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Speaker 1: The nicky You're right, Um, noah, I have a new

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Speaker 1: thing that I just did with the mic. Oh no,

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Speaker 1: I just tried to drink it. I thought it was

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Speaker 1: a Starbucks. What the fuck? I will say. I'm not

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Speaker 1: used to holding the microphone usually like on a stand thing. Um,

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Speaker 1: and now I'm in l A and so I was

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Speaker 1: holding it and you know, you get your hands confused,

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Speaker 1: and I went in and I went and I tried

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Speaker 1: to go. I cannot stop watching the clip of me

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Speaker 1: gently kissing Luigi's heads, so cute, kissing the mic. It's

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Speaker 1: so funny. I just it's it's I guess it's just

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Speaker 1: it's really um feels lame of me to be like

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Speaker 1: this is so cute, but like I'm freaking cute. I'm acute.

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Speaker 1: And I thought the mic was Luigi's head and Luigi

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Speaker 1: is so cute, and I, oh my god, men, because

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Speaker 1: I thought people would be like you're rough with your dog,

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Speaker 1: because I am, like I just like grab him and

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Speaker 1: like I am kind of rough with Luigi, but he's

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Speaker 1: just like I move fast, like I move rough, and

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Speaker 1: I think sometimes it can look like whoa, that was

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Speaker 1: a little aggressive, but I do just kind of go like, oh,

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Speaker 1: get over here, and um, it makes me aware that

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Speaker 1: my body is like moving very fast and sometimes it

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Speaker 1: looks aggressive. But everyone freaking loves that video. It makes

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Speaker 1: me so happy to see all the joy that it

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Speaker 1: brought people. People are like this has made me laugh

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Speaker 1: so hard. It's the funniest thing I've ever seen. Like,

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Speaker 1: that's so nice. Um, it's so funny. But I just

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Speaker 1: almost like my brain is not functioning properly or something.

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Speaker 1: I don't know. You're like, do you ever glitch? Oh

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Speaker 1: my god, I glitch all the time. Like it's like

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Speaker 1: it's the same thing where you know, like if you

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Speaker 1: put your sunglasses on top of your head and you forget,

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Speaker 1: and then you go around the house looking for your

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Speaker 1: sunglasses they're on top of your head. It's like one

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Speaker 1: of those moments I think I do something with my

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Speaker 1: phone that's a glitch, and I'm trying to think of

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Speaker 1: what I do. Sometimes I'll like, what is it? Oh, oh, no,

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Speaker 1: you know what's the glitch? Sometimes when you see a

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Speaker 1: picture that someone shows you, like on a magazine or something,

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Speaker 1: and you zoom it. I mean that's what babies do,

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Speaker 1: Like Modern Babies, which is a new show coming to ABC. Um, yeah,

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Speaker 1: I glitch out. I think glitches happen more and more

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Speaker 1: as you get older. So scared of like my brain

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Speaker 1: giving like changing. Listening to this podcast about like how

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Speaker 1: your brain just our bodies could live forever, but our brains,

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Speaker 1: Like the science has it found a way to like

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Speaker 1: make our brains not age, so like we can maybe

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Speaker 1: live to like a hundred and fifty or whatever someday soon,

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Speaker 1: but our brains won't make it that long. You know

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Speaker 1: what I was thinking about on the Starbucks line this morning.

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Speaker 1: Have you ever thought about what you're going to dress

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Speaker 1: like when you're super old? Whoa in line at Starbucks?

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Speaker 1: You were in line at Starbucks? Yeah? I was in

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Speaker 1: line at Starbucks and this lady came in and she

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Speaker 1: was like, you're a liner. You know something? I can't

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Speaker 1: find the ice cappuccino on the mobile app. Oh okay,

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Speaker 1: that's a good answer. Well that makes sense. Um, So

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Speaker 1: you're in line and you saw this woman and she's online.

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Speaker 1: So people say online when they're in line. I it.

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Speaker 1: For me, it's always been in line. I think it's

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Speaker 1: an East Coast thing. West Coast people say I was

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Speaker 1: online at the grocery store, but Now that would be

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Speaker 1: very confusing. You'd be like you're you were doing into

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Speaker 1: cart Hopeically I was. I was in line and online

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Speaker 1: because cappuccino. Okay, So you're in line and you see

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Speaker 1: a woman and stressed. Yeah, she's definitely like uh more

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Speaker 1: on the elderly side, because she had short, white hair,

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Speaker 1: and she was wearing these um carpenter pants that had

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Speaker 1: paint on them and this cropped hoodie. And I was like, Wow,

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Speaker 1: she's dressed really funky, but her hair is white and short,

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Speaker 1: and she's definitely like probably a grandma. And then I

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Speaker 1: started thinking about, like, well, what am I Am I

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Speaker 1: gonna dress like in my seventies if I make it

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Speaker 1: that far. Yeah, I want a lot of like padding

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Speaker 1: in my like I want I'm just cozy and comfy

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Speaker 1: and probably trying to be a little bit hip but

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Speaker 1: not break a hip like I you know, I like

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Speaker 1: dressing like you know, stylish but not um, not giving

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Speaker 1: up um, but also like you've come so far, like

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Speaker 1: just fucking relax and like stop trying to like no

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Speaker 1: more uncomfortable fashion, no more heels. I mean, you know

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Speaker 1: what it was thinking about was my bunyans and how

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Speaker 1: I don't know how they're going to make it because

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Speaker 1: my feet do look like an older woman's feet, and like,

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Speaker 1: I have to start like really being cautious about my

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Speaker 1: bunyans because they are going to get crazy by the

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Speaker 1: time I'm elderly, because they already are on the fast track.

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Speaker 1: They're Benjamin button ng my bunyan's. Wait, no, that means

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Speaker 1: they're going backwards, so there you get it. They're just

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Speaker 1: going there speeding up. And I was like, oh my god,

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Speaker 1: I haven't even thought about like the future of my

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Speaker 1: bunyans because now I'm okay about them. I'm like, yeah,

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Speaker 1: that's kind of funny that they look like older women's

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Speaker 1: feet because they still have the smoothness of like a

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Speaker 1: woman's Like they're not like the condition of my skin

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Speaker 1: is not creepy, and like sad, um, no offense to

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Speaker 1: women with creepy skin. I'm gonna get it too. But

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Speaker 1: um yeah, I'm just a little worried about my foot condition.

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Speaker 1: So I'm like, oh, I have to start actually like

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Speaker 1: doing good things to my feet just to preserve what

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Speaker 1: I have because I just them to you know, they

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Speaker 1: are going if they're they're aging faster than the rest

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Speaker 1: of me. Um, So I think like eventually I'm going

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Speaker 1: to wear like really comfortable walking shoes and just like sneakers.

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Speaker 1: I hope I'm just one of those hip grannys that

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Speaker 1: just wears just you know, comfy like um like like

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Speaker 1: roomy like beige shoes, like maybe just an orthopedic shoe

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Speaker 1: or kind of like a but the thing is sneakers

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Speaker 1: or orthopedic. If you ever look at like men's sneakers,

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Speaker 1: every Kanye sneaker that comes out, I'm like, that looks

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Speaker 1: like a fucking bunyan dream. It's like a little um,

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Speaker 1: it almost looks like a cast, like a cloud cast

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Speaker 1: for a bunyan. Um. I don't know, like this kind

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Speaker 1: of sounds cool with this woman was wearing like a

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Speaker 1: cropped sweatshirt with cool pants that make it look like

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Speaker 1: she's been doing art like she kind of and they

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Speaker 1: picture in Arizona and so she's like kind of got

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Speaker 1: a um Georgia O'Keefe vibe where she all she does

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Speaker 1: is paint. Now, like her grandkids like are in college

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Speaker 1: and they're like my grandmother sucking is and she probably

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Speaker 1: teaches at a local college and she's just like, yeah,

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Speaker 1: I just want to be I want to have paint

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Speaker 1: on me. I do know that I would like to

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Speaker 1: have splatters of paint on everything. I need bird poop

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Speaker 1: that people think is paint, because yes, they kind of

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Speaker 1: look the same. Yeah, I definitely do want many birds

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Speaker 1: as I get older. And that's kind of a litmus

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Speaker 1: for me for um potential mates is to be like,

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Speaker 1: how do you feel about birds? Like? But the thing is,

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Speaker 1: I feel like when I get older, at that point,

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Speaker 1: my husband and I will be like, I like what

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Speaker 1: I like, You like what you like. I'm gonna have

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Speaker 1: a lot of houses. I recently saw an astrologist and

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Speaker 1: she was like, Saturn is in your ninth house. And

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Speaker 1: I was like, I love that you see a ninth

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Speaker 1: house in my Like, I love that I'm gonna have

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Speaker 1: nine houses. Is that one in carmel? Um? And why

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Speaker 1: do I have a Saturn? Aren't those cars like not

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Speaker 1: even being made anymore? Um? Yeah, I just want I

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Speaker 1: think I'll just be able to I can't wait. And

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Speaker 1: why not now? Like, why can't I just create that

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Speaker 1: life that you can all you reserve for retiredness? For like,

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Speaker 1: I don't know, there's something about getting older that I

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Speaker 1: really look forward to I guess can't wait such lax.

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Speaker 1: You know. I was woke up this morning. My alarm

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Speaker 1: went off, and man, I just didn't want to I

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Speaker 1: wanted to stay in bed. When that's how you know

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Speaker 1: you're not getting off sleep, as if your alarm goes

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Speaker 1: off and you still want to sleep. And that's how

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Speaker 1: it's been for me lately, just been craving naps. UM.

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Speaker 1: Last night I was it was really fun. I went

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Speaker 1: to UM. Like by the time it gets tonight, I'm

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Speaker 1: no longer craving naps. It's like during the day I

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Speaker 1: crave napping. But UM last night went to Supernova, which

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Speaker 1: is the l A show, and did a set UM,

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Speaker 1: and then we all went to so a Meal was there,

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Speaker 1: Andrew's there, Emeal flew in UM yesterday last night andrews

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Speaker 1: here UM. And then my friend Dan who worked on

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Speaker 1: f Boy Island, he came to my show and we

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Speaker 1: all after the show. Uh, we're in Hollywood on Hollywood Boulevard.

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Speaker 1: After the show, we leave and UM, there's a hustler

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Speaker 1: store like right on Hollywood both Board, across the street

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Speaker 1: from where we were parking, and we all were like,

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Speaker 1: it would be fun to go in there, like we

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Speaker 1: kind of just were like, there's also, it's eleven o'clock

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Speaker 1: at at night. I haven't early morning, you know, like

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Speaker 1: there's no reason I should be staying up. I stayed

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Speaker 1: at the show wait later than I wanted to as well,

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Speaker 1: and um, I guess one of us was like, we

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Speaker 1: go in, and I was like, I'll go in, and

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Speaker 1: so we all so I'm not with Dan at this point.

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Speaker 1: My friend that was at the show, we had already

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Speaker 1: say goodbye to him, and then we looked for parking.

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Speaker 1: We couldn't find any, so we were like, we'll just

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Speaker 1: go back to the parking lot. We were just in

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Speaker 1: that we paid twenty five dollars to park in. We

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Speaker 1: get there and they're like, usually they if we let

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Speaker 1: you left, we just left. I was like, dude, we

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Speaker 1: just left. I tried to parallel park in between a

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Speaker 1: McLaren and a rain drover, and Andrew was like about

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Speaker 1: to have a heart attack because of how scared he

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Speaker 1: was that I was about to like ruin our fortunes.

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Speaker 1: And so then we're like, let's just go back to

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Speaker 1: the parking lot. So we went back and the guy

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Speaker 1: was like, we'll let you back in, but you shouldn't

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Speaker 1: do this. So then we're walking out and as we're

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Speaker 1: driving up, we see Dan, my friend Dan from f

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Speaker 1: Boy Island who came to my show just to like

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Speaker 1: say hey and hang, um he's waiting for an uber

191
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Speaker 1: and I go, you want to go to Hustler with us?

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Speaker 1: And Dan's the sex positive kind of dude, and um,

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Speaker 1: he has a girlfriend and he even I did a bit.

194
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Speaker 1: I did a bunch of um jokes about incorporating toys

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Speaker 1: and in the bedroom. So I think I got everyone

196
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Speaker 1: kind of thinking about that way. And even after the set,

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Speaker 1: Dan was like I couldn't believe you're set. He totally this.

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Speaker 1: He's like he's like I was like, does she look

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Speaker 1: have a camera in my house? Like how did she

200
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Speaker 1: know like exactly? And I was like, I knew you

201
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Speaker 1: were cool with that stuff. I remember mentioning once something

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Speaker 1: on f Boy Island. I was like, that guy knows

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Speaker 1: how to fu he incorporates toys. And he was even

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Speaker 1: saying that like one time his girlfriend somewhere, like you know,

205
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Speaker 1: they were going like on a weekend away and she

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Speaker 1: brought a whole duffel bag of toys and he's like

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Speaker 1: all right, and I'm like, I literally have to check

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Speaker 1: bags sometimes because I don't want t s A to

209
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Speaker 1: open this bag in front of me, and so I

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Speaker 1: just will check my toys because there's just too many,

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Speaker 1: and they're like it would be embarrassing. Not that I

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Speaker 1: have any shame about them. I just don't want that,

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Speaker 1: you know. So yeah, yeah, um, So we went to

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Speaker 1: Hustler and um, eleven o'clock at night, Hollywood Bolvart, you

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Speaker 1: literally have to we walk in there, splatters of piss everywhere,

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Speaker 1: Like Hollywood Boulevard is a nightmare. It's like it's it's

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Speaker 1: a sad thing. And uh, there was a blank stop

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Speaker 1: we were on the Hollywood Walk of Fame. Was funny.

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Speaker 1: There was a blank star on and as we were

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Speaker 1: walking and Andrew goes o the Stevie Wonders star, which

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Speaker 1: is just like, I mean, his brain works in such

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Speaker 1: a weird way that he's like, it's blank, so you

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Speaker 1: can't see that his name is on there, so it

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Speaker 1: must be Stevie Wonders. And then I was like, actually,

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Speaker 1: that's kind of funny because if Stevie wonder did get

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Speaker 1: a star, they'd just be like, yeah, we we gave

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Speaker 1: you one. It's right here. And they don't. They're like,

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Speaker 1: let's save somebody on engraving. Just tell him it's there.

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Speaker 1: Um let me go in and um the section of

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Speaker 1: like vibrators is like no cameras and there's a woman

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Speaker 1: working in front of the vibrator section who like you

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Speaker 1: have to like walk past and she's like and there's

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Speaker 1: signs like no cameras, no filming anything. I'm like, they

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Speaker 1: would benefit from people filming and making TikTok's in here

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Speaker 1: because it would get people like when people are stingy

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Speaker 1: about um like documenting things are taking footage, like you're

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Speaker 1: missing out on free promo, dude, So we couldn't take

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Speaker 1: any photos. But um Neil was asking her about she

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Speaker 1: was like this kind of like sex positive, like a

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Speaker 1: little bit too aggressive with her helping of us. She

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Speaker 1: was like getting too close and like what do you

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Speaker 1: guys need? Is like, can we just let us brows

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Speaker 1: without pointing things with your whip? She's like we have

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Speaker 1: this one up on the shelf and she's just like

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Speaker 1: with her fucking tasseled whip. And at one point she

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Speaker 1: sprang to Meal because he was like how like does

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Speaker 1: this like hurt? And she's like do you want me

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Speaker 1: to do it to you? And then like she did

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Speaker 1: it and she's like, that's like how hard I can go?

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Speaker 1: And he was just like so then she was getting

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Speaker 1: all like and then she got like I guess she was.

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Speaker 1: I was just so annoyed by her. I was like peace,

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Speaker 1: and I went to another section and they were still

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Speaker 1: communicating with her, and a meal came over room. It's

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Speaker 1: like she is very much into getting us into like

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Speaker 1: cock and ball torture. She's like dying to do it

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Speaker 1: to us and like trying to sell us on it.

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Speaker 1: And like every little she was every little thing that

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Speaker 1: I'd be like, I mean, the android, A meal would

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Speaker 1: be like, so is this one better like this one? This?

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Speaker 1: Like is this some pretty good suction? She goes she'd

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Speaker 1: be like, yeah, I mean it we're not to my world. Yeah,

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Speaker 1: I guess you could say that. I'd use that. Like

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Speaker 1: everything she would say would be some kind of like innuendo.

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Speaker 1: I'm kind of trying trying to even give an example.

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Speaker 1: She'd be They'd be like, now where does this go?

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Speaker 1: And she goes, it goes any depends on how freaky

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Speaker 1: you want to get. Like just it's just like stop

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Speaker 1: trying to fuck these guys that I'm with, like with

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Speaker 1: not that it was like their mind, but it was

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Speaker 1: just like leave us alone, lady. Um. But then I

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Speaker 1: almost bought this vibrator that was amazing. It's thrusting, which

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Speaker 1: is literally my favorite. If you can afford these kind

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Speaker 1: of thrusting ones, girls, these are the ones to get

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Speaker 1: if you're a single woman. They go like and even

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Speaker 1: if you're not a single woman, forgot to use on you.

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Speaker 1: They go like. They don't like move back and forth

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Speaker 1: or just vibrate, they go up and down like and um,

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Speaker 1: that is the best tool I've ever had. I lost

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Speaker 1: the charger for the one I did have. It was

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Speaker 1: just called the the Flirt or something. What was it called. Anyway,

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Speaker 1: they didn't have that model there, but they had this

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Speaker 1: one that it was amazing. But it's a hundred and

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Speaker 1: eighty dollars. And I kind of get sex choice for

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Speaker 1: free from um Bolessa. They're very nice to me, So

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Speaker 1: I was like, don't want but I did want to

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Speaker 1: get something because my guy I'm hooking up with is

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00:15:05,040 --> 00:15:07,720
Speaker 1: coming to visit, and so I was like, I want

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00:15:07,720 --> 00:15:09,200
Speaker 1: to and I brought a bunch of toys, but I

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00:15:09,240 --> 00:15:11,480
Speaker 1: forgot like all the chargers are mismatched, and I don't

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00:15:11,480 --> 00:15:13,960
Speaker 1: know if they're gonna work. I wanted to buy that,

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Speaker 1: but I was like, no, I don't want to spend

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Speaker 1: that much money. So I got this sucker tool that

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Speaker 1: I put it on my hand and it's a heavy

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00:15:23,040 --> 00:15:25,840
Speaker 1: like piece of equipment and I sucked it to my

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Speaker 1: palm and then I could lift up my palm and

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00:15:27,520 --> 00:15:29,200
Speaker 1: lift it because it was sucking so hard. And I

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00:15:29,240 --> 00:15:32,480
Speaker 1: was like, yes, I found the best sucker ever. And

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Speaker 1: it was seventy four dollars and I was like perfect,

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00:15:34,480 --> 00:15:36,120
Speaker 1: Like that's worth it, and this is a tool that's

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00:15:36,120 --> 00:15:38,760
Speaker 1: like for me. I don't usually incorporate the suckers into

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Speaker 1: my sex life because they require you staying very still

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00:15:42,160 --> 00:15:45,000
Speaker 1: to get it over your puss and um. But this

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00:15:45,040 --> 00:15:46,600
Speaker 1: one has like a big mouth to it, so you

305
00:15:46,600 --> 00:15:49,880
Speaker 1: can just put it over everything and it sucks. And

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00:15:49,920 --> 00:15:53,080
Speaker 1: then it has like a little like tab inside that

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00:15:53,160 --> 00:15:55,280
Speaker 1: kind of like wiggles and so it's like almost like

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00:15:55,280 --> 00:15:58,800
Speaker 1: a tongue like. And I was so excited. I got

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Speaker 1: it home and we got home at like, you know,

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00:16:00,440 --> 00:16:02,560
Speaker 1: twelve o'clock, and we all like ate our subway that

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00:16:02,600 --> 00:16:06,120
Speaker 1: we got on the way home as well, and I

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00:16:06,240 --> 00:16:08,440
Speaker 1: like absolutely as soon as I got in my room,

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00:16:08,560 --> 00:16:10,440
Speaker 1: was like, let's open this thing. And I put on

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00:16:10,480 --> 00:16:12,200
Speaker 1: a Taylor Swift song that kind of makes me think

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00:16:12,200 --> 00:16:17,200
Speaker 1: about XS and like just like hot stuff and I

316
00:16:17,200 --> 00:16:19,640
Speaker 1: don't know, and just like revenge and like, I don't know.

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00:16:19,720 --> 00:16:21,440
Speaker 1: I was just feeling like in that kind of mood.

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00:16:22,400 --> 00:16:24,640
Speaker 1: And then I was like, well, now this isn't really

319
00:16:24,680 --> 00:16:26,480
Speaker 1: doing it for me. Let me put on some porn

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00:16:27,480 --> 00:16:32,640
Speaker 1: and then it it. The tool sucks literally and figuratively.

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00:16:32,800 --> 00:16:35,560
Speaker 1: It's bad and it hurts, and I don't want it

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00:16:35,600 --> 00:16:38,120
Speaker 1: anymore and I want to like wash it and give

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00:16:38,160 --> 00:16:39,720
Speaker 1: it away to someone, and I don't know how I'm

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Speaker 1: gonna do that. Oh my god, that grasshopper is back,

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00:16:41,720 --> 00:16:46,520
Speaker 1: the humping grasshopper. Um it's it's it hurts and I

326
00:16:46,600 --> 00:16:51,040
Speaker 1: never have witnessed a toy that hurts before, but it

327
00:16:51,080 --> 00:16:53,760
Speaker 1: was so maddening. It did nothing for me. Maybe I

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00:16:53,800 --> 00:16:55,680
Speaker 1: wasn't in the right kind of horny mood. I don't

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00:16:55,680 --> 00:16:58,320
Speaker 1: know what was going on, but I am so disappointed

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00:16:58,360 --> 00:16:59,720
Speaker 1: that I didn't go with my gut and just get

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00:16:59,760 --> 00:17:03,880
Speaker 1: that rustin thing, because that thing would have been awesome. Um. Yeah,

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00:17:03,880 --> 00:17:05,879
Speaker 1: and it's that's a lot of money to spend. But

333
00:17:05,920 --> 00:17:09,080
Speaker 1: Andrew got new toys for him and Brenna Um he got.

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00:17:09,320 --> 00:17:11,600
Speaker 1: He spent a ton of money. He bought a magic

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00:17:11,680 --> 00:17:15,040
Speaker 1: wand and a sucker thing. And we'll talk about all

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00:17:15,080 --> 00:17:17,760
Speaker 1: these things when we return with Andrew. Let's get him

337
00:17:17,760 --> 00:17:28,680
Speaker 1: in here. Andrew. Hey, Andrew, what's going on? L A B. Yeah,

338
00:17:28,800 --> 00:17:31,320
Speaker 1: look at the little golf shirt peeking out. I'm going

339
00:17:31,359 --> 00:17:33,800
Speaker 1: to play golf. I'm so excited. I've never played golf,

340
00:17:33,840 --> 00:17:36,560
Speaker 1: I think on a knife golf course in Los Angeles.

341
00:17:36,560 --> 00:17:41,280
Speaker 1: Your boy made it. M you're going to lake Side. Yeah,

342
00:17:41,520 --> 00:17:43,760
Speaker 1: lake Side. I was supposed to go with Andrew Santino

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Speaker 1: and he couldn't go with me. And then my random

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00:17:46,640 --> 00:17:49,359
Speaker 1: friend hit me up because he saw that I was

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Speaker 1: here and he's a member at the same place. Oh

346
00:17:52,000 --> 00:17:55,080
Speaker 1: my god, Yes, I mean, are you gonna play eighteen holes?

347
00:17:55,240 --> 00:17:57,320
Speaker 1: I'll probably just be able to fit in twelve, to

348
00:17:57,359 --> 00:18:00,560
Speaker 1: be honest, Wait can you do that? Don't tell only one?

349
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Speaker 1: Do you think you're gonna be you think you're gonna

350
00:18:04,280 --> 00:18:08,240
Speaker 1: beat your friends? Yes? For sure? Yeah? Is that like

351
00:18:08,240 --> 00:18:09,560
Speaker 1: a thing in the back of your head, like you

352
00:18:09,560 --> 00:18:12,199
Speaker 1: want to really badly. Yeah, he's always he was the

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00:18:12,240 --> 00:18:15,640
Speaker 1: president of our fraternity. Oh my god, yeah, you have

354
00:18:15,680 --> 00:18:18,840
Speaker 1: something to prove. Oh he's going fucking down. Oh my god.

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00:18:18,880 --> 00:18:20,399
Speaker 1: I don't even want I'm not even gonna talk to

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00:18:20,480 --> 00:18:24,240
Speaker 1: him until then there's a strong chance I bury him

357
00:18:24,240 --> 00:18:26,800
Speaker 1: in the sand trap. What's the wait? What's the end

358
00:18:26,840 --> 00:18:30,200
Speaker 1: of the round? Mean? Like the whole twelve? Well, eighteen

359
00:18:30,240 --> 00:18:33,199
Speaker 1: would be a normal round, So why don't you just

360
00:18:33,240 --> 00:18:37,480
Speaker 1: call the game or match? You're calling that no one's

361
00:18:37,480 --> 00:18:40,320
Speaker 1: stopping you. But is anyone stopping if I said at

362
00:18:40,359 --> 00:18:43,119
Speaker 1: the end of the round sounds like a rounds seem

363
00:18:43,200 --> 00:18:45,359
Speaker 1: to make up a hole, you know what I'm saying?

364
00:18:45,359 --> 00:18:47,560
Speaker 1: Like rounds, there are many rounds within a whole thing,

365
00:18:47,640 --> 00:18:50,719
Speaker 1: so eighteen holes seemed like it would be the entire

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00:18:50,800 --> 00:18:53,440
Speaker 1: thing you want to call it around, probably because when

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00:18:53,480 --> 00:18:55,800
Speaker 1: you start on the first hole, it's right in front

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00:18:55,800 --> 00:18:58,920
Speaker 1: of the clubhouse usually, and then the eighteenth hole it's

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00:18:58,960 --> 00:19:01,360
Speaker 1: coming back to the club house, so you're making essentially

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00:19:01,440 --> 00:19:05,879
Speaker 1: a circle. Got it? That's confusing because like first round,

371
00:19:06,119 --> 00:19:10,400
Speaker 1: like in boxing, there are many rounds of a whole match. Yes,

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00:19:10,840 --> 00:19:15,159
Speaker 1: that's true too. I mean, these are all fine points.

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Speaker 1: I think, God, golf is so best. I got up.

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Speaker 1: So last night I was at dinner with David Spade

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Speaker 1: and Andrew joined us. And as soon as Andrew joined us,

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00:19:29,320 --> 00:19:31,200
Speaker 1: I he got into the booth and I got out

377
00:19:31,200 --> 00:19:33,080
Speaker 1: to go to the bathroom, and I was like, I'll

378
00:19:33,080 --> 00:19:36,200
Speaker 1: be back, And when I came back, it was golf talk,

379
00:19:36,359 --> 00:19:39,359
Speaker 1: like that's how quickly did you bring up golf with

380
00:19:39,440 --> 00:19:41,080
Speaker 1: David Spade? I want I want to know even how

381
00:19:41,080 --> 00:19:43,679
Speaker 1: you got into it. So, man, I'm playing Lakeside tomorrow. Like,

382
00:19:43,680 --> 00:19:45,320
Speaker 1: what did you say? What do you say to get

383
00:19:45,320 --> 00:19:47,880
Speaker 1: into it? Because I missed I missed your inn. I said,

384
00:19:47,880 --> 00:19:51,080
Speaker 1: how bored are you talking about? What Nicki's talking about?

385
00:19:51,840 --> 00:19:55,119
Speaker 1: And then I no. I Then I said to him

386
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Speaker 1: he played with Tiger Woods recently, like it. He played

387
00:19:58,240 --> 00:20:01,159
Speaker 1: on the day before Tiger got into accident, which is

388
00:20:01,280 --> 00:20:04,159
Speaker 1: pretty cool conversation. It ended up being great conversations. It

389
00:20:04,280 --> 00:20:06,120
Speaker 1: was it totally was. I just wondered how you got

390
00:20:06,160 --> 00:20:09,880
Speaker 1: into it. I just said, um, you know, I saw

391
00:20:10,040 --> 00:20:11,879
Speaker 1: you know, you hit the ball great with Tiger Woods.

392
00:20:11,880 --> 00:20:13,720
Speaker 1: That's like shooting a three in front of Michael Jordan.

393
00:20:13,800 --> 00:20:16,200
Speaker 1: I kissed his ass a little bit. I'm sure. But

394
00:20:16,600 --> 00:20:19,480
Speaker 1: you know, when I get nervous, I talk about things

395
00:20:19,520 --> 00:20:21,240
Speaker 1: that I know, Like I'm not going to bring up

396
00:20:21,280 --> 00:20:25,200
Speaker 1: like a conflict in like Yamen or whatever. Yemen. Oh boy,

397
00:20:25,400 --> 00:20:27,440
Speaker 1: don't even bring up the place that you don't know

398
00:20:27,720 --> 00:20:30,879
Speaker 1: about because that you said it. Ye, yeah, there's a

399
00:20:31,000 --> 00:20:34,600
Speaker 1: round of guns going on over there or something. I

400
00:20:34,640 --> 00:20:36,680
Speaker 1: don't know what's going on. Did what did it? Were

401
00:20:36,720 --> 00:20:40,040
Speaker 1: you being honest? Did he have a good swings? Okay,

402
00:20:42,680 --> 00:20:46,159
Speaker 1: what's wrong about No? No, no, no. Honestly, Tiger was

403
00:20:46,200 --> 00:20:49,000
Speaker 1: impressed with Spade, like he really was. No, he doesn't

404
00:20:49,040 --> 00:20:52,439
Speaker 1: crush the ball, but he seemed extremely relaxed in that situation,

405
00:20:53,040 --> 00:20:56,199
Speaker 1: which you know, uh, when he hit the ball, Tiger

406
00:20:56,320 --> 00:20:59,520
Speaker 1: was like, oh, like you're like good at that, like

407
00:21:00,400 --> 00:21:02,040
Speaker 1: you know what you're doing. Yeah, you know what you're doing,

408
00:21:02,200 --> 00:21:06,960
Speaker 1: which you know, in front of Tiger, guys would try

409
00:21:07,000 --> 00:21:10,359
Speaker 1: to kill your dream person to play golf with Larry

410
00:21:10,400 --> 00:21:13,880
Speaker 1: David really yeah, even though I wouldn't even talk to me.

411
00:21:14,200 --> 00:21:16,760
Speaker 1: He loves golf. Is he good at it? I don't know.

412
00:21:16,840 --> 00:21:19,879
Speaker 1: I don't know what he scores. There's got to be

413
00:21:20,000 --> 00:21:23,080
Speaker 1: somewhere that you have heard what he scores. You gotta

414
00:21:23,080 --> 00:21:25,879
Speaker 1: find that information somewhere. That's haven't you seen his swing

415
00:21:25,960 --> 00:21:28,439
Speaker 1: like on curb and stuff? Yeah, I mean look for

416
00:21:28,560 --> 00:21:30,920
Speaker 1: my birthday, Nick. If you could make that happen, it

417
00:21:30,920 --> 00:21:32,560
Speaker 1: would be a make a wish and I would die

418
00:21:32,600 --> 00:21:36,440
Speaker 1: the next day for you. Like if that would make

419
00:21:38,960 --> 00:21:44,120
Speaker 1: two birds in one round? Uh? Is that your number one?

420
00:21:44,200 --> 00:21:48,760
Speaker 1: Not Danny? Danny a great force? When Danny bride Larry

421
00:21:48,840 --> 00:21:52,399
Speaker 1: David and then some hot random card girl in us

422
00:21:52,560 --> 00:21:58,720
Speaker 1: in a bra? No? No? Maybe? Uh? Who else would be? No?

423
00:21:58,880 --> 00:22:00,800
Speaker 1: I love how guys are just like in a bra

424
00:22:01,119 --> 00:22:05,560
Speaker 1: like you guys like, don't you like do you like

425
00:22:05,640 --> 00:22:09,200
Speaker 1: bras or no? Bras? I love lingerie. I just don't

426
00:22:09,240 --> 00:22:12,760
Speaker 1: think it gets broken broken now, I guess because it

427
00:22:12,760 --> 00:22:16,800
Speaker 1: doesn't get broken out that much. What's your favorite kind

428
00:22:16,840 --> 00:22:24,040
Speaker 1: of lingerie? Something stringy like black, white, lace, pink? Do

429
00:22:24,080 --> 00:22:26,080
Speaker 1: you like to see do you want it to be

430
00:22:26,119 --> 00:22:29,280
Speaker 1: like you? Because you know some lingerie. I was looking

431
00:22:29,320 --> 00:22:31,679
Speaker 1: at Hustler store last night, and some of it's like

432
00:22:32,440 --> 00:22:34,960
Speaker 1: I like the kind that are like just so slutty,

433
00:22:35,000 --> 00:22:37,399
Speaker 1: that are like, what's the point of this? Like it'll

434
00:22:37,400 --> 00:22:40,119
Speaker 1: just be like a string string string, and then there's

435
00:22:40,200 --> 00:22:43,159
Speaker 1: nothing there and you're just like what happened to the

436
00:22:43,200 --> 00:22:46,919
Speaker 1: rest my bra? All I have is the the skeleton

437
00:22:46,960 --> 00:22:50,160
Speaker 1: of my bra, Like I like where it's like crotchless

438
00:22:50,240 --> 00:22:53,720
Speaker 1: or just like super slutty. Do you like more like

439
00:22:54,040 --> 00:22:56,600
Speaker 1: you know, up to the waist like kind of garter belts.

440
00:22:57,080 --> 00:22:59,920
Speaker 1: I mean, I honestly haven't experienced that, like the whim

441
00:23:00,000 --> 00:23:01,959
Speaker 1: in that you know, what's your dream like if you're

442
00:23:01,960 --> 00:23:06,879
Speaker 1: picturing Brenna and like your dream outfit man um tailor

443
00:23:06,960 --> 00:23:11,160
Speaker 1: made golf shirt, holding my golf clubs and going, hey,

444
00:23:11,359 --> 00:23:13,920
Speaker 1: can we fucking between whole eight and nine? What about

445
00:23:13,960 --> 00:23:18,200
Speaker 1: like no, I don't know, like yeah, no, Like the

446
00:23:18,280 --> 00:23:20,399
Speaker 1: stirrup things are kind of fun, the things that like

447
00:23:20,480 --> 00:23:24,359
Speaker 1: but like, what about what I've been with guys that

448
00:23:24,480 --> 00:23:28,920
Speaker 1: really like um, like oil like oiled up with like

449
00:23:28,920 --> 00:23:32,920
Speaker 1: like really like like slippery women that are like wet

450
00:23:32,960 --> 00:23:36,040
Speaker 1: and like oiled up or um what about like latex

451
00:23:36,119 --> 00:23:38,600
Speaker 1: like patent leather, you know where it's like slippery, like

452
00:23:39,000 --> 00:23:41,600
Speaker 1: more slutty or do you like I'm a little milk

453
00:23:41,720 --> 00:23:47,280
Speaker 1: made like dainty, like which is the vibe because there's

454
00:23:47,359 --> 00:23:50,480
Speaker 1: totally different vibes of launch. This is my first time

455
00:23:50,480 --> 00:23:53,440
Speaker 1: and it's my wedding night, and I'm never been penetrated

456
00:23:53,440 --> 00:23:55,439
Speaker 1: by a man. And then there's other ones that are like,

457
00:23:55,560 --> 00:23:59,040
Speaker 1: I'm a sex slave whore. Yeah, I got penetrated on

458
00:23:59,080 --> 00:24:02,639
Speaker 1: the way over here. Yeah, by the uber driver. Yeah.

459
00:24:02,920 --> 00:24:05,400
Speaker 1: I don't know if I want that. I think, I think,

460
00:24:05,680 --> 00:24:08,200
Speaker 1: But isn't that a fun fantasy? Is there? Ever? Because

461
00:24:08,240 --> 00:24:09,840
Speaker 1: you are very much a guy that's like, I don't

462
00:24:09,840 --> 00:24:11,760
Speaker 1: want to know about past guys. I want to pretend

463
00:24:11,760 --> 00:24:13,359
Speaker 1: like you've never had sex with anyone else, like in

464
00:24:13,560 --> 00:24:16,320
Speaker 1: my mind, So is that even a fantasy for you

465
00:24:16,400 --> 00:24:18,560
Speaker 1: to even even if you know it's not true, for

466
00:24:18,600 --> 00:24:21,560
Speaker 1: a girl to pretend like she's like a filthy slut

467
00:24:21,600 --> 00:24:23,359
Speaker 1: that's been kind of passed around? Is that even a

468
00:24:23,359 --> 00:24:26,240
Speaker 1: fun fantasy? I mean, I don't know about the last sentence,

469
00:24:26,320 --> 00:24:28,520
Speaker 1: but like passed around. I don't know if that really

470
00:24:28,560 --> 00:24:31,119
Speaker 1: turns me on. But the idea of her being in

471
00:24:31,160 --> 00:24:35,400
Speaker 1: control and like telling me what to do dominatrix, Yeah,

472
00:24:35,520 --> 00:24:37,679
Speaker 1: may break out a whip and fucking because there are

473
00:24:37,680 --> 00:24:41,080
Speaker 1: a lot of guys that like them. You are just

474
00:24:41,160 --> 00:24:45,720
Speaker 1: a dumb cum dumpster kind of like you um, you've

475
00:24:45,760 --> 00:24:48,080
Speaker 1: just like fucked like like you have to funk all

476
00:24:48,080 --> 00:24:49,760
Speaker 1: these guys and you just have to like take like

477
00:24:50,160 --> 00:24:52,360
Speaker 1: a girl that's just like kind of being used. That's

478
00:24:52,359 --> 00:24:56,040
Speaker 1: a fantasy to left an idea of a video game

479
00:24:56,080 --> 00:24:58,959
Speaker 1: like Mike Tyson punch Out and you just fuck like

480
00:24:59,040 --> 00:25:03,640
Speaker 1: ten guys to get to me. Like you gotta funk

481
00:25:03,720 --> 00:25:07,280
Speaker 1: all different kind of guys and like beat them, and

482
00:25:08,000 --> 00:25:14,560
Speaker 1: it's called Nikki glazer Um punch Out. Got it? You

483
00:25:14,640 --> 00:25:19,080
Speaker 1: got it? But you know what I mean, Like there's

484
00:25:19,119 --> 00:25:23,000
Speaker 1: something so funny about like like I don't know. I

485
00:25:22,640 --> 00:25:25,240
Speaker 1: I get turned on by both. I want to be

486
00:25:25,320 --> 00:25:28,399
Speaker 1: dominated and I not. One is not dominated. One is

487
00:25:28,480 --> 00:25:31,720
Speaker 1: not the girl that's a slut that's been like passed

488
00:25:31,720 --> 00:25:34,560
Speaker 1: around and like is just there for men's pleasure and

489
00:25:34,600 --> 00:25:37,600
Speaker 1: like is not really doesn't have because sometimes that's what

490
00:25:37,680 --> 00:25:41,679
Speaker 1: I like to role play as, is like this this

491
00:25:41,960 --> 00:25:45,600
Speaker 1: crazy slut that is just a like no one respects.

492
00:25:45,640 --> 00:25:48,119
Speaker 1: They just use her. And the guy that I'm with

493
00:25:48,240 --> 00:25:50,520
Speaker 1: is the only one that actually loves me, and like

494
00:25:50,720 --> 00:25:52,679
Speaker 1: but he I still have to be like used and

495
00:25:52,680 --> 00:25:54,840
Speaker 1: like passed around and he's like I love you, but

496
00:25:54,920 --> 00:25:56,760
Speaker 1: no one else here does. And like you just have

497
00:25:56,840 --> 00:26:00,160
Speaker 1: to serve these men that doesn't ever with that ever.

498
00:26:01,560 --> 00:26:07,760
Speaker 1: I just it's not. My fantasy is actually like just

499
00:26:07,880 --> 00:26:12,240
Speaker 1: being used, but also like respected for being used, Like wow,

500
00:26:12,280 --> 00:26:14,760
Speaker 1: like this girl is so much more of a slut

501
00:26:14,760 --> 00:26:16,879
Speaker 1: than any woman I've ever been with. Like this girl

502
00:26:17,640 --> 00:26:21,520
Speaker 1: is like I don't even deserve someone that slutty. I

503
00:26:21,520 --> 00:26:23,600
Speaker 1: can only like get this kind of thing if I

504
00:26:23,640 --> 00:26:26,560
Speaker 1: was in a gangbang situation and in a way, the

505
00:26:26,640 --> 00:26:29,240
Speaker 1: girl is using you because you aren't special. You're one

506
00:26:29,240 --> 00:26:33,679
Speaker 1: of fucking eighteen dudes. So yeah, you can act like

507
00:26:33,800 --> 00:26:36,440
Speaker 1: I'm not the special one, but you're one of eighteen.

508
00:26:36,600 --> 00:26:40,320
Speaker 1: I'm one of one, you know, Like I'm the prize

509
00:26:40,320 --> 00:26:43,800
Speaker 1: that everyone's like, whoa, this fucking girl can is like

510
00:26:44,080 --> 00:26:47,920
Speaker 1: pleasing all these people Like I I found that that's

511
00:26:48,280 --> 00:26:50,880
Speaker 1: I mean, I don't want that to happen necessarily, but

512
00:26:51,560 --> 00:26:55,000
Speaker 1: for the fantasy, I like that. I like that idea. Um,

513
00:26:55,600 --> 00:26:57,199
Speaker 1: I don't know, and I don't think it means that.

514
00:26:57,240 --> 00:27:01,159
Speaker 1: I'm like, yeah, a gang bang, like I've witnessed it.

515
00:27:02,280 --> 00:27:07,080
Speaker 1: There's nothing to me, uh that's sexual about it. It

516
00:27:07,119 --> 00:27:10,520
Speaker 1: feels very now. Granted it was an old woman in college.

517
00:27:11,080 --> 00:27:13,120
Speaker 1: It was like seventy five years old. It's a little

518
00:27:13,160 --> 00:27:19,240
Speaker 1: different of a vibe. Fae, remember this, No you never

519
00:27:19,280 --> 00:27:22,320
Speaker 1: told her on this podcast. God, this is wild. Um.

520
00:27:22,400 --> 00:27:24,200
Speaker 1: I mean, I don't know if we have enough time

521
00:27:24,320 --> 00:27:27,400
Speaker 1: right now, but it's essentially, I saw a gang bang

522
00:27:27,440 --> 00:27:30,520
Speaker 1: with an old woman and her young boyfriend came into

523
00:27:30,600 --> 00:27:32,600
Speaker 1: town to have sex with a bunch of college kids.

524
00:27:33,400 --> 00:27:37,080
Speaker 1: And your buddy met this guy. My buddy met Wayne

525
00:27:37,080 --> 00:27:41,199
Speaker 1: and Faye on a on a on a beach in Biloxi, Mississippi.

526
00:27:41,640 --> 00:27:43,639
Speaker 1: And he comes back, he goes, hey, I met this

527
00:27:43,720 --> 00:27:46,479
Speaker 1: couple Wayne and Faye's in New Orlean. It comes back

528
00:27:46,480 --> 00:27:48,600
Speaker 1: from Biloxi to New Orleans. How far away is it?

529
00:27:48,720 --> 00:27:51,959
Speaker 1: That's probably four hours during and a half hours, and

530
00:27:51,960 --> 00:27:54,080
Speaker 1: he's like, hey, I met this couple Wayne in Faye.

531
00:27:54,640 --> 00:27:57,600
Speaker 1: What are these names? These names haven't been around since

532
00:27:57,640 --> 00:28:00,399
Speaker 1: the eight hundred. They belong in a saloon, you know

533
00:28:00,400 --> 00:28:02,960
Speaker 1: what I mean, Like, Hey, there's Fay over there drinking

534
00:28:03,000 --> 00:28:09,119
Speaker 1: whiskey and dying of whatever. These are. These are like

535
00:28:09,160 --> 00:28:12,439
Speaker 1: the people that started like the Rheyman Theater in Nashville.

536
00:28:12,600 --> 00:28:15,680
Speaker 1: Like it's like they they have like a brick out

537
00:28:15,720 --> 00:28:21,120
Speaker 1: front that's like Wayne and Faye. You know they're gonna

538
00:28:21,200 --> 00:28:24,000
Speaker 1: come in on horse and carriage on their way to Oregon.

539
00:28:24,760 --> 00:28:28,040
Speaker 1: So she comes, So I go, is faye attractive? He go?

540
00:28:28,240 --> 00:28:31,840
Speaker 1: She was wearing a thong. This is a mind boggling

541
00:28:31,840 --> 00:28:35,119
Speaker 1: to me that her age, which is seventy five spoiler alert,

542
00:28:35,760 --> 00:28:38,840
Speaker 1: never comes into play when you there's no You do

543
00:28:38,920 --> 00:28:41,280
Speaker 1: not ask what this woman looks like beyond she was

544
00:28:41,320 --> 00:28:43,840
Speaker 1: wearing a thong and so to you, thong equals hot.

545
00:28:43,880 --> 00:28:45,840
Speaker 1: You don't ask any more details about this woman who

546
00:28:45,880 --> 00:28:48,680
Speaker 1: you might potentially funk later on. Here's the thing. I

547
00:28:48,760 --> 00:28:50,840
Speaker 1: knew I wasn't gonna suck her because I had a girlfriend,

548
00:28:51,000 --> 00:28:53,640
Speaker 1: but I had an idea that I might. I didn't

549
00:28:53,680 --> 00:28:55,760
Speaker 1: think this was real. You gotta understand, But none of

550
00:28:55,800 --> 00:28:58,720
Speaker 1: your friends asked, like what does she look like? I'm sorry,

551
00:28:58,760 --> 00:29:00,600
Speaker 1: if you were a single man and there was a woman,

552
00:29:00,680 --> 00:29:02,960
Speaker 1: a stripper coming over, and even if you weren' gonna funk,

553
00:29:02,960 --> 00:29:05,360
Speaker 1: are you gonna watch her? People? Why don't you ask

554
00:29:05,440 --> 00:29:07,840
Speaker 1: details about what she looks like before she gets there?

555
00:29:07,840 --> 00:29:10,520
Speaker 1: Are you? Just? Are men just so dumb? I think

556
00:29:11,000 --> 00:29:13,680
Speaker 1: they don't hear thong and they don't. They just associate

557
00:29:13,720 --> 00:29:15,960
Speaker 1: that with a hot girl. A lot of unattractive women

558
00:29:15,960 --> 00:29:17,880
Speaker 1: wear thongs. He might have not got into detail. I

559
00:29:17,920 --> 00:29:20,480
Speaker 1: think you said that she had big hits, she was

560
00:29:20,480 --> 00:29:22,480
Speaker 1: a little bit older, and she was wearing a thong.

561
00:29:22,680 --> 00:29:25,320
Speaker 1: I think it might have been those three things. Yeah,

562
00:29:25,440 --> 00:29:29,000
Speaker 1: and she was building the Rhyman theater um with bare hands.

563
00:29:29,040 --> 00:29:32,200
Speaker 1: But so I I didn't think it was real. You

564
00:29:32,240 --> 00:29:35,120
Speaker 1: gotta understand, like she's a milf. But the M stands

565
00:29:35,160 --> 00:29:42,440
Speaker 1: for like, um, mouldy, corpse, mature. Yeah, she's got a

566
00:29:42,440 --> 00:29:51,840
Speaker 1: little milfy vibe mortuary, uh, corpse in landfill. Yeah, so

567
00:29:53,520 --> 00:29:58,480
Speaker 1: a matriarch in landfill. I like, like, I like that

568
00:29:58,600 --> 00:30:09,200
Speaker 1: you milk fill Millville. So I don't think it's real, though, Nikki,

569
00:30:09,320 --> 00:30:12,360
Speaker 1: Like you understand, Like we're in college. I was a sophomore,

570
00:30:12,720 --> 00:30:16,000
Speaker 1: a junior in college, like I was twenty years old.

571
00:30:16,680 --> 00:30:20,480
Speaker 1: So two weeks later we get a letter in the mail.

572
00:30:20,720 --> 00:30:24,120
Speaker 1: This guy wrote Wayne and Faye wrote an actual letter like,

573
00:30:24,200 --> 00:30:27,640
Speaker 1: dear my dearest Johnny, you know me and Faye are

574
00:30:28,080 --> 00:30:30,480
Speaker 1: looking forward to the gang bang. I hope you could

575
00:30:30,560 --> 00:30:35,280
Speaker 1: round some fellas together round again. Uh, make sure they're clean, like,

576
00:30:35,360 --> 00:30:39,720
Speaker 1: have their teeth and showered as such. Ps here's something

577
00:30:42,080 --> 00:30:45,920
Speaker 1: we like. I'm out, Yeah, is that you go, well,

578
00:30:45,960 --> 00:30:47,640
Speaker 1: I was gonna cheat with my girlfriend, but now I'm

579
00:30:47,640 --> 00:30:49,960
Speaker 1: gonna act like I have integrety, But it's really because

580
00:30:50,000 --> 00:30:53,640
Speaker 1: I don't have enough teeth. Do you really sleeping their teeth?

581
00:30:53,680 --> 00:30:57,920
Speaker 1: I swear on my life it wasn't about SPDs. Faye

582
00:30:57,920 --> 00:31:00,920
Speaker 1: didn't even have a mouse, Oh my god. At this point,

583
00:31:01,120 --> 00:31:04,880
Speaker 1: Fade just was a walking two tips floating not well,

584
00:31:05,120 --> 00:31:08,680
Speaker 1: they were saggy, it was fine. So I don't think

585
00:31:08,720 --> 00:31:10,720
Speaker 1: it's real. I really don't. And then I get and

586
00:31:10,760 --> 00:31:12,680
Speaker 1: then he goes ps. Here's what Faye likes to do.

587
00:31:12,760 --> 00:31:18,080
Speaker 1: And there's literally polaroids of Faye getting fucked by like

588
00:31:18,200 --> 00:31:20,880
Speaker 1: fifteen dudes to the point where I want one to

589
00:31:20,920 --> 00:31:23,600
Speaker 1: picture that I like the best. And she's standing on

590
00:31:23,680 --> 00:31:27,040
Speaker 1: the bed holding the fan like she's spinning around to

591
00:31:27,120 --> 00:31:29,080
Speaker 1: get a bunch of dicks in there as fast as possible,

592
00:31:30,320 --> 00:31:33,360
Speaker 1: like a fan on the ceiling fan, like a ceiling fan,

593
00:31:33,480 --> 00:31:36,160
Speaker 1: Like it looked like she was spinning to get her

594
00:31:36,200 --> 00:31:38,720
Speaker 1: pussy around like nine dudes at the same time. Like

595
00:31:38,760 --> 00:31:42,720
Speaker 1: it was very like impressive. And so then there's a

596
00:31:42,760 --> 00:31:45,160
Speaker 1: guy I swear to got naked looking at his Cassio

597
00:31:45,280 --> 00:31:47,400
Speaker 1: watch like I gotta pick up my kids from school.

598
00:31:47,520 --> 00:31:50,000
Speaker 1: Just better, just better hurry up, you know what I mean,

599
00:31:50,040 --> 00:31:52,600
Speaker 1: Like I gotta come and get going. There was a

600
00:31:52,680 --> 00:31:57,160
Speaker 1: line out the door. Honestly, there's probably twelve dudes in there,

601
00:31:57,480 --> 00:31:59,640
Speaker 1: and like four in line and then like eight on

602
00:31:59,680 --> 00:32:03,760
Speaker 1: the bed. It was wild. So I'm like, Okay, this

603
00:32:03,800 --> 00:32:06,240
Speaker 1: seems a little bit more real. Also, Fay looked old

604
00:32:06,240 --> 00:32:08,640
Speaker 1: in these photos, and it looked like a Nashville or

605
00:32:08,760 --> 00:32:12,000
Speaker 1: Kelvin filter, and like, you know, like the photos looked

606
00:32:12,000 --> 00:32:14,240
Speaker 1: thirty years old, and Fay looked old in them, you

607
00:32:14,280 --> 00:32:16,640
Speaker 1: know what I mean, Like it was old on old,

608
00:32:17,160 --> 00:32:20,360
Speaker 1: which is you know, very oldie and mouldie. Anyway, So

609
00:32:20,520 --> 00:32:23,240
Speaker 1: she so then I go, Okay, I still don't believe

610
00:32:23,280 --> 00:32:25,880
Speaker 1: it's real, because like you gotta understand, like it just didn't.

611
00:32:26,200 --> 00:32:28,920
Speaker 1: And next thing, you know, a week later, Johnny comes

612
00:32:28,920 --> 00:32:30,800
Speaker 1: back to me. He's like, hey, listen to this voicemail

613
00:32:31,400 --> 00:32:34,160
Speaker 1: and it's Wayne, and Wayne's like, hey man, it's me

614
00:32:34,280 --> 00:32:37,240
Speaker 1: and Faye. We're about hour outside in New Orleans. Hope

615
00:32:37,240 --> 00:32:40,200
Speaker 1: you got them fellas together. Make sure they're clean and such. Uh,

616
00:32:40,600 --> 00:32:42,320
Speaker 1: you know, we're gonna be there about an hour, both

617
00:32:42,320 --> 00:32:45,959
Speaker 1: are we excited. So you're saying me like something like that,

618
00:32:46,000 --> 00:32:50,920
Speaker 1: Like this was like a week after the letter came it,

619
00:32:51,160 --> 00:32:54,360
Speaker 1: so it's like two o'clock and like a Tuesday. This

620
00:32:54,400 --> 00:32:58,160
Speaker 1: isn't even like Friday night, Like this is like like

621
00:32:58,200 --> 00:33:00,959
Speaker 1: we're getting out of probability instead his sticks to see

622
00:33:01,520 --> 00:33:04,040
Speaker 1: the probability of an old woman getting funk to death,

623
00:33:04,080 --> 00:33:06,560
Speaker 1: you know what I mean, And statistically it's pretty high,

624
00:33:06,880 --> 00:33:12,800
Speaker 1: you know. Um So, So they knocked on the door

625
00:33:12,880 --> 00:33:15,880
Speaker 1: and Faye is there and she's like, oh, hot bus

626
00:33:15,960 --> 00:33:20,720
Speaker 1: and she's all southern like how bus hell, like very nice,

627
00:33:20,800 --> 00:33:23,880
Speaker 1: like are you guys? Like how man? And where are

628
00:33:23,880 --> 00:33:27,600
Speaker 1: you all? Giggling so much? It was so hard, just

629
00:33:27,640 --> 00:33:31,080
Speaker 1: such animals and like little assholes. No, we were pretty respectful,

630
00:33:31,120 --> 00:33:34,360
Speaker 1: because you know, you respect you're elders, especially when they're

631
00:33:34,360 --> 00:33:37,800
Speaker 1: really held. Um so, so I held her in my

632
00:33:37,880 --> 00:33:41,120
Speaker 1: arms anyway. So so she's like, how bo us, thank

633
00:33:41,120 --> 00:33:44,240
Speaker 1: you so much for your hospitality. Got some sweet teeth

634
00:33:44,720 --> 00:33:47,320
Speaker 1: in my in my pockets, you know. Ship like that.

635
00:33:47,480 --> 00:33:50,240
Speaker 1: She comes in and then Wayne comes up to the door.

636
00:33:50,280 --> 00:33:55,120
Speaker 1: He's forty, but like a strong forty, like a strong mustache,

637
00:33:55,200 --> 00:33:57,880
Speaker 1: looks like Burt Reynolds, but like even a hotter body

638
00:33:58,000 --> 00:34:01,640
Speaker 1: like Van Damn like hot. And then I go, come

639
00:34:01,640 --> 00:34:03,400
Speaker 1: on in. He's like, thanks for having us. I really

640
00:34:03,440 --> 00:34:06,080
Speaker 1: appreciate it. Thank you. So they're very nice. And then

641
00:34:06,120 --> 00:34:09,840
Speaker 1: there's an old man walking who I literally think he

642
00:34:09,880 --> 00:34:12,080
Speaker 1: looks like he's walking away from the door. He's walking

643
00:34:12,120 --> 00:34:17,400
Speaker 1: so slow, and I'm like, all right, And so she

644
00:34:17,640 --> 00:34:19,560
Speaker 1: comes up. Is it a long walk way up to

645
00:34:19,600 --> 00:34:23,319
Speaker 1: the door. It was about probably thirty feet and I go,

646
00:34:23,480 --> 00:34:26,400
Speaker 1: I just do all like this is this before cellphones?

647
00:34:26,520 --> 00:34:28,480
Speaker 1: You got a call that they were like close by

648
00:34:28,680 --> 00:34:30,920
Speaker 1: or like you just knew a ballpark time when they

649
00:34:30,920 --> 00:34:32,640
Speaker 1: would come up, and then they just came up. I

650
00:34:32,640 --> 00:34:35,000
Speaker 1: think cell phones were out. Cellphones were out at this point,

651
00:34:35,160 --> 00:34:37,320
Speaker 1: but it wasn't like a text like group text situal

652
00:34:37,520 --> 00:34:40,120
Speaker 1: like you had to call each individually because it took

653
00:34:40,120 --> 00:34:42,279
Speaker 1: a while to text with those ABC letters, you know

654
00:34:42,360 --> 00:34:46,440
Speaker 1: what I mean. And so so so this guy, I go,

655
00:34:46,480 --> 00:34:48,359
Speaker 1: I'm gonna leave the door open if he dies out there,

656
00:34:48,360 --> 00:34:49,920
Speaker 1: he dies, like he could come in and left the

657
00:34:49,920 --> 00:34:51,879
Speaker 1: door open because he saw another man coming. Did they

658
00:34:51,920 --> 00:34:54,920
Speaker 1: say who it was? Were you like, Frank? Okay? They go, hey,

659
00:34:54,920 --> 00:34:56,839
Speaker 1: don't forget about Frank, and I was like, Okay, well

660
00:34:56,840 --> 00:34:58,959
Speaker 1: I'm gonna forget about him because I think he's gonna

661
00:34:58,960 --> 00:35:02,120
Speaker 1: die in our lawn. So then we go inside right

662
00:35:02,120 --> 00:35:04,360
Speaker 1: away it starts happening like during the living room and

663
00:35:04,440 --> 00:35:07,360
Speaker 1: we play back that ass up by Juvenile which is

664
00:35:07,400 --> 00:35:11,520
Speaker 1: now my walk out music, and face starts jazz handing naked,

665
00:35:11,920 --> 00:35:14,799
Speaker 1: takes her bra off, her nips, hit her hips, she

666
00:35:14,880 --> 00:35:17,880
Speaker 1: takes off her underwear, her panties, and her vagina is

667
00:35:17,880 --> 00:35:21,520
Speaker 1: the least frankly thing on her body, like she like, honestly,

668
00:35:21,600 --> 00:35:24,760
Speaker 1: it looked like like like um, I couldn't even descrice,

669
00:35:24,800 --> 00:35:28,360
Speaker 1: like if you unwrap a mummy and yeah yeah, but

670
00:35:29,400 --> 00:35:31,680
Speaker 1: and so were you guys like giggling and stuff like

671
00:35:31,719 --> 00:35:33,880
Speaker 1: I feel sad for this woman even though she loved

672
00:35:33,920 --> 00:35:36,360
Speaker 1: this and this is he this is her, like this

673
00:35:36,400 --> 00:35:38,240
Speaker 1: is what they do every weekend. It's that in NASCAR.

674
00:35:38,560 --> 00:35:42,360
Speaker 1: So so I'm watching with my buddy Aaron from the

675
00:35:42,480 --> 00:35:45,160
Speaker 1: kitchen while three of my buddies are watching this happen.

676
00:35:45,520 --> 00:35:48,000
Speaker 1: So then they go upstairs. Frank is, now how many kids?

677
00:35:48,040 --> 00:35:51,080
Speaker 1: How many kids? Kids? Guys are over three, so five total,

678
00:35:51,600 --> 00:35:54,240
Speaker 1: but only three are apparently willing to take the plunge,

679
00:35:55,040 --> 00:35:58,839
Speaker 1: we go upstairs. I'll make it quick. So Johnny, we

680
00:35:58,880 --> 00:36:02,319
Speaker 1: walked past Frank and well as a cliffhanger, if we

681
00:36:02,360 --> 00:36:04,200
Speaker 1: need to keep going until we're out of time, okay.

682
00:36:04,200 --> 00:36:06,600
Speaker 1: So we walk past Frank and go, hey, Frank, we're

683
00:36:06,600 --> 00:36:09,720
Speaker 1: going upstairs, and he's like fuck, like he was not happy,

684
00:36:09,840 --> 00:36:12,560
Speaker 1: like he just got inside, like and he's like stairs,

685
00:36:12,960 --> 00:36:14,359
Speaker 1: ship and he's like, do you have one of those

686
00:36:14,440 --> 00:36:18,600
Speaker 1: people movers that I could sit on the side. So

687
00:36:18,640 --> 00:36:22,600
Speaker 1: we go upstairs. Johnny goes in. He's having sex with Faye.

688
00:36:23,040 --> 00:36:25,640
Speaker 1: We're hearing it and we're like, what the funk is

689
00:36:25,680 --> 00:36:27,440
Speaker 1: going on in there? So we want to see. So

690
00:36:27,640 --> 00:36:31,240
Speaker 1: I kicked the door open and Johnny is just hammering

691
00:36:31,280 --> 00:36:34,120
Speaker 1: and you just see phase old legs like around his

692
00:36:34,200 --> 00:36:36,680
Speaker 1: body and you just see the back end of Johnny

693
00:36:36,719 --> 00:36:39,000
Speaker 1: like just his butt and his balls. It was a lot.

694
00:36:39,800 --> 00:36:42,719
Speaker 1: So so we're all like kind of laughing a little,

695
00:36:42,760 --> 00:36:45,120
Speaker 1: and Frank has now made it upstairs. Wayne is like

696
00:36:45,160 --> 00:36:48,359
Speaker 1: all right, it's not just like everyone get in there,

697
00:36:48,360 --> 00:36:50,520
Speaker 1: and we're like, we don't want to go in, sir,

698
00:36:50,920 --> 00:36:54,160
Speaker 1: And is Wayne gonna partake? So we don't We didn't

699
00:36:54,160 --> 00:36:56,759
Speaker 1: know if Wayne was partaking. So Wayne is yelling at

700
00:36:56,760 --> 00:36:58,520
Speaker 1: all of us saying, hey, we drove all the way

701
00:36:58,560 --> 00:37:01,640
Speaker 1: from BILOXI don't pussy foot around and get your pussy

702
00:37:01,680 --> 00:37:03,440
Speaker 1: feet in there, you know what I mean? And what

703
00:37:03,480 --> 00:37:05,480
Speaker 1: are you doing? Are you trying to hide? Because Wayne's

704
00:37:05,480 --> 00:37:07,880
Speaker 1: gonna like force you to do it. I'm getting very nervous.

705
00:37:08,000 --> 00:37:10,239
Speaker 1: I would have been so scared that someone would make

706
00:37:10,280 --> 00:37:13,439
Speaker 1: me do it like That's this was when I would

707
00:37:13,440 --> 00:37:15,279
Speaker 1: have last if I were you. I mean, but it

708
00:37:15,360 --> 00:37:18,319
Speaker 1: was so intriguing. And so so we're all sitting on

709
00:37:18,360 --> 00:37:21,280
Speaker 1: the couch. Frank is sitting in his chair just looking

710
00:37:21,360 --> 00:37:23,480
Speaker 1: at all of us and not talking, just like kind

711
00:37:23,480 --> 00:37:27,399
Speaker 1: of making noises, you know, um, and uh we go.

712
00:37:28,320 --> 00:37:30,400
Speaker 1: Wayne goes, come on, get a funk in there, and

713
00:37:30,560 --> 00:37:32,799
Speaker 1: we're like no. And then finally my other one of

714
00:37:32,800 --> 00:37:34,360
Speaker 1: my buddies goes final. I go in, but I'm just

715
00:37:34,360 --> 00:37:37,080
Speaker 1: gonna get a blow job. He goes in after Johnny

716
00:37:37,080 --> 00:37:39,520
Speaker 1: comes out. And then ten years later I go, hey,

717
00:37:39,520 --> 00:37:40,800
Speaker 1: did you just get a blow job? And he's like, no,

718
00:37:40,880 --> 00:37:42,520
Speaker 1: I sucked her. I sucked her, And I was like

719
00:37:42,640 --> 00:37:46,080
Speaker 1: I thought so anyway, So then Wayne, Wayne is like

720
00:37:46,120 --> 00:37:48,439
Speaker 1: all right, come on, there's three more boys, get in there,

721
00:37:48,560 --> 00:37:52,080
Speaker 1: come on, and then Wayne, no, not yet, sad yet.

722
00:37:52,080 --> 00:37:54,440
Speaker 1: So the Wayne goes I'm going in. So Wayne goes in,

723
00:37:54,640 --> 00:37:58,359
Speaker 1: comes out in a purple thong, and maybe this is

724
00:37:58,360 --> 00:38:00,760
Speaker 1: the song my buddy was talking about on the beach

725
00:38:00,880 --> 00:38:04,920
Speaker 1: because it was purple and his dick it looked like

726
00:38:05,760 --> 00:38:09,120
Speaker 1: a lot like like if I can't even explain how

727
00:38:09,160 --> 00:38:11,440
Speaker 1: big it was, it was last night? Did we see

728
00:38:11,440 --> 00:38:14,440
Speaker 1: it in one of the models, But it was last night, Trubby,

729
00:38:14,960 --> 00:38:21,560
Speaker 1: it was. It would have had to have another section,

730
00:38:22,000 --> 00:38:25,960
Speaker 1: special section in the back like it was. He's just hammering.

731
00:38:26,000 --> 00:38:28,040
Speaker 1: He's gonna come on boards, getting the fight and it's

732
00:38:28,040 --> 00:38:30,920
Speaker 1: slapping up and down in his purple song and he's

733
00:38:30,920 --> 00:38:33,480
Speaker 1: gonna get in there, come on, and I'm like, oh

734
00:38:33,520 --> 00:38:35,160
Speaker 1: my god, I don't want to do it, like no

735
00:38:35,200 --> 00:38:36,960
Speaker 1: one wants to do it. And he goes in there

736
00:38:36,960 --> 00:38:38,600
Speaker 1: and he bangs here and it's like the house is

737
00:38:38,640 --> 00:38:40,640
Speaker 1: gonna break. It's an older New Orleans house. Like I

738
00:38:40,680 --> 00:38:42,080
Speaker 1: was like, oh, this is how you like a woman.

739
00:38:42,480 --> 00:38:46,680
Speaker 1: So then we go to Frank. Frank, uh, yeah, it

740
00:38:46,760 --> 00:38:50,319
Speaker 1: sounds like it sounds like she's in hospice, like and

741
00:38:50,360 --> 00:38:53,160
Speaker 1: then she got laid. Um, we gotta get to the news.

742
00:38:54,440 --> 00:38:56,920
Speaker 1: I mean, we're really gonna leave final thought. Maybe yeah,

743
00:38:57,440 --> 00:39:01,239
Speaker 1: people to stick through. That is a cliff hanger. Boy,

744
00:39:03,000 --> 00:39:07,239
Speaker 1: first here, First, do you want to say the things

745
00:39:07,239 --> 00:39:09,320
Speaker 1: that you're saying right now? Yeah? I just can't hear it?

746
00:39:10,360 --> 00:39:14,320
Speaker 1: Was it playing? Oh sorry? Welcome to the news. Wait,

747
00:39:14,360 --> 00:39:24,360
Speaker 1: I've never said that gives the mike. Welcome to the

748
00:39:24,400 --> 00:39:29,320
Speaker 1: news Thursday. You know what that means that Thursday? Okay, beautiful,

749
00:39:29,400 --> 00:39:32,680
Speaker 1: let's get to the news. Welcome okay. Oh a hospice

750
00:39:32,760 --> 00:39:37,080
Speaker 1: nurse who explains what happens to most people before they die.

751
00:39:37,360 --> 00:39:43,440
Speaker 1: They get funed by God. That's not what happened to

752
00:39:43,440 --> 00:39:45,360
Speaker 1: the story. By the way, I mean, Faye is probably

753
00:39:45,360 --> 00:39:47,600
Speaker 1: no longer with us. Oh yeah, she died of a

754
00:39:47,719 --> 00:39:51,640
Speaker 1: race car accident. What happens to most people before they die.

755
00:39:51,880 --> 00:39:54,279
Speaker 1: There's something most people say before they die, and it's

756
00:39:54,320 --> 00:39:56,560
Speaker 1: usually I love you, or they call out to their

757
00:39:56,600 --> 00:40:02,520
Speaker 1: mom or dad to ask for money who have also

758
00:40:02,800 --> 00:40:06,959
Speaker 1: who have usually already died. Yeah, of course, so sad. Yeah,

759
00:40:06,960 --> 00:40:09,160
Speaker 1: I know that really makes me so sad that you

760
00:40:09,200 --> 00:40:11,400
Speaker 1: call for your mom and dad even when you're like

761
00:40:11,480 --> 00:40:16,400
Speaker 1: old what's a sweet thing. But like what, oh my god,

762
00:40:17,080 --> 00:40:19,319
Speaker 1: I mean yeah, I know it makes you probably feel

763
00:40:19,360 --> 00:40:21,759
Speaker 1: safe at the last second they say I love you

764
00:40:21,920 --> 00:40:25,719
Speaker 1: to like whoever is near you. Yeah, I just want

765
00:40:25,719 --> 00:40:30,880
Speaker 1: to kiss a mic. The symptoms of actively dying phase

766
00:40:31,080 --> 00:40:34,120
Speaker 1: include change of consciousness. I heard that you start smelling

767
00:40:34,280 --> 00:40:41,080
Speaker 1: like juicy fruit. Oh really, terminal secretions, model it, mottling.

768
00:40:41,440 --> 00:40:47,880
Speaker 1: I don't know what that word means, changes in breathings. Um,

769
00:40:47,920 --> 00:40:55,759
Speaker 1: it's like mottling m O T T L L I

770
00:40:55,960 --> 00:41:01,840
Speaker 1: N L mottling. Okay, it is is blotchy red, purplished

771
00:41:01,840 --> 00:41:09,720
Speaker 1: marbling of the skin. Oh no, Andrew, you're about to die. Shit,

772
00:41:11,320 --> 00:41:20,080
Speaker 1: I love you? Okay, what else? Tell me what other things? Oh,

773
00:41:20,120 --> 00:41:23,520
Speaker 1: this is so sad. The lass words where I hate you?

774
00:41:24,040 --> 00:41:26,719
Speaker 1: Oh my god. There was such a thing. There was

775
00:41:26,760 --> 00:41:29,319
Speaker 1: a thing on redded about like what's the Remember when

776
00:41:29,320 --> 00:41:31,000
Speaker 1: I was talking about the worst smell people have smelled

777
00:41:31,000 --> 00:41:33,560
Speaker 1: and someone said it was like, you know, um, they

778
00:41:33,600 --> 00:41:35,640
Speaker 1: want to say death, but a lot of times in hospital,

779
00:41:35,840 --> 00:41:38,640
Speaker 1: hospital scare when people are about to die, Um, there's

780
00:41:38,719 --> 00:41:41,760
Speaker 1: this like it's a terrible smell because it just reminds

781
00:41:41,800 --> 00:41:44,880
Speaker 1: you of death. But it smells like really this like

782
00:41:45,360 --> 00:41:49,680
Speaker 1: sweet like sour sweet smell. That smells exactly juicy fruit.

783
00:41:49,719 --> 00:41:51,600
Speaker 1: And someone in the comments was like, dude, I'm chewing

784
00:41:51,680 --> 00:41:54,480
Speaker 1: juicy fruit right now. I read this, and it's like, oh,

785
00:41:54,520 --> 00:41:56,879
Speaker 1: that's the smell of an old person's body, just like

786
00:41:57,360 --> 00:42:02,080
Speaker 1: saying goodbye, saying mama, oh Sweden, sour chicken, It's done.

787
00:42:02,400 --> 00:42:05,120
Speaker 1: Oh my god. Um a registered nurse is actually on

788
00:42:05,160 --> 00:42:07,520
Speaker 1: TikTok and she's like four years, thousand followers, and she

789
00:42:07,640 --> 00:42:10,680
Speaker 1: just talks about she's working in hospice for five years,

790
00:42:10,840 --> 00:42:13,200
Speaker 1: and I guess, you know, it probably comforts people to

791
00:42:13,320 --> 00:42:16,520
Speaker 1: hear that they're not the body. She talks about how

792
00:42:16,520 --> 00:42:18,879
Speaker 1: it takes care of itself at the end, like it's

793
00:42:18,880 --> 00:42:21,560
Speaker 1: almost better to not even give the body anything, like

794
00:42:21,640 --> 00:42:25,040
Speaker 1: just let it like it knows how to die. It's weird.

795
00:42:25,719 --> 00:42:27,799
Speaker 1: It's weird, but anyway, what does that mean though, Like

796
00:42:27,880 --> 00:42:31,360
Speaker 1: give the body anything like what moheah, like morphine and

797
00:42:31,400 --> 00:42:34,719
Speaker 1: stuff people have to shut down and not feel. Yeah,

798
00:42:34,760 --> 00:42:36,879
Speaker 1: people feel like once they go to hospice, hospice people

799
00:42:36,880 --> 00:42:40,200
Speaker 1: actually kill the patient, like morphine makes them die quicker.

800
00:42:40,719 --> 00:42:43,080
Speaker 1: But she said that's not true. Like a lot of

801
00:42:43,080 --> 00:42:47,439
Speaker 1: people actually go to hospice and live quite longer than there. Even, Yeah,

802
00:42:47,560 --> 00:42:50,640
Speaker 1: I have so much like love for hospice people that

803
00:42:50,719 --> 00:42:53,399
Speaker 1: just witnessed death and like help people holding people's hands

804
00:42:53,440 --> 00:42:57,040
Speaker 1: through that every And like with COVID, I was reading about,

805
00:42:57,680 --> 00:43:03,440
Speaker 1: you know how um nurses just have like their their

806
00:43:03,520 --> 00:43:06,680
Speaker 1: compassion for people dying of COVID is like no, like

807
00:43:06,719 --> 00:43:09,560
Speaker 1: they can't because everyone that comes in is unvaccinated, and

808
00:43:09,600 --> 00:43:13,160
Speaker 1: they're just like someone wrote, it was like we used

809
00:43:13,160 --> 00:43:15,399
Speaker 1: to you know, it was hard enough when we were

810
00:43:15,440 --> 00:43:17,960
Speaker 1: like so sad that they were dying and like it

811
00:43:18,000 --> 00:43:19,720
Speaker 1: was just so out of control. But now the numbers

812
00:43:19,719 --> 00:43:23,480
Speaker 1: are rising again and the people are like cussing at them,

813
00:43:23,520 --> 00:43:27,319
Speaker 1: asking for iver mectin and hydrochlor whatever that thing is,

814
00:43:27,680 --> 00:43:31,080
Speaker 1: and they're they're just spitting and being like like still

815
00:43:31,120 --> 00:43:35,280
Speaker 1: denying it, and like these people their nurses are burnt out.

816
00:43:35,719 --> 00:43:39,759
Speaker 1: But yeah, nurses right now they say that usually it's

817
00:43:39,800 --> 00:43:44,600
Speaker 1: like twenty of healthcare workers are considering another job, and

818
00:43:44,719 --> 00:43:49,040
Speaker 1: right now it's six want to leave. The usually consider

819
00:43:49,080 --> 00:43:52,320
Speaker 1: another job within healthcare, but like want to maybe transfer

820
00:43:52,600 --> 00:43:56,239
Speaker 1: or ease out, and now it's six one out of

821
00:43:56,280 --> 00:44:00,120
Speaker 1: the industry. So it's when from being like another are

822
00:44:00,280 --> 00:44:03,120
Speaker 1: thing within this maybe this isn't for me, and now

823
00:44:03,120 --> 00:44:06,799
Speaker 1: it's out of the industry, We're about to have a

824
00:44:06,800 --> 00:44:10,360
Speaker 1: crisis on our hands of not enough healthcare workers and

825
00:44:10,440 --> 00:44:13,720
Speaker 1: ones that are just like angry and burnout. It's really

826
00:44:13,960 --> 00:44:15,600
Speaker 1: it's kind of scary. I was reading this thing in

827
00:44:15,640 --> 00:44:19,680
Speaker 1: the Atlantic. But yeah, what are some other sides of dying? Uh,

828
00:44:20,320 --> 00:44:23,080
Speaker 1: that's pretty much it. Losing teeth, getting gray hair just

829
00:44:23,200 --> 00:44:26,520
Speaker 1: on your chin um, your thumbs being small and weird

830
00:44:27,239 --> 00:44:34,320
Speaker 1: um uh, greasy terminal secretions. That's the only one where

831
00:44:34,360 --> 00:44:37,600
Speaker 1: out of where I guess probably your But wait, let's

832
00:44:37,600 --> 00:44:39,520
Speaker 1: see your thumbs. People need to see your thumbs. What's

833
00:44:39,560 --> 00:44:42,440
Speaker 1: going on? They're not that bad. They're kind of alien. Similarly,

834
00:44:44,560 --> 00:44:46,040
Speaker 1: they kind of look like a little they look like

835
00:44:46,080 --> 00:44:54,359
Speaker 1: little gravestones. Yeah, he lived a great life. I think

836
00:44:54,400 --> 00:44:56,960
Speaker 1: your gravestones should be a thumb, Like, what if you

837
00:44:57,040 --> 00:45:00,560
Speaker 1: got it engraved with a thumbnail in the little line? Well,

838
00:45:00,680 --> 00:45:03,239
Speaker 1: I bet the nail better be bit like on the top,

839
00:45:03,320 --> 00:45:06,080
Speaker 1: it better be crumbling rock. Do you ever get nervous

840
00:45:06,080 --> 00:45:08,759
Speaker 1: about giving like thumbs up or hitchhiking or like if

841
00:45:08,760 --> 00:45:10,560
Speaker 1: someone were to see your thumbs, Like, do you ever

842
00:45:10,600 --> 00:45:12,799
Speaker 1: are you a much rather die on the side of

843
00:45:12,800 --> 00:45:14,760
Speaker 1: the road than try to get a car to stuff?

844
00:45:16,200 --> 00:45:18,520
Speaker 1: Do you ever get insecure about your thumbs? No, I

845
00:45:18,520 --> 00:45:20,279
Speaker 1: don't even think about my hands. I do get a

846
00:45:20,320 --> 00:45:22,480
Speaker 1: little insecure because my hands aren't that big. So when

847
00:45:22,480 --> 00:45:25,000
Speaker 1: I hold hands with a woman who think it might

848
00:45:25,040 --> 00:45:27,879
Speaker 1: mean that she knows that you have a small penis. Yeah. Yeah,

849
00:45:27,880 --> 00:45:31,720
Speaker 1: And sometimes I could get lost in like another man's

850
00:45:31,719 --> 00:45:33,759
Speaker 1: hands when I shake his hand, like I'm like, I'm

851
00:45:33,800 --> 00:45:37,799
Speaker 1: still in his palm trying to hitchhike out of there,

852
00:45:38,200 --> 00:45:40,439
Speaker 1: but you can't. But I can't because my thumbs aren't

853
00:45:40,440 --> 00:45:42,480
Speaker 1: good enough. Like I'll shake a man's hands sometimes and

854
00:45:42,520 --> 00:45:44,319
Speaker 1: not even get to his fingers, and I'll be like,

855
00:45:44,800 --> 00:45:47,000
Speaker 1: can we just like fist pound or I'll just blow

856
00:45:47,080 --> 00:45:51,800
Speaker 1: you like because this is not working? Okay, next story,

857
00:45:51,880 --> 00:45:54,640
Speaker 1: all right. The script supervisor from the set of Rust

858
00:45:55,440 --> 00:45:58,560
Speaker 1: is being represented in a lawsuit by Gloria Alread, which

859
00:45:58,600 --> 00:46:02,840
Speaker 1: I lover. I ever have her business card that in

860
00:46:02,880 --> 00:46:05,520
Speaker 1: my business her When I met her and I was like,

861
00:46:05,600 --> 00:46:07,360
Speaker 1: I love you, thank you for all your work. She

862
00:46:07,400 --> 00:46:09,160
Speaker 1: was like, take my business, you know. She did the

863
00:46:09,160 --> 00:46:11,040
Speaker 1: thing like like holding it like a cigarette, like here

864
00:46:11,120 --> 00:46:16,720
Speaker 1: you go, honey. And then I had her business card,

865
00:46:16,840 --> 00:46:19,040
Speaker 1: which is like so cool to have glory All read

866
00:46:19,239 --> 00:46:21,640
Speaker 1: fucking business card, and I had in this wallet I

867
00:46:21,680 --> 00:46:23,920
Speaker 1: had forever and then I threw the wallet out accidentally

868
00:46:23,960 --> 00:46:26,719
Speaker 1: in the trash and then I ran into So I

869
00:46:26,719 --> 00:46:29,120
Speaker 1: met her at the Magic Castle. I was there with

870
00:46:29,160 --> 00:46:31,719
Speaker 1: Alex Edelman Lizzie Cooperman, and I was like, oh my god.

871
00:46:31,960 --> 00:46:35,120
Speaker 1: Alex Edelman was like glory All was over there eating dinner,

872
00:46:35,120 --> 00:46:36,680
Speaker 1: and I was like, I love her. She's so freaking

873
00:46:36,719 --> 00:46:39,359
Speaker 1: badass because she's the one that stands next to every

874
00:46:39,440 --> 00:46:42,400
Speaker 1: like you know me too, victim and it's like just

875
00:46:42,520 --> 00:46:46,440
Speaker 1: represents victims and like fights for them. She was sassy

876
00:46:46,719 --> 00:46:49,840
Speaker 1: broad and he went up to her and I was like,

877
00:46:49,960 --> 00:46:51,640
Speaker 1: you gotta say something. She would love it, and I'm like,

878
00:46:51,800 --> 00:46:53,160
Speaker 1: how do you know that? And then I went up

879
00:46:53,200 --> 00:46:55,160
Speaker 1: and she just like did the I'm here with my son,

880
00:46:55,239 --> 00:46:56,960
Speaker 1: but he are like when she was there and she

881
00:46:57,040 --> 00:46:59,120
Speaker 1: was like, take my card. So then I lost her card.

882
00:46:59,120 --> 00:47:00,719
Speaker 1: But then I saw her. I was in l a

883
00:47:00,920 --> 00:47:02,560
Speaker 1: X and I saw her walking and I was like,

884
00:47:02,960 --> 00:47:07,120
Speaker 1: I gotta get another card. Like it was like websites

885
00:47:07,200 --> 00:47:10,000
Speaker 1: for her. What mean you just wanted the card just

886
00:47:10,040 --> 00:47:13,360
Speaker 1: to have, like like who has business cards anymore? And

887
00:47:13,360 --> 00:47:15,800
Speaker 1: it's a really nicely made business card. It was like

888
00:47:15,840 --> 00:47:19,160
Speaker 1: American psycho like find like the great paper that she

889
00:47:19,280 --> 00:47:22,520
Speaker 1: used with a embossed print and everything. So I went

890
00:47:22,560 --> 00:47:23,960
Speaker 1: up to where at Alex and I go, I have

891
00:47:24,080 --> 00:47:26,400
Speaker 1: your card. I lost it. I needed again. It's one

892
00:47:26,400 --> 00:47:28,000
Speaker 1: of my most treasure. And she goes here you go

893
00:47:28,080 --> 00:47:30,880
Speaker 1: and she didn't get like she always has like in

894
00:47:30,920 --> 00:47:33,080
Speaker 1: her hand. It's so cool, and I got another one.

895
00:47:33,440 --> 00:47:38,040
Speaker 1: Um So anyway, So Gloria Allread is now representing the

896
00:47:38,080 --> 00:47:41,960
Speaker 1: script supervisor. The script supervisor is saying that it's not

897
00:47:42,040 --> 00:47:46,600
Speaker 1: just negligence, it's like it was beyond that, like that,

898
00:47:47,239 --> 00:47:50,400
Speaker 1: I mean if so. During the press conference Wednesday, Los Angeles,

899
00:47:50,640 --> 00:47:53,960
Speaker 1: Gloria Allread said there were warning signs of dangerous conditions

900
00:47:53,960 --> 00:47:58,320
Speaker 1: on Seve related the guns. Just days before October twenty shooting.

901
00:47:58,440 --> 00:48:01,919
Speaker 1: She said a camera operator reported there were two gun

902
00:48:02,040 --> 00:48:05,320
Speaker 1: discharged daring a rehearsal and one of the cabin shots.

903
00:48:05,520 --> 00:48:08,800
Speaker 1: The camera operator allegedly told a production manager in a text,

904
00:48:08,840 --> 00:48:14,359
Speaker 1: this is super unsafe. The attorney added, so Essentially, it

905
00:48:14,440 --> 00:48:17,720
Speaker 1: was very unsafe. Before You're never supposed to be handed

906
00:48:17,719 --> 00:48:20,200
Speaker 1: a gun by anyone under than the prop master. It

907
00:48:20,280 --> 00:48:22,759
Speaker 1: was the assistant direct like just so many things when

908
00:48:24,520 --> 00:48:28,240
Speaker 1: the new thing is the script supervisors saying that, Um,

909
00:48:28,280 --> 00:48:31,200
Speaker 1: it wasn't even in the scene, like firing the gun

910
00:48:31,320 --> 00:48:33,040
Speaker 1: was not a part of the scene. Yeah, there was

911
00:48:33,080 --> 00:48:35,200
Speaker 1: no reason for him to cock and fire it, like

912
00:48:35,280 --> 00:48:37,200
Speaker 1: even in the scene, he wasn't supposed to cock it.

913
00:48:37,320 --> 00:48:40,440
Speaker 1: Oh my god, Why why are there more like eye

914
00:48:40,480 --> 00:48:43,160
Speaker 1: witness accounts from being in there. I want to hear

915
00:48:43,239 --> 00:48:46,640
Speaker 1: exactly what went down. I just it's all I've remember.

916
00:48:46,680 --> 00:48:50,080
Speaker 1: The days afterwards, I was scouring for any information you

917
00:48:50,120 --> 00:48:52,080
Speaker 1: could find, and I couldn't really find much. I'm sure

918
00:48:52,080 --> 00:48:53,920
Speaker 1: there's more out there now, but it's like a kind

919
00:48:53,920 --> 00:48:57,120
Speaker 1: of buried in the news. But um, she was suing.

920
00:48:57,239 --> 00:49:00,359
Speaker 1: She's suing them for because she saw, you know, one

921
00:49:00,400 --> 00:49:02,480
Speaker 1: person died in front of her. God, it was probably

922
00:49:02,480 --> 00:49:05,760
Speaker 1: fucking traumatic as Yeah, it had to have been insane.

923
00:49:05,800 --> 00:49:08,360
Speaker 1: It probably wouldn't even feel like in real life. You

924
00:49:08,400 --> 00:49:10,880
Speaker 1: see the footage of that barn where it all happened,

925
00:49:10,880 --> 00:49:13,520
Speaker 1: that little church or whatever, and it's so fucking creepy

926
00:49:13,680 --> 00:49:17,200
Speaker 1: just to know, like how traumatic, like the events that

927
00:49:17,239 --> 00:49:20,880
Speaker 1: happened inside that building, Like what I mean poor, I

928
00:49:20,880 --> 00:49:25,240
Speaker 1: mean poor Baldwin. Poor obviously the cinematographer who fucking died,

929
00:49:25,280 --> 00:49:27,799
Speaker 1: but like everyone, the guy who held her and had

930
00:49:27,800 --> 00:49:30,840
Speaker 1: blood all over the there was some like paparazzi shot

931
00:49:30,920 --> 00:49:33,520
Speaker 1: of the guy that held her when she died, like

932
00:49:34,239 --> 00:49:36,880
Speaker 1: going to a hardware store. I'm like, leave this man alone,

933
00:49:37,120 --> 00:49:39,880
Speaker 1: like he was just like another It's like, you know,

934
00:49:39,920 --> 00:49:43,520
Speaker 1: a camera op that now is being stalked by, but

935
00:49:43,920 --> 00:49:45,600
Speaker 1: you know because of people like me who are like,

936
00:49:45,680 --> 00:49:51,320
Speaker 1: let me see what you're speaking. But I'm not getting

937
00:49:51,400 --> 00:49:54,480
Speaker 1: any firsthand accounts. But don't you dare take a photo

938
00:49:54,560 --> 00:49:56,600
Speaker 1: of a man? I don't always think about though, like

939
00:49:56,719 --> 00:49:59,799
Speaker 1: the last photo you post on Instagram, like that will

940
00:49:59,800 --> 00:50:01,920
Speaker 1: be the thing that everyone remembers you buy And she,

941
00:50:02,239 --> 00:50:04,200
Speaker 1: you know, obviously had posted that video of her like

942
00:50:04,280 --> 00:50:06,439
Speaker 1: riding a horse the day before, like on her day

943
00:50:06,440 --> 00:50:09,440
Speaker 1: off on set. So sad, I know, I have a

944
00:50:09,480 --> 00:50:12,880
Speaker 1: We had a comedian buddy, Kevin Barnett, who passed away,

945
00:50:13,280 --> 00:50:15,720
Speaker 1: and that one photo of him was so last photo

946
00:50:15,920 --> 00:50:18,040
Speaker 1: was like him and in like a dashiki or something

947
00:50:18,160 --> 00:50:22,360
Speaker 1: like a Mexican, like Mexico and he died in Mexico

948
00:50:22,520 --> 00:50:25,759
Speaker 1: and he's like that was his last photo. I don't know.

949
00:50:25,840 --> 00:50:28,719
Speaker 1: It was like, yeah, it was kind of he was unbelievable.

950
00:50:29,760 --> 00:50:33,839
Speaker 1: Another day, it's so weird, Holy sh it. The other day,

951
00:50:33,840 --> 00:50:36,759
Speaker 1: I was on set. I'm not even joking you. I'm

952
00:50:36,800 --> 00:50:40,200
Speaker 1: on set and um doing this like commercial shoot thing

953
00:50:41,080 --> 00:50:45,359
Speaker 1: and there's someone from my agency there and I was like, oh,

954
00:50:45,400 --> 00:50:46,920
Speaker 1: how long have you been at U T A? And

955
00:50:46,920 --> 00:50:49,359
Speaker 1: she's like, oh whatever, and then I go she goes

956
00:50:49,440 --> 00:50:52,040
Speaker 1: before that, I was at A p A and I go, oh, um,

957
00:50:52,840 --> 00:50:54,279
Speaker 1: I go, you're an A p A. I was with

958
00:50:54,320 --> 00:50:56,040
Speaker 1: a PA for a while. I go, do you know

959
00:50:56,160 --> 00:51:01,040
Speaker 1: Tim Scali? And she was like he's he's dead and

960
00:51:01,040 --> 00:51:04,080
Speaker 1: I was like what. She was like, I go, my

961
00:51:04,520 --> 00:51:08,759
Speaker 1: heat died went and she's like, I think he's dead,

962
00:51:08,840 --> 00:51:12,280
Speaker 1: like it's been a while, and I'm like what. My agent,

963
00:51:12,440 --> 00:51:15,879
Speaker 1: who I was like friends with, died a while ago.

964
00:51:17,120 --> 00:51:19,799
Speaker 1: Never got to me for some reason, never found out

965
00:51:19,840 --> 00:51:22,759
Speaker 1: after we like parted ways as he was my agent.

966
00:51:22,880 --> 00:51:26,120
Speaker 1: He fired me first and then I went back to him,

967
00:51:26,120 --> 00:51:27,839
Speaker 1: and then I think I left him and then we

968
00:51:27,880 --> 00:51:31,600
Speaker 1: never like talked again, but he was like a funny,

969
00:51:31,680 --> 00:51:34,920
Speaker 1: nice guy and like I really you know, I remember

970
00:51:34,920 --> 00:51:37,040
Speaker 1: the last one lunch we had together was in two thousand,

971
00:51:38,320 --> 00:51:44,360
Speaker 1: I think ten nine. I was I was hungover. It

972
00:51:44,400 --> 00:51:45,880
Speaker 1: was the time that I was so hungover at our

973
00:51:45,960 --> 00:51:48,359
Speaker 1: lunch that I had to leave because I was so sick.

974
00:51:48,600 --> 00:51:49,840
Speaker 1: And then I threw up in the car on the

975
00:51:49,880 --> 00:51:52,279
Speaker 1: way back. And I was driving in Los Angeles in

976
00:51:52,320 --> 00:51:54,279
Speaker 1: April Macy's car that was borrowing because I was staying

977
00:51:54,280 --> 00:51:56,400
Speaker 1: at her place in Burbank, and I threw up in

978
00:51:56,480 --> 00:51:58,719
Speaker 1: her car while I was driving on the same road

979
00:51:58,760 --> 00:52:00,279
Speaker 1: that we were driving up right before we got the

980
00:52:00,320 --> 00:52:04,480
Speaker 1: subway yesterday. I threw up at a stoplight there to

981
00:52:04,520 --> 00:52:06,400
Speaker 1: go up over the hill again. And I threw up

982
00:52:06,400 --> 00:52:07,640
Speaker 1: in a ways because I was so scared to get

983
00:52:07,640 --> 00:52:09,600
Speaker 1: throw up in her fucking car. And I threw up

984
00:52:09,640 --> 00:52:12,719
Speaker 1: in my lap, in the center of my lap and

985
00:52:12,760 --> 00:52:14,840
Speaker 1: made a little pool of throw up in my thigh

986
00:52:14,960 --> 00:52:17,600
Speaker 1: and drove all the way to Burbank to her house

987
00:52:17,640 --> 00:52:19,759
Speaker 1: without a single splash of throw up getting anywhere in

988
00:52:19,800 --> 00:52:21,960
Speaker 1: her car, perfectly in my lap. But that was after

989
00:52:22,000 --> 00:52:24,520
Speaker 1: I was at lunch with Tim Scali. But it was

990
00:52:24,560 --> 00:52:27,080
Speaker 1: weird to hear, and I go, no, way, he's dead,

991
00:52:27,120 --> 00:52:29,879
Speaker 1: Like I have a lot of common friends with him. Man,

992
00:52:29,920 --> 00:52:31,719
Speaker 1: you would think you would have been the one to

993
00:52:31,840 --> 00:52:37,840
Speaker 1: die before him, like definitely overweight and oh yes, but

994
00:52:37,880 --> 00:52:40,000
Speaker 1: he was like you know when we were he was

995
00:52:40,040 --> 00:52:42,400
Speaker 1: my agent, he was like thirty three, and I was like,

996
00:52:42,440 --> 00:52:46,880
Speaker 1: in my he's a young guy. And and he and

997
00:52:46,920 --> 00:52:48,919
Speaker 1: I and we go she googled and she goes, yeah,

998
00:52:48,920 --> 00:52:51,640
Speaker 1: he died in two eighteen. I'm like, what the fuck?

999
00:52:52,080 --> 00:52:54,680
Speaker 1: How did I miss that? And it's so weird to

1000
00:52:54,760 --> 00:52:57,319
Speaker 1: hear someone you know, like to be to get the

1001
00:52:57,360 --> 00:52:59,239
Speaker 1: news that someone you know died and to be like

1002
00:52:59,400 --> 00:53:01,720
Speaker 1: very shocked by it, but it was happened two years

1003
00:53:01,760 --> 00:53:04,320
Speaker 1: or three years ago, Like that is a weird feeling

1004
00:53:04,320 --> 00:53:06,400
Speaker 1: to be, Like should I be as sad as I

1005
00:53:06,440 --> 00:53:08,399
Speaker 1: would be if it had like if I found out

1006
00:53:08,400 --> 00:53:11,200
Speaker 1: in the moment or because he's been gone for a while,

1007
00:53:11,239 --> 00:53:14,480
Speaker 1: like he's been cold in the ground for three years

1008
00:53:14,640 --> 00:53:18,359
Speaker 1: and I'm now getting this news like I And then

1009
00:53:18,400 --> 00:53:20,319
Speaker 1: I was just kind of like, Okay, well, so what

1010
00:53:20,360 --> 00:53:22,240
Speaker 1: do we what's the next look we're doing for the shoot?

1011
00:53:22,320 --> 00:53:24,160
Speaker 1: Like I was like, that's that shows to you like,

1012
00:53:24,320 --> 00:53:28,960
Speaker 1: how little agents like actually like, how little like humanity

1013
00:53:29,040 --> 00:53:31,879
Speaker 1: you have towards agents? Yeah, you were, like, I definitely fired.

1014
00:53:31,880 --> 00:53:34,080
Speaker 1: He wasn't getting ten percent the last three years was

1015
00:53:34,120 --> 00:53:36,479
Speaker 1: he as a dead man. It was really sad. Rest

1016
00:53:36,480 --> 00:53:38,000
Speaker 1: in peace, Tim scal I don't know how you died

1017
00:53:38,080 --> 00:53:39,960
Speaker 1: or what happened, but I you were a nice guy

1018
00:53:40,000 --> 00:53:42,759
Speaker 1: to me some of the time and uh yeah, but

1019
00:53:43,040 --> 00:53:44,759
Speaker 1: a lot of the time honestly, But it was just

1020
00:53:44,880 --> 00:53:46,719
Speaker 1: it was really sad to hear of his passing three

1021
00:53:46,800 --> 00:53:48,560
Speaker 1: years later. It's have you ever is that ever happened

1022
00:53:48,560 --> 00:53:50,040
Speaker 1: to you? Where you find out the one died three

1023
00:53:50,120 --> 00:53:54,240
Speaker 1: years later? Yeah, my brother. We gotta go to break.

1024
00:53:54,280 --> 00:54:02,759
Speaker 1: We'll be right back with tracks. All right, let's do

1025
00:54:02,840 --> 00:54:14,480
Speaker 1: fan tracks. Let's get into it. Fan tracks. It's our

1026
00:54:14,560 --> 00:54:17,680
Speaker 1: daily or it's our weekly segment where we get fan

1027
00:54:18,160 --> 00:54:21,680
Speaker 1: letters voice memos. And I'm excited because last week I

1028
00:54:21,719 --> 00:54:23,640
Speaker 1: feel like we didn't get to too many. But um,

1029
00:54:23,680 --> 00:54:27,080
Speaker 1: what do we got? Noah? Okay? Our first one comes

1030
00:54:27,160 --> 00:54:32,080
Speaker 1: from I think Megan is how you pronounce it? Hi, Nikki,

1031
00:54:32,160 --> 00:54:36,760
Speaker 1: Andrew and Noah, Um, this is Megan calling in from

1032
00:54:36,880 --> 00:54:39,720
Speaker 1: well at this very moment, Dallas. But I am moving

1033
00:54:39,760 --> 00:54:44,799
Speaker 1: to Raleigh, North Carolina tomorrow morning. Anyways, I'm calling in

1034
00:54:45,000 --> 00:54:49,920
Speaker 1: because I had a very interesting sex dream um with

1035
00:54:50,760 --> 00:54:57,200
Speaker 1: Nikki and club since and my husband. It was a foursome.

1036
00:54:58,239 --> 00:55:02,120
Speaker 1: It was all an what And at the end of

1037
00:55:02,160 --> 00:55:07,640
Speaker 1: our sex um, NICKI asked me if I orgasms and

1038
00:55:08,440 --> 00:55:13,719
Speaker 1: kid you not? In Andrew's voice, I said, no, I

1039
00:55:13,800 --> 00:55:20,040
Speaker 1: can't really come because I take SSR. What. Anyway, that

1040
00:55:20,120 --> 00:55:23,200
Speaker 1: was a fun one, told my husband and he Uh,

1041
00:55:23,360 --> 00:55:26,080
Speaker 1: I thought it was hilarious and started seeing the podcast

1042
00:55:26,760 --> 00:55:37,520
Speaker 1: tune and thanks, So I hope you guys are gonna

1043
00:55:37,600 --> 00:55:43,839
Speaker 1: have a great weekend and squirt squirt. Yeah, but um, wait,

1044
00:55:43,960 --> 00:55:46,600
Speaker 1: where was Gleb and where was I in the Like

1045
00:55:46,880 --> 00:55:49,680
Speaker 1: was I having we were all having handled together. That's

1046
00:55:49,680 --> 00:55:53,320
Speaker 1: a good question. I don't know. I was picturing Gleb

1047
00:55:53,440 --> 00:55:55,520
Speaker 1: just having sex with her while you practice dancing in

1048
00:55:55,520 --> 00:56:04,320
Speaker 1: the corner and he called you. What did he call you? Uh?

1049
00:56:04,400 --> 00:56:07,719
Speaker 1: You dance like um robot? Or like you dance like

1050
00:56:07,920 --> 00:56:11,800
Speaker 1: um something horse? What was it? Oh god? What was it?

1051
00:56:12,040 --> 00:56:17,680
Speaker 1: Crippling horse? Like? Um? You dance like um horse leg.

1052
00:56:18,400 --> 00:56:20,680
Speaker 1: It was really a really insulting thing that I guess

1053
00:56:20,719 --> 00:56:23,840
Speaker 1: I blocked out because it was so upsetting what he said.

1054
00:56:24,560 --> 00:56:27,520
Speaker 1: He said, you dance like yeah, like like, oh my god,

1055
00:56:27,600 --> 00:56:30,360
Speaker 1: what was it? This really upsetting me because I remember

1056
00:56:30,880 --> 00:56:33,600
Speaker 1: like sick horse or something horse. It was something horse.

1057
00:56:33,680 --> 00:56:36,920
Speaker 1: Oh my god. Anyway, that is I love that. Um

1058
00:56:36,920 --> 00:56:39,160
Speaker 1: it was in your voice that she answered, like her

1059
00:56:39,239 --> 00:56:42,360
Speaker 1: voice was then your voice. We are getting in people's minds.

1060
00:56:43,239 --> 00:56:44,600
Speaker 1: I thought it was gonna. I thought she was going

1061
00:56:44,680 --> 00:56:47,000
Speaker 1: to say apparently, and then the left turn was I

1062
00:56:47,000 --> 00:56:49,239
Speaker 1: didn't come because of SSR eyes. I mean we were

1063
00:56:49,239 --> 00:56:50,960
Speaker 1: talking last night about in your act, how you say

1064
00:56:50,960 --> 00:56:53,919
Speaker 1: I don't come good, how funny it is. And that's

1065
00:56:53,960 --> 00:56:57,359
Speaker 1: from the fact that you take SSR eyes. Yeah, like

1066
00:56:58,480 --> 00:57:03,520
Speaker 1: you you sorry, that's what you say girls, because why

1067
00:57:03,560 --> 00:57:06,000
Speaker 1: do you like so you just get hard and you

1068
00:57:06,000 --> 00:57:09,279
Speaker 1: can never come at times? If I come, I come

1069
00:57:09,320 --> 00:57:15,600
Speaker 1: once every three days, like the like pony Express, but

1070
00:57:15,719 --> 00:57:18,920
Speaker 1: a slower pony, a small short pony with no legs.

1071
00:57:18,760 --> 00:57:20,200
Speaker 1: It's kind of how you damn And do you still

1072
00:57:20,240 --> 00:57:24,440
Speaker 1: have the Meredith? Wait, do you have to like do

1073
00:57:24,480 --> 00:57:26,360
Speaker 1: you just jerk off like it has to be your

1074
00:57:26,360 --> 00:57:28,960
Speaker 1: hand and you feel really tug it hard. I do

1075
00:57:29,040 --> 00:57:32,680
Speaker 1: like a lot of fresh a lot of fresh presh.

1076
00:57:32,840 --> 00:57:35,080
Speaker 1: So can you at this point get your lady to

1077
00:57:35,160 --> 00:57:37,280
Speaker 1: just like do exactly, like just just do you hold

1078
00:57:37,320 --> 00:57:41,360
Speaker 1: her hand and kind of like just tug her hand. Um,

1079
00:57:41,400 --> 00:57:44,880
Speaker 1: it's been better, like it's been good, like she's like incredible,

1080
00:57:45,000 --> 00:57:48,320
Speaker 1: like of course, yeah, like I definitely nothing about her. No,

1081
00:57:48,400 --> 00:57:52,280
Speaker 1: I know, I orgaz in plenty just without me, but

1082
00:57:52,680 --> 00:57:56,360
Speaker 1: I can't get the job done usually on my own,

1083
00:57:56,760 --> 00:57:58,600
Speaker 1: you know what I mean, Like if I if if

1084
00:57:58,640 --> 00:58:02,880
Speaker 1: like if it's not happening, I almost look like it's

1085
00:58:02,920 --> 00:58:05,520
Speaker 1: like I gotta it looks sad. It's like just me

1086
00:58:05,680 --> 00:58:09,919
Speaker 1: like going just like it just looks like I'm trying

1087
00:58:09,960 --> 00:58:13,200
Speaker 1: to like squat. Wait, that's like six pounds heavier than

1088
00:58:13,200 --> 00:58:20,920
Speaker 1: I should be doing. There's nothing sexual about it, Okay.

1089
00:58:20,920 --> 00:58:28,920
Speaker 1: Our next one comes from Leo oh guy, Hey Nikki, Um,

1090
00:58:28,960 --> 00:58:33,400
Speaker 1: I'm a bestie. I love you, Andrew, Andrew and no

1091
00:58:33,560 --> 00:58:37,560
Speaker 1: uh um. Anyway, I was listening recently and I saw

1092
00:58:37,720 --> 00:58:42,160
Speaker 1: that you sing like Taylor Swift when you sing blank space,

1093
00:58:42,640 --> 00:58:48,960
Speaker 1: specifically when she sings time or not not time. I'm

1094
00:58:49,480 --> 00:58:56,600
Speaker 1: I'm insane. So now that Red Taylor's version is out

1095
00:58:56,640 --> 00:58:58,360
Speaker 1: and the ten minute version of All two Well is

1096
00:58:58,400 --> 00:59:01,720
Speaker 1: out there's a new part where she, oh, well that

1097
00:59:02,160 --> 00:59:07,240
Speaker 1: ends well, I'm in a new hell every time you

1098
00:59:07,480 --> 00:59:15,600
Speaker 1: double cross double cross my mind. Anyway, Um, she's amazing.

1099
00:59:16,160 --> 00:59:19,840
Speaker 1: I loved her before I loved you, but your adoration

1100
00:59:19,960 --> 00:59:24,120
Speaker 1: for her made me a bestie. And keep doing what

1101
00:59:24,160 --> 00:59:32,440
Speaker 1: you're doing. And please seeing your rendition of tying, I'm toying.

1102
00:59:33,360 --> 00:59:38,080
Speaker 1: Thank you. Bye. Oh my god, I gotta look up

1103
00:59:38,200 --> 00:59:41,760
Speaker 1: with this because that honestly, I have had her lyrics

1104
00:59:41,760 --> 00:59:43,640
Speaker 1: in my head where they don't complete, like it's just

1105
00:59:43,680 --> 00:59:46,600
Speaker 1: been going over in my head over and over. I've

1106
00:59:46,600 --> 00:59:50,560
Speaker 1: had different chunks of lyrics, and that exact lyric has

1107
00:59:50,600 --> 00:59:54,640
Speaker 1: been in my head for so many days now of like,

1108
00:59:54,920 --> 00:59:58,000
Speaker 1: all's well, that ends well, But I'm in a new

1109
00:59:58,040 --> 01:00:02,520
Speaker 1: hell every time you dub across my mind. You said

1110
01:00:02,560 --> 01:00:05,880
Speaker 1: if we would have been, there's something like, oh god,

1111
01:00:06,080 --> 01:00:08,000
Speaker 1: the part that I love the most and hold on,

1112
01:00:08,080 --> 01:00:12,080
Speaker 1: let me just look at you know what I mean. Yeah,

1113
01:00:12,160 --> 01:00:14,240
Speaker 1: that's the that's the new lyrics. But all too well,

1114
01:00:14,680 --> 01:00:18,360
Speaker 1: UM want to die because there's this part where she goes, oh,

1115
01:00:18,680 --> 01:00:21,200
Speaker 1: hold on, I just I know that it's too many

1116
01:00:21,280 --> 01:00:25,320
Speaker 1: lyrics like that ten minutes is too much of a

1117
01:00:25,360 --> 01:00:30,600
Speaker 1: song for most people, but I fucking love it so

1118
01:00:30,600 --> 01:00:33,200
Speaker 1: so much, all these new lyrics and that one in particular,

1119
01:00:33,480 --> 01:00:35,840
Speaker 1: because obviously I know I'm not supposed to go into

1120
01:00:35,840 --> 01:00:37,560
Speaker 1: too much Taylor so as stuff because you guys don't

1121
01:00:37,560 --> 01:00:39,160
Speaker 1: like it. All of you don't like it, but some

1122
01:00:39,200 --> 01:00:40,960
Speaker 1: of you do. So let me just indulge me a

1123
01:00:41,040 --> 01:00:45,600
Speaker 1: little bit. She goes every time you double cross my mind.

1124
01:00:45,920 --> 01:00:48,160
Speaker 1: You said if we would had if you said if

1125
01:00:48,200 --> 01:00:51,120
Speaker 1: we had been closer and age, maybe it would have

1126
01:00:51,200 --> 01:00:56,040
Speaker 1: been fine. That made me want to die. I love

1127
01:00:56,360 --> 01:00:58,240
Speaker 1: her saying that made me want to die. How many

1128
01:00:58,240 --> 01:01:01,160
Speaker 1: times have you heard a guy or someone say something

1129
01:01:01,400 --> 01:01:04,600
Speaker 1: in a relationship and like, you know, Taylor can be

1130
01:01:04,640 --> 01:01:09,240
Speaker 1: so poetic and just like really um working like metaphor

1131
01:01:09,560 --> 01:01:13,480
Speaker 1: and and just it's like there's there's way she speaks

1132
01:01:13,520 --> 01:01:16,720
Speaker 1: that like are more like flowery language, but just something

1133
01:01:16,800 --> 01:01:19,480
Speaker 1: that that um direct is like that made me want

1134
01:01:19,480 --> 01:01:22,160
Speaker 1: to die. That's the way like girls talk or like

1135
01:01:22,200 --> 01:01:25,080
Speaker 1: kind of immature girls talk and being one. I just

1136
01:01:25,200 --> 01:01:27,880
Speaker 1: love that. It's like she does all this, she can

1137
01:01:27,960 --> 01:01:30,120
Speaker 1: just be so direct, and just that line, it was

1138
01:01:30,160 --> 01:01:32,320
Speaker 1: just like it made me want to die. Like it's

1139
01:01:32,360 --> 01:01:35,760
Speaker 1: just like it was just so, it's so raw. I

1140
01:01:35,800 --> 01:01:38,480
Speaker 1: fucking love it, and I love that she goes that

1141
01:01:38,600 --> 01:01:41,560
Speaker 1: idea you had of me? Who was she? An ever needy,

1142
01:01:41,640 --> 01:01:46,960
Speaker 1: ever lovely jewel who shine reflected you? Now I'm weeping

1143
01:01:47,040 --> 01:01:50,280
Speaker 1: in a party bathroom. Some actress asking me what happened,

1144
01:01:50,360 --> 01:01:52,800
Speaker 1: which apparently was Anne Hathaway. She was at a party

1145
01:01:52,880 --> 01:01:57,160
Speaker 1: and Hathaway was working with Jake jillenal on loving other drugs,

1146
01:01:57,440 --> 01:02:00,880
Speaker 1: and she had known that he was like fucking with

1147
01:02:00,920 --> 01:02:04,000
Speaker 1: Taylor's heart, And so Anne hathawaye asked Taylor in a

1148
01:02:04,080 --> 01:02:07,480
Speaker 1: bathroom what happened? And I love Taylor's line here too.

1149
01:02:07,560 --> 01:02:10,520
Speaker 1: She goes, Now I'm weeping in some party bathroom, some

1150
01:02:10,600 --> 01:02:13,600
Speaker 1: act We've been in a party bathroom, some actress asking me,

1151
01:02:13,680 --> 01:02:18,360
Speaker 1: what happened you? That's what happened you? Just to be

1152
01:02:18,440 --> 01:02:22,080
Speaker 1: like you happened you were nothing happened you. It was

1153
01:02:22,120 --> 01:02:24,960
Speaker 1: all you? You who charmed my dad? Was you who

1154
01:02:25,080 --> 01:02:27,880
Speaker 1: charmed my dad? Was self effacing jokes, stipping coffee like

1155
01:02:27,920 --> 01:02:31,000
Speaker 1: you're on a late night show. But when he watched me,

1156
01:02:31,640 --> 01:02:33,840
Speaker 1: But when he watched me, watched the front door all night,

1157
01:02:33,880 --> 01:02:36,000
Speaker 1: willing you to come. And he said it's supposed to

1158
01:02:36,000 --> 01:02:38,520
Speaker 1: be fun turning twenty one, which is an illusion. What

1159
01:02:38,680 --> 01:02:41,200
Speaker 1: is a call back to a song The moment I knew,

1160
01:02:41,320 --> 01:02:43,280
Speaker 1: which is about the moment she knew that he wasn't

1161
01:02:43,280 --> 01:02:44,919
Speaker 1: the one because he didn't show up at her twenty

1162
01:02:44,920 --> 01:02:47,240
Speaker 1: first birthday and all the whole birthday party she was

1163
01:02:47,280 --> 01:02:51,240
Speaker 1: waiting him for him to show up and Una Lyric

1164
01:02:51,800 --> 01:02:55,320
Speaker 1: I just remember her talking about she knows maybe partly

1165
01:02:55,360 --> 01:02:58,040
Speaker 1: because of you. Ever more, she knows every single word now,

1166
01:02:58,720 --> 01:03:01,560
Speaker 1: like she's in hard on Taylor, like insane, like you

1167
01:03:01,560 --> 01:03:04,000
Speaker 1: guys would get Yes, I would love to talk about

1168
01:03:04,560 --> 01:03:06,760
Speaker 1: one thing hit her really like she because it makes

1169
01:03:06,800 --> 01:03:09,680
Speaker 1: you think where you were at, like what you're you know,

1170
01:03:09,760 --> 01:03:12,680
Speaker 1: she wasn't happy with where with her relationship. I don't

1171
01:03:12,680 --> 01:03:15,160
Speaker 1: know that line right there, though she like mentioned it

1172
01:03:15,440 --> 01:03:18,920
Speaker 1: the other day anyhow. And then she goes and I

1173
01:03:19,000 --> 01:03:21,440
Speaker 1: was never good at telling jokes. But the punch line goes,

1174
01:03:21,520 --> 01:03:24,120
Speaker 1: all get older, but your lovers stay my age, and

1175
01:03:24,160 --> 01:03:26,439
Speaker 1: I know I've already talked about that, but she goes,

1176
01:03:26,440 --> 01:03:29,520
Speaker 1: I'm a soldier who's returning half her weight, like you know,

1177
01:03:29,640 --> 01:03:32,479
Speaker 1: like after this relationship was just three months. But she's

1178
01:03:32,520 --> 01:03:37,760
Speaker 1: like it just decimated her. Um and then I just oh,

1179
01:03:37,880 --> 01:03:39,720
Speaker 1: And then there's this lyric I'm sorry to go up

1180
01:03:39,760 --> 01:03:42,000
Speaker 1: on the Taylor Swift tangent. I'm so sorry, but there's

1181
01:03:42,000 --> 01:03:44,000
Speaker 1: this new song that of hers that I'm obsessed with.

1182
01:03:44,240 --> 01:03:47,320
Speaker 1: Sometimes I bet you think about me, um, and I

1183
01:03:47,400 --> 01:03:48,960
Speaker 1: just want to go over the lyric that I'm obsessing.

1184
01:03:49,000 --> 01:03:51,800
Speaker 1: Do you think something to uh while you're looking? Do

1185
01:03:51,880 --> 01:03:54,720
Speaker 1: you think there's something to like? Yeah, Jake Killenhall gets

1186
01:03:54,760 --> 01:03:58,520
Speaker 1: a lot of hate, but because he made her so

1187
01:03:58,560 --> 01:04:02,000
Speaker 1: sad and just three months or something, that maybe women

1188
01:04:02,040 --> 01:04:05,320
Speaker 1: would be turned on by that because he like we

1189
01:04:05,400 --> 01:04:08,760
Speaker 1: all want to get him now because he's obviously so amazing.

1190
01:04:09,400 --> 01:04:12,120
Speaker 1: Not amazing, but like there's something to like if you

1191
01:04:12,200 --> 01:04:14,720
Speaker 1: heard someone so bad, you must have been pretty great

1192
01:04:14,760 --> 01:04:17,800
Speaker 1: at some point, so like maybe like you could turn

1193
01:04:17,920 --> 01:04:21,000
Speaker 1: him into exactly what, like you know what does that

1194
01:04:21,040 --> 01:04:23,760
Speaker 1: make sense? Like? I got Yeah, I got that. Like

1195
01:04:23,840 --> 01:04:26,360
Speaker 1: obviously this sounds like a drug that sounds pretty fucking fun,

1196
01:04:26,800 --> 01:04:28,480
Speaker 1: even though it's gonna devastate my life. I think I

1197
01:04:28,520 --> 01:04:31,640
Speaker 1: could probably do heroin and not have to devastate my life. Yes, exactly,

1198
01:04:31,720 --> 01:04:35,280
Speaker 1: That's what I'm saying. Us interesting there's this thing where

1199
01:04:35,320 --> 01:04:39,440
Speaker 1: she's like, I bet you think about me, Yes, I

1200
01:04:39,480 --> 01:04:41,440
Speaker 1: bet you think about She's like, I bet you think

1201
01:04:41,480 --> 01:04:44,720
Speaker 1: about me when you're out at your cool indie music

1202
01:04:44,720 --> 01:04:47,919
Speaker 1: concerts every single week. I bet you think about me

1203
01:04:48,160 --> 01:04:51,320
Speaker 1: in your house with your organic shoes and your million

1204
01:04:51,360 --> 01:04:53,280
Speaker 1: dollar couch. And then this is this is how she

1205
01:04:53,360 --> 01:04:56,200
Speaker 1: ends a song. I bet you think about me when

1206
01:04:56,200 --> 01:04:59,360
Speaker 1: you say, oh my god, she's insane. She wrote a

1207
01:04:59,400 --> 01:05:03,080
Speaker 1: song about me, I bet you think about me, which

1208
01:05:03,120 --> 01:05:06,520
Speaker 1: I love because she then she wrote a song about

1209
01:05:06,600 --> 01:05:09,520
Speaker 1: the song she wrote about so she's referencing all too well.

1210
01:05:09,520 --> 01:05:12,320
Speaker 1: She's not writing referencing the song she's singing. She's referencing

1211
01:05:12,360 --> 01:05:14,880
Speaker 1: like I know you probably are like, she's so crazy.

1212
01:05:14,960 --> 01:05:17,000
Speaker 1: She wrote all too well about me. But deep down

1213
01:05:17,080 --> 01:05:18,960
Speaker 1: I know that even though you think I'm crazy and

1214
01:05:18,960 --> 01:05:20,880
Speaker 1: you're gonna complain to your friends about me, because in

1215
01:05:20,920 --> 01:05:24,560
Speaker 1: the beginning of the song starts three three am and

1216
01:05:24,600 --> 01:05:27,440
Speaker 1: I'm still awake, I'll bet you're just fine, fast asleep

1217
01:05:27,480 --> 01:05:30,200
Speaker 1: in your city that's better than mine, and the girl

1218
01:05:30,280 --> 01:05:33,040
Speaker 1: in your bed has a fine pedigree, and I'll bet

1219
01:05:33,120 --> 01:05:36,160
Speaker 1: your friends tell her she's better than me. It's like

1220
01:05:36,360 --> 01:05:41,400
Speaker 1: is that John Mayer's because the music reference. Well, I

1221
01:05:41,440 --> 01:05:43,840
Speaker 1: tried to fit in with your upper cross circles. Yeah.

1222
01:05:43,840 --> 01:05:46,640
Speaker 1: They let me sit back when Yeah, they let me

1223
01:05:46,720 --> 01:05:48,960
Speaker 1: sit in back when we were in love. Oh, they

1224
01:05:49,000 --> 01:05:51,440
Speaker 1: sit around talking about the meaning of life and the

1225
01:05:51,480 --> 01:05:54,160
Speaker 1: book that just saved him that I hadn't heard of.

1226
01:05:54,640 --> 01:05:58,120
Speaker 1: And then she just that song is so fucking good.

1227
01:05:58,120 --> 01:05:59,480
Speaker 1: She just put out a music video for it. I

1228
01:05:59,520 --> 01:06:01,240
Speaker 1: haven't watched. Yeah, we gotta get to final thought. Okay,

1229
01:06:01,280 --> 01:06:03,720
Speaker 1: let's get to the last one. I feel like it's

1230
01:06:03,760 --> 01:06:05,400
Speaker 1: not John May No, that's Jake, Joe and Hall. She's

1231
01:06:05,440 --> 01:06:07,640
Speaker 1: still talking about. Maybe it's a mixture of both, but

1232
01:06:07,680 --> 01:06:10,080
Speaker 1: it's not because the music thing. And then like no,

1233
01:06:10,280 --> 01:06:13,440
Speaker 1: Jake Killen Hall. It's like she also write wrote, um,

1234
01:06:13,880 --> 01:06:15,919
Speaker 1: I remember when we broke up the first time saying

1235
01:06:15,920 --> 01:06:17,440
Speaker 1: this is she wrote that, and she goes with your

1236
01:06:17,480 --> 01:06:19,640
Speaker 1: indie you would, and then you would go hide away

1237
01:06:19,640 --> 01:06:21,760
Speaker 1: and find your peace of mind with your indie records

1238
01:06:21,800 --> 01:06:26,000
Speaker 1: that are so much cooler than mine. That was listen

1239
01:06:26,080 --> 01:06:29,560
Speaker 1: to indie music. It's not and she's not saying her

1240
01:06:29,680 --> 01:06:31,800
Speaker 1: his indie records that are such cooler than the music.

1241
01:06:31,840 --> 01:06:34,960
Speaker 1: She listens to she's saying the music that I make

1242
01:06:35,120 --> 01:06:37,640
Speaker 1: like funck this guy for like thinking the music he

1243
01:06:37,640 --> 01:06:40,040
Speaker 1: doesn't even make, the music he listens to is cooler

1244
01:06:40,040 --> 01:06:44,480
Speaker 1: than the music that you make. Fuck you. Um, I'm angry. Okay,

1245
01:06:44,560 --> 01:06:48,080
Speaker 1: let's get to the next fans Rex. Okay, here's one

1246
01:06:48,120 --> 01:06:52,600
Speaker 1: from Candice. Alright, this this meddle schooler is getting angry

1247
01:06:52,640 --> 01:06:55,760
Speaker 1: over God. I just want to do all. I could

1248
01:06:55,760 --> 01:06:58,360
Speaker 1: go off all day. I just see you carving stuff

1249
01:06:58,360 --> 01:07:03,120
Speaker 1: into your desk while you're feature doesn't watch fun Jake, No,

1250
01:07:03,360 --> 01:07:08,120
Speaker 1: just suck every Yeah, sorry, Candis, keep sorry. Okay, here's

1251
01:07:08,840 --> 01:07:13,400
Speaker 1: apologize and hey Noah, Andrew and Nikki. I thought I

1252
01:07:13,440 --> 01:07:17,120
Speaker 1: would mix it up and keep y'all on your toes. Um.

1253
01:07:17,280 --> 01:07:20,360
Speaker 1: I just wanted to ask the other besties if they've

1254
01:07:20,440 --> 01:07:24,880
Speaker 1: ever just randomly been like citing the pod I guess

1255
01:07:24,960 --> 01:07:27,919
Speaker 1: or things that we talked about because I'm high off

1256
01:07:28,000 --> 01:07:30,760
Speaker 1: my own supply. Just did some cardios, so maybe my

1257
01:07:30,840 --> 01:07:34,160
Speaker 1: endorphins are gone. But I was just sitting here cooking

1258
01:07:34,160 --> 01:07:37,760
Speaker 1: dinner and I'm just like, this is your redit dove,

1259
01:07:38,480 --> 01:07:42,680
Speaker 1: And then I was like, what am I even singing? Like?

1260
01:07:43,600 --> 01:07:47,280
Speaker 1: It made me think about like when Nikki was singing

1261
01:07:47,280 --> 01:07:51,160
Speaker 1: to herself and accidentally recorded it towards the beginning of

1262
01:07:51,160 --> 01:07:53,680
Speaker 1: the podcast. But yeah, I just don't wanted to share

1263
01:07:53,720 --> 01:07:56,800
Speaker 1: that and see if any of the other besties are

1264
01:07:56,880 --> 01:08:01,360
Speaker 1: weird like me. I love you guys, and please keep

1265
01:08:01,360 --> 01:08:02,920
Speaker 1: doing what you're doing because it puts a smile on

1266
01:08:02,960 --> 01:08:08,720
Speaker 1: my face. And sweeties, do you hear her little microwave

1267
01:08:08,760 --> 01:08:14,320
Speaker 1: go off? Cutie? Um? Yeah, Candice, I mean I feel

1268
01:08:14,360 --> 01:08:16,720
Speaker 1: like I think there are other best seas that have

1269
01:08:16,800 --> 01:08:19,080
Speaker 1: that happened. It's the best gift to me that you guys,

1270
01:08:19,320 --> 01:08:21,720
Speaker 1: um feel And she even said the things that we

1271
01:08:21,760 --> 01:08:25,160
Speaker 1: talk about, you know that she said that, So that's

1272
01:08:25,200 --> 01:08:28,559
Speaker 1: the best. That's you kissing the mic like I just

1273
01:08:28,920 --> 01:08:31,760
Speaker 1: like because the mic not might not be able to

1274
01:08:31,800 --> 01:08:34,280
Speaker 1: be just head. You actually might not be here with us,

1275
01:08:34,439 --> 01:08:36,400
Speaker 1: but it's the same. It's one in the same. We

1276
01:08:36,479 --> 01:08:39,880
Speaker 1: just kissed you on the head. Candice kisses canvas. Love you,

1277
01:08:39,960 --> 01:08:44,280
Speaker 1: candas dude. When someone like at the meet and greed,

1278
01:08:44,320 --> 01:08:47,559
Speaker 1: they just whispered my ear handrip like it just like

1279
01:08:47,680 --> 01:08:49,479
Speaker 1: I don't know what it does. It like brings It's

1280
01:08:49,479 --> 01:08:52,000
Speaker 1: like it's like a silent thing like a fraternity or

1281
01:08:52,040 --> 01:08:54,400
Speaker 1: sorority only knows you know what I mean, like a handshake,

1282
01:08:54,479 --> 01:08:57,120
Speaker 1: Like it's just like, hey, we know we got this

1283
01:08:57,160 --> 01:09:00,479
Speaker 1: little language, we our own little language going on. It

1284
01:09:00,520 --> 01:09:03,120
Speaker 1: means so much to us. We love you guys so much.

1285
01:09:03,120 --> 01:09:05,400
Speaker 1: And um, I want to just say we we have

1286
01:09:05,439 --> 01:09:08,360
Speaker 1: two podcasts, um that will be out next week. We're

1287
01:09:08,360 --> 01:09:10,280
Speaker 1: only doing two episodes next week. I want to warn

1288
01:09:10,320 --> 01:09:12,320
Speaker 1: you guys, just so you just don't you you gear

1289
01:09:12,439 --> 01:09:15,320
Speaker 1: up for that because I know I know when I

1290
01:09:15,400 --> 01:09:17,519
Speaker 1: like a show, I want it like when I want it,

1291
01:09:17,600 --> 01:09:19,479
Speaker 1: and so just preparing you for that. It's just a

1292
01:09:19,479 --> 01:09:22,120
Speaker 1: busy week for me and we're just getting ahead of that. Um.

1293
01:09:22,760 --> 01:09:24,800
Speaker 1: So a part of me wants to just do all

1294
01:09:24,840 --> 01:09:27,080
Speaker 1: fan trax for one of those episodes because we got

1295
01:09:27,120 --> 01:09:28,800
Speaker 1: a lot to get through, because we obviously didn't get

1296
01:09:28,800 --> 01:09:30,559
Speaker 1: through it today because I went off on a tanded

1297
01:09:30,640 --> 01:09:36,439
Speaker 1: to its tailor chanton tailor dient. Um, but thank you

1298
01:09:36,479 --> 01:09:38,479
Speaker 1: so much for all your calls and keep them coming

1299
01:09:38,520 --> 01:09:40,439
Speaker 1: and we hope to get to them all. And so yeah,

1300
01:09:40,479 --> 01:09:42,439
Speaker 1: next week there will only be two episodes. Don't know

1301
01:09:42,439 --> 01:09:46,080
Speaker 1: which days those will be out. You stay two, Um, Andrew,

1302
01:09:46,120 --> 01:09:49,559
Speaker 1: can you finish your story? Oh yeah. So, um, Wayne

1303
01:09:49,600 --> 01:09:52,000
Speaker 1: goes in there, he pounds it out, he comes out,

1304
01:09:52,120 --> 01:09:55,880
Speaker 1: he goes, who's next, Who's next? Final thought? Uh, he goes,

1305
01:09:55,880 --> 01:09:59,599
Speaker 1: who's next, Who's who's next? Come on? Come on? We're like, dude,

1306
01:09:59,600 --> 01:10:02,800
Speaker 1: we're not going in, especially after you just had sex

1307
01:10:02,840 --> 01:10:06,679
Speaker 1: with their raw dog, and are you hiding? At this point?

1308
01:10:07,240 --> 01:10:12,240
Speaker 1: I want to hide, but I just like, a, well,

1309
01:10:12,320 --> 01:10:14,600
Speaker 1: he's not that mean, he's not like I'm kind of

1310
01:10:14,600 --> 01:10:16,720
Speaker 1: giving him an extra meanness. But it was kind of

1311
01:10:16,800 --> 01:10:19,080
Speaker 1: tongue in cheek, but just kind of like, come on, guys,

1312
01:10:19,080 --> 01:10:22,760
Speaker 1: come on, come on, tongue in cheek, you know. And uh.

1313
01:10:22,880 --> 01:10:24,960
Speaker 1: We go to Frank. We're like, who are you? And

1314
01:10:25,000 --> 01:10:28,439
Speaker 1: Frank goes, oh, I'm face husband and this is Frank.

1315
01:10:28,520 --> 01:10:31,040
Speaker 1: The old man was face husband and Wayne was just

1316
01:10:31,120 --> 01:10:34,599
Speaker 1: the guy. Yes, where did they all meet? Do you

1317
01:10:34,640 --> 01:10:40,679
Speaker 1: know someone out there if you've ever heard a story

1318
01:10:40,800 --> 01:10:44,280
Speaker 1: like this, please, if you know Faye in Biloxi, if

1319
01:10:44,320 --> 01:10:46,760
Speaker 1: she's still alive or in hospice, tell her I love

1320
01:10:46,800 --> 01:10:52,080
Speaker 1: her mom so so so then uh so we have

1321
01:10:52,160 --> 01:10:53,840
Speaker 1: this other friend. I don't want to say his name,

1322
01:10:53,880 --> 01:10:56,120
Speaker 1: but we haven't he We all think he's a virgin

1323
01:10:56,200 --> 01:10:57,880
Speaker 1: and we're like, hey, man, why don't you lose your

1324
01:10:57,920 --> 01:11:00,639
Speaker 1: virginia virgin Yeah at the time time, yeah, we all

1325
01:11:00,680 --> 01:11:03,200
Speaker 1: were almost certain of it. And we're like, hey, why

1326
01:11:03,200 --> 01:11:05,479
Speaker 1: don't you go in there? And you know, maybe this

1327
01:11:05,560 --> 01:11:07,439
Speaker 1: could be your first time. It could be a special thing.

1328
01:11:07,479 --> 01:11:09,600
Speaker 1: You could tell your grandkids like it could be, or

1329
01:11:09,680 --> 01:11:12,439
Speaker 1: you could tell phase grandkids right now. Uh, they're in

1330
01:11:12,439 --> 01:11:16,000
Speaker 1: the other room. Um, Darren and so and so. You

1331
01:11:16,280 --> 01:11:19,320
Speaker 1: know that I say daring every time. I say it's

1332
01:11:19,360 --> 01:11:22,680
Speaker 1: my favorite. It's one of my favorite things. Thanks so

1333
01:11:22,680 --> 01:11:26,160
Speaker 1: so um so. So he goes, he goes, I'm gonna

1334
01:11:26,160 --> 01:11:27,320
Speaker 1: go in there, but I'm only going to get a

1335
01:11:27,360 --> 01:11:31,240
Speaker 1: blowjob like our other friend. He goes in there, and

1336
01:11:31,320 --> 01:11:33,599
Speaker 1: he comes out like twenty seconds later, and he's sweating

1337
01:11:33,720 --> 01:11:36,760
Speaker 1: profusely and he's all read and we're like, you know,

1338
01:11:36,880 --> 01:11:41,160
Speaker 1: what the hell happened? And he's like, they she sat

1339
01:11:41,200 --> 01:11:44,400
Speaker 1: on my dick without a condom. I'm gonna get AIDS. Oh,

1340
01:11:44,479 --> 01:11:46,920
Speaker 1: I'm gonna get AIDS. And it got real quiet. I go,

1341
01:11:47,960 --> 01:11:51,920
Speaker 1: I forget about AIDS. I'd worry more about polio. And

1342
01:11:52,080 --> 01:11:57,560
Speaker 1: it crushed, It crushed so hard even Frank laughed. Freak

1343
01:11:57,680 --> 01:12:00,800
Speaker 1: really hurt it. Yeah, this was in front of all

1344
01:12:00,800 --> 01:12:04,320
Speaker 1: of them. This is my first God, dude, you said

1345
01:12:04,360 --> 01:12:08,000
Speaker 1: that in Frank. Did Frank really laugh? Frank Frank's Frank

1346
01:12:08,080 --> 01:12:09,400
Speaker 1: was having a good time. He's like, this is what

1347
01:12:09,439 --> 01:12:12,080
Speaker 1: they loves to do. I love her like it was

1348
01:12:12,320 --> 01:12:14,360
Speaker 1: asking him about it. Yeah, it was a weird kind

1349
01:12:14,400 --> 01:12:17,640
Speaker 1: of love that like you in college you never obviously

1350
01:12:17,720 --> 01:12:20,599
Speaker 1: like think of, like you know, you talk about how

1351
01:12:20,640 --> 01:12:23,800
Speaker 1: like you don't mind someone else that your lover like

1352
01:12:23,920 --> 01:12:26,640
Speaker 1: or your your partner hooking up with other people. I mean,

1353
01:12:26,680 --> 01:12:29,880
Speaker 1: here's this guy living it like he's literally doing Yeah,

1354
01:12:29,920 --> 01:12:32,679
Speaker 1: but he's he is not. He doesn't want it, He's

1355
01:12:32,680 --> 01:12:35,240
Speaker 1: just doing it because she likes it. I like that

1356
01:12:36,640 --> 01:12:39,960
Speaker 1: Frank's not. Frank's almost like a cuck, whereas I and

1357
01:12:40,000 --> 01:12:42,000
Speaker 1: he's but not even a cuck. Cucks get off on

1358
01:12:42,040 --> 01:12:44,479
Speaker 1: the fact that they're like, well, Frank can't perform anymore.

1359
01:12:44,560 --> 01:12:47,240
Speaker 1: That's what he said. He said, I can't perform anymore,

1360
01:12:47,240 --> 01:12:49,160
Speaker 1: and this is what she likes to do. And and

1361
01:12:49,200 --> 01:12:51,080
Speaker 1: I'm here for and you know, I just get a

1362
01:12:51,120 --> 01:12:52,920
Speaker 1: couple of bud wive and Wayne is the one that

1363
01:12:52,960 --> 01:12:54,680
Speaker 1: he is just more able body than Franks. So he

1364
01:12:54,720 --> 01:12:57,960
Speaker 1: can facilitate it. I wonder what how Wayne got into

1365
01:12:58,000 --> 01:13:00,960
Speaker 1: the picture. I want more information. If any one knows

1366
01:13:01,000 --> 01:13:04,920
Speaker 1: about Wayne, Faye or Frank, please contact us, make it urgent,

1367
01:13:05,040 --> 01:13:06,840
Speaker 1: d m us get it to us because I want

1368
01:13:06,920 --> 01:13:09,559
Speaker 1: more info for the story, because there's got to be

1369
01:13:09,720 --> 01:13:11,599
Speaker 1: if this is what she loves to do. There's many

1370
01:13:11,600 --> 01:13:14,800
Speaker 1: men who have encountered Faye, and there's many men who

1371
01:13:14,840 --> 01:13:16,760
Speaker 1: have this story to tell that are probably never gonna

1372
01:13:16,760 --> 01:13:18,720
Speaker 1: admit it or talk about it ever again. But like

1373
01:13:18,800 --> 01:13:22,200
Speaker 1: we want to hear beautiful. Please, you probably never told anyone,

1374
01:13:22,280 --> 01:13:24,880
Speaker 1: but if you've even heard inklings of this story, please

1375
01:13:24,960 --> 01:13:26,800
Speaker 1: let us know. We need to We should do a

1376
01:13:26,840 --> 01:13:38,080
Speaker 1: whole podcast series about this, getting the bottom up. Yeah, yeah,

1377
01:13:38,080 --> 01:13:39,839
Speaker 1: thank you guys so much for listening to the podcast.

1378
01:13:39,920 --> 01:13:41,800
Speaker 1: We hope you have a great weekend, and we'll be

1379
01:13:41,800 --> 01:13:44,040
Speaker 1: back on Monday. We'll be back on Monday, right, No,

1380
01:13:44,120 --> 01:13:47,160
Speaker 1: on Monday, Monday. We'll have a fresh SPoD on Monday

1381
01:13:47,320 --> 01:13:49,280
Speaker 1: and U yeah, two episodes next week, but you'll have

1382
01:13:49,320 --> 01:13:53,120
Speaker 1: one Monday. Um, have all the swells, don't be And

1383
01:13:53,400 --> 01:14:01,479
Speaker 1: Jack said, but who knows? Jaxonfor kisses