1 00:00:01,920 --> 00:00:08,039 Speaker 1: Wind Down with Janet Kramer and I'm Heeart Radio Podcast. Okay, well, 2 00:00:08,080 --> 00:00:11,960 Speaker 1: I am just so excited about our very very very 3 00:00:12,000 --> 00:00:15,080 Speaker 1: special guest that we have in studio with us today, 4 00:00:15,240 --> 00:00:17,840 Speaker 1: the lovely, the one and only Karen Kingsbury. 5 00:00:18,160 --> 00:00:20,600 Speaker 2: Yay, so glad to be here. 6 00:00:20,640 --> 00:00:23,360 Speaker 1: It was going to be so fun, Karen. I mean, 7 00:00:23,520 --> 00:00:24,400 Speaker 1: where do we even begin? 8 00:00:24,600 --> 00:00:29,000 Speaker 3: Anytime I can breathe your air in person is a privilege. 9 00:00:29,280 --> 00:00:30,800 Speaker 2: You're too kind, That's sweet, but. 10 00:00:30,880 --> 00:00:33,680 Speaker 1: Your brain and heart unmatched. When did I just I 11 00:00:33,960 --> 00:00:38,479 Speaker 1: gotn't know a little bit of the before? When did you? 12 00:00:39,000 --> 00:00:40,720 Speaker 1: When was your first book? When did you start writing? 13 00:00:41,479 --> 00:00:43,839 Speaker 2: Well? I got my degree in journalism, and so I 14 00:00:43,920 --> 00:00:47,159 Speaker 2: was working for the Los Angeles Times, and that was 15 00:00:47,200 --> 00:00:49,960 Speaker 2: as a sports writer. I started off as a sports writer. Yes, 16 00:00:50,000 --> 00:00:50,800 Speaker 2: it's that crazy. 17 00:00:50,920 --> 00:00:51,600 Speaker 1: I did not know that. 18 00:00:51,680 --> 00:00:53,360 Speaker 2: Yeah, and I didn't really play sports like I ran 19 00:00:53,479 --> 00:00:56,960 Speaker 2: track to be near the cute guys. Yeah, it's not 20 00:00:57,000 --> 00:01:00,600 Speaker 2: a bad method, that's where they are. Yeah. But it 21 00:01:00,760 --> 00:01:03,400 Speaker 2: was it was after that that I got a job 22 00:01:03,640 --> 00:01:06,280 Speaker 2: doing sports writing. To start with in LA I fed 23 00:01:06,319 --> 00:01:09,280 Speaker 2: the LA Times and then it moved on to a 24 00:01:09,480 --> 00:01:13,000 Speaker 2: front page kind of a Sunday feature story, and that 25 00:01:13,080 --> 00:01:17,000 Speaker 2: led to four true crime books, which I had never read. 26 00:01:17,120 --> 00:01:18,840 Speaker 2: But we were praying for a way that I could 27 00:01:18,880 --> 00:01:22,000 Speaker 2: be home with our first child, that was Kelsey, and 28 00:01:22,400 --> 00:01:24,080 Speaker 2: twelve hour days were just not going to cut it. 29 00:01:24,080 --> 00:01:26,480 Speaker 2: And that's what I was working at the paper. So yeah, 30 00:01:26,520 --> 00:01:29,360 Speaker 2: so she and I got to stay home from the moment. 31 00:01:29,440 --> 00:01:31,840 Speaker 2: I mean, it was three days before my maternity leave 32 00:01:31,959 --> 00:01:35,080 Speaker 2: was up, and that's when I got word that I 33 00:01:35,120 --> 00:01:38,360 Speaker 2: had sold this outline that I had given to this agent. 34 00:01:38,440 --> 00:01:40,480 Speaker 2: It was all it was an answer to prayer. But 35 00:01:40,480 --> 00:01:42,200 Speaker 2: I had no idea we would be I would be 36 00:01:42,360 --> 00:01:44,600 Speaker 2: writing true crime. So I did that four books. Then 37 00:01:44,640 --> 00:01:47,280 Speaker 2: I wrote Where Yesterday Lives and that was my first novel, 38 00:01:47,319 --> 00:01:49,880 Speaker 2: and id't I lost my agent. He was like, what 39 00:01:50,040 --> 00:01:51,680 Speaker 2: is this? You were going to do true crime? You 40 00:01:51,680 --> 00:01:53,800 Speaker 2: were going to be a still lost your agent? Yeah, 41 00:01:53,800 --> 00:01:57,360 Speaker 2: he left. He was like, you know, he said, I 42 00:01:57,480 --> 00:01:59,560 Speaker 2: true crime is like your future, Like you want to 43 00:01:59,560 --> 00:02:03,600 Speaker 2: write crime. I'm like, I have two babies. I'm like, 44 00:02:03,960 --> 00:02:05,560 Speaker 2: this is not what I want to write it. It 45 00:02:05,640 --> 00:02:09,120 Speaker 2: was too dark for my heart, and my soul guaranteed 46 00:02:09,160 --> 00:02:12,600 Speaker 2: sad ending. You know, it was like a really tragic situation. 47 00:02:12,760 --> 00:02:16,600 Speaker 2: So I just was really thankful to write something different 48 00:02:16,639 --> 00:02:19,040 Speaker 2: that was on my heart, and you know, where Yesterday 49 00:02:19,080 --> 00:02:22,080 Speaker 2: Lives was sort of autobiographical. There was a little bit 50 00:02:22,120 --> 00:02:25,600 Speaker 2: of me and my background in it, but the actual 51 00:02:25,600 --> 00:02:28,520 Speaker 2: story was all fictitious, you know, in terms of how 52 00:02:28,520 --> 00:02:31,079 Speaker 2: it plays out. But it's about a girl who kind 53 00:02:31,080 --> 00:02:33,160 Speaker 2: of comes back to her hometown for her father's funeral, 54 00:02:33,240 --> 00:02:36,320 Speaker 2: and it's about the reconciliation of the siblings and how 55 00:02:36,360 --> 00:02:40,800 Speaker 2: they really had fallen apart and the funeral. Things are tough, 56 00:02:40,840 --> 00:02:43,000 Speaker 2: but then they get better and I loved it. So 57 00:02:43,000 --> 00:02:46,000 Speaker 2: it took a year to sell that book. And during 58 00:02:46,000 --> 00:02:49,120 Speaker 2: that time I thought maybe I'm going to go back 59 00:02:49,160 --> 00:02:52,320 Speaker 2: to like waiting tables because there was just no money, 60 00:02:52,480 --> 00:02:56,239 Speaker 2: a lot more money and true crime and so but yeah, 61 00:02:56,840 --> 00:03:01,200 Speaker 2: by book six I wrote started about the Baxters, and 62 00:03:01,240 --> 00:03:02,640 Speaker 2: it was like it was raining from heaven. 63 00:03:03,960 --> 00:03:07,320 Speaker 1: It's just such a testament, though, to the fact that 64 00:03:07,440 --> 00:03:10,440 Speaker 1: you left something that just didn't feel right for your soul, 65 00:03:10,480 --> 00:03:12,200 Speaker 1: even though that's where the money was, and that's where 66 00:03:12,200 --> 00:03:15,320 Speaker 1: your agent was, and that's where your you know, where 67 00:03:15,360 --> 00:03:18,840 Speaker 1: your career path looked like it was going, and you said, no, 68 00:03:18,960 --> 00:03:22,960 Speaker 1: this doesn't suit me. That's really tough, because I mean 69 00:03:23,000 --> 00:03:25,680 Speaker 1: I look at roles again, like when I was pinned 70 00:03:25,680 --> 00:03:27,440 Speaker 1: for Hunting Wives and shows like that, where it's like 71 00:03:27,720 --> 00:03:31,360 Speaker 1: does that really suit me? No? No, but it's like 72 00:03:31,560 --> 00:03:33,119 Speaker 1: is that where the money is and where the work 73 00:03:33,160 --> 00:03:37,680 Speaker 1: and where the all the you know, notoriety and exposure is. Yeah, 74 00:03:37,720 --> 00:03:41,480 Speaker 1: And so then it's it's that poll to go one 75 00:03:41,520 --> 00:03:45,120 Speaker 1: way or the other. And you did it, you know. 76 00:03:45,680 --> 00:03:48,480 Speaker 2: Well, especially when you have one of the most successful 77 00:03:48,680 --> 00:03:52,040 Speaker 2: New York literary agencies saying I don't know, Karen, you 78 00:03:52,080 --> 00:03:52,920 Speaker 2: were going to be a star. 79 00:03:53,520 --> 00:03:56,960 Speaker 1: You know, he really didn't, do we know him still? Yeah, 80 00:03:57,200 --> 00:04:01,880 Speaker 1: he sent him the number one selling books that you've done. 81 00:04:01,680 --> 00:04:03,760 Speaker 2: Well, I think, you know. And he had a very 82 00:04:03,880 --> 00:04:06,320 Speaker 2: narrow lane for me. He wanted me to fit into that, 83 00:04:06,480 --> 00:04:08,720 Speaker 2: just like you said, and I was finding myself like 84 00:04:08,760 --> 00:04:11,760 Speaker 2: between you know, I had young kids, Like when I 85 00:04:11,800 --> 00:04:15,040 Speaker 2: walked away from that, they were four and one. So 86 00:04:15,080 --> 00:04:18,760 Speaker 2: we were, you know, like singing little songs to Jesus 87 00:04:18,880 --> 00:04:21,200 Speaker 2: and we were going to the park and then I'd 88 00:04:21,240 --> 00:04:23,520 Speaker 2: go back to my laptop during naptime and be like 89 00:04:23,560 --> 00:04:25,120 Speaker 2: he took out his knife and he walked on it. 90 00:04:25,200 --> 00:04:28,400 Speaker 2: I was like it wasn't for me so anyway, And 91 00:04:28,440 --> 00:04:30,800 Speaker 2: you know it's funny because six books they really didn't sell. Well. 92 00:04:30,800 --> 00:04:32,679 Speaker 2: He was right for six books. 93 00:04:32,720 --> 00:04:34,640 Speaker 1: Were did you have an agent at that time? 94 00:04:34,680 --> 00:04:37,039 Speaker 2: I got a new agent, okay, and he was good 95 00:04:37,040 --> 00:04:39,560 Speaker 2: with what I would call inspirational fiction. Okay. And I 96 00:04:39,600 --> 00:04:42,960 Speaker 2: really didn't know that Christian fiction was a thing because 97 00:04:42,960 --> 00:04:44,880 Speaker 2: I was like, I want to write like number one 98 00:04:45,000 --> 00:04:46,920 Speaker 2: your time's best selling fiction. I didn't want to write 99 00:04:46,960 --> 00:04:49,640 Speaker 2: anything that was watered down. And I came to find 100 00:04:49,640 --> 00:04:53,200 Speaker 2: out that actually, rather than being watered down, that the 101 00:04:53,240 --> 00:04:56,080 Speaker 2: kind of fiction I write is more developed. It's got 102 00:04:56,080 --> 00:04:59,560 Speaker 2: the physical, intellectual, and the emotional, but it's got the spiritual. 103 00:04:59,600 --> 00:05:03,520 Speaker 2: And whether you're running toward God or away from him, 104 00:05:03,640 --> 00:05:05,680 Speaker 2: I mean, it's still a part of your story. There's 105 00:05:05,720 --> 00:05:08,560 Speaker 2: a deeper piece to your soul, whoever, wherever you're at today, 106 00:05:08,560 --> 00:05:10,560 Speaker 2: Like that's the truth. And so I get to write 107 00:05:10,600 --> 00:05:16,320 Speaker 2: about the vast, contrasting elements of the spiritual and that's 108 00:05:16,360 --> 00:05:17,799 Speaker 2: been just bills my soul. 109 00:05:18,160 --> 00:05:20,719 Speaker 3: And you have such an emotional investment in your characters. 110 00:05:20,880 --> 00:05:23,400 Speaker 3: One of the things I got the pleasure of, well, 111 00:05:23,440 --> 00:05:26,239 Speaker 3: actually I got a very impromptu reading of a book 112 00:05:26,320 --> 00:05:29,560 Speaker 3: by Mss Karen at my kids school. I didn't realize 113 00:05:29,560 --> 00:05:32,200 Speaker 3: that her grand babies go to where my kids go. 114 00:05:32,839 --> 00:05:35,159 Speaker 3: And so when Jana got the movie, I was like, 115 00:05:35,200 --> 00:05:37,240 Speaker 3: I know this name. This is crazy. And I was 116 00:05:37,320 --> 00:05:39,360 Speaker 3: actually able to meet your husband on set. That was 117 00:05:39,400 --> 00:05:42,159 Speaker 3: the first set I'd ever been to. Oh really, yeah, 118 00:05:42,160 --> 00:05:45,360 Speaker 3: I've never been to one of Jana's movies before. And 119 00:05:46,440 --> 00:05:47,640 Speaker 3: I looked at her and I was like, is it 120 00:05:47,640 --> 00:05:48,560 Speaker 3: always like this? 121 00:05:48,839 --> 00:05:49,440 Speaker 1: Like this is? 122 00:05:49,520 --> 00:05:49,599 Speaker 2: So? 123 00:05:50,880 --> 00:05:52,400 Speaker 1: It felt sacred. 124 00:05:52,000 --> 00:05:56,040 Speaker 3: And anointed and slow and intentional, and I'm thinking, man, 125 00:05:56,080 --> 00:05:58,320 Speaker 3: if this is like what you know the movie businesses, 126 00:05:58,360 --> 00:05:59,440 Speaker 3: I've been missing out. You know. 127 00:05:59,480 --> 00:06:02,080 Speaker 1: I should have tried to do this early. Everybody just 128 00:06:02,200 --> 00:06:06,320 Speaker 1: start with no. I slowly learned. But when I was 129 00:06:06,360 --> 00:06:06,760 Speaker 1: talking to. 130 00:06:06,760 --> 00:06:10,400 Speaker 3: Your husband's Karen effect, yeah, I don't. That is something 131 00:06:10,440 --> 00:06:13,240 Speaker 3: I learned that this is the way, you know, for 132 00:06:13,320 --> 00:06:15,480 Speaker 3: you saying true to yourself and for the ripple effect 133 00:06:15,480 --> 00:06:18,479 Speaker 3: of what that is, that's how it comes to be 134 00:06:18,640 --> 00:06:22,320 Speaker 3: on set. But he did mention that you would sometimes 135 00:06:22,360 --> 00:06:24,280 Speaker 3: and if you're embarrassed by this, we can certainly cut it. 136 00:06:24,279 --> 00:06:26,840 Speaker 3: But he said you would sometimes come out of your 137 00:06:26,920 --> 00:06:29,880 Speaker 3: out of your office and you'd be crying and he'd go, 138 00:06:30,680 --> 00:06:33,240 Speaker 3: are you okay, and you'd be like, no, you know, 139 00:06:33,440 --> 00:06:36,400 Speaker 3: like Annabel died or something, somebody that you spent all 140 00:06:36,440 --> 00:06:39,680 Speaker 3: this time invested in as a character and you had to, 141 00:06:40,279 --> 00:06:43,039 Speaker 3: you know, a character had to die, and how deeply 142 00:06:43,200 --> 00:06:44,000 Speaker 3: it hurts your heart. 143 00:06:44,560 --> 00:06:46,560 Speaker 2: It does, and it's still that. It's like, even when 144 00:06:46,560 --> 00:06:49,719 Speaker 2: I was writing The Christmas Ring, I found myself just crying. 145 00:06:49,880 --> 00:06:51,760 Speaker 2: You know, it's a sign that if it doesn't move me, 146 00:06:52,240 --> 00:06:54,880 Speaker 2: it's not going to move you. And to me, you know, 147 00:06:54,920 --> 00:06:56,560 Speaker 2: we want to ride the ride of the tens and 148 00:06:56,600 --> 00:06:58,160 Speaker 2: the ones, like, we don't want to be hanging out 149 00:06:58,200 --> 00:06:59,960 Speaker 2: in the fives. Like and she went to the mark 150 00:07:00,120 --> 00:07:02,040 Speaker 2: get she got home muge, I let her know. I mean, 151 00:07:02,040 --> 00:07:06,560 Speaker 2: it's like, let's make people feel something when they're reading. 152 00:07:06,680 --> 00:07:08,400 Speaker 2: And that's kind of the goal. It's always been the 153 00:07:08,440 --> 00:07:10,800 Speaker 2: goal for these books. So yeah, I was like, that's 154 00:07:10,840 --> 00:07:12,800 Speaker 2: definitely true. And I'll walk out in the room and 155 00:07:12,800 --> 00:07:14,920 Speaker 2: I'll be crying and I'll say, you know, what happened 156 00:07:14,920 --> 00:07:16,880 Speaker 2: And I'll say, oh, you know, like you know, Annabel 157 00:07:17,000 --> 00:07:19,360 Speaker 2: died and I'm just crying and he's you know, then 158 00:07:19,400 --> 00:07:22,960 Speaker 2: the first time that happened, he was hilarious. He was 159 00:07:23,000 --> 00:07:26,640 Speaker 2: like kind of like how that his hands like raised himself. 160 00:07:27,600 --> 00:07:29,920 Speaker 2: Who is Annabelle? Do we know her from church or 161 00:07:29,920 --> 00:07:33,760 Speaker 2: from school? That's what he said, and I said, no, none, 162 00:07:33,760 --> 00:07:37,760 Speaker 2: He's one of my characters. And he just like rolled 163 00:07:37,760 --> 00:07:39,600 Speaker 2: his eyes all the way to the ceiling. He's like, 164 00:07:40,600 --> 00:07:42,440 Speaker 2: how am I supposed to feel sorry for you? I mean, 165 00:07:42,880 --> 00:07:47,120 Speaker 2: you killed her, you created her, and you could just 166 00:07:47,280 --> 00:07:48,840 Speaker 2: backspace de leeve bring her back. 167 00:07:51,240 --> 00:07:53,560 Speaker 3: We are just one highlight away from her just being 168 00:07:53,640 --> 00:07:54,160 Speaker 3: living again. 169 00:07:54,160 --> 00:07:55,760 Speaker 1: What does she want to do? She could go to 170 00:07:55,800 --> 00:07:57,520 Speaker 1: the store, she get on, let her gurgeres. 171 00:07:57,560 --> 00:07:59,440 Speaker 2: That's right. So but I told her, I mean it 172 00:07:59,480 --> 00:08:02,280 Speaker 2: felt so like I said, I could never I'm watching 173 00:08:02,320 --> 00:08:03,320 Speaker 2: it play out in my head. 174 00:08:04,200 --> 00:08:04,920 Speaker 1: Such a talent. 175 00:08:05,080 --> 00:08:08,280 Speaker 3: I think that you don't even realize how much of 176 00:08:08,320 --> 00:08:10,280 Speaker 3: a crazy unique talent that is. 177 00:08:10,760 --> 00:08:13,120 Speaker 2: Thanks it really is. I mean, God has just given me. 178 00:08:13,240 --> 00:08:16,040 Speaker 2: Plus I can do it fast because I raised six kids. 179 00:08:16,640 --> 00:08:18,920 Speaker 2: And if they look back, they don't think, oh, your mom, 180 00:08:19,000 --> 00:08:21,720 Speaker 2: she was always locked in a room writing, But they actually, 181 00:08:21,880 --> 00:08:24,640 Speaker 2: you know, know that I made time for them and 182 00:08:24,800 --> 00:08:27,960 Speaker 2: I could write a book in average two weeks and. 183 00:08:28,240 --> 00:08:31,280 Speaker 3: Two weeks this is you have no idea. This is 184 00:08:31,280 --> 00:08:33,440 Speaker 3: an annointment on your life. For you to be able 185 00:08:33,480 --> 00:08:34,040 Speaker 3: to do that. 186 00:08:34,800 --> 00:08:38,200 Speaker 2: It is crazy, my suggess out of you. It just 187 00:08:38,240 --> 00:08:41,960 Speaker 2: flows out of me. Like somebody cud cuddle up with 188 00:08:42,000 --> 00:08:43,640 Speaker 2: like a book and they just like love it. They 189 00:08:43,640 --> 00:08:46,200 Speaker 2: get a blanket. I cuddle up with my laptop and 190 00:08:46,280 --> 00:08:48,480 Speaker 2: see a book come to life, and I kind of 191 00:08:48,480 --> 00:08:51,360 Speaker 2: get to be the very first reader to that end. 192 00:08:51,400 --> 00:08:54,920 Speaker 2: I get to really just I'm seeing it play out 193 00:08:54,960 --> 00:08:56,640 Speaker 2: like a movie. And this is why I had to 194 00:08:56,679 --> 00:08:58,520 Speaker 2: go into film, because I could. I could see it 195 00:08:58,600 --> 00:09:00,120 Speaker 2: the way no one else could see it. And my 196 00:09:00,160 --> 00:09:03,920 Speaker 2: head and as I'm writing, I mean, I'm laughing, you know, 197 00:09:03,960 --> 00:09:07,320 Speaker 2: I'm laughing when it's funny. I'm like laughing hard, and 198 00:09:07,400 --> 00:09:10,760 Speaker 2: I'm crying when it's sad. And when the kids were little, 199 00:09:10,800 --> 00:09:13,040 Speaker 2: I would be like, if you see mommy crying, I'm 200 00:09:13,080 --> 00:09:16,880 Speaker 2: completely fine, just working my book. That was, you know, 201 00:09:17,720 --> 00:09:21,480 Speaker 2: was and is still you know, the most like rewarding 202 00:09:21,559 --> 00:09:24,240 Speaker 2: thing to not to really be able to step away 203 00:09:24,600 --> 00:09:27,280 Speaker 2: and say that wasn't me, that just wasn't me. I mean, 204 00:09:27,320 --> 00:09:29,720 Speaker 2: I have to give God all the credit because I could. 205 00:09:29,840 --> 00:09:30,600 Speaker 2: I couldn't will it. 206 00:09:32,200 --> 00:09:36,320 Speaker 1: The Baxters became your big Karen Kingsbury moment, right. Yes, 207 00:09:36,600 --> 00:09:41,640 Speaker 1: So obviously that's a story that you know, you hold 208 00:09:42,040 --> 00:09:44,880 Speaker 1: very close to you because that is what started, you know, 209 00:09:45,120 --> 00:09:48,120 Speaker 1: everything with you know, your your name and your books 210 00:09:48,160 --> 00:09:52,439 Speaker 1: following and then shows. But is there is that your 211 00:09:52,440 --> 00:09:55,760 Speaker 1: favorite or is there another book that has Like some 212 00:09:55,800 --> 00:09:57,840 Speaker 1: of my favorite album cuts are the ones that weren't 213 00:09:57,880 --> 00:09:58,439 Speaker 1: radio hits. 214 00:09:59,400 --> 00:10:01,920 Speaker 2: That's so chas with me. I think I've written I 215 00:10:01,960 --> 00:10:03,960 Speaker 2: have like a hundred books published or something, but I 216 00:10:03,960 --> 00:10:07,360 Speaker 2: have like sixty something novels. And you know, at the 217 00:10:07,360 --> 00:10:09,240 Speaker 2: time I'm writing them, it's like the child. It's on 218 00:10:09,280 --> 00:10:11,640 Speaker 2: the stage or on the field up to bat You're 219 00:10:11,720 --> 00:10:13,800 Speaker 2: cheering the loudest for that one, and that one is 220 00:10:13,840 --> 00:10:16,360 Speaker 2: so special to you. But as I look back, I 221 00:10:16,400 --> 00:10:19,880 Speaker 2: mean One Tuesday Morning, which was about two guys that 222 00:10:19,960 --> 00:10:22,120 Speaker 2: looked a lot alike, a firefighter and a businessman who 223 00:10:22,120 --> 00:10:23,959 Speaker 2: were both in one of the twin Towers on nine 224 00:10:23,960 --> 00:10:26,600 Speaker 2: to eleven. I love that book, you know, That's the 225 00:10:26,600 --> 00:10:29,160 Speaker 2: one I mean. I usually it ends up being standalones. 226 00:10:29,840 --> 00:10:32,240 Speaker 2: I love Ashley Baxter, I love I love the Baxters 227 00:10:32,240 --> 00:10:34,679 Speaker 2: like they're like family for sure to me. And when 228 00:10:34,679 --> 00:10:37,640 Speaker 2: I go to Bloomington, Indiana. I can see them, Like 229 00:10:38,520 --> 00:10:40,520 Speaker 2: I walk up like thinking it's going to be Ashley 230 00:10:40,520 --> 00:10:42,200 Speaker 2: and she turns around. It's not like that's how real 231 00:10:42,280 --> 00:10:45,520 Speaker 2: it is. But I wrote twenty some books on that family, 232 00:10:45,720 --> 00:10:48,440 Speaker 2: and it's almost like they were family. But these other 233 00:10:48,520 --> 00:10:52,800 Speaker 2: stories are so like I got to go to belize, 234 00:10:53,360 --> 00:10:55,120 Speaker 2: you know, in a distant shore, and I got to 235 00:10:55,280 --> 00:10:58,040 Speaker 2: imagine what it would be like to set twelve girls 236 00:10:58,040 --> 00:11:01,840 Speaker 2: free from trafficking. Like that's amazing journey to take. And 237 00:11:01,880 --> 00:11:04,840 Speaker 2: all the research as a former reporter that was really 238 00:11:04,840 --> 00:11:07,199 Speaker 2: special too, to be able to make sure it's accurate, 239 00:11:07,320 --> 00:11:09,200 Speaker 2: you know, find somebody who works in that industry and 240 00:11:09,200 --> 00:11:11,320 Speaker 2: have them read it, make sure I'm not using the 241 00:11:11,360 --> 00:11:14,880 Speaker 2: wrong verbiage or the wrong you know, activities that play 242 00:11:14,920 --> 00:11:17,720 Speaker 2: out around that rescue. So I love that. I mean 243 00:11:17,760 --> 00:11:19,800 Speaker 2: there's a handful of them for sure, one Tuesday morning, 244 00:11:20,320 --> 00:11:22,400 Speaker 2: because it's really about this girl who just does not 245 00:11:22,480 --> 00:11:24,960 Speaker 2: believe in God. She does not believe because too many 246 00:11:24,960 --> 00:11:27,920 Speaker 2: hard things have happened, and in her mind, her husband's 247 00:11:27,960 --> 00:11:32,040 Speaker 2: a firefighter and she feels like, as long as there 248 00:11:32,080 --> 00:11:44,720 Speaker 2: are firefighter funerals, how could there be a god? 249 00:11:48,520 --> 00:11:52,640 Speaker 1: We spoke briefly about your journey to coming to Jesus. 250 00:11:53,760 --> 00:11:55,880 Speaker 1: Can you just share some of that here when that 251 00:11:56,040 --> 00:11:58,120 Speaker 1: started for you and how old you were, and then 252 00:11:58,440 --> 00:12:01,280 Speaker 1: you intertwining that into your to your work. 253 00:12:01,760 --> 00:12:04,800 Speaker 2: Yeah, it was really I wasn't on a journey to 254 00:12:05,200 --> 00:12:07,480 Speaker 2: find Jesus. I was actually just on a journey to 255 00:12:07,480 --> 00:12:10,880 Speaker 2: be a successful writer. That was really my goal. I 256 00:12:11,000 --> 00:12:13,680 Speaker 2: met Donald at the health club. We were working out 257 00:12:13,760 --> 00:12:16,560 Speaker 2: and he we met eyes a few times, like our 258 00:12:16,600 --> 00:12:19,480 Speaker 2: eyes with me, and then he just came up to 259 00:12:19,520 --> 00:12:21,400 Speaker 2: me and just struck up a conversation and we ended 260 00:12:21,480 --> 00:12:23,360 Speaker 2: up knowing some people in common, but we ended up 261 00:12:23,360 --> 00:12:25,959 Speaker 2: talking like three hours a day. We were both kind 262 00:12:25,960 --> 00:12:27,959 Speaker 2: of done our workout and closed the place down, sat 263 00:12:28,000 --> 00:12:30,559 Speaker 2: outside talking And you know, back then, you couldn't just 264 00:12:30,600 --> 00:12:33,319 Speaker 2: slide into someone's DMS, you know, I mean back then 265 00:12:33,400 --> 00:12:36,080 Speaker 2: you had to be brave enough. The guy really needed 266 00:12:36,120 --> 00:12:37,680 Speaker 2: to be brave enough to ask for your number and 267 00:12:37,760 --> 00:12:39,400 Speaker 2: that I want to take you out, like on a date. 268 00:12:39,440 --> 00:12:42,199 Speaker 2: So he did that, and he said, but I wondered 269 00:12:42,280 --> 00:12:45,040 Speaker 2: if it would be okay could I bring my Bible 270 00:12:45,360 --> 00:12:47,240 Speaker 2: on the date. And to this day, like we just 271 00:12:47,280 --> 00:12:49,160 Speaker 2: both laughed, like how did you have the even the 272 00:12:49,280 --> 00:12:53,320 Speaker 2: nerve in la like I had never opened a Bible 273 00:12:53,480 --> 00:12:55,160 Speaker 2: or you know, we were we went we had a 274 00:12:55,200 --> 00:12:57,360 Speaker 2: denominational faith, but it was much more of a tradition 275 00:12:57,480 --> 00:13:00,000 Speaker 2: than anything. We went to church, but only in a case. 276 00:13:01,200 --> 00:13:04,120 Speaker 2: And so you know, he had the courage basically, you know, 277 00:13:04,240 --> 00:13:06,400 Speaker 2: to say and I just thought it was the weirdest 278 00:13:06,559 --> 00:13:09,719 Speaker 2: thing I had ever heard, like who And I mean 279 00:13:09,720 --> 00:13:11,800 Speaker 2: it took me a few seconds because he was super handsome, 280 00:13:12,679 --> 00:13:15,199 Speaker 2: and I thought, I guess there could be worse things 281 00:13:15,280 --> 00:13:16,640 Speaker 2: he would want to bring to a date. I don't 282 00:13:16,640 --> 00:13:20,559 Speaker 2: know sure. I thought, oh, okay, you bring the Bible 283 00:13:20,600 --> 00:13:23,160 Speaker 2: if you want to. I was like this, what is this? 284 00:13:23,200 --> 00:13:24,800 Speaker 2: I didn't he was showing up on a bike. I 285 00:13:24,800 --> 00:13:27,680 Speaker 2: I shouldn't know what this meant. So it comes to 286 00:13:27,679 --> 00:13:30,400 Speaker 2: pick me up and he wants to read Philippians four, 287 00:13:30,840 --> 00:13:34,440 Speaker 2: chapter four, and it's all about peace. It's beautiful. But 288 00:13:35,040 --> 00:13:37,520 Speaker 2: i'd never heard of a Philippian, no appiens. I didn't 289 00:13:37,520 --> 00:13:38,800 Speaker 2: know what this was. No idea. 290 00:13:40,400 --> 00:13:42,600 Speaker 3: Tell me what your thought is when he's reading this 291 00:13:42,640 --> 00:13:45,079 Speaker 3: to you? What is how quick can we get out 292 00:13:45,120 --> 00:13:47,200 Speaker 3: of this to our date? 293 00:13:47,280 --> 00:13:50,880 Speaker 2: That's where my thought was. So we you know we 294 00:13:51,160 --> 00:13:53,320 Speaker 2: I mean literally, I think he took a pause and 295 00:13:53,320 --> 00:13:55,560 Speaker 2: I'm not listening to anything he's saying. He's like reading it. 296 00:13:55,600 --> 00:13:58,000 Speaker 2: But the thing is, he was on a quest. He 297 00:13:58,040 --> 00:13:59,559 Speaker 2: wasn't in he didn't go to church, He wouldn't have 298 00:13:59,600 --> 00:14:02,400 Speaker 2: considered himself like having a relationship with Jesus. He was 299 00:14:02,400 --> 00:14:04,520 Speaker 2: like coming from a family that had a lot of 300 00:14:04,559 --> 00:14:07,080 Speaker 2: brokenness and a lot of divorce, a lot of hurt, 301 00:14:07,120 --> 00:14:10,680 Speaker 2: a lot of alcoholism, and he just knew there had 302 00:14:10,720 --> 00:14:14,080 Speaker 2: to be something more, and so he was he bought 303 00:14:14,120 --> 00:14:15,800 Speaker 2: a Bible on his own and he's just reading the 304 00:14:15,800 --> 00:14:18,000 Speaker 2: New Testament, trying to figure it out. So he was 305 00:14:18,320 --> 00:14:20,480 Speaker 2: he wanted to read it because he's fascinated by it 306 00:14:20,960 --> 00:14:23,280 Speaker 2: and finding peace in it, not because he was trying 307 00:14:23,320 --> 00:14:25,960 Speaker 2: to change me, which I think was a key. It 308 00:14:26,000 --> 00:14:27,960 Speaker 2: wasn't like he was right away, oh you're a project, 309 00:14:28,080 --> 00:14:31,480 Speaker 2: not at all. So this began. So it began this 310 00:14:31,520 --> 00:14:33,160 Speaker 2: sort of like as soon as you took a breath, 311 00:14:33,160 --> 00:14:37,080 Speaker 2: I was like, there we get check the box. Yeah, 312 00:14:37,680 --> 00:14:39,120 Speaker 2: So we ended up taking the date and then for 313 00:14:39,160 --> 00:14:41,120 Speaker 2: three months it was like that, like he was just 314 00:14:41,600 --> 00:14:43,800 Speaker 2: will not believe what I read in Romans and I'm like, 315 00:14:45,000 --> 00:14:50,920 Speaker 2: I really won't. I think I will, I do te, 316 00:14:50,960 --> 00:14:54,720 Speaker 2: please make it quick. And it got to be just 317 00:14:54,760 --> 00:14:56,800 Speaker 2: and it's like, oh, I was just it was just 318 00:14:57,000 --> 00:15:00,080 Speaker 2: too much. So three months around that time and I 319 00:15:00,280 --> 00:15:02,480 Speaker 2: really was okay to be down with it. I wasn't 320 00:15:02,480 --> 00:15:04,720 Speaker 2: going to change for him and he didn't want me 321 00:15:04,760 --> 00:15:07,280 Speaker 2: to change for him. It was literally he was excited. 322 00:15:07,480 --> 00:15:09,800 Speaker 2: I'd be like, if your most excited thing the other 323 00:15:09,800 --> 00:15:12,560 Speaker 2: person doesn't like, that's not going to go anywhere. You know, 324 00:15:12,600 --> 00:15:15,560 Speaker 2: it's not going to be a thing. So anyway, that day, 325 00:15:15,600 --> 00:15:18,160 Speaker 2: I and in front of a sunny day in southern 326 00:15:18,200 --> 00:15:21,200 Speaker 2: California tennis courts. We just played tennis and he has 327 00:15:21,200 --> 00:15:24,360 Speaker 2: something he has to show me, Thessalonian. So I'm like, okay, 328 00:15:24,480 --> 00:15:26,640 Speaker 2: I was just over it. So I took the Bible 329 00:15:26,680 --> 00:15:28,160 Speaker 2: from his hands. I looked at the verse that he 330 00:15:28,280 --> 00:15:29,800 Speaker 2: was trying to show me. I know, poor Donald. 331 00:15:30,040 --> 00:15:34,040 Speaker 1: I love him so much, head Donald dat ever, I 332 00:15:34,120 --> 00:15:37,320 Speaker 1: just adore him. You guys don't even realize how hard 333 00:15:37,360 --> 00:15:40,480 Speaker 1: he worked in crafty and like just the smile and 334 00:15:40,520 --> 00:15:42,760 Speaker 1: the energy he showed up every single day, sorry. 335 00:15:42,760 --> 00:15:44,600 Speaker 2: Day And he said to say, Hi, I love Donald. 336 00:15:44,600 --> 00:15:47,160 Speaker 3: I mean he's telling me these stories over snack mix. 337 00:15:47,200 --> 00:15:48,640 Speaker 1: Well, he's like, did you have did you get a 338 00:15:48,640 --> 00:15:51,160 Speaker 1: cold water? I'm like, I feel so well cared for. 339 00:15:52,240 --> 00:15:54,200 Speaker 2: He is such a servant, like that is his love 340 00:15:54,280 --> 00:15:57,840 Speaker 2: language so much, it's mind blowing. He's at the far 341 00:15:57,920 --> 00:16:00,320 Speaker 2: extreme of this, just how can I serve? How can 342 00:16:00,360 --> 00:16:02,360 Speaker 2: I help? How can I make a difference? So, you know, 343 00:16:02,400 --> 00:16:05,320 Speaker 2: with that sweet personality that he has, and he's so strong, 344 00:16:05,400 --> 00:16:07,600 Speaker 2: and he was right on the verge of being a 345 00:16:07,640 --> 00:16:11,720 Speaker 2: former NFL player, he was one cut away from making 346 00:16:11,760 --> 00:16:14,680 Speaker 2: it on the Falcons team when I met him. Anyway, 347 00:16:14,760 --> 00:16:17,680 Speaker 2: so he's shown me this verse, all excited and you know, 348 00:16:18,520 --> 00:16:20,760 Speaker 2: full of joy. And I took his Bible and kind 349 00:16:20,760 --> 00:16:22,760 Speaker 2: of looked at the verse and I threw his Bible 350 00:16:22,880 --> 00:16:25,160 Speaker 2: down on the ground. Did you know this? 351 00:16:25,680 --> 00:16:25,920 Speaker 3: No? 352 00:16:26,080 --> 00:16:29,160 Speaker 1: I caring naughty girl so bad? 353 00:16:29,280 --> 00:16:31,400 Speaker 2: I mean, this just shows you. I was like, so 354 00:16:31,440 --> 00:16:32,640 Speaker 2: I threw it on the ground, and I. 355 00:16:32,640 --> 00:16:34,600 Speaker 1: Wasn't like, why did you throw it? Was it? 356 00:16:34,640 --> 00:16:35,840 Speaker 2: Like? I was just so over it? 357 00:16:36,160 --> 00:16:38,160 Speaker 1: But did you just and at that point, you're just 358 00:16:38,520 --> 00:16:40,760 Speaker 1: did you not believe the word? Or was it any 359 00:16:40,800 --> 00:16:43,280 Speaker 1: more of a don't shove this on me? Or what 360 00:16:43,360 --> 00:16:45,400 Speaker 1: was the actual anger of why you put it. 361 00:16:45,480 --> 00:16:48,440 Speaker 2: I think he was in the actual words themselves. It 362 00:16:48,480 --> 00:16:50,800 Speaker 2: wasn't him. I had already by that point I would 363 00:16:50,840 --> 00:16:53,480 Speaker 2: have given myself some labels. I would have said, you know, 364 00:16:53,680 --> 00:16:57,520 Speaker 2: I was Southern California girl, driving a red Folkswagon convertible, 365 00:16:58,000 --> 00:17:00,560 Speaker 2: writing stories for the La Times, you know, hanging out 366 00:17:00,600 --> 00:17:05,520 Speaker 2: with pro players, like I had my own sort of 367 00:17:05,560 --> 00:17:08,960 Speaker 2: definition of what was good and for me, I would 368 00:17:08,960 --> 00:17:11,560 Speaker 2: often say, well, I believe and I've learned since then, 369 00:17:11,600 --> 00:17:14,520 Speaker 2: if you start your sentence with I believe, it's probably wrong, 370 00:17:14,600 --> 00:17:16,480 Speaker 2: like it's probably if it's fine. If I say I 371 00:17:16,560 --> 00:17:19,480 Speaker 2: believe fall is the most beautiful season. But if I say, well, 372 00:17:19,520 --> 00:17:21,240 Speaker 2: I believe we should be able to do this for 373 00:17:21,400 --> 00:17:24,280 Speaker 2: God in God's world as to it's right or what's 374 00:17:24,320 --> 00:17:27,360 Speaker 2: true or what I've learned, that that's a good sign 375 00:17:27,400 --> 00:17:29,760 Speaker 2: that you're still learning. There's still a lot to go. 376 00:17:30,240 --> 00:17:32,800 Speaker 2: So I believed in a lot of things that when 377 00:17:32,920 --> 00:17:37,119 Speaker 2: this particular verse on that day, it felt like it 378 00:17:37,160 --> 00:17:39,320 Speaker 2: was just almost right to my heart, like it was 379 00:17:39,560 --> 00:17:42,760 Speaker 2: very convicting of the way I thought it was good 380 00:17:42,760 --> 00:17:45,320 Speaker 2: to live versus the way God was calling me to live. 381 00:17:45,760 --> 00:17:47,919 Speaker 2: And I didn't like that. I was like, everything I 382 00:17:48,000 --> 00:17:49,840 Speaker 2: knew and I believed in God, but I was like, 383 00:17:49,880 --> 00:17:52,080 Speaker 2: it's nice to put make your own God. It's kind 384 00:17:52,080 --> 00:17:53,879 Speaker 2: of nice to have him fit into your own box 385 00:17:53,880 --> 00:17:55,000 Speaker 2: of what is okay. 386 00:17:54,840 --> 00:17:55,720 Speaker 1: Way more convenient. 387 00:17:55,760 --> 00:17:58,040 Speaker 2: It's way more convenient. And so this was making me 388 00:17:58,080 --> 00:18:01,399 Speaker 2: feel like I was wrong, to be wrong, and that 389 00:18:01,520 --> 00:18:04,600 Speaker 2: was I think the instant. I don't have a temper 390 00:18:04,680 --> 00:18:07,359 Speaker 2: like it was the weirdest moment. So the Bible lands 391 00:18:07,359 --> 00:18:09,120 Speaker 2: on the ground, and as it would, as God would 392 00:18:09,119 --> 00:18:11,760 Speaker 2: have it, it broke in half. The whole binding. What yes, 393 00:18:12,480 --> 00:18:16,119 Speaker 2: the Bible, and this is his special Bible that's like 394 00:18:16,240 --> 00:18:20,520 Speaker 2: highlighted underlined like it was. He has little little notes 395 00:18:20,560 --> 00:18:23,399 Speaker 2: in this. It was very precious and broke right the 396 00:18:23,440 --> 00:18:26,119 Speaker 2: whole binding split right in half. And I was horrified, 397 00:18:26,240 --> 00:18:29,040 Speaker 2: obviously and myself. He picked up the pieces and he 398 00:18:29,080 --> 00:18:30,720 Speaker 2: wasn't going to fight, just gave me kind of a 399 00:18:30,760 --> 00:18:32,400 Speaker 2: sad look and got in his car and left were 400 00:18:32,520 --> 00:18:34,679 Speaker 2: we had met the tennis courts that day, so I 401 00:18:34,680 --> 00:18:37,400 Speaker 2: would say with my car and I thought, first I thought, 402 00:18:37,400 --> 00:18:39,119 Speaker 2: the earth is going to open and I will be 403 00:18:39,160 --> 00:18:41,719 Speaker 2: the first person straight to hell. So that's not going 404 00:18:41,800 --> 00:18:44,359 Speaker 2: to work. You know that you can't break the Bible 405 00:18:44,400 --> 00:18:46,800 Speaker 2: to try to prove your beliefs are better than the 406 00:18:46,800 --> 00:18:49,800 Speaker 2: Bible somehow, you know, just wasn't going to happen. So 407 00:18:49,880 --> 00:18:52,600 Speaker 2: then I thought, okay, I'm My next thought was I'm 408 00:18:52,640 --> 00:18:54,760 Speaker 2: going to prove him wrong, like I just don't know 409 00:18:54,880 --> 00:18:57,840 Speaker 2: the Bible. And if I only knew the Bible, then 410 00:18:57,840 --> 00:18:59,199 Speaker 2: I would be able to show him. Well, but what 411 00:18:59,200 --> 00:19:02,359 Speaker 2: about this verse? About this? I didn't know anything about it. 412 00:19:02,440 --> 00:19:05,719 Speaker 2: So I decided to go to this little Bible bookstore 413 00:19:06,560 --> 00:19:08,280 Speaker 2: I had passed by all my life in the San 414 00:19:08,359 --> 00:19:10,800 Speaker 2: Fernando Valley, you know, as a valley girl there in 415 00:19:10,920 --> 00:19:13,800 Speaker 2: LA and I'd never been inside. I had always thought 416 00:19:13,840 --> 00:19:16,920 Speaker 2: that this particular store was very strange, like what's a 417 00:19:16,920 --> 00:19:19,399 Speaker 2: Bible bookstore? I didn't really know a value book and Bible. 418 00:19:19,800 --> 00:19:22,240 Speaker 2: And I went there, went in, found a person working 419 00:19:22,240 --> 00:19:24,040 Speaker 2: at the front store, and I said, I need a Bible. 420 00:19:24,320 --> 00:19:26,080 Speaker 2: It needs to be in English, I need to understand it, 421 00:19:26,119 --> 00:19:28,480 Speaker 2: and I need some way to look up words. So 422 00:19:28,560 --> 00:19:30,840 Speaker 2: that's a concordance, and I didn't know that at a time. 423 00:19:30,880 --> 00:19:34,200 Speaker 2: And there's no apps. So I got these two heavy books, 424 00:19:34,280 --> 00:19:36,520 Speaker 2: marked them out to the car, and I don't get 425 00:19:36,520 --> 00:19:37,879 Speaker 2: out of the parking lot, like I'm just going to 426 00:19:37,920 --> 00:19:40,160 Speaker 2: look a few things up to start with, and they're 427 00:19:40,160 --> 00:19:44,000 Speaker 2: not there. What I believed, you know, under my well, 428 00:19:44,000 --> 00:19:45,840 Speaker 2: I believe, I believe just because I felt like it 429 00:19:45,880 --> 00:19:49,600 Speaker 2: was right, just wasn't there. And I heard the most gentle, 430 00:19:50,160 --> 00:19:53,320 Speaker 2: loving voice from the Lord. I just it was the 431 00:19:53,359 --> 00:19:55,719 Speaker 2: first time I'd ever heard like. It wasn't audible, it 432 00:19:55,760 --> 00:19:59,200 Speaker 2: was in my heart, but I heard the Lord say, well, Karen, 433 00:19:59,680 --> 00:20:02,560 Speaker 2: you know I love you, and you have a choice. 434 00:20:03,080 --> 00:20:05,439 Speaker 2: You can fall away with your man made beliefs, or 435 00:20:05,440 --> 00:20:07,359 Speaker 2: you can grab onto my word and never let go. 436 00:20:08,400 --> 00:20:10,440 Speaker 2: How was that moment? It was just like and I 437 00:20:10,520 --> 00:20:12,960 Speaker 2: knew and I just grabbed. I'm like, I'm not falling. 438 00:20:13,320 --> 00:20:15,960 Speaker 2: And I also noticed as I was reading the words 439 00:20:15,960 --> 00:20:18,359 Speaker 2: that day and the Bible, they spoke to me. It 440 00:20:18,400 --> 00:20:20,280 Speaker 2: wasn't someone trying to show me something. It was just 441 00:20:20,320 --> 00:20:22,359 Speaker 2: me reading. I'm like, this isn't hard to read it 442 00:20:22,440 --> 00:20:24,480 Speaker 2: all this is you know, It's like it's like a 443 00:20:24,560 --> 00:20:26,800 Speaker 2: letter right to me. And how could it have been 444 00:20:26,800 --> 00:20:30,280 Speaker 2: written thousands of years ago and still apply so much 445 00:20:30,359 --> 00:20:33,040 Speaker 2: to who we are today as people? So I was 446 00:20:33,119 --> 00:20:36,120 Speaker 2: just like it was like a scales off the eyes 447 00:20:36,200 --> 00:20:38,840 Speaker 2: kind of moment. It was a dramatic change and shift, 448 00:20:38,880 --> 00:20:40,080 Speaker 2: and he forgave me. 449 00:20:40,240 --> 00:20:44,200 Speaker 1: And did you rebind his bible with yours? 450 00:20:44,280 --> 00:20:46,320 Speaker 2: I would have kept it. I really don't even know 451 00:20:46,320 --> 00:20:50,280 Speaker 2: what happened to those, you know, those two pieces. Maybe 452 00:20:50,320 --> 00:20:52,080 Speaker 2: we do have a minute box somewhere, but I bought 453 00:20:52,119 --> 00:20:52,800 Speaker 2: him a bible. 454 00:20:53,119 --> 00:20:55,520 Speaker 1: Have you written this story? I haven't written it into 455 00:20:55,560 --> 00:20:58,639 Speaker 1: anything just because i'd say times, But I think this 456 00:20:58,800 --> 00:21:02,280 Speaker 1: story is so true to you. And I'm not saying 457 00:21:02,320 --> 00:21:04,080 Speaker 1: you were like this lost girl, but if you, if 458 00:21:04,119 --> 00:21:07,639 Speaker 1: you you were lost in your ways right, this is 459 00:21:07,680 --> 00:21:11,520 Speaker 1: a beautiful coming to life story. I'm surprised you haven't 460 00:21:11,520 --> 00:21:12,880 Speaker 1: written the story of you. 461 00:21:13,920 --> 00:21:15,639 Speaker 2: There's a little bit of that in that first novel, 462 00:21:15,640 --> 00:21:18,160 Speaker 2: because I thought, well, I can't do myself, so I'll 463 00:21:18,240 --> 00:21:20,120 Speaker 2: use my own a little bit of it. But there 464 00:21:20,200 --> 00:21:23,440 Speaker 2: wasn't enough for me to say it. 465 00:21:23,400 --> 00:21:30,919 Speaker 1: Was God is moving, are moving, there's falling into a. 466 00:21:32,040 --> 00:21:32,439 Speaker 2: Here we go. 467 00:21:33,480 --> 00:21:35,400 Speaker 3: I think you should write it and call it Unbound, 468 00:21:35,520 --> 00:21:37,800 Speaker 3: and I think it should be about your deep love 469 00:21:37,840 --> 00:21:40,480 Speaker 3: for the sweet man who just hosts and loves you. 470 00:21:40,680 --> 00:21:43,760 Speaker 3: My favorite thing about meeting him with you is I 471 00:21:43,760 --> 00:21:44,920 Speaker 3: feel like he has to die though. 472 00:21:44,840 --> 00:21:48,199 Speaker 1: In the end. Oh why, I'm sorry. There has to 473 00:21:48,240 --> 00:21:51,280 Speaker 1: be some like it's almost like a walk to remember vibe, 474 00:21:51,359 --> 00:21:54,240 Speaker 1: you know what I mean. But like this is why 475 00:21:54,440 --> 00:21:57,880 Speaker 1: finished books. Fun fact, But I do love. 476 00:21:58,160 --> 00:22:02,040 Speaker 3: What I admired about you both was this deep admiration 477 00:22:02,200 --> 00:22:05,080 Speaker 3: that you have for each other. That was, you know, 478 00:22:05,119 --> 00:22:08,640 Speaker 3: in marriage. We talked a lot about marriage here and 479 00:22:10,240 --> 00:22:13,480 Speaker 3: just how deeply proud he is of you and the 480 00:22:13,520 --> 00:22:15,760 Speaker 3: way he lights up when he talks about you, and 481 00:22:16,520 --> 00:22:19,520 Speaker 3: you know, he was connecting with me, he was connecting 482 00:22:19,560 --> 00:22:21,720 Speaker 3: pieces of my life with your life, and it just 483 00:22:21,880 --> 00:22:24,720 Speaker 3: was like, well, you know, Karen lived there and Karen 484 00:22:24,760 --> 00:22:27,200 Speaker 3: did that too. It just he beams when he talks 485 00:22:27,240 --> 00:22:29,760 Speaker 3: about you. So I'm sure glad he loves this Bible 486 00:22:29,760 --> 00:22:31,639 Speaker 3: breaker because you're special amazing. 487 00:22:31,760 --> 00:22:32,840 Speaker 2: If he ever forgave me. 488 00:22:32,960 --> 00:22:35,320 Speaker 1: Is like, well if he didn't, then what Bible is 489 00:22:35,320 --> 00:22:35,720 Speaker 1: he reading? 490 00:22:35,960 --> 00:22:37,280 Speaker 2: That's true? That's so true. 491 00:22:37,400 --> 00:22:40,280 Speaker 1: I mean that was the most in action. 492 00:22:40,760 --> 00:22:43,639 Speaker 2: Yeah, he completely ends and feet Yeah exactly. You know, 493 00:22:43,680 --> 00:22:46,639 Speaker 2: he he'll tell me because I do public speaking or whatnot, 494 00:22:46,640 --> 00:22:49,240 Speaker 2: you know, and you know, might be in front of 495 00:22:49,280 --> 00:22:52,639 Speaker 2: my favorite would be like Liberty University. There's thirteen, fourteen, 496 00:22:52,720 --> 00:22:55,600 Speaker 2: fifteen thousand students and that's a big stage to speak on. 497 00:22:56,040 --> 00:22:58,280 Speaker 2: And he's like he has to find a way to 498 00:22:58,320 --> 00:23:01,960 Speaker 2: come and he'll say, I'll say, my favorite thing to do, 499 00:23:02,080 --> 00:23:05,320 Speaker 2: Karen is watch you on stage. Oh it's the sweetest thing. 500 00:23:05,640 --> 00:23:08,919 Speaker 2: And then likewise for him, he's a basketball coach and 501 00:23:08,960 --> 00:23:10,640 Speaker 2: he just got he had taken a few years off, 502 00:23:10,640 --> 00:23:13,399 Speaker 2: but he just got a job at Franklin Christians. Will 503 00:23:13,440 --> 00:23:17,360 Speaker 2: be there doing coaching and again and I am his scorekeeper. 504 00:23:18,040 --> 00:23:20,639 Speaker 2: So I always sit there and just be coach Russell's wife, 505 00:23:20,720 --> 00:23:23,960 Speaker 2: you know, which you know, that's just a good dream. 506 00:23:24,040 --> 00:23:26,200 Speaker 2: And so yeah, that's my married name. 507 00:23:26,240 --> 00:23:29,919 Speaker 1: Is your dream as well? Yeah, Trussell's wife. How do 508 00:23:30,000 --> 00:23:33,199 Speaker 1: you how do you weave in your Christianity? Because I 509 00:23:33,280 --> 00:23:36,520 Speaker 1: watched you do it when you wrote the script with 510 00:23:36,520 --> 00:23:41,119 Speaker 1: with Tyler. But it's interesting though too during this and 511 00:23:41,520 --> 00:23:44,560 Speaker 1: you know a little fun fact, there was some taken 512 00:23:44,600 --> 00:23:49,080 Speaker 1: out too, because you don't want to shove it down 513 00:23:49,080 --> 00:23:50,960 Speaker 1: people's throat, but you want it still a piece of 514 00:23:51,000 --> 00:23:53,840 Speaker 1: the story. So kind of walk us through how you 515 00:23:53,920 --> 00:23:56,679 Speaker 1: balance that act and then why some of the things 516 00:23:56,920 --> 00:23:59,280 Speaker 1: because there was a you know, some moments where we 517 00:23:59,280 --> 00:24:03,120 Speaker 1: were gonna read some scripture in the movie and then 518 00:24:03,280 --> 00:24:05,360 Speaker 1: or there's just certain pieces, really, well, let's take this out. 519 00:24:05,359 --> 00:24:07,879 Speaker 1: This feels a little bit too much. What called you 520 00:24:07,920 --> 00:24:10,240 Speaker 1: to do that? And then how do you weave it through? 521 00:24:10,880 --> 00:24:14,280 Speaker 2: Like to me, I see the story as one organic story, 522 00:24:14,680 --> 00:24:17,800 Speaker 2: and I think if I step out anytime I step up, 523 00:24:17,840 --> 00:24:19,600 Speaker 2: if I were to be tempted even to step away 524 00:24:19,600 --> 00:24:21,679 Speaker 2: from that and try to teach somebody something with the 525 00:24:21,720 --> 00:24:24,240 Speaker 2: movie or the book, that's wrong. That's not going to work. 526 00:24:24,480 --> 00:24:29,000 Speaker 2: People are very aware of what is organically realized. It's 527 00:24:29,000 --> 00:24:31,520 Speaker 2: okay if I'm watching your story play out. But the 528 00:24:31,560 --> 00:24:35,040 Speaker 2: minute your story starts to feel like, actually, actually I'm 529 00:24:35,080 --> 00:24:38,400 Speaker 2: teaching you something, that's when you've gone too far, and 530 00:24:38,440 --> 00:24:41,080 Speaker 2: it's you know, this is not a preachy kind of 531 00:24:41,160 --> 00:24:44,520 Speaker 2: and not my books aren't that way, and certainly The 532 00:24:44,600 --> 00:24:48,639 Speaker 2: Christmas Ring is not that way. But it's beautiful to 533 00:24:48,640 --> 00:24:52,800 Speaker 2: watch someone else who has a faith struggle and then 534 00:24:53,200 --> 00:24:56,400 Speaker 2: find hope and redemption or even if they lose everything 535 00:24:57,000 --> 00:24:59,240 Speaker 2: still to be able to find the ability to breathe 536 00:24:59,320 --> 00:25:02,080 Speaker 2: and to walk forward word. And if I'm watching that, 537 00:25:02,160 --> 00:25:04,280 Speaker 2: then what happens is the message of that comes in 538 00:25:04,320 --> 00:25:06,280 Speaker 2: through the back door of the heart. And like I 539 00:25:06,280 --> 00:25:08,800 Speaker 2: always would say that when Jesus wanted to tell you 540 00:25:08,840 --> 00:25:10,520 Speaker 2: something straight he would he'd say, you know, I am 541 00:25:10,520 --> 00:25:11,920 Speaker 2: the way of the truth. Them a life, and there 542 00:25:12,040 --> 00:25:14,320 Speaker 2: is no one that comes to the Father except through me, 543 00:25:14,480 --> 00:25:17,240 Speaker 2: just straightforward. When he wanted to make a point, he 544 00:25:17,320 --> 00:25:20,040 Speaker 2: might turn over a table, but when he wanted to 545 00:25:20,040 --> 00:25:23,160 Speaker 2: touch your heart, he told a story. So it shouldn't 546 00:25:23,200 --> 00:25:25,399 Speaker 2: feel you should never feel like a character in that, 547 00:25:26,640 --> 00:25:29,000 Speaker 2: like like, oh, they're talking to me, they're they're they're 548 00:25:29,000 --> 00:25:32,119 Speaker 2: speaking to me. The overall feeling will land on someone 549 00:25:32,200 --> 00:25:34,359 Speaker 2: like that, and that is not. The goal is to 550 00:25:34,400 --> 00:25:37,920 Speaker 2: tell you a truthful even though it's fiction, a truthful 551 00:25:38,040 --> 00:25:41,199 Speaker 2: story of somebody else going through a problem and finding 552 00:25:41,240 --> 00:25:44,240 Speaker 2: hope in their genuine faith. But genuine faith does not 553 00:25:44,320 --> 00:25:45,840 Speaker 2: mean that every time I pop in the room, I'm 554 00:25:45,880 --> 00:25:49,119 Speaker 2: reading scripture, or every time I lost your Donald, unless 555 00:25:49,160 --> 00:25:50,040 Speaker 2: you're Donald and he. 556 00:25:54,880 --> 00:25:55,520 Speaker 1: Serving love. 557 00:25:55,960 --> 00:25:58,720 Speaker 2: That's right, that's so funny, that's exactly I think he 558 00:25:58,760 --> 00:26:01,240 Speaker 2: has actually made some ten jokes about it. The next 559 00:26:01,280 --> 00:26:04,080 Speaker 2: time we played Tennessee, Brookes ankle, so that was just 560 00:26:04,119 --> 00:26:05,680 Speaker 2: like a he was like, now you need to find 561 00:26:05,720 --> 00:26:09,640 Speaker 2: some scripture for me. But but yeah, you know, it's 562 00:26:09,680 --> 00:26:13,359 Speaker 2: not authentic to other people if you if it's too much. Sure, 563 00:26:14,359 --> 00:26:16,919 Speaker 2: you know, anything faith related is going to be like 564 00:26:17,040 --> 00:26:20,600 Speaker 2: cayenne pepper and a recipe, like a very tiny pinch. 565 00:26:20,640 --> 00:26:24,639 Speaker 2: It feels people will completely You'll draw them in and 566 00:26:24,640 --> 00:26:28,000 Speaker 2: they'll say either wow, I want that. I love how 567 00:26:28,040 --> 00:26:30,920 Speaker 2: that helped that person, or they'll say that's me. I'm 568 00:26:30,960 --> 00:26:33,440 Speaker 2: like that too, and they'll they'll own the whole movie, 569 00:26:33,440 --> 00:26:36,240 Speaker 2: will feel like it's in their worldview or the world 570 00:26:36,440 --> 00:26:39,320 Speaker 2: that they want. But if you are trying to force things, 571 00:26:39,720 --> 00:26:41,399 Speaker 2: it's just the whole thing. You lose the whole thing. 572 00:26:41,720 --> 00:26:45,560 Speaker 1: Well, let's talk about the Christmas Ring because this was 573 00:26:45,880 --> 00:26:48,480 Speaker 1: flipped and how things normally happen. Usually you have the 574 00:26:48,520 --> 00:26:50,880 Speaker 1: book and then the movie or the TV show happens. 575 00:26:51,200 --> 00:26:53,280 Speaker 1: But tell us how Christmas Ring. And I wasn't even 576 00:26:53,280 --> 00:26:59,240 Speaker 1: supposed to play the leading. 577 00:26:57,000 --> 00:27:01,240 Speaker 2: They're faking freaking news, but they got me so well. 578 00:27:02,119 --> 00:27:03,520 Speaker 2: And this is you know, I prayed on the way here. 579 00:27:03,560 --> 00:27:05,479 Speaker 2: I really did about like how do I talk about this? 580 00:27:05,560 --> 00:27:07,760 Speaker 2: And because I want to be sure like the other 581 00:27:08,000 --> 00:27:09,960 Speaker 2: kinds of movies that are Christmas movies. I just want 582 00:27:10,000 --> 00:27:11,680 Speaker 2: to go on record there there. They're a lot of fun, 583 00:27:11,720 --> 00:27:14,640 Speaker 2: and they're you know, they have their own value within. 584 00:27:14,480 --> 00:27:15,840 Speaker 1: They've all done them and we all love them. 585 00:27:15,920 --> 00:27:16,600 Speaker 2: Yes, exactly. 586 00:27:16,600 --> 00:27:16,800 Speaker 1: There. 587 00:27:16,840 --> 00:27:19,040 Speaker 2: I mean, it's like you're looking forward to it every 588 00:27:19,080 --> 00:27:21,400 Speaker 2: year to see, you know, what's what these different platforms 589 00:27:21,440 --> 00:27:22,879 Speaker 2: are going to come out with. And they're great and 590 00:27:22,920 --> 00:27:25,760 Speaker 2: they're wonderful fun. But I wanted to do a movie 591 00:27:25,760 --> 00:27:28,760 Speaker 2: that was an elevated experience, like something you would want 592 00:27:28,760 --> 00:27:33,720 Speaker 2: to watch again and again and again. And the initially 593 00:27:33,920 --> 00:27:35,960 Speaker 2: I had we were I was partnering with a platform, 594 00:27:36,040 --> 00:27:39,239 Speaker 2: I'll just say, and they have certain actors that are 595 00:27:39,520 --> 00:27:43,200 Speaker 2: in there on by contracts, in their staple of talent, 596 00:27:43,760 --> 00:27:48,520 Speaker 2: and so this particular you know actress I absolutely love 597 00:27:48,640 --> 00:27:51,399 Speaker 2: and I'm friends it's great. Yeah, she's great, She's fantastic. 598 00:27:51,760 --> 00:27:54,639 Speaker 2: But once things didn't work out at the upper level 599 00:27:55,640 --> 00:27:58,159 Speaker 2: in terms of it being initially it was going to 600 00:27:58,160 --> 00:28:01,400 Speaker 2: be an easy quick you know, we would just write 601 00:28:01,400 --> 00:28:03,760 Speaker 2: the script and maybe Tyler would direct it, but it 602 00:28:03,760 --> 00:28:06,640 Speaker 2: would be not any of my time and not any 603 00:28:06,640 --> 00:28:09,879 Speaker 2: of my resources. But they really couldn't pull it together 604 00:28:09,920 --> 00:28:11,520 Speaker 2: financially in a way to be able to make it 605 00:28:11,520 --> 00:28:14,680 Speaker 2: look like it should, and so we in a very 606 00:28:14,680 --> 00:28:17,040 Speaker 2: friendly way, and we're still very friendly. We just you know, 607 00:28:17,480 --> 00:28:20,119 Speaker 2: eventually someday it may come to their platform years from now, 608 00:28:20,480 --> 00:28:22,560 Speaker 2: but it won't be there to start. And I wanted 609 00:28:22,560 --> 00:28:24,800 Speaker 2: to make myself, so we said we make use with 610 00:28:24,800 --> 00:28:28,679 Speaker 2: our own resources and we would film it here. And 611 00:28:28,720 --> 00:28:30,159 Speaker 2: so then I didn't get to have her, even if 612 00:28:30,200 --> 00:28:32,200 Speaker 2: I wanted her. I mean, that was just not I 613 00:28:32,240 --> 00:28:33,639 Speaker 2: couldn't have her. So now it was like, well, this 614 00:28:33,680 --> 00:28:35,879 Speaker 2: is the whole clean slate. So my first you were 615 00:28:35,920 --> 00:28:38,400 Speaker 2: my first choice of them. I just don't have to say. 616 00:28:38,600 --> 00:28:43,360 Speaker 1: You don't have to say. Usually I'm like the second 617 00:28:43,400 --> 00:28:44,320 Speaker 1: or third. No, it's not. 618 00:28:44,440 --> 00:28:46,920 Speaker 2: You actually weren't. No. I mean, I don't know how 619 00:28:46,960 --> 00:28:49,719 Speaker 2: that could be, because you're so talented, Jana, so talented. 620 00:28:49,880 --> 00:28:53,160 Speaker 2: I mean, it's amazing, like she it's like the river 621 00:28:53,240 --> 00:28:55,040 Speaker 2: runs so deep, and I know that's true in your 622 00:28:55,080 --> 00:28:57,880 Speaker 2: life and you can't fake that. I really don't think 623 00:28:57,880 --> 00:29:00,720 Speaker 2: no matter of talent of an actor, if they don't 624 00:29:00,760 --> 00:29:03,560 Speaker 2: have the deep well within them, they can't bring into 625 00:29:03,600 --> 00:29:06,760 Speaker 2: the screen. And you're just I mean, I don't know 626 00:29:07,360 --> 00:29:10,440 Speaker 2: the story of the Christmas Ring brought that we have 627 00:29:10,480 --> 00:29:14,040 Speaker 2: a military widow as the lead character. So there's no 628 00:29:14,120 --> 00:29:16,600 Speaker 2: way that can be somebody who doesn't at least show 629 00:29:16,640 --> 00:29:19,280 Speaker 2: that they've been there a little bit in their heart. 630 00:29:19,440 --> 00:29:21,880 Speaker 2: So yeah, you were just I mean, we were thrilled 631 00:29:21,960 --> 00:29:23,840 Speaker 2: we got you were our first get knew that was 632 00:29:23,960 --> 00:29:26,520 Speaker 2: number one. We had an actor and that when it 633 00:29:26,520 --> 00:29:28,960 Speaker 2: was a public announcement, we actually had Christopher Polah who 634 00:29:29,040 --> 00:29:32,160 Speaker 2: was the He's a Hallmark actor who was going to 635 00:29:32,160 --> 00:29:34,520 Speaker 2: be the lead. But that was with the other actress 636 00:29:34,680 --> 00:29:36,400 Speaker 2: that was with the other or other lead that we 637 00:29:36,440 --> 00:29:39,800 Speaker 2: did we lost, and so it was just kind of 638 00:29:39,800 --> 00:29:41,400 Speaker 2: one of those things where I thought, I'm not sure 639 00:29:41,400 --> 00:29:44,560 Speaker 2: that's going to work age wise, like pairing wise. I 640 00:29:44,600 --> 00:29:46,760 Speaker 2: wasn't sure how that would be. But I we'd kind 641 00:29:46,760 --> 00:29:48,960 Speaker 2: of already offered him, So what do you do? But 642 00:29:49,120 --> 00:29:53,520 Speaker 2: literally two days after we started pre production, he quit 643 00:29:53,720 --> 00:29:55,560 Speaker 2: and he called us and he said, so has the 644 00:29:55,560 --> 00:29:58,719 Speaker 2: agent called, I'm so sorry, like his you know, homework 645 00:29:58,720 --> 00:30:01,080 Speaker 2: doesn't want him to do it unerstandably because he had 646 00:30:01,680 --> 00:30:04,400 Speaker 2: by then he gathered up another Christmas movie with them, 647 00:30:04,880 --> 00:30:06,440 Speaker 2: So how do you and you know, his thought was, 648 00:30:06,440 --> 00:30:08,520 Speaker 2: I'll just talk about both and their thought was like, 649 00:30:08,880 --> 00:30:12,040 Speaker 2: uh no, that's not going to happen. So he had 650 00:30:12,080 --> 00:30:14,800 Speaker 2: to quit. So I totally understand it's his life, you know, 651 00:30:15,280 --> 00:30:18,080 Speaker 2: as bread and butter, but he's going to be working 652 00:30:18,080 --> 00:30:20,120 Speaker 2: for them, and so now I have a clean slate 653 00:30:20,200 --> 00:30:22,960 Speaker 2: on the guys. And I'm like, who would really be 654 00:30:23,040 --> 00:30:23,480 Speaker 2: good with you? 655 00:30:23,520 --> 00:30:25,160 Speaker 1: And she's texting me and I'm like, Karen, we are 656 00:30:25,160 --> 00:30:26,040 Speaker 1: filming in a week. 657 00:30:26,080 --> 00:30:26,560 Speaker 2: Girlfriend. 658 00:30:26,640 --> 00:30:28,040 Speaker 1: I was like, what is happening? 659 00:30:28,960 --> 00:30:34,959 Speaker 2: This is crazy and the ship is already Oh I know, 660 00:30:35,080 --> 00:30:36,680 Speaker 2: I'm sure you were like. Plus, you know, I'm a 661 00:30:36,720 --> 00:30:39,400 Speaker 2: new filmmaker, like I really am, and I mean, I'll 662 00:30:39,400 --> 00:30:41,160 Speaker 2: be the first to admit, like I'm always trying to 663 00:30:41,160 --> 00:30:43,360 Speaker 2: get better with them, but it starts second movie, so 664 00:30:43,520 --> 00:30:46,400 Speaker 2: you had to Obviously thankfully you love the script, but 665 00:30:46,560 --> 00:30:50,520 Speaker 2: like you're putting your trust, you're putting your reputation, you know, 666 00:30:50,720 --> 00:30:53,760 Speaker 2: into that we're going to make you look beautiful, that 667 00:30:53,800 --> 00:30:55,840 Speaker 2: we're going to bring out the best in you, or 668 00:30:55,880 --> 00:30:57,840 Speaker 2: that we're even going to show up, you know when 669 00:30:57,960 --> 00:31:00,200 Speaker 2: we say here's day one. So I'm sure that was 670 00:31:00,360 --> 00:31:02,920 Speaker 2: my least favorite call to make. Tyler was like, you're 671 00:31:02,960 --> 00:31:06,600 Speaker 2: gonna call it ya. Let her know that we don't 672 00:31:06,600 --> 00:31:09,280 Speaker 2: have a male lead, I said, I I have deal. 673 00:31:09,320 --> 00:31:11,479 Speaker 2: We were I think in the Bahamas on some vacation 674 00:31:11,640 --> 00:31:12,320 Speaker 2: during that week. 675 00:31:12,600 --> 00:31:16,120 Speaker 1: But I loved who you. I loved your vision. I 676 00:31:16,160 --> 00:31:19,760 Speaker 1: already knew the vision and it was I yes, so 677 00:31:19,800 --> 00:31:22,080 Speaker 1: sad to see Christopher go, but at the same time, 678 00:31:22,120 --> 00:31:23,840 Speaker 1: I'm like, Okay, fine, clear slate, let's do this. 679 00:31:24,600 --> 00:31:24,719 Speaker 2: Uh. 680 00:31:25,040 --> 00:31:27,240 Speaker 1: And I was so happy with who you said you 681 00:31:27,280 --> 00:31:30,000 Speaker 1: were going to go out to, and so yeah, I 682 00:31:30,120 --> 00:31:31,000 Speaker 1: felt very blessed. 683 00:31:31,080 --> 00:31:33,760 Speaker 2: Yeah. So Benjamin, I mean I had never obviously never 684 00:31:33,800 --> 00:31:36,760 Speaker 2: worked with him. He's mostly known for being on Virgin River, 685 00:31:37,240 --> 00:31:40,880 Speaker 2: but he has as so he's so affable. On top 686 00:31:40,960 --> 00:31:44,440 Speaker 2: being very handsome, he's very likable. Yeah, and I didn't 687 00:31:44,440 --> 00:31:46,720 Speaker 2: see the seasons where he was like people that he 688 00:31:46,800 --> 00:31:48,000 Speaker 2: was like a bad boy or something. 689 00:31:48,040 --> 00:31:51,040 Speaker 1: I guess I never watched Virgin River, so nothing going 690 00:31:51,080 --> 00:31:53,560 Speaker 1: in at all. I just knew he was like, yeah, 691 00:31:53,600 --> 00:31:56,400 Speaker 1: this bad boy from Virgin River. And then I met him, 692 00:31:56,400 --> 00:31:58,240 Speaker 1: and I mean I just I loved him. I don't know. 693 00:31:58,280 --> 00:32:01,920 Speaker 1: So it's like we had this great chemist and he 694 00:32:02,080 --> 00:32:05,480 Speaker 1: was incredible, like it was amazing his family, and then 695 00:32:05,520 --> 00:32:09,600 Speaker 1: on screen he made me better, Like he's just he 696 00:32:10,120 --> 00:32:13,800 Speaker 1: elevated the material and therefore I had to also meet 697 00:32:13,840 --> 00:32:14,240 Speaker 1: him there. 698 00:32:14,600 --> 00:32:16,200 Speaker 2: Yeah, but you did the same for him. I mean, 699 00:32:16,200 --> 00:32:19,280 Speaker 2: there's no question that your depth brought out like he is. 700 00:32:19,280 --> 00:32:21,240 Speaker 2: That I think that part of the reason it worked 701 00:32:21,280 --> 00:32:22,960 Speaker 2: so well and people, I think, I really believe this. 702 00:32:23,080 --> 00:32:25,480 Speaker 2: At ten years from now, twenty years from now, people 703 00:32:25,480 --> 00:32:27,160 Speaker 2: are going to try to figure out what the formula 704 00:32:27,240 --> 00:32:29,480 Speaker 2: was to find chemistry like you and Ben have on screen. 705 00:32:29,520 --> 00:32:33,320 Speaker 2: It's I mean it's breathtaking chemistry. But it's not just 706 00:32:33,440 --> 00:32:36,200 Speaker 2: like you know, sexual tension chemistry at all. 707 00:32:36,440 --> 00:32:38,880 Speaker 1: No, it wasn't like that at all. There was just like, yeah, 708 00:32:38,960 --> 00:32:41,400 Speaker 1: we had That's where I'm like, there's a soulful thing 709 00:32:41,480 --> 00:32:43,560 Speaker 1: that it was like we knew each other in a 710 00:32:43,560 --> 00:32:46,840 Speaker 1: past life or something or because it was just yeah, 711 00:32:47,080 --> 00:32:49,920 Speaker 1: not it's not to say see your feeling yeah, like, 712 00:32:50,560 --> 00:32:53,120 Speaker 1: but yeah, it was. That was the I've never felt 713 00:32:53,120 --> 00:32:55,600 Speaker 1: that with a co star before, having that just like 714 00:32:55,640 --> 00:32:58,560 Speaker 1: that friendship connection chemistry with someone. 715 00:32:58,800 --> 00:33:00,960 Speaker 2: Yeah, to me, it was I think partly because you 716 00:33:01,040 --> 00:33:03,640 Speaker 2: both are deep. Yeah, just some people are and some aren't. 717 00:33:03,680 --> 00:33:05,760 Speaker 2: And some people can just step onto the set and 718 00:33:05,800 --> 00:33:07,520 Speaker 2: it's a job and they turn on the emotion that's 719 00:33:07,600 --> 00:33:09,720 Speaker 2: required and they do a great job and that's fine, 720 00:33:09,760 --> 00:33:11,200 Speaker 2: then they can just check out, go home. But you 721 00:33:11,280 --> 00:33:14,000 Speaker 2: run very, very deep, and it's partly your life experience, 722 00:33:14,360 --> 00:33:16,760 Speaker 2: partly you have a poetic heart. I mean you just 723 00:33:16,840 --> 00:33:19,440 Speaker 2: have a beautiful soul, beautiful heart. It's so true. And 724 00:33:19,480 --> 00:33:22,640 Speaker 2: I felt I walked away feeling like a like a 725 00:33:22,680 --> 00:33:25,640 Speaker 2: family friend that get close to you because of that 726 00:33:25,720 --> 00:33:28,400 Speaker 2: depth and you allow people in, which is also a 727 00:33:28,600 --> 00:33:31,480 Speaker 2: huge gift that you have that you allow the So 728 00:33:31,520 --> 00:33:34,360 Speaker 2: when people watch this movie, they're going to see into 729 00:33:34,400 --> 00:33:36,360 Speaker 2: your soul, like into your heart, and that's a lot 730 00:33:36,360 --> 00:33:38,240 Speaker 2: of actors also will put that well up and be 731 00:33:38,360 --> 00:33:41,680 Speaker 2: someone else. But you bring enough of Jianna Kramer to 732 00:33:41,800 --> 00:33:44,560 Speaker 2: that role and to this role in particular, and Ben 733 00:33:45,440 --> 00:33:47,959 Speaker 2: Ben nurtured that. And that was the thing is that 734 00:33:48,080 --> 00:33:50,040 Speaker 2: he's deep. I mean he's also a poet and named 735 00:33:50,080 --> 00:33:52,880 Speaker 2: his kids after you know, literature, like that's he's you 736 00:33:52,880 --> 00:33:54,800 Speaker 2: know when you're wanting your kids name Hemingway. I mean 737 00:33:55,080 --> 00:33:58,160 Speaker 2: like there's some depth there and he loves poetry. So 738 00:33:58,280 --> 00:34:00,400 Speaker 2: I thought, oh, my goods, who knew this about this guy? 739 00:34:01,000 --> 00:34:03,520 Speaker 2: You never know you're hiring someone to be in a movie, 740 00:34:03,520 --> 00:34:05,160 Speaker 2: it's like, not until you really get on set that 741 00:34:05,200 --> 00:34:08,440 Speaker 2: you're like, hope they get along, hope they enjoying this 742 00:34:08,560 --> 00:34:10,920 Speaker 2: experience because they need to pretend like they're madly and 743 00:34:10,960 --> 00:34:13,960 Speaker 2: love in a beautiful, hard way. And that's what I 744 00:34:13,960 --> 00:34:17,160 Speaker 2: think too. Is different here is that you know the 745 00:34:17,480 --> 00:34:19,279 Speaker 2: kiss at the beautiful kisses at the end that time 746 00:34:19,360 --> 00:34:22,279 Speaker 2: was so beautiful, but you know it was more than 747 00:34:22,320 --> 00:34:26,480 Speaker 2: that beautifully deep loved it. It was just I'm gonna 748 00:34:26,760 --> 00:34:28,400 Speaker 2: just cannot wait for people to see it. 749 00:34:41,280 --> 00:34:43,440 Speaker 1: So you wrote the script and then you wrote the book. Well, 750 00:34:43,480 --> 00:34:45,840 Speaker 1: I needed this, I need this to be a book. 751 00:34:45,880 --> 00:34:48,200 Speaker 2: That's it because and it won't matter which way people 752 00:34:48,440 --> 00:34:50,480 Speaker 2: like you could definitely watch the movie first and then 753 00:34:50,520 --> 00:34:52,520 Speaker 2: get the book or get the beauty. It doesn't matter 754 00:34:52,560 --> 00:34:55,239 Speaker 2: because they were so similar. But what you can do 755 00:34:55,280 --> 00:34:56,880 Speaker 2: in a book that you can't do in a film 756 00:34:56,960 --> 00:35:00,279 Speaker 2: is give more detail. So there's a really beautif offul 757 00:35:00,320 --> 00:35:02,239 Speaker 2: scene toward the end of the movie, and I don't 758 00:35:02,239 --> 00:35:04,200 Speaker 2: want to give away too much of it, but it's 759 00:35:04,200 --> 00:35:08,319 Speaker 2: a decision that Vanessa Mayfield has to make about let 760 00:35:08,600 --> 00:35:10,600 Speaker 2: this is something aligne that you know your character says, 761 00:35:10,600 --> 00:35:13,799 Speaker 2: and that you say so beautifully is the kind of 762 00:35:13,800 --> 00:35:16,000 Speaker 2: the key is to know when to hold onto the 763 00:35:16,040 --> 00:35:19,560 Speaker 2: past and when to let it go. And obviously it 764 00:35:19,560 --> 00:35:21,239 Speaker 2: will always shape us and be a part of us, 765 00:35:21,280 --> 00:35:24,680 Speaker 2: but you sometimes cannot move forward until you are willing 766 00:35:24,719 --> 00:35:27,239 Speaker 2: to let that piece go somewhat and you have to 767 00:35:27,239 --> 00:35:29,520 Speaker 2: reach this place where you have to let something go. 768 00:35:30,160 --> 00:35:33,000 Speaker 2: And the beauty of that moment, the beauty of that 769 00:35:33,520 --> 00:35:38,399 Speaker 2: the depth of what you're experiencing. You gave us five 770 00:35:38,440 --> 00:35:41,359 Speaker 2: thousand words in that moment, and that's, I mean, way 771 00:35:41,360 --> 00:35:43,799 Speaker 2: more than I could have ever asked. But I love 772 00:35:43,840 --> 00:35:46,359 Speaker 2: that I can take the book and let people read 773 00:35:46,360 --> 00:35:49,680 Speaker 2: those five thousand words, let them actually relive what it 774 00:35:49,760 --> 00:35:51,520 Speaker 2: was like when you got the knock on the door, 775 00:35:51,880 --> 00:35:53,640 Speaker 2: what it was like to marry him in the first place, 776 00:35:53,680 --> 00:35:56,160 Speaker 2: what it was like to raise you know, Sadie with him. 777 00:35:56,200 --> 00:35:59,760 Speaker 2: Like that same piece, that same moment in the book 778 00:36:00,040 --> 00:36:02,799 Speaker 2: gives us way more detail that we just cannot get 779 00:36:02,920 --> 00:36:03,440 Speaker 2: in a movie. 780 00:36:03,480 --> 00:36:06,239 Speaker 1: So when the book is available now and the movie 781 00:36:06,239 --> 00:36:08,480 Speaker 1: comes out November sixth in theaters, but you can actually 782 00:36:08,480 --> 00:36:09,960 Speaker 1: buy the book now, so if you want to read it, 783 00:36:09,960 --> 00:36:12,840 Speaker 1: if you're a read before the movie, are you a 784 00:36:12,920 --> 00:36:14,200 Speaker 1: read before the movie kind of goal. 785 00:36:14,360 --> 00:36:17,960 Speaker 3: Typically this time, I'm going opposite because you're my first opposite. 786 00:36:18,040 --> 00:36:19,719 Speaker 2: Yeah, and because I think people are they going to 787 00:36:19,719 --> 00:36:21,320 Speaker 2: be obsessed with this movie. They're going to want to 788 00:36:21,320 --> 00:36:22,640 Speaker 2: see it again and again. We just showed it to 789 00:36:22,680 --> 00:36:25,040 Speaker 2: five hundred women on this last weekend. They got a 790 00:36:25,040 --> 00:36:28,120 Speaker 2: preview of it more than a three minute standing ovation 791 00:36:28,640 --> 00:36:31,200 Speaker 2: at the end. This incredible. And then they would come 792 00:36:31,239 --> 00:36:32,560 Speaker 2: up to me and they'd say, you have no idea 793 00:36:32,600 --> 00:36:34,200 Speaker 2: how many times I'm going to see this in the theater, 794 00:36:34,320 --> 00:36:36,200 Speaker 2: Like I'm going to take my husband and I'm going 795 00:36:36,200 --> 00:36:38,920 Speaker 2: to take my girlfriends. I'm more. It's just they loved 796 00:36:38,920 --> 00:36:41,319 Speaker 2: it so much. So if they love it that much 797 00:36:41,440 --> 00:36:43,120 Speaker 2: and they want more, they're going to get the book. 798 00:36:43,239 --> 00:36:44,479 Speaker 2: That's where they're going to get more. 799 00:36:45,280 --> 00:36:47,959 Speaker 1: My first time going to a premiere. Are you able 800 00:36:47,960 --> 00:36:49,399 Speaker 1: to come? Because I know you have a baseball game? 801 00:36:49,800 --> 00:36:53,200 Speaker 1: They moved our last baseball game later. I get it. 802 00:36:53,200 --> 00:36:54,920 Speaker 1: I had to miss your thing because my kid had 803 00:36:54,960 --> 00:36:56,319 Speaker 1: a softball game, you know what I mean. 804 00:36:57,080 --> 00:36:59,120 Speaker 3: But I'm also the kids were able to be extras 805 00:36:59,120 --> 00:37:02,080 Speaker 3: in your film, and that has just shaped their brains. 806 00:37:02,960 --> 00:37:05,960 Speaker 3: So between the two of you, you have gifted my kids. 807 00:37:06,120 --> 00:37:10,080 Speaker 3: This really like a level a lid off kind of 808 00:37:10,160 --> 00:37:12,920 Speaker 3: mentality that is really I mean, I can't imagine who 809 00:37:12,960 --> 00:37:14,680 Speaker 3: I could have been if I got that at seven 810 00:37:14,840 --> 00:37:18,080 Speaker 3: and nine years old. And so they you know, you know, 811 00:37:18,120 --> 00:37:19,719 Speaker 3: it's the big premiere night, and I'm like, I know, 812 00:37:19,800 --> 00:37:21,239 Speaker 3: but you're also versus the. 813 00:37:21,160 --> 00:37:23,440 Speaker 1: Trash pandas that you know, field four and so. 814 00:37:23,880 --> 00:37:26,319 Speaker 3: But they've moved the last baseball game of the season too, 815 00:37:26,320 --> 00:37:28,000 Speaker 3: two days later, because God always makes a. 816 00:37:27,920 --> 00:37:28,400 Speaker 1: Way for us. 817 00:37:28,480 --> 00:37:30,160 Speaker 3: I said it even on the show. I was like, 818 00:37:30,640 --> 00:37:32,880 Speaker 3: got them move the pieces. Nothing's ever the same, you know, 819 00:37:33,000 --> 00:37:34,680 Speaker 3: and so we get to come and they get to 820 00:37:34,760 --> 00:37:37,440 Speaker 3: be It's fun. They've I've got a lot of dms 821 00:37:37,440 --> 00:37:39,640 Speaker 3: saying like did I just buy love in this movie? 822 00:37:39,640 --> 00:37:44,160 Speaker 1: I'm like, you did? This is awesome. What is your 823 00:37:45,080 --> 00:37:47,359 Speaker 1: favorite part about Because you were on set every single day. 824 00:37:47,480 --> 00:37:49,319 Speaker 1: I mean you were walking around, you know, making sure 825 00:37:49,320 --> 00:37:53,360 Speaker 1: everyone is fed and just happy and good hydrated, and 826 00:37:53,360 --> 00:37:55,759 Speaker 1: then you're watching the scenes and you're you know, because 827 00:37:55,760 --> 00:37:58,840 Speaker 1: you're obviously a producer as well on it. So what 828 00:37:59,040 --> 00:38:02,400 Speaker 1: did you experience on that you didn't think that you 829 00:38:02,400 --> 00:38:04,840 Speaker 1: were going to experience? Like, what is something that was 830 00:38:04,920 --> 00:38:07,160 Speaker 1: just like I didn't know I would feel this or. 831 00:38:07,560 --> 00:38:09,839 Speaker 2: Yeah, you know sometimes when you're watching a movie. First 832 00:38:09,880 --> 00:38:12,680 Speaker 2: of all, when you're watching a movie, you're it's edited, 833 00:38:12,880 --> 00:38:15,080 Speaker 2: it's colored, it has the score, it has all the 834 00:38:15,080 --> 00:38:17,200 Speaker 2: things that needs to draw your emotion. And we have 835 00:38:17,239 --> 00:38:19,319 Speaker 2: all that in the Christmas Ring. I think what I 836 00:38:19,440 --> 00:38:22,359 Speaker 2: wasn't expecting this is this movie has a fair share 837 00:38:22,400 --> 00:38:24,640 Speaker 2: of humor too. It has some you know, it's fun. 838 00:38:24,680 --> 00:38:28,400 Speaker 2: It's a scenes with Kelsey and the guy. Yeah, hilarious. 839 00:38:28,440 --> 00:38:30,440 Speaker 2: There's so fun. And you know, our little grhand boys. 840 00:38:30,440 --> 00:38:32,239 Speaker 2: I didn't think kids would end up like in this movie. 841 00:38:33,080 --> 00:38:35,760 Speaker 2: It's a date night. It's a matter. But the grandkids 842 00:38:35,800 --> 00:38:38,880 Speaker 2: are nine, seven and five loved it, like they were like, 843 00:38:39,000 --> 00:38:41,239 Speaker 2: Gary was so funny. He was so funny. You had 844 00:38:41,239 --> 00:38:44,200 Speaker 2: the funny hats. We just enjoyed it. So but what 845 00:38:44,280 --> 00:38:46,120 Speaker 2: you don't expect and this is again only my second 846 00:38:46,120 --> 00:38:48,799 Speaker 2: movie where I'm on set every minute and where I 847 00:38:48,840 --> 00:38:50,799 Speaker 2: get to have a you know, I'm the one saying 848 00:38:50,880 --> 00:38:54,080 Speaker 2: yes that art piece, yes, that costume, No, not that 849 00:38:54,239 --> 00:38:56,520 Speaker 2: art piece. You know, so this is the second time 850 00:38:56,600 --> 00:38:57,520 Speaker 2: for that, and she. 851 00:38:57,600 --> 00:38:59,799 Speaker 1: Just like cover your boobs up more grammer that yes, 852 00:39:00,280 --> 00:39:06,279 Speaker 1: not that shirt the Holy Imagination, you know what I mean, 853 00:39:07,320 --> 00:39:12,120 Speaker 1: Less Garden or Karen Gingsburg Fair. I was like, it's. 854 00:39:16,800 --> 00:39:19,120 Speaker 2: But there are I want there to be certain like 855 00:39:19,320 --> 00:39:22,400 Speaker 2: fingerprints of my movie that people know, Hey, if the 856 00:39:22,440 --> 00:39:24,080 Speaker 2: kids walk into the room, there's never going to be 857 00:39:24,080 --> 00:39:26,719 Speaker 2: a moment. But you just know you're But I love 858 00:39:26,800 --> 00:39:28,319 Speaker 2: that you got that though. I know that you were 859 00:39:28,320 --> 00:39:31,240 Speaker 2: like there's a little bit of a pattern with these outfits, 860 00:39:32,480 --> 00:39:33,319 Speaker 2: but they're not like. 861 00:39:33,640 --> 00:39:36,960 Speaker 1: Boring, grageous. I love you and I get it. 862 00:39:37,680 --> 00:39:41,000 Speaker 2: Yeah, but I wasn't expecting the emotions from me because 863 00:39:41,080 --> 00:39:42,880 Speaker 2: like I wrote the movie. We wrote Tyler and I 864 00:39:42,880 --> 00:39:45,440 Speaker 2: wrote the script and then I said, I can't do this. 865 00:39:45,480 --> 00:39:47,120 Speaker 2: I got it rife got out of book. I can't 866 00:39:47,120 --> 00:39:49,560 Speaker 2: just have the movie, so quickly wrote a book. God. 867 00:39:49,640 --> 00:39:51,239 Speaker 2: I mean, so I was working two sides of things. 868 00:39:51,320 --> 00:39:53,640 Speaker 2: I was going fast. And by the time we got 869 00:39:53,680 --> 00:39:56,359 Speaker 2: to being on set and watching your scenes, like you're 870 00:39:56,360 --> 00:39:59,600 Speaker 2: seeing when you're talking about your husband who passed away 871 00:40:00,520 --> 00:40:04,120 Speaker 2: working as an army medic overseas an ied and you're 872 00:40:04,160 --> 00:40:08,080 Speaker 2: telling that story. I mean, I'm in theory. I should 873 00:40:08,080 --> 00:40:11,520 Speaker 2: be in a left brain place going is that air conditioning? 874 00:40:11,560 --> 00:40:13,440 Speaker 2: Going to be able to be you know, taken out 875 00:40:13,440 --> 00:40:17,000 Speaker 2: are we But I literally was so drawn into the 876 00:40:17,040 --> 00:40:20,160 Speaker 2: scene and that happened several times that I'm crying, like 877 00:40:20,200 --> 00:40:23,239 Speaker 2: I'm back there just wiping tears like that happened in 878 00:40:23,400 --> 00:40:26,279 Speaker 2: just more than I ever expected. So I think it 879 00:40:26,320 --> 00:40:28,359 Speaker 2: was it was a little bit of of God like 880 00:40:28,480 --> 00:40:31,279 Speaker 2: letting me know this is going to be amazing, Like 881 00:40:31,600 --> 00:40:33,279 Speaker 2: and I kept when I'd pray about it, because we 882 00:40:33,320 --> 00:40:36,120 Speaker 2: prayed all the time, like go or make away, help 883 00:40:36,200 --> 00:40:38,839 Speaker 2: us because it's all been so quick and fifteen days 884 00:40:38,880 --> 00:40:42,280 Speaker 2: film a movie that will be timeless, is way too short. 885 00:40:42,719 --> 00:40:46,239 Speaker 2: But you know, we had the Jenny, You're so gracious, 886 00:40:46,280 --> 00:40:48,120 Speaker 2: like it's going to be you know, it feels like 887 00:40:48,120 --> 00:40:50,319 Speaker 2: one hundred and nine, and you're like, that's fine, bring me, 888 00:40:50,400 --> 00:40:52,160 Speaker 2: let me wear the coat. You're totally good. 889 00:40:52,200 --> 00:40:55,200 Speaker 1: But Donald had a sweet cooling car outside, so he 890 00:40:55,400 --> 00:40:58,080 Speaker 1: was just made sure we were nice and snuggled up. 891 00:40:58,120 --> 00:41:00,160 Speaker 1: But I think there was something else too that we 892 00:41:00,200 --> 00:41:03,080 Speaker 1: spoke about. There was a moment in this in the 893 00:41:03,120 --> 00:41:06,479 Speaker 1: movie with Kelsey where there was that father son, yes, 894 00:41:06,520 --> 00:41:09,759 Speaker 1: a parent relationship, and obviously having Kelsey was a huge gift. 895 00:41:09,800 --> 00:41:13,719 Speaker 1: I mean, he's incredible. He was amazing. But there's also 896 00:41:13,800 --> 00:41:16,800 Speaker 1: forgiveness in there too, and I think it's so beautiful 897 00:41:16,840 --> 00:41:20,719 Speaker 1: because we've talked about parents and the journeys and to hear, 898 00:41:21,400 --> 00:41:25,879 Speaker 1: you know you what Kelsey says in there. I even 899 00:41:25,880 --> 00:41:27,960 Speaker 1: when I watched it back with you in your screening room, 900 00:41:28,960 --> 00:41:31,040 Speaker 1: I felt it and was like, man, what a beautiful 901 00:41:31,200 --> 00:41:33,319 Speaker 1: thing that this parent has said to his son. 902 00:41:34,040 --> 00:41:36,880 Speaker 2: And I think that was probably the moment that I 903 00:41:37,239 --> 00:41:40,160 Speaker 2: expected it to be emotional the times when you made 904 00:41:40,160 --> 00:41:44,120 Speaker 2: me emotional and Ben your interactions, but with Kelsey, I 905 00:41:44,200 --> 00:41:47,160 Speaker 2: never realized. The people who are going to be touched, 906 00:41:47,160 --> 00:41:50,080 Speaker 2: they have a strange relationships with their adult kids, and 907 00:41:50,239 --> 00:41:52,120 Speaker 2: it's who knows whose fault it is. It's going to 908 00:41:52,120 --> 00:41:55,359 Speaker 2: be different for each situation. People are so hesitant to 909 00:41:55,360 --> 00:41:59,440 Speaker 2: just say they're sorry. And in this scene, because Kelsey 910 00:41:59,480 --> 00:42:02,280 Speaker 2: Grammar's care has been very hard headed for a good reason. 911 00:42:02,719 --> 00:42:05,080 Speaker 2: You know, he's found this treasure. He's an antiques dealer 912 00:42:05,600 --> 00:42:08,360 Speaker 2: and for the first time in his you know, decades 913 00:42:08,440 --> 00:42:11,359 Speaker 2: long career, he has found the diamond and the rough. 914 00:42:11,880 --> 00:42:14,319 Speaker 2: He has found a ring that even Vanessa Mayfield thinks 915 00:42:14,320 --> 00:42:17,200 Speaker 2: his costume, but it isn't it's actually worth twenty five 916 00:42:17,239 --> 00:42:19,960 Speaker 2: thousand dollars, and finally he's going to get to take 917 00:42:20,000 --> 00:42:22,399 Speaker 2: this trip to Italy that he's always wanted to take, 918 00:42:22,440 --> 00:42:25,160 Speaker 2: that his wife always wanted, and now she's passed away. 919 00:42:25,160 --> 00:42:27,319 Speaker 2: So there's an emotional reason why he doesn't want this 920 00:42:27,400 --> 00:42:31,480 Speaker 2: to be your ring of Vanessa's ring. But he has 921 00:42:31,560 --> 00:42:36,080 Speaker 2: a very strong, a very strong sort of negative attitude 922 00:42:36,360 --> 00:42:39,520 Speaker 2: for his son, saying like that's enough. He really yells 923 00:42:39,560 --> 00:42:42,959 Speaker 2: at him and it becomes like a really In fact, 924 00:42:43,120 --> 00:42:45,200 Speaker 2: some of the people who's like in the industry, who 925 00:42:45,200 --> 00:42:47,560 Speaker 2: are more on the platform side of Christmas movies said 926 00:42:47,760 --> 00:42:50,640 Speaker 2: he's too intense in that scene, but he's not, because 927 00:42:51,120 --> 00:42:55,440 Speaker 2: resolution and reconciliation is only going to be beautiful if 928 00:42:55,480 --> 00:42:58,360 Speaker 2: the conflict was strong and it was between them. So 929 00:42:58,680 --> 00:43:01,000 Speaker 2: then have this moment in the hall at this antique 930 00:43:01,040 --> 00:43:04,120 Speaker 2: shop where they work, and they had this beautiful moment 931 00:43:04,120 --> 00:43:07,600 Speaker 2: where he the Kelsey Gramma's character says I'm wrong and 932 00:43:07,640 --> 00:43:11,600 Speaker 2: I'm sorry, and the moment was electric and all of 933 00:43:11,640 --> 00:43:13,160 Speaker 2: us like, we need to get a box of tissues 934 00:43:13,280 --> 00:43:15,719 Speaker 2: in video village because it was like, I think we 935 00:43:15,719 --> 00:43:19,239 Speaker 2: were all thinking of families and friends, sisters, whatever, that 936 00:43:19,320 --> 00:43:22,440 Speaker 2: we know that have strange relationships with their kids, and 937 00:43:22,480 --> 00:43:25,880 Speaker 2: it could look this simple. I was wrong, I'm sorry, 938 00:43:26,600 --> 00:43:29,719 Speaker 2: and then just have the hug and come back back 939 00:43:29,760 --> 00:43:33,359 Speaker 2: to the beginning where you began. And I thought people 940 00:43:33,360 --> 00:43:35,680 Speaker 2: are going to be weeping in the theaters going I'm 941 00:43:35,760 --> 00:43:39,279 Speaker 2: making you know, even if it's not your fault, you know, 942 00:43:39,480 --> 00:43:41,359 Speaker 2: just reach out and just say for anything I've done, 943 00:43:41,400 --> 00:43:44,720 Speaker 2: I'm sorry. And it's just a obviously God wants us reconcile. 944 00:43:44,800 --> 00:43:47,200 Speaker 2: They doesn't want the separations, and they're saying no. And 945 00:43:47,239 --> 00:43:49,880 Speaker 2: you've talked about this like the whole like no contact 946 00:43:49,960 --> 00:43:53,799 Speaker 2: thing is smart when you're in an abusive relationship, and 947 00:43:53,840 --> 00:43:56,560 Speaker 2: it's also a way too frequently used just as a 948 00:43:56,560 --> 00:43:59,200 Speaker 2: way of saying you annoy me. I'm going no contact 949 00:44:00,200 --> 00:44:03,680 Speaker 2: adult kid. So you know, it's it's hopeful. And I 950 00:44:03,719 --> 00:44:06,959 Speaker 2: didn't see this. I didn't realize how impactful the father 951 00:44:07,120 --> 00:44:09,719 Speaker 2: son and even the mother daughter relationship with you and 952 00:44:09,800 --> 00:44:11,760 Speaker 2: Sadie was going to be to the story. 953 00:44:12,080 --> 00:44:16,600 Speaker 1: Yeah, I mean, I'm so excited for everyone to see 954 00:44:16,600 --> 00:44:20,160 Speaker 1: this movie. I really am. I have not I have 955 00:44:20,200 --> 00:44:21,360 Speaker 1: like counting down the days. 956 00:44:22,200 --> 00:44:25,000 Speaker 3: I think also because there hasn't been like a Notebook 957 00:44:25,120 --> 00:44:30,560 Speaker 3: feeling Christmas movie for me, ever, there's never been that. 958 00:44:30,640 --> 00:44:34,879 Speaker 3: You know, we have of course, we have the iconic holidays, yes, 959 00:44:35,239 --> 00:44:39,920 Speaker 3: and for Christmases yeah, but we haven't had the depth, 960 00:44:40,000 --> 00:44:43,440 Speaker 3: I think and something in my opinion that this presents 961 00:44:43,480 --> 00:44:45,439 Speaker 3: itself to be. And I haven't seen the movie in full, 962 00:44:45,480 --> 00:44:48,440 Speaker 3: but I have got to witness two people that I 963 00:44:48,520 --> 00:44:52,000 Speaker 3: really admire and written by someone I also admire, and 964 00:44:52,200 --> 00:44:55,400 Speaker 3: Ben's family was exceptional and to watch Jana do what 965 00:44:55,480 --> 00:44:58,160 Speaker 3: Jana does was crazy to me. 966 00:44:58,320 --> 00:45:00,840 Speaker 2: Yeah. I mean, Janna, you have the I'm candy and 967 00:45:00,880 --> 00:45:03,120 Speaker 2: I know you've been you know, so you've been an 968 00:45:03,160 --> 00:45:05,800 Speaker 2: actor for forever. I mean you're so talented and so gifted, 969 00:45:05,800 --> 00:45:08,840 Speaker 2: and it's skilled, but it isn't an act when you 970 00:45:08,960 --> 00:45:12,879 Speaker 2: had the looks you give, like when you're watching you know, 971 00:45:12,960 --> 00:45:15,160 Speaker 2: Ben read the story to the kids and he's actually, 972 00:45:15,200 --> 00:45:17,120 Speaker 2: this is what we talked about, like, don't let's have 973 00:45:17,200 --> 00:45:19,920 Speaker 2: him ad lib instead of and the last bit can 974 00:45:19,920 --> 00:45:22,640 Speaker 2: be scripture, but the beginning, you know what he's story 975 00:45:22,719 --> 00:45:25,319 Speaker 2: talking about. So he crushed it. Yeah, but your look 976 00:45:25,360 --> 00:45:27,399 Speaker 2: to him because we I mean, the way that's worked 977 00:45:27,440 --> 00:45:30,839 Speaker 2: into that piece, I mean, that's all your wants right, 978 00:45:30,920 --> 00:45:32,160 Speaker 2: just all we want is to be able to know 979 00:45:32,200 --> 00:45:33,600 Speaker 2: we can look at a guy with that kind of 980 00:45:33,960 --> 00:45:39,080 Speaker 2: admiration and respect and longing of you know that that 981 00:45:39,120 --> 00:45:43,839 Speaker 2: connection is other worldly. I mean it's deep. So yeah, 982 00:45:43,920 --> 00:45:45,600 Speaker 2: I mean when I look at my moments that really 983 00:45:45,600 --> 00:45:47,880 Speaker 2: bring tears to my us and really make me know 984 00:45:48,040 --> 00:45:50,560 Speaker 2: this is going to be such a huge hit movie. 985 00:45:51,160 --> 00:45:53,719 Speaker 2: I mean, you're right there, like it's these looks, these 986 00:45:54,040 --> 00:45:57,440 Speaker 2: you and Sadie in the kitchen when you're talking about 987 00:45:57,480 --> 00:45:59,600 Speaker 2: when you know, Ella comes in and she's saying, I 988 00:45:59,600 --> 00:46:01,600 Speaker 2: don't really want to be in the family practice, you know, 989 00:46:02,000 --> 00:46:05,400 Speaker 2: practicing law, and then you've already had this conversation with 990 00:46:05,440 --> 00:46:08,160 Speaker 2: Sadie about how when kids get to be that age, 991 00:46:08,160 --> 00:46:11,120 Speaker 2: their future has to be they have to lead the way, 992 00:46:11,200 --> 00:46:13,480 Speaker 2: and they've had all of these years to be shaped. 993 00:46:14,080 --> 00:46:16,319 Speaker 2: And even though you would expect that you would be 994 00:46:16,360 --> 00:46:19,279 Speaker 2: a teacher, your character she's going to want to be 995 00:46:19,320 --> 00:46:22,480 Speaker 2: a photographer. And when Ellis says that in the kitchen, 996 00:46:22,520 --> 00:46:24,520 Speaker 2: and then you and Sadie exchange a look. But it's 997 00:46:24,560 --> 00:46:27,640 Speaker 2: your look. It's so deep, it's ocean deep, and it's 998 00:46:27,640 --> 00:46:30,080 Speaker 2: just gold. So that's thanks. People are going to be thrilled. 999 00:46:30,440 --> 00:46:33,560 Speaker 1: Well, I'm excited hopefully to be in a next one 1000 00:46:33,600 --> 00:46:33,840 Speaker 1: with you. 1001 00:46:34,000 --> 00:46:35,080 Speaker 2: Yes, I want that. 1002 00:46:35,760 --> 00:46:39,440 Speaker 1: Everyone go watch The Christmas Ring in theaters November six. Also, 1003 00:46:39,680 --> 00:46:42,759 Speaker 1: the Christmas Ring Book is available now and yeah, we'll 1004 00:46:42,760 --> 00:46:45,840 Speaker 1: see you November six. We hope you love it. Thanks Karen, 1005 00:46:46,200 --> 00:46:47,000 Speaker 1: thanks so much