WEBVTT - QLS Classic: Jerrod Carmichael

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<v Speaker 1>Quest Loves Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora.

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<v Speaker 2>What's Up, Everybody, This is Sugar Steve. For this week's

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<v Speaker 2>classic episode of Questlow Supreme, we revisit a conversation from

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<v Speaker 2>March twenty four, twenty seventeen with the one and only

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<v Speaker 2>Jerrod Carmichael. He talks about the inspiration for some of

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<v Speaker 2>his best jokes, North Carolina, eateries, and much more. Episode

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<v Speaker 2>number thirty three from the QLs archives.

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<v Speaker 3>And joy.

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<v Speaker 4>Suprema Su Su Supremo, roll call Suprema su Supremo. Roll

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<v Speaker 4>call Suprema Su su Supremo. Roll call Suprema Su su Supremo.

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<v Speaker 3>Ro Gerada is here.

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<v Speaker 1>Yeah, and I feel doom Yeah because Quest Love's officially yeah,

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<v Speaker 1>the fourth funniest guy in the road supream something Supremo.

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<v Speaker 3>Roll call Suppreamer.

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<v Speaker 5>My name is Fante, Yeah, my voice is ethereal Yeah. Nigga,

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<v Speaker 5>You'll never have serious.

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<v Speaker 3>Supremo Rod. My name is Sugar. What's up your Rod?

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<v Speaker 3>When you're ready to kill us? Yeah, just give us

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<v Speaker 3>a nod.

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<v Speaker 4>Supremer some some up bring on roll call Supreamer something.

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<v Speaker 5>Road Bill wants to know when am I gonna see Yeah,

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<v Speaker 5>the Carmichael's Show.

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<v Speaker 3>Yeah, Season three, Supremer Supremer Road Called Supremo, roll call

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<v Speaker 3>paid Bill. Yeah. And this girl I'm with Yeah, told

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<v Speaker 3>me to watch Rod. Yeah, because he's the ship.

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<v Speaker 4>Come Supremo son Son Supremo Role Suprema Suprema.

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<v Speaker 3>Role here Yeah.

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<v Speaker 6>Yeah, what do you think I'm funny?

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<v Speaker 1>Yeah?

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<v Speaker 3>I have so much fear.

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<v Speaker 7>Sure roll This is Gerrard.

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<v Speaker 3>Yeah, I drinking green tea. Yeah, you call Rick rub Yeah,

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<v Speaker 3>ended up with me, right, Supremo roll Call.

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<v Speaker 8>Suprema son Son, Suprema roll Call, Suprema son Son Supremo

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<v Speaker 8>roll Call, Supremo Suprema Roll.

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<v Speaker 3>We all said no Russian you.

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<v Speaker 7>Bar.

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<v Speaker 6>It wasn't about the statement, It was about the sequel.

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<v Speaker 3>It was the stent. It was the fact that we

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<v Speaker 3>all like we had a meeting with ourselves. Fine, we're

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<v Speaker 3>going to say no.

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<v Speaker 6>I'm a beast somebody.

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<v Speaker 1>Oh yeah, Ladies and gentlemen, Our next guest has been

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<v Speaker 1>my favorite hip hop producer for the last.

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<v Speaker 3>Five years. His early work with the Beastie Boys and

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<v Speaker 3>run DMC. Yes, before he was alive. Yeah, got a

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<v Speaker 3>lay on like shoes ball y.

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<v Speaker 1>I already have the feeling, ladies and gentlemen, that this

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<v Speaker 1>might be my favorite episode of my short lived radio show,

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<v Speaker 1>simply because I'm such a fan of our guest he

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<v Speaker 1>was kind enough to come at the drop of a dime. Wait, dude,

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<v Speaker 1>dimes still exists in two thousand and seven.

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<v Speaker 7>People people actually drop them more than of a super

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<v Speaker 7>rich people ask those kind of questions, what is that?

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<v Speaker 3>That was a very.

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<v Speaker 7>I will say this. I was poor, poor long time,

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<v Speaker 7>and I'm never like, oh, let me get that dime.

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<v Speaker 6>I don't know if that's obviously you with the coin

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<v Speaker 6>star like, I gotta.

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<v Speaker 3>Go to coin starre when we get back to New York. No,

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<v Speaker 3>you ain't trolling me, because we all know what's happening next.

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<v Speaker 3>I like times, believe me. Yeah, we know, bags of

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<v Speaker 3>bags and bags. They don't make you.

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<v Speaker 6>Started twenty and keep going.

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<v Speaker 3>I meant actual dimes. You know what's crazy? It worked.

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<v Speaker 7>I thought you're talking about girls like You're like, I

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<v Speaker 7>like dimes.

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<v Speaker 3>Like, and I was like, yeah, they're the smallest. You're right,

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<v Speaker 3>this is the greatest episode exactly, all right.

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<v Speaker 1>I didn't even get my introduction. Ladies, John, please welcome

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<v Speaker 1>my favorite Carmichael.

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<v Speaker 3>Yes, you guys, I'm happy to be here. Two Carolina

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<v Speaker 3>boys in here today. Got yo, yes, yes, yeah, accent

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<v Speaker 3>all right.

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<v Speaker 1>I also want to thank uh well I am for

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<v Speaker 1>being very gracious uh for letting us use his his

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<v Speaker 1>facilities to record this shot the bathroom.

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<v Speaker 3>But yeah, can we.

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<v Speaker 7>Talk about the bathroom. I haven't been to the bathroom.

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<v Speaker 7>I've come here once or twice before. I haven't used

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<v Speaker 7>the bad I can't believe I missed out.

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<v Speaker 3>On without using that from the future. It's life goals.

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<v Speaker 3>It is.

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<v Speaker 1>Yeah, And what's amazing. What I didn't know is that

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<v Speaker 1>when you're finished the toilet, the light comes on in

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<v Speaker 1>the toilet, like a glowing light comes from the bowl. Yeah,

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<v Speaker 1>and it's self cleans Yeah. And and the air sucks

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<v Speaker 1>out the funk.

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<v Speaker 3>Yeah. Wow, it's a glowing light. If you don't have

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<v Speaker 3>to ship, figure out a way to ship.

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<v Speaker 7>Away from I think that's I think that's cool if

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<v Speaker 7>you're like under seventy and like, because like over a

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<v Speaker 7>certain age, like all your ship's become like like a study.

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<v Speaker 3>And you're doing it.

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<v Speaker 7>I feel like all our grandparents have to look and

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<v Speaker 7>make sure and they just seeing a light they will

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<v Speaker 7>think it's God called me.

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<v Speaker 5>I'm scared because I don't know that the light was coming.

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<v Speaker 5>But you know, it's it's it's it's amazing to see that.

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<v Speaker 3>Not to mention it.

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<v Speaker 1>The air thing is so necessary because I don't know

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<v Speaker 1>about But if you've ever been in a situation where

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<v Speaker 1>like usually if I'm in a hotel room or home,

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<v Speaker 1>you know, like if I'm in a hotel room, I'm

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<v Speaker 1>instantly trying to make friends with the security guard so

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<v Speaker 1>that I can hit the gym real quick. Like I

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<v Speaker 1>never go in my room because you know that that

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<v Speaker 1>might be a deal breaker with her. Like and the

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<v Speaker 1>noise and all that stuff, like it comes with its

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<v Speaker 1>own white noise.

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<v Speaker 3>In the water, the water, everything is the best episode.

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<v Speaker 3>You can't be waste water like that. I will bring

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<v Speaker 3>a blender in radio. I'll take a radio in the bathroom. Noise, man, no,

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<v Speaker 3>So welcome to How are you today? Man?

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<v Speaker 7>I believe this is how most episodes of Meet the

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<v Speaker 7>Press Ulso, So what were you.

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<v Speaker 3>Doing today before I called and interrupted your cycle? I

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<v Speaker 3>canceled a couple of things. You know me?

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<v Speaker 7>Of course, of course, you know when you get the

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<v Speaker 7>text from you, you you show up i'd say that

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<v Speaker 7>I also missed the missed the picnic. I thought it

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<v Speaker 7>was this perfect Wait was this was this my guilt card?

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<v Speaker 7>Now let me tell you it wasn't.

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<v Speaker 3>I was.

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<v Speaker 7>Here's the thing. I was genuinely excited to do it.

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<v Speaker 7>The second thought was, oh, yeah, I missed the picnic.

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<v Speaker 3>This is great.

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<v Speaker 7>This is a great thing. Where I get to I'm

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<v Speaker 7>still going to get you for the next picnic, though,

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<v Speaker 7>I'm excited for it. But this is such a I

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<v Speaker 7>just like missed out on some editing. I'll work on Sunday.

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<v Speaker 3>It works. You're what are you editing right now?

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<v Speaker 7>The TV show? IM work and we're about wrap for

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<v Speaker 7>the season, so like we're just editing. Yeah, so we're

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<v Speaker 7>just doing that and uh and then that's it. I'll

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<v Speaker 7>do some stand up probably tonight.

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<v Speaker 3>So officially season three is ago, season.

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<v Speaker 7>Threes ago, May thirty first. Ah, yeah, yeah, so I'm excited.

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<v Speaker 3>This season season one on Netflix on Netflix.

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<v Speaker 7>Now, Yeah, this season, I'm I'm like really excited. You

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<v Speaker 7>ever like like work on something and you're like, I

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<v Speaker 7>know I said I was excited for the other ship,

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<v Speaker 7>but I know I mean it this time, Like this time,

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<v Speaker 7>I'm really this season is a sophomore album. Yeah, I'm

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<v Speaker 7>like really because it's like crazy. The first episode we taped,

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<v Speaker 7>my grandmother commits suicide. She kills herself on camera. It's

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<v Speaker 7>gonna be a fu text the pills and dies on

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<v Speaker 7>It's a crazy thing that happens. I'm spoiling it. That's

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<v Speaker 7>how excited I invite, Like Marla Gibbs plays my grandma,

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<v Speaker 7>and and and it's a it's that was the first

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<v Speaker 7>episode we take.

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<v Speaker 1>I'm excited and figure out, like what taboo subjects can

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<v Speaker 1>we cover and just revel in it.

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<v Speaker 7>Any any conversation I have or any like subject that

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<v Speaker 7>comes up that wakes me up, you know, like you

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<v Speaker 7>the things that you talk about throughout the day to

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<v Speaker 7>actually wake you up that you're like the conversations you engaged.

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<v Speaker 7>And that's the ones that we try and make episodes

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<v Speaker 7>out of because it's it's like boring otherwise, you know.

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<v Speaker 7>But like and assistant suicide was the thing we were

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<v Speaker 7>talking about, and it was like, oh, well this, yeah,

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<v Speaker 7>this will be a fun episode to do. Is she

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<v Speaker 7>playing Loretta Devine's mother or David? Yeah, yeah, so she

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<v Speaker 7>did a brief appearance in our first season. It's a blur.

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<v Speaker 7>I think our second I don't. It was all the

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<v Speaker 7>first one with six episodes. It's all a blurnment. But

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<v Speaker 7>and now she's back, and how did you She was

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<v Speaker 7>so excited? She was excited. I mean, I think people

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<v Speaker 7>get excited if the material is like you know, it

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<v Speaker 7>can spark some type of conversation or it is edgy

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<v Speaker 7>or like you know, excited to do.

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<v Speaker 3>So she was all for what is the writer's room

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<v Speaker 3>like for y'all show? Like who's all in it? What

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<v Speaker 3>does that look like?

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<v Speaker 7>It's a lot of arguing and yelling at each other

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<v Speaker 7>and having fun and disagreeing and jokes. It's it's a

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<v Speaker 7>fun environment. We I'll bring a lot of concepts like

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<v Speaker 7>before the season starts, and we'll just try and break

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<v Speaker 7>stories around them and find perspective and uh and argue

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<v Speaker 7>a lot.

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<v Speaker 1>Well, I was going to say, how deep are their arguments?

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<v Speaker 1>One time I spent I went on a set of

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<v Speaker 1>a comedy show to watch it taping, and during the breaks,

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<v Speaker 1>the show runner it was something out of like a

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<v Speaker 1>new edition dance step like the second May said and cut.

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<v Speaker 1>Suddenly the show runner ran to the spotlight and then

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<v Speaker 1>his fifteen writers like surrounded him in a circle.

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<v Speaker 3>It was like Harlem glos, all right, what you got? No, No,

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<v Speaker 3>that sucks. That sucks. No, that sucks. No, that's And.

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<v Speaker 1>I was looking after I saw the rhythm of the

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<v Speaker 1>third time go round. I was watching the ones that

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<v Speaker 1>got dismissed. Nope, not funny, not funny, and each time around,

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<v Speaker 1>like their body language just became like more.

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<v Speaker 3>Defeated. How do you how do you encourage the best

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<v Speaker 3>out of your writers?

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<v Speaker 1>Because I feel like the writing on the show and

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<v Speaker 1>acting as top notch, which obviously I could tell that, Oh,

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<v Speaker 1>everyone loves their jobs and they're excited and all that stuff.

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<v Speaker 1>How do you get the best out of your writers

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<v Speaker 1>without deflating them.

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<v Speaker 7>I think it's like, if you're being honest with me,

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<v Speaker 7>I think that's your best. It always looks for truth first.

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<v Speaker 7>So like, the thing that I care about the most

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<v Speaker 7>is that they are bringing honest perspective to something.

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<v Speaker 3>A joke is just.

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<v Speaker 7>You know, this tension you create that you just let

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<v Speaker 7>the air out. So sometimes people yell something that's not

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<v Speaker 7>really even a joke. They're really angry, and it works,

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<v Speaker 7>you know.

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<v Speaker 3>What I mean.

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<v Speaker 7>I guess I'm saying using all the most you want

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<v Speaker 7>to keep morale high and you want people to feel

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<v Speaker 7>like their voice is being heard. But the most important

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<v Speaker 7>thing that you can bring is truth and that that

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<v Speaker 7>comes in any shade of emotion. So we just try

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<v Speaker 7>and make everybody feel included, you know, and we hear.

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<v Speaker 7>But it's also a tough thing, you know, certain thing

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<v Speaker 7>you have to go with your guts.

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<v Speaker 3>Ys, do you trust yourself to have the final say though?

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<v Speaker 7>Yeah, that's so dangerous. Yeah, but it's fun. It's because

0:12:49.960 --> 0:12:53.400
<v Speaker 7>anything good comes from a specific vision. Everything needs to

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<v Speaker 7>like so it always has to be through a filter

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<v Speaker 7>of some sort.

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<v Speaker 3>You know.

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<v Speaker 7>Things are a collaborative process, but it has to be uh,

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<v Speaker 7>something that you know, usually one or two people kind

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<v Speaker 7>of agree on that has to be the guard for

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<v Speaker 7>the entire process. And so a lot of things, I

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<v Speaker 7>do trust it because I just trust like gut instinct.

0:13:13.040 --> 0:13:15.280
<v Speaker 7>It's like, no, I feel this, and even if it's

0:13:15.360 --> 0:13:17.839
<v Speaker 7>not the funniest joke, I feel like it fits. It's

0:13:17.920 --> 0:13:21.040
<v Speaker 7>kind of like you know, jazz if you will, where

0:13:21.040 --> 0:13:23.439
<v Speaker 7>it's just it's kind of off this feeling as it

0:13:23.520 --> 0:13:26.559
<v Speaker 7>fits into a structure, and so I just trust that

0:13:27.000 --> 0:13:27.760
<v Speaker 7>more than anything.

0:13:29.280 --> 0:13:31.480
<v Speaker 3>So Loretta by the way I.

0:13:33.240 --> 0:13:36.319
<v Speaker 1>Think of all the projects that I've seen her do,

0:13:37.320 --> 0:13:40.160
<v Speaker 1>this is like one of my I feel like, I

0:13:40.200 --> 0:13:42.120
<v Speaker 1>don't know if I'm jumping the gun. I feel like

0:13:42.160 --> 0:13:44.760
<v Speaker 1>it should actually garner like Ammy attention.

0:13:44.640 --> 0:13:49.520
<v Speaker 3>Like how she's she is incredible. It's so relatable to

0:13:49.640 --> 0:13:59.880
<v Speaker 3>me watch the show yet, Yeah she is. Yeah earlier,

0:14:00.080 --> 0:14:02.559
<v Speaker 3>I said earlier while you were on your computer.

0:14:04.520 --> 0:14:08.280
<v Speaker 7>She's like, I'm so incredible. I was just talking about, like,

0:14:08.360 --> 0:14:11.079
<v Speaker 7>I'm really lucky to have the cast that I have.

0:14:11.320 --> 0:14:11.360
<v Speaker 8>It.

0:14:11.679 --> 0:14:14.280
<v Speaker 7>Really it gives me chills thinking about like how great

0:14:14.320 --> 0:14:17.400
<v Speaker 7>everyone is, Like everyone's so naturally funny and gifted. And

0:14:18.559 --> 0:14:21.640
<v Speaker 7>I mean they make it easy really because you just, like,

0:14:21.960 --> 0:14:23.600
<v Speaker 7>you know, writing stuff. A lot of times I just

0:14:23.680 --> 0:14:26.680
<v Speaker 7>do impressions of them and like I try and do

0:14:26.800 --> 0:14:30.480
<v Speaker 7>my best Loretta Divine voice, if my David Allen Greer,

0:14:30.640 --> 0:14:33.920
<v Speaker 7>my Little Rell, and and they make it easy because

0:14:33.920 --> 0:14:37.120
<v Speaker 7>you can see them. They're such full people in full characters.

0:14:37.760 --> 0:14:43.480
<v Speaker 1>Well now that uh, little Rell and Tiff will probably

0:14:43.760 --> 0:14:49.280
<v Speaker 1>have Little Rell is already having a great yeah, and

0:14:49.400 --> 0:14:52.520
<v Speaker 1>I'm certain that Tiff will have Tiffany A Dish will

0:14:52.600 --> 0:14:57.920
<v Speaker 1>have an equally awesome summer once her movie.

0:14:57.920 --> 0:15:00.880
<v Speaker 7>A Girl Trip comes out out soon or Juliable.

0:15:00.960 --> 0:15:04.000
<v Speaker 3>Yeah, so are there those characters are going to be

0:15:04.080 --> 0:15:05.400
<v Speaker 3>more fleshed out and developed.

0:15:06.200 --> 0:15:09.920
<v Speaker 7>Yeah, we get into, uh, you know, a lot of

0:15:09.960 --> 0:15:13.520
<v Speaker 7>their backstory or things that they're going through in their

0:15:13.600 --> 0:15:19.320
<v Speaker 7>lives this season because everyone's so comfortable in the character

0:15:19.400 --> 0:15:22.040
<v Speaker 7>and they even let us borrow things from their lives

0:15:22.240 --> 0:15:25.680
<v Speaker 7>or or you know, to use for the show.

0:15:25.800 --> 0:15:29.560
<v Speaker 3>So definitely we go deeper with with everybody. Cool.

0:15:30.320 --> 0:15:33.000
<v Speaker 7>Yeah, I'm excited, really excited about it. I know it

0:15:33.080 --> 0:15:37.040
<v Speaker 7>sounds like the bullshit everybody says about a thing within.

0:15:38.240 --> 0:15:40.720
<v Speaker 1>I think you're genuinely excited because most comedians I know

0:15:41.040 --> 0:15:44.200
<v Speaker 1>are off camera they're very cynical, and.

0:15:46.720 --> 0:15:52.840
<v Speaker 3>Like you seem unusually and genuinely happy. Yeah. I'm like,

0:15:52.960 --> 0:15:53.720
<v Speaker 3>your bills are paid.

0:15:54.080 --> 0:15:58.080
<v Speaker 7>Yeah, well yeah, but I'm like, this is gonna well

0:15:58.600 --> 0:16:01.200
<v Speaker 7>I hear the bills are paid, then, oh so still

0:16:01.240 --> 0:16:02.120
<v Speaker 7>fly by big time.

0:16:02.160 --> 0:16:03.120
<v Speaker 3>It starts playing myself.

0:16:09.880 --> 0:16:11.440
<v Speaker 5>Yeah, I wanted that to talk to you about the

0:16:11.560 --> 0:16:15.080
<v Speaker 5>casting for the show and how long that took, because

0:16:15.120 --> 0:16:17.680
<v Speaker 5>particularly with David Allen Greer, like he was a guy

0:16:17.760 --> 0:16:20.800
<v Speaker 5>that was normally known for kind of playing the uptight,

0:16:20.920 --> 0:16:25.000
<v Speaker 5>kind of preppy guy but he's total on this show

0:16:25.120 --> 0:16:25.840
<v Speaker 5>and it's killing it.

0:16:26.800 --> 0:16:28.920
<v Speaker 3>What was that? Like, how involved were you in the

0:16:29.040 --> 0:16:30.040
<v Speaker 3>casting of the show.

0:16:31.400 --> 0:16:34.520
<v Speaker 7>Very I mean it was all chemistry and just having

0:16:34.840 --> 0:16:38.000
<v Speaker 7>him walk in and Loretta walk in, You're immediately like,

0:16:38.080 --> 0:16:41.240
<v Speaker 7>I can't believe that even here, you know, I'm just

0:16:41.320 --> 0:16:44.400
<v Speaker 7>so excited that here. And then it was an immediate Yeah,

0:16:44.480 --> 0:16:49.080
<v Speaker 7>it was like David Loretta, it was immediate. Yes, I

0:16:49.160 --> 0:16:51.160
<v Speaker 7>mean they were just great and they brought the material

0:16:51.280 --> 0:16:53.320
<v Speaker 7>to life and they made you want to write more.

0:16:53.880 --> 0:16:54.600
<v Speaker 3>David is good.

0:16:54.800 --> 0:16:57.280
<v Speaker 7>David plays his character I think really well, because I

0:16:57.360 --> 0:16:59.880
<v Speaker 7>mean that's David at his core. David is just a

0:17:00.840 --> 0:17:07.480
<v Speaker 7>nigga's to code with us when the camera's on.

0:17:07.640 --> 0:17:08.919
<v Speaker 3>But yeah, here's the thing.

0:17:09.040 --> 0:17:12.440
<v Speaker 7>David is just, first of all, one of the most articulate,

0:17:12.720 --> 0:17:17.240
<v Speaker 7>well like well yellow drama school, like just as a person,

0:17:17.440 --> 0:17:21.080
<v Speaker 7>like so cultured. But David at his court this is

0:17:21.880 --> 0:17:23.280
<v Speaker 7>I mean, this is David himself.

0:17:23.359 --> 0:17:24.480
<v Speaker 3>Yeah, this is so David.

0:17:26.640 --> 0:17:28.320
<v Speaker 7>You don't even mind me saying that, Like, David is

0:17:28.359 --> 0:17:28.800
<v Speaker 7>a nigga.

0:17:29.040 --> 0:17:29.480
<v Speaker 3>I love it.

0:17:31.760 --> 0:17:35.640
<v Speaker 5>A couple of years now, guys, tell me about because

0:17:35.680 --> 0:17:39.280
<v Speaker 5>you're from you're from Winston Salem, Yes, and so I

0:17:39.520 --> 0:17:44.240
<v Speaker 5>grew up in Greensboro. That's my hometown, but my family

0:17:44.320 --> 0:17:47.840
<v Speaker 5>is actually Winston too, so uh really yeah, my family,

0:17:47.960 --> 0:17:51.119
<v Speaker 5>my grandmother's this is my great aunt. She lived in

0:17:52.400 --> 0:17:55.000
<v Speaker 5>Oh my gosh, she's around the corner from Carver. Wow,

0:17:55.520 --> 0:17:56.159
<v Speaker 5>I can't remember the.

0:17:56.160 --> 0:17:58.520
<v Speaker 3>Name of neighborhood. I'm totally butchering it. Yeah, yeah, I'm

0:17:58.560 --> 0:18:02.680
<v Speaker 3>blanking too. Yeah, but it was, it was. It was

0:18:02.840 --> 0:18:03.440
<v Speaker 3>very Winston.

0:18:04.760 --> 0:18:06.680
<v Speaker 5>A lot of times in your comedy you talk about,

0:18:06.720 --> 0:18:08.840
<v Speaker 5>you know, your beginnings and like how you know, coming

0:18:08.920 --> 0:18:10.399
<v Speaker 5>up poor and you know all that.

0:18:11.200 --> 0:18:15.280
<v Speaker 3>Tell me about that, because we it was the best.

0:18:17.880 --> 0:18:18.800
<v Speaker 3>Tell you what it was. It was.

0:18:19.520 --> 0:18:21.800
<v Speaker 7>It was funny, it was a good it was It

0:18:22.000 --> 0:18:24.399
<v Speaker 7>was a good environment in the sense that it was

0:18:25.040 --> 0:18:28.240
<v Speaker 7>filled with you know, it was interesting. What did your

0:18:28.240 --> 0:18:31.560
<v Speaker 7>folks do? My dad truck driver. My mom was a

0:18:32.600 --> 0:18:35.200
<v Speaker 7>secretary at Brenner's Children's Hospital.

0:18:35.440 --> 0:18:41.000
<v Speaker 3>Ah, my aunt she worked at Baptists. Everybody worked, everybody works, everybody.

0:18:41.320 --> 0:18:44.320
<v Speaker 3>My grandfather he used to work at rentals. I thought

0:18:44.320 --> 0:18:45.800
<v Speaker 3>you were going to say you were born there. No, no, no,

0:18:45.840 --> 0:18:48.560
<v Speaker 3>I wasn't born there my grandma.

0:18:48.840 --> 0:18:51.800
<v Speaker 7>But yeah, everybody you know, and and it's this community

0:18:51.920 --> 0:18:54.960
<v Speaker 7>that's you know it's it's small but not Yeah, I

0:18:55.000 --> 0:18:57.440
<v Speaker 7>realized I didn't realize it's a decent sized city once

0:18:57.520 --> 0:19:00.080
<v Speaker 7>the Salem was in Greensboro or decent sized cities. And

0:19:00.160 --> 0:19:03.639
<v Speaker 7>it's like, as I learned, you know, the more I

0:19:03.680 --> 0:19:06.800
<v Speaker 7>meet people, such a similar experience to anybody grew up

0:19:06.840 --> 0:19:09.640
<v Speaker 7>in any hood. You know, like it's like so many

0:19:09.680 --> 0:19:13.240
<v Speaker 7>of the same elements there. It's a you know, just

0:19:13.280 --> 0:19:15.680
<v Speaker 7>a lot of people working class, trying, a lot of

0:19:15.920 --> 0:19:20.520
<v Speaker 7>single mom homes. Uh, people that wanted New Jordan's.

0:19:21.200 --> 0:19:25.520
<v Speaker 3>It was just like Dan's is how how it's how

0:19:25.640 --> 0:19:30.119
<v Speaker 3>Nike ads should look. I always see.

0:19:30.000 --> 0:19:32.240
<v Speaker 7>People like running up of Mountain. I'm just like, nah,

0:19:33.560 --> 0:19:36.800
<v Speaker 7>the core of that is I just do it, just

0:19:36.920 --> 0:19:39.840
<v Speaker 7>fuck it, yeah, outside of a store.

0:19:41.200 --> 0:19:42.359
<v Speaker 6>So were you always the funny kid?

0:19:43.640 --> 0:19:48.439
<v Speaker 7>It started like eighth grade, I was, I used uh

0:19:49.960 --> 0:19:53.480
<v Speaker 7>humor to not do homework, you know, that type of thing.

0:19:53.560 --> 0:19:56.080
<v Speaker 7>But but starting around then, I was, I was always

0:19:56.160 --> 0:20:00.200
<v Speaker 7>like writing and creating stuff and writing plays and and

0:20:00.560 --> 0:20:01.280
<v Speaker 7>filming things.

0:20:01.600 --> 0:20:05.439
<v Speaker 5>And from just writing, you know, your like your creative

0:20:05.440 --> 0:20:07.720
<v Speaker 5>writing and stuff like that. How did you take that

0:20:07.880 --> 0:20:10.040
<v Speaker 5>to the stage, Like when was you when did you

0:20:10.200 --> 0:20:11.359
<v Speaker 5>actually start doing stand up?

0:20:11.680 --> 0:20:15.119
<v Speaker 7>I started doing stand up here in LA. I didn't start, like,

0:20:15.160 --> 0:20:18.480
<v Speaker 7>I didn't want to start in North Carolina. Uh well,

0:20:18.600 --> 0:20:23.240
<v Speaker 7>but because why Well for me, I'm I'm really competitive,

0:20:23.800 --> 0:20:27.440
<v Speaker 7>and I wanted to be around people that truly their

0:20:27.520 --> 0:20:30.080
<v Speaker 7>life to it. Yeah, well the best and people that

0:20:30.160 --> 0:20:32.879
<v Speaker 7>were like serious about it. Yeah that's all that they do.

0:20:33.119 --> 0:20:35.159
<v Speaker 7>And and a lot of times in cities outside of

0:20:35.280 --> 0:20:38.159
<v Speaker 7>LA and New York would stand up. People are doing it,

0:20:38.240 --> 0:20:40.159
<v Speaker 7>but it's kind of a thing that people do, and

0:20:40.320 --> 0:20:44.560
<v Speaker 7>it's too easy, too easily a hobby, even if people's

0:20:44.640 --> 0:20:47.639
<v Speaker 7>part and passion was into it, like just having the

0:20:47.720 --> 0:20:50.119
<v Speaker 7>time to do it, like it was kind of this hobby.

0:20:50.440 --> 0:20:52.960
<v Speaker 7>And I wanted to move in to where people were

0:20:53.080 --> 0:20:57.760
<v Speaker 7>just you know, ruthlessly ambitious and trying to do it,

0:20:57.880 --> 0:21:00.880
<v Speaker 7>and like that's an energy that I film more comfortable around.

0:21:00.960 --> 0:21:03.480
<v Speaker 1>So you didn't want to be the big shark in

0:21:03.560 --> 0:21:06.040
<v Speaker 1>a small pine for a little bit in North Carolina.

0:21:06.080 --> 0:21:08.639
<v Speaker 7>No, because that hurts people, that that gives you this

0:21:08.800 --> 0:21:13.160
<v Speaker 7>false sense of of you know, yeah, especially the way

0:21:13.800 --> 0:21:15.520
<v Speaker 7>if it were if it were music, I just say

0:21:15.560 --> 0:21:18.240
<v Speaker 7>that I was gonna say no. But music is different

0:21:18.440 --> 0:21:21.399
<v Speaker 7>because music is such a it's an immediate thing. I

0:21:21.760 --> 0:21:26.160
<v Speaker 7>if I created stand up like my friend Bo Burnham

0:21:26.359 --> 0:21:30.000
<v Speaker 7>did this, like he got famous doing stand up from

0:21:30.040 --> 0:21:32.560
<v Speaker 7>his home because it was a thing that you record

0:21:32.640 --> 0:21:35.360
<v Speaker 7>and you release. He did videos. He was like YouTube

0:21:35.440 --> 0:21:38.119
<v Speaker 7>and like use the internet for that and music kind of.

0:21:39.600 --> 0:21:42.479
<v Speaker 7>Prince can be at Paisley Park if you're in New York.

0:21:42.920 --> 0:21:45.040
<v Speaker 7>It doesn't it doesn't matter. It's not like you your

0:21:45.080 --> 0:21:47.560
<v Speaker 7>first your first experience with Prince for most people isn't

0:21:47.600 --> 0:21:50.760
<v Speaker 7>a live performance. You know, like this this live show.

0:21:50.800 --> 0:21:53.320
<v Speaker 7>It's a skill that he developed. But if it is

0:21:53.440 --> 0:21:56.320
<v Speaker 7>just travels differently. Stand up comedy a lot of times

0:21:56.359 --> 0:21:59.960
<v Speaker 7>people discover you in a club, especially earlier on before

0:22:00.000 --> 0:22:03.080
<v Speaker 7>anyone's trying to record anything that you do. You're you're

0:22:03.320 --> 0:22:05.840
<v Speaker 7>in a club, and and that's where you hone your skills.

0:22:05.880 --> 0:22:09.439
<v Speaker 7>So it made more sense to be around people who

0:22:09.520 --> 0:22:11.960
<v Speaker 7>are who are doing it like that. If I were

0:22:11.960 --> 0:22:14.920
<v Speaker 7>a musician, then I may have I would. I mean, obviously,

0:22:15.600 --> 0:22:17.879
<v Speaker 7>you know from North Carolina, you know, looking at what

0:22:17.960 --> 0:22:21.639
<v Speaker 7>Little Brother did, look with Prince from where he's from. Uh,

0:22:22.760 --> 0:22:24.680
<v Speaker 7>But stand up just travels a little bit differently. With

0:22:24.800 --> 0:22:26.879
<v Speaker 7>that said, there are people who have been in the

0:22:26.960 --> 0:22:31.080
<v Speaker 7>hometown and gotten their material out. But I just think

0:22:31.119 --> 0:22:34.520
<v Speaker 7>it's such a competitive thing initially that you just got

0:22:34.600 --> 0:22:35.159
<v Speaker 7>to be around it.

0:22:36.000 --> 0:22:40.720
<v Speaker 3>So why not New York instead of LA? Because I

0:22:40.720 --> 0:22:41.600
<v Speaker 3>also two things.

0:22:41.680 --> 0:22:45.359
<v Speaker 7>I had an interest in film and television from the beginning,

0:22:45.359 --> 0:22:46.760
<v Speaker 7>and it's a thing that I wanted to learn and

0:22:46.880 --> 0:22:50.399
<v Speaker 7>be around, and I was excited to jump into that. Also,

0:22:50.760 --> 0:22:52.680
<v Speaker 7>I have like an aunt who lives in New York,

0:22:52.760 --> 0:22:54.399
<v Speaker 7>and I have friends that were in New York. And

0:22:54.480 --> 0:22:57.840
<v Speaker 7>I had a place to stay and security. Yeah, I

0:22:57.840 --> 0:22:59.919
<v Speaker 7>didn't want a security blank it just LA. I'd never

0:23:00.080 --> 0:23:01.480
<v Speaker 7>really here and I didn't know anyone.

0:23:01.760 --> 0:23:02.840
<v Speaker 6>So how did you afford that?

0:23:03.000 --> 0:23:03.160
<v Speaker 3>Then?

0:23:03.200 --> 0:23:04.840
<v Speaker 7>How do you say, you're a little bit of working

0:23:04.880 --> 0:23:08.600
<v Speaker 7>at a shoe store, worked the finish line. You know,

0:23:08.960 --> 0:23:13.440
<v Speaker 7>you're no no back back. Yeah, by the grace of God,

0:23:13.480 --> 0:23:15.439
<v Speaker 7>I have. I didn't have a regular job in LA.

0:23:15.720 --> 0:23:18.320
<v Speaker 7>I moved and tried to have an apartment for a

0:23:18.359 --> 0:23:20.960
<v Speaker 7>little bit, slept on couches. After that, you know, the

0:23:21.600 --> 0:23:24.520
<v Speaker 7>the typical artists grind of like just trying to figure

0:23:24.560 --> 0:23:24.800
<v Speaker 7>it out.

0:23:24.840 --> 0:23:26.920
<v Speaker 3>And then you were to finish line in the mall

0:23:27.000 --> 0:23:29.520
<v Speaker 3>and Haines Mall. I was there for years.

0:23:29.800 --> 0:23:32.720
<v Speaker 7>I was there, and then I graduated high school, and

0:23:32.880 --> 0:23:35.880
<v Speaker 7>that really highlights how uncool it was to be there.

0:23:35.960 --> 0:23:37.600
<v Speaker 7>Like I wasn't going to college and I was just

0:23:37.720 --> 0:23:40.280
<v Speaker 7>there and people would come home for like breaking like

0:23:40.359 --> 0:23:44.359
<v Speaker 7>nig you're still here, yeah that guy, that guy.

0:23:44.400 --> 0:23:45.119
<v Speaker 3>Briefly, this is.

0:23:45.160 --> 0:23:46.800
<v Speaker 9>Possible because just for the people who are listening, who

0:23:46.840 --> 0:23:48.000
<v Speaker 9>are like, you know, one day I want to move

0:23:48.040 --> 0:23:50.040
<v Speaker 9>to l A and do big things like you can

0:23:50.160 --> 0:23:52.399
<v Speaker 9>save a couple of finish line checks, you know.

0:23:53.000 --> 0:23:57.080
<v Speaker 7>And truthfully, when I moved to LA I was working

0:23:57.560 --> 0:23:59.919
<v Speaker 7>two thousand and eight, I was working there. This all

0:24:00.080 --> 0:24:03.240
<v Speaker 7>happened in a matter of like two months. I was

0:24:03.400 --> 0:24:05.920
<v Speaker 7>thinking about, like what I wanted to do with my life.

0:24:05.960 --> 0:24:08.800
<v Speaker 7>A friend of mine took me to comedy club. I'd

0:24:08.800 --> 0:24:10.560
<v Speaker 7>only been to one comedy club before my life. It

0:24:10.680 --> 0:24:13.359
<v Speaker 7>was at the Cellar in New York. My family visited.

0:24:13.400 --> 0:24:15.320
<v Speaker 7>I saw Dave Hotel performed. It was the first time.

0:24:15.480 --> 0:24:18.560
<v Speaker 7>My second time at a comedy club was in two

0:24:18.600 --> 0:24:22.760
<v Speaker 7>thousand and eight. A friend took me. I wanted to

0:24:22.880 --> 0:24:25.080
<v Speaker 7>do it. Somebody came in to finish line.

0:24:25.720 --> 0:24:26.400
<v Speaker 3>It was this guy.

0:24:26.680 --> 0:24:29.040
<v Speaker 7>He said, he was making small talk. I asked what

0:24:29.160 --> 0:24:32.640
<v Speaker 7>he did. He said he was an actor who lived

0:24:32.720 --> 0:24:34.879
<v Speaker 7>in LA I was like, man, that sounds cool. I

0:24:34.920 --> 0:24:38.560
<v Speaker 7>want to move there. He was like, just move and

0:24:38.680 --> 0:24:42.240
<v Speaker 7>I was like oh, and he told me like, go

0:24:42.400 --> 0:24:45.840
<v Speaker 7>to Craigslist of Westside rentals, final place and move.

0:24:47.080 --> 0:24:48.040
<v Speaker 3>And then I did.

0:24:48.200 --> 0:24:51.760
<v Speaker 7>I remember like printing the receipt paper, wrote those things down,

0:24:52.560 --> 0:24:55.119
<v Speaker 7>and I was here in August and that was.

0:24:55.520 --> 0:24:56.320
<v Speaker 3>You landed here.

0:24:56.560 --> 0:25:00.080
<v Speaker 7>Then decided and then and yeah, well I had I

0:25:00.160 --> 0:25:02.440
<v Speaker 7>found a place on Craigslist. They didn't have photo. I

0:25:02.520 --> 0:25:03.879
<v Speaker 7>had a place that I was going to. It was

0:25:03.920 --> 0:25:06.680
<v Speaker 7>like a one bedroom apartment. Three other people were in there.

0:25:06.720 --> 0:25:10.040
<v Speaker 7>I slept on a love seat, you know, like and

0:25:10.400 --> 0:25:12.919
<v Speaker 7>I was happy. Yeah, I was really happy. And then

0:25:13.320 --> 0:25:15.560
<v Speaker 7>I just started comedy as soon as I got here.

0:25:15.680 --> 0:25:17.040
<v Speaker 6>And how long was that life?

0:25:18.520 --> 0:25:20.200
<v Speaker 3>I mean a few years for me.

0:25:20.840 --> 0:25:24.680
<v Speaker 7>For me, things happened kind of quickly, you know when

0:25:24.680 --> 0:25:27.359
<v Speaker 7>you look at a lot of comedian stories, like you know,

0:25:27.560 --> 0:25:31.200
<v Speaker 7>some guys ten years or fifteen years of trying to

0:25:31.240 --> 0:25:35.040
<v Speaker 7>figure it out. But for me, after about a year,

0:25:35.640 --> 0:25:38.280
<v Speaker 7>I you know, it kind of clicked for me. And

0:25:38.359 --> 0:25:41.240
<v Speaker 7>then by two years in I was kind of on

0:25:41.359 --> 0:25:45.879
<v Speaker 7>a you know, under the uh. I had the attention

0:25:46.040 --> 0:25:50.480
<v Speaker 7>of industry or whatever whatever stuff leads none of it matters,

0:25:50.600 --> 0:25:54.200
<v Speaker 7>but it does. It doesn't, but it does. I hate

0:25:54.240 --> 0:25:56.480
<v Speaker 7>it and I love it to be the name of

0:25:56.560 --> 0:25:58.000
<v Speaker 7>the memoir. I hate it, but I love it.

0:26:02.720 --> 0:26:05.480
<v Speaker 3>What spots were you working out of when you first

0:26:05.600 --> 0:26:09.920
<v Speaker 3>came to l A improv laugh Factory?

0:26:10.240 --> 0:26:14.560
<v Speaker 7>All the clubs, a lot of back rooms, bars, surprise shows,

0:26:14.600 --> 0:26:16.320
<v Speaker 7>people that thought they would come and watch a game.

0:26:19.240 --> 0:26:22.159
<v Speaker 3>So who's the first person? I mean, I almost imagine that.

0:26:22.240 --> 0:26:26.200
<v Speaker 1>It's almost like entering comedies could be the equivalent of

0:26:27.359 --> 0:26:30.200
<v Speaker 1>like your first day in jail, Like who's the who's

0:26:30.240 --> 0:26:33.359
<v Speaker 1>the first person? That you kind of had to be

0:26:33.520 --> 0:26:34.840
<v Speaker 1>friends to sort of get the rules?

0:26:34.880 --> 0:26:38.720
<v Speaker 7>And my friend still my best friend to the stage,

0:26:38.800 --> 0:26:39.680
<v Speaker 7>Jamar Neighbors.

0:26:39.920 --> 0:26:42.440
<v Speaker 3>Yo, we're going to talk about him in a second.

0:26:42.720 --> 0:26:47.280
<v Speaker 7>Love him first, first person. Uh, the only piece of

0:26:47.560 --> 0:26:50.639
<v Speaker 7>advice I've taken was from him, the only so he

0:26:50.760 --> 0:26:53.800
<v Speaker 7>was established first, he had been He's from l A Okay,

0:26:54.160 --> 0:26:56.280
<v Speaker 7>and so he was familiar with it and he was

0:26:56.320 --> 0:26:59.680
<v Speaker 7>still coming up and still you know, figuring it out.

0:26:59.720 --> 0:27:02.960
<v Speaker 7>But I did my first open mic at the Comedy

0:27:03.000 --> 0:27:04.800
<v Speaker 7>Store and I got off stage and he was like,

0:27:05.400 --> 0:27:07.160
<v Speaker 7>it's like, hey, man, you're funny. You just slow down

0:27:07.200 --> 0:27:10.240
<v Speaker 7>a little bit and you Yeah he said that, but

0:27:10.640 --> 0:27:15.040
<v Speaker 7>you were first set man, first set. It was just

0:27:15.200 --> 0:27:18.040
<v Speaker 7>like a it was like twister doing commons.

0:27:20.160 --> 0:27:22.320
<v Speaker 3>No one like you. I was going to say, like

0:27:22.640 --> 0:27:27.520
<v Speaker 3>you're your level of silence and pacing is.

0:27:28.200 --> 0:27:30.760
<v Speaker 5>Really on the last special like that ship was that

0:27:30.920 --> 0:27:34.560
<v Speaker 5>was balls? Nah for real, Like that was yeah, it

0:27:34.680 --> 0:27:35.000
<v Speaker 5>was dope.

0:27:35.480 --> 0:27:35.720
<v Speaker 3>Thank you.

0:27:36.160 --> 0:27:39.159
<v Speaker 1>So you don't feel a certain way like if you happened,

0:27:39.800 --> 0:27:41.840
<v Speaker 1>if you say it punchline and it might go with

0:27:41.920 --> 0:27:45.440
<v Speaker 1>an audience member ahead or whatever, you'll just let it do.

0:27:45.960 --> 0:27:48.920
<v Speaker 7>Yeah, there's somebody like you. You thought it for a

0:27:49.000 --> 0:27:51.400
<v Speaker 7>reason and you you crafted and say it a certain

0:27:51.440 --> 0:27:55.840
<v Speaker 7>way for a reason. And it's like, especially if i'm taping,

0:27:56.080 --> 0:27:58.640
<v Speaker 7>you know, like taping a special, it's not just even

0:27:58.680 --> 0:28:03.000
<v Speaker 7>about the room. It's going into people's homes, and it's

0:28:03.119 --> 0:28:06.920
<v Speaker 7>like you record it for that experience, you know, And

0:28:07.000 --> 0:28:10.879
<v Speaker 7>that's what I make specials for. And but on stage,

0:28:10.960 --> 0:28:13.720
<v Speaker 7>you know, if any live show, if a thing goes over,

0:28:13.800 --> 0:28:16.960
<v Speaker 7>there's something for you. And that was Sometimes I'll write

0:28:17.040 --> 0:28:20.920
<v Speaker 7>something or think something that I know, like in a

0:28:21.000 --> 0:28:24.000
<v Speaker 7>room full one hundred people, ten are going to connect

0:28:24.080 --> 0:28:26.359
<v Speaker 7>with us and I'm completely cool and.

0:28:26.400 --> 0:28:26.920
<v Speaker 3>You're fine with that.

0:28:27.080 --> 0:28:30.520
<v Speaker 7>Yeah, because for that ten it's really going to mean something.

0:28:31.359 --> 0:28:34.200
<v Speaker 7>As a whole, it'll be you know, it'll be something

0:28:34.320 --> 0:28:36.240
<v Speaker 7>I ideally i'd say that, I'm sure a couple of

0:28:36.280 --> 0:28:42.840
<v Speaker 7>people have left. I'm happy, but but there'll be something

0:28:42.880 --> 0:28:45.840
<v Speaker 7>for everybody. You know, that's the goal. But you know

0:28:45.960 --> 0:28:47.120
<v Speaker 7>some things aren't for everybody.

0:28:48.520 --> 0:28:51.160
<v Speaker 3>The first show, the one you did delive at the store,

0:28:51.640 --> 0:28:52.640
<v Speaker 3>how did that come about?

0:28:53.000 --> 0:28:53.040
<v Speaker 1>And?

0:28:53.240 --> 0:28:54.520
<v Speaker 5>Well, first, how long did it take for you to

0:28:54.560 --> 0:28:57.120
<v Speaker 5>write that material? And how to Spike Leaguet involved?

0:28:57.760 --> 0:29:02.640
<v Speaker 7>I I that was kind of material that I that

0:29:02.760 --> 0:29:05.760
<v Speaker 7>was two thousand and fourteen. I think when we take that,

0:29:06.720 --> 0:29:08.320
<v Speaker 7>it was just stuff over the years that I kind

0:29:08.360 --> 0:29:11.000
<v Speaker 7>of picked up on and a lot of I say,

0:29:11.000 --> 0:29:12.800
<v Speaker 7>over the years, there was some things from over the years,

0:29:12.800 --> 0:29:14.560
<v Speaker 7>and then a lot of it was just new. The

0:29:15.520 --> 0:29:17.800
<v Speaker 7>goal for that was to treat it as if it

0:29:17.920 --> 0:29:20.720
<v Speaker 7>was just you coming to the comedy store on a

0:29:21.880 --> 0:29:25.800
<v Speaker 7>Saturday night and just me kind of doing some old material,

0:29:26.000 --> 0:29:28.000
<v Speaker 7>trying out new stuff, and just for it to be

0:29:28.600 --> 0:29:31.920
<v Speaker 7>organic and natural. The voice that introduced me is this guy,

0:29:32.080 --> 0:29:35.040
<v Speaker 7>Argus Hamilton, who always has nine to fifteen spot at

0:29:35.080 --> 0:29:36.960
<v Speaker 7>the store, and he would bring me up, and so

0:29:37.080 --> 0:29:38.920
<v Speaker 7>that's why I had to bring me up. Jamar did

0:29:39.000 --> 0:29:41.280
<v Speaker 7>a set. You know, it was a very Yeah, it

0:29:41.440 --> 0:29:44.200
<v Speaker 7>was like a very like. I wanted it to feel

0:29:44.280 --> 0:29:46.320
<v Speaker 7>that vibe got spike because I wanted it to feel

0:29:46.360 --> 0:29:49.680
<v Speaker 7>like a documentary. I don't usually like comedy specials, if

0:29:49.720 --> 0:29:51.480
<v Speaker 7>I'm being honest, and so I wanted it to.

0:29:51.480 --> 0:29:54.360
<v Speaker 3>Feel like explosions and your name in the back. It's

0:29:54.480 --> 0:29:55.000
<v Speaker 3>just all this.

0:29:56.920 --> 0:29:59.400
<v Speaker 7>Yeah, all this unnecessary popping ones.

0:30:00.440 --> 0:30:02.720
<v Speaker 3>The cut to six years later from now it's comedy

0:30:02.760 --> 0:30:07.320
<v Speaker 3>spec No but your, but your. It has to fit you.

0:30:07.520 --> 0:30:09.240
<v Speaker 7>I think the reason I like it is because things

0:30:09.280 --> 0:30:13.320
<v Speaker 7>aren't necessarily personal, like like Chris Rock is a guy

0:30:13.880 --> 0:30:16.960
<v Speaker 7>who the cr behind his head makes it. It fits

0:30:17.040 --> 0:30:19.640
<v Speaker 7>with the vibe. That's how it's comedy looks and sounds

0:30:20.320 --> 0:30:24.240
<v Speaker 7>comedians like. Not everybody's gonna fit that vibe. Like comedians

0:30:24.640 --> 0:30:28.000
<v Speaker 7>have this tendency to go away from their own lane

0:30:28.120 --> 0:30:30.360
<v Speaker 7>and try and fit into what they think comedy is.

0:30:31.000 --> 0:30:33.760
<v Speaker 7>And and so that's why specials start looking alike and

0:30:33.840 --> 0:30:37.520
<v Speaker 7>sounding alike, and and people's materials starts running in together

0:30:37.600 --> 0:30:40.960
<v Speaker 7>because everyone tries to fit comedy instead of bringing comedy

0:30:41.040 --> 0:30:43.560
<v Speaker 7>to them. So with the Love at the Store, was

0:30:43.640 --> 0:30:46.400
<v Speaker 7>just important to have it personal. It was just a

0:30:46.520 --> 0:30:49.240
<v Speaker 7>personal documentary. I go to my notebook, I try out

0:30:49.280 --> 0:30:49.880
<v Speaker 7>new ship, I.

0:30:49.880 --> 0:30:52.240
<v Speaker 5>Would say, So that last bit when you like the

0:30:52.280 --> 0:30:53.680
<v Speaker 5>Illuminati garbage man.

0:30:53.680 --> 0:30:56.440
<v Speaker 7>Yeah, like that was that was really you just trying

0:30:56.480 --> 0:30:58.680
<v Speaker 7>that out. I've done that before. I've done that before,

0:30:58.800 --> 0:31:03.479
<v Speaker 7>but it was it was relatively new. I think, like new,

0:31:03.520 --> 0:31:05.760
<v Speaker 7>I shouldn't the set, but it's like I've done that before.

0:31:06.040 --> 0:31:09.240
<v Speaker 7>It's and it's really written in that notebook, and it's

0:31:09.320 --> 0:31:12.080
<v Speaker 7>really because I just wanted it to feel that way.

0:31:13.280 --> 0:31:17.920
<v Speaker 7>But I uh, I called Spike. I was sometimes I

0:31:18.000 --> 0:31:19.640
<v Speaker 7>like I was trying to think of director. Sometimes I

0:31:19.760 --> 0:31:22.520
<v Speaker 7>like to think I would put on there's a song

0:31:22.640 --> 0:31:24.280
<v Speaker 7>from She's Got to Have It, Uh.

0:31:24.760 --> 0:31:27.440
<v Speaker 3>Nola with vocals, Yeah, there's a girl.

0:31:28.360 --> 0:31:31.240
<v Speaker 7>Yeah, And I was I was like playing that in

0:31:31.360 --> 0:31:36.840
<v Speaker 7>my living room and I was like, oh, Spike, yeah

0:31:37.560 --> 0:31:39.840
<v Speaker 7>every way, Yeah I was.

0:31:40.320 --> 0:31:48.320
<v Speaker 3>And then I love Nola with vocals and singing on

0:31:48.400 --> 0:31:55.240
<v Speaker 3>that one. That's him. Damn went deep with Ronn either King.

0:31:57.520 --> 0:32:05.480
<v Speaker 1>Reference King, Okay, should your popularity ramp up.

0:32:07.040 --> 0:32:13.320
<v Speaker 3>One hundredfold? Where you know you land three or four

0:32:15.120 --> 0:32:16.320
<v Speaker 3>big movies or whatever.

0:32:16.480 --> 0:32:20.280
<v Speaker 1>All right, say if you get Murphy ezed, Yeah, would

0:32:20.320 --> 0:32:24.640
<v Speaker 1>you think that your level of comedy could translate to.

0:32:26.840 --> 0:32:27.480
<v Speaker 3>Stadiums?

0:32:28.000 --> 0:32:32.440
<v Speaker 1>And because you're such an intimate former that you know,

0:32:32.600 --> 0:32:35.200
<v Speaker 1>is that even a dream like, Hey, I like to

0:32:35.560 --> 0:32:37.000
<v Speaker 1>sell out the Forum or you.

0:32:37.040 --> 0:32:39.600
<v Speaker 7>Know, the only way I would do it is if

0:32:39.720 --> 0:32:44.560
<v Speaker 7>I two things. If I felt like the material somehow

0:32:44.720 --> 0:32:48.160
<v Speaker 7>warranted that type of venue. You know, at that point

0:32:48.680 --> 0:32:50.400
<v Speaker 7>you always want to stay open as an artist. I

0:32:50.520 --> 0:32:55.600
<v Speaker 7>don't know exactly how change evolved, so staying open to that,

0:32:56.200 --> 0:32:58.800
<v Speaker 7>or if I found a way to bring the performance

0:32:59.760 --> 0:33:02.520
<v Speaker 7>or or some type of show to that arena where

0:33:02.560 --> 0:33:04.680
<v Speaker 7>I could truly feel it, not just for the sake

0:33:04.720 --> 0:33:08.920
<v Speaker 7>of seats, because comedy over anything over like three or

0:33:08.960 --> 0:33:13.680
<v Speaker 7>four thousand people. Really, even the just sound, the way

0:33:13.720 --> 0:33:17.160
<v Speaker 7>a laugh travels, it's like it's not everyone doing something

0:33:17.200 --> 0:33:19.600
<v Speaker 7>in Unison, it's it's it has to travel.

0:33:19.640 --> 0:33:22.400
<v Speaker 5>And Christy said that same thing, Chris. When Chris he

0:33:22.520 --> 0:33:24.760
<v Speaker 5>played Deep Act a couple of months ago. Yeah, and

0:33:24.920 --> 0:33:27.200
<v Speaker 5>he I was talking to his stage guy. He said,

0:33:27.320 --> 0:33:29.240
<v Speaker 5>he said the exact same thing. He said, you know,

0:33:29.440 --> 0:33:32.080
<v Speaker 5>you may do a joke and like the person in

0:33:32.120 --> 0:33:34.840
<v Speaker 5>the back may laugh first, and then it takes time.

0:33:35.240 --> 0:33:37.560
<v Speaker 5>Your timing is way different because you actually have to

0:33:37.600 --> 0:33:38.719
<v Speaker 5>give it time to travel.

0:33:38.920 --> 0:33:41.480
<v Speaker 7>Yeah, but you have to anytime. I mean I've done,

0:33:42.000 --> 0:33:45.440
<v Speaker 7>you know, theaters of four thousand seas. It just doesn't

0:33:46.120 --> 0:33:48.760
<v Speaker 7>the rhythm. You have to find a rhythm for that,

0:33:49.080 --> 0:33:52.760
<v Speaker 7>you know. And so if I did it consistently and

0:33:52.920 --> 0:33:55.000
<v Speaker 7>got used to it and found a way to bring

0:33:55.080 --> 0:33:56.600
<v Speaker 7>a show to that, then yeah, but not just for

0:33:56.680 --> 0:33:57.560
<v Speaker 7>the sake of filling seats.

0:33:57.600 --> 0:34:00.360
<v Speaker 3>I mean I care about the show first.

0:34:01.360 --> 0:34:05.080
<v Speaker 1>So as a comedian, how do you feel about I know,

0:34:06.960 --> 0:34:10.279
<v Speaker 1>one subject that I often hear, especially at the Tonight

0:34:10.320 --> 0:34:15.279
<v Speaker 1>show when comedians come on ish the idea of like

0:34:15.440 --> 0:34:20.080
<v Speaker 1>politically correct comedy and how we're in kind of a

0:34:20.160 --> 0:34:21.200
<v Speaker 1>new place right now.

0:34:21.719 --> 0:34:25.040
<v Speaker 3>Where Twitter has ruined everything.

0:34:25.560 --> 0:34:29.560
<v Speaker 1>Well, I mean, we're just in a more politically correct,

0:34:30.480 --> 0:34:36.239
<v Speaker 1>more sensitive place right now. Like in other words, I've

0:34:36.320 --> 0:34:41.880
<v Speaker 1>seen many a think piece on Day on Dave's Netflix

0:34:41.880 --> 0:34:46.319
<v Speaker 1>specials that didn't hit home with a lot of people

0:34:47.200 --> 0:34:50.080
<v Speaker 1>because of the way that times are now.

0:34:50.400 --> 0:34:55.280
<v Speaker 3>Like even if you watch Eddie Murphy's Raw, which Delirious

0:34:55.400 --> 0:34:57.920
<v Speaker 3>is like the first delirious.

0:34:57.760 --> 0:35:03.439
<v Speaker 1>Right like that couldn't fly now in twenty seventeen. How

0:35:04.960 --> 0:35:08.600
<v Speaker 1>but I know you especially with Jamar. Have you heard

0:35:08.600 --> 0:35:09.359
<v Speaker 1>America's Nigga?

0:35:09.400 --> 0:35:09.520
<v Speaker 9>Yes?

0:35:09.600 --> 0:35:13.920
<v Speaker 3>I have, all right, so Uh Brennan.

0:35:14.600 --> 0:35:18.000
<v Speaker 1>Neil Brennan hit me up like one in the morning

0:35:18.360 --> 0:35:21.960
<v Speaker 1>and was like, yo, I need you to go to

0:35:21.960 --> 0:35:24.759
<v Speaker 1>this website and download this record and listen. And if

0:35:24.840 --> 0:35:27.120
<v Speaker 1>you know Neil the way that I know Neil, like

0:35:27.480 --> 0:35:29.759
<v Speaker 1>there's Neil and Chris Rock are probably like the two

0:35:30.960 --> 0:35:38.280
<v Speaker 1>uh figures in my life that are a constant maybe

0:35:38.719 --> 0:35:43.560
<v Speaker 1>Fonte and Bill as well like that are not easily impressed. Yeah,

0:35:43.640 --> 0:35:46.040
<v Speaker 1>you have to actually be good for them to you know,

0:35:46.600 --> 0:35:49.520
<v Speaker 1>And yeah, Chris is Chris is hard to please.

0:35:49.600 --> 0:35:52.520
<v Speaker 3>Neil's even harder to please Neil. I don't bring something

0:35:52.600 --> 0:35:56.080
<v Speaker 3>to Neil unless I'm like I want to beat good.

0:35:56.200 --> 0:35:58.680
<v Speaker 3>Yeah yeah, yeah, it's like yeah. But the thing is

0:35:58.760 --> 0:36:01.200
<v Speaker 3>when they say it's cold and you're like, oh shit,

0:36:01.320 --> 0:36:02.920
<v Speaker 3>this is really gonna work. It means more than your

0:36:02.960 --> 0:36:03.800
<v Speaker 3>father's approval.

0:36:05.600 --> 0:36:08.840
<v Speaker 1>I'm telling you now, like yeah, like they're now like

0:36:09.000 --> 0:36:11.000
<v Speaker 1>my new dad's Like yeah, it means more.

0:36:12.000 --> 0:36:14.480
<v Speaker 7>I always go to them just to you know. Chris

0:36:14.560 --> 0:36:16.800
<v Speaker 7>called me after the special and that meant more. I

0:36:16.960 --> 0:36:18.160
<v Speaker 7>like told every I was like.

0:36:18.680 --> 0:36:23.960
<v Speaker 3>Chris called me that means something he got after the one. Yeah, yeah, yeah,

0:36:24.040 --> 0:36:26.399
<v Speaker 3>he called me. That totally means something. Yeah.

0:36:26.560 --> 0:36:30.480
<v Speaker 1>So when Neil told me, yo, listening to this record,

0:36:30.840 --> 0:36:33.160
<v Speaker 1>then I was like, oh god, you haven't done this

0:36:33.280 --> 0:36:36.239
<v Speaker 1>in like six years and six years ago it was

0:36:36.280 --> 0:36:39.120
<v Speaker 1>like a rap record I forget about Yeah, and I

0:36:39.239 --> 0:36:41.719
<v Speaker 1>heard it. I think that's the first time whenever like

0:36:41.880 --> 0:36:44.359
<v Speaker 1>critics asked me like, oh, where's your favorite record, that's

0:36:44.400 --> 0:36:46.839
<v Speaker 1>the first time a comedy record was ever really number

0:36:46.880 --> 0:36:50.520
<v Speaker 1>one record? But so, god damn uncomfortable.

0:36:50.880 --> 0:36:57.560
<v Speaker 7>Yes, but Jamar is just unapologetically himself, the most confident

0:36:57.640 --> 0:37:01.279
<v Speaker 7>person I've ever met, the most like pure, you know,

0:37:02.160 --> 0:37:06.799
<v Speaker 7>on stage, fearless and excited and doesn't give a fuck

0:37:06.880 --> 0:37:12.120
<v Speaker 7>about anyone's like anything of their opinion. There what, it's

0:37:12.280 --> 0:37:14.880
<v Speaker 7>just him, it's him, unapologetically him.

0:37:15.239 --> 0:37:19.520
<v Speaker 1>Well yeah, so where do you as far as where

0:37:19.640 --> 0:37:22.800
<v Speaker 1>the times are leaning? Like, I know that comedy is

0:37:22.800 --> 0:37:27.080
<v Speaker 1>supposed to be pain plus what's the formula it's supposed

0:37:27.080 --> 0:37:31.359
<v Speaker 1>to be like pain? In reality it's tragedy plus time. Yeah,

0:37:31.480 --> 0:37:35.640
<v Speaker 1>tragedy yeah, yeah, So how do you do you still

0:37:35.680 --> 0:37:39.840
<v Speaker 1>come from the school of Okay, I'm gonna take the

0:37:39.920 --> 0:37:43.120
<v Speaker 1>most taboo thing I can find and make it funny.

0:37:43.360 --> 0:37:47.680
<v Speaker 7>No, that's that's genuinely never my thought. I never think

0:37:47.680 --> 0:37:50.239
<v Speaker 7>about whether or not a thing is taboo or it

0:37:50.440 --> 0:37:52.759
<v Speaker 7>really is if it excites me, if it's something that

0:37:52.840 --> 0:37:56.520
<v Speaker 7>I have a perspective on, I don't say anything unless

0:37:56.640 --> 0:38:00.560
<v Speaker 7>I it comes from an honest place, such an honest

0:38:00.600 --> 0:38:04.440
<v Speaker 7>place that I'll either defend it, like I'll defend it

0:38:04.560 --> 0:38:07.360
<v Speaker 7>after it's been released, but I'm really defending it in

0:38:07.560 --> 0:38:10.719
<v Speaker 7>the joke. The joke is the defense of this thing,

0:38:11.520 --> 0:38:11.719
<v Speaker 7>you know.

0:38:11.719 --> 0:38:12.040
<v Speaker 3>What I mean.

0:38:12.120 --> 0:38:15.880
<v Speaker 7>Like, it's a self defense. It's a self represented concept

0:38:16.000 --> 0:38:18.799
<v Speaker 7>that you give. And it's like, yeah, I said all

0:38:18.880 --> 0:38:21.760
<v Speaker 7>the stuff i'd say a lot of times I'll preface

0:38:21.840 --> 0:38:23.960
<v Speaker 7>something with like, I know this is wrong and you'll

0:38:24.040 --> 0:38:27.120
<v Speaker 7>disagree with it, but here's an honest thought.

0:38:27.480 --> 0:38:31.239
<v Speaker 5>I think a good example of that in the joke

0:38:31.440 --> 0:38:33.440
<v Speaker 5>the bitch you do about not having a kid is

0:38:33.480 --> 0:38:34.279
<v Speaker 5>better than having a kid.

0:38:34.400 --> 0:38:37.560
<v Speaker 3>Yeah, dog, So yeah, it's just.

0:38:41.400 --> 0:38:41.520
<v Speaker 7>Yo.

0:38:42.120 --> 0:38:44.200
<v Speaker 3>He was like, Yo, he's watching a woman you don't

0:38:44.239 --> 0:38:48.360
<v Speaker 3>trust swallow a field. It's just like, yes, dog, yo.

0:38:48.400 --> 0:38:51.319
<v Speaker 7>I've never done I've never done, Molly, I have an

0:38:51.320 --> 0:38:54.520
<v Speaker 7>experimented with LSD or anything. But if it compares to

0:38:54.680 --> 0:38:59.760
<v Speaker 7>that feeling, I get it. It makes me understand heroin.

0:38:59.760 --> 0:39:03.360
<v Speaker 7>I'm oh that, oh oh, completely free and uninhibited and

0:39:03.520 --> 0:39:04.520
<v Speaker 7>like the world is yours?

0:39:04.640 --> 0:39:06.000
<v Speaker 3>Oh is that what heroin is?

0:39:07.480 --> 0:39:07.600
<v Speaker 9>Oh?

0:39:08.400 --> 0:39:14.200
<v Speaker 7>Well then yeah I do that. Yeah, yeah, it's the

0:39:14.600 --> 0:39:18.000
<v Speaker 7>defenses there. I'm my obligation is to me and to

0:39:18.160 --> 0:39:20.799
<v Speaker 7>be honest and to give you honest thoughts. I don't

0:39:21.040 --> 0:39:23.640
<v Speaker 7>consider it at all. I don't consider it like you know,

0:39:25.040 --> 0:39:27.080
<v Speaker 7>oh what, people aren't gonna hate because people are gonna

0:39:27.080 --> 0:39:29.200
<v Speaker 7>hate this because I'm not saying hateful things. It all

0:39:29.280 --> 0:39:33.080
<v Speaker 7>comes from such a real place. You know that that

0:39:33.239 --> 0:39:35.680
<v Speaker 7>I'm I'm either defending in the joke or if you

0:39:35.760 --> 0:39:38.880
<v Speaker 7>don't understand, I'll defend where I'm coming from. It's not

0:39:39.040 --> 0:39:43.440
<v Speaker 7>defending whether not a thing is right or wrong. You know,

0:39:43.719 --> 0:39:47.719
<v Speaker 7>that's not what artist art isn't about. You know, Hey,

0:39:48.120 --> 0:39:50.120
<v Speaker 7>this is the right point, you know, let me create

0:39:50.160 --> 0:39:53.719
<v Speaker 7>something around it. It's feeling and you I'm articulating a

0:39:53.840 --> 0:39:56.640
<v Speaker 7>feeling to you, and I'm saying this is how I

0:39:56.719 --> 0:39:59.080
<v Speaker 7>feel about a thing. I'm not trying to convince you

0:39:59.160 --> 0:40:02.080
<v Speaker 7>otherwise I'm saying, and this is how I feel what made.

0:40:01.960 --> 0:40:07.840
<v Speaker 1>You decide, especially in twenty sixteen, to have a multi camera.

0:40:08.800 --> 0:40:13.279
<v Speaker 7>Format because that is going to America. I like the

0:40:13.400 --> 0:40:16.719
<v Speaker 7>idea of like this is going to America, Like this

0:40:16.840 --> 0:40:21.120
<v Speaker 7>show goes out family, Yeah, this goes out to like

0:40:21.800 --> 0:40:24.480
<v Speaker 7>just like the homes that like us in the bubbles

0:40:24.480 --> 0:40:27.440
<v Speaker 7>of LA and New York. A lot of times don't consider,

0:40:27.960 --> 0:40:31.320
<v Speaker 7>you know, like my family's home. Like content is content

0:40:31.400 --> 0:40:34.360
<v Speaker 7>that's usually made for them, that's targeted for them, like

0:40:34.440 --> 0:40:38.120
<v Speaker 7>a multi cam or something like that usually dumbs down

0:40:38.280 --> 0:40:42.000
<v Speaker 7>to such a degree that it's not it doesn't feel fulfilling,

0:40:42.320 --> 0:40:42.480
<v Speaker 7>you know.

0:40:42.640 --> 0:40:44.560
<v Speaker 3>And so to me, this was the fun.

0:40:44.680 --> 0:40:46.920
<v Speaker 7>The fun is like and the challenge is to try

0:40:46.920 --> 0:40:50.279
<v Speaker 7>and bring something that hopefully has real thought and real

0:40:50.320 --> 0:40:54.440
<v Speaker 7>perspective in it to you know, an outlet that's targeted

0:40:54.560 --> 0:40:57.160
<v Speaker 7>to America, you know, because I mean there's a version

0:40:57.280 --> 0:41:00.440
<v Speaker 7>of this that could exist on emium. K.

0:41:02.200 --> 0:41:05.400
<v Speaker 3>Yeah, but I didn't make that. This isn't do you

0:41:05.480 --> 0:41:08.680
<v Speaker 3>think you could do that though? I mean I think

0:41:08.719 --> 0:41:09.440
<v Speaker 3>it would be fun to do.

0:41:09.719 --> 0:41:11.040
<v Speaker 7>I think it would be fun to try, because you

0:41:11.200 --> 0:41:13.960
<v Speaker 7>then you get to just be you know more personal,

0:41:14.040 --> 0:41:15.960
<v Speaker 7>you can stay in the pocket of something you can.

0:41:16.360 --> 0:41:19.040
<v Speaker 7>It's like those jokes that are saying that it's gonna

0:41:19.040 --> 0:41:21.040
<v Speaker 7>go over a lot of people's head. You're you're making

0:41:21.280 --> 0:41:25.640
<v Speaker 7>such specific art that you can kind of as long

0:41:25.680 --> 0:41:27.959
<v Speaker 7>as it's personal and it's you. A lot of times

0:41:28.000 --> 0:41:29.719
<v Speaker 7>those are the better shows, So it'd be fun to

0:41:29.840 --> 0:41:34.120
<v Speaker 7>try and do that. But for this this swing, it

0:41:34.239 --> 0:41:35.560
<v Speaker 7>just felt like a fun thing.

0:41:36.040 --> 0:41:37.879
<v Speaker 3>The multi camera for your show.

0:41:37.960 --> 0:41:39.799
<v Speaker 5>I think it makes it a little more subversive too,

0:41:39.880 --> 0:41:42.920
<v Speaker 5>because if it was something that was like on FX,

0:41:43.000 --> 0:41:44.600
<v Speaker 5>or if it was like, you know, a Sonny, or

0:41:44.640 --> 0:41:46.520
<v Speaker 5>if it was a you know, Louis or something that

0:41:46.719 --> 0:41:49.960
<v Speaker 5>was shot in like this is serious art, you know

0:41:50.000 --> 0:41:51.799
<v Speaker 5>what I mean, If it was shot in that way,

0:41:52.320 --> 0:41:55.200
<v Speaker 5>then you know it kind of is you're kind of

0:41:55.280 --> 0:41:57.440
<v Speaker 5>leading a little bit. But when something has the facade

0:41:57.520 --> 0:42:01.680
<v Speaker 5>of oh, this is a multi camera family show, but yeah,

0:42:01.840 --> 0:42:03.000
<v Speaker 5>grandmother kills herself.

0:42:03.880 --> 0:42:08.920
<v Speaker 3>Yeah, I mean, well the truth, that's what makes it

0:42:09.080 --> 0:42:09.480
<v Speaker 3>so fun.

0:42:10.000 --> 0:42:13.759
<v Speaker 7>The the most fun thing to do is you have

0:42:13.840 --> 0:42:16.560
<v Speaker 7>to imagine, right like a lout of these code openings,

0:42:16.719 --> 0:42:20.640
<v Speaker 7>imagining whatever we're following, and like we follow like little

0:42:20.680 --> 0:42:24.840
<v Speaker 7>big shots fencer. So there's just a reality competition with

0:42:25.040 --> 0:42:27.320
<v Speaker 7>children just trying to make it.

0:42:28.840 --> 0:42:30.360
<v Speaker 3>Really the true drama for.

0:42:30.360 --> 0:42:32.160
<v Speaker 7>A little big shots is the parents. But we don't

0:42:32.160 --> 0:42:36.360
<v Speaker 7>get into that. But we're just children, yeah.

0:42:36.239 --> 0:42:36.640
<v Speaker 3>Yeah, yeah.

0:42:36.800 --> 0:42:39.440
<v Speaker 7>Just put the weight of their failures on top of

0:42:39.719 --> 0:42:43.160
<v Speaker 7>this kid who can juggle shoulders. But anyway, that's what

0:42:43.280 --> 0:42:48.960
<v Speaker 7>the kids really juggling his father's hopes. But but but

0:42:49.080 --> 0:42:53.160
<v Speaker 7>you got this happy show. Steve Harvey's ripping with families

0:42:53.239 --> 0:42:55.359
<v Speaker 7>and like, and the kid's made it to the found

0:42:55.360 --> 0:42:58.160
<v Speaker 7>around and he's crying and his grandma's crying, and then

0:42:58.200 --> 0:43:01.239
<v Speaker 7>you cut to like just I show just like you're like,

0:43:01.920 --> 0:43:06.239
<v Speaker 7>you know, I broke a condoms. The next line, the

0:43:06.400 --> 0:43:09.720
<v Speaker 7>next words they hear are that, And you don't understand

0:43:09.760 --> 0:43:10.759
<v Speaker 7>how fun that is.

0:43:12.320 --> 0:43:13.640
<v Speaker 3>It's the most fun.

0:43:14.600 --> 0:43:19.880
<v Speaker 1>Has comcasts ever or your higher ups at Comcast ever said, uh,

0:43:20.480 --> 0:43:21.440
<v Speaker 1>we can't do that.

0:43:22.080 --> 0:43:26.000
<v Speaker 7>They've had caution. They've actually let us get away with

0:43:26.080 --> 0:43:29.279
<v Speaker 7>a lot of stuff. The guys at comcasts that that

0:43:29.360 --> 0:43:31.640
<v Speaker 7>I've encountered actually really liked the show.

0:43:32.520 --> 0:43:35.160
<v Speaker 3>I really think. I mean, I'm not. I know it's

0:43:35.200 --> 0:43:35.759
<v Speaker 3>easy to say it.

0:43:35.760 --> 0:43:39.000
<v Speaker 7>I don't want to tell if you watch the show

0:43:39.600 --> 0:43:43.239
<v Speaker 7>next to most any like multi camera, especially or any

0:43:43.360 --> 0:43:47.320
<v Speaker 7>like broadcast like comedy. What we try and do is

0:43:47.360 --> 0:43:49.520
<v Speaker 7>the opposite, which is like usually it's like turn your

0:43:49.560 --> 0:43:52.640
<v Speaker 7>brain off. It's a really happy world where everything's like

0:43:53.280 --> 0:43:58.120
<v Speaker 7>shiny and people speak in like kind of unrealistic joke patterns,

0:43:58.200 --> 0:44:00.600
<v Speaker 7>and like even the lighting and every think about it

0:44:00.600 --> 0:44:04.879
<v Speaker 7>and the subject matter is usually even when anytime someone

0:44:04.960 --> 0:44:07.200
<v Speaker 7>uses the word tackle, that means that they're not gonna

0:44:07.239 --> 0:44:10.040
<v Speaker 7>tackle it. That means that it's gonna be like like

0:44:10.320 --> 0:44:14.160
<v Speaker 7>they tackle, you know, it's gonna be some left leaning

0:44:14.280 --> 0:44:17.279
<v Speaker 7>where all united, you know, type of ending. I try

0:44:17.320 --> 0:44:19.439
<v Speaker 7>and do the opposite of that. I was just trying

0:44:19.480 --> 0:44:21.360
<v Speaker 7>to look for whatever the real thing is.

0:44:22.280 --> 0:44:24.120
<v Speaker 3>Well. On the Trump episode, to do with your dad,

0:44:24.160 --> 0:44:26.120
<v Speaker 3>would David.

0:44:25.960 --> 0:44:28.840
<v Speaker 7>Oh, yeah, yeah, you voted, Yeah, voted for Trump, like

0:44:29.520 --> 0:44:31.399
<v Speaker 7>I thought he was gonna win. I felt like Trump

0:44:31.520 --> 0:44:33.879
<v Speaker 7>was gonna win. You felt that, then that's I named

0:44:33.920 --> 0:44:36.479
<v Speaker 7>the episode. We taped it in April, and I named

0:44:36.520 --> 0:44:39.200
<v Speaker 7>it President Trump because I was like, Oh, He's gonna win,

0:44:39.800 --> 0:44:41.640
<v Speaker 7>Like it was like there's no way he doesn't win,

0:44:41.760 --> 0:44:44.080
<v Speaker 7>Like I really believed it. And that's what like I

0:44:44.200 --> 0:44:46.560
<v Speaker 7>was gambling on that, and so just seeing everyone go

0:44:46.800 --> 0:44:50.120
<v Speaker 7>like you know Trump is bad or not take them seriously,

0:44:50.239 --> 0:44:55.239
<v Speaker 7>just see boring and not real to what what what?

0:44:55.680 --> 0:44:58.560
<v Speaker 3>Because I I think I know where it comes from.

0:44:58.600 --> 0:45:01.040
<v Speaker 3>But what made you say that he was gonna win

0:45:01.480 --> 0:45:03.000
<v Speaker 3>because we're infatuated with him?

0:45:03.760 --> 0:45:06.560
<v Speaker 7>It was like very few things had seen in my

0:45:06.680 --> 0:45:11.560
<v Speaker 7>lifetime get this type of mass infatuation like one is

0:45:11.680 --> 0:45:17.640
<v Speaker 7>like it's like the oj trial, the marc Ana God

0:45:19.000 --> 0:45:23.000
<v Speaker 7>damn Donald Trump, you know what I mean, like essentially ghosting,

0:45:23.239 --> 0:45:27.560
<v Speaker 7>you know, like like it's mass infatuated. We couldn't let

0:45:27.680 --> 0:45:32.440
<v Speaker 7>him go. We couldn't stop either side. And it's just

0:45:32.560 --> 0:45:36.480
<v Speaker 7>like that much publicity. You can't discount publicity in America.

0:45:36.680 --> 0:45:39.520
<v Speaker 7>You know, it's a thing. You know, Nixon v. Kennedy.

0:45:39.880 --> 0:45:42.759
<v Speaker 7>You know Kennedy was younger, more attractive and willing to

0:45:42.920 --> 0:45:45.360
<v Speaker 7>wear makeup during the debate. You know, like it's the

0:45:45.560 --> 0:45:48.239
<v Speaker 7>he's the easier, the easier guy to market. He's the

0:45:48.520 --> 0:45:52.040
<v Speaker 7>marketing is this is America, and I love I don't

0:45:52.080 --> 0:45:55.160
<v Speaker 7>want to sell citical, but marketing is everything and everything

0:45:55.280 --> 0:45:56.160
<v Speaker 7>you know is a lie.

0:45:58.640 --> 0:45:58.960
<v Speaker 3>Okay.

0:46:00.280 --> 0:46:02.560
<v Speaker 7>I hope you hope you enjoy it. I hope you're

0:46:02.600 --> 0:46:07.040
<v Speaker 7>enjoying your afternoon. Hey, Rick, You're my dream.

0:46:06.880 --> 0:46:19.440
<v Speaker 3>Comes to man? Knock about the Box? Was Neighbors? Your

0:46:19.480 --> 0:46:22.239
<v Speaker 3>first movie? Was that your first time? Yeah? Yeah, that

0:46:22.320 --> 0:46:24.360
<v Speaker 3>was my first movie. Okay, how did that come about?

0:46:24.760 --> 0:46:26.799
<v Speaker 3>I had a meeting with.

0:46:27.719 --> 0:46:31.680
<v Speaker 7>Point Gray, with Seth and Evans Company, and then I

0:46:31.800 --> 0:46:34.160
<v Speaker 7>did an audition and it was the first audition I

0:46:34.200 --> 0:46:38.480
<v Speaker 7>didn't walk out of you walk out about this? I

0:46:39.160 --> 0:46:41.319
<v Speaker 7>haven't auditioned well. But I don't like them. I don't

0:46:41.400 --> 0:46:43.040
<v Speaker 7>like the room. I don't like what it is.

0:46:43.560 --> 0:46:48.040
<v Speaker 3>So for someone, what did you walk away from it

0:46:48.080 --> 0:46:49.080
<v Speaker 3>and can go into?

0:46:49.360 --> 0:46:52.279
<v Speaker 7>You go into a room, you put your name on

0:46:52.360 --> 0:46:54.879
<v Speaker 7>a piece of paper, You sit down. There are other

0:46:54.960 --> 0:46:57.440
<v Speaker 7>people that are going out for this part. So usually

0:46:57.760 --> 0:47:01.640
<v Speaker 7>it's either people wearing similar outfit or people that look alike.

0:47:02.160 --> 0:47:05.600
<v Speaker 7>In one room you go in. You know, you stand

0:47:05.719 --> 0:47:09.880
<v Speaker 7>in a room with another person, You read lines, You

0:47:10.000 --> 0:47:12.520
<v Speaker 7>try and do a good read. They record you on

0:47:13.239 --> 0:47:19.440
<v Speaker 7>a video camera from like two thousand and three. You know,

0:47:19.520 --> 0:47:22.800
<v Speaker 7>you leave the room. You never hear from them again. Typically,

0:47:22.840 --> 0:47:26.399
<v Speaker 7>it's what an audition is me. I go to the room,

0:47:27.040 --> 0:47:29.319
<v Speaker 7>sign my name on a piece of paper, sit down,

0:47:30.040 --> 0:47:32.960
<v Speaker 7>look to my left, look to my right, stand up,

0:47:33.480 --> 0:47:37.279
<v Speaker 7>mark my name offset piece of paper, go.

0:47:38.760 --> 0:47:40.759
<v Speaker 3>What would get somebody? Why would you walk out?

0:47:41.040 --> 0:47:42.680
<v Speaker 7>It's like, well, what am I doing here? I don't

0:47:42.800 --> 0:47:44.759
<v Speaker 7>like It's like, am I what am I contributed to

0:47:44.880 --> 0:47:48.120
<v Speaker 7>this project? What is it contributing to me? We're lying

0:47:48.160 --> 0:47:51.279
<v Speaker 7>to each other that you don't have any use for

0:47:51.400 --> 0:47:51.759
<v Speaker 7>each other?

0:47:52.680 --> 0:47:54.759
<v Speaker 6>What are other garis that are sitting in the weight room?

0:47:54.840 --> 0:47:57.080
<v Speaker 7>Yeah, and those guys deserve it. They were nicely, they

0:47:57.120 --> 0:47:59.920
<v Speaker 7>got better smiles. That like they've been working out.

0:48:02.600 --> 0:48:02.919
<v Speaker 3>Is great.

0:48:03.080 --> 0:48:03.560
<v Speaker 7>They give it.

0:48:03.640 --> 0:48:08.480
<v Speaker 3>The other Gerards are killing it. Those dudes, they really

0:48:08.719 --> 0:48:14.160
<v Speaker 3>got it. They are nailing it. No, not for nothing.

0:48:14.280 --> 0:48:16.120
<v Speaker 3>I feel as though you are.

0:48:18.400 --> 0:48:21.839
<v Speaker 1>Uh seconds away from your I'm ready for my close

0:48:21.920 --> 0:48:22.319
<v Speaker 1>up moment.

0:48:23.040 --> 0:48:28.120
<v Speaker 3>But but do you do you want to play that game?

0:48:28.800 --> 0:48:31.040
<v Speaker 7>I have to write it, I have to create the

0:48:31.600 --> 0:48:33.880
<v Speaker 7>thing is like one of the movies I'm working on

0:48:34.120 --> 0:48:37.560
<v Speaker 7>is technically a bigger comedy, and it's a it's a

0:48:37.640 --> 0:48:40.160
<v Speaker 7>concept that that I came up with like a couple

0:48:40.200 --> 0:48:44.800
<v Speaker 7>of years ago, and it's a bigger comedy. You know,

0:48:44.920 --> 0:48:48.600
<v Speaker 7>bigger comedies typically aren't that good, you know, like they

0:48:48.680 --> 0:48:50.880
<v Speaker 7>really aren't the fun. The same thing with like a

0:48:50.960 --> 0:48:53.600
<v Speaker 7>multi camera, same thing with anything is to bring some

0:48:53.719 --> 0:48:59.719
<v Speaker 7>type of perspective or thoughtfulness into the whatever we're doing.

0:48:59.800 --> 0:49:00.880
<v Speaker 3>So I think you can do.

0:49:01.239 --> 0:49:05.640
<v Speaker 7>I think a huge action movie can be good, you know,

0:49:05.840 --> 0:49:08.360
<v Speaker 7>and like have like some type of thought behind it.

0:49:08.440 --> 0:49:11.200
<v Speaker 7>I think Beverly Hills Cop is great, you know, But

0:49:11.320 --> 0:49:15.680
<v Speaker 7>it's just my goal is just to avoid, you know,

0:49:15.960 --> 0:49:20.759
<v Speaker 7>the the mindless and avoid the the horrible version of it,

0:49:21.239 --> 0:49:23.919
<v Speaker 7>you know, because there's a horrible version of Indie. There's

0:49:23.960 --> 0:49:27.880
<v Speaker 7>a horrible version of you know, everybody. Everything that is

0:49:28.040 --> 0:49:31.480
<v Speaker 7>a bit underground isn't good, you know, like, but it's

0:49:32.080 --> 0:49:33.600
<v Speaker 7>you're just trying to do the good version of it.

0:49:33.719 --> 0:49:35.680
<v Speaker 7>So that's what's fun is seeing if we can try

0:49:35.719 --> 0:49:36.560
<v Speaker 7>and do a good version.

0:49:37.200 --> 0:49:40.640
<v Speaker 3>Are you developing the movie ideas that you would like

0:49:40.760 --> 0:49:43.440
<v Speaker 3>to star in yourself? That year?

0:49:44.000 --> 0:49:49.160
<v Speaker 7>There's one I'm right and now that that I'll probably

0:49:49.200 --> 0:49:53.040
<v Speaker 7>start in. I didn't want to star in it. I

0:49:53.160 --> 0:49:55.360
<v Speaker 7>wrote it and I was really hoping Jim Carrey was

0:49:55.400 --> 0:49:58.640
<v Speaker 7>gonna do it. But before before writing, I partner with

0:49:58.719 --> 0:50:02.400
<v Speaker 7>these guys Colin Mario, who wrote the bulk of the script,

0:50:02.480 --> 0:50:05.640
<v Speaker 7>and I had the concept uh and uh I wanted

0:50:05.680 --> 0:50:08.120
<v Speaker 7>Jim Carrey for But then it's like, yeah, you should,

0:50:08.280 --> 0:50:10.520
<v Speaker 7>you should just do it. It's still not too late

0:50:10.760 --> 0:50:12.720
<v Speaker 7>until it's recorded. To Jim Carret stuff.

0:50:13.760 --> 0:50:16.160
<v Speaker 3>Part of me feels like you're like the reluctant.

0:50:17.200 --> 0:50:20.800
<v Speaker 1>Celebrity Is it that you've seen other people try to

0:50:20.800 --> 0:50:22.280
<v Speaker 1>cross the street and get run over.

0:50:22.560 --> 0:50:25.080
<v Speaker 7>Or celebrity is or you know, all the money is

0:50:25.120 --> 0:50:28.520
<v Speaker 7>behind the camera, And well, yeah, I care about behind

0:50:28.560 --> 0:50:30.719
<v Speaker 7>the camera a lot because I know that a lot

0:50:30.800 --> 0:50:33.480
<v Speaker 7>of things that we see are all producers mediums and

0:50:33.560 --> 0:50:37.040
<v Speaker 7>producers visions, and like being a producer is the it's

0:50:37.120 --> 0:50:42.000
<v Speaker 7>my favorite role. Celebrity is like like in itself is

0:50:42.120 --> 0:50:45.160
<v Speaker 7>kind of cheap. Like I care about making stuff. I

0:50:45.320 --> 0:50:47.920
<v Speaker 7>like making things, and if any type of notoriety is

0:50:47.960 --> 0:50:50.000
<v Speaker 7>a byproduct, that's sure, but that's how I.

0:50:50.040 --> 0:50:50.400
<v Speaker 3>Think of it.

0:50:50.520 --> 0:50:53.239
<v Speaker 7>I'm usually not even out, so I don't even know,

0:50:54.200 --> 0:50:56.320
<v Speaker 7>you know, like the the like any type of fame

0:50:56.480 --> 0:50:59.480
<v Speaker 7>or just to have my face on something just seems empty,

0:51:00.040 --> 0:51:02.280
<v Speaker 7>you know, just to be in something just seems empty.

0:51:02.680 --> 0:51:06.799
<v Speaker 7>I just wanted to be good, So it's the reluctance

0:51:07.000 --> 0:51:10.800
<v Speaker 7>is for quality, for quality sake. I'm just kind of

0:51:10.880 --> 0:51:12.719
<v Speaker 7>hesitant because I just want to be in stuff that

0:51:12.800 --> 0:51:15.240
<v Speaker 7>seems challenging. And fun or interesting.

0:51:15.440 --> 0:51:20.080
<v Speaker 5>I forgot who the comedian was that they mentioned the package,

0:51:20.160 --> 0:51:21.440
<v Speaker 5>and I don't know if this is something we talked

0:51:21.440 --> 0:51:23.799
<v Speaker 5>about the show You with Chris or somebody, but they

0:51:23.840 --> 0:51:25.480
<v Speaker 5>talk about the package where they say, all right, you're

0:51:25.480 --> 0:51:28.040
<v Speaker 5>gonna in your stand up career at some point you're

0:51:28.080 --> 0:51:30.040
<v Speaker 5>gonna get the package where they say, you know, you're

0:51:30.080 --> 0:51:32.799
<v Speaker 5>gonna get the TV show and then the movie did and.

0:51:33.320 --> 0:51:36.520
<v Speaker 7>The book and book and and then and you know,

0:51:36.600 --> 0:51:40.279
<v Speaker 7>you get a record deal offer, Hold on, can I

0:51:40.360 --> 0:51:44.480
<v Speaker 7>produce this singing record? I would come on, man, hey, hey,

0:51:44.760 --> 0:51:46.319
<v Speaker 7>if you could do, I just want you to do.

0:51:48.200 --> 0:51:48.719
<v Speaker 3>Every now and then.

0:51:48.800 --> 0:51:53.680
<v Speaker 7>I actually I say my first version of hearing a

0:51:54.400 --> 0:51:58.480
<v Speaker 7>really love the the Angelo record had you want to saying.

0:51:58.400 --> 0:52:01.719
<v Speaker 3>This is a quest Love exclusive and I did it

0:52:01.760 --> 0:52:01.960
<v Speaker 3>for me.

0:52:02.239 --> 0:52:04.279
<v Speaker 7>Yeah and so and that's like, yeah, so if you

0:52:04.400 --> 0:52:08.000
<v Speaker 7>just say that over whatever record me singing off key

0:52:08.040 --> 0:52:13.279
<v Speaker 7>in the background, this is yeah.

0:52:14.560 --> 0:52:17.920
<v Speaker 3>I had that traumatized me. That was I've never heard that.

0:52:18.239 --> 0:52:20.239
<v Speaker 7>That was the earl having That was the That was

0:52:20.320 --> 0:52:23.200
<v Speaker 7>like the first you actually felt like you were you

0:52:23.440 --> 0:52:24.480
<v Speaker 7>had something Illgalah.

0:52:25.239 --> 0:52:27.600
<v Speaker 3>So you didn't just leak it. You actually said this

0:52:27.800 --> 0:52:30.759
<v Speaker 3>is a quest Lex played on the radio, didn't you, I.

0:52:31.760 --> 0:52:35.160
<v Speaker 1>Know, not only played it on the radio, said that

0:52:35.640 --> 0:52:40.080
<v Speaker 1>wait cut to holy crap, cut to cut you. A

0:52:40.280 --> 0:52:45.160
<v Speaker 1>night in Virginia, A night in uh Richmond, Virginia after

0:52:45.360 --> 0:52:49.200
<v Speaker 1>roots show. Me and de ain't talked about talking over

0:52:49.239 --> 0:52:52.200
<v Speaker 1>a year, and I guess he just got words. This

0:52:52.239 --> 0:52:56.520
<v Speaker 1>ship came out and Steve car I'm at a DJ gig.

0:52:56.600 --> 0:52:59.520
<v Speaker 1>He's like, look, you like warm me to run?

0:52:59.640 --> 0:53:02.480
<v Speaker 3>Right? I just remember how it went. I was like,

0:53:02.719 --> 0:53:05.000
<v Speaker 3>but I did warn you. You're like, look, I know

0:53:05.120 --> 0:53:08.920
<v Speaker 3>you don't know this, but looking for you?

0:53:09.080 --> 0:53:09.719
<v Speaker 9>And what do.

0:53:12.280 --> 0:53:20.400
<v Speaker 3>Yeah, Deani's cousins looking for you, so just run. They

0:53:20.480 --> 0:53:22.400
<v Speaker 3>must have called me looking for you and they're like

0:53:22.800 --> 0:53:23.840
<v Speaker 3>what club you know?

0:53:24.000 --> 0:53:24.360
<v Speaker 6>They was?

0:53:25.480 --> 0:53:31.360
<v Speaker 1>It was like, mister big, when did this happened? I

0:53:31.440 --> 0:53:34.080
<v Speaker 1>was like two thousand and five. We were still worn

0:53:34.160 --> 0:53:37.680
<v Speaker 1>with each other's Lariosyah. I really, you know, as much

0:53:37.680 --> 0:53:40.200
<v Speaker 1>as like I like to claim being fast forward with

0:53:40.280 --> 0:53:43.360
<v Speaker 1>the Internet, that's one aspect I really didn't know.

0:53:43.440 --> 0:53:46.239
<v Speaker 3>I didn't know, Like you know, in my mind I

0:53:46.320 --> 0:53:47.560
<v Speaker 3>was I was in Australia.

0:53:47.600 --> 0:53:51.799
<v Speaker 1>I was in Perth at an underground bunker college station,

0:53:52.280 --> 0:53:54.800
<v Speaker 1>like four in the morning with like, and I was

0:53:54.880 --> 0:53:57.040
<v Speaker 1>just like, you know, I was feeling myself. I was like, well, yeah,

0:53:57.080 --> 0:54:00.200
<v Speaker 1>you want to hear it, And I'm thinking, like, I'm

0:54:00.239 --> 0:54:04.200
<v Speaker 1>just on some local college radio show things. Really I'm

0:54:04.239 --> 0:54:06.439
<v Speaker 1>in Perth. Perth is like the loneliest place on Earth.

0:54:06.920 --> 0:54:09.799
<v Speaker 1>I didn't realize. And then like three months later someone

0:54:09.880 --> 0:54:11.120
<v Speaker 1>realized what they were listening to.

0:54:11.239 --> 0:54:11.759
<v Speaker 7>And just.

0:54:13.520 --> 0:54:17.399
<v Speaker 3>Destroyed my life. Oh but yeah, I mean four years

0:54:17.480 --> 0:54:18.239
<v Speaker 3>later we made up.

0:54:18.640 --> 0:54:21.440
<v Speaker 2>Man, But if I knew you said this is a

0:54:21.560 --> 0:54:24.279
<v Speaker 2>Quest Love exclusive, I would have told his cousins where

0:54:24.320 --> 0:54:24.600
<v Speaker 2>you were.

0:54:24.800 --> 0:54:31.200
<v Speaker 3>That's wow, motherfucker. I was on local races.

0:54:33.280 --> 0:54:36.239
<v Speaker 1>I realized that, you know, internet radio. I don't listen

0:54:36.239 --> 0:54:38.120
<v Speaker 1>to my radio on the computer back then.

0:54:38.320 --> 0:54:42.000
<v Speaker 3>Yeah that so did somebody recorded or something like that.

0:54:42.200 --> 0:54:46.359
<v Speaker 3>Somebody And that's what people live with for like six years.

0:54:46.440 --> 0:54:49.200
<v Speaker 7>But it but it really set this tone for how

0:54:49.880 --> 0:54:52.600
<v Speaker 7>even when it came out years later on the album,

0:54:53.280 --> 0:54:55.279
<v Speaker 7>it set the tone for how I heard the.

0:54:55.719 --> 0:54:59.480
<v Speaker 3>It really did feel like Park was missing.

0:54:59.560 --> 0:55:01.719
<v Speaker 7>You want to well, no, it's just when you you

0:55:01.880 --> 0:55:04.480
<v Speaker 7>saying it, you felt like I really got some exclusive

0:55:04.480 --> 0:55:08.200
<v Speaker 7>ship here. But it really it feels like how Frank

0:55:08.280 --> 0:55:09.800
<v Speaker 7>Lucas did Heroin deals.

0:55:10.040 --> 0:55:13.319
<v Speaker 3>It was like, hey, man, this is yeah, I guaran

0:55:13.480 --> 0:55:13.759
<v Speaker 3>see it.

0:55:13.880 --> 0:55:18.200
<v Speaker 7>They know that, like because I just pictured you just

0:55:18.360 --> 0:55:20.160
<v Speaker 7>in a basement, like I could just see what.

0:55:21.239 --> 0:55:23.520
<v Speaker 3>Did you put the echo on? An exclusive? Exclusive?

0:55:24.920 --> 0:55:27.319
<v Speaker 7>It really felt like it really felt like he could

0:55:27.360 --> 0:55:29.440
<v Speaker 7>get killed for like you felt it in.

0:55:29.480 --> 0:55:35.840
<v Speaker 3>His he was almost bacon, almost bacon. That's how you

0:55:35.920 --> 0:55:48.759
<v Speaker 3>dropped a joke. It's only a joke. We get yeah, man,

0:55:49.200 --> 0:55:53.160
<v Speaker 3>so what what I know? This is weird?

0:55:53.239 --> 0:55:58.400
<v Speaker 5>But what other comedians do you check for or should

0:55:58.440 --> 0:56:01.520
<v Speaker 5>we check for that? We don't mean, you know, Jamar,

0:56:01.760 --> 0:56:05.560
<v Speaker 5>that's number one. Very few people make me laugh like him.

0:56:05.760 --> 0:56:08.560
<v Speaker 3>What's he doing? Not what's he doing now? But is

0:56:08.640 --> 0:56:12.120
<v Speaker 3>he planning on entering?

0:56:12.160 --> 0:56:15.879
<v Speaker 1>Because he's such he's like sun riding me. Like it's

0:56:15.960 --> 0:56:20.880
<v Speaker 1>just a very avant garde jazz guy that only he

0:56:21.520 --> 0:56:27.440
<v Speaker 1>has two other records. One record in which no one

0:56:28.080 --> 0:56:32.400
<v Speaker 1>likes his jokes, like it's just you hear the groans

0:56:32.400 --> 0:56:33.400
<v Speaker 1>in the audience.

0:56:33.080 --> 0:56:34.920
<v Speaker 3>And he's like I don't I don't care. But then

0:56:34.960 --> 0:56:36.239
<v Speaker 3>the other one where they're laughing.

0:56:36.320 --> 0:56:39.200
<v Speaker 1>I'm like, wait, why would he release both records of

0:56:39.280 --> 0:56:43.080
<v Speaker 1>the same material with an audience feeling and an audience

0:56:43.480 --> 0:56:43.880
<v Speaker 1>feeling it.

0:56:44.040 --> 0:56:47.480
<v Speaker 3>It's just he is. He is brilliant to it. He

0:56:47.640 --> 0:56:50.280
<v Speaker 3>really is just like a brilliant It's like Andy Kaufman.

0:56:50.520 --> 0:56:53.839
<v Speaker 7>Yeah, and he's he's gonna do a special I think

0:56:54.160 --> 0:56:56.160
<v Speaker 7>uh at some point when we were talking about it

0:56:56.200 --> 0:57:00.759
<v Speaker 7>the other night. Uh So hopefully soon because I am

0:57:00.880 --> 0:57:04.600
<v Speaker 7>excited for his He he hasn't really jumped in yet,

0:57:04.960 --> 0:57:08.480
<v Speaker 7>you know, like the album Naked is such a you know,

0:57:08.640 --> 0:57:10.560
<v Speaker 7>Neil knows about a few people know about it, and

0:57:10.560 --> 0:57:12.920
<v Speaker 7>the people that know, you know, love it. But I

0:57:12.960 --> 0:57:15.279
<v Speaker 7>think he's gonna jump in really soon. So he's a guy,

0:57:16.000 --> 0:57:19.680
<v Speaker 7>uh that I'm excited about. He's he's always on the show.

0:57:20.040 --> 0:57:23.920
<v Speaker 7>He's on my show. He just makes random appearances every season.

0:57:23.960 --> 0:57:26.480
<v Speaker 7>We just find a way for Jamar to just like

0:57:26.640 --> 0:57:28.200
<v Speaker 7>appear in a hallway or.

0:57:29.840 --> 0:57:30.400
<v Speaker 3>Just the thing.

0:57:32.000 --> 0:57:35.160
<v Speaker 7>And who else. There's this guy out of Chicago. He

0:57:35.240 --> 0:57:37.840
<v Speaker 7>lives in New York now. He writes on snl uh

0:57:39.040 --> 0:57:43.280
<v Speaker 7>so also checks from Comcast Drew Michael, who I think

0:57:43.400 --> 0:57:47.160
<v Speaker 7>is is absolutely brilliant. Like he he's a guy that

0:57:47.360 --> 0:57:50.960
<v Speaker 7>just like you know, between him and Jamar, those are

0:57:51.000 --> 0:57:54.800
<v Speaker 7>the guys I would say check for in the new.

0:57:54.800 --> 0:57:57.560
<v Speaker 3>Joint, the eight the latest latest special.

0:57:59.440 --> 0:58:02.480
<v Speaker 5>I saw, well, my experience with it was was different

0:58:02.640 --> 0:58:05.800
<v Speaker 5>because I just saw it first and then I saw

0:58:06.600 --> 0:58:08.920
<v Speaker 5>the I forgot what that write up was, what it

0:58:09.040 --> 0:58:10.960
<v Speaker 5>was in where the critic was there and he was

0:58:11.040 --> 0:58:12.120
<v Speaker 5>just like, yo, this was odd.

0:58:12.360 --> 0:58:14.560
<v Speaker 3>It was live. Yeah, I can't remember what it was,

0:58:14.960 --> 0:58:17.400
<v Speaker 3>but but you say that you wanted the first one.

0:58:17.440 --> 0:58:19.720
<v Speaker 3>Loved the store. It felt more like a documentary to me.

0:58:19.920 --> 0:58:22.800
<v Speaker 5>Eight felt like a documentary like that was just the

0:58:22.880 --> 0:58:25.240
<v Speaker 5>way it was shot and like some of the shots

0:58:25.360 --> 0:58:27.000
<v Speaker 5>it was just really close on you and those real

0:58:27.080 --> 0:58:27.720
<v Speaker 5>long pauses.

0:58:28.440 --> 0:58:31.240
<v Speaker 3>That was just something man. Again, that took a lot

0:58:31.320 --> 0:58:33.200
<v Speaker 3>of balls, like to do. Yeah, oh thank you.

0:58:34.320 --> 0:58:38.160
<v Speaker 7>Bo Burnham and Bo and I were just we based

0:58:38.200 --> 0:58:41.240
<v Speaker 7>it off like concert for like we based it off

0:58:41.480 --> 0:58:45.680
<v Speaker 7>of It had to be personal and vulnerable. That was

0:58:45.760 --> 0:58:48.320
<v Speaker 7>the goal because like you know, for me, that was

0:58:48.520 --> 0:58:52.280
<v Speaker 7>just a thing that I love about, like comedy, like

0:58:52.360 --> 0:58:55.560
<v Speaker 7>in humor, you know, just as a concept, just the

0:58:55.640 --> 0:58:56.560
<v Speaker 7>vulnerability of it.

0:58:56.800 --> 0:58:58.240
<v Speaker 3>We really just wanted to focus on that.

0:58:58.560 --> 0:59:01.120
<v Speaker 7>It was the crowd like they were that yeah, yeah,

0:59:01.840 --> 0:59:04.880
<v Speaker 7>we get caught like and again it was tait. It

0:59:05.040 --> 0:59:07.760
<v Speaker 7>was for the experience of you being in your homes

0:59:07.880 --> 0:59:10.320
<v Speaker 7>watching it and seeing the vulner It was for those

0:59:10.600 --> 0:59:14.840
<v Speaker 7>those really tight moments, the silence, the you know, the

0:59:14.960 --> 0:59:16.920
<v Speaker 7>emotion of it. It was like just trying to lean

0:59:17.000 --> 0:59:21.960
<v Speaker 7>into emotion over over everything. When we watched concert footage.

0:59:22.000 --> 0:59:25.040
<v Speaker 7>We watched I mean everything. We we like, you know, movies,

0:59:25.240 --> 0:59:30.000
<v Speaker 7>you know, Sergio Leone type shots and and uh out.

0:59:30.720 --> 0:59:35.760
<v Speaker 7>It was inspired by like this Marvin Gaye album Vulnerable. Yeah,

0:59:35.840 --> 0:59:38.760
<v Speaker 7>that and the working title was called Vulnerable, and I

0:59:38.840 --> 0:59:41.080
<v Speaker 7>would kind of listen to that, and like a lot

0:59:41.120 --> 0:59:44.320
<v Speaker 7>of concepts came while listening to that, and like, uh,

0:59:45.400 --> 0:59:49.040
<v Speaker 7>you know, even just performance was more. There's this Edda

0:59:49.160 --> 0:59:54.160
<v Speaker 7>James live and montro where she sings I'd Rather Be Blind, Yeah,

0:59:54.280 --> 1:00:00.320
<v Speaker 7>and that is my single favorite live performance that that

1:00:00.400 --> 1:00:04.760
<v Speaker 7>I've ever seen, Like just it's so raw and emotional

1:00:04.920 --> 1:00:07.439
<v Speaker 7>and you know, and the faces there and she's making

1:00:07.560 --> 1:00:11.000
<v Speaker 7>expressions and it's weird and it's personal. And that was

1:00:11.280 --> 1:00:14.000
<v Speaker 7>the intention behind eight. Was just this really personal thing

1:00:14.080 --> 1:00:16.480
<v Speaker 7>that just felt like a conversation that just felt.

1:00:16.960 --> 1:00:19.440
<v Speaker 3>True to you know, who I was. What was it

1:00:19.520 --> 1:00:21.600
<v Speaker 3>like to do it in the round. It's really fun.

1:00:21.640 --> 1:00:23.360
<v Speaker 3>I've never seen a comedy thing in a round.

1:00:23.920 --> 1:00:26.320
<v Speaker 7>I have limited experience with it too. It just that

1:00:26.720 --> 1:00:29.560
<v Speaker 7>that also made me feel really vulnerable because people are

1:00:29.600 --> 1:00:33.000
<v Speaker 7>all around around and you're surrounded, Yeah, you're and so

1:00:33.280 --> 1:00:36.880
<v Speaker 7>to lend itself. So I only did two performances in

1:00:36.920 --> 1:00:40.400
<v Speaker 7>the round around La just to before doing the round,

1:00:40.520 --> 1:00:42.760
<v Speaker 7>and then just went for it. And it just something

1:00:42.800 --> 1:00:45.840
<v Speaker 7>about it felt right, It felt natural, It seemed to

1:00:45.920 --> 1:00:48.840
<v Speaker 7>fit with you know, where the material was and where I.

1:00:48.960 --> 1:00:51.840
<v Speaker 6>Was natural turn, did you have to remind yourself?

1:00:51.880 --> 1:00:54.400
<v Speaker 7>I naturally kind of pace around, like I kind of

1:00:54.520 --> 1:00:57.240
<v Speaker 7>naturally like I'll have a lot of times that it's

1:00:57.280 --> 1:00:59.920
<v Speaker 7>a song in my head and a lot of time

1:01:00.240 --> 1:01:04.200
<v Speaker 7>I'm dancing and and it's weird. I'm kind of stepping

1:01:04.280 --> 1:01:07.520
<v Speaker 7>around and even like if a song is strong enough,

1:01:08.240 --> 1:01:11.360
<v Speaker 7>I'll I'm kind of saying things to the rhythm of it,

1:01:12.240 --> 1:01:16.439
<v Speaker 7>like on stage, like there's certain like you hold certain

1:01:16.520 --> 1:01:19.720
<v Speaker 7>words and you're trying to match patterns, your patterns and

1:01:19.800 --> 1:01:23.360
<v Speaker 7>stuff like that. So you know, I always move, you know,

1:01:23.440 --> 1:01:25.880
<v Speaker 7>I always move, Like the the default song would be

1:01:25.960 --> 1:01:28.280
<v Speaker 7>like take five, like brew Beck's Take five. It's kind

1:01:28.320 --> 1:01:32.120
<v Speaker 7>of constantly just because the movement is such a dance.

1:01:32.760 --> 1:01:38.360
<v Speaker 7>So you like this and pause and say that yeah, like, yeah,

1:01:38.440 --> 1:01:40.600
<v Speaker 7>it's like kind of a little bit, but only specific

1:01:41.360 --> 1:01:42.920
<v Speaker 7>little I'm not doing the whole thing.

1:01:42.960 --> 1:01:47.080
<v Speaker 3>It's not just singing or so. But that's your polarizing trick.

1:01:47.760 --> 1:01:49.560
<v Speaker 3>I get it. Chappelle.

1:01:49.760 --> 1:01:53.880
<v Speaker 1>Do you know about Chapelle's polarizing chick? He yeah, Well,

1:01:54.120 --> 1:01:57.720
<v Speaker 1>if when you see him perform, you'll see, uh, he'll

1:01:57.720 --> 1:02:01.360
<v Speaker 1>put a cigarette in his mouth, not light it, let

1:02:01.400 --> 1:02:05.280
<v Speaker 1>it dangle. He'll grab a cup, put it to his

1:02:05.960 --> 1:02:09.280
<v Speaker 1>not drink it, and then he'll wake you up, always

1:02:09.320 --> 1:02:10.680
<v Speaker 1>by hitting his thigh.

1:02:11.320 --> 1:02:14.360
<v Speaker 3>Yeah, like he'll laugh, do the thing on this thigh. Yeah.

1:02:14.800 --> 1:02:18.280
<v Speaker 1>All of that is hypnosis thing that he learned in

1:02:18.520 --> 1:02:22.720
<v Speaker 1>uh communication class, which is like there's a way to

1:02:22.880 --> 1:02:25.720
<v Speaker 1>hypnotize the audience to always pay attention to.

1:02:25.880 --> 1:02:28.200
<v Speaker 3>Rational mind decreases and the emotional mind.

1:02:28.560 --> 1:02:30.959
<v Speaker 7>Yes, because you want him to drink like your mind

1:02:31.040 --> 1:02:33.720
<v Speaker 7>then immediately goes well, like you know what the next

1:02:33.760 --> 1:02:36.400
<v Speaker 7>step is and it's a disruption of that step and yeah, yeah,

1:02:36.840 --> 1:02:37.840
<v Speaker 7>exactly mine.

1:02:38.000 --> 1:02:38.200
<v Speaker 3>Yeah.

1:02:38.640 --> 1:02:43.880
<v Speaker 7>Rhythm like jazz is of influence, Like Chris is repeating.

1:02:44.320 --> 1:02:48.320
<v Speaker 7>Chris repeats, he sets up, he repeats. Yeah, especially the

1:02:48.400 --> 1:02:50.640
<v Speaker 7>prim the premise is going to be very clear to

1:02:50.720 --> 1:02:53.760
<v Speaker 7>you by the time he does the punch for Chris

1:02:54.040 --> 1:02:58.160
<v Speaker 7>because of the yeah, the repeating yeah, yeah, it's rhythm.

1:02:58.920 --> 1:03:00.560
<v Speaker 3>So who teaches? Who's your teacher?

1:03:00.560 --> 1:03:06.000
<v Speaker 1>As far as like is it just uh work working

1:03:06.120 --> 1:03:09.160
<v Speaker 1>out and and uh kind of taking notes or is

1:03:09.200 --> 1:03:13.800
<v Speaker 1>it who's your teacher? As far as like letting you know,

1:03:14.040 --> 1:03:17.120
<v Speaker 1>like how far to go with your joke and your

1:03:17.200 --> 1:03:18.520
<v Speaker 1>patterns and those.

1:03:19.320 --> 1:03:20.280
<v Speaker 3>I kind of just figured.

1:03:20.280 --> 1:03:23.840
<v Speaker 7>I mean, I mean there's influence from I love rhythm,

1:03:23.960 --> 1:03:27.720
<v Speaker 7>So every you know Cosby if you can say you

1:03:27.800 --> 1:03:33.520
<v Speaker 7>know Cosby. Yeah, Jack Parr had this really good speaking

1:03:33.600 --> 1:03:36.400
<v Speaker 7>voice and like rhythm to his voice, and and Jack

1:03:36.480 --> 1:03:40.439
<v Speaker 7>Benny and b Arthur and you know, uh the way

1:03:40.600 --> 1:03:43.320
<v Speaker 7>I will watch James Baltwood speed Like even as a

1:03:43.360 --> 1:03:45.880
<v Speaker 7>kid in Malcolm Xspek, I watch a lot of and

1:03:46.000 --> 1:03:48.600
<v Speaker 7>would listen to a lot of speeches. I like speaking

1:03:48.720 --> 1:03:51.360
<v Speaker 7>in people's voices and the ebb and flow of that.

1:03:51.720 --> 1:03:54.960
<v Speaker 3>So you as it's about the quote, it's mostly the voice.

1:03:56.520 --> 1:03:59.560
<v Speaker 7>It's yeah, the voice. Yeah, it's it's like finding it.

1:03:59.640 --> 1:04:02.440
<v Speaker 1>And I didn't know that because yeah, Dave said that.

1:04:02.720 --> 1:04:06.360
<v Speaker 1>He's like, well, you know he took on mail blinks. Yeah,

1:04:07.840 --> 1:04:10.160
<v Speaker 1>He's like I took on Mail Blink's voice and you

1:04:10.280 --> 1:04:13.240
<v Speaker 1>can say anything in mail Blink's voice.

1:04:13.360 --> 1:04:16.560
<v Speaker 3>It's going to be funny, yes, which I didn't even

1:04:16.600 --> 1:04:17.480
<v Speaker 3>think of that at the time.

1:04:17.600 --> 1:04:21.920
<v Speaker 1>So the voice, the Jack Parr just is this your

1:04:22.000 --> 1:04:24.720
<v Speaker 1>definitive voice, Like Chris Rock had two voices if you remember,

1:04:24.840 --> 1:04:28.240
<v Speaker 1>like Born Suspect. Yeah, he didn't quite find his thing,

1:04:28.240 --> 1:04:29.880
<v Speaker 1>and then he found the preacher voice and then that

1:04:30.080 --> 1:04:30.840
<v Speaker 1>became his lock.

1:04:31.000 --> 1:04:32.600
<v Speaker 3>So yeah, it's it.

1:04:33.720 --> 1:04:37.160
<v Speaker 7>What changes for me is rhythm, like my it's my voice, like,

1:04:37.520 --> 1:04:40.440
<v Speaker 7>but rhythm like that song element of it is what

1:04:40.720 --> 1:04:44.440
<v Speaker 7>changes is like that's why it's you know, the pauses

1:04:44.640 --> 1:04:46.280
<v Speaker 7>and this and that, and I can hear it and

1:04:46.400 --> 1:04:49.440
<v Speaker 7>you can kind of see it, and so that's what

1:04:50.200 --> 1:04:54.080
<v Speaker 7>changes for me. My voice is I have it. It's

1:04:54.240 --> 1:04:58.480
<v Speaker 7>pretty close to you know how I naturally speak on stage.

1:04:58.520 --> 1:05:02.600
<v Speaker 7>I speak clear, I'm like a little jolty in like

1:05:02.920 --> 1:05:05.960
<v Speaker 7>off stage, like right now, because there's always a million

1:05:06.080 --> 1:05:08.480
<v Speaker 7>thoughts on stage is actually paced out more the way.

1:05:09.080 --> 1:05:10.720
<v Speaker 3>Yeah. So the stuff that you did on eight, had

1:05:10.760 --> 1:05:13.560
<v Speaker 3>you tried those jokes out before, had you been working them? Yeah?

1:05:13.600 --> 1:05:15.680
<v Speaker 7>Yeah, I worked I've worked on a lot of that

1:05:16.160 --> 1:05:19.320
<v Speaker 7>some stuff. I mean, it's always something new. Like the

1:05:20.520 --> 1:05:24.120
<v Speaker 7>the opening of it was the night before. I hadn't

1:05:24.160 --> 1:05:24.520
<v Speaker 7>tried it.

1:05:24.760 --> 1:05:26.320
<v Speaker 3>I just it was like the night before.

1:05:27.440 --> 1:05:30.560
<v Speaker 7>But then, Uh, there's a couple of moments and then

1:05:30.640 --> 1:05:33.360
<v Speaker 7>some moments that you just think of in the you know,

1:05:33.520 --> 1:05:35.840
<v Speaker 7>while you're doing it. But most of it was stuff

1:05:35.840 --> 1:05:37.600
<v Speaker 7>that I worked out and thoughts that I wanted to do.

1:05:42.440 --> 1:05:45.200
<v Speaker 5>Take us through the construction of a joke and like

1:05:45.520 --> 1:05:47.720
<v Speaker 5>you know, I mean in English class, you know how

1:05:47.760 --> 1:05:50.200
<v Speaker 5>they would have the we would have the chart where

1:05:50.200 --> 1:05:53.880
<v Speaker 5>it'd be like, okay, exposition riseing action, falling action.

1:05:54.160 --> 1:05:56.400
<v Speaker 3>Yeah, yeah, you know, daynam and all that stuff.

1:05:56.520 --> 1:05:59.840
<v Speaker 5>So like the beats of a joke, like particularly, I

1:06:01.080 --> 1:06:03.280
<v Speaker 5>mean the cereal joke, the one I quote it like,

1:06:04.920 --> 1:06:06.720
<v Speaker 5>walk us through that, Like how did you know that?

1:06:07.720 --> 1:06:09.400
<v Speaker 5>Or did you know that the nigga You'll never have

1:06:09.520 --> 1:06:11.040
<v Speaker 5>cereal line was gonna punch that?

1:06:11.200 --> 1:06:11.880
<v Speaker 3>That was? Yeah?

1:06:11.920 --> 1:06:16.680
<v Speaker 7>That was that was that Uh that I did, like

1:06:16.880 --> 1:06:21.720
<v Speaker 7>that in its full concept from eating cereal with Jamar

1:06:21.720 --> 1:06:23.400
<v Speaker 7>at three in the morning, me and Jamarrow.

1:06:23.600 --> 1:06:23.720
<v Speaker 8>Uh.

1:06:24.040 --> 1:06:26.440
<v Speaker 7>We lived together for a while and we would uh

1:06:27.000 --> 1:06:32.000
<v Speaker 7>and started getting money or whatever. The biggest change was cereal,

1:06:32.480 --> 1:06:35.680
<v Speaker 7>Like we just started buying like we had all the

1:06:35.880 --> 1:06:38.200
<v Speaker 7>cereal in the world and then like it was just

1:06:38.360 --> 1:06:40.520
<v Speaker 7>one one night at three in the morning after a

1:06:40.640 --> 1:06:44.440
<v Speaker 7>trip from Ralph's like like we're like it said down.

1:06:44.560 --> 1:06:47.120
<v Speaker 7>I was just like and I said it as the

1:06:47.360 --> 1:06:49.400
<v Speaker 7>as I said the jokes like that we eat cereal

1:06:49.560 --> 1:06:52.960
<v Speaker 7>like a teacher told us, will never have seen Like

1:06:53.080 --> 1:06:54.880
<v Speaker 7>that's how we like we It was like we were

1:06:54.920 --> 1:06:57.800
<v Speaker 7>trying to prove something in which we were which we were.

1:06:57.880 --> 1:06:59.760
<v Speaker 7>It's the same thing with shoes or whatever you do.

1:07:00.200 --> 1:07:03.479
<v Speaker 7>Is that truth hit me. And a lot of times

1:07:03.760 --> 1:07:05.920
<v Speaker 7>when the truth comes, that's what the joke is like,

1:07:06.080 --> 1:07:08.840
<v Speaker 7>it's like, oh, yet that and everything else is setting

1:07:08.960 --> 1:07:10.400
<v Speaker 7>up and explaining that truth.

1:07:10.480 --> 1:07:11.680
<v Speaker 3>Yes, I was good. Yes, So how do you go

1:07:11.880 --> 1:07:13.479
<v Speaker 3>take it from a truth to a joke?

1:07:13.800 --> 1:07:15.640
<v Speaker 7>Just argue it. It's like a lot of times I

1:07:15.760 --> 1:07:18.040
<v Speaker 7>have a point or fault and I'll just argue it.

1:07:18.080 --> 1:07:20.520
<v Speaker 7>I'll argue it with friends or argue it on stage

1:07:20.880 --> 1:07:23.720
<v Speaker 7>based off the audience's reaction and like the expression I

1:07:23.760 --> 1:07:25.160
<v Speaker 7>was like, oh you still hate it, you still don't

1:07:25.200 --> 1:07:27.840
<v Speaker 7>understand that. I'll keep arguing it and then I'll find

1:07:27.880 --> 1:07:29.600
<v Speaker 7>a way in That's kind of what I'm doing.

1:07:29.640 --> 1:07:31.800
<v Speaker 5>I'm just arguing, yeah, the reserve that I think that

1:07:31.960 --> 1:07:34.600
<v Speaker 5>the reserve joke, the bit where like more people have died.

1:07:35.040 --> 1:07:35.400
<v Speaker 3>What was that?

1:07:35.640 --> 1:07:38.760
<v Speaker 7>That was from a real argument because of it was

1:07:38.880 --> 1:07:40.960
<v Speaker 7>it's a close friend of mine, not little not my

1:07:41.040 --> 1:07:45.720
<v Speaker 7>little brother, but uh, he joined the reserves. I thought

1:07:45.760 --> 1:07:47.480
<v Speaker 7>it made I told him I thought it made him arrogant.

1:07:47.680 --> 1:07:50.680
<v Speaker 7>We were trying to watch Zero Doctory together. Yeah, he

1:07:51.360 --> 1:07:55.520
<v Speaker 7>criticized it. I was I was offended that he had

1:07:55.560 --> 1:07:59.440
<v Speaker 7>the audacity to criticize it, you know.

1:07:59.560 --> 1:08:02.040
<v Speaker 3>Being a and and and those are things that I

1:08:02.080 --> 1:08:06.000
<v Speaker 3>said to him. Who is we nigas?

1:08:06.320 --> 1:08:06.520
<v Speaker 8>Yeah?

1:08:06.880 --> 1:08:08.240
<v Speaker 7>Yeah, it was like we would have never killed in

1:08:08.320 --> 1:08:10.280
<v Speaker 7>line like that. I was like, motherfuck, are you kidding me?

1:08:10.400 --> 1:08:10.680
<v Speaker 3>Right now?

1:08:11.720 --> 1:08:16.160
<v Speaker 5>We the bitch you did about your uh how you

1:08:16.200 --> 1:08:19.639
<v Speaker 5>know we talk about you accountant and being a being

1:08:19.720 --> 1:08:21.679
<v Speaker 5>the first one to make it out is an expense.

1:08:22.080 --> 1:08:25.120
<v Speaker 7>Yeah, talk about that. That was from a conversation. I

1:08:25.800 --> 1:08:29.400
<v Speaker 7>really a lot of the truths that that came. And

1:08:29.479 --> 1:08:31.640
<v Speaker 7>I just text him and told him I had I

1:08:31.760 --> 1:08:35.080
<v Speaker 7>was hanging out with Maverick Carter one night. Uh you know,

1:08:35.600 --> 1:08:39.000
<v Speaker 7>do you know Maverick Maverick Carter is one of the

1:08:39.160 --> 1:08:42.479
<v Speaker 7>coolest guys you gotta meet Maverick Carter. He's he uh

1:08:43.000 --> 1:08:45.680
<v Speaker 7>works with Lebron And it's just this one of the

1:08:45.720 --> 1:08:49.080
<v Speaker 7>most brilliant guys you know, I've ever met. And we

1:08:49.160 --> 1:08:52.360
<v Speaker 7>were talking about and and also from Ohio and you know,

1:08:52.680 --> 1:08:55.880
<v Speaker 7>uh we talked about that experience of growing up and

1:08:55.920 --> 1:08:58.519
<v Speaker 7>stuff like that, and talked about spending habits that needed

1:08:58.560 --> 1:09:01.400
<v Speaker 7>to be curbed once ah, the ability to and so

1:09:01.600 --> 1:09:05.080
<v Speaker 7>it just it all comes from this, really these realizations. Yes,

1:09:05.120 --> 1:09:07.599
<v Speaker 7>I know, I just had to google. I'm just saying, oh,

1:09:07.720 --> 1:09:10.280
<v Speaker 7>you know, yeah, yeah, it's just the coolest I like

1:09:10.360 --> 1:09:12.479
<v Speaker 7>to shout out. You have, you know, certain people that

1:09:12.600 --> 1:09:15.960
<v Speaker 7>make you feel cool to just like say, yeah, Maverick

1:09:16.000 --> 1:09:17.679
<v Speaker 7>Carter is one of those guys you just feel cool

1:09:17.760 --> 1:09:19.360
<v Speaker 7>saying like, you gotta meet Maverick.

1:09:19.720 --> 1:09:23.080
<v Speaker 3>Yes, yeah, he's incredible.

1:09:23.120 --> 1:09:25.599
<v Speaker 5>When was the turning point for you when your family

1:09:25.840 --> 1:09:28.719
<v Speaker 5>or like your people from the crib or whatever, where

1:09:28.880 --> 1:09:31.960
<v Speaker 5>they realize like, oh, Ship, you're really making money.

1:09:32.600 --> 1:09:34.720
<v Speaker 3>Oh god, it's his number. Yeah.

1:09:35.240 --> 1:09:37.080
<v Speaker 7>You know what's funny. I was gonna say, I don't know,

1:09:37.240 --> 1:09:38.080
<v Speaker 7>because I haven't.

1:09:38.520 --> 1:09:42.960
<v Speaker 3>I did change all it.

1:09:43.000 --> 1:09:46.760
<v Speaker 7>Tuk was one one cousin who I don't know as

1:09:46.800 --> 1:09:49.920
<v Speaker 7>a second. Yeah, yeah, that was like immediately, this isn't

1:09:49.920 --> 1:09:50.320
<v Speaker 7>gonna work.

1:09:50.720 --> 1:09:52.599
<v Speaker 3>How do you not how do you not feel?

1:09:54.280 --> 1:09:54.400
<v Speaker 8>Uh?

1:09:55.000 --> 1:10:00.280
<v Speaker 1>The survivors were more syndrome, as in, you know, I

1:10:00.320 --> 1:10:01.840
<v Speaker 1>mean there's two ways to do it. You can either

1:10:02.600 --> 1:10:05.400
<v Speaker 1>alan iverson it and try to take everyone with you,

1:10:05.680 --> 1:10:08.840
<v Speaker 1>but the weight of everyone on your shoulders, you know,

1:10:09.000 --> 1:10:12.120
<v Speaker 1>suddenly like your cousin's your driver and your yeah three

1:10:12.200 --> 1:10:15.120
<v Speaker 1>cousins are you know, or an audience trying to holler

1:10:15.360 --> 1:10:15.840
<v Speaker 1>at someone.

1:10:16.120 --> 1:10:20.080
<v Speaker 7>Yeah, I keep the payroll small, keep it tight. But

1:10:20.200 --> 1:10:23.320
<v Speaker 7>because people they work for things that they're good at.

1:10:23.360 --> 1:10:25.760
<v Speaker 7>If there's a thing that you're good at, you know,

1:10:26.760 --> 1:10:29.320
<v Speaker 7>and it can contribute, then yeah.

1:10:29.240 --> 1:10:30.800
<v Speaker 3>Of course. But I don't.

1:10:30.840 --> 1:10:32.760
<v Speaker 7>I don't have that because you end up hurting people

1:10:32.800 --> 1:10:34.680
<v Speaker 7>more than you than you help them. It really is

1:10:34.760 --> 1:10:38.479
<v Speaker 7>the teach a man to Fish philosophy, where it's like

1:10:38.600 --> 1:10:41.280
<v Speaker 7>you don't want to hurt people. Obviously, sometimes there's immediate

1:10:41.360 --> 1:10:43.800
<v Speaker 7>needs and you hear those and you try and help

1:10:43.880 --> 1:10:47.920
<v Speaker 7>when you can, you know, accordingly of something health wise

1:10:48.080 --> 1:10:51.280
<v Speaker 7>or something really personal that's happened, and but but just

1:10:51.360 --> 1:10:55.080
<v Speaker 7>for the sake of it hurts them, you know, they

1:10:55.120 --> 1:10:57.320
<v Speaker 7>don't really learn anything they don't learn. Yeah, you become

1:10:57.360 --> 1:10:59.400
<v Speaker 7>a crutch and they don't learn anything. They don't try

1:10:59.439 --> 1:11:02.920
<v Speaker 7>and and grow. So I talked, I mean a lot

1:11:02.960 --> 1:11:05.120
<v Speaker 7>of times. The biggest thing you can give is is

1:11:05.680 --> 1:11:08.120
<v Speaker 7>your truth or any type of advice or any type

1:11:08.120 --> 1:11:11.320
<v Speaker 7>of like, uh, you know, help you can give in

1:11:11.439 --> 1:11:14.640
<v Speaker 7>that way, I'm all try and be open to that.

1:11:14.960 --> 1:11:17.920
<v Speaker 7>Do they listen, because I like, I mean, people only

1:11:18.040 --> 1:11:21.320
<v Speaker 7>want me well, people always want to win the lottery.

1:11:22.000 --> 1:11:24.240
<v Speaker 3>Everybody wants to even as a kid.

1:11:24.360 --> 1:11:26.559
<v Speaker 7>Is gonna sound like bullshit, you know, but growing up poor,

1:11:26.680 --> 1:11:29.439
<v Speaker 7>by my biggest fear because my dad played all the time,

1:11:29.479 --> 1:11:31.840
<v Speaker 7>My biggest fear was winning the lottery. It was I

1:11:32.280 --> 1:11:34.800
<v Speaker 7>I was terrified of the thought of it, of the

1:11:34.920 --> 1:11:37.360
<v Speaker 7>thought that we would someday win the lottery, because then

1:11:37.520 --> 1:11:41.360
<v Speaker 7>it takes out the need for me. I was afraid

1:11:41.400 --> 1:11:43.479
<v Speaker 7>of being written out of my own life and the

1:11:44.080 --> 1:11:46.160
<v Speaker 7>need to like drive and figure something out. And I

1:11:46.320 --> 1:11:48.240
<v Speaker 7>was afraid of that because I was like, oh no,

1:11:48.280 --> 1:11:51.320
<v Speaker 7>I want to I make millions. It needs to be

1:11:51.560 --> 1:11:54.400
<v Speaker 7>off of work. I was always terrified of it, even

1:11:54.520 --> 1:11:57.639
<v Speaker 7>poor with nothing, I was terrified of winning the lottery.

1:11:57.680 --> 1:12:00.640
<v Speaker 7>And I'm still I still am. I specials of it,

1:12:00.720 --> 1:12:02.960
<v Speaker 7>and I don't trust it, and I don't trust what

1:12:03.120 --> 1:12:03.720
<v Speaker 7>it does for you.

1:12:03.880 --> 1:12:04.600
<v Speaker 3>I don't trust what.

1:12:04.640 --> 1:12:07.840
<v Speaker 1>It Who is the negro whisper in your head? Because

1:12:08.920 --> 1:12:12.559
<v Speaker 1>you've already you've given three or four examples already, Like.

1:12:14.080 --> 1:12:14.920
<v Speaker 3>I don't want it easy.

1:12:15.000 --> 1:12:17.519
<v Speaker 1>I want to learn the hard lessons so that way

1:12:17.880 --> 1:12:21.560
<v Speaker 1>my character can And I'm like, who are you?

1:12:21.720 --> 1:12:24.040
<v Speaker 6>Like that's what he is?

1:12:25.160 --> 1:12:27.280
<v Speaker 7>But I just always felt I always felt that way

1:12:27.360 --> 1:12:30.800
<v Speaker 7>because it's not I mean, first of all, like that's

1:12:30.880 --> 1:12:32.600
<v Speaker 7>the point of life. The point of life is like

1:12:32.720 --> 1:12:35.560
<v Speaker 7>you learning these lessons, figuring things out. That's also the

1:12:35.640 --> 1:12:38.479
<v Speaker 7>only way you can't contribute, you know, the only way

1:12:38.520 --> 1:12:42.680
<v Speaker 7>you can understand something and help someone else on their

1:12:42.720 --> 1:12:45.680
<v Speaker 7>own journey, on their own path. So it's like, why

1:12:45.720 --> 1:12:47.760
<v Speaker 7>would you write yourself out of that? Like why would

1:12:47.760 --> 1:12:50.479
<v Speaker 7>you try to take some easy route that that cheapens

1:12:50.520 --> 1:12:50.880
<v Speaker 7>it for you?

1:12:51.560 --> 1:12:51.720
<v Speaker 8>You know?

1:12:52.040 --> 1:12:53.960
<v Speaker 5>So you it felt like if y'all hit the lottery,

1:12:54.400 --> 1:12:57.240
<v Speaker 5>that would take away any lesson that you would have.

1:12:57.360 --> 1:12:59.280
<v Speaker 3>To Yeah, then then what And it didn't.

1:12:59.320 --> 1:13:02.639
<v Speaker 7>It didn't seem like it would feel fulfilling in any

1:13:02.680 --> 1:13:05.000
<v Speaker 7>way just winning the lottery, you know.

1:13:05.200 --> 1:13:08.640
<v Speaker 5>It just that's never one documentary and I haven't watched it.

1:13:08.680 --> 1:13:11.080
<v Speaker 5>It's about like people that like committed themselves after they

1:13:11.360 --> 1:13:12.240
<v Speaker 5>killed themselves.

1:13:11.920 --> 1:13:15.240
<v Speaker 9>After nobody held onto the money. It's like stories of

1:13:15.320 --> 1:13:16.920
<v Speaker 9>like what five or six people? It was a TV

1:13:17.040 --> 1:13:17.400
<v Speaker 9>show too.

1:13:17.479 --> 1:13:20.760
<v Speaker 1>Okay, Well I always wanted to do this personality test,

1:13:21.360 --> 1:13:22.920
<v Speaker 1>and now I could do it on my own.

1:13:23.000 --> 1:13:24.040
<v Speaker 3>Chill course, love supreme.

1:13:24.439 --> 1:13:33.880
<v Speaker 1>All right, lion, you just won the lottery. Let's let's

1:13:34.160 --> 1:13:37.040
<v Speaker 1>let's make it small and say nine point five million dollars.

1:13:37.080 --> 1:13:38.400
<v Speaker 6>I love that you small.

1:13:39.880 --> 1:13:41.160
<v Speaker 3>Stop criticizing me.

1:13:41.240 --> 1:13:43.080
<v Speaker 6>I'm not stop using them now.

1:13:43.240 --> 1:13:45.639
<v Speaker 3>Just for lottery. That is a small it is small

1:13:45.680 --> 1:13:49.240
<v Speaker 3>ship like the power balls. Yeah, that's like exactly.

1:13:49.280 --> 1:13:50.720
<v Speaker 9>I mean, my daddy just want two hundred dollars the

1:13:50.720 --> 1:13:52.080
<v Speaker 9>other day and we was happy. But go ahead, a

1:13:52.120 --> 1:13:53.240
<v Speaker 9>little money, go ahead.

1:14:05.240 --> 1:14:05.840
<v Speaker 3>Five million?

1:14:06.240 --> 1:14:12.000
<v Speaker 1>Very better boss, bill optimism.

1:14:12.400 --> 1:14:16.040
<v Speaker 3>You won nine point five million dollars. What's the first

1:14:16.080 --> 1:14:19.160
<v Speaker 3>thing I do? What is the very first thing you do?

1:14:19.560 --> 1:14:25.280
<v Speaker 3>Pay off some bills? Okay, so you're gonna claim that ticket? Yeah?

1:14:25.640 --> 1:14:25.680
<v Speaker 7>What?

1:14:26.439 --> 1:14:29.640
<v Speaker 3>Yes, strike one? What would be the first thing you

1:14:29.720 --> 1:14:30.840
<v Speaker 3>do first? And I would do.

1:14:33.080 --> 1:14:37.519
<v Speaker 5>Start planning my exit out of the country, like I

1:14:37.960 --> 1:14:44.040
<v Speaker 5>talked about Girl and like, well, yeah, you telling her? Yeah, yeah, yeah,

1:14:44.040 --> 1:14:45.599
<v Speaker 5>I will tell her. I mean she's probably my wife,

1:14:45.640 --> 1:14:47.080
<v Speaker 5>So I mean it's if you know, I would learn

1:14:47.280 --> 1:14:52.840
<v Speaker 5>like a yeah, hold up, hold up, waiting god damn minute,

1:14:57.600 --> 1:14:59.840
<v Speaker 5>and I would start plotting and playing. I mean my

1:15:00.120 --> 1:15:02.479
<v Speaker 5>bills like I don't really get like I don't carry

1:15:02.560 --> 1:15:03.320
<v Speaker 5>that or no shit.

1:15:03.200 --> 1:15:07.439
<v Speaker 3>Like that, so it must be nice. I mean that

1:15:07.479 --> 1:15:08.240
<v Speaker 3>would be truthfully.

1:15:08.680 --> 1:15:10.400
<v Speaker 7>I mean, I'm already I'm trying to think of the

1:15:10.439 --> 1:15:13.320
<v Speaker 7>family member who I'm giving the ticket to, or like

1:15:13.520 --> 1:15:16.200
<v Speaker 7>either either if I find like what I think is

1:15:16.280 --> 1:15:21.880
<v Speaker 7>the right case of you know, or or just person

1:15:22.000 --> 1:15:24.040
<v Speaker 7>that I could I would give the truthfully.

1:15:24.080 --> 1:15:25.280
<v Speaker 3>I know it sounds like give it away.

1:15:25.400 --> 1:15:27.320
<v Speaker 6>Yeah, would you sign it some type of documentary? At

1:15:27.400 --> 1:15:29.240
<v Speaker 6>least give me just a.

1:15:29.360 --> 1:15:34.840
<v Speaker 5>Clean here, trust me, five mili is not I mean

1:15:35.000 --> 1:15:39.040
<v Speaker 5>that's not all right. Let's say one hundred and twenty

1:15:39.080 --> 1:15:42.280
<v Speaker 5>one million. Yeah, like you're getting just like leave the

1:15:42.400 --> 1:15:46.479
<v Speaker 5>country like I'm going, like my life as I once

1:15:46.560 --> 1:15:46.920
<v Speaker 5>knew it is.

1:15:46.920 --> 1:15:51.200
<v Speaker 10>Over for all right, I'm paid bill even come feel

1:15:51.240 --> 1:15:52.719
<v Speaker 10>from your past will come up out of nowhere?

1:15:52.800 --> 1:15:56.719
<v Speaker 5>Asks that point for feelings like after taxes like nigga,

1:15:56.760 --> 1:15:59.320
<v Speaker 5>you buy a couple of fucking rbs and like you know,

1:15:59.479 --> 1:16:00.639
<v Speaker 5>some some wing.

1:16:00.520 --> 1:16:05.439
<v Speaker 11>Stops and they they're like, yeah, you buy by choice

1:16:05.880 --> 1:16:15.200
<v Speaker 11>coup RB. Yeah, White Castles, Roy Rogers, Chase. I put

1:16:15.240 --> 1:16:17.120
<v Speaker 11>the money away from my kids, and then I probably

1:16:17.160 --> 1:16:18.120
<v Speaker 11>give him some of it away.

1:16:18.320 --> 1:16:22.080
<v Speaker 9>It's crazy, you guys, but I'm buying Trader Joe's and

1:16:22.160 --> 1:16:25.320
<v Speaker 9>I put him in the hood. And then also I'm

1:16:25.439 --> 1:16:27.439
<v Speaker 9>going to just give put a certain a lot of

1:16:27.479 --> 1:16:30.240
<v Speaker 9>money for the community, as in my black folks, and

1:16:30.479 --> 1:16:32.519
<v Speaker 9>then I'm going to pay my taxes first.

1:16:32.720 --> 1:16:37.439
<v Speaker 3>It's going by. It's going you don't know, Yeah, you

1:16:37.479 --> 1:16:40.280
<v Speaker 3>don't pay one hundred million. Yea, You're only getting like

1:16:40.360 --> 1:16:41.360
<v Speaker 3>sixty million after tax.

1:16:41.439 --> 1:16:46.160
<v Speaker 10>It's going so sorry, gets taking Trader Joe's in the hood.

1:16:46.200 --> 1:16:48.439
<v Speaker 3>I don't I'd buy all the weed, and I don't know.

1:16:48.880 --> 1:16:52.519
<v Speaker 3>I don't understand that Steve already has one hundred and

1:16:52.560 --> 1:16:53.280
<v Speaker 3>twenty one million.

1:16:53.760 --> 1:16:55.559
<v Speaker 2>I pay my dad back for all the money he's

1:16:55.560 --> 1:16:57.400
<v Speaker 2>given one hundred and twenty one million.

1:16:57.640 --> 1:17:01.320
<v Speaker 3>That is strange, because I would think the wisest thing

1:17:01.400 --> 1:17:01.600
<v Speaker 3>to do.

1:17:03.120 --> 1:17:09.479
<v Speaker 5>One is never all right for starters, never let anyone

1:17:09.640 --> 1:17:12.880
<v Speaker 5>know you got money, which I believe in that Russell

1:17:12.920 --> 1:17:16.320
<v Speaker 5>Simmons way of which you know.

1:17:16.760 --> 1:17:18.360
<v Speaker 3>Who doesn't think Russell Simmons has money.

1:17:19.280 --> 1:17:21.280
<v Speaker 1>There was a period, there was a period def Champion

1:17:21.479 --> 1:17:24.040
<v Speaker 1>Russell was like super bumped, like pre yoga.

1:17:25.280 --> 1:17:26.040
<v Speaker 3>Drugs Russell.

1:17:29.240 --> 1:17:33.640
<v Speaker 1>But I would actually find a fall guy, because the

1:17:33.720 --> 1:17:35.960
<v Speaker 1>thing is when you claim the ticket, it's going to

1:17:36.000 --> 1:17:39.559
<v Speaker 1>be a ceremony. What I would literally find a fall

1:17:39.680 --> 1:17:45.200
<v Speaker 1>guy and broker a deal. I'll give you ten million,

1:17:46.439 --> 1:17:49.519
<v Speaker 1>you sign this contract, you're going to be the winner.

1:17:50.479 --> 1:17:55.360
<v Speaker 1>But quietly, I'm gonna take my my whatever, my one ten,

1:17:56.080 --> 1:17:57.679
<v Speaker 1>give you the ten million or whatever.

1:17:57.760 --> 1:17:57.960
<v Speaker 3>Action.

1:17:58.080 --> 1:18:00.320
<v Speaker 5>But I was not in every state. You'd have to

1:18:00.360 --> 1:18:02.240
<v Speaker 5>claim it though I forgot which states it is. But

1:18:02.600 --> 1:18:05.519
<v Speaker 5>or you can you can remain anonymous New York.

1:18:06.080 --> 1:18:10.320
<v Speaker 3>You have to claim it, okay. So I would not tell.

1:18:11.320 --> 1:18:14.240
<v Speaker 1>I wouldn't tell, So I wouldn't even tell my wife,

1:18:15.000 --> 1:18:16.320
<v Speaker 1>or I would tell nobody.

1:18:16.960 --> 1:18:17.479
<v Speaker 3>Well, how you.

1:18:19.040 --> 1:18:22.000
<v Speaker 10>One hundred million dollars from your wife? How that becomes

1:18:22.120 --> 1:18:28.160
<v Speaker 10>that becomes the new Brewsters millions? Your marriage is going

1:18:28.240 --> 1:18:29.920
<v Speaker 10>to end. Your marriage is over if you do that.

1:18:30.000 --> 1:18:30.519
<v Speaker 3>You know that, right?

1:18:30.760 --> 1:18:39.080
<v Speaker 7>And that's an interesting that is interesting the thought that uh,

1:18:39.640 --> 1:18:43.040
<v Speaker 7>a woman would leave you for heaven money.

1:18:45.040 --> 1:18:45.920
<v Speaker 3>You were not telling you?

1:18:46.560 --> 1:18:49.240
<v Speaker 7>Yeah, but no, that's an interesting thought. Yeah, I'm trying

1:18:49.280 --> 1:18:50.559
<v Speaker 7>to I would.

1:18:50.439 --> 1:18:56.040
<v Speaker 1>Feel like you have nine figures in your possession. No

1:18:56.240 --> 1:19:02.439
<v Speaker 1>one is going to be genuine with you. Well right right,

1:19:02.520 --> 1:19:04.759
<v Speaker 1>But then there's some people like why is a great example,

1:19:05.240 --> 1:19:07.840
<v Speaker 1>like lie is the I'm gonna treat you like an

1:19:07.920 --> 1:19:11.400
<v Speaker 1>asshole to let you know that I don't think you

1:19:12.560 --> 1:19:13.080
<v Speaker 1>but I love you.

1:19:13.200 --> 1:19:18.080
<v Speaker 5>Anyway, one I would tell shen't be the only one

1:19:18.080 --> 1:19:18.479
<v Speaker 5>I would tell.

1:19:18.520 --> 1:19:20.800
<v Speaker 3>I'm like, listen, like mama, my mama. Would I tell

1:19:20.880 --> 1:19:23.360
<v Speaker 3>my mom? I wouldn't see because.

1:19:23.160 --> 1:19:25.439
<v Speaker 5>Then your mom I would just like other people, you know,

1:19:25.880 --> 1:19:27.759
<v Speaker 5>if I told my mom and that you gotta protect

1:19:27.760 --> 1:19:28.040
<v Speaker 5>your mind.

1:19:28.080 --> 1:19:32.320
<v Speaker 3>You got to protect your mom. Just give me that

1:19:33.080 --> 1:19:34.320
<v Speaker 3>you've had this conversation before.

1:19:34.360 --> 1:19:35.760
<v Speaker 9>What you got to do is roll up on Sally

1:19:35.840 --> 1:19:37.840
<v Speaker 9>May and just throw that ship and they face and say,

1:19:37.960 --> 1:19:39.759
<v Speaker 9>fuck you take this hundred thousand dollars.

1:19:39.800 --> 1:19:41.320
<v Speaker 6>I'm sorry. I got student loans, but.

1:19:41.640 --> 1:19:46.559
<v Speaker 3>That anyway you're so you don't know about okay, because

1:19:46.640 --> 1:19:49.519
<v Speaker 3>they really up paid off many a student loans.

1:19:49.640 --> 1:19:51.400
<v Speaker 6>Okay is eighty thousand dollars.

1:19:51.439 --> 1:19:54.400
<v Speaker 3>If you feel no, I'm done paying student loans. That's

1:19:54.680 --> 1:19:57.040
<v Speaker 3>I'm done anyway.

1:19:59.240 --> 1:20:05.720
<v Speaker 5>That was get here, Where are.

1:20:05.680 --> 1:20:06.439
<v Speaker 3>You going with this? Yeah?

1:20:06.880 --> 1:20:11.160
<v Speaker 1>No, no, what he mentioned about about lottery tickets and

1:20:12.040 --> 1:20:13.960
<v Speaker 1>giving it away and that sort of thing.

1:20:14.280 --> 1:20:17.040
<v Speaker 3>So I was just curious. There was like a.

1:20:19.360 --> 1:20:21.720
<v Speaker 2>So we're not bad for cashing in, We're just but

1:20:22.160 --> 1:20:23.679
<v Speaker 2>you're saying we shouldn't tell people.

1:20:23.760 --> 1:20:26.960
<v Speaker 3>I don't think you should tell a soul and you

1:20:27.000 --> 1:20:29.720
<v Speaker 3>should find someone to claim it. And then everybody's gonna

1:20:29.720 --> 1:20:31.320
<v Speaker 3>be wondering if I'm selling drugs when I show up

1:20:31.320 --> 1:20:31.640
<v Speaker 3>with my car.

1:20:32.840 --> 1:20:34.560
<v Speaker 5>If you're not, if you're not, I think if you're not,

1:20:34.720 --> 1:20:36.880
<v Speaker 5>if you're not married, I would I would agree with that,

1:20:36.960 --> 1:20:38.160
<v Speaker 5>But I think if you can't share it with you,

1:20:38.280 --> 1:20:40.240
<v Speaker 5>if you can't share with your wife, and the nigga

1:20:40.320 --> 1:20:40.680
<v Speaker 5>like why are you?

1:20:40.880 --> 1:20:43.080
<v Speaker 3>Like why are you married? You gotta protect her because

1:20:43.200 --> 1:20:45.639
<v Speaker 3>I feel like no one exist. I think y'all gotta

1:20:45.640 --> 1:20:48.000
<v Speaker 3>protect each other like y'all can't do in your life.

1:20:48.040 --> 1:20:52.240
<v Speaker 1>Will keep a secret that my significant other has one

1:20:52.320 --> 1:20:55.080
<v Speaker 1>hundred and fifty million on standby? They're gonna buy some

1:20:55.240 --> 1:20:58.479
<v Speaker 1>sort of bag or some pair three thousand dollars shoes

1:20:59.240 --> 1:21:01.600
<v Speaker 1>or some ring that doesn't.

1:21:01.280 --> 1:21:02.080
<v Speaker 3>Give it away, like that.

1:21:02.280 --> 1:21:05.800
<v Speaker 5>Now, if you just buy like a fleet of Tesla's ship,

1:21:06.040 --> 1:21:09.479
<v Speaker 5>then yeah, you're going to jail. You're gonna get wrong.

1:21:09.560 --> 1:21:12.880
<v Speaker 5>But like a new bag or new whatever. I mean,

1:21:12.960 --> 1:21:15.760
<v Speaker 5>you know, like you know, we make pretty decent money,

1:21:15.840 --> 1:21:16.519
<v Speaker 5>like niggas can.

1:21:16.560 --> 1:21:21.679
<v Speaker 3>Buy cereal like give it away, you know what I mean? Niggas.

1:21:23.000 --> 1:21:29.800
<v Speaker 3>I don't know if you title each all, so can

1:21:29.880 --> 1:21:34.320
<v Speaker 3>we officially call this one of the niggas can buy question?

1:21:35.200 --> 1:21:37.160
<v Speaker 3>I can't wait to share that one.

1:21:39.000 --> 1:21:47.519
<v Speaker 1>Bill and Steve the name of this episode Steve don't ship, Yeah,

1:21:48.200 --> 1:21:49.200
<v Speaker 1>don't please.

1:21:50.240 --> 1:21:51.519
<v Speaker 5>But I wasn't like when you go back to the

1:21:51.600 --> 1:21:53.479
<v Speaker 5>crib man, Like when you go back, can you walk

1:21:53.520 --> 1:21:56.679
<v Speaker 5>through Hans Mall and just still be Yeah?

1:21:57.720 --> 1:21:58.320
<v Speaker 3>Sunglasses.

1:21:58.720 --> 1:22:02.799
<v Speaker 7>I'm usually just I'm at home. I have four nieces

1:22:02.880 --> 1:22:06.560
<v Speaker 7>and a nephew and I'm like just them. I'm just

1:22:06.640 --> 1:22:10.080
<v Speaker 7>like playing with them. Like that's usually what I go.

1:22:10.439 --> 1:22:12.320
<v Speaker 3>We go, uh, we go to Uh.

1:22:12.560 --> 1:22:19.639
<v Speaker 7>There's this Uh it's called Japanese American I have to prepresent. Yeah, yeah,

1:22:19.880 --> 1:22:23.240
<v Speaker 7>because it's not just learning from living in LA for years.

1:22:23.320 --> 1:22:27.439
<v Speaker 7>It is not a Japanese experience by any stretch of

1:22:27.479 --> 1:22:28.080
<v Speaker 7>the imagination.

1:22:28.160 --> 1:22:29.559
<v Speaker 3>But Mexicans come out.

1:22:30.680 --> 1:22:30.880
<v Speaker 9>Yeah.

1:22:31.080 --> 1:22:34.960
<v Speaker 7>They made Actually, that's where I saw ninth. That's why

1:22:35.040 --> 1:22:37.920
<v Speaker 7>I actually met ninth for the first time. We shared

1:22:37.960 --> 1:22:40.160
<v Speaker 7>a table at a at a bachi restaurant like that.

1:22:40.400 --> 1:22:43.560
<v Speaker 7>You may get me there. I'll go like there, you know,

1:22:43.680 --> 1:22:46.400
<v Speaker 7>but then like I just stay in and eat, you know,

1:22:46.680 --> 1:22:48.240
<v Speaker 7>play with my nieces and nephews.

1:22:48.240 --> 1:22:49.360
<v Speaker 3>You a mountain chicken.

1:22:50.160 --> 1:22:51.800
<v Speaker 7>Every now and then. Every now and then I do

1:22:52.000 --> 1:22:57.840
<v Speaker 7>like we had to stop. It's great, it's great, it's fantastic.

1:22:57.920 --> 1:22:59.960
<v Speaker 7>Every now and then I'll go out. I'll go out there,

1:23:00.360 --> 1:23:01.960
<v Speaker 7>take fifty two North fifty two.

1:23:04.520 --> 1:23:08.120
<v Speaker 3>That sounds awesome, chicken chick.

1:23:08.240 --> 1:23:10.799
<v Speaker 5>It's like actually, because you're going towards us a black mountains,

1:23:10.880 --> 1:23:12.320
<v Speaker 5>a fifty two, like you're going.

1:23:12.240 --> 1:23:15.720
<v Speaker 3>Yeah, like pilot Mountains. Yeah. Yeah. Usually I'm just like

1:23:16.920 --> 1:23:20.360
<v Speaker 3>like laying in my mom's lap. Folks are still in

1:23:21.000 --> 1:23:22.439
<v Speaker 3>They're still there. Yeah, that's it.

1:23:22.560 --> 1:23:25.000
<v Speaker 7>That's only the only place, the only place I'm not

1:23:25.040 --> 1:23:27.200
<v Speaker 7>thinking about emails is just like laying my mom's just

1:23:27.240 --> 1:23:29.400
<v Speaker 7>turned into a child. I was like, all right, and

1:23:29.560 --> 1:23:32.240
<v Speaker 7>she's like annoyed by, like like move, I get out

1:23:32.240 --> 1:23:32.599
<v Speaker 7>of my cry.

1:23:38.520 --> 1:23:41.920
<v Speaker 3>Okay. That's so that's still there.

1:23:41.960 --> 1:23:45.760
<v Speaker 5>They're still living there, that's still there, and they still like,

1:23:45.880 --> 1:23:49.360
<v Speaker 5>have you done the celebrity I'm buy my mama house

1:23:49.400 --> 1:23:49.840
<v Speaker 5>thing yet?

1:23:49.960 --> 1:23:53.360
<v Speaker 3>Or have you is that is stopping me? She's very.

1:23:55.120 --> 1:23:57.960
<v Speaker 7>She's like me, I get it. She's like me as well,

1:23:58.080 --> 1:24:01.240
<v Speaker 7>and like you know, once drawl on. They're a very

1:24:01.360 --> 1:24:05.439
<v Speaker 7>independent family. Who but I do I with that said,

1:24:06.320 --> 1:24:08.800
<v Speaker 7>all of all of those things, I just forced it

1:24:08.920 --> 1:24:09.120
<v Speaker 7>on it.

1:24:09.760 --> 1:24:12.960
<v Speaker 3>It was just like, just like cautious. Yeah, they're always

1:24:13.160 --> 1:24:14.000
<v Speaker 3>that false minding.

1:24:14.600 --> 1:24:14.640
<v Speaker 8>No.

1:24:14.800 --> 1:24:18.439
<v Speaker 3>No, it's just like it's like, Okay, what year is this?

1:24:19.200 --> 1:24:21.639
<v Speaker 3>What your car is this? You want to go? Wow?

1:24:22.240 --> 1:24:25.240
<v Speaker 1>Well, I thank you very much for coming through on

1:24:25.360 --> 1:24:29.760
<v Speaker 1>the clutch. No, man, thank you special serial episode.

1:24:30.840 --> 1:24:31.639
<v Speaker 6>It looks so different.

1:24:32.760 --> 1:24:36.439
<v Speaker 7>Yeah, I know, listen, I'm gonna go and uh you know, yeah,

1:24:36.560 --> 1:24:40.880
<v Speaker 7>has some mixes that he wants me to, wants me

1:24:40.880 --> 1:24:41.599
<v Speaker 7>to check out something.

1:24:41.640 --> 1:24:42.080
<v Speaker 3>You'll do that.

1:24:42.680 --> 1:24:46.439
<v Speaker 7>But it's nice to stop buying between sessions, all.

1:24:46.400 --> 1:24:48.760
<v Speaker 1>Right, because you got eminem right after the eminem is

1:24:48.840 --> 1:24:50.400
<v Speaker 1>right after that exactly whole thing.

1:24:50.600 --> 1:24:52.200
<v Speaker 3>You know, the life of Rick rub and you guys

1:24:52.320 --> 1:24:58.360
<v Speaker 3>never boy oh boy, yeah man, Yeah, it's gotta keep you.

1:24:58.640 --> 1:25:01.840
<v Speaker 1>I clearly never met Rick. I can't even jump into

1:25:02.240 --> 1:25:07.880
<v Speaker 1>you literally just nailed down. Yeah, you nailed it. Trust

1:25:07.960 --> 1:25:10.519
<v Speaker 1>me on this. So when the season starts, win.

1:25:10.800 --> 1:25:14.280
<v Speaker 3>May thirty first first we will be there front.

1:25:14.320 --> 1:25:17.080
<v Speaker 5>And are you still you're still doing like clubs and

1:25:17.080 --> 1:25:18.559
<v Speaker 5>stuff and you still like just working stuff out.

1:25:18.720 --> 1:25:20.240
<v Speaker 7>I haven't been on the road in a while. Just

1:25:20.600 --> 1:25:23.560
<v Speaker 7>I've been working on the show and then jumping to

1:25:23.680 --> 1:25:26.080
<v Speaker 7>some features. I'll mostly just be in New York. Uh,

1:25:26.560 --> 1:25:29.760
<v Speaker 7>probably the summer between here and New York. Uh, and

1:25:29.880 --> 1:25:33.679
<v Speaker 7>I'll jump in to the cellar and you know, trying

1:25:33.720 --> 1:25:35.759
<v Speaker 7>to be a comedian again. I'm excited.

1:25:35.840 --> 1:25:38.680
<v Speaker 3>So like if you came to like like Charlie Good

1:25:38.760 --> 1:25:42.439
<v Speaker 3>Nights and Raley, that would you play that kind of maybe?

1:25:42.520 --> 1:25:44.840
<v Speaker 7>Yeah, I haven't. I never do stand up enough. We're

1:25:44.840 --> 1:25:46.720
<v Speaker 7>talking about going home, Like, I don't do stand up.

1:25:46.880 --> 1:25:49.120
<v Speaker 3>I just I just lay low.

1:25:49.280 --> 1:25:51.439
<v Speaker 7>I just like if I'm in North Carolina, I'm like

1:25:51.520 --> 1:25:54.200
<v Speaker 7>eating bow Jangles Man.

1:25:54.800 --> 1:25:55.519
<v Speaker 9>Just what.

1:25:57.160 --> 1:25:57.439
<v Speaker 7>Is there?

1:25:58.600 --> 1:26:03.559
<v Speaker 1>Yeahs I ride for both Jangles and I'm technically a vegan.

1:26:03.840 --> 1:26:08.840
<v Speaker 6>Yeah it takes different just like Popeyes is just a biscus.

1:26:09.400 --> 1:26:13.559
<v Speaker 3>No, what do you think? Less pop It's not Jingles.

1:26:13.680 --> 1:26:15.600
<v Speaker 3>It's on that level. It's on that level. It's on

1:26:15.680 --> 1:26:16.040
<v Speaker 3>that level.

1:26:16.120 --> 1:26:18.519
<v Speaker 7>Yeah, it's on that level, either of them on a

1:26:18.560 --> 1:26:20.720
<v Speaker 7>good day, on a good day, you know what I mean.

1:26:20.760 --> 1:26:23.120
<v Speaker 7>It's like you want to weigh in. It's like it's

1:26:23.200 --> 1:26:25.640
<v Speaker 7>like watching Steph Curry and Lebron play each other there.

1:26:27.280 --> 1:26:29.840
<v Speaker 3>This is like this the last time you've been.

1:26:30.120 --> 1:26:31.800
<v Speaker 6>I just went to Pop like two weeks ago, and

1:26:31.880 --> 1:26:32.680
<v Speaker 6>the biscuits.

1:26:32.439 --> 1:26:36.400
<v Speaker 7>Was like flatter and it just no, no, no, you request.

1:26:36.600 --> 1:26:38.720
<v Speaker 3>We're riding for Jangles though not.

1:26:40.600 --> 1:26:41.800
<v Speaker 6>Jangles around here, So.

1:26:42.800 --> 1:26:44.360
<v Speaker 5>I think both Jangles didn't make it out of this.

1:26:44.600 --> 1:26:47.200
<v Speaker 5>I think they got one like Maryland somewhere.

1:26:47.320 --> 1:26:50.120
<v Speaker 7>Yeah, I think it doesn't go past Texas or something.

1:26:50.200 --> 1:26:53.439
<v Speaker 3>I think that's yeah, Yeah, they had one a whole

1:26:53.520 --> 1:26:55.000
<v Speaker 3>Chicken episode. We do.

1:26:55.240 --> 1:26:58.280
<v Speaker 1>Yeah, I'm gonna go the chicken for like maybe a month,

1:26:58.439 --> 1:27:01.240
<v Speaker 1>go back to chicken. Just if you go back Chicken out.

1:27:01.280 --> 1:27:02.479
<v Speaker 1>Think you're gonna baby to go back.

1:27:02.880 --> 1:27:03.160
<v Speaker 7>I know.

1:27:05.360 --> 1:27:06.880
<v Speaker 3>You are so real with that.

1:27:07.200 --> 1:27:10.880
<v Speaker 5>I was vegetarian for like closer two years and beef

1:27:11.000 --> 1:27:13.000
<v Speaker 5>poor all that. I gave no ships about that yard

1:27:13.080 --> 1:27:18.040
<v Speaker 5>Bird homie. Yeah, like I'm back to it.

1:27:18.920 --> 1:27:19.400
<v Speaker 3>Last night.

1:27:20.520 --> 1:27:28.200
<v Speaker 1>At last night, I drove in front of Roscoe. Come on,

1:27:28.439 --> 1:27:36.320
<v Speaker 1>it's Saturday, come on, and I'm just like you chicken

1:27:36.400 --> 1:27:37.120
<v Speaker 1>tears because.

1:27:36.880 --> 1:27:40.160
<v Speaker 3>That's yeah, But you vegan, do you do like the

1:27:40.280 --> 1:27:43.479
<v Speaker 3>fake uh? Because that's what I can't. But I don't.

1:27:43.720 --> 1:27:46.840
<v Speaker 7>I like, you know, veggies or whatever. I like going

1:27:46.840 --> 1:27:48.840
<v Speaker 7>across the roads. But where I stop is when it's like,

1:27:48.960 --> 1:27:52.760
<v Speaker 7>these are meatballs and if you don't lie to them

1:27:52.800 --> 1:27:56.680
<v Speaker 7>in but if you don't, if you're true blue to it.

1:27:57.080 --> 1:28:01.519
<v Speaker 1>And once half the sugar consume leaves you, you know,

1:28:01.640 --> 1:28:03.280
<v Speaker 1>like when you're going to die whatever. And then you

1:28:03.840 --> 1:28:06.120
<v Speaker 1>when you're not eating right and you taste the diet

1:28:06.160 --> 1:28:09.519
<v Speaker 1>coke or whatever, it tastes like nasty. But once you

1:28:09.600 --> 1:28:11.519
<v Speaker 1>really adjust your thing, you're like, oh, this tastes like

1:28:11.560 --> 1:28:13.240
<v Speaker 1>regular because you brought your sugar down.

1:28:14.520 --> 1:28:20.040
<v Speaker 3>I'm riding for Impossible Burgers to the day the plant Burgers. Yes,

1:28:20.720 --> 1:28:23.280
<v Speaker 3>if you tried an impossible burger, is that it does?

1:28:23.479 --> 1:28:29.600
<v Speaker 3>MoMA in New York, Yes, the New And and Crossroads

1:28:29.640 --> 1:28:29.880
<v Speaker 3>has it.

1:28:30.880 --> 1:28:36.360
<v Speaker 1>I My life goal is to invest maybe get half

1:28:36.479 --> 1:28:38.719
<v Speaker 1>percent of stock and Impossible Burgers.

1:28:40.240 --> 1:28:42.599
<v Speaker 5>That will be my winning linery. And it's total plant based.

1:28:42.600 --> 1:28:46.040
<v Speaker 5>It's totally plant it's total plant based. Uh, It's I mean,

1:28:46.080 --> 1:28:49.720
<v Speaker 5>they just their their secret was that they discovered that

1:28:51.240 --> 1:28:54.080
<v Speaker 5>blood is the element that has us addicted to meat.

1:28:54.479 --> 1:28:58.200
<v Speaker 5>So they have a blood formula. Yeah, the blood formula

1:28:58.400 --> 1:28:59.840
<v Speaker 5>is beats olive.

1:29:00.040 --> 1:29:03.600
<v Speaker 1>Will they have a blood formula inside of the impossible

1:29:03.640 --> 1:29:07.479
<v Speaker 1>burger and it taste Did.

1:29:07.400 --> 1:29:09.240
<v Speaker 7>You just tell me that we're all vampires?

1:29:09.439 --> 1:29:09.639
<v Speaker 3>Yeah?

1:29:10.960 --> 1:29:13.519
<v Speaker 7>It was like we're all discovering that with vampires, just like,

1:29:13.600 --> 1:29:14.559
<v Speaker 7>oh wait, so we are.

1:29:15.640 --> 1:29:17.400
<v Speaker 3>Bill Gates invested in this company.

1:29:17.800 --> 1:29:21.760
<v Speaker 1>The scientists did a study for like seven years and

1:29:22.000 --> 1:29:25.840
<v Speaker 1>discovered that the element because they wanted to know, like

1:29:25.960 --> 1:29:31.360
<v Speaker 1>why does veggie food taste crappy and hamburgers taste so delicious?

1:29:32.080 --> 1:29:35.200
<v Speaker 1>And once the study was that there's no blood element

1:29:35.720 --> 1:29:39.200
<v Speaker 1>in there that has us addicted it.

1:29:39.439 --> 1:29:42.040
<v Speaker 7>But you know what gets me again, it's like things

1:29:42.080 --> 1:29:44.920
<v Speaker 7>were like when you start putting burger on it. I

1:29:45.000 --> 1:29:47.200
<v Speaker 7>wish they didn't call it. But if they called it

1:29:47.800 --> 1:29:53.320
<v Speaker 7>anything else, impossible patty of of science. Even if I

1:29:53.400 --> 1:29:56.760
<v Speaker 7>called it a science patty, I'm like, Okay, I'll try it,

1:29:56.800 --> 1:29:58.880
<v Speaker 7>because you know, I just there's a lot of eying me.

1:29:59.120 --> 1:30:01.920
<v Speaker 7>When it's just vegan hot dog, I'm like, fuck you,

1:30:02.920 --> 1:30:04.000
<v Speaker 7>I know what a hot dog?

1:30:06.920 --> 1:30:07.120
<v Speaker 3>Yeah?

1:30:07.400 --> 1:30:09.960
<v Speaker 5>Like that's the thing is like I can't fuck with

1:30:10.040 --> 1:30:14.120
<v Speaker 5>the vegans because it's like they are I mean two things. One,

1:30:14.160 --> 1:30:15.720
<v Speaker 5>it kind of feels like a colt. It kind of

1:30:15.800 --> 1:30:17.759
<v Speaker 5>just feel like branch Davidians that don't eat cheese.

1:30:18.160 --> 1:30:18.760
<v Speaker 3>So it's like that.

1:30:19.760 --> 1:30:22.479
<v Speaker 5>But then it's the other part is like so part

1:30:22.960 --> 1:30:26.640
<v Speaker 5>so much of veganism is predicated on oh, we have

1:30:26.840 --> 1:30:29.519
<v Speaker 5>stuff that tastes just like this, like nigga, I can

1:30:29.640 --> 1:30:30.200
<v Speaker 5>just go get.

1:30:30.120 --> 1:30:33.240
<v Speaker 3>You to a non vegan that's not good to vegan.

1:30:33.320 --> 1:30:36.040
<v Speaker 5>But I feel like if you like, okay, if it

1:30:36.120 --> 1:30:37.960
<v Speaker 5>was a religion right, and if you were like, okay,

1:30:38.400 --> 1:30:41.320
<v Speaker 5>I am Islam, right, just for his example, you say

1:30:41.360 --> 1:30:45.320
<v Speaker 5>I'm Islam, but my Islam is just like Christianity, you

1:30:45.360 --> 1:30:45.720
<v Speaker 5>know what I mean.

1:30:45.880 --> 1:30:49.800
<v Speaker 7>You're like, no, no, my friend, could my friend you

1:30:49.880 --> 1:30:52.639
<v Speaker 7>have to put it the best he said, uh, basically

1:30:52.800 --> 1:30:55.680
<v Speaker 7>that it would be It's as absurd to a meat

1:30:55.720 --> 1:30:58.640
<v Speaker 7>eater to have like a like fake meat, you know,

1:30:59.120 --> 1:31:02.360
<v Speaker 7>as if you're vegan and someone gave you a carrot

1:31:02.479 --> 1:31:03.160
<v Speaker 7>made of beef.

1:31:05.400 --> 1:31:07.800
<v Speaker 3>It's the same thing. It's just like how dare you?

1:31:09.320 --> 1:31:19.200
<v Speaker 1>Yes, it's it's it's Jedi mind tricking yourself it's can

1:31:19.240 --> 1:31:20.840
<v Speaker 1>we just in the show like that?

1:31:24.960 --> 1:31:30.000
<v Speaker 3>Margaret? Yeah, on that note, R and B have of fun,

1:31:30.080 --> 1:31:38.840
<v Speaker 3>Tikeolow and uh sloppy Margaret. Shout out to the Quoss

1:31:38.960 --> 1:31:41.720
<v Speaker 3>Bill and I'm bade Bill and Sugar Steve and our

1:31:41.840 --> 1:31:46.799
<v Speaker 3>guest Carmichael. Thank you very much. This is funny science

1:31:46.880 --> 1:31:48.559
<v Speaker 3>patty science patties.

1:31:48.840 --> 1:31:51.160
<v Speaker 1>Uh yes, I'm gonna get a few science patties. This

1:31:51.320 --> 1:31:53.920
<v Speaker 1>is quest Love, quest Love Supreme. We will see you

1:31:54.479 --> 1:31:55.479
<v Speaker 1>on the next go round.

1:31:55.640 --> 1:31:55.880
<v Speaker 3>Thank you.

1:31:59.400 --> 1:32:03.120
<v Speaker 1>Quest Love Premium is a production of iHeartRadio. This classic

1:32:03.200 --> 1:32:09.840
<v Speaker 1>episode was produced by the team at Pandora. For more

1:32:09.920 --> 1:32:14.400
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:32:14.400 --> 1:32:16.040
<v Speaker 1>wherever you listen to your favorite shows.