WEBVTT - Breaking Free From Family Beliefs

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<v Speaker 1>Pushkin.

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<v Speaker 2>If I followed this path that my father had laid

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<v Speaker 2>out for me, I would be a woman who didn't

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<v Speaker 2>follow her own dreams and desires, didn't follow her own passions,

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<v Speaker 2>didn't live for herself, and was relegated to this sort

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<v Speaker 2>of bent and broken place of silence, of only domesticity.

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<v Speaker 1>Sophia Sinclair is a writer and poet who grew up

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<v Speaker 1>in a Rastafari family. Her father was the head of

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<v Speaker 1>the household, and he made Sophia and her siblings follow

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<v Speaker 1>a strict interpretation of Rastafari. But as Sophia grew older,

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<v Speaker 1>living under her father's rules became suffocating.

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<v Speaker 2>And I thought, no, that's not the future that I

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<v Speaker 2>want for myself. And I want to decide for myself

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<v Speaker 2>the woman that I am going to be, and so

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<v Speaker 2>I need to cut this future completely out of me

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<v Speaker 2>and out of my life entirely.

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<v Speaker 1>On today's show, Breaking Free from your family's beliefs, I'm

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<v Speaker 1>Maya Shunker and this is a slight change of plans,

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<v Speaker 1>a show about who we are and who we become

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<v Speaker 1>in the face of a big change. Sophia grew up

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<v Speaker 1>in a small fishing village on the north coast of Jamaica.

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<v Speaker 1>The village belonged to her mom's family, and Sophia's dad

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<v Speaker 1>never quite felt like he along there. He was part

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<v Speaker 1>of a radical sect of Rastafari, a religious and social movement.

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<v Speaker 1>In that sect, the main tenant was to maintain purity,

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<v Speaker 1>to keep your mind and body clean. This meant avoiding

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<v Speaker 1>any influences from Babylon, the world outside of Rastafari, which

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<v Speaker 1>was seen as evil and corrupt. Sophia's dad worried that

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<v Speaker 1>keeping his family in the village would hurt their purity.

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<v Speaker 1>Sophia and her siblings would be exposed to their maternal aunts,

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<v Speaker 1>for example, who did things like eat meat, drink alcohol,

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<v Speaker 1>wear makeup, and go out dancing. And so when Sophia

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<v Speaker 1>was five, her dad moved their family to the countryside.

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<v Speaker 2>We left the seaside, and suddenly the rules were coming

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<v Speaker 2>fast at me, and you know, which involved like growing

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<v Speaker 2>the dreadlocks. And then also when I was nine years old,

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<v Speaker 2>my father said, you can't climb trees anymore, you will

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<v Speaker 2>never ride a bicycle, you cannot wear jeans, you can't

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<v Speaker 2>wear pants, you can't wear shorts. And so that's why

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<v Speaker 2>I began to question everything, because I was like wait,

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<v Speaker 2>I'm not quite sure where these rules are coming from.

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<v Speaker 2>And a lot of them weren't placed on my brother.

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<v Speaker 2>He could still climb the trees and ride his bicycle

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<v Speaker 2>and all of this. And so I did question, and

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<v Speaker 2>the answer was always, don't question me, just do what

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<v Speaker 2>I say.

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<v Speaker 1>You mentioned these extreme restrictions, right, I mean, there were

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<v Speaker 1>so many limitations placed on you. What was your understanding

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<v Speaker 1>of the expectations of a Rastafari woman. What was the

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<v Speaker 1>future that you were forced to envision for yourself within

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<v Speaker 1>these confines.

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<v Speaker 2>Well, for a long time, I didn't have a good

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<v Speaker 2>understanding of what was expected of me. The rest of

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<v Speaker 2>Fari movement itself doesn't have one unifying principle or core tenet.

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<v Speaker 2>There is no kind of biblical equivalent for Rastafari. There's

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<v Speaker 2>no Holy Book, and most Rastafari households, the idea was

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<v Speaker 2>that the Rasta brethren was kind of God had figured

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<v Speaker 2>in the household. Each Rasta brethren really got to interpret

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<v Speaker 2>and create the rules for himself in his own household.

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<v Speaker 2>And that's what my household was like. My father just

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<v Speaker 2>said these are the rules and you must follow them.

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<v Speaker 2>So that kind of set the tone for what growing

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<v Speaker 2>up was like, and so silence was something that was seen,

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<v Speaker 2>especially for women, as something that made you virtuous. And

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<v Speaker 2>then you know, for women, there were also certain rules

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<v Speaker 2>that weren't necessarily given to the men. For example, there

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<v Speaker 2>were rules about the modesty of dress for women. So

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<v Speaker 2>for the women of Rastafari, you know, they had to

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<v Speaker 2>cover their arms and legs, cover their knees. Some women

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<v Speaker 2>covered their hair. And there was a moment where we there,

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<v Speaker 2>it was a gathering of the rass of community and

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<v Speaker 2>I just remember observing, and I was maybe eight years old.

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<v Speaker 2>I remember observing. All the women were inside in the kitchen.

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<v Speaker 2>They had multiple children kind of grabbing onto their you know, arms, legs,

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<v Speaker 2>their hems. They were making the food and they would

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<v Speaker 2>bring the food outside to the men. And the men

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<v Speaker 2>were all sitting outside talking. But the rastafar I call

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<v Speaker 2>it reasoning right, which was like a big part of

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<v Speaker 2>their community in a way that they passed down the

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<v Speaker 2>oral wisdom and tenets of Rastafari, which was asking questions

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<v Speaker 2>about the man's place in the universe. And they talked

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<v Speaker 2>about philosophy and politics and so on, and you know,

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<v Speaker 2>a lot of existential conversations happening. And I remember looking

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<v Speaker 2>at the men or the bredren sitting there and having

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<v Speaker 2>these conversations and reasoning, and ever so often they would

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<v Speaker 2>call the young boys over like, come and listen, Come

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<v Speaker 2>and listen to this wisdom. I remember being so jealous, like,

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<v Speaker 2>why can't I get the wisdom in the reasoning? And

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<v Speaker 2>you know, and then seeing the women were so preoccupied

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<v Speaker 2>with making the food and bringing the food to the

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<v Speaker 2>men that they didn't have a chance to have existential,

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<v Speaker 2>you know, conversations with each other.

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<v Speaker 1>You're like, I'm smart, I'm capable. What's going on?

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<v Speaker 2>Yeah? And I remember that being one of the first

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<v Speaker 2>times that I thought, Wait, is this the future that

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<v Speaker 2>my father is laying out for me?

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<v Speaker 3>You know?

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<v Speaker 2>Is this if I continue down this path, is this

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<v Speaker 2>where I'm going to be? You know, a woman relegated

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<v Speaker 2>to this sort of bent and broken place of silence,

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<v Speaker 2>of only domesticity and being beholden to just her husband. Yeah.

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<v Speaker 1>Did you see what you described modeled in you talked

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<v Speaker 1>about being beholden to a man? Right? Did you see

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<v Speaker 1>that modeled between your parents and the way that they

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<v Speaker 1>interacted with each other, Like the way that your mom

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<v Speaker 1>was expected to serve your father.

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<v Speaker 2>So when I was younger, when I was a teenager,

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<v Speaker 2>this is how it appeared to me. You know that

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<v Speaker 2>my mother, she did all the domestic things, she cooked

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<v Speaker 2>for everyone, and she I mean, she was just a

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<v Speaker 2>natural nurturing person, gentle, patient, and to her she saw

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<v Speaker 2>it as an honor to be our mom and to

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<v Speaker 2>educate us and expand our imaginations. But in her interactions

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<v Speaker 2>with my father, I often, when I was younger, found

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<v Speaker 2>her voice to be silent. It appeared to me that

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<v Speaker 2>she kind of just deferred, maybe to keep the peace.

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<v Speaker 2>She was, you know, a kind of person who did

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<v Speaker 2>not like confrontation. My father I think some of the

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<v Speaker 2>time was almost all confrontation.

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<v Speaker 1>Yeah, Rastafaris constituted a very small minority of the population. Right,

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<v Speaker 1>So you were you and your siblings were facing all

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<v Speaker 1>of these restrictions imposed by your father, but you were

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<v Speaker 1>further confronting difference at school because your peers were not

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<v Speaker 1>having to follow the same rules as you. And so

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<v Speaker 1>how did that dynamic play out for young Sophia, Right,

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<v Speaker 1>She's going to school and you know, as little kids,

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<v Speaker 1>we want to fit in, Right, It's like really hard.

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<v Speaker 2>Yeah, we were so ostracized, not just by our peers

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<v Speaker 2>by the children. Would you kind of expect that children

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<v Speaker 2>will sort of tease you if you're different or whatever.

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<v Speaker 2>But my teachers and the adults also treated us unkindly

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<v Speaker 2>because they had this unkind idea of Rastafari in their minds.

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<v Speaker 2>It's something that most people would be surprised to know

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<v Speaker 2>about Rastafari because we I think most people outside of

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<v Speaker 2>Jamaica really think Rasafari define Jamaica.

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<v Speaker 4>Right.

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<v Speaker 2>You would probably imagine that they're the majority of the population,

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<v Speaker 2>but actually they're not. They're one percent or less of

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<v Speaker 2>the population. And historically, after the Rastafari movement began in

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<v Speaker 2>the nineteen thirties, Jamaica was still under British colonial rule

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<v Speaker 2>and the movement began as this sort of anti colonial movement,

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<v Speaker 2>one that sought to harden around black liberation and freedom.

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<v Speaker 2>The Restafari were labeled as a cult by the British

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<v Speaker 2>government and the founder of Rasafari and the big commune

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<v Speaker 2>of where the Rastas lived altogether was burnt to the ground.

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<v Speaker 2>And after that the movement really scattered, and my siblings

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<v Speaker 2>and I were among the first Rasta ChIL children to

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<v Speaker 2>integrate public schools in Jamaica. So Yes, that was a

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<v Speaker 2>lot to kind of take on as a young child.

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<v Speaker 2>We were the only Rasta children at school. We were

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<v Speaker 2>often the only Rasta children on the street, in the

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<v Speaker 2>supermarket wherever we went, so people would point us out

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<v Speaker 2>or point at us.

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<v Speaker 1>Yeah, and you were so easily identified, right because of

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<v Speaker 1>your hair and the clothing restrictions.

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<v Speaker 2>Right, yeah, yeah, so no one else had dreadlocks. We

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<v Speaker 2>were the only ones who had dreadlocks, and which I

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<v Speaker 2>think most people kind of think, oh, it's it's a

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<v Speaker 2>hair style, but for the Rastafari, it's a very big

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<v Speaker 2>part of their belief and their faith. The dreadlocks are

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<v Speaker 2>a sacred marker kind of it's a sign of your

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<v Speaker 2>divinity and your your reverence to Ja, which is the

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<v Speaker 2>godhead figure of Rastafari. And so it tethered me to

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<v Speaker 2>my father's control. That signaled to the Rasta brethren in

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<v Speaker 2>his circle that he had his house on the control.

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<v Speaker 2>It created this kind of difficulty of feeling really alienated.

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<v Speaker 1>H there's this very heartbreaking moment you describe in the

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<v Speaker 1>book where a schoolmate of yours tells you that she

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<v Speaker 1>doesn't want to be friends with you because you're Rastafari.

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<v Speaker 2>Yeah, you know, it was one of these moments in

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<v Speaker 2>my life where things really changed, because as soon as

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<v Speaker 2>we got back to school with our dreadlocks, we were

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<v Speaker 2>being teased, and I remember feeling this is one of

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<v Speaker 2>the first times I felt ashamed to be myself, and

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<v Speaker 2>that was not a good feeling. But I thought I

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<v Speaker 2>had a friend. And my father would always tell us,

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<v Speaker 2>you know, don't keep friend and company, don't have friends

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<v Speaker 2>because outside influences are dangerous and people only want to

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<v Speaker 2>hurt you. But I thought she was my friend, and

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<v Speaker 2>one day she did send someone to give me this

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<v Speaker 2>note that said I don't want to be friends with you.

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<v Speaker 2>I don't want to be friends with Arasta, And yeah,

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<v Speaker 2>this was one of the most painful moments in my

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<v Speaker 2>young life, and I tried to harm myself. I stepped

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<v Speaker 2>on a rusty nail. I was ten years old. You know,

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<v Speaker 2>all of this pain, I didn't know where it should go.

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<v Speaker 2>And I was feeling all this pain, all this alienation, isolation,

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<v Speaker 2>and I was at home recovering from what I'd done.

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<v Speaker 2>I told everybody it was an accident, and somehow my

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<v Speaker 2>mother knew it wasn't an accident, and she kind of

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<v Speaker 2>she came to my bed and she sat down and

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<v Speaker 2>she gave me this really beautiful talk about how she

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<v Speaker 2>also felt alienated when she was growing up and it

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<v Speaker 2>was poetry that always made her life feel better. And

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<v Speaker 2>then she gave me my first collection of poems and

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<v Speaker 2>she said, you know, poetry has always helped me, and

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<v Speaker 2>I think it will help you too. Wow.

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<v Speaker 3>And she was right, you know she And this is

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<v Speaker 3>the moment I think my life changed. I know it

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<v Speaker 3>changed because as she left me with this book of

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<v Speaker 3>poems and I read the poems in there, and I.

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<v Speaker 2>Could feel viscerally all the hurt and pain I had

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<v Speaker 2>been feeling because of what happened at school, slowly leaving

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<v Speaker 2>me slowly really evaporating and changing from hurt and pain

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<v Speaker 2>into something else, something beautiful. And I knew then that

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<v Speaker 2>that was the power of poetry. And I thought, if

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<v Speaker 2>I can just keep this feeling, this feeling of wonder

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<v Speaker 2>that really burnt away all of the pain, I would

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<v Speaker 2>always be Okay.

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<v Speaker 1>Yeah, do you remember particular line of poetry that you

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<v Speaker 1>remember speaking to you or yeah.

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<v Speaker 2>She gave me this book. It was called Poems from

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<v Speaker 2>a Child's World, and she told me that William Blake,

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<v Speaker 2>the poem The Tiger was one of her favorites, and

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<v Speaker 2>then I just remember reading that and being awe struck

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<v Speaker 2>and how the words sort of came alive as connected

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<v Speaker 2>to feeling, and how I felt that the imagery was

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<v Speaker 2>also a vessel for meaning and it felt like another

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<v Speaker 2>world opening, a way of understanding the world. That it

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<v Speaker 2>sort of touched something in me that was just waiting

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<v Speaker 2>to be touched, the poet's soul. And then I wrote

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<v Speaker 2>my first poem that was an imitation of the Tiger,

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<v Speaker 2>called the Butterfly.

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<v Speaker 4>But its.

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<v Speaker 2>Yeah, I know, ascute little poem, but you know, it

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<v Speaker 2>was the first time I realized that there was another

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<v Speaker 2>world there waiting for me to touch it.

0:15:20.156 --> 0:15:24.556
<v Speaker 1>Yeah, and it's another world in which you could exercise

0:15:24.676 --> 0:15:29.036
<v Speaker 1>your personal agency again, right in which you were unencumbered

0:15:29.116 --> 0:15:32.436
<v Speaker 1>and just by having a pen and paper, you were

0:15:32.516 --> 0:15:35.956
<v Speaker 1>fully empowered to express yourself. I mean, I can't imagine

0:15:36.156 --> 0:15:39.996
<v Speaker 1>how intoxicating that would feel, given all of the restrictions

0:15:40.036 --> 0:15:41.516
<v Speaker 1>you had faced up until this point.

0:15:42.276 --> 0:15:47.396
<v Speaker 2>Exactly. Yes, I mean, poetry offered me the space to

0:15:48.596 --> 0:15:53.196
<v Speaker 2>nurture my sense of selfhood, to really hone my voice

0:15:53.556 --> 0:15:56.756
<v Speaker 2>at a time where I felt that silence was what

0:15:56.916 --> 0:16:00.916
<v Speaker 2>was being required of me, and poetry, yes, became this

0:16:01.156 --> 0:16:06.436
<v Speaker 2>space where I could really evolve myself and my thoughts

0:16:06.436 --> 0:16:07.356
<v Speaker 2>and my imagination.

0:16:08.676 --> 0:16:13.476
<v Speaker 1>You start reading poetry, you're writing, You're having these magical

0:16:13.556 --> 0:16:16.876
<v Speaker 1>experiences with it. Right you called yourself awestruck. Did you

0:16:16.876 --> 0:16:20.236
<v Speaker 1>feel that it was puncturing holes maybe in your belief

0:16:20.276 --> 0:16:23.876
<v Speaker 1>system or did it open your eyes to a future

0:16:24.356 --> 0:16:26.716
<v Speaker 1>that it maybe felt inaccessible to you? Prior?

0:16:28.756 --> 0:16:33.476
<v Speaker 2>Poetry for me was something that I felt was crucial

0:16:33.596 --> 0:16:38.196
<v Speaker 2>to my survival. It was something that I needed to

0:16:38.276 --> 0:16:44.596
<v Speaker 2>do in order to survive. But also once my poems

0:16:44.716 --> 0:16:49.116
<v Speaker 2>began to be published, and my first poem was published

0:16:49.116 --> 0:16:52.276
<v Speaker 2>when I was sixteen, this was really the first time

0:16:52.316 --> 0:16:56.116
<v Speaker 2>I felt that not only did I have something to say,

0:16:57.276 --> 0:17:01.076
<v Speaker 2>but that what I had to say matted, And so

0:17:01.316 --> 0:17:05.316
<v Speaker 2>that was a crucial thing that poetry gave to me. Yes,

0:17:05.396 --> 0:17:08.356
<v Speaker 2>there was always this imagination of a future in which

0:17:08.716 --> 0:17:11.796
<v Speaker 2>I could be a poet. You know that this passion

0:17:11.876 --> 0:17:15.716
<v Speaker 2>that I had was something that I could continue to do,

0:17:15.796 --> 0:17:18.796
<v Speaker 2>that it could continue to imbue my world with all

0:17:18.836 --> 0:17:22.196
<v Speaker 2>of this light and wonder. But I think the first

0:17:22.236 --> 0:17:25.436
<v Speaker 2>crucial thing it did was really help me find my

0:17:25.556 --> 0:17:30.236
<v Speaker 2>voice and to believe that what that voice had to

0:17:30.316 --> 0:17:36.756
<v Speaker 2>say was important. So keep speaking.

0:17:37.036 --> 0:17:39.196
<v Speaker 1>We'll be back in a moment. With a slight change

0:17:39.196 --> 0:17:56.076
<v Speaker 1>of plans, at age sixteen, Sophia asked her mom to

0:17:56.116 --> 0:17:59.836
<v Speaker 1>mail three of her poems to the Jamaica Observer, and

0:17:59.956 --> 0:18:03.596
<v Speaker 1>soon after the paper published her first poem in print.

0:18:04.636 --> 0:18:07.556
<v Speaker 1>As she continued to write, Sophia began to see that

0:18:07.596 --> 0:18:10.396
<v Speaker 1>the future her dad had laid out for her, the

0:18:10.436 --> 0:18:13.716
<v Speaker 1>one in which he avoided the influence of Babylon, was

0:18:13.756 --> 0:18:17.636
<v Speaker 1>not going to be satisfying, and so, at age nineteen,

0:18:17.916 --> 0:18:20.556
<v Speaker 1>she contemplated a bold decision.

0:18:21.236 --> 0:18:25.956
<v Speaker 2>Practically my whole life, my whole you know, adolescence. I

0:18:26.076 --> 0:18:28.756
<v Speaker 2>kept asking like, can I cut my dreadlocks? And the

0:18:28.796 --> 0:18:32.676
<v Speaker 2>answer was always no, absolutely not. And then, you know,

0:18:32.796 --> 0:18:35.076
<v Speaker 2>I just began to feel the older I got that

0:18:35.636 --> 0:18:38.836
<v Speaker 2>tied to this vision of the woman, this future woman

0:18:38.916 --> 0:18:41.596
<v Speaker 2>that I would become if I continued down this path

0:18:42.276 --> 0:18:45.796
<v Speaker 2>that my father had me on. I really began to

0:18:45.916 --> 0:18:51.196
<v Speaker 2>see the dreadlocks as the thing that connected me to

0:18:51.356 --> 0:18:55.436
<v Speaker 2>my father and his beliefs and his control over my body,

0:18:55.516 --> 0:19:00.436
<v Speaker 2>over my voice, and over my future. And I thought,

0:19:01.276 --> 0:19:04.316
<v Speaker 2>this doesn't feel like who I am and that is

0:19:04.396 --> 0:19:07.476
<v Speaker 2>not the future that I want. And I said to

0:19:07.516 --> 0:19:11.276
<v Speaker 2>my mother, you know, Mom, I just don't feel like

0:19:11.476 --> 0:19:14.756
<v Speaker 2>I can go on like this. I don't feel like myself.

0:19:15.596 --> 0:19:17.836
<v Speaker 2>This is not who I am, and I want to

0:19:17.916 --> 0:19:22.636
<v Speaker 2>choose for myself who I want to be. And she said, okay,

0:19:23.116 --> 0:19:28.156
<v Speaker 2>well tell me how I can help you. Wow. And yeah.

0:19:28.436 --> 0:19:32.396
<v Speaker 2>Then she she helped me do it. And you know,

0:19:32.476 --> 0:19:35.716
<v Speaker 2>I said, Mom, aren't you like or maybe it was

0:19:35.756 --> 0:19:39.516
<v Speaker 2>her friend one of us asked like, you know, isn't

0:19:39.916 --> 0:19:42.836
<v Speaker 2>my dad gonna be furious? And she said that's okay,

0:19:43.036 --> 0:19:47.036
<v Speaker 2>Like I'll take his anger. I just want you to

0:19:47.156 --> 0:19:50.196
<v Speaker 2>choose for yourself the person you want to be.

0:19:51.476 --> 0:19:51.876
<v Speaker 1>Wow.

0:19:52.316 --> 0:19:54.676
<v Speaker 2>Yeah. And so you know, that was another moment of

0:19:54.716 --> 0:19:59.676
<v Speaker 2>my life that my mother really paved the path for

0:19:59.796 --> 0:20:03.956
<v Speaker 2>me to live as freely as I wanted to.

0:20:05.796 --> 0:20:07.996
<v Speaker 1>Do. You remember, Sophia, what it was like to see

0:20:07.996 --> 0:20:10.556
<v Speaker 1>that first law fall to the ground.

0:20:11.876 --> 0:20:15.876
<v Speaker 2>I mean, it was incredibly moving in a way that

0:20:16.076 --> 0:20:21.716
<v Speaker 2>surprised me right, feeling this kind of peculiar remorse because

0:20:21.756 --> 0:20:26.116
<v Speaker 2>I had railed for so long wanting to cut my

0:20:26.236 --> 0:20:29.116
<v Speaker 2>dreadlocks that I hadn't expected it to matto when the

0:20:29.156 --> 0:20:32.756
<v Speaker 2>moment came, but then it matted a great deal. I

0:20:32.916 --> 0:20:36.076
<v Speaker 2>felt like, oh my gosh, I'm losing this part of

0:20:36.116 --> 0:20:39.516
<v Speaker 2>myself that had been all of because you know that

0:20:39.556 --> 0:20:43.076
<v Speaker 2>your hair carries like energy and spirits, you know, everything,

0:20:43.836 --> 0:20:46.876
<v Speaker 2>and it just felt like, Wow, I was losing all

0:20:46.916 --> 0:20:50.716
<v Speaker 2>of this, all the past, all of the moments I'd lived,

0:20:50.796 --> 0:20:54.316
<v Speaker 2>and who would I be without these dreadlocks. There was

0:20:54.356 --> 0:20:57.036
<v Speaker 2>this question like am I losing some of my power?

0:20:57.076 --> 0:20:59.036
<v Speaker 2>Which is what my father always told me, that our

0:20:59.116 --> 0:21:01.916
<v Speaker 2>dreadlocks were our power, like your hair is your power,

0:21:02.316 --> 0:21:08.916
<v Speaker 2>your crown. Finally I felt free. I felt yeah, that

0:21:08.956 --> 0:21:10.956
<v Speaker 2>the tell us had been cut from me, that I

0:21:11.076 --> 0:21:16.676
<v Speaker 2>was new again, that I was someone unburdened and someone

0:21:16.676 --> 0:21:18.476
<v Speaker 2>who could choose what happened next.

0:21:19.076 --> 0:21:24.436
<v Speaker 1>Wow. What was your father's reaction when he first saw you?

0:21:26.276 --> 0:21:36.236
<v Speaker 2>Girl? Anger? Fury? You know, like this was absolutely a

0:21:36.676 --> 0:21:41.276
<v Speaker 2>like an disaster. It was like a fracturing in our family.

0:21:41.476 --> 0:21:46.036
<v Speaker 2>It was he didn't talk to me for a while,

0:21:47.356 --> 0:21:49.516
<v Speaker 2>even though we were in the same house. I think he,

0:21:51.716 --> 0:21:53.916
<v Speaker 2>you know, he looked at me with like disgust. I

0:21:53.956 --> 0:21:58.236
<v Speaker 2>would say, So it was hard. It was very hard. Yeah,

0:21:59.516 --> 0:22:02.836
<v Speaker 2>It's a defining moment in my life. And a defining

0:22:02.876 --> 0:22:07.116
<v Speaker 2>moment in my family's life doing that, because we knew,

0:22:07.236 --> 0:22:09.716
<v Speaker 2>we all knew, me and my sisters that this was

0:22:09.836 --> 0:22:15.116
<v Speaker 2>the one thing that would change everything, because even if

0:22:15.156 --> 0:22:18.396
<v Speaker 2>we were questioning things or we were making our own

0:22:18.436 --> 0:22:21.836
<v Speaker 2>little rebellions at home, once we went out in the

0:22:21.836 --> 0:22:25.116
<v Speaker 2>world with our dreadlocks, it was still assigned to the

0:22:25.156 --> 0:22:29.276
<v Speaker 2>community and my father's rasta redreend that his house was

0:22:29.276 --> 0:22:33.316
<v Speaker 2>still under control. But once I cut my dreadlocks, my

0:22:33.396 --> 0:22:36.556
<v Speaker 2>middle sister cut her dreadlocks, then my youngest sister cut

0:22:36.556 --> 0:22:39.356
<v Speaker 2>her dreadlocks, and then my mother, who had been growing

0:22:39.356 --> 0:22:42.716
<v Speaker 2>her dreadlocks since she was nineteen years old when she

0:22:42.796 --> 0:22:49.196
<v Speaker 2>first met my father, And so the entire family changed.

0:22:49.596 --> 0:22:52.516
<v Speaker 2>And of course my relationship with my father only worsened

0:22:52.596 --> 0:22:56.076
<v Speaker 2>because he saw me as the sort of ruin us seed,

0:22:56.356 --> 0:23:00.636
<v Speaker 2>the black sheep that really destroyed his perfect rast of family.

0:23:02.596 --> 0:23:05.396
<v Speaker 1>On the cusp of your twentieth birthday, you decided to

0:23:05.396 --> 0:23:09.716
<v Speaker 1>get your hair straightened at a hair salon, right surrounded

0:23:09.756 --> 0:23:15.036
<v Speaker 1>by worldly Babylonian women that your father would have considered unclean,

0:23:15.396 --> 0:23:17.876
<v Speaker 1>and that would take you right. Tell me about that

0:23:17.916 --> 0:23:20.836
<v Speaker 1>first experience being in the hair salon with all these

0:23:20.836 --> 0:23:21.596
<v Speaker 1>other black women.

0:23:23.716 --> 0:23:24.036
<v Speaker 3>You know.

0:23:26.276 --> 0:23:30.996
<v Speaker 2>Yeah, it was like stepping into this world that I

0:23:31.076 --> 0:23:33.796
<v Speaker 2>had no idea about. I'd never been in a salon

0:23:33.876 --> 0:23:37.556
<v Speaker 2>my entire life. My hair had never been cut since

0:23:37.596 --> 0:23:41.396
<v Speaker 2>I was born until that day when I cut my dreadlocks.

0:23:41.796 --> 0:23:46.716
<v Speaker 2>Like no scissors had ever touched my hair. So it

0:23:46.956 --> 0:23:49.596
<v Speaker 2>was like stepping into this curious world. And part of

0:23:49.636 --> 0:23:53.556
<v Speaker 2>me was like, oh, this is like a feminine space.

0:23:53.596 --> 0:23:56.756
<v Speaker 2>This is like a space for women, And I'd never

0:23:56.876 --> 0:23:59.636
<v Speaker 2>been in a space like that before, where it was

0:24:00.716 --> 0:24:04.036
<v Speaker 2>not women living for the needs of men. It was

0:24:04.076 --> 0:24:07.276
<v Speaker 2>just women who were gathering for themselves, right for their

0:24:07.276 --> 0:24:11.876
<v Speaker 2>own desires. It was like there were so many things happening,

0:24:11.916 --> 0:24:14.716
<v Speaker 2>but that was the thing that I took away the most,

0:24:14.756 --> 0:24:18.636
<v Speaker 2>that there was something to me kind of sacred about

0:24:18.676 --> 0:24:21.396
<v Speaker 2>the space of the salon and the black women of

0:24:21.436 --> 0:24:24.636
<v Speaker 2>black women putting her hands in your hair. And even

0:24:24.676 --> 0:24:27.396
<v Speaker 2>though I was told this was like the pits of Babylon,

0:24:29.196 --> 0:24:33.596
<v Speaker 2>I didn't know what to expect. I didn't know how

0:24:33.636 --> 0:24:35.396
<v Speaker 2>they would see me or treat me. But they just

0:24:35.476 --> 0:24:40.716
<v Speaker 2>welcomed me, and they welcomed me and treated me tenderly,

0:24:41.756 --> 0:24:44.596
<v Speaker 2>and you know, I thought there was something beautiful about that,

0:24:44.756 --> 0:24:45.436
<v Speaker 2>and I still do.

0:24:47.076 --> 0:24:50.636
<v Speaker 1>It's been, you know, twenty years since you took that

0:24:50.756 --> 0:24:54.276
<v Speaker 1>leap that you cut your locks. What is your relationship

0:24:54.876 --> 0:24:56.996
<v Speaker 1>like with your family today? So do you mind starting

0:24:56.996 --> 0:24:57.636
<v Speaker 1>with your father?

0:25:00.076 --> 0:25:03.316
<v Speaker 2>Yeah, we have a good relationship. I think it was

0:25:04.516 --> 0:25:11.796
<v Speaker 2>a hard road, difficult road, but I think eventually, and

0:25:11.836 --> 0:25:14.996
<v Speaker 2>I think partially through my writing and my poetry, that

0:25:15.716 --> 0:25:20.076
<v Speaker 2>I was able to speak to him in a way

0:25:20.076 --> 0:25:22.196
<v Speaker 2>that he could hear me, that he could really see

0:25:22.236 --> 0:25:24.716
<v Speaker 2>me as my own person.

0:25:25.476 --> 0:25:29.356
<v Speaker 1>Yeah. Do you feel you have a different appreciation of

0:25:29.396 --> 0:25:31.836
<v Speaker 1>your father and why he had the beliefs he had

0:25:31.916 --> 0:25:33.316
<v Speaker 1>or why he was the way he was.

0:25:36.116 --> 0:25:38.316
<v Speaker 2>Well, I don't know if appreciation is the right word.

0:25:38.916 --> 0:25:40.196
<v Speaker 1>I think understanding.

0:25:40.236 --> 0:25:45.076
<v Speaker 2>Maybe understanding is better because I think, you know, he

0:25:45.156 --> 0:25:46.836
<v Speaker 2>did a lot of things wrong, and he did a

0:25:46.916 --> 0:25:50.876
<v Speaker 2>lot of things that I wish hadn't happened to me.

0:25:51.836 --> 0:25:55.716
<v Speaker 2>But I wanted to understand him in a different way

0:25:55.796 --> 0:25:58.676
<v Speaker 2>and in all of his fullness, with as much nuance

0:25:58.756 --> 0:26:02.956
<v Speaker 2>as I could, and not all one way, not all

0:26:02.996 --> 0:26:05.996
<v Speaker 2>bad or not all good, you know. So I really

0:26:06.716 --> 0:26:09.036
<v Speaker 2>part of that was going back to his own youth

0:26:09.356 --> 0:26:14.236
<v Speaker 2>and trying to figure out what led him to Rastafari,

0:26:14.276 --> 0:26:17.996
<v Speaker 2>how did he go on this journey? Because him going

0:26:18.036 --> 0:26:20.876
<v Speaker 2>on that journey really shaped my own life and my

0:26:20.916 --> 0:26:26.156
<v Speaker 2>own connection to Rastafari. And so I recorded several interviews

0:26:26.196 --> 0:26:30.356
<v Speaker 2>with him, asking him about his life, which was something

0:26:30.396 --> 0:26:33.036
<v Speaker 2>I'd never done. I mean, I wasn't allowed to, I

0:26:33.076 --> 0:26:35.756
<v Speaker 2>think when I was younger, because it was always like,

0:26:35.876 --> 0:26:39.076
<v Speaker 2>these are the rules, don't question them. So he never

0:26:39.156 --> 0:26:44.676
<v Speaker 2>really humanized himself to us. And there were moments where

0:26:45.556 --> 0:26:48.356
<v Speaker 2>I was recording with him. There was this moment where

0:26:48.356 --> 0:26:52.876
<v Speaker 2>he described his mother leaving him at sixteen on the

0:26:52.876 --> 0:26:57.516
<v Speaker 2>street to be homeless because he chose to be Rastafari.

0:26:58.516 --> 0:27:02.316
<v Speaker 2>And when my father told me the story, he wept.

0:27:02.516 --> 0:27:05.236
<v Speaker 2>It was the first time I remember hearing him cry

0:27:05.316 --> 0:27:08.436
<v Speaker 2>like that, and I thought, wow, he is still holding

0:27:08.476 --> 0:27:16.396
<v Speaker 2>these wounds. And I really had to think about his

0:27:16.556 --> 0:27:20.196
<v Speaker 2>life in a way that led me to a path

0:27:20.236 --> 0:27:24.076
<v Speaker 2>of forgiveness, which I had not expected. I would have

0:27:24.116 --> 0:27:30.476
<v Speaker 2>never described myself as a forgiving person, so no one

0:27:30.556 --> 0:27:34.116
<v Speaker 2>was more surprised than me to find myself on that path.

0:27:34.196 --> 0:27:36.596
<v Speaker 2>But I'm very happy that I did.

0:27:37.156 --> 0:27:41.316
<v Speaker 1>There's a stirring parallelism there, right, which was both you

0:27:41.356 --> 0:27:45.876
<v Speaker 1>and your father experienced a rejection of some kind from

0:27:45.956 --> 0:27:49.276
<v Speaker 1>your parents as teenagers, right. I mean he in choosing

0:27:49.276 --> 0:27:52.436
<v Speaker 1>to become Restafara and you at nineteen and cutting off

0:27:52.436 --> 0:27:56.236
<v Speaker 1>your dreadlocks. Right, So then the input was different that

0:27:56.276 --> 0:27:57.396
<v Speaker 1>the reaction was the same.

0:27:57.636 --> 0:28:01.636
<v Speaker 2>I know. I think if he'd had his way, he

0:28:01.676 --> 0:28:04.076
<v Speaker 2>would have turned me out. And my mother said, there's

0:28:04.116 --> 0:28:08.836
<v Speaker 2>absolutely no way that that's going to happen, like your

0:28:08.876 --> 0:28:11.916
<v Speaker 2>own mother did to you. And you know, again, coming

0:28:11.956 --> 0:28:16.356
<v Speaker 2>back to my mom really as this force of strength

0:28:17.356 --> 0:28:19.516
<v Speaker 2>in a way that I couldn't have seen then, but

0:28:19.556 --> 0:28:23.596
<v Speaker 2>I realize now. So she's the one who said there's

0:28:23.676 --> 0:28:28.516
<v Speaker 2>no way that's happening. My mom, I mean, we're so

0:28:28.516 --> 0:28:31.556
<v Speaker 2>so close. She's such a lover of poetry that I

0:28:31.636 --> 0:28:34.996
<v Speaker 2>think no one is a bigger fan of my writing

0:28:35.036 --> 0:28:38.556
<v Speaker 2>and my work than my mom. She's always she's always

0:28:38.596 --> 0:28:41.596
<v Speaker 2>there if she can at my events in the front row.

0:28:41.956 --> 0:28:44.676
<v Speaker 2>If it's a poem, I'll see her mouth moving like

0:28:44.796 --> 0:28:49.276
<v Speaker 2>mouthing the worst in the poem, and she'll say to me, wow,

0:28:49.436 --> 0:28:52.356
<v Speaker 2>like I just I can't believe this is what I did.

0:28:52.476 --> 0:28:57.156
<v Speaker 2>Like I have my own personal poet, so to her,

0:28:57.396 --> 0:28:59.956
<v Speaker 2>that's me. I'm her own personal post. Oh I love that.

0:29:01.076 --> 0:29:04.116
<v Speaker 2>And you know, my siblings were all very, very very close.

0:29:04.236 --> 0:29:07.756
<v Speaker 2>We grew up like very close knit because we grew

0:29:07.836 --> 0:29:11.956
<v Speaker 2>up in this very strange condition of being the only

0:29:12.036 --> 0:29:15.116
<v Speaker 2>rast of children. We became very close and we're still

0:29:15.156 --> 0:29:18.156
<v Speaker 2>all very close. We talk every day, you know, me

0:29:18.196 --> 0:29:22.236
<v Speaker 2>and my sisters we talk several times a day. So yeah,

0:29:22.596 --> 0:29:23.276
<v Speaker 2>it's wonderful.

0:29:23.316 --> 0:29:26.916
<v Speaker 1>I mean, you had mentioned earlier that you feel hair

0:29:27.156 --> 0:29:31.516
<v Speaker 1>carries energy. How would you describe your relationship with your

0:29:31.556 --> 0:29:32.236
<v Speaker 1>hair today?

0:29:33.356 --> 0:29:35.476
<v Speaker 2>I wear my hair in all different kinds of ways,

0:29:36.116 --> 0:29:38.196
<v Speaker 2>But what really Matt does is that I have the

0:29:38.316 --> 0:29:41.076
<v Speaker 2>choice to wear it how I want to, and so

0:29:41.716 --> 0:29:44.196
<v Speaker 2>no matter what kind of style I have on my head,

0:29:44.716 --> 0:29:47.996
<v Speaker 2>just the fact that it is my choice makes it

0:29:48.436 --> 0:29:49.476
<v Speaker 2>a source of power.

0:30:12.156 --> 0:30:15.836
<v Speaker 1>Sophia's latest book is a memoir called How to Say Babylon.

0:30:16.356 --> 0:30:18.836
<v Speaker 1>We'll link to it in our show notes. Thank you

0:30:18.916 --> 0:30:21.676
<v Speaker 1>so much for listening. Next week, join me when I

0:30:21.716 --> 0:30:24.916
<v Speaker 1>speak to journalists Charles Duhig about the science of what

0:30:25.036 --> 0:30:26.516
<v Speaker 1>makes for a great conversation.

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<v Speaker 4>When you and I have a real conversation, our bodies

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<v Speaker 4>and our brains change, our heart rates starts to match

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<v Speaker 4>each other, our breath patterns starts to match each other,

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<v Speaker 4>our pupils start to dilate at similar rates, and more importantly,

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<v Speaker 4>the neural activity within our brains starts to look more

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<v Speaker 4>and more similar. This simultaneity, the similarity, is at the

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<v Speaker 4>core of communication and is what makes communication so powerful,

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<v Speaker 4>and our brains have evolved that when we achieve it,

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<v Speaker 4>we feel wonderful.

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<v Speaker 1>That's next week on A Slight Change of Plans. I'll

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<v Speaker 1>see you then. A Slight Change of Plans is created,

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<v Speaker 1>written and executive producer by me Maya Shunker. The Slight

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<v Speaker 1>Change family includes our showrunner Tyler Green, our senior producer

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<v Speaker 1>Kate Parkinson Morgan, our producer Brianna Garrett, and our engineer

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<v Speaker 1>Erica Huang. Louis Scara wrote our delightful theme song and

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<v Speaker 1>Ginger Smith helped arrange the vocals. A Slight Change of

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<v Speaker 1>Plans is a production of Pushkin Industries, so a big

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<v Speaker 1>thanks to everyone there, and of course a very special

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<v Speaker 1>thanks to Jimmy Lee. You can follow A Slight Change

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<v Speaker 1>of Plans on Instagram at doctor Maya Shunker. See you

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<v Speaker 1>next week.