WEBVTT - David Denman

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<v Speaker 1>you get your podcasts. Hey, guys, this is David Denman

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<v Speaker 1>and I played Roy Anderson on The Office. Well. Hello, friends,

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<v Speaker 1>welcome once again to another episode of the Office Deep Dive.

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<v Speaker 1>I am your host, Brian baum Gartner, and today I

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<v Speaker 1>am so excited about this our guest today, as you know,

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<v Speaker 1>played well. I'd call him iconic. An iconic character on

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<v Speaker 1>the Office. He dated everyone's favorite receptionist, He vandalized a bar,

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<v Speaker 1>and he threw some punches, or he would have if

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<v Speaker 1>not for dwightes Pepper spray. If you catch my meaning,

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<v Speaker 1>you know I am bringing on the incredible David Denman today,

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<v Speaker 1>a k a. Roy Anderson. Now. David currently is on

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<v Speaker 1>one of my favorite shows, HBO's Mayor of Easttown, but

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<v Speaker 1>before that, he spent many years playing an ordinary guy

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<v Speaker 1>just working in a warehouse. He really has a unique

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<v Speaker 1>perspective on the office, right, because his character was on

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<v Speaker 1>and off the show for all nine years, and he

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<v Speaker 1>went through quite a journey during that time. Today we're

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<v Speaker 1>going to talk about that, as well as Roy's standout moments,

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<v Speaker 1>his wedding, the Booze Cruise, and much much more. We're

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<v Speaker 1>also going to bring up some big questions for David.

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<v Speaker 1>Was Roy a sympathetic character, do we think he cheat

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<v Speaker 1>it on Pam? And most importantly, what was in his

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<v Speaker 1>trash bag from the pilot. It's a good question, right,

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<v Speaker 1>So join me today in welcoming half of Pam and Roy,

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<v Speaker 1>or boy as no one has called them ever. David Denman,

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<v Speaker 1>Bubble and Squeak. I love it, Bubble and Squeak, Bubble

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<v Speaker 1>and Squeaker, cooking it every month, left over from the

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<v Speaker 1>night before. David, what's happening, brother? What is going on?

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<v Speaker 1>Oh my god, it's been so long. How are you.

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<v Speaker 1>I'm good, I know I was. We were just trying

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<v Speaker 1>to figure out last time I saw you, I think

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<v Speaker 1>was at your wedding when I don't remember when that was. Gosh,

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<v Speaker 1>that is just so that's just disgustingly too long. It's

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<v Speaker 1>all right, Oh my god, all right, Well we are

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<v Speaker 1>we're going to get in to a lot, but I

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<v Speaker 1>want to start back at the beginning. You're from California,

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<v Speaker 1>but you end up getting accepted and go to Juilliard,

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<v Speaker 1>which basically what that means to me is you knew

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<v Speaker 1>what you wanted to do pretty early. Is that true? Yeah? No,

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<v Speaker 1>I knew I wanted to be an actress since I

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<v Speaker 1>was a kid. I remember I went and saw that

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<v Speaker 1>movie The Black Stallion when I was a kid, and

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<v Speaker 1>I must have been six when it came out, I think,

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<v Speaker 1>and my dad took me. I never forget it, and

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<v Speaker 1>I remember going, I want to be that kid, and

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<v Speaker 1>it was the ongoing joke in the family, like David,

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<v Speaker 1>You're not going to be a jockey. It's just not

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<v Speaker 1>gonna happen. And then shortly after that et came out

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<v Speaker 1>and I was like, I want to do what that

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<v Speaker 1>guy's doing, and uh my family was just like, what,

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<v Speaker 1>we have no idea what to do with you? And so, uh, yeah,

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<v Speaker 1>I knew from a young age all these pictures of

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<v Speaker 1>me dressing up in costumes, running around and you know,

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<v Speaker 1>pretend me too. Did you have any family connection, I mean,

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<v Speaker 1>being from California, did you have any family connection to

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<v Speaker 1>the business or anything. No, nothing at all. You know.

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<v Speaker 1>My dad was a draftsman and my mom my mom

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<v Speaker 1>worked like as a receptionist. Basically, I had no connection whatsoever.

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<v Speaker 1>I actually didn't even hear of Juilliard until I was

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<v Speaker 1>in high school. And I remember there was a kid

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<v Speaker 1>named Michael his adorf and he was like a real

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<v Speaker 1>actor because I grew up in Orange County, which is

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<v Speaker 1>about an hour from l A. And he would go

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<v Speaker 1>up and do commercials and do bit parts and movies

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<v Speaker 1>and stuff, and so, you know, I was like, oh, wow,

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<v Speaker 1>you're really doing it and uh. And he was like, well,

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<v Speaker 1>I'm gonna go Tom, I'm gonna apply and try to

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<v Speaker 1>go to Juilliard. And I said, what is that, because

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<v Speaker 1>well it's an acting school. And I was like, there's

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<v Speaker 1>schools for acting. I mean, it was that naive. He

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<v Speaker 1>was like, yeah, dude, Robin Williams, Kevin Klein. I was like,

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<v Speaker 1>what they went there? He's like yeah. I was like

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<v Speaker 1>blown away. And then I went because I was a

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<v Speaker 1>terrible student and I knew I wasn't going to go

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<v Speaker 1>to college, no that my family had gone to college.

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<v Speaker 1>And then I, you know, went down the rabbit hole

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<v Speaker 1>of like, wait a minute, I can go to school

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<v Speaker 1>for acting. And so a friend of mine went to

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<v Speaker 1>the American Conservatory Theater. They had a summer training congress

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<v Speaker 1>the summer before my senior year. He was a year

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<v Speaker 1>ahead of me, a guy named Craig Brewer who went

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<v Speaker 1>on to be a writer director of Hustle and Flow

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<v Speaker 1>and Black Snake, Moan and Dolomite is my name another one. Anyway,

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<v Speaker 1>he's been very successful. But he was an actor when

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<v Speaker 1>we were in school, and he went and I was like, oh,

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<v Speaker 1>I'm gonna go there. So my whole senior year was

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<v Speaker 1>all about going to act summer program. And then once

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<v Speaker 1>I did that, I wanted to go to the you know,

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<v Speaker 1>the grad program, but they wouldn't let you in and

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<v Speaker 1>for two years you had to have two years of college.

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<v Speaker 1>So I went to junior college for two years, and

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<v Speaker 1>I was like, I'm gonna do as many plays as

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<v Speaker 1>I can do here, and do you know, take some classes,

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<v Speaker 1>and and then I'll apply for a c T. And

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<v Speaker 1>then I figured, well, from applying there, I might as

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<v Speaker 1>well apply to all these other schools that I want

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<v Speaker 1>to go to. And Juliard was at the top of

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<v Speaker 1>the list and an n y U and Harvard had

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<v Speaker 1>a program, and so I went up an audition for

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<v Speaker 1>Juilliard and Harvard the same weekend they did it like

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<v Speaker 1>in San Francisco, and then that Monday, I got a

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<v Speaker 1>call from Juilliard saying, hey, we'd like to offer you

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<v Speaker 1>a spot, and that was like my top choice, so

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<v Speaker 1>I was like what Yeah, of course, So I didn't

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<v Speaker 1>even do the other auditions and awesome A end up

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<v Speaker 1>getting getting into the Harvard program as well, and I

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<v Speaker 1>was like, thanks guys, but I'm I'm gonna go here

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<v Speaker 1>and stand there like good for you. Have fun. That's incredible.

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<v Speaker 1>So you moved to New York? I did. Yeah, I

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<v Speaker 1>moved to New York And yeah, I had no idea

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<v Speaker 1>when I was getting into I mean, like I said,

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<v Speaker 1>no one in my family went to college, so my

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<v Speaker 1>idea of college was dead poets society. I was like,

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<v Speaker 1>I know what New York City was like or what

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<v Speaker 1>a campus was going to be like. And I walked

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<v Speaker 1>into Lincoln Center and I'm like, oh, this is interesting.

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<v Speaker 1>I mean, this is all before the Internet or you

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<v Speaker 1>could just look everything up. This is like here's a pamphlet,

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<v Speaker 1>here's a couple of pictures of what are the inside

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<v Speaker 1>of our school? Looks like like you have no idea.

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<v Speaker 1>It was definitely not Dead Poets Society. There was no

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<v Speaker 1>beautiful what was that Princeton? I think they shot that

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<v Speaker 1>or something. Yeah, beautiful campus. Right at this point, were

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<v Speaker 1>you interested in film and television? I mean you referenced

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<v Speaker 1>your friend who was going and doing commercials and stuff

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<v Speaker 1>or or for you was it was it theater? You know?

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<v Speaker 1>It was theater? Was was everything? I mean I kind

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<v Speaker 1>of like I remember when I was in junior college

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<v Speaker 1>and having a conversation with a buddy of mine, this

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<v Speaker 1>guy Todd Kolezack, who we were doing rosen Crants and

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<v Speaker 1>Guildensterner Dead, and I was like, yeah, I just wanted

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<v Speaker 1>to do theater and something. He's like, what are you

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<v Speaker 1>talking about, dude, why don't you go try to do

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<v Speaker 1>film and TV? Like, I don't know, I don't know.

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<v Speaker 1>And I remember one of my teachers I was like

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<v Speaker 1>reading this play and he was like, what do you

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<v Speaker 1>What are you reading? And I'm like, oh, that's this

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<v Speaker 1>new play just came out of New York And he goes, Okay,

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<v Speaker 1>you need to read more books. I go what do

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<v Speaker 1>you mean? He goes, why are you reading a play

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<v Speaker 1>that somebody else already did? Why don't you read a

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<v Speaker 1>book so you can do the the original version of it,

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<v Speaker 1>you know, and some movie or something. And I was like, wow,

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<v Speaker 1>I think these people have a lot more faith in

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<v Speaker 1>me than I have in myself. And and and those

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<v Speaker 1>those conversations did start sparking like, well, maybe I'll go

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<v Speaker 1>and give it a shot. And and then I went

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<v Speaker 1>to New York. I went to school, which was a grind,

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<v Speaker 1>and I saw all these really talented people come out

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<v Speaker 1>and just get beat up. And I went and did

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<v Speaker 1>a summer Shakespeare festival in Utah, and there was a

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<v Speaker 1>guy who had come out of another grad program a

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<v Speaker 1>few years before us, and he had spent I don't

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<v Speaker 1>know five ten years out of grad school doing theater

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<v Speaker 1>and he was just then going to go to l

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<v Speaker 1>A and try to break in. And he was so

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<v Speaker 1>impassionate about it. He was like, don't wait, don't wait,

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<v Speaker 1>I go what he goes, there's one time when you

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<v Speaker 1>come out of school where they're all interested in you.

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<v Speaker 1>I wish I would have capitalized on it when I

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<v Speaker 1>had the shot, and I didn't. And now I'm starting

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<v Speaker 1>from the ground up again, and it's it's going to

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<v Speaker 1>be brutal. And if you get out of school and

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<v Speaker 1>there's interest, get on a plane and go to l A.

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<v Speaker 1>And so that was like the summer before my senior year.

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<v Speaker 1>And so my buddy who would who was also at Utah,

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<v Speaker 1>who was at graduating from Yale School of Drama, he

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<v Speaker 1>had already done the New York thing before he went

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<v Speaker 1>to before he went to Yale, and so he was like,

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<v Speaker 1>I'm going to l A. We should go together. And

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<v Speaker 1>I'm like, you're crazy, what are you What are you

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<v Speaker 1>talking about? And I had family, you know, in Orange County,

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<v Speaker 1>So it wasn't like that crazy to do. But I

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<v Speaker 1>just thought I would at least spend a year in

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<v Speaker 1>New York and like capitalize on all those theater connections

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<v Speaker 1>and trying to do some regional theater. And and then

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<v Speaker 1>I did one play right when I graduated, and like

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<v Speaker 1>Shakespeare by the Sea, I think it was Shakespeare on

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<v Speaker 1>the on the Sound. I don't even know. It's something

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<v Speaker 1>real Wheat and Connecticut. We did so many of these

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<v Speaker 1>same summer things. By the way, that's actually which we've

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<v Speaker 1>never talked about, but anyway, you did one show. I

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<v Speaker 1>did one show. I was making like two fifty bucks

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<v Speaker 1>a week. I couldn't even pay my rent. It was

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<v Speaker 1>like that was good. I was good. I was like,

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<v Speaker 1>I'm so excited to get that job finally. And I

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<v Speaker 1>was like, this is terrible. This is not gonna this

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<v Speaker 1>is not gonna work. And so I remember July fift

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<v Speaker 1>my buddy I was like, Hey, I've got to go

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<v Speaker 1>to this wedding up in Oregon. You want to take

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<v Speaker 1>a road trip. And I hadn't been home and over

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<v Speaker 1>a year, and I was like, yeah, yeah, I'm gonna

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<v Speaker 1>come back and let's take that road trip. So I

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<v Speaker 1>came back. Luckily, I had an agent that had a

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<v Speaker 1>West Coast office. Come to find out afterwards that that

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<v Speaker 1>doesn't mean anything. That she had She had a meeting

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<v Speaker 1>with me and was like, hey, yeah, if you ever

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<v Speaker 1>feel like coming out to l A, just let me know.

0:11:53.600 --> 0:11:55.800
<v Speaker 1>She was like the owner of the company. And I

0:11:55.840 --> 0:11:58.000
<v Speaker 1>was like, yeah, no, seriously, I'm I'm I'm probably gonna

0:11:58.000 --> 0:12:02.079
<v Speaker 1>do that. She was like okay, but she she told

0:12:02.120 --> 0:12:03.560
<v Speaker 1>me later that she was like, you know what, we

0:12:03.640 --> 0:12:05.560
<v Speaker 1>just say that to everybody when we're signing them. But

0:12:05.640 --> 0:12:09.080
<v Speaker 1>like we work as two separate offices. Like if you

0:12:09.120 --> 0:12:11.440
<v Speaker 1>didn't get anything, I would have sent you back and

0:12:12.600 --> 0:12:15.240
<v Speaker 1>really like, well, that's just such a lie. She's like, well,

0:12:15.400 --> 0:12:17.080
<v Speaker 1>you know, what are you gonna do again? This is

0:12:17.120 --> 0:12:21.000
<v Speaker 1>like before digital and not only tax but even email.

0:12:21.040 --> 0:12:24.280
<v Speaker 1>I mean, this is like right when email is started. Man,

0:12:24.320 --> 0:12:27.920
<v Speaker 1>I had a page that I'd get a pager to say, hey,

0:12:27.920 --> 0:12:30.199
<v Speaker 1>you got an audition, called the page your number back

0:12:30.240 --> 0:12:31.880
<v Speaker 1>and be like what is it? And then I had

0:12:31.920 --> 0:12:34.319
<v Speaker 1>to go to the office to print out the sides

0:12:34.400 --> 0:12:37.360
<v Speaker 1>and print out the appointment sheet. But anyway, I long

0:12:37.440 --> 0:12:41.120
<v Speaker 1>story short, I came in and I booked my first audition,

0:12:41.480 --> 0:12:43.680
<v Speaker 1>which was for e Er and at the time that

0:12:43.760 --> 0:12:45.560
<v Speaker 1>was like the number one show on TV. And my

0:12:45.600 --> 0:12:50.720
<v Speaker 1>agent was like, you should consider staying and uh and

0:12:50.760 --> 0:12:52.920
<v Speaker 1>I said all right, And my buddy was already here

0:12:52.960 --> 0:12:54.240
<v Speaker 1>and he wanted to stay. He was like, let's get

0:12:54.240 --> 0:12:56.520
<v Speaker 1>an apartment. So we got an apartment and I never

0:12:56.600 --> 0:12:59.719
<v Speaker 1>went back. I mean I went back, god twenty years

0:12:59.800 --> 0:13:03.680
<v Speaker 1>later or to work, but never, you know, to go live.

0:13:04.400 --> 0:13:08.880
<v Speaker 1>You were l a based based immediately, Yeah, within a

0:13:08.880 --> 0:13:11.200
<v Speaker 1>couple of months of graduating from school. So and then

0:13:11.400 --> 0:13:14.160
<v Speaker 1>so you get this role on the Er, and so

0:13:14.480 --> 0:13:16.960
<v Speaker 1>things were just really easy from then on out right.

0:13:17.000 --> 0:13:20.960
<v Speaker 1>I mean you just just you just exactly, it's just

0:13:21.360 --> 0:13:24.280
<v Speaker 1>you never stopped working, No, it was. It was a

0:13:24.320 --> 0:13:28.200
<v Speaker 1>good first year and then a good second year. I

0:13:28.240 --> 0:13:31.760
<v Speaker 1>got that movie The Replacements about a year after I graduated,

0:13:31.920 --> 0:13:33.680
<v Speaker 1>and that was the one that was the big shocker.

0:13:33.760 --> 0:13:35.440
<v Speaker 1>When I'm doing that movie and it's a you know,

0:13:35.600 --> 0:13:39.559
<v Speaker 1>one of those big studio films, and you think this

0:13:39.640 --> 0:13:42.040
<v Speaker 1>is the life, this is I'm just gonna leave this

0:13:42.080 --> 0:13:43.560
<v Speaker 1>set and I'm gonna go to the next one and

0:13:43.600 --> 0:13:45.600
<v Speaker 1>then the next one, and I'm on my way. And

0:13:45.640 --> 0:13:48.079
<v Speaker 1>then I didn't work for a year and I was like,

0:13:48.440 --> 0:13:51.200
<v Speaker 1>oh no, this is this is not gonna this is

0:13:51.240 --> 0:13:53.720
<v Speaker 1>really gonna be tough. But you know, you get little

0:13:53.720 --> 0:13:55.840
<v Speaker 1>gigs here and they're a couple of little guest stars

0:13:55.840 --> 0:13:59.200
<v Speaker 1>on TV shows and you know a voice over a

0:13:59.200 --> 0:14:02.480
<v Speaker 1>commercial that you know, you know, it's just like you

0:14:02.600 --> 0:14:04.720
<v Speaker 1>someone told me a long time ago. You're like juggling,

0:14:05.040 --> 0:14:07.719
<v Speaker 1>you know, all these different aspects of your career and

0:14:08.920 --> 0:14:11.480
<v Speaker 1>you've got to have all of them going and because

0:14:11.880 --> 0:14:14.040
<v Speaker 1>when one of them is down, the other one hopefully

0:14:14.120 --> 0:14:16.640
<v Speaker 1>is up and you just gotta keep juggling him until

0:14:16.960 --> 0:14:20.600
<v Speaker 1>something happens. So I got lucky. Yeah, you know, it

0:14:20.720 --> 0:14:26.160
<v Speaker 1>was grateful. So this British show called The Office comes

0:14:26.200 --> 0:14:29.360
<v Speaker 1>out with Ricky Gervais. Now did you watch the show

0:14:29.680 --> 0:14:32.160
<v Speaker 1>when it first came out available? So I had a

0:14:32.240 --> 0:14:34.880
<v Speaker 1>buddy of mine from New York who we did to

0:14:34.960 --> 0:14:39.480
<v Speaker 1>talk with Theater Festival another summer Stock. He called me

0:14:39.520 --> 0:14:42.280
<v Speaker 1>and it was like, David, you've got to watch the show.

0:14:42.320 --> 0:14:45.120
<v Speaker 1>It's right up your alley. It's hilarious. And I hear

0:14:45.160 --> 0:14:46.960
<v Speaker 1>they're doing an American version of it. You've got to

0:14:46.960 --> 0:14:49.280
<v Speaker 1>get on it. And I was like, okay. And he

0:14:49.400 --> 0:14:51.160
<v Speaker 1>never does that. He never did that with any He's

0:14:51.160 --> 0:14:54.240
<v Speaker 1>never done a sinse. So you were like, done, okay,

0:14:54.280 --> 0:14:56.760
<v Speaker 1>I'll just get on like I'll make a call. And

0:14:57.880 --> 0:14:59.160
<v Speaker 1>I did watch it. I was like, oh my god,

0:14:59.200 --> 0:15:01.080
<v Speaker 1>this is genius. And I called my age and immediately

0:15:01.160 --> 0:15:04.160
<v Speaker 1>and my agent said, do you want to do that?

0:15:04.640 --> 0:15:07.280
<v Speaker 1>And I go what I think? Well, they're just looking

0:15:07.320 --> 0:15:10.480
<v Speaker 1>for like improv comedians, like I could improv at Juilliard.

0:15:10.520 --> 0:15:12.320
<v Speaker 1>What what do you talk? Just because I didn't go

0:15:12.360 --> 0:15:15.280
<v Speaker 1>to UCB or whatever doesn't mean I don't I can't

0:15:15.320 --> 0:15:17.680
<v Speaker 1>do that or don't want to do that. And in

0:15:17.840 --> 0:15:20.560
<v Speaker 1>his defense, at that point, that was like the third

0:15:20.800 --> 0:15:25.280
<v Speaker 1>incarnation of a British TV comedy that was somewhat successful

0:15:25.320 --> 0:15:27.760
<v Speaker 1>that they had brought over and they've bombed over and

0:15:27.800 --> 0:15:30.960
<v Speaker 1>over and over again, and so he was just like, here,

0:15:31.000 --> 0:15:34.000
<v Speaker 1>it's gonna be another one of those. And uh, I said,

0:15:34.080 --> 0:15:37.560
<v Speaker 1>just get me an appointment. And at that point they

0:15:37.600 --> 0:15:40.560
<v Speaker 1>had already cast John and Jenna and all those guys

0:15:40.680 --> 0:15:42.600
<v Speaker 1>they were and so he called me back and he goes, old,

0:15:42.600 --> 0:15:45.280
<v Speaker 1>there there they have the part of Roy. When you

0:15:45.280 --> 0:15:46.600
<v Speaker 1>want to go in for that, it's a guest star.

0:15:46.680 --> 0:15:49.200
<v Speaker 1>And I said, yeah, yeah, get me in. So I

0:15:49.240 --> 0:15:52.440
<v Speaker 1>went in and gave my audition for all those guys

0:15:52.480 --> 0:15:56.080
<v Speaker 1>and which people can see on the internet, and they

0:15:56.080 --> 0:15:58.400
<v Speaker 1>called back and give me the job. So you know,

0:15:58.600 --> 0:16:01.120
<v Speaker 1>I've done a bud show, movies at that point, a

0:16:01.120 --> 0:16:03.760
<v Speaker 1>bunch of TV. But without a doubt, that's the thing

0:16:03.800 --> 0:16:06.120
<v Speaker 1>that everything we have shifted. It's like you get on

0:16:06.160 --> 0:16:08.200
<v Speaker 1>the number one show, even though it wasn't number one

0:16:08.240 --> 0:16:10.080
<v Speaker 1>right away, it took a long time, but you get

0:16:10.080 --> 0:16:11.680
<v Speaker 1>on a show that was talking about and all of

0:16:11.720 --> 0:16:15.240
<v Speaker 1>a sudden, doors open up and opportunities and talk about

0:16:15.240 --> 0:16:16.600
<v Speaker 1>that big break. But it's like I had a lot

0:16:16.600 --> 0:16:19.200
<v Speaker 1>of breaks along the way to get me there, and

0:16:19.280 --> 0:16:21.600
<v Speaker 1>luckily I had more breaks afterwards. You know, like you

0:16:22.000 --> 0:16:25.040
<v Speaker 1>gotta keep getting those breaks. They someone's got a smile

0:16:25.080 --> 0:16:28.280
<v Speaker 1>on you somewhere to to keep it going, because it

0:16:28.320 --> 0:16:31.760
<v Speaker 1>doesn't doesn't just keep happening. You know, Had you done

0:16:32.120 --> 0:16:36.360
<v Speaker 1>much comedy at all, or no, I've done comedic movies

0:16:36.960 --> 0:16:40.560
<v Speaker 1>at all, dramatic television. That was the irony the second

0:16:40.560 --> 0:16:42.440
<v Speaker 1>I did the Office, all of a sudden, everybody wanted

0:16:42.480 --> 0:16:45.400
<v Speaker 1>you to come to comedy and that was like, great,

0:16:45.480 --> 0:16:47.520
<v Speaker 1>I'm happy to do it. And then the thing that

0:16:47.640 --> 0:16:49.680
<v Speaker 1>drove me crazy, and I don't I don't know if

0:16:49.720 --> 0:16:52.000
<v Speaker 1>it happened to YouTube. I'm sure it did. I would

0:16:52.040 --> 0:16:55.440
<v Speaker 1>walk into these auditions and they would go, I had

0:16:55.480 --> 0:16:58.240
<v Speaker 1>just improvate, like to do in the office, and I

0:16:58.240 --> 0:17:00.360
<v Speaker 1>would go, no, no, no, no, no, no, I'm on

0:17:00.400 --> 0:17:02.280
<v Speaker 1>the office. So I can tell you for a fact,

0:17:02.440 --> 0:17:06.119
<v Speaker 1>this isn't all improved. There's actually really amazing writers that

0:17:06.160 --> 0:17:08.720
<v Speaker 1>are writing all these jokes and they're throwing them at us,

0:17:08.760 --> 0:17:10.919
<v Speaker 1>and you know what, they're even adding more jokes to

0:17:10.960 --> 0:17:13.040
<v Speaker 1>it when we do another take. This isn't all just

0:17:13.119 --> 0:17:15.919
<v Speaker 1>our genius that made that show work. Hello, guys, like,

0:17:16.240 --> 0:17:18.679
<v Speaker 1>I'm happy to do that for you, But if you

0:17:18.720 --> 0:17:21.399
<v Speaker 1>want me to write your show, like, that's a different

0:17:21.480 --> 0:17:26.400
<v Speaker 1>job title. I'm happy to perform it. But but it's

0:17:26.480 --> 0:17:28.639
<v Speaker 1>but don't don't say like they do in the office.

0:17:28.680 --> 0:17:32.040
<v Speaker 1>There was improv for sure, but the majority of that

0:17:32.119 --> 0:17:42.879
<v Speaker 1>was scripting. It really will scripting. It's a hard time

0:17:43.240 --> 0:17:46.639
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<v Speaker 1>Administration for Children and Families, and the ad Council. The

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<v Speaker 1>ramifications and repercussions of these activities. Because that the wall

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0:20:34.320 --> 0:20:37.280
<v Speaker 1>When you started working on the show, so you you

0:20:37.320 --> 0:20:39.560
<v Speaker 1>had seen the British version, you were a fan of that,

0:20:40.240 --> 0:20:42.520
<v Speaker 1>and we start working on the pilot. What were your

0:20:42.520 --> 0:20:46.040
<v Speaker 1>first impressions, either with working with people or on how

0:20:46.119 --> 0:20:49.920
<v Speaker 1>things went during that pilot shoot? Because you had well

0:20:50.040 --> 0:20:53.000
<v Speaker 1>way more experienced than me, but more experienced than a

0:20:53.000 --> 0:20:55.960
<v Speaker 1>lot of the folks, right, So how was it to you?

0:20:56.000 --> 0:20:58.360
<v Speaker 1>What were your first impressions? Well, you know, I think

0:20:58.400 --> 0:21:01.440
<v Speaker 1>I only have like that once seen in the pilot, right,

0:21:01.440 --> 0:21:03.199
<v Speaker 1>come in with the trash bag, which you don't know

0:21:03.280 --> 0:21:05.600
<v Speaker 1>what is in that trash bag, whether it's human hand

0:21:05.680 --> 0:21:10.199
<v Speaker 1>or something. It was just for some reason, the timing

0:21:10.280 --> 0:21:13.679
<v Speaker 1>wasn't working. Something was off, and I remember Ken Coppas

0:21:13.760 --> 0:21:15.959
<v Speaker 1>was like, hey, let's take a break, and we went downstairs,

0:21:15.960 --> 0:21:18.320
<v Speaker 1>and of course I was panicking and what happened? What

0:21:18.359 --> 0:21:20.680
<v Speaker 1>did I do? You know? And John was like, no, man,

0:21:20.680 --> 0:21:22.840
<v Speaker 1>they're doing this all the time. They're like there, We're

0:21:22.880 --> 0:21:26.080
<v Speaker 1>constantly taking breaks to just clear the air and then

0:21:26.080 --> 0:21:28.320
<v Speaker 1>come back at it. And I think a big part

0:21:28.359 --> 0:21:31.520
<v Speaker 1>of that is because you know, we had those of

0:21:31.560 --> 0:21:34.040
<v Speaker 1>us who had seen the show. It's hard not to

0:21:34.280 --> 0:21:37.320
<v Speaker 1>have that impression, you know. And when you start imitating

0:21:37.359 --> 0:21:39.320
<v Speaker 1>somebody else you know as well as I do, you're

0:21:39.359 --> 0:21:41.840
<v Speaker 1>in trouble because you're never going to do it as

0:21:41.840 --> 0:21:44.239
<v Speaker 1>good as the person who did it originally. UM, So

0:21:44.280 --> 0:21:45.800
<v Speaker 1>you've got to do your own thing and you've got

0:21:45.800 --> 0:21:48.360
<v Speaker 1>to find your own voice in it. So I don't

0:21:48.400 --> 0:21:50.239
<v Speaker 1>know if that had something to do with it or what,

0:21:50.440 --> 0:21:52.000
<v Speaker 1>or it just happened to be, you know, hey, let's

0:21:52.000 --> 0:21:54.639
<v Speaker 1>just shake it up. And so we went downstairs, came

0:21:54.640 --> 0:21:56.520
<v Speaker 1>back up and did like one more take and it

0:21:56.640 --> 0:21:58.080
<v Speaker 1>was like, great, we got it. I was like, oh,

0:21:58.119 --> 0:21:59.720
<v Speaker 1>oh that was easy. And then it was, you know,

0:21:59.800 --> 0:22:03.520
<v Speaker 1>a year later before we started filming. You know, it's

0:22:03.600 --> 0:22:05.639
<v Speaker 1>like we had to wait to get picked up and

0:22:05.680 --> 0:22:08.439
<v Speaker 1>then wait and wait. It was like, actually, no, we

0:22:08.520 --> 0:22:10.960
<v Speaker 1>shot that stuff. It was in the fall. It was

0:22:11.000 --> 0:22:13.080
<v Speaker 1>a year later that it aired. It wasn't until like

0:22:13.200 --> 0:22:15.960
<v Speaker 1>April or whatever that we found out how the show

0:22:16.080 --> 0:22:19.639
<v Speaker 1>would turn out. Right. Jenna had a conversation with me

0:22:20.320 --> 0:22:27.080
<v Speaker 1>about backstory. She had a journal about your relationship with

0:22:27.240 --> 0:22:31.000
<v Speaker 1>the relationship between Pam and Roy and her history. Did

0:22:31.040 --> 0:22:34.120
<v Speaker 1>you work with her on your initial backstory or were

0:22:34.160 --> 0:22:37.240
<v Speaker 1>you Were you involved with that at all. I was

0:22:37.280 --> 0:22:41.159
<v Speaker 1>receptive to her ideas it was her show more than

0:22:41.200 --> 0:22:42.800
<v Speaker 1>it was my show. I was just a guest star

0:22:42.880 --> 0:22:44.479
<v Speaker 1>on it. But we did talk about it. You know,

0:22:45.640 --> 0:22:47.679
<v Speaker 1>with all of those things, it's so important to create

0:22:47.680 --> 0:22:49.959
<v Speaker 1>a backstory. But yeah, we did have to go how

0:22:49.960 --> 0:22:51.840
<v Speaker 1>long have we been together and you know when we

0:22:51.880 --> 0:22:53.600
<v Speaker 1>start dating? And how did it? You know, we did.

0:22:53.680 --> 0:22:57.160
<v Speaker 1>We did share those conversations, and I don't know that

0:22:57.440 --> 0:23:00.159
<v Speaker 1>too much of what I said shifted anything I. I

0:23:00.200 --> 0:23:02.480
<v Speaker 1>was just more amenable to her ideas, you know, I

0:23:02.520 --> 0:23:04.119
<v Speaker 1>was like, yeah, I think that's probably right. I think

0:23:04.160 --> 0:23:06.199
<v Speaker 1>they probably kind of fell into this thing and then

0:23:06.240 --> 0:23:08.280
<v Speaker 1>they kind of got into a rut and just kept

0:23:08.359 --> 0:23:11.399
<v Speaker 1>going along, and you know, clearly they weren't happy in

0:23:11.440 --> 0:23:15.040
<v Speaker 1>their relationship, or at least Roy wasn't happy enough to propose.

0:23:15.480 --> 0:23:17.639
<v Speaker 1>And then, you know, the nice the fun thing about

0:23:17.680 --> 0:23:20.840
<v Speaker 1>that show is those talking heads where you you could

0:23:20.880 --> 0:23:24.520
<v Speaker 1>hear characters in her thoughts, you know, and so often

0:23:24.560 --> 0:23:27.880
<v Speaker 1>in television, you're not the characters don't evolve. They want

0:23:28.000 --> 0:23:30.520
<v Speaker 1>the same thing every week, and they want to see

0:23:30.600 --> 0:23:33.119
<v Speaker 1>that dynamic and how it plays out, but they don't

0:23:33.200 --> 0:23:35.199
<v Speaker 1>see a character make a shift or a change. And

0:23:35.240 --> 0:23:37.720
<v Speaker 1>so I was lucky enough to have this like, oh no,

0:23:37.880 --> 0:23:40.480
<v Speaker 1>Roy's gonna lose her, try to win her back, and

0:23:40.520 --> 0:23:43.240
<v Speaker 1>it was like this different character to play in season three,

0:23:43.840 --> 0:23:46.560
<v Speaker 1>and that was really fun to do. And and then

0:23:46.600 --> 0:23:49.200
<v Speaker 1>when I found out that he didn't ever really truly

0:23:49.240 --> 0:23:52.119
<v Speaker 1>evolve by the end of it, you were like, oh no,

0:23:52.359 --> 0:23:55.720
<v Speaker 1>the old Roy's back. And then they, you know, they

0:23:55.960 --> 0:23:58.239
<v Speaker 1>nicely gave me a great little send off in the

0:23:58.359 --> 0:24:01.480
<v Speaker 1>you know, final season of the evolved Roy or whatever,

0:24:01.760 --> 0:24:05.520
<v Speaker 1>which was cool, right. You talk about how trying to

0:24:05.560 --> 0:24:09.119
<v Speaker 1>imitate somebody else's performance, right, So it's was Lee in

0:24:09.400 --> 0:24:13.119
<v Speaker 1>the British version. Did you feel like pretty quickly, you know,

0:24:13.160 --> 0:24:17.480
<v Speaker 1>the character of Roy evolved from that original British version

0:24:17.640 --> 0:24:22.320
<v Speaker 1>or became more tied to you and your sensibilities. Yeah,

0:24:22.400 --> 0:24:24.159
<v Speaker 1>I think so. I mean, you know, there's also that

0:24:24.280 --> 0:24:27.119
<v Speaker 1>British the reserve, you know, like that guy could be

0:24:27.160 --> 0:24:31.960
<v Speaker 1>just stoic and just kind of like uh and didn't

0:24:32.000 --> 0:24:34.320
<v Speaker 1>say much that that Lee character was kind of like

0:24:34.440 --> 0:24:37.440
<v Speaker 1>that and uh. And they gave me more more things

0:24:37.480 --> 0:24:40.040
<v Speaker 1>to do, more funnier things to say, and be a

0:24:40.160 --> 0:24:42.480
<v Speaker 1>more of a meat head, you know. And you know,

0:24:42.520 --> 0:24:44.439
<v Speaker 1>I went to high school with a bunch of meat heads,

0:24:44.920 --> 0:24:47.000
<v Speaker 1>and a lot of them I didn't like. So this

0:24:47.040 --> 0:24:49.679
<v Speaker 1>was my opportunity to make fun of them. I got

0:24:49.760 --> 0:24:51.600
<v Speaker 1>to carry that with me for the rest of my life,

0:24:51.640 --> 0:24:53.760
<v Speaker 1>you know. But but yeah, I mean it was they did.

0:24:53.760 --> 0:24:55.880
<v Speaker 1>They did right to that. I think. Also the whole

0:24:55.880 --> 0:24:58.160
<v Speaker 1>show just sort of evolved after those first six episodes.

0:24:58.200 --> 0:25:00.720
<v Speaker 1>It got its own voice when they didn't have those

0:25:00.720 --> 0:25:03.240
<v Speaker 1>scripts to to go to and and they had to

0:25:03.280 --> 0:25:05.920
<v Speaker 1>write for us, and they did you know, I mean,

0:25:05.960 --> 0:25:09.840
<v Speaker 1>I'm sure you're at least aware, you know that there

0:25:10.280 --> 0:25:15.119
<v Speaker 1>has been a lot of sympathy toward Roy actually and

0:25:15.320 --> 0:25:19.800
<v Speaker 1>his plight. You know, for a long time what what

0:25:19.920 --> 0:25:23.399
<v Speaker 1>would you call emotional cheating that she wanted to be

0:25:23.480 --> 0:25:26.159
<v Speaker 1>with someone else. My question is is that was that

0:25:26.240 --> 0:25:28.840
<v Speaker 1>a conscious decision? I mean, I guess talk a little

0:25:28.840 --> 0:25:32.280
<v Speaker 1>bit about the importance of bringing that humanity to Roy,

0:25:32.320 --> 0:25:35.399
<v Speaker 1>which gave him a depth that maybe on other shows

0:25:35.400 --> 0:25:38.800
<v Speaker 1>wouldn't have existed. Well, I gotta say, you know that

0:25:38.920 --> 0:25:43.320
<v Speaker 1>was Greg Daniels. We had a conversation between season two

0:25:43.359 --> 0:25:46.320
<v Speaker 1>and three and he, uh said, I want to make

0:25:46.640 --> 0:25:50.040
<v Speaker 1>Roy more of a rival to Jim. And I said,

0:25:50.440 --> 0:25:51.960
<v Speaker 1>I don't know how we're going to do that because

0:25:52.480 --> 0:25:54.680
<v Speaker 1>he's a he's pretty much a meat head, and we've

0:25:54.720 --> 0:25:57.120
<v Speaker 1>pretty much painted him into a corner that I don't

0:25:57.160 --> 0:25:59.240
<v Speaker 1>know how anyone would ever want to be with this guy.

0:25:59.560 --> 0:26:02.160
<v Speaker 1>And he laugh and said, well, I think we can,

0:26:02.320 --> 0:26:04.800
<v Speaker 1>and I know that you can as an actor, and uh,

0:26:05.160 --> 0:26:06.840
<v Speaker 1>we're gonna write towards it. We're gonna try to make

0:26:06.880 --> 0:26:10.440
<v Speaker 1>it happen. And I said, look, in my opinion, the

0:26:10.480 --> 0:26:13.760
<v Speaker 1>only way that there's a chance at that is, if

0:26:14.400 --> 0:26:19.400
<v Speaker 1>Roy is able to realize he's screwed up and try

0:26:19.480 --> 0:26:23.520
<v Speaker 1>to make amends or make it better somehow, and then

0:26:23.600 --> 0:26:25.840
<v Speaker 1>you might have a shot of rooting for him. Unless

0:26:25.840 --> 0:26:28.159
<v Speaker 1>he does that, I don't know how you can because

0:26:28.160 --> 0:26:31.240
<v Speaker 1>he's so thick headed. And he said, yeah, I agree

0:26:31.280 --> 0:26:33.200
<v Speaker 1>to I agree with that, and that's what I was thinking,

0:26:33.440 --> 0:26:35.520
<v Speaker 1>and I said, okay, cool, and then we had it

0:26:35.600 --> 0:26:38.160
<v Speaker 1>like in this season three, like the first episode there's

0:26:38.160 --> 0:26:41.600
<v Speaker 1>a talking head of the wedding has been called off

0:26:41.680 --> 0:26:44.879
<v Speaker 1>and and he just has this one moment where he says,

0:26:45.800 --> 0:26:48.560
<v Speaker 1>I gotta winner back. Yeah. It was definitely a conscious

0:26:48.560 --> 0:26:50.880
<v Speaker 1>effort of you know, this guy was you don't realize

0:26:50.920 --> 0:26:54.040
<v Speaker 1>how much you miss something and until they're gone. And

0:26:54.880 --> 0:26:57.919
<v Speaker 1>but at the same token, like I don't necessarily know

0:26:57.960 --> 0:26:59.760
<v Speaker 1>that they were the right match for each other. I

0:26:59.800 --> 0:27:02.480
<v Speaker 1>think gets also like you're gonna lose that thing, and

0:27:02.520 --> 0:27:05.240
<v Speaker 1>so you don't want to lose it, and so you know,

0:27:05.320 --> 0:27:08.399
<v Speaker 1>he was definitely in the doghouse trying to trying to

0:27:08.440 --> 0:27:10.359
<v Speaker 1>win her back, and you know, and there are moments

0:27:10.440 --> 0:27:12.480
<v Speaker 1>that they got to where you're like, oh, maybe this

0:27:12.560 --> 0:27:14.840
<v Speaker 1>is gonna happen like maybe they'll push it off for

0:27:14.880 --> 0:27:17.520
<v Speaker 1>another couple of seasons of them getting together, but no,

0:27:17.840 --> 0:27:20.159
<v Speaker 1>it was the season three arc. But yeah, you know

0:27:20.200 --> 0:27:23.240
<v Speaker 1>it's funny. I always say, like, because early on, man,

0:27:23.359 --> 0:27:25.639
<v Speaker 1>I get a lot of hate on the social media.

0:27:25.760 --> 0:27:28.000
<v Speaker 1>You're such a jerk. I hate you. But I would

0:27:28.000 --> 0:27:31.680
<v Speaker 1>always say, just please everyone, don't ever forget that, Hey,

0:27:31.720 --> 0:27:34.119
<v Speaker 1>I'm cheated on Roy. Like he may have been a

0:27:34.320 --> 0:27:38.520
<v Speaker 1>numb soul and not a great boyfriend, but come on, like,

0:27:39.200 --> 0:27:41.760
<v Speaker 1>Roy isn't the guy that was doing that. Do you

0:27:41.760 --> 0:27:45.479
<v Speaker 1>think Roy never cheated? I don't know. I don't know.

0:27:45.640 --> 0:27:47.280
<v Speaker 1>I don't know. That's a good question. I don't know.

0:27:47.280 --> 0:27:49.520
<v Speaker 1>I never thought about it, but I never did on camera.

0:27:49.760 --> 0:27:51.960
<v Speaker 1>You never did on camera. That's we don't know what

0:27:52.040 --> 0:27:56.960
<v Speaker 1>that character did. I did Roy probably cheated early on

0:27:57.000 --> 0:28:00.159
<v Speaker 1>in their relationship. I would be. I would guess he

0:28:00.240 --> 0:28:03.119
<v Speaker 1>just treated her so poorly. Yeah, he didn't really have

0:28:03.200 --> 0:28:05.040
<v Speaker 1>much respect for her, and I think it was probably

0:28:05.080 --> 0:28:06.560
<v Speaker 1>when she called it off that all of a sudden

0:28:06.600 --> 0:28:09.400
<v Speaker 1>did have respect for him, and it was like, oh okay, right,

0:28:09.960 --> 0:28:12.760
<v Speaker 1>So in Booze Crows, I mean it occurs to me

0:28:12.840 --> 0:28:18.520
<v Speaker 1>as you're talking that it feels like, really about you

0:28:18.920 --> 0:28:23.639
<v Speaker 1>sensing something between Jim and Pam and just wanting to

0:28:23.680 --> 0:28:25.960
<v Speaker 1>stop it as opposed to really wanting to be with her.

0:28:26.240 --> 0:28:28.159
<v Speaker 1>Is that is that how you viewed it? Did you

0:28:28.200 --> 0:28:29.960
<v Speaker 1>talk to Greg about it at all? No? I didn't.

0:28:29.960 --> 0:28:32.200
<v Speaker 1>We didn't talk about it, but it felt that way,

0:28:32.359 --> 0:28:34.960
<v Speaker 1>and when we shot it, and that it was a rivalry,

0:28:35.080 --> 0:28:37.919
<v Speaker 1>it was also I have to do this, you know,

0:28:38.320 --> 0:28:40.280
<v Speaker 1>and he saw them flirting with each other and just

0:28:40.440 --> 0:28:43.040
<v Speaker 1>blurted it out. So yeah, we didn't really talk about it.

0:28:43.080 --> 0:28:45.080
<v Speaker 1>But yeah, I think that's fair to say that he

0:28:45.160 --> 0:28:49.240
<v Speaker 1>was more interested in shutting that down than really being

0:28:49.280 --> 0:28:51.640
<v Speaker 1>so madly in love with Pam. I don't think that

0:28:51.640 --> 0:28:54.000
<v Speaker 1>that was the case. And also he had quite a

0:28:54.040 --> 0:28:57.840
<v Speaker 1>few drinks, you know, and was like festive and like

0:28:58.440 --> 0:29:00.600
<v Speaker 1>all right, let's just do this thing, you know, like,

0:29:01.000 --> 0:29:04.160
<v Speaker 1>let's just do it. We could deal with the ramifications later.

0:29:04.240 --> 0:29:07.280
<v Speaker 1>I'm sure he woke up the next morning and was like, oh, no,

0:29:07.880 --> 0:29:13.160
<v Speaker 1>we did, so boy, what do we do? Um? There's

0:29:13.720 --> 0:29:17.000
<v Speaker 1>fan theories. Do you think Roy ever cheated on Pam

0:29:17.000 --> 0:29:20.160
<v Speaker 1>with Angelo? Definitely did not. You know, I don't even

0:29:20.160 --> 0:29:23.400
<v Speaker 1>think he knew Angela's name. I really don't. I don't think.

0:29:23.400 --> 0:29:25.840
<v Speaker 1>I don't think he was. It was that invested. But

0:29:26.840 --> 0:29:29.440
<v Speaker 1>I haven't watched them back since we originally did them,

0:29:29.440 --> 0:29:32.720
<v Speaker 1>so maybe there's a lot more in there that they edited. Yeah. Well,

0:29:32.720 --> 0:29:34.840
<v Speaker 1>but there's also a fan theory that Kevin is a

0:29:34.840 --> 0:29:38.040
<v Speaker 1>secret genius who embezzled millions of dollars from dunder Mifflin

0:29:38.160 --> 0:29:40.880
<v Speaker 1>and and he knew what was going on the whole time.

0:29:40.920 --> 0:29:45.719
<v Speaker 1>So it's certainly possible that that they know more than

0:29:45.760 --> 0:29:48.080
<v Speaker 1>I do. I do have to ask you about this.

0:29:48.480 --> 0:29:52.440
<v Speaker 1>It has become, I guess, one of my favorite stories

0:29:52.520 --> 0:29:57.120
<v Speaker 1>in life. But right around this time, mid season two,

0:29:57.680 --> 0:30:01.680
<v Speaker 1>Steve gets nominated for a Golden Global Ward. And do

0:30:01.760 --> 0:30:05.760
<v Speaker 1>you remember that we met at my house and you

0:30:05.920 --> 0:30:10.760
<v Speaker 1>drove us too. You drove a group of us to

0:30:11.320 --> 0:30:15.600
<v Speaker 1>the Beverly Hilton, and my recollection is a Honda Civic

0:30:15.880 --> 0:30:19.280
<v Speaker 1>and we showed up like the Beverly Hillbillies to the

0:30:19.280 --> 0:30:22.920
<v Speaker 1>Beverly Hilton for the Golden Globes where we were on

0:30:22.960 --> 0:30:27.400
<v Speaker 1>the rooftop, not allowed in the actual room. And we

0:30:27.560 --> 0:30:31.280
<v Speaker 1>drove up and they were like you morons, like there's

0:30:31.320 --> 0:30:34.520
<v Speaker 1>no valet, this is a red carpet, and we're not

0:30:34.600 --> 0:30:37.960
<v Speaker 1>taking your car, and you were like, no problem, guys,

0:30:38.040 --> 0:30:40.400
<v Speaker 1>I'll go park, and you like had to park miles

0:30:40.440 --> 0:30:44.160
<v Speaker 1>away and walk back. Do you remember this story? I

0:30:44.800 --> 0:30:47.960
<v Speaker 1>swear to you I do not, but I'm not surprised

0:30:48.200 --> 0:30:51.840
<v Speaker 1>that is an awful answer, don't. I wish, I wish

0:30:51.840 --> 0:30:55.240
<v Speaker 1>I remember that. I remembered us being upstairs at that party,

0:30:55.560 --> 0:30:57.960
<v Speaker 1>having quite a few drinks, and when when Steve won,

0:30:58.080 --> 0:31:00.480
<v Speaker 1>like it was like we won the super Bowl, like

0:31:00.720 --> 0:31:03.360
<v Speaker 1>so pumped and so excited for him and the show.

0:31:03.640 --> 0:31:06.000
<v Speaker 1>But now that you're saying and I'm putting it all together,

0:31:06.080 --> 0:31:08.640
<v Speaker 1>like literally right now, and I do remember being at

0:31:08.680 --> 0:31:13.280
<v Speaker 1>your house, you don't remember. I'm sure I did. And

0:31:13.360 --> 0:31:17.800
<v Speaker 1>I had, God, I had an old, beat up Honda

0:31:17.160 --> 0:31:22.160
<v Speaker 1>was a Chord Chord. It was a four door. It

0:31:22.240 --> 0:31:23.880
<v Speaker 1>was old and beat up though, I mean it was

0:31:23.920 --> 0:31:27.480
<v Speaker 1>my old, agents old car. My car broke down and

0:31:27.520 --> 0:31:30.240
<v Speaker 1>I needed a car. I said, can I can? I

0:31:30.280 --> 0:31:33.920
<v Speaker 1>can I buy your car? And she was like, uh, okay, yeah,

0:31:34.080 --> 0:31:36.200
<v Speaker 1>just uh just pay me back when you can. I'm like,

0:31:36.320 --> 0:31:38.120
<v Speaker 1>I need a job and she was like okay, Like

0:31:38.160 --> 0:31:40.080
<v Speaker 1>she I was driving her car around for a couple

0:31:40.120 --> 0:31:42.480
<v Speaker 1>of months before I had enough money to pay it off.

0:31:42.520 --> 0:31:45.280
<v Speaker 1>It was only like or something, but it was like

0:31:45.400 --> 0:31:48.320
<v Speaker 1>it was an old beat up car. So we pulled

0:31:48.400 --> 0:31:53.560
<v Speaker 1>up like along the side of Wilsher Bulevard and you

0:31:53.600 --> 0:31:57.200
<v Speaker 1>were like, you guys, get out, I'll go park who

0:31:57.200 --> 0:32:00.000
<v Speaker 1>alway was in the car with us, Oscar and Angela

0:32:00.120 --> 0:32:05.560
<v Speaker 1>at least I can't fully remembering. It's become one of

0:32:05.600 --> 0:32:09.520
<v Speaker 1>my favorite memories of the time. And um that line.

0:32:09.680 --> 0:32:11.240
<v Speaker 1>I wish we knew we were in the good old

0:32:11.280 --> 0:32:13.680
<v Speaker 1>days while they were happening, because that, for me, it's

0:32:13.760 --> 0:32:17.400
<v Speaker 1>just kind of just the purity of that no limo,

0:32:18.440 --> 0:32:20.160
<v Speaker 1>no red carpet. I didn't even know that we were

0:32:20.200 --> 0:32:22.239
<v Speaker 1>invited on the red carpet. We may have kind of

0:32:22.280 --> 0:32:25.640
<v Speaker 1>walked through and people were like, who are they don't

0:32:25.720 --> 0:32:27.680
<v Speaker 1>you're not allowed in the room. Nobody knew we were.

0:32:28.080 --> 0:32:29.920
<v Speaker 1>I was surprised that we even got the invite to

0:32:30.000 --> 0:32:33.760
<v Speaker 1>the NBC party on the roof. You know, so many

0:32:33.800 --> 0:32:37.760
<v Speaker 1>of those parties, like early on shortly after that, we

0:32:37.840 --> 0:32:40.960
<v Speaker 1>did get like cars to go to like the SAG

0:32:41.040 --> 0:32:43.880
<v Speaker 1>Awards and things like that. Right, yes, no, yes, we

0:32:43.920 --> 0:32:46.280
<v Speaker 1>didn't remember ever driving to another one of those parts. No,

0:32:46.440 --> 0:32:48.760
<v Speaker 1>that was it. That was it. I think that was it.

0:32:49.320 --> 0:32:52.240
<v Speaker 1>I do remember we went to the SAG Awards, I

0:32:52.280 --> 0:32:55.080
<v Speaker 1>think it was the year later maybe, and we partied

0:32:55.160 --> 0:32:57.719
<v Speaker 1>so hard. It was like we thought that that party

0:32:57.800 --> 0:33:00.960
<v Speaker 1>was for us, Like the open bar. We were like,

0:33:01.000 --> 0:33:04.000
<v Speaker 1>oh my god, this is amazing, and everyone's looking at

0:33:04.080 --> 0:33:07.320
<v Speaker 1>us like, oh my god, you guys, and we're dancing.

0:33:07.360 --> 0:33:11.640
<v Speaker 1>We took over the dance floor, the dance floor, and

0:33:11.720 --> 0:33:14.240
<v Speaker 1>like it was so much fun. And now when I

0:33:14.280 --> 0:33:16.640
<v Speaker 1>go to those parties, I always see those like first

0:33:16.760 --> 0:33:19.840
<v Speaker 1>year shows and those kids doing the same thing. I'm

0:33:19.840 --> 0:33:21.680
<v Speaker 1>not doing that anywhere because now I know it's a

0:33:21.680 --> 0:33:25.040
<v Speaker 1>work party. Have a drink, say hello everybody you know,

0:33:25.120 --> 0:33:28.120
<v Speaker 1>and keep your head down. But like, yeah, that innocence

0:33:28.400 --> 0:33:32.480
<v Speaker 1>of us was pretty palpable and everyone everyone was smiling

0:33:32.520 --> 0:33:42.520
<v Speaker 1>and having a good time with us. On the latest

0:33:42.520 --> 0:33:45.680
<v Speaker 1>season of The Next Question with Katie Correct podcast, Katie

0:33:45.720 --> 0:33:50.840
<v Speaker 1>dives into Well Katie Here, exclusive podcast only conversations between

0:33:50.920 --> 0:33:53.920
<v Speaker 1>Katie and the people who made her memoir Going There Possible.

0:33:54.160 --> 0:33:57.320
<v Speaker 1>We spent a lot of time together around a dining

0:33:57.400 --> 0:34:00.400
<v Speaker 1>room table here and in the city, and you know,

0:34:00.760 --> 0:34:04.920
<v Speaker 1>it was a very intense experience. All episodes of Next

0:34:04.960 --> 0:34:07.800
<v Speaker 1>Question with Katie Couric are available now. Listen on the

0:34:07.840 --> 0:34:10.600
<v Speaker 1>I Heart Radio app, Apple podcasts, or wherever you get

0:34:10.640 --> 0:34:14.520
<v Speaker 1>your podcasts. If I could be you and you could

0:34:14.560 --> 0:34:17.040
<v Speaker 1>be me for just one hour, if you could find

0:34:17.040 --> 0:34:21.040
<v Speaker 1>a way to get inside each other's mind, Walcome Mile

0:34:21.160 --> 0:34:26.280
<v Speaker 1>in My Shoes. Wacome Mile in My Shoes. Shoes. We've

0:34:26.320 --> 0:34:29.640
<v Speaker 1>all felt left out, and for some that feeling lasts

0:34:29.680 --> 0:34:33.000
<v Speaker 1>more than a moment. We can change that. Learn how

0:34:33.040 --> 0:34:35.680
<v Speaker 1>it Belonging begins with us dot org, brought to you

0:34:35.760 --> 0:34:43.680
<v Speaker 1>by the Act Council. Welcome Mile in Shoes. I'm Colleen

0:34:43.719 --> 0:34:46.800
<v Speaker 1>with joined me the host of Eating Wall Broke podcast.

0:34:47.040 --> 0:34:51.040
<v Speaker 1>While I eat a meal created by self made entrepreneurs, influencers,

0:34:51.120 --> 0:34:53.480
<v Speaker 1>and celebrities over a meal they once eight when they

0:34:53.480 --> 0:34:56.279
<v Speaker 1>were broke. Today I have the lovely aj Crimson, the

0:34:56.320 --> 0:35:01.640
<v Speaker 1>official Princess of Confident Asia kidding, and this is the professor.

0:35:01.800 --> 0:35:04.480
<v Speaker 1>We're here on Eating While Broken. Today, I'm gonna break

0:35:04.520 --> 0:35:07.120
<v Speaker 1>down my meal that got me through a time when

0:35:07.160 --> 0:35:09.759
<v Speaker 1>I was broken. Listen to Eating While Broke on the

0:35:09.800 --> 0:35:12.840
<v Speaker 1>I Heart Radio app, on Apple podcast or wherever you

0:35:12.840 --> 0:35:26.360
<v Speaker 1>get your podcasts. What was it like coming back to

0:35:26.440 --> 0:35:28.839
<v Speaker 1>the show when you would be gone for a bit

0:35:28.960 --> 0:35:32.120
<v Speaker 1>and then you would come back. Well, those early days,

0:35:32.440 --> 0:35:35.239
<v Speaker 1>because I wasn't in every episode, you guys were so

0:35:35.360 --> 0:35:38.520
<v Speaker 1>stir crazy, like stuck in that room with the same

0:35:38.600 --> 0:35:41.719
<v Speaker 1>faces to look at for twelve hours a day, all

0:35:41.800 --> 0:35:44.279
<v Speaker 1>day long. So when I would come in, you guys

0:35:44.320 --> 0:35:47.960
<v Speaker 1>were so like, hey, even, oh my god, there's another

0:35:48.040 --> 0:35:51.239
<v Speaker 1>person here. And you guys were so excited to see me.

0:35:51.280 --> 0:35:55.000
<v Speaker 1>It was so much fun. Um it was. It was hilarious. Yeah,

0:35:55.080 --> 0:35:58.480
<v Speaker 1>you know, that show evolved over time, and everybody's evolved

0:35:59.040 --> 0:36:02.440
<v Speaker 1>with it, and everyone's kind of star broke out in

0:36:02.480 --> 0:36:05.640
<v Speaker 1>different ways and different things, and it was a different show.

0:36:05.719 --> 0:36:08.319
<v Speaker 1>It was a different show those later years. Everyone was

0:36:08.320 --> 0:36:11.760
<v Speaker 1>still very nice, but you were there. We weren't driving

0:36:11.800 --> 0:36:16.319
<v Speaker 1>to an awards ceremony and your beat up Honda everyone. Yeah,

0:36:16.320 --> 0:36:18.600
<v Speaker 1>I remember that, Like, what was it, season three? All

0:36:18.600 --> 0:36:20.480
<v Speaker 1>of a sudden, everyone pulls up in new cars and

0:36:20.560 --> 0:36:23.439
<v Speaker 1>you're like, it was like, oh, all right, I guess

0:36:23.480 --> 0:36:29.160
<v Speaker 1>everybody was going to be around a little bit. Yeah,

0:36:29.520 --> 0:36:32.360
<v Speaker 1>did you have any conversations with Greg when you agreed

0:36:32.400 --> 0:36:35.960
<v Speaker 1>to come back with your new fiance? Uh? And you

0:36:36.000 --> 0:36:37.799
<v Speaker 1>invite Jim and Pam to your wedding. Did you have

0:36:37.840 --> 0:36:42.240
<v Speaker 1>any conversations with Greg about what you wanted in terms

0:36:42.239 --> 0:36:46.279
<v Speaker 1>of resolution to the character. That was all that I

0:36:46.760 --> 0:36:49.640
<v Speaker 1>did come to find out, like that John was always

0:36:49.680 --> 0:36:52.319
<v Speaker 1>sort of pitching to try to get me around, uh,

0:36:53.160 --> 0:36:56.080
<v Speaker 1>stir up some of that conflict that they had those

0:36:56.120 --> 0:37:00.120
<v Speaker 1>early years. That was fun stuff for us to play. No,

0:37:00.239 --> 0:37:02.480
<v Speaker 1>I mean, you know there was. I did that one

0:37:02.480 --> 0:37:05.279
<v Speaker 1>episode in five and then and then they brought me

0:37:05.320 --> 0:37:10.480
<v Speaker 1>in for the threat level Midnight or something and uh,

0:37:10.520 --> 0:37:12.799
<v Speaker 1>and they cut me out of that episode. So I'm

0:37:12.800 --> 0:37:15.440
<v Speaker 1>only in the extras of that. And then they called me.

0:37:15.600 --> 0:37:18.880
<v Speaker 1>That was the crazy one. Was that Jim and Pam's wedding.

0:37:19.280 --> 0:37:22.239
<v Speaker 1>They called me with that crazy pitch that now is

0:37:22.280 --> 0:37:25.440
<v Speaker 1>out there. I was shooting a movie up in Maine

0:37:25.600 --> 0:37:27.359
<v Speaker 1>and they were like, can you come in to do

0:37:27.440 --> 0:37:30.760
<v Speaker 1>this Niagara false thing? And I was like, I don't

0:37:30.840 --> 0:37:32.759
<v Speaker 1>know that I'll be able to, Like, we had to

0:37:32.800 --> 0:37:34.480
<v Speaker 1>carve it out of the schedule. And so then they

0:37:34.520 --> 0:37:37.879
<v Speaker 1>did carve it out. And the last second they called

0:37:37.920 --> 0:37:40.160
<v Speaker 1>and said it's not happening, and I was like at

0:37:40.200 --> 0:37:44.719
<v Speaker 1>all and They're like, not happening. Riding in on a

0:37:44.760 --> 0:37:46.160
<v Speaker 1>horse in the middle of the way. I mean, it

0:37:46.280 --> 0:37:49.840
<v Speaker 1>was so crazy. I'm so glad somebody stepped in. It

0:37:49.840 --> 0:37:52.279
<v Speaker 1>was like, guys, I think they were jumping the shark here.

0:37:52.320 --> 0:37:54.719
<v Speaker 1>This is a little bit too much. It did not

0:37:54.840 --> 0:37:57.880
<v Speaker 1>feel at all like what Roy would have done either

0:37:58.120 --> 0:38:00.200
<v Speaker 1>when I was being pitched in or told it. But

0:38:00.239 --> 0:38:02.120
<v Speaker 1>I didn't have any any say in that at all.

0:38:02.320 --> 0:38:05.160
<v Speaker 1>But I was so grateful that they that they pivoted

0:38:05.200 --> 0:38:07.360
<v Speaker 1>at the end. And I thought that that episode was

0:38:07.400 --> 0:38:09.920
<v Speaker 1>a beautiful episode and I loved how it ended. And

0:38:10.000 --> 0:38:11.960
<v Speaker 1>sometimes people get locked into an idea and they think

0:38:12.000 --> 0:38:14.439
<v Speaker 1>that's the best thing, and then and then when when

0:38:14.440 --> 0:38:16.280
<v Speaker 1>they're forced to pivot on something, all of a sudden,

0:38:16.320 --> 0:38:18.440
<v Speaker 1>something even more beautiful comes out of it that you

0:38:18.480 --> 0:38:21.240
<v Speaker 1>don't anticipate often. And I think that's a perfect example

0:38:21.320 --> 0:38:24.680
<v Speaker 1>of of of an episode that turned out that way. Yeah, well,

0:38:24.719 --> 0:38:30.120
<v Speaker 1>it's so crazy because I think that bond of our

0:38:30.280 --> 0:38:35.120
<v Speaker 1>early times we got so close, Like you know, even

0:38:35.160 --> 0:38:38.040
<v Speaker 1>when you would leave for a while, we may have

0:38:38.239 --> 0:38:40.920
<v Speaker 1>jumped to you because we wanted somebody else to look at,

0:38:41.239 --> 0:38:43.880
<v Speaker 1>but it was never like oh that guy is back,

0:38:43.960 --> 0:38:47.600
<v Speaker 1>like you were always a part of the ensemble. I'm

0:38:47.640 --> 0:38:50.200
<v Speaker 1>sure that has to do with how the show started

0:38:50.200 --> 0:38:52.840
<v Speaker 1>and what we were born out of. I've always felt

0:38:52.840 --> 0:38:55.839
<v Speaker 1>that way. I couldn't agree more. I did never Yeah,

0:38:56.239 --> 0:38:59.359
<v Speaker 1>people's excitement was not nothing about like anything other than

0:38:59.400 --> 0:39:01.080
<v Speaker 1>a new face and look at and talk to me,

0:39:01.160 --> 0:39:03.279
<v Speaker 1>like what have you been up to? But it was.

0:39:03.560 --> 0:39:05.880
<v Speaker 1>But we did all bund even for me, who was

0:39:05.960 --> 0:39:08.760
<v Speaker 1>not in all of the episodes. But those early years

0:39:09.200 --> 0:39:12.040
<v Speaker 1>I remember so much just hanging out and playing video

0:39:12.080 --> 0:39:14.880
<v Speaker 1>games and the trailers and yeah, I mean, but you know,

0:39:15.280 --> 0:39:17.960
<v Speaker 1>a big part of that too is who was steering

0:39:18.000 --> 0:39:19.879
<v Speaker 1>the ship of Steve. You know, he was the most

0:39:19.920 --> 0:39:22.480
<v Speaker 1>humble guy, and here he was by the time we

0:39:22.520 --> 0:39:24.400
<v Speaker 1>shot the pilot, and by the time it aired that

0:39:24.680 --> 0:39:28.799
<v Speaker 1>second season, one of the biggest movie stars around at

0:39:28.840 --> 0:39:33.200
<v Speaker 1>that planet, and he was still the same guy, humble,

0:39:33.440 --> 0:39:37.359
<v Speaker 1>down to earth, excited about the same things creatively, would

0:39:37.440 --> 0:39:40.120
<v Speaker 1>listen to you, and you know, it was just like

0:39:40.360 --> 0:39:42.400
<v Speaker 1>and that's he's still that guy today. I mean, I

0:39:42.480 --> 0:39:44.960
<v Speaker 1>remember I just ran into him, not just but like

0:39:45.080 --> 0:39:47.080
<v Speaker 1>right before COVID we were in the parking lot. We

0:39:47.120 --> 0:39:48.680
<v Speaker 1>talked for like an hour, like and it was just

0:39:48.760 --> 0:39:51.480
<v Speaker 1>like like no time had passed between the last time

0:39:51.480 --> 0:39:52.960
<v Speaker 1>I saw him and then, and I've been in a

0:39:53.000 --> 0:39:55.080
<v Speaker 1>lot of shows that a lot of people and people

0:39:55.160 --> 0:39:57.480
<v Speaker 1>as famous as he is, and that is not always

0:39:57.480 --> 0:40:00.440
<v Speaker 1>the case at all. He's a special human and um,

0:40:00.760 --> 0:40:03.239
<v Speaker 1>I always say he's my favorite actor I've ever worked

0:40:03.280 --> 0:40:08.080
<v Speaker 1>with and been around because his talent as as he is,

0:40:08.560 --> 0:40:12.160
<v Speaker 1>he's just that nice as a human being. Yeah. Basically

0:40:12.239 --> 0:40:15.080
<v Speaker 1>every single person that I've talked to over the last

0:40:15.120 --> 0:40:18.600
<v Speaker 1>couple of years, I've said exactly the same thing. Kind

0:40:18.600 --> 0:40:20.719
<v Speaker 1>of just doesn't get any better in terms of his

0:40:20.920 --> 0:40:24.799
<v Speaker 1>talent or just his decency as a person. Had a

0:40:24.880 --> 0:40:28.120
<v Speaker 1>tremendous impact on not just the show but all of

0:40:28.239 --> 0:40:30.839
<v Speaker 1>us individually. And it's hard to it's hard to put

0:40:30.840 --> 0:40:33.440
<v Speaker 1>that into words with other shows, and people have asked,

0:40:33.480 --> 0:40:35.399
<v Speaker 1>and I can't put my finger on it other than

0:40:35.440 --> 0:40:39.080
<v Speaker 1>just being a professional, always showing up on time, doing

0:40:39.120 --> 0:40:42.480
<v Speaker 1>his job, and always making everyone's day better. Yeah, that

0:40:42.680 --> 0:40:45.560
<v Speaker 1>is exactly what it is. He always showed up, He

0:40:45.719 --> 0:40:48.640
<v Speaker 1>always worked as hard as he possibly could and was

0:40:48.719 --> 0:40:52.479
<v Speaker 1>working harder than anyone else, and was still decent and

0:40:52.640 --> 0:40:57.719
<v Speaker 1>kind to everyone that he interacted with forever. And you know,

0:40:58.040 --> 0:41:01.840
<v Speaker 1>he taught me a really important lesson him, and I

0:41:01.840 --> 0:41:05.399
<v Speaker 1>mean it's like name drops Central, but Robin Williams as well.

0:41:05.880 --> 0:41:09.200
<v Speaker 1>This sort of mantra of it takes just as much

0:41:09.360 --> 0:41:13.320
<v Speaker 1>energy to be nice than it does to be an ass.

0:41:13.600 --> 0:41:15.359
<v Speaker 1>I mean, it's kind of is as simple as that,

0:41:15.920 --> 0:41:19.880
<v Speaker 1>do your job and do it excellently and at the

0:41:19.920 --> 0:41:23.400
<v Speaker 1>same time be kind to everyone around you. Yeah, it

0:41:23.440 --> 0:41:26.799
<v Speaker 1>seems so simple, but it isn't always the case, you know.

0:41:27.400 --> 0:41:33.120
<v Speaker 1>I know. So after the office you've been busy, continuing

0:41:33.160 --> 0:41:38.120
<v Speaker 1>to work hard and return to some drama. I want

0:41:38.120 --> 0:41:41.960
<v Speaker 1>to just for a few minutes, because this is selfish.

0:41:42.200 --> 0:41:48.800
<v Speaker 1>I loved your performance and the show, Mayor of Easttown,

0:41:48.960 --> 0:41:51.600
<v Speaker 1>So congratulations on that show. How is that to work

0:41:51.640 --> 0:41:55.560
<v Speaker 1>on for you? Just as lovely as you can imagine?

0:41:55.719 --> 0:41:59.279
<v Speaker 1>Kate is as great as Steve is. Kate's equal part

0:41:59.480 --> 0:42:02.600
<v Speaker 1>as a hug and being and as an actress. She's

0:42:02.719 --> 0:42:05.680
<v Speaker 1>just so down to earth and so great. Yeah, all

0:42:05.680 --> 0:42:07.640
<v Speaker 1>of those things you know I just said about Steve,

0:42:07.800 --> 0:42:10.399
<v Speaker 1>just take them and dump them right on over to Kate.

0:42:10.600 --> 0:42:13.560
<v Speaker 1>The thing it was great from talking about background and

0:42:13.600 --> 0:42:15.440
<v Speaker 1>all that stuff that Jenna was doing with her character

0:42:15.480 --> 0:42:17.200
<v Speaker 1>from the get go. You know, we had to do

0:42:17.239 --> 0:42:20.240
<v Speaker 1>all that stuff with our characters, because we had twenty

0:42:20.360 --> 0:42:23.680
<v Speaker 1>plus years of a relationship and a lot of stuff

0:42:23.719 --> 0:42:26.920
<v Speaker 1>that had gone down that we had to know and

0:42:26.960 --> 0:42:29.200
<v Speaker 1>had to figure out. And so you know, that was

0:42:29.239 --> 0:42:31.520
<v Speaker 1>our rehearsal. That's all we did. We got together and

0:42:31.560 --> 0:42:34.960
<v Speaker 1>we just talked with her and I and UH and

0:42:35.120 --> 0:42:38.960
<v Speaker 1>Jeans Smart and Gowery, with the writer and a director

0:42:39.000 --> 0:42:43.160
<v Speaker 1>and just flushing out all of that history because you

0:42:43.280 --> 0:42:45.680
<v Speaker 1>have to have that history to play that subtext. And

0:42:45.719 --> 0:42:47.719
<v Speaker 1>if you if we're not both thinking about the same

0:42:47.760 --> 0:42:53.040
<v Speaker 1>thing when she's saying our grandson is blinking again, if

0:42:53.040 --> 0:42:55.000
<v Speaker 1>we both don't know that's the same thing that our

0:42:55.040 --> 0:42:58.520
<v Speaker 1>son did, you don't have that history, you know, you

0:42:58.600 --> 0:43:00.960
<v Speaker 1>can't play that moment. So yeah, we got to do

0:43:01.000 --> 0:43:04.400
<v Speaker 1>all of that stuff. And Uh, it was a crazy experience,

0:43:04.440 --> 0:43:07.160
<v Speaker 1>just in the sense of we had to get shut

0:43:07.239 --> 0:43:09.840
<v Speaker 1>down for COVID for six months and then come back

0:43:10.000 --> 0:43:13.200
<v Speaker 1>and then I had more hair at the beginning of

0:43:13.239 --> 0:43:15.200
<v Speaker 1>the season than I did at the end. But we

0:43:15.280 --> 0:43:18.680
<v Speaker 1>shut it all together, and you know, it's like stuff

0:43:18.719 --> 0:43:20.560
<v Speaker 1>like that, You're like, God, this took a lot longer

0:43:20.600 --> 0:43:26.640
<v Speaker 1>than anyone anticipated. Kate was so so specific about detail,

0:43:26.719 --> 0:43:29.600
<v Speaker 1>and uh, you know, like she would do these things

0:43:29.600 --> 0:43:32.600
<v Speaker 1>and it's like most people wouldn't you know, wouldn't appreciate it.

0:43:32.640 --> 0:43:35.399
<v Speaker 1>But as an actor, I'm watching her and I'm just going,

0:43:35.680 --> 0:43:38.279
<v Speaker 1>oh my god, again she's she's doing that, and it's

0:43:38.320 --> 0:43:40.880
<v Speaker 1>all behavior stuff like she grabs the cheese it and

0:43:40.920 --> 0:43:42.719
<v Speaker 1>she puts the cheese whiz on and I remember, and

0:43:42.719 --> 0:43:44.279
<v Speaker 1>I just watched her in the moment when we did

0:43:44.280 --> 0:43:46.319
<v Speaker 1>the rehearsal. She goes, I gotta have I need like, like,

0:43:46.360 --> 0:43:48.960
<v Speaker 1>what's that cheese spread stuff? Like I need that. I

0:43:49.000 --> 0:43:50.800
<v Speaker 1>want to put her like on a cheese it or something.

0:43:51.040 --> 0:43:53.800
<v Speaker 1>And they were like, okay, let's find some cheese wizz

0:43:53.880 --> 0:43:55.840
<v Speaker 1>and and it. I mean, she must have done twenty

0:43:55.880 --> 0:43:58.319
<v Speaker 1>takes of that, pouring it on and eating it. They

0:43:58.360 --> 0:44:00.399
<v Speaker 1>never saw her eat it like it cuts it before

0:44:00.400 --> 0:44:04.799
<v Speaker 1>and it was like, no, she almost pukes that day

0:44:04.920 --> 0:44:07.279
<v Speaker 1>just to get that bit and you didn't even use it.

0:44:08.000 --> 0:44:11.040
<v Speaker 1>Her mind worked, you know, in such creative ways of

0:44:11.480 --> 0:44:13.960
<v Speaker 1>really digging into that character, and she spent a lot

0:44:14.000 --> 0:44:17.880
<v Speaker 1>of time with you know, detectives and being in that area.

0:44:18.120 --> 0:44:21.440
<v Speaker 1>I I got to listen to accents of people in

0:44:21.440 --> 0:44:23.879
<v Speaker 1>that region, and it was an amazing experience. It was great.

0:44:23.920 --> 0:44:25.759
<v Speaker 1>It was all the stuff you hope it would be

0:44:25.960 --> 0:44:28.560
<v Speaker 1>when you sign on to do one of those. Yeah,

0:44:28.880 --> 0:44:32.600
<v Speaker 1>you talked about behavior, because we've talked about that quite

0:44:32.640 --> 0:44:36.800
<v Speaker 1>a bit. That character behavior was so much a basis

0:44:36.960 --> 0:44:40.040
<v Speaker 1>of what The Office was, and I think it's really

0:44:40.080 --> 0:44:44.480
<v Speaker 1>about the characters and those behaviors and not painting the

0:44:44.600 --> 0:44:49.400
<v Speaker 1>quote unquote bad guys as bad guys or the idiots

0:44:49.440 --> 0:44:52.800
<v Speaker 1>as just idiots. That there's a complexity and a depth

0:44:52.960 --> 0:44:56.879
<v Speaker 1>to the character that is so vitally important. I think

0:44:57.280 --> 0:45:00.400
<v Speaker 1>I agree with that sentiment about The Office, I resolutely.

0:45:00.640 --> 0:45:03.720
<v Speaker 1>I just love that type of comedy too. That's grounded

0:45:03.719 --> 0:45:08.200
<v Speaker 1>in reality that makes you so uncomfortable you have to

0:45:08.440 --> 0:45:10.920
<v Speaker 1>you have to laugh or some people can't take it.

0:45:10.920 --> 0:45:12.560
<v Speaker 1>I have friends and be like, I can't watch that stuff.

0:45:12.560 --> 0:45:15.439
<v Speaker 1>It's just too it's so uncomfortable. What he what he says,

0:45:15.440 --> 0:45:18.080
<v Speaker 1>those things, and I just eat that up. But it's

0:45:18.120 --> 0:45:21.200
<v Speaker 1>it's grounded in reality and behavior, and it's about also

0:45:22.280 --> 0:45:28.600
<v Speaker 1>character development and obviously a huge journey and arc with Roy,

0:45:28.719 --> 0:45:30.680
<v Speaker 1>but so much of the work that you have done

0:45:30.960 --> 0:45:34.160
<v Speaker 1>over the years that that attention to detail and character

0:45:34.320 --> 0:45:37.359
<v Speaker 1>is there throughout and I admire you so much as

0:45:37.360 --> 0:45:40.080
<v Speaker 1>an actor, and you know, want you to know how

0:45:40.760 --> 0:45:44.560
<v Speaker 1>our even if you don't fully remember our Honda car ride,

0:45:44.880 --> 0:45:47.080
<v Speaker 1>those early days and the time that we shared and

0:45:47.120 --> 0:45:49.320
<v Speaker 1>getting to watch you work was always such a pleasure

0:45:49.360 --> 0:45:52.120
<v Speaker 1>for me. So thank you David so much for your

0:45:52.120 --> 0:45:54.880
<v Speaker 1>work and and for for joining us today. I appreciate

0:45:54.920 --> 0:45:57.160
<v Speaker 1>you so much. Right back at you, I've always been

0:45:57.200 --> 0:45:59.960
<v Speaker 1>a fan and I'm excited for you to be doing

0:46:00.120 --> 0:46:04.120
<v Speaker 1>these deep dives. I mean, like, it's crazy how long

0:46:04.200 --> 0:46:07.840
<v Speaker 1>this thing has lasted. It's a beautiful thing. I'm grateful

0:46:07.880 --> 0:46:11.600
<v Speaker 1>for it. It's crazy. I'll close by asking you, then,

0:46:11.960 --> 0:46:15.480
<v Speaker 1>why do you think that this show is bigger now

0:46:15.719 --> 0:46:19.320
<v Speaker 1>than it ever was when we were shooting? Oh boy?

0:46:19.800 --> 0:46:23.400
<v Speaker 1>I mean I would just go back to something Steve

0:46:23.520 --> 0:46:25.880
<v Speaker 1>said when we first started doing it, and he was like,

0:46:25.920 --> 0:46:27.640
<v Speaker 1>this is not going to be everyone's cup of tea.

0:46:27.719 --> 0:46:29.799
<v Speaker 1>We have to let people find this show. If we

0:46:29.880 --> 0:46:32.560
<v Speaker 1>try to make it like what's already out there and

0:46:32.719 --> 0:46:34.759
<v Speaker 1>it's not gonna work. We have to do our own

0:46:34.800 --> 0:46:37.600
<v Speaker 1>thing with it. They had done office comedies before, and

0:46:37.640 --> 0:46:40.480
<v Speaker 1>they'll do them again in the future, but ours was

0:46:41.280 --> 0:46:45.640
<v Speaker 1>unique at the time. You know reality TV was had

0:46:45.680 --> 0:46:48.600
<v Speaker 1>been in our our our universe so that we could

0:46:48.880 --> 0:46:51.640
<v Speaker 1>use that format that I don't think anyone had really

0:46:51.760 --> 0:46:54.080
<v Speaker 1>used that format, and I think that's that's unique about it.

0:46:54.080 --> 0:46:57.799
<v Speaker 1>And frankly, because you have streaming, no one is going

0:46:57.840 --> 0:47:00.320
<v Speaker 1>to try to do this right now, because why would

0:47:00.320 --> 0:47:02.759
<v Speaker 1>you if you could just go watch The Office, You're

0:47:02.760 --> 0:47:04.920
<v Speaker 1>not gonna try to do the same thing. So I

0:47:04.960 --> 0:47:07.440
<v Speaker 1>think he's gonna last. It's going to continue to last,

0:47:07.480 --> 0:47:09.960
<v Speaker 1>I think, and so many people go back to this

0:47:10.080 --> 0:47:12.919
<v Speaker 1>like comfort food. It's like me putting on Sports Center

0:47:14.960 --> 0:47:22.200
<v Speaker 1>to that and just your lax. Yeah, awesome, Thank you

0:47:22.320 --> 0:47:24.959
<v Speaker 1>David so much. Thanks for coming on the problem brother.

0:47:25.200 --> 0:47:40.320
<v Speaker 1>Good to see again. David, You're the best. I enjoyed

0:47:40.360 --> 0:47:43.200
<v Speaker 1>that so much. You are an actor's actor, and I

0:47:43.360 --> 0:47:46.279
<v Speaker 1>for one am fascinated by you and all of the

0:47:46.360 --> 0:47:51.799
<v Speaker 1>characters you have created with such intelligence, depth and sincerity.

0:47:51.960 --> 0:47:55.839
<v Speaker 1>So thank you so much, and for talking all about Roy,

0:47:56.000 --> 0:47:59.480
<v Speaker 1>who I dare say is one of the most overlooked

0:48:00.000 --> 0:48:02.880
<v Speaker 1>actors on the Office. Thank you for joining me, my friend,

0:48:03.000 --> 0:48:07.879
<v Speaker 1>it was indeed my pleasure. The rest of you, We'll

0:48:07.920 --> 0:48:11.160
<v Speaker 1>see you soon for new episodes in the Brian Baumgartner

0:48:11.360 --> 0:48:15.280
<v Speaker 1>podcast machine. Is that a thing? I don't know, but anyway,

0:48:15.440 --> 0:48:18.239
<v Speaker 1>I'll see you next week for another episode of the

0:48:18.320 --> 0:48:23.160
<v Speaker 1>Office Deep Dive. Until then, be very very well, my friends.

0:48:30.719 --> 0:48:34.000
<v Speaker 1>The Office Deep Dive is hosted and executive produced by

0:48:34.040 --> 0:48:38.879
<v Speaker 1>me Brian bam Gardner, alongside our executive producer Langley. Our

0:48:38.920 --> 0:48:42.880
<v Speaker 1>producers are Emily Carr and Diego Tapia, and our intern

0:48:43.160 --> 0:48:47.080
<v Speaker 1>is Hannah Harris. Our theme song Bubble and Squeak, performed

0:48:47.080 --> 0:48:50.120
<v Speaker 1>by my great friend Creed Bratton, and the episode was

0:48:50.200 --> 0:49:13.319
<v Speaker 1>mixed by Seth o'landskip give us silver attention. We need

0:49:13.320 --> 0:49:17.320
<v Speaker 1>everything you've got fast. Waiting on Reparations would beat the podcast.

0:49:17.480 --> 0:49:20.719
<v Speaker 1>Tune in every Thursday politics and wordplay. We fight for

0:49:20.760 --> 0:49:22.799
<v Speaker 1>the people because they got us in the worst way,

0:49:23.000 --> 0:49:26.080
<v Speaker 1>from the Hill Cooper, the Bombay to Kant, from the

0:49:26.160 --> 0:49:29.800
<v Speaker 1>left Enclave to what the neo kanz. Every Thursday the

0:49:29.840 --> 0:49:32.200
<v Speaker 1>heavy conversation and to break us off with some break

0:49:32.200 --> 0:49:36.600
<v Speaker 1>because we're waiting the repas. Listen to Waiting on Reparations

0:49:36.600 --> 0:49:39.440
<v Speaker 1>on the I Heart Radio app, Apple Podcasts or wherever

0:49:39.520 --> 0:49:44.840
<v Speaker 1>you get your podcasts. M Hey, Elizabeth, you're the co

0:49:44.960 --> 0:49:47.719
<v Speaker 1>host of that new podcast Ridiculous Crime. Yes I am.

0:49:47.800 --> 0:49:51.399
<v Speaker 1>You know what's ridiculous? Yeah, carpeting in kitchens and bathrooms.

0:49:51.400 --> 0:49:54.560
<v Speaker 1>Oh wow, you are good. But you know what's also ridiculous?

0:49:54.600 --> 0:49:57.000
<v Speaker 1>A sixteen year old who breaks into a car dealership

0:49:57.040 --> 0:50:00.719
<v Speaker 1>and steals guy theories, Lamborghini. What yes to oppressive Girl?

0:50:00.880 --> 0:50:03.560
<v Speaker 1>I'll tell you all about it on Ridiculous Crime, our

0:50:03.680 --> 0:50:07.600
<v Speaker 1>podcast about absurd and outrageous capers, heist and cons. It's

0:50:07.640 --> 0:50:13.719
<v Speaker 1>always murder free and ridiculous. Listen to Ridiculous Crime on

0:50:13.760 --> 0:50:16.840
<v Speaker 1>the I Heart Radio app, Apple podcasts, or wherever you

0:50:16.880 --> 0:50:21.279
<v Speaker 1>get your podcasts. I'm Colleen with join me the host

0:50:21.400 --> 0:50:24.080
<v Speaker 1>of Eating Wall Broke podcast while I eat a meal

0:50:24.160 --> 0:50:28.360
<v Speaker 1>created by self made entrepreneurs, influencers, and celebrities over a

0:50:28.400 --> 0:50:30.680
<v Speaker 1>meal they once ate when they were broke. Today, I

0:50:30.719 --> 0:50:34.240
<v Speaker 1>have the lovely aj Crimson, the official Princess of Compton,

0:50:34.880 --> 0:50:38.800
<v Speaker 1>Asia Kidding, and Asia the Professor. We're here on Eating

0:50:38.840 --> 0:50:41.960
<v Speaker 1>wall Broken Today I'm gonna break down my meal that

0:50:42.040 --> 0:50:44.600
<v Speaker 1>got me through a time when I was broken. Listen

0:50:44.640 --> 0:50:47.120
<v Speaker 1>to Eating Wall Broke on the I Heart Radio app,

0:50:47.200 --> 0:50:52.600
<v Speaker 1>on Apple podcast or wherever you get your podcasts. The

0:50:52.680 --> 0:50:56.920
<v Speaker 1>Gangster Chronicles podcast is a weekly conversation that revolves around underworld,

0:50:57.320 --> 0:51:00.960
<v Speaker 1>the criminals and entertainers to victim's crime, law enforcement. We

0:51:01.080 --> 0:51:04.320
<v Speaker 1>cover all facets of the game. Against the Chronicles podcast

0:51:04.440 --> 0:51:07.800
<v Speaker 1>doesn't glorify promoti list of activities. We just discussed the

0:51:07.880 --> 0:51:11.400
<v Speaker 1>ramifications and repercussions of these activities because after all, she

0:51:11.480 --> 0:51:14.600
<v Speaker 1>played gamester games. You are ultimately rewarded with Gainster prizes.

0:51:15.120 --> 0:51:17.960
<v Speaker 1>Our Heart Radio is number one for podcasts, but don't

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<v Speaker 1>take our award for it. Find Against the Chronicles podcast

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<v Speaker 1>and my Heart Radio app or wherever you get your

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<v Speaker 1>podcast