1 00:00:01,320 --> 00:00:07,280 Speaker 1: And we are still live from London, live in the UK. 2 00:00:07,600 --> 00:00:09,600 Speaker 2: I feel like we've moved here by this point, we 3 00:00:09,720 --> 00:00:11,560 Speaker 2: might as well move here, right, this is our new studio. 4 00:00:11,640 --> 00:00:13,240 Speaker 1: Apparently, I think they're sick. 5 00:00:13,119 --> 00:00:15,440 Speaker 3: Of us podcast studio. Shout out to God cod Man, 6 00:00:15,800 --> 00:00:19,279 Speaker 3: welcoming us while we're here. How you feeling, I'm good man, 7 00:00:19,640 --> 00:00:20,759 Speaker 3: real good man. Feel good. 8 00:00:20,760 --> 00:00:22,400 Speaker 1: The weather's been good, sunny outside. 9 00:00:22,560 --> 00:00:23,080 Speaker 4: You know what I mean? 10 00:00:23,160 --> 00:00:25,120 Speaker 1: Like feeling good? You've been moving and shaking a bit, 11 00:00:25,560 --> 00:00:26,240 Speaker 1: Not really. 12 00:00:26,040 --> 00:00:30,760 Speaker 3: I mean just walking around a little bit. Steps in restaurants. 13 00:00:30,760 --> 00:00:32,800 Speaker 3: You know a lot of vegan restaurants. 14 00:00:33,000 --> 00:00:33,200 Speaker 4: Yeah. 15 00:00:33,360 --> 00:00:36,000 Speaker 3: Not. Options are beautiful, man, I'm not. I can't complain it. 16 00:00:36,000 --> 00:00:37,400 Speaker 3: On my homeboy hit Me last night it was like, Yo, 17 00:00:37,440 --> 00:00:40,440 Speaker 3: what you eating? Was like Yo's vegan options everywhere in London, 18 00:00:40,479 --> 00:00:41,800 Speaker 3: Like I'm eating good right now. 19 00:00:42,240 --> 00:00:44,239 Speaker 1: He was with Gigs at the Birdberry show last night 20 00:00:44,320 --> 00:00:46,640 Speaker 1: going crazy. I wish no. I didn't go out. 21 00:00:46,680 --> 00:00:49,839 Speaker 3: I went to came back to the room. Uh well, 22 00:00:49,840 --> 00:00:51,239 Speaker 3: I ate before I got back to the room, and 23 00:00:51,240 --> 00:00:51,879 Speaker 3: then that was it. 24 00:00:51,920 --> 00:00:52,199 Speaker 1: I was. 25 00:00:52,240 --> 00:00:54,120 Speaker 3: I was in the in the room for the rest 26 00:00:54,160 --> 00:00:55,800 Speaker 3: of the night, trying to catch up on sleep man. 27 00:00:55,880 --> 00:00:59,480 Speaker 1: Like it's still tough time different, just like five hours 28 00:00:59,520 --> 00:00:59,960 Speaker 1: of no joke. 29 00:01:00,040 --> 00:01:02,560 Speaker 3: I thought I had it figured out the first two nights, 30 00:01:02,560 --> 00:01:05,040 Speaker 3: and I'm just like nine around eight nine o'clock. 31 00:01:05,120 --> 00:01:06,119 Speaker 1: It's like I'm tired. 32 00:01:06,319 --> 00:01:09,280 Speaker 2: I've been on one night, then off the next. I 33 00:01:09,360 --> 00:01:12,000 Speaker 2: just keep skipping. My first night, got a bunch of sleep. 34 00:01:12,480 --> 00:01:14,720 Speaker 2: Next night, you didn't sleep at all before that, got 35 00:01:14,760 --> 00:01:16,880 Speaker 2: like fourteen hours last night. Last night I got like 36 00:01:16,920 --> 00:01:17,640 Speaker 2: three hours of sleep. 37 00:01:17,720 --> 00:01:20,840 Speaker 1: There's no catching the will sleep. So you know it 38 00:01:20,920 --> 00:01:21,399 Speaker 1: is what it is. 39 00:01:21,440 --> 00:01:24,520 Speaker 2: Man, we're here you uh, I got you the festival 40 00:01:24,520 --> 00:01:26,520 Speaker 2: a little bit while you were out here. Oh my god, 41 00:01:26,760 --> 00:01:29,640 Speaker 2: takes it takes a different time zone in a different country. 42 00:01:29,760 --> 00:01:32,800 Speaker 1: I don't get you the festival. No, we festivaled in America. 43 00:01:33,000 --> 00:01:37,360 Speaker 2: Yeah, but we were getting paid. Yeah that's different. 44 00:01:37,840 --> 00:01:41,160 Speaker 3: Yeah, you've never bad with me for free if it's free, yeah, 45 00:01:41,240 --> 00:01:41,560 Speaker 3: my bad. 46 00:01:41,560 --> 00:01:43,360 Speaker 1: You're right about that. If it's a bag attached to. 47 00:01:43,319 --> 00:01:43,680 Speaker 4: It, I'm near. 48 00:01:43,760 --> 00:01:46,080 Speaker 1: We weren't made in America for the love. Yeah, it 49 00:01:46,120 --> 00:01:47,480 Speaker 1: wasn't the spool. We weren't a routine. 50 00:01:47,920 --> 00:01:49,760 Speaker 3: Now you're right, you're right about that. You're right about that. 51 00:01:49,800 --> 00:01:52,120 Speaker 3: But yeah, no, we went to the jazz cafe festival, 52 00:01:52,160 --> 00:01:54,920 Speaker 3: which was great at Burgers Park the other day. Man 53 00:01:55,000 --> 00:01:57,240 Speaker 3: shout out to you by the Touch stage, Earl Sweatshirt, 54 00:01:57,920 --> 00:02:01,480 Speaker 3: Rap City, Alchemy, this Rock Marciano. 55 00:02:02,760 --> 00:02:05,040 Speaker 2: It was a dope setup man, dope line up. Mike 56 00:02:05,160 --> 00:02:07,360 Speaker 2: who I fuck with? I think he's a Brooklyn rapper. 57 00:02:07,360 --> 00:02:09,959 Speaker 2: I've always thought it from Brooklyn. Mike that fucks with Earth. 58 00:02:10,160 --> 00:02:11,840 Speaker 2: He came out to I really, Mike. 59 00:02:12,480 --> 00:02:14,560 Speaker 3: To Knowledge, Knowledge the Pirate that get him out with 60 00:02:14,680 --> 00:02:17,760 Speaker 3: uh with Rock Man. If you're not in tune with 61 00:02:17,760 --> 00:02:19,880 Speaker 3: with with with Knowledge the Pirate Man, if you were, 62 00:02:19,960 --> 00:02:21,960 Speaker 3: you know, one of them hip hops. I just appreciate 63 00:02:22,760 --> 00:02:25,799 Speaker 3: ours and you know that that real hip hop. Pheel 64 00:02:26,800 --> 00:02:29,280 Speaker 3: tap in with Knowledge the Pirate Man, he's his he 65 00:02:29,280 --> 00:02:30,280 Speaker 3: he he stole the show. 66 00:02:30,320 --> 00:02:31,040 Speaker 1: I'm not gonna lie. 67 00:02:31,360 --> 00:02:33,600 Speaker 3: I only wanted to go because I didn't see Uh 68 00:02:34,000 --> 00:02:37,079 Speaker 3: never saw Rap live Rap Citty, and I never saw 69 00:02:37,160 --> 00:02:40,040 Speaker 3: Rock live either, So I was like when we heard 70 00:02:40,080 --> 00:02:41,600 Speaker 3: about the festival, I was like, damn you, I definitely 71 00:02:41,600 --> 00:02:42,160 Speaker 3: want to see that. 72 00:02:42,919 --> 00:02:44,520 Speaker 1: I've nerved. I think I've seen both of them like 73 00:02:44,840 --> 00:02:45,320 Speaker 1: ten times. 74 00:02:45,400 --> 00:02:47,480 Speaker 3: Yeah, no, I never I've never seen them live. And 75 00:02:47,520 --> 00:02:50,480 Speaker 3: then when Rock came out, obviously I was in tune 76 00:02:50,520 --> 00:02:53,000 Speaker 3: with Knowledge the Pirate already, but to see him what 77 00:02:53,040 --> 00:02:54,560 Speaker 3: he did on that stage live. 78 00:02:54,720 --> 00:02:57,720 Speaker 2: I had never seen Incredible Knowledge live before. Obviously familiar 79 00:02:57,919 --> 00:03:00,880 Speaker 2: because he's on so many rock projects, but it just 80 00:03:00,919 --> 00:03:02,480 Speaker 2: showed the difference. I didn't even want to do like 81 00:03:02,560 --> 00:03:05,520 Speaker 2: agism here. But when you see somebody that's like of 82 00:03:05,560 --> 00:03:08,239 Speaker 2: the cloth and been around for a while, the performance 83 00:03:08,360 --> 00:03:12,120 Speaker 2: is different. Just the way he no vocals on every track, Like, 84 00:03:12,160 --> 00:03:15,440 Speaker 2: it's just different. When those type of rappers show up 85 00:03:15,480 --> 00:03:17,880 Speaker 2: like college is nice. Don't get me wrong, seeing him 86 00:03:17,919 --> 00:03:20,000 Speaker 2: perform give me a whole new respect. 87 00:03:20,080 --> 00:03:22,400 Speaker 3: Yeah, he did his thing, rock did his thing to that. 88 00:03:22,440 --> 00:03:25,280 Speaker 3: His set was was incredible. But you had a festival 89 00:03:25,280 --> 00:03:26,639 Speaker 3: was dope, man. We had a good time. The weather 90 00:03:26,680 --> 00:03:29,480 Speaker 3: held up, it started drizzling a little bit and toward 91 00:03:29,560 --> 00:03:31,000 Speaker 3: the you know, the end of the show, and that's 92 00:03:31,000 --> 00:03:32,200 Speaker 3: when we got out of there. But it was a 93 00:03:32,240 --> 00:03:34,359 Speaker 3: it was a dope, dopervan. It was good to get 94 00:03:34,360 --> 00:03:36,560 Speaker 3: out in London and experience a festival here. 95 00:03:36,800 --> 00:03:38,760 Speaker 2: I was a little nervous in the beginning because we 96 00:03:38,760 --> 00:03:42,360 Speaker 2: were to the side and you know, we've made jokes 97 00:03:42,360 --> 00:03:46,040 Speaker 2: about me and in the festivals it's getting off my Karen, 98 00:03:46,080 --> 00:03:47,520 Speaker 2: do you know who the fuck my father is? You 99 00:03:47,560 --> 00:03:52,040 Speaker 2: didn't have no lambe, Like you can't put no sticker 100 00:03:52,080 --> 00:03:52,640 Speaker 2: on my shirt? 101 00:03:52,720 --> 00:03:54,320 Speaker 3: Like yeah, if you ain't got no lamb, that you 102 00:03:54,320 --> 00:03:57,840 Speaker 3: you upset? I'm not avillion festival. The only time it 103 00:03:57,920 --> 00:03:59,160 Speaker 3: was treating us like we ain't what I'm saying, we 104 00:03:59,160 --> 00:03:59,880 Speaker 3: didn't make our bones. 105 00:04:01,760 --> 00:04:02,840 Speaker 1: How long I've been festivaling? 106 00:04:02,920 --> 00:04:06,800 Speaker 3: Yeah, yeah this, yeah, yeah, Literally, I should be able 107 00:04:06,840 --> 00:04:08,160 Speaker 3: to park that stage. 108 00:04:08,200 --> 00:04:09,760 Speaker 2: I don't even have a car. Just put a spot 109 00:04:09,760 --> 00:04:12,360 Speaker 2: there for even if I don't have a car. So 110 00:04:12,680 --> 00:04:15,000 Speaker 2: we get there, I'm like, I'm cool on the side 111 00:04:15,000 --> 00:04:19,640 Speaker 2: over here. Yeah, but I get nervous sometimes with you, Wow, 112 00:04:19,760 --> 00:04:24,000 Speaker 2: how long? Because we're similar but different in the sense 113 00:04:24,000 --> 00:04:26,960 Speaker 2: that if we're in an environment we don't particularly care 114 00:04:27,040 --> 00:04:27,440 Speaker 2: to be in. 115 00:04:28,080 --> 00:04:29,839 Speaker 1: We'll leave pretty fucking quickly. Yeah. 116 00:04:29,880 --> 00:04:31,800 Speaker 2: But we came as a crew, so I just, you know, 117 00:04:31,880 --> 00:04:34,599 Speaker 2: had that nervous like, damn, we died together. 118 00:04:34,680 --> 00:04:36,720 Speaker 1: But that's how I wasn't gonna be. 119 00:04:37,320 --> 00:04:39,880 Speaker 2: Then I looked over and I saw you like probably 120 00:04:40,160 --> 00:04:42,960 Speaker 2: the biggest blunt I've ever seen you smoke, And I 121 00:04:43,000 --> 00:04:46,120 Speaker 2: was like, once falls here for the long haul. 122 00:04:46,640 --> 00:04:49,360 Speaker 3: Once I'm outside and we got an area and I 123 00:04:49,400 --> 00:04:51,960 Speaker 3: could see the stage and I can hear the music. Yeah, 124 00:04:52,000 --> 00:04:54,120 Speaker 3: and I can smoke. Oh, I can stay here. I 125 00:04:54,120 --> 00:04:56,440 Speaker 3: can stand here all night. That was no problem after that, 126 00:04:56,680 --> 00:04:59,120 Speaker 3: it was but it was cool to kind of like, 127 00:04:59,160 --> 00:05:00,560 Speaker 3: you know, just beat in the sept of people to 128 00:05:00,640 --> 00:05:02,200 Speaker 3: at the same time, a lot of people came up 129 00:05:02,279 --> 00:05:02,640 Speaker 3: kicked doing this. 130 00:05:02,720 --> 00:05:05,480 Speaker 1: It was real cool, which we didn't talk about after 131 00:05:05,520 --> 00:05:08,839 Speaker 1: the show. I meant to tell you in the uber back. 132 00:05:09,880 --> 00:05:12,159 Speaker 2: So when Rocks people asked us to come on stage 133 00:05:12,160 --> 00:05:13,440 Speaker 2: in the middle of his set, when they're like, yo, 134 00:05:13,520 --> 00:05:15,919 Speaker 2: come he side stage, just and join the show. And 135 00:05:15,960 --> 00:05:19,960 Speaker 2: when they were like, yo, come on stage, everything in 136 00:05:20,040 --> 00:05:21,960 Speaker 2: me wanted to be like, bro, I'm not the on 137 00:05:22,160 --> 00:05:23,520 Speaker 2: stage swag that y'all want. 138 00:05:23,560 --> 00:05:27,800 Speaker 1: I'm not gonna make rock look cool, Like I. 139 00:05:27,720 --> 00:05:30,280 Speaker 2: Don't know what to do, because it wasn't like one 140 00:05:30,279 --> 00:05:33,680 Speaker 2: of those rap stages where there's like fifty guys on stage. 141 00:05:33,839 --> 00:05:36,279 Speaker 2: It was like three guys. Yo, y'all come up like, 142 00:05:36,600 --> 00:05:39,520 Speaker 2: I don't I'm not gonna help with the aesthetic. I'm 143 00:05:39,520 --> 00:05:41,480 Speaker 2: gonna look I might actually ruin this. I'm gonna look 144 00:05:41,520 --> 00:05:45,160 Speaker 2: uncomfortable behind rock. Just bop my head like yeah, I'll 145 00:05:45,160 --> 00:05:45,880 Speaker 2: put my hand up. 146 00:05:46,720 --> 00:05:50,080 Speaker 3: Yeah, but it's gonna look weird that white arm and 147 00:05:50,240 --> 00:05:52,440 Speaker 3: is so the whole time, I'm sitting there knowing no 148 00:05:52,480 --> 00:05:55,760 Speaker 3: one's looking at us, but feeling like everyone is staring 149 00:05:55,800 --> 00:05:58,520 Speaker 3: at me, probably thinking this is the most awkward human 150 00:05:58,560 --> 00:06:00,000 Speaker 3: being ever, and why is he on stage? 151 00:06:00,120 --> 00:06:02,120 Speaker 1: Yeah no, But but the once you looked out in 152 00:06:02,160 --> 00:06:05,320 Speaker 1: the crowd, you home. That is true. Yeah, it was. 153 00:06:05,360 --> 00:06:06,760 Speaker 1: It was a lot of roories in the crowd. 154 00:06:06,839 --> 00:06:10,200 Speaker 2: That's a fact I wish because I do have that rule, 155 00:06:10,320 --> 00:06:12,240 Speaker 2: like I don't like to post strangers because I think 156 00:06:12,240 --> 00:06:12,840 Speaker 2: that's fucked up. 157 00:06:13,360 --> 00:06:14,440 Speaker 1: I'll do it all my close fronts. 158 00:06:14,520 --> 00:06:15,039 Speaker 4: Yeah. 159 00:06:15,080 --> 00:06:17,720 Speaker 1: I took a video of young me in the front 160 00:06:17,800 --> 00:06:19,159 Speaker 1: row full ahead of Red. 161 00:06:19,279 --> 00:06:21,200 Speaker 2: I had a video two of them. Yeah, and the 162 00:06:21,240 --> 00:06:23,800 Speaker 2: young Sean Dickerson was right next to him. Yeah, yeah, 163 00:06:24,160 --> 00:06:25,080 Speaker 2: just rapping everywhere. 164 00:06:25,080 --> 00:06:28,120 Speaker 3: That was like a parallel universe, right, we were looking 165 00:06:28,160 --> 00:06:30,839 Speaker 3: at a parallel universe of you and Sean. 166 00:06:30,880 --> 00:06:33,400 Speaker 2: And I saw that young kid rapping every word to rock. 167 00:06:33,520 --> 00:06:35,839 Speaker 2: Marciana was like, oh, this was fire. This was me 168 00:06:36,120 --> 00:06:39,160 Speaker 2: in two thousand and two at a Jesus show, Like, absolutely, 169 00:06:39,200 --> 00:06:40,120 Speaker 2: there is hope for the youth. 170 00:06:40,200 --> 00:06:43,080 Speaker 3: Absolutely, Man it's all a cycle. All of it is 171 00:06:43,160 --> 00:06:45,480 Speaker 3: just on repeat. Man, it was dope to see a 172 00:06:45,520 --> 00:06:50,200 Speaker 3: lot of the young, you know, white faces of hip 173 00:06:50,240 --> 00:06:51,680 Speaker 3: hop in the audience. 174 00:06:51,320 --> 00:06:53,320 Speaker 2: And that kid looks so young and innocent, and I 175 00:06:53,360 --> 00:06:55,840 Speaker 2: was like, Oh, here's so much life ahead of him. 176 00:06:55,839 --> 00:06:58,680 Speaker 2: I hope he doesn't get corrupted. And then maybe five 177 00:06:58,800 --> 00:07:00,880 Speaker 2: to ten minutes later, I saw him light up would 178 00:07:00,880 --> 00:07:02,880 Speaker 2: look like a Newport one hundred, and I said, never mind. 179 00:07:04,480 --> 00:07:08,080 Speaker 1: There's no hope. But that kid is funny. I was like, Oh, 180 00:07:08,080 --> 00:07:09,760 Speaker 1: he's so nice. Never mind, you're a dirt bag. 181 00:07:09,880 --> 00:07:12,000 Speaker 3: Just like, but it's just funny because that kid may 182 00:07:12,080 --> 00:07:15,080 Speaker 3: turn out to be one of like the dopey an 183 00:07:15,240 --> 00:07:18,040 Speaker 3: R executives like ever know managers, Like he might be 184 00:07:18,040 --> 00:07:20,560 Speaker 3: that because he he was he like, he knew the words, 185 00:07:21,040 --> 00:07:23,320 Speaker 3: he knew all the ad libs, he was really there 186 00:07:23,400 --> 00:07:25,520 Speaker 3: for the show. It was just it's just good to 187 00:07:25,520 --> 00:07:29,880 Speaker 3: see like younger like kids and younger people at hip 188 00:07:29,920 --> 00:07:31,800 Speaker 3: hop show, like real hip hop shit. Like if you 189 00:07:31,800 --> 00:07:33,800 Speaker 3: had a rap shitty you front stage to see rap 190 00:07:33,800 --> 00:07:37,200 Speaker 3: Shitty and Alchemists and Rock Marchiano, Like if you front 191 00:07:37,200 --> 00:07:39,360 Speaker 3: stage for that and you know the words, you're a 192 00:07:39,480 --> 00:07:39,840 Speaker 3: hip hop. 193 00:07:40,440 --> 00:07:42,680 Speaker 1: I was happy that you finally got to witness someone 194 00:07:42,720 --> 00:07:46,200 Speaker 1: calling me mare. That was hilarious. And then double down. 195 00:07:46,240 --> 00:07:48,640 Speaker 2: I was like this mall too no, like, yeah, no, no, 196 00:07:48,880 --> 00:07:50,560 Speaker 2: I'm a huge fan, Like you realize that just said 197 00:07:50,600 --> 00:07:51,240 Speaker 2: we're both mall right. 198 00:07:51,320 --> 00:07:52,920 Speaker 3: Yeah, he was like, no, my name is Jamal, Like, 199 00:07:52,960 --> 00:07:54,640 Speaker 3: nice to meet you. I was like, I'm looking at 200 00:07:54,640 --> 00:07:57,120 Speaker 3: the dude, like you think his name is Jamal? Like honestly, 201 00:07:57,160 --> 00:07:58,680 Speaker 3: but he doubled down, like, of course I know that. 202 00:08:00,120 --> 00:08:01,560 Speaker 1: Of course I know sport y'all. 203 00:08:02,720 --> 00:08:04,800 Speaker 2: Not that I needed a reminder, but it's always fun 204 00:08:04,880 --> 00:08:08,000 Speaker 2: to get a reminder. That Alchemists might be top three 205 00:08:08,000 --> 00:08:09,320 Speaker 2: greatest producers that's ever lived. 206 00:08:09,840 --> 00:08:12,119 Speaker 1: I don't think it's even a debate at this point. 207 00:08:12,360 --> 00:08:14,960 Speaker 2: And I mean, he was a DJ first, so I 208 00:08:15,000 --> 00:08:17,679 Speaker 2: love that producers are getting like festival sets, but some 209 00:08:17,440 --> 00:08:20,760 Speaker 2: of those producers aren't like DJ's to their core, so 210 00:08:20,800 --> 00:08:24,200 Speaker 2: they just play their hits. Alchemists, you know, started as 211 00:08:24,360 --> 00:08:26,880 Speaker 2: DJ first. Yeah, so how he puts his records together 212 00:08:27,600 --> 00:08:29,800 Speaker 2: is way better than I think most producer DJs. 213 00:08:30,800 --> 00:08:33,520 Speaker 1: He like, what didn't he produces brought? 214 00:08:33,640 --> 00:08:35,080 Speaker 3: I thought I knew his whole catt. I was like, yo, 215 00:08:35,120 --> 00:08:38,240 Speaker 3: he did this this record too. One of the joints, 216 00:08:38,280 --> 00:08:40,200 Speaker 3: the Jada Kids joints he played. I forgot he did 217 00:08:40,240 --> 00:08:42,480 Speaker 3: still feel me. I forgot he did that. I forgot 218 00:08:42,520 --> 00:08:45,920 Speaker 3: he did one of the locks joints he played, and 219 00:08:45,960 --> 00:08:47,920 Speaker 3: it was another one when I was like, yo, how 220 00:08:48,000 --> 00:08:53,080 Speaker 3: did that like his his his catalog might be it 221 00:08:53,160 --> 00:08:56,040 Speaker 3: might be crazier then, like I already know Alchemist is 222 00:08:56,040 --> 00:08:59,200 Speaker 3: one of those minds and brains and music and hip 223 00:08:59,200 --> 00:09:02,040 Speaker 3: hop that is like, you know, special, one of the 224 00:09:02,080 --> 00:09:05,559 Speaker 3: special ones. But like you know, him playing his set 225 00:09:05,800 --> 00:09:09,520 Speaker 3: of all the joints he produced is like it takes 226 00:09:09,520 --> 00:09:12,120 Speaker 3: you through this time machine where you just like I 227 00:09:12,160 --> 00:09:14,800 Speaker 3: forgot how many joints he did, And I. 228 00:09:14,760 --> 00:09:16,679 Speaker 2: Didn't forget that he did to keep it thorough beat 229 00:09:16,720 --> 00:09:19,440 Speaker 2: for Prodigy, but I forgot how that song rings off, 230 00:09:19,880 --> 00:09:22,320 Speaker 2: like the moment that dropped the whole crowd lost their 231 00:09:22,360 --> 00:09:24,720 Speaker 2: fucking mind, like similar to we gonna make it of 232 00:09:24,840 --> 00:09:27,320 Speaker 2: how much keep it throw even in London. 233 00:09:27,679 --> 00:09:30,320 Speaker 1: Peach Peach forgot he did shook ones. He didn't do 234 00:09:30,320 --> 00:09:31,400 Speaker 1: shook ones. He didn't. 235 00:09:32,080 --> 00:09:35,040 Speaker 2: I was havoc shut though I wasn't even around at 236 00:09:35,040 --> 00:09:37,480 Speaker 2: that point. I mean, al is the third member of 237 00:09:37,520 --> 00:09:38,960 Speaker 2: Mob Deep, but now he wasn't around them. 238 00:09:39,000 --> 00:09:40,200 Speaker 1: The oldest time I thought Al did that. 239 00:09:40,200 --> 00:09:44,280 Speaker 2: I don't think Al came around to murder music maybe, Okay, 240 00:09:45,559 --> 00:09:49,000 Speaker 2: what year was that, ninety nine maybe ninety eight, Okay, 241 00:09:51,160 --> 00:09:53,280 Speaker 2: I think the Realist with Cool g rapt was I 242 00:09:53,320 --> 00:09:55,079 Speaker 2: could be wrong, was the first one that they did. 243 00:09:55,120 --> 00:09:59,160 Speaker 2: And then after that Prodigy just adopted Alchemists and the 244 00:09:59,200 --> 00:09:59,960 Speaker 2: rest was history. 245 00:10:00,280 --> 00:10:01,480 Speaker 1: But now that would have to do it. 246 00:10:01,720 --> 00:10:03,480 Speaker 3: I didn't know that. I didn't know he did shit Ones. 247 00:10:04,080 --> 00:10:05,920 Speaker 3: I was thinking of it wasn't that? Which record was that? 248 00:10:05,960 --> 00:10:07,839 Speaker 1: Piege? When he played and you was like, damn, I 249 00:10:07,880 --> 00:10:10,839 Speaker 1: didn't even know he did that. It wasn't. It was 250 00:10:11,160 --> 00:10:12,600 Speaker 1: one of the early early joints though. 251 00:10:13,320 --> 00:10:15,880 Speaker 2: And that's another thing though, And like we were nerding 252 00:10:15,920 --> 00:10:17,840 Speaker 2: out and maybe I was catching contact high. 253 00:10:17,880 --> 00:10:19,160 Speaker 1: But when shook Ones came. 254 00:10:19,000 --> 00:10:23,360 Speaker 2: On, oh my god, that's just certain songs that I've 255 00:10:23,400 --> 00:10:25,880 Speaker 2: heard a million times that will never get old. And 256 00:10:25,920 --> 00:10:28,960 Speaker 2: to think that they were children, yeah, they were like 257 00:10:29,360 --> 00:10:33,120 Speaker 2: real teenagers. They were like sixteen seventeen incredible, and Havoc 258 00:10:33,240 --> 00:10:35,839 Speaker 2: was micing up his stove in the projects and then 259 00:10:36,040 --> 00:10:39,800 Speaker 2: created that masterpiece like insane. I know, it sounds like 260 00:10:39,840 --> 00:10:41,800 Speaker 2: nerdy shit, but that stuff still blows my mind, like, 261 00:10:41,800 --> 00:10:45,320 Speaker 2: how were you seventeen and decided let me do this? 262 00:10:45,440 --> 00:10:47,280 Speaker 3: And then not only that, when you even think that way, 263 00:10:47,280 --> 00:10:50,200 Speaker 3: when you look around at the crowd of people in 264 00:10:50,440 --> 00:10:54,560 Speaker 3: an entire different country that have an accent and. 265 00:10:55,120 --> 00:10:58,040 Speaker 1: They know it word for word. Came out in nineteen 266 00:10:58,120 --> 00:10:59,400 Speaker 1: ninety five, nineteen ninety. 267 00:10:59,240 --> 00:11:01,320 Speaker 3: Four, and these are young, young, young cats at the 268 00:11:01,360 --> 00:11:03,440 Speaker 3: at the at the at the festival, Like it's it's 269 00:11:03,520 --> 00:11:07,960 Speaker 3: just dope to watch hip hop just transcend, you know, 270 00:11:08,040 --> 00:11:10,840 Speaker 3: American culture and really just touched the world and things. 271 00:11:11,320 --> 00:11:14,480 Speaker 3: Alas on doing a whole European run. A Rock is 272 00:11:14,920 --> 00:11:17,520 Speaker 3: on the European Run, Bennie was out here the day 273 00:11:17,559 --> 00:11:18,040 Speaker 3: we landed. 274 00:11:18,080 --> 00:11:18,760 Speaker 1: He's on a runner. 275 00:11:18,840 --> 00:11:21,200 Speaker 3: So it's just dope to see cats from back home 276 00:11:21,320 --> 00:11:24,679 Speaker 3: moving around different parts of the world and and hip 277 00:11:24,720 --> 00:11:25,680 Speaker 3: hop being embraced. 278 00:11:25,880 --> 00:11:27,840 Speaker 2: And I mean even I'm not just saying this because 279 00:11:27,840 --> 00:11:31,600 Speaker 2: we're in London, but Europe like really appreciates hip hop. 280 00:11:31,840 --> 00:11:34,000 Speaker 2: Me and I were talking backstage like I'm old, I 281 00:11:34,040 --> 00:11:35,920 Speaker 2: don't even really like doing the road, but when it 282 00:11:35,920 --> 00:11:37,880 Speaker 2: comes to Europe, like I know we're gonna have so 283 00:11:38,000 --> 00:11:41,680 Speaker 2: much fun because these fans give a fuck about everything 284 00:11:41,679 --> 00:11:43,760 Speaker 2: that we're playing, like that shit is in their veins. 285 00:11:43,840 --> 00:11:47,080 Speaker 2: They still give a fuck. Yeah, so it's just different. 286 00:11:47,120 --> 00:11:49,760 Speaker 2: I'm glad my first time going to a festival in London. Yeah, 287 00:11:50,600 --> 00:11:52,360 Speaker 2: I mean you know that we've been there together for 288 00:11:52,360 --> 00:11:54,200 Speaker 2: the last three years. So yeah, I know you didn't 289 00:11:54,240 --> 00:12:00,360 Speaker 2: like it. But the thirty second little snippet he played 290 00:12:00,360 --> 00:12:03,400 Speaker 2: to Meet the Grams did get a crazy fucking response. 291 00:12:04,200 --> 00:12:04,960 Speaker 1: I saw your face. 292 00:12:04,960 --> 00:12:07,160 Speaker 2: I know you weren't really into it, but the crowd 293 00:12:07,200 --> 00:12:09,679 Speaker 2: did go a little fucking crazy when those. 294 00:12:09,400 --> 00:12:13,079 Speaker 1: First like four chords hit. Yeah. Remember even me, I 295 00:12:13,160 --> 00:12:16,480 Speaker 1: kind of went like you remember when beat? 296 00:12:16,640 --> 00:12:19,559 Speaker 3: Remember you remember when when when when Noori was telling 297 00:12:19,600 --> 00:12:21,520 Speaker 3: the story of how No One Kiss was telling the 298 00:12:21,520 --> 00:12:24,520 Speaker 3: story of how Noriri took his dat back the guy 299 00:12:24,559 --> 00:12:26,560 Speaker 3: he thought was with kiss and he found out now 300 00:12:26,600 --> 00:12:27,959 Speaker 3: he wasn't with kissed and he looked at him to 301 00:12:28,040 --> 00:12:29,840 Speaker 3: the dat back. I looked at al and took my 302 00:12:29,920 --> 00:12:32,360 Speaker 3: dat back once. Once Meet the Grams came in, I 303 00:12:32,400 --> 00:12:34,680 Speaker 3: was like, yo, was like, yo, take that back. 304 00:12:34,960 --> 00:12:37,240 Speaker 2: What was actually dope about that though, was he didn't 305 00:12:37,240 --> 00:12:39,400 Speaker 2: play any of the lyrics, like he just let the 306 00:12:39,440 --> 00:12:42,400 Speaker 2: beat play for like fifteen seconds and everyone went nuts 307 00:12:42,440 --> 00:12:45,280 Speaker 2: and then switched out of it. But yeah, that that 308 00:12:45,320 --> 00:12:49,480 Speaker 2: beat is like oddly surgical. It's like creepy as fuck. 309 00:12:49,920 --> 00:12:52,160 Speaker 2: I didn't think it would go off at a festival 310 00:12:52,160 --> 00:12:54,280 Speaker 2: like that for everyone that thinks Meet the Grams is 311 00:12:54,280 --> 00:12:55,120 Speaker 2: boring and all that. 312 00:12:55,120 --> 00:12:56,840 Speaker 1: That shit went up like we're gonna make it at 313 00:12:56,840 --> 00:12:57,360 Speaker 1: a festival. 314 00:12:57,800 --> 00:12:59,680 Speaker 3: Well, I mean obviously the way Ale set it up, 315 00:13:00,240 --> 00:13:02,440 Speaker 3: played the sample original and all that, like. 316 00:13:02,600 --> 00:13:06,720 Speaker 2: That's what it was? What was he used the same 317 00:13:06,720 --> 00:13:10,120 Speaker 2: sample for another record. You guys were telling me that, Yeah, 318 00:13:10,480 --> 00:13:12,520 Speaker 2: I did not know Meet the Grams and Keep It 319 00:13:12,559 --> 00:13:14,040 Speaker 2: Thorough had the same sample. 320 00:13:14,120 --> 00:13:16,280 Speaker 1: Yeah, until we now do something. He broke that down. 321 00:13:16,600 --> 00:13:18,360 Speaker 1: He did keep it through and then went back into 322 00:13:18,400 --> 00:13:18,880 Speaker 1: the sample. 323 00:13:19,160 --> 00:13:21,520 Speaker 2: It went sample, Keep it Thorough, back to the sample 324 00:13:21,640 --> 00:13:24,880 Speaker 2: then to Meet the Grams, and my nerdy hip hop 325 00:13:24,960 --> 00:13:26,280 Speaker 2: brain exploded, was. 326 00:13:26,320 --> 00:13:31,400 Speaker 1: Like, it's the same sample taping people I don't even know, Like, yo, 327 00:13:31,440 --> 00:13:32,040 Speaker 1: did you know that? 328 00:13:33,960 --> 00:13:34,440 Speaker 4: Yeah? 329 00:13:34,520 --> 00:13:35,960 Speaker 1: That was dope. Though, that was dope. 330 00:13:36,000 --> 00:13:38,320 Speaker 3: I love what like DJ's and producers like do that, 331 00:13:38,400 --> 00:13:41,440 Speaker 3: like play the sampled the original and get into it. 332 00:13:41,520 --> 00:13:43,439 Speaker 3: Like there's a lot of videos online with just blaze 333 00:13:43,480 --> 00:13:46,040 Speaker 3: doing that. A few other dudes like that. Shit is 334 00:13:46,080 --> 00:13:48,320 Speaker 3: always dope to like always here because it's kind of 335 00:13:48,320 --> 00:13:49,959 Speaker 3: like we got to pay homage to the original. 336 00:13:50,559 --> 00:13:51,520 Speaker 1: You got to and I. 337 00:13:51,520 --> 00:13:53,840 Speaker 2: Think that just shows like the genius of the producer, 338 00:13:54,000 --> 00:13:56,400 Speaker 2: Like that's what you took from that sample. Damn, I 339 00:13:56,400 --> 00:13:59,240 Speaker 2: didn't even realize you didn't just take a sample and 340 00:13:59,280 --> 00:14:01,240 Speaker 2: put drums on it and then paid the fee, Like 341 00:14:01,320 --> 00:14:03,640 Speaker 2: I can't believe you found that part and that's what's 342 00:14:04,040 --> 00:14:05,160 Speaker 2: in the song at this point. 343 00:14:05,280 --> 00:14:07,400 Speaker 3: That's such a beautiful process, Like all of these DJ 344 00:14:07,480 --> 00:14:10,760 Speaker 3: producers that like digging crates and mind these records and 345 00:14:10,840 --> 00:14:13,520 Speaker 3: find that break that sample, Like that's such a I mean, 346 00:14:13,559 --> 00:14:16,320 Speaker 3: obviously that's the foundation of hip hop, but it's just 347 00:14:16,320 --> 00:14:18,760 Speaker 3: so dope to see guys like really that really do that, 348 00:14:18,760 --> 00:14:20,480 Speaker 3: that really dig and crates and shit like that. 349 00:14:20,680 --> 00:14:24,320 Speaker 2: And we were talking to during the set because IL 350 00:14:24,360 --> 00:14:26,400 Speaker 2: did like two verses I want to say mm hmm. 351 00:14:26,800 --> 00:14:29,640 Speaker 2: I was like, Yo, our raps a lot better than 352 00:14:29,720 --> 00:14:31,680 Speaker 2: some of our favorite bowl of macaroni. 353 00:14:34,200 --> 00:14:38,080 Speaker 1: It's that action influences. Yeah, yeah, our CoA rap man, 354 00:14:38,200 --> 00:14:38,640 Speaker 1: No he can't. 355 00:14:38,640 --> 00:14:40,480 Speaker 3: I mean listen, And when you were around that much 356 00:14:40,520 --> 00:14:42,960 Speaker 3: hip hop and you you hear that many bars for 357 00:14:43,000 --> 00:14:44,920 Speaker 3: all those years. It's only I mean, like, come on, bro, 358 00:14:45,000 --> 00:14:47,200 Speaker 3: you gotta pick up on some of that shit and 359 00:14:47,240 --> 00:14:49,480 Speaker 3: just just talk shit, like just be He's just a 360 00:14:49,520 --> 00:14:51,400 Speaker 3: shit talker, get his ship off and that shit. 361 00:14:51,840 --> 00:14:53,400 Speaker 1: But I could and this is me speculating. 362 00:14:53,400 --> 00:14:55,560 Speaker 2: I have no no idea nor spoke to Hip Boy 363 00:14:55,720 --> 00:14:58,000 Speaker 2: or Alchemists about this. I think hit Boy is a 364 00:14:58,000 --> 00:14:59,960 Speaker 2: great rapper, but he started as a rapper and was produce. 365 00:15:00,400 --> 00:15:03,760 Speaker 2: He's a rapper to his core, our producer first. Yeah, 366 00:15:04,120 --> 00:15:06,760 Speaker 2: I feel like al maybe had Hip Boy go back 367 00:15:06,760 --> 00:15:09,640 Speaker 2: and rewrite some verses with their projectin they did together. 368 00:15:09,840 --> 00:15:11,640 Speaker 1: Yeah, I think he's like, damn, I know you like 369 00:15:11,680 --> 00:15:14,400 Speaker 1: really rap. Yeah, I'll go talk and shit. He definitely 370 00:15:14,400 --> 00:15:15,080 Speaker 1: gonn get his shit. 371 00:15:14,960 --> 00:15:17,680 Speaker 2: Though, But yeah, it was fun. Other than that, it's 372 00:15:17,680 --> 00:15:19,440 Speaker 2: been kind of quiet this London trip. 373 00:15:20,080 --> 00:15:22,200 Speaker 1: Yeah. I mean, the weather's been has been great tho 374 00:15:22,200 --> 00:15:24,120 Speaker 1: it's been sunny. I know, we was wilding out in 375 00:15:24,160 --> 00:15:26,320 Speaker 1: the rain the last two times. Everybody's texting me like, yo, 376 00:15:26,400 --> 00:15:27,360 Speaker 1: is it gloomy? Is it gloomy? 377 00:15:27,400 --> 00:15:29,520 Speaker 3: I'm like nah, not really, Like the sun has been 378 00:15:29,560 --> 00:15:32,400 Speaker 3: out pretty much every day, like the weather's been been 379 00:15:32,440 --> 00:15:32,960 Speaker 3: really nice. 380 00:15:33,080 --> 00:15:34,640 Speaker 1: I can't complain. The last time we would say. 381 00:15:34,520 --> 00:15:37,120 Speaker 3: It was a little rainy, little gloomy, but you know 382 00:15:37,160 --> 00:15:39,160 Speaker 3: now this time around, the sun has definitely been out. 383 00:15:39,520 --> 00:15:42,680 Speaker 2: Since we really haven't done anything outside of the festival. 384 00:15:43,080 --> 00:15:45,640 Speaker 2: Should we try a while out tonight or while out 385 00:15:45,640 --> 00:15:48,760 Speaker 2: after the show? I feel like I need one London night. 386 00:15:48,800 --> 00:15:50,480 Speaker 2: I've just been a fucking but. 387 00:15:50,480 --> 00:15:51,960 Speaker 1: What is your what is your while? What does your 388 00:15:52,000 --> 00:15:52,680 Speaker 1: wild out look like? 389 00:15:52,720 --> 00:15:52,840 Speaker 4: Though? 390 00:15:52,960 --> 00:15:55,400 Speaker 1: Your dad, that's what you're saying. What does your wild 391 00:15:55,400 --> 00:15:55,920 Speaker 1: out look like? 392 00:15:56,000 --> 00:15:56,160 Speaker 4: Now? 393 00:15:56,800 --> 00:16:01,360 Speaker 1: Me and Benner went and got two steaks and split them. 394 00:16:01,480 --> 00:16:03,480 Speaker 1: Why would you split two steaks when you could just 395 00:16:03,520 --> 00:16:04,640 Speaker 1: eat your own one? 396 00:16:04,760 --> 00:16:04,880 Speaker 4: Like? 397 00:16:05,120 --> 00:16:06,880 Speaker 2: Because there was the iron steak and then the wagg 398 00:16:07,080 --> 00:16:08,520 Speaker 2: oh you got two different type of steak and then 399 00:16:08,560 --> 00:16:11,480 Speaker 2: we cut it up and split it was wild. 400 00:16:11,640 --> 00:16:12,040 Speaker 1: That's wild. 401 00:16:12,240 --> 00:16:15,040 Speaker 3: Yeah, yeah, yeah, that's that's two different type of streaks 402 00:16:15,080 --> 00:16:15,720 Speaker 3: and one. 403 00:16:15,520 --> 00:16:19,400 Speaker 1: And three sides. We got garlic mash, mac and cheese 404 00:16:19,440 --> 00:16:20,520 Speaker 1: and the cream spinis. 405 00:16:21,120 --> 00:16:24,400 Speaker 3: We was toilet, the toilet brothers, the splash y'all would 406 00:16:24,400 --> 00:16:25,040 Speaker 3: splashed brothers. 407 00:16:25,280 --> 00:16:27,840 Speaker 1: It hasn't hit yet. I think I might need to sit. 408 00:16:28,160 --> 00:16:29,760 Speaker 1: I don't think I can last night because it's gonna 409 00:16:29,760 --> 00:16:30,600 Speaker 1: eventually catch up to me. 410 00:16:30,680 --> 00:16:35,840 Speaker 3: You gonna be the Splash Brothers tonight for sure, which 411 00:16:35,920 --> 00:16:39,480 Speaker 3: is scary because wor's toilet paper on earth in this car. 412 00:16:39,800 --> 00:16:41,520 Speaker 1: Your asshole is gonna be fucking burning. 413 00:16:41,680 --> 00:16:43,680 Speaker 2: But yeah, I don't really know how to wild out 414 00:16:43,680 --> 00:16:46,200 Speaker 2: because the first time we were here we did the 415 00:16:46,400 --> 00:16:48,840 Speaker 2: strip club thing, which was awful, but it was it 416 00:16:48,920 --> 00:16:51,560 Speaker 2: was a fun experience. I still haven't done the Box, 417 00:16:51,640 --> 00:16:52,880 Speaker 2: but I don't know if I have the energy for that. 418 00:16:53,960 --> 00:16:55,960 Speaker 3: That just yeah, that's a and that's a whole different 419 00:16:56,840 --> 00:16:59,840 Speaker 3: type of vibe, Like it's a you know, we're all 420 00:17:00,120 --> 00:17:02,400 Speaker 3: curing ourselves, but that's a different You gotta be in 421 00:17:02,440 --> 00:17:04,920 Speaker 3: a different kind of kind of zone to just go 422 00:17:05,040 --> 00:17:05,560 Speaker 3: to the box. 423 00:17:05,640 --> 00:17:07,720 Speaker 1: And because you don't know what's going to come on stage, 424 00:17:07,760 --> 00:17:09,920 Speaker 1: you know what I'm saying. I mean, I think that's 425 00:17:09,960 --> 00:17:10,840 Speaker 1: the allure of the whole thing. 426 00:17:10,960 --> 00:17:12,800 Speaker 3: No, it is, it's definitely is definitely part of the 427 00:17:12,880 --> 00:17:14,960 Speaker 3: whole thing, But you got to kind of be in 428 00:17:15,000 --> 00:17:16,320 Speaker 3: that zone. I don't think you in that zone. 429 00:17:16,480 --> 00:17:18,919 Speaker 2: And there was fashion Week stuff, but everything I got 430 00:17:18,960 --> 00:17:21,280 Speaker 2: invited to I was like, I feel like I'm gonna 431 00:17:21,280 --> 00:17:22,560 Speaker 2: get there and fre like, you know, I should have 432 00:17:22,560 --> 00:17:24,680 Speaker 2: stayed the hotel, should have got another steak with better, 433 00:17:25,440 --> 00:17:25,800 Speaker 2: should have. 434 00:17:25,800 --> 00:17:26,480 Speaker 1: With a third one. 435 00:17:27,800 --> 00:17:29,680 Speaker 3: I was pushing it last night. I even text you 436 00:17:29,800 --> 00:17:31,639 Speaker 3: like that, what's up. You want to do something? No, 437 00:17:31,840 --> 00:17:34,720 Speaker 3: I was going to definitely try to get out. I 438 00:17:34,960 --> 00:17:38,240 Speaker 3: hit gigs in suspect shout shout to my guy, suspect. 439 00:17:38,320 --> 00:17:39,560 Speaker 4: I hit them. Uh. 440 00:17:39,600 --> 00:17:41,320 Speaker 3: They was moving around a little bit, but it was 441 00:17:41,400 --> 00:17:44,920 Speaker 3: like fashion week stuff. You know, you gotta have an invite. 442 00:17:45,080 --> 00:17:47,760 Speaker 3: And then suspect was like, nah, we mobing like fuck it. 443 00:17:47,760 --> 00:17:48,399 Speaker 1: Were just pulling up. 444 00:17:48,440 --> 00:17:50,040 Speaker 3: I'm like, I don't know if that's the type of 445 00:17:50,160 --> 00:17:52,879 Speaker 3: energy I'm going, but when you get there, let me 446 00:17:52,960 --> 00:17:53,720 Speaker 3: know what it's looking like. 447 00:17:54,160 --> 00:17:55,920 Speaker 1: And once it got to like one in the morning, 448 00:17:56,000 --> 00:17:57,280 Speaker 1: I was just like, bro, I'm tired, Like I just 449 00:17:57,359 --> 00:17:57,880 Speaker 1: want to sleep. 450 00:17:58,359 --> 00:18:00,400 Speaker 2: Yeah, and I missed my window. That's why I text 451 00:18:00,440 --> 00:18:02,240 Speaker 2: you like, fuck it, I'm gonna be up. So you 452 00:18:02,320 --> 00:18:05,000 Speaker 2: text me at like ten o'clock and then I think 453 00:18:05,000 --> 00:18:05,960 Speaker 2: I hit you again at like one. 454 00:18:06,560 --> 00:18:06,959 Speaker 4: It was up. 455 00:18:07,160 --> 00:18:07,640 Speaker 5: It was over. 456 00:18:07,680 --> 00:18:08,120 Speaker 4: At that point. 457 00:18:08,160 --> 00:18:11,000 Speaker 1: I'm watching First forty eight. I'm chilling, man. I wasn't 458 00:18:11,040 --> 00:18:12,840 Speaker 1: going nowhere. No, no tings out here. 459 00:18:13,440 --> 00:18:17,040 Speaker 3: Nah, man, just literally I've just been whatever we did together. 460 00:18:17,359 --> 00:18:19,400 Speaker 3: Once we leave, I may get some food and I'm 461 00:18:19,480 --> 00:18:20,320 Speaker 3: right back at the hotel. 462 00:18:20,400 --> 00:18:20,880 Speaker 4: Bro time. 463 00:18:20,960 --> 00:18:23,159 Speaker 2: Know we're washed because the last two trips, Yeah, we 464 00:18:23,280 --> 00:18:25,800 Speaker 2: had them around us. I mean, you know, sometimes we 465 00:18:25,840 --> 00:18:26,960 Speaker 2: looked iller than we really were. 466 00:18:27,119 --> 00:18:30,879 Speaker 1: Yeah. I don't understand why it's pretty chick on angles either, but. 467 00:18:31,640 --> 00:18:35,199 Speaker 3: And she's cool, yeah, like oh we want Yeah. Nah, 468 00:18:35,320 --> 00:18:36,840 Speaker 3: just been chilling though. It's been a good time. I 469 00:18:37,000 --> 00:18:38,679 Speaker 3: had a good time, but it's definitely been a lot 470 00:18:38,680 --> 00:18:40,920 Speaker 3: of nights when I'm literally just in the bed watching TV. 471 00:18:41,040 --> 00:18:42,920 Speaker 1: Man, I'm chilling. I might try to do the Leon 472 00:18:43,000 --> 00:18:43,800 Speaker 1: Bridges show tonight. 473 00:18:44,000 --> 00:18:46,200 Speaker 3: Shout out to Leon Bridges. Yeah, we were talking about it. 474 00:18:46,240 --> 00:18:48,800 Speaker 3: He's performing at the actual the first venue we performed 475 00:18:48,840 --> 00:18:50,439 Speaker 3: it out of here. Yeah Earth one of my favorite 476 00:18:50,640 --> 00:18:52,120 Speaker 3: favorite venues I think we've ever done. 477 00:18:52,240 --> 00:18:52,800 Speaker 4: It might have been. 478 00:18:53,200 --> 00:18:53,920 Speaker 1: I would like to catch that. 479 00:18:54,000 --> 00:18:56,960 Speaker 3: But then it's a conflict because we got tickets to 480 00:18:57,040 --> 00:18:59,160 Speaker 3: the to the to the football game tonight. 481 00:18:59,440 --> 00:19:01,480 Speaker 1: Which I and I think you guys want to experience 482 00:19:01,520 --> 00:19:02,720 Speaker 1: our first soccer game. 483 00:19:03,080 --> 00:19:05,840 Speaker 2: I'm definitely gonna go to the Leon Ship over the 484 00:19:05,920 --> 00:19:08,159 Speaker 2: soccer game, but I think you guys should go and 485 00:19:08,240 --> 00:19:10,520 Speaker 2: I think, Peach, can you get as much footage of 486 00:19:10,640 --> 00:19:11,960 Speaker 2: mall at that as possible? 487 00:19:12,280 --> 00:19:14,440 Speaker 1: I think y'all should do that instead of the soccer game. 488 00:19:14,520 --> 00:19:15,920 Speaker 1: Yeah yeah, I'm thinking about it. 489 00:19:15,960 --> 00:19:16,080 Speaker 4: Man. 490 00:19:16,119 --> 00:19:18,800 Speaker 3: I wanted to experience. I didn't even know because you 491 00:19:18,880 --> 00:19:22,400 Speaker 3: know that's argan Americans. I thought we could just buy 492 00:19:22,520 --> 00:19:25,879 Speaker 3: tickets to the Totten him Arsenal game. And my home 493 00:19:25,960 --> 00:19:28,520 Speaker 3: girl she was like, you gotta sacrifice somebody to get Yeah, somebody. 494 00:19:28,560 --> 00:19:30,720 Speaker 3: She was like, did somebody leave y'all maasterism because you 495 00:19:30,760 --> 00:19:33,000 Speaker 3: can't just I said, oh, you can't eat on stuff huf. 496 00:19:33,040 --> 00:19:34,760 Speaker 1: I say, yeah, you can't just like go on on them. 497 00:19:34,800 --> 00:19:36,480 Speaker 3: She was like no, she was like, you have to, 498 00:19:36,560 --> 00:19:38,760 Speaker 3: like it has to be a raffle or like a 499 00:19:38,840 --> 00:19:40,359 Speaker 3: season you're a season ticket holder. 500 00:19:40,560 --> 00:19:42,200 Speaker 1: Okay, so how did you guys end up? Do you 501 00:19:42,240 --> 00:19:44,080 Speaker 1: guys have tickets? Yeah, well for this game. 502 00:19:44,119 --> 00:19:47,240 Speaker 3: It's not this is not uh, this is not Premier League, right, Peach, 503 00:19:47,600 --> 00:19:49,399 Speaker 3: So this is not a Premier League game tonight. 504 00:19:49,440 --> 00:19:50,000 Speaker 5: This is like. 505 00:19:51,840 --> 00:19:52,800 Speaker 1: Soccer experience. 506 00:19:52,880 --> 00:19:55,320 Speaker 3: Yeah, I just want to experience a game in London, 507 00:19:55,720 --> 00:19:57,960 Speaker 3: So I'm thinking about doing that. It's like going to 508 00:19:58,040 --> 00:20:00,840 Speaker 3: the Rutger, like, who's ever playing basketball? I just want 509 00:20:00,880 --> 00:20:03,280 Speaker 3: to see it, want to experience it. Yeah, but I 510 00:20:03,400 --> 00:20:03,879 Speaker 3: mean I don't know. 511 00:20:03,960 --> 00:20:06,920 Speaker 1: I'll go be a nerd and ask Leanna, are those 512 00:20:07,000 --> 00:20:09,680 Speaker 1: major seven chords that you're playing? Like, I'll just do that. Yeah, 513 00:20:10,560 --> 00:20:12,040 Speaker 1: get your ship off, man, let me know how it is. 514 00:20:12,119 --> 00:20:12,480 Speaker 1: Text me. 515 00:20:13,040 --> 00:20:14,920 Speaker 2: They're gonna be in there though. No, I'm not gonna 516 00:20:14,920 --> 00:20:16,680 Speaker 2: do nothing, but I'm gonna look. You know, you can listen, 517 00:20:16,760 --> 00:20:18,160 Speaker 2: you a man, you can look. I mean, They're gonna 518 00:20:18,160 --> 00:20:18,760 Speaker 2: definitely be there. 519 00:20:19,240 --> 00:20:21,120 Speaker 3: But I would love to see Leon because he's another 520 00:20:21,200 --> 00:20:22,639 Speaker 3: artist that I fuck with, but I haven't seen him 521 00:20:22,680 --> 00:20:23,080 Speaker 3: love either. 522 00:20:23,160 --> 00:20:27,480 Speaker 2: So yeah, a lot kind of happened in the past 523 00:20:27,520 --> 00:20:30,080 Speaker 2: two days that we've been here. We've been recording on 524 00:20:30,160 --> 00:20:33,120 Speaker 2: stop but more like evergreen stuff, not really in the moment. 525 00:20:33,480 --> 00:20:34,760 Speaker 2: But today we can get to the ships. 526 00:20:34,960 --> 00:20:35,359 Speaker 1: Let's do it. 527 00:20:35,440 --> 00:20:39,600 Speaker 3: Your man's almost got clipped again again. Once again, they 528 00:20:39,640 --> 00:20:42,119 Speaker 3: tried to take Big Don out Big full five. They 529 00:20:42,200 --> 00:20:44,680 Speaker 3: tried to try to set him up. They tried to 530 00:20:44,680 --> 00:20:47,840 Speaker 3: spend the block on him, but this time luckily he 531 00:20:48,040 --> 00:20:48,920 Speaker 3: wasn't in the block. 532 00:20:49,000 --> 00:20:51,879 Speaker 1: Spind the what sixteenth hole, the dog leggings spinning the 533 00:20:51,920 --> 00:20:55,360 Speaker 1: dog Leggen Back nine. They try to spend the back 534 00:20:55,480 --> 00:20:56,080 Speaker 1: nine on Don. 535 00:20:56,520 --> 00:20:58,440 Speaker 2: I promise we're gonna keep this lighthearted and I'm not 536 00:20:58,480 --> 00:21:02,080 Speaker 2: gonna get on my conspiracy shit. Why is it so 537 00:21:02,400 --> 00:21:06,560 Speaker 2: easy to get around a former president with a rifle? 538 00:21:07,920 --> 00:21:09,280 Speaker 1: Yeah, I feel like we could do a better job 539 00:21:09,359 --> 00:21:12,040 Speaker 1: at protecting Don at this point. Like, I don't understand 540 00:21:12,080 --> 00:21:14,760 Speaker 1: why you're not like looking, who's in the sand trap? 541 00:21:15,000 --> 00:21:16,919 Speaker 3: Yeah, but he probably had you know, he probably had 542 00:21:16,960 --> 00:21:18,320 Speaker 3: his fatigue shit on laying down. 543 00:21:18,359 --> 00:21:20,960 Speaker 1: You couldn't see him. It's the Secret Service man. Oh yeah, 544 00:21:21,000 --> 00:21:21,399 Speaker 1: I get it. 545 00:21:21,680 --> 00:21:22,080 Speaker 4: I get it. 546 00:21:22,600 --> 00:21:26,640 Speaker 2: They found some dominant hole. Yeah, on the other side 547 00:21:26,640 --> 00:21:28,520 Speaker 2: of the world. Yeah, now you're right. 548 00:21:28,960 --> 00:21:30,000 Speaker 1: But I am I am. 549 00:21:30,200 --> 00:21:33,439 Speaker 3: I am happy that he wasn't He wasn't harmed at all, man, 550 00:21:33,520 --> 00:21:35,800 Speaker 3: because again, you know, no matter what we laugh and 551 00:21:35,880 --> 00:21:37,600 Speaker 3: joke about this shit, but no matter what side of 552 00:21:38,119 --> 00:21:40,159 Speaker 3: politics you want, you don't want to see, uh, you 553 00:21:40,160 --> 00:21:44,640 Speaker 3: don't see anybody hurt or tragically killed. So of course 554 00:21:44,760 --> 00:21:46,040 Speaker 3: you know it didn't go there. 555 00:21:46,080 --> 00:21:49,879 Speaker 2: On politics whatsoever, But just to the side that someone 556 00:21:50,119 --> 00:21:51,480 Speaker 2: can get to the president. 557 00:21:51,680 --> 00:21:55,160 Speaker 1: Yeah, this easily back to back. It makes me fair. 558 00:21:55,240 --> 00:21:56,879 Speaker 1: He didn't get there as a country, like what the 559 00:21:56,920 --> 00:21:58,400 Speaker 1: fuck are we doing? But yeah, but this dude didn't, 560 00:21:58,440 --> 00:21:59,960 Speaker 1: he wasn't. He didn't get that closed though. 561 00:22:00,800 --> 00:22:02,840 Speaker 2: Well, I mean there's been on the course, he was 562 00:22:02,880 --> 00:22:04,119 Speaker 2: on the course or its we don't even know if 563 00:22:04,119 --> 00:22:07,920 Speaker 2: he shot and my secret service shooting him. He was 564 00:22:08,040 --> 00:22:10,480 Speaker 2: a Trump supporter, vote voted Republican. 565 00:22:10,520 --> 00:22:10,800 Speaker 1: I don't know. 566 00:22:10,920 --> 00:22:14,960 Speaker 2: I'm from my own mental health. This has stayed away 567 00:22:15,080 --> 00:22:17,680 Speaker 2: from all the reports. Amazing how they find that out 568 00:22:17,800 --> 00:22:20,080 Speaker 2: so fast, like who he was voting for? 569 00:22:20,200 --> 00:22:20,320 Speaker 1: Who? 570 00:22:20,560 --> 00:22:22,160 Speaker 3: That's like, how do y'all know all of this already 571 00:22:22,160 --> 00:22:25,359 Speaker 3: about this dude? I mean apparently Elon deleted his Twitter page. 572 00:22:26,600 --> 00:22:29,399 Speaker 2: Uh well he deleted the tweet because he said Elon 573 00:22:29,480 --> 00:22:31,159 Speaker 2: deleted his first tweet ever he was bugging. 574 00:22:31,280 --> 00:22:33,879 Speaker 3: Yeah, I believe his tweet was to the extent of 575 00:22:34,240 --> 00:22:38,639 Speaker 3: and nobody is trying to harm Biden o'camala, And it was. 576 00:22:38,640 --> 00:22:41,520 Speaker 1: Something these emojis, yeah, like you know, kind of like the. 577 00:22:41,680 --> 00:22:45,720 Speaker 3: That's an interesting face. So he obviously received backlash from that, 578 00:22:46,200 --> 00:22:48,399 Speaker 3: as you can, you know, we can, we know that 579 00:22:48,480 --> 00:22:50,040 Speaker 3: that's a little it can be taken like, so what 580 00:22:50,119 --> 00:22:52,120 Speaker 3: are you trying to say, like somebody should someone should 581 00:22:52,200 --> 00:22:54,800 Speaker 3: should try to kill was saying, that's not what he's 582 00:22:55,119 --> 00:22:57,920 Speaker 3: but I understanding this climate how people took. 583 00:22:57,800 --> 00:23:01,200 Speaker 1: That so you can't tweet Hey, how come no one's 584 00:23:01,280 --> 00:23:02,600 Speaker 1: also trying to kill these people? 585 00:23:02,720 --> 00:23:05,560 Speaker 3: Right, it's a little it's a little weird. But he 586 00:23:05,640 --> 00:23:09,399 Speaker 3: deleted that, but I didn't know he deleted his whole Deleting. 587 00:23:09,040 --> 00:23:11,480 Speaker 1: Your own thoughts off your own platform, it's pretty funny 588 00:23:11,520 --> 00:23:11,720 Speaker 1: to me. 589 00:23:15,040 --> 00:23:18,040 Speaker 3: Yeah, because you like, I own this shit, like I'll 590 00:23:18,080 --> 00:23:19,760 Speaker 3: say what the fuck I want to say. And that's 591 00:23:19,800 --> 00:23:21,119 Speaker 3: why he brought it, because he said he wanted to 592 00:23:21,280 --> 00:23:22,920 Speaker 3: That was like freedom of speech. He wanted people to 593 00:23:22,960 --> 00:23:25,640 Speaker 3: be able to just say say, how you know, whatever 594 00:23:25,680 --> 00:23:28,240 Speaker 3: they felt, their thoughts and things like that. So if 595 00:23:28,359 --> 00:23:31,440 Speaker 3: that's the point of view, purchasing such a huge platform 596 00:23:31,520 --> 00:23:33,920 Speaker 3: and spending the money you spent, why now would you 597 00:23:34,480 --> 00:23:38,600 Speaker 3: one delete that tweet and delete your account if you 598 00:23:38,680 --> 00:23:41,040 Speaker 3: had to go out golf course? 599 00:23:41,119 --> 00:23:46,280 Speaker 2: Might be pretty high for me, Like if you're gonna 600 00:23:46,320 --> 00:23:50,280 Speaker 2: get a headshot nah on a golf course, I mean, 601 00:23:51,359 --> 00:23:55,440 Speaker 2: when have you we've been golfing? It's peaceful, yeah, but 602 00:23:55,600 --> 00:23:58,680 Speaker 2: like like I feel like the hectic shit, like the 603 00:23:58,720 --> 00:24:01,679 Speaker 2: way like RFK went out, like through a kitchen. It's crazy, 604 00:24:02,480 --> 00:24:05,320 Speaker 2: too hectic. That's not peaceful for me to get murdered. 605 00:24:05,720 --> 00:24:07,240 Speaker 2: Like I would love to just be on the back, 606 00:24:07,520 --> 00:24:09,120 Speaker 2: you know what. I can't wait to get the clubhouse, 607 00:24:09,160 --> 00:24:10,600 Speaker 2: have a beer, relaxed. 608 00:24:10,640 --> 00:24:13,160 Speaker 1: If somebody just ended up long, that's where you want 609 00:24:13,200 --> 00:24:19,840 Speaker 1: to go out. Yeah, not me. I can't back you 610 00:24:19,960 --> 00:24:22,400 Speaker 1: on that, one man. Not on a golf course. I'm 611 00:24:22,440 --> 00:24:24,320 Speaker 1: not trying to get killed on a damn golf course. 612 00:24:24,840 --> 00:24:26,960 Speaker 2: But I'd like to be like setting up the shot 613 00:24:27,880 --> 00:24:30,480 Speaker 2: getting smoked with your follow through. I know I do 614 00:24:30,680 --> 00:24:32,879 Speaker 2: like flips and that would be embarrassing. Yeah, like you 615 00:24:32,920 --> 00:24:35,640 Speaker 2: don't want that image, Like damn, he even couldn't even 616 00:24:35,640 --> 00:24:36,160 Speaker 2: hold it down. 617 00:24:36,800 --> 00:24:39,840 Speaker 3: Yeah, not on no fucking golf course. But you know, 618 00:24:40,200 --> 00:24:43,480 Speaker 3: thankfully Big four five is safe and he's you know, 619 00:24:43,560 --> 00:24:45,760 Speaker 3: okay four or five, that's Big four or five, Big 620 00:24:45,840 --> 00:24:47,480 Speaker 3: dom man. Shout out to Donald Trump. 621 00:24:48,600 --> 00:24:51,520 Speaker 1: Is he considered forty seven if he wins? We spoke 622 00:24:51,560 --> 00:24:53,920 Speaker 1: about that. I don't know that's it. I mean, I think. 623 00:24:55,960 --> 00:24:59,000 Speaker 3: I think you because he would be technically the forty 624 00:24:59,119 --> 00:25:03,000 Speaker 3: seventh present it, but really the forty sixth when you counted, 625 00:25:03,040 --> 00:25:05,840 Speaker 3: because this would be his second term talk about a 626 00:25:05,920 --> 00:25:06,439 Speaker 3: hat collab. 627 00:25:07,280 --> 00:25:11,040 Speaker 1: Yeah, forty seven. The name of that Brian forty seven. 628 00:25:11,480 --> 00:25:14,639 Speaker 2: Yeah, that's fire. See he's heard their voting for it 629 00:25:14,680 --> 00:25:18,960 Speaker 2: already written. And let's just run through some of the 630 00:25:19,240 --> 00:25:22,159 Speaker 2: day to day news that we missed. I kind of 631 00:25:22,240 --> 00:25:23,080 Speaker 2: want my flowers. 632 00:25:23,880 --> 00:25:25,520 Speaker 3: Oh man, I hate when you do this shit. All right, 633 00:25:25,520 --> 00:25:28,000 Speaker 3: wun't now? I got a bouquet another one? What's up? 634 00:25:28,040 --> 00:25:28,159 Speaker 5: Man? 635 00:25:28,880 --> 00:25:30,760 Speaker 2: This is gonna be my first ass. There's a couple 636 00:25:30,840 --> 00:25:32,200 Speaker 2: things on here that I want my flowers for. But 637 00:25:32,280 --> 00:25:34,200 Speaker 2: we'll start here, all right. If you remember about a 638 00:25:34,280 --> 00:25:36,280 Speaker 2: month ago, you thought I was joking when I thought 639 00:25:36,920 --> 00:25:42,040 Speaker 2: you couldn't maybe broker the deal between Rockefeller and Drake. 640 00:25:42,760 --> 00:25:46,680 Speaker 1: He has the money, he cares, Maybe Drake should do it. 641 00:25:47,080 --> 00:25:49,960 Speaker 1: And you laughed and laughed and laughed. No, na Na. 642 00:25:50,480 --> 00:25:53,240 Speaker 2: And then Dame last Night got on whatever platform that 643 00:25:53,440 --> 00:25:57,800 Speaker 2: was and said Drake DMed him inquiring about purchasing one 644 00:25:57,920 --> 00:26:01,960 Speaker 2: third of reasonable Doubt and Rockefeller mm hm. So I 645 00:26:02,160 --> 00:26:04,199 Speaker 2: was even trying to set it up for you, like, yo, 646 00:26:04,280 --> 00:26:06,760 Speaker 2: you could take your one percent or like your broker 647 00:26:06,840 --> 00:26:09,480 Speaker 2: fee off that and we're looking at like ten million. 648 00:26:09,680 --> 00:26:11,320 Speaker 1: Yeah, so do you want to split that one? Percent 649 00:26:11,400 --> 00:26:12,440 Speaker 1: with me or like, how do you want to do it? 650 00:26:14,080 --> 00:26:15,200 Speaker 4: Well? He h. 651 00:26:15,480 --> 00:26:18,800 Speaker 3: I don't know to what extent Drake reached out to 652 00:26:18,960 --> 00:26:20,800 Speaker 3: Dame about that. I don't know how far they got 653 00:26:22,000 --> 00:26:24,639 Speaker 3: in talks or how serious it was. But that's on 654 00:26:24,800 --> 00:26:27,760 Speaker 3: brand for Drake, though, you don't think so, I mean, yeah, yeah, 655 00:26:27,800 --> 00:26:29,840 Speaker 3: he got all the Pharrell's Jury. 656 00:26:29,640 --> 00:26:32,760 Speaker 1: Negos jewelry, like what he did with the Pox ring 657 00:26:34,359 --> 00:26:35,440 Speaker 1: Tupac's rhyme book. 658 00:26:35,680 --> 00:26:37,520 Speaker 2: But are you, colle are you are you collecting it 659 00:26:37,720 --> 00:26:42,360 Speaker 2: as a lover of the sport or are you collecting 660 00:26:42,400 --> 00:26:46,000 Speaker 2: it as a petty way to say fuck y'all? I'm 661 00:26:46,040 --> 00:26:46,600 Speaker 2: finally him? 662 00:26:47,640 --> 00:26:50,200 Speaker 3: Well, he he has. He said in his rhymes he 663 00:26:50,280 --> 00:26:52,159 Speaker 3: used to want to sign the Rockefeller and then he 664 00:26:52,200 --> 00:26:54,360 Speaker 3: became and then he became Jay and then he said 665 00:26:54,400 --> 00:26:57,480 Speaker 3: that before he said that before. So yeah, that that 666 00:26:57,720 --> 00:27:00,439 Speaker 3: that wasn't too surprising to me that he had inquired 667 00:27:00,480 --> 00:27:03,679 Speaker 3: about purchasing purchasing those ships. 668 00:27:04,119 --> 00:27:06,680 Speaker 2: Well we well, we don't know, but we assume that 669 00:27:06,760 --> 00:27:11,280 Speaker 2: he bought Pharrell's jewelry out of spite and pettiness. I 670 00:27:11,320 --> 00:27:14,040 Speaker 2: don't even though we know him to be a Neptune's 671 00:27:14,080 --> 00:27:16,080 Speaker 2: fan at one point. Yeah, I don't think he bought 672 00:27:16,119 --> 00:27:17,960 Speaker 2: that the way he bought push his mic off. eBay 673 00:27:18,600 --> 00:27:20,080 Speaker 2: didn't say he was gonna melt that ship down. 674 00:27:20,320 --> 00:27:23,879 Speaker 1: Yeah he did say that. Come on, man, So what 675 00:27:24,000 --> 00:27:25,760 Speaker 1: is he gonna do A reasonable doubt melt it down. 676 00:27:27,560 --> 00:27:31,760 Speaker 1: He melt the masters. Okay. 677 00:27:31,840 --> 00:27:34,680 Speaker 2: So in the event that Drake wins this auction, yeah, 678 00:27:35,840 --> 00:27:38,119 Speaker 2: do you think your brother and who? Like, are they 679 00:27:38,160 --> 00:27:39,960 Speaker 2: gonna split it up? Does Drake get can I live? 680 00:27:40,840 --> 00:27:43,760 Speaker 2: Is he gonna finally clear that Dead President's freestyle? Was 681 00:27:43,800 --> 00:27:44,800 Speaker 2: it Chicago freestyle? 682 00:27:45,080 --> 00:27:45,320 Speaker 4: Yeah? 683 00:27:45,640 --> 00:27:46,399 Speaker 1: Put it on DSP. 684 00:27:47,200 --> 00:27:49,959 Speaker 3: I don't I don't know, I like, I haven't really obviously. 685 00:27:49,960 --> 00:27:51,560 Speaker 3: I read the headlines and I saw the clip of 686 00:27:51,640 --> 00:27:52,480 Speaker 3: Dame talking about it. 687 00:27:52,600 --> 00:27:54,280 Speaker 1: But I don't know. 688 00:27:54,400 --> 00:27:56,560 Speaker 3: I don't know if that move would have been for uh, 689 00:27:56,760 --> 00:27:59,679 Speaker 3: you know, kind of like a chess move, or if 690 00:27:59,720 --> 00:28:01,960 Speaker 3: it literally would have been just Drake wanting to own 691 00:28:02,000 --> 00:28:04,879 Speaker 3: a piece of art and history that you know, he 692 00:28:05,440 --> 00:28:08,639 Speaker 3: probably helped him fall in love with hip hop, and 693 00:28:08,760 --> 00:28:10,680 Speaker 3: again he was he was a fan first, you know, 694 00:28:10,960 --> 00:28:12,720 Speaker 3: wanted to always sign the Rockefeller. 695 00:28:12,840 --> 00:28:14,080 Speaker 1: I don't think he's a fan anymore. 696 00:28:15,119 --> 00:28:15,399 Speaker 4: Why not? 697 00:28:15,560 --> 00:28:18,840 Speaker 1: I think Drake, like me growing up, was very much 698 00:28:18,920 --> 00:28:21,200 Speaker 1: a rap nerd and love this shit. But I think 699 00:28:21,280 --> 00:28:23,600 Speaker 1: he is. He has been through the Ringer and met 700 00:28:23,640 --> 00:28:26,760 Speaker 1: his heroes, and I don't think he revers them the 701 00:28:26,840 --> 00:28:29,720 Speaker 1: way he did once because he has a different view 702 00:28:29,760 --> 00:28:33,720 Speaker 1: than probably any other human being in the rap world. No, 703 00:28:33,920 --> 00:28:35,680 Speaker 1: I don't. I don't think he still looks at Jay 704 00:28:35,720 --> 00:28:37,040 Speaker 1: as a as like. 705 00:28:37,200 --> 00:28:37,359 Speaker 4: You know. 706 00:28:38,880 --> 00:28:40,440 Speaker 1: I think I think the reason why he does what 707 00:28:40,560 --> 00:28:40,840 Speaker 1: he does. 708 00:28:40,920 --> 00:28:45,440 Speaker 2: I think he views him completely as a peer. Now okay, 709 00:28:46,000 --> 00:28:47,480 Speaker 2: but I don't mean that, like really in a good way. 710 00:28:47,840 --> 00:28:50,680 Speaker 2: I think he doesn't have the reverence he once did 711 00:28:50,720 --> 00:28:52,680 Speaker 2: because I think he's seen the behind the scenes stuff 712 00:28:53,120 --> 00:28:55,800 Speaker 2: and probably has a weird view. So I think if 713 00:28:55,840 --> 00:28:58,240 Speaker 2: he were to buy a Rockefeller wouldn't be from the 714 00:28:58,360 --> 00:29:00,240 Speaker 2: yo I was a fan of My whole life looked 715 00:29:00,280 --> 00:29:01,680 Speaker 2: up to these guys. I cannot believe I have the 716 00:29:01,720 --> 00:29:05,560 Speaker 2: money to now purchase this. I'm your peer and I'm 717 00:29:05,600 --> 00:29:09,520 Speaker 2: trying to now surpass you, and this is my way 718 00:29:09,560 --> 00:29:10,440 Speaker 2: of trying to little home you. 719 00:29:11,920 --> 00:29:13,480 Speaker 1: Well, I don't I don't think that. I don't think 720 00:29:13,640 --> 00:29:14,560 Speaker 1: trying a little homey you. 721 00:29:14,640 --> 00:29:16,000 Speaker 3: I don't think that, but I think that, you know, 722 00:29:16,120 --> 00:29:19,480 Speaker 3: it is obviously Drake is who he is and is 723 00:29:19,520 --> 00:29:21,920 Speaker 3: in a place where he can even entertain the thought 724 00:29:22,000 --> 00:29:24,280 Speaker 3: of purchasing something just like. 725 00:29:24,320 --> 00:29:26,880 Speaker 1: That on ig, just that ten million on stake. 726 00:29:27,400 --> 00:29:27,600 Speaker 4: Yeah. 727 00:29:27,680 --> 00:29:30,000 Speaker 3: So I mean we know that obviously the capital is 728 00:29:30,040 --> 00:29:32,600 Speaker 3: there and things like that, but I don't, you know, again, 729 00:29:32,960 --> 00:29:35,480 Speaker 3: I understand, especially now more than ever, Drake is probably 730 00:29:35,480 --> 00:29:37,320 Speaker 3: in a space where he's looking at, you know, a 731 00:29:37,400 --> 00:29:40,360 Speaker 3: lot of guys a little kind of sideways because of 732 00:29:40,400 --> 00:29:43,360 Speaker 3: what he just what he is still going through as 733 00:29:43,400 --> 00:29:47,160 Speaker 3: far as with other artists on the music side of things. 734 00:29:47,200 --> 00:29:50,800 Speaker 1: But I don't think that this in particular is too 735 00:29:50,920 --> 00:29:52,320 Speaker 1: much of that attached to it. 736 00:29:52,400 --> 00:29:55,720 Speaker 3: I think this was literally him just wanting to own 737 00:29:55,760 --> 00:30:00,200 Speaker 3: a piece of history and something that inspired him. But 738 00:30:00,320 --> 00:30:02,200 Speaker 3: at the same time kind of like a wink to like, 739 00:30:02,840 --> 00:30:04,320 Speaker 3: you know what I'm saying, like but not but not 740 00:30:04,440 --> 00:30:08,880 Speaker 3: with like, not with malicious intent though I don't think 741 00:30:08,920 --> 00:30:11,800 Speaker 3: it's nothing malicious there little underlying. I think it's just 742 00:30:11,840 --> 00:30:14,600 Speaker 3: a little it's like it's like it's like a head nod, 743 00:30:14,760 --> 00:30:16,440 Speaker 3: like a little you know what I mean. But I 744 00:30:16,480 --> 00:30:18,800 Speaker 3: don't think it's any any malicious. 745 00:30:20,000 --> 00:30:21,320 Speaker 1: Energy behind that. I can't. 746 00:30:21,560 --> 00:30:23,400 Speaker 2: I would be very surprised if that was a part 747 00:30:23,440 --> 00:30:26,480 Speaker 2: of it, and I know Hoe's looking at it like, 748 00:30:26,720 --> 00:30:28,440 Speaker 2: all right, you think that's some one up if you 749 00:30:28,520 --> 00:30:32,520 Speaker 2: get that. But I would have to talk to Lucian 750 00:30:32,560 --> 00:30:33,760 Speaker 2: about buying any of your ship. 751 00:30:34,440 --> 00:30:37,400 Speaker 1: Mm hmm. That's not for sale because you'll own it. 752 00:30:38,120 --> 00:30:41,880 Speaker 1: So I can see that that perspective from hope if 753 00:30:41,920 --> 00:30:42,360 Speaker 1: it happens. 754 00:30:42,400 --> 00:30:46,160 Speaker 2: But the way Drake talked on Am and Charlotte, when 755 00:30:46,200 --> 00:30:48,720 Speaker 2: he was really saying, you know, I've been just gathering 756 00:30:48,800 --> 00:30:51,160 Speaker 2: information about all of you in the rap world in 757 00:30:51,240 --> 00:30:52,640 Speaker 2: case anyone wants to go there with me. 758 00:30:52,840 --> 00:30:54,520 Speaker 1: It's kind of what he's saying, you're supposed to do. 759 00:30:55,200 --> 00:30:56,560 Speaker 1: We have talked many times. 760 00:30:56,640 --> 00:30:59,440 Speaker 2: We think every rapper ever has in their no toure 761 00:30:59,680 --> 00:31:02,320 Speaker 2: versus about rappers they're friends with now. But just just 762 00:31:02,400 --> 00:31:05,640 Speaker 2: in case for sure, I think this is one of 763 00:31:05,680 --> 00:31:09,760 Speaker 2: those moves. And I'm curious what type of greasy talk 764 00:31:09,880 --> 00:31:12,400 Speaker 2: Drake comes with if he ends up purchasing one third 765 00:31:12,480 --> 00:31:13,240 Speaker 2: of reasonable doubts. 766 00:31:15,000 --> 00:31:17,200 Speaker 3: We had to talk before about somebody. But see, the 767 00:31:17,280 --> 00:31:19,200 Speaker 3: thing is when you talk about somebody like gonna. 768 00:31:19,040 --> 00:31:23,040 Speaker 2: Be a crazy verse, yeah, but when you crazy first, yeah, 769 00:31:23,040 --> 00:31:24,280 Speaker 2: but you can't talk see that. 770 00:31:24,800 --> 00:31:27,040 Speaker 3: This is why Jay is so different because you can't 771 00:31:28,040 --> 00:31:30,560 Speaker 3: out you can't out slick talk Jay. 772 00:31:30,680 --> 00:31:33,560 Speaker 1: You can't greasy talk Jay. You can't do that. 773 00:31:34,800 --> 00:31:37,640 Speaker 3: If it's anybody that could even probably remotely even come close, 774 00:31:37,720 --> 00:31:40,760 Speaker 3: it would be Drake. But even Drake, as great as 775 00:31:40,800 --> 00:31:43,040 Speaker 3: he is and as much as he's accomplished, you know, 776 00:31:44,040 --> 00:31:45,840 Speaker 3: Jay is on a You know, when you talk about 777 00:31:45,960 --> 00:31:49,520 Speaker 3: just the ability to talk slick, Jay's made a career 778 00:31:50,160 --> 00:31:52,400 Speaker 3: off of just slick talking and you know, now putting 779 00:31:52,400 --> 00:31:55,520 Speaker 3: itself in the space business wise where you know a 780 00:31:55,600 --> 00:31:59,040 Speaker 3: lot of these other dudes are not on that level 781 00:31:59,080 --> 00:32:02,760 Speaker 3: as far as business it goes. But you know, I 782 00:32:02,760 --> 00:32:04,400 Speaker 3: would I would love to see it for the sport. 783 00:32:04,480 --> 00:32:06,880 Speaker 3: But again, I don't think it's I don't think it's 784 00:32:06,920 --> 00:32:10,760 Speaker 3: anybody that could. You can't outslick talk Ja. We're talking 785 00:32:10,760 --> 00:32:13,760 Speaker 3: about jay Z. You can't you know, is starting that 786 00:32:14,240 --> 00:32:15,040 Speaker 3: verse out the gate. 787 00:32:15,120 --> 00:32:17,360 Speaker 2: I tried to be reasonable, but you doubted, Like you know, 788 00:32:17,480 --> 00:32:20,120 Speaker 2: it's coming out the gate that that Drake was started 789 00:32:20,360 --> 00:32:20,680 Speaker 2: that hole. 790 00:32:21,960 --> 00:32:23,520 Speaker 1: I try to be reasonable, but you doubted. 791 00:32:24,520 --> 00:32:28,280 Speaker 3: No, that would be fun to watch for sport, But again, man, 792 00:32:28,360 --> 00:32:30,280 Speaker 3: that's you're talking about. You know, Jay is, he's on 793 00:32:30,360 --> 00:32:31,680 Speaker 3: a He's on a different level as far as that 794 00:32:31,760 --> 00:32:32,800 Speaker 3: slick talk shit goes. 795 00:32:32,680 --> 00:32:32,960 Speaker 1: You can't. 796 00:32:33,280 --> 00:32:34,800 Speaker 3: That's not how that's not how you go at Jay. 797 00:32:34,840 --> 00:32:37,040 Speaker 3: You can't talk greasy to jay Z. This is again 798 00:32:37,080 --> 00:32:38,360 Speaker 3: all hypothetical. We don't even know. 799 00:32:38,520 --> 00:32:40,840 Speaker 1: This is all A'm saying. He Drake just DM him. 800 00:32:40,880 --> 00:32:42,840 Speaker 2: If it was like a real thing, they would have 801 00:32:42,880 --> 00:32:45,120 Speaker 2: been like, oh, Drake's lawyers reached out like it would 802 00:32:45,120 --> 00:32:48,880 Speaker 2: have been a whole different thing. But in that hypothetical, 803 00:32:49,800 --> 00:32:53,640 Speaker 2: let's say Drake rightfully so starts talking greasy because him 804 00:32:53,680 --> 00:32:57,080 Speaker 2: and Hove have had back and forth for twelve years 805 00:32:57,120 --> 00:33:01,320 Speaker 2: at this point, does Jay entertain any shots that come 806 00:33:01,360 --> 00:33:02,920 Speaker 2: from Drake if he buys reasonable doubt? 807 00:33:04,400 --> 00:33:04,640 Speaker 5: Do I? 808 00:33:04,840 --> 00:33:09,720 Speaker 3: As far as on Wax, Yeah, I don't know. I 809 00:33:09,760 --> 00:33:11,640 Speaker 3: think Jay is just in the No, I don't think 810 00:33:11,680 --> 00:33:17,480 Speaker 3: he's in that in that uh you know rapper. I 811 00:33:17,680 --> 00:33:20,040 Speaker 3: haven't seen jwear a lot of jury in a few years. 812 00:33:20,080 --> 00:33:22,000 Speaker 3: That's how when you know Jay is back, like in 813 00:33:22,160 --> 00:33:25,440 Speaker 3: rapper mode, he starts throwing on obnoxious jewelry ship that 814 00:33:25,560 --> 00:33:27,320 Speaker 3: no other rapper can really you know what I'm saying. 815 00:33:27,320 --> 00:33:31,600 Speaker 1: It's like and it's it's also five percent pieces that understand. Yeah, 816 00:33:31,600 --> 00:33:33,400 Speaker 1: it's like he starts doing these things like, oh, he 817 00:33:33,520 --> 00:33:35,160 Speaker 1: back in the booth. But I don't. 818 00:33:35,280 --> 00:33:38,800 Speaker 3: I don't think that if if Drake was to throw 819 00:33:38,840 --> 00:33:40,840 Speaker 3: a shot at it's funny talking about it like that, 820 00:33:40,920 --> 00:33:42,720 Speaker 3: but if he was to throw that type of shot, 821 00:33:42,800 --> 00:33:45,800 Speaker 3: it would take a different type of I don't think 822 00:33:45,840 --> 00:33:47,800 Speaker 3: it would be the type of shot you think. I 823 00:33:47,840 --> 00:33:50,320 Speaker 3: think Jay would have to hear something that would perk 824 00:33:50,400 --> 00:33:52,760 Speaker 3: his era up. But I don't think it'll be as 825 00:33:52,920 --> 00:33:54,240 Speaker 3: blatant as you may think. 826 00:33:54,320 --> 00:33:54,520 Speaker 4: It may. 827 00:33:54,640 --> 00:33:57,280 Speaker 1: It may be something to where only j would catch it, 828 00:33:58,320 --> 00:33:59,680 Speaker 1: and that that may move him. 829 00:33:59,720 --> 00:33:59,840 Speaker 4: Now. 830 00:34:00,000 --> 00:34:02,440 Speaker 2: I think that the world has a perception that Hove 831 00:34:02,520 --> 00:34:07,400 Speaker 2: ignores things. He pretty much replies to literally everything when 832 00:34:07,400 --> 00:34:10,080 Speaker 2: it's time to rock. No everything, you know much you 833 00:34:10,120 --> 00:34:11,640 Speaker 2: don't if you think, if you don't think we're gonna 834 00:34:11,640 --> 00:34:14,320 Speaker 2: get a verse that has to do with the Wayne 835 00:34:14,400 --> 00:34:18,440 Speaker 2: situation with the super Bowl, you're bugging if you know, he'll. 836 00:34:18,239 --> 00:34:20,400 Speaker 3: Have in line addressing it like y'all how like you know, 837 00:34:20,480 --> 00:34:22,880 Speaker 3: how could y'all say I shouldn't helped him with his taxes? 838 00:34:22,920 --> 00:34:25,439 Speaker 3: Like he'll remind you, like, like come on, who y'all 839 00:34:25,440 --> 00:34:27,279 Speaker 3: talking to? Like I didn't help people that y'all don't 840 00:34:27,280 --> 00:34:28,440 Speaker 3: need y'all forget convening them. 841 00:34:28,840 --> 00:34:31,880 Speaker 2: Like ten people on Twitter had talked about Meek and 842 00:34:32,040 --> 00:34:35,400 Speaker 2: Hove maybe having an issue, and he replied to that, 843 00:34:35,600 --> 00:34:38,000 Speaker 2: on God's plan, Yeah, my God's plan. 844 00:34:38,440 --> 00:34:40,960 Speaker 1: Hope God did. Yeah, but he his response was more 845 00:34:41,040 --> 00:34:44,279 Speaker 1: so like yeah, we can freedom from a whole bit. Yeah, 846 00:34:44,360 --> 00:34:47,040 Speaker 1: Like how we can? I can't say it. Jada's not like, 847 00:34:47,120 --> 00:34:48,280 Speaker 1: but do you understand that? Response? 848 00:34:48,360 --> 00:34:48,520 Speaker 4: Though? 849 00:34:48,640 --> 00:34:50,600 Speaker 3: That response is more so like yo, cut it out, man, 850 00:34:50,640 --> 00:34:53,040 Speaker 3: I can't. I wouldn't beef with the like why would 851 00:34:53,040 --> 00:34:53,560 Speaker 3: I beef with me? 852 00:34:53,760 --> 00:34:53,800 Speaker 5: Like? 853 00:34:53,840 --> 00:34:55,200 Speaker 1: What do you? I helped him? 854 00:34:55,520 --> 00:34:56,600 Speaker 3: I'm not going you know what I'm saying, like I 855 00:34:56,680 --> 00:34:59,160 Speaker 3: got like I'm talking about Rod, not not on like 856 00:34:59,360 --> 00:34:59,960 Speaker 3: business ship. 857 00:35:00,360 --> 00:35:02,719 Speaker 1: I helped him in a real life situation. I helped him. 858 00:35:03,000 --> 00:35:04,959 Speaker 2: That's not what a prison. We're not saying you didn't 859 00:35:05,000 --> 00:35:07,000 Speaker 2: do that. We're just saying we think y'all have tension 860 00:35:07,840 --> 00:35:11,480 Speaker 2: and he and he quickly showed y'all how stupid that sounds. 861 00:35:11,560 --> 00:35:14,640 Speaker 2: I can't have tension with somebody that I helped get 862 00:35:14,680 --> 00:35:16,800 Speaker 2: out of prison. That don't even make sense to me. 863 00:35:16,880 --> 00:35:18,759 Speaker 3: That goes if I got tension with somebody you think 864 00:35:18,760 --> 00:35:20,080 Speaker 3: I'm gonna help them get out of prison. 865 00:35:20,160 --> 00:35:21,760 Speaker 2: To me, that kind of goes back to the Rowdy 866 00:35:23,040 --> 00:35:25,919 Speaker 2: Bobby question that happened on No Jumper, when I thought 867 00:35:26,080 --> 00:35:27,960 Speaker 2: Rowdy handled that really well and didn't give into the 868 00:35:28,040 --> 00:35:30,520 Speaker 2: gossipy bullshit. But it appears like there may be some 869 00:35:30,680 --> 00:35:32,879 Speaker 2: tension and he didn't answer the question, just said that's 870 00:35:32,920 --> 00:35:33,560 Speaker 2: my brother for life. 871 00:35:33,840 --> 00:35:35,719 Speaker 1: Mm hmm. That's kind of what I think Hope did 872 00:35:36,560 --> 00:35:37,640 Speaker 1: with the Meek situation. 873 00:35:38,000 --> 00:35:40,920 Speaker 3: Yeah, but you can steal beef, but nah, but it's 874 00:35:40,960 --> 00:35:44,399 Speaker 3: not beef. It's like it's a deflection. It wasn't even 875 00:35:44,400 --> 00:35:46,560 Speaker 3: a deflection more. It's a correction, is what it is. 876 00:35:47,040 --> 00:35:48,920 Speaker 3: See the internet is gonna say shit and try to 877 00:35:48,960 --> 00:35:52,200 Speaker 3: turn twist shit. It's like, stop, I understand that's the 878 00:35:52,280 --> 00:35:55,359 Speaker 3: thing to do. Rappers beefing going at each other. Let 879 00:35:55,400 --> 00:35:57,360 Speaker 3: me let y'all know where my relationship is with me. 880 00:35:57,560 --> 00:35:59,600 Speaker 3: I helped him get out of prison. I'm not I 881 00:35:59,640 --> 00:36:02,080 Speaker 3: can a beef with somebody that I helped get out 882 00:36:02,120 --> 00:36:04,719 Speaker 3: of prison. And we're on two totally different levels. Like 883 00:36:05,080 --> 00:36:08,000 Speaker 3: what this jay Z game from beefing with Meek Mill? 884 00:36:08,120 --> 00:36:10,440 Speaker 1: What is that we're not beefing like publicly, or even 885 00:36:10,800 --> 00:36:14,880 Speaker 1: disagreements behind the scene. Oh yeah, disagreements happened with best friends, 886 00:36:15,160 --> 00:36:15,320 Speaker 1: you know. 887 00:36:15,560 --> 00:36:18,520 Speaker 2: Not clearly, there was something when Meek left rock Nation, 888 00:36:18,920 --> 00:36:20,600 Speaker 2: like that's what started this entire. 889 00:36:20,520 --> 00:36:22,000 Speaker 3: I don't even think it was nothing. I think I 890 00:36:22,120 --> 00:36:23,680 Speaker 3: think Jay was more so on the side, like, Yo, 891 00:36:23,840 --> 00:36:26,560 Speaker 3: that's what you want to do, y'o. The tension would 892 00:36:26,560 --> 00:36:28,800 Speaker 3: have been him not wanting Meek to get out of 893 00:36:28,880 --> 00:36:31,000 Speaker 3: the deal and not one and not wanting to release. Yeah, 894 00:36:31,120 --> 00:36:32,560 Speaker 3: then it's like, yo, why you're not letting me go 895 00:36:32,719 --> 00:36:34,399 Speaker 3: and do what you want to do business wise? Lett 896 00:36:34,440 --> 00:36:37,359 Speaker 3: him do his own thing. That's where the weird shit 897 00:36:37,400 --> 00:36:39,360 Speaker 3: comes in. But if it's like, yo, I kind of 898 00:36:39,400 --> 00:36:40,759 Speaker 3: want to get off rock Nation and go do my 899 00:36:40,800 --> 00:36:42,600 Speaker 3: other thing, my own thing, and Jay's like, I bet 900 00:36:42,719 --> 00:36:44,359 Speaker 3: no doubt, let me know if it's anything I can 901 00:36:44,400 --> 00:36:44,799 Speaker 3: help you with. 902 00:36:45,560 --> 00:36:47,480 Speaker 1: That's like that's letting you know that somebody is not 903 00:36:47,600 --> 00:36:48,719 Speaker 1: in it for that type of shit. 904 00:36:48,840 --> 00:36:52,120 Speaker 2: Like, but I guess my original point that hole replies 905 00:36:52,200 --> 00:36:55,160 Speaker 2: to literally everything down to On written testimony, he gave 906 00:36:55,200 --> 00:36:59,520 Speaker 2: us a whole verse about his backlash with the NFL 907 00:37:00,200 --> 00:37:00,719 Speaker 2: Super Bowl. 908 00:37:00,960 --> 00:37:01,840 Speaker 1: We're done with kneeling. 909 00:37:02,920 --> 00:37:04,920 Speaker 2: He even told us that he has more money than 910 00:37:04,960 --> 00:37:07,879 Speaker 2: an entire NFL bench. Why would I need to sell out? 911 00:37:07,920 --> 00:37:10,560 Speaker 2: I love that verse, but I'm saying he replies to 912 00:37:10,840 --> 00:37:13,239 Speaker 2: everything when it comes to raps. If you think Drake 913 00:37:13,320 --> 00:37:17,240 Speaker 2: buying one third and Drake also replies, they're very similar 914 00:37:17,280 --> 00:37:17,760 Speaker 2: in that regard. 915 00:37:17,840 --> 00:37:20,760 Speaker 1: I just don't know he suddenly replies to everything. Everything 916 00:37:20,840 --> 00:37:21,680 Speaker 1: is what I have a problem with. 917 00:37:21,920 --> 00:37:23,719 Speaker 3: I don't think he replies to everything, because there's a 918 00:37:23,719 --> 00:37:25,759 Speaker 3: lot of shit that people say about jay Z every 919 00:37:25,840 --> 00:37:28,720 Speaker 3: day that he would never entertain. But there are certain 920 00:37:28,800 --> 00:37:31,520 Speaker 3: things where he'll let you know. Yeah, I heard when 921 00:37:31,600 --> 00:37:33,959 Speaker 3: y'all was saying that y'all had that wrong. 922 00:37:34,160 --> 00:37:34,919 Speaker 1: This is what that said. 923 00:37:34,960 --> 00:37:37,520 Speaker 2: Everything is love. He even replied to the Twitter rumors 924 00:37:37,640 --> 00:37:39,680 Speaker 2: of him having a kid. You wasn't supposed to take 925 00:37:39,880 --> 00:37:42,520 Speaker 2: the dad shit literally, Like, he really replies to everything 926 00:37:42,560 --> 00:37:43,560 Speaker 2: that we say on the internet. 927 00:37:43,600 --> 00:37:45,680 Speaker 3: I don't think everything. I think when you say everything, 928 00:37:45,880 --> 00:37:47,560 Speaker 3: I don't think you know how much shit they talked 929 00:37:47,560 --> 00:37:49,160 Speaker 3: about jay Z on the internet, the things that get 930 00:37:49,160 --> 00:37:50,880 Speaker 3: a little bit of steam. Yeah, but he'll let you 931 00:37:50,960 --> 00:37:53,279 Speaker 3: know he sees like he probably sees it all. He's 932 00:37:53,320 --> 00:37:55,239 Speaker 3: not gonna respond to it, though, But he'll he'll let 933 00:37:55,280 --> 00:37:57,239 Speaker 3: you know by responding to certain things like yeah, I 934 00:37:57,280 --> 00:37:59,719 Speaker 3: saw that, I caught that, but that's not what that was. 935 00:38:00,080 --> 00:38:01,640 Speaker 3: So again, I don't think that you know, when you 936 00:38:01,719 --> 00:38:05,400 Speaker 3: say jay Z beefing or responding, He's not gonna respond 937 00:38:05,440 --> 00:38:07,600 Speaker 3: to any and everything. It's only certain things like I 938 00:38:07,680 --> 00:38:10,560 Speaker 3: said that will kind of get him to move and 939 00:38:11,080 --> 00:38:13,040 Speaker 3: want to create music around it. 940 00:38:13,160 --> 00:38:13,200 Speaker 4: Like. 941 00:38:13,280 --> 00:38:14,840 Speaker 1: It's not everything though, And we. 942 00:38:14,880 --> 00:38:16,520 Speaker 2: Can get off this topic, but I will ask the 943 00:38:16,600 --> 00:38:21,640 Speaker 2: last question in this hypothetical, do you think the rapper 944 00:38:21,719 --> 00:38:25,759 Speaker 2: brain of Drake could even purchase that and not say anything. 945 00:38:25,560 --> 00:38:26,040 Speaker 1: On a song. 946 00:38:27,120 --> 00:38:30,239 Speaker 3: No, that's why you purchase it. You gotta get you Yeah, 947 00:38:30,560 --> 00:38:33,080 Speaker 3: just do it for content. Go fuck yeah, you gotta 948 00:38:33,120 --> 00:38:35,080 Speaker 3: get that off of you kidding me. You purchased that, 949 00:38:35,200 --> 00:38:37,520 Speaker 3: you gotta rap about it. You gotta talk shit about 950 00:38:37,560 --> 00:38:38,799 Speaker 3: that without a doubt. 951 00:38:39,719 --> 00:38:43,359 Speaker 2: So do we I mean, between your affiliation with your 952 00:38:43,400 --> 00:38:46,000 Speaker 2: brother and Drake, Like, are we invited to the first 953 00:38:46,040 --> 00:38:48,600 Speaker 2: reasonable doubt meeting? Be a flop, be a fly on 954 00:38:48,680 --> 00:38:51,439 Speaker 2: the wall, there ain't gonna be no meeting about that ship. 955 00:38:51,680 --> 00:38:53,600 Speaker 2: I think I think I could take notes. I think 956 00:38:53,640 --> 00:38:56,160 Speaker 2: like I could be a snogafer or something yeah, you 957 00:38:56,239 --> 00:38:57,640 Speaker 2: probably be able to do that. Yeah, like I'll just 958 00:38:57,719 --> 00:39:00,239 Speaker 2: take notes so you might send the meeting. Actually that's 959 00:39:00,239 --> 00:39:00,759 Speaker 2: not what he said. 960 00:39:00,800 --> 00:39:03,360 Speaker 1: This is what he said. I got it right here. 961 00:39:03,400 --> 00:39:04,640 Speaker 4: Actually. Yeah. 962 00:39:05,560 --> 00:39:07,799 Speaker 3: I think that he definitely did reach out to Dame 963 00:39:07,920 --> 00:39:10,799 Speaker 3: and in quiet, but I don't think it went much 964 00:39:10,840 --> 00:39:12,600 Speaker 3: further than just a conversation. 965 00:39:12,920 --> 00:39:14,840 Speaker 1: I don't think it would need to the lawyers. Dame's 966 00:39:14,880 --> 00:39:16,360 Speaker 1: not the one that makes that decision anyway. 967 00:39:16,440 --> 00:39:19,440 Speaker 3: Yeah, and I think that's what once Drake realized that 968 00:39:19,560 --> 00:39:21,080 Speaker 3: he's all I got to go through all of these Ah. 969 00:39:21,520 --> 00:39:23,440 Speaker 2: I don't want to know Drake. We know Drake is 970 00:39:23,520 --> 00:39:25,640 Speaker 2: very smart. He knew Dame couldn't sell that to him. 971 00:39:25,680 --> 00:39:27,960 Speaker 2: He did that purposely. He knew Dame was gonna get 972 00:39:27,960 --> 00:39:29,440 Speaker 2: on a platform and be like, yo, Drake DM me 973 00:39:29,480 --> 00:39:29,960 Speaker 2: about the ship. 974 00:39:30,400 --> 00:39:31,160 Speaker 1: Well like that too. 975 00:39:31,440 --> 00:39:34,239 Speaker 3: Definitely that, but I think more so if he was 976 00:39:34,360 --> 00:39:37,440 Speaker 3: really interested, he did inquire just to kind of get 977 00:39:37,520 --> 00:39:39,800 Speaker 3: more information on like really what's going on with it 978 00:39:40,040 --> 00:39:42,239 Speaker 3: from Dame, Like, yo, so what's the like, tell me 979 00:39:42,360 --> 00:39:44,640 Speaker 3: more about like this situation, like what's happening? And I 980 00:39:44,680 --> 00:39:46,920 Speaker 3: think once he found out that, yeah, Jay gets it 981 00:39:46,960 --> 00:39:49,120 Speaker 3: all back in seven years he probably was like, it's 982 00:39:49,160 --> 00:39:50,840 Speaker 3: not really yeah, you know what I mean, it's not 983 00:39:51,040 --> 00:39:51,759 Speaker 3: probably not worth it. 984 00:39:52,520 --> 00:39:55,279 Speaker 1: All right, that's my first set of flowers. Did I 985 00:39:55,280 --> 00:39:56,160 Speaker 1: get any flowers enough? 986 00:39:56,239 --> 00:39:58,880 Speaker 3: I'll give you flowers though, because you definitely, uh, you definitely, 987 00:39:59,160 --> 00:40:01,480 Speaker 3: I'll give you a you get a rose. 988 00:40:01,480 --> 00:40:09,200 Speaker 1: You get a rose for that, not a whole bouquet. Okay. 989 00:40:09,280 --> 00:40:13,759 Speaker 2: My next next segment of me wanting my flowers has 990 00:40:13,840 --> 00:40:18,160 Speaker 2: to do with Universal and Meta doing a deal, and 991 00:40:18,239 --> 00:40:20,560 Speaker 2: I don't know if I need flowers in this. But 992 00:40:21,920 --> 00:40:24,839 Speaker 2: I've been very curious since the beginning of this Drake 993 00:40:24,960 --> 00:40:25,960 Speaker 2: and Kendrick Beef. 994 00:40:25,800 --> 00:40:27,239 Speaker 1: As to why he's putting all this music. 995 00:40:27,560 --> 00:40:32,120 Speaker 2: Why are both of them leaking this initially on Instagram? 996 00:40:33,040 --> 00:40:34,640 Speaker 2: And I know a lot of people were saying, like, oh, 997 00:40:34,680 --> 00:40:37,560 Speaker 2: because the samples, and like it's about hip hop, it's 998 00:40:37,560 --> 00:40:39,920 Speaker 2: about the beef, Like it's not on DSPs because this 999 00:40:40,000 --> 00:40:43,080 Speaker 2: is pure art. Now they're just going to go on Instagram, Like, oh, 1000 00:40:43,080 --> 00:40:45,760 Speaker 2: I don't know if Instagram is the purest art their flicks. 1001 00:40:45,920 --> 00:40:48,680 Speaker 2: They should have pressed it on a CD with a 1002 00:40:48,719 --> 00:40:52,879 Speaker 2: sharpie at that point. But I was always curious why 1003 00:40:52,960 --> 00:40:54,680 Speaker 2: they did that. It was like, there has to be 1004 00:40:54,800 --> 00:40:57,600 Speaker 2: some type of reason reasoning with this at all, And 1005 00:40:57,680 --> 00:41:01,799 Speaker 2: then we even had debates of Okay, there's still affiliation 1006 00:41:02,239 --> 00:41:08,440 Speaker 2: with Universal and maybe they wanted Kendrick to release defaming 1007 00:41:08,520 --> 00:41:12,120 Speaker 2: things about their biggest artists not on DSPs, like maybe 1008 00:41:12,160 --> 00:41:12,640 Speaker 2: that's what it. 1009 00:41:12,680 --> 00:41:13,080 Speaker 1: Had to do with. 1010 00:41:14,520 --> 00:41:16,759 Speaker 2: Then one hundred Gigs comes out and we have the 1011 00:41:16,880 --> 00:41:20,719 Speaker 2: debate of like, why is Drake posting this stuff on 1012 00:41:20,840 --> 00:41:26,000 Speaker 2: this website? Plus only putting these records out on Instagram 1013 00:41:26,560 --> 00:41:29,839 Speaker 2: still feels very weird and were we here or last 1014 00:41:29,920 --> 00:41:34,319 Speaker 2: episode when I was saying, Yo, if he cared about 1015 00:41:34,320 --> 00:41:38,200 Speaker 2: these records, there'd be a proper rollout. M That's where 1016 00:41:38,280 --> 00:41:41,879 Speaker 2: I was wrong in regards to everything now making sense. Yeah, 1017 00:41:43,080 --> 00:41:47,080 Speaker 2: meta in Instagram, I'm sorry, Metta is Instagram Meta in 1018 00:41:47,239 --> 00:41:51,440 Speaker 2: Universal have some form of a partnership. And this is 1019 00:41:51,480 --> 00:41:55,200 Speaker 2: coming from producer Damian Young, who's been going viral lately. 1020 00:41:55,640 --> 00:42:00,040 Speaker 2: As far as breaking down like royalties, he's really do. 1021 00:42:00,200 --> 00:42:03,200 Speaker 2: Like his page, he does explain things for like a 1022 00:42:03,320 --> 00:42:06,680 Speaker 2: dumb novice like myself to really understand that type of stuff. 1023 00:42:06,760 --> 00:42:11,440 Speaker 2: So he last night put this out. Instead of being 1024 00:42:11,480 --> 00:42:14,399 Speaker 2: paid for streams, artists are being paid for the number 1025 00:42:14,480 --> 00:42:18,040 Speaker 2: of accounts that use their music instead. To put it simply, 1026 00:42:18,080 --> 00:42:20,719 Speaker 2: instead of artists being paid for activity generated by their 1027 00:42:20,800 --> 00:42:24,240 Speaker 2: music such as comments like shares, reposts, they are instead 1028 00:42:24,280 --> 00:42:27,000 Speaker 2: being paid by the number of accounts who choose to 1029 00:42:27,160 --> 00:42:30,360 Speaker 2: use their song instead. Which we had some knowledge of 1030 00:42:30,400 --> 00:42:32,360 Speaker 2: this with TikTok when people were using sounds and like 1031 00:42:32,960 --> 00:42:35,760 Speaker 2: that was sort of out there, But now that Universal 1032 00:42:35,920 --> 00:42:39,480 Speaker 2: Meta have this partnership, I think it goes to a 1033 00:42:39,560 --> 00:42:42,640 Speaker 2: different level. So yeah, again, we know that this has 1034 00:42:42,680 --> 00:42:45,320 Speaker 2: been going on with TikTok as far as using sounds 1035 00:42:45,360 --> 00:42:50,120 Speaker 2: and people being paid out for that. What Damian Young 1036 00:42:50,280 --> 00:42:53,400 Speaker 2: is really asking with this new partnership with Meta and 1037 00:42:53,560 --> 00:42:56,799 Speaker 2: Universal is how is that formula going to change now? 1038 00:42:57,520 --> 00:43:00,840 Speaker 2: And clearly artists like Kendrick and are ahead of the 1039 00:43:00,920 --> 00:43:03,319 Speaker 2: curve and have the answers to that, but we don't 1040 00:43:03,320 --> 00:43:07,000 Speaker 2: know what that payout looks like whatsoever. I think this 1041 00:43:07,200 --> 00:43:11,640 Speaker 2: deal that they announced is going to change music the 1042 00:43:11,719 --> 00:43:15,520 Speaker 2: way it changed when DSPs showed up. We constantly are asking, like, 1043 00:43:15,520 --> 00:43:17,480 Speaker 2: all right, DSP has to be the final front, like 1044 00:43:17,520 --> 00:43:22,160 Speaker 2: where could it go from here? With Meta now it's 1045 00:43:22,200 --> 00:43:26,520 Speaker 2: going to have to create an entirely new formula that 1046 00:43:26,719 --> 00:43:28,720 Speaker 2: we have no idea how it's even going to benefit 1047 00:43:28,840 --> 00:43:33,400 Speaker 2: any artist or creator, but clearly the biggest ones are 1048 00:43:33,480 --> 00:43:37,720 Speaker 2: already doing it before any of this announcement. So remember 1049 00:43:37,760 --> 00:43:39,480 Speaker 2: we were talking, I was like, there's no way Universals 1050 00:43:39,520 --> 00:43:41,840 Speaker 2: cool with Drake putting all this footage up like that. 1051 00:43:41,960 --> 00:43:44,600 Speaker 2: They own that that there has to be a reason 1052 00:43:44,680 --> 00:43:47,439 Speaker 2: why they're okay with the moves Drake has been making 1053 00:43:47,440 --> 00:43:51,120 Speaker 2: because they still own his shit for the most part. 1054 00:43:51,160 --> 00:43:55,120 Speaker 2: I no licensed deal whatever. But yeah, there's not much 1055 00:43:55,200 --> 00:43:57,880 Speaker 2: to really discuss with this announcement. I just think we 1056 00:43:57,920 --> 00:44:00,000 Speaker 2: should keep our eyes on it because everything's about to change. 1057 00:44:01,000 --> 00:44:03,719 Speaker 3: But I think we kind of because when when when 1058 00:44:03,760 --> 00:44:08,319 Speaker 3: he's when Drake did the Honey Gigs thing, and one 1059 00:44:08,360 --> 00:44:12,799 Speaker 3: of your first reactions to it was, oh, Drake had 1060 00:44:12,840 --> 00:44:17,560 Speaker 3: to remind everybody like the catalog the work things he's done. 1061 00:44:18,680 --> 00:44:20,560 Speaker 3: But now, as we can see, it's a different thing 1062 00:44:20,680 --> 00:44:22,719 Speaker 3: coming out with this Meta thing. 1063 00:44:23,360 --> 00:44:24,880 Speaker 1: And remember when. 1064 00:44:26,320 --> 00:44:30,440 Speaker 2: The whole catastrophe of Universal Universal artists can't be on 1065 00:44:30,520 --> 00:44:32,480 Speaker 2: TikTok anymore, they're not giving in. 1066 00:44:33,200 --> 00:44:35,839 Speaker 1: All of that shit is tied in. Now Meta does 1067 00:44:36,000 --> 00:44:37,640 Speaker 1: deal with Universal. 1068 00:44:38,600 --> 00:44:40,839 Speaker 2: It's everyone's playing with house money and we're the only 1069 00:44:40,880 --> 00:44:44,960 Speaker 2: ones that'll be fucked like every time we come in 1070 00:44:45,040 --> 00:44:49,000 Speaker 2: here and like, yo, finally they're holding out. Nope, No, 1071 00:44:49,640 --> 00:44:51,640 Speaker 2: this was to play the whole time. Yeah, And and 1072 00:44:52,000 --> 00:44:54,680 Speaker 2: Drake and Kendrick are clearly ahead of the curve of 1073 00:44:54,719 --> 00:44:55,120 Speaker 2: what's going on. 1074 00:44:55,160 --> 00:44:57,480 Speaker 3: Oh but you know that they're already in in the 1075 00:44:57,600 --> 00:44:59,600 Speaker 3: know and in the business of all of these things 1076 00:44:59,640 --> 00:45:01,799 Speaker 3: before we find out about it. They know what's going 1077 00:45:01,880 --> 00:45:03,880 Speaker 3: to happen. They know the shifts and the moves that 1078 00:45:03,920 --> 00:45:06,800 Speaker 3: are being made. So you know, now, what does this 1079 00:45:06,920 --> 00:45:09,759 Speaker 3: dodo as far as moving forward? Artists make moves like that, 1080 00:45:10,760 --> 00:45:12,880 Speaker 3: Like now we're looking at every move like, okay, what 1081 00:45:13,040 --> 00:45:14,960 Speaker 3: is this tied to? What is that tied to? 1082 00:45:15,040 --> 00:45:16,759 Speaker 1: Because everything has to make sense for the artists at 1083 00:45:16,760 --> 00:45:17,319 Speaker 1: the end of the day. 1084 00:45:18,080 --> 00:45:22,440 Speaker 2: And this isn't a defend Drake situation at all with 1085 00:45:22,560 --> 00:45:25,120 Speaker 2: everyone's like yo, it's just not even charting anymore. 1086 00:45:25,120 --> 00:45:29,040 Speaker 1: It's not a billboard, Like does that matter? 1087 00:45:29,200 --> 00:45:29,319 Speaker 4: Now? 1088 00:45:30,239 --> 00:45:32,960 Speaker 2: Are we seeing the shift where that how you release 1089 00:45:33,080 --> 00:45:36,160 Speaker 2: music matters more to what you do with meta than 1090 00:45:36,200 --> 00:45:40,800 Speaker 2: it would ever matter with charts, Yeah, or playlists or 1091 00:45:40,880 --> 00:45:41,839 Speaker 2: DSPs for that matter. 1092 00:45:42,160 --> 00:45:46,440 Speaker 3: Like I think ego wise, it probably still matters ego. 1093 00:45:46,480 --> 00:45:48,640 Speaker 3: We're talking about ego, just just just personal ego. 1094 00:45:49,200 --> 00:45:53,359 Speaker 2: But if you have information, as Drake of where things 1095 00:45:53,400 --> 00:45:55,440 Speaker 2: are going to shift, I don't think you have an 1096 00:45:55,480 --> 00:45:57,160 Speaker 2: ego at all, because you know what's about to happen. 1097 00:45:57,719 --> 00:46:01,440 Speaker 2: You're probably looking at all of us laughing ignorance, like 1098 00:46:01,560 --> 00:46:03,799 Speaker 2: even we don't have to make it a drink thing 1099 00:46:03,960 --> 00:46:06,160 Speaker 2: with Kendrick putting out kill the Party or whatever the 1100 00:46:06,239 --> 00:46:07,600 Speaker 2: title will be, which we. 1101 00:46:07,560 --> 00:46:08,040 Speaker 1: Don't even know. 1102 00:46:08,160 --> 00:46:11,279 Speaker 2: The title doesn't even matter because it doesn't even fucking matter. 1103 00:46:11,320 --> 00:46:13,839 Speaker 2: I was like that Kendrick song came and went did 1104 00:46:13,880 --> 00:46:16,680 Speaker 2: it because it's all over, It's all over meta. It's 1105 00:46:16,760 --> 00:46:19,200 Speaker 2: not on DSPs, it's not on any charts, it's not 1106 00:46:19,440 --> 00:46:23,480 Speaker 2: being played, but it's being played where it matters. If 1107 00:46:23,600 --> 00:46:27,839 Speaker 2: this new formula exists and it's I guess the fight 1108 00:46:28,000 --> 00:46:31,160 Speaker 2: back at TikTok like, all right, we'll find a partner 1109 00:46:31,320 --> 00:46:32,120 Speaker 2: will that will fuck with. 1110 00:46:32,160 --> 00:46:34,440 Speaker 1: Us and how to make it valuable for both of 1111 00:46:34,560 --> 00:46:37,480 Speaker 1: our catalog will matter now and we are going to 1112 00:46:37,640 --> 00:46:42,520 Speaker 1: start counting things by the accounts that share rather than 1113 00:46:42,640 --> 00:46:45,160 Speaker 1: the streams because they all fucked us up and created 1114 00:46:45,239 --> 00:46:49,320 Speaker 1: the streaming formula. We joked for a decade. What is 1115 00:46:49,360 --> 00:46:52,200 Speaker 1: a stream? How to even dictate what a stream is? 1116 00:46:52,440 --> 00:46:53,080 Speaker 1: What it costs? 1117 00:46:53,239 --> 00:46:55,960 Speaker 2: Like you created that formula in your head one day, 1118 00:46:56,280 --> 00:46:58,560 Speaker 2: and now we all have to march by those standards. 1119 00:46:59,800 --> 00:47:02,160 Speaker 2: You value my music at this because you say so, 1120 00:47:02,840 --> 00:47:06,000 Speaker 2: this is fucked up. I think they're about to do 1121 00:47:06,080 --> 00:47:09,680 Speaker 2: the exact same thing at Meta. They're going to change 1122 00:47:09,719 --> 00:47:12,400 Speaker 2: the formula of how music is valued. Oh, it's valued 1123 00:47:12,480 --> 00:47:15,040 Speaker 2: now by just what accounts are sharing it, not by 1124 00:47:15,080 --> 00:47:17,440 Speaker 2: what streaming gets, not by the amount of seconds it's 1125 00:47:17,440 --> 00:47:20,920 Speaker 2: played on TSPs. There now can create a completely different 1126 00:47:20,960 --> 00:47:22,440 Speaker 2: formula on the fly. 1127 00:47:22,800 --> 00:47:25,640 Speaker 3: So so a deeper thought on that. How does that 1128 00:47:25,719 --> 00:47:29,560 Speaker 3: affect the formula of creating music and writing music? 1129 00:47:30,960 --> 00:47:31,879 Speaker 1: Who the fuck knows? 1130 00:47:32,320 --> 00:47:34,319 Speaker 3: See, that's the part I'm thinking about, Like, how does 1131 00:47:34,360 --> 00:47:36,239 Speaker 3: that affect the creative process of. 1132 00:47:36,520 --> 00:47:38,920 Speaker 2: Well, that's what Damian Young was saying at the end 1133 00:47:39,000 --> 00:47:41,520 Speaker 2: of this video then went viral last night of like 1134 00:47:42,320 --> 00:47:45,480 Speaker 2: they've announced it, but they haven't given us any information 1135 00:47:45,600 --> 00:47:47,680 Speaker 2: on what a payout even looks like. At this point, 1136 00:47:47,760 --> 00:47:52,839 Speaker 2: which was streaming early too, like everyone was wondering, all right, cool, 1137 00:47:53,520 --> 00:47:55,800 Speaker 2: I like what Spotify is doing? Oh I heard Apple 1138 00:47:55,880 --> 00:47:57,759 Speaker 2: was about to do the same thing. This is the 1139 00:47:57,800 --> 00:48:01,120 Speaker 2: new wave? How am I being paid that? We're still 1140 00:48:01,160 --> 00:48:03,880 Speaker 2: trying to figure it out? Right, this is gonna be 1141 00:48:03,920 --> 00:48:06,799 Speaker 2: a whole other monster. How you even dictate what all 1142 00:48:06,880 --> 00:48:10,560 Speaker 2: Right accounts did it? But the amount of AI and 1143 00:48:10,640 --> 00:48:13,560 Speaker 2: bot shit that you could do, Like, how you even 1144 00:48:13,600 --> 00:48:14,920 Speaker 2: dictate what happens? 1145 00:48:15,080 --> 00:48:17,919 Speaker 3: And it's already a producer that used AI to create 1146 00:48:17,920 --> 00:48:20,719 Speaker 3: a band and then use bots to listen to the 1147 00:48:21,080 --> 00:48:23,640 Speaker 3: to make ten million and made ten million, And you 1148 00:48:23,680 --> 00:48:25,359 Speaker 3: think they're gonna let that shit slocke. See, we gotta 1149 00:48:25,400 --> 00:48:27,759 Speaker 3: find a scammer that knows how to do that. I 1150 00:48:27,840 --> 00:48:31,319 Speaker 3: don't want no clothes, no jewelry. You niggas better start 1151 00:48:31,400 --> 00:48:33,480 Speaker 3: creating band. That's the pieces that hit for me. 1152 00:48:33,680 --> 00:48:36,480 Speaker 2: Yeah, create a fucking band and let's run these fucking 1153 00:48:36,600 --> 00:48:38,680 Speaker 2: numbers up. And the best I ever did with scam 1154 00:48:38,800 --> 00:48:41,960 Speaker 2: best by a gift card. Yeah, like those days can 1155 00:48:42,000 --> 00:48:43,920 Speaker 2: make up. They don't want flat screens, don't call me 1156 00:48:44,000 --> 00:48:45,320 Speaker 2: with no more flat screen TVs. 1157 00:48:45,400 --> 00:48:49,080 Speaker 3: Nigga have five bands waiting, not five thousand dollars, five 1158 00:48:49,960 --> 00:48:52,000 Speaker 3: guitars and basses and the leads. 1159 00:48:52,280 --> 00:48:54,120 Speaker 2: I have all of that fake shit wait, and that's 1160 00:48:54,120 --> 00:48:57,400 Speaker 2: the fake shit we want, and it's just like, I'm pessimistic, 1161 00:48:57,560 --> 00:49:02,000 Speaker 2: So this type of shit depresses me. You know, I 1162 00:49:02,080 --> 00:49:05,120 Speaker 2: told you because you are you're not even like music. 1163 00:49:05,800 --> 00:49:09,279 Speaker 2: It's going to affect everything across the board because you know, 1164 00:49:09,400 --> 00:49:14,480 Speaker 2: even with the podcast world, where as far as ads 1165 00:49:14,480 --> 00:49:19,000 Speaker 2: and CPMs go towards downloads, we clearly see that streams 1166 00:49:19,680 --> 00:49:22,279 Speaker 2: do more than downloads, and that's like an ancient thought. 1167 00:49:22,440 --> 00:49:24,560 Speaker 1: So we are in the streaming world, whether we like 1168 00:49:24,600 --> 00:49:26,960 Speaker 1: it or not. This affects us the same way. 1169 00:49:27,320 --> 00:49:29,839 Speaker 2: Yeah, I don't know how they fucked us to begin 1170 00:49:29,920 --> 00:49:32,879 Speaker 2: with when it came to DSPs, because podcasts keep people 1171 00:49:32,920 --> 00:49:37,040 Speaker 2: on DSPs longer than thriller could. The retention rate is 1172 00:49:37,120 --> 00:49:39,640 Speaker 2: incredible with podcasts, but we are paid out at the 1173 00:49:39,719 --> 00:49:42,360 Speaker 2: same rate, which is fucked up. And keep someone on 1174 00:49:42,520 --> 00:49:44,880 Speaker 2: your platform this long, I should not be paid the 1175 00:49:44,880 --> 00:49:45,800 Speaker 2: same as someone that doesn't. 1176 00:49:45,880 --> 00:49:47,719 Speaker 3: How does that How do you think that that would 1177 00:49:47,719 --> 00:49:50,160 Speaker 3: affect the podcast and industry at all? 1178 00:49:50,200 --> 00:49:51,719 Speaker 2: I don't know yet, That's what I'm saying. This is 1179 00:49:52,360 --> 00:49:56,719 Speaker 2: kind of nuts of of what they're doing because it's 1180 00:49:57,200 --> 00:50:01,880 Speaker 2: sounds now like that's even how TikTok it. It's an 1181 00:50:02,040 --> 00:50:04,239 Speaker 2: actual song that you cut down. It's just called a sound. 1182 00:50:05,400 --> 00:50:06,719 Speaker 2: And I'm not trying to get too deep, but like, 1183 00:50:07,200 --> 00:50:10,320 Speaker 2: that's fucking nuts. It's not songs like scared. This is 1184 00:50:10,360 --> 00:50:12,520 Speaker 2: a sound that you can put behind your TikTok video 1185 00:50:12,600 --> 00:50:15,600 Speaker 2: and now that has a value that is counted the 1186 00:50:15,640 --> 00:50:17,600 Speaker 2: same way a single once was. 1187 00:50:17,800 --> 00:50:20,600 Speaker 1: Yeah, this was used and it was cost this much. 1188 00:50:20,680 --> 00:50:22,239 Speaker 1: This is what you get back. I don't know what 1189 00:50:22,320 --> 00:50:23,760 Speaker 1: the fuck they get. What's a sound anymore? 1190 00:50:25,920 --> 00:50:26,120 Speaker 5: Yeah? 1191 00:50:26,200 --> 00:50:28,560 Speaker 3: Man, it's changing, the changing the meaning and definition of 1192 00:50:28,640 --> 00:50:31,120 Speaker 3: words right right in front of us, and we gotta. 1193 00:50:30,920 --> 00:50:35,640 Speaker 1: We gotta just like go with it. I'm scared. I mean, 1194 00:50:35,680 --> 00:50:35,880 Speaker 1: I'm not. 1195 00:50:36,080 --> 00:50:36,320 Speaker 4: I'm not. 1196 00:50:36,680 --> 00:50:37,720 Speaker 1: I wouldn't say scared. 1197 00:50:37,760 --> 00:50:40,719 Speaker 3: I'm interested, and I'm I'm I want to see you 1198 00:50:40,760 --> 00:50:43,279 Speaker 3: know how it affects change and things like that. 1199 00:50:43,480 --> 00:50:45,960 Speaker 1: But this is part of technology. 1200 00:50:46,040 --> 00:50:49,040 Speaker 3: This is part of advancing you know, as far as 1201 00:50:49,120 --> 00:50:51,239 Speaker 3: you know, the way we listen to music, the way 1202 00:50:51,320 --> 00:50:54,359 Speaker 3: we create music, the way we you know, share music 1203 00:50:54,400 --> 00:50:54,839 Speaker 3: with each other. 1204 00:50:55,040 --> 00:50:57,120 Speaker 1: This is all part of this whole new thing that 1205 00:50:57,200 --> 00:51:00,560 Speaker 1: we have. And repeating myself again, but it has to 1206 00:51:00,680 --> 00:51:02,160 Speaker 1: do with what we're talking about. 1207 00:51:02,200 --> 00:51:05,920 Speaker 2: When I was at Sony and Spotify, when public emailed 1208 00:51:05,920 --> 00:51:08,120 Speaker 2: the whole company can't buy shares that would be considered 1209 00:51:08,160 --> 00:51:11,760 Speaker 2: insider trading because we own twenty five percent of Spotify, 1210 00:51:13,200 --> 00:51:16,760 Speaker 2: which is crazy. So if I'm an artist at Sony, 1211 00:51:18,400 --> 00:51:22,759 Speaker 2: you're dictating what I'm paid out. You're supposed to be 1212 00:51:22,880 --> 00:51:25,719 Speaker 2: my representation. You should be fighting the DSPs to make 1213 00:51:25,760 --> 00:51:28,319 Speaker 2: sure I'm paid the right amount of money. No, you're 1214 00:51:28,360 --> 00:51:30,279 Speaker 2: sitting with them and setting the price for what you 1215 00:51:30,360 --> 00:51:33,680 Speaker 2: think I'm worth, right, And I think Meta and Universal 1216 00:51:33,960 --> 00:51:36,719 Speaker 2: is doing the exact same thing now, the same way 1217 00:51:37,280 --> 00:51:40,080 Speaker 2: the majors did with DSPs. All right, Yeah, we'll just 1218 00:51:40,400 --> 00:51:42,520 Speaker 2: buy in to your company and we can all set 1219 00:51:42,560 --> 00:51:47,120 Speaker 2: the price ourselves. We can make sure that a stream 1220 00:51:47,160 --> 00:51:49,759 Speaker 2: to an artist is only worth point zero zero zero 1221 00:51:49,880 --> 00:51:53,839 Speaker 2: zero one cent, but to us, we're getting twelve ninety 1222 00:51:53,880 --> 00:51:56,280 Speaker 2: nine a month from every subscriber. 1223 00:51:56,520 --> 00:51:58,239 Speaker 3: I would love that I got to have a conversation 1224 00:51:58,360 --> 00:52:01,360 Speaker 3: with about this. I'm sure heatn't ready. 1225 00:52:01,760 --> 00:52:03,960 Speaker 2: I'm probably sounding like a bunch of nonsense right now, 1226 00:52:04,040 --> 00:52:07,600 Speaker 2: but that video blew my mind last night of the 1227 00:52:07,719 --> 00:52:11,400 Speaker 2: Meta and Universal connection, not to say it was like 1228 00:52:11,440 --> 00:52:13,839 Speaker 2: holy shit, it makes sense, Yeah, it makes sense. They 1229 00:52:13,880 --> 00:52:16,640 Speaker 2: are about to set the market price again. The market 1230 00:52:16,719 --> 00:52:19,359 Speaker 2: is going to change for sure, and we're just gonna 1231 00:52:19,360 --> 00:52:23,480 Speaker 2: be But do you think it changes for the better? 1232 00:52:23,960 --> 00:52:24,000 Speaker 4: No? 1233 00:52:25,080 --> 00:52:27,040 Speaker 1: You think artists are still going to get fucked at 1234 00:52:27,080 --> 00:52:27,399 Speaker 1: the end. 1235 00:52:27,280 --> 00:52:27,640 Speaker 4: Of the day. 1236 00:52:28,560 --> 00:52:35,120 Speaker 2: Yes, because clearly, which we've talked about, that the biggest 1237 00:52:35,200 --> 00:52:38,280 Speaker 2: leverage that majors have is catalog. It's not new artists, 1238 00:52:38,600 --> 00:52:41,399 Speaker 2: catalog is everything. Especially that was the whole TikTok beef, 1239 00:52:41,520 --> 00:52:45,919 Speaker 2: like Universal saying you were ties into why people would 1240 00:52:45,960 --> 00:52:48,680 Speaker 2: dump in their catalogs a couple of years ago. Okay, 1241 00:52:48,960 --> 00:52:53,239 Speaker 2: hell yeah, just talking with this odd about that's EO shit. 1242 00:52:55,239 --> 00:52:56,680 Speaker 2: All right, five more years and we selling this. 1243 00:52:56,680 --> 00:52:59,719 Speaker 3: A lot of that shit makes sense now, yeah, because 1244 00:52:59,760 --> 00:53:01,600 Speaker 3: I could being standard At first, I was like, its 1245 00:53:01,640 --> 00:53:02,400 Speaker 3: being used for. 1246 00:53:03,920 --> 00:53:08,359 Speaker 2: The tech companies and content sounds. It's being this sound 1247 00:53:09,160 --> 00:53:12,000 Speaker 2: sound sounds sound Swiss tried to tell us. I thought 1248 00:53:12,000 --> 00:53:16,600 Speaker 2: he was just saying weird shit. I thought Swiss was 1249 00:53:16,640 --> 00:53:18,120 Speaker 2: just high. It's still it's still. 1250 00:53:17,920 --> 00:53:22,200 Speaker 1: With zone Zone Zone, the zone that we own. 1251 00:53:27,080 --> 00:53:30,279 Speaker 2: Oh man, well we'll see what happens again. I'm not 1252 00:53:30,440 --> 00:53:33,279 Speaker 2: pretending like I am an expert in any of this ship. 1253 00:53:33,360 --> 00:53:35,800 Speaker 2: I'm just as confused as everyone else, just as scared 1254 00:53:35,840 --> 00:53:39,840 Speaker 2: as every other creator that the person that's supposed to 1255 00:53:39,840 --> 00:53:41,080 Speaker 2: pay us out can set the price. 1256 00:53:42,280 --> 00:53:47,520 Speaker 1: I mean, I think in any other genre or industry 1257 00:53:47,640 --> 00:53:51,239 Speaker 1: that would be illegal. But what the fuck do I know? 1258 00:53:53,239 --> 00:53:58,399 Speaker 3: I believe like it's a monopoly. It almost definitely. That's 1259 00:53:58,480 --> 00:53:59,840 Speaker 3: not even a debate anymore. 1260 00:54:00,080 --> 00:54:02,200 Speaker 1: It's a monopoly in a cul de sac, and we're 1261 00:54:02,440 --> 00:54:04,280 Speaker 1: just trying to pay rent. 1262 00:54:04,160 --> 00:54:06,680 Speaker 3: Just trying to get a piece of it. That's fucking crazy. 1263 00:54:07,160 --> 00:54:10,560 Speaker 3: Before we go any further, though, we've lost some legends. 1264 00:54:10,800 --> 00:54:11,080 Speaker 4: We did. 1265 00:54:11,239 --> 00:54:14,279 Speaker 3: We lost some great people on our culture. Rest in 1266 00:54:14,320 --> 00:54:18,560 Speaker 3: peace to the great James Earl Jones, somebody that has 1267 00:54:18,640 --> 00:54:26,400 Speaker 3: been a figure on our screens, televisions, radios, homes. 1268 00:54:26,200 --> 00:54:27,000 Speaker 1: For years. 1269 00:54:28,760 --> 00:54:33,160 Speaker 3: Lost him last week. So resting peace and condolences to 1270 00:54:33,320 --> 00:54:37,960 Speaker 3: James Earl Jones. We lost Frankie Beverly. Rest in peace 1271 00:54:38,000 --> 00:54:41,560 Speaker 3: to Frankie Beverley, somebody you talk about, Frankie Beverley and 1272 00:54:41,640 --> 00:54:45,720 Speaker 3: Mays who's been the soundtracks to some of our greatest 1273 00:54:45,800 --> 00:54:48,560 Speaker 3: memories and fondest moments with our friends and families throughout 1274 00:54:48,560 --> 00:54:53,560 Speaker 3: the years. You can't go to any celebration, cookout, ceremony, 1275 00:54:53,600 --> 00:54:57,719 Speaker 3: anything without hearing Frankie Beverly at some point. So rest 1276 00:54:57,760 --> 00:55:00,640 Speaker 3: in peace to the to the legend from Frankie Beverly, 1277 00:55:01,120 --> 00:55:04,200 Speaker 3: and also rest in peace to Tito Jackson. Yes, from 1278 00:55:04,280 --> 00:55:06,279 Speaker 3: the Royal Jackson I like to call them the Royal 1279 00:55:06,360 --> 00:55:10,359 Speaker 3: Jackson Family. We lost Tito Jackson a couple of days ago, 1280 00:55:10,520 --> 00:55:13,640 Speaker 3: so pres condolences and rest in peace to all of 1281 00:55:13,680 --> 00:55:17,520 Speaker 3: the legends that we've lost. And yeah, man, it's just, 1282 00:55:17,600 --> 00:55:20,000 Speaker 3: you know, it's always tough when you start seeing people 1283 00:55:20,080 --> 00:55:24,160 Speaker 3: that such a like, people that you've heard or seen 1284 00:55:24,760 --> 00:55:28,680 Speaker 3: for years, and you know, in music and film and 1285 00:55:28,760 --> 00:55:32,680 Speaker 3: things like that have given us some great moments and 1286 00:55:33,040 --> 00:55:37,279 Speaker 3: some legendary, legendary art that will remain forever. So rest 1287 00:55:37,320 --> 00:55:40,120 Speaker 3: in peace and prais condolences to the legends and the icons, 1288 00:55:40,680 --> 00:55:44,080 Speaker 3: mister James Earl Jones, mister Frankie Beverley, and mister Tito Jackson. 1289 00:55:44,239 --> 00:55:47,399 Speaker 1: What's some what's your favorite James Earl Jones movie? 1290 00:55:48,840 --> 00:55:51,680 Speaker 3: My favorite James Earl Jones got to be coming to America, 1291 00:55:52,600 --> 00:55:56,000 Speaker 3: King Jeoffrey Joe for yeah, gotta be King Jeoffrey Joe. 1292 00:55:56,840 --> 00:55:59,439 Speaker 1: I mean, you know, I'm white, so feel the Dreams 1293 00:55:59,440 --> 00:56:00,480 Speaker 1: is prett high there for me? 1294 00:56:00,760 --> 00:56:04,440 Speaker 3: Oh yeah, Phil, The Dreams that's a that's a legendary film. 1295 00:56:05,280 --> 00:56:08,200 Speaker 3: I loved him in The Sandlot. Yeah, The Sandlot one 1296 00:56:08,200 --> 00:56:09,080 Speaker 3: of my favorite movies. 1297 00:56:09,120 --> 00:56:09,640 Speaker 4: Loved him in that. 1298 00:56:11,160 --> 00:56:13,759 Speaker 3: But I think Coming to America is probably the one 1299 00:56:13,840 --> 00:56:17,560 Speaker 3: that we all go to when we think about James 1300 00:56:17,680 --> 00:56:20,120 Speaker 3: RL Jones, for sure. But he's been you know, you 1301 00:56:20,200 --> 00:56:23,160 Speaker 3: started really looking into the history and the career and 1302 00:56:23,280 --> 00:56:24,680 Speaker 3: legacy of James RL Jones. 1303 00:56:24,920 --> 00:56:28,839 Speaker 1: He's done. He's done it all. He's done everything. How 1304 00:56:28,920 --> 00:56:29,799 Speaker 1: much strooms do you think? 1305 00:56:30,480 --> 00:56:30,600 Speaker 5: Uh? 1306 00:56:31,120 --> 00:56:33,040 Speaker 1: Phil Robinson was on when he wrote Phil the Dreams. 1307 00:56:34,840 --> 00:56:35,560 Speaker 1: He was a sympthing. 1308 00:56:35,600 --> 00:56:38,000 Speaker 2: That's a sick movie when you start getting into that 1309 00:56:38,239 --> 00:56:43,359 Speaker 2: that plot. That's a great movie though. That's about main 1310 00:56:43,480 --> 00:56:47,200 Speaker 2: character syndrome. Kevin Costin's in that, right, Yeah, yeah, yeah, yeah, yeah, No, 1311 00:56:47,320 --> 00:56:49,839 Speaker 2: that was That was a movie. I think we had 1312 00:56:49,880 --> 00:56:51,160 Speaker 2: to That was one of the movies I think we 1313 00:56:51,280 --> 00:56:52,200 Speaker 2: had to watch in school. 1314 00:56:52,400 --> 00:56:52,879 Speaker 1: Really yeah. 1315 00:56:52,880 --> 00:56:54,200 Speaker 3: I think that was one of those movies they used 1316 00:56:54,239 --> 00:56:56,160 Speaker 3: to roll the TV out. I'm not old roll the 1317 00:56:56,239 --> 00:56:57,719 Speaker 3: TV out. I think I'm that old too. I don't 1318 00:56:57,719 --> 00:56:59,919 Speaker 3: think we watched phild Dreams. I think we definitely watched 1319 00:57:00,080 --> 00:57:02,880 Speaker 3: to Watch All the Dreams in school, definitely. 1320 00:57:02,719 --> 00:57:03,040 Speaker 1: And I'm not. 1321 00:57:03,160 --> 00:57:05,120 Speaker 2: I love that movie classic. I might hear ship on it, 1322 00:57:05,160 --> 00:57:08,600 Speaker 2: but I'm on it. It's the definition of like main 1323 00:57:08,760 --> 00:57:09,480 Speaker 2: character syndrome. 1324 00:57:09,520 --> 00:57:12,320 Speaker 1: Whatever the kids say. Now, like all this happened just 1325 00:57:12,360 --> 00:57:13,760 Speaker 1: so you could reconnect with your pops. 1326 00:57:13,920 --> 00:57:18,920 Speaker 2: Like, yeah, everyone's ghosts came back, James ol Jones went 1327 00:57:18,920 --> 00:57:19,680 Speaker 2: on a road trip with you. 1328 00:57:19,880 --> 00:57:21,919 Speaker 1: This is all just so you could say to your dad, 1329 00:57:22,280 --> 00:57:24,880 Speaker 1: do you think I'm good at baseball? Yeah? You can't 1330 00:57:24,880 --> 00:57:30,520 Speaker 1: see that. That thing was so fucking I was like, wait, 1331 00:57:30,600 --> 00:57:34,160 Speaker 1: this was what it was about? Yeah, the connection. No, 1332 00:57:34,440 --> 00:57:37,040 Speaker 1: that was a shroom trip. It definitely feels like a 1333 00:57:37,080 --> 00:57:38,760 Speaker 1: shream now that you get older, you know, like with 1334 00:57:39,040 --> 00:57:40,280 Speaker 1: different drugs, do you like, No. 1335 00:57:40,360 --> 00:57:43,120 Speaker 2: One's that important that all of that was gonna happen 1336 00:57:43,280 --> 00:57:45,000 Speaker 2: just so he could say what's up to his pops? 1337 00:57:48,720 --> 00:57:51,400 Speaker 2: Great movie though, and then and then his selfish ass, 1338 00:57:51,560 --> 00:57:52,800 Speaker 2: I can't go in the cornfield. 1339 00:57:53,400 --> 00:57:55,360 Speaker 1: I can't come with I built this bro. 1340 00:57:55,520 --> 00:57:58,200 Speaker 2: Talk to your dad about we're gonna take James Earl 1341 00:57:58,240 --> 00:58:00,400 Speaker 2: Jones and the rest of the people in the rnfield. 1342 00:58:00,440 --> 00:58:02,760 Speaker 1: You're not coming. Yeah, let's talk to your dad. You're 1343 00:58:02,800 --> 00:58:06,280 Speaker 1: not coming with us? Yeah, great movie. I love that movie. Classic. 1344 00:58:08,120 --> 00:58:10,560 Speaker 2: I'm a little scared to talk about this topic because 1345 00:58:10,600 --> 00:58:12,720 Speaker 2: I don't fully know what's going on. But why is 1346 00:58:12,760 --> 00:58:19,520 Speaker 2: everyone mad at Tyler? So I believe she received a VMA, 1347 00:58:21,000 --> 00:58:24,080 Speaker 2: and I think because they it was the way she 1348 00:58:24,360 --> 00:58:27,680 Speaker 2: was I can't remember. Somebody posted a video was like 1349 00:58:27,800 --> 00:58:28,440 Speaker 2: she was trying to. 1350 00:58:29,080 --> 00:58:32,400 Speaker 1: Have Chloe and then Lil nas X have nas X 1351 00:58:32,640 --> 00:58:34,800 Speaker 1: hold the award for her, just as it was heavy. 1352 00:58:36,040 --> 00:58:38,600 Speaker 1: That happens though. There's been plenty of ward shows where 1353 00:58:38,680 --> 00:58:40,360 Speaker 1: but they not until they are presenting. 1354 00:58:40,400 --> 00:58:42,640 Speaker 3: They'll be like, yeah, but when your person receives the award, 1355 00:58:42,680 --> 00:58:44,640 Speaker 3: you only see the person you don't see who's off 1356 00:58:44,720 --> 00:58:46,120 Speaker 3: to the side of them. So when they showed the 1357 00:58:46,160 --> 00:58:48,640 Speaker 3: other angle and how she was trying to hand the 1358 00:58:49,320 --> 00:58:52,800 Speaker 3: award to uh little nas X to hold it for her, 1359 00:58:53,200 --> 00:58:55,800 Speaker 3: I guess that that kind of like silenced all of 1360 00:58:55,840 --> 00:58:57,080 Speaker 3: the things that people were saying about it. 1361 00:58:57,120 --> 00:58:58,080 Speaker 1: I don't even know what that was. 1362 00:58:58,400 --> 00:59:01,760 Speaker 2: What's all right, Let's say she was like, yo, lil 1363 00:59:01,880 --> 00:59:05,560 Speaker 2: nas hold my ship. Okay, now what but why is 1364 00:59:05,560 --> 00:59:06,240 Speaker 2: everyone upset? 1365 00:59:06,360 --> 00:59:07,800 Speaker 1: I don't I don't know, and we could we can 1366 00:59:07,880 --> 00:59:09,360 Speaker 1: have this all wrong, but I don't even know what 1367 00:59:09,520 --> 00:59:10,160 Speaker 1: they were mad. 1368 00:59:10,040 --> 00:59:12,680 Speaker 2: At from what I see in it, I kind of 1369 00:59:12,720 --> 00:59:16,800 Speaker 2: wish you would tell this story instead of me part 1370 00:59:16,840 --> 00:59:20,720 Speaker 2: of my white face. I think it's rooted in the 1371 00:59:20,840 --> 00:59:26,400 Speaker 2: stereotype that Africans look down on African Americans. 1372 00:59:26,960 --> 00:59:32,000 Speaker 1: Oh boy, is that that? I mean, that's that's anything 1373 00:59:32,080 --> 00:59:33,760 Speaker 1: so very long time I've talked about it. 1374 00:59:34,120 --> 00:59:37,240 Speaker 3: But I also I'm looked down upon on niggas that's 1375 00:59:37,280 --> 00:59:40,840 Speaker 3: on my block that grow with me. So now, what's 1376 00:59:40,880 --> 00:59:41,320 Speaker 3: not Tyler? 1377 00:59:41,520 --> 00:59:42,040 Speaker 1: Yeah I'm not. 1378 00:59:42,160 --> 00:59:45,160 Speaker 3: I'm definitely not Tyler, But I'm just saying people look 1379 00:59:45,200 --> 00:59:46,760 Speaker 3: down on you no matter where they're from. 1380 00:59:46,880 --> 00:59:49,160 Speaker 1: Like why do we got to try to make it that? Yes, 1381 00:59:49,320 --> 00:59:51,880 Speaker 1: I know what that whole conversation is. 1382 00:59:52,160 --> 00:59:55,160 Speaker 3: And you know, Africans feel like they're better than African 1383 00:59:55,200 --> 00:59:57,440 Speaker 3: Americans and things like that, and they look down on 1384 00:59:57,600 --> 01:00:00,600 Speaker 3: us and people from down the block For me that 1385 01:00:00,640 --> 01:00:02,280 Speaker 3: grew up that they look down on me. So it's like, 1386 01:00:02,360 --> 01:00:04,480 Speaker 3: what do we what are you talking about here? 1387 01:00:04,680 --> 01:00:07,600 Speaker 1: And maybe I missed more of the story. I just don't. 1388 01:00:08,360 --> 01:00:10,320 Speaker 2: I know, I've known that stereotype for a long time. 1389 01:00:10,320 --> 01:00:12,560 Speaker 2: I've been told that stereotype. I just I just didn't 1390 01:00:12,600 --> 01:00:15,640 Speaker 2: see it. When she asked Lil Na's ex the hole. 1391 01:00:17,240 --> 01:00:17,360 Speaker 5: Bro. 1392 01:00:17,480 --> 01:00:20,280 Speaker 3: The trophy is heavy. It's a man on stage. Can 1393 01:00:20,320 --> 01:00:22,400 Speaker 3: you hold this for me while I, you know, give 1394 01:00:22,480 --> 01:00:24,600 Speaker 3: my acceptance speech? What are we talking about here? 1395 01:00:24,720 --> 01:00:27,040 Speaker 1: Called p laugh? Yeah, like I could, I mean, but 1396 01:00:27,960 --> 01:00:29,680 Speaker 1: peg with you laughing that, you know what he's laughing. 1397 01:00:31,440 --> 01:00:34,280 Speaker 3: But yeah, I don't this this this thing of people 1398 01:00:34,360 --> 01:00:37,880 Speaker 3: trying to paint this the tyler as just this, you know, 1399 01:00:38,360 --> 01:00:39,840 Speaker 3: I don't know how they're trying to paint it. Just 1400 01:00:39,960 --> 01:00:43,560 Speaker 3: give it this weird kind of like you know, thing 1401 01:00:43,720 --> 01:00:45,560 Speaker 3: that she looks down or she thinks she's better than 1402 01:00:45,720 --> 01:00:49,000 Speaker 3: or she's only successful because she's pretty, and it's it's just. 1403 01:00:50,480 --> 01:00:51,919 Speaker 1: We were just running out of things to talk about 1404 01:00:51,920 --> 01:00:52,880 Speaker 1: it something what's happening. 1405 01:00:52,920 --> 01:00:55,160 Speaker 2: I think most artists just look down on the spirit. 1406 01:00:56,440 --> 01:00:58,200 Speaker 2: NICKI has never made me feel good about myself. 1407 01:00:58,760 --> 01:01:00,960 Speaker 3: Well we got that on Hey we know exactly how 1408 01:01:01,040 --> 01:01:03,240 Speaker 3: she made you feel about yourself. But yeah, I don't 1409 01:01:03,480 --> 01:01:04,040 Speaker 3: that tyl of thing. 1410 01:01:04,120 --> 01:01:04,240 Speaker 4: Man. 1411 01:01:04,280 --> 01:01:06,160 Speaker 3: I just think that that was people reading that all wrong. 1412 01:01:06,200 --> 01:01:08,120 Speaker 3: And then I'm glad the other angle that video came 1413 01:01:08,160 --> 01:01:11,040 Speaker 3: out and you can clearly see she's kind of asking 1414 01:01:11,720 --> 01:01:13,120 Speaker 3: Nass to hold over for her. 1415 01:01:13,280 --> 01:01:15,360 Speaker 2: I saw, you know, Nicki's been I don't want to 1416 01:01:15,360 --> 01:01:17,320 Speaker 2: say a spiraling on Twitter, but that's what a lot 1417 01:01:17,320 --> 01:01:18,280 Speaker 2: of people have said she's been. 1418 01:01:18,960 --> 01:01:21,959 Speaker 1: She's been furious with her thumbs for the past two weeks. 1419 01:01:22,760 --> 01:01:24,560 Speaker 2: She did tweet something that I really did want to 1420 01:01:24,640 --> 01:01:27,440 Speaker 2: like co sign her that people thought she was crashing out, 1421 01:01:27,480 --> 01:01:29,760 Speaker 2: but I understood she was saying. She went to theater 1422 01:01:29,800 --> 01:01:34,280 Speaker 2: school and she was taught how to not laugh when 1423 01:01:34,320 --> 01:01:36,720 Speaker 2: she was making jokes, so they appear to be serious. 1424 01:01:36,760 --> 01:01:38,920 Speaker 2: It's like an acting technique, and were like, yeah, what 1425 01:01:38,960 --> 01:01:41,680 Speaker 2: the fuck is she talking about. I can attest that 1426 01:01:41,880 --> 01:01:44,280 Speaker 2: when she was talking about a broom being shoved in 1427 01:01:44,360 --> 01:01:47,040 Speaker 2: my ass, I could see in her eyes that she 1428 01:01:47,280 --> 01:01:50,360 Speaker 2: was joking, even though it didn't come across like that's 1429 01:01:50,400 --> 01:01:54,840 Speaker 2: a trained actor. And even when we were doing Queen 1430 01:01:54,960 --> 01:01:57,320 Speaker 2: Radio and she would go on like these rants, I 1431 01:01:57,360 --> 01:01:59,200 Speaker 2: could see like she was kind of smiling, but you 1432 01:01:59,240 --> 01:02:03,600 Speaker 2: couldn't tell she were right next to her. NICKI beatrolling 1433 01:02:03,680 --> 01:02:07,400 Speaker 2: man like O the way when she screams and she's joking. 1434 01:02:07,560 --> 01:02:09,200 Speaker 2: I just don't think people understand. 1435 01:02:08,840 --> 01:02:11,440 Speaker 3: That people didn't grow up with sisters and homegirls that 1436 01:02:11,640 --> 01:02:14,200 Speaker 3: you know, that's NICKI reminds me of so many girls 1437 01:02:14,240 --> 01:02:15,840 Speaker 3: that I grew up with when they you know, get 1438 01:02:15,880 --> 01:02:18,840 Speaker 3: to talking, they ship and you know, but it's like, 1439 01:02:18,920 --> 01:02:20,640 Speaker 3: you know, they don't mean it in a malicious way. 1440 01:02:21,120 --> 01:02:23,000 Speaker 3: I've been cursed out by plenty of girls that that 1441 01:02:23,160 --> 01:02:25,640 Speaker 3: exact way, and at the end of the night, it's like, 1442 01:02:25,840 --> 01:02:27,520 Speaker 3: you know, it's all up. 1443 01:02:27,600 --> 01:02:29,120 Speaker 1: I know they didn't mean nothing, but. 1444 01:02:29,120 --> 01:02:30,680 Speaker 2: It in that situation is what I said to Nick, 1445 01:02:30,720 --> 01:02:32,680 Speaker 2: You're not the first woman from Queens to curse me out, 1446 01:02:32,960 --> 01:02:34,000 Speaker 2: Like that's not affected here. 1447 01:02:34,480 --> 01:02:36,120 Speaker 1: I'm from New York? Are you kidding me? Like that's 1448 01:02:36,160 --> 01:02:37,520 Speaker 1: definitely I'm used to that type of stuff. 1449 01:02:37,560 --> 01:02:39,920 Speaker 2: But spending that whole day with her, and again they 1450 01:02:39,920 --> 01:02:41,320 Speaker 2: were killing her on Twitter, I was like, nah, I 1451 01:02:42,240 --> 01:02:44,240 Speaker 2: spent the day with his chick. I could see every 1452 01:02:44,320 --> 01:02:48,040 Speaker 2: time she wanted to laugh in so many rants. But 1453 01:02:48,200 --> 01:02:50,840 Speaker 2: it's the character that she's putting on for this entertainment person. 1454 01:02:50,880 --> 01:02:53,880 Speaker 2: She's gonna lean into her being the bad guy, not 1455 01:02:54,040 --> 01:02:57,000 Speaker 2: to die laughing that entire day Nicky. She gon, why 1456 01:02:57,080 --> 01:02:59,440 Speaker 2: is NICKI so mad at y'all? Like she wasn't man, 1457 01:02:59,600 --> 01:03:02,640 Speaker 2: she's she's but she she understands that that's the narrative 1458 01:03:02,680 --> 01:03:04,280 Speaker 2: that people are trying to paint. So she's like, all right, 1459 01:03:04,320 --> 01:03:06,120 Speaker 2: I'm the bad guy and paint me is the bad guy. 1460 01:03:06,360 --> 01:03:07,800 Speaker 2: But at the end of the day, she's a sweetheart. 1461 01:03:07,840 --> 01:03:08,560 Speaker 4: Man. I love Nikki. 1462 01:03:09,400 --> 01:03:11,840 Speaker 2: Yeah, I'm happy she was getting that shit off, though 1463 01:03:12,000 --> 01:03:13,840 Speaker 2: she think it's a little misdirected with the whole. 1464 01:03:13,760 --> 01:03:14,680 Speaker 1: You need that get you. 1465 01:03:14,760 --> 01:03:16,800 Speaker 3: Let Nikki get ur shp off. Fuck that and people. 1466 01:03:16,880 --> 01:03:18,640 Speaker 3: Sometimes people need to hear that. You need to curse 1467 01:03:18,680 --> 01:03:21,520 Speaker 3: some of these motherfuckers out. That is fair, you know 1468 01:03:21,560 --> 01:03:23,800 Speaker 3: what I'm saying, Like, sometimes you need to tell people 1469 01:03:23,880 --> 01:03:26,960 Speaker 3: shut the fuck up, Like why not? Yeah, sometimes people 1470 01:03:27,040 --> 01:03:29,919 Speaker 3: need to shut the fuck up, especially. 1471 01:03:29,560 --> 01:03:30,600 Speaker 1: When your husband is behind you. 1472 01:03:30,640 --> 01:03:36,240 Speaker 2: Shadow boxing balloons, Yeah, no one else could see that 1473 01:03:36,280 --> 01:03:43,120 Speaker 2: on the frame, but I could. I've never seen anyone 1474 01:03:43,280 --> 01:03:45,320 Speaker 2: hit combos like that on a pink balloon. I like, 1475 01:03:45,440 --> 01:03:47,320 Speaker 2: I had so much fun that, Like, how'd you turn 1476 01:03:47,400 --> 01:03:48,520 Speaker 2: helium into a speedbag? 1477 01:03:48,640 --> 01:03:50,520 Speaker 1: For so many reasons? I had so much fun that day. 1478 01:03:50,680 --> 01:03:53,680 Speaker 1: That was a great day. We have some voicemails. Let's 1479 01:03:53,720 --> 01:03:54,200 Speaker 1: get to them. 1480 01:03:54,760 --> 01:03:55,880 Speaker 4: You've got mail. 1481 01:03:57,320 --> 01:04:01,480 Speaker 3: Anything interesting? Relationship advice? I feel like giving the relationship 1482 01:04:01,480 --> 01:04:03,520 Speaker 3: advice today. Let me I think this first one. I 1483 01:04:03,600 --> 01:04:06,160 Speaker 3: get this bad You know, Nikki get this bad rep. 1484 01:04:06,200 --> 01:04:07,760 Speaker 3: I get a bad rep for wanting to break people 1485 01:04:07,840 --> 01:04:09,480 Speaker 3: up to the don't want to make people you know 1486 01:04:09,640 --> 01:04:11,080 Speaker 3: happier in their relationships. 1487 01:04:11,760 --> 01:04:13,480 Speaker 1: Are you lying just like Nikki? Not for real? 1488 01:04:14,120 --> 01:04:16,520 Speaker 6: What up Rory and Maul, Julian and Demaris? 1489 01:04:16,760 --> 01:04:18,440 Speaker 4: I have a dating question. 1490 01:04:18,960 --> 01:04:20,760 Speaker 6: Yes, So I was seeing a guy for a few months. 1491 01:04:21,760 --> 01:04:24,640 Speaker 6: We were essentially long distance, but it was we were 1492 01:04:24,760 --> 01:04:28,520 Speaker 6: very close in proximity and I was often out there 1493 01:04:28,640 --> 01:04:30,800 Speaker 6: in the same state as him, in the same city, 1494 01:04:30,840 --> 01:04:32,320 Speaker 6: and so every time I was out there, we would 1495 01:04:32,360 --> 01:04:36,040 Speaker 6: see each other, link up whatever, go on dates, and 1496 01:04:36,120 --> 01:04:38,400 Speaker 6: everything was going really well. I do want to say 1497 01:04:38,400 --> 01:04:41,200 Speaker 6: that this person pursued me first, Okay. 1498 01:04:42,360 --> 01:04:46,280 Speaker 1: I think I know this girl. I'm not gonna say 1499 01:04:46,800 --> 01:04:53,440 Speaker 1: there's no way she called in. I know who this is. 1500 01:04:53,600 --> 01:04:55,440 Speaker 1: Now that you say that, I think, I think I 1501 01:04:55,560 --> 01:04:56,560 Speaker 1: know that you know who this is. 1502 01:04:57,360 --> 01:04:57,680 Speaker 4: Play it. 1503 01:04:58,680 --> 01:05:01,800 Speaker 6: So that's why this is an issue for me, because 1504 01:05:02,320 --> 01:05:07,880 Speaker 6: Nahn after a while exactly just completely stopped. And part 1505 01:05:07,920 --> 01:05:11,520 Speaker 6: of it was because out there as much, so that's 1506 01:05:11,680 --> 01:05:14,720 Speaker 6: kind of what I assumed. But for it being so 1507 01:05:14,880 --> 01:05:17,280 Speaker 6: abrupt and after everything going so well and us talking 1508 01:05:17,280 --> 01:05:19,680 Speaker 6: about a future together, and you know again, it was 1509 01:05:19,800 --> 01:05:22,720 Speaker 6: very much in a honeymoon phase of dating. But I 1510 01:05:22,800 --> 01:05:26,120 Speaker 6: brought it up to him about a month after us 1511 01:05:26,320 --> 01:05:28,840 Speaker 6: like not communicating out of nowhere, and he told me 1512 01:05:29,360 --> 01:05:30,920 Speaker 6: that it was an out of sight, out of mine thing, 1513 01:05:31,040 --> 01:05:33,160 Speaker 6: like he didn't think a long distance relationship could work. 1514 01:05:33,720 --> 01:05:33,800 Speaker 5: Now. 1515 01:05:33,840 --> 01:05:35,520 Speaker 6: I just thought it was kind of weird because he 1516 01:05:35,520 --> 01:05:39,120 Speaker 6: already knew where I lived and vice versa, and everything 1517 01:05:39,240 --> 01:05:42,640 Speaker 6: was going cool, Like there was no stipulations that we 1518 01:05:42,720 --> 01:05:45,040 Speaker 6: even talked about. It was just getting to know each other. 1519 01:05:45,600 --> 01:05:47,880 Speaker 6: So that was one thing he brought up. And another 1520 01:05:47,920 --> 01:05:49,680 Speaker 6: thing was that we knew too many of the same people. 1521 01:05:50,200 --> 01:05:51,760 Speaker 1: Now know exactly this is. 1522 01:05:52,040 --> 01:05:54,200 Speaker 6: Oh, I feel like that's a whole insecurity and he 1523 01:05:54,480 --> 01:05:57,960 Speaker 6: is just kind of like tapping out and making assumptions 1524 01:05:57,960 --> 01:05:58,479 Speaker 6: for no reason. 1525 01:05:58,880 --> 01:06:00,240 Speaker 1: Now is this someone that I should. 1526 01:06:00,120 --> 01:06:00,480 Speaker 5: I go of? 1527 01:06:00,840 --> 01:06:02,920 Speaker 1: Do I need to just not worry about it? 1528 01:06:03,520 --> 01:06:04,760 Speaker 6: Like, am I being played? 1529 01:06:05,240 --> 01:06:09,880 Speaker 1: Let me know what you guys think. See, I can't 1530 01:06:09,920 --> 01:06:12,800 Speaker 1: be objective in this anymore. I wish Demarus was here. 1531 01:06:12,880 --> 01:06:17,880 Speaker 2: This is we might have to redo this voicemail again 1532 01:06:18,440 --> 01:06:21,640 Speaker 2: on Patreon with Demeris because the moment I hit play, 1533 01:06:21,720 --> 01:06:23,280 Speaker 2: She's be like nah, no, way she called him. 1534 01:06:23,920 --> 01:06:25,800 Speaker 1: Who is that? I'm not going to say her name. 1535 01:06:26,160 --> 01:06:30,160 Speaker 1: I mean we have the daddy button, all right, we 1536 01:06:30,240 --> 01:06:32,920 Speaker 1: came back in. I can't be objective in this voicemail. 1537 01:06:34,760 --> 01:06:36,320 Speaker 1: If this is not the girl I think it is. 1538 01:06:36,480 --> 01:06:40,200 Speaker 1: They have the exact same fucking voice, even the way 1539 01:06:40,240 --> 01:06:42,840 Speaker 1: they say things. This has to be But say that's 1540 01:06:42,880 --> 01:06:45,160 Speaker 1: not her. What advice do we have for her now? 1541 01:06:45,200 --> 01:06:46,440 Speaker 2: Because I can't get out of my head that it 1542 01:06:47,000 --> 01:06:50,280 Speaker 2: could be her and I'm a hater. Yeah, like, not 1543 01:06:50,720 --> 01:06:53,320 Speaker 2: even him, I even know he was talking about crazy. 1544 01:06:53,440 --> 01:06:55,040 Speaker 2: That's wow, that's what who you're thinking? 1545 01:06:57,760 --> 01:06:59,440 Speaker 1: What we end? 1546 01:06:59,480 --> 01:07:01,240 Speaker 3: You can't you're not you can't be anyone. And then 1547 01:07:01,240 --> 01:07:04,200 Speaker 3: I'm definitely not giving you advice, Like come on, I'm 1548 01:07:04,240 --> 01:07:04,920 Speaker 3: not that secure. 1549 01:07:05,400 --> 01:07:08,200 Speaker 1: Of course not. I'm not gonna objective here. He's not 1550 01:07:08,280 --> 01:07:15,040 Speaker 1: the right one for you. Oh man, this is wild. 1551 01:07:15,160 --> 01:07:16,800 Speaker 2: I don't know if this is good content or not, 1552 01:07:16,920 --> 01:07:19,280 Speaker 2: but that just blew my mind. But she subscribed to 1553 01:07:19,320 --> 01:07:22,040 Speaker 2: our Patriot. Are we sure that's heard of? I'm not 1554 01:07:22,120 --> 01:07:24,240 Speaker 2: even like, we can't. It might not even be who 1555 01:07:24,440 --> 01:07:26,160 Speaker 2: who you're talking about. I mean, we should keep all 1556 01:07:26,160 --> 01:07:27,919 Speaker 2: this because IT'SHILEI I'll definitely keep it. But I don't 1557 01:07:27,920 --> 01:07:29,200 Speaker 2: think that that's who you think it is. 1558 01:07:29,680 --> 01:07:33,000 Speaker 1: I can't. I can't see that. I can't see that 1559 01:07:33,440 --> 01:07:37,640 Speaker 1: me either, or text and ask like, YO, did you leave? 1560 01:07:38,240 --> 01:07:41,960 Speaker 1: I haven't her and I haven't spoken. Really, That's why 1561 01:07:41,960 --> 01:07:44,200 Speaker 1: I don't believe that that's who that that that that's her. 1562 01:07:44,320 --> 01:07:46,760 Speaker 3: I don't believe that. No way, man, I just don't 1563 01:07:46,760 --> 01:07:49,680 Speaker 3: think that she would do that. That's like so far fetched, 1564 01:07:50,760 --> 01:07:52,520 Speaker 3: like she might be like, Yo, what are you talking about? 1565 01:07:52,880 --> 01:07:54,680 Speaker 3: There's no way she subscribed to the Patreon. 1566 01:07:54,920 --> 01:07:57,160 Speaker 1: She definitely ran. You know this is this is just 1567 01:07:57,200 --> 01:07:58,800 Speaker 1: gonna be a funny segment because this is just how 1568 01:07:58,960 --> 01:08:06,360 Speaker 1: like corny. Do are random? Hope all as well? No, 1569 01:08:06,520 --> 01:08:10,680 Speaker 1: you don't. You don't even hope, and you're living in 1570 01:08:10,840 --> 01:08:13,120 Speaker 1: your purpose? I thought you about say living your dreams? 1571 01:08:14,360 --> 01:08:15,960 Speaker 1: Oh should I do that in today? I hope you're 1572 01:08:16,000 --> 01:08:18,960 Speaker 1: living your dreams. I hope you're dreams. I'm gonna try 1573 01:08:18,960 --> 01:08:20,479 Speaker 1: and sound better and say, I hope you're living within 1574 01:08:20,520 --> 01:08:25,120 Speaker 1: your purpose. Living with your purpose is crazy. I hope 1575 01:08:25,120 --> 01:08:27,400 Speaker 1: you found your dreams. Listen, man, Kendrick told us we 1576 01:08:27,400 --> 01:08:30,160 Speaker 1: got Tom Sure. I don't think that's that girl, though, Bro, 1577 01:08:30,640 --> 01:08:33,120 Speaker 1: I really don't. I can't see that. Did you happen 1578 01:08:33,240 --> 01:08:41,120 Speaker 1: to call into the voicemail segment no of our podcast? 1579 01:08:42,240 --> 01:08:42,280 Speaker 5: No? 1580 01:08:42,640 --> 01:08:46,040 Speaker 1: Man, No, I'm guaranteeing you that's not her. I guarantee you. 1581 01:08:46,200 --> 01:08:48,720 Speaker 2: And this is and why fuck with this girl so 1582 01:08:48,840 --> 01:08:51,800 Speaker 2: much as she's such an asshole, she's even if she 1583 01:08:51,880 --> 01:08:54,120 Speaker 2: did call in, she's gonna lie and clown me and 1584 01:08:54,200 --> 01:08:55,920 Speaker 2: be like, yo, you're trying to fuck again, Like, no, 1585 01:08:56,080 --> 01:08:59,519 Speaker 2: I didn't. This is your this is your way to reconnect. Yeah, 1586 01:09:00,040 --> 01:09:02,400 Speaker 2: because this is up there with like, tell your mom 1587 01:09:02,439 --> 01:09:03,439 Speaker 2: I said Happy Thanksgiving? 1588 01:09:04,720 --> 01:09:07,559 Speaker 3: When it takes Did you call into my podcast? That's 1589 01:09:07,600 --> 01:09:10,599 Speaker 3: definitely not that girl? That's not even who I was thinking. 1590 01:09:13,840 --> 01:09:15,760 Speaker 3: Did she respond? No, I just sent it. 1591 01:09:15,880 --> 01:09:22,360 Speaker 1: Okay, all right, So what's what's your advice to not her? Yes, 1592 01:09:22,560 --> 01:09:25,280 Speaker 1: just let it go. I'll try to be objective. I mean, 1593 01:09:25,320 --> 01:09:25,799 Speaker 1: if he's. 1594 01:09:27,560 --> 01:09:30,760 Speaker 2: If he's that close and you've been active in what 1595 01:09:30,920 --> 01:09:32,760 Speaker 2: you want to do here, I just let the shit go. 1596 01:09:32,920 --> 01:09:35,680 Speaker 2: It's clear that he doesn't he don't want that, and 1597 01:09:35,840 --> 01:09:40,400 Speaker 2: just come home. Yeah, man, it stop, man, because we 1598 01:09:40,479 --> 01:09:42,559 Speaker 2: don't even know if that's the same person. Man, stop, bro, 1599 01:09:43,160 --> 01:09:46,519 Speaker 2: just cut it out. But that's not okay, but no, 1600 01:09:46,680 --> 01:09:49,439 Speaker 2: it's it's says anonymous. I was trying to find the email. Okay, 1601 01:09:49,640 --> 01:09:51,520 Speaker 2: but it's completely anonymous. 1602 01:09:51,560 --> 01:09:55,639 Speaker 1: And you know what email is? Crazy? Do you remember 1603 01:09:55,720 --> 01:09:56,800 Speaker 1: emails like off the top? 1604 01:09:57,000 --> 01:09:58,360 Speaker 2: I mean sometimes when you get block you got to 1605 01:09:58,400 --> 01:10:02,000 Speaker 2: email them. Well that is true, but why I'm not bugging? 1606 01:10:02,040 --> 01:10:03,880 Speaker 2: His peage also caught it and was like, nah, this 1607 01:10:03,960 --> 01:10:04,599 Speaker 2: sounds familiar. 1608 01:10:05,760 --> 01:10:09,120 Speaker 1: I don't think that's her. I don't think that's her. 1609 01:10:09,280 --> 01:10:11,439 Speaker 2: All right, well if not, sorry, we gave no advice. 1610 01:10:11,560 --> 01:10:13,840 Speaker 2: This was just more of a nope, we did. We 1611 01:10:13,920 --> 01:10:14,479 Speaker 2: gave advice. 1612 01:10:15,840 --> 01:10:18,320 Speaker 1: You know where home is at. Yeah, so those are 1613 01:10:18,320 --> 01:10:18,760 Speaker 1: always open. 1614 01:10:18,800 --> 01:10:21,599 Speaker 2: That's why you're calling him. She trying to get back. 1615 01:10:22,280 --> 01:10:23,479 Speaker 2: Thank you for supporting the podcast. 1616 01:10:23,600 --> 01:10:26,360 Speaker 1: Yeah, thank you. We appreciate that for sure. See you 1617 01:10:26,400 --> 01:10:29,639 Speaker 1: look at that even with my old joints still supporting 1618 01:10:29,680 --> 01:10:32,519 Speaker 1: my dreams. Yeah, that means your good guy. We did 1619 01:10:32,600 --> 01:10:36,160 Speaker 1: nothing bad. Yeah, we were cool. That's that's why pays 1620 01:10:36,200 --> 01:10:39,679 Speaker 1: not the end bad. Oh yeah, relationship there, that's the homie. 1621 01:10:39,840 --> 01:10:44,240 Speaker 2: Just you know, just how grew with mother. You're change 1622 01:10:44,400 --> 01:10:47,280 Speaker 2: blowing father, You're changed in a relationship. So you know, 1623 01:10:48,040 --> 01:10:50,000 Speaker 2: just got to get your thumbs up and hope everyone's 1624 01:10:50,040 --> 01:10:52,400 Speaker 2: living within their purpose. Yeah, next voice mail. 1625 01:10:55,960 --> 01:10:57,400 Speaker 4: All right, I'm trying to make this fast. Right. 1626 01:10:57,560 --> 01:10:59,479 Speaker 5: So I met this girl when I was nineteen and 1627 01:10:59,520 --> 01:11:01,760 Speaker 5: she was eight. I'm twenty two now she's twenty. Wife, 1628 01:11:02,000 --> 01:11:03,960 Speaker 5: all right, met her that summer, went on one date 1629 01:11:04,000 --> 01:11:05,000 Speaker 5: and then she went off to school. 1630 01:11:05,200 --> 01:11:09,000 Speaker 2: Okay, sorry that I stop this real quick and keep 1631 01:11:09,080 --> 01:11:13,200 Speaker 2: all this speech. She just replied same to you. 1632 01:11:15,560 --> 01:11:17,560 Speaker 1: No, I didn't. But why do you ask? So? 1633 01:11:17,640 --> 01:11:20,519 Speaker 3: I told you that's not her, it's not her. Man, 1634 01:11:21,600 --> 01:11:23,679 Speaker 3: I told you that that's not her. Trust me, that's 1635 01:11:23,720 --> 01:11:25,680 Speaker 3: not her. It's not bro. 1636 01:11:26,200 --> 01:11:26,519 Speaker 5: No that. 1637 01:11:28,360 --> 01:11:30,639 Speaker 2: Maybe we should reconnect them. Maybe that was a great 1638 01:11:30,800 --> 01:11:33,320 Speaker 2: So don'ts a joke, please though. 1639 01:11:33,240 --> 01:11:34,000 Speaker 4: Kept in contact. 1640 01:11:34,120 --> 01:11:36,960 Speaker 5: Right that next summer in twenty twenty two, we went 1641 01:11:37,000 --> 01:11:39,800 Speaker 5: on like twelve thirteen dates, right, I keep in mind 1642 01:11:39,840 --> 01:11:42,280 Speaker 5: we never kissed on no sex, none of that, because 1643 01:11:42,439 --> 01:11:44,280 Speaker 5: I mean we liked but we want to. 1644 01:11:44,320 --> 01:11:46,680 Speaker 1: You know, you don't have twelve thirteen days and y'all 1645 01:11:46,720 --> 01:11:51,640 Speaker 1: didn't kiss. She don't like you? What girl, are you 1646 01:11:51,680 --> 01:11:53,560 Speaker 1: gonna go out on a date with twelve times and 1647 01:11:53,640 --> 01:11:59,240 Speaker 1: not get a kiss? Twelve times? Twelve dates? We lived together. 1648 01:12:01,320 --> 01:12:03,920 Speaker 3: Twelve dates with somebody and you don't kiss them. That 1649 01:12:04,040 --> 01:12:06,520 Speaker 3: ain't no chemist, just no sexual. 1650 01:12:06,280 --> 01:12:09,439 Speaker 1: You are saved as food. Yeah, twelve dates? 1651 01:12:09,720 --> 01:12:10,120 Speaker 4: Are you going? 1652 01:12:10,240 --> 01:12:10,840 Speaker 1: Twelve dates? 1653 01:12:10,880 --> 01:12:11,000 Speaker 4: Yo? 1654 01:12:11,080 --> 01:12:14,120 Speaker 2: We have like you have your toothbrush in my crib 1655 01:12:14,160 --> 01:12:16,920 Speaker 2: at that point. Twelve dates, I'm more inside of one, 1656 01:12:17,000 --> 01:12:18,320 Speaker 2: but I feel all right, I'm just. 1657 01:12:18,280 --> 01:12:19,240 Speaker 4: Trying to make this fast. Right. 1658 01:12:19,400 --> 01:12:21,320 Speaker 5: So I met this girl when I was nineteen and 1659 01:12:21,400 --> 01:12:23,519 Speaker 5: she was eighteen. I'm twenty two now she's twenty one, 1660 01:12:23,840 --> 01:12:25,840 Speaker 5: all right, met her that summer, went on one date 1661 01:12:25,840 --> 01:12:27,479 Speaker 5: and then she went off to school. But it was great. 1662 01:12:27,640 --> 01:12:30,080 Speaker 5: So we kept in contact. Right that next summer in 1663 01:12:30,160 --> 01:12:33,519 Speaker 5: twenty twenty two, we went on like twelve thirteen dates. 1664 01:12:33,600 --> 01:12:33,720 Speaker 4: Right. 1665 01:12:33,960 --> 01:12:36,400 Speaker 5: I keep in mind we never kissed, on no sex, 1666 01:12:36,479 --> 01:12:38,400 Speaker 5: none of that, because I mean, we liked each other, 1667 01:12:38,479 --> 01:12:41,080 Speaker 5: but we want to, you know, complicate shit. So it's just, hey, 1668 01:12:41,400 --> 01:12:43,599 Speaker 5: you're gonna keep you know, going out having fun, all right? 1669 01:12:43,680 --> 01:12:43,880 Speaker 4: Cool? 1670 01:12:44,479 --> 01:12:46,639 Speaker 1: Want to you would have beat the first date if 1671 01:12:46,680 --> 01:12:49,320 Speaker 1: she lets you, Like we were talking about fail. We 1672 01:12:49,400 --> 01:12:51,760 Speaker 1: didn't want to complicate going on thirteen dates and not 1673 01:12:51,880 --> 01:12:53,560 Speaker 1: wanting to complicate that. I want my shit to be 1674 01:12:53,640 --> 01:12:58,000 Speaker 1: wild complicated. It's complicated now while we're on thirteenth and 1675 01:12:58,040 --> 01:12:59,639 Speaker 1: we ain't kiss yet. It's very complicated. 1676 01:12:59,680 --> 01:13:01,240 Speaker 5: Back home, I don't see her because I'm in a 1677 01:13:01,320 --> 01:13:03,880 Speaker 5: relationship at this point, all right, cool, don't see her 1678 01:13:04,280 --> 01:13:06,880 Speaker 5: now that I'm out of it. I saw her in 1679 01:13:07,040 --> 01:13:11,439 Speaker 5: August and we finally like really confessd like, you know, 1680 01:13:11,600 --> 01:13:12,840 Speaker 5: like what's up between us? 1681 01:13:13,120 --> 01:13:15,040 Speaker 4: And we was on the same page. It's like, all right, cool, 1682 01:13:15,160 --> 01:13:18,280 Speaker 4: we both like each other. Great U. And then we 1683 01:13:18,360 --> 01:13:19,200 Speaker 4: went out one more. 1684 01:13:19,080 --> 01:13:21,960 Speaker 5: Time before she went off again, and this time we 1685 01:13:22,080 --> 01:13:24,320 Speaker 5: finally at least broke like the kiss barrier. 1686 01:13:24,600 --> 01:13:28,760 Speaker 4: You know, we racing that, all right, cool. So now 1687 01:13:28,920 --> 01:13:30,560 Speaker 4: we have somewhat of an understanding. 1688 01:13:30,680 --> 01:13:33,320 Speaker 5: When she graduates in May and comes home to Atlanta, 1689 01:13:33,840 --> 01:13:34,759 Speaker 5: we'll see what happens. 1690 01:13:34,800 --> 01:13:37,080 Speaker 4: I told her, I'm not expecting nothing. We'll just you know, 1691 01:13:37,160 --> 01:13:38,559 Speaker 4: we'll just try it out and see. Right. 1692 01:13:38,840 --> 01:13:42,000 Speaker 5: So it's been a great little three year, long time 1693 01:13:42,080 --> 01:13:45,280 Speaker 5: coming slow burn ass story. And I only have a question. 1694 01:13:45,360 --> 01:13:47,160 Speaker 5: I just want to say, fuck y'all niggas, because on 1695 01:13:47,240 --> 01:13:51,439 Speaker 5: the recent Patron episode, y'all mentioned it made that shit 1696 01:13:51,560 --> 01:13:52,680 Speaker 5: sound insane. 1697 01:13:53,080 --> 01:13:54,960 Speaker 4: That's where she goes. So like I was just like, wait, 1698 01:13:55,200 --> 01:13:58,479 Speaker 4: what you mean that? I just didn't. I didn't ask 1699 01:13:58,520 --> 01:13:59,519 Speaker 4: for a stomach ache, so. 1700 01:14:02,560 --> 01:14:05,000 Speaker 1: I can assure you that college she didn't go on 1701 01:14:05,000 --> 01:14:09,920 Speaker 1: one date. He said, Yo, I don't want no advice. 1702 01:14:09,960 --> 01:14:16,280 Speaker 3: I just want to say, fuck y'all, fam you went 1703 01:14:16,360 --> 01:14:18,800 Speaker 3: on thirteen days with this girl, got your first kiss 1704 01:14:19,080 --> 01:14:20,360 Speaker 3: on the sixteenth date. 1705 01:14:20,479 --> 01:14:22,920 Speaker 1: And then then brought up to college that she went 1706 01:14:22,960 --> 01:14:26,160 Speaker 1: to on our Patreon of like, yo, go down over there. 1707 01:14:27,160 --> 01:14:29,200 Speaker 3: I could guarantee you hold me that eight when you 1708 01:14:29,400 --> 01:14:31,200 Speaker 3: taking her out and you ain't getting no kisses. 1709 01:14:31,240 --> 01:14:33,680 Speaker 1: Guess what, she going right back to her campus and 1710 01:14:33,800 --> 01:14:34,920 Speaker 1: she kisses somebody else. 1711 01:14:35,000 --> 01:14:35,120 Speaker 4: Man. 1712 01:14:35,200 --> 01:14:37,040 Speaker 1: Matter of fact, she's swiping for him to get into 1713 01:14:37,040 --> 01:14:37,640 Speaker 1: the cafeteria. 1714 01:14:37,720 --> 01:14:40,519 Speaker 3: That's a fact. That's a fact, homie. He's a friend, 1715 01:14:40,560 --> 01:14:43,759 Speaker 3: he's she probably likes him, and you know he's a friend. 1716 01:14:43,960 --> 01:14:46,760 Speaker 3: Like she's not trying to trying to. I guess take 1717 01:14:46,800 --> 01:14:47,439 Speaker 3: it deal with him. 1718 01:14:47,880 --> 01:14:50,960 Speaker 1: He's you know, guys in the South like settled down 1719 01:14:51,040 --> 01:14:52,760 Speaker 1: early and care about Wait was that the end of it? 1720 01:14:53,479 --> 01:14:53,679 Speaker 4: Yeah? 1721 01:14:53,800 --> 01:14:54,880 Speaker 1: Just oh he just had off. 1722 01:14:55,760 --> 01:14:59,960 Speaker 2: Yeah, ended that one thirty. Okay, guys in the South 1723 01:15:00,000 --> 01:15:02,080 Speaker 2: want to settle down early and all that shit. I 1724 01:15:02,160 --> 01:15:04,080 Speaker 2: will say this if it does work out, when she 1725 01:15:04,200 --> 01:15:08,720 Speaker 2: comes back in May. Just try to keep out of 1726 01:15:08,760 --> 01:15:12,680 Speaker 2: your head her college career if that's your queen and 1727 01:15:12,720 --> 01:15:14,680 Speaker 2: you guys waited, and that's a beautiful story. I love 1728 01:15:14,720 --> 01:15:18,320 Speaker 2: that it sounds. Just just know that that maybe maybe 1729 01:15:18,320 --> 01:15:22,400 Speaker 2: it wasn't her style. And then in the term of 1730 01:15:22,880 --> 01:15:25,519 Speaker 2: you know, when she was away at school, like she's 1731 01:15:25,560 --> 01:15:27,200 Speaker 2: your queen now, bro, you got. 1732 01:15:27,160 --> 01:15:29,760 Speaker 3: Her press the delete button on all of her like 1733 01:15:30,240 --> 01:15:33,519 Speaker 3: her college years, like just when it was dating, taking 1734 01:15:33,560 --> 01:15:34,639 Speaker 3: to eat and all. 1735 01:15:34,479 --> 01:15:37,760 Speaker 2: Of that, like, and you know when she does go 1736 01:15:37,840 --> 01:15:40,240 Speaker 2: to her reunion in five years and it's like, oh, babe, 1737 01:15:40,280 --> 01:15:41,320 Speaker 2: come with me and want you to meet on my 1738 01:15:41,360 --> 01:15:43,679 Speaker 2: college friends and you just start noticing ship. 1739 01:15:43,880 --> 01:15:48,000 Speaker 1: Yeah, just hold it down, just hold it down. Signed 1740 01:15:48,040 --> 01:15:51,760 Speaker 1: up for this, Yeah, he said, fuck y'all man, because 1741 01:15:51,840 --> 01:15:52,519 Speaker 1: y'all mentioned. 1742 01:15:52,479 --> 01:15:56,200 Speaker 2: And then when like one of her male friends is like, oh, 1743 01:15:56,400 --> 01:16:00,200 Speaker 2: like when y'all meet and you say before college, and 1744 01:16:00,240 --> 01:16:01,960 Speaker 2: then he start adding it up and goes. 1745 01:16:01,920 --> 01:16:05,559 Speaker 1: Hmmmmm, let's hold it down. Yeah, when he started doing 1746 01:16:05,600 --> 01:16:06,040 Speaker 1: the math. 1747 01:16:06,240 --> 01:16:08,440 Speaker 3: Well, I mean he said that they had the conversation 1748 01:16:08,640 --> 01:16:10,439 Speaker 3: and they're on the same page now they both like 1749 01:16:10,520 --> 01:16:12,680 Speaker 3: each other. So he was also in a relationship though, 1750 01:16:12,880 --> 01:16:15,439 Speaker 3: so is he. He said he was after like their 1751 01:16:15,520 --> 01:16:17,320 Speaker 3: thirty Oh yeah, he got out of and now now 1752 01:16:17,360 --> 01:16:17,840 Speaker 3: they're single. 1753 01:16:17,960 --> 01:16:19,639 Speaker 1: So she was she was never not sing. 1754 01:16:19,760 --> 01:16:21,640 Speaker 3: Yeah, she was never not single. She had somebody at 1755 01:16:21,680 --> 01:16:24,200 Speaker 3: the at the at the the dorms in the state. 1756 01:16:24,400 --> 01:16:26,000 Speaker 3: Yea had the dorms wait for her to get back. 1757 01:16:26,080 --> 01:16:28,760 Speaker 3: So call us back and let us know if y'all, 1758 01:16:28,800 --> 01:16:32,040 Speaker 3: you know, finally smacked some sugar again, if you smacked 1759 01:16:32,040 --> 01:16:32,360 Speaker 3: her ass. 1760 01:16:32,400 --> 01:16:35,320 Speaker 2: I don't know, And I feel like college bodies don't count. Shit, 1761 01:16:36,960 --> 01:16:39,360 Speaker 2: Come on, they count. I'm thirty four, I know, I know. 1762 01:16:39,479 --> 01:16:42,679 Speaker 1: Hold you yourself. 1763 01:16:42,760 --> 01:16:45,000 Speaker 2: You're dating a chick on age. There's no way you 1764 01:16:45,040 --> 01:16:46,720 Speaker 2: could be like, I wonder what she didn't got it? Yeah, 1765 01:16:46,800 --> 01:16:47,559 Speaker 2: it was a long time. 1766 01:16:47,680 --> 01:16:49,599 Speaker 1: You not all right. First of all, you're not saying 1767 01:16:49,640 --> 01:16:51,599 Speaker 1: like if the water polo team ran through her. 1768 01:16:51,720 --> 01:16:56,559 Speaker 3: I'm just saying, okay, I'm just saying, like, of course 1769 01:16:56,600 --> 01:16:57,240 Speaker 3: there's a line. 1770 01:16:57,360 --> 01:16:59,840 Speaker 1: Yes, okay, that's all. That's all I was asking. 1771 01:16:59,880 --> 01:17:03,240 Speaker 2: That's all I was because you please, I hope the 1772 01:17:03,360 --> 01:17:05,400 Speaker 2: offensive line didn't run through Yeah. 1773 01:17:05,479 --> 01:17:07,960 Speaker 3: Yeah, as long as we keeping in perspective, like there 1774 01:17:08,040 --> 01:17:11,519 Speaker 3: are certain things when you never overlooking, you never. 1775 01:17:11,640 --> 01:17:13,559 Speaker 1: Caught somebodies in the four years you were in college. 1776 01:17:13,720 --> 01:17:15,560 Speaker 1: Yeah yeah, I mean we know that. That's come on, 1777 01:17:15,880 --> 01:17:17,479 Speaker 1: I get that part. But if I'm just I'm not 1778 01:17:17,520 --> 01:17:18,160 Speaker 1: going to reunion. 1779 01:17:18,240 --> 01:17:21,400 Speaker 3: Yeah yeah, if it's like the same guys that were 1780 01:17:21,439 --> 01:17:25,040 Speaker 3: the same you know, lettermans have the same story about 1781 01:17:25,080 --> 01:17:28,120 Speaker 3: you and it's like, uh yeah, I can't really take 1782 01:17:28,200 --> 01:17:28,960 Speaker 3: her too serious. 1783 01:17:29,040 --> 01:17:30,440 Speaker 1: But you know, I'm glad you graduated. 1784 01:17:30,840 --> 01:17:33,479 Speaker 2: Yeah, if you walk into that ten year reunion and 1785 01:17:34,240 --> 01:17:36,479 Speaker 2: they're like, damn, you settled down and you're sitting there 1786 01:17:36,520 --> 01:17:38,080 Speaker 2: like why why wouldn't she settle that? 1787 01:17:39,120 --> 01:17:42,080 Speaker 1: Why is that weird? Do you she wasn't always settled? Yeah? 1788 01:17:44,520 --> 01:17:45,519 Speaker 1: I met her quite settled. 1789 01:17:45,520 --> 01:17:48,519 Speaker 3: I don't understand what of respect me when I met her, like, 1790 01:17:48,680 --> 01:17:50,280 Speaker 3: uh not when I was in school. 1791 01:17:51,320 --> 01:17:52,920 Speaker 1: We got a nickname for her. I think now we 1792 01:17:52,960 --> 01:17:55,000 Speaker 1: need a settlement. Yeah yeah, that's a fact. 1793 01:17:56,840 --> 01:17:58,720 Speaker 3: But yeah, call us back and let us know if 1794 01:17:58,800 --> 01:18:01,800 Speaker 3: the relationship you know, went to is he even at 1795 01:18:01,800 --> 01:18:03,600 Speaker 3: first bad? Yeah, he got a kiss, So let us 1796 01:18:03,640 --> 01:18:05,679 Speaker 3: know if y'all made it to second base, I'm rooting 1797 01:18:05,720 --> 01:18:07,400 Speaker 3: for them. Date number twenty seven. 1798 01:18:07,600 --> 01:18:11,400 Speaker 1: We'll be in Atlanta in November. Yes, tickets available now. 1799 01:18:11,479 --> 01:18:12,679 Speaker 1: Newroryomal dot com. 1800 01:18:13,080 --> 01:18:17,040 Speaker 3: We will be in Toronto October seventeenth, Atlanta November twenty second, 1801 01:18:17,080 --> 01:18:18,920 Speaker 3: and then in New York City at the Gramm Seat 1802 01:18:18,920 --> 01:18:21,559 Speaker 3: Theater December thirteenth and December fourteenth. 1803 01:18:21,640 --> 01:18:24,479 Speaker 2: That's around Thanksgiving time. Maybe she'll come home for Thanksgiving 1804 01:18:24,640 --> 01:18:26,760 Speaker 2: and he could bring her to the show and we 1805 01:18:26,800 --> 01:18:28,000 Speaker 2: could like talk to them on stage. 1806 01:18:28,120 --> 01:18:34,160 Speaker 1: That'll be five, Yeah, that'll be date number what fifteen? Yeah, 1807 01:18:35,640 --> 01:18:36,439 Speaker 1: it's all for X. 1808 01:18:39,200 --> 01:18:40,920 Speaker 3: I'm making him kiss in front of us. Fuck that 1809 01:18:41,280 --> 01:18:43,320 Speaker 3: you gonna get You're gonna give him some sugar in 1810 01:18:43,360 --> 01:18:46,639 Speaker 3: front of me. This man then took you on nineteen 1811 01:18:46,760 --> 01:18:47,840 Speaker 3: dates and he ain't get a kiss. 1812 01:18:48,040 --> 01:18:50,280 Speaker 1: I mean, if the show goes good, maybe he'll be 1813 01:18:50,320 --> 01:18:52,680 Speaker 1: able to touch your teddy that night. Who knows. Oh man, man, 1814 01:18:52,760 --> 01:18:55,280 Speaker 1: that's too fast. That's gonna take another twelve dates. What 1815 01:18:55,360 --> 01:19:01,080 Speaker 1: do you consider the basis? So first bases her mouth, 1816 01:19:02,240 --> 01:19:05,639 Speaker 1: that's the kids. What you got to add more context 1817 01:19:05,680 --> 01:19:09,960 Speaker 1: to that? I said the kiss, that's that's that's the kiss, 1818 01:19:10,040 --> 01:19:15,320 Speaker 1: her mouth being first, baby, it is ain't on the 1819 01:19:15,360 --> 01:19:17,240 Speaker 1: second base. The fuck is wrong with you? That's a 1820 01:19:17,280 --> 01:19:20,960 Speaker 1: home run in the park whole. Yeah, that's a grand slap. 1821 01:19:21,560 --> 01:19:23,360 Speaker 1: She lets you throw it in her cake, doesn't chris 1822 01:19:25,120 --> 01:19:30,479 Speaker 1: her mouth? Being first base, it's fucking crazy, you fucking slut. 1823 01:19:32,600 --> 01:19:37,760 Speaker 1: I met the kiss man, that ain't on me. A 1824 01:19:37,880 --> 01:19:44,920 Speaker 1: third is crazy because what's home at that point? Pegging? 1825 01:19:45,200 --> 01:19:47,360 Speaker 1: Holy ship? Oh man? 1826 01:19:47,439 --> 01:19:49,880 Speaker 2: All right, so first base would be kissing and making 1827 01:19:49,920 --> 01:19:52,680 Speaker 2: out kiss it like I never understood the basis. 1828 01:19:52,600 --> 01:19:55,439 Speaker 1: And the first base is a kiss. Second base is 1829 01:19:55,560 --> 01:19:59,120 Speaker 1: like hand, a hand action grabbing the boobs. You know 1830 01:20:00,040 --> 01:20:04,120 Speaker 1: that second. Third is when you start, at least, you know, 1831 01:20:04,479 --> 01:20:06,760 Speaker 1: playing with the playing with the box a little bit. 1832 01:20:06,840 --> 01:20:09,840 Speaker 2: That wouldn't be second base second playing with the box, 1833 01:20:10,000 --> 01:20:13,680 Speaker 2: damn yeah, because I thought third was like head and 1834 01:20:13,760 --> 01:20:14,479 Speaker 2: then home run. 1835 01:20:14,800 --> 01:20:17,120 Speaker 1: Was fucking third is when you head? Is when you 1836 01:20:17,240 --> 01:20:22,559 Speaker 1: steal third. That's still in third week. 1837 01:20:25,760 --> 01:20:27,800 Speaker 2: Yeah, you know, you know when then he got in 1838 01:20:27,840 --> 01:20:30,160 Speaker 2: the pickle in sand lot. That's when you get your 1839 01:20:30,160 --> 01:20:34,719 Speaker 2: ass left if you out do the pickle. 1840 01:20:37,920 --> 01:20:43,840 Speaker 1: Oh man, yo, oh ship, that's what James Earl Jones 1841 01:20:43,920 --> 01:20:47,759 Speaker 1: was one. Oh my god, rest the past. James Earl Jones, 1842 01:20:48,600 --> 01:20:53,040 Speaker 1: my god, when we are knocked on his door, yo, 1843 01:20:53,160 --> 01:20:55,760 Speaker 1: shut up. He was blind, bro. They was scared. He 1844 01:20:55,840 --> 01:20:57,960 Speaker 1: had the dog back there it was a fucking they 1845 01:20:57,960 --> 01:20:59,479 Speaker 1: were scared of the dog. He thought it was a killer. 1846 01:21:00,080 --> 01:21:02,160 Speaker 1: Not get that kid back of the house, like there 1847 01:21:02,240 --> 01:21:03,600 Speaker 1: was probably a front door like that was on the 1848 01:21:03,600 --> 01:21:08,960 Speaker 1: street side. You're trying to ruin American classics. But it 1849 01:21:09,040 --> 01:21:11,080 Speaker 1: shut up, bro, didn't they already do Say a Lot 1850 01:21:11,120 --> 01:21:14,080 Speaker 1: to and ruin it? Hope I boycott it. I definitely 1851 01:21:14,080 --> 01:21:15,640 Speaker 1: didn't watch that shit. I didn't see that. If they did, 1852 01:21:15,680 --> 01:21:17,040 Speaker 1: I definitely didn't watch Say a Lot too, I'm not 1853 01:21:17,080 --> 01:21:19,080 Speaker 1: watching that. There wasn't they put like a fucking dalmation 1854 01:21:19,240 --> 01:21:22,000 Speaker 1: on the front. Oh yeah, see, I'm good. I didn't 1855 01:21:22,000 --> 01:21:24,080 Speaker 1: watch that progressive bullshit. 1856 01:21:24,120 --> 01:21:24,559 Speaker 4: I'm cool. 1857 01:21:25,920 --> 01:21:27,919 Speaker 1: I don't know how those two things died together whatsoever. 1858 01:21:28,080 --> 01:21:29,280 Speaker 1: But this was fun. 1859 01:21:29,760 --> 01:21:32,920 Speaker 3: I had a great time. Uh So the next time 1860 01:21:33,000 --> 01:21:35,400 Speaker 3: y'all hears thy London. 1861 01:21:35,600 --> 01:21:36,040 Speaker 1: Oh, thank you. 1862 01:21:36,160 --> 01:21:38,240 Speaker 3: First of all, thank the amazing show ever, thank you 1863 01:21:38,680 --> 01:21:41,040 Speaker 3: everybody that came out to the London Show. We appreciate y'all, 1864 01:21:41,040 --> 01:21:44,080 Speaker 3: We love y'all. We will we will be back soon. 1865 01:21:45,840 --> 01:21:49,280 Speaker 3: But yeah, thank you to London Podcast Studio. Thank you 1866 01:21:49,400 --> 01:21:52,400 Speaker 3: to Cod for welcoming us while we're here, showing us love, 1867 01:21:53,200 --> 01:21:54,760 Speaker 3: and thank you everybody in London. Man, it was it 1868 01:21:54,840 --> 01:21:56,880 Speaker 3: was great. It was a good time, great weather. The 1869 01:21:56,920 --> 01:21:59,439 Speaker 3: weather held up this time for us. And by the 1870 01:21:59,479 --> 01:22:01,560 Speaker 3: time y'all hear us and seeing us, we will be 1871 01:22:01,760 --> 01:22:03,280 Speaker 3: back in New York City. 1872 01:22:04,200 --> 01:22:04,400 Speaker 1: Yeah. 1873 01:22:04,600 --> 01:22:06,920 Speaker 3: So let's let's head home, man, bring us on the 1874 01:22:06,960 --> 01:22:09,160 Speaker 3: home nervous. Don't touch my ass though, but just bring 1875 01:22:09,240 --> 01:22:13,160 Speaker 3: us home. You're not Benny the Jet. 1876 01:22:13,200 --> 01:22:13,679 Speaker 1: That's why. 1877 01:22:15,479 --> 01:22:18,040 Speaker 2: That was his name, right, Yeah, you ain't put on 1878 01:22:18,120 --> 01:22:21,519 Speaker 2: the Chris Chucks just to outrun a dog for no reason. 1879 01:22:23,320 --> 01:22:27,800 Speaker 2: Oh man, who really thinks Babe Ruth signed. 1880 01:22:27,560 --> 01:22:28,080 Speaker 1: At that ball? 1881 01:22:29,280 --> 01:22:29,400 Speaker 4: Yo? 1882 01:22:29,520 --> 01:22:32,360 Speaker 3: Stop man, stop you always get weird and start ruining 1883 01:22:32,360 --> 01:22:33,160 Speaker 3: the classics for us. 1884 01:22:33,240 --> 01:22:36,519 Speaker 1: Man, I mean he was an awful step father to 1885 01:22:36,560 --> 01:22:36,840 Speaker 1: begin with. 1886 01:22:39,479 --> 01:22:39,760 Speaker 4: What is 1887 01:22:42,200 --> 01:22:43,679 Speaker 1: No worry now