WEBVTT - Bonus: The Next Incel Killer Already Has A Playlist

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<v Speaker 1>Hey, discos, need a little more Disgraceland in your life,

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<v Speaker 1>just to touch to get you through. Yeah me too.

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<v Speaker 1>This is the podcast that comes after the podcast. Welcome

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<v Speaker 1>to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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<v Speaker 1>a little thing we like to call the after party.

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<v Speaker 1>This is the show after the show, the party after

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<v Speaker 1>the party, the bridge to get you from one full

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<v Speaker 1>episode of Disgraceland to the other. The backyard, to dig

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<v Speaker 1>into the dirt, our mission to uncover the truth, to

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<v Speaker 1>confront the myth, to reclaim the story. On this bonus episode,

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<v Speaker 1>we're talking about music that the Incell movement loves. What

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<v Speaker 1>we're digging into the greatest rock and roll records of

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<v Speaker 1>all time. Thanks to our new episode on ACDC rewinding

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<v Speaker 1>back to You two and the Murder of Rebecca Schaeffer.

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<v Speaker 1>Previewing next week's new episode on Fish, when we get

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<v Speaker 1>into your voicemails, text, dms, and as always, a whole

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<v Speaker 1>lot of Rosie. This is the podcast for the musically obsessed,

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<v Speaker 1>the outsiders, the independent thinkers who know that the best

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<v Speaker 1>history is the history that gets buried. Disgrace Lams where

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<v Speaker 1>I tell the stories they didn't want told the kind

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<v Speaker 1>he'll end up telling someone else. All right, discos, let's

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<v Speaker 1>get into it. In nineteen eighty five, they blamed ACDC

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<v Speaker 1>for inspiring serial killer Richard Ramirez. In nineteen eighty nine,

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<v Speaker 1>actress Rebecca Schaeffer's murderer Robert John Bardo, claimed you too

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<v Speaker 1>compelled him to kill. In twenty eighteen, Scott Barelli walked

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<v Speaker 1>into a Florida yoga studio and shot and killed two women,

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<v Speaker 1>wounding several others before taking his own life. Music has

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<v Speaker 1>always been an easy scapegoat, but it's never the songs.

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<v Speaker 1>It's always who the killers already were. Scotparelli was an INCEL,

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<v Speaker 1>part of a group of involuntarily celibate men, young aggrieved

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<v Speaker 1>dudes who believe the women who reject them and the

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<v Speaker 1>more traditionally masculine men who outshine them exist to keep

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<v Speaker 1>them down. This is also a group whose members have

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<v Speaker 1>killed before and will kill again, and it's a group

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<v Speaker 1>that loves music. Jazzy Lupido nine to A eight M

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<v Speaker 1>three Me's scissor with one C and a Z. These

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<v Speaker 1>are the online user names for the creators of Spotify.

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<v Speaker 1>Inceel playlists with titles like Inceell Virgin loser Core, Chronically Online, Autistic,

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<v Speaker 1>four Chan, Suicidal and Real Older Brother Niche Weird Kid,

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<v Speaker 1>Inceell in the Underground loser Core. If there's one theme

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<v Speaker 1>that ties the songs on these playlists together, it's isolation.

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<v Speaker 1>Songs like Just by Radiohead Scott Pilgrim versus the World

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<v Speaker 1>Ruined a Whole Generation of Women by Negative XP in

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<v Speaker 1>the Aeroplane by the Sea by Neutral Milk Hotel, and

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<v Speaker 1>an excellent and batshit crazy cover of Dion's nineteen fifty

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<v Speaker 1>nine hit Teenager in Love by bird Bath. The music

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<v Speaker 1>is angsty and irreverent and lives on the nerdier side

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<v Speaker 1>of the street. More Rivers Cuomo and less Kirk Cobaine

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<v Speaker 1>and lots and lots of Marssey. The Smiths occupy a

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<v Speaker 1>special place in Inceell music playlist culture. There are entire

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<v Speaker 1>in Cell playlists dedicated to tunes penned by Stephen Patrick,

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<v Speaker 1>Morrissey and Johnny Marr, and it makes sense few bands

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<v Speaker 1>in the last fifty years have better captured despair in alienation,

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<v Speaker 1>and not to mention the fact that Marssey for much

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<v Speaker 1>of his career publicly identified as celibate. When Incell Scott

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<v Speaker 1>Barelli killed two women and injured five others before taking

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<v Speaker 1>his own life into tallahow Hot yoga studio. He did

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<v Speaker 1>so after posting his own music online angry, sneering, hostile songs,

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<v Speaker 1>not metal, not hardcore rap, but instead lo fi rejection rock,

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<v Speaker 1>rage turned inward, not dissimilar from Radiohead or The Smiths,

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<v Speaker 1>or well most of the music populating the in cell

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<v Speaker 1>playlist online universe. I'm not suggesting music played a part

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<v Speaker 1>in Scott Barelli's motivation, nor am I blaming musicians for

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<v Speaker 1>inspiring in cells to murder, but it's only a matter

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<v Speaker 1>of time before someone does. The twenty eighteen Toronto van attack,

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<v Speaker 1>where a self described inceell murdered eleven in an effort

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<v Speaker 1>to incite a so called in cell rebellion. The twenty

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<v Speaker 1>fourteen Isla Vista killings, when a twenty two year old

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<v Speaker 1>man murdered six and injured fourteen others in an attempt

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<v Speaker 1>to punish women who rejected him and the sexually active

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<v Speaker 1>men he believed humiliated him. These are just two of

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<v Speaker 1>what are numerous examples of in cell killings. Eventually, there

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<v Speaker 1>will be more murder committed by young men who are

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<v Speaker 1>chronically online, detached from reality, and obsessing over music. Algorithms

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<v Speaker 1>now feed grievance faster than ever. Music, like politics and religion,

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<v Speaker 1>is just another on ramp for the aggrieved. For those

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<v Speaker 1>whom Paul Schrader and Thomas Wolfe once called God's Lonely Man,

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<v Speaker 1>it turns out the modern version of God's Lonely Man

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<v Speaker 1>has a pretty good taste in music, just like Richard Ramirez,

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<v Speaker 1>who envisioned himself as the killer in ac DC's Night Prowler,

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<v Speaker 1>and Robert John Bardow, who was obsessed with U two's exit.

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<v Speaker 1>But music isn't the murder weapon. Music is the mirror.

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<v Speaker 1>Acdc's Night Prowler wasn't a command. When Bond Scott whispered

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<v Speaker 1>about slipping into someone's room after dark, he was setting

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<v Speaker 1>fictional pulp horror lyrics over a menacing beat. Richard Ramirez

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<v Speaker 1>didn't hear instructions on how to kill. He felt recognition

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<v Speaker 1>God's Lonely Man, felt seen U two's exit did the

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<v Speaker 1>same for Robert John Bardo. Bono wrote, the tune is

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<v Speaker 1>a character study of a man undone by violence and

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<v Speaker 1>faith the spiritual collapse. But to Bardo, a mentally ill

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<v Speaker 1>man obsessed with fame. All he heard was a soundtrack

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<v Speaker 1>to his own delusion. The same dynamics at play with

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<v Speaker 1>modern inceell music. These playlists don't inspire violence, they reflect it.

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<v Speaker 1>They echo the delusions of the men obsessing over them.

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<v Speaker 1>The music isn't radicalizing them, it's validating their despair. Again,

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<v Speaker 1>the music is the mirror, not the weapon. The problems

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<v Speaker 1>consuming the in cell community go much deeper than music.

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<v Speaker 1>These are young men raised online, coddled and medicated as

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<v Speaker 1>children brought up in low to no state social environments,

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<v Speaker 1>and who are helplessly unequipped to function in the real world.

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<v Speaker 1>Outcasts as alienated as the musicians whose songs fill their playlists.

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<v Speaker 1>It's only a matter of time before they kill again.

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<v Speaker 1>And when they do, people will eventually point to in

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<v Speaker 1>cell music as a scapegoat and smash the mirror instead

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<v Speaker 1>of looking into what it shows us, and that will

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<v Speaker 1>be a disgrace. I'll be back after this with your calls, texts,

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<v Speaker 1>voicemails and more. All right, we are back, and speaking

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<v Speaker 1>of the question about music inspiring death and destruction, We're

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<v Speaker 1>going to set ourselves away from the dark corners of

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<v Speaker 1>the incell Internet and to the Philippines for a little

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<v Speaker 1>peeling back of the onion of the my Way killings.

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<v Speaker 1>These are the murders inspired by Frank Sinatra's my Way tune.

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<v Speaker 1>You know that makes sense. This might be the weirdest

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<v Speaker 1>social phenomenon that I've ever heard of. This is the

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<v Speaker 1>thing where numerous people in the Philippines were killed in

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<v Speaker 1>connection to their performance of this song in karaoke. Bars

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<v Speaker 1>Zeth and I knew very little about this until recently,

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<v Speaker 1>and we're going to unpack this wild story in today's

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<v Speaker 1>exclusive portion of this here After party, which you can

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<v Speaker 1>hear by becoming an all access member of Disgraceland. For

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<v Speaker 1>just five bucks a month. You get additional exclusive content

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<v Speaker 1>like this ad, free listening, and more. Go to disgrace

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<v Speaker 1>slaandpod dot com to sign up before prices go up

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<v Speaker 1>at the end of this month. All right, So I

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<v Speaker 1>landed on this inceel playlist topic earlier because this week

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<v Speaker 1>in Disgraceland, we launched our ACDC par Our two episode

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<v Speaker 1>along with rewinding our part one story, and that story

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<v Speaker 1>deals with the band being blamed for inspiring Richard Ramirez

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<v Speaker 1>the serial killer, and our rewind episode this week is

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<v Speaker 1>on you two, and with that episode we have more

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<v Speaker 1>killer inspiration with Robert John Bardo and the Rebecca Schaefer Murder.

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<v Speaker 1>That you two episode will be available in tomorrow's rewind

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<v Speaker 1>spot coming up right after this episode. Lots of music

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<v Speaker 1>this week, supposedly inspiring murder. But I'm done talking about that, okay.

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<v Speaker 1>I want to talk about a theme that we hit

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<v Speaker 1>on in our new episode, our new ACDC episode this week,

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<v Speaker 1>Great rock and roll records, the greatest rock and roll records.

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<v Speaker 1>This question was prompted, of course, because acdc's album Back

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<v Speaker 1>in Black was, for a minute there the greatest selling

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<v Speaker 1>album of all time, not just the greatest selling rock

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<v Speaker 1>record of all time, the greatest selling album of all time.

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<v Speaker 1>A couple of years later, Michael Jackson's Thriller came along

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<v Speaker 1>and topped it, but still Back in Black still sitting

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<v Speaker 1>there in the number two spot. So that prompted our question,

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<v Speaker 1>what's the greatest rock and roll record of all time?

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<v Speaker 1>We're gonna hear your answers here, and I gotta gotta

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<v Speaker 1>gotta say, pretty surprised by by the consensus from you guys,

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<v Speaker 1>semi consensus from you guys on this topic. I'm gonna

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<v Speaker 1>give you my answer after we hear from you, guys,

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<v Speaker 1>vastly different from where you're coming from. Well, let's without

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<v Speaker 1>further ado, let's check out Junior in the seven to

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<v Speaker 1>one to four.

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<v Speaker 2>Hey, Jake, this is Junior from the seven to one

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<v Speaker 2>four And I believe, and this is just me the

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<v Speaker 2>greatest rock album of all time is David Bowie Ziggy,

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<v Speaker 2>Stardust and the Spiders from Mars. It's like a visual

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<v Speaker 2>for your brain, just perfectly constructed, in a perfect, perfect

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<v Speaker 2>story of the fallen Rocks has rock and roll, it

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<v Speaker 2>has your power ballads, it has your tragic end and

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<v Speaker 2>chift can be played over and over and I could

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<v Speaker 2>never get tired of it. Well, thank you for what

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<v Speaker 2>you're doing. You are freaking awesome, greatest storyteller ever. I

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<v Speaker 2>have a good one, Jake, talk to you later.

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<v Speaker 1>Junior. Thanks for the call. I love the Ziggy Startist

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<v Speaker 1>album and I love this answer. I love it. I

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<v Speaker 1>get the visual component here, the little theater of the

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<v Speaker 1>mind that's going on, the theatrics, I should say, the narrative,

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<v Speaker 1>all of it. It's tremendous storytelling in this record. There's ballads,

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<v Speaker 1>it's a super dynamic sounding album. I love this choice.

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<v Speaker 1>I wouldn't have thought of this on my own. It's

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<v Speaker 1>not my choice, but I fully understand Jr. Why you're

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<v Speaker 1>picking this, and you have some company. Let's hear what

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<v Speaker 1>the nine to one success to say.

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<v Speaker 3>Hi, Jake, this is mister Taylor from Raleigh, North Carolina

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<v Speaker 3>calling to answer the question from last week great album

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<v Speaker 3>of all time? No skips? And this is a tough

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<v Speaker 3>one in its simplicity, as you said. You know, as

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<v Speaker 3>a kid grown up in the late eighties and nineties,

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<v Speaker 3>born to boomer parents who loved music. But when I

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<v Speaker 3>came into this world, they gave me this sense that

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<v Speaker 3>all of it had been decided that the Beatles were

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<v Speaker 3>the greatest band of all time, and there was no

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<v Speaker 3>discussion about it, that all the greatest music had already

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<v Speaker 3>been made. So as a kid discovering music myself, I

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<v Speaker 3>kind of took offense to this idea and it took

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<v Speaker 3>me a long time to come around to it. You know,

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<v Speaker 3>It's like kids these days being told that Michael Jordan

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<v Speaker 3>is the greatest basketball player of all time. I get

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<v Speaker 3>the pushback. I mean, obviously they're wrong, Mjay's the man.

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<v Speaker 3>But when I was coming up as a kid, it

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<v Speaker 3>took me a long time to get to some of

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<v Speaker 3>these great albums. But when I got into my twenties,

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<v Speaker 3>I went back with fresh eyes and ears, and I

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<v Speaker 3>listened to some of them, and I came to the

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<v Speaker 3>conclusion that David Bowie's Ziggy Stardust is probably, if not

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<v Speaker 3>the greatest start to finish album of all time. I mean,

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<v Speaker 3>there are no skips. It is a concept album, but

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<v Speaker 3>every single song is an absolute banger. It's starting with

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<v Speaker 3>five years obviously, moon Age, day Dreams, Ziggy start Us,

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<v Speaker 3>rock and roll Suicide. The album starts and finishes in

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<v Speaker 3>the same way with absolute searing rock. Nick Ronson's guitar

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<v Speaker 3>is undeniable. David Bowie is in his element, the greatest

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<v Speaker 3>album he's ever made, the greatest character he's ever pervaded,

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<v Speaker 3>and it is, in my opinion, the greatest album from

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<v Speaker 3>start to finish, no skips, that has ever been recorded.

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<v Speaker 3>That's my piece. Thanks a lot, Rocker Roller, All.

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<v Speaker 1>Right, before I get into your answer nine one six,

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<v Speaker 1>I totally relate to the offense you take at the Hey,

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<v Speaker 1>everything's been figured out for you, man, don't worry about it.

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<v Speaker 1>We already decided what the greatest records are basically every

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<v Speaker 1>fucking music documentary pre nineteen ninety nine about the history

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<v Speaker 1>of music or you know, the history of social culture

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<v Speaker 1>in America. Anyhow, I love that we have another entry

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<v Speaker 1>here for Ziggy start Us coming from the nine to

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<v Speaker 1>one six. It's fantastic and this album strikes a chord. Clearly.

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<v Speaker 1>You mentioned that it's a concept album. It transcends the

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<v Speaker 1>concept album. I think it's more it's just because the

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<v Speaker 1>song's on it. I don't think a Ziggy as a

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<v Speaker 1>concept album. I know that sounds crazy. It's it's clearly

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<v Speaker 1>defined as such, and but it just has such great

0:14:27.600 --> 0:14:30.720
<v Speaker 1>single song bangers on it that are that are undeniable,

0:14:31.200 --> 0:14:33.440
<v Speaker 1>that can be heard anywhere. You mentioned a bunch of

0:14:33.520 --> 0:14:36.440
<v Speaker 1>Them'm not gonna belabor it, but just fantastic. And oh,

0:14:36.520 --> 0:14:38.280
<v Speaker 1>by the way, yes, Michael Jordan is the greatest of

0:14:38.320 --> 0:14:41.360
<v Speaker 1>all time. They got that one right. All right, let's

0:14:41.440 --> 0:14:44.880
<v Speaker 1>check out the on this topic. More on this topic,

0:14:44.960 --> 0:14:48.520
<v Speaker 1>let's go to the text machine, and I want to

0:14:48.560 --> 0:14:51.040
<v Speaker 1>read this text from the four to seven zero Dave

0:14:51.080 --> 0:14:53.880
<v Speaker 1>from Georgia. Dave. Dave wants to go ahead and just

0:14:54.040 --> 0:14:57.320
<v Speaker 1>let us know that he's he's nominating tools Eenema, and

0:14:57.360 --> 0:14:59.080
<v Speaker 1>I can't argue with you. I mean I could, but

0:14:59.160 --> 0:14:59.520
<v Speaker 1>I won't.

0:15:00.200 --> 0:15:00.320
<v Speaker 3>Uh.

0:15:01.120 --> 0:15:03.320
<v Speaker 1>I get it, I get it. You're gonna listen to

0:15:03.320 --> 0:15:05.720
<v Speaker 1>this forever. That's what you're telling us, Dave, And you

0:15:05.760 --> 0:15:08.360
<v Speaker 1>have every right too. And it's an awesome record. I

0:15:08.400 --> 0:15:11.840
<v Speaker 1>don't quite think that it is, uh oh, what you know?

0:15:12.000 --> 0:15:14.280
<v Speaker 1>Who am I to say? A lot of people love Tool.

0:15:14.520 --> 0:15:18.200
<v Speaker 1>I overlook the Tool fans. I shouldn't. You guys are legion.

0:15:18.640 --> 0:15:22.320
<v Speaker 1>We talked about this before, particularly around the gender splits

0:15:22.840 --> 0:15:25.960
<v Speaker 1>in Tool fandom, and I heard loud and clear from

0:15:26.000 --> 0:15:28.120
<v Speaker 1>you guys, So Dave, I appreciate this. Four to seven Oh,

0:15:28.280 --> 0:15:32.520
<v Speaker 1>Dave is nominating tools Enema as the greatest rock record.

0:15:32.640 --> 0:15:36.080
<v Speaker 1>Let's check out for something different here the three to

0:15:36.160 --> 0:15:38.720
<v Speaker 1>one Oh, who writes in the one rock album. If

0:15:38.760 --> 0:15:42.200
<v Speaker 1>I could only ever listen to one album again, says

0:15:42.240 --> 0:15:46.200
<v Speaker 1>the three one oh, would be Rolling Stone Sticky Fingers,

0:15:46.280 --> 0:15:49.040
<v Speaker 1>best album by one of the best bands, that defines

0:15:49.200 --> 0:15:51.720
<v Speaker 1>rock and is my go to when I can't select

0:15:51.880 --> 0:15:54.360
<v Speaker 1>through all the many records on the shelves, So in

0:15:54.400 --> 0:15:57.520
<v Speaker 1>some ways already is my one record to rule them all.

0:15:57.560 --> 0:15:59.080
<v Speaker 1>That's from Joe and the three to one, Oh Joe,

0:15:59.160 --> 0:16:02.720
<v Speaker 1>I hear you. It's a great one. It's my I

0:16:02.720 --> 0:16:06.960
<v Speaker 1>guess it's my second favorite Stones album, uh, Exile being

0:16:07.040 --> 0:16:10.440
<v Speaker 1>my first Exile being. You know, there's a handful of

0:16:10.480 --> 0:16:12.360
<v Speaker 1>double albums in the history of rock and roll that

0:16:12.400 --> 0:16:16.760
<v Speaker 1>are truly great, and Exile to me is one, if

0:16:16.800 --> 0:16:19.160
<v Speaker 1>not the greatest. I don't know. I think I like

0:16:19.200 --> 0:16:21.560
<v Speaker 1>it more than the White Album I do, I definitely do,

0:16:22.240 --> 0:16:24.200
<v Speaker 1>but it's not my favorite rock record. We'll get to

0:16:24.240 --> 0:16:26.760
<v Speaker 1>that in a minute. Seven to two four Rights saying, Hey, Jake,

0:16:26.760 --> 0:16:28.920
<v Speaker 1>it's Anthony and as I listen at my job as

0:16:28.960 --> 0:16:31.400
<v Speaker 1>an insurance accountant to get through the day, you asked

0:16:31.400 --> 0:16:33.720
<v Speaker 1>for the best no skip album, and if I had

0:16:33.720 --> 0:16:36.360
<v Speaker 1>to say one for my generation, I'm thirty three, I'd

0:16:36.440 --> 0:16:40.200
<v Speaker 1>pick American Idiot, genuinely solid start to finish. That's the

0:16:40.320 --> 0:16:43.680
<v Speaker 1>green day album American Idiot from the seven two four

0:16:43.760 --> 0:16:46.440
<v Speaker 1>Anthony and the seven two four, who goes on to say, though,

0:16:46.480 --> 0:16:49.880
<v Speaker 1>my personal favorite no skip that probably won't count as

0:16:49.920 --> 0:16:54.080
<v Speaker 1>Alison Chains Jar of Flies EP, You're right, doesn't count's

0:16:54.080 --> 0:16:57.000
<v Speaker 1>an EP. It's definitely no skip though, love it. It's

0:16:57.040 --> 0:17:00.200
<v Speaker 1>my favorite. Alison Chains too by the way, Uh, good

0:17:00.200 --> 0:17:02.000
<v Speaker 1>health to you in yours and later days from the

0:17:02.040 --> 0:17:05.119
<v Speaker 1>seven two four appreciate you seven to two four. Before

0:17:05.119 --> 0:17:07.240
<v Speaker 1>we move on from this topic, my favorite rock and

0:17:07.320 --> 0:17:11.040
<v Speaker 1>roll album is not acdc's Back in Black, but it

0:17:11.080 --> 0:17:13.760
<v Speaker 1>is an ACDC album, and I mention it in I

0:17:13.760 --> 0:17:18.920
<v Speaker 1>think both are ACDC episodes. It's Poweradge. It's just incredible

0:17:19.920 --> 0:17:22.439
<v Speaker 1>for an ACDC album. It's pretty dynamic for a rock

0:17:22.480 --> 0:17:25.000
<v Speaker 1>and roll record, not that dynamic. It kind of delivers

0:17:25.040 --> 0:17:27.080
<v Speaker 1>over and over again on the same vibe all throughout.

0:17:27.080 --> 0:17:29.520
<v Speaker 1>And that is just a dirty ass rock and roll

0:17:29.600 --> 0:17:34.600
<v Speaker 1>band that I imagine would just just destroy your night

0:17:34.680 --> 0:17:37.160
<v Speaker 1>in the best possible way, where you to just stumble

0:17:37.240 --> 0:17:39.640
<v Speaker 1>upon them playing those tunes in a little bar back

0:17:39.680 --> 0:17:44.000
<v Speaker 1>in the nineteen seventies. I can't get enough of this album.

0:17:44.200 --> 0:17:47.720
<v Speaker 1>I've never gotten sick of it. It defines the band

0:17:47.760 --> 0:17:49.680
<v Speaker 1>for me. It defines rock and roll for me. And

0:17:49.720 --> 0:17:51.720
<v Speaker 1>if you want to break down of exactly what I mean,

0:17:51.760 --> 0:17:53.960
<v Speaker 1>you can listen to the go back and listen to

0:17:54.000 --> 0:17:57.399
<v Speaker 1>the first ACDC episode. I get into it pretty thickly,

0:17:58.000 --> 0:18:01.480
<v Speaker 1>but yeah, that's my choice. It's it kind of defies

0:18:01.960 --> 0:18:05.600
<v Speaker 1>the criterion I set up earlier in the last episode

0:18:05.640 --> 0:18:09.879
<v Speaker 1>when I asked this question, I guess it's not that dynamic.

0:18:10.000 --> 0:18:13.280
<v Speaker 1>Like I said, it's not that varied. It kind of

0:18:13.320 --> 0:18:15.480
<v Speaker 1>does one thing. But I don't know. Like I said,

0:18:15.560 --> 0:18:17.879
<v Speaker 1>I just fucking love it. I love it and I

0:18:17.920 --> 0:18:20.320
<v Speaker 1>can listen to it forever. So there you go. Boring

0:18:20.359 --> 0:18:24.760
<v Speaker 1>answer from me, boring, I know, as not as thoughtful

0:18:24.840 --> 0:18:27.600
<v Speaker 1>as the Ziggy Stardust answer, but what can I say,

0:18:27.600 --> 0:18:29.680
<v Speaker 1>You guys are more thoughtful for me. Speaking of which,

0:18:29.920 --> 0:18:35.960
<v Speaker 1>let's check out this text from the two to eight,

0:18:36.000 --> 0:18:39.080
<v Speaker 1>who writes, Hey discos. This is Michelle with one L,

0:18:39.359 --> 0:18:41.800
<v Speaker 1>and I'm reaching out to tell you what I'm watching

0:18:41.920 --> 0:18:44.640
<v Speaker 1>right now. I did watch Black Rabbit, which I thought

0:18:44.680 --> 0:18:47.440
<v Speaker 1>was really good, and I finished watching The Monster with

0:18:48.160 --> 0:18:50.359
<v Speaker 1>ed Geen, the ed Geen story. But the one that

0:18:50.400 --> 0:18:52.960
<v Speaker 1>I'm most excited to tell you about is called Ratchet.

0:18:53.080 --> 0:18:55.200
<v Speaker 1>It's a really really great movie. And the Nurse, isn't

0:18:55.200 --> 0:18:57.320
<v Speaker 1>it based on the Nurse? And one flew over the

0:18:57.359 --> 0:19:04.919
<v Speaker 1>Cuckoo's nest. Dang, that's fantastic. As I read this, I'm

0:19:05.040 --> 0:19:07.560
<v Speaker 1>piecing together that this is actually a message for Zeth,

0:19:07.640 --> 0:19:10.680
<v Speaker 1>but I don't care. Michelle with one L you get

0:19:10.680 --> 0:19:12.960
<v Speaker 1>a little love here in Disgraceland, as I'm sure you're

0:19:12.960 --> 0:19:16.240
<v Speaker 1>gonna get it in hollywood Land as well. Michelle includes

0:19:16.680 --> 0:19:19.760
<v Speaker 1>a picture of well part of herself in front of

0:19:19.800 --> 0:19:24.280
<v Speaker 1>the mirror, and she says, here, I've included a picture

0:19:24.359 --> 0:19:27.000
<v Speaker 1>of my mirror where I jot down things that y'all

0:19:27.040 --> 0:19:30.359
<v Speaker 1>tell me I need to watch or listen to or whatever.

0:19:31.000 --> 0:19:35.840
<v Speaker 1>And there's some marker notes all over Michelle with one

0:19:36.000 --> 0:19:38.959
<v Speaker 1>l's mirror here and looks like I can see your

0:19:39.080 --> 0:19:41.440
<v Speaker 1>robe there as well. I'm gonna stop it there, Michelle,

0:19:41.480 --> 0:19:44.760
<v Speaker 1>thank you for the message. We appreciate it. Guys six

0:19:44.840 --> 0:19:46.879
<v Speaker 1>one seven nine O six six six three eight, And

0:19:46.920 --> 0:19:48.680
<v Speaker 1>you want to get in touch, want to talk about whatever,

0:19:48.720 --> 0:19:51.919
<v Speaker 1>go for it. I'm here and I will continue to

0:19:51.960 --> 0:19:56.959
<v Speaker 1>be here next week when our long awaited new episode

0:19:57.080 --> 0:19:59.919
<v Speaker 1>on Matt give me a drum roll, drum roll please,

0:20:00.080 --> 0:20:02.880
<v Speaker 1>as they say in the biz, that biz being show business,

0:20:03.280 --> 0:20:06.640
<v Speaker 1>give it to him, Att, stretch it out, man, make

0:20:06.720 --> 0:20:10.280
<v Speaker 1>it count, Come on, build up the anticipation. Our next

0:20:10.520 --> 0:20:16.600
<v Speaker 1>episode is on the Fish. Excuse me, I mean fish,

0:20:16.720 --> 0:20:19.879
<v Speaker 1>not the fish. What am I saying fish? Anyway, when

0:20:20.240 --> 0:20:24.600
<v Speaker 1>listening to this new Fish episode, I would like you

0:20:24.680 --> 0:20:27.439
<v Speaker 1>guys to be thinking about what music y'all like to

0:20:27.480 --> 0:20:31.560
<v Speaker 1>listen to when you're you know, you know, stoned, hi,

0:20:31.840 --> 0:20:36.000
<v Speaker 1>gummat up, perhaps flying on a few cocktails, as they say,

0:20:36.560 --> 0:20:39.359
<v Speaker 1>what are you kicking back to and putting on the

0:20:39.400 --> 0:20:43.919
<v Speaker 1>stereo when you're unwinding with perhaps I don't know some

0:20:43.960 --> 0:20:45.800
<v Speaker 1>of the stuff that Trey got into, some of the

0:20:46.359 --> 0:20:48.680
<v Speaker 1>not so adult stuff, some of the more recreational fun

0:20:48.720 --> 0:20:51.359
<v Speaker 1>stuff that doesn't kill you. What music do you like

0:20:51.440 --> 0:20:54.320
<v Speaker 1>to listen to? What records do you like to listen

0:20:54.359 --> 0:20:57.240
<v Speaker 1>to when you're you know, under the influence. That's the

0:20:57.359 --> 0:20:58.840
<v Speaker 1>question that's going to be our question of the week

0:20:58.880 --> 0:21:01.840
<v Speaker 1>next week in honor of the I mean fish. Excuse

0:21:02.040 --> 0:21:04.159
<v Speaker 1>me call me six one seven nine oh six six

0:21:04.280 --> 0:21:06.560
<v Speaker 1>sixty three eight, text me, leave me a voicemail, hit

0:21:06.600 --> 0:21:08.760
<v Speaker 1>me up on the socials at the Gray Lamb Pod

0:21:08.800 --> 0:21:10.960
<v Speaker 1>and let me know. You might hear your answer right

0:21:11.000 --> 0:21:12.200
<v Speaker 1>here in the after party.

0:21:12.240 --> 0:21:27.840
<v Speaker 4>All right, I'll be back in a flash.

0:21:28.160 --> 0:21:30.560
<v Speaker 1>All right, Mac, give me the drake may buzzer beater. Wait,

0:21:30.600 --> 0:21:33.040
<v Speaker 1>hold up, actually not yet, I'm always jumping the gun boating.

0:21:33.240 --> 0:21:36.480
<v Speaker 1>Hold it, hold it now, hold it now. This is

0:21:36.520 --> 0:21:39.560
<v Speaker 1>the sixty second Sports rant in under thirty seconds, and

0:21:39.600 --> 0:21:42.760
<v Speaker 1>it is once again sponsored by five Hour Energy's new

0:21:42.800 --> 0:21:46.520
<v Speaker 1>Pumpkin Spice flavor, your favorite fall drink in an energy shot.

0:21:46.680 --> 0:21:48.840
<v Speaker 1>You can pick up a Pumpkin Spice five Hour Energy

0:21:48.840 --> 0:21:53.080
<v Speaker 1>Shot available online at five hour Energy dot Com or Amazon.

0:21:53.800 --> 0:21:55.600
<v Speaker 1>All Right, Maddie, hit me with the tiki talk. There

0:21:55.600 --> 0:21:58.240
<v Speaker 1>we go. I called this the Drake May buzzer beater

0:21:58.320 --> 0:22:02.720
<v Speaker 1>because I'm afraid. I'm fearful. It's no longer Halloween season,

0:22:02.760 --> 0:22:06.920
<v Speaker 1>but I'm freaked out. How long? How long before Drake

0:22:07.040 --> 0:22:09.480
<v Speaker 1>May takes off out of my new England Patriots backfield

0:22:09.480 --> 0:22:12.840
<v Speaker 1>and has walloped with a season ending injury. The dude

0:22:12.960 --> 0:22:16.640
<v Speaker 1>needs to learn how to slide in the Patriots. They've

0:22:16.680 --> 0:22:19.560
<v Speaker 1>got to take the pressure off this kid and play better.

0:22:19.840 --> 0:22:22.400
<v Speaker 1>It can't be the Drake May show every damn weekend.

0:22:22.440 --> 0:22:24.880
<v Speaker 1>Okay one, He's gonna get killed trying to make plays

0:22:24.880 --> 0:22:27.440
<v Speaker 1>with his feet too. You cannot win a super Bowl

0:22:27.440 --> 0:22:29.560
<v Speaker 1>this way. I thought the Patriots are going to go

0:22:29.600 --> 0:22:31.119
<v Speaker 1>out of the trade deadline this week and pick up

0:22:31.119 --> 0:22:34.320
<v Speaker 1>an edge rusher, maybe some safety depth, perhaps a running

0:22:34.320 --> 0:22:36.560
<v Speaker 1>back that has hands that work and can hold onto

0:22:36.560 --> 0:22:39.320
<v Speaker 1>the damn football, anything to take the pressure off. But

0:22:39.480 --> 0:22:42.280
<v Speaker 1>no they didn't. They didn't do anything. They traded for

0:22:42.359 --> 0:22:45.399
<v Speaker 1>Dick bupkisses. What they did as in nothing, not a zilch.

0:22:45.680 --> 0:22:47.840
<v Speaker 1>Let's hope they know what they're doing and our quarterback

0:22:48.040 --> 0:22:49.080
<v Speaker 1>stays healthy.

0:22:49.160 --> 0:22:52.680
<v Speaker 3>Matt, how did I do fifty five seconds? Jake got

0:22:52.680 --> 0:22:53.560
<v Speaker 3>it under a minute?

0:22:53.640 --> 0:22:55.920
<v Speaker 1>Well, maybe I need some trade deadline out, Matt. Maybe

0:22:55.960 --> 0:22:57.879
<v Speaker 1>that's what it is, all right. That was the sports

0:22:57.960 --> 0:23:00.960
<v Speaker 1>ran sponsored by five Hour Energies New Pumpkins Spice flavor.

0:23:00.960 --> 0:23:03.400
<v Speaker 1>These new Pumpkin Spice five hour Energy shots are fall

0:23:03.480 --> 0:23:06.719
<v Speaker 1>in a bottle and bring that classic pumpkin spice flavor

0:23:06.720 --> 0:23:09.560
<v Speaker 1>that we all know and love, our favorite fall drink

0:23:09.600 --> 0:23:12.200
<v Speaker 1>in an energy shot. You can pick up a Pumpkinspice

0:23:12.200 --> 0:23:15.240
<v Speaker 1>five hour Energy shot available online at five hour Energy

0:23:15.280 --> 0:23:20.679
<v Speaker 1>dot Com or Amazon. All Right, I have not seen

0:23:20.920 --> 0:23:23.560
<v Speaker 1>the Springsteen movie, and I don't believe Matt has either.

0:23:24.880 --> 0:23:28.680
<v Speaker 1>I'm not motivated to. I've seen some clips. We've talked

0:23:28.680 --> 0:23:33.520
<v Speaker 1>a little bit about this. I'm a yeah, man, I

0:23:33.560 --> 0:23:37.880
<v Speaker 1>don't know anyway. Zeth has seen it, okay, and he's

0:23:37.880 --> 0:23:39.919
<v Speaker 1>talking about it over in the Hollywood Land Rap Party,

0:23:40.480 --> 0:23:43.600
<v Speaker 1>which you can hear today by following and subscribing to

0:23:43.680 --> 0:23:47.080
<v Speaker 1>the Hollywood Land Feed wherever you get your podcasts now.

0:23:47.840 --> 0:23:51.400
<v Speaker 1>I don't know if you guys heard, but we're rolling

0:23:51.440 --> 0:23:56.159
<v Speaker 1>out these new mini episodes to disgrace in All Access members.

0:23:56.200 --> 0:24:00.359
<v Speaker 1>These stories are the excess excess, the wild, weird and

0:24:00.560 --> 0:24:03.959
<v Speaker 1>interesting music history tales that just don't fit into our

0:24:04.000 --> 0:24:08.080
<v Speaker 1>full episodes. All right, this week, we've got an insane one. Okay,

0:24:08.080 --> 0:24:10.240
<v Speaker 1>we've got just a crazy This could have been the

0:24:10.400 --> 0:24:15.280
<v Speaker 1>entire full episode. And it's the story that I came upon.

0:24:16.320 --> 0:24:19.439
<v Speaker 1>I came to it late. I'll admit I came to

0:24:19.480 --> 0:24:24.080
<v Speaker 1>it when we first got into researching ac DC, and

0:24:24.160 --> 0:24:27.960
<v Speaker 1>I read the Jesse Fink book on Bond Scott and

0:24:29.119 --> 0:24:32.400
<v Speaker 1>there's this insane theory. It's more than a theory. There's

0:24:32.440 --> 0:24:34.000
<v Speaker 1>a lot of evidence that backs this up, a lot

0:24:34.000 --> 0:24:35.800
<v Speaker 1>of people going on the record and talking about this,

0:24:35.880 --> 0:24:39.800
<v Speaker 1>and there's a lot of circumstantial evidence as well that

0:24:39.920 --> 0:24:44.160
<v Speaker 1>points to this quote unquote theory being true. And it's

0:24:44.200 --> 0:24:47.639
<v Speaker 1>the theory that Brian Johnson, the singer on Back in Black,

0:24:48.000 --> 0:24:51.399
<v Speaker 1>was not responsible for writing the lyrics or all of

0:24:51.440 --> 0:24:54.960
<v Speaker 1>the lyrics. Excuse me, with the young brothers, and that

0:24:55.400 --> 0:25:00.439
<v Speaker 1>prior to his death, Bond Scott had actually finished writing

0:25:00.480 --> 0:25:06.240
<v Speaker 1>the lyrics to the entire album. Now there's some question of,

0:25:06.920 --> 0:25:09.960
<v Speaker 1>you know, how many of the lyrics he actually did finish. Uh,

0:25:10.080 --> 0:25:12.960
<v Speaker 1>And there's a huge question if this even happened. That

0:25:13.080 --> 0:25:16.480
<v Speaker 1>the Young brothers have denied it over and over again,

0:25:16.520 --> 0:25:18.919
<v Speaker 1>but they've also said some things that kind of opened

0:25:18.920 --> 0:25:21.760
<v Speaker 1>the door a little bit. It's a it's a I

0:25:21.760 --> 0:25:23.480
<v Speaker 1>don't want to say shady, but there's a lot of

0:25:23.480 --> 0:25:27.480
<v Speaker 1>gray area here and it's a fascinating, fascinating topic to

0:25:27.640 --> 0:25:31.159
<v Speaker 1>discuss and to try and unpack. So that's what we

0:25:31.240 --> 0:25:33.800
<v Speaker 1>do in the mini episode and Matt give them a

0:25:33.800 --> 0:25:52.000
<v Speaker 1>little taste. Given that Back in Black is the second

0:25:52.040 --> 0:25:54.879
<v Speaker 1>biggest selling record of all time, the matter of the

0:25:54.920 --> 0:25:59.840
<v Speaker 1>album's legitimacy is important. Did the band members who are

0:26:00.440 --> 0:26:04.320
<v Speaker 1>as writing the music for that album actually write the

0:26:04.400 --> 0:26:12.280
<v Speaker 1>music for that album? Yes, and possibly no. Ac DC's

0:26:12.280 --> 0:26:16.520
<v Speaker 1>guitarist brothers Malcolm and Angus Young are credited with writing

0:26:16.640 --> 0:26:20.360
<v Speaker 1>the music on Back and Black, alongside singer Brian Johnson,

0:26:20.600 --> 0:26:22.639
<v Speaker 1>who had just joined the band prior to Back in

0:26:22.680 --> 0:26:27.760
<v Speaker 1>Black's recording, As the recently deceased bon Scott's replacement of

0:26:27.800 --> 0:26:30.960
<v Speaker 1>the ten songs on Back in Black. All are credited

0:26:31.000 --> 0:26:34.679
<v Speaker 1>to Malcolm Young, Angus Young, and Brian Johnson, and it

0:26:34.720 --> 0:26:38.040
<v Speaker 1>should be noted that ac DC, Angus Young, and Brian

0:26:38.119 --> 0:26:42.960
<v Speaker 1>Johnson specifically have denied that bon Scott had anything to

0:26:43.040 --> 0:26:47.600
<v Speaker 1>do with the writing of the songs on Back in Black. However,

0:26:48.400 --> 0:26:54.000
<v Speaker 1>this vicious rumor persists that Brian Johnson did not write

0:26:54.000 --> 0:26:58.360
<v Speaker 1>the lyrics for Back in Black, that Bond Scott, prior

0:26:58.480 --> 0:27:03.440
<v Speaker 1>to dying, had indeed written the lyrics for the songs

0:27:03.800 --> 0:27:08.639
<v Speaker 1>on the second biggest selling album of all time. Now Again,

0:27:09.119 --> 0:27:14.840
<v Speaker 1>ACDC has vehemently denied this claim, but two of bon

0:27:14.880 --> 0:27:19.120
<v Speaker 1>Scott's girlfriends are on record saying that bon Scott absolutely

0:27:19.240 --> 0:27:22.719
<v Speaker 1>was writing the lyrics for acdc's next album before he

0:27:22.800 --> 0:27:25.840
<v Speaker 1>died in nineteen eighty and that next record was, of

0:27:25.840 --> 0:27:28.959
<v Speaker 1>course Back in Black. In fact, his girlfriend Silver Smith,

0:27:29.440 --> 0:27:32.520
<v Speaker 1>has stated publicly that on the night that Bond died,

0:27:33.200 --> 0:27:36.640
<v Speaker 1>Bond was in fact celebrating that he had just finished

0:27:36.680 --> 0:27:39.359
<v Speaker 1>writing the lyrics for what would become the band's next record,

0:27:39.359 --> 0:27:41.120
<v Speaker 1>and the band was set to go to the studio

0:27:41.440 --> 0:27:46.120
<v Speaker 1>straight away and recording. Now, when these rumors began to surface.

0:27:46.560 --> 0:27:50.160
<v Speaker 1>Malcolm Young said point blank that bon Scott had nothing

0:27:50.240 --> 0:27:53.600
<v Speaker 1>to do with the writing of Back in Black. Angus

0:27:53.640 --> 0:27:57.760
<v Speaker 1>Young said the same thing numerous times, and in his autobiography.

0:27:58.119 --> 0:28:02.359
<v Speaker 1>Brian Johnson later said on equipped that he wrote all

0:28:02.480 --> 0:28:05.119
<v Speaker 1>of the lyrics on Back in Black. He wrote everything,

0:28:05.440 --> 0:28:10.480
<v Speaker 1>but the lyrics on Back in Black. Many seem like

0:28:10.600 --> 0:28:14.320
<v Speaker 1>lyrics Bond Scott would write. She told me to come,

0:28:14.680 --> 0:28:17.320
<v Speaker 1>but I was already there. That sounds like a bond

0:28:17.320 --> 0:28:20.960
<v Speaker 1>Scott lyric, It really does, But that doesn't prove anything.

0:28:21.920 --> 0:28:26.320
<v Speaker 1>Brian Johnson was literally trying to replace what the previous

0:28:26.400 --> 0:28:31.520
<v Speaker 1>ACDC singer bon Scott was doing so naturally to please

0:28:31.600 --> 0:28:34.800
<v Speaker 1>the fans, even if he was doing it unintentionally. He's

0:28:34.880 --> 0:28:37.680
<v Speaker 1>going to try and do some of the same things

0:28:38.160 --> 0:28:42.200
<v Speaker 1>that the dude who just died who he's replacing, had done.

0:28:42.480 --> 0:28:45.640
<v Speaker 1>So when people bring up the fact that the lyrics

0:28:45.680 --> 0:28:49.240
<v Speaker 1>sound like bond Scott lyrics, it doesn't mean a lot

0:28:49.280 --> 0:28:54.760
<v Speaker 1>to me. However, after bon scott died in very short order,

0:28:54.840 --> 0:28:58.479
<v Speaker 1>in a matter of hours, bon Scott's London apartment was

0:28:58.600 --> 0:29:04.280
<v Speaker 1>cleared out, his TV, his fancy new VCR machine, his clothes,

0:29:04.320 --> 0:29:08.440
<v Speaker 1>his other personal effects. They were all taken, and so

0:29:09.160 --> 0:29:12.920
<v Speaker 1>was the notebook that Bond Scott was writing his lyrics.

0:29:15.160 --> 0:29:18.320
<v Speaker 1>All right, that's our newest DISGRACELAMD mini episode on the

0:29:18.400 --> 0:29:22.920
<v Speaker 1>back and black lyrics. Controversy concerning ACDC and that theme music.

0:29:22.960 --> 0:29:26.320
<v Speaker 1>That banger theme music created by mister Matt Boden is

0:29:26.800 --> 0:29:29.160
<v Speaker 1>worth the price of a mission. You can hear it

0:29:29.240 --> 0:29:31.920
<v Speaker 1>every week by becoming an all access Remember, you're gonna

0:29:32.080 --> 0:29:35.760
<v Speaker 1>get exclusive content just like that, just like the additional

0:29:35.760 --> 0:29:38.840
<v Speaker 1>content coming up in the exclusive section of the After Party.

0:29:38.920 --> 0:29:41.320
<v Speaker 1>To become an all access member, it's super easy to

0:29:41.400 --> 0:29:44.000
<v Speaker 1>go to Disgrace slampod dot com. You can sign up

0:29:44.000 --> 0:29:46.560
<v Speaker 1>there for five bucks a month and that price will

0:29:46.560 --> 0:29:49.520
<v Speaker 1>hold until for a couple more weeks now, and then

0:29:49.520 --> 0:29:52.520
<v Speaker 1>it's going to go up and you'll get the exclusive

0:29:52.520 --> 0:29:54.840
<v Speaker 1>content I'm talking about, and you'll also get ad free

0:29:54.880 --> 0:29:58.680
<v Speaker 1>listening and access to all the other discos in the chat.

0:29:59.560 --> 0:30:02.479
<v Speaker 1>Is cool. And the other night last night we were

0:30:02.520 --> 0:30:04.800
<v Speaker 1>on Patreon. If you sign up via Patreon, you know

0:30:04.840 --> 0:30:06.920
<v Speaker 1>there's all this stuff we do over there every other

0:30:06.920 --> 0:30:09.760
<v Speaker 1>week or so, some sort of live some sort of

0:30:10.040 --> 0:30:12.520
<v Speaker 1>connection community thing. And we did this thing last night

0:30:12.560 --> 0:30:14.480
<v Speaker 1>where we all jumped on. We made a mixtape together.

0:30:14.480 --> 0:30:19.200
<v Speaker 1>It was very cool mixtape for our upcoming cooking plans

0:30:19.240 --> 0:30:21.440
<v Speaker 1>for Thanksgiving, had a bunch of listeners on with us

0:30:21.480 --> 0:30:24.120
<v Speaker 1>contributing song ideas. It was awesome. So we do stuff

0:30:24.120 --> 0:30:25.600
<v Speaker 1>like that too. You get access to that if you

0:30:25.640 --> 0:30:27.800
<v Speaker 1>come a member on Patreon. You can also become a

0:30:27.840 --> 0:30:49.160
<v Speaker 1>member on Apple podcasts, Neutral Milk Hotel, The smith Radiohead,

0:30:50.280 --> 0:30:52.680
<v Speaker 1>and we don't have any Disgrace Sand episodes on these artists,

0:30:53.440 --> 0:30:57.760
<v Speaker 1>and we should for sure the Smiths, and I don't

0:30:57.760 --> 0:30:59.640
<v Speaker 1>know how to do one on Radiohead, but there's got

0:30:59.680 --> 0:31:05.040
<v Speaker 1>to be some in there. Somebody believe somebody wrote, wrote

0:31:05.040 --> 0:31:07.800
<v Speaker 1>me or called and left me some information on Neutral

0:31:07.840 --> 0:31:10.480
<v Speaker 1>Milk Hotel as well, which would be really cool. Oh

0:31:10.560 --> 0:31:12.440
<v Speaker 1>it was that, actually that was talking about doing an

0:31:12.440 --> 0:31:15.640
<v Speaker 1>episode on Neutral Milk Hotel. Anyway, we don't have episodes

0:31:15.680 --> 0:31:17.800
<v Speaker 1>on these guys, but we have episodes on two hundred

0:31:17.800 --> 0:31:21.640
<v Speaker 1>and fifty five different artists, So different stories on artists,

0:31:21.640 --> 0:31:23.280
<v Speaker 1>two hundred fifty five epet you know what I'm saying.

0:31:23.880 --> 0:31:26.120
<v Speaker 1>Everyone you can think of Amy Wine, how is Grateful Dead,

0:31:26.200 --> 0:31:28.560
<v Speaker 1>Rolling Stones, Cardi B, Tommy James, and the Shan Dell's

0:31:28.600 --> 0:31:33.200
<v Speaker 1>I mean, come on, endless, Lil Wayne Oasis, I mean,

0:31:33.200 --> 0:31:35.320
<v Speaker 1>come on. Do you have questions on how to locate

0:31:35.440 --> 0:31:38.600
<v Speaker 1>any of these episodes in our archive? Hit us up,

0:31:38.640 --> 0:31:41.080
<v Speaker 1>you know where to find us. We're easy to get at.

0:31:41.600 --> 0:31:43.000
<v Speaker 1>We'll sort it out before you point you in the

0:31:43.080 --> 0:31:45.120
<v Speaker 1>right direction. I gotta get out of here though. My

0:31:45.200 --> 0:31:47.360
<v Speaker 1>kid's playing in a playoff game tonight. I'm very excited

0:31:47.360 --> 0:31:49.680
<v Speaker 1>about it, and we will check that out before I

0:31:49.760 --> 0:31:52.080
<v Speaker 1>do that. However, I get a recap. So number one.

0:31:52.160 --> 0:31:56.080
<v Speaker 1>This week's full episode are part two episode on ACDC

0:31:56.160 --> 0:31:58.400
<v Speaker 1>that's available before you're right now. A new mini episode

0:31:58.400 --> 0:32:02.720
<v Speaker 1>for All Access members on acdc's back in Black lyrics controversy.

0:32:02.840 --> 0:32:05.400
<v Speaker 1>Who really wrote those tunes? Was a Bond Scott Brian Johnson?

0:32:05.400 --> 0:32:07.120
<v Speaker 1>Well you can find out. I'm becoming an All Access

0:32:07.160 --> 0:32:08.920
<v Speaker 1>member and listening to the new mini episode, all right.

0:32:08.960 --> 0:32:11.920
<v Speaker 1>Number three rewind episode on You two coming up right

0:32:11.960 --> 0:32:14.600
<v Speaker 1>after this. Number four. Next week comes our new episode

0:32:14.640 --> 0:32:18.080
<v Speaker 1>on the Fish. Five Zeth gives you those Hollywood and

0:32:18.120 --> 0:32:20.560
<v Speaker 1>crime vibes and Hollywood lands, So make sure you're subscribing

0:32:20.560 --> 0:32:22.600
<v Speaker 1>to me. Six six one seven nine oh six six

0:32:22.680 --> 0:32:24.640
<v Speaker 1>six three eight your voice keeps us digging into the

0:32:24.720 --> 0:32:27.600
<v Speaker 1>dark corners of music history. So keep calling, texting with

0:32:27.640 --> 0:32:29.560
<v Speaker 1>your answers to this week's question of the week, or

0:32:29.600 --> 0:32:32.560
<v Speaker 1>with whatever else y'all want to talk about. Number seven.

0:32:32.840 --> 0:32:35.920
<v Speaker 1>Don't forget disc goes. This isn't just content. It's a community,

0:32:36.080 --> 0:32:38.760
<v Speaker 1>a community of the obsessed, and no one cares about music, books,

0:32:38.800 --> 0:32:40.520
<v Speaker 1>records in the crime and grime that ties them all

0:32:40.520 --> 0:32:44.240
<v Speaker 1>together like you do. And well that's a disgrace.

0:32:44.000 --> 0:32:44.480
<v Speaker 3>All right.

0:32:45.080 --> 0:32:49.760
<v Speaker 1>On November sixth, twenty fourteen, ACDC drummer Phil Rudd was

0:32:49.840 --> 0:32:52.840
<v Speaker 1>arrested in what was one of the weirdest examples of

0:32:52.880 --> 0:32:56.400
<v Speaker 1>life imitating art that I've ever come across. And here's

0:32:56.560 --> 0:33:00.760
<v Speaker 1>what America was listening to on that day. Number one,

0:33:01.160 --> 0:33:06.160
<v Speaker 1>All about that Base Megan Trainer last week one weeks

0:33:06.200 --> 0:33:11.800
<v Speaker 1>on chart sixteen, peak position one, number two, Shake It

0:33:11.840 --> 0:33:17.240
<v Speaker 1>Off Taylor Swift last week two weeks on chart ten,

0:33:17.760 --> 0:33:24.320
<v Speaker 1>peak position one, number three, Habits Stay High to last

0:33:24.360 --> 0:33:31.360
<v Speaker 1>week last week five weeks on chart, peak position number