WEBVTT - I Know Where I've Been (“Transitioning” S6 EP 7)

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<v Speaker 1>And That's what You Really Missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what You Really miss podcast.

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<v Speaker 2>Hello Kevin, Hello Jenny.

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<v Speaker 1>This is episode A, season six, episode seven, transitioning. Can

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<v Speaker 1>you tell I'm like, not okay right now?

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<v Speaker 2>You just did this.

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<v Speaker 1>This aired February thirteenth, twenty fifteen, and we are here.

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<v Speaker 1>We are halfway through season six, and my brain's not working.

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<v Speaker 1>So forgive me if I'm mixing and matching words and

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<v Speaker 1>letters and numbers today.

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<v Speaker 2>That generally is how you form a sentence by mixing

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<v Speaker 2>and matching words.

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<v Speaker 1>Jenna said, letters and numbers too, Oh, letters, that numbers.

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<v Speaker 1>This episode is transitioning, and let's get through the news.

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<v Speaker 1>We can talk about this episode in the news. Number

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<v Speaker 1>one song uptown Funk. No surprise here.

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<v Speaker 2>The number one movie is fifty Shades of Gray.

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<v Speaker 1>WHOA. Do you remember the phenomenon of these books?

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<v Speaker 2>Yes, I went to the premiere of this.

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<v Speaker 1>I feel like I saw this.

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<v Speaker 2>I'm sure I read the books.

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<v Speaker 1>I read the books.

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<v Speaker 2>Oh, you read the books.

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<v Speaker 1>I read the books.

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<v Speaker 2>Did you like them?

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<v Speaker 1>I love them? I thought the phenomenon was the books

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<v Speaker 1>like and yeah, the movies were fine, but like the

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<v Speaker 1>books were excellent, titillating, literally really crazy. They were just

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<v Speaker 1>like it was a new form.

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<v Speaker 2>Oh yeah, it started a whole news.

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<v Speaker 1>Transitioned like well transition. Oh ok there was like a

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<v Speaker 1>transition of like what was appropriate raising the bar in

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<v Speaker 1>some ways. I don't know, Okay, anyway, this is not

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<v Speaker 1>a shades of great podcasts. I have more questions about

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<v Speaker 1>it though, Okay, I don't know that I have answers.

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<v Speaker 2>They're probably not inappropriate to ask.

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<v Speaker 1>Also, based on Twilight fan fiction, which makes so much sense.

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<v Speaker 1>I didn't know that.

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<v Speaker 2>You didn't know that. Nope, Nope, that's fine. That means

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<v Speaker 2>you're healthy and not on the internet as much as

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<v Speaker 2>I am.

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<v Speaker 1>Gray, right, that was yeah, all right, I glean used speaks.

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<v Speaker 1>On February ninth, Glee, the music Transitioning the EP was released.

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<v Speaker 1>It featured six tracks from episode six, Season six, episode seven,

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<v Speaker 1>So He Told You, and it was released for digital

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<v Speaker 1>DOWNMO Told You.

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<v Speaker 2>This episode Transitioning was directed by our executive producer Dante

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<v Speaker 2>Di Loretto. He was also the head of Ryan Murphy

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<v Speaker 2>TV at the time.

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<v Speaker 1>Residente and This was written by Matthew Hodgson, our friend,

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<v Speaker 1>Uh we got Jama back this episode.

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<v Speaker 2>Thank God. Not enough, but at least we got some. Okay,

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<v Speaker 2>let's talk about the music. Yeah, you give Love a

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<v Speaker 2>bad Name performed by Vocal Adrenaline, Same Love.

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<v Speaker 1>This was performer Unique and will God.

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<v Speaker 2>All about that Bass performed by Mercedes Roderick and Alumni

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<v Speaker 2>and New Directions.

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<v Speaker 1>Oh this Somebody Loves You Buddy who performed with Blaming Kurt.

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<v Speaker 2>Time after Time performed by Rachel and Sam and I

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<v Speaker 2>Know Where.

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<v Speaker 1>I've Been The song of the episode performed by Unique

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<v Speaker 1>with the trans person schoir.

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<v Speaker 2>So some fun facts. This is the first episode of

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<v Speaker 2>season six in which the entire main cast appears.

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<v Speaker 1>Oh, this is the first episode since Trio, a gap

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<v Speaker 1>of sixteen episodes in which Jama appears.

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<v Speaker 2>Too long. That's longer than the last season. I don't

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<v Speaker 2>like it, agreed. This is the first time Alex appears

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<v Speaker 2>since the show's moved to New.

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<v Speaker 1>York, and this is also the first and last time

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<v Speaker 1>Unique sings in season six, sadly making it the last

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<v Speaker 1>time Unique sings in the series.

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<v Speaker 2>No, I mean this is a way to go out, though.

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<v Speaker 2>This is one my best numbers ever on the show. No,

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<v Speaker 2>I know, No, No, The transgender choir in this episode

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<v Speaker 2>has over two hundred members unbelievable.

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<v Speaker 1>RuPaul's Drag Race Season fifteen winner Sasha Colby and RuPaul's

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<v Speaker 1>Drag Race All Stars Season six winner Kylie Sonique Love

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<v Speaker 1>make an appearance in the episode as part of the

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<v Speaker 1>transperson squair.

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<v Speaker 2>Jenna, you don't know who they are, do you know?

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<v Speaker 2>So there's a joke amongst drag queens and drag fans

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<v Speaker 2>that Sasha Colby is the Beyonce of drag where she's

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<v Speaker 2>your drag queen's favorite drag queen. She's she's just the best.

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<v Speaker 1>Did you meet do you know?

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<v Speaker 2>I have met Sasha Colby? And Sasha Colby is so kind,

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<v Speaker 2>so sweet, so talented, so hot, Oh my god's and

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<v Speaker 2>also liked.

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<v Speaker 1>Sasha Colby just make her drag daughter Chapalan Now.

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<v Speaker 2>Well that's sort of yeah, that's why Chapelane says that

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<v Speaker 2>statement about herself, like I'm your favorite artist's favorite artist

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<v Speaker 2>because of Sasha Colby.

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<v Speaker 1>Okay, okay, okay, okay, I'm putting.

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<v Speaker 2>Is so incredible, Like just the fact that they were

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<v Speaker 2>both in this and it's I mean, this number, this

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<v Speaker 2>number is already iconic, and I hate to use that word,

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<v Speaker 2>but it actually it is is iconic legitimately, and these

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<v Speaker 2>two are like two of the most famous trans people

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<v Speaker 2>I think in the world and entertainment, and they're both

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<v Speaker 2>so talented and they're so kind, and it's just I

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<v Speaker 2>can't believe they graced us with their presence, you know.

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<v Speaker 1>I mean, this number just it goes it is. I

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<v Speaker 1>don't know, it's beyond, it's just beyond. It's so good.

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<v Speaker 1>The plan weekly lessons written on the board behind Curt

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<v Speaker 1>and Rachel in the last scene are Britney three point zero,

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<v Speaker 1>Murder Ballads The York and Biggie versus two.

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<v Speaker 2>Oh thank god some of those. When Rachel and Sam

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<v Speaker 2>are looking at photos in Rachel's room, you can spot

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<v Speaker 2>a photo from her Funny Girl audition. It shows the

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<v Speaker 2>original members of the New Directions, but in the actual scene,

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<v Speaker 2>Rachel was just imagining them there with I love that.

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<v Speaker 2>I love that, you too. I do really love that.

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<v Speaker 1>It's really funny.

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<v Speaker 2>Like I don't know if that was on purpose, regardless,

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<v Speaker 2>I'm into it.

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<v Speaker 1>Okay, what is the Fox publicity summary?

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<v Speaker 2>Will takes desperate measures to teach the bullies vocal ajournaline

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<v Speaker 2>about tolerance Meanwhile, New Directions rallies to help Rachel transition

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<v Speaker 2>into her new life while she hold on this is

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<v Speaker 2>crazy that this is the episode's summary. I'm sorry why

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<v Speaker 2>we know what this episode's about, right? What happens in

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<v Speaker 2>this episode and this is the summary? Yeah, Will takes

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<v Speaker 2>desperate measures to teach the bullies of vocal a journaline

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<v Speaker 2>about tolerance. Meanwhile, New Directions rallies to help Rachel transition

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<v Speaker 2>into her new life when she finds out her childhood

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<v Speaker 2>home has been sold. Nothing about Coach Beasts. Hmmm, I

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<v Speaker 2>mean I get it in terms of I'm sure this

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<v Speaker 2>they thought this was like the safe way to play it, you.

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<v Speaker 1>Know, well it is the safe way to play it.

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<v Speaker 2>Yeah, but like, come on, way to play it.

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<v Speaker 1>Yeah, I'm not saying it's the right way to play it,

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<v Speaker 1>is the safe way to play it. Yeah, that's what

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<v Speaker 1>we're doing here. Okay, Okay, Well let's let's let's wait

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<v Speaker 1>for Coach Bees. Let's not let's leave her to say

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<v Speaker 1>the best for last, because there's just lots to say

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<v Speaker 1>about that. So there's a lot of transitioning happening in

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<v Speaker 1>this episode, though, the different ways. Yes, so Rachel is

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<v Speaker 1>now we found out that her gay dads were being

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<v Speaker 1>getting divorced and so they were selling the house. And

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<v Speaker 1>I'm not playing it. I'm not doing the safe out

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<v Speaker 1>with Kevin.

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<v Speaker 2>Why can't they just be dads?

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<v Speaker 1>They can just be dads. But you know what, gay

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<v Speaker 1>is better? You're right, their gay dads are being right?

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<v Speaker 1>Is am I not supposed to say it that way?

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<v Speaker 2>I'll stop being homophobic. No, it was me.

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<v Speaker 1>Okay, I think it's better.

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<v Speaker 2>Day is good?

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<v Speaker 1>Yeah, exactly, gay is the way?

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<v Speaker 2>Are you ever mad? You're not? Yes, like settling by

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<v Speaker 2>being straight.

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<v Speaker 1>I'm always settling, settling by being straight. Even my husband

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<v Speaker 1>would say that, like we're settling by being straight because

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<v Speaker 1>like I feel like all of our friends are gay,

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<v Speaker 1>so like ultimately, like the gay.

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<v Speaker 2>Is better, and even like Alessandra's she's a gay man.

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<v Speaker 1>No, no, yeah, even more than I'd say more than me,

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<v Speaker 1>which I like pains me to say.

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<v Speaker 2>But yeah, no, but there's a wide variety of gay men.

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<v Speaker 2>You're both kids, great, we are both gay men anyway.

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<v Speaker 1>Okay, dads are getting divorced and they're selling their house,

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<v Speaker 1>and she's having like a really hard time like coming

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<v Speaker 1>to terms with like selling her childhood home. Which like

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<v Speaker 1>I don't I don't know. I feel like for me,

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<v Speaker 1>I would be like nostalgic about it, But I don't

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<v Speaker 1>know that I would be like devastated like her. Do

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<v Speaker 1>you would you?

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<v Speaker 2>I think I would. I think when it's all you've known,

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<v Speaker 2>especially when she's gone through so many challenges in the

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<v Speaker 2>past like a year or so, for her character like

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<v Speaker 2>to always have had that safety net, that home and

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<v Speaker 2>her dad's I think it probably is really startling. Also,

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<v Speaker 2>it's like that's where she and Finn fell in love,

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<v Speaker 2>right and memory it is like all those memories with

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<v Speaker 2>Finn and everything that like she probably she loved high

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<v Speaker 2>school and I loved that experiences good and the bad, right.

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<v Speaker 1>I think Also, like the smaller stakes in the show

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<v Speaker 1>are actually like the bigger stakes are like make them

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<v Speaker 1>bigger and that's better.

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<v Speaker 2>Yeah, way exactly.

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<v Speaker 1>Okay. So then Sam and Kurt decide that they're going

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<v Speaker 1>to help and they're gonna make uh, They're gonna throw

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<v Speaker 1>like a going away party for her and her childhood

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<v Speaker 1>home in the basement where we did blame it on

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<v Speaker 1>the alcohol, which was really fun.

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<v Speaker 2>And they also decide that the theme this week for

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<v Speaker 2>Glee Club is transitioning. Mmmm, and this is one of

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<v Speaker 2>those things.

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<v Speaker 1>Okay, So I mean, you guys, a big part of

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<v Speaker 1>it is that you guys spend a lot of time

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<v Speaker 1>in this episode in that basement. Did it feel familiar

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<v Speaker 1>to do another thing in that basement like that whole

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<v Speaker 1>episode we did? And you know, for blame it.

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<v Speaker 2>Oh, I was stoked to be back in that basement.

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<v Speaker 2>But nothing but good memories in that basement. And this

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<v Speaker 2>was also fun. The other thing going on is the

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<v Speaker 2>Curtain Blaine of it all right, right, yes, and Curtain

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<v Speaker 2>Blaine are still sort of you know, they kissed to

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<v Speaker 2>get out of that elevator, but it meant nothing. It

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<v Speaker 2>meant nothing, right, and so they're trying to be adult

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<v Speaker 2>about it and like there aren't any feelings. We have

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<v Speaker 2>moved on, we're healthy, you know, they both have boyfriends,

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<v Speaker 2>like everything is fine. And so when this duet's idea

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<v Speaker 2>comes up for transitioning, they're going to sing some duets

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<v Speaker 2>A new person and an old person. Yeah, us being

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<v Speaker 2>the old people. M hm.

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<v Speaker 1>Ar.

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<v Speaker 2>He has this wheel of musical fortune. Then everybody gets

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<v Speaker 2>up to spin the wheel to see who they're going

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<v Speaker 2>to do it with. And Kurt, you know, fudges it

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<v Speaker 2>so he can sing with Blaine in the basement, which

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<v Speaker 2>leads us, you know, which sets us up for the

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<v Speaker 2>ensuing chaos and drama of the episode.

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<v Speaker 1>The wheel is really funny.

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<v Speaker 2>I love a prop.

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<v Speaker 1>I love the wheel. I love that already came up

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<v Speaker 1>with that. I also think it's so funny. That was

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<v Speaker 1>it Sam, That was like, why can't you just pick

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<v Speaker 1>these out of a hat? Right? And your look, you're

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<v Speaker 1>the look on your face. But the wheel is really

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<v Speaker 1>fun So love a wheel, Love the prop.

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<v Speaker 2>It's also like, you know, anytime you get to do

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<v Speaker 2>anything remotely different in that choir room is a gift.

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<v Speaker 2>I also don't understand how Arty is still there, Like

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<v Speaker 2>why aren't you at school?

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<v Speaker 1>You just moved back and you didn't say anything about it.

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<v Speaker 2>Like did he drop out? What happened?

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<v Speaker 1>This is a weekend. I feel like if you asked

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<v Speaker 1>ian a Brad, they'd be like, you took the train

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<v Speaker 1>home for.

0:13:47.080 --> 0:13:50.520
<v Speaker 2>The weekend, but it's not a weekend. They're in school, oh.

0:13:50.520 --> 0:13:52.960
<v Speaker 1>Right, right, right right. But they'd be like, ten doesn't matter.

0:13:54.360 --> 0:13:56.160
<v Speaker 2>Yeah, that's the real answer.

0:13:56.480 --> 0:14:01.960
<v Speaker 1>Let's talk about this party. What was it like to

0:14:01.960 --> 0:14:03.199
<v Speaker 1>to film in this party?

0:14:03.640 --> 0:14:05.520
<v Speaker 2>I think this is why I feel like I know

0:14:06.600 --> 0:14:07.959
<v Speaker 2>the new kids so well.

0:14:08.440 --> 0:14:09.680
<v Speaker 1>You spend time with them here.

0:14:10.080 --> 0:14:11.880
<v Speaker 2>Yeah, and you know, when you're in that basement, it's

0:14:11.880 --> 0:14:15.600
<v Speaker 2>a little comfy. Yeah, you don't really need to leave.

0:14:16.520 --> 0:14:17.679
<v Speaker 1>Yeah.

0:14:17.720 --> 0:14:19.480
<v Speaker 2>On some of the other sets, you like go back

0:14:19.480 --> 0:14:23.520
<v Speaker 2>to your trailer, the basement set really feels like a basement,

0:14:23.840 --> 0:14:26.240
<v Speaker 2>and so everyone just sort of hangs out and we

0:14:26.320 --> 0:14:28.440
<v Speaker 2>had to rehearse, so there's dance rehearsal, so there's just

0:14:28.480 --> 0:14:31.160
<v Speaker 2>more time for everyone to be together, and there were

0:14:31.160 --> 0:14:32.920
<v Speaker 2>just a lot of us. And also when you're forced

0:14:33.000 --> 0:14:36.800
<v Speaker 2>to mix and dance with each other, you're just there

0:14:36.920 --> 0:14:39.760
<v Speaker 2>gabin talking, getting to know each other. So I think

0:14:39.800 --> 0:14:43.640
<v Speaker 2>this is a big reason why I felt closer to them.

0:14:44.000 --> 0:14:44.440
<v Speaker 1>I hear that.

0:14:45.480 --> 0:14:47.520
<v Speaker 2>It was also just a really great moment because we

0:14:47.600 --> 0:14:50.400
<v Speaker 2>got to do our friend Betty whose song, and I

0:14:50.520 --> 0:14:52.800
<v Speaker 2>really was very excited about that.

0:14:53.160 --> 0:14:59.120
<v Speaker 1>I mean, that song is so much fun. I love

0:14:59.200 --> 0:15:02.240
<v Speaker 1>that their version. I think it's so cute.

0:15:02.080 --> 0:15:05.560
<v Speaker 2>And it's perfect for their storyline and it's like, really

0:15:05.640 --> 0:15:08.360
<v Speaker 2>they're playing with fire though, Like if this was real

0:15:08.400 --> 0:15:12.200
<v Speaker 2>life and these two exes who are with other people

0:15:12.320 --> 0:15:14.440
<v Speaker 2>and keep telling each other they're not in love with

0:15:14.480 --> 0:15:17.080
<v Speaker 2>each other and then they sing a song called Somebody

0:15:17.120 --> 0:15:22.040
<v Speaker 2>Loves You that went famous for a marriage proposal. Oh

0:15:22.400 --> 0:15:27.480
<v Speaker 2>you step in in it, dirty ass dogs, like we

0:15:27.760 --> 0:15:28.880
<v Speaker 2>know what is up?

0:15:29.280 --> 0:15:31.000
<v Speaker 1>I know, I know, I know.

0:15:31.440 --> 0:15:38.720
<v Speaker 2>And then the kiss, the kiss, something is happening to

0:15:40.760 --> 0:15:44.200
<v Speaker 2>where I just believe them more as a couple.

0:15:44.240 --> 0:15:49.600
<v Speaker 1>Now, I totally agree, I totally agree. I think it's

0:15:49.600 --> 0:15:53.440
<v Speaker 1>because we've really been able to see the arc of

0:15:53.560 --> 0:15:57.160
<v Speaker 1>them not being together and then somebody dating somebody else,

0:15:57.200 --> 0:15:59.160
<v Speaker 1>even though like that kind of feels fake to me,

0:15:59.600 --> 0:16:02.560
<v Speaker 1>like the Karofsky and Blaine of Vidal is like feels

0:16:02.560 --> 0:16:04.640
<v Speaker 1>a little fit to me. But like seeing them not

0:16:04.720 --> 0:16:07.400
<v Speaker 1>be able to be together, it's not so easy. It

0:16:07.560 --> 0:16:10.480
<v Speaker 1>hasn't come like, oh they're together and they're just like

0:16:10.520 --> 0:16:12.280
<v Speaker 1>a perfect couple, and they go through a little bit,

0:16:12.320 --> 0:16:14.640
<v Speaker 1>it's like they're not together. We want them so badly

0:16:14.720 --> 0:16:17.840
<v Speaker 1>to that. Like right now, watching like the ins and

0:16:17.880 --> 0:16:22.040
<v Speaker 1>outs of like a relationship that isn't isn't fully in

0:16:22.240 --> 0:16:25.280
<v Speaker 1>or out is so exciting because.

0:16:25.120 --> 0:16:29.600
<v Speaker 2>It's also the test ye where yes, it's like, yeah,

0:16:29.640 --> 0:16:32.200
<v Speaker 2>it's too easy for you guys just to get married already, right,

0:16:32.280 --> 0:16:34.760
<v Speaker 2>Like can we not do that? Every couple on the show,

0:16:34.800 --> 0:16:37.840
<v Speaker 2>that's what they talk like, So yeah, to give them

0:16:37.880 --> 0:16:41.160
<v Speaker 2>some sort of obstacle like this is very rewarding to

0:16:41.240 --> 0:16:45.080
<v Speaker 2>watch as a fan of the end of viewer and

0:16:45.160 --> 0:16:45.720
<v Speaker 2>also like.

0:16:45.720 --> 0:16:48.120
<v Speaker 1>The so they kiss, they do the number and they

0:16:48.200 --> 0:16:49.240
<v Speaker 1>kiss and then.

0:16:51.960 --> 0:16:52.440
<v Speaker 2>And then.

0:16:54.800 --> 0:17:00.400
<v Speaker 1>Krooski basically guesses that something happened. Then he's something acting

0:17:01.840 --> 0:17:02.640
<v Speaker 1>so suspicious.

0:17:02.960 --> 0:17:05.640
<v Speaker 2>Blaine is acting like he just buried a body, like.

0:17:07.400 --> 0:17:10.040
<v Speaker 1>Yeah, yeah, yeah, but they have such like a mature

0:17:10.680 --> 0:17:13.760
<v Speaker 1>like I'll look on even though they lived together.

0:17:14.800 --> 0:17:18.040
<v Speaker 2>Do you think Blaine was scared because Kowski has been

0:17:18.119 --> 0:17:25.240
<v Speaker 2>violent in the past to Kurt physically violent. What do

0:17:25.280 --> 0:17:28.760
<v Speaker 2>you mean, like, oh, do you think he was scared him?

0:17:29.359 --> 0:17:32.000
<v Speaker 2>That's why he's acting so suspicious, because he's scared.

0:17:32.240 --> 0:17:33.520
<v Speaker 1>I don't think it's scared.

0:17:35.760 --> 0:17:39.560
<v Speaker 2>I don't either, But.

0:17:38.240 --> 0:17:40.760
<v Speaker 1>That's a good one. No, I don't think so. I

0:17:40.800 --> 0:17:45.240
<v Speaker 1>think it's just that I think they're good people, right,

0:17:45.320 --> 0:17:49.120
<v Speaker 1>Like Blaine's a good person, and they they have good

0:17:49.320 --> 0:17:53.080
<v Speaker 1>integrity and so they're not like going behind each other's backs,

0:17:53.119 --> 0:17:55.480
<v Speaker 1>and just like outwardly, I think he has like a

0:17:55.600 --> 0:17:58.639
<v Speaker 1>good conscience and like head on his shoulders that like

0:17:59.000 --> 0:18:01.639
<v Speaker 1>he's he's feet feeling really guilty about it because he

0:18:01.680 --> 0:18:03.520
<v Speaker 1>knows he did something that he's not supposed to do

0:18:03.680 --> 0:18:05.639
<v Speaker 1>and that like it's gonna hurt somebody else. And so

0:18:05.720 --> 0:18:06.600
<v Speaker 1>I think that's why.

0:18:06.880 --> 0:18:09.639
<v Speaker 2>But you know what Blaine has done twice now cheated?

0:18:10.200 --> 0:18:15.760
<v Speaker 1>Mm hmmmmm. You're right. This is showing growth. Okay, this

0:18:15.800 --> 0:18:17.560
<v Speaker 1>is showing real growth.

0:18:17.400 --> 0:18:21.280
<v Speaker 2>That wow, he cheated twice and told them twice.

0:18:21.880 --> 0:18:24.280
<v Speaker 1>Yeah, but also like he's not just hiding it and

0:18:24.280 --> 0:18:26.679
<v Speaker 1>going mind somebody's back, like cheating him multiple times, like

0:18:26.760 --> 0:18:29.920
<v Speaker 1>it's been a one off experience that like Ben has

0:18:30.000 --> 0:18:34.160
<v Speaker 1>like broken him down. Now, Yes, no, cheating is not okay. Now.

0:18:38.680 --> 0:18:40.720
<v Speaker 2>I think we give Blaine a lot of credit because

0:18:40.720 --> 0:18:45.080
<v Speaker 2>he seems like a sweet guy. But those lips are loose.

0:18:47.240 --> 0:18:50.040
<v Speaker 1>I know. I I see what you're saying now, though

0:18:51.240 --> 0:18:55.160
<v Speaker 1>that aside, you're right, you're not wrong, You're not wrong.

0:18:55.640 --> 0:19:02.320
<v Speaker 1>I do. I do agree that I feel like this

0:19:02.520 --> 0:19:05.920
<v Speaker 1>really gives us like a different like touch on their

0:19:05.960 --> 0:19:09.720
<v Speaker 1>relationship and like viewpoint from their relationship of like really

0:19:09.760 --> 0:19:13.480
<v Speaker 1>getting to see that it's not so it's not all

0:19:14.119 --> 0:19:16.000
<v Speaker 1>sunshine and rainbows, you know what I mean?

0:19:16.840 --> 0:19:21.600
<v Speaker 2>Yes, And I think also setting up like for Blaine

0:19:21.640 --> 0:19:25.160
<v Speaker 2>having a mature breakup like that sets him up for

0:19:25.280 --> 0:19:27.600
<v Speaker 2>a healthy yes next.

0:19:28.320 --> 0:19:30.760
<v Speaker 1>Yeah, yeah, yeah, yes, which is coming.

0:19:32.040 --> 0:19:37.919
<v Speaker 2>Okay, let's finish them out because then Blaine goes, you

0:19:37.960 --> 0:19:41.840
<v Speaker 2>know what we're done. I'm gonna go tell Kurt. For

0:19:41.880 --> 0:19:46.959
<v Speaker 2>some reason, he goes to the school at night, after hours.

0:19:47.080 --> 0:19:50.080
<v Speaker 2>I don't know why people are hanging out there, but

0:19:50.359 --> 0:19:53.560
<v Speaker 2>Kurt is there with his man and comes out and

0:19:53.680 --> 0:19:57.680
<v Speaker 2>Blaine looks shocked, and then Rachel and Sam come out.

0:19:57.760 --> 0:19:58.760
<v Speaker 2>It's a funny scene.

0:19:59.359 --> 0:19:59.800
<v Speaker 1>M hmm.

0:20:00.760 --> 0:20:05.840
<v Speaker 2>There's some good comedy and there's some nice blocking. I

0:20:05.840 --> 0:20:08.239
<v Speaker 2>thought Dante did a great job directing this episode. I

0:20:08.280 --> 0:20:08.640
<v Speaker 2>did you.

0:20:11.800 --> 0:20:12.960
<v Speaker 1>And it felt very cohesive.

0:20:13.280 --> 0:20:16.400
<v Speaker 2>It did. Yeah, yeah, it just goes to.

0:20:16.320 --> 0:20:18.240
<v Speaker 1>Show too, like with people who know our show, who

0:20:18.359 --> 0:20:21.080
<v Speaker 1>this was I think his directorial debut, but like somebody

0:20:21.080 --> 0:20:23.760
<v Speaker 1>who's been around our show for so long, like you

0:20:23.880 --> 0:20:25.840
<v Speaker 1>just like click in and you like get it, you know.

0:20:26.840 --> 0:20:28.679
<v Speaker 2>Yes, And it was also right for him to like

0:20:28.760 --> 0:20:33.280
<v Speaker 2>Dante as a gay man. Yeah, it was very knowledgeable

0:20:33.520 --> 0:20:36.639
<v Speaker 2>and wise and had great advice about these things. And

0:20:36.640 --> 0:20:42.200
<v Speaker 2>for him to be directing an episode like this, yeah, yeah,

0:20:42.440 --> 0:20:45.040
<v Speaker 2>the transitioning episode, and like he was crying as they

0:20:45.040 --> 0:20:47.639
<v Speaker 2>were filming it like it was I'm getting ahead of myself.

0:20:47.680 --> 0:20:52.919
<v Speaker 2>But so Blaine lies and it's like, oh, you know,

0:20:53.040 --> 0:20:54.960
<v Speaker 2>I was here to tell Rachel something. Then Rachel comes

0:20:55.000 --> 0:20:56.679
<v Speaker 2>up and then he's like, she's like, oh, you need

0:20:56.680 --> 0:20:58.720
<v Speaker 2>to tell me something, Oh you know what, I actually don't.

0:20:59.040 --> 0:21:01.840
<v Speaker 2>And then Kurt's like, we're going on a double date.

0:21:02.200 --> 0:21:05.399
<v Speaker 2>Do you want to come with Krofski? And he just

0:21:05.440 --> 0:21:09.920
<v Speaker 2>says no. And it's sad, but you know, a cheater

0:21:09.960 --> 0:21:15.159
<v Speaker 2>can't always get what they want right away. Give it

0:21:15.200 --> 0:21:20.520
<v Speaker 2>a couple of episodes. He always comes crawling back to you.

0:21:21.480 --> 0:21:23.840
<v Speaker 2>Back so back at the Basement.

0:21:25.800 --> 0:21:28.680
<v Speaker 1>At the Basement, I really liked.

0:21:28.720 --> 0:21:31.280
<v Speaker 2>Seeing all the new kids mixed with the old kids,

0:21:31.440 --> 0:21:33.600
<v Speaker 2>and they're all just so nice and talented. We get

0:21:33.600 --> 0:21:36.720
<v Speaker 2>some crazy musical numbers. In addition to Somebody Loves You,

0:21:37.440 --> 0:21:41.800
<v Speaker 2>we also get all about that Bass, which.

0:21:44.000 --> 0:21:48.600
<v Speaker 1>Is a really fun number. And those two look, yeah

0:21:50.200 --> 0:21:53.680
<v Speaker 1>you could they could sing the phone they read sing

0:21:53.720 --> 0:21:58.120
<v Speaker 1>the phone book like whatever. Put have them saying happy

0:21:58.160 --> 0:21:59.760
<v Speaker 1>Birthday to me over and over again. Put it on

0:21:59.760 --> 0:22:04.000
<v Speaker 1>a I don't care like anything works. I would like

0:22:04.040 --> 0:22:06.680
<v Speaker 1>to really see them like go like I want to

0:22:06.720 --> 0:22:11.119
<v Speaker 1>see a song where they can go. But it was

0:22:11.160 --> 0:22:13.800
<v Speaker 1>really fun and I like this little duo, Like they

0:22:13.800 --> 0:22:14.639
<v Speaker 1>were really cute together.

0:22:14.720 --> 0:22:19.359
<v Speaker 2>I needed eight more episodes of them just doing duets, yes, straight,

0:22:19.560 --> 0:22:20.199
<v Speaker 2>like just that.

0:22:20.320 --> 0:22:23.480
<v Speaker 1>Can we just have an album of duets?

0:22:27.640 --> 0:22:29.440
<v Speaker 2>And then we have all these sweet scenes of Rachel

0:22:29.480 --> 0:22:31.800
<v Speaker 2>in her bedroom and like looking at that, you know

0:22:31.920 --> 0:22:34.720
<v Speaker 2>the one thing she can't pack up all her memories,

0:22:35.119 --> 0:22:36.000
<v Speaker 2>the thing with Sam.

0:22:36.760 --> 0:22:40.879
<v Speaker 1>Look, I I'm getting it now. The Q and Q

0:22:41.040 --> 0:22:43.159
<v Speaker 1>and as we've done where you guys write in and

0:22:43.200 --> 0:22:46.119
<v Speaker 1>you like, you know, hot takes where you say like

0:22:46.160 --> 0:22:49.760
<v Speaker 1>Sam and Rachel are endgame, Like I really like this

0:22:50.880 --> 0:22:53.639
<v Speaker 1>support that Sam is providing for Rachel. He's like a

0:22:53.720 --> 0:22:56.480
<v Speaker 1>really good sounding board and they really balance each other

0:22:56.520 --> 0:22:59.080
<v Speaker 1>out in a way. Now we see the Bookcord with everybody,

0:22:59.160 --> 0:23:00.960
<v Speaker 1>or with Sam with every buddy, like even Sam and

0:23:01.000 --> 0:23:03.680
<v Speaker 1>Mercedes we love too, but like this is a really

0:23:03.680 --> 0:23:06.600
<v Speaker 1>good pairing right now. I'm really here.

0:23:06.440 --> 0:23:15.320
<v Speaker 2>For it because Chord has chemistry with everybody. It's insane

0:23:15.640 --> 0:23:19.240
<v Speaker 2>and and it's genuine. I'm not like trying to chalk

0:23:19.320 --> 0:23:21.280
<v Speaker 2>it up to like, oh that's just Chord being like

0:23:21.920 --> 0:23:27.160
<v Speaker 2>these characters really work together and they were also very

0:23:27.240 --> 0:23:30.120
<v Speaker 2>very close friends, so I think that was also very helpful.

0:23:30.440 --> 0:23:34.840
<v Speaker 1>Yeah exactly. I think also like towards Yeah yeah, no, no,

0:23:34.880 --> 0:23:35.199
<v Speaker 1>that's right.

0:23:36.400 --> 0:23:37.959
<v Speaker 2>And they seen time after time together.

0:23:39.000 --> 0:23:42.200
<v Speaker 1>What a funny number, funny song.

0:23:42.359 --> 0:23:44.760
<v Speaker 2>So their voices couldn't be more different than one another.

0:23:47.800 --> 0:23:52.960
<v Speaker 1>Is your way of saying their duets are not your favorite?

0:23:53.880 --> 0:23:57.119
<v Speaker 2>I don't know. I uh, I still buy it, and

0:23:57.160 --> 0:24:02.840
<v Speaker 2>they're different. I enjoy the chord and Amberg duets more. Yeah, yeah, yeah, yeah, yeah, duets.

0:24:02.640 --> 0:24:05.320
<v Speaker 1>Duets like not every not every voice is gonna match, like,

0:24:05.359 --> 0:24:07.000
<v Speaker 1>not every duet is going to be perfect, do you

0:24:07.080 --> 0:24:10.960
<v Speaker 1>know what I mean? Yeah, but yes, they do a

0:24:11.160 --> 0:24:17.760
<v Speaker 1>very sweet time after time, and uh, it's just funny

0:24:17.800 --> 0:24:22.560
<v Speaker 1>to like, I can't unsee blame it on the alcohol

0:24:23.359 --> 0:24:25.480
<v Speaker 1>when you're do the same, cannot see it.

0:24:26.119 --> 0:24:30.000
<v Speaker 2>I yeah, I don't really have many memories of shooting this,

0:24:30.119 --> 0:24:31.000
<v Speaker 2>to be honest.

0:24:30.800 --> 0:24:33.560
<v Speaker 1>That's really funny. Did it take more than one day?

0:24:33.880 --> 0:24:35.600
<v Speaker 1>It had to. You had to be in that room

0:24:35.640 --> 0:24:36.560
<v Speaker 1>for a couple of days.

0:24:36.760 --> 0:24:39.040
<v Speaker 2>I think we're there for two days. I remember like

0:24:39.119 --> 0:24:44.480
<v Speaker 2>going in there to rehearse. That's when Amber famously told

0:24:44.520 --> 0:24:48.480
<v Speaker 2>me somebody said, oh, we should play a game. And

0:24:48.520 --> 0:24:51.680
<v Speaker 2>then Amber was in a mood and said, I don't

0:24:51.720 --> 0:24:53.600
<v Speaker 2>play a game. I'm a grown ass woman.

0:24:56.000 --> 0:24:58.200
<v Speaker 1>Like that made it down the That made it down

0:24:58.200 --> 0:25:00.560
<v Speaker 1>the pipeline at some point because I remember that and

0:25:00.600 --> 0:25:01.240
<v Speaker 1>I wasn't there.

0:25:01.560 --> 0:25:04.360
<v Speaker 2>It was so fun. I remember where I was.

0:25:04.880 --> 0:25:07.119
<v Speaker 1>I feel scared if it was a newbie who said that.

0:25:07.200 --> 0:25:11.240
<v Speaker 1>And she said that, and they were like okay.

0:25:10.200 --> 0:25:14.719
<v Speaker 2>And it was to the room, you know, and I

0:25:14.800 --> 0:25:20.359
<v Speaker 2>lost it because she was so serious and she was

0:25:20.359 --> 0:25:22.480
<v Speaker 2>sitting in a chair you could tell like she was

0:25:22.560 --> 0:25:25.280
<v Speaker 2>over it. I was sitting in the wheelchair on the

0:25:25.280 --> 0:25:27.119
<v Speaker 2>other side of the room, and she goes, Oh, I

0:25:27.119 --> 0:25:30.000
<v Speaker 2>don't play games. I'm a grown ass woman.

0:25:31.400 --> 0:25:33.040
<v Speaker 1>You asked Cameron. Now you'd be like, you want to

0:25:33.040 --> 0:25:34.680
<v Speaker 1>play Caitan, She'd be like yeah.

0:25:35.280 --> 0:25:41.880
<v Speaker 2>Even then she played games. We played Mafia Regular, which

0:25:41.920 --> 0:25:44.800
<v Speaker 2>I think is what I said, what are you talking about.

0:25:50.080 --> 0:25:55.840
<v Speaker 2>I was like, no, I don't play games. I'm like okay, okay.

0:25:56.280 --> 0:25:59.880
<v Speaker 1>So that concludes the basement.

0:26:01.440 --> 0:26:03.440
<v Speaker 2>It was so worth it for I don't know how

0:26:03.440 --> 0:26:06.560
<v Speaker 2>it got brought up, but she It's one of my

0:26:06.600 --> 0:26:15.239
<v Speaker 2>favorite memories of her. Also, who thinks that just the

0:26:15.320 --> 0:26:19.800
<v Speaker 2>thinking of like grown as people can't play games because

0:26:19.800 --> 0:26:22.119
<v Speaker 2>they're adults.

0:26:22.600 --> 0:26:26.040
<v Speaker 1>Well that's it. That is Actually it's like making jealous.

0:26:26.440 --> 0:26:38.880
<v Speaker 1>It's ridiculous, all right. So we also have Will who

0:26:38.960 --> 0:26:44.760
<v Speaker 1>is still at vocal adrenaline and he is of Jamis back.

0:26:44.840 --> 0:26:48.880
<v Speaker 1>We've got Emma around, and he's kind of in this

0:26:49.560 --> 0:26:54.399
<v Speaker 1>he's having a hard time between enjoying all of the

0:26:54.400 --> 0:26:57.240
<v Speaker 1>perks that come with being and feeling like a man.

0:26:57.359 --> 0:27:00.600
<v Speaker 1>I guess of like feeling he has nice things and

0:27:00.640 --> 0:27:02.720
<v Speaker 1>feeling really set up in a way, and like I

0:27:03.240 --> 0:27:06.520
<v Speaker 1>get yeah, I get that. I think there's like when

0:27:06.560 --> 0:27:09.520
<v Speaker 1>you have kids and a family to look after, like

0:27:09.640 --> 0:27:12.560
<v Speaker 1>sometimes sometimes in your life, and I think it's okay,

0:27:12.680 --> 0:27:17.520
<v Speaker 1>Like there are times where security is important and it's

0:27:17.800 --> 0:27:23.359
<v Speaker 1>a true priority, right, security and comfort. But on the

0:27:23.440 --> 0:27:27.240
<v Speaker 1>other hand, what's the most important, and I agree, is

0:27:27.320 --> 0:27:31.080
<v Speaker 1>like your kids absorb everything that you do on the

0:27:31.160 --> 0:27:34.159
<v Speaker 1>day to day and like watching you do something that

0:27:34.200 --> 0:27:37.280
<v Speaker 1>you love has to be the way, right, it has

0:27:37.359 --> 0:27:39.280
<v Speaker 1>to be the way or they will see it and

0:27:39.320 --> 0:27:41.680
<v Speaker 1>they they take in everything.

0:27:41.840 --> 0:27:45.040
<v Speaker 2>So is that why you do this podcast? Because your

0:27:45.119 --> 0:27:48.800
<v Speaker 2>kids can see you loving, loving, seeing me.

0:27:50.920 --> 0:27:54.320
<v Speaker 1>Yes, working with Uncle Kevin. That's right. I can tell

0:27:54.520 --> 0:27:57.960
<v Speaker 1>my kids that I worked with my best friend from

0:27:57.960 --> 0:28:01.640
<v Speaker 1>two thousand and eight to twenty twenty five. We're done

0:28:01.680 --> 0:28:04.760
<v Speaker 1>after this black where this episode is over. We're done

0:28:04.840 --> 0:28:05.560
<v Speaker 1>after this episode.

0:28:05.600 --> 0:28:11.800
<v Speaker 2>By the way, great never contact me again. I'm sorry.

0:28:12.200 --> 0:28:15.040
<v Speaker 1>I know it's fine because it's true, though, like if

0:28:15.080 --> 0:28:17.199
<v Speaker 1>you're not doing what you love, which we have, Like,

0:28:17.520 --> 0:28:19.679
<v Speaker 1>I feel like everybody in this industry right now is

0:28:19.680 --> 0:28:22.720
<v Speaker 1>on this like precipice of like trying to find the

0:28:22.840 --> 0:28:26.639
<v Speaker 1>joy in this still and it's so hard and like

0:28:26.760 --> 0:28:29.920
<v Speaker 1>having kids or whatever it is, or just living by

0:28:29.960 --> 0:28:32.120
<v Speaker 1>your morals and integrity of like being like I want

0:28:32.119 --> 0:28:33.680
<v Speaker 1>to do something that I love every day and wake

0:28:33.760 --> 0:28:38.520
<v Speaker 1>up feeling excited about. Like Will is at that place

0:28:38.600 --> 0:28:42.760
<v Speaker 1>he's in that it's on the precipice of something important.

0:28:42.880 --> 0:28:47.400
<v Speaker 1>So I think I really appreciated that watching like the

0:28:47.440 --> 0:28:50.320
<v Speaker 1>sounding board that Emma is for Will in this moment,

0:28:50.480 --> 0:28:53.800
<v Speaker 1>and like him not being in it, comfortable in this

0:28:54.160 --> 0:28:56.360
<v Speaker 1>even though he loves the comfort of it.

0:28:58.400 --> 0:29:02.040
<v Speaker 2>He's always been someone that's been driven his heart totally

0:29:02.160 --> 0:29:06.560
<v Speaker 2>and heart for better or for worse. And you know,

0:29:06.640 --> 0:29:10.560
<v Speaker 2>it feels like that he's already had some conflict with

0:29:10.600 --> 0:29:14.880
<v Speaker 2>the head of Vocal Journaline the lead boy, and so

0:29:16.280 --> 0:29:19.720
<v Speaker 2>there are two instances of bullying that happened Vocal Journaline

0:29:19.960 --> 0:29:24.320
<v Speaker 2>Egg Rachel and Kurt oh No, Rachel and Blaine right,

0:29:25.400 --> 0:29:28.920
<v Speaker 2>and then Coach Beast walks out to a slur written

0:29:28.960 --> 0:29:32.200
<v Speaker 2>on his car and we see the Vocal Journaline team

0:29:32.600 --> 0:29:38.880
<v Speaker 2>driving away, and Sue sits down with Will and Beast

0:29:40.320 --> 0:29:45.320
<v Speaker 2>and they talk about it and Will does some reverse

0:29:45.400 --> 0:29:51.000
<v Speaker 2>psychology on them, and we'll get to what follows there.

0:29:52.120 --> 0:29:55.320
<v Speaker 2>But the real focus of this episode is Coach Beast

0:29:55.960 --> 0:30:01.400
<v Speaker 2>because Coach Beast makes his debut as Sheldon mm hmmm hm,

0:30:01.640 --> 0:30:08.160
<v Speaker 2>and you have dots really powerful performance, and.

0:30:06.960 --> 0:30:11.240
<v Speaker 1>I support Sue as well, like coming in very quickly

0:30:11.480 --> 0:30:14.160
<v Speaker 1>knowing that like everybody's.

0:30:13.560 --> 0:30:15.840
<v Speaker 2>There, Sue and Sam stepping it up.

0:30:16.160 --> 0:30:20.440
<v Speaker 1>Love it Sam is It's It's funny though, because Sam

0:30:20.560 --> 0:30:24.520
<v Speaker 1>is just so awkward and but like his intentions are

0:30:24.560 --> 0:30:25.480
<v Speaker 1>so are pure.

0:30:26.640 --> 0:30:30.560
<v Speaker 2>Well, he's just he's so bold and I guess with

0:30:30.600 --> 0:30:34.160
<v Speaker 2>his intentions, yeah, yeah, so unapologetic, yeah yeah yeah, and

0:30:34.200 --> 0:30:36.960
<v Speaker 2>then that can be like the real sincerity of that

0:30:37.000 --> 0:30:40.840
<v Speaker 2>can feel almost overwhelming or awkward because it's just like

0:30:41.040 --> 0:30:45.160
<v Speaker 2>pure sincerity. Yeah, it's like coord where you're just like

0:30:45.600 --> 0:30:49.560
<v Speaker 2>he is loyal, he cares about his people, doesn't care and.

0:30:49.520 --> 0:30:52.960
<v Speaker 1>However that comes out, it comes out right right, but

0:30:53.000 --> 0:30:54.760
<v Speaker 1>it's really sweet. I like it. I like that.

0:30:56.000 --> 0:30:58.360
<v Speaker 2>Has this just turned into a Chord Overstreet fan?

0:30:59.320 --> 0:31:00.440
<v Speaker 1>It has been for long time.

0:31:00.520 --> 0:31:02.800
<v Speaker 2>I will say out in these streets too, Jenna and

0:31:02.840 --> 0:31:06.360
<v Speaker 2>I when we've seen other people from the show, and

0:31:06.480 --> 0:31:08.480
<v Speaker 2>Cord will get brought up or something and someone may

0:31:08.520 --> 0:31:10.840
<v Speaker 2>make like Chord to the end all the ready joke,

0:31:11.000 --> 0:31:14.320
<v Speaker 2>and Jenna and I have been defending and speaking up

0:31:14.360 --> 0:31:16.760
<v Speaker 2>about how good Chord is on this show.

0:31:16.880 --> 0:31:18.600
<v Speaker 1>I'm like, have you seen these seasons?

0:31:18.640 --> 0:31:21.240
<v Speaker 2>Because Jenna and I, fully I don't know who was

0:31:21.240 --> 0:31:23.160
<v Speaker 2>we were talking to. We were like no, no, no,

0:31:23.200 --> 0:31:25.200
<v Speaker 2>you don't understand. We shut them down.

0:31:25.480 --> 0:31:27.120
<v Speaker 1>We were like, get get on board.

0:31:27.160 --> 0:31:29.240
<v Speaker 2>And they weren't even saying anything bad. No, no, no,

0:31:29.560 --> 0:31:31.560
<v Speaker 2>we just made like a passing like joke or something.

0:31:31.600 --> 0:31:33.880
<v Speaker 2>We're like, no, no, no, no, But you don't realize

0:31:34.040 --> 0:31:35.480
<v Speaker 2>he has to do this episode and.

0:31:37.680 --> 0:31:40.960
<v Speaker 1>Just like, fully, we're awful we're.

0:31:40.800 --> 0:31:42.560
<v Speaker 2>Not getting invited to anything ever again.

0:31:42.720 --> 0:31:45.000
<v Speaker 1>No, no, we should always be invited because we are

0:31:45.120 --> 0:31:53.040
<v Speaker 1>advocates for all of our friends. So Will brings back

0:31:53.440 --> 0:32:00.000
<v Speaker 1>in this whole, in this whole storyline with vocal adrenaline

0:32:00.120 --> 0:32:07.719
<v Speaker 1>in acting a fool will brings back Unique, Unique, and

0:32:07.880 --> 0:32:12.040
<v Speaker 1>we had Alex Nowell has graced our screens once again,

0:32:12.680 --> 0:32:23.080
<v Speaker 1>thank God, thankfully, and Unique and Beast connect and it's

0:32:23.200 --> 0:32:28.080
<v Speaker 1>really sweet. It's so sweet, and I love that they

0:32:28.120 --> 0:32:31.520
<v Speaker 1>did that. I love that they brought these two characters together.

0:32:33.240 --> 0:32:36.760
<v Speaker 2>The generational divide or lack thereof with this is that

0:32:37.080 --> 0:32:41.040
<v Speaker 2>is really interesting to watch. And how the younger person

0:32:41.920 --> 0:32:45.280
<v Speaker 2>who has had to deal with all the horrible things

0:32:45.320 --> 0:32:48.800
<v Speaker 2>that happened in high school plus being trans in high school,

0:32:51.320 --> 0:32:57.640
<v Speaker 2>helping someone come out as trans later in life. It

0:32:57.720 --> 0:33:00.960
<v Speaker 2>was just really something beautiful. Yeah, to watch they present

0:33:01.000 --> 0:33:04.960
<v Speaker 2>their own set of challenges right right, But I thought

0:33:05.200 --> 0:33:10.640
<v Speaker 2>subject that could have gone horribly horribly wrong. Yeah. I

0:33:10.720 --> 0:33:15.520
<v Speaker 2>thought the performances in the writing was pretty delicate here, yeah,

0:33:15.560 --> 0:33:21.000
<v Speaker 2>and like really well done. So during this Beast and

0:33:21.400 --> 0:33:27.920
<v Speaker 2>Unique have a conversation and then shoot and Unique, oh

0:33:27.960 --> 0:33:30.840
<v Speaker 2>we're gonna kip over that have a performance and that's

0:33:30.880 --> 0:33:35.360
<v Speaker 2>all well say, you know for me. Okay, So we

0:33:35.480 --> 0:33:38.040
<v Speaker 2>just keep going, yeah, keep going, okay, keep it moving.

0:33:38.120 --> 0:33:44.400
<v Speaker 2>So what I was saying earlier about the about the

0:33:44.480 --> 0:33:49.240
<v Speaker 2>reverse psychology. Yes, yes, yes, yes, no, sorry, I think

0:33:49.240 --> 0:33:50.800
<v Speaker 2>we moved on from Coach Beast too fast.

0:33:51.400 --> 0:33:52.960
<v Speaker 1>Now we'll go back to it. We're gonna go back

0:33:53.000 --> 0:33:54.280
<v Speaker 1>to it. We're gonna go to it.

0:33:54.720 --> 0:33:59.120
<v Speaker 2>But yeah, he brings vocal adrenaline to McKinley. He's like, oh,

0:33:59.120 --> 0:34:01.400
<v Speaker 2>we're gonna pull a prank on the vocal on a

0:34:01.480 --> 0:34:07.040
<v Speaker 2>new directions, and so he brings vocal ajournaline into like

0:34:07.200 --> 0:34:11.879
<v Speaker 2>a dark and quiet and empty McKinley auditorium, and then

0:34:12.040 --> 0:34:16.120
<v Speaker 2>Unique walks out on stage and starts singing mm hmm

0:34:17.120 --> 0:34:19.840
<v Speaker 2>and sing sanging.

0:34:19.920 --> 0:34:24.680
<v Speaker 1>Well, this song is so good and so powerful, and

0:34:24.719 --> 0:34:29.360
<v Speaker 1>then Unique and Alex singing, this song is unreal. Have

0:34:29.480 --> 0:34:34.080
<v Speaker 1>to go put this on my Spotify right now. And

0:34:34.120 --> 0:34:39.000
<v Speaker 1>then more importantly, the transferson in the choir of two

0:34:39.280 --> 0:34:47.439
<v Speaker 1>hundred trans friends on stage.

0:34:45.719 --> 0:34:51.800
<v Speaker 2>Was so I don't even it was overwhelming powerful.

0:34:51.840 --> 0:34:55.279
<v Speaker 1>It was that's right, it was overwhelming. You had said

0:34:55.320 --> 0:35:00.000
<v Speaker 1>you would went and well, and also like Sheldon Beasts

0:35:00.080 --> 0:35:05.640
<v Speaker 1>being there in the choir, the way it was shot,

0:35:05.960 --> 0:35:11.120
<v Speaker 1>like like kind of gracing the whole choir and then

0:35:11.200 --> 0:35:15.640
<v Speaker 1>back to Alex and then to Dot at the end

0:35:15.800 --> 0:35:19.880
<v Speaker 1>was like, oh I am, oh god, it is so good.

0:35:20.520 --> 0:35:24.280
<v Speaker 1>You went and watched them film this, well we're.

0:35:24.080 --> 0:35:28.719
<v Speaker 2>In the wings, but you know how they shoot it

0:35:28.760 --> 0:35:31.440
<v Speaker 2>like we're not there for the whole performance, right, So

0:35:31.520 --> 0:35:34.719
<v Speaker 2>I remember going up early and watched them rehearse it

0:35:35.040 --> 0:35:39.120
<v Speaker 2>and shoot it, and it was just because we're not

0:35:39.160 --> 0:35:40.760
<v Speaker 2>in the numbers, so we hadn't heard it yet.

0:35:41.040 --> 0:35:42.160
<v Speaker 1>Oh gosh.

0:35:42.200 --> 0:35:45.480
<v Speaker 2>So the first time I heard it, that curtain opens

0:35:45.600 --> 0:35:50.279
<v Speaker 2>up and then it's like, oh my god, wow, oh

0:35:50.320 --> 0:35:52.280
<v Speaker 2>my god. And I felt like we hadn't done something

0:35:52.400 --> 0:36:00.440
<v Speaker 2>like that powerful and emotional in a hot minute. And

0:36:00.440 --> 0:36:05.920
<v Speaker 2>and I was not any sort of educated on trans

0:36:05.960 --> 0:36:11.799
<v Speaker 2>people at all, but they were singing to feel it,

0:36:12.200 --> 0:36:14.000
<v Speaker 2>to see them just.

0:36:13.960 --> 0:36:18.000
<v Speaker 1>The power of having everybody in the room like that together.

0:36:21.120 --> 0:36:25.040
<v Speaker 2>And also I walked in everyone was already emotional, and

0:36:25.080 --> 0:36:31.920
<v Speaker 2>so Dante's crying, the camera operators are, Yes, everybody was emotional.

0:36:32.480 --> 0:36:34.600
<v Speaker 2>And that was like one of those things where like

0:36:35.480 --> 0:36:37.800
<v Speaker 2>that is the magic of Glee, Like we haven't felt

0:36:37.800 --> 0:36:41.040
<v Speaker 2>that in a minute, And when you are impacting your

0:36:41.160 --> 0:36:45.040
<v Speaker 2>like crew family that we have known for seven years

0:36:45.040 --> 0:36:48.520
<v Speaker 2>at this point, like oh this is a good one. Yes,

0:36:49.520 --> 0:36:52.160
<v Speaker 2>yeah for sure, And those people come from all walks

0:36:52.160 --> 0:36:56.960
<v Speaker 2>of life, every type of background, and to see like,

0:36:57.040 --> 0:36:59.439
<v Speaker 2>you know, something like that affect them in this way,

0:37:00.400 --> 0:37:02.240
<v Speaker 2>is you know, the intention of I think of telling

0:37:02.239 --> 0:37:04.839
<v Speaker 2>that story in the first place, because I think sort

0:37:04.880 --> 0:37:10.279
<v Speaker 2>of the demographic makeup of the crew is also like

0:37:10.360 --> 0:37:13.000
<v Speaker 2>the type of people that are watching this show that

0:37:13.080 --> 0:37:17.680
<v Speaker 2>may not be exposed to that right normally. And it

0:37:17.719 --> 0:37:19.640
<v Speaker 2>was just yeah, it was. It was a really really

0:37:19.800 --> 0:37:26.040
<v Speaker 2>like beautiful moment, and the story is you know, then

0:37:26.040 --> 0:37:30.120
<v Speaker 2>Will's like, now you guys are assholes. I'm out, Like

0:37:30.200 --> 0:37:33.480
<v Speaker 2>that's sort of like I'm not doing this anymore. You

0:37:33.520 --> 0:37:36.000
<v Speaker 2>guys want to do this, go ahead, go for it.

0:37:36.200 --> 0:37:40.319
<v Speaker 1>You want to be and Will ends up becoming their

0:37:40.400 --> 0:37:45.920
<v Speaker 1>volunteer at with Curtain Rachel for the consultant the Glee

0:37:45.920 --> 0:37:50.320
<v Speaker 1>Club the volunteer consultant. But I like that scene because

0:37:51.840 --> 0:37:53.879
<v Speaker 1>it brings it back like we're really at the tail

0:37:54.040 --> 0:37:56.520
<v Speaker 1>end of this season. We're getting there, We're getting back

0:37:56.520 --> 0:37:58.279
<v Speaker 1>to that point where I was like Will comes back

0:37:58.280 --> 0:38:00.560
<v Speaker 1>because he sings to us and that Lads episode I

0:38:00.560 --> 0:38:05.560
<v Speaker 1>remember that, but him like giving that speech was the

0:38:05.560 --> 0:38:08.120
<v Speaker 1>heart you were talking about of Like I'm realizing that

0:38:08.160 --> 0:38:10.240
<v Speaker 1>this is where I he's like, you guys are coaches

0:38:10.320 --> 0:38:15.680
<v Speaker 1>coming in and out, Like I, this is where I belong. Yeah,

0:38:15.719 --> 0:38:18.880
<v Speaker 1>and so it's exciting that he'll be there and have

0:38:19.040 --> 0:38:19.439
<v Speaker 1>him back.

0:38:20.000 --> 0:38:22.279
<v Speaker 2>Yeah, it just makes sense. And I also like it

0:38:22.320 --> 0:38:24.960
<v Speaker 2>wasn't just a quick like you're the coach now.

0:38:25.640 --> 0:38:31.240
<v Speaker 1>Right right, And and just a shout out to Dot,

0:38:31.400 --> 0:38:35.000
<v Speaker 1>who we had on the podcast, for taking this so

0:38:35.239 --> 0:38:40.319
<v Speaker 1>seriously the storyline and doing research and you know, I

0:38:40.320 --> 0:38:47.839
<v Speaker 1>think Dot had mentioned that she has also portrayed other characters. Oh,

0:38:47.880 --> 0:38:52.200
<v Speaker 1>I won't spoil too much, but she talks about having

0:38:52.280 --> 0:38:55.040
<v Speaker 1>played a trans character in a show in one of

0:38:55.080 --> 0:38:57.880
<v Speaker 1>Ryan's other pilots, so she had kind of done this

0:38:57.920 --> 0:39:04.960
<v Speaker 1>before and you know, really spoken with the trans community

0:39:05.200 --> 0:39:07.400
<v Speaker 1>and to get it right, right, Like, she takes this

0:39:07.640 --> 0:39:10.520
<v Speaker 1>very seriously and deeply, and I think she did a

0:39:10.520 --> 0:39:17.120
<v Speaker 1>beautiful job with you know, wanting to represent them properly

0:39:17.239 --> 0:39:24.600
<v Speaker 1>because uh, she it's not something like she has a

0:39:24.600 --> 0:39:28.440
<v Speaker 1>person is not somebody who takes anything lightly.

0:39:29.400 --> 0:39:32.839
<v Speaker 2>Yeah, she cares and like she just wants to give

0:39:32.840 --> 0:39:35.040
<v Speaker 2>it the respect that it deserves, not the story be

0:39:35.080 --> 0:39:37.600
<v Speaker 2>told authentically as possible.

0:39:37.560 --> 0:39:42.839
<v Speaker 1>Right right, right, So kudos to Dot. Should we write

0:39:42.880 --> 0:39:43.800
<v Speaker 1>some numbers.

0:39:44.239 --> 0:39:47.480
<v Speaker 2>Yes, let's you give love a bad name.

0:39:48.719 --> 0:39:51.040
<v Speaker 1>I mean it's a vocal adrenaline performance.

0:39:51.719 --> 0:39:57.200
<v Speaker 2>Yeah, I mean it's solid A A minus.

0:39:57.200 --> 0:40:05.080
<v Speaker 1>Fine same love f Z. Yeah, it doesn't exist all

0:40:05.080 --> 0:40:12.000
<v Speaker 1>about that base. Hey, hey, somebody loves you A plus.

0:40:11.719 --> 0:40:16.120
<v Speaker 2>A plus time after time B plus plus.

0:40:16.200 --> 0:40:19.359
<v Speaker 1>Yeah. I know where I've been A infinity.

0:40:19.040 --> 0:40:21.759
<v Speaker 2>A infinite correct was like, how do we make this

0:40:21.840 --> 0:40:23.120
<v Speaker 2>big enough? A infinity?

0:40:23.440 --> 0:40:29.800
<v Speaker 1>Never gotten that before? Okay, TARTI takesh some cringe moments.

0:40:30.080 --> 0:40:32.480
<v Speaker 2>There's still a lot of fat shaming. I don't get it.

0:40:32.560 --> 0:40:36.200
<v Speaker 2>I don't know why there's so many fat jokes. Sue

0:40:36.360 --> 0:40:40.680
<v Speaker 2>is just like, yeah, it's just it's too much. I know.

0:40:40.800 --> 0:40:44.239
<v Speaker 2>She's like, you know, the cheerleading coach, athleticism, taking care

0:40:44.280 --> 0:40:45.279
<v Speaker 2>of your body, but like.

0:40:45.960 --> 0:40:48.280
<v Speaker 1>It was a time it was It's.

0:40:48.160 --> 0:40:50.640
<v Speaker 2>Like yeah, but it's like one of those things that's still.

0:40:50.600 --> 0:40:52.040
<v Speaker 1>Like let's just drop it is.

0:40:52.080 --> 0:40:54.839
<v Speaker 2>Lingering, like we've dropped other things, Like why is that

0:40:54.920 --> 0:40:55.840
<v Speaker 2>still lingering?

0:40:55.960 --> 0:40:59.839
<v Speaker 1>I don't know. I don't know. I don't know. Best

0:40:59.840 --> 0:41:10.120
<v Speaker 1>the move Billy's breakdancing, that's right that he like learned, Okay,

0:41:10.640 --> 0:41:15.960
<v Speaker 1>it's so good. The best song obviously, I know where

0:41:15.960 --> 0:41:16.359
<v Speaker 1>I've been.

0:41:16.600 --> 0:41:18.560
<v Speaker 2>I know where I've been. Shout out to Betty who

0:41:18.600 --> 0:41:19.480
<v Speaker 2>for somebody loves you.

0:41:19.680 --> 0:41:24.440
<v Speaker 1>Yeah. Best performance by prop obviously the Wheel of Fortune,

0:41:24.680 --> 0:41:29.640
<v Speaker 1>thank you very much. Best line.

0:41:30.160 --> 0:41:34.640
<v Speaker 2>Sue did have a really good one when she's talking

0:41:34.640 --> 0:41:37.759
<v Speaker 2>to Sheldon and says, Hey, coach, I want you to

0:41:37.800 --> 0:41:40.240
<v Speaker 2>know that I've been, that I've taken steps to battle

0:41:40.239 --> 0:41:44.520
<v Speaker 2>the scourge of cist normativity and trans misogyny. In some

0:41:44.560 --> 0:41:46.080
<v Speaker 2>other terms I had never heard of until I did

0:41:46.120 --> 0:41:49.040
<v Speaker 2>a quick Wikipedia search this morning, which I appreciate.

0:41:49.560 --> 0:41:51.800
<v Speaker 1>I liked this one and I'm gonna go a little

0:41:52.440 --> 0:41:55.520
<v Speaker 1>sappy or not sappy, but like b says in his

0:41:55.600 --> 0:42:02.280
<v Speaker 1>scene with Unique, I don't want to always be special

0:42:02.320 --> 0:42:03.240
<v Speaker 1>though it does that make sense?

0:42:04.000 --> 0:42:06.800
<v Speaker 2>Mm hmm. Yeah, that's a very good one.

0:42:07.040 --> 0:42:13.200
<v Speaker 1>Performance MVP. I say dot dot, no question dot with

0:42:13.320 --> 0:42:19.279
<v Speaker 1>a with a shout out to Alex Yes for sure.

0:42:20.280 --> 0:42:25.400
<v Speaker 2>Okay, Jenna, should we found on TikTok you ready, I'm ready? Okay?

0:42:25.480 --> 0:42:32.280
<v Speaker 2>This one is wild. So two fish dot tattoo posted

0:42:32.360 --> 0:42:35.560
<v Speaker 2>doing my favorite tattoo requests so far, gleeks. This is

0:42:35.560 --> 0:42:42.880
<v Speaker 2>for us. Someone requested doing grilled cheeses and then she

0:42:42.920 --> 0:42:48.399
<v Speaker 2>shows shows us the drawing. Oh, it's so good. It's

0:42:48.480 --> 0:42:49.160
<v Speaker 2>so good.

0:42:49.480 --> 0:42:52.880
<v Speaker 1>That is really funny, grilled Jesus.

0:42:53.680 --> 0:43:04.680
<v Speaker 2>Wow, it's phenomenal. Honestly, Wow, that's hilarious. And I actually

0:43:05.360 --> 0:43:08.719
<v Speaker 2>I'm down for that tattoo. I'm not mad at that

0:43:08.760 --> 0:43:09.080
<v Speaker 2>at all.

0:43:09.400 --> 0:43:12.040
<v Speaker 1>Really, you like it? I actually love it. I think

0:43:12.040 --> 0:43:12.720
<v Speaker 1>it's brilliant.

0:43:13.239 --> 0:43:15.720
<v Speaker 2>Okay, we have a bonus. Shit, we found a TikTok.

0:43:16.600 --> 0:43:18.960
<v Speaker 2>It was a little cameo from one of our friends.

0:43:19.000 --> 0:43:24.560
<v Speaker 2>It's the scene where Sandy Ryerson is talking about Josh

0:43:24.560 --> 0:43:27.239
<v Speaker 2>Grobin and when they say who is Josh Grobin? And

0:43:27.280 --> 0:43:32.160
<v Speaker 2>he says, who's Josh Grobin? And then Josh Grobin shows

0:43:32.239 --> 0:43:38.439
<v Speaker 2>up and instead of saying you know yourself, Josh Grobin says,

0:43:38.520 --> 0:43:42.240
<v Speaker 2>love yourself. It's very wholesome.

0:43:42.840 --> 0:43:47.720
<v Speaker 1>That's I love it. I love it well. Josh Grobin

0:43:47.760 --> 0:43:50.319
<v Speaker 1>has been an icon for me since day wan, so

0:43:51.200 --> 0:43:52.520
<v Speaker 1>it's a still huge fan.

0:43:53.160 --> 0:43:58.400
<v Speaker 2>Josh Grobin has been an unproblematic king for decades. Do

0:43:58.400 --> 0:44:01.640
<v Speaker 2>you remember Josh Grob listen kid, Josh Grobin would put

0:44:01.680 --> 0:44:05.640
<v Speaker 2>out an album and it would easily sell four million

0:44:06.719 --> 0:44:09.120
<v Speaker 2>physical copies every time.

0:44:09.440 --> 0:44:13.120
<v Speaker 1>We love Josh Grobin. Okay, thanks for joining us. We

0:44:13.200 --> 0:44:17.400
<v Speaker 1>have dot Marie next week to actually talk about this

0:44:17.480 --> 0:44:23.080
<v Speaker 1>episode and and about Sheldon B. So tune in and

0:44:23.120 --> 0:44:27.160
<v Speaker 1>thank you for joining us and That's what you really missed.

0:44:27.640 --> 0:44:30.799
<v Speaker 2>Thanks for listening, and follow us on Instagram at and

0:44:30.880 --> 0:44:33.120
<v Speaker 2>That's what you really miss pod. Make sure to write

0:44:33.160 --> 0:44:35.440
<v Speaker 2>us a review and leave us five stars. See you

0:44:35.440 --> 0:44:35.839
<v Speaker 2>next time.