WEBVTT - American Me: The Backstory

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<v Speaker 1>The year, and actor Edward James almost is on his

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<v Speaker 1>way to becoming a Hollywood icon. Coming off an OSCAR

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<v Speaker 1>nomination for his iconic role in Standard Deliver, Edward James

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<v Speaker 1>almost earned the biggest opportunity yet for a Latino filmmaker

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<v Speaker 1>to direct and star in a major Hollywood release, and

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<v Speaker 1>he chose a controversial subject for his territorial debut, The

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<v Speaker 1>Mexican Mafia, a notorious prison in street gang that at

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<v Speaker 1>the time was at the height of its powers. It

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<v Speaker 1>was a bold move and it didn't end well. That

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<v Speaker 1>film was called American Mean. The critics liked the movie,

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<v Speaker 1>but the Mexican Mafia did not. Just weeks after the premiere,

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<v Speaker 1>several people who worked on the movie were murdered. Almost

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<v Speaker 1>never addressed the killings. He still hasn't. Maybe it's because

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<v Speaker 1>allegedly he himself was threatened and extorted. In fact, while

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<v Speaker 1>I've been researching and interviewing people related to this film

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<v Speaker 1>that came out thirty years ago, over and over again,

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<v Speaker 1>I get eerily similar responses like I won't talk about that,

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<v Speaker 1>or flat out told leave this alone. More than a movie,

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<v Speaker 1>American Means a podcast that digs into the history and

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<v Speaker 1>Mystery of American Mean, a film directed by and starring

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<v Speaker 1>Edward James almost that had a huge impact on Latino

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<v Speaker 1>culture and cinema. I'm your host, Alex Fumeto, and I'll

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<v Speaker 1>be diving into the controversy behind the movie. The early

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<v Speaker 1>was an explosion of pop culture in l A about

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<v Speaker 1>l a bloody blood out. So the nineties was just

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<v Speaker 1>the like hangover from you know, the Cold War. I

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<v Speaker 1>don't know, there's a lot of nineties nineties nostalgia now,

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<v Speaker 1>but I remember being afraid every day, like hy two

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<v Speaker 1>k hiv uh, the gangs, the police. Like it feels

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<v Speaker 1>very similar to like these past few years of COVID

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<v Speaker 1>in terms of like just the angst and fear that

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<v Speaker 1>you can just feel from the community. That's Eric Allindo,

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<v Speaker 1>a Mexican American writer and producer that grew up right

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<v Speaker 1>here in Los Angeles. Eric is right. L A in

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<v Speaker 1>the nineties was scary to a lot of Angelinos, but

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<v Speaker 1>the fear level went to new heights when the l A.

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<v Speaker 1>P d brutally beat a man named Rodney King. Another

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<v Speaker 1>movie came out from a script that had been kicking

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<v Speaker 1>around for years. It was a movie about Latino gangs

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<v Speaker 1>in l A. Al Pacino was allegedly slated to play

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<v Speaker 1>the lead role. We all know ol loves to play Latinos,

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<v Speaker 1>but in the blowback to Scarface, the studio got cold feet,

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<v Speaker 1>like a lot of movies in Hollywood have got put

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<v Speaker 1>on the shelf until the Latino actor emerged as a

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<v Speaker 1>potential movie star. Edward James, almost fresh off a nomination

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<v Speaker 1>for an Academy Award, was offered the role. In response,

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<v Speaker 1>almost all the studio he would take the part if

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<v Speaker 1>he could also direct. After some back and forth and

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<v Speaker 1>some assurances that are more experienced read white director would

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<v Speaker 1>be around to help Eddie, they agreed, but almost had

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<v Speaker 1>something different in mine for the script. He wanted it

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<v Speaker 1>to feel real, to be connected to his roots as

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<v Speaker 1>a Chicano in East l A. And to address what

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<v Speaker 1>he felt was tearing his community apart gang violence. But

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<v Speaker 1>to do that, he did something that many people thought

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<v Speaker 1>was brave but others thought was reckless. The Arian Brotherhood

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<v Speaker 1>and the Blood Gorilla Family shared the yard, but fulsome

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<v Speaker 1>belonged to us. The oldest clicker me the Mexican Mafia.

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<v Speaker 1>He made the movie about a real gang, one of

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<v Speaker 1>the most intimidating and dangerous prison and street gangs of

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<v Speaker 1>all time. The Mexican Mafia a k a. A gang

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<v Speaker 1>that survives today and was no less powerful thirty years

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<v Speaker 1>ago when Edward James almost decided to base the movie

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<v Speaker 1>on what he claimed was a true story about them,

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<v Speaker 1>then people started dying. The movie was called American Me.

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<v Speaker 1>Here's one of the actors, Danny de la Pass, when

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<v Speaker 1>he found out someone who had worked on the movie

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<v Speaker 1>had just been killed. We were in France, um along

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<v Speaker 1>the Riviera at the con Film Festival with American Me

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<v Speaker 1>when we heard the news of Anna's assassination basically, and uh,

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<v Speaker 1>I remember feeling a little bit scared. I was in

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<v Speaker 1>a foreign country, I was far from home, and I

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<v Speaker 1>was like, Wow, what am I going to be going

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<v Speaker 1>back home to The Anna he's referring to is Anna Lissaraga,

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<v Speaker 1>who was a gang interventionist hired by the movie as

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<v Speaker 1>a gang liaison, and on May thirteenth, she was gunned

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<v Speaker 1>down in her East l A driveway while unloading groceries.

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<v Speaker 1>So yeah, it made sense that Danny de la Pace

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<v Speaker 1>was scared back then. Today thirty years later, it's hard

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<v Speaker 1>to get people to talk about it. Here's another American Me,

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<v Speaker 1>actor Sal Lopez. My job was to do my part,

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<v Speaker 1>and I didn't feel uh, you know, intimidated or or

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<v Speaker 1>anything like that. I mean, I was focused on doing

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<v Speaker 1>the work and making a good film. I um, you know,

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<v Speaker 1>I don't want to speak about. This is a movie

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<v Speaker 1>people still don't want to talk about. Some of them

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<v Speaker 1>are scared of the consequences to themselves. Some of them

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<v Speaker 1>want to protect the movies director Edward James. Almost some

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<v Speaker 1>of them don't see why we want to dredge up

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<v Speaker 1>the past. I wanted to make this podcast because as

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<v Speaker 1>a filmmaker, American Me was an precedented opportunity for Latinos

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<v Speaker 1>in Hollywood, a Latino director, cast, and crew. But I

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<v Speaker 1>also think it's worth asking two questions. One why were

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<v Speaker 1>people killed for making a movie? And two why did

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<v Speaker 1>Edward James almost make this movie when people warned him

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<v Speaker 1>again and again it was dangerous. We'll dig into the

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<v Speaker 1>history and mysteries around one film that had a huge

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<v Speaker 1>impact on the culture. We're talking about American Me. Think

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<v Speaker 1>of this podcast like an audio documentary. The first half

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<v Speaker 1>of this twelve episode series is going to be about

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<v Speaker 1>the Hollywood rumors and word on the street that have

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<v Speaker 1>surrounded this movie for thirty years. In the second half

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<v Speaker 1>of the episodes, though we're going to do our best

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<v Speaker 1>to get down to the truth, let's start with the rumors.

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<v Speaker 1>Even today, people are still afraid to talk about this movie.

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<v Speaker 1>We had people canceled interviews or refuse to talk on

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<v Speaker 1>the record. I spent hours in person, over coffee or

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<v Speaker 1>on the phone talking to high level people who had

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<v Speaker 1>worked on this film, who, at the end of our

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<v Speaker 1>really candid conversation would say to me they would never

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<v Speaker 1>talk on the record. We had people call us from

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<v Speaker 1>block numbers so we wouldn't know who was calling. One

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<v Speaker 1>lawyer agreed to talk to us, then her husband told

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<v Speaker 1>her not to. He was still afraid for their safety.

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<v Speaker 1>Three decades later, I've pieced together the parts of the

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<v Speaker 1>story I can. It all started with a chapter in

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<v Speaker 1>a memoir by Danny Trejo, better known as or a

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<v Speaker 1>million other roles as the scariest looking motherfucker You've ever seen.

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<v Speaker 1>Here's Treho talking about it to lad TV. The person

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<v Speaker 1>in charge of that movie made a lot of mistakes.

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<v Speaker 1>American Edwards James almost admitted, do you know him? Yeah, yeah,

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<v Speaker 1>I saved his life, really, and he won't admit that either.

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<v Speaker 1>See Treho, who's not in the movie, is a pivotal

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<v Speaker 1>figure in this story. According to him, this is how

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<v Speaker 1>it went. Edward James almost never got permission from the

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<v Speaker 1>met Pxican Mafia to tell this story. Before it even

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<v Speaker 1>went into production, key members of the gang had read

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<v Speaker 1>the script and warned Trey Hoo not to work on

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<v Speaker 1>the movie. During production, Trejo says he was asked to

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<v Speaker 1>be a consultant, but refused to do it out of

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<v Speaker 1>respect for the gang. When the movie finally premiered, the

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<v Speaker 1>Mexican Mafia was enraged almost had fabricated important details about

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<v Speaker 1>their lives. Here's Treho again. You just gotta be real

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<v Speaker 1>careful about telling the truth. Okay. The leader of Mexican

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<v Speaker 1>Mafia was never raped, all right, So that's number one.

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<v Speaker 1>You can hear in his voice. This still makes Danny

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<v Speaker 1>Traho matt portraying the rape of the gang's leader, which

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<v Speaker 1>never happened and could never happen to someone elevated to

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<v Speaker 1>the leader of the Mexican Mafia got people killed. Now,

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<v Speaker 1>let's say this right away. Getting raped doesn't make you weak.

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<v Speaker 1>Getting assaulted isn't anyone's fault, but according to federal indictments

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<v Speaker 1>and according to Trejo, for the Mexican mafia, it's one

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<v Speaker 1>of four reasons to turn people away from the gang.

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<v Speaker 1>See the movie tends to make its point using rape.

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<v Speaker 1>I don't know how else to say it. When Santana

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<v Speaker 1>is a kid, he's raped in juvie. When his mom

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<v Speaker 1>gets pregnant, she's raped by a sailor. When Santana gets

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<v Speaker 1>out of prison, he starts to rape his girlfriend. The

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<v Speaker 1>gang uses rape as a punishment in prison, So of

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<v Speaker 1>course it enraged the Mexican mafia. And that's what Trejo

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<v Speaker 1>said numerous times during the promotional campaign for his book.

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<v Speaker 1>He talked to g Q, flat TV, Stevo, pretty much

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<v Speaker 1>everybody except us. Of course, Danny didn't want to talk

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<v Speaker 1>about American men anymore. I can't say why for certain.

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<v Speaker 1>Maybe it's because the book has been out already for

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<v Speaker 1>more than a year and he's done promoting it. Or

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<v Speaker 1>maybe it's because, according to one source, he and almost

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<v Speaker 1>had a difficult phone conversation after the book's release. But

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<v Speaker 1>even without Danny Trejo's account, rumors have flown about for years.

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<v Speaker 1>One of them is undoubtedly true. At least three people

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<v Speaker 1>were killed after this movie came out, and court records

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<v Speaker 1>say it was partly because of their volvement. But there's

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<v Speaker 1>other mercier allegations. The big one is that Edward James

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<v Speaker 1>almost had a price on his head. The rumor is

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<v Speaker 1>almost had to pay the Mexican mafia some amount of

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<v Speaker 1>money to stay alive. Some people told us it was

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<v Speaker 1>a hundred thousand dollars. One person told us it was

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<v Speaker 1>a million. But no one with firsthand knowledge has confirmed this,

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<v Speaker 1>and rumors are just that rumors. There's another allegation, this

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<v Speaker 1>one from Danny Trejo. At least four people in prison

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<v Speaker 1>were killed because of their participation in this movie. Trejo

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<v Speaker 1>says in total, eight or as many as ten people

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<v Speaker 1>were killed in connection with the film, without their names,

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<v Speaker 1>though we can't say whether it's true or not, and

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<v Speaker 1>when it comes to people's lives, there's a big difference

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<v Speaker 1>between eight and ten. Some of the stuff Trejo said

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<v Speaker 1>we were able to verify, some of it is directly

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<v Speaker 1>contradicted in our interviews, and some of it we can't

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<v Speaker 1>say either way. What I'm saying is take his account

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<v Speaker 1>with a big grain assault and Danny. If you ever

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<v Speaker 1>want to talk, our lines are open. We'll get into

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<v Speaker 1>it after the break. Welcome back to More Than a Movie.

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<v Speaker 1>I'm Alex Fumetro, and I'm here to take you through

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<v Speaker 1>the myths and legends surrounding American Me. The story of

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<v Speaker 1>American Me is the story of Montoya Santana, almost based

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<v Speaker 1>a character on the real life founder of the Mexican Mafia.

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<v Speaker 1>But let's try to separate fact from fiction a little

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<v Speaker 1>bit here. The movie puts a young Santana in juvie

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<v Speaker 1>where he starts a gang that also happened to the

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<v Speaker 1>real life guy. Santana grows up as the best friend

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<v Speaker 1>of a white guy with a prosthetic leg in a

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<v Speaker 1>Latino gang that's also based on real life, and Santana

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<v Speaker 1>gets stabbed to death and thrown off a railing in prison.

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<v Speaker 1>That's what happened to Gala. From reporting Trejo's book, court records,

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<v Speaker 1>and the stuff we learned in interviews and on back round,

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<v Speaker 1>it seems like the Mexican Mafia took exception with their

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<v Speaker 1>portrayal in this movie. Remember that white guy with the

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<v Speaker 1>fake leg, his name is Joe Morgan and he filed

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<v Speaker 1>a lawsuit in against Edward James Almost and the Studio Universal.

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<v Speaker 1>He said the movie quote invaded his right to privacy

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<v Speaker 1>by appropriating his likeness and life story end quote. What

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<v Speaker 1>that means is the movie stole his life story, lied

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<v Speaker 1>about him in that life story, then profited. Here's his lawyer,

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<v Speaker 1>Milton Grimes. There was some dispute as to some of

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<v Speaker 1>the things they portrayed Mr Morrigan in and there was

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<v Speaker 1>some disagreement with people that were knowledgeable are involved in

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<v Speaker 1>the Mexican Association. And uh, they disagreed with some of

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<v Speaker 1>the portrayals in their of Mr Morgan, and um, some

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<v Speaker 1>disputes and disagreements came out of that, and um that's

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<v Speaker 1>what happened. Joe's nickname was peg Leg for obvious reasons.

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<v Speaker 1>He claimed in the lawsuit that his character committed several

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<v Speaker 1>murders that the real life Joe Morgan was never charged with.

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<v Speaker 1>He said his kids and his grandkids would see the

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<v Speaker 1>movie and think it was all true. Rather than me

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<v Speaker 1>in a terror, a monster that would attack and I

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<v Speaker 1>was supposed to shiver in front of I remember him

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<v Speaker 1>being a mild mannered, grandfatherly type. To be honest with you,

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<v Speaker 1>the monster was not there, and I have to admit

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<v Speaker 1>that I had some concerns with meeting the infamous Joe Morrigan.

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<v Speaker 1>Only exhibit that Morgan's legal team entered into evidence was

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<v Speaker 1>a VHS copy of American Me. But most of the

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<v Speaker 1>people offended by this movie didn't take their problems to court.

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<v Speaker 1>The three murders we could directly connect to the movie

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<v Speaker 1>were of gang members and a gang interventionist hired by

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<v Speaker 1>the movie as a gang liaison. Her name was Anna Saraga.

0:14:07.320 --> 0:14:10.720
<v Speaker 1>Lisaraga was already marked for death before this movie, according

0:14:10.760 --> 0:14:14.600
<v Speaker 1>to federal court filings. At meeting recorded by the police,

0:14:14.720 --> 0:14:17.679
<v Speaker 1>a Mexican mafia member said that Li Saraga was interfering

0:14:17.679 --> 0:14:20.600
<v Speaker 1>with drug trafficking on their turf, but it wasn't until

0:14:20.640 --> 0:14:23.800
<v Speaker 1>she participated in American Me that she was shot thirteen

0:14:23.880 --> 0:14:27.080
<v Speaker 1>times in her driveway. One of the shooters was initiated

0:14:27.080 --> 0:14:30.520
<v Speaker 1>into the Mexican Mafia because of the murder. In line

0:14:30.520 --> 0:14:32.960
<v Speaker 1>with almost his commitment to making this movie true to life,

0:14:33.160 --> 0:14:36.240
<v Speaker 1>the production used people from the neighborhood as extras. Some

0:14:36.320 --> 0:14:39.280
<v Speaker 1>of those extras were in rival gangs and that caused

0:14:39.280 --> 0:14:42.000
<v Speaker 1>some problems. We'll talk to the casting director and the

0:14:42.040 --> 0:14:44.960
<v Speaker 1>location manager who had to deal with all that. One

0:14:45.000 --> 0:14:47.200
<v Speaker 1>person we won't talk to, and I want to be

0:14:47.280 --> 0:14:50.360
<v Speaker 1>up front about this is Edward James. Almost through a

0:14:50.440 --> 0:14:54.040
<v Speaker 1>mutual friend, he told us he quote, can't talk about

0:14:54.040 --> 0:15:08.000
<v Speaker 1>American Me. Can't let that settle in. When American Me

0:15:08.120 --> 0:15:10.640
<v Speaker 1>went into production, Edward James almost was on a roll

0:15:10.920 --> 0:15:14.080
<v Speaker 1>Blade Runner, Miami Vice and of course Stand and Deliver,

0:15:14.240 --> 0:15:16.720
<v Speaker 1>which got him an Oscar nam and probably more importantly

0:15:16.720 --> 0:15:19.680
<v Speaker 1>to him, positioned him as a role model for the community.

0:15:20.240 --> 0:15:22.640
<v Speaker 1>I wouldn't do that if I was you. When he

0:15:22.760 --> 0:15:24.360
<v Speaker 1>was a finger, I won't be able to come to tan.

0:15:25.520 --> 0:15:27.920
<v Speaker 1>Like many actors at the height of his fame, almost

0:15:27.920 --> 0:15:31.200
<v Speaker 1>wanted to direct, and he picked this script, a script

0:15:31.200 --> 0:15:34.640
<v Speaker 1>about a gang that's not totally unexpected after the success

0:15:34.680 --> 0:15:38.920
<v Speaker 1>Italian American filmmakers had seen with The Godfather and Goodfellas.

0:15:39.320 --> 0:15:41.720
<v Speaker 1>Who didn't watch those two movies and wish they were

0:15:41.760 --> 0:15:44.840
<v Speaker 1>part of the mob? I certainly did. When Andy Garcia

0:15:44.880 --> 0:15:47.200
<v Speaker 1>became The Godfather, I felt like I had been made.

0:15:47.600 --> 0:15:49.600
<v Speaker 1>But American Me was supposed to be about how the

0:15:49.640 --> 0:15:53.560
<v Speaker 1>gangster life is a total fantasy, a nightmare really in

0:15:53.600 --> 0:15:56.040
<v Speaker 1>that way. The story of American Me is a success,

0:15:56.360 --> 0:15:58.760
<v Speaker 1>but the story of American Me is also a failure

0:15:59.240 --> 0:16:01.920
<v Speaker 1>because the movie it was intended to prevent gang violence,

0:16:02.240 --> 0:16:06.200
<v Speaker 1>instead caused more of it. Here's actor Jacob Vargas. Do

0:16:06.280 --> 0:16:09.600
<v Speaker 1>you see any irony in a film that was intended

0:16:09.680 --> 0:16:13.280
<v Speaker 1>to stop gang violence that may maybe it actually recruited

0:16:13.280 --> 0:16:16.200
<v Speaker 1>more people to I mean, I guess there is some

0:16:16.280 --> 0:16:20.080
<v Speaker 1>irony in that, but but I feel like I'm sure

0:16:20.640 --> 0:16:24.440
<v Speaker 1>it probably stopped a few kids, you know, Like I'm

0:16:24.480 --> 0:16:26.960
<v Speaker 1>sure a lot of people will see that and say,

0:16:26.960 --> 0:16:28.640
<v Speaker 1>hey that I don't want any part of that as well.

0:16:28.960 --> 0:16:31.400
<v Speaker 1>It's like with certain movies, you know, it can it

0:16:31.440 --> 0:16:33.680
<v Speaker 1>can be singled out that American mu is the only one,

0:16:33.760 --> 0:16:35.640
<v Speaker 1>like you look at like, you know, the Good Fellows

0:16:35.640 --> 0:16:37.960
<v Speaker 1>and these other films that are that are cautionary tales

0:16:37.960 --> 0:16:41.080
<v Speaker 1>about the mafia, you know, in a way tend to

0:16:41.120 --> 0:16:44.240
<v Speaker 1>glorify it, you know. And then just because you know,

0:16:44.280 --> 0:16:46.240
<v Speaker 1>these actors did a really good job, and all these

0:16:46.280 --> 0:16:50.600
<v Speaker 1>characters work were cool and and uh, you know, Santana

0:16:50.720 --> 0:16:52.560
<v Speaker 1>was like a cool dude, and you know, he was

0:16:52.560 --> 0:16:56.480
<v Speaker 1>in charge and and uh, you know, it held a

0:16:56.480 --> 0:16:59.960
<v Speaker 1>lot of power. So I just think there's an intertract

0:17:00.080 --> 0:17:02.880
<v Speaker 1>and to to that, and some people will look at

0:17:02.920 --> 0:17:07.119
<v Speaker 1>that above above what the real meaning of of you

0:17:07.160 --> 0:17:09.840
<v Speaker 1>know the film is that it's a vicious cycle. American

0:17:09.920 --> 0:17:12.320
<v Speaker 1>Mew was successful in most of the ways the movie

0:17:12.480 --> 0:17:15.040
<v Speaker 1>is supposed to succeed. Roger Ebert gave it three and

0:17:15.080 --> 0:17:18.080
<v Speaker 1>a half stars. It premiered, it can It didn't make

0:17:18.080 --> 0:17:20.560
<v Speaker 1>a lot of money, but it wasn't a massive financial

0:17:20.600 --> 0:17:23.360
<v Speaker 1>failure either, and it went on to become a fan favorite.

0:17:23.680 --> 0:17:28.200
<v Speaker 1>But still the controversy surrounding it has always overshadowed the success.

0:17:28.840 --> 0:17:32.000
<v Speaker 1>This was a majority Chicano production film, Denis l A.

0:17:32.240 --> 0:17:33.879
<v Speaker 1>If it had gone right, it could have been the

0:17:33.880 --> 0:17:36.960
<v Speaker 1>next Good Fellas or Boys in the Hood, a movie

0:17:37.000 --> 0:17:40.080
<v Speaker 1>that launched careers. There could have been tons of mid

0:17:40.200 --> 0:17:44.000
<v Speaker 1>nineties imitation movies like How Standing Deliver gave Us Dangerous

0:17:44.040 --> 0:17:54.840
<v Speaker 1>Minds and my favorite Seven Stupid Any End. But most

0:17:54.880 --> 0:17:57.399
<v Speaker 1>of all, Edward James almost could have become our Robert

0:17:57.400 --> 0:18:01.399
<v Speaker 1>de Niro and our Martin Scorsese. Don't get me wrong,

0:18:01.480 --> 0:18:04.680
<v Speaker 1>he's a huge success. He has a career anyone would

0:18:04.680 --> 0:18:08.720
<v Speaker 1>be proud of. But that what if bothers me, especially

0:18:08.760 --> 0:18:11.800
<v Speaker 1>when latinos make up one in five Americans, but only

0:18:11.920 --> 0:18:15.080
<v Speaker 1>one in twenty actors on screen. I wonder if it

0:18:15.119 --> 0:18:33.720
<v Speaker 1>bothers him too. Welcome back to more than a movie,

0:18:33.760 --> 0:18:40.560
<v Speaker 1>American Me. I'm Alex flomto. About a month after American

0:18:40.600 --> 0:18:44.680
<v Speaker 1>Me premiered, an uprising broke out across l A. Stores burned,

0:18:45.000 --> 0:18:48.400
<v Speaker 1>people were scared. It was the result of racial tensions

0:18:48.480 --> 0:18:51.200
<v Speaker 1>and police brutality in the powder keg that was Los

0:18:51.280 --> 0:18:55.359
<v Speaker 1>Angeles in the early People complain today about how crime

0:18:55.440 --> 0:18:57.600
<v Speaker 1>is on the rise, but that's only true if you

0:18:57.640 --> 0:19:00.480
<v Speaker 1>look at the last two years. Today, a one in

0:19:00.560 --> 0:19:02.920
<v Speaker 1>twenty thousand people is killed each year in l A.

0:19:03.680 --> 0:19:07.080
<v Speaker 1>In the early nineties it was one in five thousand people,

0:19:07.520 --> 0:19:11.520
<v Speaker 1>four times higher. Joe Biden, who was a senator back then,

0:19:11.720 --> 0:19:16.399
<v Speaker 1>called the most violent period in American history, where in

0:19:16.480 --> 0:19:20.359
<v Speaker 1>the worst period of violent crime in the entire history

0:19:20.440 --> 0:19:26.200
<v Speaker 1>of this great country. Ninety thousand Americans will have been

0:19:26.280 --> 0:19:30.600
<v Speaker 1>murdered in the first term of this administration. Ninety thousand

0:19:30.640 --> 0:19:37.040
<v Speaker 1>Americans murdered by the end of this year. Murderer is

0:19:37.080 --> 0:19:39.640
<v Speaker 1>the number one cause of death in American Mr. President

0:19:39.680 --> 0:19:44.000
<v Speaker 1>among the entire American population of fifteen to twenty four

0:19:44.080 --> 0:19:49.720
<v Speaker 1>year olds. It's the second leading cause of death. Writer

0:19:49.920 --> 0:19:52.280
<v Speaker 1>Eric Galindo was in elementary school when he saw smoke

0:19:52.359 --> 0:19:55.240
<v Speaker 1>from the fires caused by the so called La riots.

0:19:55.440 --> 0:19:59.600
<v Speaker 1>And remember one day, like the teachers were just like, um,

0:19:59.680 --> 0:20:01.800
<v Speaker 1>they they took us all out to like the field,

0:20:02.200 --> 0:20:07.320
<v Speaker 1>you know, and we could see they were burning, uh Summerset,

0:20:07.640 --> 0:20:12.320
<v Speaker 1>which was Compton Boulevard at the time, and our school

0:20:12.560 --> 0:20:17.200
<v Speaker 1>was like, I don't know, it was definitely walking distance

0:20:17.560 --> 0:20:20.480
<v Speaker 1>from like the little liquor stores that were getting burnt

0:20:20.520 --> 0:20:23.600
<v Speaker 1>down the street, and you can see the fire. We're

0:20:23.600 --> 0:20:26.480
<v Speaker 1>waiting for our parents what was happening. But as soon

0:20:26.480 --> 0:20:28.880
<v Speaker 1>as we started seeing the smoke get really close to us,

0:20:28.960 --> 0:20:31.439
<v Speaker 1>they just had us run. And I remember running and

0:20:31.520 --> 0:20:34.280
<v Speaker 1>being so afraid because you know, by this time, the

0:20:34.640 --> 0:20:36.280
<v Speaker 1>riots have been going on for a minute, and I

0:20:36.320 --> 0:20:38.359
<v Speaker 1>had to hurd stories of the police shooting people who

0:20:38.440 --> 0:20:40.720
<v Speaker 1>were just running, you know. And I remember running and

0:20:40.760 --> 0:20:42.600
<v Speaker 1>being afraid that I was going to get shot by

0:20:42.600 --> 0:20:45.720
<v Speaker 1>a cop, thinking I had stolen some ship, you know.

0:20:46.480 --> 0:20:48.240
<v Speaker 1>And like I had my little brother who was only

0:20:48.480 --> 0:20:50.359
<v Speaker 1>two years younger than me, and I was just like

0:20:50.480 --> 0:20:55.439
<v Speaker 1>running home and then like getting home and locking the

0:20:55.440 --> 0:20:59.600
<v Speaker 1>doors and just not not knowing, like well, it's it's

0:20:59.640 --> 0:21:04.080
<v Speaker 1>it's weird because it was like you're afraid, there's chaos,

0:21:04.200 --> 0:21:07.200
<v Speaker 1>you know, and here's Milton Grimes again, who was also

0:21:07.359 --> 0:21:12.639
<v Speaker 1>Rodney King's attorney. But that verdict in Semi Valley, man Um,

0:21:12.640 --> 0:21:15.040
<v Speaker 1>it felt like a mew had kicked me in my stomach,

0:21:15.600 --> 0:21:19.320
<v Speaker 1>you know, like back in the country we always were warned,

0:21:19.359 --> 0:21:21.720
<v Speaker 1>don't go behind that horseboard, don't go behind that me

0:21:22.119 --> 0:21:24.560
<v Speaker 1>kick kill you. And it felt like I had been

0:21:24.680 --> 0:21:27.480
<v Speaker 1>kicked in the stomach. You know. It was painful. So

0:21:27.520 --> 0:21:31.760
<v Speaker 1>I understand the young people involved. I've represented Henry Watson

0:21:31.800 --> 0:21:35.920
<v Speaker 1>and I represented uh Damian Williams football after that on

0:21:36.080 --> 0:21:40.880
<v Speaker 1>other matters, okay, and talked to them about what happened

0:21:40.880 --> 0:21:43.040
<v Speaker 1>with Reginald Dinny and they said, no, he ain't do nothing,

0:21:43.040 --> 0:21:45.280
<v Speaker 1>that white man and do nothing wrong to us. It

0:21:45.400 --> 0:21:48.840
<v Speaker 1>was just our anger, that's all. It was anger and white.

0:21:49.119 --> 0:21:51.760
<v Speaker 1>We did get lucky in one respect. All the time

0:21:51.760 --> 0:21:54.080
<v Speaker 1>they were filming the movie, there was a documentary crew

0:21:54.080 --> 0:21:56.840
<v Speaker 1>following the production. What they made was a dot called

0:21:56.920 --> 0:21:59.440
<v Speaker 1>Lives and Hazard and it's great because you get to

0:21:59.480 --> 0:22:01.480
<v Speaker 1>hear from the real life gang members at the time

0:22:01.520 --> 0:22:04.600
<v Speaker 1>this movie was made. You struggle here and and and

0:22:04.680 --> 0:22:07.000
<v Speaker 1>you gotta find a way of making money. And you know,

0:22:07.480 --> 0:22:10.960
<v Speaker 1>my you know, robbing got old, and stealing got old,

0:22:11.040 --> 0:22:15.600
<v Speaker 1>and drugs seem to be easier to make money. And

0:22:15.680 --> 0:22:18.520
<v Speaker 1>my easiest way was at the time was pushing PCP.

0:22:19.720 --> 0:22:22.080
<v Speaker 1>I was liking it, and I was living the fast

0:22:22.160 --> 0:22:25.480
<v Speaker 1>lane toil like hit the wrong car and sold of

0:22:25.520 --> 0:22:29.320
<v Speaker 1>the wrong person, and that's what started my career in institutions.

0:22:29.800 --> 0:22:31.960
<v Speaker 1>I heard like the shot, so when I heard the

0:22:32.040 --> 0:22:34.359
<v Speaker 1>car behind me, I knew it was a drive by.

0:22:34.600 --> 0:22:37.160
<v Speaker 1>I turned as when I turned as when he shot

0:22:37.160 --> 0:22:39.560
<v Speaker 1>me in the back. We talked to the filmmakers of

0:22:39.600 --> 0:22:43.000
<v Speaker 1>that documentary too. This is one of the directors, Andrew Young.

0:22:43.359 --> 0:22:45.480
<v Speaker 1>These are people who are neglected, you know, they're not

0:22:45.600 --> 0:22:50.560
<v Speaker 1>paid attention to and in fact, that's that can be

0:22:50.720 --> 0:22:53.919
<v Speaker 1>cited as part of the problem. Um they look for

0:22:53.960 --> 0:22:59.440
<v Speaker 1>their own system of self generating self respect because they're

0:22:59.440 --> 0:23:02.480
<v Speaker 1>not getting it from society. American Me was a major

0:23:02.520 --> 0:23:05.760
<v Speaker 1>studio film released in theaters across the country, but it

0:23:05.840 --> 0:23:09.040
<v Speaker 1>lost money. It only played in about eight hundred theaters

0:23:09.080 --> 0:23:12.560
<v Speaker 1>and made thirty million dollars. My cousin Vinny, which was

0:23:12.600 --> 0:23:16.080
<v Speaker 1>released the exact same day, made fifty two million, but

0:23:16.119 --> 0:23:19.480
<v Speaker 1>in almost twice as many theaters. At first, I thought

0:23:19.760 --> 0:23:23.080
<v Speaker 1>that's some racist Hollywood bullshit. They didn't promote it or

0:23:23.200 --> 0:23:25.680
<v Speaker 1>didn't put it in enough theaters. But then we heard

0:23:25.720 --> 0:23:27.960
<v Speaker 1>in our interviews that this movie didn't play well with

0:23:28.040 --> 0:23:31.960
<v Speaker 1>older Chicano audiences at the time. Today, American Me is

0:23:31.960 --> 0:23:35.000
<v Speaker 1>a cult classic to young Latinos, but back then it

0:23:35.040 --> 0:23:38.280
<v Speaker 1>seemed to confuse or piss off their parents. They saw

0:23:38.320 --> 0:23:41.120
<v Speaker 1>it as a film that made their culture look violent,

0:23:41.760 --> 0:23:44.040
<v Speaker 1>But to me, it reflected some of the real problems

0:23:44.040 --> 0:23:47.320
<v Speaker 1>our culture still has to this day. We're gonna talk

0:23:47.320 --> 0:23:51.600
<v Speaker 1>in this podcast about issues like machismo and homophobia and violence,

0:23:51.640 --> 0:23:54.920
<v Speaker 1>how this movie both pushed back against it but also

0:23:55.000 --> 0:23:58.399
<v Speaker 1>reinforced it. We'll break down the decisions made by the

0:23:58.440 --> 0:24:01.440
<v Speaker 1>cast and the crew, both on set and in pre production.

0:24:01.880 --> 0:24:03.840
<v Speaker 1>We'll meet some of the people behind the scenes and

0:24:03.880 --> 0:24:05.760
<v Speaker 1>in front of the camera and try to tell the

0:24:05.800 --> 0:24:07.879
<v Speaker 1>stories of the people who were caught in the crossfire.

0:24:08.760 --> 0:24:11.520
<v Speaker 1>I'm a documentary filmmaker and a Latino who has been

0:24:11.520 --> 0:24:14.960
<v Speaker 1>working in the entertainment industry for twenty years. If there's

0:24:15.000 --> 0:24:17.680
<v Speaker 1>one thing I know. It's the way Latinos are portrayed

0:24:17.720 --> 0:24:20.320
<v Speaker 1>and treated in Hollywood. And that's why when I heard

0:24:20.359 --> 0:24:22.440
<v Speaker 1>the story of American Met, I knew it was about

0:24:22.480 --> 0:24:25.200
<v Speaker 1>more than just the movie, or the rumors or even

0:24:25.200 --> 0:24:28.840
<v Speaker 1>the fallout. What happened to American Me is about who

0:24:28.880 --> 0:24:31.280
<v Speaker 1>we are as a people and what could have been.

0:24:31.800 --> 0:24:38.840
<v Speaker 1>This is more than a movie. American Met more than

0:24:38.840 --> 0:24:41.320
<v Speaker 1>a movie. American Me is a production of Exile Content

0:24:41.400 --> 0:24:44.280
<v Speaker 1>Studios in Trojan Horse in partnership with My Hearts Michael

0:24:44.320 --> 0:24:47.359
<v Speaker 1>da podcast Network. The show is produced by me Alex

0:24:47.400 --> 0:24:50.800
<v Speaker 1>Fumetto at Anger Yuka on the Internets and our senior producers.

0:24:50.880 --> 0:24:54.120
<v Speaker 1>Nigel Dora, Rose Read and Cream Taps are the executive producers.

0:24:54.160 --> 0:24:57.920
<v Speaker 1>Production assistance from Sabine Jansen and out Valio and Stella Emmett.

0:24:58.040 --> 0:25:00.840
<v Speaker 1>Mixing and sound designed by the bottom Us. Our executive

0:25:00.840 --> 0:25:03.840
<v Speaker 1>producers at I Heeart are Gazelle Bonsas and Arlee and Santan.

0:25:04.680 --> 0:25:07.200
<v Speaker 1>For more podcasts, listen to the I Heart Radio app,

0:25:07.280 --> 0:25:10.280
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:25:13.480 --> 0:25:13.520
<v Speaker 1>H