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Speaker 1: Quest Loves Supreme is a production of iHeartRadio. This classic

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Speaker 1: episode was produced by the team at Pandora.

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Speaker 2: What's Up, Everybody, This is Sugar Steve. For this week's

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Speaker 2: classic episode of Questlow Supreme, we revisit a conversation from

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Speaker 2: March twenty four, twenty seventeen with the one and only

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Speaker 2: Jerrod Carmichael. He talks about the inspiration for some of

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Speaker 2: his best jokes, North Carolina, eateries, and much more. Episode

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Speaker 2: number thirty three from the QLs archives.

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Speaker 3: And joy.

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Speaker 4: Suprema Su Su Supremo, roll call Suprema su Supremo. Roll

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Speaker 4: call Suprema Su su Supremo. Roll call Suprema Su su Supremo.

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Speaker 3: Ro Gerada is here.

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Speaker 1: Yeah, and I feel doom Yeah because Quest Love's officially yeah,

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Speaker 1: the fourth funniest guy in the road supream something Supremo.

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Speaker 3: Roll call Suppreamer.

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Speaker 5: My name is Fante, Yeah, my voice is ethereal Yeah. Nigga,

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Speaker 5: You'll never have serious.

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Speaker 3: Supremo Rod. My name is Sugar. What's up your Rod?

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Speaker 3: When you're ready to kill us? Yeah, just give us

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Speaker 3: a nod.

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Speaker 4: Supremer some some up bring on roll call Supreamer something.

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Speaker 5: Road Bill wants to know when am I gonna see Yeah,

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Speaker 5: the Carmichael's Show.

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Speaker 3: Yeah, Season three, Supremer Supremer Road Called Supremo, roll call

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Speaker 3: paid Bill. Yeah. And this girl I'm with Yeah, told

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Speaker 3: me to watch Rod. Yeah, because he's the ship.

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Speaker 4: Come Supremo son Son Supremo Role Suprema Suprema.

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Speaker 3: Role here Yeah.

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Speaker 6: Yeah, what do you think I'm funny?

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Speaker 1: Yeah?

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Speaker 3: I have so much fear.

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Speaker 7: Sure roll This is Gerrard.

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Speaker 3: Yeah, I drinking green tea. Yeah, you call Rick rub Yeah,

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Speaker 3: ended up with me, right, Supremo roll Call.

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Speaker 8: Suprema son Son, Suprema roll Call, Suprema son Son Supremo

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Speaker 8: roll Call, Supremo Suprema Roll.

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Speaker 3: We all said no Russian you.

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Speaker 7: Bar.

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Speaker 6: It wasn't about the statement, It was about the sequel.

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Speaker 3: It was the stent. It was the fact that we

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Speaker 3: all like we had a meeting with ourselves. Fine, we're

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Speaker 3: going to say no.

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Speaker 6: I'm a beast somebody.

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Speaker 1: Oh yeah, Ladies and gentlemen, Our next guest has been

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Speaker 1: my favorite hip hop producer for the last.

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Speaker 3: Five years. His early work with the Beastie Boys and

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Speaker 3: run DMC. Yes, before he was alive. Yeah, got a

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Speaker 3: lay on like shoes ball y.

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Speaker 1: I already have the feeling, ladies and gentlemen, that this

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Speaker 1: might be my favorite episode of my short lived radio show,

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Speaker 1: simply because I'm such a fan of our guest he

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Speaker 1: was kind enough to come at the drop of a dime. Wait, dude,

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Speaker 1: dimes still exists in two thousand and seven.

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Speaker 7: People people actually drop them more than of a super

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Speaker 7: rich people ask those kind of questions, what is that?

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Speaker 3: That was a very.

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Speaker 7: I will say this. I was poor, poor long time,

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Speaker 7: and I'm never like, oh, let me get that dime.

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Speaker 6: I don't know if that's obviously you with the coin

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Speaker 6: star like, I gotta.

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Speaker 3: Go to coin starre when we get back to New York. No,

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Speaker 3: you ain't trolling me, because we all know what's happening next.

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Speaker 3: I like times, believe me. Yeah, we know, bags of

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Speaker 3: bags and bags. They don't make you.

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Speaker 6: Started twenty and keep going.

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Speaker 3: I meant actual dimes. You know what's crazy? It worked.

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Speaker 7: I thought you're talking about girls like You're like, I

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Speaker 7: like dimes.

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Speaker 3: Like, and I was like, yeah, they're the smallest. You're right,

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Speaker 3: this is the greatest episode exactly, all right.

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Speaker 1: I didn't even get my introduction. Ladies, John, please welcome

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Speaker 1: my favorite Carmichael.

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Speaker 3: Yes, you guys, I'm happy to be here. Two Carolina

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Speaker 3: boys in here today. Got yo, yes, yes, yeah, accent

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Speaker 3: all right.

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Speaker 1: I also want to thank uh well I am for

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Speaker 1: being very gracious uh for letting us use his his

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Speaker 1: facilities to record this shot the bathroom.

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Speaker 3: But yeah, can we.

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Speaker 7: Talk about the bathroom. I haven't been to the bathroom.

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Speaker 7: I've come here once or twice before. I haven't used

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Speaker 7: the bad I can't believe I missed out.

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Speaker 3: On without using that from the future. It's life goals.

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Speaker 3: It is.

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Speaker 1: Yeah, And what's amazing. What I didn't know is that

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Speaker 1: when you're finished the toilet, the light comes on in

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Speaker 1: the toilet, like a glowing light comes from the bowl. Yeah,

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Speaker 1: and it's self cleans Yeah. And and the air sucks

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Speaker 1: out the funk.

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Speaker 3: Yeah. Wow, it's a glowing light. If you don't have

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Speaker 3: to ship, figure out a way to ship.

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Speaker 7: Away from I think that's I think that's cool if

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Speaker 7: you're like under seventy and like, because like over a

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Speaker 7: certain age, like all your ship's become like like a study.

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Speaker 3: And you're doing it.

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Speaker 7: I feel like all our grandparents have to look and

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Speaker 7: make sure and they just seeing a light they will

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Speaker 7: think it's God called me.

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Speaker 5: I'm scared because I don't know that the light was coming.

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Speaker 5: But you know, it's it's it's it's amazing to see that.

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Speaker 3: Not to mention it.

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Speaker 1: The air thing is so necessary because I don't know

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Speaker 1: about But if you've ever been in a situation where

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Speaker 1: like usually if I'm in a hotel room or home,

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Speaker 1: you know, like if I'm in a hotel room, I'm

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Speaker 1: instantly trying to make friends with the security guard so

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Speaker 1: that I can hit the gym real quick. Like I

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Speaker 1: never go in my room because you know that that

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Speaker 1: might be a deal breaker with her. Like and the

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Speaker 1: noise and all that stuff, like it comes with its

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Speaker 1: own white noise.

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Speaker 3: In the water, the water, everything is the best episode.

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Speaker 3: You can't be waste water like that. I will bring

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Speaker 3: a blender in radio. I'll take a radio in the bathroom. Noise, man, no,

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Speaker 3: So welcome to How are you today? Man?

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Speaker 7: I believe this is how most episodes of Meet the

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Speaker 7: Press Ulso, So what were you.

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Speaker 3: Doing today before I called and interrupted your cycle? I

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Speaker 3: canceled a couple of things. You know me?

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Speaker 7: Of course, of course, you know when you get the

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Speaker 7: text from you, you you show up i'd say that

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Speaker 7: I also missed the missed the picnic. I thought it

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Speaker 7: was this perfect Wait was this was this my guilt card?

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Speaker 7: Now let me tell you it wasn't.

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Speaker 3: I was.

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Speaker 7: Here's the thing. I was genuinely excited to do it.

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Speaker 7: The second thought was, oh, yeah, I missed the picnic.

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Speaker 3: This is great.

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Speaker 7: This is a great thing. Where I get to I'm

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Speaker 7: still going to get you for the next picnic, though,

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Speaker 7: I'm excited for it. But this is such a I

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Speaker 7: just like missed out on some editing. I'll work on Sunday.

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Speaker 3: It works. You're what are you editing right now?

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Speaker 7: The TV show? IM work and we're about wrap for

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Speaker 7: the season, so like we're just editing. Yeah, so we're

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Speaker 7: just doing that and uh and then that's it. I'll

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Speaker 7: do some stand up probably tonight.

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Speaker 3: So officially season three is ago, season.

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Speaker 7: Threes ago, May thirty first. Ah, yeah, yeah, so I'm excited.

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Speaker 3: This season season one on Netflix on Netflix.

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Speaker 7: Now, Yeah, this season, I'm I'm like really excited. You

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Speaker 7: ever like like work on something and you're like, I

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Speaker 7: know I said I was excited for the other ship,

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Speaker 7: but I know I mean it this time, Like this time,

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Speaker 7: I'm really this season is a sophomore album. Yeah, I'm

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Speaker 7: like really because it's like crazy. The first episode we taped,

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Speaker 7: my grandmother commits suicide. She kills herself on camera. It's

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Speaker 7: gonna be a fu text the pills and dies on

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Speaker 7: It's a crazy thing that happens. I'm spoiling it. That's

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Speaker 7: how excited I invite, Like Marla Gibbs plays my grandma,

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Speaker 7: and and and it's a it's that was the first

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Speaker 7: episode we take.

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Speaker 1: I'm excited and figure out, like what taboo subjects can

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Speaker 1: we cover and just revel in it.

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Speaker 7: Any any conversation I have or any like subject that

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Speaker 7: comes up that wakes me up, you know, like you

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Speaker 7: the things that you talk about throughout the day to

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Speaker 7: actually wake you up that you're like the conversations you engaged.

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Speaker 7: And that's the ones that we try and make episodes

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Speaker 7: out of because it's it's like boring otherwise, you know.

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Speaker 7: But like and assistant suicide was the thing we were

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Speaker 7: talking about, and it was like, oh, well this, yeah,

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Speaker 7: this will be a fun episode to do. Is she

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Speaker 7: playing Loretta Devine's mother or David? Yeah, yeah, so she

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Speaker 7: did a brief appearance in our first season. It's a blur.

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Speaker 7: I think our second I don't. It was all the

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Speaker 7: first one with six episodes. It's all a blurnment. But

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Speaker 7: and now she's back, and how did you She was

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Speaker 7: so excited? She was excited. I mean, I think people

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Speaker 7: get excited if the material is like you know, it

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Speaker 7: can spark some type of conversation or it is edgy

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Speaker 7: or like you know, excited to do.

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Speaker 3: So she was all for what is the writer's room

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Speaker 3: like for y'all show? Like who's all in it? What

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Speaker 3: does that look like?

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Speaker 7: It's a lot of arguing and yelling at each other

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Speaker 7: and having fun and disagreeing and jokes. It's it's a

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Speaker 7: fun environment. We I'll bring a lot of concepts like

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Speaker 7: before the season starts, and we'll just try and break

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Speaker 7: stories around them and find perspective and uh and argue

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Speaker 7: a lot.

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Speaker 1: Well, I was going to say, how deep are their arguments?

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Speaker 1: One time I spent I went on a set of

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Speaker 1: a comedy show to watch it taping, and during the breaks,

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Speaker 1: the show runner it was something out of like a

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Speaker 1: new edition dance step like the second May said and cut.

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Speaker 1: Suddenly the show runner ran to the spotlight and then

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Speaker 1: his fifteen writers like surrounded him in a circle.

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Speaker 3: It was like Harlem glos, all right, what you got? No, No,

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Speaker 3: that sucks. That sucks. No, that sucks. No, that's And.

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Speaker 1: I was looking after I saw the rhythm of the

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Speaker 1: third time go round. I was watching the ones that

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Speaker 1: got dismissed. Nope, not funny, not funny, and each time around,

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Speaker 1: like their body language just became like more.

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Speaker 3: Defeated. How do you how do you encourage the best

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Speaker 3: out of your writers?

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Speaker 1: Because I feel like the writing on the show and

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Speaker 1: acting as top notch, which obviously I could tell that, Oh,

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Speaker 1: everyone loves their jobs and they're excited and all that stuff.

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Speaker 1: How do you get the best out of your writers

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Speaker 1: without deflating them.

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Speaker 7: I think it's like, if you're being honest with me,

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Speaker 7: I think that's your best. It always looks for truth first.

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Speaker 7: So like, the thing that I care about the most

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Speaker 7: is that they are bringing honest perspective to something.

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Speaker 3: A joke is just.

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Speaker 7: You know, this tension you create that you just let

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Speaker 7: the air out. So sometimes people yell something that's not

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Speaker 7: really even a joke. They're really angry, and it works,

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Speaker 7: you know.

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Speaker 3: What I mean.

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Speaker 7: I guess I'm saying using all the most you want

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Speaker 7: to keep morale high and you want people to feel

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Speaker 7: like their voice is being heard. But the most important

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Speaker 7: thing that you can bring is truth and that that

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Speaker 7: comes in any shade of emotion. So we just try

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Speaker 7: and make everybody feel included, you know, and we hear.

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Speaker 7: But it's also a tough thing, you know, certain thing

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Speaker 7: you have to go with your guts.

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Speaker 3: Ys, do you trust yourself to have the final say though?

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Speaker 7: Yeah, that's so dangerous. Yeah, but it's fun. It's because

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Speaker 7: anything good comes from a specific vision. Everything needs to

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Speaker 7: like so it always has to be through a filter

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Speaker 7: of some sort.

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Speaker 3: You know.

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Speaker 7: Things are a collaborative process, but it has to be uh,

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Speaker 7: something that you know, usually one or two people kind

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Speaker 7: of agree on that has to be the guard for

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Speaker 7: the entire process. And so a lot of things, I

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Speaker 7: do trust it because I just trust like gut instinct.

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Speaker 7: It's like, no, I feel this, and even if it's

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Speaker 7: not the funniest joke, I feel like it fits. It's

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Speaker 7: kind of like you know, jazz if you will, where

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Speaker 7: it's just it's kind of off this feeling as it

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Speaker 7: fits into a structure, and so I just trust that

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Speaker 7: more than anything.

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Speaker 3: So Loretta by the way I.

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Speaker 1: Think of all the projects that I've seen her do,

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Speaker 1: this is like one of my I feel like, I

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Speaker 1: don't know if I'm jumping the gun. I feel like

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Speaker 1: it should actually garner like Ammy attention.

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Speaker 3: Like how she's she is incredible. It's so relatable to

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Speaker 3: me watch the show yet, Yeah she is. Yeah earlier,

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Speaker 3: I said earlier while you were on your computer.

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Speaker 7: She's like, I'm so incredible. I was just talking about, like,

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Speaker 7: I'm really lucky to have the cast that I have.

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Speaker 8: It.

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Speaker 7: Really it gives me chills thinking about like how great

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Speaker 7: everyone is, Like everyone's so naturally funny and gifted. And

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Speaker 7: I mean they make it easy really because you just, like,

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Speaker 7: you know, writing stuff. A lot of times I just

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Speaker 7: do impressions of them and like I try and do

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Speaker 7: my best Loretta Divine voice, if my David Allen Greer,

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Speaker 7: my Little Rell, and and they make it easy because

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Speaker 7: you can see them. They're such full people in full characters.

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Speaker 1: Well now that uh, little Rell and Tiff will probably

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Speaker 1: have Little Rell is already having a great yeah, and

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Speaker 1: I'm certain that Tiff will have Tiffany A Dish will

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Speaker 1: have an equally awesome summer once her movie.

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Speaker 7: A Girl Trip comes out out soon or Juliable.

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Speaker 3: Yeah, so are there those characters are going to be

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Speaker 3: more fleshed out and developed.

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Speaker 7: Yeah, we get into, uh, you know, a lot of

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Speaker 7: their backstory or things that they're going through in their

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Speaker 7: lives this season because everyone's so comfortable in the character

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Speaker 7: and they even let us borrow things from their lives

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Speaker 7: or or you know, to use for the show.

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Speaker 3: So definitely we go deeper with with everybody. Cool.

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Speaker 7: Yeah, I'm excited, really excited about it. I know it

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Speaker 7: sounds like the bullshit everybody says about a thing within.

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Speaker 1: I think you're genuinely excited because most comedians I know

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Speaker 1: are off camera they're very cynical, and.

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Speaker 3: Like you seem unusually and genuinely happy. Yeah. I'm like,

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Speaker 3: your bills are paid.

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Speaker 7: Yeah, well yeah, but I'm like, this is gonna well

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Speaker 7: I hear the bills are paid, then, oh so still

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Speaker 7: fly by big time.

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Speaker 3: It starts playing myself.

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Speaker 5: Yeah, I wanted that to talk to you about the

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Speaker 5: casting for the show and how long that took, because

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Speaker 5: particularly with David Allen Greer, like he was a guy

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Speaker 5: that was normally known for kind of playing the uptight,

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Speaker 5: kind of preppy guy but he's total on this show

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Speaker 5: and it's killing it.

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Speaker 3: What was that? Like, how involved were you in the

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Speaker 3: casting of the show.

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Speaker 7: Very I mean it was all chemistry and just having

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Speaker 7: him walk in and Loretta walk in, You're immediately like,

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Speaker 7: I can't believe that even here, you know, I'm just

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Speaker 7: so excited that here. And then it was an immediate Yeah,

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Speaker 7: it was like David Loretta, it was immediate. Yes, I

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Speaker 7: mean they were just great and they brought the material

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Speaker 7: to life and they made you want to write more.

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Speaker 3: David is good.

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Speaker 7: David plays his character I think really well, because I

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Speaker 7: mean that's David at his core. David is just a

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Speaker 7: nigga's to code with us when the camera's on.

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Speaker 3: But yeah, here's the thing.

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Speaker 7: David is just, first of all, one of the most articulate,

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Speaker 7: well like well yellow drama school, like just as a person,

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Speaker 7: like so cultured. But David at his court this is

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Speaker 7: I mean, this is David himself.

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Speaker 3: Yeah, this is so David.

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Speaker 7: You don't even mind me saying that, Like, David is

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Speaker 7: a nigga.

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Speaker 3: I love it.

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Speaker 5: A couple of years now, guys, tell me about because

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Speaker 5: you're from you're from Winston Salem, Yes, and so I

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Speaker 5: grew up in Greensboro. That's my hometown, but my family

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Speaker 5: is actually Winston too, so uh really yeah, my family,

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Speaker 5: my grandmother's this is my great aunt. She lived in

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Speaker 5: Oh my gosh, she's around the corner from Carver. Wow,

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Speaker 5: I can't remember the.

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Speaker 3: Name of neighborhood. I'm totally butchering it. Yeah, yeah, I'm

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Speaker 3: blanking too. Yeah, but it was, it was. It was

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Speaker 3: very Winston.

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Speaker 5: A lot of times in your comedy you talk about,

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Speaker 5: you know, your beginnings and like how you know, coming

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Speaker 5: up poor and you know all that.

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Speaker 3: Tell me about that, because we it was the best.

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Speaker 3: Tell you what it was. It was.

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Speaker 7: It was funny, it was a good it was It

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Speaker 7: was a good environment in the sense that it was

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Speaker 7: filled with you know, it was interesting. What did your

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Speaker 7: folks do? My dad truck driver. My mom was a

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Speaker 7: secretary at Brenner's Children's Hospital.

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Speaker 3: Ah, my aunt she worked at Baptists. Everybody worked, everybody works, everybody.

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Speaker 3: My grandfather he used to work at rentals. I thought

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Speaker 3: you were going to say you were born there. No, no, no,

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Speaker 3: I wasn't born there my grandma.

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Speaker 7: But yeah, everybody you know, and and it's this community

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Speaker 7: that's you know it's it's small but not Yeah, I

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Speaker 7: realized I didn't realize it's a decent sized city once

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Speaker 7: the Salem was in Greensboro or decent sized cities. And

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Speaker 7: it's like, as I learned, you know, the more I

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Speaker 7: meet people, such a similar experience to anybody grew up

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Speaker 7: in any hood. You know, like it's like so many

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Speaker 7: of the same elements there. It's a you know, just

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Speaker 7: a lot of people working class, trying, a lot of

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Speaker 7: single mom homes. Uh, people that wanted New Jordan's.

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Speaker 3: It was just like Dan's is how how it's how

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Speaker 3: Nike ads should look. I always see.

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Speaker 7: People like running up of Mountain. I'm just like, nah,

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Speaker 7: the core of that is I just do it, just

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Speaker 7: fuck it, yeah, outside of a store.

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Speaker 6: So were you always the funny kid?

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Speaker 7: It started like eighth grade, I was, I used uh

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Speaker 7: humor to not do homework, you know, that type of thing.

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Speaker 7: But but starting around then, I was, I was always

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Speaker 7: like writing and creating stuff and writing plays and and

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Speaker 7: filming things.

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Speaker 5: And from just writing, you know, your like your creative

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Speaker 5: writing and stuff like that. How did you take that

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Speaker 5: to the stage, Like when was you when did you

355
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Speaker 5: actually start doing stand up?

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Speaker 7: I started doing stand up here in LA. I didn't start, like,

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Speaker 7: I didn't want to start in North Carolina. Uh well,

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Speaker 7: but because why Well for me, I'm I'm really competitive,

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Speaker 7: and I wanted to be around people that truly their

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Speaker 7: life to it. Yeah, well the best and people that

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Speaker 7: were like serious about it. Yeah that's all that they do.

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Speaker 7: And and a lot of times in cities outside of

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Speaker 7: LA and New York would stand up. People are doing it,

364
00:20:38,240 --> 00:20:40,159
Speaker 7: but it's kind of a thing that people do, and

365
00:20:40,320 --> 00:20:44,560
Speaker 7: it's too easy, too easily a hobby, even if people's

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Speaker 7: part and passion was into it, like just having the

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Speaker 7: time to do it, like it was kind of this hobby.

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Speaker 7: And I wanted to move in to where people were

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Speaker 7: just you know, ruthlessly ambitious and trying to do it,

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Speaker 7: and like that's an energy that I film more comfortable around.

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Speaker 1: So you didn't want to be the big shark in

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Speaker 1: a small pine for a little bit in North Carolina.

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Speaker 7: No, because that hurts people, that that gives you this

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00:21:08,800 --> 00:21:13,160
Speaker 7: false sense of of you know, yeah, especially the way

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Speaker 7: if it were if it were music, I just say

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Speaker 7: that I was gonna say no. But music is different

377
00:21:18,440 --> 00:21:21,399
Speaker 7: because music is such a it's an immediate thing. I

378
00:21:21,760 --> 00:21:26,160
Speaker 7: if I created stand up like my friend Bo Burnham

379
00:21:26,359 --> 00:21:30,000
Speaker 7: did this, like he got famous doing stand up from

380
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Speaker 7: his home because it was a thing that you record

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00:21:32,640 --> 00:21:35,360
Speaker 7: and you release. He did videos. He was like YouTube

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Speaker 7: and like use the internet for that and music kind of.

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Speaker 7: Prince can be at Paisley Park if you're in New York.

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Speaker 7: It doesn't it doesn't matter. It's not like you your

385
00:21:45,080 --> 00:21:47,560
Speaker 7: first your first experience with Prince for most people isn't

386
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Speaker 7: a live performance. You know, like this this live show.

387
00:21:50,800 --> 00:21:53,320
Speaker 7: It's a skill that he developed. But if it is

388
00:21:53,440 --> 00:21:56,320
Speaker 7: just travels differently. Stand up comedy a lot of times

389
00:21:56,359 --> 00:21:59,960
Speaker 7: people discover you in a club, especially earlier on before

390
00:22:00,000 --> 00:22:03,080
Speaker 7: anyone's trying to record anything that you do. You're you're

391
00:22:03,320 --> 00:22:05,840
Speaker 7: in a club, and and that's where you hone your skills.

392
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Speaker 7: So it made more sense to be around people who

393
00:22:09,520 --> 00:22:11,960
Speaker 7: are who are doing it like that. If I were

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00:22:11,960 --> 00:22:14,920
Speaker 7: a musician, then I may have I would. I mean, obviously,

395
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Speaker 7: you know from North Carolina, you know, looking at what

396
00:22:17,960 --> 00:22:21,639
Speaker 7: Little Brother did, look with Prince from where he's from. Uh,

397
00:22:22,760 --> 00:22:24,680
Speaker 7: But stand up just travels a little bit differently. With

398
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Speaker 7: that said, there are people who have been in the

399
00:22:26,960 --> 00:22:31,080
Speaker 7: hometown and gotten their material out. But I just think

400
00:22:31,119 --> 00:22:34,520
Speaker 7: it's such a competitive thing initially that you just got

401
00:22:34,600 --> 00:22:35,159
Speaker 7: to be around it.

402
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Speaker 3: So why not New York instead of LA? Because I

403
00:22:40,720 --> 00:22:41,600
Speaker 3: also two things.

404
00:22:41,680 --> 00:22:45,359
Speaker 7: I had an interest in film and television from the beginning,

405
00:22:45,359 --> 00:22:46,760
Speaker 7: and it's a thing that I wanted to learn and

406
00:22:46,880 --> 00:22:50,399
Speaker 7: be around, and I was excited to jump into that. Also,

407
00:22:50,760 --> 00:22:52,680
Speaker 7: I have like an aunt who lives in New York,

408
00:22:52,760 --> 00:22:54,399
Speaker 7: and I have friends that were in New York. And

409
00:22:54,480 --> 00:22:57,840
Speaker 7: I had a place to stay and security. Yeah, I

410
00:22:57,840 --> 00:22:59,919
Speaker 7: didn't want a security blank it just LA. I'd never

411
00:23:00,080 --> 00:23:01,480
Speaker 7: really here and I didn't know anyone.

412
00:23:01,760 --> 00:23:02,840
Speaker 6: So how did you afford that?

413
00:23:03,000 --> 00:23:03,160
Speaker 3: Then?

414
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Speaker 7: How do you say, you're a little bit of working

415
00:23:04,880 --> 00:23:08,600
Speaker 7: at a shoe store, worked the finish line. You know,

416
00:23:08,960 --> 00:23:13,440
Speaker 7: you're no no back back. Yeah, by the grace of God,

417
00:23:13,480 --> 00:23:15,439
Speaker 7: I have. I didn't have a regular job in LA.

418
00:23:15,720 --> 00:23:18,320
Speaker 7: I moved and tried to have an apartment for a

419
00:23:18,359 --> 00:23:20,960
Speaker 7: little bit, slept on couches. After that, you know, the

420
00:23:21,600 --> 00:23:24,520
Speaker 7: the typical artists grind of like just trying to figure

421
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Speaker 7: it out.

422
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Speaker 3: And then you were to finish line in the mall

423
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Speaker 3: and Haines Mall. I was there for years.

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Speaker 7: I was there, and then I graduated high school, and

425
00:23:32,880 --> 00:23:35,880
Speaker 7: that really highlights how uncool it was to be there.

426
00:23:35,960 --> 00:23:37,600
Speaker 7: Like I wasn't going to college and I was just

427
00:23:37,720 --> 00:23:40,280
Speaker 7: there and people would come home for like breaking like

428
00:23:40,359 --> 00:23:44,359
Speaker 7: nig you're still here, yeah that guy, that guy.

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Speaker 3: Briefly, this is.

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Speaker 9: Possible because just for the people who are listening, who

431
00:23:46,840 --> 00:23:48,000
Speaker 9: are like, you know, one day I want to move

432
00:23:48,040 --> 00:23:50,040
Speaker 9: to l A and do big things like you can

433
00:23:50,160 --> 00:23:52,399
Speaker 9: save a couple of finish line checks, you know.

434
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Speaker 7: And truthfully, when I moved to LA I was working

435
00:23:57,560 --> 00:23:59,919
Speaker 7: two thousand and eight, I was working there. This all

436
00:24:00,080 --> 00:24:03,240
Speaker 7: happened in a matter of like two months. I was

437
00:24:03,400 --> 00:24:05,920
Speaker 7: thinking about, like what I wanted to do with my life.

438
00:24:05,960 --> 00:24:08,800
Speaker 7: A friend of mine took me to comedy club. I'd

439
00:24:08,800 --> 00:24:10,560
Speaker 7: only been to one comedy club before my life. It

440
00:24:10,680 --> 00:24:13,359
Speaker 7: was at the Cellar in New York. My family visited.

441
00:24:13,400 --> 00:24:15,320
Speaker 7: I saw Dave Hotel performed. It was the first time.

442
00:24:15,480 --> 00:24:18,560
Speaker 7: My second time at a comedy club was in two

443
00:24:18,600 --> 00:24:22,760
Speaker 7: thousand and eight. A friend took me. I wanted to

444
00:24:22,880 --> 00:24:25,080
Speaker 7: do it. Somebody came in to finish line.

445
00:24:25,720 --> 00:24:26,400
Speaker 3: It was this guy.

446
00:24:26,680 --> 00:24:29,040
Speaker 7: He said, he was making small talk. I asked what

447
00:24:29,160 --> 00:24:32,640
Speaker 7: he did. He said he was an actor who lived

448
00:24:32,720 --> 00:24:34,879
Speaker 7: in LA I was like, man, that sounds cool. I

449
00:24:34,920 --> 00:24:38,560
Speaker 7: want to move there. He was like, just move and

450
00:24:38,680 --> 00:24:42,240
Speaker 7: I was like oh, and he told me like, go

451
00:24:42,400 --> 00:24:45,840
Speaker 7: to Craigslist of Westside rentals, final place and move.

452
00:24:47,080 --> 00:24:48,040
Speaker 3: And then I did.

453
00:24:48,200 --> 00:24:51,760
Speaker 7: I remember like printing the receipt paper, wrote those things down,

454
00:24:52,560 --> 00:24:55,119
Speaker 7: and I was here in August and that was.

455
00:24:55,520 --> 00:24:56,320
Speaker 3: You landed here.

456
00:24:56,560 --> 00:25:00,080
Speaker 7: Then decided and then and yeah, well I had I

457
00:25:00,160 --> 00:25:02,440
Speaker 7: found a place on Craigslist. They didn't have photo. I

458
00:25:02,520 --> 00:25:03,879
Speaker 7: had a place that I was going to. It was

459
00:25:03,920 --> 00:25:06,680
Speaker 7: like a one bedroom apartment. Three other people were in there.

460
00:25:06,720 --> 00:25:10,040
Speaker 7: I slept on a love seat, you know, like and

461
00:25:10,400 --> 00:25:12,919
Speaker 7: I was happy. Yeah, I was really happy. And then

462
00:25:13,320 --> 00:25:15,560
Speaker 7: I just started comedy as soon as I got here.

463
00:25:15,680 --> 00:25:17,040
Speaker 6: And how long was that life?

464
00:25:18,520 --> 00:25:20,200
Speaker 3: I mean a few years for me.

465
00:25:20,840 --> 00:25:24,680
Speaker 7: For me, things happened kind of quickly, you know when

466
00:25:24,680 --> 00:25:27,359
Speaker 7: you look at a lot of comedian stories, like you know,

467
00:25:27,560 --> 00:25:31,200
Speaker 7: some guys ten years or fifteen years of trying to

468
00:25:31,240 --> 00:25:35,040
Speaker 7: figure it out. But for me, after about a year,

469
00:25:35,640 --> 00:25:38,280
Speaker 7: I you know, it kind of clicked for me. And

470
00:25:38,359 --> 00:25:41,240
Speaker 7: then by two years in I was kind of on

471
00:25:41,359 --> 00:25:45,879
Speaker 7: a you know, under the uh. I had the attention

472
00:25:46,040 --> 00:25:50,480
Speaker 7: of industry or whatever whatever stuff leads none of it matters,

473
00:25:50,600 --> 00:25:54,200
Speaker 7: but it does. It doesn't, but it does. I hate

474
00:25:54,240 --> 00:25:56,480
Speaker 7: it and I love it to be the name of

475
00:25:56,560 --> 00:25:58,000
Speaker 7: the memoir. I hate it, but I love it.

476
00:26:02,720 --> 00:26:05,480
Speaker 3: What spots were you working out of when you first

477
00:26:05,600 --> 00:26:09,920
Speaker 3: came to l A improv laugh Factory?

478
00:26:10,240 --> 00:26:14,560
Speaker 7: All the clubs, a lot of back rooms, bars, surprise shows,

479
00:26:14,600 --> 00:26:16,320
Speaker 7: people that thought they would come and watch a game.

480
00:26:19,240 --> 00:26:22,159
Speaker 3: So who's the first person? I mean, I almost imagine that.

481
00:26:22,240 --> 00:26:26,200
Speaker 1: It's almost like entering comedies could be the equivalent of

482
00:26:27,359 --> 00:26:30,200
Speaker 1: like your first day in jail, Like who's the who's

483
00:26:30,240 --> 00:26:33,359
Speaker 1: the first person? That you kind of had to be

484
00:26:33,520 --> 00:26:34,840
Speaker 1: friends to sort of get the rules?

485
00:26:34,880 --> 00:26:38,720
Speaker 7: And my friend still my best friend to the stage,

486
00:26:38,800 --> 00:26:39,680
Speaker 7: Jamar Neighbors.

487
00:26:39,920 --> 00:26:42,440
Speaker 3: Yo, we're going to talk about him in a second.

488
00:26:42,720 --> 00:26:47,280
Speaker 7: Love him first, first person. Uh, the only piece of

489
00:26:47,560 --> 00:26:50,639
Speaker 7: advice I've taken was from him, the only so he

490
00:26:50,760 --> 00:26:53,800
Speaker 7: was established first, he had been He's from l A Okay,

491
00:26:54,160 --> 00:26:56,280
Speaker 7: and so he was familiar with it and he was

492
00:26:56,320 --> 00:26:59,680
Speaker 7: still coming up and still you know, figuring it out.

493
00:26:59,720 --> 00:27:02,960
Speaker 7: But I did my first open mic at the Comedy

494
00:27:03,000 --> 00:27:04,800
Speaker 7: Store and I got off stage and he was like,

495
00:27:05,400 --> 00:27:07,160
Speaker 7: it's like, hey, man, you're funny. You just slow down

496
00:27:07,200 --> 00:27:10,240
Speaker 7: a little bit and you Yeah he said that, but

497
00:27:10,640 --> 00:27:15,040
Speaker 7: you were first set man, first set. It was just

498
00:27:15,200 --> 00:27:18,040
Speaker 7: like a it was like twister doing commons.

499
00:27:20,160 --> 00:27:22,320
Speaker 3: No one like you. I was going to say, like

500
00:27:22,640 --> 00:27:27,520
Speaker 3: you're your level of silence and pacing is.

501
00:27:28,200 --> 00:27:30,760
Speaker 5: Really on the last special like that ship was that

502
00:27:30,920 --> 00:27:34,560
Speaker 5: was balls? Nah for real, Like that was yeah, it

503
00:27:34,680 --> 00:27:35,000
Speaker 5: was dope.

504
00:27:35,480 --> 00:27:35,720
Speaker 3: Thank you.

505
00:27:36,160 --> 00:27:39,159
Speaker 1: So you don't feel a certain way like if you happened,

506
00:27:39,800 --> 00:27:41,840
Speaker 1: if you say it punchline and it might go with

507
00:27:41,920 --> 00:27:45,440
Speaker 1: an audience member ahead or whatever, you'll just let it do.

508
00:27:45,960 --> 00:27:48,920
Speaker 7: Yeah, there's somebody like you. You thought it for a

509
00:27:49,000 --> 00:27:51,400
Speaker 7: reason and you you crafted and say it a certain

510
00:27:51,440 --> 00:27:55,840
Speaker 7: way for a reason. And it's like, especially if i'm taping,

511
00:27:56,080 --> 00:27:58,640
Speaker 7: you know, like taping a special, it's not just even

512
00:27:58,680 --> 00:28:03,000
Speaker 7: about the room. It's going into people's homes, and it's

513
00:28:03,119 --> 00:28:06,920
Speaker 7: like you record it for that experience, you know, And

514
00:28:07,000 --> 00:28:10,879
Speaker 7: that's what I make specials for. And but on stage,

515
00:28:10,960 --> 00:28:13,720
Speaker 7: you know, if any live show, if a thing goes over,

516
00:28:13,800 --> 00:28:16,960
Speaker 7: there's something for you. And that was Sometimes I'll write

517
00:28:17,040 --> 00:28:20,920
Speaker 7: something or think something that I know, like in a

518
00:28:21,000 --> 00:28:24,000
Speaker 7: room full one hundred people, ten are going to connect

519
00:28:24,080 --> 00:28:26,359
Speaker 7: with us and I'm completely cool and.

520
00:28:26,400 --> 00:28:26,920
Speaker 3: You're fine with that.

521
00:28:27,080 --> 00:28:30,520
Speaker 7: Yeah, because for that ten it's really going to mean something.

522
00:28:31,359 --> 00:28:34,200
Speaker 7: As a whole, it'll be you know, it'll be something

523
00:28:34,320 --> 00:28:36,240
Speaker 7: I ideally i'd say that, I'm sure a couple of

524
00:28:36,280 --> 00:28:42,840
Speaker 7: people have left. I'm happy, but but there'll be something

525
00:28:42,880 --> 00:28:45,840
Speaker 7: for everybody. You know, that's the goal. But you know

526
00:28:45,960 --> 00:28:47,120
Speaker 7: some things aren't for everybody.

527
00:28:48,520 --> 00:28:51,160
Speaker 3: The first show, the one you did delive at the store,

528
00:28:51,640 --> 00:28:52,640
Speaker 3: how did that come about?

529
00:28:53,000 --> 00:28:53,040
Speaker 1: And?

530
00:28:53,240 --> 00:28:54,520
Speaker 5: Well, first, how long did it take for you to

531
00:28:54,560 --> 00:28:57,120
Speaker 5: write that material? And how to Spike Leaguet involved?

532
00:28:57,760 --> 00:29:02,640
Speaker 7: I I that was kind of material that I that

533
00:29:02,760 --> 00:29:05,760
Speaker 7: was two thousand and fourteen. I think when we take that,

534
00:29:06,720 --> 00:29:08,320
Speaker 7: it was just stuff over the years that I kind

535
00:29:08,360 --> 00:29:11,000
Speaker 7: of picked up on and a lot of I say,

536
00:29:11,000 --> 00:29:12,800
Speaker 7: over the years, there was some things from over the years,

537
00:29:12,800 --> 00:29:14,560
Speaker 7: and then a lot of it was just new. The

538
00:29:15,520 --> 00:29:17,800
Speaker 7: goal for that was to treat it as if it

539
00:29:17,920 --> 00:29:20,720
Speaker 7: was just you coming to the comedy store on a

540
00:29:21,880 --> 00:29:25,800
Speaker 7: Saturday night and just me kind of doing some old material,

541
00:29:26,000 --> 00:29:28,000
Speaker 7: trying out new stuff, and just for it to be

542
00:29:28,600 --> 00:29:31,920
Speaker 7: organic and natural. The voice that introduced me is this guy,

543
00:29:32,080 --> 00:29:35,040
Speaker 7: Argus Hamilton, who always has nine to fifteen spot at

544
00:29:35,080 --> 00:29:36,960
Speaker 7: the store, and he would bring me up, and so

545
00:29:37,080 --> 00:29:38,920
Speaker 7: that's why I had to bring me up. Jamar did

546
00:29:39,000 --> 00:29:41,280
Speaker 7: a set. You know, it was a very Yeah, it

547
00:29:41,440 --> 00:29:44,200
Speaker 7: was like a very like. I wanted it to feel

548
00:29:44,280 --> 00:29:46,320
Speaker 7: that vibe got spike because I wanted it to feel

549
00:29:46,360 --> 00:29:49,680
Speaker 7: like a documentary. I don't usually like comedy specials, if

550
00:29:49,720 --> 00:29:51,480
Speaker 7: I'm being honest, and so I wanted it to.

551
00:29:51,480 --> 00:29:54,360
Speaker 3: Feel like explosions and your name in the back. It's

552
00:29:54,480 --> 00:29:55,000
Speaker 3: just all this.

553
00:29:56,920 --> 00:29:59,400
Speaker 7: Yeah, all this unnecessary popping ones.

554
00:30:00,440 --> 00:30:02,720
Speaker 3: The cut to six years later from now it's comedy

555
00:30:02,760 --> 00:30:07,320
Speaker 3: spec No but your, but your. It has to fit you.

556
00:30:07,520 --> 00:30:09,240
Speaker 7: I think the reason I like it is because things

557
00:30:09,280 --> 00:30:13,320
Speaker 7: aren't necessarily personal, like like Chris Rock is a guy

558
00:30:13,880 --> 00:30:16,960
Speaker 7: who the cr behind his head makes it. It fits

559
00:30:17,040 --> 00:30:19,640
Speaker 7: with the vibe. That's how it's comedy looks and sounds

560
00:30:20,320 --> 00:30:24,240
Speaker 7: comedians like. Not everybody's gonna fit that vibe. Like comedians

561
00:30:24,640 --> 00:30:28,000
Speaker 7: have this tendency to go away from their own lane

562
00:30:28,120 --> 00:30:30,360
Speaker 7: and try and fit into what they think comedy is.

563
00:30:31,000 --> 00:30:33,760
Speaker 7: And and so that's why specials start looking alike and

564
00:30:33,840 --> 00:30:37,520
Speaker 7: sounding alike, and and people's materials starts running in together

565
00:30:37,600 --> 00:30:40,960
Speaker 7: because everyone tries to fit comedy instead of bringing comedy

566
00:30:41,040 --> 00:30:43,560
Speaker 7: to them. So with the Love at the Store, was

567
00:30:43,640 --> 00:30:46,400
Speaker 7: just important to have it personal. It was just a

568
00:30:46,520 --> 00:30:49,240
Speaker 7: personal documentary. I go to my notebook, I try out

569
00:30:49,280 --> 00:30:49,880
Speaker 7: new ship, I.

570
00:30:49,880 --> 00:30:52,240
Speaker 5: Would say, So that last bit when you like the

571
00:30:52,280 --> 00:30:53,680
Speaker 5: Illuminati garbage man.

572
00:30:53,680 --> 00:30:56,440
Speaker 7: Yeah, like that was that was really you just trying

573
00:30:56,480 --> 00:30:58,680
Speaker 7: that out. I've done that before. I've done that before,

574
00:30:58,800 --> 00:31:03,479
Speaker 7: but it was it was relatively new. I think, like new,

575
00:31:03,520 --> 00:31:05,760
Speaker 7: I shouldn't the set, but it's like I've done that before.

576
00:31:06,040 --> 00:31:09,240
Speaker 7: It's and it's really written in that notebook, and it's

577
00:31:09,320 --> 00:31:12,080
Speaker 7: really because I just wanted it to feel that way.

578
00:31:13,280 --> 00:31:17,920
Speaker 7: But I uh, I called Spike. I was sometimes I

579
00:31:18,000 --> 00:31:19,640
Speaker 7: like I was trying to think of director. Sometimes I

580
00:31:19,760 --> 00:31:22,520
Speaker 7: like to think I would put on there's a song

581
00:31:22,640 --> 00:31:24,280
Speaker 7: from She's Got to Have It, Uh.

582
00:31:24,760 --> 00:31:27,440
Speaker 3: Nola with vocals, Yeah, there's a girl.

583
00:31:28,360 --> 00:31:31,240
Speaker 7: Yeah, And I was I was like playing that in

584
00:31:31,360 --> 00:31:36,840
Speaker 7: my living room and I was like, oh, Spike, yeah

585
00:31:37,560 --> 00:31:39,840
Speaker 7: every way, Yeah I was.

586
00:31:40,320 --> 00:31:48,320
Speaker 3: And then I love Nola with vocals and singing on

587
00:31:48,400 --> 00:31:55,240
Speaker 3: that one. That's him. Damn went deep with Ronn either King.

588
00:31:57,520 --> 00:32:05,480
Speaker 1: Reference King, Okay, should your popularity ramp up.

589
00:32:07,040 --> 00:32:13,320
Speaker 3: One hundredfold? Where you know you land three or four

590
00:32:15,120 --> 00:32:16,320
Speaker 3: big movies or whatever.

591
00:32:16,480 --> 00:32:20,280
Speaker 1: All right, say if you get Murphy ezed, Yeah, would

592
00:32:20,320 --> 00:32:24,640
Speaker 1: you think that your level of comedy could translate to.

593
00:32:26,840 --> 00:32:27,480
Speaker 3: Stadiums?

594
00:32:28,000 --> 00:32:32,440
Speaker 1: And because you're such an intimate former that you know,

595
00:32:32,600 --> 00:32:35,200
Speaker 1: is that even a dream like, Hey, I like to

596
00:32:35,560 --> 00:32:37,000
Speaker 1: sell out the Forum or you.

597
00:32:37,040 --> 00:32:39,600
Speaker 7: Know, the only way I would do it is if

598
00:32:39,720 --> 00:32:44,560
Speaker 7: I two things. If I felt like the material somehow

599
00:32:44,720 --> 00:32:48,160
Speaker 7: warranted that type of venue. You know, at that point

600
00:32:48,680 --> 00:32:50,400
Speaker 7: you always want to stay open as an artist. I

601
00:32:50,520 --> 00:32:55,600
Speaker 7: don't know exactly how change evolved, so staying open to that,

602
00:32:56,200 --> 00:32:58,800
Speaker 7: or if I found a way to bring the performance

603
00:32:59,760 --> 00:33:02,520
Speaker 7: or or some type of show to that arena where

604
00:33:02,560 --> 00:33:04,680
Speaker 7: I could truly feel it, not just for the sake

605
00:33:04,720 --> 00:33:08,920
Speaker 7: of seats, because comedy over anything over like three or

606
00:33:08,960 --> 00:33:13,680
Speaker 7: four thousand people. Really, even the just sound, the way

607
00:33:13,720 --> 00:33:17,160
Speaker 7: a laugh travels, it's like it's not everyone doing something

608
00:33:17,200 --> 00:33:19,600
Speaker 7: in Unison, it's it's it has to travel.

609
00:33:19,640 --> 00:33:22,400
Speaker 5: And Christy said that same thing, Chris. When Chris he

610
00:33:22,520 --> 00:33:24,760
Speaker 5: played Deep Act a couple of months ago. Yeah, and

611
00:33:24,920 --> 00:33:27,200
Speaker 5: he I was talking to his stage guy. He said,

612
00:33:27,320 --> 00:33:29,240
Speaker 5: he said the exact same thing. He said, you know,

613
00:33:29,440 --> 00:33:32,080
Speaker 5: you may do a joke and like the person in

614
00:33:32,120 --> 00:33:34,840
Speaker 5: the back may laugh first, and then it takes time.

615
00:33:35,240 --> 00:33:37,560
Speaker 5: Your timing is way different because you actually have to

616
00:33:37,600 --> 00:33:38,719
Speaker 5: give it time to travel.

617
00:33:38,920 --> 00:33:41,480
Speaker 7: Yeah, but you have to anytime. I mean I've done,

618
00:33:42,000 --> 00:33:45,440
Speaker 7: you know, theaters of four thousand seas. It just doesn't

619
00:33:46,120 --> 00:33:48,760
Speaker 7: the rhythm. You have to find a rhythm for that,

620
00:33:49,080 --> 00:33:52,760
Speaker 7: you know. And so if I did it consistently and

621
00:33:52,920 --> 00:33:55,000
Speaker 7: got used to it and found a way to bring

622
00:33:55,080 --> 00:33:56,600
Speaker 7: a show to that, then yeah, but not just for

623
00:33:56,680 --> 00:33:57,560
Speaker 7: the sake of filling seats.

624
00:33:57,600 --> 00:34:00,360
Speaker 3: I mean I care about the show first.

625
00:34:01,360 --> 00:34:05,080
Speaker 1: So as a comedian, how do you feel about I know,

626
00:34:06,960 --> 00:34:10,279
Speaker 1: one subject that I often hear, especially at the Tonight

627
00:34:10,320 --> 00:34:15,279
Speaker 1: show when comedians come on ish the idea of like

628
00:34:15,440 --> 00:34:20,080
Speaker 1: politically correct comedy and how we're in kind of a

629
00:34:20,160 --> 00:34:21,200
Speaker 1: new place right now.

630
00:34:21,719 --> 00:34:25,040
Speaker 3: Where Twitter has ruined everything.

631
00:34:25,560 --> 00:34:29,560
Speaker 1: Well, I mean, we're just in a more politically correct,

632
00:34:30,480 --> 00:34:36,239
Speaker 1: more sensitive place right now. Like in other words, I've

633
00:34:36,320 --> 00:34:41,880
Speaker 1: seen many a think piece on Day on Dave's Netflix

634
00:34:41,880 --> 00:34:46,319
Speaker 1: specials that didn't hit home with a lot of people

635
00:34:47,200 --> 00:34:50,080
Speaker 1: because of the way that times are now.

636
00:34:50,400 --> 00:34:55,280
Speaker 3: Like even if you watch Eddie Murphy's Raw, which Delirious

637
00:34:55,400 --> 00:34:57,920
Speaker 3: is like the first delirious.

638
00:34:57,760 --> 00:35:03,439
Speaker 1: Right like that couldn't fly now in twenty seventeen. How

639
00:35:04,960 --> 00:35:08,600
Speaker 1: but I know you especially with Jamar. Have you heard

640
00:35:08,600 --> 00:35:09,359
Speaker 1: America's Nigga?

641
00:35:09,400 --> 00:35:09,520
Speaker 9: Yes?

642
00:35:09,600 --> 00:35:13,920
Speaker 3: I have, all right, so Uh Brennan.

643
00:35:14,600 --> 00:35:18,000
Speaker 1: Neil Brennan hit me up like one in the morning

644
00:35:18,360 --> 00:35:21,960
Speaker 1: and was like, yo, I need you to go to

645
00:35:21,960 --> 00:35:24,759
Speaker 1: this website and download this record and listen. And if

646
00:35:24,840 --> 00:35:27,120
Speaker 1: you know Neil the way that I know Neil, like

647
00:35:27,480 --> 00:35:29,759
Speaker 1: there's Neil and Chris Rock are probably like the two

648
00:35:30,960 --> 00:35:38,280
Speaker 1: uh figures in my life that are a constant maybe

649
00:35:38,719 --> 00:35:43,560
Speaker 1: Fonte and Bill as well like that are not easily impressed. Yeah,

650
00:35:43,640 --> 00:35:46,040
Speaker 1: you have to actually be good for them to you know,

651
00:35:46,600 --> 00:35:49,520
Speaker 1: And yeah, Chris is Chris is hard to please.

652
00:35:49,600 --> 00:35:52,520
Speaker 3: Neil's even harder to please Neil. I don't bring something

653
00:35:52,600 --> 00:35:56,080
Speaker 3: to Neil unless I'm like I want to beat good.

654
00:35:56,200 --> 00:35:58,680
Speaker 3: Yeah yeah, yeah, it's like yeah. But the thing is

655
00:35:58,760 --> 00:36:01,200
Speaker 3: when they say it's cold and you're like, oh shit,

656
00:36:01,320 --> 00:36:02,920
Speaker 3: this is really gonna work. It means more than your

657
00:36:02,960 --> 00:36:03,800
Speaker 3: father's approval.

658
00:36:05,600 --> 00:36:08,840
Speaker 1: I'm telling you now, like yeah, like they're now like

659
00:36:09,000 --> 00:36:11,000
Speaker 1: my new dad's Like yeah, it means more.

660
00:36:12,000 --> 00:36:14,480
Speaker 7: I always go to them just to you know. Chris

661
00:36:14,560 --> 00:36:16,800
Speaker 7: called me after the special and that meant more. I

662
00:36:16,960 --> 00:36:18,160
Speaker 7: like told every I was like.

663
00:36:18,680 --> 00:36:23,960
Speaker 3: Chris called me that means something he got after the one. Yeah, yeah, yeah,

664
00:36:24,040 --> 00:36:26,399
Speaker 3: he called me. That totally means something. Yeah.

665
00:36:26,560 --> 00:36:30,480
Speaker 1: So when Neil told me, yo, listening to this record,

666
00:36:30,840 --> 00:36:33,160
Speaker 1: then I was like, oh god, you haven't done this

667
00:36:33,280 --> 00:36:36,239
Speaker 1: in like six years and six years ago it was

668
00:36:36,280 --> 00:36:39,120
Speaker 1: like a rap record I forget about Yeah, and I

669
00:36:39,239 --> 00:36:41,719
Speaker 1: heard it. I think that's the first time whenever like

670
00:36:41,880 --> 00:36:44,359
Speaker 1: critics asked me like, oh, where's your favorite record, that's

671
00:36:44,400 --> 00:36:46,839
Speaker 1: the first time a comedy record was ever really number

672
00:36:46,880 --> 00:36:50,520
Speaker 1: one record? But so, god damn uncomfortable.

673
00:36:50,880 --> 00:36:57,560
Speaker 7: Yes, but Jamar is just unapologetically himself, the most confident

674
00:36:57,640 --> 00:37:01,279
Speaker 7: person I've ever met, the most like pure, you know,

675
00:37:02,160 --> 00:37:06,799
Speaker 7: on stage, fearless and excited and doesn't give a fuck

676
00:37:06,880 --> 00:37:12,120
Speaker 7: about anyone's like anything of their opinion. There what, it's

677
00:37:12,280 --> 00:37:14,880
Speaker 7: just him, it's him, unapologetically him.

678
00:37:15,239 --> 00:37:19,520
Speaker 1: Well yeah, so where do you as far as where

679
00:37:19,640 --> 00:37:22,800
Speaker 1: the times are leaning? Like, I know that comedy is

680
00:37:22,800 --> 00:37:27,080
Speaker 1: supposed to be pain plus what's the formula it's supposed

681
00:37:27,080 --> 00:37:31,359
Speaker 1: to be like pain? In reality it's tragedy plus time. Yeah,

682
00:37:31,480 --> 00:37:35,640
Speaker 1: tragedy yeah, yeah, So how do you do you still

683
00:37:35,680 --> 00:37:39,840
Speaker 1: come from the school of Okay, I'm gonna take the

684
00:37:39,920 --> 00:37:43,120
Speaker 1: most taboo thing I can find and make it funny.

685
00:37:43,360 --> 00:37:47,680
Speaker 7: No, that's that's genuinely never my thought. I never think

686
00:37:47,680 --> 00:37:50,239
Speaker 7: about whether or not a thing is taboo or it

687
00:37:50,440 --> 00:37:52,759
Speaker 7: really is if it excites me, if it's something that

688
00:37:52,840 --> 00:37:56,520
Speaker 7: I have a perspective on, I don't say anything unless

689
00:37:56,640 --> 00:38:00,560
Speaker 7: I it comes from an honest place, such an honest

690
00:38:00,600 --> 00:38:04,440
Speaker 7: place that I'll either defend it, like I'll defend it

691
00:38:04,560 --> 00:38:07,360
Speaker 7: after it's been released, but I'm really defending it in

692
00:38:07,560 --> 00:38:10,719
Speaker 7: the joke. The joke is the defense of this thing,

693
00:38:11,520 --> 00:38:11,719
Speaker 7: you know.

694
00:38:11,719 --> 00:38:12,040
Speaker 3: What I mean.

695
00:38:12,120 --> 00:38:15,880
Speaker 7: Like, it's a self defense. It's a self represented concept

696
00:38:16,000 --> 00:38:18,799
Speaker 7: that you give. And it's like, yeah, I said all

697
00:38:18,880 --> 00:38:21,760
Speaker 7: the stuff i'd say a lot of times I'll preface

698
00:38:21,840 --> 00:38:23,960
Speaker 7: something with like, I know this is wrong and you'll

699
00:38:24,040 --> 00:38:27,120
Speaker 7: disagree with it, but here's an honest thought.

700
00:38:27,480 --> 00:38:31,239
Speaker 5: I think a good example of that in the joke

701
00:38:31,440 --> 00:38:33,440
Speaker 5: the bitch you do about not having a kid is

702
00:38:33,480 --> 00:38:34,279
Speaker 5: better than having a kid.

703
00:38:34,400 --> 00:38:37,560
Speaker 3: Yeah, dog, So yeah, it's just.

704
00:38:41,400 --> 00:38:41,520
Speaker 7: Yo.

705
00:38:42,120 --> 00:38:44,200
Speaker 3: He was like, Yo, he's watching a woman you don't

706
00:38:44,239 --> 00:38:48,360
Speaker 3: trust swallow a field. It's just like, yes, dog, yo.

707
00:38:48,400 --> 00:38:51,319
Speaker 7: I've never done I've never done, Molly, I have an

708
00:38:51,320 --> 00:38:54,520
Speaker 7: experimented with LSD or anything. But if it compares to

709
00:38:54,680 --> 00:38:59,760
Speaker 7: that feeling, I get it. It makes me understand heroin.

710
00:38:59,760 --> 00:39:03,360
Speaker 7: I'm oh that, oh oh, completely free and uninhibited and

711
00:39:03,520 --> 00:39:04,520
Speaker 7: like the world is yours?

712
00:39:04,640 --> 00:39:06,000
Speaker 3: Oh is that what heroin is?

713
00:39:07,480 --> 00:39:07,600
Speaker 9: Oh?

714
00:39:08,400 --> 00:39:14,200
Speaker 7: Well then yeah I do that. Yeah, yeah, it's the

715
00:39:14,600 --> 00:39:18,000
Speaker 7: defenses there. I'm my obligation is to me and to

716
00:39:18,160 --> 00:39:20,799
Speaker 7: be honest and to give you honest thoughts. I don't

717
00:39:21,040 --> 00:39:23,640
Speaker 7: consider it at all. I don't consider it like you know,

718
00:39:25,040 --> 00:39:27,080
Speaker 7: oh what, people aren't gonna hate because people are gonna

719
00:39:27,080 --> 00:39:29,200
Speaker 7: hate this because I'm not saying hateful things. It all

720
00:39:29,280 --> 00:39:33,080
Speaker 7: comes from such a real place. You know that that

721
00:39:33,239 --> 00:39:35,680
Speaker 7: I'm I'm either defending in the joke or if you

722
00:39:35,760 --> 00:39:38,880
Speaker 7: don't understand, I'll defend where I'm coming from. It's not

723
00:39:39,040 --> 00:39:43,440
Speaker 7: defending whether not a thing is right or wrong. You know,

724
00:39:43,719 --> 00:39:47,719
Speaker 7: that's not what artist art isn't about. You know, Hey,

725
00:39:48,120 --> 00:39:50,120
Speaker 7: this is the right point, you know, let me create

726
00:39:50,160 --> 00:39:53,719
Speaker 7: something around it. It's feeling and you I'm articulating a

727
00:39:53,840 --> 00:39:56,640
Speaker 7: feeling to you, and I'm saying this is how I

728
00:39:56,719 --> 00:39:59,080
Speaker 7: feel about a thing. I'm not trying to convince you

729
00:39:59,160 --> 00:40:02,080
Speaker 7: otherwise I'm saying, and this is how I feel what made.

730
00:40:01,960 --> 00:40:07,840
Speaker 1: You decide, especially in twenty sixteen, to have a multi camera.

731
00:40:08,800 --> 00:40:13,279
Speaker 7: Format because that is going to America. I like the

732
00:40:13,400 --> 00:40:16,719
Speaker 7: idea of like this is going to America, Like this

733
00:40:16,840 --> 00:40:21,120
Speaker 7: show goes out family, Yeah, this goes out to like

734
00:40:21,800 --> 00:40:24,480
Speaker 7: just like the homes that like us in the bubbles

735
00:40:24,480 --> 00:40:27,440
Speaker 7: of LA and New York. A lot of times don't consider,

736
00:40:27,960 --> 00:40:31,320
Speaker 7: you know, like my family's home. Like content is content

737
00:40:31,400 --> 00:40:34,360
Speaker 7: that's usually made for them, that's targeted for them, like

738
00:40:34,440 --> 00:40:38,120
Speaker 7: a multi cam or something like that usually dumbs down

739
00:40:38,280 --> 00:40:42,000
Speaker 7: to such a degree that it's not it doesn't feel fulfilling,

740
00:40:42,320 --> 00:40:42,480
Speaker 7: you know.

741
00:40:42,640 --> 00:40:44,560
Speaker 3: And so to me, this was the fun.

742
00:40:44,680 --> 00:40:46,920
Speaker 7: The fun is like and the challenge is to try

743
00:40:46,920 --> 00:40:50,279
Speaker 7: and bring something that hopefully has real thought and real

744
00:40:50,320 --> 00:40:54,440
Speaker 7: perspective in it to you know, an outlet that's targeted

745
00:40:54,560 --> 00:40:57,160
Speaker 7: to America, you know, because I mean there's a version

746
00:40:57,280 --> 00:41:00,440
Speaker 7: of this that could exist on emium. K.

747
00:41:02,200 --> 00:41:05,400
Speaker 3: Yeah, but I didn't make that. This isn't do you

748
00:41:05,480 --> 00:41:08,680
Speaker 3: think you could do that though? I mean I think

749
00:41:08,719 --> 00:41:09,440
Speaker 3: it would be fun to do.

750
00:41:09,719 --> 00:41:11,040
Speaker 7: I think it would be fun to try, because you

751
00:41:11,200 --> 00:41:13,960
Speaker 7: then you get to just be you know more personal,

752
00:41:14,040 --> 00:41:15,960
Speaker 7: you can stay in the pocket of something you can.

753
00:41:16,360 --> 00:41:19,040
Speaker 7: It's like those jokes that are saying that it's gonna

754
00:41:19,040 --> 00:41:21,040
Speaker 7: go over a lot of people's head. You're you're making

755
00:41:21,280 --> 00:41:25,640
Speaker 7: such specific art that you can kind of as long

756
00:41:25,680 --> 00:41:27,959
Speaker 7: as it's personal and it's you. A lot of times

757
00:41:28,000 --> 00:41:29,719
Speaker 7: those are the better shows, So it'd be fun to

758
00:41:29,840 --> 00:41:34,120
Speaker 7: try and do that. But for this this swing, it

759
00:41:34,239 --> 00:41:35,560
Speaker 7: just felt like a fun thing.

760
00:41:36,040 --> 00:41:37,879
Speaker 3: The multi camera for your show.

761
00:41:37,960 --> 00:41:39,799
Speaker 5: I think it makes it a little more subversive too,

762
00:41:39,880 --> 00:41:42,920
Speaker 5: because if it was something that was like on FX,

763
00:41:43,000 --> 00:41:44,600
Speaker 5: or if it was like, you know, a Sonny, or

764
00:41:44,640 --> 00:41:46,520
Speaker 5: if it was a you know, Louis or something that

765
00:41:46,719 --> 00:41:49,960
Speaker 5: was shot in like this is serious art, you know

766
00:41:50,000 --> 00:41:51,799
Speaker 5: what I mean, If it was shot in that way,

767
00:41:52,320 --> 00:41:55,200
Speaker 5: then you know it kind of is you're kind of

768
00:41:55,280 --> 00:41:57,440
Speaker 5: leading a little bit. But when something has the facade

769
00:41:57,520 --> 00:42:01,680
Speaker 5: of oh, this is a multi camera family show, but yeah,

770
00:42:01,840 --> 00:42:03,000
Speaker 5: grandmother kills herself.

771
00:42:03,880 --> 00:42:08,920
Speaker 3: Yeah, I mean, well the truth, that's what makes it

772
00:42:09,080 --> 00:42:09,480
Speaker 3: so fun.

773
00:42:10,000 --> 00:42:13,759
Speaker 7: The the most fun thing to do is you have

774
00:42:13,840 --> 00:42:16,560
Speaker 7: to imagine, right like a lout of these code openings,

775
00:42:16,719 --> 00:42:20,640
Speaker 7: imagining whatever we're following, and like we follow like little

776
00:42:20,680 --> 00:42:24,840
Speaker 7: big shots fencer. So there's just a reality competition with

777
00:42:25,040 --> 00:42:27,320
Speaker 7: children just trying to make it.

778
00:42:28,840 --> 00:42:30,360
Speaker 3: Really the true drama for.

779
00:42:30,360 --> 00:42:32,160
Speaker 7: A little big shots is the parents. But we don't

780
00:42:32,160 --> 00:42:36,360
Speaker 7: get into that. But we're just children, yeah.

781
00:42:36,239 --> 00:42:36,640
Speaker 3: Yeah, yeah.

782
00:42:36,800 --> 00:42:39,440
Speaker 7: Just put the weight of their failures on top of

783
00:42:39,719 --> 00:42:43,160
Speaker 7: this kid who can juggle shoulders. But anyway, that's what

784
00:42:43,280 --> 00:42:48,960
Speaker 7: the kids really juggling his father's hopes. But but but

785
00:42:49,080 --> 00:42:53,160
Speaker 7: you got this happy show. Steve Harvey's ripping with families

786
00:42:53,239 --> 00:42:55,359
Speaker 7: and like, and the kid's made it to the found

787
00:42:55,360 --> 00:42:58,160
Speaker 7: around and he's crying and his grandma's crying, and then

788
00:42:58,200 --> 00:43:01,239
Speaker 7: you cut to like just I show just like you're like,

789
00:43:01,920 --> 00:43:06,239
Speaker 7: you know, I broke a condoms. The next line, the

790
00:43:06,400 --> 00:43:09,720
Speaker 7: next words they hear are that, And you don't understand

791
00:43:09,760 --> 00:43:10,759
Speaker 7: how fun that is.

792
00:43:12,320 --> 00:43:13,640
Speaker 3: It's the most fun.

793
00:43:14,600 --> 00:43:19,880
Speaker 1: Has comcasts ever or your higher ups at Comcast ever said, uh,

794
00:43:20,480 --> 00:43:21,440
Speaker 1: we can't do that.

795
00:43:22,080 --> 00:43:26,000
Speaker 7: They've had caution. They've actually let us get away with

796
00:43:26,080 --> 00:43:29,279
Speaker 7: a lot of stuff. The guys at comcasts that that

797
00:43:29,360 --> 00:43:31,640
Speaker 7: I've encountered actually really liked the show.

798
00:43:32,520 --> 00:43:35,160
Speaker 3: I really think. I mean, I'm not. I know it's

799
00:43:35,200 --> 00:43:35,759
Speaker 3: easy to say it.

800
00:43:35,760 --> 00:43:39,000
Speaker 7: I don't want to tell if you watch the show

801
00:43:39,600 --> 00:43:43,239
Speaker 7: next to most any like multi camera, especially or any

802
00:43:43,360 --> 00:43:47,320
Speaker 7: like broadcast like comedy. What we try and do is

803
00:43:47,360 --> 00:43:49,520
Speaker 7: the opposite, which is like usually it's like turn your

804
00:43:49,560 --> 00:43:52,640
Speaker 7: brain off. It's a really happy world where everything's like

805
00:43:53,280 --> 00:43:58,120
Speaker 7: shiny and people speak in like kind of unrealistic joke patterns,

806
00:43:58,200 --> 00:44:00,600
Speaker 7: and like even the lighting and every think about it

807
00:44:00,600 --> 00:44:04,879
Speaker 7: and the subject matter is usually even when anytime someone

808
00:44:04,960 --> 00:44:07,200
Speaker 7: uses the word tackle, that means that they're not gonna

809
00:44:07,239 --> 00:44:10,040
Speaker 7: tackle it. That means that it's gonna be like like

810
00:44:10,320 --> 00:44:14,160
Speaker 7: they tackle, you know, it's gonna be some left leaning

811
00:44:14,280 --> 00:44:17,279
Speaker 7: where all united, you know, type of ending. I try

812
00:44:17,320 --> 00:44:19,439
Speaker 7: and do the opposite of that. I was just trying

813
00:44:19,480 --> 00:44:21,360
Speaker 7: to look for whatever the real thing is.

814
00:44:22,280 --> 00:44:24,120
Speaker 3: Well. On the Trump episode, to do with your dad,

815
00:44:24,160 --> 00:44:26,120
Speaker 3: would David.

816
00:44:25,960 --> 00:44:28,840
Speaker 7: Oh, yeah, yeah, you voted, Yeah, voted for Trump, like

817
00:44:29,520 --> 00:44:31,399
Speaker 7: I thought he was gonna win. I felt like Trump

818
00:44:31,520 --> 00:44:33,879
Speaker 7: was gonna win. You felt that, then that's I named

819
00:44:33,920 --> 00:44:36,479
Speaker 7: the episode. We taped it in April, and I named

820
00:44:36,520 --> 00:44:39,200
Speaker 7: it President Trump because I was like, Oh, He's gonna win,

821
00:44:39,800 --> 00:44:41,640
Speaker 7: Like it was like there's no way he doesn't win,

822
00:44:41,760 --> 00:44:44,080
Speaker 7: Like I really believed it. And that's what like I

823
00:44:44,200 --> 00:44:46,560
Speaker 7: was gambling on that, and so just seeing everyone go

824
00:44:46,800 --> 00:44:50,120
Speaker 7: like you know Trump is bad or not take them seriously,

825
00:44:50,239 --> 00:44:55,239
Speaker 7: just see boring and not real to what what what?

826
00:44:55,680 --> 00:44:58,560
Speaker 3: Because I I think I know where it comes from.

827
00:44:58,600 --> 00:45:01,040
Speaker 3: But what made you say that he was gonna win

828
00:45:01,480 --> 00:45:03,000
Speaker 3: because we're infatuated with him?

829
00:45:03,760 --> 00:45:06,560
Speaker 7: It was like very few things had seen in my

830
00:45:06,680 --> 00:45:11,560
Speaker 7: lifetime get this type of mass infatuation like one is

831
00:45:11,680 --> 00:45:17,640
Speaker 7: like it's like the oj trial, the marc Ana God

832
00:45:19,000 --> 00:45:23,000
Speaker 7: damn Donald Trump, you know what I mean, like essentially ghosting,

833
00:45:23,239 --> 00:45:27,560
Speaker 7: you know, like like it's mass infatuated. We couldn't let

834
00:45:27,680 --> 00:45:32,440
Speaker 7: him go. We couldn't stop either side. And it's just

835
00:45:32,560 --> 00:45:36,480
Speaker 7: like that much publicity. You can't discount publicity in America.

836
00:45:36,680 --> 00:45:39,520
Speaker 7: You know, it's a thing. You know, Nixon v. Kennedy.

837
00:45:39,880 --> 00:45:42,759
Speaker 7: You know Kennedy was younger, more attractive and willing to

838
00:45:42,920 --> 00:45:45,360
Speaker 7: wear makeup during the debate. You know, like it's the

839
00:45:45,560 --> 00:45:48,239
Speaker 7: he's the easier, the easier guy to market. He's the

840
00:45:48,520 --> 00:45:52,040
Speaker 7: marketing is this is America, and I love I don't

841
00:45:52,080 --> 00:45:55,160
Speaker 7: want to sell citical, but marketing is everything and everything

842
00:45:55,280 --> 00:45:56,160
Speaker 7: you know is a lie.

843
00:45:58,640 --> 00:45:58,960
Speaker 3: Okay.

844
00:46:00,280 --> 00:46:02,560
Speaker 7: I hope you hope you enjoy it. I hope you're

845
00:46:02,600 --> 00:46:07,040
Speaker 7: enjoying your afternoon. Hey, Rick, You're my dream.

846
00:46:06,880 --> 00:46:19,440
Speaker 3: Comes to man? Knock about the Box? Was Neighbors? Your

847
00:46:19,480 --> 00:46:22,239
Speaker 3: first movie? Was that your first time? Yeah? Yeah, that

848
00:46:22,320 --> 00:46:24,360
Speaker 3: was my first movie. Okay, how did that come about?

849
00:46:24,760 --> 00:46:26,799
Speaker 3: I had a meeting with.

850
00:46:27,719 --> 00:46:31,680
Speaker 7: Point Gray, with Seth and Evans Company, and then I

851
00:46:31,800 --> 00:46:34,160
Speaker 7: did an audition and it was the first audition I

852
00:46:34,200 --> 00:46:38,480
Speaker 7: didn't walk out of you walk out about this? I

853
00:46:39,160 --> 00:46:41,319
Speaker 7: haven't auditioned well. But I don't like them. I don't

854
00:46:41,400 --> 00:46:43,040
Speaker 7: like the room. I don't like what it is.

855
00:46:43,560 --> 00:46:48,040
Speaker 3: So for someone, what did you walk away from it

856
00:46:48,080 --> 00:46:49,080
Speaker 3: and can go into?

857
00:46:49,360 --> 00:46:52,279
Speaker 7: You go into a room, you put your name on

858
00:46:52,360 --> 00:46:54,879
Speaker 7: a piece of paper, You sit down. There are other

859
00:46:54,960 --> 00:46:57,440
Speaker 7: people that are going out for this part. So usually

860
00:46:57,760 --> 00:47:01,640
Speaker 7: it's either people wearing similar outfit or people that look alike.

861
00:47:02,160 --> 00:47:05,600
Speaker 7: In one room you go in. You know, you stand

862
00:47:05,719 --> 00:47:09,880
Speaker 7: in a room with another person, You read lines, You

863
00:47:10,000 --> 00:47:12,520
Speaker 7: try and do a good read. They record you on

864
00:47:13,239 --> 00:47:19,440
Speaker 7: a video camera from like two thousand and three. You know,

865
00:47:19,520 --> 00:47:22,800
Speaker 7: you leave the room. You never hear from them again. Typically,

866
00:47:22,840 --> 00:47:26,399
Speaker 7: it's what an audition is me. I go to the room,

867
00:47:27,040 --> 00:47:29,319
Speaker 7: sign my name on a piece of paper, sit down,

868
00:47:30,040 --> 00:47:32,960
Speaker 7: look to my left, look to my right, stand up,

869
00:47:33,480 --> 00:47:37,279
Speaker 7: mark my name offset piece of paper, go.

870
00:47:38,760 --> 00:47:40,759
Speaker 3: What would get somebody? Why would you walk out?

871
00:47:41,040 --> 00:47:42,680
Speaker 7: It's like, well, what am I doing here? I don't

872
00:47:42,800 --> 00:47:44,759
Speaker 7: like It's like, am I what am I contributed to

873
00:47:44,880 --> 00:47:48,120
Speaker 7: this project? What is it contributing to me? We're lying

874
00:47:48,160 --> 00:47:51,279
Speaker 7: to each other that you don't have any use for

875
00:47:51,400 --> 00:47:51,759
Speaker 7: each other?

876
00:47:52,680 --> 00:47:54,759
Speaker 6: What are other garis that are sitting in the weight room?

877
00:47:54,840 --> 00:47:57,080
Speaker 7: Yeah, and those guys deserve it. They were nicely, they

878
00:47:57,120 --> 00:47:59,920
Speaker 7: got better smiles. That like they've been working out.

879
00:48:02,600 --> 00:48:02,919
Speaker 3: Is great.

880
00:48:03,080 --> 00:48:03,560
Speaker 7: They give it.

881
00:48:03,640 --> 00:48:08,480
Speaker 3: The other Gerards are killing it. Those dudes, they really

882
00:48:08,719 --> 00:48:14,160
Speaker 3: got it. They are nailing it. No, not for nothing.

883
00:48:14,280 --> 00:48:16,120
Speaker 3: I feel as though you are.

884
00:48:18,400 --> 00:48:21,839
Speaker 1: Uh seconds away from your I'm ready for my close

885
00:48:21,920 --> 00:48:22,319
Speaker 1: up moment.

886
00:48:23,040 --> 00:48:28,120
Speaker 3: But but do you do you want to play that game?

887
00:48:28,800 --> 00:48:31,040
Speaker 7: I have to write it, I have to create the

888
00:48:31,600 --> 00:48:33,880
Speaker 7: thing is like one of the movies I'm working on

889
00:48:34,120 --> 00:48:37,560
Speaker 7: is technically a bigger comedy, and it's a it's a

890
00:48:37,640 --> 00:48:40,160
Speaker 7: concept that that I came up with like a couple

891
00:48:40,200 --> 00:48:44,800
Speaker 7: of years ago, and it's a bigger comedy. You know,

892
00:48:44,920 --> 00:48:48,600
Speaker 7: bigger comedies typically aren't that good, you know, like they

893
00:48:48,680 --> 00:48:50,880
Speaker 7: really aren't the fun. The same thing with like a

894
00:48:50,960 --> 00:48:53,600
Speaker 7: multi camera, same thing with anything is to bring some

895
00:48:53,719 --> 00:48:59,719
Speaker 7: type of perspective or thoughtfulness into the whatever we're doing.

896
00:48:59,800 --> 00:49:00,880
Speaker 3: So I think you can do.

897
00:49:01,239 --> 00:49:05,640
Speaker 7: I think a huge action movie can be good, you know,

898
00:49:05,840 --> 00:49:08,360
Speaker 7: and like have like some type of thought behind it.

899
00:49:08,440 --> 00:49:11,200
Speaker 7: I think Beverly Hills Cop is great, you know, But

900
00:49:11,320 --> 00:49:15,680
Speaker 7: it's just my goal is just to avoid, you know,

901
00:49:15,960 --> 00:49:20,759
Speaker 7: the the mindless and avoid the the horrible version of it,

902
00:49:21,239 --> 00:49:23,919
Speaker 7: you know, because there's a horrible version of Indie. There's

903
00:49:23,960 --> 00:49:27,880
Speaker 7: a horrible version of you know, everybody. Everything that is

904
00:49:28,040 --> 00:49:31,480
Speaker 7: a bit underground isn't good, you know, like, but it's

905
00:49:32,080 --> 00:49:33,600
Speaker 7: you're just trying to do the good version of it.

906
00:49:33,719 --> 00:49:35,680
Speaker 7: So that's what's fun is seeing if we can try

907
00:49:35,719 --> 00:49:36,560
Speaker 7: and do a good version.

908
00:49:37,200 --> 00:49:40,640
Speaker 3: Are you developing the movie ideas that you would like

909
00:49:40,760 --> 00:49:43,440
Speaker 3: to star in yourself? That year?

910
00:49:44,000 --> 00:49:49,160
Speaker 7: There's one I'm right and now that that I'll probably

911
00:49:49,200 --> 00:49:53,040
Speaker 7: start in. I didn't want to star in it. I

912
00:49:53,160 --> 00:49:55,360
Speaker 7: wrote it and I was really hoping Jim Carrey was

913
00:49:55,400 --> 00:49:58,640
Speaker 7: gonna do it. But before before writing, I partner with

914
00:49:58,719 --> 00:50:02,400
Speaker 7: these guys Colin Mario, who wrote the bulk of the script,

915
00:50:02,480 --> 00:50:05,640
Speaker 7: and I had the concept uh and uh I wanted

916
00:50:05,680 --> 00:50:08,120
Speaker 7: Jim Carrey for But then it's like, yeah, you should,

917
00:50:08,280 --> 00:50:10,520
Speaker 7: you should just do it. It's still not too late

918
00:50:10,760 --> 00:50:12,720
Speaker 7: until it's recorded. To Jim Carret stuff.

919
00:50:13,760 --> 00:50:16,160
Speaker 3: Part of me feels like you're like the reluctant.

920
00:50:17,200 --> 00:50:20,800
Speaker 1: Celebrity Is it that you've seen other people try to

921
00:50:20,800 --> 00:50:22,280
Speaker 1: cross the street and get run over.

922
00:50:22,560 --> 00:50:25,080
Speaker 7: Or celebrity is or you know, all the money is

923
00:50:25,120 --> 00:50:28,520
Speaker 7: behind the camera, And well, yeah, I care about behind

924
00:50:28,560 --> 00:50:30,719
Speaker 7: the camera a lot because I know that a lot

925
00:50:30,800 --> 00:50:33,480
Speaker 7: of things that we see are all producers mediums and

926
00:50:33,560 --> 00:50:37,040
Speaker 7: producers visions, and like being a producer is the it's

927
00:50:37,120 --> 00:50:42,000
Speaker 7: my favorite role. Celebrity is like like in itself is

928
00:50:42,120 --> 00:50:45,160
Speaker 7: kind of cheap. Like I care about making stuff. I

929
00:50:45,320 --> 00:50:47,920
Speaker 7: like making things, and if any type of notoriety is

930
00:50:47,960 --> 00:50:50,000
Speaker 7: a byproduct, that's sure, but that's how I.

931
00:50:50,040 --> 00:50:50,400
Speaker 3: Think of it.

932
00:50:50,520 --> 00:50:53,239
Speaker 7: I'm usually not even out, so I don't even know,

933
00:50:54,200 --> 00:50:56,320
Speaker 7: you know, like the the like any type of fame

934
00:50:56,480 --> 00:50:59,480
Speaker 7: or just to have my face on something just seems empty,

935
00:51:00,040 --> 00:51:02,280
Speaker 7: you know, just to be in something just seems empty.

936
00:51:02,680 --> 00:51:06,799
Speaker 7: I just wanted to be good, So it's the reluctance

937
00:51:07,000 --> 00:51:10,800
Speaker 7: is for quality, for quality sake. I'm just kind of

938
00:51:10,880 --> 00:51:12,719
Speaker 7: hesitant because I just want to be in stuff that

939
00:51:12,800 --> 00:51:15,240
Speaker 7: seems challenging. And fun or interesting.

940
00:51:15,440 --> 00:51:20,080
Speaker 5: I forgot who the comedian was that they mentioned the package,

941
00:51:20,160 --> 00:51:21,440
Speaker 5: and I don't know if this is something we talked

942
00:51:21,440 --> 00:51:23,799
Speaker 5: about the show You with Chris or somebody, but they

943
00:51:23,840 --> 00:51:25,480
Speaker 5: talk about the package where they say, all right, you're

944
00:51:25,480 --> 00:51:28,040
Speaker 5: gonna in your stand up career at some point you're

945
00:51:28,080 --> 00:51:30,040
Speaker 5: gonna get the package where they say, you know, you're

946
00:51:30,080 --> 00:51:32,799
Speaker 5: gonna get the TV show and then the movie did and.

947
00:51:33,320 --> 00:51:36,520
Speaker 7: The book and book and and then and you know,

948
00:51:36,600 --> 00:51:40,279
Speaker 7: you get a record deal offer, Hold on, can I

949
00:51:40,360 --> 00:51:44,480
Speaker 7: produce this singing record? I would come on, man, hey, hey,

950
00:51:44,760 --> 00:51:46,319
Speaker 7: if you could do, I just want you to do.

951
00:51:48,200 --> 00:51:48,719
Speaker 3: Every now and then.

952
00:51:48,800 --> 00:51:53,680
Speaker 7: I actually I say my first version of hearing a

953
00:51:54,400 --> 00:51:58,480
Speaker 7: really love the the Angelo record had you want to saying.

954
00:51:58,400 --> 00:52:01,719
Speaker 3: This is a quest Love exclusive and I did it

955
00:52:01,760 --> 00:52:01,960
Speaker 3: for me.

956
00:52:02,239 --> 00:52:04,279
Speaker 7: Yeah and so and that's like, yeah, so if you

957
00:52:04,400 --> 00:52:08,000
Speaker 7: just say that over whatever record me singing off key

958
00:52:08,040 --> 00:52:13,279
Speaker 7: in the background, this is yeah.

959
00:52:14,560 --> 00:52:17,920
Speaker 3: I had that traumatized me. That was I've never heard that.

960
00:52:18,239 --> 00:52:20,239
Speaker 7: That was the earl having That was the That was

961
00:52:20,320 --> 00:52:23,200
Speaker 7: like the first you actually felt like you were you

962
00:52:23,440 --> 00:52:24,480
Speaker 7: had something Illgalah.

963
00:52:25,239 --> 00:52:27,600
Speaker 3: So you didn't just leak it. You actually said this

964
00:52:27,800 --> 00:52:30,759
Speaker 3: is a quest Lex played on the radio, didn't you, I.

965
00:52:31,760 --> 00:52:35,160
Speaker 1: Know, not only played it on the radio, said that

966
00:52:35,640 --> 00:52:40,080
Speaker 1: wait cut to holy crap, cut to cut you. A

967
00:52:40,280 --> 00:52:45,160
Speaker 1: night in Virginia, A night in uh Richmond, Virginia after

968
00:52:45,360 --> 00:52:49,200
Speaker 1: roots show. Me and de ain't talked about talking over

969
00:52:49,239 --> 00:52:52,200
Speaker 1: a year, and I guess he just got words. This

970
00:52:52,239 --> 00:52:56,520
Speaker 1: ship came out and Steve car I'm at a DJ gig.

971
00:52:56,600 --> 00:52:59,520
Speaker 1: He's like, look, you like warm me to run?

972
00:52:59,640 --> 00:53:02,480
Speaker 3: Right? I just remember how it went. I was like,

973
00:53:02,719 --> 00:53:05,000
Speaker 3: but I did warn you. You're like, look, I know

974
00:53:05,120 --> 00:53:08,920
Speaker 3: you don't know this, but looking for you?

975
00:53:09,080 --> 00:53:09,719
Speaker 9: And what do.

976
00:53:12,280 --> 00:53:20,400
Speaker 3: Yeah, Deani's cousins looking for you, so just run. They

977
00:53:20,480 --> 00:53:22,400
Speaker 3: must have called me looking for you and they're like

978
00:53:22,800 --> 00:53:23,840
Speaker 3: what club you know?

979
00:53:24,000 --> 00:53:24,360
Speaker 6: They was?

980
00:53:25,480 --> 00:53:31,360
Speaker 1: It was like, mister big, when did this happened? I

981
00:53:31,440 --> 00:53:34,080
Speaker 1: was like two thousand and five. We were still worn

982
00:53:34,160 --> 00:53:37,680
Speaker 1: with each other's Lariosyah. I really, you know, as much

983
00:53:37,680 --> 00:53:40,200
Speaker 1: as like I like to claim being fast forward with

984
00:53:40,280 --> 00:53:43,360
Speaker 1: the Internet, that's one aspect I really didn't know.

985
00:53:43,440 --> 00:53:46,239
Speaker 3: I didn't know, Like you know, in my mind I

986
00:53:46,320 --> 00:53:47,560
Speaker 3: was I was in Australia.

987
00:53:47,600 --> 00:53:51,799
Speaker 1: I was in Perth at an underground bunker college station,

988
00:53:52,280 --> 00:53:54,800
Speaker 1: like four in the morning with like, and I was

989
00:53:54,880 --> 00:53:57,040
Speaker 1: just like, you know, I was feeling myself. I was like, well, yeah,

990
00:53:57,080 --> 00:54:00,200
Speaker 1: you want to hear it, And I'm thinking, like, I'm

991
00:54:00,239 --> 00:54:04,200
Speaker 1: just on some local college radio show things. Really I'm

992
00:54:04,239 --> 00:54:06,439
Speaker 1: in Perth. Perth is like the loneliest place on Earth.

993
00:54:06,920 --> 00:54:09,799
Speaker 1: I didn't realize. And then like three months later someone

994
00:54:09,880 --> 00:54:11,120
Speaker 1: realized what they were listening to.

995
00:54:11,239 --> 00:54:11,759
Speaker 7: And just.

996
00:54:13,520 --> 00:54:17,399
Speaker 3: Destroyed my life. Oh but yeah, I mean four years

997
00:54:17,480 --> 00:54:18,239
Speaker 3: later we made up.

998
00:54:18,640 --> 00:54:21,440
Speaker 2: Man, But if I knew you said this is a

999
00:54:21,560 --> 00:54:24,279
Speaker 2: Quest Love exclusive, I would have told his cousins where

1000
00:54:24,320 --> 00:54:24,600
Speaker 2: you were.

1001
00:54:24,800 --> 00:54:31,200
Speaker 3: That's wow, motherfucker. I was on local races.

1002
00:54:33,280 --> 00:54:36,239
Speaker 1: I realized that, you know, internet radio. I don't listen

1003
00:54:36,239 --> 00:54:38,120
Speaker 1: to my radio on the computer back then.

1004
00:54:38,320 --> 00:54:42,000
Speaker 3: Yeah that so did somebody recorded or something like that.

1005
00:54:42,200 --> 00:54:46,359
Speaker 3: Somebody And that's what people live with for like six years.

1006
00:54:46,440 --> 00:54:49,200
Speaker 7: But it but it really set this tone for how

1007
00:54:49,880 --> 00:54:52,600
Speaker 7: even when it came out years later on the album,

1008
00:54:53,280 --> 00:54:55,279
Speaker 7: it set the tone for how I heard the.

1009
00:54:55,719 --> 00:54:59,480
Speaker 3: It really did feel like Park was missing.

1010
00:54:59,560 --> 00:55:01,719
Speaker 7: You want to well, no, it's just when you you

1011
00:55:01,880 --> 00:55:04,480
Speaker 7: saying it, you felt like I really got some exclusive

1012
00:55:04,480 --> 00:55:08,200
Speaker 7: ship here. But it really it feels like how Frank

1013
00:55:08,280 --> 00:55:09,800
Speaker 7: Lucas did Heroin deals.

1014
00:55:10,040 --> 00:55:13,319
Speaker 3: It was like, hey, man, this is yeah, I guaran

1015
00:55:13,480 --> 00:55:13,759
Speaker 3: see it.

1016
00:55:13,880 --> 00:55:18,200
Speaker 7: They know that, like because I just pictured you just

1017
00:55:18,360 --> 00:55:20,160
Speaker 7: in a basement, like I could just see what.

1018
00:55:21,239 --> 00:55:23,520
Speaker 3: Did you put the echo on? An exclusive? Exclusive?

1019
00:55:24,920 --> 00:55:27,319
Speaker 7: It really felt like it really felt like he could

1020
00:55:27,360 --> 00:55:29,440
Speaker 7: get killed for like you felt it in.

1021
00:55:29,480 --> 00:55:35,840
Speaker 3: His he was almost bacon, almost bacon. That's how you

1022
00:55:35,920 --> 00:55:48,759
Speaker 3: dropped a joke. It's only a joke. We get yeah, man,

1023
00:55:49,200 --> 00:55:53,160
Speaker 3: so what what I know? This is weird?

1024
00:55:53,239 --> 00:55:58,400
Speaker 5: But what other comedians do you check for or should

1025
00:55:58,440 --> 00:56:01,520
Speaker 5: we check for that? We don't mean, you know, Jamar,

1026
00:56:01,760 --> 00:56:05,560
Speaker 5: that's number one. Very few people make me laugh like him.

1027
00:56:05,760 --> 00:56:08,560
Speaker 3: What's he doing? Not what's he doing now? But is

1028
00:56:08,640 --> 00:56:12,120
Speaker 3: he planning on entering?

1029
00:56:12,160 --> 00:56:15,879
Speaker 1: Because he's such he's like sun riding me. Like it's

1030
00:56:15,960 --> 00:56:20,880
Speaker 1: just a very avant garde jazz guy that only he

1031
00:56:21,520 --> 00:56:27,440
Speaker 1: has two other records. One record in which no one

1032
00:56:28,080 --> 00:56:32,400
Speaker 1: likes his jokes, like it's just you hear the groans

1033
00:56:32,400 --> 00:56:33,400
Speaker 1: in the audience.

1034
00:56:33,080 --> 00:56:34,920
Speaker 3: And he's like I don't I don't care. But then

1035
00:56:34,960 --> 00:56:36,239
Speaker 3: the other one where they're laughing.

1036
00:56:36,320 --> 00:56:39,200
Speaker 1: I'm like, wait, why would he release both records of

1037
00:56:39,280 --> 00:56:43,080
Speaker 1: the same material with an audience feeling and an audience

1038
00:56:43,480 --> 00:56:43,880
Speaker 1: feeling it.

1039
00:56:44,040 --> 00:56:47,480
Speaker 3: It's just he is. He is brilliant to it. He

1040
00:56:47,640 --> 00:56:50,280
Speaker 3: really is just like a brilliant It's like Andy Kaufman.

1041
00:56:50,520 --> 00:56:53,839
Speaker 7: Yeah, and he's he's gonna do a special I think

1042
00:56:54,160 --> 00:56:56,160
Speaker 7: uh at some point when we were talking about it

1043
00:56:56,200 --> 00:57:00,759
Speaker 7: the other night. Uh So hopefully soon because I am

1044
00:57:00,880 --> 00:57:04,600
Speaker 7: excited for his He he hasn't really jumped in yet,

1045
00:57:04,960 --> 00:57:08,480
Speaker 7: you know, like the album Naked is such a you know,

1046
00:57:08,640 --> 00:57:10,560
Speaker 7: Neil knows about a few people know about it, and

1047
00:57:10,560 --> 00:57:12,920
Speaker 7: the people that know, you know, love it. But I

1048
00:57:12,960 --> 00:57:15,279
Speaker 7: think he's gonna jump in really soon. So he's a guy,

1049
00:57:16,000 --> 00:57:19,680
Speaker 7: uh that I'm excited about. He's he's always on the show.

1050
00:57:20,040 --> 00:57:23,920
Speaker 7: He's on my show. He just makes random appearances every season.

1051
00:57:23,960 --> 00:57:26,480
Speaker 7: We just find a way for Jamar to just like

1052
00:57:26,640 --> 00:57:28,200
Speaker 7: appear in a hallway or.

1053
00:57:29,840 --> 00:57:30,400
Speaker 3: Just the thing.

1054
00:57:32,000 --> 00:57:35,160
Speaker 7: And who else. There's this guy out of Chicago. He

1055
00:57:35,240 --> 00:57:37,840
Speaker 7: lives in New York now. He writes on snl uh

1056
00:57:39,040 --> 00:57:43,280
Speaker 7: so also checks from Comcast Drew Michael, who I think

1057
00:57:43,400 --> 00:57:47,160
Speaker 7: is is absolutely brilliant. Like he he's a guy that

1058
00:57:47,360 --> 00:57:50,960
Speaker 7: just like you know, between him and Jamar, those are

1059
00:57:51,000 --> 00:57:54,800
Speaker 7: the guys I would say check for in the new.

1060
00:57:54,800 --> 00:57:57,560
Speaker 3: Joint, the eight the latest latest special.

1061
00:57:59,440 --> 00:58:02,480
Speaker 5: I saw, well, my experience with it was was different

1062
00:58:02,640 --> 00:58:05,800
Speaker 5: because I just saw it first and then I saw

1063
00:58:06,600 --> 00:58:08,920
Speaker 5: the I forgot what that write up was, what it

1064
00:58:09,040 --> 00:58:10,960
Speaker 5: was in where the critic was there and he was

1065
00:58:11,040 --> 00:58:12,120
Speaker 5: just like, yo, this was odd.

1066
00:58:12,360 --> 00:58:14,560
Speaker 3: It was live. Yeah, I can't remember what it was,

1067
00:58:14,960 --> 00:58:17,400
Speaker 3: but but you say that you wanted the first one.

1068
00:58:17,440 --> 00:58:19,720
Speaker 3: Loved the store. It felt more like a documentary to me.

1069
00:58:19,920 --> 00:58:22,800
Speaker 5: Eight felt like a documentary like that was just the

1070
00:58:22,880 --> 00:58:25,240
Speaker 5: way it was shot and like some of the shots

1071
00:58:25,360 --> 00:58:27,000
Speaker 5: it was just really close on you and those real

1072
00:58:27,080 --> 00:58:27,720
Speaker 5: long pauses.

1073
00:58:28,440 --> 00:58:31,240
Speaker 3: That was just something man. Again, that took a lot

1074
00:58:31,320 --> 00:58:33,200
Speaker 3: of balls, like to do. Yeah, oh thank you.

1075
00:58:34,320 --> 00:58:38,160
Speaker 7: Bo Burnham and Bo and I were just we based

1076
00:58:38,200 --> 00:58:41,240
Speaker 7: it off like concert for like we based it off

1077
00:58:41,480 --> 00:58:45,680
Speaker 7: of It had to be personal and vulnerable. That was

1078
00:58:45,760 --> 00:58:48,320
Speaker 7: the goal because like you know, for me, that was

1079
00:58:48,520 --> 00:58:52,280
Speaker 7: just a thing that I love about, like comedy, like

1080
00:58:52,360 --> 00:58:55,560
Speaker 7: in humor, you know, just as a concept, just the

1081
00:58:55,640 --> 00:58:56,560
Speaker 7: vulnerability of it.

1082
00:58:56,800 --> 00:58:58,240
Speaker 3: We really just wanted to focus on that.

1083
00:58:58,560 --> 00:59:01,120
Speaker 7: It was the crowd like they were that yeah, yeah,

1084
00:59:01,840 --> 00:59:04,880
Speaker 7: we get caught like and again it was tait. It

1085
00:59:05,040 --> 00:59:07,760
Speaker 7: was for the experience of you being in your homes

1086
00:59:07,880 --> 00:59:10,320
Speaker 7: watching it and seeing the vulner It was for those

1087
00:59:10,600 --> 00:59:14,840
Speaker 7: those really tight moments, the silence, the you know, the

1088
00:59:14,960 --> 00:59:16,920
Speaker 7: emotion of it. It was like just trying to lean

1089
00:59:17,000 --> 00:59:21,960
Speaker 7: into emotion over over everything. When we watched concert footage.

1090
00:59:22,000 --> 00:59:25,040
Speaker 7: We watched I mean everything. We we like, you know, movies,

1091
00:59:25,240 --> 00:59:30,000
Speaker 7: you know, Sergio Leone type shots and and uh out.

1092
00:59:30,720 --> 00:59:35,760
Speaker 7: It was inspired by like this Marvin Gaye album Vulnerable. Yeah,

1093
00:59:35,840 --> 00:59:38,760
Speaker 7: that and the working title was called Vulnerable, and I

1094
00:59:38,840 --> 00:59:41,080
Speaker 7: would kind of listen to that, and like a lot

1095
00:59:41,120 --> 00:59:44,320
Speaker 7: of concepts came while listening to that, and like, uh,

1096
00:59:45,400 --> 00:59:49,040
Speaker 7: you know, even just performance was more. There's this Edda

1097
00:59:49,160 --> 00:59:54,160
Speaker 7: James live and montro where she sings I'd Rather Be Blind, Yeah,

1098
00:59:54,280 --> 01:00:00,320
Speaker 7: and that is my single favorite live performance that that

1099
01:00:00,400 --> 01:00:04,760
Speaker 7: I've ever seen, Like just it's so raw and emotional

1100
01:00:04,920 --> 01:00:07,439
Speaker 7: and you know, and the faces there and she's making

1101
01:00:07,560 --> 01:00:11,000
Speaker 7: expressions and it's weird and it's personal. And that was

1102
01:00:11,280 --> 01:00:14,000
Speaker 7: the intention behind eight. Was just this really personal thing

1103
01:00:14,080 --> 01:00:16,480
Speaker 7: that just felt like a conversation that just felt.

1104
01:00:16,960 --> 01:00:19,440
Speaker 3: True to you know, who I was. What was it

1105
01:00:19,520 --> 01:00:21,600
Speaker 3: like to do it in the round. It's really fun.

1106
01:00:21,640 --> 01:00:23,360
Speaker 3: I've never seen a comedy thing in a round.

1107
01:00:23,920 --> 01:00:26,320
Speaker 7: I have limited experience with it too. It just that

1108
01:00:26,720 --> 01:00:29,560
Speaker 7: that also made me feel really vulnerable because people are

1109
01:00:29,600 --> 01:00:33,000
Speaker 7: all around around and you're surrounded, Yeah, you're and so

1110
01:00:33,280 --> 01:00:36,880
Speaker 7: to lend itself. So I only did two performances in

1111
01:00:36,920 --> 01:00:40,400
Speaker 7: the round around La just to before doing the round,

1112
01:00:40,520 --> 01:00:42,760
Speaker 7: and then just went for it. And it just something

1113
01:00:42,800 --> 01:00:45,840
Speaker 7: about it felt right, It felt natural, It seemed to

1114
01:00:45,920 --> 01:00:48,840
Speaker 7: fit with you know, where the material was and where I.

1115
01:00:48,960 --> 01:00:51,840
Speaker 6: Was natural turn, did you have to remind yourself?

1116
01:00:51,880 --> 01:00:54,400
Speaker 7: I naturally kind of pace around, like I kind of

1117
01:00:54,520 --> 01:00:57,240
Speaker 7: naturally like I'll have a lot of times that it's

1118
01:00:57,280 --> 01:00:59,920
Speaker 7: a song in my head and a lot of time

1119
01:01:00,240 --> 01:01:04,200
Speaker 7: I'm dancing and and it's weird. I'm kind of stepping

1120
01:01:04,280 --> 01:01:07,520
Speaker 7: around and even like if a song is strong enough,

1121
01:01:08,240 --> 01:01:11,360
Speaker 7: I'll I'm kind of saying things to the rhythm of it,

1122
01:01:12,240 --> 01:01:16,439
Speaker 7: like on stage, like there's certain like you hold certain

1123
01:01:16,520 --> 01:01:19,720
Speaker 7: words and you're trying to match patterns, your patterns and

1124
01:01:19,800 --> 01:01:23,360
Speaker 7: stuff like that. So you know, I always move, you know,

1125
01:01:23,440 --> 01:01:25,880
Speaker 7: I always move, Like the the default song would be

1126
01:01:25,960 --> 01:01:28,280
Speaker 7: like take five, like brew Beck's Take five. It's kind

1127
01:01:28,320 --> 01:01:32,120
Speaker 7: of constantly just because the movement is such a dance.

1128
01:01:32,760 --> 01:01:38,360
Speaker 7: So you like this and pause and say that yeah, like, yeah,

1129
01:01:38,440 --> 01:01:40,600
Speaker 7: it's like kind of a little bit, but only specific

1130
01:01:41,360 --> 01:01:42,920
Speaker 7: little I'm not doing the whole thing.

1131
01:01:42,960 --> 01:01:47,080
Speaker 3: It's not just singing or so. But that's your polarizing trick.

1132
01:01:47,760 --> 01:01:49,560
Speaker 3: I get it. Chappelle.

1133
01:01:49,760 --> 01:01:53,880
Speaker 1: Do you know about Chapelle's polarizing chick? He yeah, Well,

1134
01:01:54,120 --> 01:01:57,720
Speaker 1: if when you see him perform, you'll see, uh, he'll

1135
01:01:57,720 --> 01:02:01,360
Speaker 1: put a cigarette in his mouth, not light it, let

1136
01:02:01,400 --> 01:02:05,280
Speaker 1: it dangle. He'll grab a cup, put it to his

1137
01:02:05,960 --> 01:02:09,280
Speaker 1: not drink it, and then he'll wake you up, always

1138
01:02:09,320 --> 01:02:10,680
Speaker 1: by hitting his thigh.

1139
01:02:11,320 --> 01:02:14,360
Speaker 3: Yeah, like he'll laugh, do the thing on this thigh. Yeah.

1140
01:02:14,800 --> 01:02:18,280
Speaker 1: All of that is hypnosis thing that he learned in

1141
01:02:18,520 --> 01:02:22,720
Speaker 1: uh communication class, which is like there's a way to

1142
01:02:22,880 --> 01:02:25,720
Speaker 1: hypnotize the audience to always pay attention to.

1143
01:02:25,880 --> 01:02:28,200
Speaker 3: Rational mind decreases and the emotional mind.

1144
01:02:28,560 --> 01:02:30,959
Speaker 7: Yes, because you want him to drink like your mind

1145
01:02:31,040 --> 01:02:33,720
Speaker 7: then immediately goes well, like you know what the next

1146
01:02:33,760 --> 01:02:36,400
Speaker 7: step is and it's a disruption of that step and yeah, yeah,

1147
01:02:36,840 --> 01:02:37,840
Speaker 7: exactly mine.

1148
01:02:38,000 --> 01:02:38,200
Speaker 3: Yeah.

1149
01:02:38,640 --> 01:02:43,880
Speaker 7: Rhythm like jazz is of influence, Like Chris is repeating.

1150
01:02:44,320 --> 01:02:48,320
Speaker 7: Chris repeats, he sets up, he repeats. Yeah, especially the

1151
01:02:48,400 --> 01:02:50,640
Speaker 7: prim the premise is going to be very clear to

1152
01:02:50,720 --> 01:02:53,760
Speaker 7: you by the time he does the punch for Chris

1153
01:02:54,040 --> 01:02:58,160
Speaker 7: because of the yeah, the repeating yeah, yeah, it's rhythm.

1154
01:02:58,920 --> 01:03:00,560
Speaker 3: So who teaches? Who's your teacher?

1155
01:03:00,560 --> 01:03:06,000
Speaker 1: As far as like is it just uh work working

1156
01:03:06,120 --> 01:03:09,160
Speaker 1: out and and uh kind of taking notes or is

1157
01:03:09,200 --> 01:03:13,800
Speaker 1: it who's your teacher? As far as like letting you know,

1158
01:03:14,040 --> 01:03:17,120
Speaker 1: like how far to go with your joke and your

1159
01:03:17,200 --> 01:03:18,520
Speaker 1: patterns and those.

1160
01:03:19,320 --> 01:03:20,280
Speaker 3: I kind of just figured.

1161
01:03:20,280 --> 01:03:23,840
Speaker 7: I mean, I mean there's influence from I love rhythm,

1162
01:03:23,960 --> 01:03:27,720
Speaker 7: So every you know Cosby if you can say you

1163
01:03:27,800 --> 01:03:33,520
Speaker 7: know Cosby. Yeah, Jack Parr had this really good speaking

1164
01:03:33,600 --> 01:03:36,400
Speaker 7: voice and like rhythm to his voice, and and Jack

1165
01:03:36,480 --> 01:03:40,439
Speaker 7: Benny and b Arthur and you know, uh the way

1166
01:03:40,600 --> 01:03:43,320
Speaker 7: I will watch James Baltwood speed Like even as a

1167
01:03:43,360 --> 01:03:45,880
Speaker 7: kid in Malcolm Xspek, I watch a lot of and

1168
01:03:46,000 --> 01:03:48,600
Speaker 7: would listen to a lot of speeches. I like speaking

1169
01:03:48,720 --> 01:03:51,360
Speaker 7: in people's voices and the ebb and flow of that.

1170
01:03:51,720 --> 01:03:54,960
Speaker 3: So you as it's about the quote, it's mostly the voice.

1171
01:03:56,520 --> 01:03:59,560
Speaker 7: It's yeah, the voice. Yeah, it's it's like finding it.

1172
01:03:59,640 --> 01:04:02,440
Speaker 1: And I didn't know that because yeah, Dave said that.

1173
01:04:02,720 --> 01:04:06,360
Speaker 1: He's like, well, you know he took on mail blinks. Yeah,

1174
01:04:07,840 --> 01:04:10,160
Speaker 1: He's like I took on Mail Blink's voice and you

1175
01:04:10,280 --> 01:04:13,240
Speaker 1: can say anything in mail Blink's voice.

1176
01:04:13,360 --> 01:04:16,560
Speaker 3: It's going to be funny, yes, which I didn't even

1177
01:04:16,600 --> 01:04:17,480
Speaker 3: think of that at the time.

1178
01:04:17,600 --> 01:04:21,920
Speaker 1: So the voice, the Jack Parr just is this your

1179
01:04:22,000 --> 01:04:24,720
Speaker 1: definitive voice, Like Chris Rock had two voices if you remember,

1180
01:04:24,840 --> 01:04:28,240
Speaker 1: like Born Suspect. Yeah, he didn't quite find his thing,

1181
01:04:28,240 --> 01:04:29,880
Speaker 1: and then he found the preacher voice and then that

1182
01:04:30,080 --> 01:04:30,840
Speaker 1: became his lock.

1183
01:04:31,000 --> 01:04:32,600
Speaker 3: So yeah, it's it.

1184
01:04:33,720 --> 01:04:37,160
Speaker 7: What changes for me is rhythm, like my it's my voice, like,

1185
01:04:37,520 --> 01:04:40,440
Speaker 7: but rhythm like that song element of it is what

1186
01:04:40,720 --> 01:04:44,440
Speaker 7: changes is like that's why it's you know, the pauses

1187
01:04:44,640 --> 01:04:46,280
Speaker 7: and this and that, and I can hear it and

1188
01:04:46,400 --> 01:04:49,440
Speaker 7: you can kind of see it, and so that's what

1189
01:04:50,200 --> 01:04:54,080
Speaker 7: changes for me. My voice is I have it. It's

1190
01:04:54,240 --> 01:04:58,480
Speaker 7: pretty close to you know how I naturally speak on stage.

1191
01:04:58,520 --> 01:05:02,600
Speaker 7: I speak clear, I'm like a little jolty in like

1192
01:05:02,920 --> 01:05:05,960
Speaker 7: off stage, like right now, because there's always a million

1193
01:05:06,080 --> 01:05:08,480
Speaker 7: thoughts on stage is actually paced out more the way.

1194
01:05:09,080 --> 01:05:10,720
Speaker 3: Yeah. So the stuff that you did on eight, had

1195
01:05:10,760 --> 01:05:13,560
Speaker 3: you tried those jokes out before, had you been working them? Yeah?

1196
01:05:13,600 --> 01:05:15,680
Speaker 7: Yeah, I worked I've worked on a lot of that

1197
01:05:16,160 --> 01:05:19,320
Speaker 7: some stuff. I mean, it's always something new. Like the

1198
01:05:20,520 --> 01:05:24,120
Speaker 7: the opening of it was the night before. I hadn't

1199
01:05:24,160 --> 01:05:24,520
Speaker 7: tried it.

1200
01:05:24,760 --> 01:05:26,320
Speaker 3: I just it was like the night before.

1201
01:05:27,440 --> 01:05:30,560
Speaker 7: But then, Uh, there's a couple of moments and then

1202
01:05:30,640 --> 01:05:33,360
Speaker 7: some moments that you just think of in the you know,

1203
01:05:33,520 --> 01:05:35,840
Speaker 7: while you're doing it. But most of it was stuff

1204
01:05:35,840 --> 01:05:37,600
Speaker 7: that I worked out and thoughts that I wanted to do.

1205
01:05:42,440 --> 01:05:45,200
Speaker 5: Take us through the construction of a joke and like

1206
01:05:45,520 --> 01:05:47,720
Speaker 5: you know, I mean in English class, you know how

1207
01:05:47,760 --> 01:05:50,200
Speaker 5: they would have the we would have the chart where

1208
01:05:50,200 --> 01:05:53,880
Speaker 5: it'd be like, okay, exposition riseing action, falling action.

1209
01:05:54,160 --> 01:05:56,400
Speaker 3: Yeah, yeah, you know, daynam and all that stuff.

1210
01:05:56,520 --> 01:05:59,840
Speaker 5: So like the beats of a joke, like particularly, I

1211
01:06:01,080 --> 01:06:03,280
Speaker 5: mean the cereal joke, the one I quote it like,

1212
01:06:04,920 --> 01:06:06,720
Speaker 5: walk us through that, Like how did you know that?

1213
01:06:07,720 --> 01:06:09,400
Speaker 5: Or did you know that the nigga You'll never have

1214
01:06:09,520 --> 01:06:11,040
Speaker 5: cereal line was gonna punch that?

1215
01:06:11,200 --> 01:06:11,880
Speaker 3: That was? Yeah?

1216
01:06:11,920 --> 01:06:16,680
Speaker 7: That was that was that Uh that I did, like

1217
01:06:16,880 --> 01:06:21,720
Speaker 7: that in its full concept from eating cereal with Jamar

1218
01:06:21,720 --> 01:06:23,400
Speaker 7: at three in the morning, me and Jamarrow.

1219
01:06:23,600 --> 01:06:23,720
Speaker 8: Uh.

1220
01:06:24,040 --> 01:06:26,440
Speaker 7: We lived together for a while and we would uh

1221
01:06:27,000 --> 01:06:32,000
Speaker 7: and started getting money or whatever. The biggest change was cereal,

1222
01:06:32,480 --> 01:06:35,680
Speaker 7: Like we just started buying like we had all the

1223
01:06:35,880 --> 01:06:38,200
Speaker 7: cereal in the world and then like it was just

1224
01:06:38,360 --> 01:06:40,520
Speaker 7: one one night at three in the morning after a

1225
01:06:40,640 --> 01:06:44,440
Speaker 7: trip from Ralph's like like we're like it said down.

1226
01:06:44,560 --> 01:06:47,120
Speaker 7: I was just like and I said it as the

1227
01:06:47,360 --> 01:06:49,400
Speaker 7: as I said the jokes like that we eat cereal

1228
01:06:49,560 --> 01:06:52,960
Speaker 7: like a teacher told us, will never have seen Like

1229
01:06:53,080 --> 01:06:54,880
Speaker 7: that's how we like we It was like we were

1230
01:06:54,920 --> 01:06:57,800
Speaker 7: trying to prove something in which we were which we were.

1231
01:06:57,880 --> 01:06:59,760
Speaker 7: It's the same thing with shoes or whatever you do.

1232
01:07:00,200 --> 01:07:03,479
Speaker 7: Is that truth hit me. And a lot of times

1233
01:07:03,760 --> 01:07:05,920
Speaker 7: when the truth comes, that's what the joke is like,

1234
01:07:06,080 --> 01:07:08,840
Speaker 7: it's like, oh, yet that and everything else is setting

1235
01:07:08,960 --> 01:07:10,400
Speaker 7: up and explaining that truth.

1236
01:07:10,480 --> 01:07:11,680
Speaker 3: Yes, I was good. Yes, So how do you go

1237
01:07:11,880 --> 01:07:13,479
Speaker 3: take it from a truth to a joke?

1238
01:07:13,800 --> 01:07:15,640
Speaker 7: Just argue it. It's like a lot of times I

1239
01:07:15,760 --> 01:07:18,040
Speaker 7: have a point or fault and I'll just argue it.

1240
01:07:18,080 --> 01:07:20,520
Speaker 7: I'll argue it with friends or argue it on stage

1241
01:07:20,880 --> 01:07:23,720
Speaker 7: based off the audience's reaction and like the expression I

1242
01:07:23,760 --> 01:07:25,160
Speaker 7: was like, oh you still hate it, you still don't

1243
01:07:25,200 --> 01:07:27,840
Speaker 7: understand that. I'll keep arguing it and then I'll find

1244
01:07:27,880 --> 01:07:29,600
Speaker 7: a way in That's kind of what I'm doing.

1245
01:07:29,640 --> 01:07:31,800
Speaker 5: I'm just arguing, yeah, the reserve that I think that

1246
01:07:31,960 --> 01:07:34,600
Speaker 5: the reserve joke, the bit where like more people have died.

1247
01:07:35,040 --> 01:07:35,400
Speaker 3: What was that?

1248
01:07:35,640 --> 01:07:38,760
Speaker 7: That was from a real argument because of it was

1249
01:07:38,880 --> 01:07:40,960
Speaker 7: it's a close friend of mine, not little not my

1250
01:07:41,040 --> 01:07:45,720
Speaker 7: little brother, but uh, he joined the reserves. I thought

1251
01:07:45,760 --> 01:07:47,480
Speaker 7: it made I told him I thought it made him arrogant.

1252
01:07:47,680 --> 01:07:50,680
Speaker 7: We were trying to watch Zero Doctory together. Yeah, he

1253
01:07:51,360 --> 01:07:55,520
Speaker 7: criticized it. I was I was offended that he had

1254
01:07:55,560 --> 01:07:59,440
Speaker 7: the audacity to criticize it, you know.

1255
01:07:59,560 --> 01:08:02,040
Speaker 3: Being a and and and those are things that I

1256
01:08:02,080 --> 01:08:06,000
Speaker 3: said to him. Who is we nigas?

1257
01:08:06,320 --> 01:08:06,520
Speaker 8: Yeah?

1258
01:08:06,880 --> 01:08:08,240
Speaker 7: Yeah, it was like we would have never killed in

1259
01:08:08,320 --> 01:08:10,280
Speaker 7: line like that. I was like, motherfuck, are you kidding me?

1260
01:08:10,400 --> 01:08:10,680
Speaker 3: Right now?

1261
01:08:11,720 --> 01:08:16,160
Speaker 5: We the bitch you did about your uh how you

1262
01:08:16,200 --> 01:08:19,639
Speaker 5: know we talk about you accountant and being a being

1263
01:08:19,720 --> 01:08:21,679
Speaker 5: the first one to make it out is an expense.

1264
01:08:22,080 --> 01:08:25,120
Speaker 7: Yeah, talk about that. That was from a conversation. I

1265
01:08:25,800 --> 01:08:29,400
Speaker 7: really a lot of the truths that that came. And

1266
01:08:29,479 --> 01:08:31,640
Speaker 7: I just text him and told him I had I

1267
01:08:31,760 --> 01:08:35,080
Speaker 7: was hanging out with Maverick Carter one night. Uh you know,

1268
01:08:35,600 --> 01:08:39,000
Speaker 7: do you know Maverick Maverick Carter is one of the

1269
01:08:39,160 --> 01:08:42,479
Speaker 7: coolest guys you gotta meet Maverick Carter. He's he uh

1270
01:08:43,000 --> 01:08:45,680
Speaker 7: works with Lebron And it's just this one of the

1271
01:08:45,720 --> 01:08:49,080
Speaker 7: most brilliant guys you know, I've ever met. And we

1272
01:08:49,160 --> 01:08:52,360
Speaker 7: were talking about and and also from Ohio and you know,

1273
01:08:52,680 --> 01:08:55,880
Speaker 7: uh we talked about that experience of growing up and

1274
01:08:55,920 --> 01:08:58,519
Speaker 7: stuff like that, and talked about spending habits that needed

1275
01:08:58,560 --> 01:09:01,400
Speaker 7: to be curbed once ah, the ability to and so

1276
01:09:01,600 --> 01:09:05,080
Speaker 7: it just it all comes from this, really these realizations. Yes,

1277
01:09:05,120 --> 01:09:07,599
Speaker 7: I know, I just had to google. I'm just saying, oh,

1278
01:09:07,720 --> 01:09:10,280
Speaker 7: you know, yeah, yeah, it's just the coolest I like

1279
01:09:10,360 --> 01:09:12,479
Speaker 7: to shout out. You have, you know, certain people that

1280
01:09:12,600 --> 01:09:15,960
Speaker 7: make you feel cool to just like say, yeah, Maverick

1281
01:09:16,000 --> 01:09:17,679
Speaker 7: Carter is one of those guys you just feel cool

1282
01:09:17,760 --> 01:09:19,360
Speaker 7: saying like, you gotta meet Maverick.

1283
01:09:19,720 --> 01:09:23,080
Speaker 3: Yes, yeah, he's incredible.

1284
01:09:23,120 --> 01:09:25,599
Speaker 5: When was the turning point for you when your family

1285
01:09:25,840 --> 01:09:28,719
Speaker 5: or like your people from the crib or whatever, where

1286
01:09:28,880 --> 01:09:31,960
Speaker 5: they realize like, oh, Ship, you're really making money.

1287
01:09:32,600 --> 01:09:34,720
Speaker 3: Oh god, it's his number. Yeah.

1288
01:09:35,240 --> 01:09:37,080
Speaker 7: You know what's funny. I was gonna say, I don't know,

1289
01:09:37,240 --> 01:09:38,080
Speaker 7: because I haven't.

1290
01:09:38,520 --> 01:09:42,960
Speaker 3: I did change all it.

1291
01:09:43,000 --> 01:09:46,760
Speaker 7: Tuk was one one cousin who I don't know as

1292
01:09:46,800 --> 01:09:49,920
Speaker 7: a second. Yeah, yeah, that was like immediately, this isn't

1293
01:09:49,920 --> 01:09:50,320
Speaker 7: gonna work.

1294
01:09:50,720 --> 01:09:52,599
Speaker 3: How do you not how do you not feel?

1295
01:09:54,280 --> 01:09:54,400
Speaker 8: Uh?

1296
01:09:55,000 --> 01:10:00,280
Speaker 1: The survivors were more syndrome, as in, you know, I

1297
01:10:00,320 --> 01:10:01,840
Speaker 1: mean there's two ways to do it. You can either

1298
01:10:02,600 --> 01:10:05,400
Speaker 1: alan iverson it and try to take everyone with you,

1299
01:10:05,680 --> 01:10:08,840
Speaker 1: but the weight of everyone on your shoulders, you know,

1300
01:10:09,000 --> 01:10:12,120
Speaker 1: suddenly like your cousin's your driver and your yeah three

1301
01:10:12,200 --> 01:10:15,120
Speaker 1: cousins are you know, or an audience trying to holler

1302
01:10:15,360 --> 01:10:15,840
Speaker 1: at someone.

1303
01:10:16,120 --> 01:10:20,080
Speaker 7: Yeah, I keep the payroll small, keep it tight. But

1304
01:10:20,200 --> 01:10:23,320
Speaker 7: because people they work for things that they're good at.

1305
01:10:23,360 --> 01:10:25,760
Speaker 7: If there's a thing that you're good at, you know,

1306
01:10:26,760 --> 01:10:29,320
Speaker 7: and it can contribute, then yeah.

1307
01:10:29,240 --> 01:10:30,800
Speaker 3: Of course. But I don't.

1308
01:10:30,840 --> 01:10:32,760
Speaker 7: I don't have that because you end up hurting people

1309
01:10:32,800 --> 01:10:34,680
Speaker 7: more than you than you help them. It really is

1310
01:10:34,760 --> 01:10:38,479
Speaker 7: the teach a man to Fish philosophy, where it's like

1311
01:10:38,600 --> 01:10:41,280
Speaker 7: you don't want to hurt people. Obviously, sometimes there's immediate

1312
01:10:41,360 --> 01:10:43,800
Speaker 7: needs and you hear those and you try and help

1313
01:10:43,880 --> 01:10:47,920
Speaker 7: when you can, you know, accordingly of something health wise

1314
01:10:48,080 --> 01:10:51,280
Speaker 7: or something really personal that's happened, and but but just

1315
01:10:51,360 --> 01:10:55,080
Speaker 7: for the sake of it hurts them, you know, they

1316
01:10:55,120 --> 01:10:57,320
Speaker 7: don't really learn anything they don't learn. Yeah, you become

1317
01:10:57,360 --> 01:10:59,400
Speaker 7: a crutch and they don't learn anything. They don't try

1318
01:10:59,439 --> 01:11:02,920
Speaker 7: and and grow. So I talked, I mean a lot

1319
01:11:02,960 --> 01:11:05,120
Speaker 7: of times. The biggest thing you can give is is

1320
01:11:05,680 --> 01:11:08,120
Speaker 7: your truth or any type of advice or any type

1321
01:11:08,120 --> 01:11:11,320
Speaker 7: of like, uh, you know, help you can give in

1322
01:11:11,439 --> 01:11:14,640
Speaker 7: that way, I'm all try and be open to that.

1323
01:11:14,960 --> 01:11:17,920
Speaker 7: Do they listen, because I like, I mean, people only

1324
01:11:18,040 --> 01:11:21,320
Speaker 7: want me well, people always want to win the lottery.

1325
01:11:22,000 --> 01:11:24,240
Speaker 3: Everybody wants to even as a kid.

1326
01:11:24,360 --> 01:11:26,559
Speaker 7: Is gonna sound like bullshit, you know, but growing up poor,

1327
01:11:26,680 --> 01:11:29,439
Speaker 7: by my biggest fear because my dad played all the time,

1328
01:11:29,479 --> 01:11:31,840
Speaker 7: My biggest fear was winning the lottery. It was I

1329
01:11:32,280 --> 01:11:34,800
Speaker 7: I was terrified of the thought of it, of the

1330
01:11:34,920 --> 01:11:37,360
Speaker 7: thought that we would someday win the lottery, because then

1331
01:11:37,520 --> 01:11:41,360
Speaker 7: it takes out the need for me. I was afraid

1332
01:11:41,400 --> 01:11:43,479
Speaker 7: of being written out of my own life and the

1333
01:11:44,080 --> 01:11:46,160
Speaker 7: need to like drive and figure something out. And I

1334
01:11:46,320 --> 01:11:48,240
Speaker 7: was afraid of that because I was like, oh no,

1335
01:11:48,280 --> 01:11:51,320
Speaker 7: I want to I make millions. It needs to be

1336
01:11:51,560 --> 01:11:54,400
Speaker 7: off of work. I was always terrified of it, even

1337
01:11:54,520 --> 01:11:57,639
Speaker 7: poor with nothing, I was terrified of winning the lottery.

1338
01:11:57,680 --> 01:12:00,640
Speaker 7: And I'm still I still am. I specials of it,

1339
01:12:00,720 --> 01:12:02,960
Speaker 7: and I don't trust it, and I don't trust what

1340
01:12:03,120 --> 01:12:03,720
Speaker 7: it does for you.

1341
01:12:03,880 --> 01:12:04,600
Speaker 3: I don't trust what.

1342
01:12:04,640 --> 01:12:07,840
Speaker 1: It Who is the negro whisper in your head? Because

1343
01:12:08,920 --> 01:12:12,559
Speaker 1: you've already you've given three or four examples already, Like.

1344
01:12:14,080 --> 01:12:14,920
Speaker 3: I don't want it easy.

1345
01:12:15,000 --> 01:12:17,519
Speaker 1: I want to learn the hard lessons so that way

1346
01:12:17,880 --> 01:12:21,560
Speaker 1: my character can And I'm like, who are you?

1347
01:12:21,720 --> 01:12:24,040
Speaker 6: Like that's what he is?

1348
01:12:25,160 --> 01:12:27,280
Speaker 7: But I just always felt I always felt that way

1349
01:12:27,360 --> 01:12:30,800
Speaker 7: because it's not I mean, first of all, like that's

1350
01:12:30,880 --> 01:12:32,600
Speaker 7: the point of life. The point of life is like

1351
01:12:32,720 --> 01:12:35,560
Speaker 7: you learning these lessons, figuring things out. That's also the

1352
01:12:35,640 --> 01:12:38,479
Speaker 7: only way you can't contribute, you know, the only way

1353
01:12:38,520 --> 01:12:42,680
Speaker 7: you can understand something and help someone else on their

1354
01:12:42,720 --> 01:12:45,680
Speaker 7: own journey, on their own path. So it's like, why

1355
01:12:45,720 --> 01:12:47,760
Speaker 7: would you write yourself out of that? Like why would

1356
01:12:47,760 --> 01:12:50,479
Speaker 7: you try to take some easy route that that cheapens

1357
01:12:50,520 --> 01:12:50,880
Speaker 7: it for you?

1358
01:12:51,560 --> 01:12:51,720
Speaker 8: You know?

1359
01:12:52,040 --> 01:12:53,960
Speaker 5: So you it felt like if y'all hit the lottery,

1360
01:12:54,400 --> 01:12:57,240
Speaker 5: that would take away any lesson that you would have.

1361
01:12:57,360 --> 01:12:59,280
Speaker 3: To Yeah, then then what And it didn't.

1362
01:12:59,320 --> 01:13:02,639
Speaker 7: It didn't seem like it would feel fulfilling in any

1363
01:13:02,680 --> 01:13:05,000
Speaker 7: way just winning the lottery, you know.

1364
01:13:05,200 --> 01:13:08,640
Speaker 5: It just that's never one documentary and I haven't watched it.

1365
01:13:08,680 --> 01:13:11,080
Speaker 5: It's about like people that like committed themselves after they

1366
01:13:11,360 --> 01:13:12,240
Speaker 5: killed themselves.

1367
01:13:11,920 --> 01:13:15,240
Speaker 9: After nobody held onto the money. It's like stories of

1368
01:13:15,320 --> 01:13:16,920
Speaker 9: like what five or six people? It was a TV

1369
01:13:17,040 --> 01:13:17,400
Speaker 9: show too.

1370
01:13:17,479 --> 01:13:20,760
Speaker 1: Okay, Well I always wanted to do this personality test,

1371
01:13:21,360 --> 01:13:22,920
Speaker 1: and now I could do it on my own.

1372
01:13:23,000 --> 01:13:24,040
Speaker 3: Chill course, love supreme.

1373
01:13:24,439 --> 01:13:33,880
Speaker 1: All right, lion, you just won the lottery. Let's let's

1374
01:13:34,160 --> 01:13:37,040
Speaker 1: let's make it small and say nine point five million dollars.

1375
01:13:37,080 --> 01:13:38,400
Speaker 6: I love that you small.

1376
01:13:39,880 --> 01:13:41,160
Speaker 3: Stop criticizing me.

1377
01:13:41,240 --> 01:13:43,080
Speaker 6: I'm not stop using them now.

1378
01:13:43,240 --> 01:13:45,639
Speaker 3: Just for lottery. That is a small it is small

1379
01:13:45,680 --> 01:13:49,240
Speaker 3: ship like the power balls. Yeah, that's like exactly.

1380
01:13:49,280 --> 01:13:50,720
Speaker 9: I mean, my daddy just want two hundred dollars the

1381
01:13:50,720 --> 01:13:52,080
Speaker 9: other day and we was happy. But go ahead, a

1382
01:13:52,120 --> 01:13:53,240
Speaker 9: little money, go ahead.

1383
01:14:05,240 --> 01:14:05,840
Speaker 3: Five million?

1384
01:14:06,240 --> 01:14:12,000
Speaker 1: Very better boss, bill optimism.

1385
01:14:12,400 --> 01:14:16,040
Speaker 3: You won nine point five million dollars. What's the first

1386
01:14:16,080 --> 01:14:19,160
Speaker 3: thing I do? What is the very first thing you do?

1387
01:14:19,560 --> 01:14:25,280
Speaker 3: Pay off some bills? Okay, so you're gonna claim that ticket? Yeah?

1388
01:14:25,640 --> 01:14:25,680
Speaker 7: What?

1389
01:14:26,439 --> 01:14:29,640
Speaker 3: Yes, strike one? What would be the first thing you

1390
01:14:29,720 --> 01:14:30,840
Speaker 3: do first? And I would do.

1391
01:14:33,080 --> 01:14:37,519
Speaker 5: Start planning my exit out of the country, like I

1392
01:14:37,960 --> 01:14:44,040
Speaker 5: talked about Girl and like, well, yeah, you telling her? Yeah, yeah, yeah,

1393
01:14:44,040 --> 01:14:45,599
Speaker 5: I will tell her. I mean she's probably my wife,

1394
01:14:45,640 --> 01:14:47,080
Speaker 5: So I mean it's if you know, I would learn

1395
01:14:47,280 --> 01:14:52,840
Speaker 5: like a yeah, hold up, hold up, waiting god damn minute,

1396
01:14:57,600 --> 01:14:59,840
Speaker 5: and I would start plotting and playing. I mean my

1397
01:15:00,120 --> 01:15:02,479
Speaker 5: bills like I don't really get like I don't carry

1398
01:15:02,560 --> 01:15:03,320
Speaker 5: that or no shit.

1399
01:15:03,200 --> 01:15:07,439
Speaker 3: Like that, so it must be nice. I mean that

1400
01:15:07,479 --> 01:15:08,240
Speaker 3: would be truthfully.

1401
01:15:08,680 --> 01:15:10,400
Speaker 7: I mean, I'm already I'm trying to think of the

1402
01:15:10,439 --> 01:15:13,320
Speaker 7: family member who I'm giving the ticket to, or like

1403
01:15:13,520 --> 01:15:16,200
Speaker 7: either either if I find like what I think is

1404
01:15:16,280 --> 01:15:21,880
Speaker 7: the right case of you know, or or just person

1405
01:15:22,000 --> 01:15:24,040
Speaker 7: that I could I would give the truthfully.

1406
01:15:24,080 --> 01:15:25,280
Speaker 3: I know it sounds like give it away.

1407
01:15:25,400 --> 01:15:27,320
Speaker 6: Yeah, would you sign it some type of documentary? At

1408
01:15:27,400 --> 01:15:29,240
Speaker 6: least give me just a.

1409
01:15:29,360 --> 01:15:34,840
Speaker 5: Clean here, trust me, five mili is not I mean

1410
01:15:35,000 --> 01:15:39,040
Speaker 5: that's not all right. Let's say one hundred and twenty

1411
01:15:39,080 --> 01:15:42,280
Speaker 5: one million. Yeah, like you're getting just like leave the

1412
01:15:42,400 --> 01:15:46,479
Speaker 5: country like I'm going, like my life as I once

1413
01:15:46,560 --> 01:15:46,920
Speaker 5: knew it is.

1414
01:15:46,920 --> 01:15:51,200
Speaker 10: Over for all right, I'm paid bill even come feel

1415
01:15:51,240 --> 01:15:52,719
Speaker 10: from your past will come up out of nowhere?

1416
01:15:52,800 --> 01:15:56,719
Speaker 5: Asks that point for feelings like after taxes like nigga,

1417
01:15:56,760 --> 01:15:59,320
Speaker 5: you buy a couple of fucking rbs and like you know,

1418
01:15:59,479 --> 01:16:00,639
Speaker 5: some some wing.

1419
01:16:00,520 --> 01:16:05,439
Speaker 11: Stops and they they're like, yeah, you buy by choice

1420
01:16:05,880 --> 01:16:15,200
Speaker 11: coup RB. Yeah, White Castles, Roy Rogers, Chase. I put

1421
01:16:15,240 --> 01:16:17,120
Speaker 11: the money away from my kids, and then I probably

1422
01:16:17,160 --> 01:16:18,120
Speaker 11: give him some of it away.

1423
01:16:18,320 --> 01:16:22,080
Speaker 9: It's crazy, you guys, but I'm buying Trader Joe's and

1424
01:16:22,160 --> 01:16:25,320
Speaker 9: I put him in the hood. And then also I'm

1425
01:16:25,439 --> 01:16:27,439
Speaker 9: going to just give put a certain a lot of

1426
01:16:27,479 --> 01:16:30,240
Speaker 9: money for the community, as in my black folks, and

1427
01:16:30,479 --> 01:16:32,519
Speaker 9: then I'm going to pay my taxes first.

1428
01:16:32,720 --> 01:16:37,439
Speaker 3: It's going by. It's going you don't know, Yeah, you

1429
01:16:37,479 --> 01:16:40,280
Speaker 3: don't pay one hundred million. Yea, You're only getting like

1430
01:16:40,360 --> 01:16:41,360
Speaker 3: sixty million after tax.

1431
01:16:41,439 --> 01:16:46,160
Speaker 10: It's going so sorry, gets taking Trader Joe's in the hood.

1432
01:16:46,200 --> 01:16:48,439
Speaker 3: I don't I'd buy all the weed, and I don't know.

1433
01:16:48,880 --> 01:16:52,519
Speaker 3: I don't understand that Steve already has one hundred and

1434
01:16:52,560 --> 01:16:53,280
Speaker 3: twenty one million.

1435
01:16:53,760 --> 01:16:55,559
Speaker 2: I pay my dad back for all the money he's

1436
01:16:55,560 --> 01:16:57,400
Speaker 2: given one hundred and twenty one million.

1437
01:16:57,640 --> 01:17:01,320
Speaker 3: That is strange, because I would think the wisest thing

1438
01:17:01,400 --> 01:17:01,600
Speaker 3: to do.

1439
01:17:03,120 --> 01:17:09,479
Speaker 5: One is never all right for starters, never let anyone

1440
01:17:09,640 --> 01:17:12,880
Speaker 5: know you got money, which I believe in that Russell

1441
01:17:12,920 --> 01:17:16,320
Speaker 5: Simmons way of which you know.

1442
01:17:16,760 --> 01:17:18,360
Speaker 3: Who doesn't think Russell Simmons has money.

1443
01:17:19,280 --> 01:17:21,280
Speaker 1: There was a period, there was a period def Champion

1444
01:17:21,479 --> 01:17:24,040
Speaker 1: Russell was like super bumped, like pre yoga.

1445
01:17:25,280 --> 01:17:26,040
Speaker 3: Drugs Russell.

1446
01:17:29,240 --> 01:17:33,640
Speaker 1: But I would actually find a fall guy, because the

1447
01:17:33,720 --> 01:17:35,960
Speaker 1: thing is when you claim the ticket, it's going to

1448
01:17:36,000 --> 01:17:39,559
Speaker 1: be a ceremony. What I would literally find a fall

1449
01:17:39,680 --> 01:17:45,200
Speaker 1: guy and broker a deal. I'll give you ten million,

1450
01:17:46,439 --> 01:17:49,519
Speaker 1: you sign this contract, you're going to be the winner.

1451
01:17:50,479 --> 01:17:55,360
Speaker 1: But quietly, I'm gonna take my my whatever, my one ten,

1452
01:17:56,080 --> 01:17:57,679
Speaker 1: give you the ten million or whatever.

1453
01:17:57,760 --> 01:17:57,960
Speaker 3: Action.

1454
01:17:58,080 --> 01:18:00,320
Speaker 5: But I was not in every state. You'd have to

1455
01:18:00,360 --> 01:18:02,240
Speaker 5: claim it though I forgot which states it is. But

1456
01:18:02,600 --> 01:18:05,519
Speaker 5: or you can you can remain anonymous New York.

1457
01:18:06,080 --> 01:18:10,320
Speaker 3: You have to claim it, okay. So I would not tell.

1458
01:18:11,320 --> 01:18:14,240
Speaker 1: I wouldn't tell, So I wouldn't even tell my wife,

1459
01:18:15,000 --> 01:18:16,320
Speaker 1: or I would tell nobody.

1460
01:18:16,960 --> 01:18:17,479
Speaker 3: Well, how you.

1461
01:18:19,040 --> 01:18:22,000
Speaker 10: One hundred million dollars from your wife? How that becomes

1462
01:18:22,120 --> 01:18:28,160
Speaker 10: that becomes the new Brewsters millions? Your marriage is going

1463
01:18:28,240 --> 01:18:29,920
Speaker 10: to end. Your marriage is over if you do that.

1464
01:18:30,000 --> 01:18:30,519
Speaker 3: You know that, right?

1465
01:18:30,760 --> 01:18:39,080
Speaker 7: And that's an interesting that is interesting the thought that uh,

1466
01:18:39,640 --> 01:18:43,040
Speaker 7: a woman would leave you for heaven money.

1467
01:18:45,040 --> 01:18:45,920
Speaker 3: You were not telling you?

1468
01:18:46,560 --> 01:18:49,240
Speaker 7: Yeah, but no, that's an interesting thought. Yeah, I'm trying

1469
01:18:49,280 --> 01:18:50,559
Speaker 7: to I would.

1470
01:18:50,439 --> 01:18:56,040
Speaker 1: Feel like you have nine figures in your possession. No

1471
01:18:56,240 --> 01:19:02,439
Speaker 1: one is going to be genuine with you. Well right right,

1472
01:19:02,520 --> 01:19:04,759
Speaker 1: But then there's some people like why is a great example,

1473
01:19:05,240 --> 01:19:07,840
Speaker 1: like lie is the I'm gonna treat you like an

1474
01:19:07,920 --> 01:19:11,400
Speaker 1: asshole to let you know that I don't think you

1475
01:19:12,560 --> 01:19:13,080
Speaker 1: but I love you.

1476
01:19:13,200 --> 01:19:18,080
Speaker 5: Anyway, one I would tell shen't be the only one

1477
01:19:18,080 --> 01:19:18,479
Speaker 5: I would tell.

1478
01:19:18,520 --> 01:19:20,800
Speaker 3: I'm like, listen, like mama, my mama. Would I tell

1479
01:19:20,880 --> 01:19:23,360
Speaker 3: my mom? I wouldn't see because.

1480
01:19:23,160 --> 01:19:25,439
Speaker 5: Then your mom I would just like other people, you know,

1481
01:19:25,880 --> 01:19:27,759
Speaker 5: if I told my mom and that you gotta protect

1482
01:19:27,760 --> 01:19:28,040
Speaker 5: your mind.

1483
01:19:28,080 --> 01:19:32,320
Speaker 3: You got to protect your mom. Just give me that

1484
01:19:33,080 --> 01:19:34,320
Speaker 3: you've had this conversation before.

1485
01:19:34,360 --> 01:19:35,760
Speaker 9: What you got to do is roll up on Sally

1486
01:19:35,840 --> 01:19:37,840
Speaker 9: May and just throw that ship and they face and say,

1487
01:19:37,960 --> 01:19:39,759
Speaker 9: fuck you take this hundred thousand dollars.

1488
01:19:39,800 --> 01:19:41,320
Speaker 6: I'm sorry. I got student loans, but.

1489
01:19:41,640 --> 01:19:46,559
Speaker 3: That anyway you're so you don't know about okay, because

1490
01:19:46,640 --> 01:19:49,519
Speaker 3: they really up paid off many a student loans.

1491
01:19:49,640 --> 01:19:51,400
Speaker 6: Okay is eighty thousand dollars.

1492
01:19:51,439 --> 01:19:54,400
Speaker 3: If you feel no, I'm done paying student loans. That's

1493
01:19:54,680 --> 01:19:57,040
Speaker 3: I'm done anyway.

1494
01:19:59,240 --> 01:20:05,720
Speaker 5: That was get here, Where are.

1495
01:20:05,680 --> 01:20:06,439
Speaker 3: You going with this? Yeah?

1496
01:20:06,880 --> 01:20:11,160
Speaker 1: No, no, what he mentioned about about lottery tickets and

1497
01:20:12,040 --> 01:20:13,960
Speaker 1: giving it away and that sort of thing.

1498
01:20:14,280 --> 01:20:17,040
Speaker 3: So I was just curious. There was like a.

1499
01:20:19,360 --> 01:20:21,720
Speaker 2: So we're not bad for cashing in, We're just but

1500
01:20:22,160 --> 01:20:23,679
Speaker 2: you're saying we shouldn't tell people.

1501
01:20:23,760 --> 01:20:26,960
Speaker 3: I don't think you should tell a soul and you

1502
01:20:27,000 --> 01:20:29,720
Speaker 3: should find someone to claim it. And then everybody's gonna

1503
01:20:29,720 --> 01:20:31,320
Speaker 3: be wondering if I'm selling drugs when I show up

1504
01:20:31,320 --> 01:20:31,640
Speaker 3: with my car.

1505
01:20:32,840 --> 01:20:34,560
Speaker 5: If you're not, if you're not, I think if you're not,

1506
01:20:34,720 --> 01:20:36,880
Speaker 5: if you're not married, I would I would agree with that,

1507
01:20:36,960 --> 01:20:38,160
Speaker 5: But I think if you can't share it with you,

1508
01:20:38,280 --> 01:20:40,240
Speaker 5: if you can't share with your wife, and the nigga

1509
01:20:40,320 --> 01:20:40,680
Speaker 5: like why are you?

1510
01:20:40,880 --> 01:20:43,080
Speaker 3: Like why are you married? You gotta protect her because

1511
01:20:43,200 --> 01:20:45,639
Speaker 3: I feel like no one exist. I think y'all gotta

1512
01:20:45,640 --> 01:20:48,000
Speaker 3: protect each other like y'all can't do in your life.

1513
01:20:48,040 --> 01:20:52,240
Speaker 1: Will keep a secret that my significant other has one

1514
01:20:52,320 --> 01:20:55,080
Speaker 1: hundred and fifty million on standby? They're gonna buy some

1515
01:20:55,240 --> 01:20:58,479
Speaker 1: sort of bag or some pair three thousand dollars shoes

1516
01:20:59,240 --> 01:21:01,600
Speaker 1: or some ring that doesn't.

1517
01:21:01,280 --> 01:21:02,080
Speaker 3: Give it away, like that.

1518
01:21:02,280 --> 01:21:05,800
Speaker 5: Now, if you just buy like a fleet of Tesla's ship,

1519
01:21:06,040 --> 01:21:09,479
Speaker 5: then yeah, you're going to jail. You're gonna get wrong.

1520
01:21:09,560 --> 01:21:12,880
Speaker 5: But like a new bag or new whatever. I mean,

1521
01:21:12,960 --> 01:21:15,760
Speaker 5: you know, like you know, we make pretty decent money,

1522
01:21:15,840 --> 01:21:16,519
Speaker 5: like niggas can.

1523
01:21:16,560 --> 01:21:21,679
Speaker 3: Buy cereal like give it away, you know what I mean? Niggas.

1524
01:21:23,000 --> 01:21:29,800
Speaker 3: I don't know if you title each all, so can

1525
01:21:29,880 --> 01:21:34,320
Speaker 3: we officially call this one of the niggas can buy question?

1526
01:21:35,200 --> 01:21:37,160
Speaker 3: I can't wait to share that one.

1527
01:21:39,000 --> 01:21:47,519
Speaker 1: Bill and Steve the name of this episode Steve don't ship, Yeah,

1528
01:21:48,200 --> 01:21:49,200
Speaker 1: don't please.

1529
01:21:50,240 --> 01:21:51,519
Speaker 5: But I wasn't like when you go back to the

1530
01:21:51,600 --> 01:21:53,479
Speaker 5: crib man, Like when you go back, can you walk

1531
01:21:53,520 --> 01:21:56,679
Speaker 5: through Hans Mall and just still be Yeah?

1532
01:21:57,720 --> 01:21:58,320
Speaker 3: Sunglasses.

1533
01:21:58,720 --> 01:22:02,799
Speaker 7: I'm usually just I'm at home. I have four nieces

1534
01:22:02,880 --> 01:22:06,560
Speaker 7: and a nephew and I'm like just them. I'm just

1535
01:22:06,640 --> 01:22:10,080
Speaker 7: like playing with them. Like that's usually what I go.

1536
01:22:10,439 --> 01:22:12,320
Speaker 3: We go, uh, we go to Uh.

1537
01:22:12,560 --> 01:22:19,639
Speaker 7: There's this Uh it's called Japanese American I have to prepresent. Yeah, yeah,

1538
01:22:19,880 --> 01:22:23,240
Speaker 7: because it's not just learning from living in LA for years.

1539
01:22:23,320 --> 01:22:27,439
Speaker 7: It is not a Japanese experience by any stretch of

1540
01:22:27,479 --> 01:22:28,080
Speaker 7: the imagination.

1541
01:22:28,160 --> 01:22:29,559
Speaker 3: But Mexicans come out.

1542
01:22:30,680 --> 01:22:30,880
Speaker 9: Yeah.

1543
01:22:31,080 --> 01:22:34,960
Speaker 7: They made Actually, that's where I saw ninth. That's why

1544
01:22:35,040 --> 01:22:37,920
Speaker 7: I actually met ninth for the first time. We shared

1545
01:22:37,960 --> 01:22:40,160
Speaker 7: a table at a at a bachi restaurant like that.

1546
01:22:40,400 --> 01:22:43,560
Speaker 7: You may get me there. I'll go like there, you know,

1547
01:22:43,680 --> 01:22:46,400
Speaker 7: but then like I just stay in and eat, you know,

1548
01:22:46,680 --> 01:22:48,240
Speaker 7: play with my nieces and nephews.

1549
01:22:48,240 --> 01:22:49,360
Speaker 3: You a mountain chicken.

1550
01:22:50,160 --> 01:22:51,800
Speaker 7: Every now and then. Every now and then I do

1551
01:22:52,000 --> 01:22:57,840
Speaker 7: like we had to stop. It's great, it's great, it's fantastic.

1552
01:22:57,920 --> 01:22:59,960
Speaker 7: Every now and then I'll go out. I'll go out there,

1553
01:23:00,360 --> 01:23:01,960
Speaker 7: take fifty two North fifty two.

1554
01:23:04,520 --> 01:23:08,120
Speaker 3: That sounds awesome, chicken chick.

1555
01:23:08,240 --> 01:23:10,799
Speaker 5: It's like actually, because you're going towards us a black mountains,

1556
01:23:10,880 --> 01:23:12,320
Speaker 5: a fifty two, like you're going.

1557
01:23:12,240 --> 01:23:15,720
Speaker 3: Yeah, like pilot Mountains. Yeah. Yeah. Usually I'm just like

1558
01:23:16,920 --> 01:23:20,360
Speaker 3: like laying in my mom's lap. Folks are still in

1559
01:23:21,000 --> 01:23:22,439
Speaker 3: They're still there. Yeah, that's it.

1560
01:23:22,560 --> 01:23:25,000
Speaker 7: That's only the only place, the only place I'm not

1561
01:23:25,040 --> 01:23:27,200
Speaker 7: thinking about emails is just like laying my mom's just

1562
01:23:27,240 --> 01:23:29,400
Speaker 7: turned into a child. I was like, all right, and

1563
01:23:29,560 --> 01:23:32,240
Speaker 7: she's like annoyed by, like like move, I get out

1564
01:23:32,240 --> 01:23:32,599
Speaker 7: of my cry.

1565
01:23:38,520 --> 01:23:41,920
Speaker 3: Okay. That's so that's still there.

1566
01:23:41,960 --> 01:23:45,760
Speaker 5: They're still living there, that's still there, and they still like,

1567
01:23:45,880 --> 01:23:49,360
Speaker 5: have you done the celebrity I'm buy my mama house

1568
01:23:49,400 --> 01:23:49,840
Speaker 5: thing yet?

1569
01:23:49,960 --> 01:23:53,360
Speaker 3: Or have you is that is stopping me? She's very.

1570
01:23:55,120 --> 01:23:57,960
Speaker 7: She's like me, I get it. She's like me as well,

1571
01:23:58,080 --> 01:24:01,240
Speaker 7: and like you know, once drawl on. They're a very

1572
01:24:01,360 --> 01:24:05,439
Speaker 7: independent family. Who but I do I with that said,

1573
01:24:06,320 --> 01:24:08,800
Speaker 7: all of all of those things, I just forced it

1574
01:24:08,920 --> 01:24:09,120
Speaker 7: on it.

1575
01:24:09,760 --> 01:24:12,960
Speaker 3: It was just like, just like cautious. Yeah, they're always

1576
01:24:13,160 --> 01:24:14,000
Speaker 3: that false minding.

1577
01:24:14,600 --> 01:24:14,640
Speaker 8: No.

1578
01:24:14,800 --> 01:24:18,439
Speaker 3: No, it's just like it's like, Okay, what year is this?

1579
01:24:19,200 --> 01:24:21,639
Speaker 3: What your car is this? You want to go? Wow?

1580
01:24:22,240 --> 01:24:25,240
Speaker 1: Well, I thank you very much for coming through on

1581
01:24:25,360 --> 01:24:29,760
Speaker 1: the clutch. No, man, thank you special serial episode.

1582
01:24:30,840 --> 01:24:31,639
Speaker 6: It looks so different.

1583
01:24:32,760 --> 01:24:36,439
Speaker 7: Yeah, I know, listen, I'm gonna go and uh you know, yeah,

1584
01:24:36,560 --> 01:24:40,880
Speaker 7: has some mixes that he wants me to, wants me

1585
01:24:40,880 --> 01:24:41,599
Speaker 7: to check out something.

1586
01:24:41,640 --> 01:24:42,080
Speaker 3: You'll do that.

1587
01:24:42,680 --> 01:24:46,439
Speaker 7: But it's nice to stop buying between sessions, all.

1588
01:24:46,400 --> 01:24:48,760
Speaker 1: Right, because you got eminem right after the eminem is

1589
01:24:48,840 --> 01:24:50,400
Speaker 1: right after that exactly whole thing.

1590
01:24:50,600 --> 01:24:52,200
Speaker 3: You know, the life of Rick rub and you guys

1591
01:24:52,320 --> 01:24:58,360
Speaker 3: never boy oh boy, yeah man, Yeah, it's gotta keep you.

1592
01:24:58,640 --> 01:25:01,840
Speaker 1: I clearly never met Rick. I can't even jump into

1593
01:25:02,240 --> 01:25:07,880
Speaker 1: you literally just nailed down. Yeah, you nailed it. Trust

1594
01:25:07,960 --> 01:25:10,519
Speaker 1: me on this. So when the season starts, win.

1595
01:25:10,800 --> 01:25:14,280
Speaker 3: May thirty first first we will be there front.

1596
01:25:14,320 --> 01:25:17,080
Speaker 5: And are you still you're still doing like clubs and

1597
01:25:17,080 --> 01:25:18,559
Speaker 5: stuff and you still like just working stuff out.

1598
01:25:18,720 --> 01:25:20,240
Speaker 7: I haven't been on the road in a while. Just

1599
01:25:20,600 --> 01:25:23,560
Speaker 7: I've been working on the show and then jumping to

1600
01:25:23,680 --> 01:25:26,080
Speaker 7: some features. I'll mostly just be in New York. Uh,

1601
01:25:26,560 --> 01:25:29,760
Speaker 7: probably the summer between here and New York. Uh, and

1602
01:25:29,880 --> 01:25:33,679
Speaker 7: I'll jump in to the cellar and you know, trying

1603
01:25:33,720 --> 01:25:35,759
Speaker 7: to be a comedian again. I'm excited.

1604
01:25:35,840 --> 01:25:38,680
Speaker 3: So like if you came to like like Charlie Good

1605
01:25:38,760 --> 01:25:42,439
Speaker 3: Nights and Raley, that would you play that kind of maybe?

1606
01:25:42,520 --> 01:25:44,840
Speaker 7: Yeah, I haven't. I never do stand up enough. We're

1607
01:25:44,840 --> 01:25:46,720
Speaker 7: talking about going home, Like, I don't do stand up.

1608
01:25:46,880 --> 01:25:49,120
Speaker 3: I just I just lay low.

1609
01:25:49,280 --> 01:25:51,439
Speaker 7: I just like if I'm in North Carolina, I'm like

1610
01:25:51,520 --> 01:25:54,200
Speaker 7: eating bow Jangles Man.

1611
01:25:54,800 --> 01:25:55,519
Speaker 9: Just what.

1612
01:25:57,160 --> 01:25:57,439
Speaker 7: Is there?

1613
01:25:58,600 --> 01:26:03,559
Speaker 1: Yeahs I ride for both Jangles and I'm technically a vegan.

1614
01:26:03,840 --> 01:26:08,840
Speaker 6: Yeah it takes different just like Popeyes is just a biscus.

1615
01:26:09,400 --> 01:26:13,559
Speaker 3: No, what do you think? Less pop It's not Jingles.

1616
01:26:13,680 --> 01:26:15,600
Speaker 3: It's on that level. It's on that level. It's on

1617
01:26:15,680 --> 01:26:16,040
Speaker 3: that level.

1618
01:26:16,120 --> 01:26:18,519
Speaker 7: Yeah, it's on that level, either of them on a

1619
01:26:18,560 --> 01:26:20,720
Speaker 7: good day, on a good day, you know what I mean.

1620
01:26:20,760 --> 01:26:23,120
Speaker 7: It's like you want to weigh in. It's like it's

1621
01:26:23,200 --> 01:26:25,640
Speaker 7: like watching Steph Curry and Lebron play each other there.

1622
01:26:27,280 --> 01:26:29,840
Speaker 3: This is like this the last time you've been.

1623
01:26:30,120 --> 01:26:31,800
Speaker 6: I just went to Pop like two weeks ago, and

1624
01:26:31,880 --> 01:26:32,680
Speaker 6: the biscuits.

1625
01:26:32,439 --> 01:26:36,400
Speaker 7: Was like flatter and it just no, no, no, you request.

1626
01:26:36,600 --> 01:26:38,720
Speaker 3: We're riding for Jangles though not.

1627
01:26:40,600 --> 01:26:41,800
Speaker 6: Jangles around here, So.

1628
01:26:42,800 --> 01:26:44,360
Speaker 5: I think both Jangles didn't make it out of this.

1629
01:26:44,600 --> 01:26:47,200
Speaker 5: I think they got one like Maryland somewhere.

1630
01:26:47,320 --> 01:26:50,120
Speaker 7: Yeah, I think it doesn't go past Texas or something.

1631
01:26:50,200 --> 01:26:53,439
Speaker 3: I think that's yeah, Yeah, they had one a whole

1632
01:26:53,520 --> 01:26:55,000
Speaker 3: Chicken episode. We do.

1633
01:26:55,240 --> 01:26:58,280
Speaker 1: Yeah, I'm gonna go the chicken for like maybe a month,

1634
01:26:58,439 --> 01:27:01,240
Speaker 1: go back to chicken. Just if you go back Chicken out.

1635
01:27:01,280 --> 01:27:02,479
Speaker 1: Think you're gonna baby to go back.

1636
01:27:02,880 --> 01:27:03,160
Speaker 7: I know.

1637
01:27:05,360 --> 01:27:06,880
Speaker 3: You are so real with that.

1638
01:27:07,200 --> 01:27:10,880
Speaker 5: I was vegetarian for like closer two years and beef

1639
01:27:11,000 --> 01:27:13,000
Speaker 5: poor all that. I gave no ships about that yard

1640
01:27:13,080 --> 01:27:18,040
Speaker 5: Bird homie. Yeah, like I'm back to it.

1641
01:27:18,920 --> 01:27:19,400
Speaker 3: Last night.

1642
01:27:20,520 --> 01:27:28,200
Speaker 1: At last night, I drove in front of Roscoe. Come on,

1643
01:27:28,439 --> 01:27:36,320
Speaker 1: it's Saturday, come on, and I'm just like you chicken

1644
01:27:36,400 --> 01:27:37,120
Speaker 1: tears because.

1645
01:27:36,880 --> 01:27:40,160
Speaker 3: That's yeah, But you vegan, do you do like the

1646
01:27:40,280 --> 01:27:43,479
Speaker 3: fake uh? Because that's what I can't. But I don't.

1647
01:27:43,720 --> 01:27:46,840
Speaker 7: I like, you know, veggies or whatever. I like going

1648
01:27:46,840 --> 01:27:48,840
Speaker 7: across the roads. But where I stop is when it's like,

1649
01:27:48,960 --> 01:27:52,760
Speaker 7: these are meatballs and if you don't lie to them

1650
01:27:52,800 --> 01:27:56,680
Speaker 7: in but if you don't, if you're true blue to it.

1651
01:27:57,080 --> 01:28:01,519
Speaker 1: And once half the sugar consume leaves you, you know,

1652
01:28:01,640 --> 01:28:03,280
Speaker 1: like when you're going to die whatever. And then you

1653
01:28:03,840 --> 01:28:06,120
Speaker 1: when you're not eating right and you taste the diet

1654
01:28:06,160 --> 01:28:09,519
Speaker 1: coke or whatever, it tastes like nasty. But once you

1655
01:28:09,600 --> 01:28:11,519
Speaker 1: really adjust your thing, you're like, oh, this tastes like

1656
01:28:11,560 --> 01:28:13,240
Speaker 1: regular because you brought your sugar down.

1657
01:28:14,520 --> 01:28:20,040
Speaker 3: I'm riding for Impossible Burgers to the day the plant Burgers. Yes,

1658
01:28:20,720 --> 01:28:23,280
Speaker 3: if you tried an impossible burger, is that it does?

1659
01:28:23,479 --> 01:28:29,600
Speaker 3: MoMA in New York, Yes, the New And and Crossroads

1660
01:28:29,640 --> 01:28:29,880
Speaker 3: has it.

1661
01:28:30,880 --> 01:28:36,360
Speaker 1: I My life goal is to invest maybe get half

1662
01:28:36,479 --> 01:28:38,719
Speaker 1: percent of stock and Impossible Burgers.

1663
01:28:40,240 --> 01:28:42,599
Speaker 5: That will be my winning linery. And it's total plant based.

1664
01:28:42,600 --> 01:28:46,040
Speaker 5: It's totally plant it's total plant based. Uh, It's I mean,

1665
01:28:46,080 --> 01:28:49,720
Speaker 5: they just their their secret was that they discovered that

1666
01:28:51,240 --> 01:28:54,080
Speaker 5: blood is the element that has us addicted to meat.

1667
01:28:54,479 --> 01:28:58,200
Speaker 5: So they have a blood formula. Yeah, the blood formula

1668
01:28:58,400 --> 01:28:59,840
Speaker 5: is beats olive.

1669
01:29:00,040 --> 01:29:03,600
Speaker 1: Will they have a blood formula inside of the impossible

1670
01:29:03,640 --> 01:29:07,479
Speaker 1: burger and it taste Did.

1671
01:29:07,400 --> 01:29:09,240
Speaker 7: You just tell me that we're all vampires?

1672
01:29:09,439 --> 01:29:09,639
Speaker 3: Yeah?

1673
01:29:10,960 --> 01:29:13,519
Speaker 7: It was like we're all discovering that with vampires, just like,

1674
01:29:13,600 --> 01:29:14,559
Speaker 7: oh wait, so we are.

1675
01:29:15,640 --> 01:29:17,400
Speaker 3: Bill Gates invested in this company.

1676
01:29:17,800 --> 01:29:21,760
Speaker 1: The scientists did a study for like seven years and

1677
01:29:22,000 --> 01:29:25,840
Speaker 1: discovered that the element because they wanted to know, like

1678
01:29:25,960 --> 01:29:31,360
Speaker 1: why does veggie food taste crappy and hamburgers taste so delicious?

1679
01:29:32,080 --> 01:29:35,200
Speaker 1: And once the study was that there's no blood element

1680
01:29:35,720 --> 01:29:39,200
Speaker 1: in there that has us addicted it.

1681
01:29:39,439 --> 01:29:42,040
Speaker 7: But you know what gets me again, it's like things

1682
01:29:42,080 --> 01:29:44,920
Speaker 7: were like when you start putting burger on it. I

1683
01:29:45,000 --> 01:29:47,200
Speaker 7: wish they didn't call it. But if they called it

1684
01:29:47,800 --> 01:29:53,320
Speaker 7: anything else, impossible patty of of science. Even if I

1685
01:29:53,400 --> 01:29:56,760
Speaker 7: called it a science patty, I'm like, Okay, I'll try it,

1686
01:29:56,800 --> 01:29:58,880
Speaker 7: because you know, I just there's a lot of eying me.

1687
01:29:59,120 --> 01:30:01,920
Speaker 7: When it's just vegan hot dog, I'm like, fuck you,

1688
01:30:02,920 --> 01:30:04,000
Speaker 7: I know what a hot dog?

1689
01:30:06,920 --> 01:30:07,120
Speaker 3: Yeah?

1690
01:30:07,400 --> 01:30:09,960
Speaker 5: Like that's the thing is like I can't fuck with

1691
01:30:10,040 --> 01:30:14,120
Speaker 5: the vegans because it's like they are I mean two things. One,

1692
01:30:14,160 --> 01:30:15,720
Speaker 5: it kind of feels like a colt. It kind of

1693
01:30:15,800 --> 01:30:17,759
Speaker 5: just feel like branch Davidians that don't eat cheese.

1694
01:30:18,160 --> 01:30:18,760
Speaker 3: So it's like that.

1695
01:30:19,760 --> 01:30:22,479
Speaker 5: But then it's the other part is like so part

1696
01:30:22,960 --> 01:30:26,640
Speaker 5: so much of veganism is predicated on oh, we have

1697
01:30:26,840 --> 01:30:29,519
Speaker 5: stuff that tastes just like this, like nigga, I can

1698
01:30:29,640 --> 01:30:30,200
Speaker 5: just go get.

1699
01:30:30,120 --> 01:30:33,240
Speaker 3: You to a non vegan that's not good to vegan.

1700
01:30:33,320 --> 01:30:36,040
Speaker 5: But I feel like if you like, okay, if it

1701
01:30:36,120 --> 01:30:37,960
Speaker 5: was a religion right, and if you were like, okay,

1702
01:30:38,400 --> 01:30:41,320
Speaker 5: I am Islam, right, just for his example, you say

1703
01:30:41,360 --> 01:30:45,320
Speaker 5: I'm Islam, but my Islam is just like Christianity, you

1704
01:30:45,360 --> 01:30:45,720
Speaker 5: know what I mean.

1705
01:30:45,880 --> 01:30:49,800
Speaker 7: You're like, no, no, my friend, could my friend you

1706
01:30:49,880 --> 01:30:52,639
Speaker 7: have to put it the best he said, uh, basically

1707
01:30:52,800 --> 01:30:55,680
Speaker 7: that it would be It's as absurd to a meat

1708
01:30:55,720 --> 01:30:58,640
Speaker 7: eater to have like a like fake meat, you know,

1709
01:30:59,120 --> 01:31:02,360
Speaker 7: as if you're vegan and someone gave you a carrot

1710
01:31:02,479 --> 01:31:03,160
Speaker 7: made of beef.

1711
01:31:05,400 --> 01:31:07,800
Speaker 3: It's the same thing. It's just like how dare you?

1712
01:31:09,320 --> 01:31:19,200
Speaker 1: Yes, it's it's it's Jedi mind tricking yourself it's can

1713
01:31:19,240 --> 01:31:20,840
Speaker 1: we just in the show like that?

1714
01:31:24,960 --> 01:31:30,000
Speaker 3: Margaret? Yeah, on that note, R and B have of fun,

1715
01:31:30,080 --> 01:31:38,840
Speaker 3: Tikeolow and uh sloppy Margaret. Shout out to the Quoss

1716
01:31:38,960 --> 01:31:41,720
Speaker 3: Bill and I'm bade Bill and Sugar Steve and our

1717
01:31:41,840 --> 01:31:46,799
Speaker 3: guest Carmichael. Thank you very much. This is funny science

1718
01:31:46,880 --> 01:31:48,559
Speaker 3: patty science patties.

1719
01:31:48,840 --> 01:31:51,160
Speaker 1: Uh yes, I'm gonna get a few science patties. This

1720
01:31:51,320 --> 01:31:53,920
Speaker 1: is quest Love, quest Love Supreme. We will see you

1721
01:31:54,479 --> 01:31:55,479
Speaker 1: on the next go round.

1722
01:31:55,640 --> 01:31:55,880
Speaker 3: Thank you.

1723
01:31:59,400 --> 01:32:03,120
Speaker 1: Quest Love Premium is a production of iHeartRadio. This classic

1724
01:32:03,200 --> 01:32:09,840
Speaker 1: episode was produced by the team at Pandora. For more

1725
01:32:09,920 --> 01:32:14,400
Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1726
01:32:14,400 --> 01:32:16,040
Speaker 1: wherever you listen to your favorite shows.