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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama. Girl drama, girl,

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Speaker 2: all about them.

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Speaker 3: High school queens. We'll take you for a ride, and

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Speaker 3: our comic girl shared for the right teen drama Queens,

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Speaker 3: my girl girl fashion, but your tough girl, you could

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Speaker 3: sit with us.

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Speaker 4: Girl Drama, Queen Drama, Queens Drama, Queens Drama, Drahna, Queens Drama, Queens.

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Speaker 1: You Guys, Season six, episode eight, Our life is not

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Speaker 1: a movie, or maybe.

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Speaker 2: I love that, or maybe I may It was like her,

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Speaker 2: this was like a Halloween episode.

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Speaker 1: It was October twenty seventh of two thousand and eight.

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Speaker 1: I mean, oh, I feel like such a buzzkill bitch

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Speaker 1: about this episode.

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Speaker 2: I'm really poorly written. Were adorable, We were adorable. We

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Speaker 2: were so cute.

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Speaker 5: And I have to say one of my best friends

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Speaker 5: was over here and we were watching the episode last

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Speaker 5: night and she was like, oh, some of this dialogue

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Speaker 5: is really sy. She goes, but sidebar. The real hot

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Speaker 5: takeaway of this episode for me is Hillary's so hot.

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Speaker 2: I was like, agree, that's really nice. We were acting

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Speaker 2: our asses off.

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Speaker 5: We were acting our asses off. Okay, friends at home

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Speaker 5: this this episode. I'm just gonna read the synopsis and

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Speaker 5: then we're going to get into it all right.

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Speaker 2: Lucas's novel receives.

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Speaker 5: Unexpected and surprising interest, as does Marvin from his new intern.

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Speaker 5: That is such a weird transition. Even in the synopsis.

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Speaker 5: Who wrote that Jamie grows enamored of Sam while she

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Speaker 5: continues her rebellious facade, oh in his back and trying

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Speaker 5: to win Brook over again. Peyton reconnects with family, and

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Speaker 5: Nathan's basketball comeback gains momentum. I'm so thrilled to see

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Speaker 5: that Peter Kowalski directed this episode, because this is what

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Speaker 5: we all looked pretty, we looked great, this is why

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Speaker 5: we looked hot. Peter is just such a deer. You

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Speaker 5: guys have heard us talk about him before. He was

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Speaker 5: a camera operator on our show, and then he became

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Speaker 5: the director of photography and then he started directing, and we.

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Speaker 2: Just love him so much.

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Speaker 5: But even Peter's beautiful eye could not make some of

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Speaker 5: the things we had to say less tricky to get.

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Speaker 2: Out of our mouths. You know, I mean, Okay, so

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Speaker 2: you and I we've had a big week. I was

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Speaker 2: just out at.

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Speaker 1: Sundance and you have been promoting Junction with Mirane Greenberg,

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Speaker 1: and there is something about working with or like seeing

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Speaker 1: the movies from people that we love and who are

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Speaker 1: very dear friends with and seeing them climb this mountain

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Speaker 1: right and like get to the top of this thing

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Speaker 1: and nail it, and it's so fun to watch. And

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Speaker 1: I don't know about your experience with Brian and Junction,

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Speaker 1: but having been friends with Meghan for so many years,

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Speaker 1: Megan Park, who is married to Tyler Hilton, Yeah, seeing

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Speaker 1: her movie at Sundance, I can't wait for everyone to

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Speaker 1: see my old ass because it is about young women,

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Speaker 1: written by a young woman, directed by a young woman,

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Speaker 1: dpeed by another young woman, and the representation and the

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Speaker 1: lens is so warm and fuzzy and it felt so real.

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Speaker 1: And I was with the two little actresses in the

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Speaker 1: movie afterwards, just like in tears for them. I'm so

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Speaker 1: happy for them because it was Maddie Ziggler and Mazie

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Speaker 1: Stella and these little girls who were like twenty twenty

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Speaker 1: one years old just got to do a movie that

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Speaker 1: was so real and so lovely. And I told him, like,

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Speaker 1: bottle this, this isn't normal. Most young women have to

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Speaker 1: do really corny shit and you just got to do

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Speaker 1: something so awesome, and I'm so excited for you. And

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Speaker 1: I geeked out really hard on these girls because they

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Speaker 1: by the way, they're huge One Tree Health fans.

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Speaker 2: Yes, thank you God to get them.

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Speaker 1: It was so cool to see young women accurately represented

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Speaker 1: instead of this clunky, like like bullshit at the doorway

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Speaker 1: in every scene where it's like, hey, I really like you,

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Speaker 1: you know that? Yeah, but there was a yeah.

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Speaker 5: I kind of like doing this with you good because

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Speaker 5: we're getting married. I was like, what is happening? And

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Speaker 5: like and it and it really is a testament. I

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Speaker 5: think to you guys that you could pull it off,

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Speaker 5: but I know what you mean in the same in

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Speaker 5: the same way you're talking about how these girls in

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Speaker 5: Megan's movie got to authentically be themselves. It's been so

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Speaker 5: special to see the final product that Brian put together,

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Speaker 5: and especially because in Injunction, he and I play spouses

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Speaker 5: who are now divorced, but you know we're co parenting,

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Speaker 5: and and and the just the way we get to

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Speaker 5: talk to each other feels real, like things are strained

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Speaker 5: and hard, and then there are these moments of levity

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Speaker 5: still where you see how much these two people have

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Speaker 5: loved each other and still love each other, but you

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Speaker 5: you see them in authentic conflict, and then you see

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Speaker 5: these bursts of their life and their history, and I think,

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Speaker 5: I think maybe it felt like such shorthand because you know,

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Speaker 5: we've been friends for twenty years. Yeah, but it it

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Speaker 5: was so nice to feel like I was watching in

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Speaker 5: all of our scenes, a real partnership and not what

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Speaker 5: we had to do on TV sometimes, which was like

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Speaker 5: we're partners.

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Speaker 2: Da da da da dan da.

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Speaker 5: Like he didn't have to have like a song or

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Speaker 5: a button moment.

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Speaker 2: I had that WB top hat and King like the frog.

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Speaker 5: Yeah, just make him dance across the screen every time

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Speaker 5: we have to say something stupid.

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Speaker 1: There was so much repetitive stuff in this episode between

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Speaker 1: the characters, like every character was talking like every other

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Speaker 1: character because it was our Voldemort who wrote this and

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Speaker 1: he was very self involved and he wanted every character

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Speaker 1: to sound like him.

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Speaker 2: And I can see how miserable I am.

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Speaker 1: And it's really hard to watch at this point. But

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Speaker 1: for those of you who hate it when I go dark,

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Speaker 1: what I did like is all of the relationship pairings.

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Speaker 1: I thought, Brooke and Owen, Haley and Nathan Lucas and

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Speaker 1: Peyton millian Mouth. I thought that the relationship pairings and

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Speaker 1: the chemistry between actors was really strong. Yes, and maybe

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Speaker 1: that comes out more when the script is shit.

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Speaker 5: Yeah, look, I think sometimes you know, I won't say

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Speaker 5: what episode, but I do remember an episode that we

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Speaker 5: shot that was directed by a director who was first

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Speaker 5: time on our show, who was so like objectively bad.

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Speaker 5: Came in and we were like, did you do any prep?

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Speaker 5: Like did you go on a tech scout? How are

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Speaker 5: you here directing an episode of television? Like you don't know?

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Speaker 5: Do you know what's in this script? Like it was

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Speaker 5: such a surreal experience. But I will never forget that

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Speaker 5: because all of us as a cast and all of

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Speaker 5: the crew was like, uh oh, we're really in trouble.

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Speaker 5: Everybody stepped up and worked even harder and came up

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Speaker 5: with solutions and like we put together like a strategic

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Speaker 5: response team and yeah, it was full triage. It was

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Speaker 5: like you know, red tag, Yellow Tag, And weirdly the

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Speaker 5: episode wound up being great cause, like, I think everybody

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Speaker 5: hustled a little harder. And I wonder sometimes, like you're saying,

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Speaker 5: if we have that in episodes like this where some

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Speaker 5: of the writing's not that strong, or things are repetitive

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Speaker 5: or sweet mouth and Gigi, you're having to do the

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Speaker 5: same exact stuff they had to do last week. I mean,

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Speaker 5: the worst, and yet people make it sweet and and

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Speaker 5: you do see like a connection between them and it's

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Speaker 5: not just base gross. You see a little nostalgia in it.

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Speaker 5: You see the way Nathan responds to them. Like everybody

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Speaker 5: made it work even though some of what was on

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Speaker 5: the page was just not that great. And I do

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Speaker 5: think that's something that I really love about us, Like

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Speaker 5: our little cohort had such good chemistry and we had

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Speaker 5: so much fun together that when we were like, can

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Speaker 5: you believe we have to say this dumb sh we

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Speaker 5: figured out how to do it.

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Speaker 2: Y'all.

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Speaker 1: There was a dumb episode.

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Speaker 2: Can I say what I loved? Though?

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Speaker 5: I loved coming into this slam ball game as all

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Speaker 5: the women were sort of collecting. I loved our little

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Speaker 5: coven in the stands. Everybody was like spicy and there

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Speaker 5: was sarcasm and stress and all of it was just

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Speaker 5: so great. Aside from I don't know who told me

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Speaker 5: that that one shoulder tank top was a good idea.

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Speaker 2: God, your boobs were cute. In that shirt. I mean,

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Speaker 2: I think this.

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Speaker 5: Was the year that those like sticky bras got real

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Speaker 5: like popular in our wardrobe department. Cause there's definitely like

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Speaker 5: some extra help going on there in that one strap shirt.

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Speaker 2: And I was like, honestly, thank you, it's the opposite.

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Speaker 2: I'm mad at it.

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Speaker 1: My purple dress at the end of the episode, I'm

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Speaker 1: clearly wearing the sticky things, but I'm wearing them too low.

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Speaker 1: Ga Mic is.

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Speaker 2: So down here.

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Speaker 5: Also, that dress looked like it was two sizes too

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Speaker 5: big for you. I was like, how are we not

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Speaker 5: putting you in clothes that fits? Six years into the show.

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Speaker 2: I promise my boobs don't hang that low.

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Speaker 1: And not that there's anything wrong with low boobs, but

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Speaker 1: just those weren't mine. That killed me. It's never ideal

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Speaker 1: season of the Sticky Boob? Is that the title of

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Speaker 1: this episode? I loved you yelling at Owen. I love

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Speaker 1: you Brook just coming in hot.

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Speaker 5: I also loved because everyone's in the dynamic in the

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Speaker 5: beginning that then you see play out. You know, Millie's

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Speaker 5: getting competitive with mouth, Brook's yelling at Owen, like everybody's

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Speaker 5: doing their thing. I love Jamie as the catchup device.

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Speaker 5: For Sam, they used to kiss, yeah, and then he's like,

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Speaker 5: they used to kiss too, mouth and gig, but mouth

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Speaker 5: kisses milicit now and Sam is just like, like this

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Speaker 5: kid the truth telling about grown ups relationship drama from

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Speaker 5: a five year old is like a chef's kiss thing

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Speaker 5: for me. Because Jackson's so cute, it breaks me.

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Speaker 1: Why did we make him wear that very distracting one

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Speaker 1: fake tooth.

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Speaker 2: The flipper tooth. Why couldn't he just have a missing

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Speaker 2: tooth that would have been so cute.

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Speaker 1: Yeah, there were elements here that were very distracting from me,

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Speaker 1: and this is just production, you know, bitchery.

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Speaker 2: I don't like the fake tooth.

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Speaker 1: My vote is no because there, Yeah, I have a

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Speaker 1: kid that's this age, and there's plenty of kids her

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Speaker 1: age that are missing teeth. Some kids lose them earlier

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Speaker 1: than others. Yeah. And then the other thing was anytime

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Speaker 1: we have a scene in the stands, we are told

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Speaker 1: as actors, so we're going to put in a whole

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Speaker 1: bunch of noise so it sounds really, really noisy, So

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Speaker 1: you guys have to yell over your lines, and then

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Speaker 1: we'll put in enough sound later that it sounds natural.

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Speaker 1: So you're sitting there saying, look, I guess what happened

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Speaker 1: on your phone call? And they did not bring up

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Speaker 1: the background noise on this scene.

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Speaker 2: So fair. No, we were stranded in.

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Speaker 1: Our audio here.

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Speaker 2: It wasn't great. It was a lot of fake clapping. Whatever.

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Speaker 1: Man, we looked good, We looked good. We sold our lives. Yeah, matters,

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Speaker 1: and the slam ball looked cool.

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Speaker 5: It did, and that's one of the things I will say.

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Speaker 5: It was really fun to watch this episode with one

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Speaker 5: of my girlfriends because she was like, what is this sport?

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Speaker 2: I want to play? This? Is this as fun as

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Speaker 2: it looks?

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Speaker 5: I was like, yeah, we all turned into a bunch

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Speaker 5: of kids, and we treated every lunch like recess. When

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Speaker 5: the slam ball court was on stage seven, we were

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Speaker 5: on the trampolines.

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Speaker 2: All the time. James looked and good.

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Speaker 5: Unbelievable, Like, you realize how good a basketball player he is,

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Speaker 5: because there's something about the length of time that he

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Speaker 5: gets to be in the air off a trampoline allows

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Speaker 5: for that super extended slow motion and you're just like, hello,

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Speaker 5: how did this boy not get poached to be a

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Speaker 5: Nike athlete? When we were shooting our show, like some

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Speaker 5: brand endorsement person failed. They failed because look at him.

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Speaker 1: There is someone out there that got fired from the

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Speaker 1: two companies because they didn't think to bring in Nathan Scott.

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Speaker 2: I agree, yeah, I totally agree.

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Speaker 1: No, he's just beautiful and so it's like watching a swan.

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Speaker 1: You know, he's really beautiful out there, and you know,

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Speaker 1: it does look violent, it does look scary. I understand

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Speaker 1: Haley's hesitation. I don't know how many episodes poor Joy

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Speaker 1: has to WinCE and be worry.

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Speaker 2: About it back.

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Speaker 1: Yeah, yeah, serious business. She's been doing it for how

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Speaker 1: many osodes.

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Speaker 5: I also like that they figured out a way to

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Speaker 5: raise the stakes because of Nathan's injury, and Haley helps

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Speaker 5: do that for the audience with her, you know, genuine

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Speaker 5: worry about is her husband going to you know, be

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Speaker 5: paralyzed from this or not. And then at the same

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Speaker 5: time you get a lot of comedic relief in it

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Speaker 5: because of Owen and the way that Brooke is yelling

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Speaker 5: at him and they're kind of play fighting and they're flirting,

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Speaker 5: but they're fighting, and Owen is essentially acting like a

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Speaker 5: bouncer for Nathan on the court.

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Speaker 2: As I did like that.

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Speaker 5: It made me giggle and I really, I will say

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Speaker 5: I like that the dynamics in the same scene gave

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Speaker 5: us steaks but also laughter.

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Speaker 1: Also Sam and Peyton being the same person obsessed.

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Speaker 2: Here's how I view.

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Speaker 1: Brooke and Peyton. It's like, you know, with magnets, they're

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Speaker 1: the same thing, right, but there's different poles, and the

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Speaker 1: same pole is not attracted to itself, but the two

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Speaker 1: different poles are locked in for eternity. Brook and Peyton

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Speaker 1: are those different poles of the same magnet. And so

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Speaker 1: for Brooke to find another little baby, Peyton to grow

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Speaker 1: and raise up. I love that she's getting to relive

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Speaker 1: our high school years through this little monster. You know,

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Speaker 1: it's just messing everything up because you know, we also

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Speaker 1: see Peyton drawn to other people that are like Brooke.

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Speaker 1: There's there's just something about those different personalities. Every TV

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Speaker 1: show has it. It's the trope of like the blonde

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Speaker 1: and the brunette, the reality one and the shy one,

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Speaker 1: you know. And I like that we have that iconic

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Speaker 1: dynamic that we're now getting to see repeat with Sam Sam.

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Speaker 5: Well and I love like the perfection of the way

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Speaker 5: the Yin and yang fit together in us. Yeah, everything

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Speaker 5: that's perfect about our friendship drives me fucking crazy with Sam.

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Speaker 5: And it's like, in all the ways that I've that,

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Speaker 5: you know, me and Brooke have always loved Peyton's saltiness

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Speaker 5: and humor and all the things. Sam's saltiness drives me nuts. Yeah,

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Speaker 5: And brook and Peyton used to sneak out together and

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Speaker 5: they'd be out all night together, and they broke all

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Speaker 5: the rules together. And now this tiny Peyton is sneaking

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Speaker 5: out of my house and I want to wring her neck.

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Speaker 5: And it's it's so great, That's exactly it.

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Speaker 1: It's like Peyton started through in like tweak club nights

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Speaker 1: and thought it was awesome. It was like, yeah, let's

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Speaker 1: stay out, we're gonna make out with bands whatever. Yeah,

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Speaker 1: And now that this other little girl's doing the exact

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Speaker 1: same thing, it is apocalyptic.

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Speaker 5: I mean what Sam does in Close Over Bros. With

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Speaker 5: breaking in and the party and the red solo cups

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Speaker 5: and the spray paint, it's literally our graduation party in

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Speaker 5: the abandoned Oh my god, you're.

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Speaker 2: Right, it's the same thing.

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Speaker 5: But now that I'm in the parental role, Oh, it's unacceptable.

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Speaker 2: It's like you're only a couple of years older.

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Speaker 1: I know, it's even like we're the age we are

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Speaker 1: now where everything business is off.

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Speaker 2: It's we're twenty two and she's fifteen.

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Speaker 3: Yeah.

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Speaker 1: I really liked that whole dynamic, And I don't want

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Speaker 1: to like jump too far ahead, but I really thought

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Speaker 1: it was special that Brooke had all this comedic stuff

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Speaker 1: but also some pretty firm interactions with these young children.

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Speaker 1: The way that Brooke reprimands Jamie in this episode for

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Speaker 1: disappearing was incredibly important because he can't go wandering off

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Speaker 1: with people, and the way the book reprimands and sets

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Speaker 1: boundaries for Sam also super important. It was like, that's

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Speaker 1: the kind of parenting that we wanted for ourselves. That's

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Speaker 1: what Brooke and Payne wanted. It's just someone to hold

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Speaker 1: us accountable and pretend to care.

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Speaker 2: Yeah, don't leave.

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Speaker 1: Us for months at a time.

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Speaker 5: I think it's really interesting that you see Sam's response to,

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Speaker 5: you know, being reprimanded, to immediately assume she's being kicked out.

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Speaker 1: Oh yeah, because that's what happened every other time.

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Speaker 2: Yeah.

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Speaker 5: But for Brooke to say no, like I'm said, a

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Speaker 5: boundary for you, and this is your boundary in this home,

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Speaker 5: it begins to give Sam what she's always been missing.

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Speaker 5: And you know you hear this, you always hear kids

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Speaker 5: need structure. Yeah, and like they really do, they really

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Speaker 5: need it and they crave it.

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Speaker 1: My kids love structure. They don't give a shit if

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Speaker 1: dad gets mad, but if mom gets mad, it means

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Speaker 1: something because I don't like to they. Yeah, my son

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Speaker 1: will tell people they're be like us, you're making such

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Speaker 1: good grades right now, and he'll say it's because my

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Speaker 1: mom cracked. Because I you know, they like a firm boundary.

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Speaker 1: They like to know where they stand with you. And

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Speaker 1: so for Sam to have this good for her. I

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Speaker 1: wanted it instead. You know, we were scoundrels. We were feral,

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Speaker 1: as you call Sam. In this episode, it's a little

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Speaker 1: feral cat. And I can totally understand why the little

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Speaker 1: kid Jamie is in the rall with this older bad girl. Yeah.

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Speaker 5: Yeah, it's his first crush, but it's so early that

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Speaker 5: it's it's like not even romantic yet. No, he's just

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00:18:12,840 --> 00:18:15,719
Speaker 5: he just he's googlely eyed when he looks at her,

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Speaker 5: and it's so sweet.

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Speaker 2: Yeah that's the ticket.

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Speaker 1: But I also, I don't know, I like that while

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Speaker 1: Brooke is trying to do all of this parenting because

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Speaker 1: she's really the only person parenting in this episode. That is,

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Speaker 1: when Owen's trying to sneak back in, He's not just

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Speaker 1: trying to sneak back in when she's being like cute

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Speaker 1: and young, sexy and going out. It's like when she's

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Speaker 1: in the thick of responsibility with all the children at

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Speaker 1: her house, He's like, we'll come over now, just to

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Speaker 1: prove that I really meant it, sweet Owen.

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Speaker 2: Yeah.

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Speaker 5: I also there's there's elements and maybe it's because we

351
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Speaker 5: are through Sam jumping back to who we were in

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Speaker 5: high school. I love the elements that remind us of that.

353
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Speaker 5: The throwback, you know, the sort of identical party to

354
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Speaker 5: our graduation party. I love the throwback to middle school

355
00:19:11,560 --> 00:19:15,320
Speaker 5: dynamics with Nathan coming to the door and then realizing

356
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Speaker 5: that Owen's right on the other side of it. Like,

357
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Speaker 5: it really is fun to get to pull back into

358
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Speaker 5: those those memories with these characters.

359
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Speaker 2: James had fun this episode.

360
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Speaker 1: You could tell how much fun he was having because, yeah,

361
00:19:31,960 --> 00:19:36,000
Speaker 1: in the beginning, he's playing slamball, and then he gets

362
00:19:36,119 --> 00:19:38,440
Speaker 1: tangled up in the Owen Brooke shit, and then he

363
00:19:38,480 --> 00:19:40,959
Speaker 1: gets tangled up in the mouth gig shit and then

364
00:19:41,000 --> 00:19:43,639
Speaker 1: he's been super flirty with his wife.

365
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Speaker 2: Yeah.

366
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Speaker 1: I liked I love it. And he had a great

367
00:19:48,240 --> 00:19:54,080
Speaker 1: scene with Lucas too, the brother scene where Nathan's making pancakes. Yes,

368
00:19:54,560 --> 00:19:57,680
Speaker 1: and watch shiaah buff to play him in the movie.

369
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Speaker 5: I was so into everyone sort of jocking for who

370
00:20:01,000 --> 00:20:03,840
Speaker 5: they want to play them in the film, and that

371
00:20:04,040 --> 00:20:06,800
Speaker 5: scene in particular, I thought was so sweet because you're right,

372
00:20:06,920 --> 00:20:10,480
Speaker 5: you can see what a good mood James is in

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Speaker 5: every day, and I love that because they're having so

374
00:20:14,000 --> 00:20:17,960
Speaker 5: much fun and it's such a light conversation that he's

375
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Speaker 5: the one who looks at Lucas like, hey, big dummy,

376
00:20:21,840 --> 00:20:25,919
Speaker 5: have you not considered the women you need to talk to?

377
00:20:26,800 --> 00:20:28,840
Speaker 2: Yeah? Like it's not about you, my guy.

378
00:20:29,280 --> 00:20:34,960
Speaker 5: Hello, Yeah, Yes, It's so funny when he's like well yeah,

379
00:20:35,560 --> 00:20:38,360
Speaker 5: and and he's like and brooks the other fifty percent

380
00:20:39,480 --> 00:20:41,639
Speaker 5: like do you remember your own life?

381
00:20:41,680 --> 00:20:45,400
Speaker 2: It is? It made me really really giggle out loud. Yeah.

382
00:20:45,480 --> 00:20:50,080
Speaker 1: He was great this episode. And I think seeing Nathan

383
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Speaker 1: be funny is not what we're used to. We're so

384
00:20:53,480 --> 00:20:58,600
Speaker 1: used to him being like oh umum e or that's.

385
00:20:58,359 --> 00:21:01,160
Speaker 2: What he's been. He's been e or and now he's

386
00:21:01,400 --> 00:21:02,320
Speaker 2: contiguer man.

387
00:21:02,720 --> 00:21:06,560
Speaker 1: Dude's bouncing all over the place, being funny, little bit

388
00:21:06,600 --> 00:21:07,160
Speaker 1: worked up.

389
00:21:07,920 --> 00:21:10,080
Speaker 2: I like it. Yeah, it's so great.

390
00:21:10,480 --> 00:21:14,640
Speaker 1: His advice to Owen is great, you know, I mean

391
00:21:14,680 --> 00:21:16,359
Speaker 1: he's like, what did he say?

392
00:21:16,920 --> 00:21:19,480
Speaker 5: He talks about, like all the worst mistakes you've ever made,

393
00:21:19,520 --> 00:21:21,399
Speaker 5: and he goes, yeah, what he goes of thee hundred

394
00:21:21,920 --> 00:21:25,240
Speaker 5: dumbest mistakes you've ever made? One through ninety nine was

395
00:21:25,320 --> 00:21:28,919
Speaker 5: blowing it with Brooke Davis and the well, what's the

396
00:21:28,960 --> 00:21:31,520
Speaker 5: other one? The haircut? The drug addiction?

397
00:21:32,040 --> 00:21:35,719
Speaker 1: Yeah, what was wrong with his haircut? Nothing?

398
00:21:35,920 --> 00:21:38,480
Speaker 2: It was just such a troll and it was so funny.

399
00:21:39,680 --> 00:21:41,920
Speaker 2: Poor Owen. They we're not going to let him get

400
00:21:41,920 --> 00:21:44,840
Speaker 2: off the mat, are we? We're sure not. Wow.

401
00:21:45,720 --> 00:21:48,199
Speaker 1: I liked that he bounced everyone out of Brooks Store.

402
00:21:48,760 --> 00:21:49,240
Speaker 2: I liked it.

403
00:21:49,359 --> 00:21:55,919
Speaker 1: Do yeah, yelling at a bunch of fifteen year old Yes.

404
00:21:56,200 --> 00:21:56,840
Speaker 2: That's the thing.

405
00:21:58,200 --> 00:22:02,000
Speaker 5: Owen is essentially serving as everybody's bouncer and bodyguard.

406
00:22:02,040 --> 00:22:03,000
Speaker 2: In this episode.

407
00:22:03,080 --> 00:22:06,480
Speaker 5: He's bodyguarding Nathan, He's bouncing the kids out, and it

408
00:22:06,560 --> 00:22:12,640
Speaker 5: is a really fun way to use just the natural

409
00:22:12,680 --> 00:22:15,560
Speaker 5: physicality of someone like Joe. Joe is one of the

410
00:22:15,600 --> 00:22:19,960
Speaker 5: biggest physically biggest human beings any of us knows. Yes,

411
00:22:20,400 --> 00:22:23,640
Speaker 5: And when he gets to operate out of that place

412
00:22:25,040 --> 00:22:30,199
Speaker 5: as a defender, and especially as a comedic defender of

413
00:22:30,240 --> 00:22:32,960
Speaker 5: other people, it's so cool. It's like he's so used

414
00:22:32,960 --> 00:22:35,040
Speaker 5: to having to play like a werewolf for a Viking

415
00:22:35,200 --> 00:22:38,480
Speaker 5: or whatever because he's big, and it's nice to see

416
00:22:38,600 --> 00:22:39,760
Speaker 5: him get to do comedy.

417
00:22:39,800 --> 00:22:40,879
Speaker 2: I love it be funny.

418
00:22:41,119 --> 00:22:45,000
Speaker 1: He was in Rampage with Jeffrey and we took Gus

419
00:22:45,000 --> 00:22:47,760
Speaker 1: to that red carpet. I had just given birth to George,

420
00:22:47,880 --> 00:22:51,200
Speaker 1: and so I was like a mess, and so jeff

421
00:22:51,240 --> 00:22:52,840
Speaker 1: is having to do press and I'm standing there on

422
00:22:52,840 --> 00:22:55,080
Speaker 1: the red carpet with Gus and Joe comes up and

423
00:22:55,160 --> 00:22:59,840
Speaker 1: he is just a wall of a man and I'm like, Joe, buddy,

424
00:23:00,280 --> 00:23:02,760
Speaker 1: like we hug, and Gus is looking like, how do

425
00:23:02,880 --> 00:23:07,320
Speaker 1: you know this person? Gus's eyeball that had to put

426
00:23:07,359 --> 00:23:09,479
Speaker 1: him back in his head. He was so just like,

427
00:23:09,720 --> 00:23:13,680
Speaker 1: what is that? I didn't know humans grew that size. Yeah,

428
00:23:13,720 --> 00:23:17,640
Speaker 1: he's super imposing, but he and Nathan don't look dissimilar

429
00:23:17,680 --> 00:23:20,399
Speaker 1: in size. Did we have James standing on something or

430
00:23:20,480 --> 00:23:21,359
Speaker 1: is James that tall?

431
00:23:21,880 --> 00:23:22,960
Speaker 2: James isn't that tall?

432
00:23:23,359 --> 00:23:25,360
Speaker 5: I mean, James is pretty tall, isn't he like six

433
00:23:25,400 --> 00:23:28,200
Speaker 5: to two? And and and Joe's like six ' five,

434
00:23:29,320 --> 00:23:29,920
Speaker 5: Am I right?

435
00:23:30,160 --> 00:23:30,639
Speaker 2: I don't know.

436
00:23:31,000 --> 00:23:33,600
Speaker 1: They were lined up next to each other in some

437
00:23:33,640 --> 00:23:36,359
Speaker 1: of the Slamball stuff where even I was confused. I'm like,

438
00:23:36,440 --> 00:23:37,040
Speaker 1: I was there.

439
00:23:37,440 --> 00:23:40,680
Speaker 2: We had a lot of really tall boys on our show.

440
00:23:40,720 --> 00:23:42,200
Speaker 2: We had the tallest cast on TV.

441
00:23:42,520 --> 00:23:45,240
Speaker 1: It's any other show there were you know, much much

442
00:23:45,320 --> 00:23:48,040
Speaker 1: much shorter our boys, and people would comment on that

443
00:23:48,080 --> 00:23:49,919
Speaker 1: all the time when we did press, They're like, this

444
00:23:50,000 --> 00:23:54,639
Speaker 1: cast is big. Yeah, okay, And made doing like covered

445
00:23:54,640 --> 00:23:57,480
Speaker 1: shots kind of hard because we would have to stand

446
00:23:57,520 --> 00:23:59,879
Speaker 1: on boxes so you could see us over their shoulders.

447
00:24:00,080 --> 00:24:03,080
Speaker 2: Oh my god, apple boxes all the time, all the time.

448
00:24:15,680 --> 00:24:20,080
Speaker 1: So after Slamball, after Lucas announces that his book is

449
00:24:20,119 --> 00:24:22,360
Speaker 1: going to get made into a movie.

450
00:24:23,800 --> 00:24:28,960
Speaker 5: That's thrilling, We've got I almost feel like, in a way,

451
00:24:28,680 --> 00:24:32,360
Speaker 5: they leaned so hard into the comedy in this episode

452
00:24:32,400 --> 00:24:37,200
Speaker 5: to misdirect the dramatic surprise about the movie at the end,

453
00:24:37,680 --> 00:24:41,480
Speaker 5: because all the way through everybody's laughing, you know, And

454
00:24:41,760 --> 00:24:45,600
Speaker 5: they even harken back in this episode They've got Haley,

455
00:24:45,680 --> 00:24:47,960
Speaker 5: I'm just looking at my notes Hailey's reading the same

456
00:24:48,080 --> 00:24:50,320
Speaker 5: article in b Davis Magazine that you read.

457
00:24:50,640 --> 00:24:51,399
Speaker 2: Yeah, what is that?

458
00:24:52,440 --> 00:24:55,080
Speaker 5: There's something going on where they're really trying to lean

459
00:24:55,119 --> 00:24:58,960
Speaker 5: into the you know, the cutesy, like funny nature of

460
00:24:59,000 --> 00:25:01,359
Speaker 5: these relationships lips and.

461
00:25:01,440 --> 00:25:04,120
Speaker 1: Were they trying to make be Davis Magazine a real thing?

462
00:25:05,200 --> 00:25:07,800
Speaker 1: Is that why we keep popping it on the show?

463
00:25:08,400 --> 00:25:09,520
Speaker 2: I don't know.

464
00:25:09,720 --> 00:25:13,040
Speaker 5: I don't think they ever actually tried to launch it,

465
00:25:13,200 --> 00:25:19,199
Speaker 5: but they wanted it to, basically on our show, be

466
00:25:19,320 --> 00:25:22,960
Speaker 5: the placeholder for in Style. I remember those conversations like

467
00:25:23,000 --> 00:25:25,480
Speaker 5: it should look like in Style magazine, it should have

468
00:25:25,520 --> 00:25:29,919
Speaker 5: similar articles and whatnot. They wanted it to feel like

469
00:25:29,960 --> 00:25:34,359
Speaker 5: it was a really really big deal. But I caught

470
00:25:34,400 --> 00:25:36,040
Speaker 5: that in this where I was like, oh, hey, are

471
00:25:36,119 --> 00:25:38,640
Speaker 5: Nathan and Haley going to have like a moment because

472
00:25:38,680 --> 00:25:40,720
Speaker 5: she says we split everything in the house like fifty

473
00:25:40,720 --> 00:25:43,560
Speaker 5: to fifty, right, And then it sort of went away

474
00:25:43,720 --> 00:25:47,040
Speaker 5: but it didn't do anything. Yeah, there were all these

475
00:25:47,800 --> 00:25:52,000
Speaker 5: funny moments. Then it goes into you know, everyone at

476
00:25:52,000 --> 00:25:55,840
Speaker 5: close over Bros. And Jamie and Sam skateboarding around the store,

477
00:25:55,920 --> 00:25:59,480
Speaker 5: and it's where Brooke Davis coins the term slunt because

478
00:25:59,480 --> 00:26:02,040
Speaker 5: she says her mama's slut is not mean enough.

479
00:26:02,359 --> 00:26:02,600
Speaker 2: Dude.

480
00:26:02,600 --> 00:26:04,560
Speaker 1: You know there was a band in like the late

481
00:26:04,640 --> 00:26:08,480
Speaker 1: nineties early two thousands in New York called Slunt.

482
00:26:08,119 --> 00:26:09,960
Speaker 2: Because now the chicks in It was a VJ.

483
00:26:11,040 --> 00:26:15,280
Speaker 1: Yeah, and I remember it being so scandalized and her

484
00:26:15,320 --> 00:26:19,440
Speaker 1: name is Abby. I remember she's like the metal VJ.

485
00:26:19,680 --> 00:26:21,520
Speaker 1: And I remember being so scandalized.

486
00:26:21,000 --> 00:26:22,760
Speaker 2: And I was like, oh my god, what's your vand's name?

487
00:26:22,840 --> 00:26:26,280
Speaker 2: And she was like slut and You're like, oh, I'll

488
00:26:26,320 --> 00:26:31,160
Speaker 2: be there. Wow. Great. It just made me giggle so much.

489
00:26:31,200 --> 00:26:32,960
Speaker 5: I was like, God, we should really bring that turn

490
00:26:33,040 --> 00:26:37,720
Speaker 5: background and and everything's really upbeat.

491
00:26:38,359 --> 00:26:38,880
Speaker 2: Here's a deal.

492
00:26:39,000 --> 00:26:43,840
Speaker 1: That scene of you and Millie and Haley standing around

493
00:26:44,400 --> 00:26:48,400
Speaker 1: scripted terribly, so much exposition. The writing is terrible, and

494
00:26:48,440 --> 00:26:52,280
Speaker 1: you guys took it and you spun like rumper Stiltskin

495
00:26:52,480 --> 00:26:56,560
Speaker 1: and the hay Tig Gold, Like just the readings that

496
00:26:56,600 --> 00:26:59,760
Speaker 1: you guys gave, you gave it so much life because

497
00:26:59,760 --> 00:27:04,040
Speaker 1: other it was just three girls standing in an unnatural

498
00:27:04,119 --> 00:27:10,120
Speaker 1: circle making very expository remarks, and you guys crushed it. Bravo.

499
00:27:10,840 --> 00:27:14,200
Speaker 5: I mean, I will say I think we found I'm

500
00:27:14,240 --> 00:27:16,320
Speaker 5: just texting you my notes because you don't have yours

501
00:27:16,320 --> 00:27:17,560
Speaker 5: minor really piecemeal.

502
00:27:17,640 --> 00:27:19,720
Speaker 2: Sorry, thanks for doing my homework.

503
00:27:21,000 --> 00:27:25,480
Speaker 5: But yeah, I remember the feeling of that. I remember

504
00:27:25,520 --> 00:27:28,360
Speaker 5: how funny some of it was. I remember when we

505
00:27:28,440 --> 00:27:34,520
Speaker 5: decided to do like bad TV voice and you've got

506
00:27:34,600 --> 00:27:37,960
Speaker 5: it goes from Haley to Milly to me being like, wow, yeah,

507
00:27:37,960 --> 00:27:40,119
Speaker 5: what do you think of that? Brook g I wonder

508
00:27:40,160 --> 00:27:42,439
Speaker 5: and me being like, I don't like you, Like, we

509
00:27:42,600 --> 00:27:44,280
Speaker 5: found all these little devices.

510
00:27:44,520 --> 00:27:45,520
Speaker 2: Well you're making.

511
00:27:45,359 --> 00:27:48,600
Speaker 1: Fun of the dialogue by making a cheesy TV talk.

512
00:27:48,760 --> 00:27:50,760
Speaker 2: It's brilliant. It's brilliant.

513
00:27:51,000 --> 00:27:53,359
Speaker 5: Yeah, we found these devices to like really have a

514
00:27:53,400 --> 00:27:55,719
Speaker 5: good time with each other. And in the midst of it,

515
00:27:55,720 --> 00:27:59,679
Speaker 5: you've got these kids cutting through the you know, the

516
00:27:59,680 --> 00:28:02,399
Speaker 5: the show on skateboards and it's Sam and it's Jamie

517
00:28:02,440 --> 00:28:05,359
Speaker 5: and you know, Jamie says Sam's his favorite girl now and.

518
00:28:05,600 --> 00:28:08,160
Speaker 2: Everything is just light.

519
00:28:08,960 --> 00:28:11,920
Speaker 5: And I really think it helps with the mister act

520
00:28:12,000 --> 00:28:15,480
Speaker 5: because you cut from the kids using clothes over bros

521
00:28:15,480 --> 00:28:18,440
Speaker 5: As a skate park to Julian Baker walking up the

522
00:28:18,480 --> 00:28:21,680
Speaker 5: steps of Lucas and Peyton's house and you have no

523
00:28:22,080 --> 00:28:25,520
Speaker 5: idea that he's about to be a villain.

524
00:28:26,200 --> 00:28:28,000
Speaker 1: Okay, so I'm saying this for the benefit of our

525
00:28:28,040 --> 00:28:30,800
Speaker 1: producers who are listening in. Are we booking Austin for

526
00:28:30,840 --> 00:28:33,040
Speaker 1: the next episode because we have to.

527
00:28:34,080 --> 00:28:35,880
Speaker 2: So when Sophie and I were justin.

528
00:28:35,680 --> 00:28:39,240
Speaker 1: Wilmington and you know, with Evin and Denial and Sammy,

529
00:28:40,000 --> 00:28:42,480
Speaker 1: I told them my Austin Nichols story, and I.

530
00:28:42,560 --> 00:28:45,480
Speaker 2: Feel like we should tell him to be here. He

531
00:28:45,520 --> 00:28:47,840
Speaker 2: needs to be here for it, though he should know.

532
00:28:48,520 --> 00:28:54,480
Speaker 1: Yeah, it is hard to watch this season because it

533
00:28:54,640 --> 00:28:58,000
Speaker 1: is kind of undoing a lot of the work that

534
00:28:58,080 --> 00:29:00,480
Speaker 1: we have done over the course of watching this show.

535
00:29:00,520 --> 00:29:02,920
Speaker 1: It was like we knew when we started Drama Queens

536
00:29:03,080 --> 00:29:04,680
Speaker 1: that we were gonna have to talk about the shit,

537
00:29:04,840 --> 00:29:08,760
Speaker 1: And for a long time watching the episodes was feeling

538
00:29:08,840 --> 00:29:12,760
Speaker 1: really really healthy because it was like, oh, it's cathartic,

539
00:29:12,800 --> 00:29:16,280
Speaker 1: We're getting everything out, and now it's really difficult for

540
00:29:16,360 --> 00:29:22,240
Speaker 1: me to see outside of just like the toxic, uncomfortable.

541
00:29:21,520 --> 00:29:22,480
Speaker 2: Shit of that year.

542
00:29:22,960 --> 00:29:26,440
Speaker 1: So I do like to focus on making fun of Austin.

543
00:29:27,360 --> 00:29:31,640
Speaker 2: Matter like that, because oh I can't wait.

544
00:29:32,000 --> 00:29:34,040
Speaker 1: I posted a picture on Instagram of me with an

545
00:29:34,040 --> 00:29:37,960
Speaker 1: owl out at Sundance, and that motherfucker, like thirty minutes

546
00:29:38,040 --> 00:29:40,320
Speaker 1: later is sending me a picture of the owl that

547
00:29:40,360 --> 00:29:43,280
Speaker 1: lives in his tree and calling it his lady friend,

548
00:29:43,880 --> 00:29:44,360
Speaker 1: just like.

549
00:29:44,880 --> 00:29:46,080
Speaker 2: That's who he is.

550
00:29:46,320 --> 00:29:49,520
Speaker 1: He's the guy that like just takes pictures of owls

551
00:29:49,920 --> 00:29:50,880
Speaker 1: in Yeah.

552
00:29:51,280 --> 00:29:55,040
Speaker 5: He's We've all we've all realized that in the ways

553
00:29:55,080 --> 00:29:57,080
Speaker 5: that we thought so many of our sweet male co

554
00:29:57,200 --> 00:30:00,200
Speaker 5: stars on this show were like the little brothers, we're

555
00:30:00,240 --> 00:30:04,360
Speaker 5: gonna have to rear like he is and and we

556
00:30:04,440 --> 00:30:08,080
Speaker 5: love him. And I mean that as a compliment, by

557
00:30:08,120 --> 00:30:11,040
Speaker 5: the way, like, good God, some person's gonna say something

558
00:30:11,040 --> 00:30:14,800
Speaker 5: snarky on the internet, like we're family, we love each other.

559
00:30:15,920 --> 00:30:16,440
Speaker 2: That's all.

560
00:30:16,880 --> 00:30:19,680
Speaker 1: My favorite memory of Austin is so he came in

561
00:30:20,160 --> 00:30:23,240
Speaker 1: very much like Julian Baker to our show, right, and was.

562
00:30:23,320 --> 00:30:25,400
Speaker 5: Very like Cock of the walk I think those were

563
00:30:25,440 --> 00:30:28,120
Speaker 5: his ray bands probably.

564
00:30:28,800 --> 00:30:34,280
Speaker 1: He had been on HBO's John from Cincinnati with Willie Garson, so.

565
00:30:34,400 --> 00:30:35,760
Speaker 2: That show was so good.

566
00:30:36,320 --> 00:30:39,440
Speaker 1: He had been doing it. Wasn't he Deadwood too? He'd

567
00:30:39,440 --> 00:30:43,760
Speaker 1: been Yeah, big ship came into our show, and it

568
00:30:43,840 --> 00:30:47,720
Speaker 1: was a little like, oh, okay, he this isn't someone

569
00:30:47,760 --> 00:30:53,320
Speaker 1: from our bubble. But then when Jeffrey was doing The

570
00:30:53,360 --> 00:30:56,000
Speaker 1: Walking Dead and I went to go visit the first

571
00:30:56,080 --> 00:30:58,800
Speaker 1: year jeff was on The Walking Dead. I ran into

572
00:30:58,840 --> 00:31:02,640
Speaker 1: a very different who was very like respectful and like,

573
00:31:03,000 --> 00:31:04,840
Speaker 1: how are you doing, Jeffrey, very nice to see you,

574
00:31:04,880 --> 00:31:07,280
Speaker 1: and like really reserved, and I was like, that's not

575
00:31:07,360 --> 00:31:08,040
Speaker 1: the guy I know.

576
00:31:08,160 --> 00:31:08,960
Speaker 2: The guy I knows.

577
00:31:09,160 --> 00:31:12,600
Speaker 1: You know, I'm the big shit in the room, and so.

578
00:31:12,680 --> 00:31:14,120
Speaker 2: I I don't know.

579
00:31:14,160 --> 00:31:16,960
Speaker 1: I really have enjoyed knowing Austin all these years at

580
00:31:16,960 --> 00:31:21,240
Speaker 1: this point because he's a wonderful actor. He's really faking fun.

581
00:31:21,480 --> 00:31:24,720
Speaker 1: He's read like extracurricular stuff. We did a lot of

582
00:31:24,720 --> 00:31:28,880
Speaker 1: stuff like hangout wise after work, and he made a

583
00:31:28,920 --> 00:31:32,480
Speaker 1: real point out of making friends with my friends in town,

584
00:31:32,920 --> 00:31:38,280
Speaker 1: and I appreciated that he valued them, and I really

585
00:31:38,440 --> 00:31:42,440
Speaker 1: respected that about him. So it's fun to see.

586
00:31:42,760 --> 00:31:45,400
Speaker 2: I'd forgotten what the beginning of Julian Baker was.

587
00:31:45,480 --> 00:31:49,120
Speaker 5: Getting me to SUV, I was like, wait, he has

588
00:31:49,120 --> 00:31:51,280
Speaker 5: a driver, what is going on here?

589
00:31:51,880 --> 00:31:52,560
Speaker 1: Yeah?

590
00:31:52,600 --> 00:31:56,440
Speaker 5: It was so funny because when when the call first

591
00:31:56,520 --> 00:31:59,480
Speaker 5: came in, you know, when the early part of the episode,

592
00:31:59,760 --> 00:32:03,280
Speaker 5: when you see Lucas under the bleachers on the phone,

593
00:32:03,520 --> 00:32:05,400
Speaker 5: I was like, oh my god, this is the beginning

594
00:32:05,400 --> 00:32:08,560
Speaker 5: of the storyline. I wonder when when does like the

595
00:32:08,640 --> 00:32:11,920
Speaker 5: audience meet Julian, and then it's this episode. I had

596
00:32:12,000 --> 00:32:13,600
Speaker 5: no idea what happened this fast.

597
00:32:14,280 --> 00:32:17,320
Speaker 1: There's a scene in the upcoming episode. I think, if

598
00:32:17,320 --> 00:32:22,600
Speaker 1: my memory serves me correctly, that I remember vividly, so

599
00:32:22,640 --> 00:32:27,360
Speaker 1: I knew it was coming. I just didn't remember how

600
00:32:27,440 --> 00:32:30,400
Speaker 1: cryptic Julian was. I forgot that when he had his

601
00:32:30,480 --> 00:32:34,200
Speaker 1: first been introduced, there was a possibility of it going

602
00:32:34,280 --> 00:32:38,120
Speaker 1: into Matt barr Land right where he's like sometimes I

603
00:32:38,200 --> 00:32:41,120
Speaker 1: just get obsessed with things, yeah, you know, like he's

604
00:32:41,600 --> 00:32:45,080
Speaker 1: saying really cryptic shit where it's like these tree Hill

605
00:32:45,160 --> 00:32:48,120
Speaker 1: kids have been through it enough times, like should be

606
00:32:48,200 --> 00:32:50,320
Speaker 1: red flag, red flag, and instead this.

607
00:32:50,240 --> 00:32:52,360
Speaker 2: Is like, well, I guess I won't call Peyton. Let

608
00:32:52,400 --> 00:32:54,600
Speaker 2: me sign this paper. Yeah.

609
00:32:54,720 --> 00:32:59,920
Speaker 5: And it was interesting knowing obviously the tension that they

610
00:33:00,080 --> 00:33:03,080
Speaker 5: were building for the Julian and Peyton.

611
00:33:02,800 --> 00:33:04,080
Speaker 2: And Lucas love triangle.

612
00:33:04,920 --> 00:33:08,640
Speaker 5: It was so wild to see that scene rather than

613
00:33:09,280 --> 00:33:12,480
Speaker 5: knowing nothing knowing what was coming, because I was like,

614
00:33:12,520 --> 00:33:15,040
Speaker 5: oh my god, they really do have him being kind

615
00:33:15,040 --> 00:33:18,480
Speaker 5: of creepy, and there's so much pressure like, oh sign

616
00:33:18,520 --> 00:33:20,960
Speaker 5: this before she gets here. Your agent says to sign it. Yeah,

617
00:33:20,960 --> 00:33:23,280
Speaker 5: because you should sign it. I was like, wow, this

618
00:33:24,360 --> 00:33:26,280
Speaker 5: I don't know if I read it as being so

619
00:33:26,440 --> 00:33:30,360
Speaker 5: creepy then, but it made me uncomfortable.

620
00:33:30,840 --> 00:33:35,080
Speaker 1: Julian becomes like kind of goofy in later later seasons, right, oh.

621
00:33:35,160 --> 00:33:39,000
Speaker 5: Well, yeah, he was supposed to be the like bad

622
00:33:39,040 --> 00:33:44,160
Speaker 5: boy movie producer, super cool guy. And then and by

623
00:33:44,200 --> 00:33:46,719
Speaker 5: the way, they also said he would be there for

624
00:33:46,760 --> 00:33:49,600
Speaker 5: a time, maybe break you guys up that you know,

625
00:33:49,640 --> 00:33:53,280
Speaker 5: there was a lot of apology from the boss that

626
00:33:53,440 --> 00:33:55,760
Speaker 5: was like, I had no idea this overlapped with your

627
00:33:55,800 --> 00:33:56,240
Speaker 5: real life.

628
00:33:56,240 --> 00:33:57,600
Speaker 2: How weird. And I was like, dude, I've.

629
00:33:57,520 --> 00:34:00,200
Speaker 5: Dated like three people in ten years. What do you

630
00:34:00,240 --> 00:34:04,160
Speaker 5: mean you had no idea? You're my nightmare. And he

631
00:34:04,240 --> 00:34:07,240
Speaker 5: was like, promise you guys will never have like you'll

632
00:34:07,240 --> 00:34:10,520
Speaker 5: barely ever have scenes together, but it'll certainly never be romantic.

633
00:34:12,719 --> 00:34:15,680
Speaker 5: And then when they shifted it and did what they

634
00:34:15,680 --> 00:34:19,320
Speaker 5: were going to do anyway, and Julian of course becomes

635
00:34:19,400 --> 00:34:23,839
Speaker 5: the person that Brooke marries. The hilarity of it was

636
00:34:24,320 --> 00:34:29,080
Speaker 5: there were other dynamics at play, and our creepy boss

637
00:34:29,480 --> 00:34:34,400
Speaker 5: didn't want all of Julian Baker's like cool, hot Hollywood

638
00:34:34,440 --> 00:34:40,080
Speaker 5: movie star character friends coming into town. Oh he he

639
00:34:40,160 --> 00:34:47,880
Speaker 5: did not want any more attractive young male right cast

640
00:34:47,920 --> 00:34:50,919
Speaker 5: members on our set to pull attention away from him

641
00:34:52,000 --> 00:34:56,120
Speaker 5: him being our boss, and so he is. He essentially

642
00:34:56,160 --> 00:35:00,000
Speaker 5: like emotionally castrated Julian and made him into a nerd

643
00:35:00,040 --> 00:35:02,799
Speaker 5: who didn't know how to give a high five six

644
00:35:02,960 --> 00:35:03,400
Speaker 5: year old.

645
00:35:04,520 --> 00:35:05,080
Speaker 2: Yeah he had.

646
00:35:05,160 --> 00:35:06,680
Speaker 5: He had a six year old be his best man

647
00:35:06,680 --> 00:35:07,680
Speaker 5: because he had no friends.

648
00:35:09,120 --> 00:35:09,720
Speaker 2: Just wild.

649
00:35:10,040 --> 00:35:14,120
Speaker 5: There's so wild wild, and we all were like, what

650
00:35:14,840 --> 00:35:16,440
Speaker 5: is happening.

651
00:35:29,200 --> 00:35:33,600
Speaker 1: It's hard to watch these episodes because it's like when

652
00:35:33,600 --> 00:35:35,640
Speaker 1: you go into a cat house and you can smell

653
00:35:35,680 --> 00:35:37,640
Speaker 1: the ammonia even though you don't see the cats.

654
00:35:38,000 --> 00:35:39,879
Speaker 2: Yeah, I can smell.

655
00:35:39,600 --> 00:35:43,279
Speaker 1: The ammonia on all the different storylines here, Like obviously

656
00:35:43,320 --> 00:35:45,200
Speaker 1: there was some manipulation happening.

657
00:35:44,880 --> 00:35:45,719
Speaker 2: In your storyline.

658
00:35:46,239 --> 00:35:50,520
Speaker 1: In my storyline, everyone knows that my childhood friend died

659
00:35:50,520 --> 00:35:57,359
Speaker 1: in Iraq and it was a horrible death and I

660
00:35:57,480 --> 00:36:00,680
Speaker 1: was really struggling with that and it was probably the

661
00:36:00,719 --> 00:36:04,239
Speaker 1: thing I was most vulnerable about, most vulnerable about at

662
00:36:04,239 --> 00:36:08,279
Speaker 1: this point. And so we're eight episodes in and I'm

663
00:36:08,360 --> 00:36:13,160
Speaker 1: still not speaking to our boss right until he scripts

664
00:36:13,200 --> 00:36:16,360
Speaker 1: in this USO stuff, because in my personal life, I

665
00:36:16,400 --> 00:36:19,360
Speaker 1: had just gone on a huge USO tour over the

666
00:36:19,400 --> 00:36:23,200
Speaker 1: summer and it was really meaningful to me. And so

667
00:36:23,560 --> 00:36:26,279
Speaker 1: you've got this person who's been so awful to you

668
00:36:27,080 --> 00:36:30,839
Speaker 1: giving you this gift. And it's what narcissists do. They

669
00:36:30,880 --> 00:36:35,400
Speaker 1: love vombu when they can't control you. And this was

670
00:36:35,400 --> 00:36:38,680
Speaker 1: a really complicated storyline for me because I wanted to

671
00:36:38,760 --> 00:36:41,759
Speaker 1: do nice things for the troops. I wanted to draw

672
00:36:41,800 --> 00:36:44,320
Speaker 1: attention to them and honor them, but it was coming

673
00:36:44,360 --> 00:36:49,400
Speaker 1: from someone who was not safe. And it's the ammonia.

674
00:36:49,440 --> 00:36:50,320
Speaker 1: It's that piss smell.

675
00:36:50,640 --> 00:36:52,640
Speaker 2: I just oh, I want to like it.

676
00:36:52,840 --> 00:36:54,200
Speaker 1: I'm really struggling.

677
00:36:54,239 --> 00:36:55,919
Speaker 2: And then the mouth and cheesy stuff too.

678
00:36:56,520 --> 00:36:59,799
Speaker 1: Yeah, he thinks his mouth. And so he's writing all

679
00:36:59,840 --> 00:37:03,680
Speaker 1: of young women that throw themselves at the boss and

680
00:37:06,000 --> 00:37:07,240
Speaker 1: no hard pass.

681
00:37:07,360 --> 00:37:10,160
Speaker 5: We're all literally running from you, hiding, and we have

682
00:37:10,200 --> 00:37:13,480
Speaker 5: a text chain to make sure no one ever winds

683
00:37:13,520 --> 00:37:15,920
Speaker 5: up in a room alone with you. It's like our

684
00:37:15,960 --> 00:37:19,560
Speaker 5: emergency line. And that's how you see yourself, Like, Bro,

685
00:37:19,760 --> 00:37:23,040
Speaker 5: you are embarrassing. It's interesting. I didn't know if you

686
00:37:23,080 --> 00:37:25,600
Speaker 5: were going to want to get into the behind the

687
00:37:25,640 --> 00:37:31,040
Speaker 5: scenes on the USO stuff, because seeing you and Earnest

688
00:37:31,120 --> 00:37:34,719
Speaker 5: in the episode, I was like, God, I'm I'm so

689
00:37:34,960 --> 00:37:41,200
Speaker 5: happy for this, and because of how obviously painful and

690
00:37:41,280 --> 00:37:43,840
Speaker 5: traumatic that was in your life, not only to be

691
00:37:43,920 --> 00:37:47,680
Speaker 5: able to highlight an organization you cared about, but knowing

692
00:37:47,680 --> 00:37:50,879
Speaker 5: how safe you felt with Earnest and in your storyline,

693
00:37:51,480 --> 00:37:56,840
Speaker 5: and the fact that it interestingly worked to bring Peyton

694
00:37:57,000 --> 00:38:01,480
Speaker 5: back to the mix of it all, and it was

695
00:38:01,560 --> 00:38:04,959
Speaker 5: actually a really good tie in for Yeah, I asked

696
00:38:05,000 --> 00:38:06,719
Speaker 5: him to play a show for us, and I'm still

697
00:38:06,719 --> 00:38:07,720
Speaker 5: waiting to hear back.

698
00:38:08,400 --> 00:38:10,320
Speaker 2: It didn't feel like a stretch.

699
00:38:10,400 --> 00:38:14,400
Speaker 5: It actually really really works for these half siblings and

700
00:38:14,480 --> 00:38:20,000
Speaker 5: their storyline with their estranged dad, and it was a

701
00:38:20,080 --> 00:38:22,560
Speaker 5: really beautiful scene between you guys. It was nice to

702
00:38:22,600 --> 00:38:28,319
Speaker 5: see you revisit old spaces in this healthy way as

703
00:38:28,360 --> 00:38:32,400
Speaker 5: the adult versions of your characters, and it made me like,

704
00:38:32,440 --> 00:38:34,440
Speaker 5: as your friend, it made me really emotional because it

705
00:38:34,440 --> 00:38:38,200
Speaker 5: made me think about not only how much fun we

706
00:38:38,360 --> 00:38:42,560
Speaker 5: had doing the upcoming concert, how special it felt, how

707
00:38:42,600 --> 00:38:46,760
Speaker 5: cool it was, how it felt like this really huge

708
00:38:46,840 --> 00:38:49,440
Speaker 5: way to use the privilege of this platform of a

709
00:38:49,440 --> 00:38:52,719
Speaker 5: TV show, but it had such ripple effects, like how

710
00:38:52,800 --> 00:38:58,120
Speaker 5: much that whole experience working with that organization affected you

711
00:38:58,239 --> 00:39:00,360
Speaker 5: like a lot of us went on to do so

712
00:39:00,480 --> 00:39:05,520
Speaker 5: tours because you introduced us to the organization and it's

713
00:39:05,640 --> 00:39:11,000
Speaker 5: one of the most indelible good memories I have of

714
00:39:11,040 --> 00:39:16,399
Speaker 5: the entire run of our show. And to know, oh, sorry,

715
00:39:16,440 --> 00:39:19,120
Speaker 5: it's making me emotional just looking at you, because you're emotional,

716
00:39:19,239 --> 00:39:24,080
Speaker 5: Like to know that because we were privileged enough to

717
00:39:24,280 --> 00:39:28,440
Speaker 5: be there with you and and be your community when

718
00:39:28,480 --> 00:39:33,440
Speaker 5: Scott passed away that like for years, these amazing things

719
00:39:33,480 --> 00:39:36,680
Speaker 5: happened in his memory because of the way that you

720
00:39:38,480 --> 00:39:40,680
Speaker 5: like chose to do something good with how much you

721
00:39:40,760 --> 00:39:44,480
Speaker 5: loved your friend who you lost. Like that is like

722
00:39:44,520 --> 00:39:49,560
Speaker 5: a top five One Tree Hill moment for me.

723
00:39:50,840 --> 00:39:54,400
Speaker 2: And you did that. I love you so like our boss,

724
00:39:54,440 --> 00:39:58,200
Speaker 2: but you're the best. I love you. Thank you. Yeah,

725
00:39:59,080 --> 00:40:00,120
Speaker 2: I did like that.

726
00:40:00,200 --> 00:40:03,840
Speaker 1: We had to film that scene in front of a

727
00:40:03,920 --> 00:40:07,879
Speaker 1: military cemetery that sucked, and that was like a little

728
00:40:07,880 --> 00:40:10,320
Speaker 1: bit of subtext that I didn't tell anybody because like,

729
00:40:10,360 --> 00:40:12,960
Speaker 1: what am I going to say? The locations, Like hey,

730
00:40:13,000 --> 00:40:16,080
Speaker 1: I don't want to see all the white graves stacked up,

731
00:40:16,160 --> 00:40:16,680
Speaker 1: you know, Like.

732
00:40:16,640 --> 00:40:20,000
Speaker 2: That's yeah, like this feels too hard. I've been to

733
00:40:20,040 --> 00:40:20,720
Speaker 2: that funeral.

734
00:40:20,760 --> 00:40:26,239
Speaker 1: Why are we even projecting that you know, but you're right,

735
00:40:26,360 --> 00:40:31,520
Speaker 1: Like Ernest, Ernest was so safe in a way that

736
00:40:31,600 --> 00:40:34,080
Speaker 1: makes me sad we didn't have more of him. But

737
00:40:34,280 --> 00:40:38,200
Speaker 1: he needed that, she needed a guy she could depend on.

738
00:40:38,800 --> 00:40:43,919
Speaker 1: And I love that we had the the Mick talk.

739
00:40:44,040 --> 00:40:46,400
Speaker 1: It made everything make sense. The fact that Mick and

740
00:40:46,440 --> 00:40:50,799
Speaker 1: Peyton never talked about Derek was weird, YEA. So being

741
00:40:50,840 --> 00:40:54,080
Speaker 1: able to, you know, bookend the relationship, I just like

742
00:40:54,360 --> 00:40:57,520
Speaker 1: addressing it was great. I love I love the way

743
00:40:57,640 --> 00:41:01,120
Speaker 1: Ernest looks in a uniform. I love how he takes it.

744
00:41:01,600 --> 00:41:06,239
Speaker 1: I love that he's such a stoic, stern man, you know,

745
00:41:06,360 --> 00:41:09,680
Speaker 1: like he's the opposite of Peyton in so many ways.

746
00:41:10,200 --> 00:41:13,840
Speaker 1: And while I thought the dialogue that we had together

747
00:41:13,920 --> 00:41:17,440
Speaker 1: in our scene was kind of dorky.

748
00:41:17,800 --> 00:41:20,480
Speaker 2: I loved clunky, but you did beautiful.

749
00:41:20,480 --> 00:41:22,799
Speaker 1: I love that you could tell what we really meant,

750
00:41:22,920 --> 00:41:25,920
Speaker 1: like like we're on an island, the two of us

751
00:41:26,040 --> 00:41:31,240
Speaker 1: kids that nobody wants. You know, in my perfect world,

752
00:41:31,560 --> 00:41:36,799
Speaker 1: Peyton befriends her brother's mom, you know, Like why isn't

753
00:41:36,800 --> 00:41:38,799
Speaker 1: Peyton going to their house for Thanksgiving?

754
00:41:39,600 --> 00:41:40,239
Speaker 2: Yeah?

755
00:41:40,440 --> 00:41:43,040
Speaker 1: I hope in what do they call it the mega verse,

756
00:41:43,640 --> 00:41:46,719
Speaker 1: that Peyton just goes over to brother Derek's house that

757
00:41:46,840 --> 00:41:50,359
Speaker 1: hangs out with his maternal side of the family. There's

758
00:41:50,400 --> 00:41:54,040
Speaker 1: lots of good stuff that's teased with all the USO stuff,

759
00:41:54,120 --> 00:41:56,600
Speaker 1: and we really we had such a magical time. I mean,

760
00:41:56,680 --> 00:41:59,920
Speaker 1: how many sold because there were people deploying the night

761
00:42:00,040 --> 00:42:01,640
Speaker 1: that we went and did that. And we'll talk more

762
00:42:01,640 --> 00:42:05,120
Speaker 1: about it when we see that episode. But we kissed

763
00:42:05,360 --> 00:42:08,640
Speaker 1: so many people go by, and then we get out

764
00:42:08,640 --> 00:42:11,360
Speaker 1: of the buck and it was like, yeah, yeah, just

765
00:42:11,400 --> 00:42:14,320
Speaker 1: started kissing people go by, and you know, I probably

766
00:42:14,400 --> 00:42:17,800
Speaker 1: kissed more people that day than the summation of my life.

767
00:42:18,760 --> 00:42:20,239
Speaker 2: So sweet. Sometimes you have.

768
00:42:20,239 --> 00:42:21,560
Speaker 1: To try to kiss parade, you guys.

769
00:42:22,000 --> 00:42:24,600
Speaker 5: Sometimes you just want to hold someone by their little

770
00:42:24,640 --> 00:42:28,240
Speaker 5: cheeks and give them a peck because it's the moment.

771
00:42:28,680 --> 00:42:31,560
Speaker 1: It's the moment, it's the moment pre COVID. We don't

772
00:42:31,560 --> 00:42:33,440
Speaker 1: do that anymore, absolutely not.

773
00:42:33,520 --> 00:42:36,759
Speaker 5: I barely shake hands anymore. But back then, we were

774
00:42:36,880 --> 00:42:38,359
Speaker 5: kissing soldiers left and right.

775
00:42:38,480 --> 00:42:40,279
Speaker 1: I know, I have to think about this messaging, and

776
00:42:40,320 --> 00:42:41,799
Speaker 1: I'm like, are people going to hope and be like, well,

777
00:42:41,840 --> 00:42:45,279
Speaker 1: Hillary loves kisses. Let's just know, don't don't do it, No,

778
00:42:46,000 --> 00:42:49,640
Speaker 1: don't do it. Yeah, Peyton kind of being off on

779
00:42:49,680 --> 00:42:50,440
Speaker 1: her own island.

780
00:42:50,520 --> 00:42:51,439
Speaker 2: This episode.

781
00:42:51,960 --> 00:42:54,520
Speaker 1: I had a number of these episodes back to back

782
00:42:54,520 --> 00:42:57,520
Speaker 1: to back to back to back because I'm totally isolated

783
00:42:57,520 --> 00:43:00,200
Speaker 1: with Derek in this one, Lucas and I have a

784
00:43:00,320 --> 00:43:05,320
Speaker 1: very isolated episode. I had another when we were in Vegas.

785
00:43:05,480 --> 00:43:10,440
Speaker 1: We were isolated, like season six, someone I don't see

786
00:43:10,680 --> 00:43:11,640
Speaker 1: people really.

787
00:43:12,360 --> 00:43:16,200
Speaker 5: Yeah, I wonder if do you feel like that's because

788
00:43:16,200 --> 00:43:20,200
Speaker 5: they were trying to settle into the couples again, because

789
00:43:20,440 --> 00:43:23,560
Speaker 5: you know, we start we start the episode together all

790
00:43:23,600 --> 00:43:28,160
Speaker 5: the girls, and we do have these moments of community.

791
00:43:28,200 --> 00:43:31,480
Speaker 5: But you were saying it earlier, they really did do

792
00:43:31,640 --> 00:43:35,240
Speaker 5: a lot with these couples.

793
00:43:36,120 --> 00:43:38,799
Speaker 2: I don't. I don't. I don't really know. I can't.

794
00:43:39,120 --> 00:43:42,320
Speaker 5: I can't really think of where it's going, aside from

795
00:43:42,480 --> 00:43:47,600
Speaker 5: you know, the the reveal of Julian and knowing how

796
00:43:47,719 --> 00:43:50,480
Speaker 5: weird that's gonna be, and knowing that we're gonna have

797
00:43:50,520 --> 00:43:54,640
Speaker 5: this big upcoming concert, which was so amazing. But I don't,

798
00:43:55,560 --> 00:43:58,760
Speaker 5: I don't really remember what else is going to happen,

799
00:43:58,880 --> 00:44:03,120
Speaker 5: which is wild. Like watching this episode when we when

800
00:44:03,200 --> 00:44:05,120
Speaker 5: Sam snuck out, I was like, well, where's she going?

801
00:44:05,160 --> 00:44:06,240
Speaker 5: Where's she taking Jamie?

802
00:44:06,280 --> 00:44:09,000
Speaker 2: Like what's I literally didn't remember.

803
00:44:08,680 --> 00:44:10,400
Speaker 5: That she threw a party and close over bros. I

804
00:44:10,400 --> 00:44:13,560
Speaker 5: didn't remember any of that, which is bizarre.

805
00:44:15,400 --> 00:44:19,520
Speaker 1: I I really liked how Joy tackled the Haley of

806
00:44:19,560 --> 00:44:22,640
Speaker 1: it all in this episode, because she's had to say

807
00:44:22,680 --> 00:44:26,080
Speaker 1: the same thing for two seasons now, over and over

808
00:44:26,120 --> 00:44:27,919
Speaker 1: and over again, I'm worried, I'm right, I'm worried, I'm worried,

809
00:44:27,920 --> 00:44:31,120
Speaker 1: I'm word of And she took every single one of

810
00:44:31,120 --> 00:44:34,279
Speaker 1: those lines that she's already said and set them with

811
00:44:34,320 --> 00:44:37,040
Speaker 1: a smile and a laugh and like a joking tone

812
00:44:37,040 --> 00:44:40,080
Speaker 1: in this episode, and it made all the difference, Like

813
00:44:40,960 --> 00:44:44,360
Speaker 1: it was fresh and it was cool, And I like

814
00:44:44,920 --> 00:44:49,360
Speaker 1: the fun that they had together because she's not nagging him,

815
00:44:49,520 --> 00:44:51,880
Speaker 1: She's genuinely.

816
00:44:51,320 --> 00:44:53,279
Speaker 2: Like, Wow, don't get hurt.

817
00:44:53,320 --> 00:44:56,720
Speaker 1: Okay, let's say it, but say it's sexy.

818
00:44:57,440 --> 00:44:58,359
Speaker 2: Yeah. Yeah.

819
00:44:58,400 --> 00:45:02,080
Speaker 5: I like that there's a series busness to the subject

820
00:45:02,120 --> 00:45:04,480
Speaker 5: matter they're discussing, but that they're in such a good

821
00:45:04,520 --> 00:45:07,680
Speaker 5: place that they're doing it in a lighthearted way, and

822
00:45:07,719 --> 00:45:12,800
Speaker 5: that they're trying, especially Haley is trying to be positive

823
00:45:12,840 --> 00:45:17,080
Speaker 5: for him, because that's real life, Like real life is

824
00:45:17,120 --> 00:45:20,120
Speaker 5: a is a wash of so many emotions, at the same.

825
00:45:19,960 --> 00:45:23,200
Speaker 2: Time, and it is.

826
00:45:23,480 --> 00:45:28,840
Speaker 5: It is really nice to see them flirting and having

827
00:45:28,840 --> 00:45:33,799
Speaker 5: a good time together, even though there's this backdrop of anxiety.

828
00:45:34,800 --> 00:45:35,879
Speaker 2: Anxiety is the right word.

829
00:45:35,960 --> 00:45:38,360
Speaker 1: When he's doing that thing where he's wincing while she

830
00:45:38,440 --> 00:45:42,160
Speaker 1: plays piano and she's like, what, I can't play with

831
00:45:42,200 --> 00:45:45,640
Speaker 1: you making that face and he's like, exactly, I loved that.

832
00:45:46,000 --> 00:45:50,000
Speaker 2: Yeah it worked for me. Yeah, that was really great. Okay.

833
00:45:50,560 --> 00:45:53,280
Speaker 1: I like Julian Baker letting everyone know that it's really

834
00:45:53,320 --> 00:45:56,760
Speaker 1: the writers that are the big money guys.

835
00:45:57,080 --> 00:46:00,200
Speaker 2: I was like, guys, what first.

836
00:46:00,160 --> 00:46:03,440
Speaker 5: Time writer do you know who's ever made three hundred

837
00:46:03,560 --> 00:46:07,120
Speaker 5: thousand dollars to write a script? Most writers have to

838
00:46:07,120 --> 00:46:09,840
Speaker 5: turn in their first scripts on spec and pray that

839
00:46:09,920 --> 00:46:10,960
Speaker 5: they get paid for them.

840
00:46:11,200 --> 00:46:16,000
Speaker 2: Yeah. Yeah, that was not accurate. That was hilarious.

841
00:46:16,040 --> 00:46:22,120
Speaker 1: Cool for Lucas, good for him. Yeah, I don't know

842
00:46:22,120 --> 00:46:24,480
Speaker 1: between the digs, that was distracting.

843
00:46:24,760 --> 00:46:26,359
Speaker 2: I'm trying to think what else I liked.

844
00:46:26,480 --> 00:46:29,840
Speaker 1: Oh, we need to talk about the mouth and Millie

845
00:46:29,840 --> 00:46:36,880
Speaker 1: of it all and Gigi because that little Kelsey is

846
00:46:36,920 --> 00:46:42,160
Speaker 1: such a good actor. And I can't imagine her parents

847
00:46:42,200 --> 00:46:45,600
Speaker 1: because she was still a kid. Right, How old was she.

848
00:46:45,520 --> 00:46:46,320
Speaker 2: At this point.

849
00:46:47,600 --> 00:46:49,480
Speaker 1: I mean, we never knew her.

850
00:46:49,560 --> 00:46:49,880
Speaker 2: Really.

851
00:46:50,400 --> 00:46:53,319
Speaker 5: I think she was fourteen when she first started on

852
00:46:53,360 --> 00:46:55,920
Speaker 5: the show, so she might have been eighteen at this point.

853
00:46:57,239 --> 00:47:00,120
Speaker 5: Seventeen eighteen, she was a baby.

854
00:47:00,360 --> 00:47:03,960
Speaker 1: Yeah, and the whole you know, mouth has to overcome

855
00:47:04,120 --> 00:47:07,960
Speaker 1: this aggressive female thing and do the right thing, and

856
00:47:09,440 --> 00:47:10,640
Speaker 1: it's really distressing.

857
00:47:13,160 --> 00:47:15,160
Speaker 2: Our producer thinks she was only seventeen and she had

858
00:47:15,200 --> 00:47:16,279
Speaker 2: to do this. Yeah.

859
00:47:16,320 --> 00:47:19,960
Speaker 1: Yeah, it was a It was a weird vibe.

860
00:47:20,040 --> 00:47:24,680
Speaker 5: Even the weirdness of them. I mean, they dressed her

861
00:47:24,800 --> 00:47:28,400
Speaker 5: up like a man's fantasy of a college.

862
00:47:28,040 --> 00:47:33,279
Speaker 1: Girl, the still collared shirts and little argyle vests with

863
00:47:33,320 --> 00:47:34,759
Speaker 1: mini skirts and stilettos.

864
00:47:34,800 --> 00:47:39,320
Speaker 2: It was so over the top and weird. And they kept.

865
00:47:39,040 --> 00:47:42,960
Speaker 5: Saying like, oh, well college college, this that like it,

866
00:47:44,440 --> 00:47:48,200
Speaker 5: you know, calling her the hot intern like it really

867
00:47:49,000 --> 00:47:53,000
Speaker 5: it just leans into this deep, like generations old misogynistic

868
00:47:53,200 --> 00:47:54,920
Speaker 5: stereotype instead of.

869
00:47:54,880 --> 00:47:56,000
Speaker 2: GG our classmate.

870
00:47:56,120 --> 00:47:58,600
Speaker 1: We all went to school with her, and yet people

871
00:47:58,680 --> 00:48:01,840
Speaker 1: are referring to her as the hot intern, which is weird.

872
00:48:02,200 --> 00:48:07,520
Speaker 5: Yeah, it's very bizarre, and it's also just bizarre, like, look,

873
00:48:07,600 --> 00:48:12,759
Speaker 5: maybe I'm crazy, maybe this just isn't in our wheelhouse,

874
00:48:12,800 --> 00:48:15,000
Speaker 5: in our community, but like, I've never seen a woman

875
00:48:15,040 --> 00:48:16,280
Speaker 5: flirt like this with anyone.

876
00:48:16,640 --> 00:48:16,879
Speaker 1: Never.

877
00:48:17,560 --> 00:48:20,799
Speaker 5: It's so strange ish.

878
00:48:20,560 --> 00:48:23,640
Speaker 1: The person who wrote this has never actually been flirted with,

879
00:48:23,960 --> 00:48:30,040
Speaker 1: because women are much more clever and subtle and have

880
00:48:30,120 --> 00:48:32,480
Speaker 1: a good time when they're flirting. And this is just

881
00:48:32,560 --> 00:48:36,520
Speaker 1: like blatant neanderthal over the headshit that. Yeah, a man

882
00:48:36,560 --> 00:48:39,200
Speaker 1: who has never been hit on would come up with.

883
00:48:39,560 --> 00:48:45,680
Speaker 2: Yep, suxy hery suxy, Hey, sexy, sexy, sexy, sexy sexy.

884
00:48:45,840 --> 00:48:48,359
Speaker 5: And then like you hit on his girlfriend in front

885
00:48:48,400 --> 00:48:52,040
Speaker 5: of him. But like even having her flirt with Millie,

886
00:48:52,560 --> 00:48:54,759
Speaker 5: you know, you've got great legs. Like the whole thing

887
00:48:54,920 --> 00:48:58,680
Speaker 5: was just so weird. And yet Kelsey is such a

888
00:48:58,719 --> 00:49:03,040
Speaker 5: great little actor and she's so sweet that it just

889
00:49:03,200 --> 00:49:06,960
Speaker 5: bubbles out of her her goodness. Yeah, And so I

890
00:49:07,000 --> 00:49:09,440
Speaker 5: feel like in the hands of so many other people

891
00:49:10,239 --> 00:49:14,840
Speaker 5: it would have felt scary, and like Gigi seems like

892
00:49:14,880 --> 00:49:16,680
Speaker 5: if you really think about the way she's behaving, this

893
00:49:16,760 --> 00:49:18,799
Speaker 5: is a person who is mentally unhinged.

894
00:49:19,080 --> 00:49:21,440
Speaker 2: It's like Nanny Carrey, like crazy.

895
00:49:21,600 --> 00:49:27,440
Speaker 5: Yes, and she just seems so sweet and it's I

896
00:49:27,440 --> 00:49:30,920
Speaker 5: don't know, sweet Kelsey, it just hats off to you.

897
00:49:30,920 --> 00:49:33,919
Speaker 2: You didn't deserve it. You're perfect. Wam't on our show.

898
00:49:33,920 --> 00:49:36,359
Speaker 1: We've got Nanny Carey being a crazy you're sexy, You're

899
00:49:36,400 --> 00:49:37,520
Speaker 1: sexy person.

900
00:49:37,680 --> 00:49:41,880
Speaker 2: Dev is like sex starved. We've got ggbing like crazy

901
00:49:41,920 --> 00:49:44,840
Speaker 2: sexy sexy. How many crazy sexy sexy girls do we

902
00:49:44,920 --> 00:49:47,120
Speaker 2: have on our show at any given time?

903
00:49:48,520 --> 00:49:51,680
Speaker 1: Since my Fridget wasn't going to do it, hey just

904
00:49:51,680 --> 00:49:56,800
Speaker 1: got my low booms trying to ward off Julian.

905
00:49:58,239 --> 00:50:00,400
Speaker 2: Yeah, I don't know, get here.

906
00:50:00,400 --> 00:50:05,200
Speaker 5: I'm finally happy and that knowing that you're gonna get

907
00:50:05,200 --> 00:50:07,080
Speaker 5: that reveal and you guys were so good. I mean,

908
00:50:07,120 --> 00:50:10,920
Speaker 5: the shock for you when Peyton sees Julian in that

909
00:50:10,960 --> 00:50:13,720
Speaker 5: hallway and he has the nerve to call you baby

910
00:50:14,840 --> 00:50:19,080
Speaker 5: me immediately, you're like, wait a second. Him finding out

911
00:50:19,360 --> 00:50:22,400
Speaker 5: that the happy ending of this high school love story

912
00:50:22,520 --> 00:50:25,560
Speaker 5: is Peyton and Lucas are together, Oh my god, and

913
00:50:25,600 --> 00:50:28,320
Speaker 5: he talks about how Peyton moved to la and it

914
00:50:28,560 --> 00:50:30,120
Speaker 5: just like, Oh, I had the goosebumps.

915
00:50:30,160 --> 00:50:32,160
Speaker 2: I was like, this makes me so uncomfortable. It's also creepy.

916
00:50:32,160 --> 00:50:33,480
Speaker 2: What are we gonna do? You know what?

917
00:50:33,520 --> 00:50:34,520
Speaker 1: It made me think.

918
00:50:34,840 --> 00:50:36,040
Speaker 2: It made me think that if.

919
00:50:35,960 --> 00:50:38,960
Speaker 1: He didn't know that Peyton was already back in tree

920
00:50:39,040 --> 00:50:42,440
Speaker 1: Hill and with Lucas that means he's a pretty shitty producer.

921
00:50:43,040 --> 00:50:45,399
Speaker 1: You don't do your homework, then you should be doing

922
00:50:45,400 --> 00:50:51,720
Speaker 1: the job. Sorry, Julian, we have a fan question. Maybe

923
00:50:52,000 --> 00:50:52,799
Speaker 1: were I think that we.

924
00:50:52,760 --> 00:50:54,040
Speaker 2: Missed before we get into that.

925
00:50:54,600 --> 00:50:58,040
Speaker 5: I don't think so, oh you know what, And maybe

926
00:50:58,040 --> 00:51:00,480
Speaker 5: this is my honorable mention when I think it, but

927
00:51:00,520 --> 00:51:04,000
Speaker 5: it does feel worth mentioning. I thought one of the

928
00:51:04,040 --> 00:51:07,200
Speaker 5: best lines of the episode belonged to Jamie Scott when

929
00:51:08,040 --> 00:51:11,120
Speaker 5: I tell Jamie you can't trust people when they're bad,

930
00:51:12,080 --> 00:51:14,400
Speaker 5: and he says she's not bad. I think she's like

931
00:51:14,480 --> 00:51:18,239
Speaker 5: Quenton was when he met Mom, nice.

932
00:51:17,960 --> 00:51:20,160
Speaker 2: But afraid to show it. And I was like, oh,

933
00:51:20,280 --> 00:51:21,480
Speaker 2: from the mouths of babes.

934
00:51:22,440 --> 00:51:28,160
Speaker 5: It was such a sweet reminder that, you know, sometimes

935
00:51:28,200 --> 00:51:31,240
Speaker 5: people act out because they just desperately need to be loved.

936
00:51:32,480 --> 00:51:37,760
Speaker 5: And I love that that lesson came from the kid.

937
00:51:38,040 --> 00:51:40,960
Speaker 1: Yeah. Oh, he's the soothsayer for sure. I mean, why

938
00:51:41,040 --> 00:51:42,480
Speaker 1: is that child at Quentin's grave?

939
00:51:42,840 --> 00:51:43,480
Speaker 2: Exactly?

940
00:51:43,800 --> 00:51:59,360
Speaker 1: Tree Hill's bonkers. Okay, so now we're going to do

941
00:51:59,400 --> 00:52:01,600
Speaker 1: our fan question, and Okay, Ronnie wants to know.

942
00:52:01,800 --> 00:52:05,320
Speaker 2: Don't you find it weird that Jamie.

943
00:52:05,000 --> 00:52:08,640
Speaker 1: Never cries or has a tantrum. He's supposed to be five.

944
00:52:10,160 --> 00:52:14,640
Speaker 1: It's because the person who wrote Jamie never had a child.

945
00:52:14,400 --> 00:52:16,480
Speaker 2: And never interaction children.

946
00:52:16,840 --> 00:52:21,839
Speaker 1: Yeah, has zero inkling of what a real kid does,

947
00:52:23,400 --> 00:52:26,560
Speaker 1: which is why we should hire more women in rooms.

948
00:52:27,239 --> 00:52:27,560
Speaker 2: Weird.

949
00:52:28,000 --> 00:52:31,000
Speaker 5: It's almost like if people who you know had lived

950
00:52:31,080 --> 00:52:34,080
Speaker 5: these experiences were the ones writing them, they might be better.

951
00:52:35,520 --> 00:52:38,880
Speaker 2: But mothers can't be writers the job. What are you

952
00:52:39,160 --> 00:52:40,839
Speaker 2: talking about? Oh my god.

953
00:52:40,920 --> 00:52:44,480
Speaker 1: I love mom writers because they nurture the characters the

954
00:52:44,520 --> 00:52:48,160
Speaker 1: same way they nurture their own children. And I personally

955
00:52:48,200 --> 00:52:53,640
Speaker 1: appreciate that. Yeah, my five year old, My kids are

956
00:52:53,760 --> 00:52:54,680
Speaker 1: really dramatic.

957
00:52:54,880 --> 00:52:57,759
Speaker 2: Gus used to say, why don't you just cut my

958
00:52:57,840 --> 00:52:59,840
Speaker 2: head off and pour lava down my throat?

959
00:53:00,560 --> 00:53:03,400
Speaker 1: And I love when kids say really.

960
00:53:03,120 --> 00:53:06,840
Speaker 2: Weird shit like that. That's a good one. That's a

961
00:53:06,880 --> 00:53:07,640
Speaker 2: really George.

962
00:53:08,840 --> 00:53:16,040
Speaker 1: George isn't as creative. But every single day she says.

963
00:53:16,160 --> 00:53:21,320
Speaker 6: Today's just been a really hard day, and it's so withering,

964
00:53:22,239 --> 00:53:24,520
Speaker 6: and so I kind of like that steady rhythm of

965
00:53:24,960 --> 00:53:28,439
Speaker 6: pessimism coming from my five year old girl. Jamie needs

966
00:53:28,480 --> 00:53:29,480
Speaker 6: to have a bad day.

967
00:53:29,719 --> 00:53:31,520
Speaker 5: Yeah, he needs to have bad days. He should have

968
00:53:31,640 --> 00:53:37,640
Speaker 5: absolutely had tantrums. I love that your daughter is just

969
00:53:37,680 --> 00:53:38,960
Speaker 5: a tiny Virginia wolf.

970
00:53:39,360 --> 00:53:46,400
Speaker 2: She is so dark today. Today has just been dark

971
00:53:46,480 --> 00:53:50,000
Speaker 2: and desolate and cold. I was telling her producers where

972
00:53:50,000 --> 00:53:51,839
Speaker 2: it came out. She's been thrown up the last couple

973
00:53:51,840 --> 00:53:52,120
Speaker 2: of days.

974
00:53:52,120 --> 00:53:53,960
Speaker 1: And every time she throws up, she turns to me

975
00:53:54,000 --> 00:53:54,520
Speaker 1: and goes.

976
00:53:54,719 --> 00:53:56,200
Speaker 2: Well, that was annoying.

977
00:53:59,520 --> 00:54:03,440
Speaker 1: Yeah, kids are weird. Man Like, Jamie's saying all of

978
00:54:03,440 --> 00:54:07,200
Speaker 1: this really like you know, kumbayash. He should just be

979
00:54:07,239 --> 00:54:12,560
Speaker 1: saying some weird stuff. That's accurate. Yeah, we need more weird.

980
00:54:12,920 --> 00:54:16,400
Speaker 2: Thank you, Ronnie weird. You're more weird. Thing about that

981
00:54:16,480 --> 00:54:20,960
Speaker 2: kid is that big old fake tooth. It's been a

982
00:54:20,960 --> 00:54:23,920
Speaker 2: wheal baby. Let's go. What do we got?

983
00:54:24,520 --> 00:54:26,840
Speaker 1: We have a most likely to.

984
00:54:30,480 --> 00:54:32,680
Speaker 2: Give it to him? I'm obsessed with this.

985
00:54:32,800 --> 00:54:36,160
Speaker 5: Who's most likely to have multiple dates in one night?

986
00:54:37,840 --> 00:54:43,200
Speaker 2: I mean character wise, it's Brook Yeah, total.

987
00:54:48,719 --> 00:54:52,960
Speaker 1: Ah, everyone's like grown up now, so I don't want

988
00:54:52,960 --> 00:54:56,000
Speaker 1: to blow up anybody's spot, you know what I mean.

989
00:54:56,880 --> 00:55:02,160
Speaker 2: It's Austin. He would admit that about himself. Yeah, it's

990
00:55:02,320 --> 00:55:06,080
Speaker 2: totally Austin. He's likely love it. Cool day date and then.

991
00:55:06,440 --> 00:55:08,479
Speaker 1: Kate and then dancing date.

992
00:55:08,960 --> 00:55:10,240
Speaker 2: Yeah, I don't.

993
00:55:10,040 --> 00:55:12,600
Speaker 5: Know, man, I really it's funny to like look back

994
00:55:13,320 --> 00:55:16,400
Speaker 5: at all of that and realize, like, really, even in

995
00:55:16,440 --> 00:55:21,160
Speaker 5: this conversation, like you and I were just never good daters, no.

996
00:55:21,640 --> 00:55:26,520
Speaker 2: And like I don't know. I was talking.

997
00:55:26,200 --> 00:55:27,880
Speaker 5: About like the way we all grew up with a

998
00:55:27,880 --> 00:55:29,319
Speaker 5: friend of mine recently, and I was like, I don't

999
00:55:29,320 --> 00:55:33,960
Speaker 5: know if it was because like, you know, was it

1000
00:55:34,120 --> 00:55:35,080
Speaker 5: all girls' school?

1001
00:55:35,480 --> 00:55:37,359
Speaker 2: And I learned nothing? Was it?

1002
00:55:37,400 --> 00:55:40,400
Speaker 5: Like what was it because we were so young when

1003
00:55:40,440 --> 00:55:42,319
Speaker 5: we got on our show that there wasn't like the

1004
00:55:42,400 --> 00:55:45,960
Speaker 5: normal time everybody else had to date and be social.

1005
00:55:46,000 --> 00:55:48,960
Speaker 5: It's like I'd be friends with someone for a while.

1006
00:55:50,520 --> 00:55:52,880
Speaker 5: Well we had a lot of obviously big communities, but

1007
00:55:52,960 --> 00:55:55,680
Speaker 5: like eventually someone sort of starts to stand out and

1008
00:55:55,680 --> 00:55:57,359
Speaker 5: you go, I think you might be nice enough to date,

1009
00:55:57,400 --> 00:55:58,600
Speaker 5: and then you date for a while and.

1010
00:55:58,560 --> 00:56:02,520
Speaker 2: Then like we were just never we were never like out.

1011
00:56:02,280 --> 00:56:04,960
Speaker 5: And single and dating the way people date. Like we

1012
00:56:04,960 --> 00:56:08,560
Speaker 5: were either single or we were in like serious long relationships.

1013
00:56:08,960 --> 00:56:11,000
Speaker 2: And I'm like, is that because we didn't grow up

1014
00:56:11,000 --> 00:56:13,040
Speaker 2: in dating app culture? What was it?

1015
00:56:13,760 --> 00:56:16,279
Speaker 1: No? I mean, look, I'm public school, so you can't

1016
00:56:16,280 --> 00:56:17,760
Speaker 1: blame it on the girls' school.

1017
00:56:18,480 --> 00:56:19,400
Speaker 2: You think it's.

1018
00:56:19,320 --> 00:56:25,080
Speaker 1: That we were weird, so ambitious, we were so driven

1019
00:56:25,760 --> 00:56:29,439
Speaker 1: that when applied to dating and you're like, cool, first date,

1020
00:56:30,000 --> 00:56:31,879
Speaker 1: are you going to be the person I'm marry? No,

1021
00:56:32,040 --> 00:56:34,319
Speaker 1: then we're wasting our time here, Like great. We could

1022
00:56:34,400 --> 00:56:38,840
Speaker 1: not take our study skills and apply them, Oh my god,

1023
00:56:39,480 --> 00:56:40,120
Speaker 1: we would try.

1024
00:56:40,680 --> 00:56:41,160
Speaker 6: My god.

1025
00:56:41,320 --> 00:56:44,200
Speaker 2: We made our relationships into textbooks. I'm dying.

1026
00:56:44,520 --> 00:56:49,080
Speaker 1: We did homework and like all the things girl.

1027
00:56:49,239 --> 00:56:52,600
Speaker 2: All I did for so long was homework. No more homework. No,

1028
00:56:52,640 --> 00:56:53,680
Speaker 2: we're not doing that.

1029
00:56:53,680 --> 00:56:57,840
Speaker 5: That's actually really interesting, Yeah, because that does speak to

1030
00:56:57,920 --> 00:57:01,200
Speaker 5: why it was like, Eh, on a date, not interested.

1031
00:57:01,239 --> 00:57:03,480
Speaker 5: I'll just be single for three years or I'll be

1032
00:57:03,480 --> 00:57:06,600
Speaker 5: in a relationship for two. But there's no in between.

1033
00:57:06,960 --> 00:57:13,040
Speaker 1: There's we're either getting a four oh GPA or dropping

1034
00:57:13,080 --> 00:57:13,759
Speaker 1: the class.

1035
00:57:14,160 --> 00:57:15,880
Speaker 2: Done, Oh my god.

1036
00:57:16,080 --> 00:57:16,360
Speaker 1: Done?

1037
00:57:16,600 --> 00:57:18,680
Speaker 2: All right you guys, Well, next study buddy.

1038
00:57:19,120 --> 00:57:21,960
Speaker 1: Are we calling Austin for the next episode? We have

1039
00:57:22,080 --> 00:57:26,000
Speaker 1: to Yes, Yes, he'll do it, he'll do it, loves us. Yeah,

1040
00:57:26,040 --> 00:57:29,120
Speaker 1: it's season six, episode nine, Sympathy for the Devil. Just

1041
00:57:29,160 --> 00:57:31,520
Speaker 1: tell him the name of the episode and he'll join us.

1042
00:57:31,600 --> 00:57:35,240
Speaker 2: He'll be ready to go. Cheers.

1043
00:57:36,400 --> 00:57:39,040
Speaker 5: Hey, thanks for listening, don't forget to leave us a review.

1044
00:57:39,280 --> 00:57:42,960
Speaker 5: You can also follow us on Instagram at Drama Queen's ot.

1045
00:57:43,040 --> 00:57:47,680
Speaker 1: H or email us at Drama Queens at iHeartRadio dot com.

1046
00:57:48,000 --> 00:57:52,600
Speaker 3: See you next time we all about that high school drama.

1047
00:57:52,680 --> 00:57:54,440
Speaker 2: Girl, Drama Girl, all about.

1048
00:57:54,160 --> 00:57:57,360
Speaker 3: Them high school queens. We'll take you for a ride

1049
00:57:57,440 --> 00:58:01,440
Speaker 3: at our comic Girl Cheered for Other Drama Queens.

1050
00:58:01,200 --> 00:58:04,240
Speaker 2: Drama Quase, my Girl, Love Girl Fashion with your tough

1051
00:58:04,280 --> 00:58:07,240
Speaker 4: Girl, you could sit with us Girl Drama Queens, Drama Queens,

1052
00:58:07,320 --> 00:58:11,320
Speaker 4: Drama Queens, Drama Drama Queens, Drama Queens