video stuff was

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Speaker 2: like gonna get her into school. And I'm like I

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Speaker 2: was gonna be rolling my eyes at that, like, oh,

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Speaker 2: she created a viral video thing and it's like, now

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Speaker 2: she's in the They didn't do that. I mean, you

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Speaker 2: can jump to that conclusion, I guess, but that's not

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Speaker 2: hit over the head in this movie. So things like that,

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Speaker 2: even like bo Cruise's whole like his backstory about why

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Speaker 2: he didn't sort of become a professional player because of

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Speaker 2: his daughter and you know, getting pregnant, a girl pregnant

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Speaker 2: really young, like even that, I thought like they didn't

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Speaker 2: like go really overboard with in a good way. I

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Speaker 2: thought they like so many times in this movie, in

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Speaker 2: the wrong hands the director or the people making it

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Speaker 2: would have done that. And I was like applauding them

433
00:20:36,800 --> 00:20:38,720
Speaker 2: for not in a lot of instances. And those are

434
00:20:38,800 --> 00:20:40,040
Speaker 2: just a couple that like come to mind. I think

435
00:20:40,040 --> 00:20:40,880
Speaker 2: there are other ones too.

436
00:20:41,320 --> 00:20:44,040
Speaker 1: Yeah, that's a good point. And doing some research around

437
00:20:44,080 --> 00:20:49,000
Speaker 1: this film, Adam Sandler was apparently watcho Hernango missus acting

438
00:20:49,040 --> 00:20:50,960
Speaker 1: coach as well. He was sort of his you know,

439
00:20:51,040 --> 00:20:54,960
Speaker 1: his his his agent buddy trying to help him out emotionally,

440
00:20:55,119 --> 00:20:56,560
Speaker 1: trying to help him out on the basketball floor, and

441
00:20:56,560 --> 00:20:58,280
Speaker 1: then he tried to help him out acting wise, And

442
00:20:58,280 --> 00:21:00,159
Speaker 1: as he said Skeets, they didn't really go overboard with

443
00:21:00,160 --> 00:21:02,359
Speaker 1: his backstory. There wasn't a lot of wan cho acting.

444
00:21:02,440 --> 00:21:05,120
Speaker 1: Let's be honest. He was in a lot of scenes,

445
00:21:05,600 --> 00:21:08,199
Speaker 1: but the most he really had to emote was in

446
00:21:08,240 --> 00:21:11,440
Speaker 1: the car there where he told him about the assault charge,

447
00:21:11,720 --> 00:21:12,760
Speaker 1: about what happened.

448
00:21:12,520 --> 00:21:18,240
Speaker 3: Or getting angry at Kermit Kermit and at the combine

449
00:21:18,240 --> 00:21:20,760
Speaker 3: I suppose, which I think probably a smart move, Like

450
00:21:20,800 --> 00:21:23,600
Speaker 3: it's easy for an NBA player to play a cool

451
00:21:23,600 --> 00:21:25,720
Speaker 3: guy just being cool out there, easy to be an

452
00:21:25,800 --> 00:21:28,439
Speaker 3: upset guy. Everybody has a temper at some point. The

453
00:21:28,480 --> 00:21:31,040
Speaker 3: hardest emotion for sure for a new actor is like

454
00:21:31,840 --> 00:21:35,040
Speaker 3: regret and remorse and sadness because you know, it kind

455
00:21:35,040 --> 00:21:36,800
Speaker 3: of looks like you're just smelling a fart when you're

456
00:21:36,840 --> 00:21:39,720
Speaker 3: out there. But they kept it focused on the journey

457
00:21:41,000 --> 00:21:43,520
Speaker 3: of Adam Sandler's character Sugarman. They kept it focused on

458
00:21:43,560 --> 00:21:45,960
Speaker 3: the journey of bo Cruise. And like you're saying, we

459
00:21:46,000 --> 00:21:48,760
Speaker 3: got enough backstory sprinkled in, it's very much a show

460
00:21:48,760 --> 00:21:51,480
Speaker 3: don't tell because they do mention like the daughter does

461
00:21:51,520 --> 00:21:54,040
Speaker 3: go to film school eventually, but all they say is

462
00:21:54,080 --> 00:21:56,920
Speaker 3: like he's calling to check in on how homework went,

463
00:21:57,040 --> 00:21:59,000
Speaker 3: and she's now doing homework. We don't have to like

464
00:21:59,280 --> 00:22:01,480
Speaker 3: see her edit a video or anything like that. I

465
00:22:01,480 --> 00:22:04,560
Speaker 3: thought they did a great job of circling and weaving

466
00:22:04,600 --> 00:22:07,160
Speaker 3: in things that that kind of mentioned throughout the movie

467
00:22:07,200 --> 00:22:09,640
Speaker 3: without making it about that stuff, keeping the focus on

468
00:22:09,880 --> 00:22:10,919
Speaker 3: what the focus should be on.

469
00:22:11,240 --> 00:22:14,360
Speaker 1: Yeah, And not only could they have gone deeper into

470
00:22:15,000 --> 00:22:17,280
Speaker 1: how she got into school, as you said, there skeets,

471
00:22:17,280 --> 00:22:20,760
Speaker 1: but they could have gone deeper into just more viral

472
00:22:20,800 --> 00:22:24,080
Speaker 1: promotion for Boa cruise as well. There was the hashtag

473
00:22:24,119 --> 00:22:26,320
Speaker 1: bow challenge that got him sort of on the scene.

474
00:22:26,320 --> 00:22:29,359
Speaker 1: But they could have they could have gone way overboard

475
00:22:29,640 --> 00:22:33,160
Speaker 1: and come back to oh, this guy's big on the internet,

476
00:22:33,240 --> 00:22:34,760
Speaker 1: that that type of thing, but they only did it

477
00:22:34,800 --> 00:22:37,640
Speaker 1: that little one that once, and it, you know, pointed

478
00:22:37,640 --> 00:22:39,680
Speaker 1: to reality and how they.

479
00:22:41,240 --> 00:22:43,400
Speaker 4: I wonder if there's a relation there to uh, yeah,

480
00:22:43,560 --> 00:22:50,760
Speaker 4: someone because it was Luca the producer and somebody else.

481
00:22:51,280 --> 00:22:52,440
Speaker 3: Alan Iverson.

482
00:22:53,760 --> 00:22:57,560
Speaker 1: One of the producer credits is Joseph VESSI not certain

483
00:22:57,640 --> 00:23:00,560
Speaker 1: on the relation to Peter and how that. Yeah, I mean,

484
00:23:00,840 --> 00:23:04,320
Speaker 1: but yeah, as you said, as as you said, they're

485
00:23:04,359 --> 00:23:08,399
Speaker 1: one of the many, many, many, many many NBA cameos,

486
00:23:09,359 --> 00:23:12,720
Speaker 1: so many, but just lately sprinkled in without a lot

487
00:23:12,760 --> 00:23:15,280
Speaker 1: of acting. I'm looking at the list here, there's probably

488
00:23:15,320 --> 00:23:19,240
Speaker 1: about thirty thirty five. Dirk was another one on the phone.

489
00:23:19,280 --> 00:23:22,239
Speaker 4: He was awesome Dirk because you wonder if if he

490
00:23:22,320 --> 00:23:24,199
Speaker 4: was even acting in that moment, if that was just

491
00:23:24,280 --> 00:23:27,240
Speaker 4: improv you know, because it was classic Dirk, like who

492
00:23:27,320 --> 00:23:29,320
Speaker 4: is this? Where'd you get my phone number? And Adam

493
00:23:29,359 --> 00:23:31,600
Speaker 4: Sandler's kind of panicking a little bit because he wanted

494
00:23:32,400 --> 00:23:34,960
Speaker 4: Wancho to know, Hey, this is legit. I know this guy.

495
00:23:34,960 --> 00:23:38,040
Speaker 4: And then Dirk eventually, you know, gives in and says

496
00:23:38,280 --> 00:23:40,679
Speaker 4: he knows him. But I thought that was a great cameo.

497
00:23:40,760 --> 00:23:42,560
Speaker 4: Him and Boban were probably the favorite for me.

498
00:23:43,359 --> 00:23:45,359
Speaker 3: Yeah, that's a good one. I like seeing like the

499
00:23:45,400 --> 00:23:48,320
Speaker 3: most random of dudes. Like I got really excited when

500
00:23:48,440 --> 00:23:51,280
Speaker 3: Alex Sabrinas showed up. I was like, he left the

501
00:23:51,359 --> 00:23:54,920
Speaker 3: UNBA under kind of like odd circumstances to go back

502
00:23:54,920 --> 00:23:56,639
Speaker 3: to Spain, so to see him show off, I was like,

503
00:23:56,680 --> 00:23:59,119
Speaker 3: a'm Brinas looks like he's doing all right. I like

504
00:23:59,200 --> 00:24:02,919
Speaker 3: seeing Jim Goldstein there on the sidelines of uh, you know,

505
00:24:02,960 --> 00:24:06,080
Speaker 3: the big exhibition game they had at the end. Obviously,

506
00:24:06,080 --> 00:24:09,960
Speaker 3: it's funny seeing jose Calderon. I love that they had

507
00:24:10,000 --> 00:24:12,640
Speaker 3: Brad Stevens in this movie and gave him the absolute

508
00:24:12,840 --> 00:24:15,600
Speaker 3: dorkiest line to say in the entire movie. Oh, you

509
00:24:15,640 --> 00:24:17,720
Speaker 3: can tell he will impact winning it all alone. And

510
00:24:17,880 --> 00:24:20,000
Speaker 3: I was like, that's the perfect guy to give that

511
00:24:20,240 --> 00:24:22,760
Speaker 3: line too. So I thought they nailed it. You say

512
00:24:22,760 --> 00:24:26,240
Speaker 3: they're sprinkled in, they're like dumped in. There's an NBA

513
00:24:26,359 --> 00:24:29,080
Speaker 3: cameo every thirty seconds. It feels like, which you know,

514
00:24:29,119 --> 00:24:30,960
Speaker 3: if you're a sicko, is perfect.

515
00:24:30,840 --> 00:24:35,679
Speaker 1: Right, And Brad Stevens for the Sichos ends up being

516
00:24:35,800 --> 00:24:39,000
Speaker 1: the general manager of the team that Wan Chohrnengelmez goes to.

517
00:24:39,119 --> 00:24:40,800
Speaker 1: So he says, yes, he will impact winning and then

518
00:24:40,840 --> 00:24:43,120
Speaker 1: he ends up on his team for the Has Brad

519
00:24:43,160 --> 00:24:45,520
Speaker 1: Stevens ever come up at at your dinner table?

520
00:24:46,240 --> 00:24:49,200
Speaker 4: Not the Brad Stevens, but probably a Brad Stevens. It's

521
00:24:49,200 --> 00:24:51,280
Speaker 4: a pretty uh yeah, what's.

522
00:24:51,200 --> 00:24:52,040
Speaker 3: Pretty dull night?

523
00:24:52,160 --> 00:24:57,480
Speaker 1: So yeah, so yeah, they were they were dumped it.

524
00:24:57,520 --> 00:24:59,560
Speaker 1: There was a lot of them. I guess. I use

525
00:24:59,600 --> 00:25:02,359
Speaker 1: the words sprinkle because they didn't hit you over the

526
00:25:02,560 --> 00:25:07,520
Speaker 1: head right if you didn't know Alex Sabrinas or Jose Caldero,

527
00:25:07,960 --> 00:25:11,120
Speaker 1: those are just those are just extras in the background

528
00:25:11,280 --> 00:25:15,359
Speaker 1: warming up while watcho. Hernan Gomez is hanging out and

529
00:25:15,359 --> 00:25:20,840
Speaker 1: his brother Willie also sneaking in there. It was, yeah,

530
00:25:20,960 --> 00:25:23,960
Speaker 1: an NBA fans wet dream for sure. As you said, Skeets,

531
00:25:24,160 --> 00:25:27,400
Speaker 1: we could have made this movie. Did did those moments?

532
00:25:27,480 --> 00:25:30,480
Speaker 1: Did all the players and all the sort of the

533
00:25:30,640 --> 00:25:34,680
Speaker 1: NBA branding? Was it done well for you? Oh?

534
00:25:34,760 --> 00:25:38,320
Speaker 2: Yeah, absolutely. I think I'm trying to like wrap my

535
00:25:38,320 --> 00:25:41,440
Speaker 2: head around this movie without all of that. Yeah, and

536
00:25:41,600 --> 00:25:44,680
Speaker 2: I don't think it's as as entertaining or as great

537
00:25:44,800 --> 00:25:46,560
Speaker 2: as it sounds like a lot of us think it is.

538
00:25:46,600 --> 00:25:49,240
Speaker 2: So I think they they knocked that out of the park,

539
00:25:49,280 --> 00:25:51,359
Speaker 2: and like kudos, I guess to the NBA and obviously

540
00:25:51,400 --> 00:25:52,919
Speaker 2: the seventy six ers and all that for making it

541
00:25:52,960 --> 00:25:55,399
Speaker 2: all happen and all the agents are getting these guys

542
00:25:55,400 --> 00:25:59,080
Speaker 2: in it. They even went a level like deeper, I

543
00:25:59,119 --> 00:26:00,720
Speaker 2: guess is the best way to put it. It wasn't

544
00:26:00,800 --> 00:26:03,879
Speaker 2: just like NBA players and then NBA front office guys,

545
00:26:03,920 --> 00:26:07,680
Speaker 2: and then NBA broadcasters, NBA legends. Then we went down

546
00:26:07,720 --> 00:26:12,159
Speaker 2: to like and one guys you know, like the Professor

547
00:26:12,240 --> 00:26:15,200
Speaker 2: and the Bone Collector, and like it's like, wow, we

548
00:26:15,240 --> 00:26:19,119
Speaker 2: are really tapping into a basketball fandom. So, I mean,

549
00:26:19,160 --> 00:26:21,719
Speaker 2: I'm just upset, like we didn't get a small like

550
00:26:22,480 --> 00:26:25,240
Speaker 2: Trey shutting down Lee and the Boa Challenge or something

551
00:26:25,320 --> 00:26:27,159
Speaker 2: like that, Like we could have had a quick no

552
00:26:27,280 --> 00:26:29,800
Speaker 2: dunks clip or something like that in that little montage

553
00:26:29,800 --> 00:26:32,479
Speaker 2: there when it's going viral. But yeah, I think, uh,

554
00:26:32,800 --> 00:26:35,359
Speaker 2: I think overall, I was loving all the cameos. I

555
00:26:35,400 --> 00:26:38,480
Speaker 2: will say, though, Trey brought up Jimmy Goldstein at this

556
00:26:38,640 --> 00:26:42,600
Speaker 2: like secret game. I rolled my eyes big time.

557
00:26:42,400 --> 00:26:42,960
Speaker 1: At that one.

558
00:26:43,000 --> 00:26:46,560
Speaker 2: I was like, okay, no, no, this was Jimmy Goldstein.

559
00:26:46,680 --> 00:26:50,080
Speaker 2: He's not going to this game in where they Where

560
00:26:50,080 --> 00:26:51,879
Speaker 2: were they telling us? Maybe it was in the Bronx,

561
00:26:51,920 --> 00:26:53,080
Speaker 2: I guess, or something like that.

562
00:26:54,680 --> 00:26:56,679
Speaker 4: It was because he was in Philadelphia and he had

563
00:26:56,720 --> 00:26:57,560
Speaker 4: to go over.

564
00:26:57,440 --> 00:26:59,800
Speaker 2: To Yeah, I think it was in the Bronx. That

565
00:26:59,920 --> 00:27:01,719
Speaker 2: was the one. That was the one where I laughed at.

566
00:27:01,800 --> 00:27:04,120
Speaker 2: I'm like, okay, I mean I know, we just got

567
00:27:04,119 --> 00:27:06,760
Speaker 2: to get Jimmy in the movie. That's fine, fun cameo,

568
00:27:06,880 --> 00:27:09,000
Speaker 2: but like he's he's at this secret game.

569
00:27:09,480 --> 00:27:13,359
Speaker 3: That yeah, why week Jimmy Goldstein ordered me off the

570
00:27:13,400 --> 00:27:16,560
Speaker 3: Boston Celtics logo so he could take a picture at

571
00:27:16,600 --> 00:27:18,800
Speaker 3: media Day, So it seemed very real.

572
00:27:18,640 --> 00:27:22,200
Speaker 2: To I mean, look the NBA games, Yeah, he's going

573
00:27:22,280 --> 00:27:23,920
Speaker 2: to these games draft combines.

574
00:27:24,720 --> 00:27:26,359
Speaker 5: Put him at the comb he wasn't at.

575
00:27:27,720 --> 00:27:29,520
Speaker 2: Yeah, that makes more sense, or.

576
00:27:29,480 --> 00:27:32,200
Speaker 1: The game at the end. Yeah, I could got a

577
00:27:32,200 --> 00:27:33,480
Speaker 1: shot of him at the game, for.

578
00:27:33,400 --> 00:27:35,879
Speaker 5: Sure, but that wouldn't be that doesn't put him on

579
00:27:35,920 --> 00:27:37,840
Speaker 5: the inside, you know what I mean, Like, I think

580
00:27:37,920 --> 00:27:40,240
Speaker 5: Jimmy would want to be on the inside. If you're

581
00:27:40,240 --> 00:27:41,560
Speaker 5: gonna put me in this movie, I want to be

582
00:27:41,680 --> 00:27:45,720
Speaker 5: like the the Cream of the Crop VIP secret game.

583
00:27:45,760 --> 00:27:46,199
Speaker 5: That's where he.

584
00:27:46,920 --> 00:27:48,280
Speaker 2: Maybe he goes to these secret games.

585
00:27:48,320 --> 00:27:49,560
Speaker 1: Maybe it does.

586
00:27:49,720 --> 00:27:52,840
Speaker 5: I wouldn't be surprised. I agree with you guys. I

587
00:27:52,880 --> 00:27:55,720
Speaker 5: think they did an awesome job having one foot in

588
00:27:55,800 --> 00:28:00,280
Speaker 5: reality and one foot in fantasy or fiction. You know,

589
00:28:00,400 --> 00:28:03,879
Speaker 5: even the fact where Willy is there at this gym,

590
00:28:03,960 --> 00:28:06,440
Speaker 5: his own brother is there and it's like, oh, these

591
00:28:06,440 --> 00:28:09,280
Speaker 5: guys are gonna let you play, and uh and apparently Willy.

592
00:28:09,359 --> 00:28:12,040
Speaker 5: I think audition for the part as well, but uh,

593
00:28:12,359 --> 00:28:16,240
Speaker 5: that's a and aside. But uh but yeah, but the

594
00:28:16,280 --> 00:28:20,520
Speaker 5: only the only one that I did not love. And

595
00:28:20,560 --> 00:28:24,359
Speaker 5: this is no shade to Kenny Smith. Kenny Smith, he

596
00:28:24,400 --> 00:28:27,800
Speaker 5: did a great job. Actually, I was very surprised at

597
00:28:27,840 --> 00:28:28,600
Speaker 5: how good.

598
00:28:28,440 --> 00:28:30,080
Speaker 1: He is in this movie.

599
00:28:30,320 --> 00:28:33,080
Speaker 5: But he should not be in this movie because he's

600
00:28:33,080 --> 00:28:36,920
Speaker 5: too big. He's it's a distraction, especially when we cut

601
00:28:36,960 --> 00:28:40,120
Speaker 5: to the TNT desk and he's not there. Yeah, it's like,

602
00:28:40,200 --> 00:28:45,080
Speaker 5: so hold on. And that's the only time I was like, hmm, well,

603
00:28:45,080 --> 00:28:46,520
Speaker 5: it was a couple of times, but that was that

604
00:28:46,600 --> 00:28:48,280
Speaker 5: was the biggest. It was just like, okay, so I

605
00:28:48,320 --> 00:28:52,000
Speaker 5: guess Kenny Smith doesn't exist in this universe? Is that

606
00:28:52,080 --> 00:28:52,800
Speaker 5: what you're telling me?

607
00:28:53,400 --> 00:28:53,520
Speaker 1: Like?

608
00:28:53,680 --> 00:28:56,120
Speaker 5: I like, again, he did a great job, but I

609
00:28:56,200 --> 00:28:59,200
Speaker 5: think it was a mistake casting him as as this

610
00:28:59,280 --> 00:29:03,160
Speaker 5: agent guy. He could had literally gotten anybody to play him,

611
00:29:03,600 --> 00:29:05,400
Speaker 5: and you could have had Kenny do something else because

612
00:29:05,440 --> 00:29:07,440
Speaker 5: obviously the guy can act. And I hate to say

613
00:29:07,440 --> 00:29:11,200
Speaker 5: that because you know, I love to hate Kenny, but

614
00:29:12,920 --> 00:29:14,160
Speaker 5: but yeah, they're pretty good.

615
00:29:14,280 --> 00:29:16,720
Speaker 3: He was bravely he probably had to do. I feel

616
00:29:16,760 --> 00:29:19,800
Speaker 3: like the most acting of any of the NBA people

617
00:29:19,840 --> 00:29:21,960
Speaker 3: who were there, But I'm with you, JD. It was

618
00:29:22,080 --> 00:29:24,440
Speaker 3: very weird when they showed the inside desk. That was

619
00:29:24,440 --> 00:29:25,800
Speaker 3: one where I was like, I had to pause it.

620
00:29:25,800 --> 00:29:28,360
Speaker 3: And Rewind I'm like, did they sneak Kenny in there? No,

621
00:29:28,480 --> 00:29:30,880
Speaker 3: it's just Chuck sitting in Kenny's seat, which I don't

622
00:29:30,880 --> 00:29:33,280
Speaker 3: think probably is something that a lot of people are like, wait,

623
00:29:33,440 --> 00:29:36,360
Speaker 3: they're sitting in the wrong seats. But if you watch NBA,

624
00:29:36,760 --> 00:29:38,920
Speaker 3: if you watch the NBA every night and you watch Inside,

625
00:29:38,920 --> 00:29:40,600
Speaker 3: You're like, ooh, a three man desk.

626
00:29:40,840 --> 00:29:41,800
Speaker 1: This is very strange.

627
00:29:42,640 --> 00:29:45,960
Speaker 5: There's also there's also little things like emb'd is nowhere

628
00:29:46,000 --> 00:29:49,120
Speaker 5: to be in a movie about the semi six ers.

629
00:29:49,200 --> 00:29:52,680
Speaker 1: So it was a trade room. Yeah, but then he

630
00:29:52,880 --> 00:29:55,960
Speaker 1: did take the tip ball at the end of the game,

631
00:29:56,040 --> 00:29:58,280
Speaker 1: but he was not when they talked about every single

632
00:29:58,280 --> 00:30:01,240
Speaker 1: Philadelphia seventy six are under the sun. Totally right, he

633
00:30:01,360 --> 00:30:01,920
Speaker 1: just wasn't there.

634
00:30:02,000 --> 00:30:06,200
Speaker 5: Yeah, Yeah, I believe game is a real game.

635
00:30:06,320 --> 00:30:10,400
Speaker 3: Yeah. We got a tweet from aesthetics as ice the

636
00:30:10,440 --> 00:30:13,240
Speaker 3: Celtics Sixers game at the end was footage from their

637
00:30:13,360 --> 00:30:17,160
Speaker 3: January fourteenth matchup, but Wanho didn't play in that game,

638
00:30:17,160 --> 00:30:19,280
Speaker 3: so they had to splice him in. And obviously he

639
00:30:19,360 --> 00:30:22,120
Speaker 3: wasn't number twenty two either, that's retired by the Celtics.

640
00:30:22,160 --> 00:30:24,600
Speaker 3: He was forty one, which I mean, I guess they

641
00:30:24,640 --> 00:30:27,080
Speaker 3: could have worked in a way like honoring Dirk since

642
00:30:27,080 --> 00:30:29,800
Speaker 3: they had the FaceTime, but you know, give him twenty two,

643
00:30:29,880 --> 00:30:31,760
Speaker 3: just like Stanley the Double Tis.

644
00:30:32,080 --> 00:30:32,400
Speaker 1: I think that.

645
00:30:32,600 --> 00:30:34,080
Speaker 4: Just back to Kenny Smith for a sec. When he

646
00:30:34,120 --> 00:30:35,720
Speaker 4: was off at this roll, he grabbed it in two

647
00:30:35,760 --> 00:30:38,840
Speaker 4: seconds because you could tell he loved being the power

648
00:30:38,880 --> 00:30:41,600
Speaker 4: agent and being the man could get things done. I

649
00:30:41,600 --> 00:30:43,440
Speaker 4: mean maybe they said to him, you want to just

650
00:30:43,440 --> 00:30:45,000
Speaker 4: be Kenny on the disk for a cameo or do

651
00:30:45,000 --> 00:30:46,560
Speaker 4: you want to be this and he's like, oh, give

652
00:30:46,600 --> 00:30:50,720
Speaker 4: me the agent because he was. He was always looking great,

653
00:30:50,880 --> 00:30:54,080
Speaker 4: speaking great, had a very very strong role and.

654
00:30:55,000 --> 00:30:57,080
Speaker 1: Might look pretty good as well. So yeah, for sure,

655
00:30:57,120 --> 00:30:58,600
Speaker 1: you know he loved it.

656
00:30:58,840 --> 00:31:01,680
Speaker 3: I left at the look at the ta He's yeah,

657
00:31:01,360 --> 00:31:04,520
Speaker 3: I can't. I noticed the side moved at the beginning.

658
00:31:04,560 --> 00:31:07,320
Speaker 3: I was like, oh, this is a little racy for

659
00:31:07,400 --> 00:31:10,600
Speaker 3: an NBA affiliated movie. And then Kenny, what a setup

660
00:31:10,800 --> 00:31:11,280
Speaker 3: he got you?

661
00:31:11,600 --> 00:31:13,760
Speaker 1: He got me? Yeah, I laughed at it to no doubt.

662
00:31:14,240 --> 00:31:16,880
Speaker 1: Kenny was a natural in that role. He played it really,

663
00:31:16,920 --> 00:31:21,800
Speaker 1: really well. Before we move on any other cameos that

664
00:31:21,880 --> 00:31:25,040
Speaker 1: you you want to discuss, because Tobias Harris I think

665
00:31:25,120 --> 00:31:29,080
Speaker 1: probably had the second most I don't know acting Besides

666
00:31:29,200 --> 00:31:30,680
Speaker 1: Kenny Smith didn't talk a lot.

667
00:31:31,000 --> 00:31:33,640
Speaker 2: But well, no, no, no, how are we not talking

668
00:31:33,640 --> 00:31:34,520
Speaker 2: about Anthony Edwards?

669
00:31:34,560 --> 00:31:37,920
Speaker 5: Yeah, and that's not really can right I guess not

670
00:31:38,040 --> 00:31:38,640
Speaker 5: Anthony Edward.

671
00:31:38,720 --> 00:31:42,240
Speaker 1: That was a natural obviously. Oh hamp trash dockey killed

672
00:31:42,240 --> 00:31:44,440
Speaker 1: it so good. He was so good.

673
00:31:44,480 --> 00:31:47,280
Speaker 2: It's like, I'm also like, it's crazy when you think,

674
00:31:47,360 --> 00:31:49,200
Speaker 2: like how old is he twenty one?

675
00:31:50,360 --> 00:31:50,479
Speaker 1: Uh?

676
00:31:51,560 --> 00:31:55,120
Speaker 3: Probably yeah, he would have It's amazing.

677
00:31:55,120 --> 00:31:57,200
Speaker 2: Not amazing, I mean it just it was like he

678
00:31:57,360 --> 00:31:59,960
Speaker 2: was of course built to play this role. I mean, yeah,

679
00:32:00,160 --> 00:32:01,520
Speaker 2: his name is Kermit in this.

680
00:32:03,680 --> 00:32:07,160
Speaker 1: Is that a not Kermit Washington? Or why do you

681
00:32:07,200 --> 00:32:10,520
Speaker 1: call me? Because he was an antagonist? Why why Kermit.

682
00:32:12,560 --> 00:32:17,400
Speaker 4: Connection there? But I mean, I don't know, just.

683
00:32:16,640 --> 00:32:20,280
Speaker 5: Just a funny name, just sets up the frog line. Yeah,

684
00:32:20,320 --> 00:32:22,840
Speaker 5: you know you're a guy named after a frog is

685
00:32:22,880 --> 00:32:23,800
Speaker 5: getting under your skin?

686
00:32:24,040 --> 00:32:26,560
Speaker 1: Yeah, gives that to him. I mean, I guess is

687
00:32:26,560 --> 00:32:28,640
Speaker 1: it in the same lines as sugarman he called the

688
00:32:28,640 --> 00:32:31,320
Speaker 1: guy Sugarman. I mean, I know it's they didn't really

689
00:32:31,360 --> 00:32:33,640
Speaker 1: make any Sugarman references, but just a funny name.

690
00:32:33,880 --> 00:32:37,120
Speaker 2: Kind of funny and they played a lot with bo

691
00:32:37,280 --> 00:32:38,600
Speaker 2: Cruise as the name obviously.

692
00:32:38,840 --> 00:32:39,000
Speaker 1: Yeah.

693
00:32:39,280 --> 00:32:41,040
Speaker 3: Yeah, they were firing this button gun quite a bit

694
00:32:41,120 --> 00:32:45,440
Speaker 3: in this game, definitely. But yeah, Anthony Edwards was awesome anytime.

695
00:32:46,160 --> 00:32:49,680
Speaker 3: Like the thumbnail for for this podcast is Edwards just

696
00:32:49,720 --> 00:32:53,160
Speaker 3: getting leaning down right next talking to watch. Those were

697
00:32:53,160 --> 00:32:55,160
Speaker 3: like the best five minutes of the movie. Just when

698
00:32:55,200 --> 00:32:59,320
Speaker 3: Anthony Edwards is talking ship to Wancho, It's like, Yeah,

699
00:32:59,360 --> 00:33:01,200
Speaker 3: this is the role he was born to play, because

700
00:33:01,200 --> 00:33:04,240
Speaker 3: it feels like that's probably what Anthony Edwards is doing. Regardless,

701
00:33:04,280 --> 00:33:07,400
Speaker 3: He's like got the awesome drawl, he's got hilarious lines

702
00:33:07,400 --> 00:33:10,000
Speaker 3: and press conferences. Why wouldn't he be the same like

703
00:33:10,040 --> 00:33:12,480
Speaker 3: that out on the court. I do think it's very

704
00:33:12,520 --> 00:33:15,240
Speaker 3: funny that he's only going number two. They will never

705
00:33:15,320 --> 00:33:17,920
Speaker 3: mention who could possibly be going number one in this movie,

706
00:33:17,960 --> 00:33:20,280
Speaker 3: but he is locked into number two and he's showing

707
00:33:20,360 --> 00:33:23,600
Speaker 3: up the combine to Paul. But yeah, the Edwards scenes

708
00:33:23,640 --> 00:33:26,040
Speaker 3: I thought were so good. I love what they would use,

709
00:33:26,120 --> 00:33:28,239
Speaker 3: like the steady cam for when they were going one

710
00:33:28,280 --> 00:33:29,800
Speaker 3: on one with each other. I love that they would

711
00:33:29,800 --> 00:33:31,960
Speaker 3: give us a little bit of bow having some success.

712
00:33:32,160 --> 00:33:35,040
Speaker 3: But then we see Anthony or Kermit getting into his

713
00:33:35,080 --> 00:33:37,760
Speaker 3: head and actually coming out on top, like he stole

714
00:33:37,800 --> 00:33:40,120
Speaker 3: the show, no doubt about it. Anthony Edwards, he was awesome.

715
00:33:40,280 --> 00:33:41,200
Speaker 1: He was phenomenal.

716
00:33:41,320 --> 00:33:46,160
Speaker 5: Yeah, great villain, super sinister and the trash talking was

717
00:33:46,160 --> 00:33:48,440
Speaker 5: was very well. I don't know if it was improved

718
00:33:48,560 --> 00:33:52,080
Speaker 5: or obviously some of it was written, but just very

719
00:33:53,400 --> 00:33:55,720
Speaker 5: just so villainous. The way he comes in, Hey man,

720
00:33:55,760 --> 00:33:57,600
Speaker 5: what's your name? Blah blah blah, and then he just

721
00:33:59,360 --> 00:34:01,880
Speaker 5: he pumps him information and then he uses that information

722
00:34:01,960 --> 00:34:05,880
Speaker 5: against him, which comes to a huge climax when the

723
00:34:05,960 --> 00:34:09,960
Speaker 5: daughter shows up and oh, okay, he's been poking and

724
00:34:10,000 --> 00:34:12,399
Speaker 5: prodding and then he finds the weakness with the mother

725
00:34:12,440 --> 00:34:15,600
Speaker 5: and the daughter and that whole thing obviously escalates and

726
00:34:15,600 --> 00:34:19,280
Speaker 5: there's a lot of tension there. But yeah, he's he's great,

727
00:34:19,400 --> 00:34:21,840
Speaker 5: he's great. We're gonna see, we're gonna see Edwards and

728
00:34:22,440 --> 00:34:23,120
Speaker 5: things to come.

729
00:34:23,280 --> 00:34:27,399
Speaker 2: I would think, oh, he's so charismatic. Yeah, and he's like, yeah,

730
00:34:27,400 --> 00:34:30,279
Speaker 2: he's the villain, but he's also like Creed like Apollo Creed.

731
00:34:30,320 --> 00:34:32,320
Speaker 2: He's like he's cool as shit. Yeah, yeah, you're like,

732
00:34:32,400 --> 00:34:34,719
Speaker 2: this guy's cool, even if he's like sort of the

733
00:34:35,040 --> 00:34:39,120
Speaker 2: bad guy in this against the protagonists in Luancho. Yeah, yeah,

734
00:34:39,200 --> 00:34:44,160
Speaker 2: and a natural And I honestly feel like, maybe, like, yeah,

735
00:34:44,200 --> 00:34:45,920
Speaker 2: I think you're gonna see him if he wants to.

736
00:34:46,160 --> 00:34:49,120
Speaker 2: He appears that he could do this and maybe like

737
00:34:49,239 --> 00:34:51,160
Speaker 2: do a little bit more of a role because he's

738
00:34:51,200 --> 00:34:54,239
Speaker 2: just playing himself really just with a different name. But yeah,

739
00:34:54,280 --> 00:34:56,920
Speaker 2: he's damn good on camera. He's so I mean, that

740
00:34:57,000 --> 00:34:58,680
Speaker 2: makes sense too when you see him in press conferences

741
00:34:58,719 --> 00:35:01,439
Speaker 2: and stuff like that. He he's so confident in who

742
00:35:01,440 --> 00:35:04,240
Speaker 2: he is as a person, and I think that's probably

743
00:35:04,280 --> 00:35:06,359
Speaker 2: a great trait to have when you're trying to act.

744
00:35:06,480 --> 00:35:09,319
Speaker 1: I assume, Okay, well we've told you everything we've loved

745
00:35:09,360 --> 00:35:11,520
Speaker 1: about this movie. It's been a lot. Let's take a break.

746
00:35:11,520 --> 00:35:13,520
Speaker 1: We'll tell you about the things we didn't like after

747
00:35:13,560 --> 00:35:16,600
Speaker 1: the break and give our ratings of course, so stick around.

748
00:35:18,280 --> 00:35:21,640
Speaker 1: You are back with no dunks discussing Hustle, the movie

749
00:35:21,640 --> 00:35:24,120
Speaker 1: that we loved. I know we said we'd get to

750
00:35:24,200 --> 00:35:25,800
Speaker 1: the things that we didn't like, But first lot, I

751
00:35:25,920 --> 00:35:27,680
Speaker 1: still enjoy it a little bit more because I think

752
00:35:27,719 --> 00:35:31,560
Speaker 1: it's like ninety percent, like ten percent, unlike Trey. What

753
00:35:31,600 --> 00:35:33,280
Speaker 1: was your favorite scene in this movie.

754
00:35:35,000 --> 00:35:36,520
Speaker 3: I don't know if I can go with a favorite

755
00:35:36,560 --> 00:35:39,239
Speaker 3: scene necessarily, but I will say I love that this

756
00:35:39,320 --> 00:35:43,440
Speaker 3: is a multiple montage movie. We get a montage for

757
00:35:43,960 --> 00:35:47,800
Speaker 3: the Sugarman himself early on kind of being a scout

758
00:35:47,880 --> 00:35:50,719
Speaker 3: is miserable montage, like he's laying in all these nice

759
00:35:50,719 --> 00:35:54,080
Speaker 3: hotels and just eating garbage food, traveling all around the world.

760
00:35:54,160 --> 00:35:57,800
Speaker 3: That's at the beginning. That's been the beginning of the movie.

761
00:35:57,880 --> 00:36:03,359
Speaker 3: We get another montage Sandler insulting Wanho while he's shooting around.

762
00:36:03,400 --> 00:36:05,120
Speaker 3: I thought that was kind of the funniest part of

763
00:36:05,160 --> 00:36:08,160
Speaker 3: the movie to me. I love the insult training scene

764
00:36:08,520 --> 00:36:10,000
Speaker 3: for lack of a better words. And then we get

765
00:36:10,000 --> 00:36:14,120
Speaker 3: a full on Wancho training montage, which is pretty lengthy.

766
00:36:14,719 --> 00:36:17,399
Speaker 3: It's almost like three montages in one if you think

767
00:36:17,440 --> 00:36:19,840
Speaker 3: about it, because you know, he starts off working hard,

768
00:36:20,120 --> 00:36:22,120
Speaker 3: then he gets tired and lose his belief, and then

769
00:36:22,120 --> 00:36:24,319
Speaker 3: he comes back and he finally conquers that big hill.

770
00:36:24,520 --> 00:36:27,440
Speaker 3: A nice little touch with Wancho doing the rocky stuff

771
00:36:27,480 --> 00:36:29,480
Speaker 3: at the top once he finally like, he goes up

772
00:36:29,520 --> 00:36:31,000
Speaker 3: the top of the hill and he can't stop, so

773
00:36:31,040 --> 00:36:34,640
Speaker 3: he goes up the stairway as well. I got legitimate

774
00:36:34,680 --> 00:36:37,040
Speaker 3: chills on my legs when that happened. I'm a sucker

775
00:36:37,040 --> 00:36:39,919
Speaker 3: for that kind of stuff. So all of the montages,

776
00:36:39,960 --> 00:36:41,720
Speaker 3: I would say, I thought they're pretty solid.

777
00:36:41,960 --> 00:36:44,799
Speaker 1: Yeah, the training one was great. I don't think we

778
00:36:44,840 --> 00:36:47,439
Speaker 1: needed to see him come back and keep moving those

779
00:36:48,160 --> 00:36:52,560
Speaker 1: that hand eye coordination, yeah, I mean, but whatever. Yeah,

780
00:36:52,560 --> 00:36:55,239
Speaker 1: it was really fun Wan hiding behind the pole up

781
00:36:55,280 --> 00:36:58,080
Speaker 1: on the hill. That was cute. That was very funny.

782
00:36:58,480 --> 00:37:01,239
Speaker 1: It was enjoyable all of it. And yeah, it had

783
00:37:01,280 --> 00:37:06,719
Speaker 1: to be long because it did depict the difficulty how

784
00:37:06,880 --> 00:37:10,360
Speaker 1: actually how hard it is to become an NBA player.

785
00:37:10,360 --> 00:37:12,759
Speaker 1: So I think it depicted that pretty well. They kept

786
00:37:12,800 --> 00:37:15,080
Speaker 1: coming back to that. So it was it was and

787
00:37:15,080 --> 00:37:16,759
Speaker 1: they made it fun, you know, they was interjected. It

788
00:37:16,800 --> 00:37:18,560
Speaker 1: wasn't just I didn't even know what to call it

789
00:37:18,600 --> 00:37:20,680
Speaker 1: in terms of movie terms, because it was a montage

790
00:37:20,840 --> 00:37:24,520
Speaker 1: with music. Yes, but they helped speed it up because

791
00:37:24,520 --> 00:37:28,200
Speaker 1: there was some dialogue, as you said, like Sandler spicing

792
00:37:28,320 --> 00:37:31,000
Speaker 1: in those the jokes and stuff. Is it still a

793
00:37:31,000 --> 00:37:33,800
Speaker 1: montage JD. Even if there's dialogue.

794
00:37:33,440 --> 00:37:38,000
Speaker 5: Yes, I believe. So I can't get Rocky Paulo created

795
00:37:38,080 --> 00:37:40,880
Speaker 5: yelling at him saying, you're gonna use muscles you never

796
00:37:40,960 --> 00:37:42,600
Speaker 5: used before getting the pool and then he used to

797
00:37:42,600 --> 00:37:45,040
Speaker 5: doing the breastroke and stuff. That's all part of the montage.

798
00:37:45,080 --> 00:37:49,680
Speaker 5: So yeah, that's fine, that's fine. I agree that the montage,

799
00:37:49,840 --> 00:37:54,840
Speaker 5: that particular one was long, but you never see that

800
00:37:54,960 --> 00:37:58,000
Speaker 5: in a montage where the guy runs out of gas

801
00:37:58,160 --> 00:38:01,799
Speaker 5: and there's actually there's there's a needle drop. I can't

802
00:38:01,800 --> 00:38:04,760
Speaker 5: remember what song it is, but it's it's like, okay,

803
00:38:04,800 --> 00:38:07,319
Speaker 5: we're this is a montage. We're running up the hill

804
00:38:07,360 --> 00:38:11,719
Speaker 5: and we're working hard, and then that part of the

805
00:38:11,760 --> 00:38:14,960
Speaker 5: montage sort of it just literally grinds to a halt

806
00:38:15,040 --> 00:38:19,280
Speaker 5: and he hits a wall basically, so he's he's carrying

807
00:38:19,360 --> 00:38:21,840
Speaker 5: himself up the stairs. And then we cut to the

808
00:38:21,880 --> 00:38:26,640
Speaker 5: gym and we're looking through Alex's the daughter's camera, and

809
00:38:26,719 --> 00:38:29,400
Speaker 5: he sits down, flops down out of frame. It's almost

810
00:38:29,400 --> 00:38:32,120
Speaker 5: like a behind the scenes type of thing, you know,

811
00:38:32,239 --> 00:38:34,960
Speaker 5: and then off screen from behind the camera we hear

812
00:38:35,719 --> 00:38:38,319
Speaker 5: I can't remember exactly, but it was like, hey, Dad,

813
00:38:38,320 --> 00:38:40,120
Speaker 5: what are you going to tell him? Like this, now's

814
00:38:40,160 --> 00:38:43,480
Speaker 5: the time to say something, basically, and then the Sandler's like,

815
00:38:44,000 --> 00:38:46,120
Speaker 5: I can't tell him anything. He has to tell it himself.

816
00:38:46,120 --> 00:38:48,920
Speaker 5: This is basically what he says, which could have been

817
00:38:48,960 --> 00:38:51,520
Speaker 5: super corny, and it's corny. It sounds corny coming out

818
00:38:51,560 --> 00:38:53,120
Speaker 5: of my mouth right now, but I thought it was

819
00:38:53,280 --> 00:38:56,280
Speaker 5: extremely well done. And then he basically just picks himself

820
00:38:56,320 --> 00:38:58,600
Speaker 5: up and gets back to it. And then we have

821
00:38:58,719 --> 00:39:02,080
Speaker 5: the needle drop first, the first part of that. Then

822
00:39:02,120 --> 00:39:05,319
Speaker 5: we're in the score and it's way more cinematic, and

823
00:39:05,440 --> 00:39:07,480
Speaker 5: I love the score in this movie. I think is great.

824
00:39:07,800 --> 00:39:10,680
Speaker 5: The needle drops are awesome, and then they seamlessly go

825
00:39:10,880 --> 00:39:17,000
Speaker 5: to this cinematic, really inspirational type of music and it's

826
00:39:17,719 --> 00:39:22,359
Speaker 5: It was awesome. So going back and watching that montage again,

827
00:39:22,400 --> 00:39:24,040
Speaker 5: I was like, oh, there's a lot of notes here,

828
00:39:24,120 --> 00:39:27,719
Speaker 5: there's a lot going on here, So I'm gonna defend it. Yes,

829
00:39:27,760 --> 00:39:32,360
Speaker 5: it's long, but I got chills too, like you know

830
00:39:32,480 --> 00:39:36,479
Speaker 5: when you know. And then they do that awesome little

831
00:39:36,520 --> 00:39:39,560
Speaker 5: tributes to Rocky. We're in Philadelphia. This is right out

832
00:39:39,600 --> 00:39:42,600
Speaker 5: of Rocky where he's running upstairs and doing the doing

833
00:39:42,600 --> 00:39:44,920
Speaker 5: the thing. It's like, yeah, we know the movie we're making,

834
00:39:46,880 --> 00:39:47,520
Speaker 5: come at us.

835
00:39:47,880 --> 00:39:50,880
Speaker 3: Yeah, we're doing it exactly.

836
00:39:51,360 --> 00:39:54,399
Speaker 5: We love it. And he even screams a rocky at

837
00:39:54,920 --> 00:39:55,839
Speaker 5: the window. It's great.

838
00:39:55,920 --> 00:39:56,399
Speaker 1: It's great.

839
00:39:56,480 --> 00:39:58,000
Speaker 5: So yeah, I loved it.

840
00:39:58,120 --> 00:40:00,840
Speaker 1: Yeah. The director Jeremiah Zager from Philly as well, So

841
00:40:00,920 --> 00:40:04,760
Speaker 1: that was obviously a purposeful selection there. And you mentioned

842
00:40:04,760 --> 00:40:08,560
Speaker 1: the production of the video within the montage from his daughter.

843
00:40:08,960 --> 00:40:11,400
Speaker 1: That was pretty cool. The integration of that was was

844
00:40:11,440 --> 00:40:13,799
Speaker 1: pretty neat. Skeetz, is is there a scene that you're

845
00:40:13,880 --> 00:40:17,759
Speaker 1: going to walk away from with this from this movie? Like,

846
00:40:17,840 --> 00:40:20,560
Speaker 1: is there a scene that you'll remember from this movie?

847
00:40:21,000 --> 00:40:23,320
Speaker 2: Actually a really tough question, it is, yeah, because I

848
00:40:23,360 --> 00:40:26,920
Speaker 2: think Trey was saying I don't really like gravitate towards

849
00:40:27,120 --> 00:40:29,840
Speaker 2: one scene where I'm like, yes, that's the one, like

850
00:40:30,000 --> 00:40:33,120
Speaker 2: I really enjoy it. Of course, you know the Anthony

851
00:40:33,200 --> 00:40:37,200
Speaker 2: Edwards Kermit versus Wancho or bo there. I loved the

852
00:40:37,239 --> 00:40:39,160
Speaker 2: trash talking going back and forth and him trying to

853
00:40:39,160 --> 00:40:41,080
Speaker 2: like break him and get him into his head and

854
00:40:41,080 --> 00:40:43,719
Speaker 2: stuff like that. And I think we maybe will do

855
00:40:43,760 --> 00:40:46,640
Speaker 2: a deeper dive on the actual basketball footage in a second,

856
00:40:48,239 --> 00:40:52,160
Speaker 2: but I yeah, I really love the start of this movie.

857
00:40:52,320 --> 00:40:55,120
Speaker 2: I guess maybe is a weird answer to this. I

858
00:40:55,160 --> 00:40:59,160
Speaker 2: loved the idea that it took, like whatever that little

859
00:40:59,200 --> 00:41:04,320
Speaker 2: montage was to start with Sandler traveling the globe, putting

860
00:41:04,320 --> 00:41:07,279
Speaker 2: in all the work, just late nights in all these hotels,

861
00:41:07,440 --> 00:41:11,799
Speaker 2: eating crap food. It just like, however long that was,

862
00:41:11,920 --> 00:41:13,640
Speaker 2: be in a minute, it was like, Oh, yeah, this

863
00:41:13,719 --> 00:41:17,000
Speaker 2: guy's been grinding for twenty five thirty years in the NBA.

864
00:41:17,080 --> 00:41:19,480
Speaker 2: And maybe it's weird because we also know people like

865
00:41:19,560 --> 00:41:22,520
Speaker 2: this to some extent, and you know, you think of

866
00:41:22,560 --> 00:41:25,560
Speaker 2: the NBA as this really glamorous thing, and it is,

867
00:41:26,320 --> 00:41:28,480
Speaker 2: but there are so many people that you don't know

868
00:41:28,480 --> 00:41:29,960
Speaker 2: the names of, you don't even know the faces of,

869
00:41:30,040 --> 00:41:32,359
Speaker 2: that put all this work into it. And maybe they

870
00:41:32,400 --> 00:41:35,560
Speaker 2: obviously have aspirations to like move up the bench or

871
00:41:35,600 --> 00:41:37,360
Speaker 2: move the row up and stuff like that, but you

872
00:41:37,480 --> 00:41:40,200
Speaker 2: never see or hear of them. But they're working their

873
00:41:40,239 --> 00:41:44,240
Speaker 2: asses off. There are people doing this for a living.

874
00:41:45,120 --> 00:41:47,520
Speaker 2: So I love the start of this movie. I guess

875
00:41:48,040 --> 00:41:50,920
Speaker 2: I was in it right away. I was like, oh, yeah,

876
00:41:51,000 --> 00:41:54,520
Speaker 2: I'm instantly rooting for this guy who seems likable. I

877
00:41:54,560 --> 00:41:57,680
Speaker 2: think Sandler adds to that too. I think throughout his

878
00:41:57,760 --> 00:42:00,520
Speaker 2: career as an actor, he's very very like sort of

879
00:42:00,520 --> 00:42:02,960
Speaker 2: that every day man. So yeah, I guess I'll go

880
00:42:02,960 --> 00:42:03,920
Speaker 2: to the start of the movie for me.

881
00:42:04,520 --> 00:42:04,880
Speaker 1: Yeah, I do.

882
00:42:05,040 --> 00:42:07,480
Speaker 5: I like like the junk food as well. It sets

883
00:42:07,560 --> 00:42:11,279
Speaker 5: up all the fat jokes in in the movie, which

884
00:42:11,280 --> 00:42:15,640
Speaker 5: are I thought were great. And we mentioned the trash talk. Uh,

885
00:42:15,920 --> 00:42:18,680
Speaker 5: there's trash talk within the family, within the loved ones,

886
00:42:18,800 --> 00:42:21,880
Speaker 5: and the vibe of it is completely different. Like it

887
00:42:22,040 --> 00:42:24,400
Speaker 5: just they do such a good job of like, you know,

888
00:42:24,560 --> 00:42:27,359
Speaker 5: roasting somebody because of their weight, or their the daughter

889
00:42:27,400 --> 00:42:29,719
Speaker 5: because he's not athletic, or but it all comes from

890
00:42:29,760 --> 00:42:31,920
Speaker 5: a place of love. And then you get on the

891
00:42:31,960 --> 00:42:34,440
Speaker 5: floor and then you got Kermit coming at you, and

892
00:42:34,440 --> 00:42:37,600
Speaker 5: it's a completely different vibe. I mean, I thought they

893
00:42:37,680 --> 00:42:40,719
Speaker 5: just did a great job with that. And uh, and yeah,

894
00:42:40,719 --> 00:42:42,840
Speaker 5: I agree Skates. The beginning of the movie is great.

895
00:42:42,880 --> 00:42:45,120
Speaker 5: And you know, he says it all. He says it,

896
00:42:45,200 --> 00:42:47,239
Speaker 5: you know, when he they force him back onto the road,

897
00:42:47,280 --> 00:42:49,600
Speaker 5: he's like fifty year old guys don't have dreams. They

898
00:42:49,840 --> 00:42:52,359
Speaker 5: they have ecima and whatever, like they just they're just

899
00:42:52,400 --> 00:42:56,080
Speaker 5: trying to grind it out. And uh, you know, It's

900
00:42:56,120 --> 00:42:59,120
Speaker 5: like he's one of those guys. It's so good at

901
00:42:59,200 --> 00:43:01,839
Speaker 5: his job that that that's what actually traps him in

902
00:43:02,160 --> 00:43:04,640
Speaker 5: that job. You know, you work so hard to get

903
00:43:04,680 --> 00:43:08,200
Speaker 5: into the NBA and do all the studying, you do

904
00:43:08,239 --> 00:43:11,480
Speaker 5: all the leg work, and then you find that your

905
00:43:11,560 --> 00:43:14,280
Speaker 5: own worst enemy. You're a victim of your own success

906
00:43:14,320 --> 00:43:18,280
Speaker 5: sort of thing, and that is an extremely frustrating position

907
00:43:18,320 --> 00:43:21,440
Speaker 5: to be in. And Sandler just killed it. You know.

908
00:43:22,320 --> 00:43:27,360
Speaker 5: The whole movie basically just did a great job of

909
00:43:27,440 --> 00:43:29,120
Speaker 5: portraying that, I guess.

910
00:43:28,880 --> 00:43:30,560
Speaker 4: And I think as well when he talks about his

911
00:43:30,600 --> 00:43:33,279
Speaker 4: own dreams trying to make it into the NBA, but

912
00:43:33,320 --> 00:43:36,120
Speaker 4: he has the issue with his hands, it's still he's

913
00:43:36,160 --> 00:43:39,719
Speaker 4: carrying the cast around now. So he dreamed of being

914
00:43:39,719 --> 00:43:42,120
Speaker 4: in the NBA. Yeah, true, but he couldn't make it,

915
00:43:42,239 --> 00:43:44,160
Speaker 4: and so this is the closest he could get. Is like,

916
00:43:44,360 --> 00:43:45,960
Speaker 4: now I'm just trying to help other people do it.

917
00:43:46,000 --> 00:43:47,919
Speaker 4: And that was I think a scene as well where

918
00:43:47,960 --> 00:43:51,720
Speaker 4: Wancho sort of realized as well that he was once

919
00:43:52,160 --> 00:43:54,600
Speaker 4: Adam Sandler was once Wancho trying to make it and

920
00:43:54,640 --> 00:43:57,080
Speaker 4: he couldn't and he was really really disappointed. So he's

921
00:43:57,080 --> 00:43:59,160
Speaker 4: trying his best to make sure someone else doesn't have

922
00:43:59,560 --> 00:44:02,800
Speaker 4: the same sort of you know full that Adam Sandler

923
00:44:02,800 --> 00:44:03,520
Speaker 4: had the character.

924
00:44:03,800 --> 00:44:08,239
Speaker 1: Yeah, that scene was definitely extremely important where he was saying, yeah,

925
00:44:08,440 --> 00:44:09,920
Speaker 1: I could have made it, but he was also saying

926
00:44:09,920 --> 00:44:12,520
Speaker 1: I was being selfless and trying to protect my teammate

927
00:44:12,600 --> 00:44:16,920
Speaker 1: Kenny Smith by by holding him back. And there's the

928
00:44:17,080 --> 00:44:20,839
Speaker 1: likeness there of bow and and Adam's story and it's

929
00:44:20,840 --> 00:44:24,960
Speaker 1: not they don't hit you over the head in another

930
00:44:24,960 --> 00:44:27,719
Speaker 1: sequence in this So that was that was cool. Yeah,

931
00:44:27,760 --> 00:44:30,359
Speaker 1: so they can and then the connection even grows. And

932
00:44:31,719 --> 00:44:33,440
Speaker 1: I know we've sort of mentioned that this is a

933
00:44:33,480 --> 00:44:35,520
Speaker 1: typical story of a guy trying to make it, but

934
00:44:36,120 --> 00:44:39,640
Speaker 1: at the same time, we're following an NBA scout here.

935
00:44:40,680 --> 00:44:43,160
Speaker 1: This is a movie about an NBA scout, that's right.

936
00:44:43,200 --> 00:44:46,279
Speaker 5: And the climax of the movie is that the combine

937
00:44:46,520 --> 00:44:51,400
Speaker 5: who watches the NFL combine. It's like, yeah, which is

938
00:44:51,920 --> 00:44:53,040
Speaker 5: you know you don't see every.

939
00:44:52,880 --> 00:44:58,120
Speaker 1: Day, no no, And yeah that I'm an NBA diehard

940
00:44:58,160 --> 00:45:01,160
Speaker 1: sitting here and I've never watched his much combine footage

941
00:45:01,160 --> 00:45:04,919
Speaker 1: as I did watching this movie, no doubt, And think

942
00:45:04,960 --> 00:45:09,200
Speaker 1: about just the the you know, the NBA likenesses, the

943
00:45:09,280 --> 00:45:13,160
Speaker 1: rights and all that that that were used in this.

944
00:45:13,560 --> 00:45:17,319
Speaker 1: I assume Lebron and Maverick Carter and their production house

945
00:45:17,360 --> 00:45:19,520
Speaker 1: had something to do with it. I'm guessing that they

946
00:45:19,719 --> 00:45:22,200
Speaker 1: they had some sort of in and connection. I wonder

947
00:45:22,239 --> 00:45:26,239
Speaker 1: if if all that gets approved without them being a

948
00:45:26,280 --> 00:45:30,480
Speaker 1: part of it and being connected with Sandler's production house,

949
00:45:30,480 --> 00:45:35,520
Speaker 1: which which is called Happy Madison. Yeah, love it, love it,

950
00:45:34,880 --> 00:45:35,759
Speaker 1: So it did.

951
00:45:36,360 --> 00:45:39,080
Speaker 2: Jad, What did you think of just to circle back

952
00:45:39,080 --> 00:45:41,399
Speaker 2: to it a little bit, because you addressed it briefly there,

953
00:45:42,080 --> 00:45:46,080
Speaker 2: Queen Latifa and Adam Sandler's chemistry and as a married

954
00:45:46,120 --> 00:45:47,880
Speaker 2: couple sounds like you were you were in on it.

955
00:45:47,920 --> 00:45:51,879
Speaker 5: I bought it, I did. I think she's great, and yeah,

956
00:45:52,000 --> 00:45:55,399
Speaker 5: I liked their little backstory. I liked the way they

957
00:45:55,440 --> 00:46:00,440
Speaker 5: were with their daughter, and I liked how restrained she

958
00:46:00,800 --> 00:46:05,960
Speaker 5: was and concerned about this Kakamami plan that that Stanley

959
00:46:06,000 --> 00:46:08,440
Speaker 5: came up with, and uh but she supports him. But

960
00:46:08,480 --> 00:46:12,680
Speaker 5: also like you know, I don't know about this, but okay,

961
00:46:12,800 --> 00:46:15,080
Speaker 5: and uh, yeah, I mean I thought she was great

962
00:46:15,120 --> 00:46:19,360
Speaker 5: and the again, I go, I love the fat jokes.

963
00:46:19,360 --> 00:46:21,719
Speaker 5: It's like when he comes in and she's made this cake.

964
00:46:21,760 --> 00:46:23,799
Speaker 5: And he and he's like, oh, that cake looks good.

965
00:46:24,520 --> 00:46:26,680
Speaker 5: She says, it looks like you already ate it or

966
00:46:26,719 --> 00:46:29,640
Speaker 5: something like that. It's great. So I love that it

967
00:46:29,719 --> 00:46:31,240
Speaker 5: reminded me of me and my wife.

968
00:46:32,440 --> 00:46:36,040
Speaker 3: Yeah. Total, I think the family dynamic is like pretty authentic.

969
00:46:36,200 --> 00:46:39,120
Speaker 3: I love the scene when Sandler and Queen Latifa are

970
00:46:39,160 --> 00:46:41,160
Speaker 3: sitting on the couch and he's like rubbing her feet

971
00:46:41,200 --> 00:46:42,920
Speaker 3: and he just says to her, how can such a

972
00:46:42,960 --> 00:46:47,000
Speaker 3: beautiful woman have such horrendous cause, I mean, you do

973
00:46:47,120 --> 00:46:49,920
Speaker 3: rip on your significant other in a loving way. I

974
00:46:49,960 --> 00:46:52,640
Speaker 3: love how you know they're talking about they met and

975
00:46:52,680 --> 00:46:55,000
Speaker 3: they were and he said to her, We're gonna have

976
00:46:55,000 --> 00:46:59,120
Speaker 3: super athletic children someday. And their daughter obviously doesn't care at all.

977
00:46:59,160 --> 00:47:01,560
Speaker 3: She wants to be making content, which you know, shout

978
00:47:01,560 --> 00:47:03,640
Speaker 3: out to making content see on the internet in a

979
00:47:03,640 --> 00:47:06,319
Speaker 3: few years Baller's life, no doubt about it. But all

980
00:47:06,360 --> 00:47:08,680
Speaker 3: of that seemed very realistic to me, the way they

981
00:47:08,680 --> 00:47:11,520
Speaker 3: were interacting with each other, given what we hear just

982
00:47:11,600 --> 00:47:13,200
Speaker 3: that tiny little bit of their backstory.

983
00:47:13,719 --> 00:47:16,880
Speaker 1: Let's get to the basketball playing in this movie, League,

984
00:47:17,920 --> 00:47:20,879
Speaker 1: did you feel it was real? Well?

985
00:47:20,920 --> 00:47:22,800
Speaker 4: Yeah, Anthony Edwards thrown down Windmills.

986
00:47:22,840 --> 00:47:23,439
Speaker 1: Yeah, for sure.

987
00:47:23,560 --> 00:47:25,480
Speaker 4: I mean that's that's what he does in the NBA,

988
00:47:25,640 --> 00:47:29,240
Speaker 4: so that I do think that he probably said, Adam Sandler,

989
00:47:29,480 --> 00:47:31,120
Speaker 4: just go out there and do some run. No, don't

990
00:47:31,160 --> 00:47:33,239
Speaker 4: go too hard on the defense, but go out there

991
00:47:33,280 --> 00:47:35,120
Speaker 4: and just make some plays. And maybe we can just

992
00:47:35,200 --> 00:47:38,200
Speaker 4: use that footage for the for the movie, because that

993
00:47:38,239 --> 00:47:41,240
Speaker 4: looked legit there to him and the shot blocking stuff.

994
00:47:41,280 --> 00:47:44,400
Speaker 4: I mean, that was definitely a zig where or a

995
00:47:44,480 --> 00:47:46,279
Speaker 4: zag where other movies a zig I guess where. You

996
00:47:46,320 --> 00:47:49,560
Speaker 4: don't see the highlight reel collaboration of that where it's like,

997
00:47:49,600 --> 00:47:51,560
Speaker 4: all right, this guy's just gonna go out there blocking shot.

998
00:47:51,640 --> 00:47:52,560
Speaker 1: So that was good.

999
00:47:52,640 --> 00:47:54,080
Speaker 4: Other than that, I mean, I hear, do we see

1000
00:47:54,120 --> 00:47:57,040
Speaker 4: Jordan Clarkson, you know he's gonna shoot there.

1001
00:47:57,200 --> 00:47:59,680
Speaker 3: Yeah, Trey Young had a deep one, that's right.

1002
00:48:00,000 --> 00:48:02,440
Speaker 4: Subbession game, Yeah, I don't remember. I know Aaron McKey

1003
00:48:02,480 --> 00:48:04,600
Speaker 4: was in it. I don't remember what his role was

1004
00:48:04,719 --> 00:48:08,040
Speaker 4: or scene was there, no idea, but overall, yeah, I

1005
00:48:08,040 --> 00:48:09,879
Speaker 4: think it was it is better to have as many

1006
00:48:09,960 --> 00:48:13,560
Speaker 4: basketball players as you can. Mike I just about said.

1007
00:48:13,400 --> 00:48:14,200
Speaker 3: Aaron Gordon walked in.

1008
00:48:14,239 --> 00:48:16,160
Speaker 4: I thought it was Michael Beasley and I'm like, Michael

1009
00:48:16,160 --> 00:48:20,280
Speaker 4: Beasley was Aaron Gordon? So but yeah, I mean fine,

1010
00:48:20,560 --> 00:48:22,360
Speaker 4: I'm sure there was no shortage of players who were like,

1011
00:48:22,400 --> 00:48:24,160
Speaker 4: you want to go in the Adam Sayd the movie, Like, yeah,

1012
00:48:24,200 --> 00:48:24,560
Speaker 4: I'll do it.

1013
00:48:24,600 --> 00:48:25,200
Speaker 1: What do you have to do?

1014
00:48:25,400 --> 00:48:27,600
Speaker 4: Basically, just probably shoot around and that's about it and

1015
00:48:27,600 --> 00:48:29,880
Speaker 4: you'll get a you'll get a credit and maybe a

1016
00:48:29,920 --> 00:48:30,879
Speaker 4: few bucks for it too.

1017
00:48:31,640 --> 00:48:34,200
Speaker 1: It was kind of cool, just little tiny cameos of

1018
00:48:34,400 --> 00:48:37,160
Speaker 1: as you said, Aaron McKee was in it. Who I mean,

1019
00:48:37,200 --> 00:48:39,400
Speaker 1: I didn't remember, I say, I say who, I just

1020
00:48:39,480 --> 00:48:43,400
Speaker 1: mean what where was he? Yeah, I don't remember, And

1021
00:48:43,520 --> 00:48:47,200
Speaker 1: I mean they just they just slipped him in. And

1022
00:48:47,280 --> 00:48:52,840
Speaker 1: that's that's obviously an NBA fans went just to just

1023
00:48:52,880 --> 00:48:54,480
Speaker 1: to see Davieger walking down there.

1024
00:48:55,080 --> 00:48:57,520
Speaker 3: I was excited Ford Vieger too. I was like, that's

1025
00:48:57,560 --> 00:48:59,840
Speaker 3: a deep poll, Like I think that was Trey Young's

1026
00:49:00,400 --> 00:49:03,320
Speaker 3: was sitting there. His younger brother visited the Starter's studio

1027
00:49:03,400 --> 00:49:05,920
Speaker 3: once upon a time. Uh, They're like sitting on the

1028
00:49:05,920 --> 00:49:09,160
Speaker 3: bench at the extra. That was a strange one to see,

1029
00:49:09,160 --> 00:49:11,160
Speaker 3: but you know, shout out to Trey Young always looking

1030
00:49:11,200 --> 00:49:13,720
Speaker 3: out for the family. But the basketball is pretty solid,

1031
00:49:13,880 --> 00:49:16,400
Speaker 3: except for there's never anybody at the rim challenging shots

1032
00:49:16,520 --> 00:49:20,359
Speaker 3: unless it's Bow Cruise, Like, uh, Kermit goes around him

1033
00:49:20,360 --> 00:49:22,799
Speaker 3: a lot of times. And anytime Kermit goes around Bow,

1034
00:49:23,080 --> 00:49:24,799
Speaker 3: there ain't nobody waiting at the rim because we want

1035
00:49:24,800 --> 00:49:28,319
Speaker 3: to see in Anthony Edwards windmill jam. So I think

1036
00:49:28,480 --> 00:49:31,560
Speaker 3: Anthony Edwards got his fill of windmills for sure.

1037
00:49:31,800 --> 00:49:34,360
Speaker 1: And they even used his jam on the Raptors Utah

1038
00:49:34,360 --> 00:49:35,560
Speaker 1: watching in the credit.

1039
00:49:36,239 --> 00:49:39,640
Speaker 4: But yeah, but there was something weird with the voice

1040
00:49:39,640 --> 00:49:41,600
Speaker 4: of or the the commentry because it was.

1041
00:49:41,680 --> 00:49:44,400
Speaker 1: Oh yeah, they changed it. Yeah, yeah, Actually we we

1042
00:49:44,440 --> 00:49:48,040
Speaker 1: heard I think the Sixers d line them saying, I

1043
00:49:48,040 --> 00:49:52,440
Speaker 1: think we had a Tobias Harris pull up, and it's

1044
00:49:52,520 --> 00:49:54,920
Speaker 1: I think d line him says, Tobias Harris with the

1045
00:49:54,960 --> 00:49:58,600
Speaker 1: throw down that wasn't a throwdown. That wasn't a throw down.

1046
00:49:58,960 --> 00:50:01,239
Speaker 1: So there there was a little continuity here. We're talking

1047
00:50:01,239 --> 00:50:02,840
Speaker 1: about the credits. Here, we're talking credits.

1048
00:50:02,840 --> 00:50:04,960
Speaker 3: They're they're playing with the credits for sure, because there

1049
00:50:05,040 --> 00:50:07,120
Speaker 3: was somebody dunks on the bulls. I forget who it

1050
00:50:07,160 --> 00:50:09,120
Speaker 3: is that dunks on the bulls and you can hear

1051
00:50:09,600 --> 00:50:13,880
Speaker 3: the opposing commentary and then Stacy King talking Oh my goodness,

1052
00:50:13,880 --> 00:50:16,879
Speaker 3: Oh my goodness. But they're just splicing it in from

1053
00:50:16,880 --> 00:50:20,040
Speaker 3: both broadcasts. I did believe. And I also liked another

1054
00:50:20,120 --> 00:50:23,799
Speaker 3: touch basketball playing wise in the credits was that they

1055
00:50:23,880 --> 00:50:27,279
Speaker 3: used Jaleel White's highlights from like Rock and Jock basketball

1056
00:50:27,840 --> 00:50:29,759
Speaker 3: that I thought that was hilarious, Like they're like, we

1057
00:50:29,760 --> 00:50:31,919
Speaker 3: gotta show him playing from something. We can't just throw

1058
00:50:31,920 --> 00:50:34,960
Speaker 3: Stefan or Kel out there. But uh, Jaliel hooping on

1059
00:50:35,080 --> 00:50:36,200
Speaker 3: MTV was fine.

1060
00:50:37,200 --> 00:50:40,040
Speaker 1: Skeitza, did you want to talk about the basketball playing

1061
00:50:40,080 --> 00:50:40,760
Speaker 1: in this movie?

1062
00:50:40,920 --> 00:50:43,680
Speaker 2: Well? Yeah, I think the truth is with any basketball movie,

1063
00:50:43,800 --> 00:50:46,400
Speaker 2: to film it and make it look super realistic is

1064
00:50:46,480 --> 00:50:50,440
Speaker 2: really difficult. And even in this movie, when you have

1065
00:50:50,760 --> 00:50:52,880
Speaker 2: NBA players going at it and there's a lot of

1066
00:50:52,880 --> 00:50:57,400
Speaker 2: talent out there, it does always feel like a step slow,

1067
00:50:58,280 --> 00:51:01,239
Speaker 2: like it's it's like because it's calculated, and you know,

1068
00:51:01,280 --> 00:51:03,400
Speaker 2: of course they're acting or being told probably a lot

1069
00:51:03,400 --> 00:51:04,680
Speaker 2: of the times, all right, this is the type of

1070
00:51:04,719 --> 00:51:06,560
Speaker 2: shot you're gonna get here, this is the step back,

1071
00:51:06,680 --> 00:51:08,640
Speaker 2: or you're gonna drive by him, or you're gonna block it.

1072
00:51:08,920 --> 00:51:12,920
Speaker 2: So it's always got like that little weird funkiness to it.

1073
00:51:13,280 --> 00:51:15,120
Speaker 2: And I just don't think there's any way around it.

1074
00:51:15,200 --> 00:51:18,520
Speaker 2: But I listened to an interview with Jeremiah Zaggar, the director,

1075
00:51:19,040 --> 00:51:21,239
Speaker 2: and I hadn't noticed it when I was watching it,

1076
00:51:21,280 --> 00:51:23,399
Speaker 2: but after listening to him talk about it, I was like, oh, yeah,

1077
00:51:23,440 --> 00:51:25,319
Speaker 2: that was sort of a cool idea, and JD, I'm

1078
00:51:25,360 --> 00:51:28,680
Speaker 2: interested to hear your thoughts. He was like, we basically

1079
00:51:28,680 --> 00:51:32,400
Speaker 2: decided to try and film it like boxing, like like

1080
00:51:32,440 --> 00:51:36,040
Speaker 2: any good boxing movie, and because like you're in the

1081
00:51:36,120 --> 00:51:38,480
Speaker 2: ring in a boxing movie, and like you get like

1082
00:51:38,520 --> 00:51:40,759
Speaker 2: the perspective of the one boxer looking at the other,

1083
00:51:41,400 --> 00:51:43,279
Speaker 2: and they did a lot of that in this, which

1084
00:51:43,320 --> 00:51:45,279
Speaker 2: sort of makes sense in basketball when it's like one

1085
00:51:45,320 --> 00:51:48,600
Speaker 2: on one, and in this storyline, it's like at least

1086
00:51:48,600 --> 00:51:52,120
Speaker 2: a lot of the times wantcho versus Anthony Edwards, and

1087
00:51:52,600 --> 00:51:55,080
Speaker 2: I think that worked pretty well. You know, it's obviously

1088
00:51:55,080 --> 00:51:56,920
Speaker 2: not boxing, but there is the vibe of a one

1089
00:51:56,960 --> 00:51:59,560
Speaker 2: on one in basketball, and that was a I think,

1090
00:51:59,600 --> 00:52:02,960
Speaker 2: I really, who's obviously a calculated decision when they were

1091
00:52:03,000 --> 00:52:05,560
Speaker 2: filming this, to like, oh, let's let's lean into that.

1092
00:52:06,040 --> 00:52:08,319
Speaker 2: Let's get a little raging bowl with it. So I

1093
00:52:08,320 --> 00:52:09,959
Speaker 2: thought that was pretty cool. I'm interested to hear thoughts

1094
00:52:09,960 --> 00:52:10,319
Speaker 2: on that gend.

1095
00:52:10,440 --> 00:52:10,919
Speaker 1: Yeah, totally.

1096
00:52:11,000 --> 00:52:15,560
Speaker 5: Yeah, the the POV shots of the Bow and Kermit

1097
00:52:15,640 --> 00:52:19,040
Speaker 5: looking at each other, awesome stuff like the and really

1098
00:52:19,080 --> 00:52:23,200
Speaker 5: really well acted by the two of them. And yeah,

1099
00:52:23,239 --> 00:52:26,239
Speaker 5: it was just a mano a mano thing. Like, you know,

1100
00:52:27,600 --> 00:52:30,759
Speaker 5: here's the other thing, like the game at the All

1101
00:52:30,800 --> 00:52:33,080
Speaker 5: of these games are sort of pick up games anyways, right,

1102
00:52:33,120 --> 00:52:37,279
Speaker 5: so it's like making these look super sexy and like

1103
00:52:37,560 --> 00:52:40,520
Speaker 5: quick cuts and you know, it's kind of not like.

1104
00:52:40,480 --> 00:52:41,360
Speaker 1: That in real life.

1105
00:52:41,400 --> 00:52:44,840
Speaker 5: I mean obviously, so I get the point where I

1106
00:52:44,880 --> 00:52:47,000
Speaker 5: get your point where it's like feels like it's slow,

1107
00:52:47,080 --> 00:52:50,120
Speaker 5: but yeah, and they have to amp up the energy

1108
00:52:50,600 --> 00:52:54,840
Speaker 5: and then the quick cuts to you know, the shooting

1109
00:52:54,840 --> 00:52:56,879
Speaker 5: and then to the to the rim and then back

1110
00:52:56,880 --> 00:52:57,760
Speaker 5: to the guy and.

1111
00:52:57,680 --> 00:52:59,040
Speaker 1: Just it it goes.

1112
00:53:00,080 --> 00:53:01,920
Speaker 5: It's still going a million miles an hour, but it

1113
00:53:01,960 --> 00:53:05,959
Speaker 5: still feels kind of sluggish in a way. But yeah,

1114
00:53:06,000 --> 00:53:09,879
Speaker 5: I thought that the basketball seat, I don't know, we're

1115
00:53:09,960 --> 00:53:13,080
Speaker 5: used to watching air bud for God's sake, so you know,

1116
00:53:13,160 --> 00:53:16,040
Speaker 5: it was such a treat to actually felt like I

1117
00:53:16,080 --> 00:53:19,000
Speaker 5: was in the hands of people who actually watch basketball

1118
00:53:19,040 --> 00:53:22,319
Speaker 5: and actually know what they're doing. So yeah, I mean,

1119
00:53:22,760 --> 00:53:25,799
Speaker 5: that's that shot there with the opening shot where bow

1120
00:53:25,840 --> 00:53:28,920
Speaker 5: Cruz comes into the secret game and we're on a

1121
00:53:28,960 --> 00:53:30,960
Speaker 5: steady cam and we're just they're just warming up. But

1122
00:53:31,000 --> 00:53:34,400
Speaker 5: then you just see Trey Young comes into the comes

1123
00:53:34,400 --> 00:53:36,080
Speaker 5: into frame, takes a shot, and then I think we

1124
00:53:36,120 --> 00:53:38,000
Speaker 5: see Aaron Gordon taking a shot, and then we see

1125
00:53:38,000 --> 00:53:42,640
Speaker 5: somebody else, uh dunking it. But it was just like, Okay,

1126
00:53:42,840 --> 00:53:45,560
Speaker 5: my nipples are hard. I feel like I'm walking into

1127
00:53:45,680 --> 00:53:49,359
Speaker 5: a you know, this secret NBA game. I'm not even

1128
00:53:49,400 --> 00:53:51,520
Speaker 5: an NBA sicco like you guys are. I thought of

1129
00:53:51,600 --> 00:53:54,320
Speaker 5: Lee Ellis when that happened. I was like, Lee probably

1130
00:53:54,320 --> 00:53:58,800
Speaker 5: has a huge boner right now watching this, because you

1131
00:53:59,440 --> 00:54:02,200
Speaker 5: feel like we are walking on the court with these games.

1132
00:54:02,239 --> 00:54:04,600
Speaker 4: My favorite was when there's the crowd of the outdoor

1133
00:54:04,640 --> 00:54:06,760
Speaker 4: gym there where there's just people like that just turning

1134
00:54:06,800 --> 00:54:08,600
Speaker 4: up and playing, and that's when Tobias was there. I

1135
00:54:08,600 --> 00:54:11,040
Speaker 4: think Tiger was there as well. That to me is

1136
00:54:11,080 --> 00:54:13,480
Speaker 4: the atmosphere that I would rather be a part of

1137
00:54:13,719 --> 00:54:16,799
Speaker 4: because that's just like street ball, where it's like, you know,

1138
00:54:16,840 --> 00:54:18,719
Speaker 4: there's no rules as such, it's I just get out

1139
00:54:18,719 --> 00:54:21,600
Speaker 4: there and play, rather like the indoor gym is beautiful

1140
00:54:21,600 --> 00:54:23,839
Speaker 4: for shooting around and doing the three point fit out

1141
00:54:23,840 --> 00:54:26,799
Speaker 4: and having JD trudge the equipment and come on in there.

1142
00:54:26,800 --> 00:54:30,160
Speaker 4: But in terms of the actual atmosphere, I'd much rather

1143
00:54:30,160 --> 00:54:30,960
Speaker 4: the outdoor stuff.

1144
00:54:31,120 --> 00:54:33,879
Speaker 1: Sure, I did like watching a lot of the warm ups,

1145
00:54:33,920 --> 00:54:36,040
Speaker 1: as you mentioned there, ged, I think they did do

1146
00:54:36,040 --> 00:54:38,640
Speaker 1: a good job. Was not just showing us the big

1147
00:54:38,680 --> 00:54:42,200
Speaker 1: plays and showing us the drama build there to watch

1148
00:54:42,280 --> 00:54:46,520
Speaker 1: your walking in and seeing the different different side of

1149
00:54:46,920 --> 00:54:49,640
Speaker 1: a pickup game, which was cool. And yeah, there weren't

1150
00:54:49,640 --> 00:54:52,720
Speaker 1: a lot of blocking at the rim, but that's today's

1151
00:54:53,760 --> 00:54:54,600
Speaker 1: it's realistic.

1152
00:54:54,719 --> 00:54:57,200
Speaker 3: There's going to be choreographed parts. You can't get away

1153
00:54:57,400 --> 00:55:01,200
Speaker 3: from there being choreographed parts to basketball in the movie

1154
00:55:01,239 --> 00:55:04,560
Speaker 3: unless you like film ten games worth it. You're like, okay,

1155
00:55:04,560 --> 00:55:06,839
Speaker 3: we'll pick out the six greatest clips. But I thought

1156
00:55:06,840 --> 00:55:09,480
Speaker 3: I did a good job of making the choreograph stuff

1157
00:55:09,719 --> 00:55:11,440
Speaker 3: seem pretty natural at least.

1158
00:55:11,400 --> 00:55:14,360
Speaker 1: A hundred percent. And I'm sure it was easier filming

1159
00:55:14,800 --> 00:55:17,319
Speaker 1: NBA players doing their thing.

1160
00:55:17,520 --> 00:55:18,719
Speaker 3: I'll go ahead, shoot that make it.

1161
00:55:19,080 --> 00:55:21,279
Speaker 1: I hate it all right, good, let's get it from

1162
00:55:21,360 --> 00:55:24,759
Speaker 1: leather Angle. I'm sure it. Yeah, took about half as long,

1163
00:55:25,160 --> 00:55:28,680
Speaker 1: I imagine with all those NBA players. All right, JD,

1164
00:55:28,760 --> 00:55:30,480
Speaker 1: let's get to some of the things you didn't like.

1165
00:55:30,600 --> 00:55:33,759
Speaker 1: Is there one thing that stands out that sticks in

1166
00:55:33,800 --> 00:55:35,720
Speaker 1: your craw about it? About hustle?

1167
00:55:36,920 --> 00:55:39,799
Speaker 5: Honestly, again, that's what I meant by it's almost a

1168
00:55:39,840 --> 00:55:43,160
Speaker 5: perfect movie for me, because I don't I really didn't

1169
00:55:43,200 --> 00:55:45,960
Speaker 5: have too many qualms with it. I thought the bus

1170
00:55:46,000 --> 00:55:50,120
Speaker 5: scene was a little cringey where they get it where

1171
00:55:51,280 --> 00:55:53,399
Speaker 5: at Sandler is chasing him down and then he gets

1172
00:55:53,440 --> 00:55:57,040
Speaker 5: on the bus and he speaks into his his phone

1173
00:55:57,080 --> 00:55:59,920
Speaker 5: and a translator and they think basically, it's it seems

1174
00:55:59,960 --> 00:56:01,960
Speaker 5: like like, oh the bust things that this guy is

1175
00:56:01,960 --> 00:56:05,719
Speaker 5: creeping on him and ha ha. But but then it

1176
00:56:05,800 --> 00:56:11,080
Speaker 5: redeems itself pretty quickly because then we were treated to

1177
00:56:12,200 --> 00:56:14,240
Speaker 5: bow Cruise gets off the bus and then he chases

1178
00:56:14,320 --> 00:56:16,080
Speaker 5: him and there's a lot of tension. Is but we've

1179
00:56:16,080 --> 00:56:18,319
Speaker 5: seen this scene a million times before, but he's chasing

1180
00:56:18,400 --> 00:56:21,560
Speaker 5: him and he's bringing us into his world kind of thing,

1181
00:56:21,719 --> 00:56:25,239
Speaker 5: and uh so I was back pretty pretty quickly after

1182
00:56:25,280 --> 00:56:28,360
Speaker 5: the bus scene and the other thing that I sort

1183
00:56:28,400 --> 00:56:31,759
Speaker 5: of bugged me, And it's not really their fault, but

1184
00:56:31,960 --> 00:56:36,840
Speaker 5: the whole climax of the thing where it's uh, Kermit

1185
00:56:37,040 --> 00:56:40,160
Speaker 5: is in his face, he's talking about his daughter. He's like, oh,

1186
00:56:40,239 --> 00:56:42,840
Speaker 5: maybe maybe I'll get with your mom, blah blah blah.

1187
00:56:42,880 --> 00:56:45,439
Speaker 5: He pushes him down and you know, and then there's

1188
00:56:45,480 --> 00:56:49,919
Speaker 5: this huge like slam. It's like and then we cut

1189
00:56:49,960 --> 00:56:54,239
Speaker 5: to you know, reaction shots like oh my god, it's like, okay, well,

1190
00:56:54,400 --> 00:56:55,759
Speaker 5: like it's not what did he hit him with a

1191
00:56:55,800 --> 00:56:58,239
Speaker 5: pipe or something like, you know what I mean, Like

1192
00:56:58,320 --> 00:57:01,160
Speaker 5: it was just way over the top for that, but

1193
00:57:01,880 --> 00:57:03,640
Speaker 5: you know, and then it cuts back to him and

1194
00:57:03,640 --> 00:57:06,399
Speaker 5: it's just like his hand is right next to his

1195
00:57:06,400 --> 00:57:10,720
Speaker 5: head and oh he didn't punch him, and oh, thank goodness.

1196
00:57:10,800 --> 00:57:13,560
Speaker 5: But it was just like it was a bit much.

1197
00:57:13,600 --> 00:57:15,600
Speaker 5: But at the same time, I was right on the

1198
00:57:15,680 --> 00:57:18,120
Speaker 5: edge of my seat going I was totally into it.

1199
00:57:18,160 --> 00:57:23,120
Speaker 5: But yeah, things like that, And again I mentioned Kenny Smith.

1200
00:57:23,160 --> 00:57:25,120
Speaker 5: That took me out of anything that takes me out

1201
00:57:25,120 --> 00:57:27,680
Speaker 5: of it. I don't like and I can't believe that

1202
00:57:27,720 --> 00:57:30,600
Speaker 5: it didn't happen more often in this movie, just because

1203
00:57:31,360 --> 00:57:33,280
Speaker 5: there's just so many people and there's like, you know,

1204
00:57:33,360 --> 00:57:38,240
Speaker 5: Boban's not playing bobon you know, Wancho's not playing Wancho

1205
00:57:38,320 --> 00:57:41,520
Speaker 5: it's just it's just they do a very very good

1206
00:57:41,600 --> 00:57:45,280
Speaker 5: job of walking that line, except with Kenny.

1207
00:57:45,440 --> 00:57:48,960
Speaker 1: So yeah, anything that stands out to you is something

1208
00:57:49,000 --> 00:57:51,840
Speaker 1: that didn't fit Tray, something you didn't like.

1209
00:57:52,400 --> 00:57:54,720
Speaker 3: My biggest issue with this movie is that Adam Sandler

1210
00:57:54,720 --> 00:57:57,360
Speaker 3: doesn't play basketball. Once I agree, it's crazy. To me,

1211
00:57:57,520 --> 00:58:00,440
Speaker 3: Adam Sandler loves playing basketball. He's like Les. You get

1212
00:58:00,480 --> 00:58:04,080
Speaker 3: him around a basketball, he's dribbling and shooting. And like

1213
00:58:04,400 --> 00:58:07,000
Speaker 3: I thought, there was perfectly like times they could have

1214
00:58:07,000 --> 00:58:09,360
Speaker 3: slipped it in during the basically one on one training

1215
00:58:09,400 --> 00:58:13,760
Speaker 3: montages with Bo. There they could have had, you know,

1216
00:58:13,880 --> 00:58:16,200
Speaker 3: Sandler walk through the drill or something like that. I

1217
00:58:16,240 --> 00:58:18,680
Speaker 3: just thought, for sure, the guy's in a hands on

1218
00:58:18,840 --> 00:58:22,200
Speaker 3: basketball movie. He's a basketball coach. We're gonna see him

1219
00:58:22,200 --> 00:58:24,000
Speaker 3: play a little bit of basketball here. So a little

1220
00:58:24,000 --> 00:58:26,919
Speaker 3: bit of a missed opportunity there. And also it's weird

1221
00:58:26,920 --> 00:58:30,480
Speaker 3: to me that Wancho's name is Bo Cruise. It's just

1222
00:58:30,520 --> 00:58:32,760
Speaker 3: strange to me. Sounds more like a wrestler than a

1223
00:58:32,760 --> 00:58:37,280
Speaker 3: Spanish basketball player. But he's a cool movie name, I guess.

1224
00:58:37,520 --> 00:58:39,760
Speaker 1: Yeah, I was totally looking it up. Is Bo short

1225
00:58:39,800 --> 00:58:43,040
Speaker 1: for something? Well? What is going on? Didn't fit as

1226
00:58:43,040 --> 00:58:47,480
Speaker 1: a Spanish basketball player. But also I learned it's just

1227
00:58:47,600 --> 00:58:51,400
Speaker 1: one as well his actual name, and Wancho his cute nickname.

1228
00:58:51,840 --> 00:58:55,040
Speaker 1: I guess, so I learned that. But yeah, Bo seems

1229
00:58:55,080 --> 00:58:56,960
Speaker 1: a little bit weird. No Sandler playing basketball, I guess

1230
00:58:57,000 --> 00:58:59,280
Speaker 1: his dieheart and watching If you're on the internet, you

1231
00:58:59,320 --> 00:59:02,000
Speaker 1: see I'm saying, flicking passes all over the place. So

1232
00:59:02,040 --> 00:59:04,520
Speaker 1: you wanted to see that happen. I understand he was

1233
00:59:04,520 --> 00:59:07,440
Speaker 1: a coach in this sort of a coach, sort of.

1234
00:59:07,400 --> 00:59:09,760
Speaker 2: A he was a former player.

1235
00:59:10,200 --> 00:59:13,600
Speaker 1: He was a former player. Yeah, but it's I guess

1236
00:59:13,640 --> 00:59:16,360
Speaker 1: it's kind of sticking true to the movie. Like you

1237
00:59:16,400 --> 00:59:20,200
Speaker 1: don't necessarily see coaches dribbling the ball all that much.

1238
00:59:20,320 --> 00:59:22,640
Speaker 1: I mean, you are in drills and stuff. So I

1239
00:59:22,640 --> 00:59:25,120
Speaker 1: don't know. I guess that was their decision, Like he doesn't.

1240
00:59:26,320 --> 00:59:29,000
Speaker 1: Everybody wants to see it, but I guess he doesn't

1241
00:59:29,080 --> 00:59:30,040
Speaker 1: need to be doing it.

1242
00:59:30,080 --> 00:59:34,360
Speaker 5: He was going to play basketball. When he discovers Bo Cruz, right,

1243
00:59:34,440 --> 00:59:36,360
Speaker 5: he says, is there someone where I can who? Yeah,

1244
00:59:36,360 --> 00:59:38,400
Speaker 5: and then he's like looking for a place to play,

1245
00:59:38,480 --> 00:59:40,600
Speaker 5: and that's where he wanders over to the Big the

1246
00:59:40,600 --> 00:59:43,280
Speaker 5: Big Crab. Yeah, yeah, but I agree. I guess it

1247
00:59:43,280 --> 00:59:45,160
Speaker 5: would have been nice to see him throw some down.

1248
00:59:45,520 --> 00:59:46,080
Speaker 5: I guess.

1249
00:59:46,400 --> 00:59:48,520
Speaker 2: I mean we're basically saying we wish there was a

1250
00:59:48,520 --> 00:59:51,760
Speaker 2: scene where like even Sandler and Wancho like shot around

1251
00:59:51,800 --> 00:59:55,200
Speaker 2: and talked about life, you know, yeah, like or.

1252
00:59:55,120 --> 00:59:58,560
Speaker 3: Like Sandler plays really well against Bo and kind of like, uh, oh,

1253
00:59:58,640 --> 01:00:01,040
Speaker 3: you're an actual player. I didn't know that about you.

1254
01:00:01,080 --> 01:00:04,600
Speaker 3: I thought you were an old, short, fat guy. I'm

1255
01:00:04,400 --> 01:00:06,320
Speaker 3: just surprised. You know, we barely even got to see

1256
01:00:06,360 --> 01:00:08,840
Speaker 3: him wearing long sock or long shorts. The guy loves

1257
01:00:08,880 --> 01:00:12,000
Speaker 3: a long basketball short. He is Lee Ellis. There was

1258
01:00:12,040 --> 01:00:14,920
Speaker 3: even when they were filming the Boa Challenge. I felt

1259
01:00:14,920 --> 01:00:17,080
Speaker 3: like he had on your exact same glasses that you

1260
01:00:17,160 --> 01:00:20,880
Speaker 3: were wearing when we shot around in Boston blue like

1261
01:00:20,960 --> 01:00:24,080
Speaker 3: aviators with mirrored blue. This guy is Lee Ellis.

1262
01:00:24,680 --> 01:00:24,919
Speaker 1: Yeah.

1263
01:00:25,080 --> 01:00:27,320
Speaker 4: I mean he created the movie as well, So wasn't

1264
01:00:27,240 --> 01:00:29,040
Speaker 4: it late slip a couple of scenes in? But he

1265
01:00:29,080 --> 01:00:31,080
Speaker 4: probably did, and I just didn't make the final cop

1266
01:00:31,080 --> 01:00:33,960
Speaker 4: I'm sure I can't imagine he didn't shoot at all.

1267
01:00:34,960 --> 01:00:37,320
Speaker 1: Anything you didn't like about this movie, skeets.

1268
01:00:38,080 --> 01:00:44,520
Speaker 2: I absolutely hated Ben Foster's bald cap. It was so distracting.

1269
01:00:45,640 --> 01:00:48,360
Speaker 2: I'm talking about what's his name, Vincent, I guess the

1270
01:00:49,000 --> 01:00:54,520
Speaker 2: seventy six ers owner's son. Yeah, vin Vincent Ben Foster

1271
01:00:54,560 --> 01:00:57,600
Speaker 2: playing him. Why did they do that? Was that not

1272
01:00:57,840 --> 01:00:59,080
Speaker 2: like that was a strack cap?

1273
01:00:59,520 --> 01:01:01,919
Speaker 1: I didn't was a bald guy.

1274
01:01:01,320 --> 01:01:04,680
Speaker 2: If it wasn't, it looks so much like a bald

1275
01:01:04,720 --> 01:01:08,600
Speaker 2: cap to me. I couldn't. Like his head looked gigantic.

1276
01:01:09,520 --> 01:01:11,440
Speaker 2: I was like, there has to be hair under there.

1277
01:01:11,880 --> 01:01:12,320
Speaker 1: Yeah.

1278
01:01:12,640 --> 01:01:14,960
Speaker 3: They give him that weird flat cap at the end too,

1279
01:01:15,000 --> 01:01:17,200
Speaker 3: So maybe you're right. I thought they were, like, you're.

1280
01:01:17,320 --> 01:01:18,160
Speaker 2: Start covering this up.

1281
01:01:20,480 --> 01:01:23,439
Speaker 3: Officially they gave him that black flat cap. I can't

1282
01:01:23,480 --> 01:01:24,600
Speaker 3: trust this guy anymore.

1283
01:01:24,720 --> 01:01:28,800
Speaker 2: Yeah, I mean, just like, you know, you needed somebody

1284
01:01:28,800 --> 01:01:30,880
Speaker 2: to like, we had to like build up Stanley. He

1285
01:01:30,960 --> 01:01:33,960
Speaker 2: got the job from Rex and then the guy dies

1286
01:01:34,040 --> 01:01:37,440
Speaker 2: like hours later. Like, wow, that's shitty timing. Uh so,

1287
01:01:37,480 --> 01:01:39,960
Speaker 2: now Vin's got to be the bad guy. I get that, Hey, back.

1288
01:01:39,800 --> 01:01:40,439
Speaker 1: Out on the road.

1289
01:01:40,680 --> 01:01:42,680
Speaker 2: You're gonna be missing your daughter's birthday for the rest

1290
01:01:42,720 --> 01:01:45,880
Speaker 2: of the time. Uh, I get it. But I didn't

1291
01:01:45,920 --> 01:01:48,800
Speaker 2: love his character. Uh you know, it had had some

1292
01:01:48,880 --> 01:01:53,160
Speaker 2: major league vibes going on a little bit, but I'm

1293
01:01:53,240 --> 01:01:55,200
Speaker 2: nitpicking at this point because I really did like the movie,

1294
01:01:55,240 --> 01:01:57,280
Speaker 2: so I would say his bald cap, if it was

1295
01:01:57,320 --> 01:01:59,000
Speaker 2: a bald cap, Maybe you're right, traight. I don't know

1296
01:01:59,600 --> 01:02:04,400
Speaker 2: at least the makeup done on his bald head. Yeah,

1297
01:02:04,640 --> 01:02:08,080
Speaker 2: I was a little surprised. I didn't hate this. I'm

1298
01:02:08,120 --> 01:02:11,680
Speaker 2: surprised we didn't get a Lebron James cameo. How is

1299
01:02:12,240 --> 01:02:14,840
Speaker 2: how is Lebron not in this movie at all? That

1300
01:02:14,920 --> 01:02:18,480
Speaker 2: part is fascinating to me that he doesn't have a

1301
01:02:18,480 --> 01:02:21,600
Speaker 2: little scene of some sort, even in the whole doctor

1302
01:02:21,720 --> 01:02:26,120
Speaker 2: j Boat challenge there, but no, instead it's going to

1303
01:02:26,400 --> 01:02:28,760
Speaker 2: you know, Iverson and Luca's in there and stuff like that.

1304
01:02:28,880 --> 01:02:30,400
Speaker 2: Just just more shocked than anything.

1305
01:02:30,800 --> 01:02:32,640
Speaker 1: Yeah, maybe he didn't want to make it about him.

1306
01:02:32,680 --> 01:02:37,240
Speaker 1: I guess he's taking the producer's role now. That's shocking

1307
01:02:37,640 --> 01:02:41,240
Speaker 1: a different part of his life, all right, Lee, anything

1308
01:02:41,280 --> 01:02:43,520
Speaker 1: that stands out to you you didn't like only that.

1309
01:02:44,960 --> 01:02:46,680
Speaker 4: In the end, I felt the same as I do

1310
01:02:46,760 --> 01:02:49,680
Speaker 4: after pretty much every basketball movie where it's like works

1311
01:02:49,720 --> 01:02:52,760
Speaker 4: out And one thing I really liked about like Chris

1312
01:02:52,760 --> 01:02:54,440
Speaker 4: Herring's book This Year on the Knicks, Right, you know

1313
01:02:54,440 --> 01:02:56,680
Speaker 4: what I loved about that there wasn't a happy ending.

1314
01:02:57,200 --> 01:02:59,360
Speaker 4: It was like this incredible story. You were pulling for

1315
01:02:59,400 --> 01:03:01,800
Speaker 4: the guys, like you're pulling for whyn't you in the movie.

1316
01:03:02,280 --> 01:03:04,800
Speaker 4: But the Knicks ended up and it's like they didn't

1317
01:03:04,800 --> 01:03:05,600
Speaker 4: get the championship.

1318
01:03:05,640 --> 01:03:06,360
Speaker 3: And I liked that.

1319
01:03:07,080 --> 01:03:09,280
Speaker 4: In this movie. I was like, I was expecting something

1320
01:03:09,320 --> 01:03:11,720
Speaker 4: different to happen, and ultimately I didn't feel it. It

1321
01:03:11,800 --> 01:03:14,600
Speaker 4: happened any differently. So that's why I at the end,

1322
01:03:14,600 --> 01:03:16,360
Speaker 4: I was like, ah, he made it okay, all right.

1323
01:03:16,680 --> 01:03:20,080
Speaker 5: So so the scene on the escalator where he's leaving

1324
01:03:20,960 --> 01:03:23,960
Speaker 5: and they say goodbye, Yeah, he does the shot, he

1325
01:03:24,040 --> 01:03:27,680
Speaker 5: blocks it. Yeah, he on even let me have one,

1326
01:03:27,880 --> 01:03:32,680
Speaker 5: yeah credits.

1327
01:03:31,080 --> 01:03:32,960
Speaker 4: It would have been different at least, And I'm like, Okay,

1328
01:03:32,960 --> 01:03:35,080
Speaker 4: it didn't go as I was expecting it to go,

1329
01:03:35,520 --> 01:03:35,720
Speaker 4: you know.

1330
01:03:36,280 --> 01:03:37,200
Speaker 2: And then maybe you.

1331
01:03:37,280 --> 01:03:40,120
Speaker 4: Just cut back to him and he's like playing basketball

1332
01:03:40,160 --> 01:03:41,880
Speaker 4: with his daughter in Spain or something like that.

1333
01:03:41,960 --> 01:03:42,440
Speaker 1: In the end.

1334
01:03:42,840 --> 01:03:44,800
Speaker 4: It just like I say, I looked at it and

1335
01:03:44,800 --> 01:03:47,840
Speaker 4: I was expecting and hoping for a different ending, and

1336
01:03:47,880 --> 01:03:49,800
Speaker 4: in the end it was Michael J. Fox hitting the

1337
01:03:49,800 --> 01:03:52,480
Speaker 4: free throws for in Team Wolf. It was like, oh, okay,

1338
01:03:52,480 --> 01:03:56,840
Speaker 4: it's the same, So you know that's that's the way back.

1339
01:03:57,160 --> 01:03:59,560
Speaker 3: The way back ended with mess free throws and then

1340
01:03:59,600 --> 01:04:00,360
Speaker 3: that winning so.

1341
01:04:00,400 --> 01:04:02,640
Speaker 5: And we didn't even see the championship game in there, right,

1342
01:04:03,360 --> 01:04:04,120
Speaker 5: doesn't it sort of.

1343
01:04:04,280 --> 01:04:05,240
Speaker 1: Yeah, that true?

1344
01:04:05,320 --> 01:04:07,040
Speaker 3: That may be true what happened?

1345
01:04:07,080 --> 01:04:11,160
Speaker 2: And le see to push back on what you were saying,

1346
01:04:11,600 --> 01:04:14,080
Speaker 2: like at least, like we didn't get a shot of

1347
01:04:14,160 --> 01:04:17,040
Speaker 2: him at the draft and he goes, you know whatever,

1348
01:04:17,200 --> 01:04:18,200
Speaker 2: Like where was he drafted?

1349
01:04:18,240 --> 01:04:18,640
Speaker 1: I don't know.

1350
01:04:19,360 --> 01:04:21,640
Speaker 2: I didn't see him actually playing in the NBA hitting

1351
01:04:21,640 --> 01:04:24,440
Speaker 2: a game winning shot like he made it, but we

1352
01:04:24,440 --> 01:04:26,920
Speaker 2: don't even know where, Like was he a first round pick?

1353
01:04:26,960 --> 01:04:29,080
Speaker 2: Second round pick? Like he's on the team, but he's not,

1354
01:04:29,200 --> 01:04:31,920
Speaker 2: Like he's not starting in Peers, he's not jumping it up.

1355
01:04:31,920 --> 01:04:34,520
Speaker 2: So like at least they were like they toned it down.

1356
01:04:34,600 --> 01:04:35,520
Speaker 3: I thought was a good thing.

1357
01:04:35,560 --> 01:04:37,240
Speaker 2: They weren't like, oh, this guy's the best player in

1358
01:04:37,240 --> 01:04:39,960
Speaker 2: the world. He's going above Kermit. That was like, no,

1359
01:04:40,040 --> 01:04:41,600
Speaker 2: he made the league, all right, he still is making

1360
01:04:41,680 --> 01:04:42,720
Speaker 2: him probably a million dollars.

1361
01:04:42,760 --> 01:04:46,080
Speaker 3: Awesome. I would have almost liked a draft scene because

1362
01:04:46,080 --> 01:04:48,520
Speaker 3: that was one of the questions for me was how

1363
01:04:48,520 --> 01:04:50,800
Speaker 3: did he get to the Celtics, Like, how did he

1364
01:04:50,960 --> 01:04:53,360
Speaker 3: actually get to the Celtics. He's a twenty two year

1365
01:04:53,440 --> 01:04:56,880
Speaker 3: old three and D prospect with off court issues, but

1366
01:04:56,880 --> 01:04:58,720
Speaker 3: that got him going up against the number two draft

1367
01:04:58,760 --> 01:05:02,240
Speaker 3: pick in every single one these meetings. They're obviously not

1368
01:05:02,280 --> 01:05:04,960
Speaker 3: the same position. Like you know, Ba Cruz is six',

1369
01:05:05,080 --> 01:05:07,960
Speaker 3: Ten Anthony edwards is a. Guard, yeah how did he

1370
01:05:08,040 --> 01:05:09,840
Speaker 3: get to The. Celtics let's be a free agent?

1371
01:05:09,920 --> 01:05:12,800
Speaker 1: Pickup, well why did he go to The? Combine? Yeah,

1372
01:05:12,840 --> 01:05:14,760
Speaker 1: OH i know the reason for? This who?

1373
01:05:14,880 --> 01:05:17,040
Speaker 5: Cares, HONESTLY.

1374
01:05:19,240 --> 01:05:22,240
Speaker 3: I was just a little, Confused, LIKE i don't. Know

1375
01:05:22,440 --> 01:05:25,560
Speaker 3: it is strange that it builds to the, combine, right

1376
01:05:25,600 --> 01:05:28,040
Speaker 3: like it builds to the combine a big draft, thing

1377
01:05:28,560 --> 01:05:30,400
Speaker 3: even though we don't know if this guy's even eligible

1378
01:05:30,400 --> 01:05:32,800
Speaker 3: to be. Drafted BUT i guess we just want. To

1379
01:05:33,600 --> 01:05:35,160
Speaker 3: we just need to get him another one on one

1380
01:05:35,200 --> 01:05:37,520
Speaker 3: scene With. KERMIT i think it's kind of the whole

1381
01:05:37,520 --> 01:05:40,960
Speaker 3: point of, that, right put him in another stressing. Situation, yeah,

1382
01:05:41,000 --> 01:05:43,800
Speaker 3: totally all, right let's see that transaction page on.

1383
01:05:43,880 --> 01:05:50,240
Speaker 1: Back YEAHS i need rfa ufa unguaranteed salary bi annual.

1384
01:05:50,280 --> 01:05:52,640
Speaker 1: Exception what do we got? Here what are we running?

1385
01:05:52,720 --> 01:05:56,680
Speaker 1: Here all? Right we're getting into the nitty. Gritty but

1386
01:05:56,840 --> 01:06:00,240
Speaker 1: before we get to our, ratings anymore nitty, gritty any

1387
01:06:00,360 --> 01:06:04,240
Speaker 1: random observations anybody wants to throw out there on the. Table,

1388
01:06:04,680 --> 01:06:05,840
Speaker 1: Yeah i've got.

1389
01:06:05,880 --> 01:06:08,720
Speaker 2: One what do you guys think the Cruise missile was

1390
01:06:08,760 --> 01:06:08,960
Speaker 2: a good?

1391
01:06:09,040 --> 01:06:09,760
Speaker 1: Nickname Was?

1392
01:06:10,880 --> 01:06:11,320
Speaker 3: Stanley?

1393
01:06:11,360 --> 01:06:18,360
Speaker 5: Right it's better Than, BOA i, think BUT i think

1394
01:06:18,360 --> 01:06:18,800
Speaker 5: they're both.

1395
01:06:18,840 --> 01:06:24,640
Speaker 4: Bad, yeah meslf of basketball Doesn't, yeah like.

1396
01:06:26,080 --> 01:06:28,520
Speaker 1: There isn't a direct and doesn't there's no. Direct missile

1397
01:06:29,160 --> 01:06:30,360
Speaker 1: doesn't have a line drive, show.

1398
01:06:30,240 --> 01:06:30,920
Speaker 2: But he's always on.

1399
01:06:31,000 --> 01:06:34,280
Speaker 5: Target, yeah that's part of. It it makes. Sense his,

1400
01:06:34,360 --> 01:06:37,760
Speaker 5: name last name Is. CRUZ i GUESS.

1401
01:06:38,160 --> 01:06:40,240
Speaker 3: I think it's. Fine it's. Fine it's, like you, know

1402
01:06:40,360 --> 01:06:43,040
Speaker 3: he'll be Like. Luca he's gonna have a million nicknames

1403
01:06:43,080 --> 01:06:46,160
Speaker 3: on basketball references aren't. Good they're mostly plays on his,

1404
01:06:46,280 --> 01:06:48,800
Speaker 3: name and none of them are that. Great but because

1405
01:06:48,800 --> 01:06:51,360
Speaker 3: you've got such a an easily punned, name people are

1406
01:06:51,360 --> 01:06:54,480
Speaker 3: gonna keep coming up with nicknames even though you don't need.

1407
01:06:54,520 --> 01:06:57,520
Speaker 3: Him Bo cruise is like just the cool. Name it's

1408
01:06:57,520 --> 01:06:59,640
Speaker 3: a cool. Name you don't need a nickname for, everybody

1409
01:06:59,680 --> 01:07:01,840
Speaker 3: but you gotta force him in sometimes.

1410
01:07:02,240 --> 01:07:04,040
Speaker 1: For that to do with his, defense which seems to

1411
01:07:04,080 --> 01:07:07,920
Speaker 1: be his number one. Skill that would have been, BETTER i,

1412
01:07:07,960 --> 01:07:12,200
Speaker 1: think especially because everybody's all about. Offense nicknames are all about.

1413
01:07:12,240 --> 01:07:14,000
Speaker 1: Offense should have switched it. UP i don't have one

1414
01:07:14,040 --> 01:07:15,200
Speaker 1: off the top of my bullet.

1415
01:07:15,200 --> 01:07:19,880
Speaker 3: Constructor that's what they said.

1416
01:07:19,520 --> 01:07:19,560
Speaker 5: His.

1417
01:07:19,640 --> 01:07:23,600
Speaker 3: Opponents but then you, Know kermit washing Or Kermit wilts

1418
01:07:23,600 --> 01:07:25,600
Speaker 3: put an end to that nickname when he, said oh

1419
01:07:25,720 --> 01:07:29,640
Speaker 3: The boa you swallow. Anything. Huh end of an effective.

1420
01:07:29,320 --> 01:07:30,680
Speaker 1: Nickname, right just like.

1421
01:07:30,720 --> 01:07:34,080
Speaker 2: That he could have could have come back with. It,

1422
01:07:34,280 --> 01:07:36,040
Speaker 2: yeah including frogs.

1423
01:07:37,920 --> 01:07:38,200
Speaker 1: Really.

1424
01:07:38,240 --> 01:07:40,760
Speaker 3: Good, yeah including a squirrel on tass his.

1425
01:07:40,840 --> 01:07:43,240
Speaker 1: Neighbors, yeah that's WHY i was good with. It do

1426
01:07:43,280 --> 01:07:47,439
Speaker 1: we have that photo of a snake squeezing the life

1427
01:07:47,480 --> 01:07:50,680
Speaker 1: out of a squirrel recently THAT i saw in? PERSON

1428
01:07:50,800 --> 01:07:52,840
Speaker 1: i was okay with a bowl constrictor because that's what they.

1429
01:07:52,920 --> 01:07:55,800
Speaker 1: DO i got a couple of notes here when he's

1430
01:07:55,800 --> 01:07:58,800
Speaker 1: at the combine the day before the. Game at the,

1431
01:07:58,840 --> 01:08:02,920
Speaker 1: Combine sandler, says you need to. Relax they turned a

1432
01:08:02,960 --> 01:08:06,080
Speaker 1: corner and, boom his wife and kid are. THERE i

1433
01:08:06,120 --> 01:08:09,040
Speaker 1: thought to set that up to set the feeling up

1434
01:08:09,160 --> 01:08:11,760
Speaker 1: Of wancho turning the corner and getting. EXCITED i wanted

1435
01:08:11,760 --> 01:08:14,600
Speaker 1: a couple more. Beats that's a tiny, note BUT i

1436
01:08:14,640 --> 01:08:16,960
Speaker 1: wanted a little bit more of a tiny build, up

1437
01:08:17,000 --> 01:08:19,240
Speaker 1: not a. Lot but it was just like, boom they're.

1438
01:08:19,280 --> 01:08:21,960
Speaker 1: There you. KNOW i think it could have been a

1439
01:08:22,000 --> 01:08:23,599
Speaker 1: little bit more of an emotional scene.

1440
01:08:23,600 --> 01:08:26,160
Speaker 5: There, REALLY i was totally fine with that. SCENE i

1441
01:08:26,200 --> 01:08:29,200
Speaker 5: thought it was. Great, yeah, okay we're in the editing.

1442
01:08:29,280 --> 01:08:31,479
Speaker 5: ROOM i, mean not a, lot just to just a.

1443
01:08:31,520 --> 01:08:33,759
Speaker 5: BEAT i just wanted to feel What wancho was feeling

1444
01:08:35,080 --> 01:08:37,240
Speaker 5: and then to you, know to be a little bit more. Excited,

1445
01:08:37,240 --> 01:08:40,880
Speaker 5: anyways it's a tiny, note but at dinner With sugarman's,

1446
01:08:40,880 --> 01:08:45,519
Speaker 5: Family wancho tells HIM i looked you, up. Right he's, like,

1447
01:08:45,560 --> 01:08:47,240
Speaker 5: hey you came to span of COURSE i looked you, up.

1448
01:08:47,400 --> 01:08:49,840
Speaker 5: Dummy and then When sandler Tells wancho his story in the,

1449
01:08:49,880 --> 01:08:52,960
Speaker 5: Car wancho didn't know the, story SO i guess he

1450
01:08:53,000 --> 01:08:55,639
Speaker 5: didn't get that far down The wikipedia page or because

1451
01:08:55,680 --> 01:09:00,519
Speaker 5: that's like this second paragraph six months in. Jail beyond

1452
01:09:00,560 --> 01:09:07,719
Speaker 5: that that that that story as well is very vague

1453
01:09:07,760 --> 01:09:12,080
Speaker 5: and purposefully, SO i, MEAN i reached my hand out

1454
01:09:12,160 --> 01:09:17,080
Speaker 5: to protect my, plate like you're not protecting anybody if

1455
01:09:17,080 --> 01:09:19,760
Speaker 5: you're running into a telephone. Pole, like you know WHAT

1456
01:09:19,800 --> 01:09:24,080
Speaker 5: i mean that like that's not, happening but, fine, whatever it's,

1457
01:09:24,280 --> 01:09:28,599
Speaker 5: uh it's the sentiment. There but but, STILL i, mean.

1458
01:09:28,960 --> 01:09:32,200
Speaker 1: Yeah what's the physics with the let's going through the?

1459
01:09:32,200 --> 01:09:33,639
Speaker 1: Windshield doesn't really make all that.

1460
01:09:34,320 --> 01:09:35,840
Speaker 3: Left hand as, well like he's going to reach.

1461
01:09:35,920 --> 01:09:39,360
Speaker 2: Crossbod, yeah oh yeah it was his left.

1462
01:09:39,360 --> 01:09:39,960
Speaker 1: Hand you're.

1463
01:09:40,040 --> 01:09:41,559
Speaker 3: Right, yeah why do you have to keep the thing

1464
01:09:41,600 --> 01:09:42,040
Speaker 3: on it all the?

1465
01:09:42,080 --> 01:09:46,599
Speaker 1: TIME i, guess, yeah bad. Accident Queen latif is always

1466
01:09:46,640 --> 01:09:47,120
Speaker 1: massage in.

1467
01:09:47,200 --> 01:09:49,680
Speaker 3: It it's, true a lot of massaging in this.

1468
01:09:49,720 --> 01:09:50,800
Speaker 1: One there is a lot of.

1469
01:09:50,880 --> 01:09:54,760
Speaker 3: US i do think one thing that that was dumb

1470
01:09:54,800 --> 01:09:57,280
Speaker 3: that stuck out to me was right before the scene

1471
01:09:57,320 --> 01:10:00,760
Speaker 3: With lucia coming. Back you, know it's A stanley and

1472
01:10:00,800 --> 01:10:03,479
Speaker 3: his wife are laying there talking about how he seems

1473
01:10:03,520 --> 01:10:04,559
Speaker 3: to be a little bit out of, it and she

1474
01:10:04,680 --> 01:10:07,680
Speaker 3: mentions like he probably misses his. Daughter but the THING

1475
01:10:07,680 --> 01:10:10,240
Speaker 3: i couldn't stop looking at Was Adam sandler laying on

1476
01:10:10,280 --> 01:10:11,360
Speaker 3: their bed with his shoes.

1477
01:10:11,400 --> 01:10:11,519
Speaker 1: On.

1478
01:10:12,720 --> 01:10:15,800
Speaker 3: YEAH i was, like, OH jd is gonna hate. This

1479
01:10:16,000 --> 01:10:18,559
Speaker 3: sam had just relaxing with his filthy shoes on the.

1480
01:10:18,560 --> 01:10:21,559
Speaker 1: Bed he's used to the hotel, life that's.

1481
01:10:21,600 --> 01:10:23,880
Speaker 3: Right they always have that little little fing at the

1482
01:10:23,960 --> 01:10:25,200
Speaker 3: end there the.

1483
01:10:25,240 --> 01:10:27,160
Speaker 5: BEDSPREAD i can't BELIEVE i didn't.

1484
01:10:27,240 --> 01:10:31,840
Speaker 1: Understand, yeah getting back to the hotel, stuff you guys

1485
01:10:31,840 --> 01:10:34,559
Speaker 1: are okay with the fat. JOKES i just didn't feel

1486
01:10:34,560 --> 01:10:35,320
Speaker 1: Like Adam taylor's that.

1487
01:10:35,360 --> 01:10:38,400
Speaker 2: Fat probably just he's unhealthy.

1488
01:10:38,439 --> 01:10:41,080
Speaker 1: Though. Yeah, yeah that was.

1489
01:10:41,040 --> 01:10:43,920
Speaker 3: Like Michael jordan Calling Jerry cross crumbs all the. Time

1490
01:10:44,040 --> 01:10:46,400
Speaker 3: that's What that's what the reference was to me for that.

1491
01:10:46,439 --> 01:10:48,439
Speaker 3: ONE i feel like they did a pretty good job

1492
01:10:48,439 --> 01:10:50,960
Speaker 3: of sliding that kind of stuff. In there's a you,

1493
01:10:50,960 --> 01:10:54,599
Speaker 3: know like there's the big fight Between vin And stanley

1494
01:10:54,640 --> 01:10:58,479
Speaker 3: early on and they're talking about Drafting Mo. Wagner uh,

1495
01:10:58,560 --> 01:11:02,679
Speaker 3: yeah has he's a. Softie he's just a diva out.

1496
01:11:02,680 --> 01:11:05,600
Speaker 3: There but there's a great line where like have you

1497
01:11:05,640 --> 01:11:08,280
Speaker 3: seen the? Tape And ben hits him back, with, oh

1498
01:11:08,400 --> 01:11:10,679
Speaker 3: like The barnanni tape you tried to trade up with

1499
01:11:11,360 --> 01:11:16,000
Speaker 3: a deep ten years? Later oh that's a tough one right.

1500
01:11:16,000 --> 01:11:19,000
Speaker 5: There and did he with on his? Name it felt

1501
01:11:19,080 --> 01:11:22,080
Speaker 5: like he sort of stumbled Over, bargainani.

1502
01:11:22,640 --> 01:11:25,240
Speaker 1: You know WHAT i? Mean LIKE i think that was

1503
01:11:25,320 --> 01:11:29,080
Speaker 1: a backhanded slap to The Brian colangelo era of The

1504
01:11:29,120 --> 01:11:32,960
Speaker 1: Philadelphia saturday six. Ers that was. Nice, YEAH i Like

1505
01:11:33,000 --> 01:11:37,360
Speaker 1: sandler's reaction. There damn you got me. Man AND i

1506
01:11:37,400 --> 01:11:40,920
Speaker 1: didn't realize doing this this morning made me realize That

1507
01:11:41,120 --> 01:11:43,920
Speaker 1: Hernan gomez And Anthony edwards were teammates last. Year, yeah

1508
01:11:44,600 --> 01:11:46,400
Speaker 1: SO i guess they had that relationship.

1509
01:11:46,720 --> 01:11:50,160
Speaker 2: Going, Oh, TESS i heard That wancho is the Reason

1510
01:11:50,200 --> 01:11:53,200
Speaker 2: Anthony edwards is in the movie that they did not

1511
01:11:53,360 --> 01:11:57,439
Speaker 2: have that player cast like the protagonists For, kermit and

1512
01:11:57,479 --> 01:11:59,880
Speaker 2: Then wancho came in and told them, like you, Know

1513
01:12:00,040 --> 01:12:02,360
Speaker 2: i'm teammates With Anthony. Edwards we go at it all the.

1514
01:12:02,400 --> 01:12:05,240
Speaker 2: Time we're always talking, trash you. Know he he could

1515
01:12:05,280 --> 01:12:07,000
Speaker 2: be perfect for this. Role and then he came in

1516
01:12:07,040 --> 01:12:09,800
Speaker 2: and read and it's like a. Natural that's what it.

1517
01:12:09,920 --> 01:12:12,120
Speaker 2: Is that's WHAT i just Heard sandler tell on another,

1518
01:12:12,120 --> 01:12:13,920
Speaker 2: podcast the one That.

1519
01:12:14,000 --> 01:12:17,479
Speaker 1: Edwards the bad guy. Rule that's pretty. Cool, yeah, yeah

1520
01:12:17,640 --> 01:12:19,840
Speaker 1: what a. Teammate edwards just, Said i'm good at.

1521
01:12:19,880 --> 01:12:23,280
Speaker 3: Everything, yeah clearly he. IS i hope that they somehow

1522
01:12:23,360 --> 01:12:26,040
Speaker 3: end up like we have to have One possession in

1523
01:12:26,120 --> 01:12:28,760
Speaker 3: the twenty two to twenty three, season When wancho is

1524
01:12:28,760 --> 01:12:31,479
Speaker 3: Guarding Anthony, edwards literally the entire internet will be The

1525
01:12:31,560 --> 01:12:34,280
Speaker 3: Leo meme guard each other, somehow like one on one

1526
01:12:34,320 --> 01:12:37,880
Speaker 3: on the. Perimeter it's gotta. Happen so where Is wanjo right?

1527
01:12:37,920 --> 01:12:40,280
Speaker 3: Now he has San antonio Spur Ya.

1528
01:12:40,439 --> 01:12:41,640
Speaker 2: Jazz he actually have L.

1529
01:12:42,840 --> 01:12:46,280
Speaker 3: That's a good. Call so, hopefully hopefully we'll see some

1530
01:12:46,520 --> 01:12:47,840
Speaker 3: minutes of them together next.

1531
01:12:47,880 --> 01:12:51,080
Speaker 1: Season all, right let's get to our. Ratings but, first

1532
01:12:51,479 --> 01:12:55,880
Speaker 1: one more quick. Break we'll be right, back all right

1533
01:12:55,920 --> 01:12:59,360
Speaker 1: back with no. DUNKS a film session About. Hustle and

1534
01:12:59,400 --> 01:13:03,519
Speaker 1: it's sort of like when we predict THE Nba finals

1535
01:13:03,640 --> 01:13:06,320
Speaker 1: or any other playoffs. Series we're here at the point

1536
01:13:06,479 --> 01:13:09,519
Speaker 1: that everybody cares. About this is all they care. About our.

1537
01:13:09,640 --> 01:13:12,639
Speaker 1: Rating jd Get us, started how would you Rate? Hustle,

1538
01:13:13,120 --> 01:13:16,320
Speaker 1: HMM i would rate. It i'm gonna give it a,

1539
01:13:16,479 --> 01:13:21,080
Speaker 1: nine a solid. NINE i said it was almost.

1540
01:13:21,160 --> 01:13:27,400
Speaker 5: Perfect Kenny smith took me out of it, there As lee,

1541
01:13:27,520 --> 01:13:31,759
Speaker 5: says it is a pretty by the numbers sports, movie

1542
01:13:32,800 --> 01:13:38,840
Speaker 5: but it was. GREAT i walked in ten minutes into

1543
01:13:38,840 --> 01:13:42,160
Speaker 5: the movie And, jackson my, son was watching, it AND

1544
01:13:42,320 --> 01:13:44,960
Speaker 5: i knew nothing about it other than there was a

1545
01:13:45,040 --> 01:13:48,599
Speaker 5: character called Bow cruise and a character Called, kermit and

1546
01:13:48,640 --> 01:13:51,160
Speaker 5: it was An Adam sandler. Movie it could have been

1547
01:13:51,360 --> 01:13:54,479
Speaker 5: a goofier version Of Semi pro for all we for

1548
01:13:54,560 --> 01:13:57,200
Speaker 5: ALL i, KNOW i didn't watch the. TRAILER i just

1549
01:13:57,240 --> 01:13:59,519
Speaker 5: went in blind AND i was, like holy, shit this

1550
01:13:59,600 --> 01:14:01,160
Speaker 5: is actually very.

1551
01:14:01,200 --> 01:14:02,479
Speaker 1: Good AND i.

1552
01:14:02,560 --> 01:14:04,599
Speaker 5: WASN'T i knew we were gonna have to watch it for,

1553
01:14:04,800 --> 01:14:08,840
Speaker 5: this BUT i wasn't ready to. Watch it was just

1554
01:14:08,840 --> 01:14:11,160
Speaker 5: SOMETHING i was just, gonna you, know get to it

1555
01:14:11,200 --> 01:14:13,040
Speaker 5: WHEN i got to. It BUT i sat there was

1556
01:14:13,040 --> 01:14:15,000
Speaker 5: in the middle of the, afternoon AND i just watched

1557
01:14:15,040 --> 01:14:17,160
Speaker 5: the movie AND i welld up a couple of, times

1558
01:14:17,200 --> 01:14:21,040
Speaker 5: like the you, know the when you see the oak

1559
01:14:21,120 --> 01:14:24,960
Speaker 5: tree tattooed on the blank arm that.

1560
01:14:25,040 --> 01:14:27,880
Speaker 1: Got me right, here. Man and then.

1561
01:14:27,840 --> 01:14:32,840
Speaker 5: After the, Movie jackson two basketballs at the side of the,

1562
01:14:32,920 --> 01:14:36,160
Speaker 5: house shirt, off training his ass. Off he was running

1563
01:14:36,240 --> 01:14:40,360
Speaker 5: up and down our, driveway like you, Know that's What

1564
01:14:40,520 --> 01:14:42,799
Speaker 5: rocky did to people back in nineteen seventy.

1565
01:14:42,840 --> 01:14:43,400
Speaker 1: Six it was.

1566
01:14:43,479 --> 01:14:46,799
Speaker 5: Inspiring it made people pumped, up and it made people

1567
01:14:48,240 --> 01:14:51,719
Speaker 5: go out and do shit because it it moves. People

1568
01:14:51,800 --> 01:14:56,240
Speaker 5: and you, know LIKE i, said it's it's like a familiar,

1569
01:14:56,680 --> 01:15:00,320
Speaker 5: blanket it's a familiar. Meal it's like a you, know every,

1570
01:15:00,360 --> 01:15:02,920
Speaker 5: movie all these sports movies are they're like a, song right, Like,

1571
01:15:03,360 --> 01:15:06,320
Speaker 5: Hey i'm let's, hey you're on, Bass i'm on. Guitar

1572
01:15:06,439 --> 01:15:09,200
Speaker 5: let's get saxy over, here and let's do a. Song

1573
01:15:09,720 --> 01:15:14,759
Speaker 5: and sometimes you get, whatever what? Crappy what's a crappy

1574
01:15:14,800 --> 01:15:15,720
Speaker 5: song with the sax in?

1575
01:15:15,760 --> 01:15:17,120
Speaker 3: It Baker street?

1576
01:15:17,680 --> 01:15:22,600
Speaker 5: Crappy? HELLO i mean, okay all, right okay? Exactly or

1577
01:15:22,680 --> 01:15:25,680
Speaker 5: you get or you get careless, whisper or you get you,

1578
01:15:25,720 --> 01:15:28,000
Speaker 5: KNOW i don't, know the tar z amboy or. Something,

1579
01:15:28,280 --> 01:15:31,639
Speaker 5: anyways what the hell are You i'm? Saying, then it's

1580
01:15:31,680 --> 01:15:34,559
Speaker 5: the same, ingredients it's the same, notes it's the same

1581
01:15:34,880 --> 01:15:37,280
Speaker 5: it's how you play, them how you arrange, it how

1582
01:15:37,360 --> 01:15:42,040
Speaker 5: you how you handle each beat in the in the. Story.

1583
01:15:42,560 --> 01:15:45,920
Speaker 5: Uh and it's really easy to misstep on movies like,

1584
01:15:46,000 --> 01:15:48,479
Speaker 5: this and they. Didn't it's it was it's up there

1585
01:15:48,520 --> 01:15:51,439
Speaker 5: with Like creed or any of the other good sports

1586
01:15:51,479 --> 01:15:54,960
Speaker 5: movies where you, go, goddamn that was, enjoyable wiping tears

1587
01:15:55,000 --> 01:15:57,799
Speaker 5: away and you're and you love. It so it's getting

1588
01:15:57,800 --> 01:15:58,519
Speaker 5: a nine from.

1589
01:15:58,560 --> 01:16:01,760
Speaker 1: Me have you ever anything a nine out of? TEN?

1590
01:16:01,920 --> 01:16:04,000
Speaker 5: JD i THINK i gave one of The fast And

1591
01:16:04,040 --> 01:16:06,880
Speaker 5: furious movies a nine out of, ten and it wasn't

1592
01:16:06,920 --> 01:16:10,120
Speaker 5: even it Was hobs And. Shaw but you, KNOW i.

1593
01:16:10,240 --> 01:16:13,639
Speaker 5: Rate i'm Like, EBERT i rate based on what kind

1594
01:16:13,680 --> 01:16:14,200
Speaker 5: of movie it.

1595
01:16:14,320 --> 01:16:14,960
Speaker 1: Is you know WHAT i.

1596
01:16:15,040 --> 01:16:18,200
Speaker 5: Mean i'm not it's on a. Curve, Yeah i'm not comparing.

1597
01:16:18,200 --> 01:16:21,160
Speaker 5: It i'm not comparing this To Chindler's list or something like.

1598
01:16:21,200 --> 01:16:23,840
Speaker 5: That you, know it's, uh it's apples and. Oranges so,

1599
01:16:23,920 --> 01:16:25,639
Speaker 5: yeah this is a. Nine this is A i would

1600
01:16:25,720 --> 01:16:28,600
Speaker 5: rewatch this sports movie AND i thought it was.

1601
01:16:28,640 --> 01:16:32,320
Speaker 1: GREAT i WISH i had a sex right. NOW i

1602
01:16:32,360 --> 01:16:36,360
Speaker 1: would play a beautiful sex right. Now, trey give us a.

1603
01:16:36,439 --> 01:16:40,160
Speaker 3: Rating, Man i'm giving this one minute and thirty seconds

1604
01:16:40,200 --> 01:16:42,800
Speaker 3: out of one minute and forty five seconds running up a.

1605
01:16:42,880 --> 01:16:45,200
Speaker 3: HILL i think it breaks down to an eight point.

1606
01:16:45,240 --> 01:16:47,960
Speaker 3: Five So i'm right there WITH. Jd this is basically

1607
01:16:48,280 --> 01:16:52,719
Speaker 3: basketball rocky chalk full OF nba. Cameos the LAST nba

1608
01:16:52,880 --> 01:16:56,280
Speaker 3: cameo laden movie we, WATCHED i feel Was. Eddie like

1609
01:16:56,320 --> 01:16:59,040
Speaker 3: there were so MANY nba players And, Eddie and LIKE jd,

1610
01:16:59,200 --> 01:17:01,400
Speaker 3: said that was a silly, Movie like that's a that's

1611
01:17:01,400 --> 01:17:03,760
Speaker 3: a pure comedy With whoopy becoming the coach of The.

1612
01:17:03,800 --> 01:17:06,599
Speaker 3: Knicks here they went a totally different way, tonally. HERE

1613
01:17:07,320 --> 01:17:10,120
Speaker 3: i think it's kind of surprising actually that there are

1614
01:17:10,160 --> 01:17:12,640
Speaker 3: not that many jokes in this, movie considering it is

1615
01:17:12,680 --> 01:17:15,120
Speaker 3: An Adam sandler, movie and it's definitely a little more

1616
01:17:16,320 --> 01:17:20,080
Speaker 3: a little kinder movie Than Uncut gems. Is BUT i

1617
01:17:20,120 --> 01:17:23,080
Speaker 3: think this is an instant classic in the sports movie,

1618
01:17:23,120 --> 01:17:25,280
Speaker 3: world AND i think it's gonna be a rewatchable one going.

1619
01:17:25,280 --> 01:17:28,840
Speaker 1: Forward all, right one thirty out of, one forty, Five,

1620
01:17:30,160 --> 01:17:31,120
Speaker 1: lee what's your.

1621
01:17:31,200 --> 01:17:34,160
Speaker 4: Rating i'm giving it three out of four from the

1622
01:17:34,160 --> 01:17:38,800
Speaker 4: three point, line so seventy five. Percent, look it was,

1623
01:17:38,880 --> 01:17:43,599
Speaker 4: fine it was. Good it was more enjoyable than other sports.

1624
01:17:43,640 --> 01:17:46,320
Speaker 4: Movies Adam, SANDLER i think he's, Incredible and LIKE i,

1625
01:17:46,360 --> 01:17:48,920
Speaker 4: Say i've gone from like not being a Big Adam

1626
01:17:48,960 --> 01:17:51,120
Speaker 4: sandler fantwo his last. Two Now i'm, like whatever he does,

1627
01:17:51,160 --> 01:17:54,200
Speaker 4: Next i'm definitely gonna watch that BECAUSE i think he's

1628
01:17:54,240 --> 01:17:56,880
Speaker 4: better in this role than the sort of, goofy funny

1629
01:17:56,880 --> 01:17:58,400
Speaker 4: guy that he was in his early. ONES i just

1630
01:17:58,400 --> 01:18:00,960
Speaker 4: didn't enjoy those ones when he's a bit.

1631
01:18:00,800 --> 01:18:03,760
Speaker 1: More grew up In, america.

1632
01:18:02,800 --> 01:18:05,080
Speaker 4: But when he's a bit more like like In Uncut,

1633
01:18:05,120 --> 01:18:07,320
Speaker 4: gems where he was a bit like his life was

1634
01:18:07,360 --> 01:18:09,360
Speaker 4: a bit, chaotic and a bit. Messy was always like

1635
01:18:09,439 --> 01:18:12,120
Speaker 4: living for the next bet to. Survive in this, one

1636
01:18:12,160 --> 01:18:13,599
Speaker 4: he was a bit the. Same he was like he's

1637
01:18:13,600 --> 01:18:16,800
Speaker 4: putting all his chips on Wan cho and eventually paid

1638
01:18:16,800 --> 01:18:18,800
Speaker 4: off for. Him it's just As i've, SAID i JUST

1639
01:18:19,240 --> 01:18:21,600
Speaker 4: i was hoping for some sort of swerve at the,

1640
01:18:21,640 --> 01:18:24,200
Speaker 4: end AND i didn't feel. That so that's WHY i

1641
01:18:24,760 --> 01:18:26,960
Speaker 4: drop it down to seventy five, percent just below eighty,

1642
01:18:27,000 --> 01:18:28,280
Speaker 4: percent which would have been AN.

1643
01:18:28,320 --> 01:18:29,080
Speaker 3: A so it's A b.

1644
01:18:29,479 --> 01:18:32,040
Speaker 1: Plus so you enjoyed, it, look YEAH i.

1645
01:18:32,320 --> 01:18:34,120
Speaker 4: DID i wasn't, like oh my, god like you know

1646
01:18:34,160 --> 01:18:35,960
Speaker 4: when you sometimes like how much longer HAVE i got

1647
01:18:35,960 --> 01:18:38,280
Speaker 4: of this to? Go you, KNOW i was watching. IT

1648
01:18:38,479 --> 01:18:39,840
Speaker 4: i stopped for, lunch picked it up.

1649
01:18:39,840 --> 01:18:40,200
Speaker 1: Again in the.

1650
01:18:40,280 --> 01:18:42,120
Speaker 4: END i was, Like, okay that's. Good that's an aeroplane

1651
01:18:42,160 --> 01:18:43,560
Speaker 4: type movie for me IF i can just sort of

1652
01:18:43,560 --> 01:18:45,920
Speaker 4: sit through it without picking up my phone and start

1653
01:18:45,960 --> 01:18:47,040
Speaker 4: getting distracted with other.

1654
01:18:47,080 --> 01:18:49,519
Speaker 1: Things so it was. FINE i mean for.

1655
01:18:49,560 --> 01:18:52,040
Speaker 3: Me rewatching, it like it would have to be.

1656
01:18:52,160 --> 01:18:54,479
Speaker 4: Extreme circumstances FOR i don't want to where you watch it.

1657
01:18:54,520 --> 01:18:55,120
Speaker 3: AGAIN i.

1658
01:18:55,120 --> 01:18:57,320
Speaker 4: Wouldn't i'm just not that interested in watching it again

1659
01:18:57,400 --> 01:18:58,439
Speaker 4: Because i'm just like.

1660
01:19:00,200 --> 01:19:00,360
Speaker 3: It was.

1661
01:19:00,400 --> 01:19:00,840
Speaker 1: Fun it's.

1662
01:19:00,880 --> 01:19:01,880
Speaker 2: GOOD i Like Adam's.

1663
01:19:01,880 --> 01:19:03,320
Speaker 4: Handler it become a bigger fan Of.

1664
01:19:03,400 --> 01:19:07,720
Speaker 1: HE'S i watched it On sunday and It's wednesday as

1665
01:19:07,800 --> 01:19:11,080
Speaker 1: we record, here And danielle said to, me let's watch

1666
01:19:11,080 --> 01:19:12,519
Speaker 1: it again because she watched it with me the first,

1667
01:19:12,560 --> 01:19:15,519
Speaker 1: time and she, said let's watch it again before you

1668
01:19:15,560 --> 01:19:18,520
Speaker 1: got to do your. Show so and we almost. Did

1669
01:19:18,920 --> 01:19:21,240
Speaker 1: we were both up for. It that's how good this movie.

1670
01:19:21,360 --> 01:19:22,400
Speaker 1: Was we didn't end up doing.

1671
01:19:22,320 --> 01:19:24,160
Speaker 4: So what happened, Though if you had both up for,

1672
01:19:24,200 --> 01:19:25,519
Speaker 4: it you got you.

1673
01:19:25,439 --> 01:19:27,400
Speaker 1: Know we got to get so much, other so many

1674
01:19:27,439 --> 01:19:31,680
Speaker 1: other things to. Do but, YEAH i don't include that

1675
01:19:31,800 --> 01:19:34,840
Speaker 1: just because because we. DIDN'T i, Mean i'm not just

1676
01:19:34,880 --> 01:19:37,679
Speaker 1: trying to just trying to pick up the. MOVIE i would.

1677
01:19:37,720 --> 01:19:40,200
Speaker 1: HAVE i would have when when J d said it

1678
01:19:40,240 --> 01:19:42,439
Speaker 1: was two hours, LONG i was. SHOCKED i had to

1679
01:19:42,479 --> 01:19:45,559
Speaker 1: go double check. That, YEAH i did not feel like two. Hours,

1680
01:19:46,320 --> 01:19:49,960
Speaker 1: no it Flew, lee so, skeates what was your? Ready, uh, well.

1681
01:19:49,880 --> 01:19:51,920
Speaker 2: It's, Funny lee said. THIS i actually think this is

1682
01:19:51,960 --> 01:19:54,160
Speaker 2: the and this is a. Compliment it's not a. Diss

1683
01:19:54,479 --> 01:19:55,679
Speaker 2: this is the perfect airplane.

1684
01:19:55,680 --> 01:19:56,080
Speaker 1: Movie.

1685
01:19:56,760 --> 01:20:01,040
Speaker 2: Perfect if you have a trip coming, up download, this you,

1686
01:20:01,040 --> 01:20:03,200
Speaker 2: know on your Little netflix up there and the two

1687
01:20:03,280 --> 01:20:05,920
Speaker 2: hours that's. Nice you're gonna kill a good chunk of your, flight,

1688
01:20:05,960 --> 01:20:09,679
Speaker 2: HOPEFULLY i, think as hopefully we've proven, here you're gonna

1689
01:20:09,680 --> 01:20:12,439
Speaker 2: be really, entertained especially if you're a basketball. Fan So

1690
01:20:12,479 --> 01:20:16,120
Speaker 2: i'm very high on. IT i checked two, tasks, like you,

1691
01:20:16,160 --> 01:20:19,160
Speaker 2: know the critics score On Rotten tomatoes ninety one, percent

1692
01:20:19,240 --> 01:20:22,040
Speaker 2: the audience score off of ABOUT i don't know fifty

1693
01:20:22,120 --> 01:20:25,280
Speaker 2: verified ratings ninety two. Percent so that's right in line

1694
01:20:25,280 --> 01:20:27,640
Speaker 2: WITH jds nine out of. Ten that's exactly WHERE i.

1695
01:20:27,680 --> 01:20:29,720
Speaker 2: Am you, know IF i go with one of their

1696
01:20:29,760 --> 01:20:32,200
Speaker 2: type of, ratings give me a, yeah a ninety two

1697
01:20:32,240 --> 01:20:34,200
Speaker 2: and ninety three. Percent i'm high on this. MOVIE i

1698
01:20:34,200 --> 01:20:35,920
Speaker 2: think it's one of the best basketball movies ever. Made,

1699
01:20:36,000 --> 01:20:40,439
Speaker 2: YEAH i honestly. Do LIKE i Love above The. Rim

1700
01:20:41,240 --> 01:20:43,920
Speaker 2: i'm not counting hoops. Dreams i'm not counting documentaries a

1701
01:20:43,920 --> 01:20:47,240
Speaker 2: whole other, genre but Like above The. RIM i love you,

1702
01:20:47,240 --> 01:20:49,439
Speaker 2: Know White Man Can't jump is you, know there's some

1703
01:20:49,520 --> 01:20:51,400
Speaker 2: hilarious things about, it but it is a great. MOVIE

1704
01:20:51,439 --> 01:20:54,080
Speaker 2: i Like Blue, chips but this is gonna BE i,

1705
01:20:54,080 --> 01:20:56,120
Speaker 2: mean is on cut gems a basketball. Movie some will

1706
01:20:56,120 --> 01:20:57,640
Speaker 2: say yes and we'll See no, sure throw it in.

1707
01:20:57,680 --> 01:21:00,200
Speaker 2: There this is right. There it's that. GOOD i also

1708
01:21:00,240 --> 01:21:02,680
Speaker 2: think it's one Of sandler's best movies he's, done at

1709
01:21:02,760 --> 01:21:05,479
Speaker 2: least from a dramatic. Role i'm a huge punch drunk love.

1710
01:21:05,560 --> 01:21:08,479
Speaker 2: FAN i Liked Uncut gems him being a crazy person in,

1711
01:21:08,520 --> 01:21:10,720
Speaker 2: that and you got some vibes of that both those,

1712
01:21:10,800 --> 01:21:13,280
Speaker 2: CHARACTERS i think in this one as. Well So i'm,

1713
01:21:13,439 --> 01:21:16,280
Speaker 2: yeah ninety three. Percent i'm very high on this. MOVIE

1714
01:21:16,720 --> 01:21:19,520
Speaker 2: i was skeptical When jad said it was damn near perfect.

1715
01:21:19,600 --> 01:21:22,519
Speaker 2: Way oh, boy, yeah you're setting you're setting me up

1716
01:21:22,560 --> 01:21:23,040
Speaker 2: to hate this.

1717
01:21:23,160 --> 01:21:27,519
Speaker 5: Movie he's drunk, Again, yeah, exactly but it really.

1718
01:21:27,600 --> 01:21:31,160
Speaker 2: IS i guess the equivalent this movie is Of Scottie

1719
01:21:31,160 --> 01:21:34,240
Speaker 2: pippen and a wolf having a, baby WHICH i still

1720
01:21:34,280 --> 01:21:37,240
Speaker 2: am trying to wrap my head. Around, god that's an ugly.

1721
01:21:37,280 --> 01:21:38,320
Speaker 2: Baby but it's.

1722
01:21:38,360 --> 01:21:41,160
Speaker 5: Great on, DEFENSE i agree WITH i agree with both

1723
01:21:41,200 --> 01:21:44,040
Speaker 5: of you that it's a good airplane movie. Too but

1724
01:21:44,200 --> 01:21:48,479
Speaker 5: please wear noise canceling headphones or, something because the sound

1725
01:21:48,520 --> 01:21:50,880
Speaker 5: is great and the. SCORE i really love the score

1726
01:21:50,880 --> 01:21:55,639
Speaker 5: of this, movie and it really moves the story. Along

1727
01:21:55,680 --> 01:21:58,040
Speaker 5: it really helps with the, fact you know it's two hour.

1728
01:21:58,160 --> 01:22:01,040
Speaker 5: Movie but it just flies. By and you, know it's

1729
01:22:01,080 --> 01:22:03,160
Speaker 5: a movie with a lot of montages and the music

1730
01:22:03,240 --> 01:22:03,680
Speaker 5: is great in.

1731
01:22:03,720 --> 01:22:06,439
Speaker 2: Them so a lot of tons Of philly artists obviously. Too,

1732
01:22:06,520 --> 01:22:10,080
Speaker 2: yeah you know freeways in, it there's the. Roots i'm

1733
01:22:10,080 --> 01:22:11,760
Speaker 2: sure there's like ten other ones THAT i didn't write,

1734
01:22:11,760 --> 01:22:14,360
Speaker 2: down but, yeah so great. Movie tas what do you.

1735
01:22:14,280 --> 01:22:18,120
Speaker 1: Think i'm going to HONDO. P i got a. BALANCE

1736
01:22:18,600 --> 01:22:21,120
Speaker 1: i got to balance out least seventy five to bring

1737
01:22:21,160 --> 01:22:24,720
Speaker 1: it up to the critics score of. Nine i'm not a. Cynophobe,

1738
01:22:25,600 --> 01:22:30,160
Speaker 1: yes of course there are some tiny, issues but, yes

1739
01:22:30,400 --> 01:22:33,120
Speaker 1: you have to grate it as a basketball, movie and

1740
01:22:34,000 --> 01:22:38,559
Speaker 1: this is a movie about THE nba agent, life which

1741
01:22:38,760 --> 01:22:41,360
Speaker 1: you know is. Different AND i think they that that

1742
01:22:41,400 --> 01:22:43,800
Speaker 1: part had a lot of believable ups and downs on its,

1743
01:22:43,800 --> 01:22:48,200
Speaker 1: own just the sugarman, angle and then obviously the connection

1744
01:22:48,320 --> 01:22:51,080
Speaker 1: that we always. See what is the emotional connection him

1745
01:22:51,080 --> 01:22:54,360
Speaker 1: With wancho in this, movie AS jd, said he welled

1746
01:22:54,439 --> 01:22:56,160
Speaker 1: up a couple of, times the oak. Tree he is

1747
01:22:56,160 --> 01:23:00,439
Speaker 1: his oak, tree AND i think that was believe that

1748
01:23:00,439 --> 01:23:05,960
Speaker 1: connection and listen AS nba, diehard the integration with the

1749
01:23:06,040 --> 01:23:08,880
Speaker 1: teams and the likenesses in the player. Cameos that brings

1750
01:23:08,920 --> 01:23:11,680
Speaker 1: it up a. Notch and it was done. Well it

1751
01:23:11,720 --> 01:23:13,799
Speaker 1: was didn't hit you over the, head it was, enough

1752
01:23:14,200 --> 01:23:16,519
Speaker 1: And sandler did a good job of getting all the

1753
01:23:17,160 --> 01:23:19,719
Speaker 1: clearances to make that. Happen so that was pretty. Cool

1754
01:23:20,760 --> 01:23:22,559
Speaker 1: So i'm buying all of. It i'm buying all of

1755
01:23:22,560 --> 01:23:27,120
Speaker 1: it and ten out of, ten, hondo p whatever you

1756
01:23:27,160 --> 01:23:29,720
Speaker 1: want to call, It i'm good with.

1757
01:23:29,760 --> 01:23:30,879
Speaker 2: It the perfect.

1758
01:23:31,000 --> 01:23:34,320
Speaker 1: Movie, yeah it's. Perfect it's. Perfect you know.

1759
01:23:34,920 --> 01:23:37,000
Speaker 2: A movie is so? PERFECT i thought about.

1760
01:23:37,000 --> 01:23:41,920
Speaker 3: One, yeah, SORRY, jd you've been bumped from the movie

1761
01:23:41,960 --> 01:23:46,240
Speaker 3: poster damn near perfect line, through so. PERFECT i almost

1762
01:23:46,320 --> 01:23:49,920
Speaker 3: watched it. Twice here's a hot take for. You Is

1763
01:23:49,960 --> 01:23:53,840
Speaker 3: Adam sandler the best sports movie maker of all? Time

1764
01:23:54,240 --> 01:23:57,120
Speaker 3: he's got two classic basketball. Movies he's got a classic

1765
01:23:57,160 --> 01:24:01,360
Speaker 3: golf movie In Happy. Gilmour the Water boy is a

1766
01:24:01,400 --> 01:24:05,520
Speaker 3: funny football movie that's four right there on a, mount rushing,

1767
01:24:05,640 --> 01:24:10,320
Speaker 3: snipes kind Of Kevin, Costner. Kevin. Yeah he's got a

1768
01:24:10,320 --> 01:24:12,160
Speaker 3: couple of baseball, movies a golf.

1769
01:24:11,920 --> 01:24:14,960
Speaker 4: Movie sandler's anger managements around a baseball, theme isn't?

1770
01:24:15,000 --> 01:24:16,240
Speaker 1: It is? It is? It that?

1771
01:24:16,280 --> 01:24:18,400
Speaker 4: One he's got like The yankees and he's got like

1772
01:24:18,560 --> 01:24:23,120
Speaker 4: Uh lemons And jeter And tori because it's the Yank

1773
01:24:23,880 --> 01:24:26,720
Speaker 4: robbalry With Drew barrymore or something like.

1774
01:24:26,760 --> 01:24:40,599
Speaker 3: That that paper Wrong Saturday Night live guy who laughs At.

1775
01:24:37,040 --> 01:24:39,599
Speaker 1: Fever pitches fallon And Drew Barrymore.

1776
01:24:41,280 --> 01:24:47,599
Speaker 3: Jackson, OKAY i Enjoyed Anger.

1777
01:24:47,640 --> 01:24:49,519
Speaker 1: Management. YEAH i don't know if you're putting it on

1778
01:24:49,560 --> 01:24:51,479
Speaker 1: his rush more of sports, movies but it was a

1779
01:24:51,520 --> 01:24:54,599
Speaker 1: good movie if you remember that, one all?

1780
01:24:54,680 --> 01:24:59,719
Speaker 5: Right any other last, words weird to see the coaches and? Suits,

1781
01:25:00,520 --> 01:25:05,000
Speaker 5: Yeah AND i WONDER i wonder if that was a, discussion,

1782
01:25:05,280 --> 01:25:07,920
Speaker 5: right like because it was made during this movie was

1783
01:25:07,920 --> 01:25:11,320
Speaker 5: made during the, pandemic and you had the producers are

1784
01:25:11,320 --> 01:25:15,000
Speaker 5: probably like suits coming back or, no like like is

1785
01:25:15,040 --> 01:25:17,599
Speaker 5: this gonna stand the test of, Time like you, know

1786
01:25:17,640 --> 01:25:19,519
Speaker 5: ten years down the road is going to be weird

1787
01:25:19,560 --> 01:25:21,519
Speaker 5: to see them in the? Polos or is it weird

1788
01:25:21,560 --> 01:25:24,200
Speaker 5: to get to see them in the? Suits and they

1789
01:25:24,200 --> 01:25:28,160
Speaker 5: went with the suits, obviously so, YEAH i mean you almost.

1790
01:25:27,920 --> 01:25:31,479
Speaker 2: Have to go with the suits too For sugarman's, character,

1791
01:25:31,640 --> 01:25:36,479
Speaker 2: right like the, aggression like just the actual he's made

1792
01:25:36,520 --> 01:25:38,960
Speaker 2: it to another. Level but that Is, yeah that's pretty

1793
01:25:39,000 --> 01:25:41,400
Speaker 2: funny that they're out of. This now they just dressed

1794
01:25:41,400 --> 01:25:43,280
Speaker 2: Like Stanley. Sugarman that's a good.

1795
01:25:43,320 --> 01:25:46,040
Speaker 1: Point, yeah so there were shots Of Doc rivers coming

1796
01:25:46,040 --> 01:25:49,639
Speaker 1: down the tunnel And Dave jeger's staff all in. Suits

1797
01:25:49,960 --> 01:25:52,600
Speaker 1: yeah you Mentioned sugarman their. Skeets but this was an

1798
01:25:52,680 --> 01:26:00,599
Speaker 1: actual game played in twenty one last, season, right and

1799
01:26:00,680 --> 01:26:03,360
Speaker 1: that was post, Suits, like they didn't have to wear.

1800
01:26:03,439 --> 01:26:05,679
Speaker 4: Suit so that was the thing because they started shooting,

1801
01:26:05,760 --> 01:26:08,720
Speaker 4: it said on wikimpeted in twenty. Twenty, yeah, right and

1802
01:26:09,200 --> 01:26:12,080
Speaker 4: that was when The bubba was the when they got

1803
01:26:12,200 --> 01:26:14,680
Speaker 4: rid of the. Suit so they must have maybe just shot. That,

1804
01:26:14,920 --> 01:26:17,360
Speaker 4: yeah well but hang, on if it was, REAL.

1805
01:26:17,880 --> 01:26:20,000
Speaker 1: I, think, yeah that's my. Question so it was a real.

1806
01:26:20,040 --> 01:26:22,759
Speaker 1: GAME i guess all the shots of the tight shots

1807
01:26:22,760 --> 01:26:26,880
Speaker 1: of Of doc And Dave, jeger maybe they forced them

1808
01:26:26,880 --> 01:26:29,120
Speaker 1: to wear. Suit maybe they're maybe they're suit guys though

1809
01:26:29,160 --> 01:26:32,759
Speaker 1: every every guy shot that. SCENE i guess. Yeah. Yeah

1810
01:26:32,960 --> 01:26:34,479
Speaker 1: but if you get a, why maybe there's a wide

1811
01:26:34,520 --> 01:26:36,479
Speaker 1: shot of the bench of the real game and they're

1812
01:26:36,520 --> 01:26:39,720
Speaker 1: not wearing and maybe there's a continuity, HERE i have

1813
01:26:39,760 --> 01:26:44,760
Speaker 1: to go back and dissect. It who. Cares it was

1814
01:26:44,800 --> 01:26:48,360
Speaker 1: a fantastically. Shot, again we didn't have to see too

1815
01:26:48,439 --> 01:26:50,040
Speaker 1: much of that. Game that's WHY i. LIKE i like

1816
01:26:50,120 --> 01:26:53,639
Speaker 1: that last, scene Just wancho opening up the jacket showing

1817
01:26:53,680 --> 01:26:57,240
Speaker 1: him twenty, two just like, You. SUGARMAN i was totally

1818
01:26:57,280 --> 01:27:00,120
Speaker 1: cool with. That sugarman just rolls off the. TIME i

1819
01:27:00,200 --> 01:27:02,880
Speaker 1: like saying that's all, Right we're all done. Here make

1820
01:27:02,880 --> 01:27:08,200
Speaker 1: sure check the show everywhere we do it, YouTube wherever you're, listening, like, follow,

1821
01:27:08,280 --> 01:27:10,880
Speaker 1: share do what you gotta. Do we'll be back to

1822
01:27:11,000 --> 01:27:17,000
Speaker 1: TALK Nba Finals game six. Tomorrow but first clip of

1823
01:27:17,000 --> 01:27:17,519
Speaker 1: bros take us.

1824
01:27:17,520 --> 01:27:19,880
Speaker 3: Out you heard of her, first have a great, time turn,

1825
01:27:20,040 --> 01:27:21,160
Speaker 3: up love you. Guys.

1826
01:27:21,200 --> 01:27:23,320
Speaker 5: Awesome who's got a great quote out?

1827
01:27:23,360 --> 01:27:23,599
Speaker 1: There?

1828
01:27:24,080 --> 01:27:27,479
Speaker 3: Anybody anybody used all of my quotes from the movie,

1829
01:27:27,600 --> 01:27:28,679
Speaker 3: Unfortunately so.

1830
01:27:28,760 --> 01:27:31,120
Speaker 2: What was the best quote from the. Movie what do

1831
01:27:31,120 --> 01:27:32,080
Speaker 2: you think the best line?

1832
01:27:32,160 --> 01:27:37,160
Speaker 3: Is treck, okay thanks for joining, us and Remember spain

1833
01:27:37,880 --> 01:27:38,519
Speaker 3: shit sounds.

1834
01:27:38,520 --> 01:27:41,679
Speaker 2: Whack Em brace, today, people