1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,560 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,680 --> 00:00:33,239 Speaker 1: a little thing we like to call the after party. 6 00:00:33,479 --> 00:00:35,520 Speaker 1: This is the show after the show, the party after 7 00:00:35,520 --> 00:00:37,480 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,520 --> 00:00:40,720 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:40,840 --> 00:00:43,680 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:43,720 --> 00:00:46,960 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:47,000 --> 00:00:50,560 Speaker 1: we're talking about music that the Incell movement loves. What 12 00:00:50,640 --> 00:00:52,839 Speaker 1: we're digging into the greatest rock and roll records of 13 00:00:52,880 --> 00:00:56,440 Speaker 1: all time. Thanks to our new episode on ACDC rewinding 14 00:00:56,480 --> 00:00:58,880 Speaker 1: back to You two and the Murder of Rebecca Schaeffer. 15 00:00:59,120 --> 00:01:02,400 Speaker 1: Previewing next week's new episode on Fish, when we get 16 00:01:02,400 --> 00:01:05,400 Speaker 1: into your voicemails, text, dms, and as always, a whole 17 00:01:05,480 --> 00:01:08,560 Speaker 1: lot of Rosie. This is the podcast for the musically obsessed, 18 00:01:08,680 --> 00:01:11,680 Speaker 1: the outsiders, the independent thinkers who know that the best 19 00:01:11,760 --> 00:01:14,640 Speaker 1: history is the history that gets buried. Disgrace Lams where 20 00:01:14,640 --> 00:01:16,800 Speaker 1: I tell the stories they didn't want told the kind 21 00:01:16,880 --> 00:01:19,640 Speaker 1: he'll end up telling someone else. All right, discos, let's 22 00:01:19,920 --> 00:01:33,640 Speaker 1: get into it. In nineteen eighty five, they blamed ACDC 23 00:01:33,840 --> 00:01:38,000 Speaker 1: for inspiring serial killer Richard Ramirez. In nineteen eighty nine, 24 00:01:38,160 --> 00:01:42,160 Speaker 1: actress Rebecca Schaeffer's murderer Robert John Bardo, claimed you too 25 00:01:42,160 --> 00:01:46,680 Speaker 1: compelled him to kill. In twenty eighteen, Scott Barelli walked 26 00:01:46,680 --> 00:01:50,000 Speaker 1: into a Florida yoga studio and shot and killed two women, 27 00:01:50,360 --> 00:01:54,840 Speaker 1: wounding several others before taking his own life. Music has 28 00:01:54,880 --> 00:01:58,120 Speaker 1: always been an easy scapegoat, but it's never the songs. 29 00:01:58,520 --> 00:02:04,520 Speaker 1: It's always who the killers already were. Scotparelli was an INCEL, 30 00:02:05,280 --> 00:02:10,239 Speaker 1: part of a group of involuntarily celibate men, young aggrieved 31 00:02:10,320 --> 00:02:13,320 Speaker 1: dudes who believe the women who reject them and the 32 00:02:13,320 --> 00:02:17,280 Speaker 1: more traditionally masculine men who outshine them exist to keep 33 00:02:17,360 --> 00:02:20,920 Speaker 1: them down. This is also a group whose members have 34 00:02:21,000 --> 00:02:24,799 Speaker 1: killed before and will kill again, and it's a group 35 00:02:25,320 --> 00:02:30,079 Speaker 1: that loves music. Jazzy Lupido nine to A eight M 36 00:02:30,120 --> 00:02:34,280 Speaker 1: three Me's scissor with one C and a Z. These 37 00:02:34,280 --> 00:02:37,280 Speaker 1: are the online user names for the creators of Spotify. 38 00:02:37,360 --> 00:02:43,760 Speaker 1: Inceel playlists with titles like Inceell Virgin loser Core, Chronically Online, Autistic, 39 00:02:43,880 --> 00:02:48,680 Speaker 1: four Chan, Suicidal and Real Older Brother Niche Weird Kid, 40 00:02:48,760 --> 00:02:53,200 Speaker 1: Inceell in the Underground loser Core. If there's one theme 41 00:02:53,400 --> 00:02:57,840 Speaker 1: that ties the songs on these playlists together, it's isolation. 42 00:02:59,040 --> 00:03:03,920 Speaker 1: Songs like Just by Radiohead Scott Pilgrim versus the World 43 00:03:04,000 --> 00:03:07,560 Speaker 1: Ruined a Whole Generation of Women by Negative XP in 44 00:03:07,600 --> 00:03:10,920 Speaker 1: the Aeroplane by the Sea by Neutral Milk Hotel, and 45 00:03:11,040 --> 00:03:15,400 Speaker 1: an excellent and batshit crazy cover of Dion's nineteen fifty 46 00:03:15,480 --> 00:03:19,400 Speaker 1: nine hit Teenager in Love by bird Bath. The music 47 00:03:19,440 --> 00:03:23,760 Speaker 1: is angsty and irreverent and lives on the nerdier side 48 00:03:23,800 --> 00:03:27,239 Speaker 1: of the street. More Rivers Cuomo and less Kirk Cobaine 49 00:03:27,360 --> 00:03:31,200 Speaker 1: and lots and lots of Marssey. The Smiths occupy a 50 00:03:31,240 --> 00:03:35,560 Speaker 1: special place in Inceell music playlist culture. There are entire 51 00:03:35,640 --> 00:03:38,720 Speaker 1: in Cell playlists dedicated to tunes penned by Stephen Patrick, 52 00:03:38,760 --> 00:03:42,360 Speaker 1: Morrissey and Johnny Marr, and it makes sense few bands 53 00:03:42,360 --> 00:03:46,280 Speaker 1: in the last fifty years have better captured despair in alienation, 54 00:03:46,960 --> 00:03:49,560 Speaker 1: and not to mention the fact that Marssey for much 55 00:03:49,600 --> 00:03:54,760 Speaker 1: of his career publicly identified as celibate. When Incell Scott 56 00:03:54,800 --> 00:03:58,760 Speaker 1: Barelli killed two women and injured five others before taking 57 00:03:58,800 --> 00:04:02,440 Speaker 1: his own life into tallahow Hot yoga studio. He did 58 00:04:02,440 --> 00:04:08,480 Speaker 1: so after posting his own music online angry, sneering, hostile songs, 59 00:04:09,040 --> 00:04:14,360 Speaker 1: not metal, not hardcore rap, but instead lo fi rejection rock, 60 00:04:15,120 --> 00:04:19,679 Speaker 1: rage turned inward, not dissimilar from Radiohead or The Smiths, 61 00:04:19,800 --> 00:04:22,680 Speaker 1: or well most of the music populating the in cell 62 00:04:22,800 --> 00:04:26,520 Speaker 1: playlist online universe. I'm not suggesting music played a part 63 00:04:26,560 --> 00:04:30,520 Speaker 1: in Scott Barelli's motivation, nor am I blaming musicians for 64 00:04:30,600 --> 00:04:33,000 Speaker 1: inspiring in cells to murder, but it's only a matter 65 00:04:33,000 --> 00:04:37,880 Speaker 1: of time before someone does. The twenty eighteen Toronto van attack, 66 00:04:37,960 --> 00:04:42,320 Speaker 1: where a self described inceell murdered eleven in an effort 67 00:04:42,360 --> 00:04:45,920 Speaker 1: to incite a so called in cell rebellion. The twenty 68 00:04:46,040 --> 00:04:48,720 Speaker 1: fourteen Isla Vista killings, when a twenty two year old 69 00:04:48,800 --> 00:04:51,520 Speaker 1: man murdered six and injured fourteen others in an attempt 70 00:04:51,600 --> 00:04:55,279 Speaker 1: to punish women who rejected him and the sexually active 71 00:04:55,360 --> 00:04:59,160 Speaker 1: men he believed humiliated him. These are just two of 72 00:04:59,200 --> 00:05:04,360 Speaker 1: what are numerous examples of in cell killings. Eventually, there 73 00:05:04,360 --> 00:05:08,320 Speaker 1: will be more murder committed by young men who are 74 00:05:08,640 --> 00:05:14,280 Speaker 1: chronically online, detached from reality, and obsessing over music. Algorithms 75 00:05:14,279 --> 00:05:19,360 Speaker 1: now feed grievance faster than ever. Music, like politics and religion, 76 00:05:19,800 --> 00:05:22,520 Speaker 1: is just another on ramp for the aggrieved. For those 77 00:05:22,520 --> 00:05:26,440 Speaker 1: whom Paul Schrader and Thomas Wolfe once called God's Lonely Man, 78 00:05:27,839 --> 00:05:31,279 Speaker 1: it turns out the modern version of God's Lonely Man 79 00:05:31,480 --> 00:05:35,120 Speaker 1: has a pretty good taste in music, just like Richard Ramirez, 80 00:05:35,160 --> 00:05:39,200 Speaker 1: who envisioned himself as the killer in ac DC's Night Prowler, 81 00:05:39,279 --> 00:05:43,320 Speaker 1: and Robert John Bardow, who was obsessed with U two's exit. 82 00:05:44,600 --> 00:05:49,440 Speaker 1: But music isn't the murder weapon. Music is the mirror. 83 00:05:50,120 --> 00:05:54,599 Speaker 1: Acdc's Night Prowler wasn't a command. When Bond Scott whispered 84 00:05:54,600 --> 00:05:58,120 Speaker 1: about slipping into someone's room after dark, he was setting 85 00:05:58,160 --> 00:06:03,240 Speaker 1: fictional pulp horror lyrics over a menacing beat. Richard Ramirez 86 00:06:03,279 --> 00:06:07,200 Speaker 1: didn't hear instructions on how to kill. He felt recognition 87 00:06:08,120 --> 00:06:12,960 Speaker 1: God's Lonely Man, felt seen U two's exit did the 88 00:06:13,000 --> 00:06:16,440 Speaker 1: same for Robert John Bardo. Bono wrote, the tune is 89 00:06:16,480 --> 00:06:19,400 Speaker 1: a character study of a man undone by violence and 90 00:06:19,440 --> 00:06:22,960 Speaker 1: faith the spiritual collapse. But to Bardo, a mentally ill 91 00:06:23,000 --> 00:06:26,520 Speaker 1: man obsessed with fame. All he heard was a soundtrack 92 00:06:26,600 --> 00:06:29,640 Speaker 1: to his own delusion. The same dynamics at play with 93 00:06:29,760 --> 00:06:35,599 Speaker 1: modern inceell music. These playlists don't inspire violence, they reflect it. 94 00:06:36,480 --> 00:06:39,880 Speaker 1: They echo the delusions of the men obsessing over them. 95 00:06:40,240 --> 00:06:45,279 Speaker 1: The music isn't radicalizing them, it's validating their despair. Again, 96 00:06:45,360 --> 00:06:49,400 Speaker 1: the music is the mirror, not the weapon. The problems 97 00:06:49,520 --> 00:06:53,000 Speaker 1: consuming the in cell community go much deeper than music. 98 00:06:53,880 --> 00:06:57,560 Speaker 1: These are young men raised online, coddled and medicated as 99 00:06:57,640 --> 00:07:01,200 Speaker 1: children brought up in low to no state social environments, 100 00:07:01,440 --> 00:07:04,480 Speaker 1: and who are helplessly unequipped to function in the real world. 101 00:07:05,000 --> 00:07:09,720 Speaker 1: Outcasts as alienated as the musicians whose songs fill their playlists. 102 00:07:10,480 --> 00:07:12,640 Speaker 1: It's only a matter of time before they kill again. 103 00:07:13,520 --> 00:07:16,880 Speaker 1: And when they do, people will eventually point to in 104 00:07:17,040 --> 00:07:21,360 Speaker 1: cell music as a scapegoat and smash the mirror instead 105 00:07:21,360 --> 00:07:24,640 Speaker 1: of looking into what it shows us, and that will 106 00:07:24,640 --> 00:07:28,720 Speaker 1: be a disgrace. I'll be back after this with your calls, texts, 107 00:07:28,880 --> 00:07:54,000 Speaker 1: voicemails and more. All right, we are back, and speaking 108 00:07:54,040 --> 00:07:59,200 Speaker 1: of the question about music inspiring death and destruction, We're 109 00:07:59,200 --> 00:08:02,040 Speaker 1: going to set ourselves away from the dark corners of 110 00:08:02,080 --> 00:08:06,120 Speaker 1: the incell Internet and to the Philippines for a little 111 00:08:06,600 --> 00:08:09,960 Speaker 1: peeling back of the onion of the my Way killings. 112 00:08:10,080 --> 00:08:13,880 Speaker 1: These are the murders inspired by Frank Sinatra's my Way tune. 113 00:08:13,920 --> 00:08:17,840 Speaker 1: You know that makes sense. This might be the weirdest 114 00:08:17,880 --> 00:08:20,920 Speaker 1: social phenomenon that I've ever heard of. This is the 115 00:08:20,960 --> 00:08:24,320 Speaker 1: thing where numerous people in the Philippines were killed in 116 00:08:24,360 --> 00:08:28,200 Speaker 1: connection to their performance of this song in karaoke. Bars 117 00:08:29,040 --> 00:08:31,720 Speaker 1: Zeth and I knew very little about this until recently, 118 00:08:31,800 --> 00:08:35,000 Speaker 1: and we're going to unpack this wild story in today's 119 00:08:35,080 --> 00:08:38,880 Speaker 1: exclusive portion of this here After party, which you can 120 00:08:38,920 --> 00:08:41,600 Speaker 1: hear by becoming an all access member of Disgraceland. For 121 00:08:41,640 --> 00:08:45,040 Speaker 1: just five bucks a month. You get additional exclusive content 122 00:08:45,200 --> 00:08:47,600 Speaker 1: like this ad, free listening, and more. Go to disgrace 123 00:08:47,640 --> 00:08:50,080 Speaker 1: slaandpod dot com to sign up before prices go up 124 00:08:50,080 --> 00:08:53,400 Speaker 1: at the end of this month. All right, So I 125 00:08:53,480 --> 00:08:57,320 Speaker 1: landed on this inceel playlist topic earlier because this week 126 00:08:57,360 --> 00:09:00,800 Speaker 1: in Disgraceland, we launched our ACDC par Our two episode 127 00:09:00,840 --> 00:09:03,560 Speaker 1: along with rewinding our part one story, and that story 128 00:09:03,600 --> 00:09:07,200 Speaker 1: deals with the band being blamed for inspiring Richard Ramirez 129 00:09:07,559 --> 00:09:11,000 Speaker 1: the serial killer, and our rewind episode this week is 130 00:09:11,000 --> 00:09:14,040 Speaker 1: on you two, and with that episode we have more 131 00:09:14,120 --> 00:09:18,520 Speaker 1: killer inspiration with Robert John Bardo and the Rebecca Schaefer Murder. 132 00:09:18,960 --> 00:09:22,400 Speaker 1: That you two episode will be available in tomorrow's rewind 133 00:09:22,400 --> 00:09:25,440 Speaker 1: spot coming up right after this episode. Lots of music 134 00:09:25,520 --> 00:09:30,280 Speaker 1: this week, supposedly inspiring murder. But I'm done talking about that, okay. 135 00:09:30,480 --> 00:09:32,439 Speaker 1: I want to talk about a theme that we hit 136 00:09:32,480 --> 00:09:36,040 Speaker 1: on in our new episode, our new ACDC episode this week, 137 00:09:36,480 --> 00:09:40,679 Speaker 1: Great rock and roll records, the greatest rock and roll records. 138 00:09:41,080 --> 00:09:44,920 Speaker 1: This question was prompted, of course, because acdc's album Back 139 00:09:44,960 --> 00:09:48,000 Speaker 1: in Black was, for a minute there the greatest selling 140 00:09:48,720 --> 00:09:51,400 Speaker 1: album of all time, not just the greatest selling rock 141 00:09:51,440 --> 00:09:55,120 Speaker 1: record of all time, the greatest selling album of all time. 142 00:09:55,200 --> 00:09:58,480 Speaker 1: A couple of years later, Michael Jackson's Thriller came along 143 00:09:59,160 --> 00:10:02,880 Speaker 1: and topped it, but still Back in Black still sitting 144 00:10:02,880 --> 00:10:05,480 Speaker 1: there in the number two spot. So that prompted our question, 145 00:10:06,000 --> 00:10:09,160 Speaker 1: what's the greatest rock and roll record of all time? 146 00:10:09,280 --> 00:10:14,559 Speaker 1: We're gonna hear your answers here, and I gotta gotta 147 00:10:14,679 --> 00:10:18,920 Speaker 1: gotta say, pretty surprised by by the consensus from you guys, 148 00:10:18,920 --> 00:10:23,160 Speaker 1: semi consensus from you guys on this topic. I'm gonna 149 00:10:23,200 --> 00:10:26,400 Speaker 1: give you my answer after we hear from you, guys, 150 00:10:27,200 --> 00:10:30,160 Speaker 1: vastly different from where you're coming from. Well, let's without 151 00:10:30,200 --> 00:10:33,040 Speaker 1: further ado, let's check out Junior in the seven to 152 00:10:33,040 --> 00:10:33,480 Speaker 1: one to four. 153 00:10:34,360 --> 00:10:36,880 Speaker 2: Hey, Jake, this is Junior from the seven to one 154 00:10:36,960 --> 00:10:41,200 Speaker 2: four And I believe, and this is just me the 155 00:10:41,280 --> 00:10:44,920 Speaker 2: greatest rock album of all time is David Bowie Ziggy, 156 00:10:45,000 --> 00:10:49,480 Speaker 2: Stardust and the Spiders from Mars. It's like a visual 157 00:10:49,920 --> 00:10:55,760 Speaker 2: for your brain, just perfectly constructed, in a perfect, perfect 158 00:10:55,800 --> 00:11:00,160 Speaker 2: story of the fallen Rocks has rock and roll, it 159 00:11:00,240 --> 00:11:04,760 Speaker 2: has your power ballads, it has your tragic end and 160 00:11:05,000 --> 00:11:09,080 Speaker 2: chift can be played over and over and I could 161 00:11:09,200 --> 00:11:12,840 Speaker 2: never get tired of it. Well, thank you for what 162 00:11:12,880 --> 00:11:17,079 Speaker 2: you're doing. You are freaking awesome, greatest storyteller ever. I 163 00:11:17,080 --> 00:11:18,880 Speaker 2: have a good one, Jake, talk to you later. 164 00:11:19,280 --> 00:11:22,160 Speaker 1: Junior. Thanks for the call. I love the Ziggy Startist 165 00:11:22,240 --> 00:11:24,800 Speaker 1: album and I love this answer. I love it. I 166 00:11:24,880 --> 00:11:27,760 Speaker 1: get the visual component here, the little theater of the 167 00:11:27,760 --> 00:11:31,800 Speaker 1: mind that's going on, the theatrics, I should say, the narrative, 168 00:11:31,960 --> 00:11:37,079 Speaker 1: all of it. It's tremendous storytelling in this record. There's ballads, 169 00:11:37,280 --> 00:11:40,679 Speaker 1: it's a super dynamic sounding album. I love this choice. 170 00:11:40,800 --> 00:11:43,760 Speaker 1: I wouldn't have thought of this on my own. It's 171 00:11:43,840 --> 00:11:47,600 Speaker 1: not my choice, but I fully understand Jr. Why you're 172 00:11:47,640 --> 00:11:50,640 Speaker 1: picking this, and you have some company. Let's hear what 173 00:11:50,679 --> 00:11:51,920 Speaker 1: the nine to one success to say. 174 00:11:52,480 --> 00:11:56,280 Speaker 3: Hi, Jake, this is mister Taylor from Raleigh, North Carolina 175 00:11:56,559 --> 00:12:00,520 Speaker 3: calling to answer the question from last week great album 176 00:12:00,520 --> 00:12:03,640 Speaker 3: of all time? No skips? And this is a tough 177 00:12:03,640 --> 00:12:06,880 Speaker 3: one in its simplicity, as you said. You know, as 178 00:12:06,920 --> 00:12:09,520 Speaker 3: a kid grown up in the late eighties and nineties, 179 00:12:10,120 --> 00:12:14,160 Speaker 3: born to boomer parents who loved music. But when I 180 00:12:14,200 --> 00:12:16,240 Speaker 3: came into this world, they gave me this sense that 181 00:12:16,600 --> 00:12:19,960 Speaker 3: all of it had been decided that the Beatles were 182 00:12:20,000 --> 00:12:21,920 Speaker 3: the greatest band of all time, and there was no 183 00:12:22,040 --> 00:12:25,400 Speaker 3: discussion about it, that all the greatest music had already 184 00:12:25,440 --> 00:12:28,680 Speaker 3: been made. So as a kid discovering music myself, I 185 00:12:28,760 --> 00:12:30,680 Speaker 3: kind of took offense to this idea and it took 186 00:12:30,679 --> 00:12:32,360 Speaker 3: me a long time to come around to it. You know, 187 00:12:32,360 --> 00:12:35,040 Speaker 3: It's like kids these days being told that Michael Jordan 188 00:12:35,120 --> 00:12:37,720 Speaker 3: is the greatest basketball player of all time. I get 189 00:12:37,720 --> 00:12:40,200 Speaker 3: the pushback. I mean, obviously they're wrong, Mjay's the man. 190 00:12:41,000 --> 00:12:42,960 Speaker 3: But when I was coming up as a kid, it 191 00:12:43,000 --> 00:12:44,520 Speaker 3: took me a long time to get to some of 192 00:12:44,559 --> 00:12:46,800 Speaker 3: these great albums. But when I got into my twenties, 193 00:12:47,000 --> 00:12:49,640 Speaker 3: I went back with fresh eyes and ears, and I 194 00:12:49,679 --> 00:12:51,080 Speaker 3: listened to some of them, and I came to the 195 00:12:51,160 --> 00:12:56,600 Speaker 3: conclusion that David Bowie's Ziggy Stardust is probably, if not 196 00:12:56,800 --> 00:13:01,360 Speaker 3: the greatest start to finish album of all time. I mean, 197 00:13:01,400 --> 00:13:04,160 Speaker 3: there are no skips. It is a concept album, but 198 00:13:04,360 --> 00:13:09,000 Speaker 3: every single song is an absolute banger. It's starting with 199 00:13:09,120 --> 00:13:13,360 Speaker 3: five years obviously, moon Age, day Dreams, Ziggy start Us, 200 00:13:13,440 --> 00:13:17,400 Speaker 3: rock and roll Suicide. The album starts and finishes in 201 00:13:17,440 --> 00:13:22,720 Speaker 3: the same way with absolute searing rock. Nick Ronson's guitar 202 00:13:22,880 --> 00:13:26,439 Speaker 3: is undeniable. David Bowie is in his element, the greatest 203 00:13:26,480 --> 00:13:30,040 Speaker 3: album he's ever made, the greatest character he's ever pervaded, 204 00:13:30,200 --> 00:13:33,520 Speaker 3: and it is, in my opinion, the greatest album from 205 00:13:33,559 --> 00:13:36,160 Speaker 3: start to finish, no skips, that has ever been recorded. 206 00:13:36,640 --> 00:13:39,160 Speaker 3: That's my piece. Thanks a lot, Rocker Roller, All. 207 00:13:39,160 --> 00:13:40,920 Speaker 1: Right, before I get into your answer nine one six, 208 00:13:40,960 --> 00:13:44,760 Speaker 1: I totally relate to the offense you take at the Hey, 209 00:13:44,760 --> 00:13:47,080 Speaker 1: everything's been figured out for you, man, don't worry about it. 210 00:13:47,080 --> 00:13:51,560 Speaker 1: We already decided what the greatest records are basically every 211 00:13:51,559 --> 00:13:57,760 Speaker 1: fucking music documentary pre nineteen ninety nine about the history 212 00:13:57,800 --> 00:14:00,000 Speaker 1: of music or you know, the history of social culture 213 00:14:00,040 --> 00:14:03,280 Speaker 1: in America. Anyhow, I love that we have another entry 214 00:14:03,280 --> 00:14:05,079 Speaker 1: here for Ziggy start Us coming from the nine to 215 00:14:05,120 --> 00:14:10,160 Speaker 1: one six. It's fantastic and this album strikes a chord. Clearly. 216 00:14:10,679 --> 00:14:13,320 Speaker 1: You mentioned that it's a concept album. It transcends the 217 00:14:13,360 --> 00:14:16,200 Speaker 1: concept album. I think it's more it's just because the 218 00:14:16,240 --> 00:14:17,760 Speaker 1: song's on it. I don't think a Ziggy as a 219 00:14:17,800 --> 00:14:21,160 Speaker 1: concept album. I know that sounds crazy. It's it's clearly 220 00:14:21,960 --> 00:14:26,760 Speaker 1: defined as such, and but it just has such great 221 00:14:27,600 --> 00:14:30,720 Speaker 1: single song bangers on it that are that are undeniable, 222 00:14:31,200 --> 00:14:33,440 Speaker 1: that can be heard anywhere. You mentioned a bunch of 223 00:14:33,520 --> 00:14:36,440 Speaker 1: Them'm not gonna belabor it, but just fantastic. And oh, 224 00:14:36,520 --> 00:14:38,280 Speaker 1: by the way, yes, Michael Jordan is the greatest of 225 00:14:38,320 --> 00:14:41,360 Speaker 1: all time. They got that one right. All right, let's 226 00:14:41,440 --> 00:14:44,880 Speaker 1: check out the on this topic. More on this topic, 227 00:14:44,960 --> 00:14:48,520 Speaker 1: let's go to the text machine, and I want to 228 00:14:48,560 --> 00:14:51,040 Speaker 1: read this text from the four to seven zero Dave 229 00:14:51,080 --> 00:14:53,880 Speaker 1: from Georgia. Dave. Dave wants to go ahead and just 230 00:14:54,040 --> 00:14:57,320 Speaker 1: let us know that he's he's nominating tools Eenema, and 231 00:14:57,360 --> 00:14:59,080 Speaker 1: I can't argue with you. I mean I could, but 232 00:14:59,160 --> 00:14:59,520 Speaker 1: I won't. 233 00:15:00,200 --> 00:15:00,320 Speaker 3: Uh. 234 00:15:01,120 --> 00:15:03,320 Speaker 1: I get it, I get it. You're gonna listen to 235 00:15:03,320 --> 00:15:05,720 Speaker 1: this forever. That's what you're telling us, Dave, And you 236 00:15:05,760 --> 00:15:08,360 Speaker 1: have every right too. And it's an awesome record. I 237 00:15:08,400 --> 00:15:11,840 Speaker 1: don't quite think that it is, uh oh, what you know? 238 00:15:12,000 --> 00:15:14,280 Speaker 1: Who am I to say? A lot of people love Tool. 239 00:15:14,520 --> 00:15:18,200 Speaker 1: I overlook the Tool fans. I shouldn't. You guys are legion. 240 00:15:18,640 --> 00:15:22,320 Speaker 1: We talked about this before, particularly around the gender splits 241 00:15:22,840 --> 00:15:25,960 Speaker 1: in Tool fandom, and I heard loud and clear from 242 00:15:26,000 --> 00:15:28,120 Speaker 1: you guys, So Dave, I appreciate this. Four to seven Oh, 243 00:15:28,280 --> 00:15:32,520 Speaker 1: Dave is nominating tools Enema as the greatest rock record. 244 00:15:32,640 --> 00:15:36,080 Speaker 1: Let's check out for something different here the three to 245 00:15:36,160 --> 00:15:38,720 Speaker 1: one Oh, who writes in the one rock album. If 246 00:15:38,760 --> 00:15:42,200 Speaker 1: I could only ever listen to one album again, says 247 00:15:42,240 --> 00:15:46,200 Speaker 1: the three one oh, would be Rolling Stone Sticky Fingers, 248 00:15:46,280 --> 00:15:49,040 Speaker 1: best album by one of the best bands, that defines 249 00:15:49,200 --> 00:15:51,720 Speaker 1: rock and is my go to when I can't select 250 00:15:51,880 --> 00:15:54,360 Speaker 1: through all the many records on the shelves, So in 251 00:15:54,400 --> 00:15:57,520 Speaker 1: some ways already is my one record to rule them all. 252 00:15:57,560 --> 00:15:59,080 Speaker 1: That's from Joe and the three to one, Oh Joe, 253 00:15:59,160 --> 00:16:02,720 Speaker 1: I hear you. It's a great one. It's my I 254 00:16:02,720 --> 00:16:06,960 Speaker 1: guess it's my second favorite Stones album, uh, Exile being 255 00:16:07,040 --> 00:16:10,440 Speaker 1: my first Exile being. You know, there's a handful of 256 00:16:10,480 --> 00:16:12,360 Speaker 1: double albums in the history of rock and roll that 257 00:16:12,400 --> 00:16:16,760 Speaker 1: are truly great, and Exile to me is one, if 258 00:16:16,800 --> 00:16:19,160 Speaker 1: not the greatest. I don't know. I think I like 259 00:16:19,200 --> 00:16:21,560 Speaker 1: it more than the White Album I do, I definitely do, 260 00:16:22,240 --> 00:16:24,200 Speaker 1: but it's not my favorite rock record. We'll get to 261 00:16:24,240 --> 00:16:26,760 Speaker 1: that in a minute. Seven to two four Rights saying, Hey, Jake, 262 00:16:26,760 --> 00:16:28,920 Speaker 1: it's Anthony and as I listen at my job as 263 00:16:28,960 --> 00:16:31,400 Speaker 1: an insurance accountant to get through the day, you asked 264 00:16:31,400 --> 00:16:33,720 Speaker 1: for the best no skip album, and if I had 265 00:16:33,720 --> 00:16:36,360 Speaker 1: to say one for my generation, I'm thirty three, I'd 266 00:16:36,440 --> 00:16:40,200 Speaker 1: pick American Idiot, genuinely solid start to finish. That's the 267 00:16:40,320 --> 00:16:43,680 Speaker 1: green day album American Idiot from the seven two four 268 00:16:43,760 --> 00:16:46,440 Speaker 1: Anthony and the seven two four, who goes on to say, though, 269 00:16:46,480 --> 00:16:49,880 Speaker 1: my personal favorite no skip that probably won't count as 270 00:16:49,920 --> 00:16:54,080 Speaker 1: Alison Chains Jar of Flies EP, You're right, doesn't count's 271 00:16:54,080 --> 00:16:57,000 Speaker 1: an EP. It's definitely no skip though, love it. It's 272 00:16:57,040 --> 00:17:00,200 Speaker 1: my favorite. Alison Chains too by the way, Uh, good 273 00:17:00,200 --> 00:17:02,000 Speaker 1: health to you in yours and later days from the 274 00:17:02,040 --> 00:17:05,119 Speaker 1: seven two four appreciate you seven to two four. Before 275 00:17:05,119 --> 00:17:07,240 Speaker 1: we move on from this topic, my favorite rock and 276 00:17:07,320 --> 00:17:11,040 Speaker 1: roll album is not acdc's Back in Black, but it 277 00:17:11,080 --> 00:17:13,760 Speaker 1: is an ACDC album, and I mention it in I 278 00:17:13,760 --> 00:17:18,920 Speaker 1: think both are ACDC episodes. It's Poweradge. It's just incredible 279 00:17:19,920 --> 00:17:22,439 Speaker 1: for an ACDC album. It's pretty dynamic for a rock 280 00:17:22,480 --> 00:17:25,000 Speaker 1: and roll record, not that dynamic. It kind of delivers 281 00:17:25,040 --> 00:17:27,080 Speaker 1: over and over again on the same vibe all throughout. 282 00:17:27,080 --> 00:17:29,520 Speaker 1: And that is just a dirty ass rock and roll 283 00:17:29,600 --> 00:17:34,600 Speaker 1: band that I imagine would just just destroy your night 284 00:17:34,680 --> 00:17:37,160 Speaker 1: in the best possible way, where you to just stumble 285 00:17:37,240 --> 00:17:39,640 Speaker 1: upon them playing those tunes in a little bar back 286 00:17:39,680 --> 00:17:44,000 Speaker 1: in the nineteen seventies. I can't get enough of this album. 287 00:17:44,200 --> 00:17:47,720 Speaker 1: I've never gotten sick of it. It defines the band 288 00:17:47,760 --> 00:17:49,680 Speaker 1: for me. It defines rock and roll for me. And 289 00:17:49,720 --> 00:17:51,720 Speaker 1: if you want to break down of exactly what I mean, 290 00:17:51,760 --> 00:17:53,960 Speaker 1: you can listen to the go back and listen to 291 00:17:54,000 --> 00:17:57,399 Speaker 1: the first ACDC episode. I get into it pretty thickly, 292 00:17:58,000 --> 00:18:01,480 Speaker 1: but yeah, that's my choice. It's it kind of defies 293 00:18:01,960 --> 00:18:05,600 Speaker 1: the criterion I set up earlier in the last episode 294 00:18:05,640 --> 00:18:09,879 Speaker 1: when I asked this question, I guess it's not that dynamic. 295 00:18:10,000 --> 00:18:13,280 Speaker 1: Like I said, it's not that varied. It kind of 296 00:18:13,320 --> 00:18:15,480 Speaker 1: does one thing. But I don't know. Like I said, 297 00:18:15,560 --> 00:18:17,879 Speaker 1: I just fucking love it. I love it and I 298 00:18:17,920 --> 00:18:20,320 Speaker 1: can listen to it forever. So there you go. Boring 299 00:18:20,359 --> 00:18:24,760 Speaker 1: answer from me, boring, I know, as not as thoughtful 300 00:18:24,840 --> 00:18:27,600 Speaker 1: as the Ziggy Stardust answer, but what can I say, 301 00:18:27,600 --> 00:18:29,680 Speaker 1: You guys are more thoughtful for me. Speaking of which, 302 00:18:29,920 --> 00:18:35,960 Speaker 1: let's check out this text from the two to eight, 303 00:18:36,000 --> 00:18:39,080 Speaker 1: who writes, Hey discos. This is Michelle with one L, 304 00:18:39,359 --> 00:18:41,800 Speaker 1: and I'm reaching out to tell you what I'm watching 305 00:18:41,920 --> 00:18:44,640 Speaker 1: right now. I did watch Black Rabbit, which I thought 306 00:18:44,680 --> 00:18:47,440 Speaker 1: was really good, and I finished watching The Monster with 307 00:18:48,160 --> 00:18:50,359 Speaker 1: ed Geen, the ed Geen story. But the one that 308 00:18:50,400 --> 00:18:52,960 Speaker 1: I'm most excited to tell you about is called Ratchet. 309 00:18:53,080 --> 00:18:55,200 Speaker 1: It's a really really great movie. And the Nurse, isn't 310 00:18:55,200 --> 00:18:57,320 Speaker 1: it based on the Nurse? And one flew over the 311 00:18:57,359 --> 00:19:04,919 Speaker 1: Cuckoo's nest. Dang, that's fantastic. As I read this, I'm 312 00:19:05,040 --> 00:19:07,560 Speaker 1: piecing together that this is actually a message for Zeth, 313 00:19:07,640 --> 00:19:10,680 Speaker 1: but I don't care. Michelle with one L you get 314 00:19:10,680 --> 00:19:12,960 Speaker 1: a little love here in Disgraceland, as I'm sure you're 315 00:19:12,960 --> 00:19:16,240 Speaker 1: gonna get it in hollywood Land as well. Michelle includes 316 00:19:16,680 --> 00:19:19,760 Speaker 1: a picture of well part of herself in front of 317 00:19:19,800 --> 00:19:24,280 Speaker 1: the mirror, and she says, here, I've included a picture 318 00:19:24,359 --> 00:19:27,000 Speaker 1: of my mirror where I jot down things that y'all 319 00:19:27,040 --> 00:19:30,359 Speaker 1: tell me I need to watch or listen to or whatever. 320 00:19:31,000 --> 00:19:35,840 Speaker 1: And there's some marker notes all over Michelle with one 321 00:19:36,000 --> 00:19:38,959 Speaker 1: l's mirror here and looks like I can see your 322 00:19:39,080 --> 00:19:41,440 Speaker 1: robe there as well. I'm gonna stop it there, Michelle, 323 00:19:41,480 --> 00:19:44,760 Speaker 1: thank you for the message. We appreciate it. Guys six 324 00:19:44,840 --> 00:19:46,879 Speaker 1: one seven nine O six six six three eight, And 325 00:19:46,920 --> 00:19:48,680 Speaker 1: you want to get in touch, want to talk about whatever, 326 00:19:48,720 --> 00:19:51,919 Speaker 1: go for it. I'm here and I will continue to 327 00:19:51,960 --> 00:19:56,959 Speaker 1: be here next week when our long awaited new episode 328 00:19:57,080 --> 00:19:59,919 Speaker 1: on Matt give me a drum roll, drum roll please, 329 00:20:00,080 --> 00:20:02,880 Speaker 1: as they say in the biz, that biz being show business, 330 00:20:03,280 --> 00:20:06,640 Speaker 1: give it to him, Att, stretch it out, man, make 331 00:20:06,720 --> 00:20:10,280 Speaker 1: it count, Come on, build up the anticipation. Our next 332 00:20:10,520 --> 00:20:16,600 Speaker 1: episode is on the Fish. Excuse me, I mean fish, 333 00:20:16,720 --> 00:20:19,879 Speaker 1: not the fish. What am I saying fish? Anyway, when 334 00:20:20,240 --> 00:20:24,600 Speaker 1: listening to this new Fish episode, I would like you 335 00:20:24,680 --> 00:20:27,439 Speaker 1: guys to be thinking about what music y'all like to 336 00:20:27,480 --> 00:20:31,560 Speaker 1: listen to when you're you know, you know, stoned, hi, 337 00:20:31,840 --> 00:20:36,000 Speaker 1: gummat up, perhaps flying on a few cocktails, as they say, 338 00:20:36,560 --> 00:20:39,359 Speaker 1: what are you kicking back to and putting on the 339 00:20:39,400 --> 00:20:43,919 Speaker 1: stereo when you're unwinding with perhaps I don't know some 340 00:20:43,960 --> 00:20:45,800 Speaker 1: of the stuff that Trey got into, some of the 341 00:20:46,359 --> 00:20:48,680 Speaker 1: not so adult stuff, some of the more recreational fun 342 00:20:48,720 --> 00:20:51,359 Speaker 1: stuff that doesn't kill you. What music do you like 343 00:20:51,440 --> 00:20:54,320 Speaker 1: to listen to? What records do you like to listen 344 00:20:54,359 --> 00:20:57,240 Speaker 1: to when you're you know, under the influence. That's the 345 00:20:57,359 --> 00:20:58,840 Speaker 1: question that's going to be our question of the week 346 00:20:58,880 --> 00:21:01,840 Speaker 1: next week in honor of the I mean fish. Excuse 347 00:21:02,040 --> 00:21:04,159 Speaker 1: me call me six one seven nine oh six six 348 00:21:04,280 --> 00:21:06,560 Speaker 1: sixty three eight, text me, leave me a voicemail, hit 349 00:21:06,600 --> 00:21:08,760 Speaker 1: me up on the socials at the Gray Lamb Pod 350 00:21:08,800 --> 00:21:10,960 Speaker 1: and let me know. You might hear your answer right 351 00:21:11,000 --> 00:21:12,200 Speaker 1: here in the after party. 352 00:21:12,240 --> 00:21:27,840 Speaker 4: All right, I'll be back in a flash. 353 00:21:28,160 --> 00:21:30,560 Speaker 1: All right, Mac, give me the drake may buzzer beater. Wait, 354 00:21:30,600 --> 00:21:33,040 Speaker 1: hold up, actually not yet, I'm always jumping the gun boating. 355 00:21:33,240 --> 00:21:36,480 Speaker 1: Hold it, hold it now, hold it now. This is 356 00:21:36,520 --> 00:21:39,560 Speaker 1: the sixty second Sports rant in under thirty seconds, and 357 00:21:39,600 --> 00:21:42,760 Speaker 1: it is once again sponsored by five Hour Energy's new 358 00:21:42,800 --> 00:21:46,520 Speaker 1: Pumpkin Spice flavor, your favorite fall drink in an energy shot. 359 00:21:46,680 --> 00:21:48,840 Speaker 1: You can pick up a Pumpkin Spice five Hour Energy 360 00:21:48,840 --> 00:21:53,080 Speaker 1: Shot available online at five hour Energy dot Com or Amazon. 361 00:21:53,800 --> 00:21:55,600 Speaker 1: All Right, Maddie, hit me with the tiki talk. There 362 00:21:55,600 --> 00:21:58,240 Speaker 1: we go. I called this the Drake May buzzer beater 363 00:21:58,320 --> 00:22:02,720 Speaker 1: because I'm afraid. I'm fearful. It's no longer Halloween season, 364 00:22:02,760 --> 00:22:06,920 Speaker 1: but I'm freaked out. How long? How long before Drake 365 00:22:07,040 --> 00:22:09,480 Speaker 1: May takes off out of my new England Patriots backfield 366 00:22:09,480 --> 00:22:12,840 Speaker 1: and has walloped with a season ending injury. The dude 367 00:22:12,960 --> 00:22:16,640 Speaker 1: needs to learn how to slide in the Patriots. They've 368 00:22:16,680 --> 00:22:19,560 Speaker 1: got to take the pressure off this kid and play better. 369 00:22:19,840 --> 00:22:22,400 Speaker 1: It can't be the Drake May show every damn weekend. 370 00:22:22,440 --> 00:22:24,880 Speaker 1: Okay one, He's gonna get killed trying to make plays 371 00:22:24,880 --> 00:22:27,440 Speaker 1: with his feet too. You cannot win a super Bowl 372 00:22:27,440 --> 00:22:29,560 Speaker 1: this way. I thought the Patriots are going to go 373 00:22:29,600 --> 00:22:31,119 Speaker 1: out of the trade deadline this week and pick up 374 00:22:31,119 --> 00:22:34,320 Speaker 1: an edge rusher, maybe some safety depth, perhaps a running 375 00:22:34,320 --> 00:22:36,560 Speaker 1: back that has hands that work and can hold onto 376 00:22:36,560 --> 00:22:39,320 Speaker 1: the damn football, anything to take the pressure off. But 377 00:22:39,480 --> 00:22:42,280 Speaker 1: no they didn't. They didn't do anything. They traded for 378 00:22:42,359 --> 00:22:45,399 Speaker 1: Dick bupkisses. What they did as in nothing, not a zilch. 379 00:22:45,680 --> 00:22:47,840 Speaker 1: Let's hope they know what they're doing and our quarterback 380 00:22:48,040 --> 00:22:49,080 Speaker 1: stays healthy. 381 00:22:49,160 --> 00:22:52,680 Speaker 3: Matt, how did I do fifty five seconds? Jake got 382 00:22:52,680 --> 00:22:53,560 Speaker 3: it under a minute? 383 00:22:53,640 --> 00:22:55,920 Speaker 1: Well, maybe I need some trade deadline out, Matt. Maybe 384 00:22:55,960 --> 00:22:57,879 Speaker 1: that's what it is, all right. That was the sports 385 00:22:57,960 --> 00:23:00,960 Speaker 1: ran sponsored by five Hour Energies New Pumpkins Spice flavor. 386 00:23:00,960 --> 00:23:03,400 Speaker 1: These new Pumpkin Spice five hour Energy shots are fall 387 00:23:03,480 --> 00:23:06,719 Speaker 1: in a bottle and bring that classic pumpkin spice flavor 388 00:23:06,720 --> 00:23:09,560 Speaker 1: that we all know and love, our favorite fall drink 389 00:23:09,600 --> 00:23:12,200 Speaker 1: in an energy shot. You can pick up a Pumpkinspice 390 00:23:12,200 --> 00:23:15,240 Speaker 1: five hour Energy shot available online at five hour Energy 391 00:23:15,280 --> 00:23:20,679 Speaker 1: dot Com or Amazon. All Right, I have not seen 392 00:23:20,920 --> 00:23:23,560 Speaker 1: the Springsteen movie, and I don't believe Matt has either. 393 00:23:24,880 --> 00:23:28,680 Speaker 1: I'm not motivated to. I've seen some clips. We've talked 394 00:23:28,680 --> 00:23:33,520 Speaker 1: a little bit about this. I'm a yeah, man, I 395 00:23:33,560 --> 00:23:37,880 Speaker 1: don't know anyway. Zeth has seen it, okay, and he's 396 00:23:37,880 --> 00:23:39,919 Speaker 1: talking about it over in the Hollywood Land Rap Party, 397 00:23:40,480 --> 00:23:43,600 Speaker 1: which you can hear today by following and subscribing to 398 00:23:43,680 --> 00:23:47,080 Speaker 1: the Hollywood Land Feed wherever you get your podcasts now. 399 00:23:47,840 --> 00:23:51,400 Speaker 1: I don't know if you guys heard, but we're rolling 400 00:23:51,440 --> 00:23:56,159 Speaker 1: out these new mini episodes to disgrace in All Access members. 401 00:23:56,200 --> 00:24:00,359 Speaker 1: These stories are the excess excess, the wild, weird and 402 00:24:00,560 --> 00:24:03,959 Speaker 1: interesting music history tales that just don't fit into our 403 00:24:04,000 --> 00:24:08,080 Speaker 1: full episodes. All right, this week, we've got an insane one. Okay, 404 00:24:08,080 --> 00:24:10,240 Speaker 1: we've got just a crazy This could have been the 405 00:24:10,400 --> 00:24:15,280 Speaker 1: entire full episode. And it's the story that I came upon. 406 00:24:16,320 --> 00:24:19,439 Speaker 1: I came to it late. I'll admit I came to 407 00:24:19,480 --> 00:24:24,080 Speaker 1: it when we first got into researching ac DC, and 408 00:24:24,160 --> 00:24:27,960 Speaker 1: I read the Jesse Fink book on Bond Scott and 409 00:24:29,119 --> 00:24:32,400 Speaker 1: there's this insane theory. It's more than a theory. There's 410 00:24:32,440 --> 00:24:34,000 Speaker 1: a lot of evidence that backs this up, a lot 411 00:24:34,000 --> 00:24:35,800 Speaker 1: of people going on the record and talking about this, 412 00:24:35,880 --> 00:24:39,800 Speaker 1: and there's a lot of circumstantial evidence as well that 413 00:24:39,920 --> 00:24:44,160 Speaker 1: points to this quote unquote theory being true. And it's 414 00:24:44,200 --> 00:24:47,639 Speaker 1: the theory that Brian Johnson, the singer on Back in Black, 415 00:24:48,000 --> 00:24:51,399 Speaker 1: was not responsible for writing the lyrics or all of 416 00:24:51,440 --> 00:24:54,960 Speaker 1: the lyrics. Excuse me, with the young brothers, and that 417 00:24:55,400 --> 00:25:00,439 Speaker 1: prior to his death, Bond Scott had actually finished writing 418 00:25:00,480 --> 00:25:06,240 Speaker 1: the lyrics to the entire album. Now there's some question of, 419 00:25:06,920 --> 00:25:09,960 Speaker 1: you know, how many of the lyrics he actually did finish. Uh, 420 00:25:10,080 --> 00:25:12,960 Speaker 1: And there's a huge question if this even happened. That 421 00:25:13,080 --> 00:25:16,480 Speaker 1: the Young brothers have denied it over and over again, 422 00:25:16,520 --> 00:25:18,919 Speaker 1: but they've also said some things that kind of opened 423 00:25:18,920 --> 00:25:21,760 Speaker 1: the door a little bit. It's a it's a I 424 00:25:21,760 --> 00:25:23,480 Speaker 1: don't want to say shady, but there's a lot of 425 00:25:23,480 --> 00:25:27,480 Speaker 1: gray area here and it's a fascinating, fascinating topic to 426 00:25:27,640 --> 00:25:31,159 Speaker 1: discuss and to try and unpack. So that's what we 427 00:25:31,240 --> 00:25:33,800 Speaker 1: do in the mini episode and Matt give them a 428 00:25:33,800 --> 00:25:52,000 Speaker 1: little taste. Given that Back in Black is the second 429 00:25:52,040 --> 00:25:54,879 Speaker 1: biggest selling record of all time, the matter of the 430 00:25:54,920 --> 00:25:59,840 Speaker 1: album's legitimacy is important. Did the band members who are 431 00:26:00,440 --> 00:26:04,320 Speaker 1: as writing the music for that album actually write the 432 00:26:04,400 --> 00:26:12,280 Speaker 1: music for that album? Yes, and possibly no. Ac DC's 433 00:26:12,280 --> 00:26:16,520 Speaker 1: guitarist brothers Malcolm and Angus Young are credited with writing 434 00:26:16,640 --> 00:26:20,360 Speaker 1: the music on Back and Black, alongside singer Brian Johnson, 435 00:26:20,600 --> 00:26:22,639 Speaker 1: who had just joined the band prior to Back in 436 00:26:22,680 --> 00:26:27,760 Speaker 1: Black's recording, As the recently deceased bon Scott's replacement of 437 00:26:27,800 --> 00:26:30,960 Speaker 1: the ten songs on Back in Black. All are credited 438 00:26:31,000 --> 00:26:34,679 Speaker 1: to Malcolm Young, Angus Young, and Brian Johnson, and it 439 00:26:34,720 --> 00:26:38,040 Speaker 1: should be noted that ac DC, Angus Young, and Brian 440 00:26:38,119 --> 00:26:42,960 Speaker 1: Johnson specifically have denied that bon Scott had anything to 441 00:26:43,040 --> 00:26:47,600 Speaker 1: do with the writing of the songs on Back in Black. However, 442 00:26:48,400 --> 00:26:54,000 Speaker 1: this vicious rumor persists that Brian Johnson did not write 443 00:26:54,000 --> 00:26:58,360 Speaker 1: the lyrics for Back in Black, that Bond Scott, prior 444 00:26:58,480 --> 00:27:03,440 Speaker 1: to dying, had indeed written the lyrics for the songs 445 00:27:03,800 --> 00:27:08,639 Speaker 1: on the second biggest selling album of all time. Now Again, 446 00:27:09,119 --> 00:27:14,840 Speaker 1: ACDC has vehemently denied this claim, but two of bon 447 00:27:14,880 --> 00:27:19,120 Speaker 1: Scott's girlfriends are on record saying that bon Scott absolutely 448 00:27:19,240 --> 00:27:22,719 Speaker 1: was writing the lyrics for acdc's next album before he 449 00:27:22,800 --> 00:27:25,840 Speaker 1: died in nineteen eighty and that next record was, of 450 00:27:25,840 --> 00:27:28,959 Speaker 1: course Back in Black. In fact, his girlfriend Silver Smith, 451 00:27:29,440 --> 00:27:32,520 Speaker 1: has stated publicly that on the night that Bond died, 452 00:27:33,200 --> 00:27:36,640 Speaker 1: Bond was in fact celebrating that he had just finished 453 00:27:36,680 --> 00:27:39,359 Speaker 1: writing the lyrics for what would become the band's next record, 454 00:27:39,359 --> 00:27:41,120 Speaker 1: and the band was set to go to the studio 455 00:27:41,440 --> 00:27:46,120 Speaker 1: straight away and recording. Now, when these rumors began to surface. 456 00:27:46,560 --> 00:27:50,160 Speaker 1: Malcolm Young said point blank that bon Scott had nothing 457 00:27:50,240 --> 00:27:53,600 Speaker 1: to do with the writing of Back in Black. Angus 458 00:27:53,640 --> 00:27:57,760 Speaker 1: Young said the same thing numerous times, and in his autobiography. 459 00:27:58,119 --> 00:28:02,359 Speaker 1: Brian Johnson later said on equipped that he wrote all 460 00:28:02,480 --> 00:28:05,119 Speaker 1: of the lyrics on Back in Black. He wrote everything, 461 00:28:05,440 --> 00:28:10,480 Speaker 1: but the lyrics on Back in Black. Many seem like 462 00:28:10,600 --> 00:28:14,320 Speaker 1: lyrics Bond Scott would write. She told me to come, 463 00:28:14,680 --> 00:28:17,320 Speaker 1: but I was already there. That sounds like a bond 464 00:28:17,320 --> 00:28:20,960 Speaker 1: Scott lyric, It really does, But that doesn't prove anything. 465 00:28:21,920 --> 00:28:26,320 Speaker 1: Brian Johnson was literally trying to replace what the previous 466 00:28:26,400 --> 00:28:31,520 Speaker 1: ACDC singer bon Scott was doing so naturally to please 467 00:28:31,600 --> 00:28:34,800 Speaker 1: the fans, even if he was doing it unintentionally. He's 468 00:28:34,880 --> 00:28:37,680 Speaker 1: going to try and do some of the same things 469 00:28:38,160 --> 00:28:42,200 Speaker 1: that the dude who just died who he's replacing, had done. 470 00:28:42,480 --> 00:28:45,640 Speaker 1: So when people bring up the fact that the lyrics 471 00:28:45,680 --> 00:28:49,240 Speaker 1: sound like bond Scott lyrics, it doesn't mean a lot 472 00:28:49,280 --> 00:28:54,760 Speaker 1: to me. However, after bon scott died in very short order, 473 00:28:54,840 --> 00:28:58,479 Speaker 1: in a matter of hours, bon Scott's London apartment was 474 00:28:58,600 --> 00:29:04,280 Speaker 1: cleared out, his TV, his fancy new VCR machine, his clothes, 475 00:29:04,320 --> 00:29:08,440 Speaker 1: his other personal effects. They were all taken, and so 476 00:29:09,160 --> 00:29:12,920 Speaker 1: was the notebook that Bond Scott was writing his lyrics. 477 00:29:15,160 --> 00:29:18,320 Speaker 1: All right, that's our newest DISGRACELAMD mini episode on the 478 00:29:18,400 --> 00:29:22,920 Speaker 1: back and black lyrics. Controversy concerning ACDC and that theme music. 479 00:29:22,960 --> 00:29:26,320 Speaker 1: That banger theme music created by mister Matt Boden is 480 00:29:26,800 --> 00:29:29,160 Speaker 1: worth the price of a mission. You can hear it 481 00:29:29,240 --> 00:29:31,920 Speaker 1: every week by becoming an all access Remember, you're gonna 482 00:29:32,080 --> 00:29:35,760 Speaker 1: get exclusive content just like that, just like the additional 483 00:29:35,760 --> 00:29:38,840 Speaker 1: content coming up in the exclusive section of the After Party. 484 00:29:38,920 --> 00:29:41,320 Speaker 1: To become an all access member, it's super easy to 485 00:29:41,400 --> 00:29:44,000 Speaker 1: go to Disgrace slampod dot com. You can sign up 486 00:29:44,000 --> 00:29:46,560 Speaker 1: there for five bucks a month and that price will 487 00:29:46,560 --> 00:29:49,520 Speaker 1: hold until for a couple more weeks now, and then 488 00:29:49,520 --> 00:29:52,520 Speaker 1: it's going to go up and you'll get the exclusive 489 00:29:52,520 --> 00:29:54,840 Speaker 1: content I'm talking about, and you'll also get ad free 490 00:29:54,880 --> 00:29:58,680 Speaker 1: listening and access to all the other discos in the chat. 491 00:29:59,560 --> 00:30:02,479 Speaker 1: Is cool. And the other night last night we were 492 00:30:02,520 --> 00:30:04,800 Speaker 1: on Patreon. If you sign up via Patreon, you know 493 00:30:04,840 --> 00:30:06,920 Speaker 1: there's all this stuff we do over there every other 494 00:30:06,920 --> 00:30:09,760 Speaker 1: week or so, some sort of live some sort of 495 00:30:10,040 --> 00:30:12,520 Speaker 1: connection community thing. And we did this thing last night 496 00:30:12,560 --> 00:30:14,480 Speaker 1: where we all jumped on. We made a mixtape together. 497 00:30:14,480 --> 00:30:19,200 Speaker 1: It was very cool mixtape for our upcoming cooking plans 498 00:30:19,240 --> 00:30:21,440 Speaker 1: for Thanksgiving, had a bunch of listeners on with us 499 00:30:21,480 --> 00:30:24,120 Speaker 1: contributing song ideas. It was awesome. So we do stuff 500 00:30:24,120 --> 00:30:25,600 Speaker 1: like that too. You get access to that if you 501 00:30:25,640 --> 00:30:27,800 Speaker 1: come a member on Patreon. You can also become a 502 00:30:27,840 --> 00:30:49,160 Speaker 1: member on Apple podcasts, Neutral Milk Hotel, The smith Radiohead, 503 00:30:50,280 --> 00:30:52,680 Speaker 1: and we don't have any Disgrace Sand episodes on these artists, 504 00:30:53,440 --> 00:30:57,760 Speaker 1: and we should for sure the Smiths, and I don't 505 00:30:57,760 --> 00:30:59,640 Speaker 1: know how to do one on Radiohead, but there's got 506 00:30:59,680 --> 00:31:05,040 Speaker 1: to be some in there. Somebody believe somebody wrote, wrote 507 00:31:05,040 --> 00:31:07,800 Speaker 1: me or called and left me some information on Neutral 508 00:31:07,840 --> 00:31:10,480 Speaker 1: Milk Hotel as well, which would be really cool. Oh 509 00:31:10,560 --> 00:31:12,440 Speaker 1: it was that, actually that was talking about doing an 510 00:31:12,440 --> 00:31:15,640 Speaker 1: episode on Neutral Milk Hotel. Anyway, we don't have episodes 511 00:31:15,680 --> 00:31:17,800 Speaker 1: on these guys, but we have episodes on two hundred 512 00:31:17,800 --> 00:31:21,640 Speaker 1: and fifty five different artists, So different stories on artists, 513 00:31:21,640 --> 00:31:23,280 Speaker 1: two hundred fifty five epet you know what I'm saying. 514 00:31:23,880 --> 00:31:26,120 Speaker 1: Everyone you can think of Amy Wine, how is Grateful Dead, 515 00:31:26,200 --> 00:31:28,560 Speaker 1: Rolling Stones, Cardi B, Tommy James, and the Shan Dell's 516 00:31:28,600 --> 00:31:33,200 Speaker 1: I mean, come on, endless, Lil Wayne Oasis, I mean, 517 00:31:33,200 --> 00:31:35,320 Speaker 1: come on. Do you have questions on how to locate 518 00:31:35,440 --> 00:31:38,600 Speaker 1: any of these episodes in our archive? Hit us up, 519 00:31:38,640 --> 00:31:41,080 Speaker 1: you know where to find us. We're easy to get at. 520 00:31:41,600 --> 00:31:43,000 Speaker 1: We'll sort it out before you point you in the 521 00:31:43,080 --> 00:31:45,120 Speaker 1: right direction. I gotta get out of here though. My 522 00:31:45,200 --> 00:31:47,360 Speaker 1: kid's playing in a playoff game tonight. I'm very excited 523 00:31:47,360 --> 00:31:49,680 Speaker 1: about it, and we will check that out before I 524 00:31:49,760 --> 00:31:52,080 Speaker 1: do that. However, I get a recap. So number one. 525 00:31:52,160 --> 00:31:56,080 Speaker 1: This week's full episode are part two episode on ACDC 526 00:31:56,160 --> 00:31:58,400 Speaker 1: that's available before you're right now. A new mini episode 527 00:31:58,400 --> 00:32:02,720 Speaker 1: for All Access members on acdc's back in Black lyrics controversy. 528 00:32:02,840 --> 00:32:05,400 Speaker 1: Who really wrote those tunes? Was a Bond Scott Brian Johnson? 529 00:32:05,400 --> 00:32:07,120 Speaker 1: Well you can find out. I'm becoming an All Access 530 00:32:07,160 --> 00:32:08,920 Speaker 1: member and listening to the new mini episode, all right. 531 00:32:08,960 --> 00:32:11,920 Speaker 1: Number three rewind episode on You two coming up right 532 00:32:11,960 --> 00:32:14,600 Speaker 1: after this. Number four. Next week comes our new episode 533 00:32:14,640 --> 00:32:18,080 Speaker 1: on the Fish. Five Zeth gives you those Hollywood and 534 00:32:18,120 --> 00:32:20,560 Speaker 1: crime vibes and Hollywood lands, So make sure you're subscribing 535 00:32:20,560 --> 00:32:22,600 Speaker 1: to me. Six six one seven nine oh six six 536 00:32:22,680 --> 00:32:24,640 Speaker 1: six three eight your voice keeps us digging into the 537 00:32:24,720 --> 00:32:27,600 Speaker 1: dark corners of music history. So keep calling, texting with 538 00:32:27,640 --> 00:32:29,560 Speaker 1: your answers to this week's question of the week, or 539 00:32:29,600 --> 00:32:32,560 Speaker 1: with whatever else y'all want to talk about. Number seven. 540 00:32:32,840 --> 00:32:35,920 Speaker 1: Don't forget disc goes. This isn't just content. It's a community, 541 00:32:36,080 --> 00:32:38,760 Speaker 1: a community of the obsessed, and no one cares about music, books, 542 00:32:38,800 --> 00:32:40,520 Speaker 1: records in the crime and grime that ties them all 543 00:32:40,520 --> 00:32:44,240 Speaker 1: together like you do. And well that's a disgrace. 544 00:32:44,000 --> 00:32:44,480 Speaker 3: All right. 545 00:32:45,080 --> 00:32:49,760 Speaker 1: On November sixth, twenty fourteen, ACDC drummer Phil Rudd was 546 00:32:49,840 --> 00:32:52,840 Speaker 1: arrested in what was one of the weirdest examples of 547 00:32:52,880 --> 00:32:56,400 Speaker 1: life imitating art that I've ever come across. And here's 548 00:32:56,560 --> 00:33:00,760 Speaker 1: what America was listening to on that day. Number one, 549 00:33:01,160 --> 00:33:06,160 Speaker 1: All about that Base Megan Trainer last week one weeks 550 00:33:06,200 --> 00:33:11,800 Speaker 1: on chart sixteen, peak position one, number two, Shake It 551 00:33:11,840 --> 00:33:17,240 Speaker 1: Off Taylor Swift last week two weeks on chart ten, 552 00:33:17,760 --> 00:33:24,320 Speaker 1: peak position one, number three, Habits Stay High to last 553 00:33:24,360 --> 00:33:31,360 Speaker 1: week last week five weeks on chart, peak position number