WEBVTT - Stuff You Can Hook Up to Your TV

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<v Speaker 1>Brought to you by the reinvented two thousand twelve Camray.

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<v Speaker 1>It's ready. Are you get in touch with technology? With

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<v Speaker 1>tech Stuff from how stuff works dot com. Hello, everybody,

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<v Speaker 1>Welcome to tech Stuff. My name is Chris Pouette, and

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<v Speaker 1>I'm an editor here at how stuff works dot Com.

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<v Speaker 1>Sitting across from me as usual as senior writer Jonathan Strickland.

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<v Speaker 1>Hey there, Crispy. Alright, so today we were going to

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<v Speaker 1>talk about something really vague. Stuff you can hook up

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<v Speaker 1>to your TV, right, go, okay, so cam qorders, uh,

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<v Speaker 1>very small rocks, cherries, cherries. We wanted to talk about

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<v Speaker 1>really sort of pretty much everything home theater related that

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<v Speaker 1>you you hook up to your television. Actually I didn't

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<v Speaker 1>go into a V receivers, but I thought we'd do

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<v Speaker 1>another episode later on about home theater components specifically, But

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<v Speaker 1>we kind of wanted to talk about different stuff that

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<v Speaker 1>you can hook up to your TV to get content.

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<v Speaker 1>Really that was That's the way I looked at it, anyway,

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<v Speaker 1>I'm not sure about you. Yeah, okay, So we're not

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<v Speaker 1>talking about antenna's or cable boxes or satellite boxes for

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<v Speaker 1>that matter, because that's really or at least I wasn't,

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<v Speaker 1>at least not by themselves. No, no, no, that's their

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<v Speaker 1>only application. We're talking about stuff that enhances what you

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<v Speaker 1>you know, the basics. Yes, if it's a pair of

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<v Speaker 1>rabbit ears that you can bake a potato on, I

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<v Speaker 1>think that qualifies because it can do more than one thing.

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<v Speaker 1>That's true. That's true. And if you have one of those.

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<v Speaker 1>UM sent it to Chris. He's apparently very interested. Um

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<v Speaker 1>so the first thing I was going to talk about.

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<v Speaker 1>But well, what was the first thing you were going

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<v Speaker 1>to talk about before I jump in? No, No, I'm

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<v Speaker 1>I'm interested to hear where you're going. I was gonna

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<v Speaker 1>start off by talking about the Great Wars, the Great

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<v Speaker 1>Wars between Beta Max and VHS. Okay, I thought we

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<v Speaker 1>were going to have to get into that whole Austro

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<v Speaker 1>Hungarian thing. And no, I wasn't prepared to talk about wars. No,

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<v Speaker 1>well this I hope you're prepared to talk about this one. Okay,

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<v Speaker 1>So with Beta Max and VHS UM. For our younger

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<v Speaker 1>listeners out there, you may wonder what the heck these

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<v Speaker 1>things are. This is what we old folks used to

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<v Speaker 1>watch movie pictures on UM back shortly after we you know,

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<v Speaker 1>hooked up the view master to the ends fire then

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<v Speaker 1>Beta Max. So Beta max was it was a Sony project, right,

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<v Speaker 1>And so you had Sony on one side JVC with

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<v Speaker 1>the VHS technology on the other side. And these were

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<v Speaker 1>both technologies that would allow home theater enthusiasts to watch

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<v Speaker 1>programming on their television, prerecorded programming anytime they liked, which

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<v Speaker 1>was a revolutionary thing at that point. And um, so

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<v Speaker 1>it was two different technologies that were kind of similar.

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<v Speaker 1>Beta Max a slightly better picture, um, but VHS could

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<v Speaker 1>pack a lot more programming onto one tape than Beta

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<v Speaker 1>Max could. And so you had this this battle early

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<v Speaker 1>on between the two formats. Is it gonna be Beta

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<v Speaker 1>Max or is it gonna be VHS? Yep. And honestly,

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<v Speaker 1>the from what I understand, the two formats are not

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<v Speaker 1>all that different in quality. I mean VHS. Uh. If

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<v Speaker 1>you read stuff about the The Great Wars um a

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<v Speaker 1>lot of times you'll hear that Beta Max was the

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<v Speaker 1>superior format and it just you know, completely created the VHS.

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<v Speaker 1>But from what I've you know, and digging in a

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<v Speaker 1>little bit more from what I've read, they really weren't

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<v Speaker 1>all that different as far as quality. I mean not

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<v Speaker 1>that most people worry about it. I mean even you know,

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<v Speaker 1>when people were using VCRs more than they do now. Uh,

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<v Speaker 1>a lot of times people would put record when they

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<v Speaker 1>were record stuff that that record things for themselves, they

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<v Speaker 1>would use a uh slower recording time, and and that

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<v Speaker 1>decreased the quality of the playback considerably. So, um, you

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<v Speaker 1>know it's it. It actually became more of an issue

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<v Speaker 1>of convenience and the length of the tape more than

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<v Speaker 1>it was video quality. Right in the original Beta Max,

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<v Speaker 1>I think you could only record up to an hour's

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<v Speaker 1>worth of programming, and the VHS to let you have

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<v Speaker 1>to right, or up to four if you change the speed.

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<v Speaker 1>The original Beta max is you couldn't even change the speed.

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<v Speaker 1>So when you think about that, you're thinking, well, how

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<v Speaker 1>how many programs on television would you want to record

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<v Speaker 1>that are over an hour long? Yeah? There are plenty.

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<v Speaker 1>Sports events would be over an hour long if you

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<v Speaker 1>wanted to. If you want to record an evening's worth

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<v Speaker 1>of shows like you wanted to, you know, get the

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<v Speaker 1>prime time programming from your favorite station, that would be

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<v Speaker 1>up more than an hour. It's probably two hours right there.

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<v Speaker 1>Or if it's a movie that's going to be longer,

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<v Speaker 1>so VHS was more convenient, and it got the leg

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<v Speaker 1>up and eventually ended up beating out Beta max. Um.

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<v Speaker 1>Have you ever taken a look at a super VHS um,

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<v Speaker 1>Not that I remember. I have a friend who owns

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<v Speaker 1>a super VHS machine and actually has super VHS. Uh.

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<v Speaker 1>It does not. Um. It does wear glasses on occasion,

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<v Speaker 1>and I've never seen it next to the VHS machine. UM.

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<v Speaker 1>So super VHS was really it's the same sort of thing,

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<v Speaker 1>the same sort of technology is VHS, but it was

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<v Speaker 1>able to pack more lines of resolution into a recording

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<v Speaker 1>than VHS, so your quality was better. It was it

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<v Speaker 1>was more luminescent um colors sometimes suffered, but it was

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<v Speaker 1>it was in general of a sharper picture. Well, both

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<v Speaker 1>technologies got better as the years went on, right, but

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<v Speaker 1>by the point that that happened, that BETA had already

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<v Speaker 1>lost out socially, except for you know, like TV production exactly. Yes,

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<v Speaker 1>for home theater, Beta's pretty much it become a nonentity. Well.

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<v Speaker 1>The interesting thing, the reason why I bring up super

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<v Speaker 1>VHS is because it never really caught on. You know,

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<v Speaker 1>even though it was better quality than VHS, it never

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<v Speaker 1>really took off in the home market. So you're talking

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<v Speaker 1>about a technology that's similar to an existing technology, but

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<v Speaker 1>it doesn't go anywhere because consumers are happy with the

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<v Speaker 1>technology they have being good enough. That's going to come

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<v Speaker 1>into play later, is it really? Yeah? I can think

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<v Speaker 1>of another. I can think of a parallel to that,

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<v Speaker 1>a current one. But before we get to that, I

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<v Speaker 1>was going to talk about a couple of other sort

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<v Speaker 1>of legacy home theater devices. For for a moment, I

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<v Speaker 1>thought you were talking about XP but then I realized

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<v Speaker 1>we weren't talking to computers. No, No, I'm switched the theater.

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<v Speaker 1>So we also have the laser disc. Yes, I was

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<v Speaker 1>going to make sure that you mentioned this because I

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<v Speaker 1>know this is one of your pet technologies, well, laser disc,

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<v Speaker 1>laser discause I never owned a laser disc. Again, I

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<v Speaker 1>have a I have several friends who did own laser

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<v Speaker 1>disc systems, and uh I remember as a kid going

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<v Speaker 1>over to friends houses where they had laser disc systems

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<v Speaker 1>and just being totally blown away because the picture was

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<v Speaker 1>so much better than VHS, remarkably better. Uh I got

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<v Speaker 1>a little annoying if you had to flip the disc

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<v Speaker 1>halfway through, but other than that, it was really an

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<v Speaker 1>amazing picture. Again, another one of those kind of a

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<v Speaker 1>niche market. I mean you had early adopters grab onto them,

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<v Speaker 1>and then you had, you know, a small market in

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<v Speaker 1>the US. It never really took off outside of the

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<v Speaker 1>United States. And uh, CD technology is actually based off

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<v Speaker 1>of laser disc technology. Yep, and and so is another

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<v Speaker 1>one that you're going to talk about in a minute,

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<v Speaker 1>but I'm not there yet. Yeah. Yeah, the laser disc

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<v Speaker 1>apparently had four five lines of resolution. And one of

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<v Speaker 1>the things that I found out in doing research, even

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<v Speaker 1>though I sort of looked at laser discs before, I

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<v Speaker 1>didn't realize that the video format was analog. It was

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<v Speaker 1>not digital, which is kind of funny compared to that

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<v Speaker 1>other technology that everybody knows what we're going to talk about,

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<v Speaker 1>but we're not yet, yes, exactly, all right. So I

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<v Speaker 1>was also going to go ahead and mention I've mentioned

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<v Speaker 1>this in other podcasts, but the capacitance electronic disc that

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<v Speaker 1>was the one that we owned. We didn't have the

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<v Speaker 1>laser disc. Oh no, no, we had the capacity its

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<v Speaker 1>electronic disc. And uh I've talked about it before, but

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<v Speaker 1>I'm gonna go ahead and give the spiel again. So

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<v Speaker 1>what you had was a disk inside a plastic sheath.

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<v Speaker 1>The plastic sheath was about the same size as This

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<v Speaker 1>is also a dated reference for you folks out there,

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<v Speaker 1>a vinyl record album cover. What, Yeah, exactly, So you

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<v Speaker 1>kids who don't know what we're talking about. Um, something

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<v Speaker 1>that you've never heard of is about the same size

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<v Speaker 1>as something else that you've never heard of, and I'm yeah,

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<v Speaker 1>I just wanted to clear that up. So the discs

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<v Speaker 1>actually had little grooves in them, and you know, a

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<v Speaker 1>laser disc obviously the method that with the device would

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<v Speaker 1>read the the information off the disc, they used a laser.

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<v Speaker 1>Thus the laser disc um capacits electronic disk, did not

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<v Speaker 1>use a laser. He used a needle. So there was

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<v Speaker 1>a very very fine needle and it would create an

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<v Speaker 1>electronic connection between the needle and the disc itself and

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<v Speaker 1>make a circuit as the disc turned, and that's how

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<v Speaker 1>it would read information off the disk and display it

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<v Speaker 1>on your television. So it was more like a vinyl

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<v Speaker 1>record than a laser disc. And uh, you couldn't write

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<v Speaker 1>to them, you could only read from them, so you

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<v Speaker 1>would buy movies or whatever. And again, after about I

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<v Speaker 1>think it was around forty minutes or so, maybe thirty

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<v Speaker 1>I can't remember quite right now. But you didn't have

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<v Speaker 1>to flip it over. It would it would run out

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<v Speaker 1>of space. And we had several movies. Um. I remember

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<v Speaker 1>Rais Last arc always ended with they're digging in the

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<v Speaker 1>wrong place flip. So that was my experience in home

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<v Speaker 1>theater as a kid growing up. Um, and then there's

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<v Speaker 1>a pretty big gap. I mean, VHS kind of reigned

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<v Speaker 1>supreme for several years and as just now really truly

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<v Speaker 1>going extinct, and none of the other the videotape formats

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<v Speaker 1>really have managed to displace it at all. I mean

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<v Speaker 1>not the you know, the digital eight You don't see

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<v Speaker 1>digital eight players. You know camcorders, yes, as you mentioned before,

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<v Speaker 1>I mean, and you can for most of them anyway,

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<v Speaker 1>plug them right into your TV and watch the movies

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<v Speaker 1>you record. But you didn't buy movies on those formats.

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<v Speaker 1>So as far as as uh magnetic tape goes, that's

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<v Speaker 1>pretty much the end of the line as far as

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<v Speaker 1>watching movies. And I meant to mention this before just

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<v Speaker 1>because I thought it was funny. Do you know what

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<v Speaker 1>the original marketing term for a laser disc was, um

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<v Speaker 1>beulah No, Okay, disco Vision, you're kidding. No. If I

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<v Speaker 1>were kidding, i'd say a priest, a rabbi, and a

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<v Speaker 1>horse walk into a bar. But I'm not kid crispy.

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<v Speaker 1>This is being serious here, Disco vision. I don't know

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<v Speaker 1>why they changed it. Um so, probably because they were

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<v Speaker 1>trying to keep it past going past the seventies. Yes,

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<v Speaker 1>exactly so. Yeah, the VHS, the Beta Max, the Capassitan's

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<v Speaker 1>electronic disk, that laser view. Those are laser disc round,

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<v Speaker 1>not laser view. All of those have their origins back

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<v Speaker 1>in the mid to late seventies and then throughout the eighties. Uh,

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<v Speaker 1>laser just like we said, never really got much of

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<v Speaker 1>a foothold. Um. It had a larger market in the

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<v Speaker 1>US than anywhere else, and then VHS was reigning supreme

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<v Speaker 1>for a while until the DVD came along. Can we

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<v Speaker 1>talk about it now? Sure, let's go, okay, go for it. Um. Well,

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<v Speaker 1>these are these are much smaller than the laser disc.

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<v Speaker 1>You may be familiar with the DVD format, dominant media

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<v Speaker 1>format in every culture today. Yes, yes, um, you know.

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<v Speaker 1>DVDs caught on for a couple of big reasons, um,

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<v Speaker 1>One of which is that, um, you know, it's smaller

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<v Speaker 1>and more convenient. The other is price, and the price

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<v Speaker 1>of the DVD players, which is now what like forty

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<v Speaker 1>five cents or something like that. Yeah, but when they

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<v Speaker 1>first came out, they were I remember, the big incredibly expensive. Actually,

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<v Speaker 1>I think um, to some degree, DVDs have benefited from

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<v Speaker 1>the success of vhs because when um, again, this is

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<v Speaker 1>one of the things that that some of the younger

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<v Speaker 1>listeners may not remember because it may really technically be

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<v Speaker 1>before your time. But when used to buy vhs, I

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<v Speaker 1>remember when we've got our first VHS player, movies were

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<v Speaker 1>like ninety dollars. They were really expensive. Ye. A lot

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<v Speaker 1>of that was because you had these these rental agencies

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<v Speaker 1>like Blockbuster cut popping up, and what they would do

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<v Speaker 1>is they would purchase the movies that would hit the market.

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<v Speaker 1>Were really meant more for these these you know, aftermarket

0:12:53.040 --> 0:12:55.559
<v Speaker 1>kind of places. UM. So what would happen is a

0:12:55.600 --> 0:13:00.000
<v Speaker 1>rental agency would purchase however many copies of you know, uh,

0:13:00.679 --> 0:13:03.960
<v Speaker 1>Empire Strikes Back or whatever, and then you would be

0:13:04.000 --> 0:13:05.680
<v Speaker 1>you would rent it and they would make their money

0:13:05.679 --> 0:13:08.960
<v Speaker 1>back through the rentals. Um. And and it wasn't until

0:13:09.520 --> 0:13:12.240
<v Speaker 1>the market had really established itself before he started seeing

0:13:12.320 --> 0:13:15.760
<v Speaker 1>some you know, the more popular movies start falling into

0:13:15.920 --> 0:13:20.520
<v Speaker 1>home market you know, price ranges, and then it started

0:13:20.520 --> 0:13:23.120
<v Speaker 1>to uh, to affect the whole the whole system. But

0:13:23.160 --> 0:13:27.040
<v Speaker 1>I mean, I own a movie that up until the

0:13:27.040 --> 0:13:29.840
<v Speaker 1>point where I went out of print, the only way

0:13:29.880 --> 0:13:32.400
<v Speaker 1>you could buy it officially was if you dished out

0:13:32.400 --> 0:13:35.840
<v Speaker 1>a hundred bucks. Yeah. Yeah, and I'm sorry, but Blood

0:13:35.840 --> 0:13:38.800
<v Speaker 1>Salvage is not worth a hundred dollars. But if Jake

0:13:38.840 --> 0:13:44.040
<v Speaker 1>can't fix it, it's been dead too long. I was

0:13:44.080 --> 0:13:46.520
<v Speaker 1>in that movie. Yeah, that's kind of why I wanted it.

0:13:47.080 --> 0:13:51.720
<v Speaker 1>I bought it on eBay, alright, moving gone. Yeah. But

0:13:51.800 --> 0:13:53.960
<v Speaker 1>the I think that helped the DVD because by the

0:13:54.000 --> 0:13:58.120
<v Speaker 1>time the DVDs became the primary format for videos, it

0:13:58.160 --> 0:14:00.920
<v Speaker 1>was a player that was expensive and the videos were

0:14:00.960 --> 0:14:03.640
<v Speaker 1>considerably cheaper. Now, I mean they were more expensive, sort

0:14:03.640 --> 0:14:05.520
<v Speaker 1>of like another format that we're going to talk about

0:14:05.520 --> 0:14:09.679
<v Speaker 1>in a moment um, you know, more expensive than VHS tapes.

0:14:10.520 --> 0:14:12.920
<v Speaker 1>But um, I think that that was sort of part

0:14:12.920 --> 0:14:17.440
<v Speaker 1>of the transition. And another interesting point about this is

0:14:17.480 --> 0:14:21.280
<v Speaker 1>that as people began to adopt DVD players, then you

0:14:21.320 --> 0:14:26.120
<v Speaker 1>started seeing U stores cut back on on the VHS

0:14:26.400 --> 0:14:29.840
<v Speaker 1>inventory both Reynold places and you know, big box stores

0:14:29.920 --> 0:14:33.720
<v Speaker 1>or whatever. So it began to force consumers to switch over,

0:14:33.760 --> 0:14:37.280
<v Speaker 1>even the ones who weren't interested in necessarily upgrading their experience.

0:14:37.320 --> 0:14:42.160
<v Speaker 1>Because the jump between VHS and super VHS wasn't huge,

0:14:42.320 --> 0:14:45.240
<v Speaker 1>I mean, you could notice it, it wasn't unnoticeable, but

0:14:45.320 --> 0:14:48.480
<v Speaker 1>it wasn't enough to motivate people to switch. The jump

0:14:48.520 --> 0:14:53.200
<v Speaker 1>between VHS and DVD was significant, and that was enough

0:14:53.240 --> 0:14:55.360
<v Speaker 1>to get enough people to jump over and adopt it

0:14:55.400 --> 0:14:59.840
<v Speaker 1>to force the market to follow. And uh, Also, DVDs

0:15:00.040 --> 0:15:03.640
<v Speaker 1>had other great benefits as well, like you could include

0:15:03.640 --> 0:15:07.240
<v Speaker 1>all these extras on DVDs and extra layers on DVDs

0:15:07.240 --> 0:15:10.040
<v Speaker 1>so that you could watch the movie again with commentary

0:15:10.160 --> 0:15:12.640
<v Speaker 1>things like that that weren't possible with VHS unless you

0:15:12.680 --> 0:15:14.600
<v Speaker 1>just had some talkative people in the room with you

0:15:14.640 --> 0:15:18.120
<v Speaker 1>when you're trying to watch your damn movie. Right, Well,

0:15:18.160 --> 0:15:20.440
<v Speaker 1>I mean it was possible to uh to do some

0:15:20.520 --> 0:15:22.840
<v Speaker 1>of that in laser disc to right, These are some

0:15:22.840 --> 0:15:27.000
<v Speaker 1>of those features were introduced around that time, but um,

0:15:27.040 --> 0:15:29.920
<v Speaker 1>you know, people hadn't really seen that because they were

0:15:29.960 --> 0:15:32.480
<v Speaker 1>kind of ignoring the laser disc. Right, Yeah, only the

0:15:32.560 --> 0:15:34.760
<v Speaker 1>laser disc enthusiasts knew about that, and they thought it

0:15:34.800 --> 0:15:37.360
<v Speaker 1>was great, and everyone else just looked at them funny

0:15:37.360 --> 0:15:41.720
<v Speaker 1>whenever they would bring it up right right, But um, yeah, Actually,

0:15:41.760 --> 0:15:45.520
<v Speaker 1>I think the DVD also affected the TV itself because

0:15:45.920 --> 0:15:48.000
<v Speaker 1>you know, talking about stuff you hook up to your TV.

0:15:48.560 --> 0:15:51.320
<v Speaker 1>I've got an older TV, got got it in the

0:15:51.720 --> 0:15:54.440
<v Speaker 1>early nineties and if you look on the back of it,

0:15:54.440 --> 0:15:58.720
<v Speaker 1>it's got a coax connector on it and no composit,

0:15:58.880 --> 0:16:01.400
<v Speaker 1>no s video, no HD m I, none of that stuff.

0:16:01.840 --> 0:16:04.560
<v Speaker 1>So if I wanted to look up a DVD player,

0:16:04.920 --> 0:16:08.320
<v Speaker 1>you know, there's no progressive scan, no cup or anything

0:16:08.360 --> 0:16:11.600
<v Speaker 1>like that. So, you know, I think it's one of

0:16:11.640 --> 0:16:14.360
<v Speaker 1>those things where people said, m if they really want

0:16:14.360 --> 0:16:16.600
<v Speaker 1>this kind of quality, if they really want DVD, we're

0:16:16.600 --> 0:16:18.880
<v Speaker 1>gonna have to, you know, provide some kind of hook

0:16:18.920 --> 0:16:22.200
<v Speaker 1>up in order to make the TV worthwhile, and maybe

0:16:22.200 --> 0:16:24.880
<v Speaker 1>they'll upgrade their TV too. It also ties into the

0:16:24.920 --> 0:16:27.120
<v Speaker 1>history of h D t V, which is a little

0:16:27.720 --> 0:16:30.200
<v Speaker 1>more complex. I don't think we'll go into that because

0:16:30.240 --> 0:16:32.680
<v Speaker 1>it's maybe we'll do another podcast about that at some point,

0:16:32.680 --> 0:16:34.440
<v Speaker 1>because I kind of went nuts on that on a

0:16:34.480 --> 0:16:38.320
<v Speaker 1>recent article which was only tangentially involved with the history

0:16:38.360 --> 0:16:40.800
<v Speaker 1>of HDTV, and I said, no, this is more interesting.

0:16:40.840 --> 0:16:43.600
<v Speaker 1>I'm gonna write about this. Don't let everyone know that,

0:16:43.640 --> 0:16:47.760
<v Speaker 1>I said that, don't don't let my bosses here this. Um.

0:16:47.800 --> 0:16:49.880
<v Speaker 1>But all right, so we've got the DVDs, that's the

0:16:49.880 --> 0:16:52.520
<v Speaker 1>dominant form on the market. Now, then of course you

0:16:52.560 --> 0:16:56.840
<v Speaker 1>have the other format war that popped up, the HD

0:16:56.920 --> 0:17:00.480
<v Speaker 1>DVD versus Blu Ray format for high definition video. And

0:17:00.480 --> 0:17:04.080
<v Speaker 1>what's really funny or interesting to me is that even

0:17:04.160 --> 0:17:08.520
<v Speaker 1>the winner of that format war isn't really doing that well.

0:17:10.359 --> 0:17:15.119
<v Speaker 1>So HD DVD was that was Toshiba's baby, and then

0:17:15.160 --> 0:17:17.399
<v Speaker 1>you had Blue Ray Sony's baby. So Sony's back in

0:17:17.440 --> 0:17:20.240
<v Speaker 1>the game. They're sticking from Beta max, but now they're

0:17:20.280 --> 0:17:22.720
<v Speaker 1>back and ready to fight, and so they've got their

0:17:22.760 --> 0:17:26.000
<v Speaker 1>back in Blu Ray. Uh. The battle between these two

0:17:26.040 --> 0:17:29.120
<v Speaker 1>is actually really interesting to watch, at least from my perspective,

0:17:29.119 --> 0:17:33.960
<v Speaker 1>because you could see different Hollywood studios getting behind, you know,

0:17:34.000 --> 0:17:36.080
<v Speaker 1>one format versus another, and then you had a few

0:17:36.160 --> 0:17:40.680
<v Speaker 1>that were producing product for both. So you know, the

0:17:40.680 --> 0:17:43.440
<v Speaker 1>the interesting thing about these two high definition video formats

0:17:43.520 --> 0:17:46.359
<v Speaker 1>is that they were again pretty close to one another.

0:17:46.480 --> 0:17:49.440
<v Speaker 1>I mean, you had people arguing the superiority of one

0:17:49.560 --> 0:17:52.959
<v Speaker 1>versus the other. And I think most people would say,

0:17:53.119 --> 0:17:55.600
<v Speaker 1>if you really looked at the specifications, that Blu Ray

0:17:55.720 --> 0:17:58.919
<v Speaker 1>did have the superior format. But it was interesting for

0:17:58.920 --> 0:18:01.159
<v Speaker 1>a while there, I thought I thought HD DVD was

0:18:01.200 --> 0:18:04.520
<v Speaker 1>gonna win because it looked like it had more public support.

0:18:05.160 --> 0:18:07.520
<v Speaker 1>You know, it's funny because we've talked about this. It's

0:18:07.520 --> 0:18:09.439
<v Speaker 1>been a long time since we brought up that format

0:18:09.440 --> 0:18:12.760
<v Speaker 1>war um on the podcast, but uh, you know, you

0:18:12.800 --> 0:18:15.800
<v Speaker 1>and I had talked about the reasons why we hadn't

0:18:15.800 --> 0:18:18.760
<v Speaker 1>gotten involved with that one, and that was simply cost

0:18:19.640 --> 0:18:22.720
<v Speaker 1>um and that I think was probably the biggest factor

0:18:22.760 --> 0:18:24.760
<v Speaker 1>in all of it was people weren't adopting either one

0:18:24.800 --> 0:18:28.760
<v Speaker 1>of them, so it kind of eroded any early support

0:18:28.800 --> 0:18:31.359
<v Speaker 1>that HD DVD got. And yeah, that's kind of crazy

0:18:31.400 --> 0:18:35.360
<v Speaker 1>because HD DVD was in general cheaper than Blu ray.

0:18:35.440 --> 0:18:37.880
<v Speaker 1>The movies were about the same price, but the cheap

0:18:37.960 --> 0:18:40.960
<v Speaker 1>being a relative thing. Yeah, less expensive, I guess I

0:18:40.960 --> 0:18:44.280
<v Speaker 1>should say, rather than cheaper, because yes, it was still

0:18:44.359 --> 0:18:47.080
<v Speaker 1>several hundred dollars for a player. A Blu Ray was

0:18:47.359 --> 0:18:50.000
<v Speaker 1>almost a thousand dollars for a player. For a long

0:18:50.080 --> 0:18:52.720
<v Speaker 1>time there. In fact, for a while, the Sony PS

0:18:52.800 --> 0:18:54.800
<v Speaker 1>three was the cheapest Blu Ray player you could get,

0:18:54.840 --> 0:18:58.040
<v Speaker 1>and that was like six hundred bucks. So um. But

0:18:58.640 --> 0:19:02.720
<v Speaker 1>eventually an Off Studios backed Blu Ray, where Toshiba was

0:19:03.200 --> 0:19:06.119
<v Speaker 1>you know, said all right, no moss. They threw in

0:19:06.160 --> 0:19:09.359
<v Speaker 1>the towel and Blu Ray one that format warp. But

0:19:09.680 --> 0:19:12.879
<v Speaker 1>Blue Ray still hasn't really taken off. I mean, the

0:19:13.240 --> 0:19:16.960
<v Speaker 1>numbers are up compared to where they were, but when

0:19:16.960 --> 0:19:20.680
<v Speaker 1>you're going from you know, ten people owning one too,

0:19:21.080 --> 0:19:24.400
<v Speaker 1>I mean that there's nowhere else to go. But so

0:19:25.280 --> 0:19:28.200
<v Speaker 1>DVD sales in general are down. Blu Ray sales are

0:19:28.320 --> 0:19:30.960
<v Speaker 1>not taking off the way that people want. And I

0:19:30.960 --> 0:19:34.200
<v Speaker 1>think part of it is the old s VHS argument.

0:19:34.800 --> 0:19:38.840
<v Speaker 1>The improvement of Blu Ray over regular DVDs well noticeable,

0:19:38.960 --> 0:19:41.680
<v Speaker 1>isn't enough for people to be willing to switch to

0:19:41.720 --> 0:19:46.160
<v Speaker 1>a new format potentially go back and purchase old titles

0:19:46.160 --> 0:19:49.440
<v Speaker 1>that they already own on the new format. Um, They're

0:19:49.480 --> 0:19:51.720
<v Speaker 1>just not It's just not enough of a of a

0:19:52.119 --> 0:19:55.960
<v Speaker 1>you know, motivator. So I think that's why we still

0:19:56.000 --> 0:19:59.119
<v Speaker 1>haven't seen Blu Ray really take off. Yeah, I mean

0:19:59.160 --> 0:20:01.240
<v Speaker 1>the other thing that it keeps me from buying a

0:20:01.280 --> 0:20:04.280
<v Speaker 1>Blu ray player other than price, is that I don't

0:20:04.320 --> 0:20:06.679
<v Speaker 1>have an h d t V. You know, and you know,

0:20:06.720 --> 0:20:11.160
<v Speaker 1>watching a regular DVD, it's it's seven ADP. Yeah that's

0:20:11.560 --> 0:20:14.639
<v Speaker 1>I can't even see that probably on my standard definition television.

0:20:15.280 --> 0:20:20.199
<v Speaker 1>Um technically, so you know the point of buying a

0:20:20.200 --> 0:20:23.199
<v Speaker 1>Blu ray player for me is is moot, right, I

0:20:23.280 --> 0:20:26.760
<v Speaker 1>have an hd TV, But I also have a wife. Yeah,

0:20:26.800 --> 0:20:28.160
<v Speaker 1>and that would be why I don't have a Blu

0:20:28.280 --> 0:20:33.920
<v Speaker 1>ray player. Yeah, I love you, honey. Um oh no, no,

0:20:33.960 --> 0:20:36.399
<v Speaker 1>I can't put the blame on her, I honestly, I

0:20:36.400 --> 0:20:39.280
<v Speaker 1>I have also looked at the difference in quality, and

0:20:39.320 --> 0:20:42.440
<v Speaker 1>while I can recognize it, I can't justify the expense.

0:20:42.760 --> 0:20:45.199
<v Speaker 1>It's and and they are cheaper now there are cheaper

0:20:45.240 --> 0:20:47.960
<v Speaker 1>Blu ray players out there in the market. The movies

0:20:48.000 --> 0:20:51.199
<v Speaker 1>are still more expensive than regular DVDs. Yeah, yeah, but

0:20:51.240 --> 0:20:54.720
<v Speaker 1>the difference is different about the difference is different, that's wise.

0:20:55.560 --> 0:20:57.760
<v Speaker 1>The difference is slighter than it used to be. Yes,

0:20:58.400 --> 0:21:00.679
<v Speaker 1>and we can also I mean there's also the up

0:21:00.720 --> 0:21:05.160
<v Speaker 1>converting DVD players where they add in information from the

0:21:05.200 --> 0:21:08.000
<v Speaker 1>disks and then give you a slightly better experience. It's

0:21:08.000 --> 0:21:09.920
<v Speaker 1>still not the same as Blu Ray, but it's better

0:21:09.960 --> 0:21:12.399
<v Speaker 1>than a normal DVD and therefore, you know, it's an

0:21:12.440 --> 0:21:15.520
<v Speaker 1>incremental uh improvement. It's not as expensive and you don't

0:21:15.560 --> 0:21:19.520
<v Speaker 1>have to go back and replace your library. Yeah, and

0:21:19.520 --> 0:21:23.160
<v Speaker 1>and they may be and maybe that the whole physical

0:21:23.200 --> 0:21:26.480
<v Speaker 1>media thing is a moot point in in the first place. Yeah,

0:21:26.520 --> 0:21:28.400
<v Speaker 1>I was actually getting ready to go there. Okay, let's

0:21:28.440 --> 0:21:32.080
<v Speaker 1>move on. You know, the digital download thing, especially with

0:21:32.720 --> 0:21:37.959
<v Speaker 1>um companies like Netflix, you know already that that's a

0:21:38.080 --> 0:21:41.560
<v Speaker 1>very that's going to be a very easy transition because

0:21:42.240 --> 0:21:46.560
<v Speaker 1>people who are already using Netflix to rent DVDs may

0:21:46.600 --> 0:21:48.280
<v Speaker 1>just go ahead and go, you know what, they offer

0:21:48.320 --> 0:21:50.719
<v Speaker 1>a download service and it's already integrated, so I can

0:21:50.800 --> 0:21:53.479
<v Speaker 1>just switch over. And I think it's just gonna be

0:21:53.520 --> 0:21:55.720
<v Speaker 1>one of those things that it's gonna be a transition

0:21:55.800 --> 0:21:58.840
<v Speaker 1>to digital download that is much smoother than a lot

0:21:58.840 --> 0:22:01.600
<v Speaker 1>of the other technology. You cool transitions have been simply

0:22:01.640 --> 0:22:05.320
<v Speaker 1>because people already have you know, people are using computers

0:22:05.320 --> 0:22:08.600
<v Speaker 1>already to access Netflix, so they're gonna start going, you

0:22:08.640 --> 0:22:10.640
<v Speaker 1>know what, I can do this. This is not hard

0:22:10.760 --> 0:22:12.880
<v Speaker 1>and even if you don't want to use a computer,

0:22:13.000 --> 0:22:15.520
<v Speaker 1>if for some reason you find the idea of of

0:22:15.520 --> 0:22:18.119
<v Speaker 1>hooking a computer up to a television is UH is

0:22:18.200 --> 0:22:23.040
<v Speaker 1>intimidating in some way. Netflix is partnering with other UH

0:22:23.359 --> 0:22:27.240
<v Speaker 1>set top box manufacturers too, to create a way for

0:22:27.280 --> 0:22:32.280
<v Speaker 1>you to access Netflix entertainment through a box like Roku. Now, granted,

0:22:32.560 --> 0:22:35.880
<v Speaker 1>I've never used a Roku, and I've heard some conflicting

0:22:35.960 --> 0:22:39.480
<v Speaker 1>things about its interface and how easy or not easy

0:22:39.520 --> 0:22:42.800
<v Speaker 1>it is to use. But that might be an in

0:22:42.960 --> 0:22:45.880
<v Speaker 1>road for some people who you know, they just they

0:22:45.920 --> 0:22:49.200
<v Speaker 1>can't get past that that weird mental block about hooking

0:22:49.280 --> 0:22:52.399
<v Speaker 1>up your computer to your television. And but a box

0:22:52.480 --> 0:22:55.000
<v Speaker 1>that makes sense because of VCRs A box at cable

0:22:55.080 --> 0:22:58.199
<v Speaker 1>boxes a box, DVD players a box. So this is

0:22:58.240 --> 0:23:00.200
<v Speaker 1>just yet another box you hook up to your TV.

0:23:00.800 --> 0:23:03.000
<v Speaker 1>Or you might not need an extra box. It depends

0:23:03.040 --> 0:23:06.920
<v Speaker 1>on what you have see if you have a DVR UH.

0:23:07.119 --> 0:23:12.400
<v Speaker 1>Certain brands are already partnering with services to provide digital downloads,

0:23:12.680 --> 0:23:16.399
<v Speaker 1>like Netflix or Amazon yep YEP. TiVo has partnership deals

0:23:16.480 --> 0:23:20.000
<v Speaker 1>in place, and UM basically you can if if you

0:23:20.040 --> 0:23:22.760
<v Speaker 1>have a broadband connection in the right kind of TiVo,

0:23:23.040 --> 0:23:27.320
<v Speaker 1>you can go ahead and download movies right then and there. Um,

0:23:27.400 --> 0:23:30.160
<v Speaker 1>and you know, you can use the box for other things.

0:23:30.240 --> 0:23:32.600
<v Speaker 1>You can use it for its regular DVR capabilities, which

0:23:32.640 --> 0:23:35.639
<v Speaker 1>is um which a lot of people already are. Of course,

0:23:35.680 --> 0:23:37.360
<v Speaker 1>you know, TiVo is not the only one. There are

0:23:37.800 --> 0:23:41.080
<v Speaker 1>dozens of others. Now. Um. You know, ADDIH Network has

0:23:41.080 --> 0:23:45.760
<v Speaker 1>their own proprietary box. Scientific Atlanta, now part of Cisco,

0:23:46.080 --> 0:23:51.480
<v Speaker 1>you know, makes a lot of boxes for different cable manufacturers. Yeah. Yeah,

0:23:51.520 --> 0:23:54.040
<v Speaker 1>and I mean, um, you can you can always build

0:23:54.040 --> 0:23:57.120
<v Speaker 1>your own too. We've had a podcast on that terribly long.

0:23:57.200 --> 0:24:00.359
<v Speaker 1>Using a computer as a media center. Yeah, so I

0:24:00.359 --> 0:24:03.040
<v Speaker 1>mean these kinds of things. Uh, you know that would

0:24:03.040 --> 0:24:08.680
<v Speaker 1>be your favorite word, convergence, convergence. Um, so you wouldn't

0:24:08.680 --> 0:24:10.840
<v Speaker 1>necessarily pie. You knew it had to be one of

0:24:10.880 --> 0:24:13.880
<v Speaker 1>the two. Convergence or pie. Yeah, it wasn't. It wasn't

0:24:14.000 --> 0:24:17.159
<v Speaker 1>but a few weeks ago that I discovered Jonathan's findness

0:24:17.200 --> 0:24:19.159
<v Speaker 1>for pie. So every once in a while, I'm I'm

0:24:19.200 --> 0:24:21.320
<v Speaker 1>you know, I may need to uh throw that in

0:24:21.359 --> 0:24:23.119
<v Speaker 1>there just to watch his eyes glazing over. It's kind

0:24:23.119 --> 0:24:24.760
<v Speaker 1>of fun if I get into a rant, all you

0:24:24.800 --> 0:24:29.200
<v Speaker 1>have to do is say the word pie. Pie. But um, yeah,

0:24:29.240 --> 0:24:33.000
<v Speaker 1>convergence may you know, be the the end of the

0:24:33.000 --> 0:24:35.280
<v Speaker 1>the argument for a lot of people because you know

0:24:35.320 --> 0:24:38.360
<v Speaker 1>other technologies like the sling player. You know that's that's

0:24:38.359 --> 0:24:41.400
<v Speaker 1>being built in addition network receivers too, So I mean

0:24:41.440 --> 0:24:43.600
<v Speaker 1>you can you can get I'm sure there will be

0:24:43.600 --> 0:24:45.960
<v Speaker 1>competing technologies for that too in the in the future.

0:24:46.080 --> 0:24:49.680
<v Speaker 1>So sling players another good example of stuff you can help. YEP,

0:24:49.800 --> 0:24:51.720
<v Speaker 1>that's a place shifter. If you don't know what sling

0:24:51.800 --> 0:24:54.640
<v Speaker 1>player is, UM, and it will let you say you're

0:24:54.640 --> 0:24:57.080
<v Speaker 1>on a business trip, you have your sling player hooked

0:24:57.160 --> 0:25:01.800
<v Speaker 1>up and configured correctly. UM, you can you know, tune

0:25:01.800 --> 0:25:04.920
<v Speaker 1>into your network at home, UH, use it to control

0:25:05.000 --> 0:25:09.000
<v Speaker 1>your DVR and watch your recorded TV shows, or you

0:25:09.040 --> 0:25:11.719
<v Speaker 1>can watch live TV on a on a you know,

0:25:12.000 --> 0:25:14.200
<v Speaker 1>on some event especially that you may not be able

0:25:14.200 --> 0:25:18.000
<v Speaker 1>to get in your local area, like say, uh sporting event,

0:25:18.160 --> 0:25:21.320
<v Speaker 1>which has actually caused a lot of sporting leagues to

0:25:21.320 --> 0:25:25.040
<v Speaker 1>be very upset with Sling and I assume Dish too

0:25:25.320 --> 0:25:28.280
<v Speaker 1>now that they were acquired. I would just like, you're

0:25:28.280 --> 0:25:29.919
<v Speaker 1>out of the area, you're in a blackout zone, you're

0:25:29.920 --> 0:25:31.399
<v Speaker 1>not supposed to be able to see this. I just

0:25:31.440 --> 0:25:33.480
<v Speaker 1>take like to take a moment to say, what the

0:25:33.520 --> 0:25:36.880
<v Speaker 1>hell I mean, they wouldn't be able to watch it anyway?

0:25:36.880 --> 0:25:40.359
<v Speaker 1>What's the problem with watching it? I don't. I don't

0:25:40.440 --> 0:25:46.560
<v Speaker 1>under this no sense to Baseball Graves. What what makes

0:25:46.680 --> 0:25:48.720
<v Speaker 1>no sense to me is if you are allowed to

0:25:48.760 --> 0:25:51.000
<v Speaker 1>watch it because you live in the zone and you

0:25:51.040 --> 0:25:53.639
<v Speaker 1>are across the country on a business trip watching it

0:25:53.680 --> 0:25:57.760
<v Speaker 1>on your your place shifting device. I don't see why

0:25:57.880 --> 0:25:59.440
<v Speaker 1>if you are legally allowed to watch it, you just

0:25:59.480 --> 0:26:01.160
<v Speaker 1>don't happen to be at that place at that time.

0:26:01.680 --> 0:26:04.679
<v Speaker 1>Why you wouldn't be allowed to write? Geography means less

0:26:04.800 --> 0:26:09.800
<v Speaker 1>and less in the digital age, right indeed? I oh,

0:26:10.000 --> 0:26:13.040
<v Speaker 1>it ever takes me so much? Um, I feel I feel.

0:26:13.640 --> 0:26:17.680
<v Speaker 1>I feel the same way about this as uh as

0:26:17.720 --> 0:26:20.960
<v Speaker 1>I'm sure a lot of our foreign listeners feel about

0:26:21.520 --> 0:26:25.120
<v Speaker 1>being able to not being able to access things like Hulu.

0:26:25.640 --> 0:26:31.399
<v Speaker 1>Because really, in the SABC w BBC programming, which is

0:26:31.440 --> 0:26:34.120
<v Speaker 1>why whenever you Brits talked to us about Doctor Who,

0:26:34.160 --> 0:26:38.120
<v Speaker 1>We're like, wait, what happened? Because we're a year behind? Yes, um,

0:26:38.280 --> 0:26:42.920
<v Speaker 1>no spoilers, no spoilers, so uh we Also, I was

0:26:42.960 --> 0:26:45.720
<v Speaker 1>going to mention Apple TV, oh yeah, because that's another

0:26:45.880 --> 0:26:48.720
<v Speaker 1>digital media kind of downloading device. Yeah, that's sort of

0:26:48.760 --> 0:26:51.520
<v Speaker 1>in a gray area too, because it's not a it's

0:26:51.560 --> 0:26:55.240
<v Speaker 1>not a it's a it's uh it's Apple TV, right, Yeah,

0:26:55.280 --> 0:26:58.080
<v Speaker 1>you can use Apple TV to essentially kind of it's

0:26:58.119 --> 0:27:00.440
<v Speaker 1>it's kind of like hooking up your television to iTunes,

0:27:00.480 --> 0:27:02.560
<v Speaker 1>really is what it boils. Yeah, that's pretty much. And

0:27:02.600 --> 0:27:06.480
<v Speaker 1>you can use it to rent HD movies or purchase

0:27:06.880 --> 0:27:09.320
<v Speaker 1>movies or television off of iTunes and watch it on

0:27:09.359 --> 0:27:12.560
<v Speaker 1>your television. And uh so it's again, it's one of

0:27:12.560 --> 0:27:16.920
<v Speaker 1>those things where for people who who are unsure about

0:27:16.960 --> 0:27:19.360
<v Speaker 1>hooking up a computer to the other television or maybe

0:27:19.480 --> 0:27:21.719
<v Speaker 1>if maybe you're one of those households where everyone has

0:27:21.720 --> 0:27:24.040
<v Speaker 1>a laptop, you don't have a machine that you can

0:27:24.080 --> 0:27:29.000
<v Speaker 1>dedicate to that, then this makes sense. So yeah, actually

0:27:29.000 --> 0:27:32.359
<v Speaker 1>it's a It's received quite a lot of praise, but um,

0:27:32.480 --> 0:27:34.400
<v Speaker 1>I don't you know, it's not one of their perennial

0:27:34.480 --> 0:27:36.960
<v Speaker 1>top sellers. I've heard people, you know, I've heard rumors

0:27:36.960 --> 0:27:38.159
<v Speaker 1>in the past that they were going to kill it,

0:27:38.560 --> 0:27:43.080
<v Speaker 1>and they haven't, so they must sell some. Um. But

0:27:43.400 --> 0:27:45.480
<v Speaker 1>it's a pretty neat little device. But it's it's very

0:27:45.520 --> 0:27:48.320
<v Speaker 1>specialized in what it can do. And uh, you know

0:27:48.359 --> 0:27:49.960
<v Speaker 1>a lot of people say, well I could, I could

0:27:50.000 --> 0:27:52.359
<v Speaker 1>get a computer and actually convert it to a media

0:27:52.440 --> 0:27:55.439
<v Speaker 1>center and have it do this and other stuff, you know,

0:27:55.560 --> 0:27:58.840
<v Speaker 1>with something like boxy. Well that's the thing though, I think,

0:27:58.960 --> 0:28:01.160
<v Speaker 1>I think a lot of these items are really marketed

0:28:01.240 --> 0:28:05.640
<v Speaker 1>for that group of consumers where they're not technologically savvy

0:28:05.760 --> 0:28:07.960
<v Speaker 1>enough to take the steps that are required to hook

0:28:08.040 --> 0:28:11.919
<v Speaker 1>up a computer to your television or home entertainment system,

0:28:11.960 --> 0:28:14.320
<v Speaker 1>because in some cases it takes more than just you know,

0:28:14.920 --> 0:28:17.960
<v Speaker 1>putting the right cable between the two devices. There there

0:28:17.960 --> 0:28:21.399
<v Speaker 1>are other steps that are involved, and um, if you

0:28:21.440 --> 0:28:24.000
<v Speaker 1>don't have the recorrect software, for example, you'll be thinking,

0:28:24.040 --> 0:28:26.520
<v Speaker 1>why the heck isn't this working and you get really frustrated.

0:28:26.520 --> 0:28:28.680
<v Speaker 1>Whereas a box, of course, it's all supposed to work

0:28:28.960 --> 0:28:34.919
<v Speaker 1>right on the box if it's designed correctly. Yes, okay, Well, uh,

0:28:34.960 --> 0:28:37.720
<v Speaker 1>what other devices do you have if any? Um? Well,

0:28:37.840 --> 0:28:41.760
<v Speaker 1>I wrote down some things about gaming systems, but that's

0:28:41.880 --> 0:28:44.000
<v Speaker 1>kind of a separate category. That's true. Yeah, there are

0:28:44.040 --> 0:28:46.280
<v Speaker 1>tons of gaming systems. Um. I was going to talk

0:28:46.320 --> 0:28:51.000
<v Speaker 1>about the online video game console because we mentioned that

0:28:51.040 --> 0:28:53.960
<v Speaker 1>in a podcast previously. The online video game console was

0:28:54.000 --> 0:28:57.040
<v Speaker 1>supposed to be this device that allows you to download

0:28:57.360 --> 0:29:00.720
<v Speaker 1>UH or or actually to play game is over the cloud,

0:29:00.800 --> 0:29:03.680
<v Speaker 1>you know, and you're not even downloading, but you're able

0:29:03.680 --> 0:29:06.760
<v Speaker 1>to play you a little bit. Yeah, there's some stuff

0:29:06.840 --> 0:29:12.080
<v Speaker 1>on the device itself, but the there's there's a there's

0:29:12.080 --> 0:29:14.720
<v Speaker 1>supposed to be a version version for the PC, for

0:29:14.800 --> 0:29:17.280
<v Speaker 1>the Mac, and then there's a standalone little concel that

0:29:17.320 --> 0:29:20.240
<v Speaker 1>who come to the TV and ideally you would be

0:29:20.240 --> 0:29:24.960
<v Speaker 1>able to play these really normally resource intensive games, but

0:29:25.040 --> 0:29:27.200
<v Speaker 1>the cloud would take care of all the processing for you,

0:29:27.720 --> 0:29:29.240
<v Speaker 1>so you would just be able to play it rail

0:29:29.360 --> 0:29:31.400
<v Speaker 1>the box. You wouldn't have to have the latest and

0:29:31.440 --> 0:29:33.920
<v Speaker 1>grace machine to play it. The reason why I wanted

0:29:33.920 --> 0:29:36.040
<v Speaker 1>to bring it up is because I noticed going to

0:29:36.080 --> 0:29:39.600
<v Speaker 1>their website that I haven't seen any updates since June one,

0:29:40.000 --> 0:29:42.160
<v Speaker 1>So UH and E three came and went, and I

0:29:42.200 --> 0:29:44.200
<v Speaker 1>didn't see anything about it at E three when I

0:29:44.240 --> 0:29:46.360
<v Speaker 1>was there. Yeah, that makes me a little nervous. I'm

0:29:46.400 --> 0:29:49.080
<v Speaker 1>starting I'm starting to get shades of the phantom. UM.

0:29:49.120 --> 0:29:52.240
<v Speaker 1>I'm hoping that's not the case. So they are supposed

0:29:52.280 --> 0:29:55.800
<v Speaker 1>to continue in open beta and UH not that I've

0:29:55.840 --> 0:29:58.840
<v Speaker 1>been contacted I did express interest, but I haven't heard back,

0:29:59.320 --> 0:30:03.200
<v Speaker 1>and it's supposedly going to be available um this coming winter,

0:30:03.880 --> 0:30:06.520
<v Speaker 1>so we'll keep our eyes open see if that actually

0:30:06.560 --> 0:30:08.720
<v Speaker 1>comes to fruition or if maybe this is another one

0:30:08.760 --> 0:30:10.800
<v Speaker 1>of those things that just fizzles out before it ever

0:30:10.840 --> 0:30:15.520
<v Speaker 1>goes to market. All right, then, so I guess that

0:30:15.640 --> 0:30:19.840
<v Speaker 1>just leaves us to our favorite segment, which is a

0:30:20.000 --> 0:30:27.320
<v Speaker 1>listener mail. Okay, man, So this listener mail comes from James,

0:30:27.360 --> 0:30:29.920
<v Speaker 1>and he has a nice long email, so I'm just

0:30:29.960 --> 0:30:33.480
<v Speaker 1>gonna again cut this a little short. Hey guys, I

0:30:33.560 --> 0:30:35.600
<v Speaker 1>must say I've always been quite the techie since I

0:30:35.640 --> 0:30:37.240
<v Speaker 1>was a kid. I've always tried to stay on top

0:30:37.240 --> 0:30:39.040
<v Speaker 1>of the latest and grace things in the tech world.

0:30:39.240 --> 0:30:41.520
<v Speaker 1>I work now as a computer programmer, but I'm also

0:30:41.560 --> 0:30:46.640
<v Speaker 1>a professional musician at night with my band Shipyard wreck Plug.

0:30:47.200 --> 0:30:49.719
<v Speaker 1>So my world's collide quite often between music or art

0:30:49.760 --> 0:30:52.120
<v Speaker 1>and computers, which to me is an art as well.

0:30:52.160 --> 0:30:54.480
<v Speaker 1>I was wondering what you guys might think about computers

0:30:54.480 --> 0:30:57.200
<v Speaker 1>and technology and their effects on art in the studio.

0:30:57.280 --> 0:30:59.640
<v Speaker 1>I love using all the digital tools and whatnot, but

0:30:59.800 --> 0:31:02.240
<v Speaker 1>this same time, I think people sometimes use it too much,

0:31:02.400 --> 0:31:04.480
<v Speaker 1>mostly because they don't have the talent to back it up.

0:31:04.720 --> 0:31:06.160
<v Speaker 1>Do you think we will ever get back to a

0:31:06.200 --> 0:31:09.240
<v Speaker 1>world of music where samples, auto tune and other digital

0:31:09.240 --> 0:31:11.800
<v Speaker 1>schools rule the world in markets? I think that means

0:31:11.880 --> 0:31:15.880
<v Speaker 1>when they don't. UM. I somewhat fear that Sunday technology

0:31:15.920 --> 0:31:18.280
<v Speaker 1>will push aside art because true artists will no longer

0:31:18.320 --> 0:31:20.560
<v Speaker 1>be respected due to the fact that any Joe Schmo

0:31:20.640 --> 0:31:22.520
<v Speaker 1>would be able to produce music at the touch of

0:31:22.520 --> 0:31:25.080
<v Speaker 1>a button. And he goes on. But that's enough for

0:31:25.160 --> 0:31:28.280
<v Speaker 1>us to talk about this briefly. What's your take on

0:31:28.560 --> 0:31:33.200
<v Speaker 1>technology and art? Well, UM, you know, as a an

0:31:33.320 --> 0:31:37.280
<v Speaker 1>artist of sorts, not a visual artist, but a musician. UM,

0:31:37.680 --> 0:31:40.400
<v Speaker 1>I gotta say that a lot of times we the

0:31:40.640 --> 0:31:43.360
<v Speaker 1>stuff that I do with the people I record with

0:31:43.880 --> 0:31:49.480
<v Speaker 1>UM is really a collaboration of technologies, between analog and digital. UM.

0:31:49.560 --> 0:31:52.680
<v Speaker 1>I don't think you can. I mean, digital technology makes

0:31:52.880 --> 0:31:55.920
<v Speaker 1>art of all kinds a lot easier in a lot

0:31:55.920 --> 0:31:57.640
<v Speaker 1>of respects, but it kind of depends on what you

0:31:57.880 --> 0:32:00.840
<v Speaker 1>do with it. And it's sort of like my my

0:32:00.880 --> 0:32:03.560
<v Speaker 1>feelings on e books. You know, I like the idea

0:32:03.560 --> 0:32:07.880
<v Speaker 1>of having a digital device where you can read UM.

0:32:07.920 --> 0:32:11.640
<v Speaker 1>You know, thousands of books on the train or where

0:32:11.720 --> 0:32:13.080
<v Speaker 1>you know, take it with you and not have to

0:32:13.120 --> 0:32:15.800
<v Speaker 1>carry a whole bunch of textbooks. There's something about the

0:32:15.840 --> 0:32:19.520
<v Speaker 1>physical medium. Um. There's something about playing an instrument, or

0:32:19.800 --> 0:32:22.360
<v Speaker 1>going to a museum and actually see, you know, seeing

0:32:22.400 --> 0:32:25.320
<v Speaker 1>the texture of the paint on the canvas, or you know,

0:32:25.880 --> 0:32:28.400
<v Speaker 1>a sculpture that you can actually look at or in

0:32:28.400 --> 0:32:32.880
<v Speaker 1>some cases touch, um And and you know, the kind

0:32:32.880 --> 0:32:35.560
<v Speaker 1>of thing where you you actually have in your hands

0:32:35.560 --> 0:32:37.520
<v Speaker 1>a book in your hands, where you flip the page.

0:32:37.920 --> 0:32:40.520
<v Speaker 1>There's that that sort of visceral reaction that I don't

0:32:40.560 --> 0:32:44.440
<v Speaker 1>think you can get through pure digital media. Plus there's

0:32:44.440 --> 0:32:48.680
<v Speaker 1>that whole preservation question, right and you know, whether it's

0:32:48.720 --> 0:32:50.640
<v Speaker 1>going to be available to the next generation of people,

0:32:50.640 --> 0:32:52.560
<v Speaker 1>whether it's going to fall apart, or whether people will

0:32:52.600 --> 0:32:54.280
<v Speaker 1>even be able to read it if it's in some

0:32:54.400 --> 0:32:57.880
<v Speaker 1>format or used on some computer. I mean, will people

0:32:57.920 --> 0:33:02.080
<v Speaker 1>be able to read DVDs in sixty year? So, I mean,

0:33:02.400 --> 0:33:04.880
<v Speaker 1>you know, there there are a lot of questions regarding that,

0:33:04.960 --> 0:33:08.160
<v Speaker 1>and I think, uh, computers are great for helping us,

0:33:08.520 --> 0:33:10.720
<v Speaker 1>you know, create some of these things, but you know,

0:33:10.800 --> 0:33:14.800
<v Speaker 1>I don't think I don't think analog are forms are

0:33:14.880 --> 0:33:18.440
<v Speaker 1>going to ever completely go away. I agree. I think

0:33:18.480 --> 0:33:24.480
<v Speaker 1>technology does help people realize their artistic visions um in

0:33:24.560 --> 0:33:27.840
<v Speaker 1>ways that they otherwise may not be able to do.

0:33:28.280 --> 0:33:31.000
<v Speaker 1>But I don't think it will ever completely replace it.

0:33:31.120 --> 0:33:34.080
<v Speaker 1>I mean a lot of the stuff I've listened to, UM,

0:33:34.720 --> 0:33:37.160
<v Speaker 1>you can tell quality. That's that's really what it boils

0:33:37.200 --> 0:33:39.400
<v Speaker 1>down to. I mean, you can you might enjoy like

0:33:39.840 --> 0:33:42.680
<v Speaker 1>a weird song that was produced by putting a whole

0:33:42.680 --> 0:33:45.200
<v Speaker 1>bunch of samples together, but that that's sort of a

0:33:45.240 --> 0:33:50.080
<v Speaker 1>novelty I think. Um. I think genuine artistic expression does

0:33:50.200 --> 0:33:53.480
<v Speaker 1>come through, whether you're using technology to achieve it or not.

0:33:54.120 --> 0:33:56.920
<v Speaker 1>And if you don't have that, then it just won't

0:33:57.240 --> 0:33:59.200
<v Speaker 1>you know, it just doesn't have any real lasting power.

0:33:59.640 --> 0:34:01.840
<v Speaker 1>So I agree. I don't think technology is ever going

0:34:01.880 --> 0:34:05.360
<v Speaker 1>to push the artistic expression out. Um. I think it's

0:34:05.400 --> 0:34:09.520
<v Speaker 1>going to continue helping people express themselves artistically, and uh,

0:34:09.520 --> 0:34:11.120
<v Speaker 1>I see it as a great thing. In fact, there

0:34:11.120 --> 0:34:14.920
<v Speaker 1>were some musicians I never would have heard of without technology,

0:34:15.160 --> 0:34:18.680
<v Speaker 1>So that's true. That was a great question, James. Um,

0:34:18.760 --> 0:34:23.040
<v Speaker 1>that would probably deserve its full podcasts all on its own.

0:34:23.080 --> 0:34:25.080
<v Speaker 1>But maybe I'll just switch that over to stuff from

0:34:25.080 --> 0:34:26.440
<v Speaker 1>the b sides and see what they want to do

0:34:26.480 --> 0:34:29.439
<v Speaker 1>with it. Thanks, and if any of you have any

0:34:29.480 --> 0:34:32.480
<v Speaker 1>suggestions or questions, you can write us. Our email address

0:34:32.600 --> 0:34:35.600
<v Speaker 1>is tech stuff at how stuff works dot com and

0:34:35.640 --> 0:34:39.440
<v Speaker 1>you can learn all about various home theater uh boxes

0:34:39.480 --> 0:34:42.399
<v Speaker 1>and sets and do hickies that's a technical term at

0:34:42.400 --> 0:34:44.719
<v Speaker 1>how stuff works dot com. Crispy and I will taught

0:34:44.760 --> 0:34:51.319
<v Speaker 1>you again, probably about pie really soon. For more on

0:34:51.400 --> 0:34:53.840
<v Speaker 1>this and thousands of other topics, does it how stuff

0:34:53.880 --> 0:34:56.080
<v Speaker 1>works dot com. And be sure to check out the

0:34:56.080 --> 0:35:01.320
<v Speaker 1>new tech stuff blog down on the house stuff Works homepage,

0:35:03.840 --> 0:35:06.440
<v Speaker 1>brought to you by the reinvented two thousand twelve camera.

0:35:06.719 --> 0:35:07.839
<v Speaker 1>It's ready, are you