1 00:00:00,720 --> 00:00:03,640 Speaker 1: Hello the Internet, and welcome to season to fifty two, 2 00:00:03,720 --> 00:00:09,080 Speaker 1: episode five of He's Like Guys Air production by Heart Radio. 3 00:00:09,160 --> 00:00:12,880 Speaker 1: What a season finale we have in store for you? 4 00:00:12,880 --> 00:00:16,760 Speaker 1: You heard her voice already, Baby. This is a podcast 5 00:00:16,840 --> 00:00:19,720 Speaker 1: where we take a deep dive into America's share consciousness. 6 00:00:19,760 --> 00:00:23,639 Speaker 1: I don't know what that was Friday. So every second, 7 00:00:24,040 --> 00:00:30,800 Speaker 1: two miles, Yeah, nine to two to two, nine to 8 00:00:31,080 --> 00:00:34,280 Speaker 1: two two you already. I mean, look, it's National VJ Day. 9 00:00:34,280 --> 00:00:37,519 Speaker 1: Shout out to who's your favorite MTV v jo? I 10 00:00:37,520 --> 00:00:40,240 Speaker 1: would say minus Kennedy because she stayed true to herself 11 00:00:40,280 --> 00:00:44,279 Speaker 1: and now she's on Fox. I've always just appreciated her 12 00:00:44,320 --> 00:00:50,519 Speaker 1: strong I think probably was that Adam Curry. Like I 13 00:00:51,000 --> 00:00:55,440 Speaker 1: was an old school MTV fan. I didn't really I 14 00:00:56,080 --> 00:00:58,160 Speaker 1: liked MTV when I was into hair metal when I 15 00:00:58,200 --> 00:01:00,880 Speaker 1: was like two, Little Curry a dude with the big 16 00:01:00,920 --> 00:01:04,360 Speaker 1: feathered hair. I think that's like like I could think of. 17 00:01:04,440 --> 00:01:07,560 Speaker 1: And he was like a real like like by design 18 00:01:07,720 --> 00:01:10,560 Speaker 1: zero right. He didn't bring anything to the people, Yeah, 19 00:01:10,600 --> 00:01:12,800 Speaker 1: I mean just gets there to usher you through the videos. 20 00:01:12,800 --> 00:01:19,280 Speaker 1: Also National College Color Days, Tabatha Answer, MTV News. I 21 00:01:19,319 --> 00:01:21,760 Speaker 1: would kind of I would elevate her slightly out of 22 00:01:21,760 --> 00:01:23,840 Speaker 1: the muck and mayer of being a DJ well because 23 00:01:23,959 --> 00:01:26,759 Speaker 1: I I learned about her through her art and then 24 00:01:26,920 --> 00:01:29,200 Speaker 1: learned on the back end that she had been a 25 00:01:29,280 --> 00:01:34,360 Speaker 1: VJ because that was before my time. Wait. Yeah, she's 26 00:01:34,360 --> 00:01:39,240 Speaker 1: a really good artist. She does like studio art, like painting. Yeah, yeah, 27 00:01:39,720 --> 00:01:42,640 Speaker 1: like art, party art. It's good. I really like. I 28 00:01:42,680 --> 00:01:45,400 Speaker 1: like followed her on Instagram because of her art and 29 00:01:45,440 --> 00:01:47,880 Speaker 1: then found out she'd been a VJ. It's like finding 30 00:01:47,920 --> 00:01:51,800 Speaker 1: out Ga Talentino was a reality show contestant. You're just like, 31 00:01:51,960 --> 00:01:55,160 Speaker 1: huh okay. In a way, You're like, you might need 32 00:01:55,200 --> 00:01:57,960 Speaker 1: to have that like spectrum of experience to go there, 33 00:01:58,040 --> 00:02:00,800 Speaker 1: right anyway, National College Colors Day, shout him out, what 34 00:02:00,800 --> 00:02:04,320 Speaker 1: do you? Navy and gray? Jack, Navy and gray, baby, 35 00:02:04,440 --> 00:02:06,840 Speaker 1: is that what you say? Like at George, like, yeah, 36 00:02:06,960 --> 00:02:11,239 Speaker 1: come ye and sex a great blue and sex A 37 00:02:11,280 --> 00:02:14,680 Speaker 1: great shout out? Light blue and gold for my brew bruise. 38 00:02:14,960 --> 00:02:19,000 Speaker 1: And what about you, Jamie. My college colors purple and 39 00:02:19,080 --> 00:02:23,320 Speaker 1: purple and gold. Yeah, purple and gold. Yeah, we had 40 00:02:23,360 --> 00:02:25,560 Speaker 1: the colors of the Lakers. But the twist is we 41 00:02:25,600 --> 00:02:30,919 Speaker 1: had no sports teams there, right, go Lis at Math 42 00:02:31,200 --> 00:02:34,800 Speaker 1: and Movies not math. I'm kidding. Yeah, it's like go 43 00:02:34,919 --> 00:02:41,639 Speaker 1: you musical theater dweeves. No, no offense but pejor yes. 44 00:02:42,120 --> 00:02:44,840 Speaker 1: M anyways, shot out lazy moms too, because that's their 45 00:02:44,880 --> 00:02:48,160 Speaker 1: day too. I don't know what then that's it feels 46 00:02:48,200 --> 00:02:51,639 Speaker 1: like a marketing for a new like that. It's very 47 00:02:51,760 --> 00:02:54,880 Speaker 1: like gender normative or like moms are so busy because 48 00:02:54,880 --> 00:02:58,160 Speaker 1: men don't do ship right because of that, you know, 49 00:02:58,240 --> 00:03:01,320 Speaker 1: like kick your kick shoes off. I don't know what 50 00:03:01,360 --> 00:03:04,040 Speaker 1: it is, but yeah, just that says, when possible, finding 51 00:03:04,080 --> 00:03:05,760 Speaker 1: someone to watch the children for a few hours is 52 00:03:05,800 --> 00:03:09,200 Speaker 1: worth it. Sometimes Are you gonna do that when I'm 53 00:03:09,200 --> 00:03:14,119 Speaker 1: in my man cave? What the fuck? Other times, mothers 54 00:03:14,160 --> 00:03:27,960 Speaker 1: and fathers sorry Patriots, helmet in my main cave. Anyways. 55 00:03:28,000 --> 00:03:30,800 Speaker 1: My name's Jack O'Brien a k. At first, I was 56 00:03:30,840 --> 00:03:34,760 Speaker 1: afraid a real noodle guy, kept thinking I could never 57 00:03:34,880 --> 00:03:38,600 Speaker 1: bulk with these little puny quads. But then I spent 58 00:03:38,720 --> 00:03:41,960 Speaker 1: so many nights taking dudes right to the dome, and 59 00:03:42,040 --> 00:03:46,960 Speaker 1: I grew strong. My thighs grew so fucking strong. That 60 00:03:47,040 --> 00:03:53,960 Speaker 1: goes on for minutes. Opus from Lex Luke. Shout out 61 00:03:54,000 --> 00:03:57,200 Speaker 1: to you, Shout out to the throwback to I feel 62 00:03:57,200 --> 00:03:59,080 Speaker 1: like that was something that we talked about a long 63 00:03:59,120 --> 00:04:03,640 Speaker 1: time ago. How strong my thighs were. Anyways, you have 64 00:04:03,680 --> 00:04:09,680 Speaker 1: strong ties too, right? Oh yeah playing ice hockey? Oh 65 00:04:09,760 --> 00:04:13,600 Speaker 1: yeah yeah, I was pushing freaking goals around the rink, 66 00:04:13,640 --> 00:04:17,480 Speaker 1: bro at four years old, pushing oh right, the full 67 00:04:17,520 --> 00:04:21,279 Speaker 1: size goals. Bro. Yeah, my my, you can thank my 68 00:04:21,279 --> 00:04:25,000 Speaker 1: my hockey coaches for that and genetics probably well. I'm 69 00:04:25,000 --> 00:04:26,960 Speaker 1: thrilled to be joined, as always by my co host, 70 00:04:27,240 --> 00:04:33,000 Speaker 1: Mr Miles gras It Miles great ak Oops, I tweeted again, 71 00:04:33,760 --> 00:04:37,320 Speaker 1: I played with the law got lost in my brain. 72 00:04:37,960 --> 00:04:43,279 Speaker 1: Oh baby, baby, oops, I think I'm in trouble. Feds 73 00:04:43,320 --> 00:04:52,599 Speaker 1: fucked me up. I'm not that in a sad way. 74 00:04:52,760 --> 00:05:01,760 Speaker 1: Could you do the Titanic section? Wait? Oh man, I 75 00:05:01,800 --> 00:05:03,720 Speaker 1: just thought that up. I was typing that in the 76 00:05:03,760 --> 00:05:05,920 Speaker 1: intro because I was like, I think there's something there, 77 00:05:05,920 --> 00:05:09,760 Speaker 1: because we're gonna talk about Trump. Think there's something here. Well, 78 00:05:09,800 --> 00:05:12,080 Speaker 1: and it turns out there was. You hit pay dirt, 79 00:05:12,360 --> 00:05:15,760 Speaker 1: my friend with that. Ag Hey, speaking of pay dirt, 80 00:05:15,800 --> 00:05:17,760 Speaker 1: we are a thrill to be joined by one of 81 00:05:17,800 --> 00:05:21,640 Speaker 1: the very faces on Mountain Sitemore. She is an Emmy 82 00:05:21,720 --> 00:05:25,760 Speaker 1: nominated writer, an artist, and comedian behind acclaimed one woman 83 00:05:25,800 --> 00:05:30,120 Speaker 1: shows such as Boss, Juma's Girl and Mrs Joseph Chestnut 84 00:05:30,240 --> 00:05:35,000 Speaker 1: America USA, and the acclaimed podcast The Bechdel Cast, My 85 00:05:35,160 --> 00:05:37,520 Speaker 1: Year and mens A Low lead to podcast Vultures Number 86 00:05:37,520 --> 00:05:42,440 Speaker 1: one Podcast one at cast Ghost Church, It's Jamie fucking 87 00:05:42,720 --> 00:05:51,960 Speaker 1: Love may come back, checking matha stop feuding day, come back. 88 00:05:53,440 --> 00:05:58,840 Speaker 1: We can make up over zambonies. Guys. I'm so glad 89 00:05:58,839 --> 00:06:02,640 Speaker 1: we've saddled the score. I'm so glad that was such 90 00:06:02,640 --> 00:06:08,240 Speaker 1: a god You guys are too good for Jamie and Lacey. Now. 91 00:06:10,200 --> 00:06:12,080 Speaker 1: I'm always like, it's funny that happens. I'm like, do 92 00:06:12,120 --> 00:06:16,159 Speaker 1: you know that they're massively successful and have actually gone 93 00:06:16,520 --> 00:06:19,080 Speaker 1: have gone past with this show? Is that's kind of 94 00:06:19,120 --> 00:06:23,240 Speaker 1: what's happening. Me and Lazy immediately had to be like, 95 00:06:23,360 --> 00:06:25,920 Speaker 1: what are you talking about? But the person just acted 96 00:06:26,000 --> 00:06:29,640 Speaker 1: as if in classic in classic Twitter behavior, pretended we 97 00:06:29,680 --> 00:06:32,000 Speaker 1: had not said anything, did not respond to us, and 98 00:06:32,120 --> 00:06:36,800 Speaker 1: was like, I don't know, something seems fishy here, do you. 99 00:06:38,040 --> 00:06:40,880 Speaker 1: I don't know another season of I Carley, I don't 100 00:06:40,880 --> 00:06:45,040 Speaker 1: know more activity for Jamie's career. I guess how can 101 00:06:45,080 --> 00:06:48,600 Speaker 1: they fit? Daily site geist into that. Hmm, look, I 102 00:06:49,040 --> 00:06:52,680 Speaker 1: love the conspiracy theories. Keep them coming. We all like 103 00:06:52,839 --> 00:06:59,320 Speaker 1: each other. We're bored. We were pissed Jamie the time. 104 00:06:59,320 --> 00:07:01,080 Speaker 1: We're going to tell you and you guys can go 105 00:07:01,120 --> 00:07:03,800 Speaker 1: back and listen to the last three episodes. Jamee was 106 00:07:03,880 --> 00:07:10,240 Speaker 1: on to figure out what she said that really Jackson, 107 00:07:10,280 --> 00:07:13,440 Speaker 1: I don't email. That was like we're not saying never again, 108 00:07:13,600 --> 00:07:17,880 Speaker 1: but not for a while. Okay for a while, but 109 00:07:18,080 --> 00:07:23,400 Speaker 1: got my lord michaels On, a big money player. It's 110 00:07:23,440 --> 00:07:25,920 Speaker 1: great to see you. Oh, it's great to see you too, 111 00:07:25,960 --> 00:07:28,600 Speaker 1: I was saying. Before we started recording, I got like 112 00:07:29,440 --> 00:07:32,080 Speaker 1: that old daily side guys feeling. I got butterflies in 113 00:07:32,160 --> 00:07:34,640 Speaker 1: my stomach. I'm ready to go. I was like, what 114 00:07:34,880 --> 00:07:39,360 Speaker 1: is over and grated? What is underrated is a disaster. 115 00:07:40,240 --> 00:07:42,880 Speaker 1: Remember the beginning of the pandemic and it was just 116 00:07:42,960 --> 00:07:45,680 Speaker 1: the three of us. It was just the three of 117 00:07:45,760 --> 00:07:49,560 Speaker 1: us for like trying to fucking makes sense of it all. 118 00:07:49,800 --> 00:07:51,920 Speaker 1: That was such a I still think back at that 119 00:07:52,000 --> 00:07:55,360 Speaker 1: and I'm like, God, what what early doors it was 120 00:07:55,440 --> 00:07:58,520 Speaker 1: for that like global disaster and we're like, I think 121 00:07:58,720 --> 00:08:02,960 Speaker 1: funny but also a really scared for it was like 122 00:08:03,000 --> 00:08:06,560 Speaker 1: the first two months where we're just like, um, so, yeah, 123 00:08:06,640 --> 00:08:09,560 Speaker 1: like is this funny yet? And the answer was no. 124 00:08:10,240 --> 00:08:14,840 Speaker 1: But like, man, Rudy Giuliani told us that we're allowed 125 00:08:14,880 --> 00:08:17,800 Speaker 1: to be funny again. Oh my god. And I was 126 00:08:17,920 --> 00:08:20,679 Speaker 1: so relieved because he was being funny all the time 127 00:08:21,240 --> 00:08:24,680 Speaker 1: and the guy can't turn it off. Yeah, and that's 128 00:08:24,720 --> 00:08:27,760 Speaker 1: I think the biggest problem I have with him is 129 00:08:28,240 --> 00:08:32,960 Speaker 1: too much funny. Well, Jamie, we're going to get to 130 00:08:32,960 --> 00:08:34,800 Speaker 1: know you a little bit better in a moment. First, 131 00:08:34,840 --> 00:08:37,000 Speaker 1: we're gonna tell our listeners a couple of the things 132 00:08:37,120 --> 00:08:41,560 Speaker 1: we're talking about. We're talking about Trump dry snitching on 133 00:08:41,640 --> 00:08:45,520 Speaker 1: himself on pay less Twitter, and most importantly, we are 134 00:08:45,559 --> 00:08:50,160 Speaker 1: bringing in super producer on a Hosnier for a rousing 135 00:08:50,200 --> 00:08:54,480 Speaker 1: rendition of on a streaming corner on the subject of 136 00:08:54,679 --> 00:08:58,040 Speaker 1: the rehearsal. So I'm excited to talk to you guys 137 00:08:58,040 --> 00:09:01,240 Speaker 1: about that. But before we get to end you that ship, Jamie, 138 00:09:01,240 --> 00:09:03,920 Speaker 1: we like to ask our guest, what is something from 139 00:09:03,960 --> 00:09:09,200 Speaker 1: your search history that's revealing about who you are? All Right? 140 00:09:09,600 --> 00:09:13,480 Speaker 1: I did something that I do exactly once or so 141 00:09:13,800 --> 00:09:18,200 Speaker 1: a year. I look up Stephen King's novels in order 142 00:09:18,280 --> 00:09:24,840 Speaker 1: of length. It's just something I do because every time 143 00:09:24,840 --> 00:09:27,120 Speaker 1: I try to write something, I'm like, wait, how long 144 00:09:27,440 --> 00:09:31,680 Speaker 1: is some How long is anything supposed to be? Like 145 00:09:31,760 --> 00:09:38,800 Speaker 1: do you know how long would something be? Or like 146 00:09:38,840 --> 00:09:41,520 Speaker 1: I look up how many pages is in something it's 147 00:09:41,520 --> 00:09:43,960 Speaker 1: not about email, and it's got a higher word count 148 00:09:44,000 --> 00:09:46,480 Speaker 1: than the stand You know you're in trouble. You know 149 00:09:46,559 --> 00:09:50,040 Speaker 1: it's time to start editing. And the best part of 150 00:09:50,080 --> 00:09:52,160 Speaker 1: all of this is how many Stephen King books have 151 00:09:52,200 --> 00:09:55,800 Speaker 1: I read in my life? One what I call myself 152 00:09:55,840 --> 00:10:00,959 Speaker 1: a fan, not really, but I my he lived near 153 00:10:01,040 --> 00:10:03,840 Speaker 1: my grandma. He's like the richest guy in town, and 154 00:10:03,880 --> 00:10:06,800 Speaker 1: then my grandma lived. It's a it's a whole there's 155 00:10:06,800 --> 00:10:10,280 Speaker 1: a whole whatever main capac system thing going on. But 156 00:10:10,360 --> 00:10:12,880 Speaker 1: I just think of like someone who's who's got a 157 00:10:12,960 --> 00:10:17,040 Speaker 1: range of words, and uh, and it's Stephen King. I've 158 00:10:17,080 --> 00:10:19,600 Speaker 1: only ever read Carrie. I liked it. That's on the 159 00:10:19,679 --> 00:10:24,360 Speaker 1: lower end of word kill. Give me like what the 160 00:10:24,559 --> 00:10:26,840 Speaker 1: like the sort of five like what that list looks 161 00:10:26,840 --> 00:10:28,360 Speaker 1: like and kind of where you're like, well, I don't 162 00:10:28,360 --> 00:10:30,719 Speaker 1: want it to quite be this. It needs to kind 163 00:10:30,720 --> 00:10:33,320 Speaker 1: of hit more, like are you comparing it to his works? 164 00:10:33,360 --> 00:10:35,120 Speaker 1: To it to be like, I know that book and 165 00:10:35,160 --> 00:10:40,120 Speaker 1: if that books that long, then yeah. It's ultimately the 166 00:10:40,280 --> 00:10:44,120 Speaker 1: absolute worst way to approach writing something because it's based 167 00:10:44,160 --> 00:10:47,200 Speaker 1: on things I mostly haven't read. The quality is very 168 00:10:47,320 --> 00:10:49,679 Speaker 1: unclear to be and I'm just like, if I could write, Okay, 169 00:10:49,679 --> 00:10:53,800 Speaker 1: so Carrie is around sixty words, You're like, all right, 170 00:10:54,040 --> 00:10:56,920 Speaker 1: that sounds like a book. Sure, But then you've got 171 00:10:57,000 --> 00:10:59,000 Speaker 1: what would you guess this? In the episode The Stand 172 00:10:59,840 --> 00:11:03,199 Speaker 1: is the longest one, by god, I knew it, not 173 00:11:03,240 --> 00:11:06,240 Speaker 1: even by a lot, though, could you guess what the 174 00:11:06,280 --> 00:11:09,439 Speaker 1: second longest one is? Like? I know there are books 175 00:11:09,480 --> 00:11:12,280 Speaker 1: where he has like different entries in the trilogy, like 176 00:11:12,320 --> 00:11:15,640 Speaker 1: the Dark Towers or any of those, and those are 177 00:11:16,760 --> 00:11:19,560 Speaker 1: those are long? Ash sh it Dark Tower seven? What 178 00:11:19,720 --> 00:11:22,200 Speaker 1: is the Dark Tower? That's? And why am I using 179 00:11:22,240 --> 00:11:24,560 Speaker 1: this man as my yardstick? But I do, and I 180 00:11:24,600 --> 00:11:27,000 Speaker 1: have for a really long time, even though I don't 181 00:11:27,360 --> 00:11:30,800 Speaker 1: know what it's about. I don't really like Stephen King. 182 00:11:31,280 --> 00:11:33,600 Speaker 1: Fans are fascinating to me because it's like the kind 183 00:11:33,600 --> 00:11:35,960 Speaker 1: of fans where they're like, so most of it is bad, 184 00:11:36,440 --> 00:11:39,600 Speaker 1: but run my life by it. And if you say 185 00:11:39,600 --> 00:11:43,600 Speaker 1: I'm sure about it, I will I will kill you. Yeah, 186 00:11:43,640 --> 00:11:47,640 Speaker 1: the Dark Tower seven whatever from two thousand four two 187 00:11:47,840 --> 00:11:51,439 Speaker 1: d seventy two thousand words. Too many words? Too many 188 00:11:51,440 --> 00:11:53,719 Speaker 1: words again, Jamie, I'm gonna say too many words. I 189 00:11:53,760 --> 00:11:57,320 Speaker 1: don't know where you're ranking your email that you're writing 190 00:11:57,320 --> 00:11:59,360 Speaker 1: and trying to decide if it's long or not. And 191 00:11:59,400 --> 00:12:02,079 Speaker 1: it is kind of a Google document I'm putting together 192 00:12:02,120 --> 00:12:04,240 Speaker 1: about our feud, and I'm like, I wanted to be 193 00:12:04,400 --> 00:12:07,640 Speaker 1: novel length, but I also wanted to be like accessible 194 00:12:08,200 --> 00:12:11,880 Speaker 1: because I will be self producing the audio book as well. Um, 195 00:12:11,960 --> 00:12:14,520 Speaker 1: and so advertisers need to know around how many words 196 00:12:14,600 --> 00:12:16,080 Speaker 1: is it so we can put in at breaks and 197 00:12:16,080 --> 00:12:18,559 Speaker 1: all that it's going to ruin all three of us. 198 00:12:18,679 --> 00:12:21,320 Speaker 1: It's going to be a catastrophe. That's fine. I mean, 199 00:12:21,960 --> 00:12:23,599 Speaker 1: I'm just gonna how many words in the Bible And 200 00:12:23,640 --> 00:12:29,160 Speaker 1: it's okay. So Miles always says that's the ultimate best selling, 201 00:12:29,400 --> 00:12:32,520 Speaker 1: that's the see and if I was taking writing seriously, 202 00:12:32,600 --> 00:12:39,600 Speaker 1: that would best. But but I'm not how many chapters 203 00:12:39,640 --> 00:12:43,240 Speaker 1: are we talking here? It is the second longest it is. 204 00:12:43,320 --> 00:12:49,600 Speaker 1: It's a short four were four hundred forty one thousand 205 00:12:49,600 --> 00:12:58,000 Speaker 1: words in it? Yeah, most of the words are it though, 206 00:12:58,080 --> 00:13:03,560 Speaker 1: in the book. I haven't read it. I haven't read it. 207 00:13:03,559 --> 00:13:05,960 Speaker 1: I'm not going to read it. I liked the movie. 208 00:13:06,840 --> 00:13:09,920 Speaker 1: I think I don't actually really remember anyways, I that 209 00:13:10,080 --> 00:13:12,040 Speaker 1: I googled that last night, and then I had an 210 00:13:12,040 --> 00:13:15,880 Speaker 1: absolute like meltdown because I was like, why am I 211 00:13:15,920 --> 00:13:20,360 Speaker 1: always googling this? I don't even know what it means? Yeah, 212 00:13:22,360 --> 00:13:25,240 Speaker 1: you're tethered to him. What if something you think is overrated? 213 00:13:25,720 --> 00:13:33,800 Speaker 1: The Beach not the movie with Leonardo DiCaprio. The Beach 214 00:13:34,400 --> 00:13:38,040 Speaker 1: that does feature I'm pretty sure a movie trope that 215 00:13:38,160 --> 00:13:41,959 Speaker 1: Caitlin and I have spotted that means nothing but happens 216 00:13:42,000 --> 00:13:47,599 Speaker 1: all the time is Leonardo DiCaprio is very often it 217 00:13:47,880 --> 00:13:50,840 Speaker 1: submerged in a body of water, wearing all of his clothes. 218 00:13:50,920 --> 00:13:54,120 Speaker 1: It happens in so many of his movies. It's and 219 00:13:54,160 --> 00:13:56,640 Speaker 1: the Beach is one of them. Obviously, it got Titanic, 220 00:13:56,800 --> 00:14:00,400 Speaker 1: it happens in Inception, it happens in Shutter Island, happens 221 00:14:00,400 --> 00:14:02,600 Speaker 1: in so many of his happen and catch me if 222 00:14:02,600 --> 00:14:05,240 Speaker 1: you can. I feel like, I don't know. I don't 223 00:14:05,280 --> 00:14:08,160 Speaker 1: think I even seen that one in a long time. 224 00:14:09,120 --> 00:14:12,240 Speaker 1: I know that it happens inn but like all the 225 00:14:12,240 --> 00:14:14,680 Speaker 1: big ones. I think it happens in the Revenant. I think, yeah, 226 00:14:14,679 --> 00:14:17,400 Speaker 1: you could assume anything happened in that film. It was 227 00:14:17,480 --> 00:14:22,200 Speaker 1: just like off that the Titanic, like energy. He was 228 00:14:22,240 --> 00:14:25,440 Speaker 1: just like this is what people want, or or maybe 229 00:14:25,440 --> 00:14:27,760 Speaker 1: he doesn't want to be I'm like, I guess, does 230 00:14:27,880 --> 00:14:30,360 Speaker 1: Leonardo DiCaprio go shirt Yeah? I was like, does he 231 00:14:30,440 --> 00:14:32,760 Speaker 1: not go shirtless? Ever, I don't really know. I just 232 00:14:32,840 --> 00:14:37,040 Speaker 1: know if he's getting wet, usually all of his clothes 233 00:14:37,040 --> 00:14:40,320 Speaker 1: are on and he's in the trenches. It's never a 234 00:14:40,400 --> 00:14:43,640 Speaker 1: sexy wet. It's usually actually Romeo plus Juliet, he's with 235 00:14:43,760 --> 00:14:48,800 Speaker 1: all wearing all his in the water. That's a sexy wet. Yeah. Yeah, 236 00:14:49,440 --> 00:14:51,960 Speaker 1: doesn't he come into the room like all wet in 237 00:14:52,080 --> 00:14:54,360 Speaker 1: Romeo and Juliet like they don't love to get this 238 00:14:54,440 --> 00:14:58,960 Speaker 1: guy all sopping wet, and for what Half the time, 239 00:14:59,000 --> 00:15:01,720 Speaker 1: it's because he's something horrible is about to happen to him, 240 00:15:01,760 --> 00:15:05,840 Speaker 1: such as dyeing in the Titanic. But but in other cases, 241 00:15:05,920 --> 00:15:08,440 Speaker 1: you know, there's a range. There's a sexy wet, there's 242 00:15:08,480 --> 00:15:12,760 Speaker 1: a psychologically traumatic wet. I would say that's inception wet. 243 00:15:13,360 --> 00:15:22,840 Speaker 1: There's it's just like a weird thing. But yeah, so, 244 00:15:22,880 --> 00:15:25,160 Speaker 1: but no, I was. I was thinking of the beach 245 00:15:25,840 --> 00:15:28,120 Speaker 1: because I don't know, I feel like once a year 246 00:15:28,160 --> 00:15:31,000 Speaker 1: I try to have a little beach day and then 247 00:15:31,240 --> 00:15:33,440 Speaker 1: we get to the beach and like, wait a second, 248 00:15:33,800 --> 00:15:37,960 Speaker 1: this is horrible. It's you can't the water is so cold, 249 00:15:38,760 --> 00:15:42,040 Speaker 1: the beach is so hot. I feel so self conscious, 250 00:15:42,200 --> 00:15:45,600 Speaker 1: and I'm going to hurt myself in some way. And 251 00:15:45,720 --> 00:15:47,600 Speaker 1: all of that happened. I mean, I had a lovely 252 00:15:49,160 --> 00:15:52,160 Speaker 1: it's yeah, you know, it was. It was a delight 253 00:15:52,480 --> 00:15:56,120 Speaker 1: to have a day off to go to the beach. 254 00:15:56,480 --> 00:16:00,720 Speaker 1: But I but all the bad beach things. It's it's 255 00:16:00,800 --> 00:16:02,480 Speaker 1: it's wild to me. Are you are you guys? Do 256 00:16:02,480 --> 00:16:04,400 Speaker 1: you guys enjoy a beach day? I feel like you 257 00:16:04,440 --> 00:16:06,240 Speaker 1: either I didn't do or you don't. I don't know. 258 00:16:07,120 --> 00:16:10,640 Speaker 1: I'm I'm I'm born from here, and I hate the 259 00:16:10,680 --> 00:16:14,960 Speaker 1: beach interesting. It's weird. It's fucking weird. I don't like 260 00:16:15,280 --> 00:16:17,960 Speaker 1: it's drive to drive too far from where I love. 261 00:16:18,440 --> 00:16:21,920 Speaker 1: And then like when you go when it's hot, everybody's 262 00:16:21,920 --> 00:16:25,080 Speaker 1: at the fucking beach. Yeah yeah, and then or and 263 00:16:25,120 --> 00:16:26,520 Speaker 1: then or you got into a spot and then you 264 00:16:26,520 --> 00:16:28,760 Speaker 1: gotta drive you further or whatever. And I don't really 265 00:16:28,800 --> 00:16:31,560 Speaker 1: mind crowds or anything like that, but like it's just 266 00:16:32,480 --> 00:16:34,400 Speaker 1: the one. Like the other thing is if the water 267 00:16:34,600 --> 00:16:37,280 Speaker 1: is a little cold, like I'm you know, look, I'm 268 00:16:37,320 --> 00:16:40,520 Speaker 1: if I'm uncomfortable, I don't, I can I'll give up quickly. 269 00:16:40,600 --> 00:16:43,560 Speaker 1: I'll be like my gas reflex kicked in. What's so cold? 270 00:16:43,560 --> 00:16:45,680 Speaker 1: And I put my foot in. I'm off this ship. 271 00:16:46,240 --> 00:16:50,080 Speaker 1: It's too extreme. It's like your options are get cooked 272 00:16:50,800 --> 00:16:55,520 Speaker 1: or like re enter the ice age like it's I don't. 273 00:16:55,800 --> 00:16:58,160 Speaker 1: I don't like the option. I couldn't. It was the 274 00:16:58,200 --> 00:17:02,520 Speaker 1: Pacific Ocean first of all, wants to kill us. Second 275 00:17:02,560 --> 00:17:04,640 Speaker 1: of all, it is too damn cold. There's my top 276 00:17:04,640 --> 00:17:10,560 Speaker 1: two issues with the Pacific Ocean. Cold, too cold, by 277 00:17:10,600 --> 00:17:13,600 Speaker 1: the equator. There were surfers at the beach, and I 278 00:17:13,720 --> 00:17:17,399 Speaker 1: usually don't agree with surfers politics, so I was like, 279 00:17:17,440 --> 00:17:19,640 Speaker 1: I can't get too close to those surfers. They might 280 00:17:19,680 --> 00:17:24,680 Speaker 1: try to turn city council quick plug for Aaron Darling 281 00:17:24,760 --> 00:17:26,840 Speaker 1: running for city a city council who is a surfer 282 00:17:26,880 --> 00:17:29,480 Speaker 1: from Venice but also a civil rights lawyer. If you 283 00:17:29,480 --> 00:17:31,399 Speaker 1: live on the West side, boat for City Council anyway 284 00:17:31,800 --> 00:17:33,919 Speaker 1: I see. I can already see people in my dams 285 00:17:33,960 --> 00:17:37,840 Speaker 1: being like, I'm a socialist surfer, you don't, And I'm like, 286 00:17:37,920 --> 00:17:41,640 Speaker 1: I'm sure, I'm sure, I'm sure. I'm sure there're aligned 287 00:17:41,640 --> 00:17:44,679 Speaker 1: with There's a surprising number of like surf punk dudes 288 00:17:44,960 --> 00:17:48,480 Speaker 1: I've seen wearing maga hats, which is one but that 289 00:17:49,080 --> 00:17:52,560 Speaker 1: just that one is and that means everyone. But my 290 00:17:52,680 --> 00:17:55,800 Speaker 1: thing with the beaches. The second I leave fucking l 291 00:17:55,880 --> 00:17:59,360 Speaker 1: A County, I'm like, what's this beach? But I love 292 00:17:59,440 --> 00:18:02,800 Speaker 1: this bucking beach. I'll go to Ventura. I'm fucking loving it. 293 00:18:03,160 --> 00:18:07,240 Speaker 1: I'm like in San Diego. Santiego is supposed to be good. 294 00:18:07,359 --> 00:18:09,720 Speaker 1: We went to Barbara. It's like, I think it's it's 295 00:18:09,760 --> 00:18:13,240 Speaker 1: if it's recontextualized. Suddenly I'm like, all in. It doesn't 296 00:18:13,320 --> 00:18:15,440 Speaker 1: it feels more like, oh, yeah, we're going to this 297 00:18:15,520 --> 00:18:18,000 Speaker 1: other beach rut thing like I'm driving to Zuma. I 298 00:18:18,040 --> 00:18:20,760 Speaker 1: think the beach itself is overrated, but I like the 299 00:18:20,960 --> 00:18:24,960 Speaker 1: like I like the process of going to the beach. 300 00:18:25,000 --> 00:18:27,399 Speaker 1: I like the ride there. I like stopping at the 301 00:18:27,400 --> 00:18:31,400 Speaker 1: grocery store to get some snacks before it like has 302 00:18:31,440 --> 00:18:35,480 Speaker 1: a nice nostalgic feeling. Yesterday I was I almost got 303 00:18:35,480 --> 00:18:37,520 Speaker 1: a hand sandwich before going to the beach, and then 304 00:18:37,560 --> 00:18:40,240 Speaker 1: people were like, that's disgusting. I was like, oh, I 305 00:18:40,240 --> 00:18:41,760 Speaker 1: guess that that's just how I did it when I 306 00:18:41,800 --> 00:18:44,119 Speaker 1: was a kid. I would get a ham sandwich. Is 307 00:18:44,160 --> 00:18:48,639 Speaker 1: a great beach there, that's because you stand high low temperature. 308 00:18:48,720 --> 00:18:53,640 Speaker 1: You know, Like, it doesn't okay, I mean to say, 309 00:18:53,680 --> 00:18:55,720 Speaker 1: so your hole take is the beach, no matter what 310 00:18:55,800 --> 00:18:58,160 Speaker 1: across the board is over there's no context in which 311 00:18:58,160 --> 00:19:00,600 Speaker 1: you like could be or you have the same lationship. No, 312 00:19:01,440 --> 00:19:04,879 Speaker 1: I guess I don't like even't it's not that I 313 00:19:04,920 --> 00:19:08,560 Speaker 1: haven't enjoyed the beach, Like, I just feel like every 314 00:19:08,600 --> 00:19:11,920 Speaker 1: it's never it's never what I wanted to be. Every 315 00:19:11,960 --> 00:19:14,120 Speaker 1: time I'm like I'm going to go swimming. Every time, 316 00:19:14,119 --> 00:19:16,560 Speaker 1: I'm like I'm going to read more than three sentences 317 00:19:16,600 --> 00:19:18,680 Speaker 1: of a book. Every time I'm like I'm going to 318 00:19:18,800 --> 00:19:22,080 Speaker 1: have a conversation. That that that I feel like, yeah, 319 00:19:22,160 --> 00:19:27,159 Speaker 1: that that went well. Yeah that one went well. But 320 00:19:27,240 --> 00:19:30,679 Speaker 1: the old genre of books for reading at the beach 321 00:19:30,920 --> 00:19:35,960 Speaker 1: they call it beat reads, and I've never never like 322 00:19:36,720 --> 00:19:39,520 Speaker 1: gotten would you say thank you for clarifying that they 323 00:19:39,520 --> 00:19:43,280 Speaker 1: call it betreats and I've never gotten more than like 324 00:19:43,400 --> 00:19:46,960 Speaker 1: three four pages done at the beach. It's it's bad. 325 00:19:47,560 --> 00:19:50,879 Speaker 1: I don't know. There's something about Yeah, yeah, I I 326 00:19:50,960 --> 00:19:54,280 Speaker 1: brought a book I gave. I read the synopsis to 327 00:19:54,640 --> 00:19:57,359 Speaker 1: four different people and I read three sentences of it. 328 00:19:57,400 --> 00:19:59,480 Speaker 1: They're like, oh, what book did you bring? Like, well, 329 00:19:59,520 --> 00:20:01,680 Speaker 1: I don't really know. It's called Priest Daddy. I think 330 00:20:01,680 --> 00:20:03,600 Speaker 1: her priest is a daddy in the book. And then 331 00:20:04,280 --> 00:20:06,040 Speaker 1: you know, like a new person came. I was like, yeah, 332 00:20:06,119 --> 00:20:12,919 Speaker 1: this is this is everyone. The company was wonderful. I 333 00:20:12,960 --> 00:20:16,040 Speaker 1: feel like conversation really I was. I was really operating 334 00:20:16,119 --> 00:20:19,920 Speaker 1: from just describing the synopsis of a book I had 335 00:20:19,960 --> 00:20:23,719 Speaker 1: not read yet, over and over being like, I'm called 336 00:20:24,280 --> 00:20:31,160 Speaker 1: this porta potties door keeps flying open the whole time. Yeah, 337 00:20:31,200 --> 00:20:34,679 Speaker 1: that's where we were. It was at. I don't like it. 338 00:20:36,160 --> 00:20:39,359 Speaker 1: And now that I'm hearing that, that makes sense. Yeah, 339 00:20:39,520 --> 00:20:41,760 Speaker 1: what is something you think is underrated? This is a 340 00:20:41,800 --> 00:20:46,360 Speaker 1: little bit general, but cream trees on things you wouldn't 341 00:20:46,640 --> 00:20:51,920 Speaker 1: expect cream cheese to be on. I think that much like, um, 342 00:20:52,080 --> 00:20:54,200 Speaker 1: I don't know, I mean, I feel like there there's 343 00:20:54,400 --> 00:20:57,680 Speaker 1: certain people who have come around to like mayonnaise on fries, 344 00:20:57,720 --> 00:21:01,560 Speaker 1: for example, things that like are not I don't know, 345 00:21:01,640 --> 00:21:04,560 Speaker 1: like not things that we were culturally raised with that 346 00:21:04,640 --> 00:21:07,280 Speaker 1: are all of a sudden like hey, what what is 347 00:21:07,359 --> 00:21:09,200 Speaker 1: what in my brain is telling me that two things 348 00:21:09,200 --> 00:21:11,639 Speaker 1: that taste good together wouldn't taste good together. I had 349 00:21:11,680 --> 00:21:15,440 Speaker 1: a hot dog in Portland, Oregon, a couple of months 350 00:21:15,440 --> 00:21:20,360 Speaker 1: ago that had cream cheese on it, like used as 351 00:21:20,400 --> 00:21:24,080 Speaker 1: if it was butter on the inside of a toasted bun. 352 00:21:24,560 --> 00:21:28,240 Speaker 1: And it was unbelievable And I think about it every 353 00:21:28,280 --> 00:21:31,479 Speaker 1: single day. And when I described it to others, they 354 00:21:31,480 --> 00:21:35,040 Speaker 1: were like, cream cheese on a what? And It's like, 355 00:21:35,720 --> 00:21:41,800 Speaker 1: it's cream cheese on bread. That's famous, cream cheese bread 356 00:21:41,800 --> 00:21:44,320 Speaker 1: and meat. Also, you're having not heard of this as 357 00:21:44,359 --> 00:21:49,520 Speaker 1: a problem, Yeah, but that is that is great cream cheese. 358 00:21:49,880 --> 00:21:55,320 Speaker 1: I love hot dog bun based culinary creation. That is 359 00:21:55,400 --> 00:22:00,480 Speaker 1: the extent of my culinary adventure. So the is the 360 00:22:00,520 --> 00:22:05,119 Speaker 1: most important part. Wait, do you guys have favorite l 361 00:22:05,160 --> 00:22:06,800 Speaker 1: A hot dogs? I don't know if we've ever had 362 00:22:06,840 --> 00:22:12,120 Speaker 1: this discussion locally. Oh wow, I'm not like a connoisseur. 363 00:22:12,400 --> 00:22:17,600 Speaker 1: I'm like a like a good boiled street hot dog, like, yes, yeah, 364 00:22:17,600 --> 00:22:19,280 Speaker 1: that's kind of my thing. Like I like a hot 365 00:22:19,320 --> 00:22:24,399 Speaker 1: dog at the like at a ball game or you know, 366 00:22:24,680 --> 00:22:27,760 Speaker 1: so like that, that's kind of my genre. I don't 367 00:22:27,800 --> 00:22:30,480 Speaker 1: love a like fried hot dog, Like I don't like pinks. 368 00:22:30,800 --> 00:22:33,840 Speaker 1: Pinks is gross to me. Pinks is gross, and they 369 00:22:33,880 --> 00:22:39,600 Speaker 1: love cops. Yes, down pins, I mean I think, yeah, 370 00:22:39,600 --> 00:22:42,520 Speaker 1: I will always love a nice, you know, street dog 371 00:22:42,680 --> 00:22:45,600 Speaker 1: wrapped in bacon. That's just you know, that is the 372 00:22:45,680 --> 00:22:47,359 Speaker 1: d n A of l A in terms of like 373 00:22:47,400 --> 00:22:50,320 Speaker 1: our street food. And then like you know, Carnies, I 374 00:22:50,359 --> 00:22:52,760 Speaker 1: got to hold it down for Carny. Great. That's like 375 00:22:52,800 --> 00:22:56,840 Speaker 1: my local you know, Valley train based hot dog place. 376 00:22:57,600 --> 00:23:00,200 Speaker 1: Then there was pap whose that pat who is that 377 00:23:00,280 --> 00:23:03,359 Speaker 1: used to be in Burbank. That spot was sucking legendary, 378 00:23:03,480 --> 00:23:05,840 Speaker 1: and then it became then it was a distressed property 379 00:23:05,840 --> 00:23:08,480 Speaker 1: and then became an Umami Burger and then I don't 380 00:23:08,480 --> 00:23:11,919 Speaker 1: know what they did with it, but they still papoos 381 00:23:12,000 --> 00:23:16,840 Speaker 1: p A p o O s in Burbank. Yeah, that's 382 00:23:16,880 --> 00:23:20,080 Speaker 1: that was like a legendary spot. But yeah, I'm I'm all, 383 00:23:20,280 --> 00:23:22,040 Speaker 1: I'm I'm really like to do. What I like to 384 00:23:22,080 --> 00:23:24,680 Speaker 1: do is try and get Yeah, just like a nice 385 00:23:24,960 --> 00:23:28,000 Speaker 1: greasy bacon wrapt hot dog with a lot of chilis 386 00:23:28,080 --> 00:23:31,520 Speaker 1: on it. Hell yeah yeah mustard. Oh. One thing I 387 00:23:31,560 --> 00:23:33,320 Speaker 1: will say, you know what is good with cream cheese 388 00:23:33,400 --> 00:23:35,399 Speaker 1: in Japan? And I think I may have mentioned this 389 00:23:35,480 --> 00:23:38,840 Speaker 1: like maybe like a long time ago, but dried kelp. 390 00:23:39,359 --> 00:23:43,760 Speaker 1: It's called combo in Japanese like dried salt salted seaweed. 391 00:23:44,160 --> 00:23:46,400 Speaker 1: Like you'll this is kind of like a like kind 392 00:23:46,440 --> 00:23:48,800 Speaker 1: of a bar snack that's sometimes like if you go 393 00:23:48,840 --> 00:23:50,439 Speaker 1: to a bar, like someone might make for you, but 394 00:23:50,680 --> 00:23:53,000 Speaker 1: they'll cut little bits of combo and put it on 395 00:23:53,000 --> 00:23:55,920 Speaker 1: like top of cream cheese and you eat that together. 396 00:23:56,080 --> 00:23:59,399 Speaker 1: And the hyper saltiness of the comboo mix of the 397 00:23:59,440 --> 00:24:05,520 Speaker 1: creaminess of the cream cheese. Oh how are you holding that? 398 00:24:05,800 --> 00:24:09,280 Speaker 1: Is it by the but is it like a thing 399 00:24:09,320 --> 00:24:11,720 Speaker 1: you eat with a spoon or you eating it by 400 00:24:11,880 --> 00:24:14,600 Speaker 1: the sea? What you could? You could? I mean like 401 00:24:14,720 --> 00:24:16,159 Speaker 1: it's it's meant to just be kind of like you 402 00:24:16,240 --> 00:24:17,520 Speaker 1: nibble at it, you know what I mean. You're not 403 00:24:17,600 --> 00:24:20,399 Speaker 1: gonna eat a block of the cream cheese. But I 404 00:24:20,480 --> 00:24:23,560 Speaker 1: was drunk so I was eating. But also don't rule 405 00:24:23,640 --> 00:24:28,080 Speaker 1: that out that sounds so good. Oh my god, I think, 406 00:24:28,080 --> 00:24:30,840 Speaker 1: but you're onto something because we I think in our 407 00:24:30,880 --> 00:24:34,399 Speaker 1: minds like it's a breakfast thing and you're like, no, dude, 408 00:24:34,480 --> 00:24:41,159 Speaker 1: it's like whatever we call it. Yeah, yeah, that's my 409 00:24:41,400 --> 00:24:43,960 Speaker 1: l A hot Dog recommendations for those getting l A 410 00:24:44,040 --> 00:24:48,240 Speaker 1: hot dogs obviously street dogs number one. You can't go wrong. 411 00:24:48,520 --> 00:24:51,440 Speaker 1: It's not possible. There's also a pop up called Comfy 412 00:24:51,480 --> 00:24:55,760 Speaker 1: Pup that's downtown every week. So good. They do Midwestern 413 00:24:55,800 --> 00:24:59,919 Speaker 1: style hot dogs. They're great. What's Midwestern style? Midwestern st 414 00:25:00,200 --> 00:25:02,320 Speaker 1: like they do Chicago dogs, which I'm not a big 415 00:25:02,320 --> 00:25:04,040 Speaker 1: fan of, but the way Company Shop does them is 416 00:25:04,040 --> 00:25:06,680 Speaker 1: actually good. And then they do like other stuff that's 417 00:25:06,720 --> 00:25:09,440 Speaker 1: like they do like specialty dogs. They get a little 418 00:25:09,440 --> 00:25:12,040 Speaker 1: experimental over there. I like it. I found them like 419 00:25:12,119 --> 00:25:15,920 Speaker 1: on accident when I was like on uh date, there 420 00:25:16,000 --> 00:25:17,640 Speaker 1: was like a hot dog place. I'm like, I can't 421 00:25:17,640 --> 00:25:19,159 Speaker 1: eat a hot dog on a date. But then it 422 00:25:19,200 --> 00:25:23,120 Speaker 1: turned out guess what I could? And I did. Sometimes 423 00:25:23,200 --> 00:25:27,159 Speaker 1: we surprise ourselves, you know, Dear Diary. He was also 424 00:25:27,280 --> 00:25:32,000 Speaker 1: like Lizzy Goblin, and in that moment we were infinite. 425 00:25:35,000 --> 00:25:37,400 Speaker 1: All right, let's take a quick break. We'll come back 426 00:25:37,440 --> 00:25:50,960 Speaker 1: we'll talk about some news and the rehearsal, and we're 427 00:25:51,119 --> 00:25:55,800 Speaker 1: back and yeah, the it's it's fun to watch the 428 00:25:55,840 --> 00:25:59,720 Speaker 1: continued unraveling of Trump. That's like a self unraveling thing. 429 00:26:00,560 --> 00:26:04,119 Speaker 1: Just be on one. I believe it's is the technical 430 00:26:04,240 --> 00:26:08,520 Speaker 1: term the shorties say, and just losing his mind on 431 00:26:08,960 --> 00:26:13,400 Speaker 1: payless Twitter, on social A lot has been going. So 432 00:26:13,920 --> 00:26:16,639 Speaker 1: yesterday we're talking about how the d o J was like, 433 00:26:16,960 --> 00:26:19,600 Speaker 1: look at this box of ship Trump had, and it 434 00:26:19,640 --> 00:26:23,800 Speaker 1: was like, honestly like the freakiest box of top secret documents, 435 00:26:23,840 --> 00:26:26,040 Speaker 1: like and you're like, oh, those look like you'd be 436 00:26:26,040 --> 00:26:29,320 Speaker 1: in trouble if you had those. So the entirety of 437 00:26:29,359 --> 00:26:33,000 Speaker 1: like the primetime news blocks on Fox and elsewhere were 438 00:26:33,040 --> 00:26:36,959 Speaker 1: devoted to talking about this photo, and the way they 439 00:26:37,000 --> 00:26:40,040 Speaker 1: were sort of the discourse around it was like if 440 00:26:40,080 --> 00:26:41,879 Speaker 1: anyone else looking at it was like the d o 441 00:26:41,960 --> 00:26:45,840 Speaker 1: J was like, here's the contents of this box. Click photo, 442 00:26:46,400 --> 00:26:48,280 Speaker 1: and that's to show you that that's what it was. 443 00:26:48,600 --> 00:26:51,880 Speaker 1: But for them, therefore, they're sort of like they're trying 444 00:26:51,920 --> 00:26:54,800 Speaker 1: to I guess the way the Fox pundits and Maga 445 00:26:54,880 --> 00:26:56,520 Speaker 1: people are framing it's like as if the d o 446 00:26:56,600 --> 00:26:58,720 Speaker 1: J was coming out with these photos being like, oh 447 00:26:58,760 --> 00:27:01,240 Speaker 1: my god, can you believe I just had these documents 448 00:27:01,280 --> 00:27:09,040 Speaker 1: on it? Who does that office? And like they really 449 00:27:09,040 --> 00:27:14,000 Speaker 1: tend to be like his lawyers and everybody, they're trying 450 00:27:14,040 --> 00:27:16,480 Speaker 1: to spin it into this like the d o J 451 00:27:16,800 --> 00:27:19,600 Speaker 1: is framing Trump to make it look like he just 452 00:27:19,680 --> 00:27:22,479 Speaker 1: had these documents all over the floor and he's that 453 00:27:22,680 --> 00:27:25,240 Speaker 1: reckless or something like that. I'm just gonna play this 454 00:27:25,280 --> 00:27:30,240 Speaker 1: clip because there's this takes takes a few evolutions. So 455 00:27:30,280 --> 00:27:33,440 Speaker 1: this is one of his lawyers from TV, Elena Haba, 456 00:27:33,480 --> 00:27:36,679 Speaker 1: who is just going to be like, I've seen that office, 457 00:27:36,720 --> 00:27:39,120 Speaker 1: like it doesn't look like that. Notice how it's never 458 00:27:39,160 --> 00:27:41,560 Speaker 1: about like, you know, how did they get there? Is 459 00:27:41,600 --> 00:27:43,040 Speaker 1: it bad to have it? It's just like he's not 460 00:27:43,080 --> 00:27:45,159 Speaker 1: that sloppy, He's not that sloppy. That is not the 461 00:27:45,200 --> 00:27:48,719 Speaker 1: way his office looks. Anybody that knows President Trump's office, 462 00:27:48,840 --> 00:27:53,240 Speaker 1: he has guests frequently there. It is it's just a joke. 463 00:27:53,359 --> 00:27:56,639 Speaker 1: They literally must have gone in and taken out documents 464 00:27:56,640 --> 00:27:59,240 Speaker 1: they wanted or cover letters as it is, and put 465 00:27:59,280 --> 00:28:01,680 Speaker 1: it about to the public beliefs that this is top 466 00:28:01,680 --> 00:28:11,800 Speaker 1: secret documents that were on his floor. It's ridiculous on 467 00:28:11,840 --> 00:28:19,040 Speaker 1: his floor. Unfair. Oh my god, it's so weird to 468 00:28:19,200 --> 00:28:24,560 Speaker 1: like fa can intimacy with the president's floor, Like, I know, 469 00:28:24,920 --> 00:28:27,520 Speaker 1: I've been on that floor. I actually got down his 470 00:28:27,520 --> 00:28:29,480 Speaker 1: snitch it just because it was such a honor to 471 00:28:29,480 --> 00:28:32,040 Speaker 1: be in there. And that is not the floor sniff 472 00:28:32,320 --> 00:28:35,359 Speaker 1: So not at all, not at all. And you start 473 00:28:35,440 --> 00:28:37,760 Speaker 1: with them saying that these are planted. Now they're like 474 00:28:37,960 --> 00:28:40,560 Speaker 1: they took him out, and so first of all, they're 475 00:28:40,560 --> 00:28:42,600 Speaker 1: acknowledging they took him out, but then just being like 476 00:28:42,840 --> 00:28:48,120 Speaker 1: and on the floor, they still not my president. They 477 00:28:48,160 --> 00:28:51,400 Speaker 1: are still keeping the ember alive of it could have 478 00:28:51,440 --> 00:28:53,560 Speaker 1: been that they might not have he might not have 479 00:28:53,600 --> 00:28:56,200 Speaker 1: actually had those right because they are walking a tight rope, 480 00:28:56,240 --> 00:28:59,360 Speaker 1: which is when his lawyer signed a fucking like certification 481 00:28:59,440 --> 00:29:02,520 Speaker 1: over being like, yes, we no longer have like we 482 00:29:02,600 --> 00:29:05,800 Speaker 1: no longer have any classified documents here. They have all 483 00:29:05,880 --> 00:29:08,680 Speaker 1: been handed over, like they have all been returned, so 484 00:29:09,440 --> 00:29:12,080 Speaker 1: like all along with this right, I think that tack 485 00:29:12,160 --> 00:29:14,000 Speaker 1: of being like they're just trying to make it seem 486 00:29:14,040 --> 00:29:16,280 Speaker 1: like he's sloppy, I think because it's still aligns with 487 00:29:16,400 --> 00:29:19,280 Speaker 1: like the the take that they're trying to also get 488 00:29:19,320 --> 00:29:21,720 Speaker 1: people to like gamb Onto, which is like the FBI 489 00:29:21,920 --> 00:29:25,240 Speaker 1: is planting evidence which no one cares about, but sadly 490 00:29:25,280 --> 00:29:27,480 Speaker 1: it is the one thing that could actually be argued 491 00:29:27,520 --> 00:29:32,959 Speaker 1: on a historical basis, right that. I mean, like you do, 492 00:29:33,360 --> 00:29:35,080 Speaker 1: but y'all are gonna have to start talking about, you know, 493 00:29:35,120 --> 00:29:37,200 Speaker 1: civil rights leaders as part of that. Dude, I don't 494 00:29:37,200 --> 00:29:39,200 Speaker 1: know if you want to go down that road. It 495 00:29:39,320 --> 00:29:41,680 Speaker 1: sucks to Yeah, it's so hard to have conversations about 496 00:29:41,680 --> 00:29:45,440 Speaker 1: this because it's like, well, I'm please, I don't think 497 00:29:45,440 --> 00:29:51,680 Speaker 1: that I'm like standing the FBI, like you know, like, yeah, 498 00:29:51,760 --> 00:29:55,000 Speaker 1: it's I didn't know about payless Twitter. This is a 499 00:29:55,040 --> 00:29:58,400 Speaker 1: really unfortunate thing to to learn about. Thank you so much. 500 00:29:58,520 --> 00:30:02,040 Speaker 1: Social with his re true thing and his truths. Remember, no, 501 00:30:02,960 --> 00:30:05,600 Speaker 1: you've been really taking care of yourself. That's okay, allow 502 00:30:05,680 --> 00:30:10,480 Speaker 1: me to bring you down. You protecting myself? Yeah, because 503 00:30:10,560 --> 00:30:13,960 Speaker 1: right because Trump was inciting people on Twitter for on 504 00:30:14,040 --> 00:30:17,400 Speaker 1: January six, he was booted off Twitter. This whole thing 505 00:30:17,480 --> 00:30:24,040 Speaker 1: was like I'm making my own Trump. No, the Clinton 506 00:30:24,120 --> 00:30:30,080 Speaker 1: is the president, the sacks guy, so Trump but all 507 00:30:30,120 --> 00:30:32,040 Speaker 1: his money in the truth. Social it's been a disaster. 508 00:30:32,240 --> 00:30:34,760 Speaker 1: The launch has been terrible, but he's finally just on 509 00:30:34,840 --> 00:30:37,760 Speaker 1: it now that he's in trouble and he's just the 510 00:30:37,880 --> 00:30:40,080 Speaker 1: like earlier this week it was all Q and on 511 00:30:40,240 --> 00:30:42,520 Speaker 1: ship posts and stuff that he's like fully gone Q 512 00:30:42,800 --> 00:30:46,440 Speaker 1: on there and saying all sharing all kinds of nonsense. 513 00:30:46,680 --> 00:30:50,920 Speaker 1: So on Thursday or Wednesday, I think no, Thursday, No, yes, 514 00:30:50,960 --> 00:30:54,120 Speaker 1: Thursday he got on there because obviously the night before 515 00:30:54,120 --> 00:30:56,440 Speaker 1: everyone's like, yeah, man, he's just trying to the FBI 516 00:30:56,520 --> 00:30:58,400 Speaker 1: is trying to make him look bad, like he keeps 517 00:30:58,440 --> 00:31:00,880 Speaker 1: this stuff on the ground, he those on his own 518 00:31:01,040 --> 00:31:04,040 Speaker 1: fucking truth or account or whatever. And he tweets this 519 00:31:04,040 --> 00:31:07,080 Speaker 1: ship quote. There seems to be confusion as to the 520 00:31:07,160 --> 00:31:10,760 Speaker 1: quote picture where documents were sloppily thrown on the floor 521 00:31:10,800 --> 00:31:13,960 Speaker 1: and then released photographically for the world to see, as 522 00:31:13,960 --> 00:31:16,520 Speaker 1: if that's what the FBI found when they broke into 523 00:31:16,560 --> 00:31:20,600 Speaker 1: my home. Wrong. They took them out of cardens and 524 00:31:20,720 --> 00:31:22,840 Speaker 1: spread them around on the carpet, making it look like 525 00:31:22,880 --> 00:31:26,400 Speaker 1: a big quote find for them. They dropped them, not me. 526 00:31:26,720 --> 00:31:29,680 Speaker 1: Very deceiving. And remember we could have no representative including 527 00:31:29,760 --> 00:31:32,080 Speaker 1: lawyers present during the raid. They were there, they were 528 00:31:32,080 --> 00:31:34,840 Speaker 1: told to wait outside. So he's basically saying like, no, man, 529 00:31:34,880 --> 00:31:38,320 Speaker 1: those secret documents that I had, those ships were in boxes. 530 00:31:39,480 --> 00:31:42,240 Speaker 1: Like so you're like, hold on, sir, so wait, okay, 531 00:31:42,280 --> 00:31:44,960 Speaker 1: so now you know that you had classified documents because 532 00:31:44,960 --> 00:31:47,120 Speaker 1: before you're like this ship, these ships class fine, I 533 00:31:47,160 --> 00:31:50,000 Speaker 1: don't even know what's here. Also, you know where you 534 00:31:50,080 --> 00:31:52,959 Speaker 1: knew where they were kept because you're you're referring to 535 00:31:53,000 --> 00:31:55,520 Speaker 1: this carden. Also, I thought you handed all of them 536 00:31:55,560 --> 00:32:00,760 Speaker 1: over to the fucking FEDS and these were planted. I 537 00:32:00,800 --> 00:32:05,600 Speaker 1: mean this feels characteristically sloppy, but holy shit, yeah, like 538 00:32:05,720 --> 00:32:09,160 Speaker 1: he's never his own ego was like, let me clear 539 00:32:09,200 --> 00:32:12,880 Speaker 1: something up. When I abscond with top secret documents, I 540 00:32:12,960 --> 00:32:16,400 Speaker 1: keep them in fucking boxes at an air minimum. Okay, 541 00:32:16,520 --> 00:32:20,480 Speaker 1: not dirty. There's so many pictures of him also with 542 00:32:20,520 --> 00:32:24,360 Speaker 1: like the messiest desk I've ever seen, like like when 543 00:32:24,360 --> 00:32:26,680 Speaker 1: he was running, Like when he was running, yeah, and 544 00:32:26,680 --> 00:32:29,000 Speaker 1: he's like at my taco and like there's a bunch 545 00:32:29,040 --> 00:32:31,160 Speaker 1: of bills piled up like all over the corners of 546 00:32:31,160 --> 00:32:36,960 Speaker 1: the desk, just like its social security numbers. Like they're 547 00:32:37,000 --> 00:32:41,080 Speaker 1: not the most careful criminal organization of all time, And 548 00:32:41,320 --> 00:32:43,240 Speaker 1: you know it pisces me off. I hate that white 549 00:32:43,240 --> 00:32:46,520 Speaker 1: people get to be so fucking sloppy with their crimes. Yeah, 550 00:32:46,560 --> 00:32:49,160 Speaker 1: you know what I mean, Like this is slops like 551 00:32:48,560 --> 00:32:52,200 Speaker 1: you like only whiteness would allow you to think that 552 00:32:52,240 --> 00:32:55,000 Speaker 1: this is how you break the law. Other people they 553 00:32:55,040 --> 00:32:57,640 Speaker 1: do a lot to cover up their crimes. When it's 554 00:32:57,760 --> 00:33:00,720 Speaker 1: like some other criminal enterpret there's like some real heights 555 00:33:00,960 --> 00:33:06,480 Speaker 1: going on. This guy's feel like they're in Carton's that 556 00:33:06,600 --> 00:33:09,320 Speaker 1: I have that these are these things could reveal like 557 00:33:09,360 --> 00:33:13,160 Speaker 1: the locations of like Spice satellite programs and stuff, and 558 00:33:13,200 --> 00:33:16,360 Speaker 1: I'm like, they're in my desk whatever. Well that's like 559 00:33:16,400 --> 00:33:19,760 Speaker 1: that God, I mean, it's like he's and that's like 560 00:33:20,000 --> 00:33:23,440 Speaker 1: historically true if him to like he's bad at everything, 561 00:33:23,520 --> 00:33:27,200 Speaker 1: including being a criminal, it just helps to be a 562 00:33:27,280 --> 00:33:29,960 Speaker 1: hundred millionaire by the time you're seven years old. Thing, 563 00:33:30,000 --> 00:33:33,040 Speaker 1: You're like, you can get away with just being really 564 00:33:33,560 --> 00:33:36,680 Speaker 1: good at being bad at ship. But yeah, on the 565 00:33:36,680 --> 00:33:38,760 Speaker 1: Fox News front, I do think it's interesting that they 566 00:33:38,800 --> 00:33:42,520 Speaker 1: seem to be keeping so many possibilities like open so 567 00:33:42,560 --> 00:33:45,640 Speaker 1: that they can say I told you so when things 568 00:33:45,720 --> 00:33:49,320 Speaker 1: kind of I want to be like, yeah, that's bad 569 00:33:49,400 --> 00:33:51,120 Speaker 1: in case it is bad, like yeah, we knew it 570 00:33:51,120 --> 00:33:53,160 Speaker 1: was bad. And other times like yeah, he should have 571 00:33:53,240 --> 00:33:56,880 Speaker 1: gotten off. YEA, love us again, Donald, But it's more 572 00:33:56,880 --> 00:33:59,000 Speaker 1: and more like they are kind of like, I don't 573 00:33:59,000 --> 00:34:00,520 Speaker 1: know what the fund do you want us to say? 574 00:34:00,560 --> 00:34:02,520 Speaker 1: Like it's only like people like Hannity at this point 575 00:34:02,520 --> 00:34:04,000 Speaker 1: who are willing to be like and they planned to 576 00:34:04,120 --> 00:34:06,320 Speaker 1: that right because I'm also implicated if he goes down, 577 00:34:06,360 --> 00:34:09,399 Speaker 1: I'm fucked too. Yeah, but also just in true white 578 00:34:09,400 --> 00:34:12,880 Speaker 1: privilege fashion, that same lawyer of his that we heard earlier, 579 00:34:13,360 --> 00:34:16,919 Speaker 1: she went on like Charlie Kirk's podcast and was doing 580 00:34:16,960 --> 00:34:20,040 Speaker 1: this thing of like basically like complaining that the laws 581 00:34:20,080 --> 00:34:23,440 Speaker 1: are too fucking dumb to apply to Trump, So like 582 00:34:23,880 --> 00:34:26,680 Speaker 1: why don't they just fucking relax already. It's like the 583 00:34:26,800 --> 00:34:29,319 Speaker 1: energy and I just want to hear how I want 584 00:34:29,360 --> 00:34:31,920 Speaker 1: you to hear how she tries to make this be 585 00:34:32,000 --> 00:34:34,439 Speaker 1: like this is just nonsense, man, Like they're going after 586 00:34:34,520 --> 00:34:41,200 Speaker 1: him over freaking jokes stuff girl bus, girl bos. And 587 00:34:41,760 --> 00:34:45,560 Speaker 1: they say themselves in these papers that they filed that 588 00:34:45,680 --> 00:34:48,399 Speaker 1: this is under the Presidential Records Act. So what they 589 00:34:48,400 --> 00:34:51,400 Speaker 1: did was to try and criminalize Donald Trump, as they 590 00:34:51,440 --> 00:34:56,640 Speaker 1: always do. They found these three mundane statutes espionage and 591 00:34:56,719 --> 00:34:59,920 Speaker 1: the two others obstruction and they're trying to claim the 592 00:35:00,040 --> 00:35:02,440 Speaker 1: there with some sort of criminal activity, but their papers 593 00:35:02,440 --> 00:35:06,640 Speaker 1: say it's under the Presidential Records Act. So your admission 594 00:35:07,320 --> 00:35:09,759 Speaker 1: is the power that we've all been saying he does have. 595 00:35:10,920 --> 00:35:13,400 Speaker 1: It's like it sounds like a sixteen year old like 596 00:35:13,400 --> 00:35:15,799 Speaker 1: trying to debate their parents, like as to why they 597 00:35:15,800 --> 00:35:19,040 Speaker 1: can drive the car drunk. It's like, and actually, that 598 00:35:19,120 --> 00:35:22,799 Speaker 1: goes against your earlier statement that you made that like, 599 00:35:23,160 --> 00:35:26,840 Speaker 1: drinking is okay in moderation, therefore I should be allowed 600 00:35:26,880 --> 00:35:32,080 Speaker 1: to combine both privileges borrowing dad's car drinking alcohol into 601 00:35:32,080 --> 00:35:35,719 Speaker 1: one singular experience. And you're just trying to like, so 602 00:35:35,800 --> 00:35:41,360 Speaker 1: you admit that he was the president exactly. Interesting, that 603 00:35:41,600 --> 00:35:44,960 Speaker 1: is some like galaxy brain child of divorce logic where 604 00:35:44,960 --> 00:35:48,880 Speaker 1: you're like, actually, they're a bit of a hypocrite, and 605 00:35:48,880 --> 00:35:52,319 Speaker 1: therefore I should get to do whatever I want. Seriously, 606 00:35:52,840 --> 00:35:57,560 Speaker 1: her use of the word mundane is going to step 607 00:35:57,680 --> 00:36:01,840 Speaker 1: in me two words before say the word espionage mundane 608 00:36:01,960 --> 00:36:06,799 Speaker 1: things you know, espionage to others. And also just like 609 00:36:07,000 --> 00:36:09,560 Speaker 1: so it's like, this crime is a lot of things 610 00:36:09,920 --> 00:36:13,080 Speaker 1: I would not use boring to describing one of them, 611 00:36:13,480 --> 00:36:17,920 Speaker 1: like it's just weird. Yeah, the president stealing top secret 612 00:36:17,960 --> 00:36:21,440 Speaker 1: documents they could get tons of people killed is a 613 00:36:21,640 --> 00:36:25,800 Speaker 1: diamond dozen't you know that's happening right now as we speak. 614 00:36:26,400 --> 00:36:32,160 Speaker 1: So munday from president somewhere is stealing classified documents. My honor, 615 00:36:32,760 --> 00:36:37,279 Speaker 1: my client is fucking not guilty. Please counsel what I 616 00:36:37,280 --> 00:36:40,680 Speaker 1: say about your language? Sorry, my honor, my client is 617 00:36:40,800 --> 00:36:44,799 Speaker 1: not effing guilty. Okay, because like these charges are like 618 00:36:45,200 --> 00:36:54,960 Speaker 1: I'm sorry, effing mundane, right what Okay, we just take 619 00:36:55,000 --> 00:36:58,880 Speaker 1: a step coming on here in the babooiean sense of 620 00:36:58,920 --> 00:37:12,000 Speaker 1: the word okay, if I may brick there in the 621 00:37:12,000 --> 00:37:18,279 Speaker 1: popularion tradition of the word okay. Yeah, yeah, you know 622 00:37:20,040 --> 00:37:23,600 Speaker 1: I hate that. I know all this now. Yeah. Also 623 00:37:23,800 --> 00:37:26,680 Speaker 1: the season, like we we talked about his passports being seized. 624 00:37:26,719 --> 00:37:28,400 Speaker 1: We were like, oh, are they like trying to prevent 625 00:37:28,480 --> 00:37:31,160 Speaker 1: him from running fleeing to another country? And now people 626 00:37:31,160 --> 00:37:33,960 Speaker 1: are thinking it might be because he just had his 627 00:37:34,040 --> 00:37:37,440 Speaker 1: passports on top of like all the most damning secret 628 00:37:37,480 --> 00:37:41,160 Speaker 1: documents and like the like he just liked to like 629 00:37:41,280 --> 00:37:44,080 Speaker 1: put his fingerprints on them, like I don't know, like 630 00:37:44,200 --> 00:37:47,640 Speaker 1: it's just the most people are like, that's actually very 631 00:37:47,680 --> 00:37:50,319 Speaker 1: bad that he had something that he needs access to 632 00:37:50,480 --> 00:37:54,560 Speaker 1: and probably like personally controls the whereabouts of that, Like 633 00:37:54,680 --> 00:37:58,080 Speaker 1: that was in the same drawer with the bad stuff 634 00:37:58,120 --> 00:38:04,239 Speaker 1: that he wants to claim yet no knowledge of hard Yeah, 635 00:38:04,840 --> 00:38:06,600 Speaker 1: it's just like you can't you can't tie me to 636 00:38:06,680 --> 00:38:09,960 Speaker 1: these documents. They were in your big desk drawer with 637 00:38:10,040 --> 00:38:13,680 Speaker 1: your passport like they were they were inside of your 638 00:38:13,719 --> 00:38:16,000 Speaker 1: passport as if you would put them in like a 639 00:38:16,000 --> 00:38:19,279 Speaker 1: bookmark for your passport. Like I grab this, It's gonna 640 00:38:19,280 --> 00:38:23,200 Speaker 1: be one thing I'm taking off with a cool to 641 00:38:23,320 --> 00:38:30,520 Speaker 1: do something like that. Yeah, this is so mundane, your honor, 642 00:38:30,680 --> 00:38:35,479 Speaker 1: like they're trying to act so mundane. All right, let's 643 00:38:35,480 --> 00:38:37,960 Speaker 1: take a quick break. We'll come back. We'll we'll be 644 00:38:38,040 --> 00:38:42,120 Speaker 1: joined by superproducer on a Hosnia. Do you discuss the rehearsal? 645 00:38:52,800 --> 00:38:56,279 Speaker 1: And we're back and it is time of course. Do 646 00:38:56,360 --> 00:38:59,400 Speaker 1: we have a theme song yet for hones streaming corner? 647 00:38:59,640 --> 00:39:03,600 Speaker 1: I mean I have one? Yeah, here we go once again, 648 00:39:03,640 --> 00:39:07,880 Speaker 1: it's time for super producer on an is on a 649 00:39:08,040 --> 00:39:23,400 Speaker 1: streaming corner. It and a streaming corner a hubble twenty 650 00:39:23,400 --> 00:39:42,640 Speaker 1: minutes later and thank you. Wow, And that's exactly what 651 00:39:42,680 --> 00:39:47,200 Speaker 1: I wanted, Like eleven from sucking strangers. It's like, oh 652 00:39:47,200 --> 00:39:49,800 Speaker 1: my god, more blood's coming out of both not something 653 00:39:49,840 --> 00:39:52,960 Speaker 1: bad about to happen. What's a dead like? Do you 654 00:39:53,000 --> 00:39:56,000 Speaker 1: assume it's the persons in more trouble if they have 655 00:39:56,040 --> 00:40:00,200 Speaker 1: a nosebleed after something weird like supernaturally happens or an 656 00:40:00,200 --> 00:40:03,399 Speaker 1: ear bleed. I feel like ear bleed is freaking air 657 00:40:03,440 --> 00:40:07,560 Speaker 1: bleed feels personal? Yes, is that more brain? Yeah? That 658 00:40:07,640 --> 00:40:10,840 Speaker 1: feels like you're dead or you're going to not be 659 00:40:10,960 --> 00:40:12,839 Speaker 1: well after that. I do feel like maybe the nose 660 00:40:13,000 --> 00:40:16,160 Speaker 1: is a direct pipeline to the brain as well, and 661 00:40:16,640 --> 00:40:25,200 Speaker 1: you always say that that's the pipeline the eye. The 662 00:40:25,280 --> 00:40:28,200 Speaker 1: nose is a direct pipeline to the soul. On a 663 00:40:29,239 --> 00:40:31,799 Speaker 1: it's it's wonderful to have you back. We kind of 664 00:40:31,840 --> 00:40:35,240 Speaker 1: have unofficial streaming corners whenever you tell us to watch 665 00:40:35,280 --> 00:40:39,080 Speaker 1: something and we actually do it. But this is this 666 00:40:39,160 --> 00:40:44,520 Speaker 1: one demanded on like for all the world to see. 667 00:40:44,920 --> 00:40:52,400 Speaker 1: The rehearsal mm hm, did you watch it? Yes? Of course, 668 00:40:52,440 --> 00:40:54,160 Speaker 1: Are you kidding? I was always the first person to 669 00:40:54,160 --> 00:40:56,560 Speaker 1: watch because I watched the exactly eight pm on the 670 00:40:56,640 --> 00:41:00,759 Speaker 1: dock Friday nights PST when it dropped at eleven m e. S. T. 671 00:41:00,960 --> 00:41:05,400 Speaker 1: And then I would immediately go I am unwell to 672 00:41:06,120 --> 00:41:08,759 Speaker 1: you would wait till Saturday morning. It's like it's like, 673 00:41:08,840 --> 00:41:11,400 Speaker 1: fucking man, it came out last night, and then you're like, 674 00:41:11,560 --> 00:41:14,920 Speaker 1: did you see it went even more off the rails? 675 00:41:14,960 --> 00:41:19,040 Speaker 1: And I'm like I'm about to jump in. Yeah, yeah, 676 00:41:19,360 --> 00:41:23,680 Speaker 1: what a show? What a show? Nathan Fielder truly, I 677 00:41:24,080 --> 00:41:27,359 Speaker 1: don't know. I really like him. I saw him live once. 678 00:41:27,360 --> 00:41:31,040 Speaker 1: I was talking about it, and he did He just 679 00:41:31,080 --> 00:41:33,720 Speaker 1: pulled people up on stage that he thought looked weird 680 00:41:33,920 --> 00:41:37,799 Speaker 1: and had interesting conversations with him. Like that is his 681 00:41:37,800 --> 00:41:42,600 Speaker 1: his singular skill is finding weird people and being able 682 00:41:42,640 --> 00:41:47,080 Speaker 1: to just dig in with them and have interesting conversations. Well, 683 00:41:48,360 --> 00:41:51,279 Speaker 1: I guess broadly, I'm curious to everybody here that I 684 00:41:51,280 --> 00:41:53,200 Speaker 1: feel like the one for people there. I think like 685 00:41:53,239 --> 00:41:55,480 Speaker 1: there's a group of people who knew Nathan Fielder and 686 00:41:55,480 --> 00:41:57,080 Speaker 1: watched it and we're like wow. Then there are people 687 00:41:57,080 --> 00:41:59,200 Speaker 1: who never heard of Nathan Fielder and saw this, like 688 00:41:59,320 --> 00:42:03,200 Speaker 1: what is wrong with this guy? Like he's monotone. He 689 00:42:03,360 --> 00:42:06,120 Speaker 1: seems like he's so arrogant, And so I guess the 690 00:42:06,160 --> 00:42:09,440 Speaker 1: first biggest thing is that I like I just want 691 00:42:09,440 --> 00:42:11,160 Speaker 1: to read a criticism of the show just to get 692 00:42:11,160 --> 00:42:13,600 Speaker 1: everybody's take is that people felt that he was like 693 00:42:13,719 --> 00:42:16,360 Speaker 1: cruel and arrogant. There's I'm going to read from this 694 00:42:16,400 --> 00:42:19,279 Speaker 1: New Yorker review of the show quote Fielder is manifestly 695 00:42:19,320 --> 00:42:22,120 Speaker 1: impressed with his own methods and his own acumen. At 696 00:42:22,160 --> 00:42:24,640 Speaker 1: that moment, barely five minutes into the first episode, I 697 00:42:24,680 --> 00:42:26,799 Speaker 1: wanted to throw my laptop across the room or just 698 00:42:26,840 --> 00:42:29,839 Speaker 1: to throw Nathan Fielder out of it. Not only uh 699 00:42:30,040 --> 00:42:32,440 Speaker 1: is this not He's talking about the time when he 700 00:42:32,520 --> 00:42:35,520 Speaker 1: sends the gas company in to like to map the 701 00:42:35,520 --> 00:42:39,279 Speaker 1: guy's apartment, and he said, like, start breaking down. I 702 00:42:39,280 --> 00:42:42,440 Speaker 1: feel like Richard Brody's going through something. Not only is 703 00:42:42,480 --> 00:42:46,520 Speaker 1: the gas crew deception itself a reckless betrayal, but the 704 00:42:46,600 --> 00:42:49,880 Speaker 1: gaze of superiority and dominance that he casts upon core 705 00:42:50,280 --> 00:42:55,120 Speaker 1: struck me as arrogant, cruel, and above all indifferent. Yeah. 706 00:42:55,280 --> 00:42:58,920 Speaker 1: I saying that like five minutes and you were like 707 00:42:59,280 --> 00:43:02,680 Speaker 1: angry to the point of like violence. I think is 708 00:43:02,680 --> 00:43:06,400 Speaker 1: is revealing. I get like the that's definitely a thought 709 00:43:06,440 --> 00:43:08,319 Speaker 1: that is on your mind where you're watching it. I 710 00:43:08,360 --> 00:43:12,440 Speaker 1: think I do tend to like think that these portraits 711 00:43:12,480 --> 00:43:16,640 Speaker 1: of these people are really interesting and like, I don't 712 00:43:16,640 --> 00:43:19,920 Speaker 1: know whether it's exactly how they would want to be viewed. 713 00:43:20,040 --> 00:43:24,680 Speaker 1: It is the most interesting portrait of someone like Angela 714 00:43:24,920 --> 00:43:28,919 Speaker 1: or Core or Core's trivia friend that I've ever seen 715 00:43:29,239 --> 00:43:32,239 Speaker 1: in art, like the most like humane, and I don't know, 716 00:43:32,480 --> 00:43:35,400 Speaker 1: it felt empathetic to me. You know, what's what was 717 00:43:35,440 --> 00:43:37,319 Speaker 1: your response to when you tell people to watch the show? 718 00:43:37,320 --> 00:43:39,560 Speaker 1: Because I'm sure like anybody's like, did you watch it? 719 00:43:39,600 --> 00:43:42,840 Speaker 1: And some people are like, I don't know, Well, I'm 720 00:43:42,880 --> 00:43:45,640 Speaker 1: I'm of the the sort of realm of like, don't 721 00:43:45,920 --> 00:43:50,719 Speaker 1: stop writing thing pieces on Nathan Fielder shows, I think 722 00:43:50,760 --> 00:43:53,560 Speaker 1: you need to let go and let love, as it 723 00:43:53,600 --> 00:43:55,440 Speaker 1: says on my wall, as you can see behind me. 724 00:43:56,640 --> 00:44:00,320 Speaker 1: But like it's I feel like every Nathan Fielder show 725 00:44:00,440 --> 00:44:05,319 Speaker 1: is an examination of Nathan's own anxiety and issues and 726 00:44:05,400 --> 00:44:09,359 Speaker 1: frustrations with his own like existence. That's every Nathan Fielder show. 727 00:44:09,360 --> 00:44:11,560 Speaker 1: It's just like him being like I got good grades, 728 00:44:11,600 --> 00:44:13,600 Speaker 1: so I think I'm good at business, and you're like, 729 00:44:13,640 --> 00:44:15,920 Speaker 1: well you didn't, but you seem to think you are, 730 00:44:16,000 --> 00:44:18,239 Speaker 1: So whatever, go do your thing. And then this is 731 00:44:18,280 --> 00:44:22,080 Speaker 1: like the whole reason the rehearsal exists is because Nathan 732 00:44:22,160 --> 00:44:26,040 Speaker 1: is like an anxious, socially awkward person, which it says 733 00:44:26,239 --> 00:44:29,919 Speaker 1: multiple times. So he's like, well, I've figured out how 734 00:44:30,040 --> 00:44:34,120 Speaker 1: to uh rehearse every interaction, which immediately is like okay, dude, 735 00:44:34,120 --> 00:44:36,800 Speaker 1: you're a fucking weirdo. And he's like, so I've decided 736 00:44:36,840 --> 00:44:40,160 Speaker 1: to give this great skill of mine to others, which 737 00:44:40,160 --> 00:44:42,440 Speaker 1: is exactly what Nathan for you was. It's looking Nathan 738 00:44:42,560 --> 00:44:46,600 Speaker 1: for you, I'm giving you this really absurd thing that 739 00:44:46,760 --> 00:44:50,080 Speaker 1: I've come up with back to the people, even though 740 00:44:50,440 --> 00:44:53,239 Speaker 1: nobody asked for it. And I think that's all it is. 741 00:44:53,360 --> 00:44:55,400 Speaker 1: It's not as deep as people think it is of 742 00:44:55,480 --> 00:44:58,360 Speaker 1: like wow, looking him destroying humans like all these people like, 743 00:44:58,480 --> 00:45:02,880 Speaker 1: it's actually not these people exist. Nathan just started interacting 744 00:45:02,880 --> 00:45:05,600 Speaker 1: with them because he himself found it interesting. And it's 745 00:45:05,600 --> 00:45:07,239 Speaker 1: in a way he's being like, oh, look I found 746 00:45:07,239 --> 00:45:10,880 Speaker 1: someone who's maybe weirder than me. Let me talk to 747 00:45:10,920 --> 00:45:14,000 Speaker 1: them because I'm curious of how they exist. And you're like, okay, 748 00:45:14,320 --> 00:45:16,520 Speaker 1: I don't in a way like think like I think 749 00:45:16,520 --> 00:45:19,520 Speaker 1: all these people are interesting. The only person who I 750 00:45:19,600 --> 00:45:23,200 Speaker 1: literally was like I do not funk with you was 751 00:45:23,320 --> 00:45:26,400 Speaker 1: Miriam the Zionist. That was the only person that I 752 00:45:26,640 --> 00:45:29,800 Speaker 1: turned on the whole time, and she didn't even start 753 00:45:29,800 --> 00:45:38,200 Speaker 1: out as like a weirdo and then she pivoted like Miriam. Immediately. 754 00:45:38,600 --> 00:45:41,799 Speaker 1: I listened to the Ringer podcast about this show to 755 00:45:41,880 --> 00:45:43,960 Speaker 1: like jog my memory, and then I was like, oh, 756 00:45:43,960 --> 00:45:46,360 Speaker 1: this is not good and just rewatched a couple episodes. 757 00:45:46,400 --> 00:45:50,320 Speaker 1: But the Ringer podcast about this they bring up that episode, 758 00:45:50,640 --> 00:45:53,719 Speaker 1: but they're just like I loved her. She like that 759 00:45:53,840 --> 00:45:57,560 Speaker 1: end art where she like, She's so glad Angela is gone, 760 00:45:57,600 --> 00:46:00,400 Speaker 1: and I'm so glad Angela's gone too, and it's just 761 00:46:00,480 --> 00:46:04,520 Speaker 1: like a warm, celebratory It's like she's talking about she 762 00:46:04,600 --> 00:46:10,960 Speaker 1: kept talking to that part. Yeah, yeah, yeah, I mean, look, 763 00:46:11,400 --> 00:46:14,480 Speaker 1: I'm glad about you know, go ahead teach people about 764 00:46:14,600 --> 00:46:17,480 Speaker 1: the you know, Jewish culture and tradition. That's fine. The 765 00:46:17,520 --> 00:46:21,560 Speaker 1: second you try and pressure someone like Nathan to make 766 00:46:21,600 --> 00:46:25,520 Speaker 1: their show like a political stance supporting Israel because like 767 00:46:25,680 --> 00:46:28,440 Speaker 1: you know, he has a platform, you're going too far 768 00:46:28,920 --> 00:46:31,440 Speaker 1: to be like you need to side against Palestinian people 769 00:46:31,440 --> 00:46:35,480 Speaker 1: on your show, right, well, those people they were going 770 00:46:35,520 --> 00:46:40,920 Speaker 1: to be bombed, Like what are you saying? That was 771 00:46:40,960 --> 00:46:43,719 Speaker 1: an interesting thing because a lot of a few Jewish 772 00:46:43,760 --> 00:46:46,600 Speaker 1: news outlets like grappled with the show in different ways, 773 00:46:46,640 --> 00:46:48,799 Speaker 1: like this one website. First are like saying like how 774 00:46:48,880 --> 00:46:52,600 Speaker 1: Judaism and coobala is essential to understanding like the show, 775 00:46:53,000 --> 00:46:55,719 Speaker 1: and then when the finale happened that same thing, it's 776 00:46:55,719 --> 00:46:58,440 Speaker 1: so weird how some people absolutely do not get what 777 00:46:58,480 --> 00:47:01,520 Speaker 1: he's doing. They were like, we really did not like 778 00:47:01,600 --> 00:47:04,160 Speaker 1: the fact that he had to renounce his Judaism his 779 00:47:04,280 --> 00:47:07,160 Speaker 1: religion to that child in the finale and say I'm 780 00:47:07,239 --> 00:47:09,440 Speaker 1: going to hell and I'm going to be burning in 781 00:47:09,520 --> 00:47:12,799 Speaker 1: hell because I'm not Christian. And it's like, I think 782 00:47:12,880 --> 00:47:16,520 Speaker 1: you're missing the point entirely. They're like, what that Wasn't 783 00:47:16,520 --> 00:47:19,240 Speaker 1: that he was made to do anything like that? If anything, 784 00:47:19,719 --> 00:47:23,320 Speaker 1: he started like underscoring this absurdity of how children are indoctrinated, 785 00:47:23,560 --> 00:47:27,040 Speaker 1: where like because most kids have no concept of what 786 00:47:27,160 --> 00:47:30,480 Speaker 1: religion or if they need it for themselves, it's just 787 00:47:30,600 --> 00:47:34,279 Speaker 1: easier to grasp this framing of like it's us versus them, 788 00:47:34,440 --> 00:47:37,759 Speaker 1: We do good those people burn in hell because that's 789 00:47:37,800 --> 00:47:39,879 Speaker 1: like what the parents like, the kid doesn't know about 790 00:47:39,960 --> 00:47:42,840 Speaker 1: Christian anymore. Do the talk to the kid and he's like, Okay, 791 00:47:42,840 --> 00:47:47,280 Speaker 1: in kid terms, I'm bad and evil. You're gonna be good. 792 00:47:47,440 --> 00:47:49,319 Speaker 1: That's what you want, right, And they're like, how could 793 00:47:49,320 --> 00:47:53,600 Speaker 1: you do that? And that's attention to like how absurd 794 00:47:53,640 --> 00:47:57,359 Speaker 1: it was that the mom would make that request at all, right, 795 00:47:57,760 --> 00:47:59,520 Speaker 1: And it felt like by the time he got to 796 00:47:59,560 --> 00:48:02,200 Speaker 1: that point, he was just trying to make right by 797 00:48:02,239 --> 00:48:06,520 Speaker 1: all the kids because he had then accidentally became a 798 00:48:06,560 --> 00:48:10,279 Speaker 1: father figure to a child actor who didn't know any better, 799 00:48:10,400 --> 00:48:13,040 Speaker 1: and he was like and child actors even so, one 800 00:48:13,040 --> 00:48:16,040 Speaker 1: thing I wanted to say about the parenting thing, like 801 00:48:16,080 --> 00:48:19,319 Speaker 1: what my initial response to the whole show was like, 802 00:48:19,640 --> 00:48:21,839 Speaker 1: holy sh it, I will never First of all, kids 803 00:48:21,840 --> 00:48:27,640 Speaker 1: are way better actors than everybody else teenage adam those kids, 804 00:48:29,080 --> 00:48:32,200 Speaker 1: but also like it seems super immoral. But like on 805 00:48:32,320 --> 00:48:35,680 Speaker 1: rewatching some of the early episodes, there's like these moments 806 00:48:35,719 --> 00:48:39,680 Speaker 1: where he's asking like a mom of one of the babies, 807 00:48:39,880 --> 00:48:43,120 Speaker 1: like the actual like babies in a crib, like can't 808 00:48:43,480 --> 00:48:47,000 Speaker 1: even like pull themselves up? If like she's cool if 809 00:48:47,080 --> 00:48:50,600 Speaker 1: Rob then gets involved as like the father figure and 810 00:48:50,680 --> 00:48:53,160 Speaker 1: she's like, yeah, I don't know, they seem to get 811 00:48:53,160 --> 00:48:58,160 Speaker 1: along shirt whatever, like and it reminds me like kids. 812 00:48:58,480 --> 00:49:01,759 Speaker 1: So if you're just watching one episode of like the 813 00:49:01,840 --> 00:49:04,400 Speaker 1: six year old calling him daddy and saying I missed Daddy, 814 00:49:04,560 --> 00:49:07,319 Speaker 1: like it is it that ship like broke my heart 815 00:49:07,400 --> 00:49:12,000 Speaker 1: for sure, and like made the whole thing seemed super 816 00:49:12,560 --> 00:49:16,840 Speaker 1: like funked up at the same time, like kids have 817 00:49:17,200 --> 00:49:21,240 Speaker 1: like a favorite person that they're obsessed with for twenty 818 00:49:21,239 --> 00:49:23,520 Speaker 1: four hours and then just like move on to a 819 00:49:23,560 --> 00:49:25,480 Speaker 1: new thing. And I feel like you see that and 820 00:49:25,560 --> 00:49:29,120 Speaker 1: some of the parents reactions where they're just like, yeah, man, whatever, 821 00:49:29,320 --> 00:49:33,319 Speaker 1: like what it's like watching people who don't have kids 822 00:49:33,760 --> 00:49:36,799 Speaker 1: about parenting and then and then like people who have 823 00:49:36,920 --> 00:49:40,799 Speaker 1: had like multiple kids just feeling yeah, man, like yeah, 824 00:49:40,840 --> 00:49:44,360 Speaker 1: that seems great. Yet the part where she's like and 825 00:49:44,360 --> 00:49:46,520 Speaker 1: then I would like to use I forget what what 826 00:49:46,640 --> 00:49:51,440 Speaker 1: the oil was, lavender oil and she was like, Okay, yeah, 827 00:49:51,760 --> 00:49:55,920 Speaker 1: see if that works, give it a shot, And that 828 00:49:55,920 --> 00:49:58,719 Speaker 1: that did kind of change how I thought about it 829 00:49:58,760 --> 00:50:02,000 Speaker 1: a little bit. I think you see, especially with the 830 00:50:02,080 --> 00:50:06,120 Speaker 1: child actor stuff, you you can see some parents relationships 831 00:50:06,160 --> 00:50:08,400 Speaker 1: to how they even view their kids as acting right, 832 00:50:08,480 --> 00:50:11,239 Speaker 1: Like some people might be like, yeah, dude, I take 833 00:50:11,280 --> 00:50:14,160 Speaker 1: my baby to a set and they give me money, 834 00:50:14,440 --> 00:50:18,799 Speaker 1: and it's like babies, you've commodified your child's existence just 835 00:50:18,880 --> 00:50:21,680 Speaker 1: to be on camera. And you see like some some 836 00:50:21,760 --> 00:50:24,319 Speaker 1: of those kids were straight up child actors, right, who 837 00:50:24,360 --> 00:50:27,239 Speaker 1: are like knew how to disengage immediately and they're like, wait, 838 00:50:27,239 --> 00:50:29,600 Speaker 1: are we in a scene now or no? And then 839 00:50:29,640 --> 00:50:32,000 Speaker 1: like with that little boy Remy, I think he was 840 00:50:32,280 --> 00:50:35,000 Speaker 1: obviously way too young to be in something that was 841 00:50:35,200 --> 00:50:38,080 Speaker 1: so not a traditional acting thing, Like it wasn't on 842 00:50:38,120 --> 00:50:41,560 Speaker 1: a stage with an audience or like overt production stuff. 843 00:50:41,560 --> 00:50:44,279 Speaker 1: It's like a lot of hidden camera infrastructure. But I 844 00:50:44,320 --> 00:50:47,360 Speaker 1: think also the show does a good job of going 845 00:50:47,440 --> 00:50:50,000 Speaker 1: so absurd that you think it's not real, and then 846 00:50:50,000 --> 00:50:56,120 Speaker 1: it becomes so so fucking real out of nowhere, like yeah, 847 00:50:56,280 --> 00:50:59,000 Speaker 1: and just being like even in doing this thing, like 848 00:50:59,600 --> 00:51:01,839 Speaker 1: even they're showing the mom in a way like she's 849 00:51:01,880 --> 00:51:03,759 Speaker 1: trying to do her best. She thought it was like 850 00:51:03,800 --> 00:51:06,080 Speaker 1: a good thing, but then he was sort of getting 851 00:51:06,640 --> 00:51:09,799 Speaker 1: like with every subsequent trip to that house, getting more 852 00:51:09,840 --> 00:51:12,360 Speaker 1: invested in this idea of like Nathan as his dad 853 00:51:12,440 --> 00:51:14,520 Speaker 1: and how she felt bad about it. So there's like 854 00:51:14,800 --> 00:51:19,200 Speaker 1: multiple commentaries happening about like just child acting or parenting 855 00:51:19,239 --> 00:51:21,279 Speaker 1: that I think that's what's kind of really brilliant about 856 00:51:21,320 --> 00:51:24,799 Speaker 1: the shows. He says a lot of things. It's it's absurdity. 857 00:51:25,320 --> 00:51:27,720 Speaker 1: M Yeah. And I was gonna say, like, and he didn't. 858 00:51:27,760 --> 00:51:30,120 Speaker 1: And here's the thing. Nathan could have hit all of that. 859 00:51:30,200 --> 00:51:32,160 Speaker 1: He didn't have to show how fucked up the kids 860 00:51:32,160 --> 00:51:33,640 Speaker 1: get like, he didn't have to show any of that, 861 00:51:33,760 --> 00:51:35,560 Speaker 1: but the fact that he was like, and here's how 862 00:51:35,600 --> 00:51:40,440 Speaker 1: I potentially fucked up a child, and you're like, oh God, 863 00:51:40,680 --> 00:51:43,640 Speaker 1: like he's she like he continued to show the dark 864 00:51:43,719 --> 00:51:47,719 Speaker 1: side of it all regardless, and I think like I 865 00:51:47,760 --> 00:51:51,439 Speaker 1: would be more concerned about I would actually have had 866 00:51:51,480 --> 00:51:54,200 Speaker 1: more like oh if he didn't show that. And that 867 00:51:54,280 --> 00:51:56,680 Speaker 1: came out later on, like oh there was all these 868 00:51:56,719 --> 00:51:59,680 Speaker 1: issues with the kids thinking that Nathan was their father, 869 00:52:00,040 --> 00:52:02,759 Speaker 1: and like, now you know there's you know, because as 870 00:52:02,800 --> 00:52:06,319 Speaker 1: I was watching that, I was like, at first I 871 00:52:06,320 --> 00:52:09,360 Speaker 1: didn't know how to feel, like oh, whoa, whoa, whoa. 872 00:52:09,440 --> 00:52:11,759 Speaker 1: But then I started to be like, well, look, he's 873 00:52:11,760 --> 00:52:17,239 Speaker 1: actually trying to solve the problem. He's working towards removing 874 00:52:17,280 --> 00:52:20,600 Speaker 1: this child or like removing him from this child's life, 875 00:52:20,600 --> 00:52:23,560 Speaker 1: to the child understands he's not actually his father. And 876 00:52:23,560 --> 00:52:25,799 Speaker 1: that he's not going to be in his life. I 877 00:52:25,800 --> 00:52:30,359 Speaker 1: don't know. I think those moments speak more to like 878 00:52:30,480 --> 00:52:32,920 Speaker 1: what and who Nathan, Like what Nathan's trying to do 879 00:52:33,000 --> 00:52:36,320 Speaker 1: then the whole like wow, look at him showing making 880 00:52:36,440 --> 00:52:38,839 Speaker 1: Robin look a certain way. I'm like, Robin is who 881 00:52:38,840 --> 00:52:41,520 Speaker 1: he is. Robin's all over the internet continuing to act 882 00:52:41,600 --> 00:52:44,520 Speaker 1: like Robin. But he just like showed some light on 883 00:52:44,520 --> 00:52:47,560 Speaker 1: a kind of strange figure that exists in the world. 884 00:52:47,680 --> 00:52:50,640 Speaker 1: We should talk about, like the individual characters and like 885 00:52:50,800 --> 00:52:54,600 Speaker 1: moments right like Robin for anybody who hasn't seen it, 886 00:52:54,880 --> 00:52:58,280 Speaker 1: Robin is holy sh it, Like how do you describe? 887 00:52:58,800 --> 00:53:01,280 Speaker 1: I mean again, like to your point and like he's robbing. 888 00:53:01,360 --> 00:53:03,279 Speaker 1: There was no writer's room that came up with I 889 00:53:03,320 --> 00:53:05,640 Speaker 1: crashed my science TC a hundred miles an hour and 890 00:53:05,760 --> 00:53:10,040 Speaker 1: came to upright on miracle status. Yeah that's what. You 891 00:53:10,080 --> 00:53:12,600 Speaker 1: can't read that if you wanted to know, and if 892 00:53:12,600 --> 00:53:15,879 Speaker 1: you did that, they deserve nine thousand Emmys because I've 893 00:53:15,920 --> 00:53:22,000 Speaker 1: never heard anything like that except from someone so themselves. Right, Yeah, 894 00:53:22,239 --> 00:53:26,160 Speaker 1: I don't. I mean, I I really admire Nathan as 895 00:53:26,239 --> 00:53:29,520 Speaker 1: like a personally. I just think it's all of his 896 00:53:29,560 --> 00:53:33,279 Speaker 1: stuff is really cool and challenging and like is designed 897 00:53:33,520 --> 00:53:36,680 Speaker 1: to like make us have a conversation like this. And 898 00:53:36,760 --> 00:53:39,480 Speaker 1: so every time he releases something and this like inevitable, 899 00:53:39,600 --> 00:53:42,359 Speaker 1: like a series of discourse takes place. It's like, yeah, 900 00:53:42,360 --> 00:53:44,680 Speaker 1: this is like a part of the Nathan Fielder like 901 00:53:44,800 --> 00:53:46,960 Speaker 1: experience because like you're saying, and I like what I 902 00:53:47,040 --> 00:53:51,520 Speaker 1: really liked about this show? It's like was that it? 903 00:53:51,760 --> 00:53:54,240 Speaker 1: Like I don't know, like I feel like with any 904 00:53:54,320 --> 00:53:58,640 Speaker 1: reality premise or project ship like this happened, and there's 905 00:53:58,680 --> 00:54:02,719 Speaker 1: all of these like is this ethical? Like is that? 906 00:54:03,080 --> 00:54:06,280 Speaker 1: Was this okay to do? But there's like not shows 907 00:54:06,360 --> 00:54:10,160 Speaker 1: that very intentionally call your attention to is this ethical? 908 00:54:10,680 --> 00:54:14,400 Speaker 1: So I don't like as as like bizarre and specific 909 00:54:14,600 --> 00:54:17,000 Speaker 1: and like arguably funked up of the premise? Is it? 910 00:54:17,120 --> 00:54:22,120 Speaker 1: Is it? Yeah, Like most reality shows have an absurd, 911 00:54:22,560 --> 00:54:25,759 Speaker 1: fucked up promise, but they want you to not think 912 00:54:25,800 --> 00:54:27,799 Speaker 1: about that as hard as they can, and they go 913 00:54:27,880 --> 00:54:30,040 Speaker 1: way out of their way with the production and the 914 00:54:30,080 --> 00:54:32,279 Speaker 1: casting in the style to make you feel like and 915 00:54:32,320 --> 00:54:34,439 Speaker 1: this is a totally normal thing for us to be doing. 916 00:54:34,600 --> 00:54:37,799 Speaker 1: We're definitely not exploiting anybody, and like this is this, 917 00:54:37,800 --> 00:54:40,440 Speaker 1: this is cool, you should feel fine about participating in 918 00:54:40,480 --> 00:54:43,880 Speaker 1: this as like a consumer, but that's like not what 919 00:54:43,960 --> 00:54:46,520 Speaker 1: he does. And I think that that is like, you 920 00:54:46,560 --> 00:54:49,359 Speaker 1: know whatever, when it gets down to the individual level, 921 00:54:49,360 --> 00:54:53,000 Speaker 1: there's definitely ship to be talked about. But I like 922 00:54:53,160 --> 00:54:55,520 Speaker 1: that that is like such a huge component of this 923 00:54:55,560 --> 00:54:58,240 Speaker 1: show as like it's doing what a lot of shows 924 00:54:58,239 --> 00:55:02,359 Speaker 1: are doing, just like not being shy about telling you 925 00:55:02,400 --> 00:55:05,680 Speaker 1: exactly what you're doing and like having the person asking 926 00:55:05,880 --> 00:55:10,879 Speaker 1: like is this okay? I don't know. Yeah, the discomfort 927 00:55:10,960 --> 00:55:13,359 Speaker 1: is like from that honesty, right, because it's like it's 928 00:55:13,360 --> 00:55:15,480 Speaker 1: like he's giving you an album, but the behind the 929 00:55:15,560 --> 00:55:18,560 Speaker 1: music is also part of the album. So you're like 930 00:55:18,840 --> 00:55:21,359 Speaker 1: because you're like, oh, ship, that's what's also going on. 931 00:55:21,440 --> 00:55:24,000 Speaker 1: Like it's always zooming out. It's like zooming out so 932 00:55:24,120 --> 00:55:26,400 Speaker 1: much it gets meta up, it gets so meta. But 933 00:55:26,840 --> 00:55:29,040 Speaker 1: that's like the honesty aspect of it. And I think 934 00:55:29,080 --> 00:55:30,880 Speaker 1: that's why would like and you know, we watch a 935 00:55:30,960 --> 00:55:32,680 Speaker 1: lot of reality shows and half to tell them, like 936 00:55:32,920 --> 00:55:36,040 Speaker 1: they're getting these fucking people drunk. They're telling them all 937 00:55:36,120 --> 00:55:39,239 Speaker 1: kinds of ship. They're they're provoked, they're antagonizing them to 938 00:55:39,280 --> 00:55:42,960 Speaker 1: do ship on camera, or they'll straight up just manufacture interactions, 939 00:55:43,000 --> 00:55:45,640 Speaker 1: but you'll never know that watching most reality shows, and 940 00:55:45,640 --> 00:55:48,000 Speaker 1: with this one, it tries to be like saying like 941 00:55:48,320 --> 00:55:50,160 Speaker 1: these are kind of the stakes even just trying to 942 00:55:50,200 --> 00:55:56,720 Speaker 1: even do this thing. From a super zoomed out perspective. Yeah, yeah, 943 00:55:56,800 --> 00:55:59,680 Speaker 1: I think it touches on like a bunch of like 944 00:55:59,719 --> 00:56:02,320 Speaker 1: I was, and like types of people you never see 945 00:56:02,760 --> 00:56:06,560 Speaker 1: anywhere else, like because reality TV is essentially a very 946 00:56:06,600 --> 00:56:11,160 Speaker 1: specific type of person who is you know, not not 947 00:56:11,280 --> 00:56:14,360 Speaker 1: reflective of like the type of people who actually exist 948 00:56:14,440 --> 00:56:17,799 Speaker 1: in America. I think it touches on like spirituality and 949 00:56:17,840 --> 00:56:20,360 Speaker 1: religion in a way that like doesn't really in a 950 00:56:20,360 --> 00:56:22,560 Speaker 1: way that's like very honest and like doesn't really get 951 00:56:22,680 --> 00:56:25,280 Speaker 1: brought up. It just it feels like it's like on 952 00:56:25,320 --> 00:56:29,560 Speaker 1: a different level than not just reality TV, but like 953 00:56:29,640 --> 00:56:33,279 Speaker 1: just scripted TV as well, Like it's covering a bunch 954 00:56:33,320 --> 00:56:35,560 Speaker 1: of wild ship that is like some of the most 955 00:56:35,600 --> 00:56:38,799 Speaker 1: important stuff too in people's lives, you know, in a 956 00:56:38,920 --> 00:56:40,719 Speaker 1: in a fund up way, but a funked up way 957 00:56:40,719 --> 00:56:42,959 Speaker 1: that makes you think about it. I mean, I also 958 00:56:43,000 --> 00:56:46,080 Speaker 1: think a lot of you know, I don't fault Robin 959 00:56:46,239 --> 00:56:51,680 Speaker 1: or Angela for having such intense sort of religious, Like 960 00:56:51,840 --> 00:56:54,200 Speaker 1: so you know, they're very religious people, but I also 961 00:56:54,280 --> 00:56:56,480 Speaker 1: think they've also you know, based on what they tell you, 962 00:56:56,480 --> 00:57:00,399 Speaker 1: if they've experienced this trauma and like individual they talk 963 00:57:00,480 --> 00:57:04,400 Speaker 1: about these things they've gone through, and like, Okay, that's fine. 964 00:57:04,520 --> 00:57:07,520 Speaker 1: Let a person be as religious as hell if it 965 00:57:07,600 --> 00:57:10,640 Speaker 1: helps them survive in this world. Like, I think there 966 00:57:10,719 --> 00:57:12,960 Speaker 1: was a lot of criticism about Look, I'm not going 967 00:57:13,000 --> 00:57:16,560 Speaker 1: to talk about Angela's anti Semitism. That's a whole another 968 00:57:17,000 --> 00:57:20,280 Speaker 1: just because she loves every mel Gibson thing ever, and yeah, 969 00:57:20,600 --> 00:57:25,440 Speaker 1: that was like that was the funniest fun Yeah, and 970 00:57:25,480 --> 00:57:27,960 Speaker 1: she's like I think mel Gibson, she's going to say, 971 00:57:27,960 --> 00:57:34,200 Speaker 1: like anything by Lenny reef Install. Yeah, yeah, I do 972 00:57:34,320 --> 00:57:38,040 Speaker 1: think there is you should maybe she did release a 973 00:57:38,120 --> 00:57:41,040 Speaker 1: video later being like I understand now why that's not 974 00:57:41,160 --> 00:57:43,840 Speaker 1: a thing that I shouldn't like mel Gibson that much. 975 00:57:43,880 --> 00:57:46,400 Speaker 1: I just really liked the film instead, and she kind 976 00:57:46,400 --> 00:57:48,160 Speaker 1: of like tried to backtrack on it, which I was 977 00:57:48,240 --> 00:57:51,800 Speaker 1: kind of like, just be aware of what you put 978 00:57:51,840 --> 00:57:54,280 Speaker 1: out there in the world when you say stuff like that. 979 00:57:54,920 --> 00:57:59,040 Speaker 1: But I don't fault them for having such religious views 980 00:57:59,280 --> 00:58:03,479 Speaker 1: or how they lived their life, like people need that, right. 981 00:58:03,760 --> 00:58:07,080 Speaker 1: So I think this series gave us a lot of 982 00:58:07,800 --> 00:58:10,560 Speaker 1: moments where Anna, you and I were definitely texting each 983 00:58:10,560 --> 00:58:15,360 Speaker 1: other like fucking just rabid animals, Like what about this shop? 984 00:58:15,680 --> 00:58:17,560 Speaker 1: What was I just want to go around? What was 985 00:58:17,600 --> 00:58:20,800 Speaker 1: everyone's most cringe moment? Like what was the moment when 986 00:58:20,800 --> 00:58:22,320 Speaker 1: you saw and you could not believe what you were 987 00:58:22,320 --> 00:58:26,160 Speaker 1: watching unfold on screen? One that doesn't get mentioned a lot, 988 00:58:26,200 --> 00:58:28,720 Speaker 1: but it's from the I think the first episode is 989 00:58:28,760 --> 00:58:30,800 Speaker 1: still my favorite because it just like stands alone so 990 00:58:30,960 --> 00:58:35,680 Speaker 1: well and is rewatchable endlessly. But when they have the 991 00:58:35,760 --> 00:58:41,680 Speaker 1: undercover actor go to interview his trivia friend who he's 992 00:58:41,680 --> 00:58:44,360 Speaker 1: afraid is going to have a violent out first, which 993 00:58:44,720 --> 00:58:48,200 Speaker 1: turns out it's like so unfounded. But that's like such 994 00:58:48,200 --> 00:58:50,920 Speaker 1: a funny revelation of how we like build build things up. 995 00:58:50,960 --> 00:58:55,000 Speaker 1: But so she has, you know, whatever the disorders were, 996 00:58:55,080 --> 00:58:58,720 Speaker 1: Like she just can't stop herself from talking, and she's 997 00:58:58,760 --> 00:59:01,360 Speaker 1: like supposed to be interviewing the bird watcher lady, but 998 00:59:01,440 --> 00:59:04,240 Speaker 1: like they just have this montage of like her just 999 00:59:04,280 --> 00:59:08,920 Speaker 1: like talking endlessly about herself, and at one point she's 1000 00:59:08,960 --> 00:59:11,120 Speaker 1: like the fifth thing after she's like talked about her 1001 00:59:11,160 --> 00:59:13,760 Speaker 1: family and stuff, and she's supposed to be interviewing this 1002 00:59:13,800 --> 00:59:15,880 Speaker 1: other person for a story. She's like and I have 1003 00:59:15,960 --> 00:59:21,080 Speaker 1: like various travel rewards plans and including go go inflight. Yeah, 1004 00:59:22,880 --> 00:59:26,800 Speaker 1: be a trail Like that was the moment that just 1005 00:59:27,160 --> 00:59:33,280 Speaker 1: Chicken's right there, Chicken the city, Chick in the city 1006 00:59:34,800 --> 00:59:39,440 Speaker 1: that is in the city. I hope I did drive 1007 00:59:39,480 --> 00:59:44,960 Speaker 1: a summer traffic to her site. I hope so too. Yeah. 1008 00:59:45,080 --> 00:59:48,280 Speaker 1: I think that one of the I mean, the one 1009 00:59:48,320 --> 00:59:51,280 Speaker 1: that comes to mind of just like and just like 1010 00:59:51,360 --> 00:59:55,720 Speaker 1: Nathan Nathan having to deal with a different anti semitic 1011 00:59:55,960 --> 00:59:58,520 Speaker 1: person in the series, was the guy at the raising 1012 00:59:58,600 --> 01:00:01,800 Speaker 1: canes Oh yeah, in that moment where he like says 1013 01:00:01,840 --> 01:00:06,240 Speaker 1: something like mask off anti semitic, and Nathan tries to interfere, 1014 01:00:06,560 --> 01:00:08,880 Speaker 1: and then the guys like, well, but that is something 1015 01:00:08,880 --> 01:00:11,640 Speaker 1: that I would say to my brother and he would 1016 01:00:11,680 --> 01:00:14,560 Speaker 1: agree with me. And then they was like, oh, well, 1017 01:00:14,560 --> 01:00:16,880 Speaker 1: I guess if that's what you would say, like it 1018 01:00:16,920 --> 01:00:19,840 Speaker 1: was just ye, it's like uh and then makes a 1019 01:00:19,880 --> 01:00:24,439 Speaker 1: note like anti semitic turn like it was like, oh 1020 01:00:24,520 --> 01:00:27,920 Speaker 1: my god. Yeah, that was that was a that was 1021 01:00:27,960 --> 01:00:31,200 Speaker 1: a brutal that storyline. I feel like it is one 1022 01:00:31,240 --> 01:00:35,000 Speaker 1: of the less discussed ones. Yeah, that was such a side. 1023 01:00:35,640 --> 01:00:38,480 Speaker 1: That episode was wild because that guy had a full on, 1024 01:00:38,600 --> 01:00:42,720 Speaker 1: like emotional reckoning with himself, like through this actor who 1025 01:00:42,760 --> 01:00:45,160 Speaker 1: was supposed to be his brother, which I could not 1026 01:00:45,280 --> 01:00:49,240 Speaker 1: believe how powerful that moment was, how absurd the whole 1027 01:00:49,720 --> 01:00:53,480 Speaker 1: Like he started crying to this this fucking effigy of 1028 01:00:53,520 --> 01:00:56,480 Speaker 1: his brother, and I'm like, oh my god, Like what 1029 01:00:56,680 --> 01:01:00,360 Speaker 1: is Nathan facilitating here, And the fact that it worked, well, 1030 01:01:00,400 --> 01:01:03,560 Speaker 1: it's crazy. But for me, it was when he went 1031 01:01:03,640 --> 01:01:05,840 Speaker 1: to go help that old man dig up the treasure 1032 01:01:06,360 --> 01:01:09,480 Speaker 1: and helped him take a ship. I could That's when 1033 01:01:09,520 --> 01:01:13,560 Speaker 1: I was like, this is you're really you're You're layering 1034 01:01:13,840 --> 01:01:15,680 Speaker 1: so much on top of it to try and get 1035 01:01:15,680 --> 01:01:17,840 Speaker 1: this response out of the guy. And then cut to 1036 01:01:17,960 --> 01:01:20,560 Speaker 1: I didn't realize that guy who played the grandpa, he 1037 01:01:20,680 --> 01:01:26,400 Speaker 1: was a former undercover, a t F agent regularly go undercover, 1038 01:01:26,880 --> 01:01:30,320 Speaker 1: so he was like built already to like be like, hey, man, 1039 01:01:30,840 --> 01:01:32,840 Speaker 1: like I know what part I need to play for you. 1040 01:01:33,280 --> 01:01:35,480 Speaker 1: That was a little note I did not realize because 1041 01:01:35,480 --> 01:01:38,480 Speaker 1: he felt upset that the show didn't like help promote 1042 01:01:38,520 --> 01:01:41,840 Speaker 1: his book. Video just written that's actual really interesting and 1043 01:01:42,320 --> 01:01:44,240 Speaker 1: that I had no idea. Yeah, that blew my mind, 1044 01:01:44,320 --> 01:01:48,120 Speaker 1: but aologian was thinking about the nose being the pathway 1045 01:01:48,160 --> 01:01:50,800 Speaker 1: to the brain. I feel like there was a similarity 1046 01:01:50,800 --> 01:01:54,880 Speaker 1: in the eyes of that guy and Angela, like the 1047 01:01:54,880 --> 01:01:56,800 Speaker 1: the way they would like kind of close their eyes 1048 01:01:56,800 --> 01:02:00,560 Speaker 1: while talking and like working through stuff. That was interesting. 1049 01:02:00,560 --> 01:02:03,280 Speaker 1: I wonder if that's like one of the things Nathan goes, 1050 01:02:03,440 --> 01:02:09,720 Speaker 1: goes or looks for. When I mean, is your favorite, 1051 01:02:13,560 --> 01:02:16,120 Speaker 1: I mean almost every moment, but I think the most 1052 01:02:16,280 --> 01:02:23,080 Speaker 1: legendary moment on this show was Adam's overdose that shook 1053 01:02:23,160 --> 01:02:27,440 Speaker 1: me to my core. I just didn't see it coming. 1054 01:02:28,240 --> 01:02:31,360 Speaker 1: I wasn't ready for I was not ready for Nathan's 1055 01:02:31,440 --> 01:02:34,320 Speaker 1: reaction to it, where I was like, oh my god, 1056 01:02:34,440 --> 01:02:37,880 Speaker 1: Nathan is acting. I don't know what happened. Yeah, I 1057 01:02:37,960 --> 01:02:40,280 Speaker 1: was like, what is And then the way that it 1058 01:02:40,560 --> 01:02:43,360 Speaker 1: affected Nathan where he's like, I can't raise a teenager. 1059 01:02:43,440 --> 01:02:45,560 Speaker 1: This is too much, and I'm like, you've set up 1060 01:02:45,600 --> 01:02:50,600 Speaker 1: the overdose Like I loved. I loved that transition after 1061 01:02:50,800 --> 01:02:54,120 Speaker 1: he decides I can't have a teenager and then the 1062 01:02:54,520 --> 01:02:56,560 Speaker 1: kid comes down to slide and then you see the 1063 01:02:56,560 --> 01:03:02,200 Speaker 1: teenager and be like, all right, so are we crawl 1064 01:03:02,360 --> 01:03:06,040 Speaker 1: back out of I will say that that actor he 1065 01:03:06,160 --> 01:03:10,520 Speaker 1: put his all oh yeah that when the momentadens, like, 1066 01:03:10,520 --> 01:03:12,720 Speaker 1: wouldn't you be angry that I've been gone for like 1067 01:03:12,800 --> 01:03:16,520 Speaker 1: ten years and he's like, look who decided to show up? 1068 01:03:16,640 --> 01:03:19,200 Speaker 1: And I was like, Oh, we are in it for 1069 01:03:19,280 --> 01:03:22,360 Speaker 1: a wild ride. That's the kind of actor that Like. 1070 01:03:22,400 --> 01:03:24,520 Speaker 1: When I saw that, I made a mental note. I'm like, oh, 1071 01:03:24,680 --> 01:03:28,480 Speaker 1: that kid could be like super famous in ten years 1072 01:03:28,480 --> 01:03:29,760 Speaker 1: and would have to be like, yeah, I got my 1073 01:03:29,800 --> 01:03:36,800 Speaker 1: start playing Nathan Fielders like overdose. Son classic put in 1074 01:03:36,840 --> 01:03:40,480 Speaker 1: the comments you're a You're a fucking disaster, my guy. 1075 01:03:41,720 --> 01:03:45,240 Speaker 1: That was what his son said to him. And when 1076 01:03:45,240 --> 01:03:47,120 Speaker 1: he was trying to be like, you need to listen 1077 01:03:47,160 --> 01:03:48,960 Speaker 1: to me, you talk to us, and he's like, you'd 1078 01:03:49,120 --> 01:03:53,280 Speaker 1: gone for Dannie Harris, It's like, this is disaster, my guy. 1079 01:03:53,840 --> 01:04:00,360 Speaker 1: The way the fucking exasperation. That's why I think I 1080 01:04:00,400 --> 01:04:03,480 Speaker 1: texted you and I was like, this is fucking prestige 1081 01:04:03,560 --> 01:04:08,120 Speaker 1: casting right now. The role to a whole other level. 1082 01:04:08,200 --> 01:04:12,479 Speaker 1: The girl who played Angela was so good. Oh yeah, 1083 01:04:12,560 --> 01:04:15,320 Speaker 1: she's actually I think he was on this spool. Yes, 1084 01:04:15,360 --> 01:04:21,480 Speaker 1: I was gonna say this, fools, you're killing it right now. 1085 01:04:21,560 --> 01:04:25,800 Speaker 1: You're killing it right now. That's wild. She plays Estrada's sister, 1086 01:04:26,200 --> 01:04:30,439 Speaker 1: the older sister with the kids. Right. I would never 1087 01:04:30,520 --> 01:04:34,800 Speaker 1: have connected that. That's so wild on a run. Oh 1088 01:04:34,880 --> 01:04:39,800 Speaker 1: my gosh. Yeah, one of the moments that really also 1089 01:04:39,960 --> 01:04:43,760 Speaker 1: like brought me to life other than every minute of 1090 01:04:43,800 --> 01:04:48,040 Speaker 1: the show. But when he enters that got that actor's 1091 01:04:48,120 --> 01:04:51,880 Speaker 1: bedroom after he decides to fully encompass himself in this 1092 01:04:52,000 --> 01:04:55,880 Speaker 1: actor's life, and he enters his bedroom and it's filled 1093 01:04:56,080 --> 01:05:04,160 Speaker 1: with squished mellows. Yeah, I it was like this. I 1094 01:05:04,160 --> 01:05:08,480 Speaker 1: can't write this ship man, but it's truly like the 1095 01:05:08,520 --> 01:05:10,600 Speaker 1: thing that he talks about when he's like I went 1096 01:05:10,680 --> 01:05:12,400 Speaker 1: to the kid's house and it was like perfect in 1097 01:05:12,440 --> 01:05:14,240 Speaker 1: a way that like none of our sets could have 1098 01:05:14,280 --> 01:05:17,000 Speaker 1: been because it was like accidentally that way, Like that 1099 01:05:17,200 --> 01:05:21,040 Speaker 1: is what is great. Like that's the thing you're seeing 1100 01:05:21,240 --> 01:05:24,680 Speaker 1: on the on this show that you don't see anywhere 1101 01:05:24,680 --> 01:05:28,440 Speaker 1: else like any other reality show. You are seeing something 1102 01:05:28,480 --> 01:05:31,800 Speaker 1: that is like carefully you know, even if they're doing 1103 01:05:31,840 --> 01:05:34,480 Speaker 1: a hometown visit on The Bachelor, like that is a 1104 01:05:34,600 --> 01:05:37,640 Speaker 1: version of their house that has been like designed and 1105 01:05:37,720 --> 01:05:42,320 Speaker 1: like reformatted to look good on TV. You know, yeah, 1106 01:05:42,440 --> 01:05:45,640 Speaker 1: I do want to just touch on the stardom for 1107 01:05:45,680 --> 01:05:47,960 Speaker 1: these people. A lot of people were like, these people 1108 01:05:47,960 --> 01:05:50,320 Speaker 1: are on cameos just Nathan's doing. I'm like, no, dude, 1109 01:05:50,320 --> 01:05:52,560 Speaker 1: these are normal. Ask people who figured out someone will 1110 01:05:52,560 --> 01:05:56,160 Speaker 1: pay them many dollars just to say happy birthday. The 1111 01:05:56,240 --> 01:05:58,640 Speaker 1: most expensive cameo you can get right now from a 1112 01:05:58,720 --> 01:06:03,200 Speaker 1: cast member is from a Jela for hundred forty plus dollars. 1113 01:06:03,760 --> 01:06:06,760 Speaker 1: Then the cheapest, honestly, it's not just a clever name. 1114 01:06:06,880 --> 01:06:09,960 Speaker 1: It goes to Trish the Dish, Cheap Chick in the City. 1115 01:06:10,280 --> 01:06:13,560 Speaker 1: Trish the Dish was so unsettling to me. I wished 1116 01:06:13,600 --> 01:06:18,280 Speaker 1: he had never said that about was just so great. 1117 01:06:18,320 --> 01:06:20,400 Speaker 1: He's like, what was that big em how he would 1118 01:06:20,440 --> 01:06:22,080 Speaker 1: say every single time he's like, I gotta get you 1119 01:06:22,080 --> 01:06:30,440 Speaker 1: a little like looped up before little buzz YEA Orange 1120 01:06:32,320 --> 01:06:38,160 Speaker 1: No Core is fifty five bucks, Robin on Miracle Status 1121 01:06:38,240 --> 01:06:44,880 Speaker 1: forty six bucks, and then Miriam thirty six bucks. I 1122 01:06:44,920 --> 01:06:46,600 Speaker 1: just do want to play this is when you go 1123 01:06:46,680 --> 01:06:49,200 Speaker 1: to a cheap Chicken the City. It's just funny because 1124 01:06:49,240 --> 01:06:51,280 Speaker 1: all the people have to kind of pitch you on, 1125 01:06:51,400 --> 01:06:53,919 Speaker 1: be like, hey man, I'm available for cameos. So first 1126 01:06:53,920 --> 01:06:56,720 Speaker 1: of all, I just want to play is Robin miracle 1127 01:06:56,800 --> 01:06:59,200 Speaker 1: status when you go to his page, this is how 1128 01:06:59,200 --> 01:07:00,960 Speaker 1: he'll be like, hey man, thanks for coming by. This 1129 01:07:01,000 --> 01:07:05,120 Speaker 1: is how he's pitching you. Hey, what's up, y'all? Um, 1130 01:07:05,120 --> 01:07:09,760 Speaker 1: it's Robbin from the rehearsal Um. I hope everybody's blessed 1131 01:07:09,800 --> 01:07:13,800 Speaker 1: out there. I'm excited to be on cameo and to 1132 01:07:13,960 --> 01:07:18,160 Speaker 1: give you guys shout outs and it's positive encouragements and 1133 01:07:18,200 --> 01:07:21,400 Speaker 1: you know, just just whatever you need. Um, I'm at 1134 01:07:21,440 --> 01:07:25,040 Speaker 1: your service, and uh yeah, everybody stay blessed out there. 1135 01:07:25,040 --> 01:07:29,160 Speaker 1: All right? Yeah, much love. How intentional do you think 1136 01:07:29,200 --> 01:07:31,560 Speaker 1: it is that he's wearing a seatbelt in that video? 1137 01:07:34,120 --> 01:07:36,640 Speaker 1: I mean, how intentional was that video? Being twenty six 1138 01:07:36,680 --> 01:07:39,959 Speaker 1: seconds long? It's my question that that's true. Oh my god, 1139 01:07:39,960 --> 01:07:42,480 Speaker 1: you know that it's like the Tarot readers that I 1140 01:07:42,600 --> 01:07:45,160 Speaker 1: watched on YouTube where they're like and my camera just 1141 01:07:45,200 --> 01:07:49,320 Speaker 1: said too, So that's got to mean something to the cars. 1142 01:07:49,960 --> 01:07:53,600 Speaker 1: Like unfortunately, Robin after doing Ghost Church, Robin is a 1143 01:07:53,640 --> 01:07:56,880 Speaker 1: personality then like oh I know this guy, this guy, yeah, 1144 01:07:57,520 --> 01:08:01,520 Speaker 1: Christian fun boy, Like Jesus, I actually have a question 1145 01:08:01,560 --> 01:08:04,000 Speaker 1: and I don't know if I've been like red pilled 1146 01:08:04,000 --> 01:08:09,200 Speaker 1: by Robin. But you do need a license plate, right, Okay? 1147 01:08:09,280 --> 01:08:11,600 Speaker 1: The way he was like, you don't need a license plate, 1148 01:08:11,640 --> 01:08:13,800 Speaker 1: I was like, you don't need a license plate, and 1149 01:08:13,840 --> 01:08:15,320 Speaker 1: then for a while I was like, I guess you 1150 01:08:15,360 --> 01:08:17,280 Speaker 1: don't need a license plate. And then Zach was like, 1151 01:08:17,640 --> 01:08:20,120 Speaker 1: you need a license But it might have been a 1152 01:08:20,160 --> 01:08:22,880 Speaker 1: front license plate situation, but you definitely need at least 1153 01:08:23,000 --> 01:08:26,120 Speaker 1: you need a plate, then be riding dirty forever. But 1154 01:08:26,200 --> 01:08:29,320 Speaker 1: if you thought his was too loud, cheap Chicken the City, 1155 01:08:29,560 --> 01:08:32,679 Speaker 1: Trish the dish, she has a very very quick one. 1156 01:08:32,840 --> 01:08:36,000 Speaker 1: She's not she's given it very brief. Hey, this is 1157 01:08:36,000 --> 01:08:37,800 Speaker 1: trist the dish war herself. You can't wait to hear 1158 01:08:37,840 --> 01:08:43,080 Speaker 1: from you. I love Trish, you know what they say. 1159 01:08:43,240 --> 01:08:46,040 Speaker 1: She has I think the longest average cameo time of 1160 01:08:46,040 --> 01:08:48,160 Speaker 1: all the people. When you ask for something, she's clocking 1161 01:08:48,200 --> 01:08:50,720 Speaker 1: it like two and a half minutest tell us what 1162 01:08:50,800 --> 01:08:53,360 Speaker 1: to do in the city. Oh yeah, one of them 1163 01:08:53,720 --> 01:08:57,559 Speaker 1: can't stop speaking. She can't like, Oh, I'd like, hey, Trish, 1164 01:08:57,960 --> 01:09:01,120 Speaker 1: what's the situation with the Go Go in flight? Someone? 1165 01:09:01,640 --> 01:09:03,880 Speaker 1: I think someone asked. They have like previews of once 1166 01:09:03,880 --> 01:09:05,960 Speaker 1: she's done the first like, hey, it's just the dish. Obviously. 1167 01:09:05,960 --> 01:09:07,920 Speaker 1: Here's one of my tips. Never pay full price for 1168 01:09:07,960 --> 01:09:12,240 Speaker 1: a book, go to the go to the library, like 1169 01:09:13,400 --> 01:09:16,000 Speaker 1: people would not like we can honestly talk about this 1170 01:09:16,120 --> 01:09:19,160 Speaker 1: for like three more episodes, but Jamie, I know you 1171 01:09:19,200 --> 01:09:21,479 Speaker 1: have to run. Where can people find you? Follow you? 1172 01:09:21,680 --> 01:09:25,560 Speaker 1: All that stuff? Still on Twitter? You can follow me 1173 01:09:25,760 --> 01:09:29,640 Speaker 1: Jamie Loft, his help Instagram, Jamie Carst Superstar. Listen to 1174 01:09:29,680 --> 01:09:33,599 Speaker 1: the Bechdel Cast. We covered the movie Wild Things with 1175 01:09:33,640 --> 01:09:37,599 Speaker 1: Princess Weeks this week, and that movie is absolutely like 1176 01:09:37,720 --> 01:09:43,240 Speaker 1: I cannot communicate to you, like it becomes so off 1177 01:09:43,240 --> 01:09:45,600 Speaker 1: the rails that at the end of like maybe it 1178 01:09:45,680 --> 01:09:50,320 Speaker 1: was good. It is and so yeah, check that out. 1179 01:09:50,640 --> 01:09:54,439 Speaker 1: Listen to Ghost Church. I'm on Behind the Bastard this 1180 01:09:54,479 --> 01:09:57,720 Speaker 1: week talking about Helena Blavatsky. Just a lot of a 1181 01:09:57,760 --> 01:10:03,920 Speaker 1: lot of podcast stuff. So cast, amazing, amazing having you back, 1182 01:10:04,200 --> 01:10:07,519 Speaker 1: and thank you for agreeing to bury the hatchet with us. Yeah, 1183 01:10:07,800 --> 01:10:11,439 Speaker 1: I mean, look, I think that I was really grateful 1184 01:10:11,560 --> 01:10:13,800 Speaker 1: to I Hurt Radio for paying for a counselor. I 1185 01:10:13,800 --> 01:10:16,280 Speaker 1: think it did make all Yeah, and they were silently 1186 01:10:16,320 --> 01:10:19,400 Speaker 1: on this college case. Anything went down but yeah, and 1187 01:10:19,439 --> 01:10:21,519 Speaker 1: I did hold up my little flag at one point. 1188 01:10:21,560 --> 01:10:25,760 Speaker 1: But you know, because this has taken four hours, we 1189 01:10:25,800 --> 01:10:28,040 Speaker 1: had to have a mediation session in the middle. Should 1190 01:10:28,040 --> 01:10:34,120 Speaker 1: we reveal that the feud between Daily Sis and Jamie 1191 01:10:34,320 --> 01:10:39,759 Speaker 1: will be released soon in a Frying the Feud style show, 1192 01:10:40,040 --> 01:10:44,720 Speaker 1: very Betty and uh all the same actors called by 1193 01:10:44,760 --> 01:10:50,160 Speaker 1: Alfred Molina and a star making turn. So watch out 1194 01:10:50,200 --> 01:10:53,320 Speaker 1: for that. Guys, coming to f x x x X. 1195 01:10:54,160 --> 01:10:56,880 Speaker 1: Where can people find you? Follow you? I'm at an 1196 01:10:57,040 --> 01:10:59,880 Speaker 1: hosting on Twitter, I'm at selling hosting on Instagram where 1197 01:10:59,880 --> 01:11:05,439 Speaker 1: I influencing? Can I shout out one tweet? Amtrack this 1198 01:11:05,520 --> 01:11:13,479 Speaker 1: morning or today at noon? Tweeted trains Hell Yeah, at Amtrak, Amtrak, 1199 01:11:13,680 --> 01:11:16,519 Speaker 1: at Amtrak, Jamie, do you have a tweet that you'd 1200 01:11:16,560 --> 01:11:19,760 Speaker 1: like to shout out? Yes, it's a John Early tweet 1201 01:11:19,840 --> 01:11:23,640 Speaker 1: from yesterday that really um set my blood cold. It 1202 01:11:23,720 --> 01:11:27,000 Speaker 1: was so uh he tweeted, Yeah, I think she's buckling 1203 01:11:27,080 --> 01:11:29,240 Speaker 1: under the pressure and it's showing in the work. And 1204 01:11:29,280 --> 01:11:31,800 Speaker 1: then a follow up tweet, Oh God, sorry, this is 1205 01:11:31,800 --> 01:11:36,679 Speaker 1: supposed to be a private text. I'm so sorry. Wasn't 1206 01:11:36,680 --> 01:11:41,200 Speaker 1: actually though, I was curious, No, but it was m 1207 01:11:41,640 --> 01:11:45,519 Speaker 1: I was like, Wow, Wow, got my ass, got everyone's 1208 01:11:45,520 --> 01:11:48,720 Speaker 1: ass in a way that's hilarious. Can I shout out 1209 01:11:48,720 --> 01:11:51,680 Speaker 1: one more tweet? Yeah? Yeah, you got another tweet? Yeah 1210 01:11:51,720 --> 01:11:54,160 Speaker 1: I got another tweet. So last night, as I do 1211 01:11:54,240 --> 01:11:57,200 Speaker 1: a late night Twitter, I go on a scroll. I 1212 01:11:57,320 --> 01:12:00,160 Speaker 1: find some of the greatest work in internet. His ree 1213 01:12:00,240 --> 01:12:03,000 Speaker 1: and the night share it to the team, and I 1214 01:12:03,120 --> 01:12:07,479 Speaker 1: found this edit of a TikTok from this woman, this 1215 01:12:07,600 --> 01:12:11,120 Speaker 1: couple doing in the thirty one day Intimacy Challenge. We 1216 01:12:11,160 --> 01:12:14,120 Speaker 1: will be linking after this in the footnotes. It is 1217 01:12:14,400 --> 01:12:17,800 Speaker 1: quite honestly one of the funniest edits I've seen on 1218 01:12:17,840 --> 01:12:19,720 Speaker 1: the Internet in a long time. So one took this 1219 01:12:19,800 --> 01:12:22,759 Speaker 1: TikTok of this couple talking about, of course, the Intimacy 1220 01:12:22,840 --> 01:12:25,519 Speaker 1: challenge and what it's going through, and they edit it 1221 01:12:25,600 --> 01:12:29,280 Speaker 1: in a way that will shake you to your core. 1222 01:12:30,000 --> 01:12:33,240 Speaker 1: It is so for the longest time I was like, 1223 01:12:33,680 --> 01:12:36,080 Speaker 1: is this real? And then I find out someone edited 1224 01:12:36,120 --> 01:12:39,160 Speaker 1: to be this absurd. But go watch it. Go clicking 1225 01:12:39,160 --> 01:12:43,240 Speaker 1: in the link in the footnotes. Watch the husband in this. 1226 01:12:44,200 --> 01:12:49,200 Speaker 1: Just watch the husband. You will lose your mind. I 1227 01:12:49,320 --> 01:12:51,800 Speaker 1: was shrieking last night and I just want you guys 1228 01:12:51,800 --> 01:12:53,920 Speaker 1: to all watch it. I believe it's that this edit 1229 01:12:54,080 --> 01:12:57,000 Speaker 1: is high art. In my opinion, some people don't know 1230 01:12:57,000 --> 01:12:59,040 Speaker 1: what to do with their hands on camera. This man 1231 01:12:59,160 --> 01:13:01,600 Speaker 1: doesn't know what to do with his everything off the 1232 01:13:01,840 --> 01:13:06,719 Speaker 1: spirit Yeah, he's just like there's one cut halfway through. 1233 01:13:07,240 --> 01:13:12,320 Speaker 1: I almost like literally lost my bowels it. It was 1234 01:13:13,160 --> 01:13:21,000 Speaker 1: so I was unwell. Miles, where can people find you 1235 01:13:21,040 --> 01:13:22,640 Speaker 1: with the tweet you've been I mean on Twitter and 1236 01:13:22,680 --> 01:13:25,760 Speaker 1: Instagram at Miles of Gray. Find us on Miles and 1237 01:13:25,840 --> 01:13:28,120 Speaker 1: Jack got at boost these also find me and Sophia 1238 01:13:28,160 --> 01:13:32,800 Speaker 1: Alexandra on four twenty day fiance. First tweet I like 1239 01:13:33,560 --> 01:13:38,240 Speaker 1: is from at cute Asty tweeted pre come me y'all 1240 01:13:38,240 --> 01:13:47,360 Speaker 1: wet as fuck? Right? Why do that one already? Or 1241 01:13:47,400 --> 01:13:50,719 Speaker 1: did I think I said that before we recorded boost 1242 01:13:50,760 --> 01:13:54,080 Speaker 1: Ease because I had just I was scrolling on my 1243 01:13:54,160 --> 01:13:57,160 Speaker 1: phone when I saw it. And then another one is 1244 01:13:57,280 --> 01:14:00,800 Speaker 1: from UH at Octopus Caveman. It's a picture of Jordan 1245 01:14:00,880 --> 01:14:05,400 Speaker 1: Peterson crying and it says there's two girls, but because 1246 01:14:05,439 --> 01:14:09,960 Speaker 1: of the ravages of socialism, they're forced to share just 1247 01:14:10,240 --> 01:14:14,280 Speaker 1: one cop uh. And then finally this one is from 1248 01:14:14,280 --> 01:14:17,360 Speaker 1: Reuben Prolman at Reuben Proman tweeted, I love that restaurants 1249 01:14:17,439 --> 01:14:19,840 Speaker 1: used to be called Dave's Diner and now they're like 1250 01:14:20,120 --> 01:14:24,160 Speaker 1: dish Ragon Alchemy, a restaurant experience from the fire Funk group. 1251 01:14:26,520 --> 01:14:30,280 Speaker 1: You can find me on Twitter at Jack Underscore O'Brien 1252 01:14:31,200 --> 01:14:35,240 Speaker 1: tweet I've been enjoying. I mean, there's one I retweeted already, 1253 01:14:35,280 --> 01:14:38,160 Speaker 1: but it's somebody my weekend as a twenty eight year 1254 01:14:38,160 --> 01:14:40,760 Speaker 1: old in Chicago that everybody needs to go watch. It 1255 01:14:40,880 --> 01:14:44,800 Speaker 1: made me lose my bowels as well. Mark Tower, Yeah, 1256 01:14:44,840 --> 01:14:48,920 Speaker 1: Mark Mark Towers. It's actually pretty sick. Some tweets I've 1257 01:14:48,920 --> 01:14:52,759 Speaker 1: been enjoying. Uh discuss film tweeted a news story sequel 1258 01:14:52,760 --> 01:14:55,000 Speaker 1: to n Cul Kidman's AMC Commercials in the works, and 1259 01:14:55,040 --> 01:14:59,120 Speaker 1: we'll take a quote very different approach. Brodie group to tweeted, 1260 01:14:59,160 --> 01:15:03,960 Speaker 1: She's gonna fucking hate movies in this one, and yeah, 1261 01:15:04,040 --> 01:15:07,280 Speaker 1: just where where could they be taking this one? Anyway? 1262 01:15:07,320 --> 01:15:11,599 Speaker 1: She enters into the theater you're in physically and you're 1263 01:15:11,640 --> 01:15:15,000 Speaker 1: like god, and then sits in a seat, but then 1264 01:15:15,040 --> 01:15:17,920 Speaker 1: talks to the screen as if you're not there, that 1265 01:15:17,960 --> 01:15:20,680 Speaker 1: would be sick. You can find me on Twitter at 1266 01:15:20,720 --> 01:15:22,920 Speaker 1: Jack Underscore O'Brien You can find us on Twitter at 1267 01:15:22,960 --> 01:15:25,720 Speaker 1: Daily Zeitgeist. Were at the Daily Zygeist on Instagram. We 1268 01:15:25,760 --> 01:15:28,160 Speaker 1: have his book pamp page and our website Daily zeitgeist 1269 01:15:28,160 --> 01:15:30,559 Speaker 1: dot com where we post our episodes on our foot notes. 1270 01:15:30,800 --> 01:15:32,639 Speaker 1: When the link off to the information that we talked 1271 01:15:32,680 --> 01:15:35,519 Speaker 1: about in today's episode, as well as a song that 1272 01:15:35,560 --> 01:15:37,560 Speaker 1: we think you might enjoy, Miles, what song do we 1273 01:15:37,600 --> 01:15:43,160 Speaker 1: think people might endro recommend the Anna Streaming Corner intro. Obviously, 1274 01:15:43,280 --> 01:15:46,400 Speaker 1: go stream the an A streaming Corner intro, put it 1275 01:15:46,400 --> 01:15:49,240 Speaker 1: on the charting and then put the volume down so 1276 01:15:49,439 --> 01:15:52,280 Speaker 1: Anna gets a enough spins on Spotify that she'll be 1277 01:15:52,320 --> 01:15:54,639 Speaker 1: able to get a three dollar check. That's I think 1278 01:15:54,680 --> 01:15:57,120 Speaker 1: what would like seven million listens for three dollars on 1279 01:15:57,160 --> 01:16:00,559 Speaker 1: Spotify works um really bad deal for the artists. But 1280 01:16:00,840 --> 01:16:03,000 Speaker 1: if you can't get access to that, check out this 1281 01:16:03,120 --> 01:16:07,439 Speaker 1: track by the psychedelic rock group Alton Bun. They are 1282 01:16:07,439 --> 01:16:10,960 Speaker 1: a Turkish band, but they're they're they're in the Netherlands, 1283 01:16:11,320 --> 01:16:14,000 Speaker 1: coming out of the Netherlands. This track is called chips 1284 01:16:14,080 --> 01:16:16,400 Speaker 1: Cola kill It C I P S space k O 1285 01:16:16,640 --> 01:16:18,320 Speaker 1: l A and then the next word is k I 1286 01:16:18,520 --> 01:16:22,960 Speaker 1: L I T And it's like fucking trippy like eighties 1287 01:16:23,040 --> 01:16:25,400 Speaker 1: electro ship, but it kind of has like, you know, 1288 01:16:25,760 --> 01:16:29,080 Speaker 1: Fat five Freddie type like lazy woman wrapped from the 1289 01:16:29,240 --> 01:16:31,320 Speaker 1: like early New York tape, like who was that? Was 1290 01:16:31,360 --> 01:16:33,280 Speaker 1: it Blondie? Who's that one? Who? Who's the woman the 1291 01:16:33,280 --> 01:16:35,679 Speaker 1: white woman who was like rapping back in the Blondie 1292 01:16:35,720 --> 01:16:37,880 Speaker 1: rap song? Was it Blondie talking about Fat five Freddie? 1293 01:16:38,360 --> 01:16:40,920 Speaker 1: Oh yeah, I think so. Yeah. Anyway, that's like the 1294 01:16:41,120 --> 01:16:43,800 Speaker 1: vibe of like swag, like I'm just like, I'm kind 1295 01:16:43,800 --> 01:16:45,679 Speaker 1: of saying a words wrap but it's a Turkish anyway. 1296 01:16:45,760 --> 01:16:49,280 Speaker 1: Check this out Alton gun Chips Cola Killer. Alright, Well, 1297 01:16:49,280 --> 01:16:51,360 Speaker 1: The Daily Zychi is a production by Heart Radio. For 1298 01:16:51,479 --> 01:16:54,040 Speaker 1: more podcast from my heart Radio is the heart Radio app, 1299 01:16:54,040 --> 01:16:56,479 Speaker 1: Apple podcast or wherever you listen to your favorite shows. 1300 01:16:56,520 --> 01:16:58,200 Speaker 1: That is going to do it for us this morning. 1301 01:16:58,600 --> 01:17:00,960 Speaker 1: But we're back this afternoon to tell you what's trending 1302 01:17:01,000 --> 01:17:03,040 Speaker 1: and we will talk to you all tomorrow. Bye bye 1303 01:17:05,320 --> 01:17:05,360 Speaker 1: m