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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there. Doesn't matter how much baggage

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Speaker 1: you claim and give us time and a terminal and gay.

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Speaker 1: We want to send you off inside. We wanna welcome

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Speaker 1: you back home. Tell us all about it. We scared her?

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Speaker 1: Was it fine?

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Speaker 2: Malborn?

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Speaker 3: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Ride?

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Speaker 4: Do you need.

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Speaker 5: With Karen and Chris.

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Speaker 6: Welcome to Do you need a ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgariff.

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Speaker 3: Hello, my friend Karen.

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Speaker 1: Hello Chris.

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Speaker 6: You know what, I'm cool as a cucumber right now,

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Speaker 6: I'll tell you that.

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Speaker 2: I'm casual as Helen in no way of freaking out

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Speaker 2: about our guest today at all.

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Speaker 3: No, I'm not going to nerd out.

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Speaker 6: This is a normal day and a normal guest that

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Speaker 6: isn't going to make me act ridiculous in any way.

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Speaker 2: We as people who have a driving stand up comics

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Speaker 2: in a car to the airport podcast, Yes, we're kind

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Speaker 2: of not used to this level of fame, this level

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Speaker 2: of cultural immersion, this level.

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Speaker 3: Of iconic I was gonna say icon were you?

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Speaker 2: But what's the noun you were going to put after iconic,

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Speaker 2: because now I can't think of what goes there iconic.

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Speaker 3: Ness, iconic ness. Yeah, we should.

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Speaker 1: Stop doing this part and introduce our guests.

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Speaker 6: I think you're right, but I do like to say

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Speaker 6: I do enjoy the beginning of our podcast. Often I

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Speaker 6: enjoyed what we just did, just to give us a

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Speaker 6: little credit.

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Speaker 3: But let us now introduce.

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Speaker 1: We don't need credit.

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Speaker 3: No, no, we need to start this podcast, Yes we do.

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Speaker 2: Ladies and gentlemen today right now our guest, mm hmm,

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Speaker 2: it's Yardley Smith.

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Speaker 4: I just been snickering into my hand for the last

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Speaker 4: five minutes, trying not to make a sound. Maybe the

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Speaker 4: best intro ever.

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Speaker 6: And you'll back me up right, Iconicness is totally a word, right, I.

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Speaker 4: Think it is? Yes, I do. I do think so.

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Speaker 4: I thought you were going to say, like she's an

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Speaker 4: iconic egg plant.

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Speaker 2: It could have gone wrong, it could have gone bad

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Speaker 2: after just the descript or.

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Speaker 4: Iconic iconic cushion.

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Speaker 3: Yes, you bring comfort to the world.

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Speaker 1: Yes, that's right. How are you today?

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Speaker 3: Ley?

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Speaker 1: We're so excited to see you.

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Speaker 4: Thank you. I am so excited to be here. This

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Speaker 4: really is an honor. I mean, Karen, have been a

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Speaker 4: fan of yours. You obviously my favorite murder You. You're

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Speaker 4: like the gold standard.

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Speaker 2: You're thank you.

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Speaker 4: Who we all want to be. And then I started

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Speaker 4: listening to Do You Need a Ride? And I was

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Speaker 4: super excited that I could maybe be a guest on

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Speaker 4: this podcast with you and Chris.

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Speaker 3: Well, now thank you from me.

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Speaker 4: Then, Chris, do you have a mural on your wall?

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Speaker 4: And is that like jungle?

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Speaker 6: It is a and you can just find them online.

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Speaker 6: It's a photo wall mural. It is wallpaper, but you

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Speaker 6: put it together like a puzzle.

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Speaker 3: It was six pieces.

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Speaker 6: And uh yeah, it feels like I'm in Hawaii every day?

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Speaker 1: Is it the jungle?

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Speaker 3: Cris?

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Speaker 6: It is a tropical I don't know where, it seems like,

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Speaker 6: uh it is Hawaii. And then in my bedroom I

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Speaker 6: have kind of a Montana snow scene, like a mountain scene.

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Speaker 1: Nice.

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Speaker 3: Yeah. Yeah. I put it up and finished it days before.

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Speaker 6: We were all locked into our apartments for a year

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Speaker 6: and a half, so it was perfect timing.

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Speaker 2: You're like a visionary. You knew you were going to

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Speaker 2: need some other areas to focus on.

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Speaker 6: I started covid yeah.

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Speaker 4: Well thanks for coming clean after all this.

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Speaker 6: Yeah, a lot of people are blaming a bat and

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Speaker 6: it's just it's yeah, it was just me.

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Speaker 3: I have a laboratory. It's a long story.

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Speaker 1: So you yourself and I can't.

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Speaker 2: I guess I could have said a conic podcaster, because

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Speaker 2: you've been doing small Town Dicks now for is it

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Speaker 2: five years?

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Speaker 4: Four years? Actually? We launched in September twenty seventeen, but

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Speaker 4: we are in our ninth season. We do two seasons

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Speaker 4: a year, and it's going really well. I co host

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Speaker 4: with identical twin detectives Dan and Dave, which you tell

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Speaker 4: that to be able to are like, that's not true.

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Speaker 3: Yeah, that's a gold mine.

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Speaker 2: Then you add the extra layer on it, which is

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Speaker 2: that aren't you married to one of those detectives.

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Speaker 4: I'm engaged to Detective Dan actually, which is pretty pretty great.

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Speaker 4: It's number three for me, third marriage for me, not

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Speaker 4: now third times of charm, number one for detective Dan.

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Speaker 4: So I hope he doesn't fuck it up and I'm

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Speaker 4: not the starter.

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Speaker 3: Well, if he does, there's always his twin brother.

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Speaker 4: Yeah, because that wouldn't be weird switch, right, can you imagine?

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Speaker 3: I do I think about that? All the time.

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Speaker 4: It's not sixteen hundreds, Chris, I know.

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Speaker 6: But I always I grew up with identical twin best friends,

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Speaker 6: my nieces are identical twins, and I always think about

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Speaker 6: the pranks and scams they could pull looking like each other.

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Speaker 6: But yeah, of course they all just live normal lives.

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Speaker 6: And I'm the one with these twisted fantasies of twindom.

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Speaker 4: I think we do impose a lot of stories onto

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Speaker 4: twins of all sorts.

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Speaker 2: Yeah, yes, especially identical twins. Yeah, it's like the next

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Speaker 2: level of twins.

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Speaker 1: Really.

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Speaker 4: And Dad and Dave are what they call mirror twins.

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Speaker 4: So they're identical twins, but Dad is right handed and

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Speaker 4: Dave is left handed.

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Speaker 3: Right yeah.

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Speaker 6: Yeah, my friends that I grew up with, we grew

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Speaker 6: up skateboarding and snowboarding, and yeah, one is right handed,

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Speaker 6: one's left handed. One stands goofy footed, the other stands

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Speaker 6: regular footed. And that was always interesting to me because

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Speaker 6: their mannerisms are also opposite of each other. Such, I

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Speaker 6: wonder if they're mirror I've never heard that phrase before.

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Speaker 3: I wonder, Yeah, dictates that.

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Speaker 4: I don't know, but they do have very similar mannerisms.

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Speaker 4: Now you can very much tell them apart. But when

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Speaker 4: they were really small, they looked so much alike that

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Speaker 4: you show them a photo of themselves they're like age

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Speaker 4: five and they're like, I don't know, yep, only their

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Speaker 4: mother can tell.

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Speaker 3: Holy shit, yeah, exactly like my friends.

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Speaker 6: Then one day one of them finally got his nose

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Speaker 6: broken and we could always.

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Speaker 3: Tell him apart.

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Speaker 1: Very generous.

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Speaker 3: One of them had it for the day. He did

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Speaker 3: it for his friends.

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Speaker 1: He's like, I'll do I'll take the hit.

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Speaker 2: Fine, fine, fine, Is it easy to have a podcast

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Speaker 2: with your fiance?

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Speaker 4: Nope, I mean next question. No, it's really you know.

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Speaker 4: On the one hand, it is, it's great because I

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Speaker 4: know so well, and I know Dave quite well at

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Speaker 4: this point that I can. So I'm the lay person

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Speaker 4: in the podcast, obviously, and when we have a guest,

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Speaker 4: it's another detective who has investigated the case that they're

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Speaker 4: talking about. So all of the cases are told by

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Speaker 4: the detectives who investigated them. So I'm the lay person

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Speaker 4: who sits on the other side of the table and

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Speaker 4: asks all of the questions that you would ask if

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Speaker 4: you sat at that table. No question is too dumb. Great,

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Speaker 4: But I'm also the person who will not let those detectives,

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Speaker 4: male or female, off the hook. When I want to

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Speaker 4: know if you're the person who's going to see the

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Speaker 4: worst of humanity every time you leave the house, because

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Speaker 4: that's your job, where do you put that? Where does

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Speaker 4: that go inside of you? How do you do what

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Speaker 4: you do? And why do you do it so for

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Speaker 4: better or for worse? Dan and Dave have not been

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Speaker 4: allowed to wiggle out of that answer.

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Speaker 1: Yeah, that's intense.

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Speaker 4: It is intense, and you know sometimes so obviously I

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Speaker 4: do the voice of Lisa Simpsons, so I've been doing it.

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Speaker 3: Yay, you brought up. We didn't bring it up. I

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Speaker 3: wasn't even going to bring up the S word.

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Speaker 4: Good grief. You can't do it an audio presentation with that,

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Speaker 4: Lisa Simpson.

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Speaker 3: I was not going to ask you to do the voice.

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Speaker 3: You did the voice.

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Speaker 2: She didn't know why she gets it, and she knows,

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Speaker 2: and she's a generous human being, means the world.

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Speaker 4: I mean, I love that girl like nobody's business. I really,

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Speaker 4: and I feel like she's quite separate from me, like

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Speaker 4: she's so whole that she really seems she exists in

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Speaker 4: my heart, in my mind like a three dimensional, living,

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Speaker 4: breathing red blooded little person adore her.

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Speaker 3: Yeah, what, I've never thought about that.

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Speaker 6: How much more fun that would be than being a

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Speaker 6: villain your whole life and something and having to go

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Speaker 6: there in your mind as opposed to a sweet smart

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Speaker 6: It's one.

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Speaker 2: Of the most beloved television children of all time. Yeah,

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Speaker 2: or maybe even children of all time, because she really

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Speaker 2: is the noblest of characters.

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Speaker 3: She is.

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Speaker 4: It's funny that you say that, Chris, because people ask

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Speaker 4: me all the time, how much are you like Lisa Simpson?

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Speaker 4: What have you learned from her? And I don't think

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Speaker 4: you can play a character for thirty three plus years

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Speaker 4: and not have them get inside of you. So I

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Speaker 4: actually said, I'm really glad I don't play an asshole

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Speaker 4: because imagine doing that for thirty three years and having

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Speaker 4: that get inside of you. I think that would be

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Speaker 4: a great deal harder. But Lisa Simpson is so She's

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Speaker 4: so thoughtful and resilient and clever and funny like Lisa

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Speaker 4: Simpson has a fantastic sense of humor, one of my

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Speaker 4: favorite things about her. So you can put her on

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Speaker 4: a soapbox, but that really only works and doesn't become

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Speaker 4: insufferable if you also remember that she laughs her butt

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Speaker 4: off at Itch and Scratchy, right, yes, so you have

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Speaker 4: to have those two things right side by side, you know.

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Speaker 2: Yes, and she fell in love with Nelson's yeah, which

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Speaker 2: I love. That's one of my favorite episodes, saying she's

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Speaker 2: so beautiful.

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Speaker 4: You know, these two characters who don't know where they

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Speaker 4: fit in in the world. They find each other and

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Speaker 4: then have the grace to realize we're not good together

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Speaker 4: as a couple, but I still really like you and

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Speaker 4: appreciate you. I respect who you are. We're gonna part way,

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Speaker 4: so we're gonna part friends.

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Speaker 2: That was the thing that was so breathtaking for me,

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Speaker 2: as like, you know, late teens, when that show came on,

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Speaker 2: there was a little girl on TV that was questioning things,

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Speaker 2: that was like standing up to authority, that was into art,

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Speaker 2: that was into being smart, being vocal, standing.

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Speaker 1: Up for like all those things. I was just like,

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Speaker 1: holy shit.

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Speaker 2: And then everything else going on in the show, She's

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Speaker 2: this perfect counterbalance and yet at the same time, you're right,

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Speaker 2: she's still a human kid. You believe that about her,

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Speaker 2: So like, yes, of course, girls like that fall in

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Speaker 2: love with Nelson. Month's like, it's just beautiful.

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Speaker 1: It's beautiful.

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Speaker 2: Writing, and it's beautiful performing and it meant the world

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Speaker 2: to finally see I know so many girls like that.

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Speaker 4: You know that's so great.

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Speaker 3: Yeah, only she could see the good.

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Speaker 6: And because she's riddled with compassion, she's the only Simpson

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Speaker 6: I mean, in the whole show fully compassionate character.

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Speaker 4: I think she's definitely the most self aware. I think

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Speaker 4: Marge has well. I think they all have compassion, but

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Speaker 4: to your point, they aren't willing to really mind the

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Speaker 4: depths of how much further can I go? You know,

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Speaker 4: Lisa Simpson is She's an overachiever in every way, even

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Speaker 4: in the compassion little compartment. So I know she's so accountable.

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Speaker 4: Even when she gets her come up pence, she just

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Speaker 4: pulls up her socks and gets on with it. Yeah,

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Speaker 4: Like she goes, Okay, I'm going to learn from this

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Speaker 4: and I'm going to try to do it better next time.

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Speaker 4: She's all the best parts of a human being, I feel.

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Speaker 2: Can I tell my nerdy Simpsons. Yeah, of being a

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Speaker 2: super fan. When I lived in San Francisco, I was

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Speaker 2: twenty one and working at the Gap and starting stand

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Speaker 2: up comedy, and everything was a little bit hopeless feeling

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Speaker 2: and whatever, And when the Simpsons started, you know, it

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Speaker 2: was like probably a year into the show running.

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Speaker 1: Basically there was a bar and NOI Valley.

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Speaker 2: I wish I could remember the name, but we would

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Speaker 2: all go and so it was just a real standard

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Speaker 2: you know, like long, narrow bar with a TV in

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Speaker 2: the back, and so it could fit about fifty people packed,

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Speaker 2: and every Simpsons night it would be packed, and so,

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Speaker 2: you know, coming up on the time when it was starting,

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Speaker 2: it was loud like a packed bar, and the second

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Speaker 2: that opening music started, it would get quieter and quieter

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Speaker 2: till the first line. It would be dead silent in

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Speaker 2: this bar and everyone would just stand and watch it.

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Speaker 2: And if they had to laugh, this was almost like

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Speaker 2: an unspoken rule. If they had to laugh, would be

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Speaker 2: like ha, and you had to shut up immediately, and

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Speaker 2: you didn't get to talk about what jokes you liked

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Speaker 2: after they happen or whatever.

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Speaker 1: You laughed and shut up.

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Speaker 2: So it was dead silent until the commercial and then

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Speaker 2: everyone would be like, oh my god, this and da

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Speaker 2: dah dad that, and then it would come back and

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Speaker 2: it would go back down. And it was one of

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Speaker 2: my favorite memories, like of all time because it was

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Speaker 2: like all these Simpsons nerds, basically being like, it's more

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Speaker 2: fun to watch it together, but we have to do

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Speaker 2: it right and don't like, don't ruin my time, don't

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Speaker 2: make me lit miss one line, but we want to

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Speaker 2: be together because once it would be over, everyone just

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Speaker 2: look around like how is comedy of this quality being

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Speaker 2: made in front of us? Like we're so lucky to

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Speaker 2: be alive right now. Was the most fun, like young

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Speaker 2: thing I ever did.

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Speaker 1: It was great, that's fan.

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Speaker 6: I love the idea of someone knew coming that night

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Speaker 6: to that bar and it had to be called Mo's right,

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Speaker 6: why that bar only and just laughing out loud and

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Speaker 6: long and drowning out all the tags to jokes. No

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Speaker 6: wedding kicked out. Sorry you can come back next week,

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Speaker 6: but you.

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Speaker 2: That person would have been disappeared within ten seconds because

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Speaker 2: these people were seriously San Francisco and you know how

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Speaker 2: San Francisco people can be serious about their arts. And

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Speaker 2: it was intense, but it was like the most fun

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Speaker 2: almost like secret thing too, because this was pre obviously internet,

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Speaker 2: you know what I mean.

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Speaker 1: It wasn't like it got around or whatever.

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Speaker 2: It was just like if you were cool enough to

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Speaker 2: know this was happening, you would go and it was

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Speaker 2: just amazing.

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Speaker 4: That's so great. We used to get a lot of requests.

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Speaker 4: We had to sign the releases of course for college campuses,

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Speaker 4: so for the week of orientation they would run. They

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Speaker 4: were requesting to run Simpson's Marathon because it was so

307
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Speaker 4: culturally recognizable, it was so unifying that it was a

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Speaker 4: great way to get the student body who hadn't been

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Speaker 4: together yet, or hadn't been together at least for many

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Speaker 4: months together to sort of bond over something that they

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Speaker 4: were all familiar with. It's pretty I mean, that's pretty extraordinary. Yeah.

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Speaker 6: Yeah, to be used as a tool like that, what's

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Speaker 6: more universal than the it's a dean of a college

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Speaker 6: deciding that I love it.

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Speaker 3: Wow.

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Speaker 2: And also for thirty three years, you've had an unbroken

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Speaker 2: stream of insurance.

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Speaker 4: That's yes, awesome, No, Karen, honestly, So, I had a

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Speaker 4: really robust on camera career for the first from like

320
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Speaker 4: seventeen to thirty three ish, yep, and then things started

321
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Speaker 4: to change drastically, and it was I think it was

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Speaker 4: a sort of a confluence of things. I think it was,

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Speaker 4: you know, the business was changing, movie stars were doing

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Speaker 4: television blah blah blah, and so I stopped getting on

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Speaker 4: camera work, which had really been my bread and butter,

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Speaker 4: and if not for the Simpsons, who knows. I mean honestly,

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Speaker 4: it kept me afloat, and it kept me in the business.

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Speaker 4: It kept me creative. Really, I really landed in the

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Speaker 4: honeypot with this job.

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Speaker 3: I'd love to hear you say that, because I think

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Speaker 3: so too.

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Speaker 4: It's been a I mean, honestly, a gift in every way.

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Speaker 4: To love your character that much, to get to say

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Speaker 4: the words are really the smartest people in the room.

335
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Speaker 4: And to have a show run that we're now recording

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Speaker 4: season thirty three is just what the fuck?

337
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Speaker 1: Huh?

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Speaker 4: How did that happen?

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Speaker 3: Yeah?

340
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Speaker 4: I mean it's crazy.

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Speaker 6: This whole time for it to be your voice, so

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Speaker 6: you can live a normal life and not be affected

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Speaker 6: by people like Mike Judge. I've always looked up to

344
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Speaker 6: his fame because he knows no one really knows what

345
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Speaker 6: he looks on.

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Speaker 4: Yeah.

347
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Speaker 6: Yeah, and it's like, oh, you're living a totally normal life.

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Speaker 3: It's the best of both worlds.

349
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Speaker 4: Yeah, yes, I do. Because I sound exactly like Lisa Simpson.

350
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Speaker 4: This is me, this is Lisa Simpson. It's not that

351
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Speaker 4: far away. And because I look exactly the same as

352
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Speaker 4: I did when I started on camera. I just have

353
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Speaker 4: a few more wrinkles. But I'm not one of those

354
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Speaker 4: people you look at a baby picture and go who's that?

355
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Speaker 4: You go, oh, that's Yardley.

356
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Speaker 6: Yeah, I really do look the same. And this is

357
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Speaker 6: gonna my dad. One year, I think he climbed up

358
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Speaker 6: the telephone poll in the alley and somehow hooked us

359
00:18:20,240 --> 00:18:24,199
Speaker 6: up with HBO. We had it for four or five years,

360
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Speaker 6: and there was a show, a movie that I think

361
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Speaker 6: I saw twelve times. It was just constantly on called

362
00:18:31,840 --> 00:18:34,920
Speaker 6: the Legend of Billy Jane and oh, yes, I can't fully.

363
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Speaker 6: All I know is I wanted a Honda Elite scooter yep.

364
00:18:40,240 --> 00:18:43,919
Speaker 6: And that was somehow involved. And tons of stars are

365
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Speaker 6: in it.

366
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Speaker 4: Yes, Keith Gordon was in it. He went on to

367
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Speaker 4: have a really hot directing career. Helen Slater Christian Slater

368
00:18:52,200 --> 00:18:55,520
Speaker 4: not actually related, no relating brother and sister.

369
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Speaker 6: Yeah, and they aren't in real life, right, No, no

370
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Speaker 6: they are now. Yeah, I've watched it so many times

371
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Speaker 6: and I knew who you were already because my sister.

372
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Speaker 6: I have an older sister that shared everything with me,

373
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Speaker 6: and I had those loves Held Matt Groening.

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Speaker 4: Bo Yeah, life is life.

375
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Speaker 6: Yeah, and so early you were on the Tracy Ollman shorts, right.

376
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Speaker 4: Yeah, I was on the shorts, but I wasn't on

377
00:19:20,040 --> 00:19:23,800
Speaker 4: the Sketch Comedy show like Dan and Julie were actually

378
00:19:23,840 --> 00:19:26,640
Speaker 4: in the cast of that of the comedy show.

379
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Speaker 6: Oh okay, yeah, I didn't realize Dan, I didn't ear that.

380
00:19:30,000 --> 00:19:30,400
Speaker 3: Wow.

381
00:19:30,640 --> 00:19:31,760
Speaker 4: Yeah.

382
00:19:31,800 --> 00:19:35,280
Speaker 6: So yeah, I knew right away because like you said,

383
00:19:35,520 --> 00:19:38,920
Speaker 6: it's a slightly different voice, and your voice was maybe

384
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Speaker 6: even more Lisa like in the legend Ability. But yeah,

385
00:19:44,119 --> 00:19:46,600
Speaker 6: it was all I remember from that show.

386
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Speaker 3: And I don't want this is weird, but I did not.

387
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Speaker 6: I had a sister that told me about periods and

388
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Speaker 6: told me about I knew how bad she would cramp

389
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Speaker 6: and how much pain she is in.

390
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Speaker 3: But I learned from you in the legend Ability that

391
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Speaker 3: blood was involved.

392
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Speaker 6: There's a see. Do you know I learned about periods

393
00:20:03,480 --> 00:20:07,240
Speaker 6: from that movie. My back is sweating right now because

394
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Speaker 6: I even brought it up.

395
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Speaker 3: But that is that The scooter is all I remember.

396
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Speaker 4: That's all you know about that movie.

397
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Speaker 1: It's all there is to know, really well.

398
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Speaker 4: It was. It was a bomb when it came out.

399
00:20:18,760 --> 00:20:21,600
Speaker 4: I can tell you that. And then because of cable,

400
00:20:22,000 --> 00:20:24,520
Speaker 4: because cable, So we shot it in nineteen eighty four.

401
00:20:25,080 --> 00:20:28,439
Speaker 4: It was released in eighty five, and cable was just

402
00:20:28,480 --> 00:20:31,360
Speaker 4: sort of coming into our lives and they didn't have anything,

403
00:20:31,440 --> 00:20:35,040
Speaker 4: so they ran on all the time, twenty four to seven, yeah,

404
00:20:35,160 --> 00:20:38,040
Speaker 4: months at a time. So now it's like this cult classic.

405
00:20:38,119 --> 00:20:40,480
Speaker 4: But I could tell you it was barely out long

406
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Speaker 4: enough to run the end credits when it was really but.

407
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Speaker 2: It was the eighties were that time where there was

408
00:20:46,200 --> 00:20:50,720
Speaker 2: so fewer channels and so much less content, you know

409
00:20:51,080 --> 00:20:54,159
Speaker 2: that back then. Yeah, you watched the same thing over

410
00:20:54,200 --> 00:20:56,480
Speaker 2: and over, and so did everyone in your class or

411
00:20:56,520 --> 00:20:57,200
Speaker 2: at your school.

412
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Speaker 1: So everybody knew this.

413
00:20:59,280 --> 00:21:02,720
Speaker 2: You know, I knew your face from movie to movie

414
00:21:02,920 --> 00:21:04,800
Speaker 2: because I was like, there she is again, you know

415
00:21:04,840 --> 00:21:06,680
Speaker 2: what I mean, Like it's the girl that I can

416
00:21:06,760 --> 00:21:10,320
Speaker 2: tell she's playing younger than her age because she has

417
00:21:10,320 --> 00:21:13,480
Speaker 2: a younger voice, but she's really smart, so's she's gonna

418
00:21:13,520 --> 00:21:18,600
Speaker 2: be like the sassy, precocious girl like you know, you

419
00:21:18,640 --> 00:21:20,600
Speaker 2: were a constant in our lives.

420
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Speaker 4: And Maximum Overdrive is the other one that came out

421
00:21:23,880 --> 00:21:27,439
Speaker 4: around the same time. Oh good god, another bomb, but

422
00:21:27,720 --> 00:21:29,399
Speaker 4: now massive cult favorite.

423
00:21:29,480 --> 00:21:30,720
Speaker 3: Yes, yeah, totally.

424
00:21:30,960 --> 00:21:32,920
Speaker 1: That's the one where the trucks took over right.

425
00:21:33,640 --> 00:21:38,200
Speaker 4: Oh yeah, a Stephen King movie directed by Stephen King.

426
00:21:38,280 --> 00:21:38,960
Speaker 4: The only one.

427
00:21:39,119 --> 00:21:41,879
Speaker 1: Shit, So that's the one he likes, and he doesn't

428
00:21:41,960 --> 00:21:42,800
Speaker 1: like any of the other ones.

429
00:21:43,720 --> 00:21:46,919
Speaker 4: Well interestingly, it's the one that he refers to in

430
00:21:46,960 --> 00:21:52,000
Speaker 4: his memoirs being at the height of his addictions. Oh as, wow,

431
00:21:53,040 --> 00:21:56,199
Speaker 4: there were so many challenges on that movie. It was

432
00:21:56,280 --> 00:21:59,240
Speaker 4: produced by Dino di Laurentis, so most of the crew

433
00:21:59,400 --> 00:22:05,679
Speaker 4: was Italian speaking oh because do you know, Delorentis is Italian,

434
00:22:05,760 --> 00:22:08,440
Speaker 4: but at least when I met him was real really

435
00:22:08,480 --> 00:22:12,679
Speaker 4: still speaking mostly Italian. So the crew was Italian, and

436
00:22:12,760 --> 00:22:15,119
Speaker 4: if they spoke English, they chose to speak Italian. For

437
00:22:15,160 --> 00:22:18,560
Speaker 4: the most part, Steven doesn't speak Italian, so we had

438
00:22:18,560 --> 00:22:21,320
Speaker 4: a translator who would go back and forth. There was

439
00:22:21,400 --> 00:22:25,359
Speaker 4: so much extra time. And then at five o'clock, regardless

440
00:22:25,359 --> 00:22:26,840
Speaker 4: of whether or not it was a day shoot or

441
00:22:26,840 --> 00:22:30,600
Speaker 4: a night shoot, the beer would come out and I

442
00:22:30,680 --> 00:22:31,000
Speaker 4: was like.

443
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Speaker 1: Oh, okay, okay.

444
00:22:33,520 --> 00:22:37,480
Speaker 4: All right, whatever, and then he would be blottoh you know,

445
00:22:37,640 --> 00:22:39,200
Speaker 4: by sick.

446
00:22:39,320 --> 00:22:40,119
Speaker 1: Oh my god.

447
00:22:40,320 --> 00:22:44,600
Speaker 4: We still had twelve hours to go. But he was lovely.

448
00:22:44,640 --> 00:22:49,000
Speaker 4: I will say that he was humble and shy and

449
00:22:49,520 --> 00:22:52,240
Speaker 4: I quite liked him, but I'm not sure he it

450
00:22:52,320 --> 00:22:54,199
Speaker 4: was not an experience he cared to repeat.

451
00:22:54,320 --> 00:22:54,720
Speaker 3: I gather.

452
00:22:55,000 --> 00:22:58,879
Speaker 2: Yeah, we were actually just talking about this with Paton

453
00:22:58,920 --> 00:23:01,480
Speaker 2: Oswald because Jah and Patton and I are all big

454
00:23:01,520 --> 00:23:05,359
Speaker 2: Stephen King book nerds for sure, and we were talking

455
00:23:05,359 --> 00:23:08,600
Speaker 2: about how he also talked about in Isma more how

456
00:23:08,640 --> 00:23:13,199
Speaker 2: he wrote Kujo and I think he said Christine in

457
00:23:13,240 --> 00:23:17,040
Speaker 2: a blackout, so he doesn't really remember writing them. Holy shit,

458
00:23:17,440 --> 00:23:20,560
Speaker 2: I mean talk about getting stuff done and like.

459
00:23:21,680 --> 00:23:23,400
Speaker 4: Talk about a high functioning alcohol.

460
00:23:24,040 --> 00:23:28,640
Speaker 6: Yeah, this is this is almost like an advertisements.

461
00:23:29,119 --> 00:23:32,000
Speaker 1: You can do it. It's not that hard, It's not

462
00:23:32,240 --> 00:23:34,840
Speaker 1: so bad. Are the negatives?

463
00:23:36,400 --> 00:23:39,639
Speaker 2: What about what about the horrifying Possessed Dog books you

464
00:23:39,640 --> 00:23:40,400
Speaker 2: could be writing?

465
00:23:41,000 --> 00:23:44,400
Speaker 6: Yeah, yeah, everyone thinks about when they're in AA. They

466
00:23:44,440 --> 00:23:48,639
Speaker 6: forget about the maximum overdrives out there, the reasons to

467
00:23:48,720 --> 00:23:49,440
Speaker 6: stick with it.

468
00:23:49,480 --> 00:23:54,560
Speaker 3: I'm kidding, yardly.

469
00:23:54,680 --> 00:23:57,680
Speaker 2: What was your first, like the first job you got

470
00:23:57,720 --> 00:23:59,159
Speaker 2: in TV or movies?

471
00:24:00,119 --> 00:24:02,920
Speaker 4: Very first job I got, so I had. I grew

472
00:24:03,000 --> 00:24:06,480
Speaker 4: up in Washington, d C. And I stayed there for

473
00:24:06,480 --> 00:24:08,920
Speaker 4: a year after I graduated high school because I got

474
00:24:09,280 --> 00:24:12,800
Speaker 4: several jobs at Good Theaters in DC. But also I

475
00:24:12,840 --> 00:24:17,439
Speaker 4: had not gotten into college, so it wasn't like I

476
00:24:17,480 --> 00:24:18,960
Speaker 4: had a lot of options.

477
00:24:19,520 --> 00:24:23,119
Speaker 1: So business was your safety net. Yes, it's tough.

478
00:24:24,200 --> 00:24:29,360
Speaker 4: It's tough. And so in the course of doing those plays,

479
00:24:29,480 --> 00:24:31,639
Speaker 4: I managed to get a New York agent and I

480
00:24:31,680 --> 00:24:34,520
Speaker 4: moved to New York when I was just eighteen, and

481
00:24:34,560 --> 00:24:38,720
Speaker 4: I within about six weeks I was understudying on Broadway, Wow,

482
00:24:39,040 --> 00:24:43,720
Speaker 4: And I was understudying Cynthia Nixon in Tom Stoppard play

483
00:24:43,800 --> 00:24:47,640
Speaker 4: called The Real Thing and the original incarnation on Broadway,

484
00:24:47,720 --> 00:24:50,360
Speaker 4: you know, with Jeremy Irons and Glenn Close, Peter Gallagher,

485
00:24:50,720 --> 00:24:53,760
Speaker 4: Christine Baranski like and it won all the awards, all

486
00:24:53,800 --> 00:24:59,600
Speaker 4: the Tonys that year. And when Cynthia, Mike Nichols, who

487
00:24:59,680 --> 00:25:03,639
Speaker 4: was the pulled Cynthia out of the Real Thing after

488
00:25:03,720 --> 00:25:05,880
Speaker 4: only three months on Broadway and put her in his

489
00:25:05,920 --> 00:25:09,480
Speaker 4: production of Hurley Burley. So I took over the role.

490
00:25:09,880 --> 00:25:11,600
Speaker 3: And that's what an understudy is.

491
00:25:11,720 --> 00:25:14,320
Speaker 6: I just always nod when someone says that, But you

492
00:25:14,400 --> 00:25:16,359
Speaker 6: are essentially back up.

493
00:25:16,440 --> 00:25:20,280
Speaker 4: Your backup. But what's interesting is you're almost never the replacement.

494
00:25:20,840 --> 00:25:25,080
Speaker 4: So if she had run, let's say, like when Glenn

495
00:25:25,119 --> 00:25:28,359
Speaker 4: Close and Jeremy Irons's contracts were up. The understudies that

496
00:25:28,400 --> 00:25:30,760
Speaker 4: I had been rehearsing with this whole time did not

497
00:25:30,880 --> 00:25:34,800
Speaker 4: take over those roles. Oh wow, they went elsewhere. It's brutal.

498
00:25:35,000 --> 00:25:37,879
Speaker 4: And if I had known that, oh my god. I

499
00:25:38,000 --> 00:25:39,760
Speaker 4: was just like, well, of course I'll take over part.

500
00:25:39,840 --> 00:25:42,719
Speaker 4: I'm the under study, and like, oh, Yardley, you just

501
00:25:42,720 --> 00:25:43,600
Speaker 4: don't know anything.

502
00:25:44,000 --> 00:25:46,720
Speaker 2: Yeah, that's that's how it works at college, which is,

503
00:25:46,920 --> 00:25:48,760
Speaker 2: you know, the fair way things go.

504
00:25:48,920 --> 00:25:51,280
Speaker 1: But that's not Broadwayne, not in the world.

505
00:25:51,400 --> 00:25:56,160
Speaker 2: Yeah, so as the understudy, you did get Cynthia Nixon's part.

506
00:25:56,920 --> 00:25:57,359
Speaker 4: I did.

507
00:25:57,520 --> 00:26:00,200
Speaker 1: I did, so you broke the stand.

508
00:26:01,000 --> 00:26:03,359
Speaker 4: So when I auditioned for the part on Broadway, they

509
00:26:03,359 --> 00:26:06,080
Speaker 4: didn't tell me it was auditioning for the understudy. They

510
00:26:06,119 --> 00:26:08,880
Speaker 4: just said, come in and read for Jeremy Arns's Daughters.

511
00:26:09,160 --> 00:26:11,760
Speaker 4: Everybody in that play has one scene, with the exception

512
00:26:11,880 --> 00:26:16,880
Speaker 4: of Christine Baranski and Jeremy and Glenn basically and Peter

513
00:26:17,040 --> 00:26:22,480
Speaker 4: Gallagher playing the lover. So anyway, I was and I

514
00:26:22,480 --> 00:26:24,400
Speaker 4: impressed them, and I got a call back and blah

515
00:26:24,480 --> 00:26:26,280
Speaker 4: blah is great, and then they went great, so you

516
00:26:26,359 --> 00:26:30,560
Speaker 4: got the understudy, And I said, what what oh no, no, no,

517
00:26:30,640 --> 00:26:32,760
Speaker 4: it's not part of the plan for world domination. And

518
00:26:32,880 --> 00:26:35,320
Speaker 4: my agent at the time was like, who the fuck

519
00:26:35,359 --> 00:26:39,080
Speaker 4: are you, like, sit down and shut up. You will

520
00:26:39,160 --> 00:26:42,000
Speaker 4: take this job and you'd be grateful, and I was like,

521
00:26:42,040 --> 00:26:47,160
Speaker 4: oh good. So I would go to rehearsal every day,

522
00:26:47,640 --> 00:26:50,240
Speaker 4: and then we did an out of town try out

523
00:26:50,240 --> 00:26:54,880
Speaker 4: in Boston before we went to Broadway, and I was

524
00:26:55,520 --> 00:26:58,840
Speaker 4: I was a fairly I was incredibly on the outside.

525
00:26:58,840 --> 00:27:05,439
Speaker 4: It was very polite. I was at one prepared. You

526
00:27:05,720 --> 00:27:09,280
Speaker 4: never saw what was going on internally, which was I

527
00:27:09,400 --> 00:27:12,800
Speaker 4: was miserable and in a panic that maybe this I

528
00:27:12,920 --> 00:27:14,960
Speaker 4: was just gonna be this for the rest of my life.

529
00:27:14,960 --> 00:27:17,800
Speaker 4: And hats off to you can make a really good,

530
00:27:17,920 --> 00:27:20,520
Speaker 4: solid career and a good living. As an understudy just

531
00:27:20,680 --> 00:27:25,960
Speaker 4: wasn't what I wanted to do. And so I was like, yeah,

532
00:27:26,000 --> 00:27:28,360
Speaker 4: it was pretty arrogant and a big baby, but.

533
00:27:30,680 --> 00:27:32,399
Speaker 2: That's well, that's the time to be it. And you

534
00:27:32,480 --> 00:27:35,040
Speaker 2: knew You're like, I meant for more than this, which

535
00:27:35,040 --> 00:27:35,560
Speaker 2: you were.

536
00:27:36,280 --> 00:27:40,040
Speaker 4: Yes, thank you. I just I do feel like I

537
00:27:40,119 --> 00:27:43,399
Speaker 4: really was the I was just a person who would

538
00:27:43,440 --> 00:27:46,760
Speaker 4: never quit like you. I was just just kept getting

539
00:27:46,800 --> 00:27:50,560
Speaker 4: back up even though I It wasn't as though I

540
00:27:50,560 --> 00:27:53,320
Speaker 4: would go to an audition not get it and take

541
00:27:53,359 --> 00:27:56,720
Speaker 4: it all in stride. I was destroyed every time. Yeah yo, Yeah,

542
00:27:56,720 --> 00:28:00,480
Speaker 4: I mean I was fucking destroyed every time. Yeah.

543
00:28:00,640 --> 00:28:02,840
Speaker 1: Are just so truly the worst.

544
00:28:03,119 --> 00:28:05,560
Speaker 4: It's brutal. And I was just gonna say I'm not.

545
00:28:05,840 --> 00:28:07,760
Speaker 4: I feel like, in many ways, I'm not really cut

546
00:28:07,760 --> 00:28:09,639
Speaker 4: out to be an actor. I don't have the temperament

547
00:28:09,680 --> 00:28:13,080
Speaker 4: for it. I'm much too soft.

548
00:28:13,600 --> 00:28:16,200
Speaker 1: Too late. Now what do you Yeah, too late.

549
00:28:16,760 --> 00:28:19,399
Speaker 4: And now I have no skills, so uh oh, what

550
00:28:19,440 --> 00:28:20,040
Speaker 4: are you gonna do?

551
00:28:22,200 --> 00:28:23,800
Speaker 3: Yeah? I wonder about that.

552
00:28:23,880 --> 00:28:27,640
Speaker 6: Are successful actors unaffected when they don't get something?

553
00:28:27,760 --> 00:28:29,120
Speaker 3: Because it really bothers me.

554
00:28:29,119 --> 00:28:31,880
Speaker 6: And I'm talking about cat food commercials and stuff, the

555
00:28:31,920 --> 00:28:34,760
Speaker 6: things I'm going out for that's some cat food and

556
00:28:34,760 --> 00:28:37,760
Speaker 6: then I drive back home. But I, uh, yeah, it

557
00:28:37,920 --> 00:28:41,040
Speaker 6: really bothers me when those things don't go well. And

558
00:28:41,600 --> 00:28:44,000
Speaker 6: same with stand up If I like last night, I

559
00:28:44,000 --> 00:28:46,280
Speaker 6: didn't feel good about my set and I kind of

560
00:28:46,760 --> 00:28:50,280
Speaker 6: canceled my plans for the day, and I wonder, yeah,

561
00:28:50,440 --> 00:28:53,640
Speaker 6: it's I suppose it's an obstacle, but I keep working

562
00:28:53,680 --> 00:28:56,840
Speaker 6: through it. But I'm envious of people that are not

563
00:28:57,080 --> 00:29:00,720
Speaker 6: bothered by failure of feeling they failed.

564
00:29:01,040 --> 00:29:05,400
Speaker 2: I mean, come on, yeah, Actually, you guys talking about

565
00:29:05,400 --> 00:29:07,840
Speaker 2: this reminded me. I actually used to talk about this

566
00:29:07,920 --> 00:29:10,240
Speaker 2: in my act because one of the worst auditions I

567
00:29:10,240 --> 00:29:13,800
Speaker 2: ever had was for The Simpsons at some point along

568
00:29:13,840 --> 00:29:15,960
Speaker 2: the line, because this was when I lived in LA

569
00:29:16,080 --> 00:29:20,240
Speaker 2: So it was like ninety four ninety five, and they

570
00:29:20,240 --> 00:29:23,440
Speaker 2: were auditioning for people for they needed, I guess, more

571
00:29:23,680 --> 00:29:24,720
Speaker 2: backup people.

572
00:29:24,840 --> 00:29:26,440
Speaker 1: Voices are you know.

573
00:29:26,960 --> 00:29:28,920
Speaker 4: Wila, yeah, yeah, yeah.

574
00:29:29,040 --> 00:29:31,160
Speaker 2: Other cast members, I guess are people they wanted to

575
00:29:31,160 --> 00:29:33,400
Speaker 2: see if there were people that could do multiple characters

576
00:29:33,480 --> 00:29:34,040
Speaker 2: or whatever.

577
00:29:34,440 --> 00:29:37,920
Speaker 1: And I walked into so it was literally.

578
00:29:37,560 --> 00:29:40,480
Speaker 2: One of the first LA auditions that I ever had,

579
00:29:41,440 --> 00:29:44,080
Speaker 2: which means it was one of the first auditions aside

580
00:29:44,080 --> 00:29:47,680
Speaker 2: from like musicals in sixth grade or whatever. And I

581
00:29:47,760 --> 00:29:51,600
Speaker 2: walk into this conference room. The table goes on forever.

582
00:29:51,720 --> 00:29:54,800
Speaker 2: It looks like, you know, a Cohen Brothers movie of

583
00:29:54,920 --> 00:29:58,120
Speaker 2: executives who aren't interested in seeing the audition.

584
00:29:58,280 --> 00:30:02,800
Speaker 1: So welcoming, and there's there's like a little.

585
00:30:03,000 --> 00:30:05,680
Speaker 2: You know, a microphone and the script in front of me,

586
00:30:06,280 --> 00:30:08,840
Speaker 2: and the person running the cameras all the way at

587
00:30:08,840 --> 00:30:12,680
Speaker 2: the other end, and they say Okay, Karen, whenever you're ready,

588
00:30:12,680 --> 00:30:15,120
Speaker 2: you can slate yourself and then begin. But I didn't

589
00:30:15,120 --> 00:30:17,960
Speaker 2: know what slate yourself meant, and I knew what a

590
00:30:18,000 --> 00:30:21,040
Speaker 2: slate was, and I'd seen the prop of a slate

591
00:30:21,200 --> 00:30:25,320
Speaker 2: in things. So I stood there smiling and like going.

592
00:30:25,080 --> 00:30:26,640
Speaker 1: What are you going to do? Because you don't know

593
00:30:26,680 --> 00:30:27,400
Speaker 1: what that means?

594
00:30:27,680 --> 00:30:30,120
Speaker 2: Like, you can't just begin because clearly there's a step before,

595
00:30:30,520 --> 00:30:33,440
Speaker 2: and so I kind of just stood there, afraid to ask,

596
00:30:33,560 --> 00:30:35,880
Speaker 2: but also kind of afraid to do anything. And then

597
00:30:36,280 --> 00:30:39,600
Speaker 2: again the woman said, okay, Karen, just go ahead, slate

598
00:30:39,600 --> 00:30:41,160
Speaker 2: yourself and then you can start.

599
00:30:41,360 --> 00:30:42,440
Speaker 1: And then so finally I.

600
00:30:42,360 --> 00:30:44,720
Speaker 2: Went because I was like, well, okay, if you want

601
00:30:44,760 --> 00:30:47,840
Speaker 2: me to, So I went, my name's Karen Claire, take

602
00:30:47,920 --> 00:30:50,240
Speaker 2: one and met like that with my arms.

603
00:30:50,840 --> 00:30:52,720
Speaker 3: Oh my god, that's amazing.

604
00:30:52,800 --> 00:30:54,640
Speaker 4: I just want to hug you so tightly.

605
00:30:55,200 --> 00:30:58,200
Speaker 3: But at the same time, that's exactly what I wanted

606
00:30:58,200 --> 00:30:58,680
Speaker 3: you to do.

607
00:30:58,920 --> 00:30:59,719
Speaker 5: It's the best.

608
00:31:00,000 --> 00:31:00,520
Speaker 4: Sorry.

609
00:31:01,800 --> 00:31:05,840
Speaker 2: It was just like, why didn't I take one class

610
00:31:05,880 --> 00:31:07,960
Speaker 2: where we just went over terms or you know what

611
00:31:07,960 --> 00:31:08,240
Speaker 2: I mean?

612
00:31:08,240 --> 00:31:11,360
Speaker 1: And it's like, here's what it might be like, sess.

613
00:31:11,120 --> 00:31:13,280
Speaker 4: That I'm guessing at the end of the day, they

614
00:31:13,280 --> 00:31:15,320
Speaker 4: didn't actually know you didn't know what that meant, and

615
00:31:15,360 --> 00:31:18,000
Speaker 4: that you were being funny doing the slight it's with

616
00:31:18,120 --> 00:31:21,600
Speaker 4: your arms brilliant. I guess it's brilliant.

617
00:31:21,800 --> 00:31:23,160
Speaker 1: I guess I mean, like.

618
00:31:23,560 --> 00:31:27,440
Speaker 2: Yeah, it's that kind of thing where I think the

619
00:31:27,600 --> 00:31:31,880
Speaker 2: way auditions affected me also made me believe I shouldn't

620
00:31:32,040 --> 00:31:35,920
Speaker 2: perform in like this business because I want things that

621
00:31:35,960 --> 00:31:36,960
Speaker 2: I don't actually like.

622
00:31:37,520 --> 00:31:39,920
Speaker 1: I'm doing things that feel really bad.

623
00:31:40,320 --> 00:31:43,160
Speaker 2: I'm furious at every person at that conference room.

624
00:31:43,280 --> 00:31:45,560
Speaker 1: And it's literally thirty years later.

625
00:31:45,520 --> 00:31:47,560
Speaker 2: Plus like you know what I mean, it just like

626
00:31:47,920 --> 00:31:51,040
Speaker 2: it affected me forever of like, oh, this is a

627
00:31:51,120 --> 00:31:53,880
Speaker 2: quote unquote big failure where it's like it's not no

628
00:31:53,920 --> 00:31:55,880
Speaker 2: one gives a shit. It was probably like the most

629
00:31:55,880 --> 00:31:58,320
Speaker 2: fun thing that happened that day. But when you're the

630
00:31:58,320 --> 00:32:00,680
Speaker 2: one that's fucking up, it never feels that way.

631
00:32:00,760 --> 00:32:03,000
Speaker 4: It doesn't feel that way. But now I have to say,

632
00:32:03,400 --> 00:32:06,400
Speaker 4: now you've come a full circle because you and Georgia

633
00:32:06,720 --> 00:32:10,480
Speaker 4: were caricatures on the wall of our faux sarties on

634
00:32:10,560 --> 00:32:15,000
Speaker 4: the podcast news episode where Kent Brockman gets he starts

635
00:32:15,000 --> 00:32:17,760
Speaker 4: his own podcast and then he actually encounters me Yardley

636
00:32:17,800 --> 00:32:20,480
Speaker 4: Smith and he says, you sound familiar, and he says,

637
00:32:20,480 --> 00:32:22,440
Speaker 4: where do I know you're from? And I say, from

638
00:32:22,520 --> 00:32:26,360
Speaker 4: my podcast, small town Dickson, nowhere else. He's a big

639
00:32:26,400 --> 00:32:29,320
Speaker 4: sort of winky winky inside joke. But on the wall

640
00:32:29,760 --> 00:32:36,200
Speaker 4: in that restaurant is fantastic. Karen and Georgia simpsonized in Simpson.

641
00:32:36,120 --> 00:32:40,360
Speaker 2: Cartoons and not like not like rip off internet Simpson

642
00:32:40,480 --> 00:32:43,600
Speaker 2: art right like the real artist, the real deal.

643
00:32:44,040 --> 00:32:45,120
Speaker 1: Unbelievable.

644
00:32:45,240 --> 00:32:47,400
Speaker 3: This isn't the first you're hearing of this, Karen, is it?

645
00:32:47,560 --> 00:32:47,960
Speaker 2: No? No?

646
00:32:48,040 --> 00:32:50,200
Speaker 3: Because I mean that is awesome.

647
00:32:50,240 --> 00:32:52,880
Speaker 2: The funny thing is I've known Matt Selman, who is

648
00:32:53,040 --> 00:32:56,960
Speaker 2: now the EV since he was the writer's PA on

649
00:32:57,120 --> 00:32:59,200
Speaker 2: that Simpson He's one of the first people I met

650
00:32:59,400 --> 00:33:02,000
Speaker 2: in Los Angels, Like, we used to hang.

651
00:33:01,840 --> 00:33:03,440
Speaker 1: Out all the time when we were younger.

652
00:33:03,560 --> 00:33:06,880
Speaker 2: So he actually texted me that picture of like, hey,

653
00:33:06,920 --> 00:33:09,400
Speaker 2: you might want to watch tonight's episode and I was like, oh.

654
00:33:09,320 --> 00:33:13,400
Speaker 1: Holy fuck, what am I looking at? What's beyond? I mean,

655
00:33:13,800 --> 00:33:14,920
Speaker 1: so great beyond.

656
00:33:15,640 --> 00:33:19,160
Speaker 4: He is just one of my favorite people of all time.

657
00:33:19,800 --> 00:33:24,680
Speaker 4: He's so smart, he's so incisive, he's he just will

658
00:33:24,720 --> 00:33:28,080
Speaker 4: not let the ball drop even a little bit, and

659
00:33:28,320 --> 00:33:30,560
Speaker 4: let alone let it roll under the sofa. That is

660
00:33:30,680 --> 00:33:31,880
Speaker 4: not who Matt Salman is.

661
00:33:32,000 --> 00:33:35,720
Speaker 2: And he has been the number one Simpsons fan since

662
00:33:35,760 --> 00:33:38,360
Speaker 2: he started at that job. Like he the idea that

663
00:33:38,560 --> 00:33:42,160
Speaker 2: someone that's running it is as passionate, you know, and

664
00:33:42,240 --> 00:33:43,800
Speaker 2: has been there for as long as he has and

665
00:33:43,960 --> 00:33:45,080
Speaker 2: is as passionate about it.

666
00:33:45,080 --> 00:33:47,200
Speaker 1: It's just like, it's very beautiful.

667
00:33:47,600 --> 00:33:50,800
Speaker 4: It is beautiful. I adore him. Yeah, he's phenomenal.

668
00:33:51,920 --> 00:33:56,440
Speaker 6: For the longest time, have you been not seeing those people?

669
00:33:56,440 --> 00:33:58,920
Speaker 6: Were you just recording in your home? Or how did

670
00:33:58,960 --> 00:34:00,000
Speaker 6: it work for a while?

671
00:34:00,880 --> 00:34:06,000
Speaker 4: So before the pandemic, we would get together in a

672
00:34:06,040 --> 00:34:09,080
Speaker 4: big conference room with a big conference table.

673
00:34:09,200 --> 00:34:11,880
Speaker 1: And slate yourselves and.

674
00:34:12,200 --> 00:34:19,160
Speaker 6: Of course you got to do the handclap yeah.

675
00:34:16,880 --> 00:34:21,319
Speaker 4: With the writers. So the actors sort of clustered all

676
00:34:21,320 --> 00:34:23,160
Speaker 4: together and the writers at the other end, and then

677
00:34:23,360 --> 00:34:27,440
Speaker 4: our showrunner Al Jean, the other show runner next to Matt.

678
00:34:27,640 --> 00:34:30,600
Speaker 4: They like to have a little audience in that conference room,

679
00:34:30,640 --> 00:34:34,319
Speaker 4: so the walls are lined with like fifty people, and

680
00:34:34,360 --> 00:34:36,160
Speaker 4: then we would read the script out loud. Was the

681
00:34:36,160 --> 00:34:39,319
Speaker 4: first and only time the writers would hear it all

682
00:34:39,360 --> 00:34:42,120
Speaker 4: at once before they started to put the pieces together

683
00:34:42,239 --> 00:34:45,440
Speaker 4: in animation. So based on how that read through goes

684
00:34:46,480 --> 00:34:49,279
Speaker 4: well or not so well, how many laughs you get

685
00:34:49,440 --> 00:34:52,439
Speaker 4: would dictate how that rewrite would go. Then ten days

686
00:34:52,480 --> 00:34:55,120
Speaker 4: later we record that episode. We used to record all

687
00:34:55,160 --> 00:34:58,879
Speaker 4: together like an old radio play. Fantastic. I would stand

688
00:34:58,880 --> 00:35:01,360
Speaker 4: between Dan who does home We're in, Nancy who does bart,

689
00:35:02,560 --> 00:35:05,200
Speaker 4: and to watch Dan, for instance, go from voice to

690
00:35:05,280 --> 00:35:09,319
Speaker 4: voice to voice, or Hank or Harry is just I mean,

691
00:35:09,440 --> 00:35:13,200
Speaker 4: it'll never get old, and we're just sitting just like,

692
00:35:13,400 --> 00:35:15,640
Speaker 4: oh yeah, it's.

693
00:35:15,680 --> 00:35:18,239
Speaker 6: So hard to not watch The Simpsons and not think

694
00:35:18,280 --> 00:35:23,279
Speaker 6: you're actually running around playing saxophone, or like the fact

695
00:35:23,320 --> 00:35:25,400
Speaker 6: that you're all just standing there and going through it

696
00:35:25,520 --> 00:35:27,239
Speaker 6: like a radio play is amazing to me.

697
00:35:27,320 --> 00:35:30,640
Speaker 3: I actually never realize that or that's.

698
00:35:30,640 --> 00:35:33,080
Speaker 4: Yeah, it's pretty We would do each scene four times,

699
00:35:33,280 --> 00:35:35,640
Speaker 4: and then if it still wasn't right, we would do pickups,

700
00:35:35,719 --> 00:35:39,400
Speaker 4: and then from that one record they would piece it

701
00:35:39,440 --> 00:35:42,279
Speaker 4: together and start to animate. Meanwhile, it takes about nine

702
00:35:42,280 --> 00:35:46,000
Speaker 4: months to animate one episode. Oh my, So I go

703
00:35:46,080 --> 00:35:50,160
Speaker 4: in for Adyr probably at least three times per episode

704
00:35:50,160 --> 00:35:53,600
Speaker 4: at various stages of that animation process. And when the

705
00:35:53,600 --> 00:35:56,760
Speaker 4: pandemic hit, we started to do our read throughs over zoom,

706
00:35:56,920 --> 00:36:00,600
Speaker 4: so there's like sixty five people on that zoom, which

707
00:36:00,640 --> 00:36:05,520
Speaker 4: is insane. And then a year ago in August, they said,

708
00:36:05,520 --> 00:36:08,320
Speaker 4: then we started to record from home one at a time,

709
00:36:09,040 --> 00:36:11,040
Speaker 4: and I have really good equipment, but you can't account

710
00:36:11,080 --> 00:36:13,880
Speaker 4: for the barking dog and the you know, children screaming

711
00:36:13,920 --> 00:36:15,440
Speaker 4: next door in the garbage truck, and.

712
00:36:15,960 --> 00:36:19,759
Speaker 3: You zoom zoom for that as well, because.

713
00:36:19,640 --> 00:36:21,960
Speaker 4: No, no, well I would be directed over zoom, but

714
00:36:22,040 --> 00:36:25,720
Speaker 4: I would be you know, recording into an external recorder.

715
00:36:25,760 --> 00:36:30,480
Speaker 4: But still, because my room doesn't sound like somebody else's room.

716
00:36:30,520 --> 00:36:32,359
Speaker 4: There was so much clean up on the back end.

717
00:36:32,920 --> 00:36:35,560
Speaker 4: It was so labor intensive. So when they said you

718
00:36:35,600 --> 00:36:37,880
Speaker 4: can come in one at a time now into the studio,

719
00:36:38,120 --> 00:36:40,920
Speaker 4: still be directed over zoom by one of the writers,

720
00:36:41,400 --> 00:36:43,440
Speaker 4: and the engineer will be in the booth fifteen feet

721
00:36:43,440 --> 00:36:46,239
Speaker 4: behind you if you want, And I was like, yeah,

722
00:36:46,320 --> 00:36:50,160
Speaker 4: fuck yes, I'm a I'm doing that. So now we

723
00:36:50,320 --> 00:36:52,759
Speaker 4: do it on our own, by myself, which is not

724
00:36:52,840 --> 00:36:55,000
Speaker 4: my preference. You know. Of course, the way you say

725
00:36:55,040 --> 00:36:57,160
Speaker 4: something is going to inform the way I would respond.

726
00:36:57,239 --> 00:37:01,280
Speaker 4: So I really love playing off my fellow cast mates.

727
00:37:01,400 --> 00:37:03,920
Speaker 4: But we're such a well oiled machine at this point.

728
00:37:03,960 --> 00:37:06,319
Speaker 4: We can do it, but I don't know. I think

729
00:37:06,360 --> 00:37:09,120
Speaker 4: it loses just a tiny bit of the nuance and

730
00:37:09,160 --> 00:37:11,439
Speaker 4: the sort of spontaneity.

731
00:37:11,800 --> 00:37:16,400
Speaker 6: Yeah, yeah, I mean zoom got better. As far as timing.

732
00:37:16,480 --> 00:37:20,240
Speaker 6: In the beginning, there was a delay depends.

733
00:37:20,239 --> 00:37:22,840
Speaker 4: It still is though, No, Chris, if you have to

734
00:37:23,040 --> 00:37:26,440
Speaker 4: if we were doing so literally, ADR is when you

735
00:37:26,480 --> 00:37:29,120
Speaker 4: have to dub to picture right, so we do a

736
00:37:29,120 --> 00:37:31,520
Speaker 4: lot of pickups and then we do some ADR. If

737
00:37:31,560 --> 00:37:35,719
Speaker 4: you were doing ADR to picture. Fuck me, it was

738
00:37:36,400 --> 00:37:41,400
Speaker 4: so hard, do you like? Because you would have you

739
00:37:41,440 --> 00:37:45,279
Speaker 4: would hear the beep and so I would be late, right,

740
00:37:45,920 --> 00:37:49,319
Speaker 4: I would hear it, but it was already just a

741
00:37:49,400 --> 00:37:52,439
Speaker 4: half second late, and so the whole all the sink

742
00:37:52,600 --> 00:37:54,960
Speaker 4: was off. It was just it was really hard.

743
00:37:55,280 --> 00:37:55,520
Speaker 3: Yeah.

744
00:37:55,600 --> 00:37:59,319
Speaker 6: Were you able to watch episodes and would anything bother you?

745
00:37:59,360 --> 00:38:01,560
Speaker 6: Could you tell there is a difference or was it

746
00:38:01,800 --> 00:38:02,799
Speaker 6: something they can tell?

747
00:38:03,239 --> 00:38:08,319
Speaker 4: Yeah, we're we're I mean by large if I and

748
00:38:08,360 --> 00:38:10,600
Speaker 4: I can usually tell if my rhythm is right, but

749
00:38:10,680 --> 00:38:14,960
Speaker 4: I'm slightly off, you can slide it, right, if I

750
00:38:15,040 --> 00:38:17,560
Speaker 4: started half a second too early and I ended half

751
00:38:17,640 --> 00:38:21,600
Speaker 4: a second too late, then you could slide it and

752
00:38:21,600 --> 00:38:24,080
Speaker 4: still make it fit. Nobody likes to do that. They're like,

753
00:38:24,160 --> 00:38:25,880
Speaker 4: you hardly, you'll do that again. I'm like, you'll so

754
00:38:26,000 --> 00:38:30,960
Speaker 4: will so. I don't think you can tell, but I

755
00:38:31,840 --> 00:38:32,759
Speaker 4: feel it in my heart.

756
00:38:33,160 --> 00:38:34,200
Speaker 3: Yeah, I got you know.

757
00:38:34,840 --> 00:38:37,759
Speaker 6: I just I feel like our especially compared to when

758
00:38:37,840 --> 00:38:41,359
Speaker 6: Karen and I drive around and there's actually distractions like.

759
00:38:41,400 --> 00:38:44,799
Speaker 4: I really really want one day come and be in

760
00:38:44,840 --> 00:38:45,560
Speaker 4: the car with you.

761
00:38:45,719 --> 00:38:48,560
Speaker 6: Yes you have, we are going to hold you to that,

762
00:38:48,680 --> 00:38:54,239
Speaker 6: and I just wrote it down, yeah literally, yeah.

763
00:38:53,520 --> 00:38:54,160
Speaker 3: But yeah.

764
00:38:54,320 --> 00:38:57,000
Speaker 6: To suddenly be in a position where it's just dependent

765
00:38:57,160 --> 00:39:02,560
Speaker 6: on our overlapping convers station, the podcast kind of changed.

766
00:39:02,640 --> 00:39:03,960
Speaker 3: I think you don't still.

767
00:39:03,800 --> 00:39:08,000
Speaker 2: Like it, but well, I think comedy people like what

768
00:39:08,080 --> 00:39:09,680
Speaker 2: I just did to you right now.

769
00:39:09,960 --> 00:39:12,160
Speaker 3: Like that now that was zoom. You didn't do that,

770
00:39:12,160 --> 00:39:12,760
Speaker 3: that was zoom.

771
00:39:12,920 --> 00:39:16,080
Speaker 2: But I mean, like the stepping on of things where

772
00:39:16,600 --> 00:39:18,880
Speaker 2: part one and I know, I'm sure you know this

773
00:39:18,920 --> 00:39:22,040
Speaker 2: swer Yardley, but it's like part of the chemistry of

774
00:39:22,120 --> 00:39:25,799
Speaker 2: comedy is the timing that's so precise that like when

775
00:39:25,920 --> 00:39:28,399
Speaker 2: Chris is talking, I know when he's about to end,

776
00:39:28,480 --> 00:39:30,040
Speaker 2: and I know when I'm going to go yes ooop

777
00:39:30,160 --> 00:39:33,480
Speaker 2: right at the end, and that kind of thing getting

778
00:39:33,520 --> 00:39:37,200
Speaker 2: fucked upon zoom is So it's just like bad auditioning.

779
00:39:37,280 --> 00:39:39,520
Speaker 2: It's like heartbreaking in a way where it's like, not

780
00:39:39,600 --> 00:39:42,120
Speaker 2: only do you not know that I would be really

781
00:39:42,160 --> 00:39:44,239
Speaker 2: good at going boop right now, but now I look

782
00:39:44,320 --> 00:39:47,000
Speaker 2: like kind of a rude asshole, or like I'm just

783
00:39:47,080 --> 00:39:48,920
Speaker 2: kind of like blabbing around.

784
00:39:49,320 --> 00:39:51,000
Speaker 1: It's the opposite effectually.

785
00:39:51,040 --> 00:39:51,239
Speaker 4: Yeah.

786
00:39:51,320 --> 00:39:53,279
Speaker 6: Yeah, and we're all of a sudden where people are

787
00:39:53,320 --> 00:39:56,279
Speaker 6: listening like why are they always apologizing to each other now,

788
00:39:56,320 --> 00:39:59,839
Speaker 6: because it's so abrupt When oh, I'm sorry you were saying.

789
00:40:00,000 --> 00:40:03,160
Speaker 6: I think, no, I'm sorry, no, but now I can't

790
00:40:03,160 --> 00:40:04,319
Speaker 6: remember what I was going to say.

791
00:40:04,360 --> 00:40:07,239
Speaker 2: My hilarious joke that I completely derailed this.

792
00:40:07,200 --> 00:40:10,800
Speaker 1: Whole train for is like now gone out of my head.

793
00:40:11,000 --> 00:40:13,719
Speaker 6: Yeah, and then where in the past, if something like

794
00:40:13,760 --> 00:40:16,240
Speaker 6: that happened, we just go, oh, look a mattress store

795
00:40:16,560 --> 00:40:17,520
Speaker 6: or whatever.

796
00:40:17,920 --> 00:40:18,839
Speaker 1: What's this guy doing?

797
00:40:19,200 --> 00:40:21,000
Speaker 3: I mean, I want to get back in the car.

798
00:40:21,160 --> 00:40:23,920
Speaker 6: We used to if we had to slam on the brakes.

799
00:40:24,000 --> 00:40:26,239
Speaker 6: Karen would always put her arm in front of me,

800
00:40:26,400 --> 00:40:29,160
Speaker 6: like a motherly gesture or a book bag.

801
00:40:29,239 --> 00:40:31,680
Speaker 3: She didn't want the book bag to spill. I just

802
00:40:32,040 --> 00:40:33,160
Speaker 3: I missed that. I miss it.

803
00:40:33,239 --> 00:40:35,440
Speaker 1: It's a whole different. Yeah, you're definitely gonna have to

804
00:40:35,440 --> 00:40:36,040
Speaker 1: come back for this.

805
00:40:36,120 --> 00:40:39,200
Speaker 4: Yes, yes, the car, I'm doing it. I'm just I'm

806
00:40:39,200 --> 00:40:40,680
Speaker 4: going to find out where you are and then I'm

807
00:40:40,719 --> 00:40:42,520
Speaker 4: just going to hitchhike on the corner. If you don't

808
00:40:42,520 --> 00:40:44,400
Speaker 4: pick me up and be really really bummed.

809
00:40:45,200 --> 00:40:48,359
Speaker 2: To everyone else, it will look like a very synchronized

810
00:40:48,440 --> 00:40:50,920
Speaker 2: kidnap where we just yank you into a car and

811
00:40:51,000 --> 00:40:51,600
Speaker 2: peel out.

812
00:40:52,200 --> 00:40:54,600
Speaker 1: Yeah, we'll note it was booked, will note it was

813
00:40:54,640 --> 00:40:55,040
Speaker 1: a plan.

814
00:40:56,640 --> 00:40:59,439
Speaker 2: I also like that we're all complaining about what I've

815
00:40:59,520 --> 00:41:03,840
Speaker 2: always believed. Since I started auditioning for TV shows, I

816
00:41:03,920 --> 00:41:06,640
Speaker 2: knew that the gig to get was a voiceoverdob. I

817
00:41:06,719 --> 00:41:10,080
Speaker 2: knew that that actually that's what I should be aiming for,

818
00:41:10,480 --> 00:41:13,440
Speaker 2: because this whole idea of like Hollywood perfection and all

819
00:41:13,440 --> 00:41:17,960
Speaker 2: these different things that was also simultaneous to am I

820
00:41:18,040 --> 00:41:19,600
Speaker 2: even talented enough to be doing this?

821
00:41:19,800 --> 00:41:22,399
Speaker 1: Is now? Am I perfect enough? Or blah blah blah.

822
00:41:22,440 --> 00:41:24,120
Speaker 1: I was like, oh, this is bullshit.

823
00:41:24,239 --> 00:41:27,839
Speaker 2: I need to get I need to slay myself and

824
00:41:27,920 --> 00:41:29,240
Speaker 2: get a voiceover job.

825
00:41:29,719 --> 00:41:32,600
Speaker 1: And that's the idea that we all got.

826
00:41:32,400 --> 00:41:35,759
Speaker 2: To be in jobs that didn't have to stop during

827
00:41:35,840 --> 00:41:39,359
Speaker 2: quarantine as like, thank God, thank god, everybody figured out

828
00:41:39,400 --> 00:41:41,719
Speaker 2: how to adjust so quickly.

829
00:41:41,760 --> 00:41:45,640
Speaker 4: It's a miracle. You know, show business on camera really

830
00:41:45,680 --> 00:41:48,959
Speaker 4: really took such a hit, but The Simpsons was able

831
00:41:49,000 --> 00:41:52,719
Speaker 4: to continue unabated, and I recognize how lucky we were

832
00:41:52,800 --> 00:41:53,840
Speaker 4: for that for sure.

833
00:41:54,080 --> 00:41:54,759
Speaker 2: Yeah.

834
00:41:54,920 --> 00:42:00,280
Speaker 6: Amen, I just said that because it was a conclusionary thing.

835
00:42:00,239 --> 00:42:04,200
Speaker 1: You Chris.

836
00:42:04,280 --> 00:42:06,360
Speaker 2: This is the prayer corner where Chris gets to do

837
00:42:06,400 --> 00:42:08,319
Speaker 2: a little bit of his born again Christianity.

838
00:42:08,719 --> 00:42:12,120
Speaker 6: Yeah, it's a new thing I've been doing. Anyway, I'm

839
00:42:12,120 --> 00:42:14,040
Speaker 6: going to read now from First Corinthians.

840
00:42:16,280 --> 00:42:19,800
Speaker 1: We were so nervous about trying to keep.

841
00:42:19,600 --> 00:42:24,480
Speaker 2: Our nerdiness pented in about your career and your presence.

842
00:42:24,080 --> 00:42:27,319
Speaker 1: In our lives. On the idea that you let us not.

843
00:42:27,440 --> 00:42:30,799
Speaker 2: Do that is thank you so much for doing that,

844
00:42:31,320 --> 00:42:33,640
Speaker 2: because I didn't know how we were going to do

845
00:42:33,680 --> 00:42:34,480
Speaker 2: it otherwise.

846
00:42:34,760 --> 00:42:36,640
Speaker 1: It was like, I gotta tell my Slate story. I

847
00:42:36,760 --> 00:42:37,239
Speaker 1: just have to.

848
00:42:38,120 --> 00:42:43,520
Speaker 4: I love that Slate story. It's so charming, it's so vulnerable,

849
00:42:44,200 --> 00:42:49,000
Speaker 4: it's so funny and wonderful. I just think it's brilliant,

850
00:42:49,560 --> 00:42:54,320
Speaker 4: and I really think like that belongs in a movie.

851
00:42:54,800 --> 00:42:59,439
Speaker 4: It is so Karen. So it's so lovely. It's it's

852
00:42:59,520 --> 00:43:02,399
Speaker 4: such ah, the essence of you. I just love it.

853
00:43:02,520 --> 00:43:03,960
Speaker 4: Thank you, I love it.

854
00:43:04,080 --> 00:43:05,839
Speaker 2: And it really is the kind of thing like yay

855
00:43:06,080 --> 00:43:09,000
Speaker 2: to be in a position where yes, this it gets

856
00:43:09,000 --> 00:43:11,640
Speaker 2: to be a full circle experience, like it really is

857
00:43:11,680 --> 00:43:12,520
Speaker 2: one of those things.

858
00:43:12,280 --> 00:43:15,080
Speaker 1: The older I get, I go, oh, I see, those.

859
00:43:14,920 --> 00:43:17,080
Speaker 2: Are the things that it's not. That's not the final

860
00:43:17,200 --> 00:43:18,480
Speaker 2: chapter of the slate story.

861
00:43:18,680 --> 00:43:21,000
Speaker 1: Yeah, because you know it's not all over.

862
00:43:21,080 --> 00:43:23,719
Speaker 2: But like that day, slinking away and just being like

863
00:43:23,800 --> 00:43:24,720
Speaker 2: what am I doing?

864
00:43:24,840 --> 00:43:28,160
Speaker 1: Why am I? I'm from a farm, I don't belong here.

865
00:43:29,440 --> 00:43:32,759
Speaker 6: Yeah, yes, it continues to be because I know what a

866
00:43:32,840 --> 00:43:36,160
Speaker 6: slate is, but it's different for commercials, which I'm used to,

867
00:43:36,400 --> 00:43:38,680
Speaker 6: and like where you I don't even remember.

868
00:43:38,840 --> 00:43:41,720
Speaker 3: I'll just give profile and say how much.

869
00:43:41,560 --> 00:43:44,680
Speaker 6: I weigh and who my agent is, and they're like, oh,

870
00:43:44,719 --> 00:43:48,640
Speaker 6: your name will be fine, sir, Like I still don't know,

871
00:43:48,760 --> 00:43:51,880
Speaker 6: because it is always different, and everyone at those judge

872
00:43:52,120 --> 00:43:57,200
Speaker 6: long tables of tables universal the worst.

873
00:43:57,320 --> 00:44:00,000
Speaker 4: And now I mean I've an audition did a long time,

874
00:44:00,239 --> 00:44:02,920
Speaker 4: not because I get parts, but because I no longer

875
00:44:03,080 --> 00:44:05,520
Speaker 4: have an agent, because I stopped getting parts. I put

876
00:44:05,560 --> 00:44:08,440
Speaker 4: my foot down when all I was auditioning for were

877
00:44:08,520 --> 00:44:13,400
Speaker 4: parts that had no name, like secretary neighbor. And I'm like, okay,

878
00:44:13,480 --> 00:44:15,520
Speaker 4: you know what, I've been in this fucking business for

879
00:44:15,760 --> 00:44:18,279
Speaker 4: at that time, thirty years. I'm like, I have to go.

880
00:44:19,120 --> 00:44:23,480
Speaker 6: So is that why you I just saw the trailer

881
00:44:23,640 --> 00:44:28,480
Speaker 6: for Gossamer and Folds. It's really seems like a sweet

882
00:44:28,520 --> 00:44:33,080
Speaker 6: and important movie. And did you find the script? How

883
00:44:33,080 --> 00:44:35,120
Speaker 6: did you end up producing and acting in that?

884
00:44:35,600 --> 00:44:35,799
Speaker 2: Yes?

885
00:44:35,960 --> 00:44:39,200
Speaker 4: So, I have a production company that I co founded

886
00:44:39,280 --> 00:44:42,840
Speaker 4: called paper Clip Limited. And we formed the company, my

887
00:44:42,880 --> 00:44:45,400
Speaker 4: business partner Ben Cornwell and I because we wanted to

888
00:44:45,440 --> 00:44:48,400
Speaker 4: be the people to say yes first, because it's so

889
00:44:48,520 --> 00:44:50,439
Speaker 4: hard to get a yes in this town. Ye. Yeah,

890
00:44:51,000 --> 00:44:54,479
Speaker 4: And so a friend of mine, an old friend of mine,

891
00:44:54,480 --> 00:44:56,279
Speaker 4: brought me the script that I had been written about

892
00:44:56,320 --> 00:44:59,400
Speaker 4: ten years prior to us producing it. It had somebody

893
00:44:59,440 --> 00:45:02,600
Speaker 4: else adopted it that had fallen away, and I read it

894
00:45:02,640 --> 00:45:05,680
Speaker 4: and I loved it. And it's about a trans woman

895
00:45:05,719 --> 00:45:07,840
Speaker 4: of color in the nineteen eighties in a small town

896
00:45:07,880 --> 00:45:12,399
Speaker 4: in the Midwest, and she ends up befriending this ten

897
00:45:12,440 --> 00:45:14,680
Speaker 4: year old boy who moves next to her and her dad.

898
00:45:15,000 --> 00:45:17,399
Speaker 4: He moves next door with his family. His parents are

899
00:45:17,400 --> 00:45:18,760
Speaker 4: on the brink of divorce.

900
00:45:18,400 --> 00:45:21,239
Speaker 6: And so oh that dad. His dad seems like a

901
00:45:21,280 --> 00:45:24,839
Speaker 6: real jerk. I just want to say that it's a brick.

902
00:45:25,920 --> 00:45:32,239
Speaker 4: Oh my god. And so it's a wonderful just sort

903
00:45:32,280 --> 00:45:36,160
Speaker 4: of Fox and the Hound kind of friendship, these two

904
00:45:36,320 --> 00:45:39,480
Speaker 4: unlikely characters who just find each other and find a

905
00:45:39,480 --> 00:45:42,440
Speaker 4: place to kind of meet in the middle. And she

906
00:45:42,600 --> 00:45:45,879
Speaker 4: becomes this transwoman who's trying to get to New York

907
00:45:46,000 --> 00:45:47,920
Speaker 4: to go to the ballroom scene in New York in

908
00:45:47,960 --> 00:45:51,799
Speaker 4: the eighties, sort of takes this little boy under her

909
00:45:51,800 --> 00:45:54,120
Speaker 4: wing and just says, you know, I'll be your friend.

910
00:45:54,160 --> 00:45:55,000
Speaker 4: It's gonna be all right.

911
00:45:55,280 --> 00:45:55,480
Speaker 5: Yeah.

912
00:45:55,680 --> 00:46:00,520
Speaker 4: And we had this brilliant transactress named Alexander who's going

913
00:46:00,560 --> 00:46:04,280
Speaker 4: to be a huge star play Gossamer. She was the first,

914
00:46:04,680 --> 00:46:06,840
Speaker 4: she's one of the first audition tapes I saw, and

915
00:46:07,239 --> 00:46:09,400
Speaker 4: she was the one to beat. She was there was

916
00:46:09,440 --> 00:46:12,719
Speaker 4: never anybody else. And it's funny in this town. You know,

917
00:46:12,760 --> 00:46:16,040
Speaker 4: if you find somebody that early, they all like, wow,

918
00:46:16,120 --> 00:46:18,480
Speaker 4: you can't choose that person because you might miss something.

919
00:46:18,560 --> 00:46:19,680
Speaker 4: I'm like, what the who?

920
00:46:19,920 --> 00:46:20,160
Speaker 3: What?

921
00:46:20,320 --> 00:46:23,680
Speaker 4: Yeah, that is the person, She's the person we need her.

922
00:46:24,080 --> 00:46:26,280
Speaker 3: Yeah, no, I gotta let's be choosy.

923
00:46:26,360 --> 00:46:29,800
Speaker 6: I have to validate my job as a casting person.

924
00:46:29,920 --> 00:46:33,640
Speaker 4: Yeah, ridiculous. So it's wonderful. And we just got a

925
00:46:33,960 --> 00:46:36,759
Speaker 4: got a distributor. We it's it's you know, it is

926
00:46:36,880 --> 00:46:40,200
Speaker 4: a it's so much easier to sell a horror film.

927
00:46:40,400 --> 00:46:44,200
Speaker 4: This is a really lovely film about people and sort

928
00:46:44,200 --> 00:46:46,080
Speaker 4: of a coming of age for the little boy. And

929
00:46:47,320 --> 00:46:49,720
Speaker 4: but we did finally get a distributor. It's a beautiful

930
00:46:49,719 --> 00:46:51,360
Speaker 4: film and I'm excited for people to see it.

931
00:46:52,000 --> 00:46:55,000
Speaker 3: Yeah, so it's just coming soon. Yeah, really sweet.

932
00:46:55,040 --> 00:46:57,600
Speaker 6: That little boy is so sweet and I am He's

933
00:46:57,640 --> 00:46:58,160
Speaker 6: in everything.

934
00:46:58,239 --> 00:46:59,440
Speaker 4: He works more than all of us.

935
00:46:59,560 --> 00:47:02,439
Speaker 3: Really, I didn't recognize it. Oh my god, he's great.

936
00:47:02,600 --> 00:47:05,680
Speaker 3: That the trade. I have to see it. I honestly

937
00:47:05,880 --> 00:47:07,840
Speaker 3: really already to be.

938
00:47:07,840 --> 00:47:10,520
Speaker 2: In movie theaters, like movies are going back to the theaters.

939
00:47:10,719 --> 00:47:12,000
Speaker 3: Yeah, it was on AMC.

940
00:47:12,960 --> 00:47:15,239
Speaker 6: It just said because I looked it up to see

941
00:47:15,239 --> 00:47:17,040
Speaker 6: if I could see it. It just said coming soon.

942
00:47:17,200 --> 00:47:22,000
Speaker 6: So already being recognized by AMC. Huh, I'm here with

943
00:47:22,040 --> 00:47:24,560
Speaker 6: that news. I don't know that you knew that.

944
00:47:25,480 --> 00:47:25,920
Speaker 4: I didn't.

945
00:47:25,920 --> 00:47:30,160
Speaker 6: Actually, Yeah, well I always have the inside Hollywood scoop,

946
00:47:30,239 --> 00:47:30,600
Speaker 6: don't I.

947
00:47:30,760 --> 00:47:35,040
Speaker 1: Karen, you really do. Yeah, you know that makes me think.

948
00:47:35,239 --> 00:47:39,000
Speaker 2: My favorite Halloween costume this year, I believe it's the

949
00:47:39,040 --> 00:47:42,200
Speaker 2: AMC Theaters where Nicole Kidman does that intro thing about

950
00:47:42,280 --> 00:47:45,800
Speaker 2: the movies and she's in a pay stripe suit walking

951
00:47:45,840 --> 00:47:48,319
Speaker 2: around the theater going like the magic happens here, and

952
00:47:48,360 --> 00:47:51,480
Speaker 2: there's a whole monologue and they run it's like this

953
00:47:51,760 --> 00:47:53,879
Speaker 2: kind of a psa of like it's time to come

954
00:47:53,920 --> 00:47:57,360
Speaker 2: back to the movies, and she's there's these shots of

955
00:47:57,400 --> 00:47:59,680
Speaker 2: her like looking up at the screen like she just

956
00:47:59,800 --> 00:48:03,480
Speaker 2: loves was watching the movie so much. Somebody went and

957
00:48:03,520 --> 00:48:07,520
Speaker 2: I'm pretty sure it was a guy as Nicole Kidman

958
00:48:07,600 --> 00:48:11,359
Speaker 2: in that psa so pinstripe suit and then kind of

959
00:48:11,440 --> 00:48:13,880
Speaker 2: just like all the pictures of like looking up with

960
00:48:13,960 --> 00:48:17,600
Speaker 2: the with the kind of forced wonderment face. It's the funniest,

961
00:48:17,840 --> 00:48:19,840
Speaker 2: funniest costume. It's my favorite.

962
00:48:19,960 --> 00:48:22,799
Speaker 6: It's so funny to bring up Nicole Kidman because the

963
00:48:22,840 --> 00:48:27,160
Speaker 6: movie in nineteen eighty seven or whatever year, the legend

964
00:48:27,160 --> 00:48:31,120
Speaker 6: of Billy Jing King was constantly on Teleson so much.

965
00:48:32,719 --> 00:48:33,560
Speaker 6: What am I did?

966
00:48:33,560 --> 00:48:36,440
Speaker 3: I no?

967
00:48:36,600 --> 00:48:38,640
Speaker 1: I started legendary tennis story.

968
00:48:38,800 --> 00:48:41,520
Speaker 6: Yeah, there's a tennis documentary that came on after the

969
00:48:41,600 --> 00:48:45,080
Speaker 6: Legend of Billy Jane No Relation, Good time. I watched that,

970
00:48:45,440 --> 00:48:48,959
Speaker 6: and then BMX Bandits was the Young Nicole Kidman where

971
00:48:49,000 --> 00:48:52,960
Speaker 6: she's like a badass BMX rider and she's actually jumping

972
00:48:53,000 --> 00:48:55,759
Speaker 6: a bike. It's some Australian movie and it was on

973
00:48:56,239 --> 00:48:59,200
Speaker 6: all the time. So anyway, that was one of my favorites.

974
00:48:59,239 --> 00:49:00,000
Speaker 6: That was a great year.

975
00:49:00,560 --> 00:49:02,920
Speaker 3: I have Free stolen HBO.

976
00:49:03,320 --> 00:49:06,759
Speaker 2: I think your dad climbed a pole to get you.

977
00:49:07,160 --> 00:49:10,960
Speaker 6: It's really the most morally unsound thing. I don't know

978
00:49:11,080 --> 00:49:13,880
Speaker 6: him to be a liar or a rule breaker in

979
00:49:13,920 --> 00:49:17,040
Speaker 6: any way, but boy, he climbed up that pole and

980
00:49:17,080 --> 00:49:18,160
Speaker 6: we got free HBO.

981
00:49:18,280 --> 00:49:18,920
Speaker 3: It was it.

982
00:49:19,520 --> 00:49:22,680
Speaker 4: Yeah, maybe he just wanted to vet that. What's this

983
00:49:22,800 --> 00:49:25,440
Speaker 4: fucking HBO? You want me to pay more for television?

984
00:49:25,880 --> 00:49:28,960
Speaker 4: Screw you. I'm going to steal it first. You'll see

985
00:49:28,960 --> 00:49:29,600
Speaker 4: how that goes.

986
00:49:29,719 --> 00:49:32,880
Speaker 6: I vividly remember seeing him climb that pole and I'm like,

987
00:49:32,960 --> 00:49:35,800
Speaker 6: I think my dad's gonna fall and or get electrocuted.

988
00:49:36,360 --> 00:49:37,520
Speaker 3: This better be worth it.

989
00:49:37,600 --> 00:49:41,040
Speaker 6: And then you see that HBO chrome logo fly over

990
00:49:41,080 --> 00:49:43,799
Speaker 6: that city and you're like, no, thank you, dad and

991
00:49:44,200 --> 00:49:45,080
Speaker 6: risking your life.

992
00:49:45,480 --> 00:49:47,839
Speaker 1: Yes, I mean that was we never had.

993
00:49:47,880 --> 00:49:50,040
Speaker 2: We lived far enough out in the country where we

994
00:49:50,080 --> 00:49:53,200
Speaker 2: didn't have cable well my dad wouldn't pay for it,

995
00:49:53,239 --> 00:49:56,040
Speaker 2: but we got like three channels and we had the

996
00:49:56,080 --> 00:49:58,120
Speaker 2: antenna on top of our roof that you had to

997
00:49:58,160 --> 00:50:00,239
Speaker 2: turn the thing. It would go to tick tick, and

998
00:50:00,280 --> 00:50:03,439
Speaker 2: then the antenna would slowly turn and the fuzziness would

999
00:50:03,480 --> 00:50:06,960
Speaker 2: slightly go away. Yes, but so when we got to

1000
00:50:07,000 --> 00:50:09,400
Speaker 2: c HBO, it was mostly at my aunt Kathleen's house,

1001
00:50:09,760 --> 00:50:13,440
Speaker 2: and that intro when a movie was starting and we

1002
00:50:13,480 --> 00:50:15,560
Speaker 2: didn't care what the movie was, it did not matter.

1003
00:50:15,600 --> 00:50:16,800
Speaker 1: It was like the intro.

1004
00:50:16,880 --> 00:50:19,319
Speaker 2: You would be like, everybody, sit down, be quiet, like

1005
00:50:19,719 --> 00:50:21,080
Speaker 2: it was the most exciting.

1006
00:50:21,920 --> 00:50:22,640
Speaker 3: It really was.

1007
00:50:22,719 --> 00:50:24,880
Speaker 6: And I have talked about it a million times because

1008
00:50:24,920 --> 00:50:27,880
Speaker 6: I h yardly, I love miniatures, and I've kind of

1009
00:50:27,920 --> 00:50:31,040
Speaker 6: indulged in it during quarantine, making little uh.

1010
00:50:32,000 --> 00:50:33,360
Speaker 3: Dollhouses and stuff.

1011
00:50:33,400 --> 00:50:36,640
Speaker 6: But I would pause that intro just to see the

1012
00:50:36,680 --> 00:50:40,160
Speaker 6: little cars and see because it looks so real to me.

1013
00:50:40,239 --> 00:50:42,200
Speaker 6: But I knew people made it. It was just on

1014
00:50:42,239 --> 00:50:47,120
Speaker 6: a tabletop somewhere and there's whoop. It's I as a kid,

1015
00:50:47,120 --> 00:50:48,719
Speaker 6: I'm like, I want that to be my job.

1016
00:50:48,760 --> 00:50:50,160
Speaker 4: I think, so you're crafty.

1017
00:50:50,719 --> 00:50:53,040
Speaker 3: I I do. I went to art school. I do

1018
00:50:53,200 --> 00:50:54,200
Speaker 3: like arts and crafts.

1019
00:50:54,280 --> 00:50:55,360
Speaker 4: Yes, that's amazing.

1020
00:50:55,480 --> 00:50:56,479
Speaker 3: I do like to draw.

1021
00:50:57,040 --> 00:50:57,520
Speaker 1: Wow.

1022
00:50:57,760 --> 00:50:59,480
Speaker 3: Yeah, well it's a side.

1023
00:51:00,120 --> 00:51:02,719
Speaker 4: Next we'll find out that he actually designed that wallpaper

1024
00:51:02,760 --> 00:51:03,239
Speaker 4: behind him.

1025
00:51:04,280 --> 00:51:07,680
Speaker 6: It's a photo I took and manic cost a lot

1026
00:51:07,719 --> 00:51:09,680
Speaker 6: to print, So you're.

1027
00:51:09,440 --> 00:51:12,040
Speaker 2: Like curious George when he painted it. He painted it

1028
00:51:12,040 --> 00:51:12,719
Speaker 2: all on the wall.

1029
00:51:13,040 --> 00:51:15,719
Speaker 6: Yeah, you can see my toe at the bottom. Here

1030
00:51:15,760 --> 00:51:17,000
Speaker 6: I was in the screen.

1031
00:51:17,080 --> 00:51:20,320
Speaker 4: Actually, how I need I have a question for you guys.

1032
00:51:20,360 --> 00:51:24,040
Speaker 4: How is are you? Guys back to performing live you?

1033
00:51:24,320 --> 00:51:26,000
Speaker 4: How is that going? If you are?

1034
00:51:26,320 --> 00:51:31,040
Speaker 6: I last night did an outdoor show and audiences are

1035
00:51:31,080 --> 00:51:34,799
Speaker 6: back to not desperately laughing at everything as so they

1036
00:51:34,840 --> 00:51:35,319
Speaker 6: missed it.

1037
00:51:35,440 --> 00:51:39,040
Speaker 3: Everyone's back to normal. And the judgment.

1038
00:51:38,760 --> 00:51:42,160
Speaker 6: Last night, uh seemed just like as fresh as two

1039
00:51:42,200 --> 00:51:42,800
Speaker 6: years ago.

1040
00:51:43,280 --> 00:51:43,400
Speaker 2: Uh.

1041
00:51:44,120 --> 00:51:46,399
Speaker 6: Or maybe I just didn't do well because on top

1042
00:51:46,440 --> 00:51:49,680
Speaker 6: of that, I am rusty. I will start one of

1043
00:51:49,680 --> 00:51:52,000
Speaker 6: my jokes like, oh, I'll do some of my tried

1044
00:51:52,040 --> 00:51:55,560
Speaker 6: and true bits that I've been doing for years, and

1045
00:51:55,600 --> 00:51:58,799
Speaker 6: I forgot, like I'll get halfway through and forget how

1046
00:51:58,840 --> 00:52:02,799
Speaker 6: my own joke, and and then I'm trying to and

1047
00:52:02,880 --> 00:52:05,560
Speaker 6: sometimes something good will come out of that. But there's

1048
00:52:05,600 --> 00:52:09,600
Speaker 6: a nervousness that that makes me feel like I'm twenty

1049
00:52:09,640 --> 00:52:11,600
Speaker 6: three again doing it for the first time and I

1050
00:52:11,680 --> 00:52:14,880
Speaker 6: can't hide it. And last night I was nervous and

1051
00:52:14,920 --> 00:52:17,160
Speaker 6: the audience could smell it, and I just felt like

1052
00:52:17,200 --> 00:52:17,880
Speaker 6: a kid again.

1053
00:52:18,040 --> 00:52:21,359
Speaker 2: So do you think being outside though, is part of that?

1054
00:52:21,480 --> 00:52:25,240
Speaker 2: Because I think that, like that's why you know colleges

1055
00:52:25,239 --> 00:52:27,160
Speaker 2: and stuff where they're like, you can't you can't have

1056
00:52:27,239 --> 00:52:30,319
Speaker 2: any of these college shows outside because the energy just

1057
00:52:30,360 --> 00:52:31,040
Speaker 2: goes away.

1058
00:52:31,440 --> 00:52:31,800
Speaker 3: Yeah.

1059
00:52:31,880 --> 00:52:34,839
Speaker 6: I'm surprised though, because that show and the one down

1060
00:52:34,960 --> 00:52:37,960
Speaker 6: the street for me at Stories Bookstore are always great

1061
00:52:38,080 --> 00:52:41,120
Speaker 6: and they're outside and they don't sell drinks. I don't

1062
00:52:41,160 --> 00:52:44,280
Speaker 6: know why they're so well attended and great. Some people

1063
00:52:44,280 --> 00:52:47,600
Speaker 6: don't want to be in comedy clubs and it's terrific.

1064
00:52:47,640 --> 00:52:52,040
Speaker 6: But last night, Yeah, my material was about Harley Davidson's

1065
00:52:52,080 --> 00:52:55,680
Speaker 6: and helicopters, because that's what was distracting me the whole time.

1066
00:52:56,760 --> 00:52:57,640
Speaker 3: It was in the middle of the.

1067
00:52:57,680 --> 00:53:00,680
Speaker 6: Joke and now Harley, that's loud, Harley buy and set

1068
00:53:00,719 --> 00:53:03,120
Speaker 6: off a car alarm, and I'm like, well, do I

1069
00:53:03,120 --> 00:53:04,720
Speaker 6: have any jokes about car alarms?

1070
00:53:04,719 --> 00:53:07,200
Speaker 3: I got to stop being so in the moment.

1071
00:53:07,320 --> 00:53:09,440
Speaker 1: But you have to, like you need.

1072
00:53:09,360 --> 00:53:11,919
Speaker 2: To, you need to start writing about anything that could

1073
00:53:11,920 --> 00:53:15,359
Speaker 2: pass you on the street. Yeah, for outside comedy, that's

1074
00:53:15,400 --> 00:53:17,880
Speaker 2: a whole new area of like birds, you got to

1075
00:53:17,920 --> 00:53:19,440
Speaker 2: cover anything because.

1076
00:53:19,200 --> 00:53:21,560
Speaker 6: I got bird you know, I got bird material. I

1077
00:53:21,640 --> 00:53:23,800
Speaker 6: got that covered. I could do words for hours.

1078
00:53:23,960 --> 00:53:26,080
Speaker 1: Don't worry about the bird issue.

1079
00:53:26,440 --> 00:53:28,520
Speaker 3: Yeah yeah, but uh yeah.

1080
00:53:28,680 --> 00:53:31,680
Speaker 6: The short answer is I feel like I'm starting over again,

1081
00:53:31,840 --> 00:53:36,080
Speaker 6: and that is frightening but also exciting. And I still

1082
00:53:36,960 --> 00:53:39,239
Speaker 6: I'm glad it's back and I love doing stand up

1083
00:53:39,280 --> 00:53:42,359
Speaker 6: and so that's how I feel. But last night I

1084
00:53:42,400 --> 00:53:45,360
Speaker 6: also had that thing where I kind of slept in

1085
00:53:45,400 --> 00:53:48,040
Speaker 6: the fetal position a lot of the night, mostly because

1086
00:53:48,040 --> 00:53:48,640
Speaker 6: it's comfortable.

1087
00:53:48,640 --> 00:53:49,560
Speaker 3: I'm not out sleep on.

1088
00:53:50,280 --> 00:53:54,640
Speaker 6: Yeah yeah, yeah, it's my mattress, it's not my sadness.

1089
00:53:56,719 --> 00:53:59,400
Speaker 2: I have to say, we yarly. Have you ever done

1090
00:54:00,080 --> 00:54:01,800
Speaker 2: live shows?

1091
00:54:02,400 --> 00:54:05,040
Speaker 4: No, it was funny as we were gearing up to

1092
00:54:05,120 --> 00:54:07,880
Speaker 4: do them, and then the pandemic hit and then there

1093
00:54:08,480 --> 00:54:11,680
Speaker 4: and we were like, all right. Then we did the

1094
00:54:11,719 --> 00:54:15,640
Speaker 4: one at the first Crime con in DC.

1095
00:54:16,000 --> 00:54:16,120
Speaker 3: Oh.

1096
00:54:16,120 --> 00:54:19,359
Speaker 4: We actually had Paul Holes as our live guest, who

1097
00:54:19,440 --> 00:54:20,400
Speaker 4: is lovely.

1098
00:54:20,239 --> 00:54:22,759
Speaker 3: The best that is someone I did.

1099
00:54:22,840 --> 00:54:26,080
Speaker 6: You mentioned this earlier about cornering them, and I thought

1100
00:54:26,160 --> 00:54:28,800
Speaker 6: I would never do this, But at the Halloween party, Karen,

1101
00:54:28,920 --> 00:54:32,080
Speaker 6: I just cornered him and all I asked was Golden

1102
00:54:32,120 --> 00:54:36,719
Speaker 6: State killer questions and criminal questions. And then at the

1103
00:54:36,840 --> 00:54:39,440
Speaker 6: end of the night, when we all got ubers home,

1104
00:54:39,480 --> 00:54:42,279
Speaker 6: everyone was waiting for their uber. He and I were

1105
00:54:42,320 --> 00:54:45,640
Speaker 6: the last to have our cars come, and then mine

1106
00:54:45,719 --> 00:54:50,239
Speaker 6: pulled up and and but yeah, well sure there were

1107
00:54:50,400 --> 00:54:51,279
Speaker 6: three drinks there.

1108
00:54:51,440 --> 00:54:53,800
Speaker 1: You did it to me exactly Halloween party.

1109
00:54:54,040 --> 00:54:59,160
Speaker 6: Yeah, and then Paul was there at night. That warehouse

1110
00:54:59,239 --> 00:55:02,200
Speaker 6: district is kind of scary it, Yeah, it like with

1111
00:55:02,280 --> 00:55:04,279
Speaker 6: no one around, and I could tell he was kind

1112
00:55:04,320 --> 00:55:07,000
Speaker 6: of nervous, but it was Paul Hols and he's like, well,

1113
00:55:07,440 --> 00:55:08,840
Speaker 6: since my Carl'll be here.

1114
00:55:08,719 --> 00:55:11,359
Speaker 3: In one minute. And I'm like, it's fine, you won't

1115
00:55:11,360 --> 00:55:15,200
Speaker 3: get murdered or anything. And he laughed. But then I.

1116
00:55:15,200 --> 00:55:17,319
Speaker 6: Laughed, and he was just by himself, and I was like,

1117
00:55:17,360 --> 00:55:18,520
Speaker 6: should I have left him alone?

1118
00:55:18,600 --> 00:55:20,560
Speaker 3: I don't know why I was so worried about him.

1119
00:55:20,880 --> 00:55:21,520
Speaker 1: You shouldn't have.

1120
00:55:21,800 --> 00:55:25,360
Speaker 2: Also, the funniest part is he was dressed like a cowboy.

1121
00:55:26,840 --> 00:55:28,640
Speaker 3: Yeah, a midnight Cowboy.

1122
00:55:30,400 --> 00:55:34,279
Speaker 2: Oh geez, well, I was gonna say I miss stand

1123
00:55:34,360 --> 00:55:37,719
Speaker 2: up in general because this podcast, of course, my favorite.

1124
00:55:37,400 --> 00:55:40,040
Speaker 1: Murder and the network and everything. I just don't have time.

1125
00:55:40,120 --> 00:55:40,920
Speaker 1: So I tried to.

1126
00:55:41,480 --> 00:55:45,040
Speaker 2: I tried to start doing it again before right before

1127
00:55:45,080 --> 00:55:47,880
Speaker 2: the pandemic, like a couple of months before, but I

1128
00:55:47,960 --> 00:55:50,279
Speaker 2: didn't take the time to write new materials. So I

1129
00:55:50,280 --> 00:55:52,680
Speaker 2: would just go through my Twitter feed and be like,

1130
00:55:52,719 --> 00:55:54,879
Speaker 2: this is kind of funny, and it was all very

1131
00:55:55,040 --> 00:55:58,960
Speaker 2: like it was. I just think it made me realize that,

1132
00:55:59,040 --> 00:56:01,520
Speaker 2: like as much as I and I'm proud of myself,

1133
00:56:01,560 --> 00:56:04,479
Speaker 2: do you have been a stand up comic, that part

1134
00:56:04,520 --> 00:56:06,680
Speaker 2: of my life where I'm like hungry and I have

1135
00:56:06,719 --> 00:56:09,920
Speaker 2: to prove that I'm the funny one, Like that fire

1136
00:56:10,440 --> 00:56:15,359
Speaker 2: isn't as strong as it was before, and so like

1137
00:56:15,600 --> 00:56:17,480
Speaker 2: my whole thing was the whole time I would be

1138
00:56:17,520 --> 00:56:20,280
Speaker 2: on stage, I'm like, this is someone else's spot I'm taking.

1139
00:56:20,600 --> 00:56:24,120
Speaker 1: Who would really have tried and not be reading tweets.

1140
00:56:23,920 --> 00:56:26,600
Speaker 6: Yard I am going to make Karen do stand up again.

1141
00:56:26,719 --> 00:56:29,120
Speaker 6: I know that once she's on stage and here's the laughter,

1142
00:56:29,280 --> 00:56:32,399
Speaker 6: she's going to remember that that's a specific kind of love,

1143
00:56:32,560 --> 00:56:34,759
Speaker 6: and she will do stand up again. She's just saying

1144
00:56:34,800 --> 00:56:37,640
Speaker 6: she isn't right now. It's sorry, sorry to pull. That

1145
00:56:37,760 --> 00:56:38,680
Speaker 6: is just how it is.

1146
00:56:39,640 --> 00:56:41,759
Speaker 1: Well, no, no, I want to do it again. But

1147
00:56:41,800 --> 00:56:42,640
Speaker 1: it is that kind of thing.

1148
00:56:42,680 --> 00:56:44,719
Speaker 2: I have to say this and I told Chris this

1149
00:56:44,800 --> 00:56:50,160
Speaker 2: before doing a podcast live, is basically it's like you're

1150
00:56:50,160 --> 00:56:53,840
Speaker 2: doing a cliff Notes version of stand up comedy because

1151
00:56:53,880 --> 00:56:56,680
Speaker 2: the audience already loves you and is giving you the

1152
00:56:56,680 --> 00:56:59,120
Speaker 2: benefit of the doubt, so you can kind of say

1153
00:56:59,160 --> 00:57:00,000
Speaker 2: whatever and they're.

1154
00:56:59,840 --> 00:57:01,319
Speaker 1: Like, yeah, you know what I mean.

1155
00:57:01,360 --> 00:57:04,520
Speaker 2: Where it stand up and start, you know, cutting my

1156
00:57:04,560 --> 00:57:07,400
Speaker 2: teeth there, it's the literal opposite where they hate you

1157
00:57:07,480 --> 00:57:08,920
Speaker 2: and you have to make them love you.

1158
00:57:09,000 --> 00:57:10,440
Speaker 3: But here's the thing, Karen.

1159
00:57:10,480 --> 00:57:14,120
Speaker 6: They come to my stand up shows, these loving podcast

1160
00:57:14,239 --> 00:57:16,680
Speaker 6: fans are going to see stand up for the first time,

1161
00:57:16,720 --> 00:57:20,200
Speaker 6: and I'm always feeling like you should be experiencing this

1162
00:57:20,440 --> 00:57:21,160
Speaker 6: because it is.

1163
00:57:21,640 --> 00:57:22,880
Speaker 3: That's why I'm spoiled.

1164
00:57:23,400 --> 00:57:25,680
Speaker 6: That's why I felt bad the other night, no one,

1165
00:57:25,760 --> 00:57:27,560
Speaker 6: there was no podcast people.

1166
00:57:27,280 --> 00:57:34,200
Speaker 3: There, and now I'm exactly the yeah, judgmental kids. Now.

1167
00:57:34,480 --> 00:57:37,560
Speaker 2: Also, I feel like when you're doing it, you need

1168
00:57:37,600 --> 00:57:39,920
Speaker 2: to be talking about things everyone can relate to. And

1169
00:57:39,960 --> 00:57:42,600
Speaker 2: I'm literally be like, well, I talked to Steven the

1170
00:57:42,640 --> 00:57:47,160
Speaker 2: other day, like it's gonna be this is it's inside

1171
00:57:47,160 --> 00:57:51,160
Speaker 2: baseball and it's like my life experiences ordering stuff on

1172
00:57:51,280 --> 00:57:53,520
Speaker 2: Postmates and and zooming.

1173
00:57:53,520 --> 00:57:55,560
Speaker 1: For hours a day, you know what I mean.

1174
00:57:55,640 --> 00:57:59,800
Speaker 2: It's like it's not really Uh, the life experience part

1175
00:58:00,320 --> 00:58:04,720
Speaker 2: is takes work because I have to think outside, especially

1176
00:58:04,760 --> 00:58:06,600
Speaker 2: in quarantine, like we did. Christ and I did a

1177
00:58:06,600 --> 00:58:10,880
Speaker 2: couple comedy shows that were like almost like fakey game shows,

1178
00:58:10,920 --> 00:58:13,160
Speaker 2: and that was fun because it was almost like no

1179
00:58:13,200 --> 00:58:15,560
Speaker 2: one had to do material. It was just like off

1180
00:58:15,600 --> 00:58:18,080
Speaker 2: the cuff, which right, you know, that's always the best.

1181
00:58:18,280 --> 00:58:21,800
Speaker 2: But there's so many good people in stand up now too.

1182
00:58:22,040 --> 00:58:25,240
Speaker 2: It's just like there's people who are just like studied,

1183
00:58:25,440 --> 00:58:27,680
Speaker 2: they know what they're doing. They're nailing it so.

1184
00:58:27,960 --> 00:58:30,800
Speaker 4: Sure, But I don't know, I feel like you're missed.

1185
00:58:30,880 --> 00:58:33,720
Speaker 3: I'm just going, yeah, I agree, Yeah, thank you.

1186
00:58:35,200 --> 00:58:37,000
Speaker 4: I just want to say, because I know you do

1187
00:58:37,080 --> 00:58:40,040
Speaker 4: have this huge network. I had such a good time

1188
00:58:40,560 --> 00:58:42,840
Speaker 4: on I said no gifts with Bridger.

1189
00:58:43,240 --> 00:58:45,680
Speaker 3: Yeah, isn't he hilarious?

1190
00:58:46,080 --> 00:58:49,640
Speaker 4: He was so fun. We had such a great chat

1191
00:58:49,920 --> 00:58:53,760
Speaker 4: and uh, I very much enjoyed him. You got you've

1192
00:58:53,800 --> 00:58:55,280
Speaker 4: just built this Empire you.

1193
00:58:55,360 --> 00:58:55,960
Speaker 1: Oh, thank you.

1194
00:58:56,720 --> 00:58:59,280
Speaker 4: I mean incredible, really incredible.

1195
00:58:59,680 --> 00:59:02,959
Speaker 2: It's like being lucky enough to have friends like Chris

1196
00:59:03,000 --> 00:59:07,920
Speaker 2: Fairbanks and Bridger A Wineger who like that's the reason

1197
00:59:08,200 --> 00:59:11,520
Speaker 2: George and I were like, oh yeah, definitely. Like Bridger

1198
00:59:11,640 --> 00:59:13,320
Speaker 2: was like, I want to do a podcast called I

1199
00:59:13,360 --> 00:59:14,440
Speaker 2: said No Gifts and that's all.

1200
00:59:14,560 --> 00:59:14,760
Speaker 4: Yeah.

1201
00:59:14,760 --> 00:59:17,680
Speaker 1: I was like, yes, we have to do that. It's hilarious.

1202
00:59:18,160 --> 00:59:21,040
Speaker 2: And also the advertising, it's like he should have so

1203
00:59:21,160 --> 00:59:24,640
Speaker 2: much advertising because if anything that could be a gift could.

1204
00:59:24,520 --> 00:59:26,000
Speaker 1: Be an ad on that show.

1205
00:59:26,040 --> 00:59:29,160
Speaker 2: But also because I think, to me, the way I

1206
00:59:29,240 --> 00:59:33,040
Speaker 2: enjoy podcasts is it's you're hanging out with someone that

1207
00:59:33,080 --> 00:59:36,400
Speaker 2: you like. So it's a very specific thing, but it's like,

1208
00:59:36,480 --> 00:59:39,240
Speaker 2: but I know, like a person like Bridger. People should

1209
00:59:39,280 --> 00:59:41,920
Speaker 2: hang out with a person like Bridger. That's time well spent.

1210
00:59:42,080 --> 00:59:46,360
Speaker 2: That's a person that's being super funny and super original,

1211
00:59:46,720 --> 00:59:51,880
Speaker 2: but also very himself, very like authentic, you know all

1212
00:59:51,920 --> 00:59:54,840
Speaker 2: the It's like you don't get that every day, especially

1213
00:59:54,920 --> 00:59:55,920
Speaker 2: I think these days.

1214
00:59:55,960 --> 00:59:57,080
Speaker 1: So thank you.

1215
00:59:57,160 --> 01:00:00,520
Speaker 2: That's the ultimate compliment because like it's basically the people

1216
01:00:00,560 --> 01:00:02,880
Speaker 2: I like the most and that I hang around with.

1217
01:00:03,600 --> 01:00:06,200
Speaker 4: Well, it's so smart because the other charter we have

1218
01:00:06,280 --> 01:00:09,120
Speaker 4: at paper Clip. Besides being the first to say yes,

1219
01:00:09,280 --> 01:00:10,520
Speaker 4: is no assholes allowed?

1220
01:00:10,760 --> 01:00:11,000
Speaker 1: Yes?

1221
01:00:12,960 --> 01:00:15,040
Speaker 4: You know those are really the only two rules.

1222
01:00:15,160 --> 01:00:19,400
Speaker 6: Yeah, and it hasn't been enforced so far in Hollywood.

1223
01:00:19,720 --> 01:00:20,040
Speaker 1: No.

1224
01:00:19,920 --> 01:00:23,320
Speaker 3: No, I've seen assholes thrive.

1225
01:00:24,280 --> 01:00:27,480
Speaker 2: I mean, yes, yes, that's the I think that's the

1226
01:00:27,520 --> 01:00:30,120
Speaker 2: need for the rule is because that you're you're the

1227
01:00:30,200 --> 01:00:34,040
Speaker 2: exception to basically the Hollywood standard, which is people coming

1228
01:00:34,080 --> 01:00:36,880
Speaker 2: in and throwing their weight around or whatever. And I

1229
01:00:37,120 --> 01:00:39,400
Speaker 2: was trained by a lot of those people. I spent

1230
01:00:39,480 --> 01:00:41,160
Speaker 2: a lot of time with a lot of those people.

1231
01:00:41,240 --> 01:00:44,160
Speaker 2: So this doing this network, it's like there's a lot

1232
01:00:44,160 --> 01:00:45,320
Speaker 2: of times where I'll be like.

1233
01:00:45,280 --> 01:00:46,480
Speaker 1: And I'm not yelling at you.

1234
01:00:46,760 --> 01:00:49,960
Speaker 2: I'm yelling because it's how I express myself when I frustrated.

1235
01:00:50,200 --> 01:00:51,919
Speaker 1: Okay, is anyone mad? All right?

1236
01:00:52,560 --> 01:00:56,160
Speaker 2: It really is like, you know, assholes get their way

1237
01:00:56,400 --> 01:00:57,040
Speaker 2: in this town.

1238
01:00:57,240 --> 01:01:00,440
Speaker 1: So it's good to block out that.

1239
01:01:00,440 --> 01:01:03,320
Speaker 2: Kind of thing where it's like, no, let's all work

1240
01:01:03,400 --> 01:01:07,000
Speaker 2: is better and the result is always better when you

1241
01:01:07,880 --> 01:01:09,360
Speaker 2: don't get to put all that shit over here.

1242
01:01:09,920 --> 01:01:12,680
Speaker 4: The work is already so hard that if you're having

1243
01:01:12,720 --> 01:01:15,000
Speaker 4: to put up with people who you don't like you,

1244
01:01:15,160 --> 01:01:18,520
Speaker 4: who don't get you who don't like you don't have

1245
01:01:18,600 --> 01:01:21,760
Speaker 4: the same sensibility or at least the same goal in

1246
01:01:21,800 --> 01:01:22,760
Speaker 4: a lovely way.

1247
01:01:23,160 --> 01:01:23,960
Speaker 1: Fuck it dude.

1248
01:01:24,240 --> 01:01:25,600
Speaker 4: Yes, exhausting.

1249
01:01:26,000 --> 01:01:29,160
Speaker 6: Yeah, And that's the other reason why I've missed stand

1250
01:01:29,280 --> 01:01:34,200
Speaker 6: up is because that's the only sub industry with show

1251
01:01:34,240 --> 01:01:37,640
Speaker 6: business where everyone does relate and everyone does realize what

1252
01:01:37,760 --> 01:01:39,920
Speaker 6: the other is going through, and it's like a peer group.

1253
01:01:40,080 --> 01:01:42,640
Speaker 6: And it's been fun. Last night felt fun. You got

1254
01:01:42,680 --> 01:01:43,840
Speaker 6: to get back into it, Karen.

1255
01:01:44,080 --> 01:01:45,520
Speaker 1: Okay, I will, I will.

1256
01:01:45,680 --> 01:01:47,120
Speaker 4: With all that extra time you have.

1257
01:01:47,360 --> 01:01:50,680
Speaker 2: Yes, exactly, Yeah. I do miss the hanging out. That's

1258
01:01:50,760 --> 01:01:53,520
Speaker 2: the that's the fun part. It's like that is the

1259
01:01:53,560 --> 01:01:56,360
Speaker 2: camaraderie and the kind of like when other people that

1260
01:01:56,400 --> 01:01:59,040
Speaker 2: you like and respect like what you do. You know,

1261
01:01:59,440 --> 01:02:01,440
Speaker 2: like the fact that you even know that I have

1262
01:02:02,080 --> 01:02:04,880
Speaker 2: a network is a beautiful compliment to me.

1263
01:02:04,960 --> 01:02:08,080
Speaker 1: Hardly it's just like, that's amazing. I can't you know.

1264
01:02:08,320 --> 01:02:10,120
Speaker 1: This is a dream. It's so cool.

1265
01:02:10,680 --> 01:02:13,480
Speaker 4: I also did the per cast, which I loved with Stephen.

1266
01:02:14,080 --> 01:02:17,600
Speaker 4: You're Stephen, but who who is it you who says

1267
01:02:18,120 --> 01:02:19,360
Speaker 4: this is exactly right?

1268
01:02:19,440 --> 01:02:22,000
Speaker 1: Yes, yes, I love it so much.

1269
01:02:22,200 --> 01:02:26,440
Speaker 2: We were trying to do we had this idea, and

1270
01:02:26,560 --> 01:02:29,080
Speaker 2: Georgia was very generous with that too, because I was like,

1271
01:02:29,080 --> 01:02:31,360
Speaker 2: we should split it, we should both, and she's like, no, no,

1272
01:02:31,440 --> 01:02:34,320
Speaker 2: you do it, and we were trying to do either.

1273
01:02:34,520 --> 01:02:36,920
Speaker 2: It started as should we do a robot the robot

1274
01:02:37,000 --> 01:02:38,760
Speaker 2: voice in like a sci fi movie where it's like,

1275
01:02:39,320 --> 01:02:42,400
Speaker 2: you know, like no, Dave, I'm not going to close

1276
01:02:42,440 --> 01:02:45,720
Speaker 2: the pod bay door or whatever, like rock robot voice.

1277
01:02:45,760 --> 01:02:47,960
Speaker 2: But then we were like, what about the like subway

1278
01:02:48,040 --> 01:02:51,520
Speaker 2: voice it's like you know, or the hospital voice where

1279
01:02:51,600 --> 01:02:53,200
Speaker 2: you have to be quiet. We were doing all these

1280
01:02:53,240 --> 01:02:55,800
Speaker 2: weird kinds of things of like because I said, however

1281
01:02:55,840 --> 01:02:57,680
Speaker 2: I say it, people are gonna hear it a bunch

1282
01:02:57,720 --> 01:02:59,840
Speaker 2: of times if they listen, so it's gonna get heer to.

1283
01:03:00,360 --> 01:03:02,280
Speaker 3: So you thought you'd go with sultry.

1284
01:03:02,640 --> 01:03:04,920
Speaker 4: Yes, it's like Alfred.

1285
01:03:04,880 --> 01:03:10,640
Speaker 6: The elevator announcer. Now it's very it's being very sexual

1286
01:03:10,720 --> 01:03:16,400
Speaker 6: where she goes seventh floor. I've been like, well, why

1287
01:03:16,440 --> 01:03:18,600
Speaker 6: am I getting turned on in the elevator.

1288
01:03:20,200 --> 01:03:22,960
Speaker 2: That might be a quarantine issue, that might be just

1289
01:03:23,240 --> 01:03:25,120
Speaker 2: be excited to be out and about.

1290
01:03:24,880 --> 01:03:28,000
Speaker 3: The doors open, and I'm just kind of humping the wall. Sorry.

1291
01:03:28,200 --> 01:03:29,880
Speaker 3: I was the voice triggered me.

1292
01:03:30,600 --> 01:03:34,720
Speaker 4: The door's open, you just don't move. What what am

1293
01:03:34,720 --> 01:03:36,120
Speaker 4: I supposed to do to stay here?

1294
01:03:38,080 --> 01:03:38,240
Speaker 2: Oh?

1295
01:03:39,360 --> 01:03:39,919
Speaker 1: What a joy?

1296
01:03:40,040 --> 01:03:42,640
Speaker 2: Anything else? Do you want to plug or talk about

1297
01:03:42,720 --> 01:03:43,320
Speaker 2: or anything?

1298
01:03:43,920 --> 01:03:46,920
Speaker 4: Yeah, I guess the other thing I started to do

1299
01:03:47,000 --> 01:03:52,200
Speaker 4: during quarantine. So the podcast, as you know, small Town Dicks.

1300
01:03:52,280 --> 01:03:53,040
Speaker 4: You should listen to it.

1301
01:03:53,080 --> 01:03:54,120
Speaker 3: It's very good.

1302
01:03:55,680 --> 01:03:59,640
Speaker 4: But I also started my own cooking show on Instagram

1303
01:04:00,240 --> 01:04:02,960
Speaker 4: and the Tube of you as I like to call.

1304
01:04:02,840 --> 01:04:04,560
Speaker 3: It, Oil and Water.

1305
01:04:04,320 --> 01:04:07,240
Speaker 4: Oil and Water, and so it started as it's really

1306
01:04:07,280 --> 01:04:10,480
Speaker 4: a game where I draw a random sweet ingredient, a

1307
01:04:10,560 --> 01:04:13,480
Speaker 4: random savory ingredient, and I make it into a random thing,

1308
01:04:13,600 --> 01:04:15,960
Speaker 4: like it's a cake, it's a pie, it's a pandouty,

1309
01:04:16,000 --> 01:04:19,280
Speaker 4: it's a soup, it's a casse role. And it's funny

1310
01:04:19,280 --> 01:04:21,720
Speaker 4: and it's dumb. And each episode is about seven minutes.

1311
01:04:21,840 --> 01:04:24,600
Speaker 4: And I called it dumb entertainment for troubling times.

1312
01:04:25,320 --> 01:04:26,200
Speaker 3: That's terrific.

1313
01:04:26,520 --> 01:04:29,720
Speaker 6: And is it really just the two ingredients that you

1314
01:04:29,800 --> 01:04:32,080
Speaker 6: happen to have in your kitchen at the time.

1315
01:04:32,560 --> 01:04:34,640
Speaker 4: No, then I say, so I draw my ingredients and

1316
01:04:34,640 --> 01:04:36,600
Speaker 4: then I say, okay, let's go to market. And then

1317
01:04:36,920 --> 01:04:39,000
Speaker 4: you know, I go to market and in the market.

1318
01:04:39,040 --> 01:04:41,240
Speaker 4: I try to figure out how Like the worst thing

1319
01:04:41,280 --> 01:04:44,560
Speaker 4: I made was a year ago Halloween, where we had

1320
01:04:44,600 --> 01:04:48,560
Speaker 4: predetermined it would be a candy apple because it's Halloween. Yeah,

1321
01:04:49,160 --> 01:04:51,920
Speaker 4: but the all the ingredients and all the ingredients sweet

1322
01:04:51,960 --> 01:04:54,080
Speaker 4: and savory both had to be orange, and so I

1323
01:04:54,160 --> 01:05:02,720
Speaker 4: drew salmon row. I hate cavia and skittles, so I

1324
01:05:02,760 --> 01:05:06,040
Speaker 4: had to get salmon row and skittles on my candy apple.

1325
01:05:06,640 --> 01:05:09,120
Speaker 4: It was so disgusting. I literally said it on a fire.

1326
01:05:11,440 --> 01:05:19,080
Speaker 6: That is really great, Yeah, fish and skittles. Although that

1327
01:05:19,160 --> 01:05:21,480
Speaker 6: would be the great name, a great name for something

1328
01:05:21,520 --> 01:05:22,600
Speaker 6: I don't know what exactly.

1329
01:05:24,200 --> 01:05:28,320
Speaker 2: That was such a good idea for a show because

1330
01:05:28,920 --> 01:05:34,120
Speaker 2: it's almost like an Iron Chef thing, except for it's

1331
01:05:34,160 --> 01:05:36,960
Speaker 2: more of, like, I mean, no offense, but I don't

1332
01:05:37,200 --> 01:05:40,680
Speaker 2: I don't know if you're Iron Chef like.

1333
01:05:40,240 --> 01:05:42,919
Speaker 4: You're I mean, I'm always trying to make it good,

1334
01:05:42,960 --> 01:05:48,040
Speaker 4: and I've actually made some surprisingly good things. This week,

1335
01:05:49,040 --> 01:05:56,640
Speaker 4: we released a cheese it caramel crepe recipe, which turned

1336
01:05:56,680 --> 01:05:59,600
Speaker 4: out to be pretty good, and I decided I would

1337
01:06:00,080 --> 01:06:02,840
Speaker 4: I would not just fill it with caramel and cheese its.

1338
01:06:02,880 --> 01:06:05,960
Speaker 4: I pulverized the cheese its and put it in the

1339
01:06:06,000 --> 01:06:10,360
Speaker 4: crate batter and then made like canoli filling and added

1340
01:06:10,440 --> 01:06:13,040
Speaker 4: caramel sauce on top of that, and it turned out

1341
01:06:13,240 --> 01:06:16,040
Speaker 4: to be not terrible, which is high praise on Oil

1342
01:06:16,040 --> 01:06:17,760
Speaker 4: and Water, So.

1343
01:06:17,760 --> 01:06:19,400
Speaker 1: It sounds like it would be.

1344
01:06:19,560 --> 01:06:24,120
Speaker 2: Sorry, I'm a big cheese It's fan, but yeah, there

1345
01:06:24,200 --> 01:06:26,600
Speaker 2: is a limit where if you and I think it

1346
01:06:26,680 --> 01:06:31,360
Speaker 2: might be like thirty, but like the tang builds up.

1347
01:06:31,760 --> 01:06:34,800
Speaker 1: So then you have to stop after a while.

1348
01:06:36,400 --> 01:06:39,040
Speaker 2: But I wonder if that would actually it would make

1349
01:06:39,080 --> 01:06:42,240
Speaker 2: it like a more powerful ingredient because when you mix

1350
01:06:42,240 --> 01:06:44,320
Speaker 2: stuff with it, it doesn't necessarily fade.

1351
01:06:45,200 --> 01:06:48,280
Speaker 4: No, it doesn't fade. It has a very distinct flavor.

1352
01:06:48,800 --> 01:06:51,720
Speaker 4: Very there is no mistake, and that's to cheese it

1353
01:06:51,800 --> 01:06:53,880
Speaker 4: and not just some grated cheddar cheese.

1354
01:06:54,000 --> 01:06:58,320
Speaker 2: Yeah, very specifically made. Yes, Oh I love that. That

1355
01:06:58,400 --> 01:07:00,320
Speaker 2: sounds like that's an Instagram show.

1356
01:07:00,400 --> 01:07:03,560
Speaker 4: Yes, Instagram at Oil and Water food. But I also

1357
01:07:03,760 --> 01:07:07,280
Speaker 4: think I'm going to morph into I sort of feel like, Okay,

1358
01:07:07,320 --> 01:07:09,680
Speaker 4: this is so fun. I've played the game. I think

1359
01:07:09,720 --> 01:07:12,120
Speaker 4: I'm now going to do a cookie show called Stupid

1360
01:07:12,160 --> 01:07:17,360
Speaker 4: Good where I make things iconic recipes for iconic chefs.

1361
01:07:17,480 --> 01:07:20,280
Speaker 4: And actually I'm actually a pretty good cook. So I'm

1362
01:07:20,280 --> 01:07:23,320
Speaker 4: actually gonna make things I've never made before and see

1363
01:07:23,360 --> 01:07:24,320
Speaker 4: if they're stupid good.

1364
01:07:24,560 --> 01:07:28,600
Speaker 6: Yeah, like that that cake that has Coca cola poured

1365
01:07:28,720 --> 01:07:31,280
Speaker 6: it and then you flip it over whatever that's called

1366
01:07:31,600 --> 01:07:37,160
Speaker 6: dump caked dump cakes. See it's the same, But I

1367
01:07:37,200 --> 01:07:38,240
Speaker 6: do want to try it.

1368
01:07:38,440 --> 01:07:40,920
Speaker 1: You have to, because actually I hear they're good.

1369
01:07:41,120 --> 01:07:44,960
Speaker 2: That infomercial, though, got me through some what I think

1370
01:07:44,960 --> 01:07:47,600
Speaker 2: were very dark times. There was a couple of years

1371
01:07:47,640 --> 01:07:49,560
Speaker 2: where I kind of just always was laying on the

1372
01:07:49,600 --> 01:07:51,560
Speaker 2: couch in a dark room watching TV.

1373
01:07:51,680 --> 01:07:53,640
Speaker 1: It felt like, and that would come on.

1374
01:07:54,520 --> 01:07:57,200
Speaker 2: It was like, you know, I don't I don't think

1375
01:07:57,200 --> 01:07:59,880
Speaker 2: I was paying my mortgage very well and a lot

1376
01:07:59,880 --> 01:08:03,520
Speaker 2: of like bad writing jobs and whatever, and that thing

1377
01:08:03,520 --> 01:08:07,320
Speaker 2: would come on and that lady Kathy somebody for dump

1378
01:08:07,360 --> 01:08:09,760
Speaker 2: cakes and she was like, you can make this, and

1379
01:08:09,800 --> 01:08:14,360
Speaker 2: she's it's the most neighbor your neighbor lady of all time.

1380
01:08:14,520 --> 01:08:16,320
Speaker 1: And she's like, you just pour in a can of

1381
01:08:16,360 --> 01:08:18,320
Speaker 1: sprite and now you have apple pie.

1382
01:08:18,439 --> 01:08:20,559
Speaker 2: And like the she makes it seem like you can

1383
01:08:20,680 --> 01:08:23,840
Speaker 2: do anything, Like all you need is a can of

1384
01:08:23,880 --> 01:08:26,599
Speaker 2: sprite or what you know, whatever the recipe is like

1385
01:08:27,760 --> 01:08:31,280
Speaker 2: really positive. Lady kind of got me off that couch,

1386
01:08:31,479 --> 01:08:31,680
Speaker 2: you know.

1387
01:08:31,880 --> 01:08:33,840
Speaker 3: Yeah, it's kind of like a trip to Walmart.

1388
01:08:33,960 --> 01:08:36,240
Speaker 6: Like when you when you're feeling sad and you're on

1389
01:08:36,280 --> 01:08:39,160
Speaker 6: your couch and a dump cake in commercial comes on,

1390
01:08:39,280 --> 01:08:42,639
Speaker 6: you realize everything's okay in your life.

1391
01:08:43,000 --> 01:08:43,960
Speaker 4: I totally get that.

1392
01:08:44,200 --> 01:08:45,920
Speaker 1: Yeah, I really do.

1393
01:08:46,520 --> 01:08:48,480
Speaker 4: I've had similar dark times.

1394
01:08:48,280 --> 01:08:51,920
Speaker 2: Yeah right, oh yeah, yeah, where you're like you watch

1395
01:08:51,960 --> 01:08:54,600
Speaker 2: a lady open the camp of soda and pour it

1396
01:08:54,640 --> 01:08:57,120
Speaker 2: onto cake mix and you're like, you know what, it's fine.

1397
01:08:57,240 --> 01:09:01,000
Speaker 2: It's like we're all just doing our best, right, we

1398
01:09:01,080 --> 01:09:04,320
Speaker 2: all just we all just want some dessert with like

1399
01:09:04,680 --> 01:09:08,519
Speaker 2: less than twenty steps. We one nice lady with like

1400
01:09:08,920 --> 01:09:11,920
Speaker 2: very fake red hair to make it for.

1401
01:09:11,800 --> 01:09:16,360
Speaker 4: Us, you know, yes, pretty basic, preferably dessert first, because

1402
01:09:16,640 --> 01:09:17,960
Speaker 4: life sure, you never.

1403
01:09:17,840 --> 01:09:23,479
Speaker 1: Know, that's right exactly. I mean, this has been a dream.

1404
01:09:23,600 --> 01:09:24,559
Speaker 1: Thank you much.

1405
01:09:25,000 --> 01:09:26,040
Speaker 3: Yeah, you are the best.

1406
01:09:26,120 --> 01:09:28,120
Speaker 6: You made this so easy, and I feel like we

1407
01:09:28,160 --> 01:09:29,599
Speaker 6: didn't nerd out too much.

1408
01:09:29,640 --> 01:09:32,320
Speaker 3: I feel like we were calm and collected.

1409
01:09:32,040 --> 01:09:33,040
Speaker 4: And you're perfect.

1410
01:09:33,120 --> 01:09:35,280
Speaker 1: But also you nerd it out with us, which was

1411
01:09:35,360 --> 01:09:35,960
Speaker 1: such a beat.

1412
01:09:36,120 --> 01:09:37,160
Speaker 4: I'm on the same page.

1413
01:09:37,280 --> 01:09:41,120
Speaker 1: Yeah, you really are really you're the best. Yeah, you are.

1414
01:09:41,720 --> 01:09:44,479
Speaker 2: Thank you so much, and you're also you're already booked

1415
01:09:44,520 --> 01:09:47,759
Speaker 2: for whenever it happens, probably in several months.

1416
01:09:48,240 --> 01:09:49,240
Speaker 1: I'm so excited.

1417
01:09:49,320 --> 01:09:54,519
Speaker 6: Yeah, excited, Yeah, Karen, Karen is an excellent driver, so yes,

1418
01:09:54,880 --> 01:09:56,479
Speaker 6: put that advertisement out there.

1419
01:09:56,560 --> 01:09:57,760
Speaker 3: You'll be safe.

1420
01:09:58,160 --> 01:10:00,720
Speaker 4: I can't wait for the Shenanigans help me too.

1421
01:10:02,320 --> 01:10:05,080
Speaker 6: Thanks for being on you've been listening to Do You

1422
01:10:05,200 --> 01:10:05,880
Speaker 6: Need a Ride?

1423
01:10:06,520 --> 01:10:09,680
Speaker 1: D yn A.

1424
01:10:12,760 --> 01:10:15,480
Speaker 5: This has been an Exactly Right production.

1425
01:10:15,280 --> 01:10:17,120
Speaker 1: Produced by Analise Nelson.

1426
01:10:16,840 --> 01:10:18,599
Speaker 5: Engineered by Stephen Ray.

1427
01:10:18,479 --> 01:10:20,519
Speaker 1: Morris, mixed by Roy Tanaka.

1428
01:10:20,760 --> 01:10:23,160
Speaker 5: Theme song by Karen Kilgarath.

1429
01:10:23,000 --> 01:10:24,280
Speaker 1: Artwork by Chris Fairbanks.

1430
01:10:24,439 --> 01:10:28,400
Speaker 6: Follow the show on Instagram, Twitter, and Facebook at dinar

1431
01:10:28,520 --> 01:10:32,640
Speaker 6: podcast That's Dynar Podcast.

1432
01:10:32,880 --> 01:10:35,679
Speaker 1: For more information, go to Exactlyrightmedia dot com.

1433
01:10:35,920 --> 01:10:40,599
Speaker 6: Listen, subscribe, leave us a review on Apple Podcasts, Stitcher,

1434
01:10:40,800 --> 01:10:42,760
Speaker 6: or wherever you get your podcasts.

1435
01:10:43,080 --> 01:10:45,000
Speaker 5: Thank you, Ellen, You're welcome