1 00:00:01,720 --> 00:00:04,360 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,160 --> 00:00:13,000 Speaker 1: Welcome to and That's what You Really miss podcast. 4 00:00:13,480 --> 00:00:15,480 Speaker 2: Hello Kevin, Hello Jenny. 5 00:00:17,480 --> 00:00:21,520 Speaker 1: This is episode A, season six, episode seven, transitioning. Can 6 00:00:21,520 --> 00:00:23,320 Speaker 1: you tell I'm like, not okay right now? 7 00:00:23,440 --> 00:00:30,680 Speaker 2: You just did this. 8 00:00:30,680 --> 00:00:37,120 Speaker 1: This aired February thirteenth, twenty fifteen, and we are here. 9 00:00:37,240 --> 00:00:43,800 Speaker 1: We are halfway through season six, and my brain's not working. 10 00:00:43,840 --> 00:00:46,720 Speaker 1: So forgive me if I'm mixing and matching words and 11 00:00:46,840 --> 00:00:48,040 Speaker 1: letters and numbers today. 12 00:00:48,320 --> 00:00:50,960 Speaker 2: That generally is how you form a sentence by mixing 13 00:00:51,000 --> 00:00:51,760 Speaker 2: and matching words. 14 00:00:51,800 --> 00:00:58,000 Speaker 1: Jenna said, letters and numbers too, Oh, letters, that numbers. 15 00:01:06,400 --> 00:01:09,639 Speaker 1: This episode is transitioning, and let's get through the news. 16 00:01:09,840 --> 00:01:15,559 Speaker 1: We can talk about this episode in the news. Number 17 00:01:15,600 --> 00:01:18,200 Speaker 1: one song uptown Funk. No surprise here. 18 00:01:19,360 --> 00:01:22,280 Speaker 2: The number one movie is fifty Shades of Gray. 19 00:01:22,760 --> 00:01:28,080 Speaker 1: WHOA. Do you remember the phenomenon of these books? 20 00:01:28,360 --> 00:01:29,679 Speaker 2: Yes, I went to the premiere of this. 21 00:01:30,760 --> 00:01:32,240 Speaker 1: I feel like I saw this. 22 00:01:33,840 --> 00:01:35,040 Speaker 2: I'm sure I read the books. 23 00:01:35,080 --> 00:01:35,800 Speaker 1: I read the books. 24 00:01:35,959 --> 00:01:37,120 Speaker 2: Oh, you read the books. 25 00:01:37,440 --> 00:01:38,160 Speaker 1: I read the books. 26 00:01:38,360 --> 00:01:39,119 Speaker 2: Did you like them? 27 00:01:39,360 --> 00:01:42,160 Speaker 1: I love them? I thought the phenomenon was the books 28 00:01:42,200 --> 00:01:44,880 Speaker 1: like and yeah, the movies were fine, but like the 29 00:01:44,959 --> 00:01:53,160 Speaker 1: books were excellent, titillating, literally really crazy. They were just 30 00:01:53,200 --> 00:01:57,720 Speaker 1: like it was a new form. 31 00:01:57,920 --> 00:02:00,160 Speaker 2: Oh yeah, it started a whole news. 32 00:01:59,680 --> 00:02:05,200 Speaker 1: Transitioned like well transition. Oh ok there was like a 33 00:02:05,240 --> 00:02:10,160 Speaker 1: transition of like what was appropriate raising the bar in 34 00:02:10,200 --> 00:02:12,920 Speaker 1: some ways. I don't know, Okay, anyway, this is not 35 00:02:12,960 --> 00:02:16,600 Speaker 1: a shades of great podcasts. I have more questions about 36 00:02:16,600 --> 00:02:20,040 Speaker 1: it though, Okay, I don't know that I have answers. 37 00:02:20,280 --> 00:02:21,840 Speaker 2: They're probably not inappropriate to ask. 38 00:02:22,040 --> 00:02:26,280 Speaker 1: Also, based on Twilight fan fiction, which makes so much sense. 39 00:02:26,320 --> 00:02:27,400 Speaker 1: I didn't know that. 40 00:02:28,320 --> 00:02:34,519 Speaker 2: You didn't know that. Nope, Nope, that's fine. That means 41 00:02:34,560 --> 00:02:37,000 Speaker 2: you're healthy and not on the internet as much as 42 00:02:37,040 --> 00:02:42,480 Speaker 2: I am. 43 00:02:39,840 --> 00:02:45,120 Speaker 1: Gray, right, that was yeah, all right, I glean used speaks. 44 00:02:45,120 --> 00:02:50,440 Speaker 1: On February ninth, Glee, the music Transitioning the EP was released. 45 00:02:50,440 --> 00:02:55,640 Speaker 1: It featured six tracks from episode six, Season six, episode seven, 46 00:02:55,800 --> 00:02:57,880 Speaker 1: So He Told You, and it was released for digital 47 00:02:57,880 --> 00:03:00,600 Speaker 1: DOWNMO Told You. 48 00:03:01,520 --> 00:03:06,520 Speaker 2: This episode Transitioning was directed by our executive producer Dante 49 00:03:06,680 --> 00:03:09,960 Speaker 2: Di Loretto. He was also the head of Ryan Murphy 50 00:03:09,960 --> 00:03:10,760 Speaker 2: TV at the time. 51 00:03:10,880 --> 00:03:15,480 Speaker 1: Residente and This was written by Matthew Hodgson, our friend, 52 00:03:16,400 --> 00:03:19,320 Speaker 1: Uh we got Jama back this episode. 53 00:03:19,680 --> 00:03:22,519 Speaker 2: Thank God. Not enough, but at least we got some. Okay, 54 00:03:22,560 --> 00:03:27,160 Speaker 2: let's talk about the music. Yeah, you give Love a 55 00:03:27,240 --> 00:03:30,720 Speaker 2: bad Name performed by Vocal Adrenaline, Same Love. 56 00:03:32,320 --> 00:03:34,960 Speaker 1: This was performer Unique and will God. 57 00:03:35,520 --> 00:03:38,800 Speaker 2: All about that Bass performed by Mercedes Roderick and Alumni 58 00:03:38,880 --> 00:03:39,840 Speaker 2: and New Directions. 59 00:03:40,600 --> 00:03:44,120 Speaker 1: Oh this Somebody Loves You Buddy who performed with Blaming Kurt. 60 00:03:44,840 --> 00:03:47,880 Speaker 2: Time after Time performed by Rachel and Sam and I 61 00:03:47,920 --> 00:03:48,400 Speaker 2: Know Where. 62 00:03:48,200 --> 00:03:53,440 Speaker 1: I've Been The song of the episode performed by Unique 63 00:03:53,480 --> 00:03:54,840 Speaker 1: with the trans person schoir. 64 00:03:55,040 --> 00:03:57,240 Speaker 2: So some fun facts. This is the first episode of 65 00:03:57,240 --> 00:03:59,960 Speaker 2: season six in which the entire main cast appears. 66 00:04:00,360 --> 00:04:05,720 Speaker 1: Oh, this is the first episode since Trio, a gap 67 00:04:05,760 --> 00:04:08,800 Speaker 1: of sixteen episodes in which Jama appears. 68 00:04:08,840 --> 00:04:11,280 Speaker 2: Too long. That's longer than the last season. I don't 69 00:04:11,320 --> 00:04:14,240 Speaker 2: like it, agreed. This is the first time Alex appears 70 00:04:14,240 --> 00:04:16,000 Speaker 2: since the show's moved to New. 71 00:04:15,920 --> 00:04:18,120 Speaker 1: York, and this is also the first and last time 72 00:04:18,240 --> 00:04:21,440 Speaker 1: Unique sings in season six, sadly making it the last 73 00:04:21,480 --> 00:04:23,800 Speaker 1: time Unique sings in the series. 74 00:04:23,960 --> 00:04:26,039 Speaker 2: No, I mean this is a way to go out, though. 75 00:04:26,120 --> 00:04:29,479 Speaker 2: This is one my best numbers ever on the show. No, 76 00:04:29,520 --> 00:04:32,280 Speaker 2: I know, No, No, The transgender choir in this episode 77 00:04:32,320 --> 00:04:35,120 Speaker 2: has over two hundred members unbelievable. 78 00:04:36,080 --> 00:04:41,080 Speaker 1: RuPaul's Drag Race Season fifteen winner Sasha Colby and RuPaul's 79 00:04:41,120 --> 00:04:45,119 Speaker 1: Drag Race All Stars Season six winner Kylie Sonique Love 80 00:04:45,600 --> 00:04:48,039 Speaker 1: make an appearance in the episode as part of the 81 00:04:48,040 --> 00:04:48,920 Speaker 1: transperson squair. 82 00:04:49,200 --> 00:04:52,800 Speaker 2: Jenna, you don't know who they are, do you know? 83 00:04:53,680 --> 00:04:59,159 Speaker 2: So there's a joke amongst drag queens and drag fans 84 00:04:59,720 --> 00:05:05,279 Speaker 2: that Sasha Colby is the Beyonce of drag where she's 85 00:05:05,440 --> 00:05:12,160 Speaker 2: your drag queen's favorite drag queen. She's she's just the best. 86 00:05:12,839 --> 00:05:14,279 Speaker 1: Did you meet do you know? 87 00:05:14,920 --> 00:05:20,120 Speaker 2: I have met Sasha Colby? And Sasha Colby is so kind, 88 00:05:20,920 --> 00:05:26,919 Speaker 2: so sweet, so talented, so hot, Oh my god's and 89 00:05:27,040 --> 00:05:29,440 Speaker 2: also liked. 90 00:05:28,720 --> 00:05:32,040 Speaker 1: Sasha Colby just make her drag daughter Chapalan Now. 91 00:05:32,720 --> 00:05:35,920 Speaker 2: Well that's sort of yeah, that's why Chapelane says that 92 00:05:36,200 --> 00:05:40,000 Speaker 2: statement about herself, like I'm your favorite artist's favorite artist 93 00:05:40,040 --> 00:05:41,200 Speaker 2: because of Sasha Colby. 94 00:05:41,440 --> 00:05:44,760 Speaker 1: Okay, okay, okay, okay, I'm putting. 95 00:05:46,000 --> 00:05:50,840 Speaker 2: Is so incredible, Like just the fact that they were 96 00:05:50,839 --> 00:05:56,240 Speaker 2: both in this and it's I mean, this number, this 97 00:05:56,320 --> 00:05:59,440 Speaker 2: number is already iconic, and I hate to use that word, 98 00:05:59,839 --> 00:06:04,440 Speaker 2: but it actually it is is iconic legitimately, and these 99 00:06:05,400 --> 00:06:10,680 Speaker 2: two are like two of the most famous trans people 100 00:06:11,080 --> 00:06:13,279 Speaker 2: I think in the world and entertainment, and they're both 101 00:06:13,320 --> 00:06:17,279 Speaker 2: so talented and they're so kind, and it's just I 102 00:06:17,320 --> 00:06:20,320 Speaker 2: can't believe they graced us with their presence, you know. 103 00:06:20,640 --> 00:06:25,479 Speaker 1: I mean, this number just it goes it is. I 104 00:06:25,480 --> 00:06:28,479 Speaker 1: don't know, it's beyond, it's just beyond. It's so good. 105 00:06:29,160 --> 00:06:31,320 Speaker 1: The plan weekly lessons written on the board behind Curt 106 00:06:31,360 --> 00:06:34,080 Speaker 1: and Rachel in the last scene are Britney three point zero, 107 00:06:34,160 --> 00:06:37,120 Speaker 1: Murder Ballads The York and Biggie versus two. 108 00:06:37,480 --> 00:06:41,760 Speaker 2: Oh thank god some of those. When Rachel and Sam 109 00:06:41,800 --> 00:06:44,119 Speaker 2: are looking at photos in Rachel's room, you can spot 110 00:06:44,160 --> 00:06:46,320 Speaker 2: a photo from her Funny Girl audition. It shows the 111 00:06:46,320 --> 00:06:49,279 Speaker 2: original members of the New Directions, but in the actual scene, 112 00:06:49,360 --> 00:06:52,640 Speaker 2: Rachel was just imagining them there with I love that. 113 00:06:53,560 --> 00:06:56,080 Speaker 2: I love that, you too. I do really love that. 114 00:06:56,160 --> 00:06:56,920 Speaker 1: It's really funny. 115 00:06:57,040 --> 00:07:00,240 Speaker 2: Like I don't know if that was on purpose, regardless, 116 00:07:00,600 --> 00:07:01,159 Speaker 2: I'm into it. 117 00:07:02,640 --> 00:07:10,880 Speaker 1: Okay, what is the Fox publicity summary? 118 00:07:11,240 --> 00:07:14,600 Speaker 2: Will takes desperate measures to teach the bullies vocal ajournaline 119 00:07:14,640 --> 00:07:18,400 Speaker 2: about tolerance Meanwhile, New Directions rallies to help Rachel transition 120 00:07:18,600 --> 00:07:22,600 Speaker 2: into her new life while she hold on this is 121 00:07:22,720 --> 00:07:27,800 Speaker 2: crazy that this is the episode's summary. I'm sorry why 122 00:07:28,000 --> 00:07:30,400 Speaker 2: we know what this episode's about, right? What happens in 123 00:07:30,400 --> 00:07:34,560 Speaker 2: this episode and this is the summary? Yeah, Will takes 124 00:07:34,560 --> 00:07:37,080 Speaker 2: desperate measures to teach the bullies of vocal a journaline 125 00:07:37,120 --> 00:07:41,240 Speaker 2: about tolerance. Meanwhile, New Directions rallies to help Rachel transition 126 00:07:41,720 --> 00:07:43,960 Speaker 2: into her new life when she finds out her childhood 127 00:07:44,000 --> 00:07:55,800 Speaker 2: home has been sold. Nothing about Coach Beasts. Hmmm, I 128 00:07:55,800 --> 00:07:58,360 Speaker 2: mean I get it in terms of I'm sure this 129 00:07:58,480 --> 00:08:01,200 Speaker 2: they thought this was like the safe way to play it, you. 130 00:08:01,120 --> 00:08:03,000 Speaker 1: Know, well it is the safe way to play it. 131 00:08:03,440 --> 00:08:05,880 Speaker 2: Yeah, but like, come on, way to play it. 132 00:08:07,200 --> 00:08:09,080 Speaker 1: Yeah, I'm not saying it's the right way to play it, 133 00:08:09,160 --> 00:08:13,000 Speaker 1: is the safe way to play it. Yeah, that's what 134 00:08:13,040 --> 00:08:19,440 Speaker 1: we're doing here. Okay, Okay, Well let's let's let's wait 135 00:08:19,480 --> 00:08:21,880 Speaker 1: for Coach Bees. Let's not let's leave her to say 136 00:08:21,920 --> 00:08:25,600 Speaker 1: the best for last, because there's just lots to say 137 00:08:25,600 --> 00:08:27,960 Speaker 1: about that. So there's a lot of transitioning happening in 138 00:08:28,000 --> 00:08:33,080 Speaker 1: this episode, though, the different ways. Yes, so Rachel is 139 00:08:33,240 --> 00:08:37,120 Speaker 1: now we found out that her gay dads were being 140 00:08:37,160 --> 00:08:40,000 Speaker 1: getting divorced and so they were selling the house. And 141 00:08:43,360 --> 00:08:45,240 Speaker 1: I'm not playing it. I'm not doing the safe out 142 00:08:45,240 --> 00:08:45,640 Speaker 1: with Kevin. 143 00:08:49,000 --> 00:08:50,400 Speaker 2: Why can't they just be dads? 144 00:08:51,520 --> 00:08:55,920 Speaker 1: They can just be dads. But you know what, gay 145 00:08:56,040 --> 00:09:02,160 Speaker 1: is better? You're right, their gay dads are being right? 146 00:09:02,280 --> 00:09:03,680 Speaker 1: Is am I not supposed to say it that way? 147 00:09:03,840 --> 00:09:05,560 Speaker 2: I'll stop being homophobic. No, it was me. 148 00:09:06,720 --> 00:09:08,760 Speaker 1: Okay, I think it's better. 149 00:09:09,760 --> 00:09:10,440 Speaker 2: Day is good? 150 00:09:11,720 --> 00:09:15,400 Speaker 1: Yeah, exactly, gay is the way? 151 00:09:15,600 --> 00:09:28,079 Speaker 2: Are you ever mad? You're not? Yes, like settling by 152 00:09:28,120 --> 00:09:28,760 Speaker 2: being straight. 153 00:09:29,559 --> 00:09:32,959 Speaker 1: I'm always settling, settling by being straight. Even my husband 154 00:09:33,000 --> 00:09:35,600 Speaker 1: would say that, like we're settling by being straight because 155 00:09:35,720 --> 00:09:39,840 Speaker 1: like I feel like all of our friends are gay, 156 00:09:41,880 --> 00:09:45,400 Speaker 1: so like ultimately, like the gay. 157 00:09:45,280 --> 00:09:49,360 Speaker 2: Is better, and even like Alessandra's she's a gay man. 158 00:09:49,600 --> 00:09:52,520 Speaker 1: No, no, yeah, even more than I'd say more than me, 159 00:09:52,600 --> 00:09:54,400 Speaker 1: which I like pains me to say. 160 00:09:54,440 --> 00:09:56,880 Speaker 2: But yeah, no, but there's a wide variety of gay men. 161 00:09:56,880 --> 00:10:00,439 Speaker 2: You're both kids, great, we are both gay men anyway. 162 00:10:01,679 --> 00:10:07,199 Speaker 1: Okay, dads are getting divorced and they're selling their house, 163 00:10:07,320 --> 00:10:12,600 Speaker 1: and she's having like a really hard time like coming 164 00:10:12,640 --> 00:10:16,760 Speaker 1: to terms with like selling her childhood home. Which like 165 00:10:16,800 --> 00:10:19,440 Speaker 1: I don't I don't know. I feel like for me, 166 00:10:20,440 --> 00:10:22,440 Speaker 1: I would be like nostalgic about it, But I don't 167 00:10:22,440 --> 00:10:25,000 Speaker 1: know that I would be like devastated like her. Do 168 00:10:25,000 --> 00:10:25,360 Speaker 1: you would you? 169 00:10:25,400 --> 00:10:28,160 Speaker 2: I think I would. I think when it's all you've known, 170 00:10:28,960 --> 00:10:32,040 Speaker 2: especially when she's gone through so many challenges in the 171 00:10:32,080 --> 00:10:36,320 Speaker 2: past like a year or so, for her character like 172 00:10:36,400 --> 00:10:40,959 Speaker 2: to always have had that safety net, that home and 173 00:10:41,000 --> 00:10:44,720 Speaker 2: her dad's I think it probably is really startling. Also, 174 00:10:44,880 --> 00:10:47,320 Speaker 2: it's like that's where she and Finn fell in love, 175 00:10:48,040 --> 00:10:52,200 Speaker 2: right and memory it is like all those memories with 176 00:10:52,280 --> 00:10:56,280 Speaker 2: Finn and everything that like she probably she loved high 177 00:10:56,280 --> 00:11:00,280 Speaker 2: school and I loved that experiences good and the bad, right. 178 00:11:00,360 --> 00:11:02,560 Speaker 1: I think Also, like the smaller stakes in the show 179 00:11:02,559 --> 00:11:05,000 Speaker 1: are actually like the bigger stakes are like make them 180 00:11:05,000 --> 00:11:05,959 Speaker 1: bigger and that's better. 181 00:11:06,320 --> 00:11:07,400 Speaker 2: Yeah, way exactly. 182 00:11:09,040 --> 00:11:12,160 Speaker 1: Okay. So then Sam and Kurt decide that they're going 183 00:11:12,240 --> 00:11:15,600 Speaker 1: to help and they're gonna make uh, They're gonna throw 184 00:11:15,800 --> 00:11:18,400 Speaker 1: like a going away party for her and her childhood 185 00:11:18,440 --> 00:11:22,520 Speaker 1: home in the basement where we did blame it on 186 00:11:22,520 --> 00:11:23,880 Speaker 1: the alcohol, which was really fun. 187 00:11:24,200 --> 00:11:26,200 Speaker 2: And they also decide that the theme this week for 188 00:11:26,440 --> 00:11:30,080 Speaker 2: Glee Club is transitioning. Mmmm, and this is one of 189 00:11:30,080 --> 00:11:30,640 Speaker 2: those things. 190 00:11:31,559 --> 00:11:35,960 Speaker 1: Okay, So I mean, you guys, a big part of 191 00:11:35,960 --> 00:11:38,120 Speaker 1: it is that you guys spend a lot of time 192 00:11:38,760 --> 00:11:42,880 Speaker 1: in this episode in that basement. Did it feel familiar 193 00:11:43,000 --> 00:11:45,360 Speaker 1: to do another thing in that basement like that whole 194 00:11:45,360 --> 00:11:47,640 Speaker 1: episode we did? And you know, for blame it. 195 00:11:47,679 --> 00:11:49,840 Speaker 2: Oh, I was stoked to be back in that basement. 196 00:11:50,400 --> 00:11:52,280 Speaker 2: But nothing but good memories in that basement. And this 197 00:11:52,440 --> 00:12:03,720 Speaker 2: was also fun. The other thing going on is the 198 00:12:03,760 --> 00:12:08,640 Speaker 2: Curtain Blaine of it all right, right, yes, and Curtain 199 00:12:08,679 --> 00:12:10,680 Speaker 2: Blaine are still sort of you know, they kissed to 200 00:12:10,720 --> 00:12:14,400 Speaker 2: get out of that elevator, but it meant nothing. It 201 00:12:14,520 --> 00:12:20,000 Speaker 2: meant nothing, right, and so they're trying to be adult 202 00:12:20,040 --> 00:12:21,960 Speaker 2: about it and like there aren't any feelings. We have 203 00:12:22,120 --> 00:12:25,800 Speaker 2: moved on, we're healthy, you know, they both have boyfriends, 204 00:12:25,840 --> 00:12:31,040 Speaker 2: like everything is fine. And so when this duet's idea 205 00:12:31,120 --> 00:12:33,640 Speaker 2: comes up for transitioning, they're going to sing some duets 206 00:12:33,679 --> 00:12:37,199 Speaker 2: A new person and an old person. Yeah, us being 207 00:12:37,240 --> 00:12:39,080 Speaker 2: the old people. M hm. 208 00:12:40,559 --> 00:12:40,599 Speaker 1: Ar. 209 00:12:40,679 --> 00:12:44,360 Speaker 2: He has this wheel of musical fortune. Then everybody gets 210 00:12:44,440 --> 00:12:45,720 Speaker 2: up to spin the wheel to see who they're going 211 00:12:45,760 --> 00:12:47,600 Speaker 2: to do it with. And Kurt, you know, fudges it 212 00:12:47,640 --> 00:12:50,319 Speaker 2: so he can sing with Blaine in the basement, which 213 00:12:50,440 --> 00:12:53,559 Speaker 2: leads us, you know, which sets us up for the 214 00:12:53,800 --> 00:12:57,040 Speaker 2: ensuing chaos and drama of the episode. 215 00:12:57,840 --> 00:13:03,640 Speaker 1: The wheel is really funny. 216 00:13:05,200 --> 00:13:06,040 Speaker 2: I love a prop. 217 00:13:06,640 --> 00:13:09,080 Speaker 1: I love the wheel. I love that already came up 218 00:13:09,120 --> 00:13:12,240 Speaker 1: with that. I also think it's so funny. That was 219 00:13:12,240 --> 00:13:14,520 Speaker 1: it Sam, That was like, why can't you just pick 220 00:13:14,559 --> 00:13:18,640 Speaker 1: these out of a hat? Right? And your look, you're 221 00:13:18,720 --> 00:13:22,959 Speaker 1: the look on your face. But the wheel is really 222 00:13:23,000 --> 00:13:27,079 Speaker 1: fun So love a wheel, Love the prop. 223 00:13:27,200 --> 00:13:29,240 Speaker 2: It's also like, you know, anytime you get to do 224 00:13:29,720 --> 00:13:32,880 Speaker 2: anything remotely different in that choir room is a gift. 225 00:13:32,920 --> 00:13:34,920 Speaker 2: I also don't understand how Arty is still there, Like 226 00:13:34,920 --> 00:13:36,079 Speaker 2: why aren't you at school? 227 00:13:37,360 --> 00:13:41,000 Speaker 1: You just moved back and you didn't say anything about it. 228 00:13:40,360 --> 00:13:42,280 Speaker 2: Like did he drop out? What happened? 229 00:13:42,840 --> 00:13:45,120 Speaker 1: This is a weekend. I feel like if you asked 230 00:13:45,200 --> 00:13:46,760 Speaker 1: ian a Brad, they'd be like, you took the train 231 00:13:46,840 --> 00:13:47,160 Speaker 1: home for. 232 00:13:47,080 --> 00:13:50,520 Speaker 2: The weekend, but it's not a weekend. They're in school, oh. 233 00:13:50,520 --> 00:13:52,960 Speaker 1: Right, right, right right. But they'd be like, ten doesn't matter. 234 00:13:54,360 --> 00:13:56,160 Speaker 2: Yeah, that's the real answer. 235 00:13:56,480 --> 00:14:01,960 Speaker 1: Let's talk about this party. What was it like to 236 00:14:01,960 --> 00:14:03,199 Speaker 1: to film in this party? 237 00:14:03,640 --> 00:14:05,520 Speaker 2: I think this is why I feel like I know 238 00:14:06,600 --> 00:14:07,959 Speaker 2: the new kids so well. 239 00:14:08,440 --> 00:14:09,680 Speaker 1: You spend time with them here. 240 00:14:10,080 --> 00:14:11,880 Speaker 2: Yeah, and you know, when you're in that basement, it's 241 00:14:11,880 --> 00:14:15,600 Speaker 2: a little comfy. Yeah, you don't really need to leave. 242 00:14:16,520 --> 00:14:17,679 Speaker 1: Yeah. 243 00:14:17,720 --> 00:14:19,480 Speaker 2: On some of the other sets, you like go back 244 00:14:19,480 --> 00:14:23,520 Speaker 2: to your trailer, the basement set really feels like a basement, 245 00:14:23,840 --> 00:14:26,240 Speaker 2: and so everyone just sort of hangs out and we 246 00:14:26,320 --> 00:14:28,440 Speaker 2: had to rehearse, so there's dance rehearsal, so there's just 247 00:14:28,480 --> 00:14:31,160 Speaker 2: more time for everyone to be together, and there were 248 00:14:31,160 --> 00:14:32,920 Speaker 2: just a lot of us. And also when you're forced 249 00:14:33,000 --> 00:14:36,800 Speaker 2: to mix and dance with each other, you're just there 250 00:14:36,920 --> 00:14:39,760 Speaker 2: gabin talking, getting to know each other. So I think 251 00:14:39,800 --> 00:14:43,640 Speaker 2: this is a big reason why I felt closer to them. 252 00:14:44,000 --> 00:14:44,440 Speaker 1: I hear that. 253 00:14:45,480 --> 00:14:47,520 Speaker 2: It was also just a really great moment because we 254 00:14:47,600 --> 00:14:50,400 Speaker 2: got to do our friend Betty whose song, and I 255 00:14:50,520 --> 00:14:52,800 Speaker 2: really was very excited about that. 256 00:14:53,160 --> 00:14:59,120 Speaker 1: I mean, that song is so much fun. I love 257 00:14:59,200 --> 00:15:02,240 Speaker 1: that their version. I think it's so cute. 258 00:15:02,080 --> 00:15:05,560 Speaker 2: And it's perfect for their storyline and it's like, really 259 00:15:05,640 --> 00:15:08,360 Speaker 2: they're playing with fire though, Like if this was real 260 00:15:08,400 --> 00:15:12,200 Speaker 2: life and these two exes who are with other people 261 00:15:12,320 --> 00:15:14,440 Speaker 2: and keep telling each other they're not in love with 262 00:15:14,480 --> 00:15:17,080 Speaker 2: each other and then they sing a song called Somebody 263 00:15:17,120 --> 00:15:22,040 Speaker 2: Loves You that went famous for a marriage proposal. Oh 264 00:15:22,400 --> 00:15:27,480 Speaker 2: you step in in it, dirty ass dogs, like we 265 00:15:27,760 --> 00:15:28,880 Speaker 2: know what is up? 266 00:15:29,280 --> 00:15:31,000 Speaker 1: I know, I know, I know. 267 00:15:31,440 --> 00:15:38,720 Speaker 2: And then the kiss, the kiss, something is happening to 268 00:15:40,760 --> 00:15:44,200 Speaker 2: where I just believe them more as a couple. 269 00:15:44,240 --> 00:15:49,600 Speaker 1: Now, I totally agree, I totally agree. I think it's 270 00:15:49,600 --> 00:15:53,440 Speaker 1: because we've really been able to see the arc of 271 00:15:53,560 --> 00:15:57,160 Speaker 1: them not being together and then somebody dating somebody else, 272 00:15:57,200 --> 00:15:59,160 Speaker 1: even though like that kind of feels fake to me, 273 00:15:59,600 --> 00:16:02,560 Speaker 1: like the Karofsky and Blaine of Vidal is like feels 274 00:16:02,560 --> 00:16:04,640 Speaker 1: a little fit to me. But like seeing them not 275 00:16:04,720 --> 00:16:07,400 Speaker 1: be able to be together, it's not so easy. It 276 00:16:07,560 --> 00:16:10,480 Speaker 1: hasn't come like, oh they're together and they're just like 277 00:16:10,520 --> 00:16:12,280 Speaker 1: a perfect couple, and they go through a little bit, 278 00:16:12,320 --> 00:16:14,640 Speaker 1: it's like they're not together. We want them so badly 279 00:16:14,720 --> 00:16:17,840 Speaker 1: to that. Like right now, watching like the ins and 280 00:16:17,880 --> 00:16:22,040 Speaker 1: outs of like a relationship that isn't isn't fully in 281 00:16:22,240 --> 00:16:25,280 Speaker 1: or out is so exciting because. 282 00:16:25,120 --> 00:16:29,600 Speaker 2: It's also the test ye where yes, it's like, yeah, 283 00:16:29,640 --> 00:16:32,200 Speaker 2: it's too easy for you guys just to get married already, right, 284 00:16:32,280 --> 00:16:34,760 Speaker 2: Like can we not do that? Every couple on the show, 285 00:16:34,800 --> 00:16:37,840 Speaker 2: that's what they talk like, So yeah, to give them 286 00:16:37,880 --> 00:16:41,160 Speaker 2: some sort of obstacle like this is very rewarding to 287 00:16:41,240 --> 00:16:45,080 Speaker 2: watch as a fan of the end of viewer and 288 00:16:45,160 --> 00:16:45,720 Speaker 2: also like. 289 00:16:45,720 --> 00:16:48,120 Speaker 1: The so they kiss, they do the number and they 290 00:16:48,200 --> 00:16:49,240 Speaker 1: kiss and then. 291 00:16:51,960 --> 00:16:52,440 Speaker 2: And then. 292 00:16:54,800 --> 00:17:00,400 Speaker 1: Krooski basically guesses that something happened. Then he's something acting 293 00:17:01,840 --> 00:17:02,640 Speaker 1: so suspicious. 294 00:17:02,960 --> 00:17:05,640 Speaker 2: Blaine is acting like he just buried a body, like. 295 00:17:07,400 --> 00:17:10,040 Speaker 1: Yeah, yeah, yeah, but they have such like a mature 296 00:17:10,680 --> 00:17:13,760 Speaker 1: like I'll look on even though they lived together. 297 00:17:14,800 --> 00:17:18,040 Speaker 2: Do you think Blaine was scared because Kowski has been 298 00:17:18,119 --> 00:17:25,240 Speaker 2: violent in the past to Kurt physically violent. What do 299 00:17:25,280 --> 00:17:28,760 Speaker 2: you mean, like, oh, do you think he was scared him? 300 00:17:29,359 --> 00:17:32,000 Speaker 2: That's why he's acting so suspicious, because he's scared. 301 00:17:32,240 --> 00:17:33,520 Speaker 1: I don't think it's scared. 302 00:17:35,760 --> 00:17:39,560 Speaker 2: I don't either, But. 303 00:17:38,240 --> 00:17:40,760 Speaker 1: That's a good one. No, I don't think so. I 304 00:17:40,800 --> 00:17:45,240 Speaker 1: think it's just that I think they're good people, right, 305 00:17:45,320 --> 00:17:49,120 Speaker 1: Like Blaine's a good person, and they they have good 306 00:17:49,320 --> 00:17:53,080 Speaker 1: integrity and so they're not like going behind each other's backs, 307 00:17:53,119 --> 00:17:55,480 Speaker 1: and just like outwardly, I think he has like a 308 00:17:55,600 --> 00:17:58,639 Speaker 1: good conscience and like head on his shoulders that like 309 00:17:59,000 --> 00:18:01,639 Speaker 1: he's he's feet feeling really guilty about it because he 310 00:18:01,680 --> 00:18:03,520 Speaker 1: knows he did something that he's not supposed to do 311 00:18:03,680 --> 00:18:05,639 Speaker 1: and that like it's gonna hurt somebody else. And so 312 00:18:05,720 --> 00:18:06,600 Speaker 1: I think that's why. 313 00:18:06,880 --> 00:18:09,639 Speaker 2: But you know what Blaine has done twice now cheated? 314 00:18:10,200 --> 00:18:15,760 Speaker 1: Mm hmmmmm. You're right. This is showing growth. Okay, this 315 00:18:15,800 --> 00:18:17,560 Speaker 1: is showing real growth. 316 00:18:17,400 --> 00:18:21,280 Speaker 2: That wow, he cheated twice and told them twice. 317 00:18:21,880 --> 00:18:24,280 Speaker 1: Yeah, but also like he's not just hiding it and 318 00:18:24,280 --> 00:18:26,679 Speaker 1: going mind somebody's back, like cheating him multiple times, like 319 00:18:26,760 --> 00:18:29,920 Speaker 1: it's been a one off experience that like Ben has 320 00:18:30,000 --> 00:18:34,160 Speaker 1: like broken him down. Now, Yes, no, cheating is not okay. Now. 321 00:18:38,680 --> 00:18:40,720 Speaker 2: I think we give Blaine a lot of credit because 322 00:18:40,720 --> 00:18:45,080 Speaker 2: he seems like a sweet guy. But those lips are loose. 323 00:18:47,240 --> 00:18:50,040 Speaker 1: I know. I I see what you're saying now, though 324 00:18:51,240 --> 00:18:55,160 Speaker 1: that aside, you're right, you're not wrong, You're not wrong. 325 00:18:55,640 --> 00:19:02,320 Speaker 1: I do. I do agree that I feel like this 326 00:19:02,520 --> 00:19:05,920 Speaker 1: really gives us like a different like touch on their 327 00:19:05,960 --> 00:19:09,720 Speaker 1: relationship and like viewpoint from their relationship of like really 328 00:19:09,760 --> 00:19:13,480 Speaker 1: getting to see that it's not so it's not all 329 00:19:14,119 --> 00:19:16,000 Speaker 1: sunshine and rainbows, you know what I mean? 330 00:19:16,840 --> 00:19:21,600 Speaker 2: Yes, And I think also setting up like for Blaine 331 00:19:21,640 --> 00:19:25,160 Speaker 2: having a mature breakup like that sets him up for 332 00:19:25,280 --> 00:19:27,600 Speaker 2: a healthy yes next. 333 00:19:28,320 --> 00:19:30,760 Speaker 1: Yeah, yeah, yeah, yes, which is coming. 334 00:19:32,040 --> 00:19:37,919 Speaker 2: Okay, let's finish them out because then Blaine goes, you 335 00:19:37,960 --> 00:19:41,840 Speaker 2: know what we're done. I'm gonna go tell Kurt. For 336 00:19:41,880 --> 00:19:46,959 Speaker 2: some reason, he goes to the school at night, after hours. 337 00:19:47,080 --> 00:19:50,080 Speaker 2: I don't know why people are hanging out there, but 338 00:19:50,359 --> 00:19:53,560 Speaker 2: Kurt is there with his man and comes out and 339 00:19:53,680 --> 00:19:57,680 Speaker 2: Blaine looks shocked, and then Rachel and Sam come out. 340 00:19:57,760 --> 00:19:58,760 Speaker 2: It's a funny scene. 341 00:19:59,359 --> 00:19:59,800 Speaker 1: M hmm. 342 00:20:00,760 --> 00:20:05,840 Speaker 2: There's some good comedy and there's some nice blocking. I 343 00:20:05,840 --> 00:20:08,239 Speaker 2: thought Dante did a great job directing this episode. I 344 00:20:08,280 --> 00:20:08,640 Speaker 2: did you. 345 00:20:11,800 --> 00:20:12,960 Speaker 1: And it felt very cohesive. 346 00:20:13,280 --> 00:20:16,400 Speaker 2: It did. Yeah, yeah, it just goes to. 347 00:20:16,320 --> 00:20:18,240 Speaker 1: Show too, like with people who know our show, who 348 00:20:18,359 --> 00:20:21,080 Speaker 1: this was I think his directorial debut, but like somebody 349 00:20:21,080 --> 00:20:23,760 Speaker 1: who's been around our show for so long, like you 350 00:20:23,880 --> 00:20:25,840 Speaker 1: just like click in and you like get it, you know. 351 00:20:26,840 --> 00:20:28,679 Speaker 2: Yes, And it was also right for him to like 352 00:20:28,760 --> 00:20:33,280 Speaker 2: Dante as a gay man. Yeah, it was very knowledgeable 353 00:20:33,520 --> 00:20:36,639 Speaker 2: and wise and had great advice about these things. And 354 00:20:36,640 --> 00:20:42,200 Speaker 2: for him to be directing an episode like this, yeah, yeah, 355 00:20:42,440 --> 00:20:45,040 Speaker 2: the transitioning episode, and like he was crying as they 356 00:20:45,040 --> 00:20:47,639 Speaker 2: were filming it like it was I'm getting ahead of myself. 357 00:20:47,680 --> 00:20:52,919 Speaker 2: But so Blaine lies and it's like, oh, you know, 358 00:20:53,040 --> 00:20:54,960 Speaker 2: I was here to tell Rachel something. Then Rachel comes 359 00:20:55,000 --> 00:20:56,679 Speaker 2: up and then he's like, she's like, oh, you need 360 00:20:56,680 --> 00:20:58,720 Speaker 2: to tell me something, Oh you know what, I actually don't. 361 00:20:59,040 --> 00:21:01,840 Speaker 2: And then Kurt's like, we're going on a double date. 362 00:21:02,200 --> 00:21:05,399 Speaker 2: Do you want to come with Krofski? And he just 363 00:21:05,440 --> 00:21:09,920 Speaker 2: says no. And it's sad, but you know, a cheater 364 00:21:09,960 --> 00:21:15,159 Speaker 2: can't always get what they want right away. Give it 365 00:21:15,200 --> 00:21:20,520 Speaker 2: a couple of episodes. He always comes crawling back to you. 366 00:21:21,480 --> 00:21:23,840 Speaker 2: Back so back at the Basement. 367 00:21:25,800 --> 00:21:28,680 Speaker 1: At the Basement, I really liked. 368 00:21:28,720 --> 00:21:31,280 Speaker 2: Seeing all the new kids mixed with the old kids, 369 00:21:31,440 --> 00:21:33,600 Speaker 2: and they're all just so nice and talented. We get 370 00:21:33,600 --> 00:21:36,720 Speaker 2: some crazy musical numbers. In addition to Somebody Loves You, 371 00:21:37,440 --> 00:21:41,800 Speaker 2: we also get all about that Bass, which. 372 00:21:44,000 --> 00:21:48,600 Speaker 1: Is a really fun number. And those two look, yeah 373 00:21:50,200 --> 00:21:53,680 Speaker 1: you could they could sing the phone they read sing 374 00:21:53,720 --> 00:21:58,120 Speaker 1: the phone book like whatever. Put have them saying happy 375 00:21:58,160 --> 00:21:59,760 Speaker 1: Birthday to me over and over again. Put it on 376 00:21:59,760 --> 00:22:04,000 Speaker 1: a I don't care like anything works. I would like 377 00:22:04,040 --> 00:22:06,680 Speaker 1: to really see them like go like I want to 378 00:22:06,720 --> 00:22:11,119 Speaker 1: see a song where they can go. But it was 379 00:22:11,160 --> 00:22:13,800 Speaker 1: really fun and I like this little duo, Like they 380 00:22:13,800 --> 00:22:14,639 Speaker 1: were really cute together. 381 00:22:14,720 --> 00:22:19,359 Speaker 2: I needed eight more episodes of them just doing duets, yes, straight, 382 00:22:19,560 --> 00:22:20,199 Speaker 2: like just that. 383 00:22:20,320 --> 00:22:23,480 Speaker 1: Can we just have an album of duets? 384 00:22:27,640 --> 00:22:29,440 Speaker 2: And then we have all these sweet scenes of Rachel 385 00:22:29,480 --> 00:22:31,800 Speaker 2: in her bedroom and like looking at that, you know 386 00:22:31,920 --> 00:22:34,720 Speaker 2: the one thing she can't pack up all her memories, 387 00:22:35,119 --> 00:22:36,000 Speaker 2: the thing with Sam. 388 00:22:36,760 --> 00:22:40,879 Speaker 1: Look, I I'm getting it now. The Q and Q 389 00:22:41,040 --> 00:22:43,159 Speaker 1: and as we've done where you guys write in and 390 00:22:43,200 --> 00:22:46,119 Speaker 1: you like, you know, hot takes where you say like 391 00:22:46,160 --> 00:22:49,760 Speaker 1: Sam and Rachel are endgame, Like I really like this 392 00:22:50,880 --> 00:22:53,639 Speaker 1: support that Sam is providing for Rachel. He's like a 393 00:22:53,720 --> 00:22:56,480 Speaker 1: really good sounding board and they really balance each other 394 00:22:56,520 --> 00:22:59,080 Speaker 1: out in a way. Now we see the Bookcord with everybody, 395 00:22:59,160 --> 00:23:00,960 Speaker 1: or with Sam with every buddy, like even Sam and 396 00:23:01,000 --> 00:23:03,680 Speaker 1: Mercedes we love too, but like this is a really 397 00:23:03,680 --> 00:23:06,600 Speaker 1: good pairing right now. I'm really here. 398 00:23:06,440 --> 00:23:15,320 Speaker 2: For it because Chord has chemistry with everybody. It's insane 399 00:23:15,640 --> 00:23:19,240 Speaker 2: and and it's genuine. I'm not like trying to chalk 400 00:23:19,320 --> 00:23:21,280 Speaker 2: it up to like, oh that's just Chord being like 401 00:23:21,920 --> 00:23:27,160 Speaker 2: these characters really work together and they were also very 402 00:23:27,240 --> 00:23:30,120 Speaker 2: very close friends, so I think that was also very helpful. 403 00:23:30,440 --> 00:23:34,840 Speaker 1: Yeah exactly. I think also like towards Yeah yeah, no, no, 404 00:23:34,880 --> 00:23:35,199 Speaker 1: that's right. 405 00:23:36,400 --> 00:23:37,959 Speaker 2: And they seen time after time together. 406 00:23:39,000 --> 00:23:42,200 Speaker 1: What a funny number, funny song. 407 00:23:42,359 --> 00:23:44,760 Speaker 2: So their voices couldn't be more different than one another. 408 00:23:47,800 --> 00:23:52,960 Speaker 1: Is your way of saying their duets are not your favorite? 409 00:23:53,880 --> 00:23:57,119 Speaker 2: I don't know. I uh, I still buy it, and 410 00:23:57,160 --> 00:24:02,840 Speaker 2: they're different. I enjoy the chord and Amberg duets more. Yeah, yeah, yeah, yeah, yeah, duets. 411 00:24:02,640 --> 00:24:05,320 Speaker 1: Duets like not every not every voice is gonna match, like, 412 00:24:05,359 --> 00:24:07,000 Speaker 1: not every duet is going to be perfect, do you 413 00:24:07,080 --> 00:24:10,960 Speaker 1: know what I mean? Yeah, but yes, they do a 414 00:24:11,160 --> 00:24:17,760 Speaker 1: very sweet time after time, and uh, it's just funny 415 00:24:17,800 --> 00:24:22,560 Speaker 1: to like, I can't unsee blame it on the alcohol 416 00:24:23,359 --> 00:24:25,480 Speaker 1: when you're do the same, cannot see it. 417 00:24:26,119 --> 00:24:30,000 Speaker 2: I yeah, I don't really have many memories of shooting this, 418 00:24:30,119 --> 00:24:31,000 Speaker 2: to be honest. 419 00:24:30,800 --> 00:24:33,560 Speaker 1: That's really funny. Did it take more than one day? 420 00:24:33,880 --> 00:24:35,600 Speaker 1: It had to. You had to be in that room 421 00:24:35,640 --> 00:24:36,560 Speaker 1: for a couple of days. 422 00:24:36,760 --> 00:24:39,040 Speaker 2: I think we're there for two days. I remember like 423 00:24:39,119 --> 00:24:44,480 Speaker 2: going in there to rehearse. That's when Amber famously told 424 00:24:44,520 --> 00:24:48,480 Speaker 2: me somebody said, oh, we should play a game. And 425 00:24:48,520 --> 00:24:51,680 Speaker 2: then Amber was in a mood and said, I don't 426 00:24:51,720 --> 00:24:53,600 Speaker 2: play a game. I'm a grown ass woman. 427 00:24:56,000 --> 00:24:58,200 Speaker 1: Like that made it down the That made it down 428 00:24:58,200 --> 00:25:00,560 Speaker 1: the pipeline at some point because I remember that and 429 00:25:00,600 --> 00:25:01,240 Speaker 1: I wasn't there. 430 00:25:01,560 --> 00:25:04,360 Speaker 2: It was so fun. I remember where I was. 431 00:25:04,880 --> 00:25:07,119 Speaker 1: I feel scared if it was a newbie who said that. 432 00:25:07,200 --> 00:25:11,240 Speaker 1: And she said that, and they were like okay. 433 00:25:10,200 --> 00:25:14,719 Speaker 2: And it was to the room, you know, and I 434 00:25:14,800 --> 00:25:20,359 Speaker 2: lost it because she was so serious and she was 435 00:25:20,359 --> 00:25:22,480 Speaker 2: sitting in a chair you could tell like she was 436 00:25:22,560 --> 00:25:25,280 Speaker 2: over it. I was sitting in the wheelchair on the 437 00:25:25,280 --> 00:25:27,119 Speaker 2: other side of the room, and she goes, Oh, I 438 00:25:27,119 --> 00:25:30,000 Speaker 2: don't play games. I'm a grown ass woman. 439 00:25:31,400 --> 00:25:33,040 Speaker 1: You asked Cameron. Now you'd be like, you want to 440 00:25:33,040 --> 00:25:34,680 Speaker 1: play Caitan, She'd be like yeah. 441 00:25:35,280 --> 00:25:41,880 Speaker 2: Even then she played games. We played Mafia Regular, which 442 00:25:41,920 --> 00:25:44,800 Speaker 2: I think is what I said, what are you talking about. 443 00:25:50,080 --> 00:25:55,840 Speaker 2: I was like, no, I don't play games. I'm like okay, okay. 444 00:25:56,280 --> 00:25:59,880 Speaker 1: So that concludes the basement. 445 00:26:01,440 --> 00:26:03,440 Speaker 2: It was so worth it for I don't know how 446 00:26:03,440 --> 00:26:06,560 Speaker 2: it got brought up, but she It's one of my 447 00:26:06,600 --> 00:26:15,239 Speaker 2: favorite memories of her. Also, who thinks that just the 448 00:26:15,320 --> 00:26:19,800 Speaker 2: thinking of like grown as people can't play games because 449 00:26:19,800 --> 00:26:22,119 Speaker 2: they're adults. 450 00:26:22,600 --> 00:26:26,040 Speaker 1: Well that's it. That is Actually it's like making jealous. 451 00:26:26,440 --> 00:26:38,880 Speaker 1: It's ridiculous, all right. So we also have Will who 452 00:26:38,960 --> 00:26:44,760 Speaker 1: is still at vocal adrenaline and he is of Jamis back. 453 00:26:44,840 --> 00:26:48,880 Speaker 1: We've got Emma around, and he's kind of in this 454 00:26:49,560 --> 00:26:54,399 Speaker 1: he's having a hard time between enjoying all of the 455 00:26:54,400 --> 00:26:57,240 Speaker 1: perks that come with being and feeling like a man. 456 00:26:57,359 --> 00:27:00,600 Speaker 1: I guess of like feeling he has nice things and 457 00:27:00,640 --> 00:27:02,720 Speaker 1: feeling really set up in a way, and like I 458 00:27:03,240 --> 00:27:06,520 Speaker 1: get yeah, I get that. I think there's like when 459 00:27:06,560 --> 00:27:09,520 Speaker 1: you have kids and a family to look after, like 460 00:27:09,640 --> 00:27:12,560 Speaker 1: sometimes sometimes in your life, and I think it's okay, 461 00:27:12,680 --> 00:27:17,520 Speaker 1: Like there are times where security is important and it's 462 00:27:17,800 --> 00:27:23,359 Speaker 1: a true priority, right, security and comfort. But on the 463 00:27:23,440 --> 00:27:27,240 Speaker 1: other hand, what's the most important, and I agree, is 464 00:27:27,320 --> 00:27:31,080 Speaker 1: like your kids absorb everything that you do on the 465 00:27:31,160 --> 00:27:34,159 Speaker 1: day to day and like watching you do something that 466 00:27:34,200 --> 00:27:37,280 Speaker 1: you love has to be the way, right, it has 467 00:27:37,359 --> 00:27:39,280 Speaker 1: to be the way or they will see it and 468 00:27:39,320 --> 00:27:41,680 Speaker 1: they they take in everything. 469 00:27:41,840 --> 00:27:45,040 Speaker 2: So is that why you do this podcast? Because your 470 00:27:45,119 --> 00:27:48,800 Speaker 2: kids can see you loving, loving, seeing me. 471 00:27:50,920 --> 00:27:54,320 Speaker 1: Yes, working with Uncle Kevin. That's right. I can tell 472 00:27:54,520 --> 00:27:57,960 Speaker 1: my kids that I worked with my best friend from 473 00:27:57,960 --> 00:28:01,640 Speaker 1: two thousand and eight to twenty twenty five. We're done 474 00:28:01,680 --> 00:28:04,760 Speaker 1: after this black where this episode is over. We're done 475 00:28:04,840 --> 00:28:05,560 Speaker 1: after this episode. 476 00:28:05,600 --> 00:28:11,800 Speaker 2: By the way, great never contact me again. I'm sorry. 477 00:28:12,200 --> 00:28:15,040 Speaker 1: I know it's fine because it's true, though, like if 478 00:28:15,080 --> 00:28:17,199 Speaker 1: you're not doing what you love, which we have, Like, 479 00:28:17,520 --> 00:28:19,679 Speaker 1: I feel like everybody in this industry right now is 480 00:28:19,680 --> 00:28:22,720 Speaker 1: on this like precipice of like trying to find the 481 00:28:22,840 --> 00:28:26,639 Speaker 1: joy in this still and it's so hard and like 482 00:28:26,760 --> 00:28:29,920 Speaker 1: having kids or whatever it is, or just living by 483 00:28:29,960 --> 00:28:32,120 Speaker 1: your morals and integrity of like being like I want 484 00:28:32,119 --> 00:28:33,680 Speaker 1: to do something that I love every day and wake 485 00:28:33,760 --> 00:28:38,520 Speaker 1: up feeling excited about. Like Will is at that place 486 00:28:38,600 --> 00:28:42,760 Speaker 1: he's in that it's on the precipice of something important. 487 00:28:42,880 --> 00:28:47,400 Speaker 1: So I think I really appreciated that watching like the 488 00:28:47,440 --> 00:28:50,320 Speaker 1: sounding board that Emma is for Will in this moment, 489 00:28:50,480 --> 00:28:53,800 Speaker 1: and like him not being in it, comfortable in this 490 00:28:54,160 --> 00:28:56,360 Speaker 1: even though he loves the comfort of it. 491 00:28:58,400 --> 00:29:02,040 Speaker 2: He's always been someone that's been driven his heart totally 492 00:29:02,160 --> 00:29:06,560 Speaker 2: and heart for better or for worse. And you know, 493 00:29:06,640 --> 00:29:10,560 Speaker 2: it feels like that he's already had some conflict with 494 00:29:10,600 --> 00:29:14,880 Speaker 2: the head of Vocal Journaline the lead boy, and so 495 00:29:16,280 --> 00:29:19,720 Speaker 2: there are two instances of bullying that happened Vocal Journaline 496 00:29:19,960 --> 00:29:24,320 Speaker 2: Egg Rachel and Kurt oh No, Rachel and Blaine right, 497 00:29:25,400 --> 00:29:28,920 Speaker 2: and then Coach Beast walks out to a slur written 498 00:29:28,960 --> 00:29:32,200 Speaker 2: on his car and we see the Vocal Journaline team 499 00:29:32,600 --> 00:29:38,880 Speaker 2: driving away, and Sue sits down with Will and Beast 500 00:29:40,320 --> 00:29:45,320 Speaker 2: and they talk about it and Will does some reverse 501 00:29:45,400 --> 00:29:51,000 Speaker 2: psychology on them, and we'll get to what follows there. 502 00:29:52,120 --> 00:29:55,320 Speaker 2: But the real focus of this episode is Coach Beast 503 00:29:55,960 --> 00:30:01,400 Speaker 2: because Coach Beast makes his debut as Sheldon mm hmmm hm, 504 00:30:01,640 --> 00:30:08,160 Speaker 2: and you have dots really powerful performance, and. 505 00:30:06,960 --> 00:30:11,240 Speaker 1: I support Sue as well, like coming in very quickly 506 00:30:11,480 --> 00:30:14,160 Speaker 1: knowing that like everybody's. 507 00:30:13,560 --> 00:30:15,840 Speaker 2: There, Sue and Sam stepping it up. 508 00:30:16,160 --> 00:30:20,440 Speaker 1: Love it Sam is It's It's funny though, because Sam 509 00:30:20,560 --> 00:30:24,520 Speaker 1: is just so awkward and but like his intentions are 510 00:30:24,560 --> 00:30:25,480 Speaker 1: so are pure. 511 00:30:26,640 --> 00:30:30,560 Speaker 2: Well, he's just he's so bold and I guess with 512 00:30:30,600 --> 00:30:34,160 Speaker 2: his intentions, yeah, yeah, so unapologetic, yeah yeah yeah, and 513 00:30:34,200 --> 00:30:36,960 Speaker 2: then that can be like the real sincerity of that 514 00:30:37,000 --> 00:30:40,840 Speaker 2: can feel almost overwhelming or awkward because it's just like 515 00:30:41,040 --> 00:30:45,160 Speaker 2: pure sincerity. Yeah, it's like coord where you're just like 516 00:30:45,600 --> 00:30:49,560 Speaker 2: he is loyal, he cares about his people, doesn't care and. 517 00:30:49,520 --> 00:30:52,960 Speaker 1: However that comes out, it comes out right right, but 518 00:30:53,000 --> 00:30:54,760 Speaker 1: it's really sweet. I like it. I like that. 519 00:30:56,000 --> 00:30:58,360 Speaker 2: Has this just turned into a Chord Overstreet fan? 520 00:30:59,320 --> 00:31:00,440 Speaker 1: It has been for long time. 521 00:31:00,520 --> 00:31:02,800 Speaker 2: I will say out in these streets too, Jenna and 522 00:31:02,840 --> 00:31:06,360 Speaker 2: I when we've seen other people from the show, and 523 00:31:06,480 --> 00:31:08,480 Speaker 2: Cord will get brought up or something and someone may 524 00:31:08,520 --> 00:31:10,840 Speaker 2: make like Chord to the end all the ready joke, 525 00:31:11,000 --> 00:31:14,320 Speaker 2: and Jenna and I have been defending and speaking up 526 00:31:14,360 --> 00:31:16,760 Speaker 2: about how good Chord is on this show. 527 00:31:16,880 --> 00:31:18,600 Speaker 1: I'm like, have you seen these seasons? 528 00:31:18,640 --> 00:31:21,240 Speaker 2: Because Jenna and I, fully I don't know who was 529 00:31:21,240 --> 00:31:23,160 Speaker 2: we were talking to. We were like no, no, no, 530 00:31:23,200 --> 00:31:25,200 Speaker 2: you don't understand. We shut them down. 531 00:31:25,480 --> 00:31:27,120 Speaker 1: We were like, get get on board. 532 00:31:27,160 --> 00:31:29,240 Speaker 2: And they weren't even saying anything bad. No, no, no, 533 00:31:29,560 --> 00:31:31,560 Speaker 2: we just made like a passing like joke or something. 534 00:31:31,600 --> 00:31:33,880 Speaker 2: We're like, no, no, no, no, But you don't realize 535 00:31:34,040 --> 00:31:35,480 Speaker 2: he has to do this episode and. 536 00:31:37,680 --> 00:31:40,960 Speaker 1: Just like, fully, we're awful we're. 537 00:31:40,800 --> 00:31:42,560 Speaker 2: Not getting invited to anything ever again. 538 00:31:42,720 --> 00:31:45,000 Speaker 1: No, no, we should always be invited because we are 539 00:31:45,120 --> 00:31:53,040 Speaker 1: advocates for all of our friends. So Will brings back 540 00:31:53,440 --> 00:32:00,000 Speaker 1: in this whole, in this whole storyline with vocal adrenaline 541 00:32:00,120 --> 00:32:07,719 Speaker 1: in acting a fool will brings back Unique, Unique, and 542 00:32:07,880 --> 00:32:12,040 Speaker 1: we had Alex Nowell has graced our screens once again, 543 00:32:12,680 --> 00:32:23,080 Speaker 1: thank God, thankfully, and Unique and Beast connect and it's 544 00:32:23,200 --> 00:32:28,080 Speaker 1: really sweet. It's so sweet, and I love that they 545 00:32:28,120 --> 00:32:31,520 Speaker 1: did that. I love that they brought these two characters together. 546 00:32:33,240 --> 00:32:36,760 Speaker 2: The generational divide or lack thereof with this is that 547 00:32:37,080 --> 00:32:41,040 Speaker 2: is really interesting to watch. And how the younger person 548 00:32:41,920 --> 00:32:45,280 Speaker 2: who has had to deal with all the horrible things 549 00:32:45,320 --> 00:32:48,800 Speaker 2: that happened in high school plus being trans in high school, 550 00:32:51,320 --> 00:32:57,640 Speaker 2: helping someone come out as trans later in life. It 551 00:32:57,720 --> 00:33:00,960 Speaker 2: was just really something beautiful. Yeah, to watch they present 552 00:33:01,000 --> 00:33:04,960 Speaker 2: their own set of challenges right right, But I thought 553 00:33:05,200 --> 00:33:10,640 Speaker 2: subject that could have gone horribly horribly wrong. Yeah. I 554 00:33:10,720 --> 00:33:15,520 Speaker 2: thought the performances in the writing was pretty delicate here, yeah, 555 00:33:15,560 --> 00:33:21,000 Speaker 2: and like really well done. So during this Beast and 556 00:33:21,400 --> 00:33:27,920 Speaker 2: Unique have a conversation and then shoot and Unique, oh 557 00:33:27,960 --> 00:33:30,840 Speaker 2: we're gonna kip over that have a performance and that's 558 00:33:30,880 --> 00:33:35,360 Speaker 2: all well say, you know for me. Okay, So we 559 00:33:35,480 --> 00:33:38,040 Speaker 2: just keep going, yeah, keep going, okay, keep it moving. 560 00:33:38,120 --> 00:33:44,400 Speaker 2: So what I was saying earlier about the about the 561 00:33:44,480 --> 00:33:49,240 Speaker 2: reverse psychology. Yes, yes, yes, yes, no, sorry, I think 562 00:33:49,240 --> 00:33:50,800 Speaker 2: we moved on from Coach Beast too fast. 563 00:33:51,400 --> 00:33:52,960 Speaker 1: Now we'll go back to it. We're gonna go back 564 00:33:53,000 --> 00:33:54,280 Speaker 1: to it. We're gonna go to it. 565 00:33:54,720 --> 00:33:59,120 Speaker 2: But yeah, he brings vocal adrenaline to McKinley. He's like, oh, 566 00:33:59,120 --> 00:34:01,400 Speaker 2: we're gonna pull a prank on the vocal on a 567 00:34:01,480 --> 00:34:07,040 Speaker 2: new directions, and so he brings vocal ajournaline into like 568 00:34:07,200 --> 00:34:11,879 Speaker 2: a dark and quiet and empty McKinley auditorium, and then 569 00:34:12,040 --> 00:34:16,120 Speaker 2: Unique walks out on stage and starts singing mm hmm 570 00:34:17,120 --> 00:34:19,840 Speaker 2: and sing sanging. 571 00:34:19,920 --> 00:34:24,680 Speaker 1: Well, this song is so good and so powerful, and 572 00:34:24,719 --> 00:34:29,360 Speaker 1: then Unique and Alex singing, this song is unreal. Have 573 00:34:29,480 --> 00:34:34,080 Speaker 1: to go put this on my Spotify right now. And 574 00:34:34,120 --> 00:34:39,000 Speaker 1: then more importantly, the transferson in the choir of two 575 00:34:39,280 --> 00:34:47,439 Speaker 1: hundred trans friends on stage. 576 00:34:45,719 --> 00:34:51,800 Speaker 2: Was so I don't even it was overwhelming powerful. 577 00:34:51,840 --> 00:34:55,279 Speaker 1: It was that's right, it was overwhelming. You had said 578 00:34:55,320 --> 00:35:00,000 Speaker 1: you would went and well, and also like Sheldon Beasts 579 00:35:00,080 --> 00:35:05,640 Speaker 1: being there in the choir, the way it was shot, 580 00:35:05,960 --> 00:35:11,120 Speaker 1: like like kind of gracing the whole choir and then 581 00:35:11,200 --> 00:35:15,640 Speaker 1: back to Alex and then to Dot at the end 582 00:35:15,800 --> 00:35:19,880 Speaker 1: was like, oh I am, oh god, it is so good. 583 00:35:20,520 --> 00:35:24,280 Speaker 1: You went and watched them film this, well we're. 584 00:35:24,080 --> 00:35:28,719 Speaker 2: In the wings, but you know how they shoot it 585 00:35:28,760 --> 00:35:31,440 Speaker 2: like we're not there for the whole performance, right, So 586 00:35:31,520 --> 00:35:34,719 Speaker 2: I remember going up early and watched them rehearse it 587 00:35:35,040 --> 00:35:39,120 Speaker 2: and shoot it, and it was just because we're not 588 00:35:39,160 --> 00:35:40,760 Speaker 2: in the numbers, so we hadn't heard it yet. 589 00:35:41,040 --> 00:35:42,160 Speaker 1: Oh gosh. 590 00:35:42,200 --> 00:35:45,480 Speaker 2: So the first time I heard it, that curtain opens 591 00:35:45,600 --> 00:35:50,279 Speaker 2: up and then it's like, oh my god, wow, oh 592 00:35:50,320 --> 00:35:52,280 Speaker 2: my god. And I felt like we hadn't done something 593 00:35:52,400 --> 00:36:00,440 Speaker 2: like that powerful and emotional in a hot minute. And 594 00:36:00,440 --> 00:36:05,920 Speaker 2: and I was not any sort of educated on trans 595 00:36:05,960 --> 00:36:11,799 Speaker 2: people at all, but they were singing to feel it, 596 00:36:12,200 --> 00:36:14,000 Speaker 2: to see them just. 597 00:36:13,960 --> 00:36:18,000 Speaker 1: The power of having everybody in the room like that together. 598 00:36:21,120 --> 00:36:25,040 Speaker 2: And also I walked in everyone was already emotional, and 599 00:36:25,080 --> 00:36:31,920 Speaker 2: so Dante's crying, the camera operators are, Yes, everybody was emotional. 600 00:36:32,480 --> 00:36:34,600 Speaker 2: And that was like one of those things where like 601 00:36:35,480 --> 00:36:37,800 Speaker 2: that is the magic of Glee, Like we haven't felt 602 00:36:37,800 --> 00:36:41,040 Speaker 2: that in a minute, And when you are impacting your 603 00:36:41,160 --> 00:36:45,040 Speaker 2: like crew family that we have known for seven years 604 00:36:45,040 --> 00:36:48,520 Speaker 2: at this point, like oh this is a good one. Yes, 605 00:36:49,520 --> 00:36:52,160 Speaker 2: yeah for sure, And those people come from all walks 606 00:36:52,160 --> 00:36:56,960 Speaker 2: of life, every type of background, and to see like, 607 00:36:57,040 --> 00:36:59,439 Speaker 2: you know, something like that affect them in this way, 608 00:37:00,400 --> 00:37:02,240 Speaker 2: is you know, the intention of I think of telling 609 00:37:02,239 --> 00:37:04,839 Speaker 2: that story in the first place, because I think sort 610 00:37:04,880 --> 00:37:10,279 Speaker 2: of the demographic makeup of the crew is also like 611 00:37:10,360 --> 00:37:13,000 Speaker 2: the type of people that are watching this show that 612 00:37:13,080 --> 00:37:17,680 Speaker 2: may not be exposed to that right normally. And it 613 00:37:17,719 --> 00:37:19,640 Speaker 2: was just yeah, it was. It was a really really 614 00:37:19,800 --> 00:37:26,040 Speaker 2: like beautiful moment, and the story is you know, then 615 00:37:26,040 --> 00:37:30,120 Speaker 2: Will's like, now you guys are assholes. I'm out, Like 616 00:37:30,200 --> 00:37:33,480 Speaker 2: that's sort of like I'm not doing this anymore. You 617 00:37:33,520 --> 00:37:36,000 Speaker 2: guys want to do this, go ahead, go for it. 618 00:37:36,200 --> 00:37:40,319 Speaker 1: You want to be and Will ends up becoming their 619 00:37:40,400 --> 00:37:45,920 Speaker 1: volunteer at with Curtain Rachel for the consultant the Glee 620 00:37:45,920 --> 00:37:50,320 Speaker 1: Club the volunteer consultant. But I like that scene because 621 00:37:51,840 --> 00:37:53,879 Speaker 1: it brings it back like we're really at the tail 622 00:37:54,040 --> 00:37:56,520 Speaker 1: end of this season. We're getting there, We're getting back 623 00:37:56,520 --> 00:37:58,279 Speaker 1: to that point where I was like Will comes back 624 00:37:58,280 --> 00:38:00,560 Speaker 1: because he sings to us and that Lads episode I 625 00:38:00,560 --> 00:38:05,560 Speaker 1: remember that, but him like giving that speech was the 626 00:38:05,560 --> 00:38:08,120 Speaker 1: heart you were talking about of Like I'm realizing that 627 00:38:08,160 --> 00:38:10,240 Speaker 1: this is where I he's like, you guys are coaches 628 00:38:10,320 --> 00:38:15,680 Speaker 1: coming in and out, Like I, this is where I belong. Yeah, 629 00:38:15,719 --> 00:38:18,880 Speaker 1: and so it's exciting that he'll be there and have 630 00:38:19,040 --> 00:38:19,439 Speaker 1: him back. 631 00:38:20,000 --> 00:38:22,279 Speaker 2: Yeah, it just makes sense. And I also like it 632 00:38:22,320 --> 00:38:24,960 Speaker 2: wasn't just a quick like you're the coach now. 633 00:38:25,640 --> 00:38:31,240 Speaker 1: Right right, And and just a shout out to Dot, 634 00:38:31,400 --> 00:38:35,000 Speaker 1: who we had on the podcast, for taking this so 635 00:38:35,239 --> 00:38:40,319 Speaker 1: seriously the storyline and doing research and you know, I 636 00:38:40,320 --> 00:38:47,839 Speaker 1: think Dot had mentioned that she has also portrayed other characters. Oh, 637 00:38:47,880 --> 00:38:52,200 Speaker 1: I won't spoil too much, but she talks about having 638 00:38:52,280 --> 00:38:55,040 Speaker 1: played a trans character in a show in one of 639 00:38:55,080 --> 00:38:57,880 Speaker 1: Ryan's other pilots, so she had kind of done this 640 00:38:57,920 --> 00:39:04,960 Speaker 1: before and you know, really spoken with the trans community 641 00:39:05,200 --> 00:39:07,400 Speaker 1: and to get it right, right, Like, she takes this 642 00:39:07,640 --> 00:39:10,520 Speaker 1: very seriously and deeply, and I think she did a 643 00:39:10,520 --> 00:39:17,120 Speaker 1: beautiful job with you know, wanting to represent them properly 644 00:39:17,239 --> 00:39:24,600 Speaker 1: because uh, she it's not something like she has a 645 00:39:24,600 --> 00:39:28,440 Speaker 1: person is not somebody who takes anything lightly. 646 00:39:29,400 --> 00:39:32,839 Speaker 2: Yeah, she cares and like she just wants to give 647 00:39:32,840 --> 00:39:35,040 Speaker 2: it the respect that it deserves, not the story be 648 00:39:35,080 --> 00:39:37,600 Speaker 2: told authentically as possible. 649 00:39:37,560 --> 00:39:42,839 Speaker 1: Right right, right, So kudos to Dot. Should we write 650 00:39:42,880 --> 00:39:43,800 Speaker 1: some numbers. 651 00:39:44,239 --> 00:39:47,480 Speaker 2: Yes, let's you give love a bad name. 652 00:39:48,719 --> 00:39:51,040 Speaker 1: I mean it's a vocal adrenaline performance. 653 00:39:51,719 --> 00:39:57,200 Speaker 2: Yeah, I mean it's solid A A minus. 654 00:39:57,200 --> 00:40:05,080 Speaker 1: Fine same love f Z. Yeah, it doesn't exist all 655 00:40:05,080 --> 00:40:12,000 Speaker 1: about that base. Hey, hey, somebody loves you A plus. 656 00:40:11,719 --> 00:40:16,120 Speaker 2: A plus time after time B plus plus. 657 00:40:16,200 --> 00:40:19,359 Speaker 1: Yeah. I know where I've been A infinity. 658 00:40:19,040 --> 00:40:21,759 Speaker 2: A infinite correct was like, how do we make this 659 00:40:21,840 --> 00:40:23,120 Speaker 2: big enough? A infinity? 660 00:40:23,440 --> 00:40:29,800 Speaker 1: Never gotten that before? Okay, TARTI takesh some cringe moments. 661 00:40:30,080 --> 00:40:32,480 Speaker 2: There's still a lot of fat shaming. I don't get it. 662 00:40:32,560 --> 00:40:36,200 Speaker 2: I don't know why there's so many fat jokes. Sue 663 00:40:36,360 --> 00:40:40,680 Speaker 2: is just like, yeah, it's just it's too much. I know. 664 00:40:40,800 --> 00:40:44,239 Speaker 2: She's like, you know, the cheerleading coach, athleticism, taking care 665 00:40:44,280 --> 00:40:45,279 Speaker 2: of your body, but like. 666 00:40:45,960 --> 00:40:48,280 Speaker 1: It was a time it was It's. 667 00:40:48,160 --> 00:40:50,640 Speaker 2: Like yeah, but it's like one of those things that's still. 668 00:40:50,600 --> 00:40:52,040 Speaker 1: Like let's just drop it is. 669 00:40:52,080 --> 00:40:54,839 Speaker 2: Lingering, like we've dropped other things, Like why is that 670 00:40:54,920 --> 00:40:55,840 Speaker 2: still lingering? 671 00:40:55,960 --> 00:40:59,839 Speaker 1: I don't know. I don't know. I don't know. Best 672 00:40:59,840 --> 00:41:10,120 Speaker 1: the move Billy's breakdancing, that's right that he like learned, Okay, 673 00:41:10,640 --> 00:41:15,960 Speaker 1: it's so good. The best song obviously, I know where 674 00:41:15,960 --> 00:41:16,359 Speaker 1: I've been. 675 00:41:16,600 --> 00:41:18,560 Speaker 2: I know where I've been. Shout out to Betty who 676 00:41:18,600 --> 00:41:19,480 Speaker 2: for somebody loves you. 677 00:41:19,680 --> 00:41:24,440 Speaker 1: Yeah. Best performance by prop obviously the Wheel of Fortune, 678 00:41:24,680 --> 00:41:29,640 Speaker 1: thank you very much. Best line. 679 00:41:30,160 --> 00:41:34,640 Speaker 2: Sue did have a really good one when she's talking 680 00:41:34,640 --> 00:41:37,759 Speaker 2: to Sheldon and says, Hey, coach, I want you to 681 00:41:37,800 --> 00:41:40,240 Speaker 2: know that I've been, that I've taken steps to battle 682 00:41:40,239 --> 00:41:44,520 Speaker 2: the scourge of cist normativity and trans misogyny. In some 683 00:41:44,560 --> 00:41:46,080 Speaker 2: other terms I had never heard of until I did 684 00:41:46,120 --> 00:41:49,040 Speaker 2: a quick Wikipedia search this morning, which I appreciate. 685 00:41:49,560 --> 00:41:51,800 Speaker 1: I liked this one and I'm gonna go a little 686 00:41:52,440 --> 00:41:55,520 Speaker 1: sappy or not sappy, but like b says in his 687 00:41:55,600 --> 00:42:02,280 Speaker 1: scene with Unique, I don't want to always be special 688 00:42:02,320 --> 00:42:03,240 Speaker 1: though it does that make sense? 689 00:42:04,000 --> 00:42:06,800 Speaker 2: Mm hmm. Yeah, that's a very good one. 690 00:42:07,040 --> 00:42:13,200 Speaker 1: Performance MVP. I say dot dot, no question dot with 691 00:42:13,320 --> 00:42:19,279 Speaker 1: a with a shout out to Alex Yes for sure. 692 00:42:20,280 --> 00:42:25,400 Speaker 2: Okay, Jenna, should we found on TikTok you ready, I'm ready? Okay? 693 00:42:25,480 --> 00:42:32,280 Speaker 2: This one is wild. So two fish dot tattoo posted 694 00:42:32,360 --> 00:42:35,560 Speaker 2: doing my favorite tattoo requests so far, gleeks. This is 695 00:42:35,560 --> 00:42:42,880 Speaker 2: for us. Someone requested doing grilled cheeses and then she 696 00:42:42,920 --> 00:42:48,399 Speaker 2: shows shows us the drawing. Oh, it's so good. It's 697 00:42:48,480 --> 00:42:49,160 Speaker 2: so good. 698 00:42:49,480 --> 00:42:52,880 Speaker 1: That is really funny, grilled Jesus. 699 00:42:53,680 --> 00:43:04,680 Speaker 2: Wow, it's phenomenal. Honestly, Wow, that's hilarious. And I actually 700 00:43:05,360 --> 00:43:08,719 Speaker 2: I'm down for that tattoo. I'm not mad at that 701 00:43:08,760 --> 00:43:09,080 Speaker 2: at all. 702 00:43:09,400 --> 00:43:12,040 Speaker 1: Really, you like it? I actually love it. I think 703 00:43:12,040 --> 00:43:12,720 Speaker 1: it's brilliant. 704 00:43:13,239 --> 00:43:15,720 Speaker 2: Okay, we have a bonus. Shit, we found a TikTok. 705 00:43:16,600 --> 00:43:18,960 Speaker 2: It was a little cameo from one of our friends. 706 00:43:19,000 --> 00:43:24,560 Speaker 2: It's the scene where Sandy Ryerson is talking about Josh 707 00:43:24,560 --> 00:43:27,239 Speaker 2: Grobin and when they say who is Josh Grobin? And 708 00:43:27,280 --> 00:43:32,160 Speaker 2: he says, who's Josh Grobin? And then Josh Grobin shows 709 00:43:32,239 --> 00:43:38,439 Speaker 2: up and instead of saying you know yourself, Josh Grobin says, 710 00:43:38,520 --> 00:43:42,240 Speaker 2: love yourself. It's very wholesome. 711 00:43:42,840 --> 00:43:47,720 Speaker 1: That's I love it. I love it well. Josh Grobin 712 00:43:47,760 --> 00:43:50,319 Speaker 1: has been an icon for me since day wan, so 713 00:43:51,200 --> 00:43:52,520 Speaker 1: it's a still huge fan. 714 00:43:53,160 --> 00:43:58,400 Speaker 2: Josh Grobin has been an unproblematic king for decades. Do 715 00:43:58,400 --> 00:44:01,640 Speaker 2: you remember Josh Grob listen kid, Josh Grobin would put 716 00:44:01,680 --> 00:44:05,640 Speaker 2: out an album and it would easily sell four million 717 00:44:06,719 --> 00:44:09,120 Speaker 2: physical copies every time. 718 00:44:09,440 --> 00:44:13,120 Speaker 1: We love Josh Grobin. Okay, thanks for joining us. We 719 00:44:13,200 --> 00:44:17,400 Speaker 1: have dot Marie next week to actually talk about this 720 00:44:17,480 --> 00:44:23,080 Speaker 1: episode and and about Sheldon B. So tune in and 721 00:44:23,120 --> 00:44:27,160 Speaker 1: thank you for joining us and That's what you really missed. 722 00:44:27,640 --> 00:44:30,799 Speaker 2: Thanks for listening, and follow us on Instagram at and 723 00:44:30,880 --> 00:44:33,120 Speaker 2: That's what you really miss pod. Make sure to write 724 00:44:33,160 --> 00:44:35,440 Speaker 2: us a review and leave us five stars. See you 725 00:44:35,440 --> 00:44:35,839 Speaker 2: next time.