WEBVTT - Ep 106: Lucy Dacus

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<v Speaker 1>I don't know if I've ever been happier than at

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<v Speaker 1>an LCD sound System show, especially like a festival show

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<v Speaker 1>at the back where there's like room you can kind

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<v Speaker 1>of like flail around.

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<v Speaker 2>Welcome to Midnight Chats, a podcast of laid back conversations

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<v Speaker 2>with leading names in music. In keeping with these informal interviews,

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<v Speaker 2>each new one is published weekly at midnight. This week's

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<v Speaker 2>episode is hosted by me Greg Cochrane from Loud and

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<v Speaker 2>Choirt magazine Tonight. My guest on the podcast is Lucy

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<v Speaker 2>Dacus for my Money, one of the best American songwriters

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<v Speaker 2>to break through in the past few years. If you're

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<v Speaker 2>not familiar, Lucy released her debut album No Burden when

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<v Speaker 2>she was just twenty one years old back in twenty sixteen.

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<v Speaker 2>Two years later, she followed that up with Historian, and

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<v Speaker 2>now she's on the eve of releasing her third album,

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<v Speaker 2>Home Video, coming to a record store or streaming service

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<v Speaker 2>near you on the twenty fifth of June twenty twenty one.

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<v Speaker 2>She'll also be familiar to lots of listeners as being

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<v Speaker 2>one third of Boy Genius, the trio Lucy is part

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<v Speaker 2>of along with Phoebe Bridges and Julienne Baker, I do

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<v Speaker 2>ask about whether there's going to be more music from

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<v Speaker 2>them in the podcast. In April, I dialed up Lucy

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<v Speaker 2>for the conversation you are about to hear, the first

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<v Speaker 2>time i'd spoken to her since we met around three

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<v Speaker 2>years ago. That was around the release of Historian. There

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<v Speaker 2>was a lot to get into, not least the roller

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<v Speaker 2>coaster experience of pandemic lockdown, the day dreams that we've

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<v Speaker 2>all had around getting back to seeing our favorite artists

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<v Speaker 2>play live soon hopefully. Plus we talk about embarrassing home

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<v Speaker 2>videos of us as kids, since that's what the new

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<v Speaker 2>album is called. And we discussed the merits or otherwise

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<v Speaker 2>of a bunch of old TV shows and movies, including

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<v Speaker 2>the terrible script in in One Tree Hill and the

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<v Speaker 2>weird CGI Baby in the US Twilight Saga. This was

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<v Speaker 2>a really fun one to record, So let's get into

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<v Speaker 2>the chat. This is episode one hundred and six at

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<v Speaker 2>Midnight Chat with Lucy Dakers. You are actually the last

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<v Speaker 2>of the Boy Genius trio to come on our podcast.

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<v Speaker 2>But I think we've saved the best to last, haven't we.

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<v Speaker 2>I think we definitely no.

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<v Speaker 1>No, no, there's no best among us. But you've completed

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<v Speaker 1>the trifecta.

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<v Speaker 2>Yeah, it's lovely to have you on because we have

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<v Speaker 2>met once before in real life when meeting up in

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<v Speaker 2>real life was still a thing. Yeah. Yeah, it was

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<v Speaker 2>in London a few years ago in the reveloptive release

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<v Speaker 2>of your album Historian, and I really enjoyed the time

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<v Speaker 2>we spent together because we were hanging out down by the

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<v Speaker 2>canal in East London and we were chatting all things

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<v Speaker 2>to come. But also we suppose we were talking about

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<v Speaker 2>that you had quite a difficult year in twenty seventeen,

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<v Speaker 2>because that was what that album, you know, some of

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<v Speaker 2>the ands of that record. So I just wanted to

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<v Speaker 2>ask and kind of hope that I hope twenty eighteen

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<v Speaker 2>and twenty nineteen, so after we last met, I hope

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<v Speaker 2>those were good years. Right, We've got on to twenty

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<v Speaker 2>twenty in a minute, But yeah, how was twenty eighteen

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<v Speaker 2>and twenty nineteen with an improvement?

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<v Speaker 1>It's funny because I feel like catching up with friends

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<v Speaker 1>after the pandemic, It's going to be a similar question like, oh, yeah,

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<v Speaker 1>how was your twenty nineteen and twenty twenty, like summing

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<v Speaker 1>up all these years, But twenty eighteen was really good,

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<v Speaker 1>and twenty nineteen was bad. Oh, to be honest. Twenty

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<v Speaker 1>eighteen though, yeah, like Historian came out, we were touring

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<v Speaker 1>a lot. What genius happened? Twenty nineteen, we were still

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<v Speaker 1>touring a lot, had a couple of tough tours. I

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<v Speaker 1>had a vocal injury right that really was terrible and

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<v Speaker 1>hopefully I've overcome or figured out how to manage now.

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<v Speaker 1>But yeah, and I just had some personal life stuff

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<v Speaker 1>that was really dramatic, some family health kind of things.

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<v Speaker 1>And yeah, obviously twenty twenty is like a black hole

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<v Speaker 1>of a year where it's like, you know, even now,

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<v Speaker 1>it's like quarantine isn't really over. It still feels like

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<v Speaker 1>twenty twenty to me. But I'm optimistic about twenty twenty one.

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<v Speaker 1>I like the idea of everyone kind of just going

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<v Speaker 1>hogwild and their personal life, like everyone's like ready to

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<v Speaker 1>make the changes that should happen. Like it's going to

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<v Speaker 1>be chaotic, I'm pretty sure, but like I'm optimistic that

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<v Speaker 1>it's going to be chaos pointed towards like a better life.

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<v Speaker 2>Do you think everybody's kind of been storing up this

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<v Speaker 2>improvement energy because we like it's like we've gone through

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<v Speaker 2>this big pause where there's been a chance to sort

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<v Speaker 2>of reflect, Maybe people have thought about the things that

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<v Speaker 2>they they don't need in their lives, or or the

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<v Speaker 2>improvements they can make, the things that make them happier.

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<v Speaker 2>And therefore, as things open up maybe I'm sounding really

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<v Speaker 2>optimistic here as well, but as things kind of reopen

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<v Speaker 2>that there's almost this sort of your moment, like a

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<v Speaker 2>new you kind of type thing. Do you do you

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<v Speaker 2>think there's that's true you surrounded by that energy or

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<v Speaker 2>are you more like British cynicism of like it's going

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<v Speaker 2>to be even worse than before.

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<v Speaker 1>Oh, I do think it's going to be better than before,

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<v Speaker 1>but I think you you have to. My hope is

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<v Speaker 1>that instead of like all of us that have lived

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<v Speaker 1>through this, being like more fearful because of it, like

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<v Speaker 1>all of us extremely grateful and just like approaching life

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<v Speaker 1>realizing how much we've missed and being like, oh, I

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<v Speaker 1>love restaurants or like, and I appreciate service workers, and

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<v Speaker 1>I realize how essential food is, and I appreciate farmers,

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<v Speaker 1>and like, I realize how much my friends mean to me,

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<v Speaker 1>and so I'm gonna visit them in person, and like,

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<v Speaker 1>I don't know, I do feel like maybe I'm just

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<v Speaker 1>saying that because that's how I'm reacting. I'm just like

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<v Speaker 1>realizing everything that I need to be actively grateful for

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<v Speaker 1>like way more often. And I think, like being cut

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<v Speaker 1>off from embodiment, I've been saying this word a lot,

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<v Speaker 1>and it sounds like one of those words that you

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<v Speaker 1>learn in yoga and or therapy, but like, I don't know,

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<v Speaker 1>I've I've had friends that have lost like family members

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<v Speaker 1>to COVID into other things through this year, and they

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<v Speaker 1>haven't been able to embody their grief. And I mean

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<v Speaker 1>there's a reason why for ages, and like in every culture,

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<v Speaker 1>we've figured out ceremonies for those sorts of things. So

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<v Speaker 1>being cut off from ceremony and embodiment, it just shows

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<v Speaker 1>like how important that type of process is. And so

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<v Speaker 1>like embodying that grief and also embodying joy are like

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<v Speaker 1>on my top of to do list, And I'm not

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<v Speaker 1>going to be content with like conceptual things as much.

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<v Speaker 1>I think. I think I'm really going to try to

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<v Speaker 1>be like seeking out the physicality of life.

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<v Speaker 2>What mixture of sort of cathartic energy do you think

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<v Speaker 2>will come out from some of the first shows you'll

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<v Speaker 2>either play or witness then after that, because what you've

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<v Speaker 2>just described is this sort of like this release of

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<v Speaker 2>emotions that and experiences that people have gone through, and

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<v Speaker 2>the music is an amazing, amazing medium for sort of

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<v Speaker 2>channeling that, escaping that sharing that, whatever it might be.

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<v Speaker 2>So I just I've just got this picture of a

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<v Speaker 2>of a big crowd and everybody's just having their sort

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<v Speaker 2>of own post pandemic moment with whatever the experiences they've

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<v Speaker 2>just gone through. Can you sort of foresee that.

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<v Speaker 1>I will be so surprised if I don't cry like

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<v Speaker 1>every night, and I will be so surprised if it's

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<v Speaker 1>not just tears and tears and tears. But I mean,

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<v Speaker 1>I'm still crossing my fingers and knocking on wood that

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<v Speaker 1>shows can happen in general. Just we announced a tour

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<v Speaker 1>and it felt unreal. It felt like just a weird dream.

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<v Speaker 1>But I don't know. Again, I feel kind of optimistic

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<v Speaker 1>that they'll actually happen, but we're going to cancel them

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<v Speaker 1>so fast if we don't feel safe. And I would

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<v Speaker 1>never want to put like fans in danger or give

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<v Speaker 1>the option to fans to put themselves in danger. I mean,

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<v Speaker 1>I'm going to be crying when I go to shows,

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<v Speaker 1>and like my friends that are having shows like imagining

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<v Speaker 1>just like singing along to them, like I don't know,

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<v Speaker 1>I I'll get emotional just like thinking about Yeah.

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<v Speaker 2>Absolutely, I think yeah. I think we all feel the same.

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<v Speaker 2>We've all been sort of dreaming of like our first

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<v Speaker 2>first post lockdown restaurant visit, or our first post lockdown

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<v Speaker 2>gig or meet up or whatever. If if you had

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<v Speaker 2>to be sort of in a room watching a musician play,

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<v Speaker 2>like who would basically be your dream first gig? Back?

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<v Speaker 1>Do you think El City sound System?

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<v Speaker 2>Wow, you've gone for the heavy vibes. That's like on

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<v Speaker 2>a good day, that's like ghost.

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<v Speaker 1>I know, yeah, I uh, you know. I hadn't thought

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<v Speaker 1>about that, but you asked the question and I knew

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<v Speaker 1>the answer just because like I've I don't know if

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<v Speaker 1>I've ever been happier at a show than at an

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<v Speaker 1>LCD sound System show, especially like a festival show at

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<v Speaker 1>the back where there's like room and you can kind

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<v Speaker 1>of like flail around. I feel like some of my

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<v Speaker 1>best memories have been I've seen them three times, and

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<v Speaker 1>all three times I felt like high. I felt like

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<v Speaker 1>just serotonin overload.

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<v Speaker 2>There was about I don't know what the tool I mean.

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<v Speaker 2>I'm sort of reaching back into a bit of hazy

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<v Speaker 2>memory here, But when they were on tour once they

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<v Speaker 2>come back together, maybe it was about five years ago.

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<v Speaker 2>When they first came back and started playing those festival shows,

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<v Speaker 2>the set list was just unreal. I just remember staring

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<v Speaker 2>at it like afterwards, like having experienced it and just

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<v Speaker 2>being as like I was a completely on the same

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<v Speaker 2>page with you, like feeling completely just high on what

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<v Speaker 2>I just witnessed and just like just looking at it

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<v Speaker 2>and just going that was like the most perfectly like

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<v Speaker 2>programmed DJ set, but from one artist it was like

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<v Speaker 2>it was like this is just perfection. It was amazing.

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<v Speaker 1>Yeah, you feel lucky or I feel lucky togongolose shows.

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<v Speaker 2>Yeah, let's all hope we can get back and witness that.

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<v Speaker 2>Have an LCD sound system moment in the not too

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<v Speaker 2>distant future, What happened? When? Where did you go when

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<v Speaker 2>when everything lockdown? And what did you have to do

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<v Speaker 2>to kind of in that in that moment?

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<v Speaker 1>Well, I had been living in Richmond, Virginia, and then

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<v Speaker 1>like two months before lockdown, I moved to Philly and

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<v Speaker 1>I had never lived anywhere else, and I just wanted

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<v Speaker 1>to see if I could, and I planned on splitting

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<v Speaker 1>time because I like to be around my family in Richmond.

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<v Speaker 1>But then lockdown happened and I stayed in Philly, and

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<v Speaker 1>it kind of forced me to have like a separation

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<v Speaker 1>from Richmond that I didn't even intend and was honestly

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<v Speaker 1>pretty painful and gave me a little bit of an

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<v Speaker 1>identity crisis, which is probably good for me to to

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<v Speaker 1>realize how much of my identity was wrapped up in

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<v Speaker 1>my hometown. And I kind of like fast tracked my

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<v Speaker 1>actual goal of like kind of figuring out who I

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<v Speaker 1>am unconnected to a place, or just like knowing that

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<v Speaker 1>it was possible to build a new life, and it

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<v Speaker 1>was really rewarding. And I love Philly and I'm still there.

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<v Speaker 1>I didn't like really tell anybody that I moved for

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<v Speaker 1>a really long time, and nobody was really asking to

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<v Speaker 1>hang out because you couldn't hang out anyways. But yeah,

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<v Speaker 1>I live with like seven friends in Philly and like

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<v Speaker 1>a big house, and it made quarantine look much easier

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<v Speaker 1>just having like people milling about all the time, or

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<v Speaker 1>like even within seven people, you can have subgroups of

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<v Speaker 1>three and you know, the we all have our separate rooms,

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<v Speaker 1>so you can be like, oh, I haven't seen you

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<v Speaker 1>in a while, you know, since yesterday dinner time, and

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<v Speaker 1>we we've been watching like crap TV and good tea

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<v Speaker 1>and movies and cooking, and so my scenario was really lucky. Also,

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<v Speaker 1>I feel close enough to everyone that we can just

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<v Speaker 1>talk about having depression. I think maybe all of us

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<v Speaker 1>have depression and have been able to be like a

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<v Speaker 1>support system for each other. And it's absurd, like how

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<v Speaker 1>much delayed grief. I've already talked about grief in this podcast.

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<v Speaker 1>I should get off that topic, but you know, it's

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<v Speaker 1>it's meaningful to be around people through grief, and like

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<v Speaker 1>some days we're worse for one of us than others,

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<v Speaker 1>and just having other people connected to their lives can

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<v Speaker 1>remind me to connect back to mine when I'm like dissociating.

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<v Speaker 1>So yeah, I don't know kind of a long answer

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<v Speaker 1>to your question, but I I think I've enjoyed it.

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<v Speaker 2>I think it's really interesting that people have effectively had

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<v Speaker 2>to I don't know if this is even an expression,

0:12:54.000 --> 0:12:56.640
<v Speaker 2>but like having like COVID families, like we all went

0:12:56.679 --> 0:13:00.959
<v Speaker 2>into quarantine, into lockdown, depending on what circumstance people were

0:13:00.960 --> 0:13:04.120
<v Speaker 2>in that moment. I mean, you know, you potentially didn't

0:13:04.160 --> 0:13:06.800
<v Speaker 2>know these people like that, well if you'd moved there

0:13:06.840 --> 0:13:08.440
<v Speaker 2>a couple of months before, like it was still in

0:13:08.600 --> 0:13:12.800
<v Speaker 2>early stages. But it was like, Okay, this situation is happening.

0:13:13.240 --> 0:13:15.800
<v Speaker 2>We all got a kind of band together because we're

0:13:15.800 --> 0:13:18.720
<v Speaker 2>going to have to get through this. Like I mean

0:13:18.840 --> 0:13:20.720
<v Speaker 2>maybe perhaps in years and years to come that you'll

0:13:20.720 --> 0:13:22.000
<v Speaker 2>reflect on that and she'd be like, wow, that was

0:13:22.080 --> 0:13:26.160
<v Speaker 2>quite an extraordinary moment of seven people who were thrown

0:13:26.240 --> 0:13:29.080
<v Speaker 2>together for this period and I mean hopefully he'll still

0:13:29.080 --> 0:13:32.160
<v Speaker 2>be friends long into the future. But and that happened

0:13:32.160 --> 0:13:34.839
<v Speaker 2>the world over, but people being you know, depending on

0:13:34.880 --> 0:13:38.640
<v Speaker 2>what circumstance they're in, and it's yeah, quite quite fascinating,

0:13:38.640 --> 0:13:40.920
<v Speaker 2>almost some kind of social experiment. I'm glad that you

0:13:41.240 --> 0:13:45.000
<v Speaker 2>all found the situation was positive for you because obviously,

0:13:45.400 --> 0:13:46.880
<v Speaker 2>you know, yeah, it wasn't for everybody.

0:13:46.960 --> 0:13:50.440
<v Speaker 1>So you found each other. Yeah, we call each other cousins.

0:13:50.480 --> 0:13:50.960
<v Speaker 2>Oh okay.

0:13:51.000 --> 0:13:52.680
<v Speaker 1>I feel like when you're with a group of people

0:13:52.720 --> 0:13:55.280
<v Speaker 1>for a long enough amount of time, you just have

0:13:55.480 --> 0:14:01.800
<v Speaker 1>like weird, like twice big jokes names for each other

0:14:01.880 --> 0:14:04.800
<v Speaker 1>and we're like, yeah, we're close enough now that we're

0:14:04.840 --> 0:14:08.680
<v Speaker 1>just actually cousins. It's so stupid saying it out loud

0:14:09.559 --> 0:14:09.880
<v Speaker 1>at all.

0:14:09.920 --> 0:14:11.160
<v Speaker 2>I was going to ask you about some of your

0:14:11.440 --> 0:14:14.040
<v Speaker 2>TV watching stuff, because I'd seen something that you tweeted

0:14:14.200 --> 0:14:17.520
<v Speaker 2>a while back saying that you presume this was something

0:14:17.559 --> 0:14:19.920
<v Speaker 2>you did with your house, your your roommates, and that

0:14:20.040 --> 0:14:22.640
<v Speaker 2>was that you did pilot season where you watched all

0:14:22.640 --> 0:14:25.880
<v Speaker 2>the pilot episodes of nine different series and then ranked

0:14:25.880 --> 0:14:28.360
<v Speaker 2>them in order to decide which new series you were

0:14:28.360 --> 0:14:33.680
<v Speaker 2>going to watch together. Yell, what on reflection, which shows

0:14:33.720 --> 0:14:36.800
<v Speaker 2>were as good as you thought they were, and which

0:14:37.040 --> 0:14:39.000
<v Speaker 2>which ones were like, oh this is this is much

0:14:39.080 --> 0:14:41.960
<v Speaker 2>worse than I remember. And what was the eventual winner.

0:14:42.120 --> 0:14:45.880
<v Speaker 1>There were a couple of top runners, and they were

0:14:46.680 --> 0:14:50.760
<v Speaker 1>Desperate Housewives, which is what we actually chose. It's totally

0:14:50.840 --> 0:14:56.880
<v Speaker 1>unhinged Friday Night Lights, which was really good. I like,

0:14:57.480 --> 0:14:59.320
<v Speaker 1>you know, I don't watch football. I think that, like

0:14:59.360 --> 0:15:02.360
<v Speaker 1>the football and industry is kind of evil, and you know,

0:15:02.480 --> 0:15:06.560
<v Speaker 1>I think sports are cool, but yeah, I'm not not

0:15:06.640 --> 0:15:12.840
<v Speaker 1>into football and American football aws it were. I actually

0:15:12.880 --> 0:15:19.480
<v Speaker 1>love soccer slash football, but yeah, it's just super well made.

0:15:19.520 --> 0:15:22.280
<v Speaker 1>The pilot was so engaging and like well shot, and

0:15:22.320 --> 0:15:24.120
<v Speaker 1>the script was really good. It seemed like the acting

0:15:24.200 --> 0:15:27.040
<v Speaker 1>was really good. We're definitely gonna watch that probably next.

0:15:27.760 --> 0:15:31.240
<v Speaker 1>We were all interested in the OC, even though who

0:15:31.280 --> 0:15:34.040
<v Speaker 1>knows how much of that show has aged well. One

0:15:34.040 --> 0:15:37.600
<v Speaker 1>of the shows that was so bad was One Tree Hill.

0:15:37.760 --> 0:15:38.920
<v Speaker 1>I don't know if you ever watched that.

0:15:38.880 --> 0:15:43.920
<v Speaker 2>Show, but one like it. This is a similar area.

0:15:46.120 --> 0:15:48.680
<v Speaker 1>Yeah, if you fed the entire script of the OC

0:15:49.040 --> 0:15:53.680
<v Speaker 1>into like a like AI generator and wanted a different show,

0:15:54.080 --> 0:15:56.640
<v Speaker 1>it like spits out One Tree Hill and you have

0:15:56.720 --> 0:16:00.080
<v Speaker 1>to like squint to try to understand what's going on,

0:16:00.520 --> 0:16:03.200
<v Speaker 1>and maybe post the pilot it made more sense, but

0:16:03.800 --> 0:16:06.200
<v Speaker 1>minutes would pass and I'd be like, wait, nobody said

0:16:06.720 --> 0:16:10.640
<v Speaker 1>anything that made sense. All it is is like people

0:16:10.640 --> 0:16:15.640
<v Speaker 1>glaring at each other, and like these different tropes popping

0:16:15.720 --> 0:16:17.840
<v Speaker 1>up like it. It just didn't. It was of no

0:16:17.960 --> 0:16:21.360
<v Speaker 1>interest to any of us. And then there were some

0:16:21.440 --> 0:16:25.640
<v Speaker 1>like middle ground ones like Buffy Vampire Slayer I love

0:16:25.680 --> 0:16:33.240
<v Speaker 1>and have already seen, but it honestly looks so tacky now,

0:16:33.520 --> 0:16:36.240
<v Speaker 1>like it like all of the costuming and the delivery,

0:16:36.280 --> 0:16:38.960
<v Speaker 1>it's like really campy, and I love campy stuff. But

0:16:39.000 --> 0:16:44.840
<v Speaker 1>the whole house wasn't wasn't a wasn't into it. What

0:16:45.000 --> 0:16:48.440
<v Speaker 1>else there was some Oh, we watched Vampire Diaries. That

0:16:48.600 --> 0:16:53.680
<v Speaker 1>was we'd watched all of the Twilight movies. Quarantine and

0:16:53.960 --> 0:17:01.560
<v Speaker 1>that was a tripod hilarious trip The third movie, like

0:17:01.680 --> 0:17:05.320
<v Speaker 1>Breaking Down Part one, is one of the most ridiculous

0:17:05.400 --> 0:17:09.879
<v Speaker 1>movies I've ever seen. Like we were just like gouffawing

0:17:09.960 --> 0:17:12.720
<v Speaker 1>the whole time. There's like the scene where Kristen Stewart's

0:17:12.760 --> 0:17:15.959
<v Speaker 1>like has to drink blood. She's like sipping it out

0:17:16.000 --> 0:17:19.000
<v Speaker 1>of like a milkshake container and she's like it tastes good.

0:17:19.840 --> 0:17:22.560
<v Speaker 1>We really go, oh my god. And they had like

0:17:22.560 --> 0:17:26.200
<v Speaker 1>the baby that she has is cgi like why didn't

0:17:26.240 --> 0:17:29.280
<v Speaker 1>they get a regular baby? Like they could have simply

0:17:29.400 --> 0:17:33.040
<v Speaker 1>gotten an actual baby like every other movie. There wasn't

0:17:33.080 --> 0:17:37.240
<v Speaker 1>anything special about that baby. The baby didn't do anything

0:17:37.320 --> 0:17:41.960
<v Speaker 1>like magical, it didn't like it made no sense. Also

0:17:42.000 --> 0:17:46.280
<v Speaker 1>the fact that like Jacob the werewolf imprints on the baby,

0:17:46.359 --> 0:17:50.800
<v Speaker 1>like that's just like untouchably weird. Like that's like, don't

0:17:50.840 --> 0:17:55.320
<v Speaker 1>put that in front of me. But it was fun.

0:17:55.400 --> 0:17:56.960
<v Speaker 1>In a couple of years, I'd probably do it. Again,

0:17:57.000 --> 0:18:01.760
<v Speaker 1>I'd probably watch all of them because it's like it's

0:18:01.800 --> 0:18:05.000
<v Speaker 1>so committed to what it's doing, you know, And I

0:18:05.080 --> 0:18:08.439
<v Speaker 1>think that's part of the magic of trash TV is

0:18:08.480 --> 0:18:12.800
<v Speaker 1>that it only comes across because everyone is so invested

0:18:13.000 --> 0:18:17.080
<v Speaker 1>in making it happen, even if the idea at its

0:18:17.200 --> 0:18:19.040
<v Speaker 1>core is stupid.

0:18:21.160 --> 0:18:24.720
<v Speaker 2>Yeah, because Twilight was like a cultural phenomenon, wasn't it.

0:18:24.800 --> 0:18:28.080
<v Speaker 2>I Mean I just remember people being obsessed with one

0:18:28.119 --> 0:18:31.160
<v Speaker 2>of those sort of movie well obviously the books in

0:18:31.200 --> 0:18:34.840
<v Speaker 2>the movie franchise where people would be like sleeping out

0:18:34.880 --> 0:18:37.080
<v Speaker 2>on the street the night before it came out in

0:18:37.119 --> 0:18:39.960
<v Speaker 2>the cinemas and stuff like that. I can't really remember

0:18:40.680 --> 0:18:43.080
<v Speaker 2>the last time that happened apart from that, Like the

0:18:43.160 --> 0:18:46.880
<v Speaker 2>Hunger Games. Was that similar sort of level of fandom,

0:18:47.200 --> 0:18:47.960
<v Speaker 2>I don't know, but.

0:18:48.040 --> 0:18:55.000
<v Speaker 1>Like, yeah, we also watched that. It Actually it's even better,

0:18:55.080 --> 0:18:58.400
<v Speaker 1>I think. But it's a little confusing because I think

0:18:58.440 --> 0:19:02.160
<v Speaker 1>that it's like a confirmation bias type of movie, where

0:19:02.200 --> 0:19:04.440
<v Speaker 1>like if you go in hating the government, you come

0:19:04.480 --> 0:19:07.080
<v Speaker 1>out hating the government, and if you go in loving

0:19:07.080 --> 0:19:10.480
<v Speaker 1>the government, you come out loving the government. Like you

0:19:10.520 --> 0:19:14.440
<v Speaker 1>can read into the Resistance as like, you know, being

0:19:14.520 --> 0:19:20.360
<v Speaker 1>anti imperialist or anti colonial or you know, against classism,

0:19:20.480 --> 0:19:25.960
<v Speaker 1>or you can go in being like hating neoliberal reign

0:19:26.200 --> 0:19:28.480
<v Speaker 1>or like thinking that the movie is like the logical

0:19:28.520 --> 0:19:32.920
<v Speaker 1>conclusion of neoliberal politics, which honestly isn't super off base.

0:19:33.040 --> 0:19:35.720
<v Speaker 1>But I don't know if it. I couldn't tell what

0:19:35.800 --> 0:19:37.960
<v Speaker 1>the lesson was supposed to be. And I feel like

0:19:38.000 --> 0:19:42.760
<v Speaker 1>maybe it was intentionally made to please anybody, because it's

0:19:42.760 --> 0:19:47.840
<v Speaker 1>a it's so political, and yet there's not a clear distinction.

0:19:48.600 --> 0:19:51.359
<v Speaker 2>That's interesting, like kind of just like a mirror to

0:19:51.400 --> 0:19:59.520
<v Speaker 2>your own existing beliefs. Yeah, I wanted to ask a

0:19:59.520 --> 0:20:04.439
<v Speaker 2>little bit of obviously the new album home video, I

0:20:04.480 --> 0:20:07.639
<v Speaker 2>wanted to ask in a very kind of yeah, I

0:20:07.680 --> 0:20:10.200
<v Speaker 2>suppose in a very kind of literal sense talking about

0:20:10.240 --> 0:20:13.239
<v Speaker 2>kind of home video and just like that as a

0:20:13.240 --> 0:20:16.040
<v Speaker 2>thing like home videos and like growing up and that

0:20:16.119 --> 0:20:19.560
<v Speaker 2>in respect to our childhoods and like nostalgic memories and

0:20:19.600 --> 0:20:22.360
<v Speaker 2>things like that. There's basically one video of me when

0:20:22.359 --> 0:20:25.600
<v Speaker 2>I was really little, which is which is a classic

0:20:25.720 --> 0:20:30.040
<v Speaker 2>like VHS home video filmed by my uncle one Christmas.

0:20:30.040 --> 0:20:33.040
<v Speaker 2>It's just me and my brother singing Christmas carols really badly.

0:20:33.280 --> 0:20:36.879
<v Speaker 2>The whole thing lasts about about nine minutes. It's been

0:20:36.920 --> 0:20:40.280
<v Speaker 2>shown every single Christmas for more than thirty years now,

0:20:40.680 --> 0:20:44.280
<v Speaker 2>and it's the one item that my mum would save

0:20:44.400 --> 0:20:47.040
<v Speaker 2>from a if the house was burning down. That's the

0:20:47.080 --> 0:20:49.560
<v Speaker 2>thing that my mum would go for, this VHS tape.

0:20:49.800 --> 0:20:52.680
<v Speaker 2>But wow, and it's thoroughly embarrassing, and my mum's shown

0:20:52.720 --> 0:20:54.600
<v Speaker 2>it to a lot of different people and she's very

0:20:54.640 --> 0:20:57.359
<v Speaker 2>proud of it. But yeah, I wondered if you've got

0:20:57.440 --> 0:21:00.280
<v Speaker 2>lots of is there like lots of crackly kind of

0:21:00.320 --> 0:21:02.560
<v Speaker 2>like footage of you when you when you were little,

0:21:02.640 --> 0:21:06.280
<v Speaker 2>that anything that you always gets that that comes back to.

0:21:06.520 --> 0:21:10.400
<v Speaker 1>There are hours and hours and hours of videos of

0:21:10.480 --> 0:21:13.840
<v Speaker 1>me because my parents got their video camera when I

0:21:13.920 --> 0:21:17.159
<v Speaker 1>was born, and so you know, they're learning how to

0:21:17.240 --> 0:21:19.320
<v Speaker 1>use the camera and I'm their subject. You know, Like

0:21:19.359 --> 0:21:23.200
<v Speaker 1>there's videos of me just sleeping and they're like zooming in, focusing,

0:21:23.320 --> 0:21:29.160
<v Speaker 1>zooming out, Lucy sleeping and they say exactly. They'll be like, yeah,

0:21:29.240 --> 0:21:33.359
<v Speaker 1>she's sleeping, She's still sleeping, And if I move a

0:21:33.400 --> 0:21:37.000
<v Speaker 1>little bit, they're like, what's she doing. There's tons of

0:21:37.640 --> 0:21:39.720
<v Speaker 1>videos like that. We use some of them for the

0:21:40.040 --> 0:21:42.800
<v Speaker 1>music video for Hot and heavy that came out just

0:21:42.800 --> 0:21:47.080
<v Speaker 1>because that source material, which I to try and put

0:21:47.119 --> 0:21:51.439
<v Speaker 1>it into perspective physically, Like I think if you lined

0:21:51.560 --> 0:21:54.919
<v Speaker 1>up all of the videos, it would maybe be like

0:21:55.160 --> 0:22:01.480
<v Speaker 1>thirty feet of videos. Like it's so many, and you know,

0:22:01.560 --> 0:22:04.880
<v Speaker 1>like it tapered off towards the end. It went from

0:22:04.880 --> 0:22:07.280
<v Speaker 1>like the big vhs is to like the smaller ones

0:22:07.280 --> 0:22:11.520
<v Speaker 1>like camcorder and then you know, smartphones towards my high

0:22:11.520 --> 0:22:14.960
<v Speaker 1>school age, so we don't have any more on the

0:22:15.000 --> 0:22:17.920
<v Speaker 1>actual VHS. I was going to say, you should digitize

0:22:18.600 --> 0:22:22.520
<v Speaker 1>that video of you because when you play them, they

0:22:23.119 --> 0:22:28.200
<v Speaker 1>tape degrades over time, so it can you know.

0:22:28.400 --> 0:22:32.720
<v Speaker 2>Just we need to eventually, yeah, digitize it, make sure

0:22:32.720 --> 0:22:35.119
<v Speaker 2>it doesn't get lost, because yeah, my mum would be heartbroken,

0:22:35.560 --> 0:22:37.760
<v Speaker 2>but I would be delight on the On the flip side,

0:22:37.760 --> 0:22:40.280
<v Speaker 2>I was absolutely thrilled. If it was just consigned to

0:22:40.440 --> 0:22:41.560
<v Speaker 2>history's dustbin.

0:22:41.880 --> 0:22:44.280
<v Speaker 1>Oh my gosh. Maybe you just don't you just don't

0:22:44.320 --> 0:22:50.080
<v Speaker 1>deal with that. But I like using that stuff because

0:22:50.080 --> 0:22:52.359
<v Speaker 1>it feels like a thank you to my my dad

0:22:52.680 --> 0:22:56.480
<v Speaker 1>for making all those videos. And you know, I guess

0:22:56.560 --> 0:22:58.880
<v Speaker 1>he was making them so that they could be watched

0:22:59.000 --> 0:23:02.119
<v Speaker 1>in the future. But but I don't know if he

0:23:02.240 --> 0:23:06.199
<v Speaker 1>really realized that he was like building my childhood for me.

0:23:06.400 --> 0:23:08.040
<v Speaker 1>You know, like sometimes I don't know if I have

0:23:08.080 --> 0:23:11.879
<v Speaker 1>actual memories or I've just seen the videos of them,

0:23:12.000 --> 0:23:14.680
<v Speaker 1>and I don't really care either way because it happened.

0:23:15.400 --> 0:23:20.639
<v Speaker 1>I really value rich memories, and I think that he

0:23:20.680 --> 0:23:24.200
<v Speaker 1>does too. I also realize, like I think that he

0:23:24.320 --> 0:23:27.119
<v Speaker 1>used it as a way to participate in the world.

0:23:27.359 --> 0:23:30.800
<v Speaker 1>Like he's kind of like a socially anxious guy, and

0:23:30.960 --> 0:23:33.240
<v Speaker 1>you know, having that camera in front of his face,

0:23:34.080 --> 0:23:39.000
<v Speaker 1>he could like watch and engage with everything, but through

0:23:39.080 --> 0:23:42.840
<v Speaker 1>this like creative element, and I resonate with that, like

0:23:42.880 --> 0:23:49.520
<v Speaker 1>I understand the world most when I'm translating it into work.

0:23:50.359 --> 0:23:53.600
<v Speaker 1>And he's a graphic designer, so he doesn't do music,

0:23:53.680 --> 0:23:56.080
<v Speaker 1>though he always wanted to. I feel like we have

0:23:56.119 --> 0:23:59.399
<v Speaker 1>a lot of similarities, and I'm also glad that he

0:23:59.480 --> 0:24:01.919
<v Speaker 1>raised me with a comfort for nostalgia. I feel like

0:24:02.080 --> 0:24:05.440
<v Speaker 1>some people I know don't have any sort of photos

0:24:05.520 --> 0:24:10.320
<v Speaker 1>or memories because their parents just like weren't nostalgic people,

0:24:10.359 --> 0:24:15.640
<v Speaker 1>which isn't good or bad, but I think nostalgia's underrated.

0:24:16.480 --> 0:24:19.480
<v Speaker 1>I think that like people kind of think that it

0:24:19.560 --> 0:24:22.320
<v Speaker 1>might be corny or like don't think it has a purpose,

0:24:22.400 --> 0:24:26.240
<v Speaker 1>or it keeps people stuck in the past, But I

0:24:26.280 --> 0:24:28.880
<v Speaker 1>don't know, the past is really important and like history

0:24:28.960 --> 0:24:31.280
<v Speaker 1>is all we have to learn from.

0:24:31.320 --> 0:24:36.800
<v Speaker 2>And is there one clip in particular that you that

0:24:36.880 --> 0:24:39.560
<v Speaker 2>you just all love watching like that? Do you know

0:24:39.800 --> 0:24:41.479
<v Speaker 2>the one that you come back to you just got

0:24:41.680 --> 0:24:47.560
<v Speaker 2>that one at Christmas or like a or Thanksgiving or

0:24:47.600 --> 0:24:49.480
<v Speaker 2>something like just a moment where you're like, oh, that

0:24:49.480 --> 0:24:51.399
<v Speaker 2>that's a good one. That one always makes a smile.

0:24:51.760 --> 0:24:53.720
<v Speaker 1>I really love the ones of my brother because there's

0:24:53.760 --> 0:24:56.600
<v Speaker 1>actually less. But he was far more photogenic than me,

0:24:56.680 --> 0:24:59.840
<v Speaker 1>and he was always trying to perform for people, whereas

0:24:59.880 --> 0:25:02.160
<v Speaker 1>my my parents were always trying to get me to perform.

0:25:02.520 --> 0:25:08.080
<v Speaker 1>But he was just a ham but of myself. When

0:25:08.119 --> 0:25:11.040
<v Speaker 1>I was like four or five, I made my dad

0:25:11.080 --> 0:25:14.600
<v Speaker 1>like set up the camera to do Lucy's Cowgirl show.

0:25:15.800 --> 0:25:19.920
<v Speaker 1>And it was like me in a red cowgirl hat

0:25:20.000 --> 0:25:25.159
<v Speaker 1>and like tassels with like a lasso, and I'm just

0:25:25.200 --> 0:25:30.800
<v Speaker 1>sitting like in our living room telling jokes and they

0:25:30.840 --> 0:25:33.960
<v Speaker 1>don't make any sense. It's like I'm trying to figure

0:25:34.000 --> 0:25:37.879
<v Speaker 1>out what humor is in the process of making this

0:25:37.960 --> 0:25:41.560
<v Speaker 1>stand up routine where I'm like, why did the cow

0:25:41.720 --> 0:25:44.800
<v Speaker 1>cross the road? My Dad's like why, and I'm like,

0:25:44.880 --> 0:25:47.679
<v Speaker 1>because there was hey on the other side.

0:25:49.560 --> 0:25:51.879
<v Speaker 2>I love it, and I just like fall about laughing,

0:25:52.080 --> 0:25:54.639
<v Speaker 2>Like there's nothing better than saying, like a child just

0:25:54.680 --> 0:25:56.800
<v Speaker 2>like laughing at their own joke, even if it doesn't

0:25:56.800 --> 0:25:59.679
<v Speaker 2>make any sense. He's like, I mean, I want to

0:25:59.680 --> 0:25:59.960
<v Speaker 2>be bought.

0:26:00.480 --> 0:26:04.240
<v Speaker 1>It's so it's it is really cute and just it's funny.

0:26:04.280 --> 0:26:07.919
<v Speaker 1>How like I I knew. I didn't realize that I

0:26:07.960 --> 0:26:10.480
<v Speaker 1>was trying to learn, but I like knew that through

0:26:10.560 --> 0:26:12.840
<v Speaker 1>this camera I could kind of like have a place

0:26:12.960 --> 0:26:17.000
<v Speaker 1>to play with this information. Or like there was a

0:26:17.040 --> 0:26:19.760
<v Speaker 1>time when I it snowed a lot in Virginia and

0:26:19.800 --> 0:26:22.720
<v Speaker 1>there were all these icicles on our front porch and

0:26:22.760 --> 0:26:26.040
<v Speaker 1>I did like Lucy's Icicle Show where I like laid

0:26:26.040 --> 0:26:28.679
<v Speaker 1>them out, and I was like being a news reporter,

0:26:28.840 --> 0:26:30.680
<v Speaker 1>like I was using a microphone and I was trying

0:26:30.680 --> 0:26:34.119
<v Speaker 1>to figure out basically what journalism is, I guess, and

0:26:34.200 --> 0:26:37.800
<v Speaker 1>I was like this icicle I would just like say

0:26:37.880 --> 0:26:43.320
<v Speaker 1>facts that weren't true about the different icicles. I don't know.

0:26:43.480 --> 0:26:46.760
<v Speaker 1>I'm glad my dad had like patients for that. Like,

0:26:46.800 --> 0:26:49.359
<v Speaker 1>I don't know, I think I would find it cute,

0:26:49.359 --> 0:26:51.680
<v Speaker 1>But to like do that for like four hours with

0:26:51.720 --> 0:26:55.080
<v Speaker 1>my kid, I think that I would get bored. Maybe

0:26:55.119 --> 0:26:57.120
<v Speaker 1>I'm I'm just not as pure as him.

0:26:57.560 --> 0:27:00.560
<v Speaker 2>That that one sounds pretty and that sounds pretty like

0:27:00.720 --> 0:27:05.159
<v Speaker 2>surreally brilliant as well, but almost like kind of investigative journalism,

0:27:05.200 --> 0:27:07.520
<v Speaker 2>you know, with the origins of these icicles. Maybe we'll

0:27:07.520 --> 0:27:09.840
<v Speaker 2>interview We'll go out and interview other icicles about this.

0:27:09.960 --> 0:27:15.320
<v Speaker 2>You know. I wanted to ask you about a few

0:27:15.480 --> 0:27:18.240
<v Speaker 2>of the different tracks on the record, and we started

0:27:18.240 --> 0:27:20.840
<v Speaker 2>the podcast by mentioning boy genius, and you managed to

0:27:21.320 --> 0:27:24.239
<v Speaker 2>manage to get into the studio right with Phoebe and

0:27:24.280 --> 0:27:27.439
<v Speaker 2>with Julian to record a couple of tracks on the album.

0:27:27.480 --> 0:27:30.959
<v Speaker 2>So they contribute to Going, Going Gong and Please Stay.

0:27:31.600 --> 0:27:34.959
<v Speaker 2>What was that experience? It was that pre pandemic thing.

0:27:35.000 --> 0:27:36.080
<v Speaker 2>When when did that happen?

0:27:36.280 --> 0:27:40.920
<v Speaker 1>Yeah, that was in twenty eight, no, no, no, twenty nineteen.

0:27:41.520 --> 0:27:44.399
<v Speaker 1>We recorded most of the album twenty nineteen. Actually we

0:27:44.520 --> 0:27:48.240
<v Speaker 1>finished recording around the same time as Phoebe did, but

0:27:49.000 --> 0:27:52.399
<v Speaker 1>our records coming out like a full year later. So

0:27:53.280 --> 0:27:55.960
<v Speaker 1>the day that we recorded on Please Stay in, Going

0:27:56.040 --> 0:28:00.520
<v Speaker 1>going on, and Julian sing a little on Triple Dog

0:28:00.600 --> 0:28:03.160
<v Speaker 1>there as well. Was the same day that we did

0:28:03.200 --> 0:28:07.600
<v Speaker 1>Graceland two for Phoebe's record in favor for Julian's record.

0:28:08.240 --> 0:28:10.719
<v Speaker 2>And well, that's a productive day, isn't it.

0:28:11.680 --> 0:28:14.520
<v Speaker 1>I know we also did I know the end for

0:28:14.800 --> 0:28:19.800
<v Speaker 1>Phoebe's record. Yeah, I that's just kind of how we roll.

0:28:19.960 --> 0:28:23.560
<v Speaker 1>I think that we like get that energy of like

0:28:23.640 --> 0:28:27.040
<v Speaker 1>we're together, we have to let's do this, like, uh

0:28:28.240 --> 0:28:32.840
<v Speaker 1>make it happen. There's like this very fast paced, generative energy.

0:28:33.240 --> 0:28:36.600
<v Speaker 1>So yeah, very productive day. We haven't seen each other

0:28:36.760 --> 0:28:37.480
<v Speaker 1>since then.

0:28:37.720 --> 0:28:39.240
<v Speaker 2>I was going to say, yeah, if you managed to

0:28:39.320 --> 0:28:41.760
<v Speaker 2>I mean apart from virtually you like speak to each other,

0:28:41.920 --> 0:28:44.800
<v Speaker 2>I guess you've not managed to be It's sad that

0:28:44.800 --> 0:28:47.280
<v Speaker 2>you haven't been together in person in eighteen months or

0:28:47.280 --> 0:28:47.880
<v Speaker 2>whatever it's been.

0:28:48.040 --> 0:28:53.520
<v Speaker 1>Yeah, we we FaceTime like pretty regularly, I think, compared

0:28:53.560 --> 0:28:56.320
<v Speaker 1>to how much I talk to people, kind of a lot.

0:28:56.400 --> 0:28:59.480
<v Speaker 1>And also like how busy Phoebe and Julian have been.

0:29:00.080 --> 0:29:02.400
<v Speaker 1>It's and I'm about to get really busy with this

0:29:02.440 --> 0:29:04.480
<v Speaker 1>album release, but we make time for each other.

0:29:05.400 --> 0:29:08.440
<v Speaker 2>Yeah, it sounds like it sounds like when you get together,

0:29:08.560 --> 0:29:12.280
<v Speaker 2>like making a Boy Genius record is quite a swift process,

0:29:12.720 --> 0:29:14.800
<v Speaker 2>like judging judging by the amount that you got done

0:29:14.840 --> 0:29:15.479
<v Speaker 2>in that session.

0:29:15.560 --> 0:29:18.600
<v Speaker 1>M hmm. I mean the the EP we wrote and

0:29:18.680 --> 0:29:23.760
<v Speaker 1>recorded in five days total. So but yeah, they're they're

0:29:23.760 --> 0:29:24.680
<v Speaker 1>good guys good.

0:29:24.720 --> 0:29:26.640
<v Speaker 2>Would you like to do some more stuff as Boy

0:29:26.680 --> 0:29:27.920
<v Speaker 2>Genius in the future.

0:29:27.800 --> 0:29:30.560
<v Speaker 1>Yeah, I think so. I don't know if we will

0:29:30.680 --> 0:29:33.720
<v Speaker 1>or when we will, And I think a lot of

0:29:33.760 --> 0:29:37.960
<v Speaker 1>people expect it or not expected, but like would like

0:29:38.040 --> 0:29:42.000
<v Speaker 1>that to happen. But it's nice that like none of

0:29:42.080 --> 0:29:45.120
<v Speaker 1>us actually feel pressure to do that because the EP

0:29:45.360 --> 0:29:48.400
<v Speaker 1>was kind of an accident, and I think that part

0:29:48.440 --> 0:29:51.000
<v Speaker 1>of why it went so well, as people could tell

0:29:51.000 --> 0:29:54.600
<v Speaker 1>that it just happened naturally and we were having fun

0:29:55.200 --> 0:29:57.400
<v Speaker 1>and it's because we wanted to. It wasn't like a

0:29:58.880 --> 0:30:02.680
<v Speaker 1>somebody in a boardroom idea. In fact, when we finished

0:30:02.680 --> 0:30:05.320
<v Speaker 1>the thing, everyone freaked out and we're like, what, like

0:30:06.040 --> 0:30:07.600
<v Speaker 1>do we have time for this? Like how do it?

0:30:07.720 --> 0:30:11.720
<v Speaker 1>Like we were kind of like maybe we threw them

0:30:11.720 --> 0:30:15.040
<v Speaker 1>for a loop Matador for putting out the record, But

0:30:15.680 --> 0:30:17.560
<v Speaker 1>I really look forward to like all of us touring

0:30:17.600 --> 0:30:21.080
<v Speaker 1>and me, I said Elsie the sound System earlier. But

0:30:21.120 --> 0:30:24.080
<v Speaker 1>I honestly think that the shows that are gonna like

0:30:24.160 --> 0:30:27.400
<v Speaker 1>wreck me the most are singing Phoebe and Julian and

0:30:27.520 --> 0:30:32.120
<v Speaker 1>just being able to like scream at them like from

0:30:32.200 --> 0:30:34.440
<v Speaker 1>a crowd is gonna feel really good.

0:30:34.600 --> 0:30:39.280
<v Speaker 2>Yeah, there's a lovely, really sort of natural moment and

0:30:39.440 --> 0:30:41.400
<v Speaker 2>that I love that you've left in on the record.

0:30:41.440 --> 0:30:44.840
<v Speaker 2>Is that the track ends and then this you can

0:30:44.880 --> 0:30:47.360
<v Speaker 2>hear you sort of speaking to each other about the

0:30:47.400 --> 0:30:49.000
<v Speaker 2>take that you've just done, and then is that somebody

0:30:49.040 --> 0:30:51.160
<v Speaker 2>buzzes in from the stud the control room being that

0:30:51.280 --> 0:30:53.160
<v Speaker 2>is that the right take? And it's just lovely that

0:30:53.200 --> 0:30:54.920
<v Speaker 2>you kept that in because I think it's just shows

0:30:54.960 --> 0:30:56.760
<v Speaker 2>the warmth of your relationship with each other.

0:30:56.920 --> 0:31:01.000
<v Speaker 1>Yeah, and that was a big group actually, like a

0:31:01.000 --> 0:31:03.560
<v Speaker 1>bunch of singers that I love, like Liza Ann is there,

0:31:03.880 --> 0:31:06.800
<v Speaker 1>and my friend Ali Thibodeau who's been my friend for

0:31:06.840 --> 0:31:11.480
<v Speaker 1>like fifteen years, and Mitzki was there. My friend Hadley

0:31:12.480 --> 0:31:15.640
<v Speaker 1>Dom who plays bass with me, was there. I think

0:31:15.640 --> 0:31:18.360
<v Speaker 1>it was maybe like fifteen people doing that group vocal

0:31:18.760 --> 0:31:22.120
<v Speaker 1>all like shoulder to shoulder, and then the guitarist also

0:31:22.200 --> 0:31:26.320
<v Speaker 1>in the same room, Harrison from Phoebe's band, Jacob from

0:31:26.360 --> 0:31:30.880
<v Speaker 1>my band, and my friend Keeleen Creech, and then me,

0:31:31.440 --> 0:31:33.640
<v Speaker 1>Like it was really all of us in one room

0:31:33.720 --> 0:31:36.280
<v Speaker 1>with like maybe three mics just kind of like placed around.

0:31:36.960 --> 0:31:39.200
<v Speaker 1>I think that's my favorite song on the record right now,

0:31:39.240 --> 0:31:43.320
<v Speaker 1>just because it's like a time capsule of what was

0:31:43.400 --> 0:31:46.040
<v Speaker 1>possible at that time. Like, I feel so grateful that

0:31:46.640 --> 0:31:50.000
<v Speaker 1>we got that done in twenty nineteen. Yeah, it's it

0:31:50.080 --> 0:31:50.880
<v Speaker 1>is precious to me.

0:31:51.000 --> 0:31:53.000
<v Speaker 2>Yeah, you will be on like Google Meet trying to

0:31:53.040 --> 0:31:55.720
<v Speaker 2>do that at the moment. We're gonna be quite the

0:31:55.760 --> 0:31:59.480
<v Speaker 2>same with it. No, I want to ask about Thumbs

0:31:59.480 --> 0:32:01.840
<v Speaker 2>as well, which is a song on the record that's

0:32:01.880 --> 0:32:04.320
<v Speaker 2>sort of notorious in its own way because it's it's

0:32:04.840 --> 0:32:06.280
<v Speaker 2>you know, you performed it live for a couple of

0:32:06.320 --> 0:32:08.640
<v Speaker 2>years before you actually committed it to tape and then

0:32:08.720 --> 0:32:10.720
<v Speaker 2>released it, and it's so much so like gained so

0:32:10.800 --> 0:32:13.120
<v Speaker 2>much interest amongst fans that it had its own Twitter account.

0:32:13.160 --> 0:32:14.680
<v Speaker 2>Ask him that when you were going to release it.

0:32:15.600 --> 0:32:17.360
<v Speaker 2>I loved that it was in the forward for the album,

0:32:17.440 --> 0:32:20.040
<v Speaker 2>which is written by Katherine Lacey. It's described as a

0:32:20.040 --> 0:32:23.440
<v Speaker 2>white whale, which is an expression I've never heard before.

0:32:23.600 --> 0:32:26.120
<v Speaker 2>What a white Whale. Is that just something that means

0:32:26.160 --> 0:32:29.280
<v Speaker 2>that it's like elusive, it's out there, and I think it's.

0:32:29.160 --> 0:32:34.040
<v Speaker 1>A reference to Herman Melville Moby Dick, right, and like

0:32:34.120 --> 0:32:36.160
<v Speaker 1>his whole point of the book is like fine the

0:32:36.160 --> 0:32:38.720
<v Speaker 1>white whale. And it's funny because people think it's a

0:32:38.760 --> 0:32:43.600
<v Speaker 1>metaphor for like killing God or like something. But I

0:32:43.640 --> 0:32:46.880
<v Speaker 1>think that Herman Melville said that it's just about a

0:32:46.880 --> 0:32:51.440
<v Speaker 1>white whale, but it's like his whole purpose to go

0:32:51.520 --> 0:32:54.840
<v Speaker 1>kill this whale, not like people's whole purposes to go

0:32:54.920 --> 0:32:59.480
<v Speaker 1>kill thumbs. But I like it was out there for

0:32:59.480 --> 0:33:01.920
<v Speaker 1>a really long time, just from playing it live, and

0:33:01.960 --> 0:33:06.200
<v Speaker 1>I asked for people not to record it and they didn't,

0:33:06.280 --> 0:33:11.080
<v Speaker 1>which I feel very respected that that was how it was.

0:33:11.160 --> 0:33:13.880
<v Speaker 1>I can't like find it really online. I knew I

0:33:13.920 --> 0:33:15.560
<v Speaker 1>needed to play it for a while just because it

0:33:16.560 --> 0:33:19.720
<v Speaker 1>is a heavy probably the heaviest song that I've written,

0:33:19.720 --> 0:33:22.760
<v Speaker 1>and it really mattered to me, and it really matters

0:33:22.760 --> 0:33:25.120
<v Speaker 1>to my friend that it's about, and I just wanted

0:33:25.120 --> 0:33:29.480
<v Speaker 1>to be respectful of her and yeah, like not break

0:33:29.520 --> 0:33:33.240
<v Speaker 1>down on stage like maybe some people come to shows

0:33:33.280 --> 0:33:36.200
<v Speaker 1>to see the band mess up or like there's that

0:33:36.280 --> 0:33:38.200
<v Speaker 1>tension of like, oh, you could mess up at any time,

0:33:38.280 --> 0:33:41.120
<v Speaker 1>but I don't know, you got to carry on in

0:33:41.160 --> 0:33:43.920
<v Speaker 1>a show, and like, I've cried singing that song, but

0:33:44.480 --> 0:33:49.400
<v Speaker 1>it's gotten a little easier. Yeah, I'm proud of that one.

0:33:49.640 --> 0:33:52.760
<v Speaker 2>We talked when we met before. We talked a lot

0:33:52.840 --> 0:33:55.600
<v Speaker 2>about your journaling and how that had been a really

0:33:55.600 --> 0:33:58.959
<v Speaker 2>helpful activity for you throughout the years of noting down

0:33:59.040 --> 0:34:01.160
<v Speaker 2>your thoughts of things that happening at the time and

0:34:01.440 --> 0:34:05.080
<v Speaker 2>how years down the line it helped you decipher some

0:34:05.160 --> 0:34:08.640
<v Speaker 2>memories and experiences and versions of yourself. Is that habit

0:34:08.680 --> 0:34:10.880
<v Speaker 2>that you've continued on the last few years.

0:34:11.880 --> 0:34:14.279
<v Speaker 1>A little bit less regimented? Like when I was in

0:34:14.360 --> 0:34:18.680
<v Speaker 1>high school, I journaled about every single day, Like even

0:34:18.680 --> 0:34:20.440
<v Speaker 1>if I was journaling once a week, I would go

0:34:20.520 --> 0:34:23.400
<v Speaker 1>back the past seven days and say what I ate

0:34:23.440 --> 0:34:26.040
<v Speaker 1>and what I wore, and how I felt and who

0:34:26.080 --> 0:34:31.160
<v Speaker 1>did what. So I've allowed myself to skip some things.

0:34:31.200 --> 0:34:33.880
<v Speaker 1>But I was journaling last night. And actually at the

0:34:33.920 --> 0:34:37.560
<v Speaker 1>beginning of Quarantine, I started typing up my journals from

0:34:37.600 --> 0:34:42.360
<v Speaker 1>the very beginning, from like age seven, and I got

0:34:42.400 --> 0:34:45.520
<v Speaker 1>to around one hundred thousand words and then took a pause,

0:34:46.120 --> 0:34:53.560
<v Speaker 1>and that was only four of thirteen journals, so they

0:34:53.560 --> 0:34:55.680
<v Speaker 1>take up a full shelf. Yeah, they take up a

0:34:55.680 --> 0:34:59.680
<v Speaker 1>full shelf at my house. And instead of I'd only

0:34:59.680 --> 0:35:04.400
<v Speaker 1>ever slipped around because I wanted to save actually rereading

0:35:04.440 --> 0:35:09.120
<v Speaker 1>them for later in life, which I guess is now.

0:35:10.080 --> 0:35:13.000
<v Speaker 1>I think realizing like I'm fully an adult, like I'm

0:35:13.040 --> 0:35:16.440
<v Speaker 1>out of childhood, so going back and reading about my

0:35:16.520 --> 0:35:23.480
<v Speaker 1>childhood feels like it's the right time to reflect. But yeah,

0:35:22.840 --> 0:35:27.960
<v Speaker 1>I think I stopped because it I met in my

0:35:28.200 --> 0:35:32.160
<v Speaker 1>ex that I don't really like in my journals, and

0:35:32.160 --> 0:35:34.200
<v Speaker 1>it's like, oh no, this is gonna be horrible. But

0:35:34.239 --> 0:35:38.120
<v Speaker 1>I will continue typing up those eventually.

0:35:38.400 --> 0:35:39.680
<v Speaker 2>The final thing I was going to ask you was

0:35:39.680 --> 0:35:44.000
<v Speaker 2>a bit about, I suppose the overlap between historian and

0:35:44.080 --> 0:35:50.000
<v Speaker 2>home video, because we talked a lot about previously when

0:35:50.000 --> 0:35:51.400
<v Speaker 2>we met. We talked a lot about journaling, and we

0:35:51.400 --> 0:35:52.920
<v Speaker 2>talked a lot about books, and we talked a lot

0:35:52.960 --> 0:35:59.040
<v Speaker 2>about chronicling and history and how writing an album, writing

0:35:59.040 --> 0:36:00.960
<v Speaker 2>a set of songs that then compiled together as an

0:36:01.000 --> 0:36:04.000
<v Speaker 2>album is a bit like putting a book together in

0:36:04.120 --> 0:36:06.399
<v Speaker 2>terms of like chapters and separate stories and things like that.

0:36:06.719 --> 0:36:10.680
<v Speaker 2>So in terms of the overlap between Historian and home Video.

0:36:12.400 --> 0:36:15.319
<v Speaker 2>It's the same author, obviously you being the author. Are

0:36:15.360 --> 0:36:18.200
<v Speaker 2>these the same characters but different stories? Are these different

0:36:18.280 --> 0:36:22.919
<v Speaker 2>characters introduced? What like in that framing of what's going

0:36:22.920 --> 0:36:23.279
<v Speaker 2>on there?

0:36:23.360 --> 0:36:25.600
<v Speaker 1>This definitely felt the most like a book, like a

0:36:25.640 --> 0:36:28.560
<v Speaker 1>book of short stories. And I would like to be

0:36:28.600 --> 0:36:31.000
<v Speaker 1>able to hide behind fiction and say like, oh, yeah,

0:36:31.000 --> 0:36:34.440
<v Speaker 1>I just made all this stuff up, but it's all true,

0:36:34.520 --> 0:36:38.600
<v Speaker 1>and it's all about people from my life and my past,

0:36:39.080 --> 0:36:42.320
<v Speaker 1>and every song kind of has to do with somebody

0:36:43.239 --> 0:36:45.960
<v Speaker 1>specific except for Hot and Heavy. I thought I was

0:36:46.000 --> 0:36:49.640
<v Speaker 1>writing about it about one friend, but I kind of

0:36:50.160 --> 0:36:53.040
<v Speaker 1>realized it was about me kind of halfway through writing it.

0:36:53.560 --> 0:36:57.759
<v Speaker 1>But yeah, it feels way more personal, Like I feel

0:36:57.760 --> 0:37:00.480
<v Speaker 1>like Historian, I was thinking conceptually about his story and

0:37:00.520 --> 0:37:05.120
<v Speaker 1>recordkeeping and kind of like generally about loss, and like I,

0:37:05.400 --> 0:37:08.920
<v Speaker 1>you know, there are songs about my grandma and about

0:37:09.160 --> 0:37:15.000
<v Speaker 1>certain friends. But I think I was still writing knowing

0:37:15.040 --> 0:37:18.400
<v Speaker 1>that other people would listen, so I didn't want it

0:37:18.440 --> 0:37:23.920
<v Speaker 1>to be as personal. But yeah, these songs feel different

0:37:25.840 --> 0:37:27.640
<v Speaker 1>in a way that I hope is good and like

0:37:27.680 --> 0:37:31.160
<v Speaker 1>people can still relate to them even though they're hyper specific.

0:37:31.400 --> 0:37:34.360
<v Speaker 2>Thank you so much for coming on the podcast, Lucy,

0:37:34.719 --> 0:37:37.839
<v Speaker 2>and yeah, thank you. I wish you good luck. Yeah,

0:37:37.880 --> 0:37:39.960
<v Speaker 2>lovely to speak to you. I hope that you do

0:37:40.080 --> 0:37:41.759
<v Speaker 2>manage to get out on the road later this year.

0:37:41.760 --> 0:37:44.720
<v Speaker 2>And I also hope that that you managed to finish

0:37:44.840 --> 0:37:48.560
<v Speaker 2>Desperate Housewives with your roommates and then move on to

0:37:48.640 --> 0:37:51.719
<v Speaker 2>the OC and Vampire Diaries and One Tree Hill at

0:37:51.760 --> 0:37:54.839
<v Speaker 2>the Bottom of the Pile and yeah, yeah, we'll come

0:37:54.880 --> 0:37:56.439
<v Speaker 2>to you for some TV tips next time.

0:37:56.640 --> 0:37:58.919
<v Speaker 1>Cool. Yeah, watch Survivor. That's my tip.

0:37:59.200 --> 0:37:59.919
<v Speaker 2>Okay, good.

0:38:00.320 --> 0:38:03.680
<v Speaker 1>There's forty seasons, so if you really want to waste

0:38:03.719 --> 0:38:06.240
<v Speaker 1>your time, it'll never end. If you hate that feeling

0:38:06.239 --> 0:38:09.080
<v Speaker 1>of finishing a show, you will maybe never finish Survivors.

0:38:09.120 --> 0:38:10.520
<v Speaker 1>So there you go.

0:38:11.719 --> 0:38:15.359
<v Speaker 2>To find previous episodes of Midnight Chats, simply search your

0:38:15.400 --> 0:38:18.719
<v Speaker 2>podcast app. Don't forget to hit follow or subscribe to

0:38:18.800 --> 0:38:22.359
<v Speaker 2>keep up as they're published every week at midnight. For

0:38:22.400 --> 0:38:25.200
<v Speaker 2>more information on the music magazine that makes this series,

0:38:25.360 --> 0:38:30.440
<v Speaker 2>visit Loud and Quiet dot com.