WEBVTT - Ep 5: Up All Night to Get lucky

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<v Speaker 1>Novel. Before we begin, a content warning the following episode

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<v Speaker 1>contains difficult themes and violence.

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<v Speaker 2>The young and able lawyer Thomas E. Dewey appointed special

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<v Speaker 2>prosecutor to clean out the city's racketeers.

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<v Speaker 3>That's the Dowey.

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<v Speaker 4>You have been given the most difficult task, but the

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<v Speaker 4>opportunity of helping the people of this city.

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<v Speaker 1>In the late thirties, the Republican Party produces a promotional film.

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<v Speaker 1>It opens on a man, dark slick hair and a

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<v Speaker 1>carefully groomed and distinct mustache, talks into a heavy telephone.

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<v Speaker 1>According to the no nonsense voiceover, this is Thomas E.

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<v Speaker 5>Dewey.

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<v Speaker 1>An office full of workers at their desks enters frame

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<v Speaker 1>arranged in neat lines like a classroom. They're all white

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<v Speaker 1>men in suits, their hair shiny with palmade. They're busy

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<v Speaker 1>going through paperwork, hard at their respective tasks for the day.

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<v Speaker 2>Dewey's small, hand picked staff began its attack on the

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<v Speaker 2>underworld by perroting out secret records and getting the frightened

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<v Speaker 2>victims of the rackets to talk.

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<v Speaker 1>The back of a witness's head appears.

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<v Speaker 4>The man at the next is the man who hit

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<v Speaker 4>my husband on the head with a pipe. The man

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<v Speaker 4>directly behind him is the man who's threatened to beat

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<v Speaker 4>me and cut my hands off.

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<v Speaker 1>This film is a re enactment of Dewey's investigation into

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<v Speaker 1>organized crime. Watching these films, you clearly see Dewey as

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<v Speaker 1>a man dedicated to showmanship, a man already deeply enamored

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<v Speaker 1>with the creation of his own legacy. Unfortunately, Dewey's hypnotizing

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<v Speaker 1>baritone can't cover his stilted acting.

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<v Speaker 6>The cops who did that job work day.

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<v Speaker 5>And night for a year.

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<v Speaker 7>They're entitled to a promotion, and I think they ought

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<v Speaker 7>to happen.

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<v Speaker 1>Maybe it's a good thing he went into.

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<v Speaker 2>Law a mistakenly accumulating evidence. Dewey and his men, working

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<v Speaker 2>with city police, begin building up that cases.

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<v Speaker 1>Only it wasn't just Dewey and his men responsible for

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<v Speaker 1>the investigation. There was one person, one woman in particular,

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<v Speaker 1>who was really the mastermind. And for just a moment

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<v Speaker 1>so quick you may not even notice, I see her.

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<v Speaker 1>While Dewey holds court, face always clear. She sits at

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<v Speaker 1>a table with her back to the camera. Eunice hunting

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<v Speaker 1>Carter Good is a seat at the table when no

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<v Speaker 1>one acknowledges that you built the table from the teams

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<v Speaker 1>at iHeartRadio and novel. I'm Nicole Perkins and this is

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<v Speaker 1>the Godmother Episode five, Up all night to get Lucky.

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<v Speaker 1>The daytime commute to the Woolworth Building must look familiar

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<v Speaker 1>but strange to Unis. She's used to arriving there in

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<v Speaker 1>the evening for her law school studies, but now she's

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<v Speaker 1>walking into the elevators during the bustle of the day,

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<v Speaker 1>and instead of the twenty eighth floor for classes, she

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<v Speaker 1>steps out onto the fourteenth floor for work.

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<v Speaker 7>When you just got off the elevator, I think she

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<v Speaker 7>would have seen a buzz of activity, but it was

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<v Speaker 7>pretty low key. There was this air of secrecy about it.

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<v Speaker 7>I mean there had to be. Dewey did not want

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<v Speaker 7>people to know where they were what they were doing.

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<v Speaker 1>From the plain closed police officers patrolling the building's lobby

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<v Speaker 1>to the telephone equipment secured against illegal tapping. There are

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<v Speaker 1>tamper proof file cabinets tucked inside a bank vault. Venetian

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<v Speaker 1>blinds keep people from spying. It's October nineteen thirty five

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<v Speaker 1>and a special prosecution is underway. Dewey has a hand

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<v Speaker 1>picked team of twenty attorneys plus investigators clerks, assistants, stenographers,

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<v Speaker 1>and a select group of NYPD officers, and of course

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<v Speaker 1>Eunice hunting Carter. As Unice walks toward her desk that day,

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<v Speaker 1>does she worry about trying to prove herself or does

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<v Speaker 1>she worry about appearing too confident? The news of her

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<v Speaker 1>appointment to Dewey's team arrived with whispers that it was

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<v Speaker 1>her connection to Harlem that earned her spot, and not

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<v Speaker 1>her skills or experience. In other words, what she hired

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<v Speaker 1>just because she's black. Maybe those whispers helped motivate her,

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<v Speaker 1>and there's nothing wrong with using her Harlem background to

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<v Speaker 1>move forward.

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<v Speaker 8>There were a lot of people in Harlem who were like, no,

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<v Speaker 8>I'm not going to talk to Thomas Dewey and his

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<v Speaker 8>other nineteen white male prosecutors about this. Like I'm fine,

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<v Speaker 8>we can handle this in our own community.

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<v Speaker 1>Access to that community is crucial to Dewey in these

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<v Speaker 1>first few months of his team's investigation, because they are

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<v Speaker 1>targeting the numbers racket and at its head the wild,

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<v Speaker 1>reckless mobster associate of Lucky Luciano's Dutch Schultz.

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<v Speaker 8>Who would come in and take in control of the

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<v Speaker 8>Harlem numbers racket. Essentially strong armed a number of black

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<v Speaker 8>men and women in Harlem who'd run their own numbers games.

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<v Speaker 1>Dutch is still battling with numbers running Queen Stephanie Saint Clair.

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<v Speaker 1>Dutch is a figurehead of Dewey's crusade against organized crime.

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<v Speaker 1>His plan use one high profile mobster as the focus,

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<v Speaker 1>build him up in the press as the root of

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<v Speaker 1>all evil, then quickly take him down. Of course, that

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<v Speaker 1>only works if Dewey gets his target and fast. Dutch

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<v Speaker 1>is all too aware of this renewed heat on him,

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<v Speaker 1>so Dutch creates his own plan.

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<v Speaker 3>Hey, we need to kill Tomus Dewey.

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<v Speaker 1>But someone unexpected as watching Dewey's back.

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<v Speaker 3>Dutch Schultz went to Lucky Luciano and said, hey, we

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<v Speaker 3>need to get rid of him because he's trying to

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<v Speaker 3>get rid of us.

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<v Speaker 1>And Lucky gives Dutch a response that will alter the

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<v Speaker 1>course of his life.

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<v Speaker 3>Lucky Luciano said, no, we will not kill do it

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<v Speaker 3>because if we do that, then they'll really be after us.

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<v Speaker 3>Dutch Schultz did not listen. He hired a hitman.

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<v Speaker 1>One morning, October twenty fourth, nineteen thirty five, As Eunice

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<v Speaker 1>weaves her way across the bustling office to get to

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<v Speaker 1>her desk. The clanging sounds of phones ringing is even

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<v Speaker 1>more urgent and NonStop than ever before. There is a

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<v Speaker 1>shocking development in the mob world.

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<v Speaker 9>Unfortunately for dut Schultzer was Dutch Schultz who got assassinated.

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<v Speaker 10>Schultz's death was a huge blow for Dewey, Eunice and

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<v Speaker 10>Dewey's investigation into Dutch Schultz has hit a sudden dead end.

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<v Speaker 11>Literally difficult to imagine just how much of a like,

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<v Speaker 11>oh crap moment they had because they were building their

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<v Speaker 11>whole case on taking down Schultz.

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<v Speaker 1>Dewey needs a new public enemy number one, and it

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<v Speaker 1>has to be someone even more high profile than Dutch.

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<v Speaker 1>Because Dewey has wasted a lot of time and money

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<v Speaker 1>on the Dutch false start. He needs results and soon.

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<v Speaker 1>There is, of course, only one person who really fits

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<v Speaker 1>the bill as Dutch's replacement.

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<v Speaker 12>The new unofficial boss of bosses.

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<v Speaker 1>There is a new muck shot from that heroin in

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<v Speaker 1>a hat box drug dealing charge a few decades ago

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<v Speaker 1>that Dewey pens on the courtboard in that fourteenth floor office.

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<v Speaker 13>Dewey coughed out a prosecution against Charles Lucky Luciano. That

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<v Speaker 13>would garner a great deal of publicity, even in a

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<v Speaker 13>jaded city.

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<v Speaker 1>Like New York. But what about Eunice, a rookie prosecutor

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<v Speaker 1>who's been selected for her a special knowledge about Harlem

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<v Speaker 1>and Dutch Schultz. What does she bring to the table now?

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<v Speaker 8>Thomas Dewey needs to figure out something to do with her.

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<v Speaker 8>He puts her on sort of this dead end project, a.

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<v Speaker 1>Beat no one particularly wants.

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<v Speaker 8>Carter is primarily tasked with talking to every member of

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<v Speaker 8>the New York community who comes in and has a

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<v Speaker 8>complete about prostitution.

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<v Speaker 1>And it turns out one thing New Yorkers want to

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<v Speaker 1>talk about is prostitution.

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<v Speaker 8>It's really easy to say this is sexism or this

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<v Speaker 8>is racism. But I also think that Dewey knew that

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<v Speaker 8>they needed a woman to talk to people average regular

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<v Speaker 8>New Yorkers who walk into the office every single day

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<v Speaker 8>complaining about disorderly houses, as they're often referred to at

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<v Speaker 8>the time period. I do think that Dewey respected her

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<v Speaker 8>enough to know, Hey, you know this stuff, Let's see

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<v Speaker 8>if you can make anything out of it. And she did.

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<v Speaker 1>During the fall and into winter of nineteen thirty five,

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<v Speaker 1>when citizens entered the Woolworth Building they received directions to.

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<v Speaker 1>Unice is listening to these complaints and the resultant paperwork,

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<v Speaker 1>supposed to be gruntwork for unis, something to keep her

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<v Speaker 1>precious little black female mind occupied while the big boys

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<v Speaker 1>did all the real work of the law. Whatever the

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<v Speaker 1>motivation for pushing Units away from the action and into

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<v Speaker 1>glorified secretarial work, people from all walks of life are

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<v Speaker 1>landing at Unice's desk, businessmen, paroles, and perhaps most importantly,

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<v Speaker 1>sex workers themselves. The info coming in is almost overwhelming.

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<v Speaker 1>New York's sex work industry is thriving. Units needs to

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<v Speaker 1>connect these low level vice complaints to these big shot mobsters,

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<v Speaker 1>and she knows there's something and all those complaints she's

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<v Speaker 1>receiving something crucial. She just hasn't quite put the jigsaw

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<v Speaker 1>puzzle together yet. But Unice doesn't mind having so many small,

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<v Speaker 1>seemingly innocuous pieces of info spread across her desk. She

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<v Speaker 1>lives for the details, and as more and more tip

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<v Speaker 1>offs pile up in front of her, a pattern begins

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<v Speaker 1>to emerge.

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<v Speaker 8>She hears about Louis Wiener. Everyone pretty much knew this

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<v Speaker 8>guy was a booker for the Brothels.

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<v Speaker 1>Eunice recognizes this name from her time at the Women's Court.

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<v Speaker 1>Other familiar names keep appearing.

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<v Speaker 8>People talk about Abe carp who is one of these

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<v Speaker 8>attorneys who she remembers from her time on Women's Court.

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<v Speaker 1>This is a lawyer whose name appeared to be all

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<v Speaker 1>over the booking forms of the sex workers who managed

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<v Speaker 1>to avoid successful prosecution.

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<v Speaker 8>Carter starts piecing together all this information in.

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<v Speaker 5>The women's courts where they prosecute prostitution cases, Eunice Carter

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<v Speaker 5>had seen a pattern of corruption that led her to

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<v Speaker 5>believe that the world of New York prostitution had been

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<v Speaker 5>infiltrated by the mob.

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<v Speaker 1>Uni suspects. She's onto something, but she needs more proof.

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<v Speaker 1>The caared colleagues down the hall might be able to

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<v Speaker 1>get away with hunches and wild goose chases, but she

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<v Speaker 1>knows she needs irrefutable evidence. She heads to the Women's

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<v Speaker 1>Court archives to try to tie together more threads.

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<v Speaker 7>Her Forte was going through documents and patient so when

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<v Speaker 7>she was in the Women's Court, in the prosecutor's office,

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<v Speaker 7>many of the cases involved prostitution, and so she's going

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<v Speaker 7>through these records, she's processing them.

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<v Speaker 8>She's also reading through her old caseload when she was

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<v Speaker 8>at the Women's court and trying to figure out how

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<v Speaker 8>many times certain names come up, how many times certain

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<v Speaker 8>alibis come up? How many times does she see the

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<v Speaker 8>exact same monetary figures being discussed.

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<v Speaker 7>She just starts every once in a while finding the

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<v Speaker 7>name of an attorney that isn't expensive attorney. There's two

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<v Speaker 7>or three of these. After going through hundreds of these,

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<v Speaker 7>she must have gotten to the point where she's thinking,

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<v Speaker 7>there's no way these prostitutes could afford these attorneys. She

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<v Speaker 7>brings this up to another person on the team, What

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<v Speaker 7>do you think of this? I think she was thinking,

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<v Speaker 7>am I crazy? What do you think of this? And

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<v Speaker 7>the other person on the team said, no, there's got

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<v Speaker 7>to be something here.

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<v Speaker 1>Unice keeps listening to the citizen complaints as they roll in.

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<v Speaker 1>She keeps squinting through chicken scratch and blurring ink. Everything

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<v Speaker 1>was handwritten or types on a typewriter then no pocket

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<v Speaker 1>sized devices with screens you can double tap to zoom in.

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<v Speaker 1>Unice is probably way down with file folders of complaints, pens,

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<v Speaker 1>writing pads, copies of court documents. I wonder if she

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<v Speaker 1>sometimes carries any of her work home before stopping at

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<v Speaker 1>the grocery store or butcher, while her coworkers stop at

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<v Speaker 1>a bar for a drink, or maybe even one of

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<v Speaker 1>the disreputable houses she's cross referencing in all her paperwork.

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<v Speaker 7>Painstaking, painstaking work.

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<v Speaker 1>But slowly the beginnings of a promising case have begun

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<v Speaker 1>to develop.

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<v Speaker 5>She brought that suspicion to Thomas Dewey and said, this

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<v Speaker 5>is an area where maybe we can focus our investigation.

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<v Speaker 1>She probably knows every response Dewey's team could use to

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<v Speaker 1>discredit her idea to focus on VIIs It's just a

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<v Speaker 1>bunch of crazies, just a bunch of women. How can

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<v Speaker 1>we trust these prostitutes who are probably just trying to

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<v Speaker 1>get lesser charges. This is small time stuff compared to

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<v Speaker 1>the big mob guys. But she knows differently. Some men

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<v Speaker 1>need cameras and a spotlight to fail up in life,

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<v Speaker 1>and some women need the trust of their fellow citizens

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<v Speaker 1>and a quiet archive to succeed. And Yunis tells Dewey

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<v Speaker 1>she is convinced this is how they can get to lucky.

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<v Speaker 9>We're not going to charge you with murder, even though

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<v Speaker 9>Luciano murdered a lot of people, not even tax evasion.

0:16:06.320 --> 0:16:09.720
<v Speaker 9>We don't have the numbers, but we can go after prostitution.

0:16:10.080 --> 0:16:11.760
<v Speaker 5>Dewey was initially very skeptical.

0:16:12.000 --> 0:16:16.200
<v Speaker 7>Dewey says, no, come on, First of all, the mob's

0:16:16.280 --> 0:16:22.160
<v Speaker 7>not involved in prostitution. And second, Dewey, very public relations minded,

0:16:22.400 --> 0:16:26.400
<v Speaker 7>said I'm not going after a bunch of poor, penniless

0:16:26.440 --> 0:16:28.280
<v Speaker 7>prostitutes in a mob case.

0:16:28.680 --> 0:16:29.320
<v Speaker 8>Forget it.

0:16:30.400 --> 0:16:34.480
<v Speaker 1>Eunice does not forget it. This is not the first

0:16:34.520 --> 0:16:37.800
<v Speaker 1>time her hard work has been dismissed. If she accepted

0:16:37.800 --> 0:16:41.280
<v Speaker 1>a no every time someone questioned her, she wouldn't have

0:16:41.360 --> 0:16:43.520
<v Speaker 1>even made it to Dewey's team in the first place.

0:16:44.480 --> 0:16:49.560
<v Speaker 1>Ambition doesn't believe in rejection. That's just a detour. Eunice

0:16:49.560 --> 0:16:53.200
<v Speaker 1>knows she's onto something, so she keeps working the leads

0:16:53.240 --> 0:16:55.600
<v Speaker 1>and keeps finding undeniable patterns.

0:16:56.640 --> 0:16:58.760
<v Speaker 7>She goes back to her friend on the team and said,

0:16:58.760 --> 0:17:01.560
<v Speaker 7>there's got to be something here. I just think there is.

0:17:02.360 --> 0:17:05.760
<v Speaker 1>Murray Gerfine is one of Yunus's colleagues. Maybe he's a

0:17:05.760 --> 0:17:09.720
<v Speaker 1>work friend. As a Jewish Man, he probably also knows

0:17:09.720 --> 0:17:13.119
<v Speaker 1>what it's like to have to prove himself constantly, and

0:17:13.160 --> 0:17:16.560
<v Speaker 1>maybe Eunice realizes she'll need the support of at least

0:17:16.600 --> 0:17:20.560
<v Speaker 1>one man to get Dewey to listen to her. Two outsiders,

0:17:20.920 --> 0:17:24.760
<v Speaker 1>one black woman, one Jewish man working together are better

0:17:24.800 --> 0:17:29.000
<v Speaker 1>than one, and, as too many working women know, sometimes

0:17:29.080 --> 0:17:31.160
<v Speaker 1>you have to get a man to repeat exactly what

0:17:31.200 --> 0:17:33.960
<v Speaker 1>you've just said to get other men to listen.

0:17:35.160 --> 0:17:38.919
<v Speaker 7>The two of them persuaded Dewey. I mean, they had

0:17:38.960 --> 0:17:41.080
<v Speaker 7>to go back to Dewey a couple times, and Dewey

0:17:41.080 --> 0:17:43.080
<v Speaker 7>finally said, Okay, maybe there's something here.

0:17:43.800 --> 0:17:47.600
<v Speaker 1>But Dewey wants even more evidence, because even if sex

0:17:47.720 --> 0:17:50.920
<v Speaker 1>work is connected to the mob, how does that help

0:17:51.000 --> 0:17:56.359
<v Speaker 1>tie it to their specific high profile investigation. Well, Eunice

0:17:56.400 --> 0:17:57.480
<v Speaker 1>has an answer for that too.

0:18:01.680 --> 0:18:07.159
<v Speaker 8>She gets his permission to start wire tapping to piece

0:18:07.200 --> 0:18:10.680
<v Speaker 8>together who these people are, what they know, who works

0:18:10.720 --> 0:18:12.919
<v Speaker 8>for whom, and try to figure out who is.

0:18:12.920 --> 0:18:13.440
<v Speaker 1>At the top.

0:18:14.359 --> 0:18:19.880
<v Speaker 5>Because Luciano, unlike those more high profile flamboyant Irish and

0:18:20.480 --> 0:18:23.879
<v Speaker 5>Jewish mobsters of that era, he was surrounded by this

0:18:24.119 --> 0:18:25.080
<v Speaker 5>cone of silence.

0:18:27.040 --> 0:18:29.440
<v Speaker 1>But this isn't a case of tapping a few phones

0:18:29.440 --> 0:18:33.560
<v Speaker 1>of a few gangsters. This is going to require extensive

0:18:33.640 --> 0:18:37.600
<v Speaker 1>wire tapping, and in nineteen thirties New York that means

0:18:37.640 --> 0:18:40.240
<v Speaker 1>something a little more complicated than calling up a phone

0:18:40.280 --> 0:18:41.360
<v Speaker 1>company with a warrant.

0:18:43.280 --> 0:18:48.120
<v Speaker 8>Dewey ordered Eunice Carter and another man on the team,

0:18:48.320 --> 0:18:52.600
<v Speaker 8>Murray Gurfind to essentially create a list of dozens of

0:18:52.640 --> 0:18:54.760
<v Speaker 8>people that they wanted to wire tap, and.

0:18:54.680 --> 0:18:57.560
<v Speaker 1>Then they have to physically get hardware onto all these

0:18:57.600 --> 0:19:02.120
<v Speaker 1>people's phone lines across New York. Sometimes detectives pay or

0:19:02.320 --> 0:19:05.800
<v Speaker 1>strong arm telephone repairman to go into buildings and play

0:19:05.880 --> 0:19:10.160
<v Speaker 1>small microphones into mouthpieces, or replace old phones with newer

0:19:10.160 --> 0:19:11.920
<v Speaker 1>ones with Mike's already installed.

0:19:12.400 --> 0:19:14.920
<v Speaker 8>They wiretapped incredibly liberally.

0:19:16.200 --> 0:19:19.600
<v Speaker 1>They kick off by wiretapping the bookers and bondsman's offices

0:19:19.600 --> 0:19:23.320
<v Speaker 1>of New York, but soon they're intercepting calls from offices

0:19:23.359 --> 0:19:27.520
<v Speaker 1>of mob members too. If there's a phone there, it's

0:19:27.640 --> 0:19:31.160
<v Speaker 1>not safe.

0:19:31.280 --> 0:19:34.240
<v Speaker 8>Wire tapping laws in the nineteen twenties and thirties were

0:19:34.320 --> 0:19:37.440
<v Speaker 8>still very much up in the air, and in New

0:19:37.520 --> 0:19:41.840
<v Speaker 8>York wiretapping laws are a lot looser than in most

0:19:41.880 --> 0:19:44.399
<v Speaker 8>of the rest of the country. They took a lot

0:19:44.480 --> 0:19:48.760
<v Speaker 8>of connections through these telephone conversations, thousands of hours of

0:19:48.760 --> 0:19:51.920
<v Speaker 8>wiretaps that Unice Carter and the rest of the team

0:19:52.320 --> 0:19:54.800
<v Speaker 8>had to sift through in order to do this.

0:19:55.119 --> 0:19:58.280
<v Speaker 1>And as they do, Unice and the team discover more

0:19:58.359 --> 0:20:01.959
<v Speaker 1>evidence that unice is suspicions might be correct.

0:20:02.280 --> 0:20:05.320
<v Speaker 5>New York prostitution was in the process of being organized

0:20:05.760 --> 0:20:07.119
<v Speaker 5>by organized crime.

0:20:07.320 --> 0:20:09.640
<v Speaker 1>They're able to tie sex work to the.

0:20:09.560 --> 0:20:13.200
<v Speaker 5>Mob one man named Little Baby Pattillo and one man

0:20:13.280 --> 0:20:14.840
<v Speaker 5>named Tommy the Bull Pinocchio.

0:20:15.280 --> 0:20:17.159
<v Speaker 1>You might recognize that last name as one of the

0:20:17.200 --> 0:20:18.040
<v Speaker 1>Mott Street Boys.

0:20:18.440 --> 0:20:21.160
<v Speaker 5>The suspicion was Little Davy and Tommy the Bull were

0:20:21.160 --> 0:20:25.240
<v Speaker 5>working for Lucky Luciano, that there was a sole cadrey

0:20:25.240 --> 0:20:29.880
<v Speaker 5>of middlemen who were running prostitution and victimizing the prostitutes

0:20:29.920 --> 0:20:31.560
<v Speaker 5>and the madams in New York City.

0:20:32.160 --> 0:20:33.920
<v Speaker 1>Unis may have felt like they were right on the

0:20:34.040 --> 0:20:37.679
<v Speaker 1>edge of the big breakthrough. Here are direct links to

0:20:37.720 --> 0:20:40.960
<v Speaker 1>the team's big target, Lucky Luciano.

0:20:43.760 --> 0:20:46.879
<v Speaker 9>What she realized is that the gangsters were very vulnerable

0:20:47.119 --> 0:20:50.200
<v Speaker 9>on this. Not only was prostitution illegal, but the whole

0:20:50.359 --> 0:20:54.399
<v Speaker 9>story of prostitution was fairly brutal and it had such

0:20:54.560 --> 0:20:56.120
<v Speaker 9>tabloid qualities to it.

0:20:56.640 --> 0:21:01.080
<v Speaker 8>After months of building all of this up, they finally

0:21:01.200 --> 0:21:03.440
<v Speaker 8>talk Dewey into a raid.

0:21:06.520 --> 0:21:09.680
<v Speaker 1>The team begins planning in operation that will go down

0:21:09.760 --> 0:21:13.480
<v Speaker 1>in history. This isn't going to be the usual kind

0:21:13.480 --> 0:21:17.160
<v Speaker 1>of raid cops running into a single location and arresting

0:21:17.200 --> 0:21:22.720
<v Speaker 1>a handful of people. No, this is something much bigger.

0:21:43.680 --> 0:21:47.159
<v Speaker 8>There's so much going on. It is madness. It is chaos.

0:21:47.800 --> 0:21:51.840
<v Speaker 1>On the night of February first, nineteen thirty six, Eunice

0:21:51.920 --> 0:21:55.119
<v Speaker 1>Carter arrives yet again on the fourteenth floor of the

0:21:55.119 --> 0:21:58.040
<v Speaker 1>Woolworth Building. She may have been used to all the

0:21:58.040 --> 0:22:01.720
<v Speaker 1>commotion on the floor, but nothing could prepare her for

0:22:01.800 --> 0:22:03.800
<v Speaker 1>the scene she sees that night.

0:22:04.400 --> 0:22:09.000
<v Speaker 8>Literally, there would have been people just all over floors, benches,

0:22:09.080 --> 0:22:13.960
<v Speaker 8>private rooms, not private rooms, everyone just sort of working feverishly.

0:22:14.400 --> 0:22:18.000
<v Speaker 8>No one's got a laptop. In nineteen thirty six, twenty

0:22:18.040 --> 0:22:21.800
<v Speaker 8>stenographers are working around the clock with their giant legal

0:22:21.840 --> 0:22:24.199
<v Speaker 8>pads and their pencils, with their little notebooks. You've got

0:22:24.240 --> 0:22:29.280
<v Speaker 8>people who've brought their typewriters in with them, feverishly taking

0:22:29.359 --> 0:22:32.919
<v Speaker 8>notes of their statements through the night and the early morning.

0:22:33.400 --> 0:22:36.520
<v Speaker 8>Keep in mind that this is February in New York,

0:22:37.040 --> 0:22:40.960
<v Speaker 8>so it is snowy and disgusting and wet, and people

0:22:41.000 --> 0:22:45.360
<v Speaker 8>are freezing cold. You've got cops in uniform, You've got

0:22:45.359 --> 0:22:49.080
<v Speaker 8>plain clothes who were prepared to act as John's. There's

0:22:49.160 --> 0:22:51.400
<v Speaker 8>so much going on. It is madness.

0:22:51.400 --> 0:22:55.520
<v Speaker 1>It is chaos for once. The office is also full

0:22:55.560 --> 0:22:58.960
<v Speaker 1>of other women, eighty eight of them in total, most

0:22:58.960 --> 0:23:01.440
<v Speaker 1>of them sex work madams.

0:23:01.840 --> 0:23:05.399
<v Speaker 8>And many of these women have been arrested in the

0:23:05.440 --> 0:23:09.600
<v Speaker 8>middle of a transaction, and so some of them are

0:23:09.600 --> 0:23:12.080
<v Speaker 8>wearing coats, and some of them are not wearing coats,

0:23:12.119 --> 0:23:15.520
<v Speaker 8>and some of them have on thousand dollars furs.

0:23:16.080 --> 0:23:19.959
<v Speaker 1>As Eunice stands in that room, absorbing the chaos, I

0:23:20.000 --> 0:23:22.800
<v Speaker 1>wonder if she can tell that this case will be

0:23:22.840 --> 0:23:25.680
<v Speaker 1>the one she'd be remembered for. I wonder if she

0:23:25.760 --> 0:23:29.080
<v Speaker 1>felt proud of herself, if she thought she'd finally be

0:23:29.200 --> 0:23:34.760
<v Speaker 1>recognized for her hard work. All of that night's madness

0:23:35.320 --> 0:23:41.920
<v Speaker 1>starts at precisely eight fifty five PM.

0:23:41.960 --> 0:23:44.200
<v Speaker 8>This is coordinated to the minute.

0:23:44.520 --> 0:23:48.280
<v Speaker 1>One hundred and sixty plain clothes policemen from across New

0:23:48.359 --> 0:23:52.879
<v Speaker 1>York gathered together in Manhattan. The cops are divided so

0:23:52.920 --> 0:23:56.440
<v Speaker 1>that they're working with colleagues they've never worked with before.

0:23:57.000 --> 0:23:59.520
<v Speaker 13>One would be on West fifty seventh Street, one would

0:23:59.520 --> 0:24:01.480
<v Speaker 13>be on each It's thirty six. I mean they would

0:24:01.480 --> 0:24:02.760
<v Speaker 13>just all over the place.

0:24:03.080 --> 0:24:07.680
<v Speaker 1>They're split into teams of two and three. Each team

0:24:08.280 --> 0:24:10.040
<v Speaker 1>is given an envelope.

0:24:09.600 --> 0:24:12.600
<v Speaker 5>With their dress audit, and exactly five minutes of nine,

0:24:12.640 --> 0:24:15.679
<v Speaker 5>they all opened their envelopes and read the instructions inside.

0:24:15.960 --> 0:24:20.480
<v Speaker 1>These instructions dispatch the cops to top secret locations across

0:24:20.480 --> 0:24:23.480
<v Speaker 1>the city, like something out of a modern day reality

0:24:23.520 --> 0:24:26.560
<v Speaker 1>game show. None of them know what they're getting into

0:24:27.480 --> 0:24:29.359
<v Speaker 1>until they open the envelope.

0:24:29.600 --> 0:24:32.920
<v Speaker 5>The instructions said, go to this address and arrest everybody

0:24:32.960 --> 0:24:35.320
<v Speaker 5>inside and bring them to the Woolworth Building.

0:24:36.280 --> 0:24:40.160
<v Speaker 1>The police look at each other. This is clearly an

0:24:40.200 --> 0:24:41.840
<v Speaker 1>operation like no other.

0:24:42.280 --> 0:24:44.480
<v Speaker 8>They want to make sure that when they are arresting,

0:24:44.560 --> 0:24:47.320
<v Speaker 8>they are not just taking women out of brothels. They

0:24:47.400 --> 0:24:51.679
<v Speaker 8>want women across the city caught in the act.

0:24:52.280 --> 0:25:01.080
<v Speaker 1>At nine pm, cops set off. Once they reach their locations,

0:25:01.600 --> 0:25:06.320
<v Speaker 1>they start kicking down doors as they pour up stoops

0:25:06.359 --> 0:25:10.240
<v Speaker 1>and staircases and into apartment buildings across New York. They

0:25:10.280 --> 0:25:16.199
<v Speaker 1>emerge with men, but mostly women, in handcuffs. It's quickly

0:25:16.240 --> 0:25:20.080
<v Speaker 1>apparent the element of surprise has been a success.

0:25:27.560 --> 0:25:31.159
<v Speaker 8>Best we can tell, they do wind up arresting about

0:25:31.160 --> 0:25:35.320
<v Speaker 8>one hundred and ten people. Those individuals are later detained.

0:25:35.640 --> 0:25:40.080
<v Speaker 8>The other like twenty or so are mostly John's. They

0:25:40.080 --> 0:25:42.400
<v Speaker 8>couldn't care less. These guys are not going to help

0:25:42.440 --> 0:25:44.119
<v Speaker 8>them get to Luciano, so they let them go.

0:25:44.800 --> 0:25:49.560
<v Speaker 13>Eighty eight arrests all together. It was a pretty wild night,

0:25:49.840 --> 0:25:51.720
<v Speaker 13>even for a city like New York.

0:25:52.359 --> 0:25:56.000
<v Speaker 1>And now back at the Woolworth Building, as Eunice and

0:25:56.080 --> 0:26:00.199
<v Speaker 1>Dewey survey the scene before them, they're already contemplating the

0:26:00.240 --> 0:26:01.840
<v Speaker 1>next mammoth task ahead.

0:26:02.600 --> 0:26:05.800
<v Speaker 5>The idea was they were going to arrest the madams

0:26:06.160 --> 0:26:10.320
<v Speaker 5>and the prostitutes and hold them as material witnesses and

0:26:10.400 --> 0:26:14.760
<v Speaker 5>force them to give testimony against the middle management types

0:26:15.080 --> 0:26:19.040
<v Speaker 5>Patio and Pinocchio, and ultimately force them to flip and

0:26:19.240 --> 0:26:22.920
<v Speaker 5>implicate Lucky. Luciana was the head of prostitution in New York.

0:26:23.720 --> 0:26:27.760
<v Speaker 1>Getting sex workers to snitch is no small feat because

0:26:27.800 --> 0:26:30.560
<v Speaker 1>they've become used to a specific type of mob protection

0:26:30.720 --> 0:26:31.680
<v Speaker 1>from law enforcement.

0:26:32.119 --> 0:26:34.280
<v Speaker 5>The women were used to being arrested. They all had

0:26:34.280 --> 0:26:37.119
<v Speaker 5>been arrested dozens of times, so they assumed it was

0:26:37.160 --> 0:26:39.959
<v Speaker 5>business as usual. They weren't going to cooperate. They wouldn't

0:26:39.960 --> 0:26:42.880
<v Speaker 5>give their real names. They were blowing the prosecutors off.

0:26:43.080 --> 0:26:45.520
<v Speaker 1>A fair chunk of their earnings goes to the Mob

0:26:45.600 --> 0:26:48.960
<v Speaker 1>for occasions just like this. That had been the promise

0:26:49.000 --> 0:26:51.920
<v Speaker 1>of the mob's move into sex work. You pay us,

0:26:52.080 --> 0:26:54.919
<v Speaker 1>we'll protect you, will bail you out, We'll set you

0:26:55.000 --> 0:26:58.000
<v Speaker 1>up with some of the best representation the justice system

0:26:58.080 --> 0:27:03.960
<v Speaker 1>has to offer. The women wait and wait and wait.

0:27:05.240 --> 0:27:10.800
<v Speaker 1>No one seems to be coming.

0:27:12.440 --> 0:27:15.000
<v Speaker 5>The men who normally got them out were no longer there,

0:27:15.320 --> 0:27:17.600
<v Speaker 5>and they realized, oh, something difference going on.

0:27:19.200 --> 0:27:23.480
<v Speaker 1>That's because the night before there had been another round

0:27:23.600 --> 0:27:24.560
<v Speaker 1>of secret.

0:27:24.240 --> 0:27:30.640
<v Speaker 5>Arrests sixteen men on January thirty first, nineteen thirty six.

0:27:31.960 --> 0:27:36.680
<v Speaker 1>The operation had been very discreet, and now as minutes

0:27:36.760 --> 0:27:40.240
<v Speaker 1>turned to hours in the holding cells, the mob guaranteed

0:27:40.280 --> 0:27:43.280
<v Speaker 1>bookers and lawyers who usually come to bail out the

0:27:43.320 --> 0:27:48.320
<v Speaker 1>women are a no show, and the women realize nobody

0:27:48.720 --> 0:27:56.359
<v Speaker 1>is coming to help this time. So a new chapter

0:27:56.480 --> 0:28:00.520
<v Speaker 1>of Unice's work begins, because now she and the rest

0:28:00.520 --> 0:28:03.440
<v Speaker 1>of Dewey's team have to figure out how much these

0:28:03.440 --> 0:28:07.600
<v Speaker 1>women know and how they might be connected to Lucky Luciano.

0:28:07.920 --> 0:28:12.200
<v Speaker 8>The prostitution racket is so tricky because there's women who

0:28:12.760 --> 0:28:18.720
<v Speaker 8>are both madams and prostitutes, and then also wives of bookers.

0:28:18.920 --> 0:28:22.320
<v Speaker 8>Maybe they have a relationship with Luciano, but maybe they

0:28:22.320 --> 0:28:24.000
<v Speaker 8>don't have a relationship with Luciano.

0:28:24.600 --> 0:28:26.760
<v Speaker 1>The longer it takes to get their ducks in a row,

0:28:27.160 --> 0:28:32.119
<v Speaker 1>the more time the mob has to regroup, reorganize, and hide.

0:28:32.720 --> 0:28:38.000
<v Speaker 8>People like Unice Carter start personally interviewing these women almost immediately.

0:28:38.560 --> 0:28:39.920
<v Speaker 8>She is working around the clock.

0:28:40.320 --> 0:28:42.800
<v Speaker 1>Those in custody don't get any sleep that night either,

0:28:43.440 --> 0:28:45.760
<v Speaker 1>which may have been a deliberate ploy.

0:28:46.240 --> 0:28:48.640
<v Speaker 8>They were doing everything they can to just get as

0:28:48.800 --> 0:28:51.120
<v Speaker 8>much information as quickly as possible.

0:28:51.880 --> 0:28:56.719
<v Speaker 1>Intentional sleep deprivation is recognized as a form of torture today.

0:28:56.960 --> 0:28:59.800
<v Speaker 1>Unis probably justifies this part of the operation as for

0:28:59.840 --> 0:29:03.360
<v Speaker 1>the greater good or even just for a personal win.

0:29:04.200 --> 0:29:06.960
<v Speaker 1>Could she have done anything about it anyway once the

0:29:07.000 --> 0:29:11.920
<v Speaker 1>ball was rolling In the end, these considerations don't matter

0:29:12.520 --> 0:29:14.640
<v Speaker 1>because none of the sex workers talk.

0:29:15.240 --> 0:29:18.400
<v Speaker 5>So what happened was do we called a special judge

0:29:18.640 --> 0:29:23.400
<v Speaker 5>to come down to the Woolworth Building on Sunday and

0:29:23.480 --> 0:29:28.160
<v Speaker 5>he arranged all eighty seven prostitutes and madams as material

0:29:28.280 --> 0:29:32.280
<v Speaker 5>witnesses on bonds ranging from ten thousand dollars to twenty

0:29:32.320 --> 0:29:36.680
<v Speaker 5>five thousand dollars and today's dollars, ten thousand dollars is

0:29:37.080 --> 0:29:40.200
<v Speaker 5>like one hundred and eighty thousand dollars. Okay, no way

0:29:40.240 --> 0:29:42.480
<v Speaker 5>these women could have come up with what amounts to

0:29:42.480 --> 0:29:44.560
<v Speaker 5>one hundred and eighty thousand dollars each to get out

0:29:44.560 --> 0:29:48.480
<v Speaker 5>of jail. So basically, do we put these women in

0:29:48.560 --> 0:29:51.760
<v Speaker 5>jail on a bomb they could never meet and held

0:29:51.760 --> 0:29:55.000
<v Speaker 5>them in communicado in the women's house of detention.

0:29:55.080 --> 0:29:59.960
<v Speaker 1>For months, for months without conviction are even a try.

0:30:01.480 --> 0:30:04.920
<v Speaker 1>After the raids on the brothels, as the days stretch

0:30:04.960 --> 0:30:09.160
<v Speaker 1>into weeks and into months, Unice essentially starts working her

0:30:09.200 --> 0:30:12.680
<v Speaker 1>way into the minds of these women. She's now at

0:30:12.680 --> 0:30:16.920
<v Speaker 1>the center of the investigation, talking constantly to the women

0:30:17.280 --> 0:30:21.480
<v Speaker 1>and eventually establishing relationships with them. Some of these women

0:30:21.520 --> 0:30:23.160
<v Speaker 1>become cooperating witnesses.

0:30:23.720 --> 0:30:25.360
<v Speaker 12>She knew how smart women could be.

0:30:25.680 --> 0:30:29.200
<v Speaker 6>She knew how much knowledge of their own that they

0:30:29.280 --> 0:30:32.560
<v Speaker 6>had that other people wouldn't have, and that is really

0:30:32.560 --> 0:30:36.000
<v Speaker 6>what made her so valuable both to starting the investigation

0:30:36.160 --> 0:30:37.800
<v Speaker 6>and continuing the investigation.

0:30:38.560 --> 0:30:43.040
<v Speaker 1>Unice knows from firsthand experience how often women are overlooked

0:30:43.040 --> 0:30:46.160
<v Speaker 1>in rooms with men, how men will talk and share

0:30:46.240 --> 0:30:49.959
<v Speaker 1>secrets as if women are just pieces of furniture, and

0:30:50.040 --> 0:30:54.160
<v Speaker 1>yet she's exploiting that knowledge for her boss, a man

0:30:54.720 --> 0:30:58.280
<v Speaker 1>who wouldn't take her seriously until she had another man

0:30:58.600 --> 0:31:01.240
<v Speaker 1>to back up all the horror work she'd put into

0:31:01.280 --> 0:31:01.760
<v Speaker 1>this case.

0:31:02.520 --> 0:31:05.840
<v Speaker 13>Many of the women were in pretty bad shape when

0:31:05.880 --> 0:31:09.720
<v Speaker 13>they were picked up. A lot of these girls were

0:31:09.800 --> 0:31:11.280
<v Speaker 13>drug addicts.

0:31:11.320 --> 0:31:14.120
<v Speaker 8>Certainly, in the first three or four hours, this is

0:31:14.200 --> 0:31:15.720
<v Speaker 8>less of a concern.

0:31:15.720 --> 0:31:20.520
<v Speaker 1>But as those hours stretch into day's the withdrawal symptoms

0:31:20.600 --> 0:31:22.240
<v Speaker 1>become agonizing.

0:31:26.120 --> 0:31:30.320
<v Speaker 12>They were strung out, they were addicts.

0:31:30.960 --> 0:31:33.720
<v Speaker 13>They would have to suffer a cold turkey cure on

0:31:33.800 --> 0:31:35.240
<v Speaker 13>the floor of a jail cell.

0:31:35.640 --> 0:31:37.280
<v Speaker 12>They held that over their heads.

0:31:37.800 --> 0:31:40.440
<v Speaker 13>All right, you want a hospital, sweetheart, or you want

0:31:40.440 --> 0:31:41.240
<v Speaker 13>a jail cell.

0:31:41.280 --> 0:31:41.920
<v Speaker 12>Which is it.

0:31:42.560 --> 0:31:45.320
<v Speaker 13>If you want a hospital, we can do that for you,

0:31:45.680 --> 0:31:46.760
<v Speaker 13>but you got to talk.

0:31:52.240 --> 0:31:55.920
<v Speaker 1>Finally, the women start telling Yunis what she wants to hear,

0:31:56.720 --> 0:31:59.680
<v Speaker 1>including a very specific name.

0:32:02.720 --> 0:32:03.560
<v Speaker 12>So now it was.

0:32:03.520 --> 0:32:07.840
<v Speaker 13>Time to find out how many times they had heard

0:32:08.440 --> 0:32:11.320
<v Speaker 13>Charlie Lucky referred.

0:32:10.760 --> 0:32:14.920
<v Speaker 12>To in conversation. That was what they built their casaw.

0:32:16.000 --> 0:32:21.800
<v Speaker 13>So while these revelations were being recorded, a case was

0:32:21.920 --> 0:32:26.240
<v Speaker 13>being built against Charles Lucky Luciano.

0:32:26.720 --> 0:32:29.560
<v Speaker 1>But if Eunice and Dewey think they'll be seeing Lucky

0:32:29.600 --> 0:32:34.120
<v Speaker 1>in handcuffs anytime soon. They're out of luck. Lucky is

0:32:34.600 --> 0:32:56.040
<v Speaker 1>nowhere to be found. The train from New York to

0:32:56.080 --> 0:33:00.760
<v Speaker 1>Hot Springs, Arkansas, takes thirty five hours at a minimum.

0:33:01.000 --> 0:33:03.760
<v Speaker 1>As you arrive in town, one of the first things

0:33:03.800 --> 0:33:07.640
<v Speaker 1>you notice, despite the lingering hold of winter nineteen thirty six,

0:33:08.480 --> 0:33:12.520
<v Speaker 1>it's just how many people there are out in the streets.

0:33:13.800 --> 0:33:18.400
<v Speaker 14>Just packed with people, constantly packed with people year round.

0:33:18.640 --> 0:33:21.960
<v Speaker 14>You'd walk from the train station, which is about four

0:33:22.000 --> 0:33:25.240
<v Speaker 14>blocks from here to the National Park, and you'd walk

0:33:25.280 --> 0:33:30.080
<v Speaker 14>down Central Avenue, where there were twenty two hotels, a

0:33:30.160 --> 0:33:34.080
<v Speaker 14>lot of casinos. All the bath houses are open, either

0:33:34.160 --> 0:33:38.480
<v Speaker 14>doing baths or as bed and breakfasts. There's a brewery

0:33:38.760 --> 0:33:43.120
<v Speaker 14>where they brew beer from the thermal water. Even during prohibition,

0:33:44.000 --> 0:33:47.920
<v Speaker 14>because we had a hell of a moonshine industry.

0:33:47.440 --> 0:33:50.480
<v Speaker 1>Here, this small town is booming.

0:33:51.040 --> 0:33:55.040
<v Speaker 14>The New York Times called it America's first resort because

0:33:55.080 --> 0:33:58.160
<v Speaker 14>people could come here. They could fish, they could swim,

0:33:58.240 --> 0:34:02.680
<v Speaker 14>they could hike and drink, they could gamble. Prostitution industry

0:34:02.760 --> 0:34:05.400
<v Speaker 14>grew here. It was a man's world back then.

0:34:07.280 --> 0:34:11.000
<v Speaker 1>In nineteen thirty six. Hot Springs, Arkansas is a must

0:34:11.080 --> 0:34:14.080
<v Speaker 1>see destination for a particular type of traveler.

0:34:14.440 --> 0:34:18.520
<v Speaker 14>One hundred thousand people coming here to take bats. That

0:34:18.680 --> 0:34:21.400
<v Speaker 14>was really the main attraction, even for the mob to

0:34:21.440 --> 0:34:22.000
<v Speaker 14>begin with.

0:34:22.560 --> 0:34:27.080
<v Speaker 1>That's right, Hot Springs isn't just a spa town. It's

0:34:27.080 --> 0:34:28.160
<v Speaker 1>a mafia town.

0:34:28.920 --> 0:34:33.000
<v Speaker 13>There were a lot of underworld characters that were cooling

0:34:33.040 --> 0:34:34.640
<v Speaker 13>off in Hot Springs.

0:34:35.200 --> 0:34:41.400
<v Speaker 1>What a brochure slogan that is. They're everywhere in the bars, brothels,

0:34:41.480 --> 0:34:46.320
<v Speaker 1>and casinos or just casually strolling down main Street and

0:34:46.360 --> 0:34:51.160
<v Speaker 1>their unmistakable wide pinstripes and double lapels. But the people

0:34:51.160 --> 0:34:53.280
<v Speaker 1>of Hot Springs don't seem to mind them.

0:34:53.680 --> 0:34:55.520
<v Speaker 14>If you need to take somemar and r off of

0:34:55.560 --> 0:34:57.560
<v Speaker 14>what you've been doing and you don't want to get

0:34:57.680 --> 0:35:01.680
<v Speaker 14>killed doing it, you come to Hot Springs. Nobody bothered them.

0:35:01.680 --> 0:35:04.520
<v Speaker 14>Everybody talked to them. Hey, you're lucky at Luciano, how

0:35:04.560 --> 0:35:08.600
<v Speaker 14>are you? I mean, they were gentlemen, they were dressed nice,

0:35:08.719 --> 0:35:11.160
<v Speaker 14>they had a lot of money, they were super polite,

0:35:11.960 --> 0:35:15.440
<v Speaker 14>big tippers. You know, who's going to start trouble with

0:35:15.560 --> 0:35:19.319
<v Speaker 14>the mob? You know in the middle of Hot Springs, Arkansas.

0:35:19.680 --> 0:35:23.319
<v Speaker 13>You know, the old Rolling Stones lyric every cop is

0:35:23.360 --> 0:35:27.440
<v Speaker 13>a criminal. That was especially true in the nineteen thirties

0:35:27.520 --> 0:35:31.440
<v Speaker 13>and in Hot Spring, Arkansas, because it was known as

0:35:31.480 --> 0:35:34.840
<v Speaker 13>a cooling off area where if they paid enough money,

0:35:35.200 --> 0:35:37.560
<v Speaker 13>they could be protected, and.

0:35:37.560 --> 0:35:40.879
<v Speaker 1>The club of infamous gangsters taking advantage of this gets

0:35:40.920 --> 0:35:44.600
<v Speaker 1>an update in March nineteen thirty six when Lucky Luciano

0:35:45.040 --> 0:35:49.719
<v Speaker 1>also starts calling the town home. Ever since those February

0:35:49.800 --> 0:35:53.640
<v Speaker 1>raids on brothels across Manhattan. Feeling the net closing in,

0:35:54.400 --> 0:35:57.359
<v Speaker 1>he swaps the murky waters of New York for the

0:35:57.400 --> 0:36:01.520
<v Speaker 1>healing waters of Hot Springs. During that spring of nineteen

0:36:01.560 --> 0:36:05.640
<v Speaker 1>thirty six, two unfortunate New York burglars break the Hot

0:36:05.640 --> 0:36:11.640
<v Speaker 1>Springs etiquette, and so.

0:36:11.440 --> 0:36:13.960
<v Speaker 14>The Hot Springs police farmer called a couple of New

0:36:14.040 --> 0:36:16.120
<v Speaker 14>York cops to come down and pick up a couple

0:36:16.120 --> 0:36:18.520
<v Speaker 14>of New York burglars who they captured here.

0:36:19.120 --> 0:36:20.480
<v Speaker 2>While they were here.

0:36:20.920 --> 0:36:23.680
<v Speaker 14>They were walking around like everybody else, and they spotted

0:36:23.760 --> 0:36:29.000
<v Speaker 14>Luciana walking on the promenade and they said, Lucky, the

0:36:29.040 --> 0:36:30.680
<v Speaker 14>Holy East Coast is looking for you.

0:36:31.239 --> 0:36:32.000
<v Speaker 5>He said what for?

0:36:33.040 --> 0:36:36.920
<v Speaker 14>And he told him compulsory prostitution, and he just laughed.

0:36:37.480 --> 0:36:40.120
<v Speaker 14>He said I can't believe that, but anyway, I appreciate

0:36:40.160 --> 0:36:40.959
<v Speaker 14>you telling me.

0:36:42.680 --> 0:36:42.759
<v Speaker 10>So.

0:36:43.040 --> 0:36:48.279
<v Speaker 14>Of course, the policeman that spotted him here, when he

0:36:48.320 --> 0:36:50.040
<v Speaker 14>got back to New York with his prisoner, he said,

0:36:50.040 --> 0:36:52.880
<v Speaker 14>you know, I saw a Lucky Luciano down there. They

0:36:52.920 --> 0:36:56.160
<v Speaker 14>said what he said, Yeah, he's walking down the promenade

0:36:56.160 --> 0:36:57.520
<v Speaker 14>and he's fixing to go take a bath.

0:36:58.840 --> 0:37:06.080
<v Speaker 1>So that up you know who Thomas Dewey back in

0:37:06.160 --> 0:37:09.120
<v Speaker 1>New York, who was waiting to complete his mission.

0:37:09.480 --> 0:37:11.840
<v Speaker 14>He got on the phones and he started calling and

0:37:12.040 --> 0:37:16.120
<v Speaker 14>send the telegrams and raising hell, arrest Lucky and bring

0:37:16.200 --> 0:37:17.120
<v Speaker 14>him back to New York.

0:37:17.480 --> 0:37:22.320
<v Speaker 1>Unfortunately, for Dewey, it isn't quite that simple. He's paid

0:37:22.320 --> 0:37:23.520
<v Speaker 1>his fees to the cops.

0:37:23.800 --> 0:37:26.120
<v Speaker 5>They were more interested in protecting Luccello than they were

0:37:26.120 --> 0:37:27.240
<v Speaker 5>in cooperating with Dewey.

0:37:28.400 --> 0:37:32.080
<v Speaker 1>After several days, the governor of Arkansas calls Hot Springs

0:37:32.320 --> 0:37:36.760
<v Speaker 1>and kicks the sheriff into action. The sheriff brings Lucky

0:37:36.760 --> 0:37:38.160
<v Speaker 1>in on a traffic violation.

0:37:39.280 --> 0:37:43.120
<v Speaker 14>They were forced to go pick him up. They spent

0:37:43.200 --> 0:37:46.000
<v Speaker 14>a few hours over at the Garland County jail. He

0:37:46.040 --> 0:37:49.799
<v Speaker 14>had an open door policy at the jail. You can

0:37:49.840 --> 0:37:51.080
<v Speaker 14>come and go if you want to go get some

0:37:51.160 --> 0:37:52.760
<v Speaker 14>sandwiches or something, that's fine.

0:37:52.920 --> 0:37:55.440
<v Speaker 1>But his lawyers in Hot Springs get in touch with

0:37:55.480 --> 0:37:59.439
<v Speaker 1>his lawyers up in New York, and before long Lucky

0:37:59.480 --> 0:38:00.319
<v Speaker 1>gets a bailed out.

0:38:00.800 --> 0:38:04.280
<v Speaker 14>Arkansas really wasn't going to make a mood take him anywhere.

0:38:04.000 --> 0:38:07.440
<v Speaker 1>So the governor intervenes again, this time with a little

0:38:07.480 --> 0:38:08.360
<v Speaker 1>more aggression.

0:38:09.120 --> 0:38:13.719
<v Speaker 5>A governor in Arkansas sent twenty armed state troopers to

0:38:13.920 --> 0:38:18.239
<v Speaker 5>Hot Springs to take Luciannol physically from Hot Springs to

0:38:18.320 --> 0:38:18.879
<v Speaker 5>Little Rock.

0:38:22.840 --> 0:38:25.680
<v Speaker 1>From there, he's extradited back to New York with an

0:38:25.800 --> 0:38:29.600
<v Speaker 1>armed escort. After all the hullabaloo, no one wants to

0:38:29.600 --> 0:38:32.480
<v Speaker 1>be the one accused of letting Lucky Luciano get away.

0:38:33.280 --> 0:38:36.360
<v Speaker 1>The train line back to New York is uneventful. The

0:38:36.440 --> 0:38:40.040
<v Speaker 1>cops keep Lucky handcuffed between them at all times. When

0:38:40.080 --> 0:38:41.080
<v Speaker 1>he arrives in New.

0:38:41.000 --> 0:38:44.880
<v Speaker 14>York, Junice Carter was there ready for him.

0:38:45.360 --> 0:38:49.960
<v Speaker 1>On April eighth, nineteen thirty six, Lucky's indicted for ninety

0:38:50.160 --> 0:38:55.359
<v Speaker 1>counts of compulsory prostitution. The judge sets his bond at

0:38:55.360 --> 0:38:59.759
<v Speaker 1>three hundred and fifty thousand dollars. At the time, it's

0:38:59.800 --> 0:39:02.040
<v Speaker 1>the largest bond in New York history.

0:39:02.560 --> 0:39:05.600
<v Speaker 5>That's about almost eight million in today's dollars.

0:39:06.040 --> 0:39:09.439
<v Speaker 1>Lucky doesn't pay it. So while sitting in his jail

0:39:09.480 --> 0:39:12.320
<v Speaker 1>cell he has the chance to read his arrest warrant,

0:39:12.840 --> 0:39:17.320
<v Speaker 1>he notices a significant detail. Lucky isn't going to be

0:39:17.400 --> 0:39:23.120
<v Speaker 1>tried alone. Twelve of his associates are being indicted alongside him.

0:39:23.480 --> 0:39:27.759
<v Speaker 13>Having everybody tried unto one indictment. That was called the

0:39:27.880 --> 0:39:32.279
<v Speaker 13>joins Ohlua. That was pretty revolutionary for its time, and

0:39:32.360 --> 0:39:37.680
<v Speaker 13>it was a sneaky trick that prosecutors used to lump

0:39:37.719 --> 0:39:40.200
<v Speaker 13>all these defendants onto one category.

0:39:41.280 --> 0:39:44.719
<v Speaker 1>Behind the scenes, Dewey has been lobbying for a new law.

0:39:45.200 --> 0:39:48.719
<v Speaker 1>As they'd built the case against Lucky, he realized how

0:39:48.760 --> 0:39:51.240
<v Speaker 1>hard it would be to link the mob's top bosses

0:39:51.680 --> 0:39:54.759
<v Speaker 1>to the actions of their lieutenants and middlemen, and so

0:39:55.400 --> 0:39:57.200
<v Speaker 1>he's been trying to find a way to get them

0:39:57.280 --> 0:40:02.320
<v Speaker 1>all in court together back him up. They put the

0:40:02.440 --> 0:40:04.680
<v Speaker 1>law into effect at breakneck speed.

0:40:05.280 --> 0:40:08.560
<v Speaker 5>That law actually passed like days before the Luciano trial.

0:40:08.800 --> 0:40:11.920
<v Speaker 1>The rules of the game have changed. Find one guilty,

0:40:12.280 --> 0:40:15.960
<v Speaker 1>and you find them all guilty. This law is a

0:40:16.000 --> 0:40:20.120
<v Speaker 1>big deal, a huge deal. In fact, it's a precursor

0:40:20.200 --> 0:40:25.520
<v Speaker 1>to the Rico Law or Racketeer Influenced and Corrupt Organization Act.

0:40:26.080 --> 0:40:28.799
<v Speaker 1>The Rico Law is still in use today and has

0:40:28.840 --> 0:40:32.279
<v Speaker 1>been used against all kinds of people and companies, from

0:40:32.360 --> 0:40:36.480
<v Speaker 1>John Gottie to Donald Trump to Shean fashion company.

0:40:36.520 --> 0:40:39.520
<v Speaker 13>The guilt of innocence of one was the same as

0:40:39.560 --> 0:40:41.280
<v Speaker 13>the guilt or innocence of another.

0:40:41.600 --> 0:40:46.560
<v Speaker 1>It becomes known as the Dewey Law. Dewey is determined

0:40:47.040 --> 0:40:49.360
<v Speaker 1>not to let Lucky slip through the cracks of the

0:40:49.440 --> 0:40:52.200
<v Speaker 1>judicial system, even if it means he has to seal

0:40:52.239 --> 0:40:52.920
<v Speaker 1>them himself.

0:40:53.480 --> 0:40:56.600
<v Speaker 12>At that point, he knew he was toast.

0:41:00.320 --> 0:41:05.120
<v Speaker 1>After months of painstaking work of morally dubious evidence, collection,

0:41:05.920 --> 0:41:10.880
<v Speaker 1>of office politics, and lobbying, Unice's master plan is about

0:41:10.920 --> 0:41:15.360
<v Speaker 1>to bring New York's most powerful gangster into the courtroom.

0:41:16.320 --> 0:41:21.040
<v Speaker 1>Will it pay off? Lucky and Eunice were set on

0:41:21.120 --> 0:41:24.520
<v Speaker 1>different trajectories the minute they arrived in New York in

0:41:24.640 --> 0:41:31.879
<v Speaker 1>nineteen oh six, and now, with Thomas Dewey between them.

0:41:30.440 --> 0:41:33.239
<v Speaker 5>Their lives intersect in a courtroom for one month in

0:41:33.320 --> 0:41:34.200
<v Speaker 5>nineteen thirty six.

0:41:36.200 --> 0:41:48.680
<v Speaker 1>That's coming up on episode six of The Godmother. You've

0:41:48.680 --> 0:41:49.359
<v Speaker 1>been listening to.

0:41:50.960 --> 0:41:54.160
<v Speaker 7>I'm Marilyn Greenwald. I'm a professor Emerita of journalism at

0:41:54.200 --> 0:41:58.400
<v Speaker 7>Ohio University, and I'm the author of five biographies, including

0:41:58.440 --> 0:41:59.920
<v Speaker 7>one of Eunice Hunting Carter.

0:42:00.520 --> 0:42:03.080
<v Speaker 8>I am Claire White, and I am the director of

0:42:03.200 --> 0:42:06.680
<v Speaker 8>Education at the Mob Museum in downtown Las Vegas.

0:42:07.080 --> 0:42:12.279
<v Speaker 3>My name is doctor Clarissa Myriek Harris, and I am

0:42:12.560 --> 0:42:19.600
<v Speaker 3>a tenured professor of Africana Studies at Moorhouse College in Atlanta, Georgia.

0:42:20.280 --> 0:42:24.720
<v Speaker 9>My name is Robert Whalan and I'm an emerathus Professor

0:42:24.760 --> 0:42:28.120
<v Speaker 9>of History at Queen's University of Charlotte here in Charlotte,

0:42:28.120 --> 0:42:28.840
<v Speaker 9>North Carolina.

0:42:29.360 --> 0:42:31.200
<v Speaker 12>Why my name is Ellen Olson.

0:42:32.080 --> 0:42:36.279
<v Speaker 13>I research and I write books about women who were

0:42:36.320 --> 0:42:40.080
<v Speaker 13>involved with notorious gangsters and desperadoes.

0:42:40.400 --> 0:42:43.600
<v Speaker 5>My name is Chuck Greeves. Before becoming a writer, I

0:42:43.680 --> 0:42:46.400
<v Speaker 5>spent twenty five years as a Los Angeles trial lawyer.

0:42:46.840 --> 0:42:52.640
<v Speaker 5>My fourth novel was basically a fictionalization of the famous

0:42:52.719 --> 0:42:56.880
<v Speaker 5>nineteen thirty six vice trial, in which Luckily China was

0:42:56.920 --> 0:42:58.720
<v Speaker 5>prosecuted by Thomas Dewey.

0:42:59.080 --> 0:43:00.279
<v Speaker 12>I'm Debbie aple Gate.

0:43:00.440 --> 0:43:03.440
<v Speaker 6>I'm a historian and biographer, and I am the author

0:43:03.680 --> 0:43:08.440
<v Speaker 6>of Madam, The Biography of Polyadler, Icon of the jazz age.

0:43:08.960 --> 0:43:12.440
<v Speaker 14>Robert Raines, author of Hot Springs from Capone to Costello,

0:43:12.680 --> 0:43:16.120
<v Speaker 14>Executive director of the Gaigster Museum of America, located in

0:43:16.200 --> 0:43:18.400
<v Speaker 14>Hot Springs National Park, Arkansas.

0:43:25.640 --> 0:43:29.719
<v Speaker 1>The Godmother is produced by Novel for iHeartRadio. For more

0:43:29.760 --> 0:43:34.240
<v Speaker 1>from Novel, visit novel Dot Audio. The Godmother is hosted

0:43:34.280 --> 0:43:39.120
<v Speaker 1>and written by me Nicole Perkins. Our producer is Leona Hamid.

0:43:39.680 --> 0:43:45.360
<v Speaker 1>Additional production from Ajuajima Broumpong, Ronald Young Junior and Zianna Yusuf.

0:43:45.960 --> 0:43:50.120
<v Speaker 1>Our editor is Ajua Jima Broumpong. Additional story editing from

0:43:50.160 --> 0:43:53.520
<v Speaker 1>Max O'Brien and Mitha Lee Raw and our researcher is

0:43:53.600 --> 0:43:57.960
<v Speaker 1>Zianna Yusuf. Additional research from Mohammed Ahmed. David Waters is

0:43:58.000 --> 0:44:02.439
<v Speaker 1>our executive producer. Production by Tnito Romani and Pallas Shaw,

0:44:03.000 --> 0:44:07.480
<v Speaker 1>Sound design, mixing and scoring by Daniel Kempsen. Our score

0:44:07.640 --> 0:44:11.719
<v Speaker 1>was written, performed and recorded by Jeff Parker. Music supervision

0:44:11.800 --> 0:44:16.360
<v Speaker 1>by Nicholas Alexander and David Waters. Production management and endless

0:44:16.360 --> 0:44:21.560
<v Speaker 1>patients from Scharie Houston, Sarah Tobin, and Charlotte Wolfe. Fact

0:44:21.640 --> 0:44:26.160
<v Speaker 1>checking by Fendel Fulton and Dania Suleiman Story development by

0:44:26.200 --> 0:44:31.640
<v Speaker 1>Madeline Parr, Jess Swinburne, and Ziana Yusuf. Willard Foxen is

0:44:31.680 --> 0:44:35.640
<v Speaker 1>our Creative Director of Development. Special thanks to Leah Carter,

0:44:36.160 --> 0:44:43.360
<v Speaker 1>Stephen Carter, Angela J. Davis, Andrew Fernley, Marilyn Greenwald, Sondra Lebedy,

0:44:44.120 --> 0:44:50.920
<v Speaker 1>Katherine Godfrey, Nadia Maydi, Amalia Sortland, Sean Glenn, Neil Kushnan,

0:44:51.800 --> 0:44:56.919
<v Speaker 1>Julia Bromberg, Katrina Norvelle, Carly Frankel, and all the team

0:44:57.000 --> 0:45:06.840
<v Speaker 1>at w Emmy Novel