WEBVTT - Elf with Mara Wilson

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women and um are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef invest start changing

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<v Speaker 1>it with the Bedel Cast. Hey, it's Caitlin and Jamie

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<v Speaker 1>and you're about to hear our episode on ELF. But

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<v Speaker 1>first we just had a few quick plugs that we

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<v Speaker 1>wanted to do at the top of the show. Starting

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<v Speaker 1>with our next live show in Los Angeles is January twelve.

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<v Speaker 1>I'm so excited guest Danielle Perez. Ever heard of her?

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<v Speaker 1>Friend of the cast might remember her from our hocus

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<v Speaker 1>Pocus episode. Let's go back to your research. So she's

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<v Speaker 1>coming back and we're talking about Romeo and Michelle's high

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<v Speaker 1>school reunion movie and I haven't seen yet. Oh my goodness,

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<v Speaker 1>I'm so excited for you to see it. So that's

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<v Speaker 1>on January twelve at nine pm at The Ruby, and

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<v Speaker 1>tickets are on sale for that at bectelcast dot com

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<v Speaker 1>and click on live appearances. And just a reminder that

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<v Speaker 1>we have a live show in l A every second

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<v Speaker 1>Saturday of the month at the Ruby at the Ruby

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<v Speaker 1>at nine pm, So mark your calendars and don't do

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<v Speaker 1>anything else except for that, and I think all of

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<v Speaker 1>our regulars can attest because we do have rags, join

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<v Speaker 1>the fam. It's a small, intimate, fun show. We always

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<v Speaker 1>hang after. We bring scloocy merch. What more could you want?

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<v Speaker 1>Nothing more? Nothing? Um speaking of other live shows, there

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<v Speaker 1>are still tickets left to some of our West Coast

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<v Speaker 1>tour shows in January. So at the time of this recording,

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<v Speaker 1>we've got tickets left to our San Francisco show on January.

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<v Speaker 1>That's a part of SF sketch Fest. We're talking about

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<v Speaker 1>the Breakfast Club, and there are tickets left to our

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<v Speaker 1>show in Portland on January. We're talking about Fight Club

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<v Speaker 1>as well as the two of us are doing a

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<v Speaker 1>stand up show in Seattle. Yes, just the two of us,

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<v Speaker 1>Just the two of us doing our stand up coming day.

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<v Speaker 1>I ever heard of it. If you haven't, you're going

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<v Speaker 1>to have to fly yourself out to Seattle. Sorry. Yeah,

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<v Speaker 1>So that's on January, and tickets for all of those

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<v Speaker 1>shows are same place backdelcast dot com and click on

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<v Speaker 1>live appearances And then, um, I would just like to

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<v Speaker 1>plug a couple of things that just I'm doing. Sorry Jamie,

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<v Speaker 1>but like okay, I know. I'm so sorry, but you

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<v Speaker 1>know I'm running some screenwriting workshops. You can come. Yes,

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<v Speaker 1>I would love to learn on um. Yeah, if you

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<v Speaker 1>want to learn from someone who has a master's degree

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<v Speaker 1>in screen right now bought. Yes, I don't know what

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<v Speaker 1>I'm doing, but I would love to. Oh my god,

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<v Speaker 1>I'd love to teach you. So um if you want

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<v Speaker 1>to come with Jamie to either. The one I'm doing

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<v Speaker 1>in um Portland is January at seven pm, and I'm

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<v Speaker 1>doing on in Seattle on January. I think that one's

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<v Speaker 1>in the afternoon. It's a Saturday. Yeah, come and learn

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<v Speaker 1>from a master. And it's just like a crash course

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<v Speaker 1>in all things writing for the screen. So I love it.

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<v Speaker 1>Thank you great um. And more info and the registration

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<v Speaker 1>links are on my website Caitlin Dronte dot com and

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<v Speaker 1>then click on the show's tab. You can go to

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<v Speaker 1>my website, but it's mostly dead links and a lot

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<v Speaker 1>of videos of hot dogs. I I recently hyper linked there.

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<v Speaker 1>My website is eighty present the episode of How It's

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<v Speaker 1>Made of Various Meats. Oh that sounds disgusting, no offense,

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<v Speaker 1>but Jamie Loft is his innocent. Dot com is the

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<v Speaker 1>hyperlink for all the meat videos. Yes, please just go

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<v Speaker 1>there for fun anyway. So those are the quick plugs

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<v Speaker 1>we wanted to do at the top of the show.

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<v Speaker 1>So you log hou it's made uppisode for hot dogs anyways.

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<v Speaker 1>Enjoyed that? Yeah, enjoy the episode. It's a great one.

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<v Speaker 1>And uh, well we'll see you soon. I'm going to

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<v Speaker 1>tweet that. Ok. Bye cast. Hi, Hi everyone, thanks for

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<v Speaker 1>coming to the Becdel Cast. Hi everyone. My name is

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<v Speaker 1>Jamie Loftus, my name is Caitlin Darante, and this is

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<v Speaker 1>our show that you're at. And maybe was anyone here

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<v Speaker 1>dragged by a loved one? Raise your hands? It always

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<v Speaker 1>takes a second. They're like, well, thank you for coming.

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<v Speaker 1>By round of applause, who has seen the movie? Else? Great?

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<v Speaker 1>Everyone but me? Cool? Is there anyone by round of

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<v Speaker 1>applause who has not seen el Yes, allies, there's always

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<v Speaker 1>a couple, there's always of you. So we are the

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<v Speaker 1>Bechtel Cast. We talk about the portrayal and representation of women,

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<v Speaker 1>among other things in film, using the Bechdel test as

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<v Speaker 1>like a jumping off point to initiate a larger conversation.

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<v Speaker 1>And if you don't know what the Bechtel test is UH.

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<v Speaker 1>First of all, a shame on you. Second of all,

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<v Speaker 1>I take it back, You're fine, But it is is.

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<v Speaker 1>It's a media test invented by Alison Bechdel that requires

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<v Speaker 1>that there be two female identifying characters in a narrative that,

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<v Speaker 1>for us, have names, and they have to talk to

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<v Speaker 1>each other about something other than a man for a

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<v Speaker 1>total of two lines of dialogue. So if you've seen Elf,

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<v Speaker 1>just think about that for a second. A lot of

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<v Speaker 1>movies don't do this. They're not able to do what

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<v Speaker 1>is truly the bare minimum. My favorite bad pass because

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<v Speaker 1>I most like most media tests, it is a flawed metric.

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<v Speaker 1>UH is the She's All that where one of the

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<v Speaker 1>named female characters tells the other named female character to

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<v Speaker 1>kill herself and the first one's like, hey, you're like

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<v Speaker 1>technically it passes. Yeah, a really good one. Um. So,

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<v Speaker 1>do we have any other orders of business that we

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<v Speaker 1>need to attend to before we introduce our guests? I

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<v Speaker 1>don't think so. I skipped the middleman tonight. You iced yourself.

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<v Speaker 1>I iced myself quietly backstage like a lady, and I

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<v Speaker 1>just said you've been nice, and then I twisted the

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<v Speaker 1>cap myself and got down to business. So I'm ready

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<v Speaker 1>to go beautiful. Yeah. Well, without much further ado, let's

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<v Speaker 1>introduce our guest. She is a recovering child actor. She's

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<v Speaker 1>a writer. She wrote the book Where Am I Now?

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<v Speaker 1>And she has a newsletter called shan't we tell the Vicar?

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<v Speaker 1>Please give it up? Fromara Wilson. Hey, hello, Oh my goodness.

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<v Speaker 1>The audience is so close, and that is something that

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<v Speaker 1>is completely wasted on the podcast audience because they can't

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<v Speaker 1>say it. I hate when people do that when they

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<v Speaker 1>record podcasts and they'll be like and then I went

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<v Speaker 1>like this, and then they'll do something with their hand

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<v Speaker 1>that we can't see and I'm just like, explain what

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<v Speaker 1>you just did? So so yeah, so so for those

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<v Speaker 1>listening at home, the audience is close. But they're all

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<v Speaker 1>beautiful people, so it's nice to look at you all.

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<v Speaker 1>I do like the jarring nature of a room where

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<v Speaker 1>you can make eye contact with everyone. Well, I get

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<v Speaker 1>a good feeling from this audience, so yeah, I got

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<v Speaker 1>a good feeling. They're they're receptive audience so far, and

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<v Speaker 1>they're very smiley, so yeah, this is good. Yes, some

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<v Speaker 1>good eyeballs. Yes, because we can see you too. So

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<v Speaker 1>Mara tell us about your relationship, your your history with

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<v Speaker 1>the movie Elf. Okay, well, uh so, I remember when

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<v Speaker 1>I was sixteen, I thought that I was like highbrow

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<v Speaker 1>by reading like Entertainment Weekly, and you know, I was

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<v Speaker 1>reading The Advocate a lot too. I was reading like

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<v Speaker 1>a lot of you know, which is like a game magazine.

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<v Speaker 1>I was really in the closet guys, um, and I was,

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<v Speaker 1>but I was really like, I was reading a lot

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<v Speaker 1>about entertainment, and uh, I heard that Elf was a

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<v Speaker 1>good movie. And I knew that my family we were

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<v Speaker 1>going to go see movies over over winter break, and

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<v Speaker 1>my stepmother would usually choose a romantic comedy that I

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<v Speaker 1>didn't like because I was a very cynical teenager. Um.

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<v Speaker 1>And somehow, being a cynical teenager, I still chose to

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<v Speaker 1>see ELF. I was like, let's go see Elf. I've

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<v Speaker 1>heard that it's good and for like a holiday movie,

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<v Speaker 1>you know, maybe, but like I feel like nobody and

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<v Speaker 1>my family enjoyed it. And then like we were really

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<v Speaker 1>quiet in the way home, and I feel like everybody.

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<v Speaker 1>I feel like my parents didn't like get my sister,

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<v Speaker 1>my little sister says she liked it, but she didn't

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<v Speaker 1>seem to at the time, and I feel like everybody

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<v Speaker 1>blamed me, like they didn't like the movie and they

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<v Speaker 1>blamed me. And I remember being like being sixteen and

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<v Speaker 1>being like, this is so stupid. So I didn't really

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<v Speaker 1>think anything of it until a couple of years later. Um.

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<v Speaker 1>It's also probably worth mentioning that I grew up Jewish,

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<v Speaker 1>um so a lot of holiday movies, although I was

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<v Speaker 1>actually in a Christmas movie and at one point in

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<v Speaker 1>my life, and uh, one thing I've got to say

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<v Speaker 1>is if you ever have the chance to be in

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<v Speaker 1>a Christmas movie or sing a Christmas song or something

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<v Speaker 1>like that, go for it. Because even if it's bad,

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<v Speaker 1>they need stuff to like fill the air on TV

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<v Speaker 1>and radio. So even if it's terrible, do it and

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<v Speaker 1>you will still make money. Like it is a very

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<v Speaker 1>practical thing. Working in a Christmas working in the Christmas industry,

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<v Speaker 1>you can say, is a very very that is a

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<v Speaker 1>very pragmatic move. So, um, I didn't think much of it,

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<v Speaker 1>although I did see the Broadway musical a couple of

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<v Speaker 1>years ago because I was babysitting in New York and

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<v Speaker 1>the kids I babysat their parents worked for for theaters

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<v Speaker 1>and so we got front row tickets to elf um

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<v Speaker 1>the Music Hall, and like, you know, you can think

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<v Speaker 1>that like Will fair Old does a lot in this movie,

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<v Speaker 1>but imagine the actor who had to play Buddy for

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<v Speaker 1>two hours straight like there was an intermission and singing

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<v Speaker 1>dance the whole freaking time. Like that guy, that guy

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<v Speaker 1>is amazing. I wish I could remember his name. I

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<v Speaker 1>am like still in awe of that guy. And not

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<v Speaker 1>only that, but the kids I was babysitting with. They

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<v Speaker 1>were like all dressed up to go to the theater

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<v Speaker 1>and they were sitting in the front row with me.

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<v Speaker 1>And at the end, he bowed and he bowed and

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<v Speaker 1>he waved right at the kid that was one of

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<v Speaker 1>the kids who was like front row center. So like

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<v Speaker 1>that guy has my heart forever, like like Will Ferrell

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<v Speaker 1>your grape, but like this is the true Buddy in

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<v Speaker 1>my head. But I watched it again the other day,

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<v Speaker 1>and um, it's not my favorite movie and it's not

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<v Speaker 1>my favorite Christmas movie. But I was like, Okay, I

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<v Speaker 1>get what they were going for now I'm not like

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<v Speaker 1>I'm not a cynical teenager anymore. And there's also a

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<v Speaker 1>lot of actors in it that I like and you know,

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<v Speaker 1>so I was just kind of like, Okay, this is

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<v Speaker 1>this is kind of cute. There's also things that really

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<v Speaker 1>really have not aged well or even and we're kind

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<v Speaker 1>of weird at the time, but but I imagine that

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<v Speaker 1>we are going to get into this. So that is

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<v Speaker 1>my long protracted relationship to ELF, which I thought I

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<v Speaker 1>didn't have much of a relationship with it, but I

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<v Speaker 1>just talked for five minutes straight, so I guess I do.

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<v Speaker 1>I just want to give a shout out to the

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<v Speaker 1>guy who played SpongeBob on Broadway now god right, because

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<v Speaker 1>he had what Ethan Slater, Yes, shout out, you know,

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<v Speaker 1>I get you. Shout out to Ethan Slater. He first

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<v Speaker 1>of all, is hot, which is SpongeBob shouldn't be hot.

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<v Speaker 1>But yeah, yeah, wow, it's crazy. Not as hot as

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<v Speaker 1>squid word, but that I have a I have a

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<v Speaker 1>power ranking that you can approach me afterwards if you dare. Wow.

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<v Speaker 1>But SpongeBob, I mean he like climbed up like two

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<v Speaker 1>stories set and like the third song and then he

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<v Speaker 1>has to still be SpongeBob, but he has muscles. It's great.

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<v Speaker 1>I know somebody who was in SpongeBob the musical and

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<v Speaker 1>she also has limitless energy, So I feel like that

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<v Speaker 1>that kind of makes sense. That's kind of what they

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<v Speaker 1>go for. I love it. Yeah, it's it's pretty amazing.

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<v Speaker 1>I feel really bad because I'm just like lauding this guy,

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<v Speaker 1>but I can't remember what his name was. So just kids,

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<v Speaker 1>everybody go home and google Buddy the elf In musical

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<v Speaker 1>in Uh yeah, everybody do that and then like find

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<v Speaker 1>him on Twitter and be like Marl Wilson says, you're awesome.

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<v Speaker 1>Don't do that? Uh do you do that? If you?

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<v Speaker 1>If you are Jamie, what's your history and relationship with

0:12:36.280 --> 0:12:37.840
<v Speaker 1>the movie. I feel like this has happened to me

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<v Speaker 1>with a lot of recent movies where I thought I

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<v Speaker 1>had seen the movie but I actually hadn't, and I

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<v Speaker 1>had just seen a lot of T shirts and had

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<v Speaker 1>heard a lot of people say you've seen that. I

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<v Speaker 1>think I just like, through years of lying, convinced myself

0:12:55.000 --> 0:12:57.760
<v Speaker 1>and had seen it. I had. I had the same

0:12:57.800 --> 0:13:01.040
<v Speaker 1>issue with Nightmare before Christmas, was like, nope, just been

0:13:01.120 --> 0:13:06.200
<v Speaker 1>to a hot topic. I don't know what store this

0:13:06.240 --> 0:13:09.360
<v Speaker 1>movie is associated with, so I don't have quite the

0:13:09.400 --> 0:13:13.560
<v Speaker 1>same names, but the same problem. Yeah, sure, I don't

0:13:13.559 --> 0:13:15.880
<v Speaker 1>know it's weird because I was like the perfect age

0:13:15.920 --> 0:13:18.280
<v Speaker 1>to see this movie when it came out. And I

0:13:18.320 --> 0:13:22.520
<v Speaker 1>don't know what my mom's problem with Will Ferrell was exactly,

0:13:23.240 --> 0:13:26.600
<v Speaker 1>but what she told me because I remember asking to

0:13:26.679 --> 0:13:29.720
<v Speaker 1>see this movie because we you know, we were festive.

0:13:30.200 --> 0:13:34.160
<v Speaker 1>You know, we're like we would see stuff one of

0:13:34.240 --> 0:13:36.680
<v Speaker 1>those fun festive families. I was like, Mom, can we

0:13:36.720 --> 0:13:38.840
<v Speaker 1>go see Elf? And she was like, you know how

0:13:38.920 --> 0:13:44.840
<v Speaker 1>I feel about that man? But her thing was too tall.

0:13:45.200 --> 0:13:48.600
<v Speaker 1>I was like what she just was like, but there

0:13:48.679 --> 0:13:50.480
<v Speaker 1>must have been a real reason, but she would just

0:13:50.480 --> 0:13:54.440
<v Speaker 1>be like, too tall, We're not going my mom. My

0:13:54.520 --> 0:13:58.240
<v Speaker 1>mom really didn't like an American Tale for some reason.

0:13:58.400 --> 0:14:01.160
<v Speaker 1>I don't know why, and maybe maybe she felt that

0:14:01.200 --> 0:14:03.920
<v Speaker 1>they were like clearly Jewish characters, but they were like

0:14:04.160 --> 0:14:06.480
<v Speaker 1>Christian washed into it because there was like a five

0:14:06.520 --> 0:14:08.640
<v Speaker 1>of the Christmas Mouth story or something. I kind of

0:14:08.679 --> 0:14:11.680
<v Speaker 1>got that feeling. But she told me she I was like,

0:14:11.679 --> 0:14:13.280
<v Speaker 1>I want to see five Will goes West, but she

0:14:13.320 --> 0:14:15.880
<v Speaker 1>really didn't like an American tale and she said, no,

0:14:15.920 --> 0:14:17.439
<v Speaker 1>we can't see that. It's it's going to be too

0:14:17.480 --> 0:14:23.200
<v Speaker 1>gory and violent. I love a good mom. Yeah, right,

0:14:23.480 --> 0:14:25.280
<v Speaker 1>when you're later you're just like, oh, you just didn't

0:14:25.320 --> 0:14:33.320
<v Speaker 1>want to go exactly exactly. So I just saw it today. Great, Yeah,

0:14:33.360 --> 0:14:36.120
<v Speaker 1>I saw it when it came out in the theater

0:14:36.200 --> 0:14:39.000
<v Speaker 1>possibly I can't remember, but within at least a year,

0:14:39.120 --> 0:14:42.760
<v Speaker 1>but coming out I didn't exactly remember how I felt

0:14:42.800 --> 0:14:45.600
<v Speaker 1>about it, except that the other day. You know, when

0:14:45.640 --> 0:14:48.800
<v Speaker 1>like Netflix DVDs were popular and you would like rate

0:14:49.000 --> 0:14:52.080
<v Speaker 1>what you thought of the DVD that you got. I

0:14:52.160 --> 0:14:54.320
<v Speaker 1>just saw the other day that I had rated Elf

0:14:54.760 --> 0:14:59.600
<v Speaker 1>one star out of five. So apparently I absolutely hated it,

0:15:00.080 --> 0:15:02.080
<v Speaker 1>I first thought, because I didn't rewatch it at any

0:15:02.120 --> 0:15:05.040
<v Speaker 1>point until just a couple of days ago. And um,

0:15:05.680 --> 0:15:09.680
<v Speaker 1>I don't like it, But I have really good reasons

0:15:09.720 --> 0:15:14.120
<v Speaker 1>and I can't wait to tell you them. So shall

0:15:14.160 --> 0:15:19.200
<v Speaker 1>I do the recap? Yeah? Alrighty? So okay, Well, first

0:15:19.240 --> 0:15:22.960
<v Speaker 1>of all, okay, a story about a naive guy who

0:15:23.000 --> 0:15:24.760
<v Speaker 1>comes from a different part of the world and who

0:15:24.800 --> 0:15:27.240
<v Speaker 1>longs to be accepted by a new family. What is

0:15:27.280 --> 0:15:35.520
<v Speaker 1>this Paddington from a mile away that time? Okay? So um,

0:15:35.640 --> 0:15:38.680
<v Speaker 1>we learned about elves in the North Pole who build

0:15:38.720 --> 0:15:42.040
<v Speaker 1>toys for Santa. They work in Santa's workshop and one Christmas,

0:15:42.040 --> 0:15:46.560
<v Speaker 1>while Santa is delivering presents at an orphanage. A baby

0:15:46.600 --> 0:15:50.200
<v Speaker 1>crawls into a stack of toys, and he accidentally takes

0:15:50.280 --> 0:15:53.240
<v Speaker 1>the baby with him to the North Pole. The baby

0:15:53.280 --> 0:15:56.880
<v Speaker 1>remained silent for the entirety of the rest of the trip.

0:15:57.000 --> 0:16:02.280
<v Speaker 1>That bothered me. One of the elves adopts the baby.

0:16:02.920 --> 0:16:08.880
<v Speaker 1>His name is Papa Elf Hot Hot. What if you're

0:16:08.960 --> 0:16:14.320
<v Speaker 1>just like my My name's Daddy. No, I'm single, I

0:16:14.400 --> 0:16:20.040
<v Speaker 1>have no children. I liked that. And the baby gets

0:16:20.160 --> 0:16:23.600
<v Speaker 1>named Buddy, and he grows up to be Will Ferrell,

0:16:23.960 --> 0:16:29.600
<v Speaker 1>and um, he's he's not like the other elves. Um,

0:16:29.640 --> 0:16:33.960
<v Speaker 1>he's tall, and he's not as good at making toys.

0:16:34.280 --> 0:16:37.880
<v Speaker 1>And he eventually learned the truth that he is a

0:16:37.960 --> 0:16:41.600
<v Speaker 1>human whose mother died and whose father is this like

0:16:41.880 --> 0:16:45.120
<v Speaker 1>big shop publishing guy in New York City. So right

0:16:45.160 --> 0:16:48.680
<v Speaker 1>at the bat, we have a weird Disney princess vibe

0:16:48.760 --> 0:16:51.800
<v Speaker 1>about Buddy where they're just like mother character. We're not

0:16:51.840 --> 0:16:55.640
<v Speaker 1>gonna want to bother with that. Let's get to two

0:16:56.120 --> 0:17:00.960
<v Speaker 1>men in conflict as soon as possible. So his dad

0:17:01.000 --> 0:17:04.200
<v Speaker 1>didn't even know that Buddy existed. So Buddy sets off

0:17:04.240 --> 0:17:06.720
<v Speaker 1>to New York City to understand by the way they

0:17:06.800 --> 0:17:10.080
<v Speaker 1>like they like, don't I feel like it's still really

0:17:10.119 --> 0:17:13.119
<v Speaker 1>taboo to have to have somebody like have a child

0:17:13.160 --> 0:17:15.520
<v Speaker 1>when they aren't married in movies. Have you noticed that,

0:17:15.560 --> 0:17:19.000
<v Speaker 1>like they're still still this thing or they don't. They'll

0:17:19.040 --> 0:17:20.800
<v Speaker 1>they'll have like a single parent in it, but they

0:17:20.800 --> 0:17:23.920
<v Speaker 1>won't ever And they really like didn't touch on the fact.

0:17:23.960 --> 0:17:25.760
<v Speaker 1>You know it's a family movie, but you know, you

0:17:25.800 --> 0:17:28.119
<v Speaker 1>never knew that she existed. They never The way that

0:17:28.160 --> 0:17:30.760
<v Speaker 1>they touch on that I think is really interesting. It's

0:17:30.760 --> 0:17:34.480
<v Speaker 1>like very specifically avoidant of like these people had sex

0:17:34.480 --> 0:17:36.119
<v Speaker 1>and they were really young, and she decided to keep

0:17:36.160 --> 0:17:38.080
<v Speaker 1>the baby, but didn't community like that's that's like a

0:17:38.600 --> 0:17:42.320
<v Speaker 1>complicated thing to to, you know, but they're trying to

0:17:42.440 --> 0:17:44.720
<v Speaker 1>keep it like that's still such like a for some reason,

0:17:44.720 --> 0:17:46.919
<v Speaker 1>it's still like a taboo subject, I think, And it

0:17:47.000 --> 0:17:51.360
<v Speaker 1>totally ignores like the concept of like, well, she probably

0:17:51.400 --> 0:17:54.000
<v Speaker 1>didn't tell him for a reason. What if he's a

0:17:54.040 --> 0:17:57.040
<v Speaker 1>bad guy, Like there's I don't know that, And then

0:17:57.080 --> 0:17:58.840
<v Speaker 1>you keep seeing the same picture of her, but he's

0:17:58.840 --> 0:18:03.000
<v Speaker 1>always longingly like I wish my toxic father would you know,

0:18:03.160 --> 0:18:08.159
<v Speaker 1>like spoon me. But you're like a woman has died,

0:18:08.240 --> 0:18:12.280
<v Speaker 1>Will Ferrell, What are you doing? Buddy sets off to

0:18:12.640 --> 0:18:15.400
<v Speaker 1>New York City to find his dad and to find

0:18:15.480 --> 0:18:24.760
<v Speaker 1>himself and cool. Sorry okay, but the only world that

0:18:24.800 --> 0:18:28.160
<v Speaker 1>he knows is the elf world. So he shows up,

0:18:28.840 --> 0:18:32.360
<v Speaker 1>he walks, hear, he works, Does he walk through Canada?

0:18:33.000 --> 0:18:36.440
<v Speaker 1>How is he not cold and dead? He also gets

0:18:36.440 --> 0:18:40.080
<v Speaker 1>attacked by a raccoon. Do you do to elves? Get

0:18:40.080 --> 0:18:43.160
<v Speaker 1>like inoculations against rabies like the ones that you give

0:18:43.200 --> 0:18:47.760
<v Speaker 1>to your cats and dogs. He also survives entirely on sugar, Like,

0:18:47.800 --> 0:18:50.879
<v Speaker 1>how is he not dead? What do the elves know

0:18:50.960 --> 0:18:54.960
<v Speaker 1>that we don't about help and longitivity? Maybe that's why

0:18:55.000 --> 0:18:56.800
<v Speaker 1>they keep the whole thing a secret, because they're afraid

0:18:56.800 --> 0:18:59.000
<v Speaker 1>that they're going to like get you know, taken over

0:18:59.160 --> 0:19:01.520
<v Speaker 1>for their secret. Right. Well, at one point, he says

0:19:01.560 --> 0:19:04.359
<v Speaker 1>that his daddy Elf is like four hundred He's like,

0:19:04.359 --> 0:19:06.920
<v Speaker 1>it took him four hundred nine years to figure out

0:19:06.960 --> 0:19:09.080
<v Speaker 1>how to make blah blah blah. Like, so yeah, they've

0:19:09.119 --> 0:19:11.680
<v Speaker 1>got like the elixir of life up there. Think, Yeah,

0:19:11.720 --> 0:19:17.359
<v Speaker 1>it's kind of frightening and amazing. Yeah it's Christmas magic. Okay,

0:19:17.440 --> 0:19:21.280
<v Speaker 1>So that's that's our untapped resource, you know, or that

0:19:21.320 --> 0:19:25.280
<v Speaker 1>they're they're renewable resources. Christmas. So he shows up and

0:19:25.440 --> 0:19:29.000
<v Speaker 1>he's naive. He you know, he's still dressed as an elf,

0:19:29.160 --> 0:19:31.720
<v Speaker 1>and he like thinks life is all about like hugs

0:19:31.720 --> 0:19:35.600
<v Speaker 1>and candy canes and rainbows and the lack of knowledge

0:19:35.600 --> 0:19:42.359
<v Speaker 1>of boundaries. Yes, So he shows up at his father's office,

0:19:42.560 --> 0:19:46.719
<v Speaker 1>but his father, Walter Hobbs played by James con He's like,

0:19:46.920 --> 0:19:50.200
<v Speaker 1>get out of here. I don't have no son. He's

0:19:50.240 --> 0:19:55.160
<v Speaker 1>mean and he's on Santa's Naughty List, so that's why

0:19:55.200 --> 0:19:58.840
<v Speaker 1>he's like, screw you, buddy. And then Buddy goes to

0:19:58.840 --> 0:20:00.840
<v Speaker 1>a department store and he's are like, oh, I'll fit

0:20:00.920 --> 0:20:05.720
<v Speaker 1>in here in Santa's like whatever, like North Pole Station.

0:20:05.760 --> 0:20:09.639
<v Speaker 1>They yeah, he's basically at like Macy's, and they mistake

0:20:09.760 --> 0:20:12.800
<v Speaker 1>him for being an employee there. So he just seamlessly

0:20:13.000 --> 0:20:17.160
<v Speaker 1>integrates into that community. And that's where he meets Jovi,

0:20:17.720 --> 0:20:25.800
<v Speaker 1>which is Zoe Deschanel's character Deschanel without bangs. It's confusing,

0:20:25.920 --> 0:20:30.600
<v Speaker 1>I know. And she works there as an elf, and Buddy,

0:20:30.880 --> 0:20:35.080
<v Speaker 1>here's Jovie singing a song. Baby it's cold outside, not

0:20:35.240 --> 0:20:40.679
<v Speaker 1>just anywhere it's in the show. She's in the shower.

0:20:40.760 --> 0:20:42.800
<v Speaker 1>We will, we'll talk about it. There's not time to

0:20:42.800 --> 0:20:45.879
<v Speaker 1>get into it here. My blood went cult. So Santa

0:20:45.960 --> 0:20:48.040
<v Speaker 1>comes into the store, but he's like, you're not the

0:20:48.080 --> 0:20:51.879
<v Speaker 1>real Santa. They get into a fistfight. Buddy gets a

0:20:51.920 --> 0:20:55.200
<v Speaker 1>restraining order filed against him, and then we meet Um

0:20:55.280 --> 0:20:58.359
<v Speaker 1>Walter's wife and son, and we learned that maybe Walter

0:20:58.640 --> 0:21:02.199
<v Speaker 1>isn't the most like attend to family man. But he

0:21:02.240 --> 0:21:05.040
<v Speaker 1>does bail Buddy out of jail, and he's like, let's

0:21:05.080 --> 0:21:07.600
<v Speaker 1>get this paternity test. Let's get this figured out. It

0:21:07.680 --> 0:21:10.920
<v Speaker 1>turns out Buddy is his biological son, so he brings

0:21:11.000 --> 0:21:15.879
<v Speaker 1>him home. That paternity test takes like two seconds. I

0:21:15.920 --> 0:21:19.240
<v Speaker 1>think there's a missed opportunity for a really good Maury scene.

0:21:19.359 --> 0:21:23.040
<v Speaker 1>There was, there really was. I think he would have

0:21:23.480 --> 0:21:26.560
<v Speaker 1>done the cameo no problem. Oh yeah, yeah, it's a

0:21:26.560 --> 0:21:31.679
<v Speaker 1>shame the doctor played the doctor though. So so Walter

0:21:31.880 --> 0:21:35.560
<v Speaker 1>is not happy about like Buddy being in his life. Also,

0:21:35.760 --> 0:21:38.399
<v Speaker 1>his brother Michael, who's like, I don't know, twelve or

0:21:38.400 --> 0:21:41.160
<v Speaker 1>something like that, is also not pleased. But then there's

0:21:41.200 --> 0:21:45.920
<v Speaker 1>a snowball fight and then Michael's like, oh wait, Buddy's cool. Um,

0:21:46.280 --> 0:21:49.560
<v Speaker 1>and then he encouraged his buddy to ask out Jovi. Yeah,

0:21:49.800 --> 0:21:54.280
<v Speaker 1>very like the like suddenly a twelve year old knows

0:21:54.359 --> 0:21:58.560
<v Speaker 1>how adults were. He's like, oh, are you trying to

0:21:58.680 --> 0:22:02.720
<v Speaker 1>get it in with so you're just like you you're twelve.

0:22:02.840 --> 0:22:08.000
<v Speaker 1>Please stop. Later on, Walter takes Buddy to work with him,

0:22:08.359 --> 0:22:10.840
<v Speaker 1>sends Buddy to like the mail room because Walter is

0:22:10.880 --> 0:22:13.480
<v Speaker 1>like trying to fix this problem with the children's book

0:22:13.480 --> 0:22:16.719
<v Speaker 1>at this publishing company, and he brings in Miles Finch,

0:22:16.960 --> 0:22:19.840
<v Speaker 1>and Miles Finch is a little person who Buddy mistakes

0:22:19.920 --> 0:22:27.040
<v Speaker 1>for an elf, and Miles understandably gets upset and storms

0:22:27.040 --> 0:22:33.760
<v Speaker 1>out first that Peter Dinkledge. Yeah, Peter Dinklage kicking his

0:22:33.840 --> 0:22:39.200
<v Speaker 1>ass A very satisfying scene to watch. He extremely wins

0:22:39.320 --> 0:22:43.719
<v Speaker 1>that fight. Yes, So then Walter is furious and he's like, Buddy,

0:22:43.800 --> 0:22:46.320
<v Speaker 1>get out of here. I don't care where you go,

0:22:46.520 --> 0:22:50.480
<v Speaker 1>just leave my life. And then Buddy runs away, and

0:22:50.520 --> 0:22:53.720
<v Speaker 1>then Michael comes in. He's like, I'm scared our son.

0:22:54.040 --> 0:22:57.000
<v Speaker 1>Buddy ran away, And this is all happening in the

0:22:57.000 --> 0:22:59.480
<v Speaker 1>middle of this big pitch meeting, and then Walter has

0:22:59.520 --> 0:23:01.679
<v Speaker 1>to decide to like, is he going to choose his

0:23:01.720 --> 0:23:08.639
<v Speaker 1>career or his family. Guess what I choose the family.

0:23:09.920 --> 0:23:13.680
<v Speaker 1>This is all happening on Christmas Eve, by the way,

0:23:16.320 --> 0:23:21.040
<v Speaker 1>Santa is out delivering presents, but there's no Christmas spirit

0:23:21.240 --> 0:23:24.760
<v Speaker 1>because Buddy has no sense of belonging anymore, I guess.

0:23:25.119 --> 0:23:29.760
<v Speaker 1>But there's a lot of third act like sure that

0:23:29.920 --> 0:23:34.720
<v Speaker 1>something about the sleigh isn't happening. It's powered by Christmas spirit,

0:23:34.760 --> 0:23:37.600
<v Speaker 1>but nobody in New York believes in Christmas anymore or

0:23:37.680 --> 0:23:40.520
<v Speaker 1>something right, and everyone watches the local news at the

0:23:40.600 --> 0:23:45.520
<v Speaker 1>same time. You're just like, yeah, sure, whatever, we just

0:23:45.560 --> 0:23:47.320
<v Speaker 1>got to get this lane. And everybody gets to the

0:23:47.359 --> 0:23:50.440
<v Speaker 1>same spot in Manhattan within five minutes. My friend pointed

0:23:50.480 --> 0:23:52.919
<v Speaker 1>that out when we were watching, and he was like, everybody,

0:23:52.960 --> 0:23:55.320
<v Speaker 1>everybody is just they're like, you know, okay, as soon

0:23:55.359 --> 0:23:58.960
<v Speaker 1>as I heard, and very very much like an improv scene,

0:23:58.960 --> 0:24:03.040
<v Speaker 1>just leaping in, like you know. And then the second

0:24:03.080 --> 0:24:08.879
<v Speaker 1>the dad sings, the plots resolved singing singing the power

0:24:08.920 --> 0:24:13.520
<v Speaker 1>of music or something, but something Christmas cheers. That's way

0:24:13.520 --> 0:24:24.280
<v Speaker 1>to spread Christmas cheer is singing loud hard disagree. So

0:24:24.480 --> 0:24:28.000
<v Speaker 1>Buddy's all like I gotta save Christmas. And Michael and

0:24:28.040 --> 0:24:30.240
<v Speaker 1>Walter show up to help. There's a guy who was

0:24:30.280 --> 0:24:33.359
<v Speaker 1>actively harassing a reporter and he's like, you have a

0:24:33.440 --> 0:24:38.480
<v Speaker 1>really nice mouth. Also, the other newscaster is harassing that reporter.

0:24:38.880 --> 0:24:43.040
<v Speaker 1>He's like, sorry to interrupt your first big story, you dumbass,

0:24:43.359 --> 0:24:46.440
<v Speaker 1>but I'm going to talk now, and then it cuts

0:24:46.440 --> 0:24:49.760
<v Speaker 1>back to her and someone is harassing her. But then

0:24:50.240 --> 0:24:54.800
<v Speaker 1>it's so weird the trajectory of that female newscaster. For

0:24:54.840 --> 0:24:56.840
<v Speaker 1>the few times we see her, we're just like, who

0:24:56.920 --> 0:24:59.720
<v Speaker 1>are you? Because it's like she's reporting the story, cut

0:24:59.720 --> 0:25:02.000
<v Speaker 1>away it to her boss, who was like, don't listen

0:25:02.080 --> 0:25:06.040
<v Speaker 1>to her. Then we see her with Michael Buddy's little

0:25:06.040 --> 0:25:09.920
<v Speaker 1>brother and then he's like, all you wanted for Christmas

0:25:10.040 --> 0:25:13.119
<v Speaker 1>was for your boyfriend to propose. And then she's like

0:25:13.240 --> 0:25:16.240
<v Speaker 1>stop the cameras and she screams at a child, and

0:25:16.400 --> 0:25:19.320
<v Speaker 1>it just like I don't know where I land on

0:25:19.400 --> 0:25:26.000
<v Speaker 1>this lady. So basically after that, jovis like, oh, we

0:25:26.040 --> 0:25:28.639
<v Speaker 1>gotta get Christmas cheer up and running again. So she

0:25:28.680 --> 0:25:30.760
<v Speaker 1>starts to sing, even though she doesn't like to sing

0:25:30.800 --> 0:25:33.800
<v Speaker 1>in public, but then everyone joins in and then the

0:25:33.840 --> 0:25:36.560
<v Speaker 1>sleigh starts to work, and then Christmas is saved and

0:25:36.600 --> 0:25:40.000
<v Speaker 1>then like the due mall of the story. Don't worry,

0:25:40.000 --> 0:25:44.119
<v Speaker 1>I have a master's scream screen. Oh my god, because

0:25:44.440 --> 0:25:49.879
<v Speaker 1>I feel ill. The family accepts him now, and he

0:25:49.920 --> 0:25:53.200
<v Speaker 1>wrote a children Buddy wrote a children's book about himself

0:25:53.400 --> 0:25:56.720
<v Speaker 1>self indulgent. Hello, Uh, way to blow your load on,

0:25:56.840 --> 0:25:58.800
<v Speaker 1>like you know, on one thing, Like, how the hell

0:25:58.840 --> 0:26:02.840
<v Speaker 1>are you gonna follow that up? Yeah? He should have

0:26:02.840 --> 0:26:08.520
<v Speaker 1>made it a series, Yeah, idiot. Uh. And then he

0:26:08.800 --> 0:26:12.800
<v Speaker 1>and Jovie get married, I guess, and have a baby,

0:26:12.840 --> 0:26:15.000
<v Speaker 1>and then they go to visit Elf Daddy and that's

0:26:15.040 --> 0:26:23.200
<v Speaker 1>the end of the movie. This is a fun movie

0:26:23.200 --> 0:26:26.000
<v Speaker 1>where you're just like, you're like, is a woman going

0:26:26.080 --> 0:26:29.159
<v Speaker 1>to appear in this movie at all? Is this a

0:26:29.240 --> 0:26:33.359
<v Speaker 1>show shank situation? Like it takes a very long time

0:26:33.520 --> 0:26:38.199
<v Speaker 1>for women to affect the plot at all. And I

0:26:38.200 --> 0:26:43.720
<v Speaker 1>would argue that that even hardly happens. Yes, you're right, Well,

0:26:43.840 --> 0:26:46.920
<v Speaker 1>let's go home. There's a lot of like implied women,

0:26:47.119 --> 0:26:48.919
<v Speaker 1>or there's a lot of women who are like a

0:26:48.960 --> 0:26:52.880
<v Speaker 1>woman gave birth to Buddy, we don't see her alive

0:26:54.080 --> 0:26:57.240
<v Speaker 1>a photo of her. Well, even from the very beginning,

0:26:57.280 --> 0:27:01.399
<v Speaker 1>like in the in Santa's Workshop, there are way more

0:27:01.720 --> 0:27:07.000
<v Speaker 1>male elves than lady elves, and I think there's only

0:27:07.080 --> 0:27:11.280
<v Speaker 1>one ELF woman who gets aligned. She yeah, and then

0:27:11.320 --> 0:27:16.280
<v Speaker 1>she's like, buddy, you're awesome, and then she just disappeared.

0:27:16.440 --> 0:27:21.000
<v Speaker 1>They're also they're also all white, I noticed, which is like, yeah,

0:27:21.080 --> 0:27:23.280
<v Speaker 1>I've seen I feel like other depictions of elves I've

0:27:23.280 --> 0:27:26.000
<v Speaker 1>seen have been like, like, no, there are multicultural elves,

0:27:26.600 --> 0:27:28.919
<v Speaker 1>elves from different Yeah, it's supposed to be like a

0:27:29.000 --> 0:27:35.960
<v Speaker 1>worldwide everyone, but this is like fashi elves just like yikes,

0:27:36.119 --> 0:27:38.280
<v Speaker 1>And it makes me wonders since there are so few

0:27:38.520 --> 0:27:42.560
<v Speaker 1>elf women. Earlier, like when the narrator is setting everything up,

0:27:42.600 --> 0:27:44.960
<v Speaker 1>he's like, oh, there's only three jobs that are available

0:27:45.000 --> 0:27:48.800
<v Speaker 1>to elves. It's either making shoes, baking cookies, or Santa's workshop.

0:27:48.800 --> 0:27:51.000
<v Speaker 1>And it's like, okay, so does that mean all the

0:27:51.400 --> 0:27:55.520
<v Speaker 1>elf women are baking cookies, like doing the domestic thing.

0:27:55.720 --> 0:27:59.359
<v Speaker 1>I'm speculating here, but who's the elf Betty freedom, you know,

0:28:00.240 --> 0:28:03.680
<v Speaker 1>stepping in? You know? Also its fucking unionized man, right,

0:28:04.200 --> 0:28:07.520
<v Speaker 1>I mean there's only three jobs available for you? Yeah? Yeah,

0:28:08.000 --> 0:28:12.400
<v Speaker 1>there just aren't enough elf woman in the workforce, right, Um,

0:28:12.440 --> 0:28:14.639
<v Speaker 1>I don't know they were so quick to adopt Buddy.

0:28:14.800 --> 0:28:17.199
<v Speaker 1>I mean they needed more people in there, and they

0:28:17.240 --> 0:28:20.239
<v Speaker 1>needed they needed Yeah, they needed hands. I don't know.

0:28:20.320 --> 0:28:23.320
<v Speaker 1>Maybe it's a Smurfette principal thing where there's only and

0:28:23.320 --> 0:28:25.600
<v Speaker 1>they all. I mean, you would think population would be

0:28:25.600 --> 0:28:29.040
<v Speaker 1>an issue if everyone's living five hundred years, But I

0:28:29.080 --> 0:28:32.200
<v Speaker 1>don't know. Maybe some elves die very young. I don't

0:28:32.240 --> 0:28:37.000
<v Speaker 1>know what age does elf menopause hit and then six

0:28:37.240 --> 0:28:41.480
<v Speaker 1>h Yeah, like you start craving things that aren't sugar

0:28:41.520 --> 0:28:43.760
<v Speaker 1>when you get et goo through elf menopause or something.

0:28:43.960 --> 0:28:47.080
<v Speaker 1>It's it's yeah, it's very different. I'd like a detailed

0:28:47.080 --> 0:28:50.320
<v Speaker 1>study of that. I do. I do enjoy that it

0:28:50.400 --> 0:28:54.120
<v Speaker 1>was the elf daddy who like took the responsibility to

0:28:54.280 --> 0:28:56.360
<v Speaker 1>adopt Buddy, because I feel like it could have easily

0:28:56.360 --> 0:28:59.600
<v Speaker 1>been like the one elf woman you see takes on

0:28:59.760 --> 0:29:03.720
<v Speaker 1>like the matron mother role. Sure, but that doesn't happen,

0:29:03.720 --> 0:29:06.560
<v Speaker 1>and so we get a single dad. So yes, he's

0:29:06.600 --> 0:29:09.240
<v Speaker 1>also funny, is very He has that kind of like

0:29:09.600 --> 0:29:11.560
<v Speaker 1>we were just talking about SpongeBob, that kind of SpongeBob

0:29:11.680 --> 0:29:16.080
<v Speaker 1>quality of like of not being overly masculine or just

0:29:16.240 --> 0:29:19.000
<v Speaker 1>not being being kind of you know, well until he

0:29:19.040 --> 0:29:22.880
<v Speaker 1>gets until he likes meets Jovi and and like disrespects

0:29:22.880 --> 0:29:25.200
<v Speaker 1>people's boundaries in New York and stuff like. But at first,

0:29:25.200 --> 0:29:27.160
<v Speaker 1>it's like, oh, it's sweet. He's not doing things that

0:29:27.200 --> 0:29:29.800
<v Speaker 1>are like traditionally gendered and it's it's kind of cute.

0:29:29.800 --> 0:29:32.760
<v Speaker 1>It's like, oh, he's he's really into giving people hugs

0:29:32.800 --> 0:29:35.560
<v Speaker 1>and being sweet and giving compliments and things. You know, Okay,

0:29:35.600 --> 0:29:39.080
<v Speaker 1>he should ask before he does. Yeah. Yeah, As it

0:29:39.120 --> 0:29:41.480
<v Speaker 1>goes on and the same way, yeah, I mean, it's

0:29:41.520 --> 0:29:45.560
<v Speaker 1>like you definitely have like a cool version of masculinity

0:29:45.600 --> 0:29:51.840
<v Speaker 1>presented here where he is never trying to wrong anyone ever,

0:29:52.160 --> 0:29:54.640
<v Speaker 1>and like you know, comes from a place of love.

0:29:54.680 --> 0:29:57.640
<v Speaker 1>And then it's like, oh, we have a consent issue here.

0:29:58.360 --> 0:30:00.800
<v Speaker 1>I don't know. I mean it's because he's he is

0:30:00.840 --> 0:30:04.920
<v Speaker 1>such a lovable character and like he I don't know,

0:30:05.040 --> 0:30:09.400
<v Speaker 1>I don't think he's too tall personally. I think he's

0:30:09.480 --> 0:30:13.560
<v Speaker 1>just tall enough. Uh see. I had a different read

0:30:13.640 --> 0:30:17.920
<v Speaker 1>on that, where he is like a very loving, accepting person,

0:30:18.320 --> 0:30:21.880
<v Speaker 1>but once he gets into the real world, he is

0:30:21.920 --> 0:30:24.920
<v Speaker 1>acting like a man baby. It's almost like the born

0:30:24.960 --> 0:30:29.680
<v Speaker 1>Sexy Yesterday trope thing happening, but like born sexy yeah,

0:30:29.760 --> 0:30:34.640
<v Speaker 1>non sexy yesterday. I'm sorry, but I mean he's not like,

0:30:34.800 --> 0:30:38.680
<v Speaker 1>you know, a traditional like hot lady bombshell. Like he's

0:30:38.720 --> 0:30:42.480
<v Speaker 1>not loud at any point, although he does expose himself

0:30:42.560 --> 0:30:49.920
<v Speaker 1>to but he has like this childlike mind that I

0:30:50.000 --> 0:30:54.440
<v Speaker 1>only have the patients for for about eleven seconds one star,

0:30:56.800 --> 0:31:01.840
<v Speaker 1>which gets weird when you consider the romantic subplot of

0:31:01.920 --> 0:31:05.680
<v Speaker 1>the movie where he has like a childlike understanding of

0:31:05.720 --> 0:31:08.520
<v Speaker 1>the world and of everyone around him. But then he

0:31:08.560 --> 0:31:11.960
<v Speaker 1>does like start to feel sexual feelings for a woman

0:31:12.040 --> 0:31:17.600
<v Speaker 1>who reciprocates, but he has given her no reason other

0:31:17.600 --> 0:31:20.360
<v Speaker 1>than the fact that he's like a nice guy, which

0:31:20.760 --> 0:31:24.040
<v Speaker 1>is a good reason. But he's a baby. He has

0:31:24.080 --> 0:31:26.640
<v Speaker 1>the mind of a baby, and she's like, oh, well

0:31:27.640 --> 0:31:34.600
<v Speaker 1>he's hot, and so they're really is odd. Well, that's

0:31:34.760 --> 0:31:37.120
<v Speaker 1>what That was one of my main issues with the

0:31:37.200 --> 0:31:40.800
<v Speaker 1>movie in general, as you can remove the romantic subplot

0:31:40.880 --> 0:31:44.200
<v Speaker 1>and nothing about the movie would change, Like if Zoe

0:31:44.280 --> 0:31:47.400
<v Speaker 1>Deschanelle didn't sing acapella at the end of this movie,

0:31:47.960 --> 0:31:51.480
<v Speaker 1>nothing would change. Uh. And that's I mean, I feel

0:31:51.480 --> 0:31:53.360
<v Speaker 1>like that is such a I'm sure it was like

0:31:53.480 --> 0:31:56.040
<v Speaker 1>you know, studio and of shoehorn In and he's got

0:31:56.040 --> 0:31:59.040
<v Speaker 1>to fall in love, but they don't really give her

0:31:59.160 --> 0:32:04.400
<v Speaker 1>anything of narrative impact to do other than be his

0:32:04.480 --> 0:32:09.480
<v Speaker 1>wife eventually, which is too bad because there I think

0:32:09.480 --> 0:32:12.400
<v Speaker 1>that there are so many interesting, good characters in this movie.

0:32:12.880 --> 0:32:16.120
<v Speaker 1>But I agree with you that, like, like going straight

0:32:16.160 --> 0:32:19.160
<v Speaker 1>to an adult relationship that leads to marriage what it

0:32:19.200 --> 0:32:22.840
<v Speaker 1>appears to be very quickly, doesn't make a lot of

0:32:22.880 --> 0:32:26.920
<v Speaker 1>sense for this character who has just entered the adult

0:32:27.240 --> 0:32:30.040
<v Speaker 1>world for the first time, And it doesn't make a

0:32:30.040 --> 0:32:32.640
<v Speaker 1>lot of sense for Jovi, who it's like, yeah, he's

0:32:32.640 --> 0:32:36.280
<v Speaker 1>a nice guy, but he like came into a room

0:32:36.320 --> 0:32:38.920
<v Speaker 1>while she was showering and began to sing the most

0:32:38.960 --> 0:32:43.640
<v Speaker 1>problematic Christmas song available that for me is like enough

0:32:43.680 --> 0:32:45.880
<v Speaker 1>reason to be like, yeah, I'm not going to date

0:32:45.960 --> 0:32:48.880
<v Speaker 1>this person. So he comes into the locker room while

0:32:48.920 --> 0:32:53.000
<v Speaker 1>she's showering and sings baby it's cold outside and growing

0:32:53.080 --> 0:32:56.120
<v Speaker 1>up Jewish. This was I think the first time that

0:32:56.160 --> 0:32:58.800
<v Speaker 1>I had heard that song, Like I was a teenager

0:32:58.880 --> 0:33:00.120
<v Speaker 1>and it was the first time, like I probab they

0:33:00.240 --> 0:33:02.600
<v Speaker 1>like harded in the background, but I I didn't know

0:33:02.640 --> 0:33:04.480
<v Speaker 1>what it was. I didn't know the name of the song.

0:33:04.920 --> 0:33:07.400
<v Speaker 1>I didn't know that I really did not know the lyrics,

0:33:07.880 --> 0:33:10.080
<v Speaker 1>so this was like kind of a route awakening for

0:33:10.120 --> 0:33:12.400
<v Speaker 1>me at sixteen and being like what the funk is

0:33:12.480 --> 0:33:16.200
<v Speaker 1>this song? And like I'm sorry, like like like Christians,

0:33:16.200 --> 0:33:18.280
<v Speaker 1>you know, I I know you only have like the

0:33:18.320 --> 0:33:22.600
<v Speaker 1>two holidays, whereas we have like fifty you know, and

0:33:22.600 --> 0:33:25.760
<v Speaker 1>and like I mean, Hanakah has really only lumped in

0:33:25.800 --> 0:33:28.200
<v Speaker 1>with Christmas at all, Like we don't need hanaka songs

0:33:28.200 --> 0:33:30.360
<v Speaker 1>and movies so much because it's actually a very minor holiday.

0:33:30.440 --> 0:33:32.760
<v Speaker 1>The only reason that it's put together that that you

0:33:32.840 --> 0:33:35.760
<v Speaker 1>like get exchange presents at all is because of capitalism

0:33:35.880 --> 0:33:37.960
<v Speaker 1>and marketing and you know, putting these things in to

0:33:38.040 --> 0:33:40.160
<v Speaker 1>make more money to market to more people. See some

0:33:40.240 --> 0:33:43.360
<v Speaker 1>Jews in the audience nodding um and then but yeah,

0:33:43.400 --> 0:33:45.520
<v Speaker 1>but that's and that's so it's it's you know, it's

0:33:45.600 --> 0:33:47.560
<v Speaker 1>one of many holidays for us. I get that, like

0:33:47.640 --> 0:33:50.040
<v Speaker 1>Christmas is like a big deal, but I don't get

0:33:50.080 --> 0:33:53.840
<v Speaker 1>why you guys want to make Christmas sexy. Believe me,

0:33:53.880 --> 0:33:57.080
<v Speaker 1>I am all for sexy things, Like sexiness has its own,

0:33:57.120 --> 0:33:58.680
<v Speaker 1>has it, Like you know, there's a time and place

0:33:58.760 --> 0:34:00.280
<v Speaker 1>for a lot of sexy things. And you know, I

0:34:00.280 --> 0:34:04.600
<v Speaker 1>have nothing against sexiness, but like, Christmas isn't a sexy thing.

0:34:05.200 --> 0:34:09.480
<v Speaker 1>And I don't know why this song about being cold

0:34:09.600 --> 0:34:13.839
<v Speaker 1>and and you know this this playful creepiness where it's

0:34:13.880 --> 0:34:16.799
<v Speaker 1>actually written as the parts are the parts for that

0:34:16.880 --> 0:34:20.320
<v Speaker 1>song are actually called wolf and mouse. I don't know

0:34:20.360 --> 0:34:23.680
<v Speaker 1>if you guys knew that. Yeah, And and there's so

0:34:23.680 --> 0:34:25.840
<v Speaker 1>many people now who there there's there's a backlash to,

0:34:25.960 --> 0:34:28.200
<v Speaker 1>and then there's the backlash to the backlash, and then

0:34:28.200 --> 0:34:29.960
<v Speaker 1>there was the backlash of the backlash of the backlash.

0:34:29.960 --> 0:34:32.560
<v Speaker 1>But just like overall, like fuck that song. It's not

0:34:32.640 --> 0:34:36.120
<v Speaker 1>a good song. And Christmas isn't sexy. There's nothing sexy

0:34:36.160 --> 0:34:40.840
<v Speaker 1>about hanging around with your family. I love my family,

0:34:40.880 --> 0:34:43.040
<v Speaker 1>I'm close with my family, but there is nothing sexy

0:34:43.080 --> 0:34:51.840
<v Speaker 1>about that. Yes, agree, I totally agree with my family sexy,

0:34:51.920 --> 0:34:59.640
<v Speaker 1>no kidding. One star. So the shower scene is troubling,

0:34:59.680 --> 0:35:02.200
<v Speaker 1>and then a moment the worst leaning up to the

0:35:02.360 --> 0:35:07.080
<v Speaker 1>shower scene is also troubling because it's Buddy seeing Jovi

0:35:07.360 --> 0:35:10.760
<v Speaker 1>for the first time. There's like this like angelic lighting

0:35:10.840 --> 0:35:13.080
<v Speaker 1>that lights up from the Christmas tree and he's like oh,

0:35:14.000 --> 0:35:16.239
<v Speaker 1>and then he goes over to her and tries to

0:35:16.280 --> 0:35:20.000
<v Speaker 1>initiate a conversation and a few different times she either says,

0:35:20.040 --> 0:35:23.520
<v Speaker 1>please stop talking to me, go away, thanks, but I

0:35:23.560 --> 0:35:25.239
<v Speaker 1>don't sing. He's like trying to get her to sing

0:35:25.320 --> 0:35:27.640
<v Speaker 1>or something, and then he like blocks her from being

0:35:27.640 --> 0:35:29.440
<v Speaker 1>able to move. She's like trying to get past him

0:35:29.480 --> 0:35:33.040
<v Speaker 1>and he's like blocking her path. And then just a

0:35:33.040 --> 0:35:36.680
<v Speaker 1>few scenes later is the shower scene where he hears

0:35:36.719 --> 0:35:40.080
<v Speaker 1>her singing goes into the women's locker room. Also there

0:35:40.160 --> 0:35:43.360
<v Speaker 1>the Elves get a locker room, Like what is this place?

0:35:43.440 --> 0:35:46.040
<v Speaker 1>I was just like, this is a really nice shower

0:35:46.320 --> 0:35:48.799
<v Speaker 1>they actually they do. They have and and one thing

0:35:48.840 --> 0:35:51.400
<v Speaker 1>that I noticed there is that she goes, why are

0:35:51.400 --> 0:35:53.399
<v Speaker 1>you bothering me? Did Crumpet put you up to this?

0:35:54.040 --> 0:35:56.960
<v Speaker 1>And I and I realized that was David Sedaris's name.

0:35:57.000 --> 0:35:59.520
<v Speaker 1>When he was in Santa Land, he wrote a book,

0:35:59.680 --> 0:36:02.680
<v Speaker 1>you know, the Santaland Diaries, and he wrote that into

0:36:02.719 --> 0:36:04.600
<v Speaker 1>a lot of his writings, and I was like, oh,

0:36:04.640 --> 0:36:06.760
<v Speaker 1>Amy Sadaris, his sister is in this movie. That's probably

0:36:06.760 --> 0:36:09.000
<v Speaker 1>a shout out to to David saderas a lot of

0:36:09.040 --> 0:36:12.080
<v Speaker 1>the you know, New York comedians knew him, and uh

0:36:12.120 --> 0:36:14.040
<v Speaker 1>and yeah, but yeah, he has written about, and he

0:36:14.040 --> 0:36:16.080
<v Speaker 1>has says that they did actually get locker rooms to

0:36:16.200 --> 0:36:19.279
<v Speaker 1>change in. Interesting. Yeah, and because they had like their

0:36:19.320 --> 0:36:21.319
<v Speaker 1>special uniforms that were given to them, you had to

0:36:21.600 --> 0:36:23.000
<v Speaker 1>you know, you had to wear what it was you

0:36:23.000 --> 0:36:25.919
<v Speaker 1>would change and you know, they probably weren't as nice

0:36:26.080 --> 0:36:29.120
<v Speaker 1>as the ones they're also Zoeya Shanell says she's showering

0:36:29.120 --> 0:36:31.799
<v Speaker 1>there because her water was turned off. But like it

0:36:31.840 --> 0:36:34.200
<v Speaker 1>shows her apartment later and that is a nice apartment

0:36:34.200 --> 0:36:36.680
<v Speaker 1>by New York standards. That is a nice big apartment

0:36:36.719 --> 0:36:39.080
<v Speaker 1>to be living in, you know, on your own, right.

0:36:39.440 --> 0:36:44.960
<v Speaker 1>But she's eating ramen, so she's poor, yes, But because

0:36:45.000 --> 0:36:47.600
<v Speaker 1>he has such a childlike understanding of the world, he

0:36:47.680 --> 0:36:51.720
<v Speaker 1>doesn't realize that he's like invading this space. Apparently doesn't

0:36:51.719 --> 0:36:53.919
<v Speaker 1>realize that she is naked in the shower and then

0:36:53.960 --> 0:36:56.680
<v Speaker 1>just like is sitting near where she is and then

0:36:56.920 --> 0:37:01.400
<v Speaker 1>sings along with her. So that's horrible and scary. Um.

0:37:01.440 --> 0:37:03.719
<v Speaker 1>She does confront him a few scenes later where she

0:37:04.160 --> 0:37:09.160
<v Speaker 1>but that scene ends with her being like because she

0:37:09.239 --> 0:37:12.520
<v Speaker 1>starts by saying like, hey, I need to talk to you,

0:37:12.640 --> 0:37:14.520
<v Speaker 1>and then she asked him, why did you do that?

0:37:14.600 --> 0:37:18.160
<v Speaker 1>And he's like, what I just love Christmas. And then

0:37:18.200 --> 0:37:22.080
<v Speaker 1>she's like Okay, it's like that is they could have

0:37:22.120 --> 0:37:24.880
<v Speaker 1>cut the first two scenes and replaced it with anything

0:37:25.160 --> 0:37:28.480
<v Speaker 1>I feel like, yeah, to establish their relationship because like,

0:37:28.760 --> 0:37:31.759
<v Speaker 1>because watching this, I the thing is that, like I know,

0:37:31.880 --> 0:37:34.320
<v Speaker 1>there's the obnoxious like you know, this person makes you

0:37:34.360 --> 0:37:36.440
<v Speaker 1>see the world in like a different way. But like

0:37:36.800 --> 0:37:39.560
<v Speaker 1>I've got to say that like being like a grumpy,

0:37:39.560 --> 0:37:42.680
<v Speaker 1>morbid person myself, Like I have dated a lot of

0:37:42.680 --> 0:37:44.160
<v Speaker 1>people where like they came in and they were like,

0:37:44.239 --> 0:37:46.440
<v Speaker 1>let's have fun and I was like the grudge and

0:37:46.480 --> 0:37:49.200
<v Speaker 1>be like okay, and then I was like, alright, fun,

0:37:49.280 --> 0:37:51.800
<v Speaker 1>I'm actually having fun. Okay, this is a good time.

0:37:51.920 --> 0:37:53.600
<v Speaker 1>And yeah, that's actually like that's happened to me in

0:37:53.640 --> 0:37:55.840
<v Speaker 1>my life, where like, you know, you meet somebody cheerful

0:37:55.880 --> 0:37:57.440
<v Speaker 1>and in affect your life in a positive way, Like

0:37:57.480 --> 0:37:59.279
<v Speaker 1>that is a thing that happens. It's a stupid trope,

0:37:59.320 --> 0:38:01.400
<v Speaker 1>but it is a thing that has happened in my

0:38:01.440 --> 0:38:03.239
<v Speaker 1>life at least, And you know it could have been

0:38:03.280 --> 0:38:05.719
<v Speaker 1>done in a way without him creeping on her, right,

0:38:06.440 --> 0:38:09.080
<v Speaker 1>But the fact that so many romantic storylines in movies

0:38:09.120 --> 0:38:12.520
<v Speaker 1>start out this way where it's like she's like, no, no, no,

0:38:12.600 --> 0:38:14.439
<v Speaker 1>get away from me, don't talk to me. The most

0:38:14.440 --> 0:38:16.680
<v Speaker 1>egregious example of this, I think, at least of the

0:38:16.680 --> 0:38:19.720
<v Speaker 1>movies that we've covered, was The Notebook, where like Rachel

0:38:19.760 --> 0:38:24.480
<v Speaker 1>McAdam says, no, like kill myself if you don't go

0:38:24.560 --> 0:38:27.640
<v Speaker 1>on a little date with me. You know. I had

0:38:27.680 --> 0:38:29.520
<v Speaker 1>a guy come up to me. I was I was

0:38:29.560 --> 0:38:31.880
<v Speaker 1>actually I think my friend is in the audience tonight,

0:38:31.920 --> 0:38:34.879
<v Speaker 1>who was with me. We were in Europe together after

0:38:34.920 --> 0:38:37.320
<v Speaker 1>my as she's smiling, I can see her. Uh. And

0:38:37.840 --> 0:38:40.480
<v Speaker 1>I was in Vienna and we were like separated for

0:38:40.520 --> 0:38:42.520
<v Speaker 1>a few days and I went off on my own

0:38:42.560 --> 0:38:44.640
<v Speaker 1>to this park and there was like a ferris wheel nearby,

0:38:44.680 --> 0:38:47.040
<v Speaker 1>and this guy came by and asked me, asked me

0:38:47.080 --> 0:38:48.360
<v Speaker 1>to go out with him and go to a party

0:38:48.360 --> 0:38:50.080
<v Speaker 1>with him, and I was like no, and I told

0:38:50.160 --> 0:38:51.799
<v Speaker 1>him over and over again. I was like, no, I

0:38:51.840 --> 0:38:54.560
<v Speaker 1>have a boyfriend's no, I'm not interested. I'm not interested.

0:38:54.640 --> 0:38:57.160
<v Speaker 1>And he tried to get really philosophical and ME was like,

0:38:57.160 --> 0:38:58.600
<v Speaker 1>but you just don't know where life is going to

0:38:58.680 --> 0:39:00.720
<v Speaker 1>leave to you. And I think eventually I just walked away.

0:39:01.280 --> 0:39:04.120
<v Speaker 1>He never did anything like physically threatening. He was just

0:39:04.280 --> 0:39:07.000
<v Speaker 1>it was just kind of stupid. But like I told

0:39:07.040 --> 0:39:09.719
<v Speaker 1>some people about it afterwards and they were like, oh,

0:39:09.800 --> 0:39:16.560
<v Speaker 1>like the Notebook, Oh that romantic fan Pi. That's yeah,

0:39:16.600 --> 0:39:20.959
<v Speaker 1>that movie is just like The Notebooks a whole other situation. Yeah.

0:39:21.040 --> 0:39:23.560
<v Speaker 1>I think it's like I'm gonna kill myself if you

0:39:23.600 --> 0:39:25.960
<v Speaker 1>don't be my girlfriend. Well yeah, see, I I had

0:39:26.000 --> 0:39:27.960
<v Speaker 1>like a really complicated relationship with that movie because I

0:39:27.960 --> 0:39:29.560
<v Speaker 1>was like so much about this as upsetting, but I

0:39:29.600 --> 0:39:32.680
<v Speaker 1>had like a really big crush on Rachel McAdams, so yeah,

0:39:32.840 --> 0:39:34.640
<v Speaker 1>so but then I watched her in other things, so

0:39:34.840 --> 0:39:42.200
<v Speaker 1>you know. Yeah. The thing that's especially troubling about this

0:39:42.239 --> 0:39:45.719
<v Speaker 1>movie is that it is appropriate for children, So like

0:39:46.120 --> 0:39:48.440
<v Speaker 1>kids are seeing this and they're like, oh, that's how

0:39:48.480 --> 0:39:51.440
<v Speaker 1>you ask a woman out. You wear her down until

0:39:51.760 --> 0:39:56.160
<v Speaker 1>she finally says yes, and then that works. And that's yeah.

0:39:56.200 --> 0:39:58.600
<v Speaker 1>I mean, it's like a lot of it is. It's

0:39:58.600 --> 0:40:02.880
<v Speaker 1>like super trophy. And I would almost attribute it to

0:40:03.000 --> 0:40:05.760
<v Speaker 1>bad writing. But it's bad writing because so many people

0:40:05.760 --> 0:40:10.760
<v Speaker 1>had already done uh freaky not good relationship that teaches

0:40:10.800 --> 0:40:13.600
<v Speaker 1>you to not respect what a woman is telling you.

0:40:13.640 --> 0:40:15.000
<v Speaker 1>I don't think I mean, I don't think it's a

0:40:15.000 --> 0:40:17.000
<v Speaker 1>badly written movie, I think, But I do, yeah, I mean,

0:40:17.040 --> 0:40:18.279
<v Speaker 1>I do think that there was I think that there

0:40:18.360 --> 0:40:20.160
<v Speaker 1>was also kind of a thing at the time. I mean,

0:40:20.160 --> 0:40:22.400
<v Speaker 1>maybe I'm also defending it because it was a Jewish

0:40:22.400 --> 0:40:24.480
<v Speaker 1>man who wrote this, and I like feel for my

0:40:24.480 --> 0:40:29.240
<v Speaker 1>my fellow Jewish film people making and being in Christmas movies. Um,

0:40:29.320 --> 0:40:30.960
<v Speaker 1>but now I feel like it was just kind of

0:40:30.960 --> 0:40:33.760
<v Speaker 1>a weird common trope. At the time, the early two thousand's,

0:40:33.800 --> 0:40:37.040
<v Speaker 1>there was just this huge, like plethora of romantic comedies

0:40:37.400 --> 0:40:39.839
<v Speaker 1>and that was in like every single one of them. Well,

0:40:39.840 --> 0:40:42.279
<v Speaker 1>this is the year being worn down. I'm pretty sure

0:40:42.360 --> 0:40:44.520
<v Speaker 1>this is the same year is Love Actually comes out?

0:40:44.960 --> 0:40:48.000
<v Speaker 1>Love Actually? And I think the Notebook too there. Yeah,

0:40:48.120 --> 0:40:49.520
<v Speaker 1>I mean I think it's like all in the same

0:40:49.640 --> 0:40:53.080
<v Speaker 1>year that these come out. So that's not the greatest

0:40:53.320 --> 0:40:56.000
<v Speaker 1>And I don't know, I mean, I don't think it's

0:40:56.000 --> 0:40:58.640
<v Speaker 1>a badly written movie. I think that that's the romantic

0:40:58.680 --> 0:41:04.440
<v Speaker 1>plot is was not written very thoughtfully, because there is

0:41:04.480 --> 0:41:08.359
<v Speaker 1>a version of this story that Zoey Deschanel's character goes

0:41:08.400 --> 0:41:11.520
<v Speaker 1>on to do anything else other than show up in

0:41:11.560 --> 0:41:14.319
<v Speaker 1>the last scene and be like nol la la la

0:41:14.440 --> 0:41:21.840
<v Speaker 1>la la la yeah, and so so in now it

0:41:21.840 --> 0:41:24.920
<v Speaker 1>it's just if you take her character out of the movie,

0:41:25.000 --> 0:41:29.520
<v Speaker 1>how much changes. I feel like Buddy's character changes enough

0:41:29.719 --> 0:41:32.440
<v Speaker 1>just with his own family that you can sort of

0:41:32.480 --> 0:41:34.640
<v Speaker 1>get to the same place, which just to me is like, well,

0:41:34.680 --> 0:41:37.440
<v Speaker 1>and she's not given enough to do and she's just

0:41:37.480 --> 0:41:40.760
<v Speaker 1>so underwritten as a character that when he does ask

0:41:40.800 --> 0:41:44.080
<v Speaker 1>her out, we she says yes, but we don't know

0:41:44.160 --> 0:41:47.319
<v Speaker 1>why because she's so underwritten that she has nothing in

0:41:47.360 --> 0:41:51.440
<v Speaker 1>common with him because we don't know anything about her.

0:41:51.719 --> 0:41:54.200
<v Speaker 1>And then okay, so I want to talk about the

0:41:54.200 --> 0:41:56.480
<v Speaker 1>scene where he does ask her out because his brother

0:41:56.600 --> 0:42:01.839
<v Speaker 1>is with him, this twelve year old kid, and he's like, hey,

0:42:01.880 --> 0:42:03.839
<v Speaker 1>Buddy asked her out on a date to eat food.

0:42:03.920 --> 0:42:06.520
<v Speaker 1>And if she says yes, you're in. It's like a

0:42:06.640 --> 0:42:10.799
<v Speaker 1>secret code girls have. And I think that's meant to

0:42:10.840 --> 0:42:17.839
<v Speaker 1>be a joke. Yeah, I think, but yeah, but it's

0:42:17.880 --> 0:42:22.880
<v Speaker 1>implying that a woman's saying yes a K giving consent

0:42:23.640 --> 0:42:30.560
<v Speaker 1>is code for yes yes yes means yes. I guess.

0:42:30.560 --> 0:42:32.480
<v Speaker 1>I don't know, Like it sounds like it might not

0:42:32.560 --> 0:42:38.200
<v Speaker 1>be a code. I was like trying to process, like

0:42:38.320 --> 0:42:40.399
<v Speaker 1>is this meant to be like a really funny joke

0:42:40.560 --> 0:42:42.640
<v Speaker 1>or is it just like, look at this dumb kid

0:42:42.719 --> 0:42:44.840
<v Speaker 1>who doesn't understand like dating yet. But like I was

0:42:44.880 --> 0:42:48.800
<v Speaker 1>just like, what a weird line dad into the movie.

0:42:48.960 --> 0:42:51.520
<v Speaker 1>I do think that that was supposed to be a

0:42:51.640 --> 0:42:56.320
<v Speaker 1>joke in the like whole like Michael's like the child

0:42:56.400 --> 0:42:59.360
<v Speaker 1>what is beyond his years and He's gonna show buddy

0:42:59.440 --> 0:43:03.400
<v Speaker 1>how to because I'm like, because Michael's dating all the time,

0:43:03.520 --> 0:43:06.640
<v Speaker 1>he's twelve, you know. Well, I mean that's kind of

0:43:06.680 --> 0:43:07.920
<v Speaker 1>the theme of the movie. I feel like that's the

0:43:07.920 --> 0:43:10.120
<v Speaker 1>theme of a lot of Christmas movies, is is you know,

0:43:10.200 --> 0:43:13.440
<v Speaker 1>the innocent will lead us, and there's this message of

0:43:14.280 --> 0:43:17.560
<v Speaker 1>maintain that childhood innocence and also just believe. It's interesting

0:43:17.560 --> 0:43:19.520
<v Speaker 1>to me that so many Christmas movies have the message

0:43:19.520 --> 0:43:22.480
<v Speaker 1>of just believe in everything will come to you. You know.

0:43:22.640 --> 0:43:25.520
<v Speaker 1>It's this you know, just believe and believe in Santa Claus.

0:43:25.560 --> 0:43:27.480
<v Speaker 1>And I always thought that was kind of weird from

0:43:27.480 --> 0:43:29.640
<v Speaker 1>an outsider's perspective, you know, once I was sort of

0:43:29.680 --> 0:43:31.520
<v Speaker 1>old enough to take a look at that, you know,

0:43:31.640 --> 0:43:34.000
<v Speaker 1>and people would point that out in Christmas movie that

0:43:34.040 --> 0:43:35.319
<v Speaker 1>I was in. I was like, yeah, I guess it

0:43:35.400 --> 0:43:37.799
<v Speaker 1>is kind of weird that you are telling children. The

0:43:37.840 --> 0:43:41.840
<v Speaker 1>message here is like over and over again, believe, believe, believe, believe,

0:43:41.920 --> 0:43:43.839
<v Speaker 1>and then later on it's like, oh, by the way,

0:43:43.840 --> 0:43:46.440
<v Speaker 1>that's a lie. By the way, that's not true. And

0:43:46.480 --> 0:43:48.000
<v Speaker 1>I mean that's not to say, like, of course, I

0:43:48.040 --> 0:43:50.040
<v Speaker 1>do think that there is value in in you know,

0:43:50.440 --> 0:43:53.480
<v Speaker 1>celebrating Christmas with Santa Claus and you know, having these

0:43:53.520 --> 0:43:55.560
<v Speaker 1>sort of magical moments with children, Like I don't think

0:43:55.560 --> 0:43:57.480
<v Speaker 1>these are a bad thing at all, but I do

0:43:57.520 --> 0:44:00.279
<v Speaker 1>think that it's interesting that the message that always comes

0:44:00.280 --> 0:44:03.280
<v Speaker 1>across is like stay young, stay innocent, and always believe

0:44:03.840 --> 0:44:06.840
<v Speaker 1>unless we are in like the third act of a

0:44:06.920 --> 0:44:11.320
<v Speaker 1>Christmas movie right now, and Kurt Russell as hot Santa

0:44:12.800 --> 0:44:14.879
<v Speaker 1>is gonna like burst in and be like we need

0:44:14.920 --> 0:44:17.920
<v Speaker 1>you to believe or else we're kind of and then

0:44:17.960 --> 0:44:20.040
<v Speaker 1>the three of us need to be like, okay, we

0:44:20.239 --> 0:44:23.360
<v Speaker 1>believe and yeah, you're right. Also, like, it always annoyed

0:44:23.360 --> 0:44:25.719
<v Speaker 1>me that, like it annoyed me that Santa got so

0:44:25.800 --> 0:44:28.319
<v Speaker 1>much credit for going all over the world and it's like, yeah,

0:44:28.320 --> 0:44:31.480
<v Speaker 1>he probably skips like the majority like Buddhist and Muslim countries,

0:44:32.120 --> 0:44:34.160
<v Speaker 1>you know, so he probably he has he stops a

0:44:34.160 --> 0:44:36.200
<v Speaker 1>few places, you know, and then and then gets in

0:44:36.239 --> 0:44:38.880
<v Speaker 1>his sleigh. It's not it's it's all the Christian families.

0:44:38.960 --> 0:44:41.480
<v Speaker 1>It's not you know, he's he's slacking off. It's not

0:44:41.520 --> 0:44:45.759
<v Speaker 1>the whole world. Also, Santa Santa as he's presented in

0:44:45.760 --> 0:44:48.000
<v Speaker 1>this movie is kind of all over the place where

0:44:48.239 --> 0:44:52.160
<v Speaker 1>Santa like brags to Buddy several times, like I know

0:44:52.200 --> 0:44:56.359
<v Speaker 1>how the world works. I'm fucking Santa. But then when

0:44:56.400 --> 0:44:59.240
<v Speaker 1>Buddy is like, cool, I'm going to the world, Santa

0:44:59.280 --> 0:45:03.160
<v Speaker 1>gives him, oh advice, He's just like, cool, good luck. Also,

0:45:03.239 --> 0:45:06.120
<v Speaker 1>that famous race sucks. It sucks. I got food poisoning

0:45:06.160 --> 0:45:11.200
<v Speaker 1>from there, anyway, go on, yeah, I don't know that. Yeah.

0:45:11.239 --> 0:45:14.480
<v Speaker 1>And then at the end Santa, when Santa needs helped,

0:45:14.480 --> 0:45:17.839
<v Speaker 1>when Santa x Mocina falls out of the sky, he

0:45:18.120 --> 0:45:21.160
<v Speaker 1>is like, hey, everyone fixed my sleigh. I was like,

0:45:21.239 --> 0:45:24.279
<v Speaker 1>what was your plan? B sir? Like what how would

0:45:24.320 --> 0:45:27.600
<v Speaker 1>we have gotten this up? So, like, Buddy travels to

0:45:27.640 --> 0:45:30.200
<v Speaker 1>New York City from the North Pole on foot, and

0:45:30.280 --> 0:45:32.799
<v Speaker 1>it seems like Christmas is only like a week or

0:45:32.800 --> 0:45:35.160
<v Speaker 1>two later. Why didn't he just wait and then Santa

0:45:35.200 --> 0:45:38.799
<v Speaker 1>could give him a ride? Like it was something he

0:45:38.880 --> 0:45:43.840
<v Speaker 1>had to do on his own. Come on, yes. Also,

0:45:43.960 --> 0:45:48.160
<v Speaker 1>can we talk about how um naughty has exactly two

0:45:48.200 --> 0:45:52.080
<v Speaker 1>connotations and it's Christmas if you're naughty or nice, or

0:45:52.120 --> 0:45:57.840
<v Speaker 1>it's sexy. So actually I think Christmas is sexy. But

0:45:58.080 --> 0:45:59.560
<v Speaker 1>actually this is one of the reasons I think that

0:45:59.640 --> 0:46:01.719
<v Speaker 1>Christmas is creepy, and maybe that's why I don't like

0:46:01.800 --> 0:46:10.759
<v Speaker 1>the word naughty anyway, Okay, when we talk about the

0:46:10.960 --> 0:46:15.279
<v Speaker 1>surprise kiss that happens because Buddy and Jovi go on

0:46:15.480 --> 0:46:19.359
<v Speaker 1>their date, they're ice skating, he surprised kisses her on

0:46:19.840 --> 0:46:23.520
<v Speaker 1>the cheek, but then she's like you missed, and he's

0:46:23.560 --> 0:46:26.160
<v Speaker 1>like what, and then she grabs his face and then

0:46:26.360 --> 0:46:29.520
<v Speaker 1>kisses him on the lips. So she was, as was

0:46:29.680 --> 0:46:32.640
<v Speaker 1>the audience. We are allowed to believe into him kissing her,

0:46:32.719 --> 0:46:36.480
<v Speaker 1>but he just like lunged at her initially, like I

0:46:36.480 --> 0:46:39.680
<v Speaker 1>don't know, it's the whole thing of him being sexual,

0:46:39.840 --> 0:46:42.120
<v Speaker 1>even though we've only seen him act like a child

0:46:42.160 --> 0:46:45.399
<v Speaker 1>up until that point. He's like eating pop tarts and

0:46:45.560 --> 0:46:50.279
<v Speaker 1>like gum drops on spaghetti with maple syrup and chocolates

0:46:50.400 --> 0:46:53.800
<v Speaker 1>like he's a baby. And it always appear to me

0:46:53.840 --> 0:46:56.680
<v Speaker 1>in movies where they when they sexualize either children or

0:46:56.800 --> 0:47:00.400
<v Speaker 1>childlike characters. You know, that always bothers me. It is weird.

0:47:00.440 --> 0:47:04.080
<v Speaker 1>I mean like weird. Did Buddy learn to kiss? You know? Also,

0:47:04.120 --> 0:47:08.319
<v Speaker 1>he's you know, he's thirty right. Being in the North

0:47:08.360 --> 0:47:12.560
<v Speaker 1>Pole does not explain why he has a baby's brain, Like,

0:47:12.920 --> 0:47:16.520
<v Speaker 1>there are the other elves with him seem to be

0:47:16.920 --> 0:47:19.800
<v Speaker 1>regular adults who can like function the world as adults,

0:47:19.800 --> 0:47:22.239
<v Speaker 1>so it does well, why is he a baby? I

0:47:22.239 --> 0:47:25.680
<v Speaker 1>think that in this movie the something that is confusing,

0:47:25.760 --> 0:47:27.920
<v Speaker 1>but it's like he's so fun to watch that we

0:47:28.000 --> 0:47:32.160
<v Speaker 1>don't question it. Is that, like happiness and stupidity are

0:47:32.640 --> 0:47:37.840
<v Speaker 1>conflated completely. He's happy, so he must be idiot. He

0:47:37.960 --> 0:47:44.840
<v Speaker 1>can't even read. Yeah, yeah, Like you're like, oh, it

0:47:44.880 --> 0:47:47.200
<v Speaker 1>works for the character, but then when you bring him

0:47:47.200 --> 0:47:49.040
<v Speaker 1>out in the world, you're like, wait, I thought he

0:47:49.160 --> 0:47:52.160
<v Speaker 1>was just happy when he was just happy and too

0:47:52.200 --> 0:47:54.960
<v Speaker 1>big for the chairs. But there are some female characters

0:47:54.960 --> 0:47:57.160
<v Speaker 1>in this movie that I like, but they are not

0:47:57.239 --> 0:47:59.360
<v Speaker 1>given a lot to do. Um. One of them is

0:47:59.560 --> 0:48:03.920
<v Speaker 1>a Airiss, the secretary. She's who you here talking on

0:48:03.960 --> 0:48:07.000
<v Speaker 1>the phone to a friend saying that she she's like, well,

0:48:07.040 --> 0:48:09.640
<v Speaker 1>I don't know, deb I've never declaude kittens before, but

0:48:09.680 --> 0:48:11.640
<v Speaker 1>I guess I can do it. Like I want a

0:48:11.680 --> 0:48:15.680
<v Speaker 1>movie about her. And and this is Amy Sadaris, so

0:48:15.760 --> 0:48:18.040
<v Speaker 1>she probably came up with that on the fly, which

0:48:18.200 --> 0:48:21.680
<v Speaker 1>it is her talking to another woman. Um. And and

0:48:21.800 --> 0:48:24.840
<v Speaker 1>you know, imagine if it this this movie barely kind

0:48:24.880 --> 0:48:27.400
<v Speaker 1>of sort of passes, but only because of that was

0:48:27.520 --> 0:48:31.520
<v Speaker 1>she probably just made up? Um. But there's also there's

0:48:31.560 --> 0:48:33.719
<v Speaker 1>also I also like Mary stein Virgin's character. I like

0:48:33.760 --> 0:48:36.680
<v Speaker 1>Mary stein Virgin in general. I think, yeah, I love

0:48:36.680 --> 0:48:38.160
<v Speaker 1>her too. There is a lot of actors in this

0:48:38.200 --> 0:48:41.640
<v Speaker 1>movie that I really love. But she she is very

0:48:41.680 --> 0:48:45.719
<v Speaker 1>okay and excited and happy about Buddy being there. She's

0:48:45.760 --> 0:48:48.399
<v Speaker 1>not like, he's not my son, I don't want him here.

0:48:49.000 --> 0:48:51.480
<v Speaker 1>He She is very encouraging. She's like, I can't wait

0:48:51.520 --> 0:48:54.480
<v Speaker 1>to meet your son. It's so sad, but so beautiful

0:48:54.600 --> 0:48:57.200
<v Speaker 1>that this happened, you know where. Let's make him a

0:48:57.200 --> 0:48:59.880
<v Speaker 1>part of the family. So there isn't this evil stepmother trope.

0:49:00.120 --> 0:49:02.880
<v Speaker 1>Just nice, it's this very warm, welcoming one. Yeah, it

0:49:02.880 --> 0:49:04.680
<v Speaker 1>would have been an easy choice to make her like

0:49:04.760 --> 0:49:07.959
<v Speaker 1>a very shrewy like I'm jealous and I don't want

0:49:08.000 --> 0:49:12.400
<v Speaker 1>this strange man from the woman that you've fucked earlier

0:49:12.800 --> 0:49:14.839
<v Speaker 1>to be in my house. Also, she talks a lot

0:49:14.880 --> 0:49:16.959
<v Speaker 1>about her job. She's like, I have an accounts meeting

0:49:17.000 --> 0:49:21.879
<v Speaker 1>or an accounting meeting that day. She's got her own career, right,

0:49:22.080 --> 0:49:24.279
<v Speaker 1>we don't really know she's There's one time she's like,

0:49:24.400 --> 0:49:26.560
<v Speaker 1>I have to do the budgets this, that's what it is.

0:49:26.600 --> 0:49:30.759
<v Speaker 1>Like yep, sure, because he was like, you stay home

0:49:30.760 --> 0:49:35.160
<v Speaker 1>and take care of Buddy, because James con no, no, no, budgets. Yeah,

0:49:35.640 --> 0:49:39.160
<v Speaker 1>and he's like, I stand corrected. But that's another thing

0:49:39.160 --> 0:49:42.000
<v Speaker 1>with Buddy's character where he has such a bizarre blind

0:49:42.040 --> 0:49:46.359
<v Speaker 1>spot to adult women in general, where he never questions

0:49:46.480 --> 0:49:49.520
<v Speaker 1>like what went on with my biological mom? That's never

0:49:49.600 --> 0:49:52.879
<v Speaker 1>really a question that's raised. Also, elves know what death

0:49:53.000 --> 0:49:56.440
<v Speaker 1>is like? Is this going to be a shock for him? Uh?

0:49:56.560 --> 0:50:00.320
<v Speaker 1>And then with Mary stein Bergin's character, she is showing

0:50:00.400 --> 0:50:04.959
<v Speaker 1>him much more love and acceptance and affection. And it's

0:50:05.000 --> 0:50:08.080
<v Speaker 1>not that he responds to that negatively, but he's just

0:50:08.120 --> 0:50:11.040
<v Speaker 1>sort of like, cool, thanks, here's some spaghetti. And but

0:50:11.080 --> 0:50:13.400
<v Speaker 1>like he he doesn't get attached to her in a

0:50:13.480 --> 0:50:15.960
<v Speaker 1>way that he gets he really only but with the

0:50:16.000 --> 0:50:20.040
<v Speaker 1>exception of Zoe Deschanelle's character only gets attached to like

0:50:20.160 --> 0:50:23.479
<v Speaker 1>other men around him. Maybe he's also attracted to people

0:50:23.480 --> 0:50:27.239
<v Speaker 1>who don't like him, because Zoe Does's character doesn't like

0:50:27.320 --> 0:50:29.920
<v Speaker 1>him at first. He's just kind of like, I don't understand,

0:50:30.120 --> 0:50:32.880
<v Speaker 1>you know, he he but it's it's it's not exactly healthy.

0:50:32.960 --> 0:50:35.839
<v Speaker 1>I mean, like I feel like I'm totally over analyzing this.

0:50:35.880 --> 0:50:41.080
<v Speaker 1>But you know, let's armchair diagnosed buddy. Well, that's a

0:50:41.239 --> 0:50:44.120
<v Speaker 1>thing about this movie is that mental health is treated

0:50:44.360 --> 0:50:48.520
<v Speaker 1>really in a strange and mishandled way, where like people

0:50:48.680 --> 0:50:53.719
<v Speaker 1>keep saying the buddy is insane or that he's chemically imbalanced.

0:50:53.719 --> 0:50:57.240
<v Speaker 1>That phrase gets thrown around and then the doctor character

0:50:57.280 --> 0:51:00.960
<v Speaker 1>played by Jon Favreau says something like, oh, yeah, he's

0:51:00.960 --> 0:51:03.919
<v Speaker 1>probably reverting to this like stage of blah blah blah whatever.

0:51:04.080 --> 0:51:06.480
<v Speaker 1>Just take him home and he'll probably drop the whole

0:51:06.480 --> 0:51:08.719
<v Speaker 1>act after a while. And it's like, I'm sorry, that's

0:51:08.760 --> 0:51:14.320
<v Speaker 1>your medical advice, doctor, Okay, uh yeah. Dr Jon Favre

0:51:14.480 --> 0:51:18.920
<v Speaker 1>prescribes like love, You're just like alright, cool. That feels

0:51:18.960 --> 0:51:21.080
<v Speaker 1>like a very two thousand three thing. Now, that was

0:51:21.200 --> 0:51:23.319
<v Speaker 1>very much you know, the age of the secret and

0:51:23.400 --> 0:51:25.319
<v Speaker 1>just like just be better about it and you'll be better,

0:51:25.480 --> 0:51:28.000
<v Speaker 1>you know, just to be better about it. And yeah,

0:51:28.040 --> 0:51:30.320
<v Speaker 1>this is such a because I was like, oh, two thousands,

0:51:30.320 --> 0:51:33.719
<v Speaker 1>it is such like a Bush era movie in general,

0:51:34.239 --> 0:51:38.160
<v Speaker 1>because you're like, okay, well everyone's white and uh, and

0:51:38.400 --> 0:51:40.600
<v Speaker 1>that we do see a black Santa. We do see

0:51:40.600 --> 0:51:43.600
<v Speaker 1>a black Santa boss at the department store because they

0:51:43.640 --> 0:51:45.919
<v Speaker 1>have to fire the other Santa who gets into a fight,

0:51:46.160 --> 0:51:49.000
<v Speaker 1>and then he assumes the role at Santa. Will Farrell

0:51:49.120 --> 0:51:51.640
<v Speaker 1>was like in every movie in those days, like he

0:51:51.680 --> 0:51:54.879
<v Speaker 1>really was. I remember like all of us joking like

0:51:54.960 --> 0:51:57.000
<v Speaker 1>you know when we were I don't know, remember having

0:51:57.040 --> 0:51:59.319
<v Speaker 1>like a joke with my friends like when we really

0:51:59.320 --> 0:52:01.440
<v Speaker 1>tired it from school, being like wish we could have

0:52:01.480 --> 0:52:03.520
<v Speaker 1>whatever Will Ferrell is having. I don't know. This is

0:52:03.520 --> 0:52:06.400
<v Speaker 1>what theater and film majors, you know. I think it's funny,

0:52:06.440 --> 0:52:09.000
<v Speaker 1>I guess. But yeah, because he was he was just

0:52:09.040 --> 0:52:11.799
<v Speaker 1>in everything in those days. He was in. He would

0:52:11.800 --> 0:52:13.239
<v Speaker 1>be in like five movies a year, and it was

0:52:13.320 --> 0:52:16.160
<v Speaker 1>just like this is this is it? Yeah, there's another

0:52:16.239 --> 0:52:18.360
<v Speaker 1>quick point. And I wanted to make about so towards

0:52:18.400 --> 0:52:21.280
<v Speaker 1>the end um, whenever they're trying to prove that Santa

0:52:21.480 --> 0:52:24.359
<v Speaker 1>is real in like they're all everyone's in Central Park

0:52:24.840 --> 0:52:29.640
<v Speaker 1>and Michael gets ahold of Santa's list of naughty people

0:52:29.760 --> 0:52:33.319
<v Speaker 1>and nice people too, and um, he starts treating from

0:52:33.360 --> 0:52:35.640
<v Speaker 1>it on the air. So he's going through and he

0:52:35.719 --> 0:52:38.640
<v Speaker 1>was like, this girl wants a pop up girl's place that,

0:52:39.160 --> 0:52:42.360
<v Speaker 1>this boy wants an electric guitar. This girl wants a

0:52:42.480 --> 0:52:46.759
<v Speaker 1>dog called Susie, talks a lot, and then this boy

0:52:46.840 --> 0:52:51.440
<v Speaker 1>wants talking a lot. Uh, this boy wants a pair

0:52:51.480 --> 0:52:54.439
<v Speaker 1>of like Nike shoes. This grown woman which we talked

0:52:54.440 --> 0:52:57.440
<v Speaker 1>about once, Tiffany engagement ring and her boyfriend to stopped

0:52:57.480 --> 0:52:59.759
<v Speaker 1>dragging his feet and to commit already. So it's he's

0:52:59.800 --> 0:53:03.439
<v Speaker 1>like very gendered like toys, where like the boys want

0:53:03.560 --> 0:53:08.239
<v Speaker 1>like the tough, traditionally masculine toys and the girls all

0:53:08.280 --> 0:53:14.319
<v Speaker 1>want like dolls or um. And not to like disparage

0:53:14.320 --> 0:53:17.560
<v Speaker 1>any of that, but it is so again you're just like, oh,

0:53:17.640 --> 0:53:21.640
<v Speaker 1>we're not thinking above what the normal thing would be here.

0:53:21.719 --> 0:53:24.080
<v Speaker 1>And then the one guy who they're like, oh, this

0:53:24.120 --> 0:53:28.600
<v Speaker 1>guy wants a spa thing, and it cuts to a

0:53:28.640 --> 0:53:31.000
<v Speaker 1>grown man and then like everyone turns to him and

0:53:31.000 --> 0:53:38.840
<v Speaker 1>they're like, Oh, you want to relax, you fucking and

0:53:38.920 --> 0:53:41.520
<v Speaker 1>that's like it's also the age of the metrosexual too,

0:53:41.640 --> 0:53:43.520
<v Speaker 1>like that was the thing you had like straight men

0:53:43.560 --> 0:53:46.760
<v Speaker 1>talking about getting pedicures in you know, in People magazine

0:53:46.760 --> 0:53:49.400
<v Speaker 1>all the time. So it was a little weird. Yeah,

0:53:49.560 --> 0:53:51.759
<v Speaker 1>but like the one time that there was like, oh,

0:53:52.000 --> 0:53:55.360
<v Speaker 1>we're gonna like not adhere to this like rigid gender

0:53:55.800 --> 0:53:59.680
<v Speaker 1>toy norm thing is like a guy who wants like

0:53:59.719 --> 0:54:05.360
<v Speaker 1>a and everyone's like, what a fucking disgusting sick. There's

0:54:05.400 --> 0:54:07.960
<v Speaker 1>like a few moments that I think sort of fall

0:54:08.040 --> 0:54:12.080
<v Speaker 1>under the same umbrella that happened between Buddy and his

0:54:12.360 --> 0:54:17.320
<v Speaker 1>dad a few times where it's weird because like with Buddy,

0:54:17.400 --> 0:54:19.839
<v Speaker 1>once he's in New York, everything has to be like,

0:54:19.880 --> 0:54:23.399
<v Speaker 1>well there was a boundary issue there too. But with

0:54:23.440 --> 0:54:25.279
<v Speaker 1>the dad, there's times where he's like and then we

0:54:25.320 --> 0:54:27.400
<v Speaker 1>could hold hands and then we could cuddle, and the

0:54:27.480 --> 0:54:32.120
<v Speaker 1>dad's like, no, I would never cuddle with my son,

0:54:32.640 --> 0:54:35.120
<v Speaker 1>and it's just like very again, it's like the gender

0:54:35.200 --> 0:54:40.040
<v Speaker 1>norms of male affection works with handshakes and that's it.

0:54:40.120 --> 0:54:43.160
<v Speaker 1>You can't spoon your son. I mean, the movie does

0:54:43.360 --> 0:54:46.839
<v Speaker 1>end with with Buddy sitting on his adoptive father's lap.

0:54:47.440 --> 0:54:51.040
<v Speaker 1>So yeah, I mean never had an issue with it.

0:54:51.239 --> 0:54:55.160
<v Speaker 1>Daddy Elf was always very affectionate, but it was crushing

0:54:55.200 --> 0:54:58.840
<v Speaker 1>Daddy Elf sounds yeah, it sounds like a wine. Oh

0:54:58.920 --> 0:55:02.400
<v Speaker 1>that was my question. Okay, as it pertains to Buddy's

0:55:02.480 --> 0:55:09.520
<v Speaker 1>understanding of sexuality, So elves, how much are they fucking right?

0:55:11.080 --> 0:55:14.760
<v Speaker 1>Because they live a long time. Maybe they're not super

0:55:14.840 --> 0:55:18.480
<v Speaker 1>horny because species wise, they don't need to stay with me.

0:55:18.920 --> 0:55:21.799
<v Speaker 1>They don't because they don't need to reproduce as much.

0:55:21.840 --> 0:55:26.840
<v Speaker 1>Maybe they're not as horny than people with less time.

0:55:29.520 --> 0:55:32.120
<v Speaker 1>So like, how like how sea turtles are like the

0:55:32.239 --> 0:55:35.640
<v Speaker 1>like the land turtles only funck like like once every

0:55:35.680 --> 0:55:39.000
<v Speaker 1>you know, ten years or something, because you're like they're like, well,

0:55:39.080 --> 0:55:41.360
<v Speaker 1>you know, I've got time. I don't need to be

0:55:41.440 --> 0:55:48.919
<v Speaker 1>frantically fucking all the time. I'm a turtle. So I'm

0:55:48.920 --> 0:55:53.520
<v Speaker 1>getting closer. So I think why Buddy has the brain

0:55:53.600 --> 0:55:57.720
<v Speaker 1>of a baby is because elves live a thousand years,

0:55:58.120 --> 0:56:02.759
<v Speaker 1>and so if he's thirty, he's basically three, you know

0:56:02.800 --> 0:56:05.760
<v Speaker 1>what I mean. So he's like la la la, because

0:56:05.960 --> 0:56:08.839
<v Speaker 1>the elves when they're thirty, they're like, we're not going

0:56:08.880 --> 0:56:11.920
<v Speaker 1>to be fucking for like, you know, for for at

0:56:12.000 --> 0:56:19.759
<v Speaker 1>least a century plus. What my original question was was,

0:56:20.239 --> 0:56:26.600
<v Speaker 1>has Buddy seen porn? Like elf porn? It would have

0:56:26.640 --> 0:56:28.680
<v Speaker 1>to be elf born. I mean, I don't know what

0:56:28.760 --> 0:56:31.680
<v Speaker 1>else it would be unless I don't know. That's my

0:56:31.920 --> 0:56:35.879
<v Speaker 1>I guess that's his understanding of sexuality, because he does

0:56:36.239 --> 0:56:40.600
<v Speaker 1>marry the first woman he meets. Yeah, what was that conversation?

0:56:40.800 --> 0:56:43.720
<v Speaker 1>What was his understanding? I don't know. I get, well,

0:56:43.800 --> 0:56:46.400
<v Speaker 1>it's the born sexy Yesterday thing again. She has to

0:56:46.440 --> 0:56:49.560
<v Speaker 1>teach him how to sex and then he's like, Okay,

0:56:49.600 --> 0:56:53.160
<v Speaker 1>that's Mary. I don't know if that's responsible. I don't know.

0:56:54.200 --> 0:56:57.600
<v Speaker 1>My only question was was their porn? Okay? Well, but

0:56:57.680 --> 0:57:02.439
<v Speaker 1>no one has that answer. Does anyone have any other

0:57:02.840 --> 0:57:06.040
<v Speaker 1>things they want to talk about? I didn't want to say. Yeah.

0:57:06.080 --> 0:57:08.760
<v Speaker 1>I I that this movie was both written and directed

0:57:08.840 --> 0:57:12.440
<v Speaker 1>by Jewish people, which I kind of find interesting. And

0:57:12.920 --> 0:57:14.319
<v Speaker 1>but I mean, if you actually look at it, like

0:57:14.400 --> 0:57:16.840
<v Speaker 1>most of the songs, like most of the best Christmas

0:57:16.880 --> 0:57:19.840
<v Speaker 1>songs were also written, like like Urban Berlin and you

0:57:19.840 --> 0:57:22.520
<v Speaker 1>know Ruth Red Red Nose Reindeer, all these songs were

0:57:22.560 --> 0:57:26.400
<v Speaker 1>written by Jewish people, So like it is kind of Yeah,

0:57:26.440 --> 0:57:28.120
<v Speaker 1>it's kind of it's kind of funny and kind of

0:57:28.160 --> 0:57:31.200
<v Speaker 1>strange that that, like this movie where it's all about

0:57:31.280 --> 0:57:34.520
<v Speaker 1>Christmas spirit. Christmas Spirit is was written by by people

0:57:34.520 --> 0:57:37.440
<v Speaker 1>who like had rabbi's performed their weddings and stuff. But

0:57:37.440 --> 0:57:40.400
<v Speaker 1>but yeah, I don't know. I I that I found

0:57:40.480 --> 0:57:43.800
<v Speaker 1>I think very interesting. Oh also Peter, Yeah, the thing

0:57:43.800 --> 0:57:45.800
<v Speaker 1>with Peter, the scene with Peter Dinklage where they're just

0:57:45.960 --> 0:57:49.200
<v Speaker 1>like making fun of him, where Buddy just keeps calling

0:57:49.280 --> 0:57:51.200
<v Speaker 1>him an elf, like over and over again. Like even

0:57:51.200 --> 0:57:52.600
<v Speaker 1>in like two thousand and three, I was like, this

0:57:52.640 --> 0:57:57.400
<v Speaker 1>is not this isn't cool. Yeah, isn't funny. No, it's

0:57:57.440 --> 0:58:00.520
<v Speaker 1>not funny. And then then it's like okay, I mean

0:58:00.960 --> 0:58:05.520
<v Speaker 1>the Peter dinklich character wins the fight and says everything

0:58:05.560 --> 0:58:08.840
<v Speaker 1>that the audience is even though he's he comes in

0:58:08.960 --> 0:58:12.400
<v Speaker 1>hot of like I fuck more than you'll fucking your life,

0:58:12.440 --> 0:58:22.160
<v Speaker 1>where you're just like whoa now starts every argument that way? Uh?

0:58:22.200 --> 0:58:25.360
<v Speaker 1>But I yeah, I I couldn't make heads or tails

0:58:25.360 --> 0:58:27.880
<v Speaker 1>of that scene. Yeah, Like that would have been insensitive

0:58:27.880 --> 0:58:30.760
<v Speaker 1>in two thousand and three, and now it just is

0:58:30.920 --> 0:58:35.480
<v Speaker 1>like who what whose idea was this? And what did

0:58:35.520 --> 0:58:40.120
<v Speaker 1>it add Yeah, at the very least, buddies insensitive comments

0:58:40.200 --> 0:58:43.600
<v Speaker 1>go challenged by the person that he's directing them toward.

0:58:44.080 --> 0:58:46.960
<v Speaker 1>But it sucks that like the one time you get

0:58:47.000 --> 0:58:50.520
<v Speaker 1>representation on screen of a little person, it's like, oh,

0:58:50.640 --> 0:58:54.720
<v Speaker 1>you're enough, it's the joke. Yeah, And Peter dinklis has

0:58:54.720 --> 0:58:56.800
<v Speaker 1>been very good about saying like, I don't never want

0:58:56.800 --> 0:58:58.560
<v Speaker 1>to play Elves. I want to play these characters that

0:58:58.600 --> 0:59:01.440
<v Speaker 1>are you know, where they're either you know, actual people,

0:59:01.520 --> 0:59:04.000
<v Speaker 1>they're not. It's not a joking thing where it's not

0:59:04.040 --> 0:59:06.960
<v Speaker 1>treated in this certain way or it's addressed, but it's

0:59:06.960 --> 0:59:09.280
<v Speaker 1>an addressed in an in an honest and open way

0:59:09.360 --> 0:59:12.560
<v Speaker 1>and not you know and not like this. So I

0:59:12.680 --> 0:59:15.480
<v Speaker 1>do think it's interesting that that he chose this movie,

0:59:15.520 --> 0:59:17.880
<v Speaker 1>But I mean, like that's his bardom, that's his choice.

0:59:18.000 --> 0:59:20.400
<v Speaker 1>And and I love see I love Peter English, so

0:59:20.400 --> 0:59:22.680
<v Speaker 1>I love seeing him in anything like I don't know

0:59:22.720 --> 0:59:24.640
<v Speaker 1>if you always saw that meme where there it's just

0:59:25.160 --> 0:59:26.720
<v Speaker 1>the Game of Thrones theme, but it's just the words

0:59:26.720 --> 0:59:32.080
<v Speaker 1>Peter Dankledge song to the theme Dinklage Peter dlishe. Yeah,

0:59:32.080 --> 0:59:35.280
<v Speaker 1>I love that meme because I love Peter d Engklige. Yeah,

0:59:35.320 --> 0:59:37.840
<v Speaker 1>I mean, I mean I do remember thinking when like

0:59:37.920 --> 0:59:39.720
<v Speaker 1>he said, like I never do do these things. I

0:59:39.760 --> 0:59:42.480
<v Speaker 1>was like, I wonder how he feels about ELF in retrospect,

0:59:42.920 --> 0:59:44.600
<v Speaker 1>kind of like the way that Viola Davis has said,

0:59:44.640 --> 0:59:48.800
<v Speaker 1>like she feels conflicted about the help and you know,

0:59:48.880 --> 0:59:50.800
<v Speaker 1>something like that. I was always like, I wonder if

0:59:50.800 --> 0:59:52.880
<v Speaker 1>he if he you know, I mean he does get

0:59:52.920 --> 0:59:55.479
<v Speaker 1>to be strong and kick Will Ferrell's ass. So yeah,

0:59:55.600 --> 0:59:58.400
<v Speaker 1>I mean I did. I regret everything I said yesterday.

0:59:58.600 --> 1:00:02.000
<v Speaker 1>So I'm sure like people who have done things, you know,

1:00:02.160 --> 1:00:05.720
<v Speaker 1>from the early two thousand's, and they might do it

1:00:05.760 --> 1:00:08.560
<v Speaker 1>differently today. It's just yeah that I mean, I was

1:00:08.600 --> 1:00:11.120
<v Speaker 1>in some movies in the early two thousand's that yeah,

1:00:11.280 --> 1:00:14.320
<v Speaker 1>so I completely understand now I'm kidding that here. I

1:00:14.320 --> 1:00:16.080
<v Speaker 1>had a great time making them. Blah blah blah blah

1:00:16.080 --> 1:00:20.120
<v Speaker 1>blah represent represent explanation. Um I did. It's true, I did,

1:00:20.520 --> 1:00:23.160
<v Speaker 1>even if I wasn't done always the best movies. But yeah, anyway,

1:00:23.160 --> 1:00:24.680
<v Speaker 1>go on, But that I don't know that moment, just

1:00:24.760 --> 1:00:28.400
<v Speaker 1>like it is so bizarre because most of the like

1:00:28.480 --> 1:00:32.280
<v Speaker 1>quote unquote misunderstandings that Buddy has in the real world

1:00:32.640 --> 1:00:37.000
<v Speaker 1>are usually pretty innocent and it you know, it's not

1:00:37.040 --> 1:00:39.600
<v Speaker 1>always the greatest joke of your life, but you're like,

1:00:39.840 --> 1:00:43.600
<v Speaker 1>he don't understand how doors work. He crazy man. And

1:00:43.640 --> 1:00:45.600
<v Speaker 1>then all of a sudden it's like, but what if

1:00:45.640 --> 1:00:48.919
<v Speaker 1>he did this very offensive thing? But we still love

1:00:49.040 --> 1:00:51.760
<v Speaker 1>him so much, and it just is, it's such. It

1:00:51.880 --> 1:00:55.800
<v Speaker 1>was just a strange choice, especially like that role was

1:00:56.040 --> 1:01:00.440
<v Speaker 1>written specifically as a cast a little person. It's not

1:01:00.480 --> 1:01:02.680
<v Speaker 1>a little person, just who can exist in the world

1:01:02.840 --> 1:01:05.840
<v Speaker 1>as a normal person. That role was written so that

1:01:05.920 --> 1:01:08.280
<v Speaker 1>he could then be made fun of, so I mean,

1:01:08.600 --> 1:01:10.720
<v Speaker 1>and Peter Nichols has been in many other movies where

1:01:10.760 --> 1:01:13.640
<v Speaker 1>that's not the case, so that's good, But for this movie,

1:01:13.720 --> 1:01:17.240
<v Speaker 1>that's the scenario, and it's you know, not the best.

1:01:17.400 --> 1:01:21.720
<v Speaker 1>I hope his residuals are good. They are because, as

1:01:21.760 --> 1:01:27.240
<v Speaker 1>I told you, Christmas movies, they pay love it um

1:01:27.280 --> 1:01:30.280
<v Speaker 1>any other any other thoughts. There is a really good

1:01:30.360 --> 1:01:32.400
<v Speaker 1>cast in this movie, Like that's that's a thing. There's

1:01:32.440 --> 1:01:34.320
<v Speaker 1>a lot of really good actors in I forgot that

1:01:34.360 --> 1:01:36.320
<v Speaker 1>Amy Sadaris was in it, and she's one of my

1:01:36.840 --> 1:01:38.720
<v Speaker 1>strangers with Candy. I don't know if anyone's seen it

1:01:38.760 --> 1:01:40.920
<v Speaker 1>but that's like one of the big shows ever and

1:01:41.000 --> 1:01:43.880
<v Speaker 1>she is phenomenal in it, but too bad that she

1:01:44.200 --> 1:01:47.280
<v Speaker 1>gets maybe a minute and thirty seconds of screen time,

1:01:47.360 --> 1:01:50.640
<v Speaker 1>Like she hardly has any bearing on the story. She's

1:01:50.760 --> 1:01:52.760
<v Speaker 1>I think she's like the one woman working at the

1:01:52.800 --> 1:01:55.200
<v Speaker 1>office there. Yeah, there's there's two women. There's like a

1:01:55.240 --> 1:01:57.960
<v Speaker 1>woman that he compliments wearing a purple dress. Wearing a

1:01:58.000 --> 1:02:00.960
<v Speaker 1>purple dress, yes, um, but yeah, she's she's one of

1:02:01.000 --> 1:02:03.840
<v Speaker 1>two women that work in that office, which I mean

1:02:03.840 --> 1:02:06.280
<v Speaker 1>that is not true of publishing. I've got to tell

1:02:06.320 --> 1:02:08.800
<v Speaker 1>you you go to publishing and it's like I love

1:02:08.880 --> 1:02:11.040
<v Speaker 1>going to my publisher's office because it was just like

1:02:11.360 --> 1:02:15.160
<v Speaker 1>a bunch of like short women in uh like sweaters

1:02:15.160 --> 1:02:17.320
<v Speaker 1>that were just covered in cat and dog hair. I

1:02:17.360 --> 1:02:19.440
<v Speaker 1>was just like, I love you guys. You are my people,

1:02:21.280 --> 1:02:24.480
<v Speaker 1>especially children's publishing. Yeah, I'm like, why was this? I

1:02:24.520 --> 1:02:29.200
<v Speaker 1>did appreciate seeing an older white male character who was

1:02:29.320 --> 1:02:34.240
<v Speaker 1>just blatantly horrible at his job and should have been fired. Like,

1:02:34.840 --> 1:02:39.360
<v Speaker 1>we don't very frequently get to see mediocrity on full display.

1:02:39.640 --> 1:02:43.920
<v Speaker 1>And I was like, we do, but it's not acknowledge exactly.

1:02:43.960 --> 1:02:47.120
<v Speaker 1>They're like, well, of course, he has this job. As

1:02:47.440 --> 1:02:50.280
<v Speaker 1>one of my favorite tropes ever is uh the story

1:02:50.320 --> 1:02:53.360
<v Speaker 1>within the story and everybody's like, wow, this is the

1:02:53.400 --> 1:02:56.440
<v Speaker 1>most amazing thing ever where people will be like this

1:02:56.520 --> 1:02:59.240
<v Speaker 1>story or this movie is just fantastic, and it's like,

1:02:59.320 --> 1:03:02.920
<v Speaker 1>of course they think the author wrote them both. You know,

1:03:03.280 --> 1:03:05.600
<v Speaker 1>like like everybody's just so into the story. So I do,

1:03:05.680 --> 1:03:07.640
<v Speaker 1>I do. I've kind of find it funny that it's like,

1:03:07.680 --> 1:03:09.720
<v Speaker 1>you know, he made millions, you know with Buddy the

1:03:09.760 --> 1:03:12.840
<v Speaker 1>Elf the book right, which is which is such a

1:03:12.840 --> 1:03:17.440
<v Speaker 1>great story. I'd watch a movie about it and go

1:03:17.520 --> 1:03:21.280
<v Speaker 1>see a musical or see a musical about it. Well,

1:03:21.600 --> 1:03:24.960
<v Speaker 1>let's take some questions or comments from the audience, if

1:03:24.960 --> 1:03:26.680
<v Speaker 1>we've got any, Yeah, come on down so you can

1:03:26.760 --> 1:03:30.080
<v Speaker 1>be on the mic. Um, I'm curious to hear what

1:03:30.160 --> 1:03:35.400
<v Speaker 1>you guys think about that special Someone joke because I

1:03:35.480 --> 1:03:39.800
<v Speaker 1>feel like they were kind of making fun of women's

1:03:39.840 --> 1:03:46.120
<v Speaker 1>sexuality within that joke when Buddy gave that lingerie to

1:03:46.160 --> 1:03:50.720
<v Speaker 1>his dad, which was like really uncomfortable in all sense

1:03:50.720 --> 1:03:58.920
<v Speaker 1>of worn. Clearly Buddy hasn't seen porn. There's my answer. No,

1:03:59.120 --> 1:04:02.840
<v Speaker 1>But also maybe elf sexy stuff is different. Maybe it

1:04:02.960 --> 1:04:07.920
<v Speaker 1>is right. So the joke is that he sees in

1:04:08.000 --> 1:04:10.280
<v Speaker 1>the store like a sign that's like get this for

1:04:10.320 --> 1:04:14.120
<v Speaker 1>your someone special, and it's like sexy lingerie. Uh, and

1:04:14.160 --> 1:04:16.440
<v Speaker 1>then he gives it to his dad because again, he

1:04:16.480 --> 1:04:17.800
<v Speaker 1>has the brain of a child, and he has no

1:04:17.920 --> 1:04:20.680
<v Speaker 1>understanding of sexuality or that that would not be an

1:04:20.720 --> 1:04:23.000
<v Speaker 1>appropriate gift to give his father. So I don't know,

1:04:23.280 --> 1:04:26.000
<v Speaker 1>I don't know if it's making fun of women's sexuality

1:04:26.080 --> 1:04:28.959
<v Speaker 1>so much is that it's making fun of his inability

1:04:29.080 --> 1:04:32.400
<v Speaker 1>to understand anything about the world. But the fact that

1:04:32.480 --> 1:04:35.720
<v Speaker 1>it is like a sexy woman's garment is the butt

1:04:35.720 --> 1:04:38.560
<v Speaker 1>of the joke. So that at the end you see

1:04:38.560 --> 1:04:40.880
<v Speaker 1>it on the chair next to Mary's Team Virgin, So

1:04:41.120 --> 1:04:44.120
<v Speaker 1>he probably passed it on. But I always wondered, like

1:04:44.560 --> 1:04:46.920
<v Speaker 1>she think, yeah, like like you might have this like

1:04:47.000 --> 1:04:49.920
<v Speaker 1>love actually moment where she comes across this this nightgown

1:04:49.920 --> 1:04:52.080
<v Speaker 1>and is like is this for me? Or is this

1:04:52.160 --> 1:04:55.120
<v Speaker 1>for someone else? Or is this you know? And but

1:04:55.240 --> 1:04:58.680
<v Speaker 1>he's just very lucky that he chose her her size,

1:04:58.840 --> 1:05:03.000
<v Speaker 1>because that could have led to some like like anxiety

1:05:03.040 --> 1:05:06.080
<v Speaker 1>and doubt and confusion and like disbelieve in, you know,

1:05:06.240 --> 1:05:09.560
<v Speaker 1>in their marriage, which already was like not the most,

1:05:09.640 --> 1:05:11.600
<v Speaker 1>you know, happy and healthy, it seems. I mean the

1:05:11.840 --> 1:05:14.200
<v Speaker 1>first scene when he comes home and he's like I'm

1:05:14.200 --> 1:05:17.480
<v Speaker 1>not eating with you and leaves and she's like okay,

1:05:17.600 --> 1:05:20.240
<v Speaker 1>and then the sun is like can I leave as well?

1:05:20.280 --> 1:05:22.920
<v Speaker 1>I was like, poor Mary has been here for a

1:05:23.040 --> 1:05:27.560
<v Speaker 1>minute and everyone she's way too accommodating, especially to her,

1:05:27.640 --> 1:05:30.440
<v Speaker 1>like she's really shitty husband who's a bad husband and

1:05:30.520 --> 1:05:32.919
<v Speaker 1>a bad father and and bad at his job. He's

1:05:32.960 --> 1:05:36.040
<v Speaker 1>really not good at much. But she's I feel like

1:05:36.080 --> 1:05:39.600
<v Speaker 1>so underwritten that she was like, well, what, everything's fine?

1:05:40.000 --> 1:05:48.680
<v Speaker 1>So Christmas? Any any other thoughts questions? Yeah, come on down. Um,

1:05:48.760 --> 1:05:52.120
<v Speaker 1>since this movie is severely lacking in diversity, who would

1:05:52.120 --> 1:05:58.280
<v Speaker 1>you cast as Alfred Molina? Thank you for asking. Um.

1:05:58.320 --> 1:06:03.200
<v Speaker 1>I have a lot of opinions. I think that Alfred Molina,

1:06:03.600 --> 1:06:08.120
<v Speaker 1>you know, could have been Buddy. Obviously, he could have

1:06:08.160 --> 1:06:11.720
<v Speaker 1>been buddy. He can play anything, right. Uh oh, he

1:06:11.720 --> 1:06:15.360
<v Speaker 1>could have been daddy help easily. But what I think

1:06:15.480 --> 1:06:19.320
<v Speaker 1>is the best solution is to cast him as James

1:06:19.440 --> 1:06:24.640
<v Speaker 1>CON's son. That would be the ideal that they're like,

1:06:24.680 --> 1:06:29.960
<v Speaker 1>oh here's my son, Michael. He's twelve. Alfred Molina is

1:06:30.000 --> 1:06:35.280
<v Speaker 1>not even doing an American accent, just bully Brenda. She's like, hello,

1:06:37.080 --> 1:06:39.680
<v Speaker 1>my name is Michael. I'm surprised you didn't. I'm surprised

1:06:39.720 --> 1:06:42.920
<v Speaker 1>you didn't say Santa yea. I well, no, I have

1:06:43.080 --> 1:06:46.920
<v Speaker 1>to cast him as Santa in Santa University, so I

1:06:46.960 --> 1:06:51.920
<v Speaker 1>can't have him being associated with another Santa franchise. That's

1:06:51.960 --> 1:06:56.200
<v Speaker 1>just good business. So but yeah, no, I think he

1:06:56.240 --> 1:06:58.160
<v Speaker 1>would play I think, you know, we know he can

1:06:58.160 --> 1:07:00.439
<v Speaker 1>play anything, so let's see if he can a twelve

1:07:00.520 --> 1:07:05.720
<v Speaker 1>year old. Great question, Thank you for any others? Oh yeah,

1:07:05.760 --> 1:07:09.840
<v Speaker 1>where hi? I was wondering what you all thought about

1:07:09.920 --> 1:07:18.800
<v Speaker 1>feminist icon raccoon who attacks Buddy good call, good call?

1:07:18.960 --> 1:07:25.360
<v Speaker 1>First of all, how many nipples does a raccoon have? Eight, ten, twelve?

1:07:25.400 --> 1:07:27.760
<v Speaker 1>I don't know, we don't know. I don't know what

1:07:27.800 --> 1:07:32.000
<v Speaker 1>if it's just one? Does any animal? Does any animal

1:07:32.080 --> 1:07:35.160
<v Speaker 1>have one? I don't think so. I think it's always even,

1:07:36.320 --> 1:07:41.760
<v Speaker 1>it's always sets. They come in sets. But well, your question,

1:07:41.800 --> 1:07:45.000
<v Speaker 1>what do I think of him? I think that indeed,

1:07:45.080 --> 1:07:48.960
<v Speaker 1>femtast icon, maybe even queer icon. I think that the

1:07:49.440 --> 1:07:54.880
<v Speaker 1>raccoon is certainly an ally um And also Buddy who's

1:07:55.000 --> 1:07:58.200
<v Speaker 1>not good at you know, listening per se to what

1:07:58.280 --> 1:08:01.360
<v Speaker 1>people are trying to communicate to him. Raccoon is like

1:08:01.440 --> 1:08:06.600
<v Speaker 1>being explicitly clear, and so we know moment one, but

1:08:06.760 --> 1:08:08.560
<v Speaker 1>he's not going to take cues in this world. And

1:08:08.600 --> 1:08:11.360
<v Speaker 1>I know in two thousand three we were all there,

1:08:13.360 --> 1:08:16.120
<v Speaker 1>go with me on this journey. Uh. And and two

1:08:16.120 --> 1:08:18.360
<v Speaker 1>thousand three we're like, oh my god, the raccoons being

1:08:18.439 --> 1:08:22.200
<v Speaker 1>so rude to will farell Is the raccoon on her period? Yeah,

1:08:22.680 --> 1:08:25.160
<v Speaker 1>like what is wrong with raccoons? I know a lot

1:08:25.160 --> 1:08:27.600
<v Speaker 1>about raccoons, but I don't know if they actually I

1:08:27.600 --> 1:08:30.960
<v Speaker 1>don't think they do. I think it's like, no, they do,

1:08:31.040 --> 1:08:33.400
<v Speaker 1>but it's like it's not like human is. It's like

1:08:33.439 --> 1:08:39.040
<v Speaker 1>you don't see it. That sounds better. Uh. But then

1:08:39.080 --> 1:08:43.479
<v Speaker 1>in eighteen we're like, actually, where's the film? Frand tries

1:08:43.600 --> 1:08:47.040
<v Speaker 1>for the raccoon because she really has a story we

1:08:47.080 --> 1:08:50.800
<v Speaker 1>didn't explore, so her and her I think she should

1:08:50.800 --> 1:08:53.080
<v Speaker 1>be in a movie with Amy, Saidaris, and Amy Saidarius

1:08:53.080 --> 1:08:55.320
<v Speaker 1>will be like, boy, I've never had clawda raccoon before,

1:08:55.560 --> 1:08:59.599
<v Speaker 1>and you know, and the raccoons. The raccoon teaches her

1:08:59.680 --> 1:09:02.160
<v Speaker 1>that liked clawing is like actually bad and you shouldn't

1:09:02.160 --> 1:09:04.000
<v Speaker 1>do it because it hurts your cats. And I'm a

1:09:04.040 --> 1:09:07.000
<v Speaker 1>cat lady, so I know this. But yeah, that's that's I.

1:09:07.000 --> 1:09:09.400
<v Speaker 1>I do also love raccoons. I'm I'm always in support

1:09:09.439 --> 1:09:12.200
<v Speaker 1>of raccoons and almost everything. They're one of my favorite animals. Um,

1:09:12.640 --> 1:09:15.040
<v Speaker 1>I really love them. I have like a raccoon puppet

1:09:15.040 --> 1:09:17.080
<v Speaker 1>at home that pops out of a little garbage can.

1:09:17.600 --> 1:09:21.519
<v Speaker 1>So um, I'm I'm almost always on team Raccoon. I'm

1:09:21.520 --> 1:09:24.760
<v Speaker 1>almost always on on team Raccoons. So the puppet I

1:09:24.800 --> 1:09:28.080
<v Speaker 1>didn't see coming. I will say, Look, I was at

1:09:28.120 --> 1:09:30.479
<v Speaker 1>I was at I was at a convention, I was working,

1:09:30.640 --> 1:09:32.439
<v Speaker 1>and I saw I was like, oh, it's a little

1:09:32.479 --> 1:09:35.440
<v Speaker 1>stuffed animal. Oh okay, it's a puppet, all right. Well

1:09:35.439 --> 1:09:37.040
<v Speaker 1>I'll leave it half there. So people don't think that

1:09:37.080 --> 1:09:38.920
<v Speaker 1>I'm like a puppet person. Although I actually did learn

1:09:38.960 --> 1:09:40.439
<v Speaker 1>how to do puppetry at n y U. But that's

1:09:40.479 --> 1:09:43.880
<v Speaker 1>a whole other story. And what use a weird place, guys, Um,

1:09:43.920 --> 1:09:49.439
<v Speaker 1>I'm a puppet person. Yeah, we know. J know. Any

1:09:49.479 --> 1:09:53.760
<v Speaker 1>other questions or comments or anything like that, Oh yeah, um,

1:09:54.160 --> 1:09:55.519
<v Speaker 1>this is a long time ago. But you were talking

1:09:55.520 --> 1:09:58.240
<v Speaker 1>about baby it's cold outside and about how those lyrics

1:09:58.240 --> 1:10:02.320
<v Speaker 1>aren't great. And U there's actually a musician named Lydia

1:10:02.320 --> 1:10:07.080
<v Speaker 1>Eliza who has released a modernized like version of the song,

1:10:07.400 --> 1:10:10.080
<v Speaker 1>like updated lyrics, like she did it like a few

1:10:10.160 --> 1:10:13.200
<v Speaker 1>years ago. It sounds Spotify and also you can um

1:10:13.479 --> 1:10:15.640
<v Speaker 1>all the money that goes from that goes to like

1:10:15.720 --> 1:10:18.360
<v Speaker 1>Survivors and a couple of foundations as well, And it's

1:10:18.360 --> 1:10:20.960
<v Speaker 1>like a really funny take on this song. I guess

1:10:21.240 --> 1:10:23.400
<v Speaker 1>if you like babies Call Outside sort of but you

1:10:23.400 --> 1:10:25.720
<v Speaker 1>don't want to listen to the lyrics, that's that's a

1:10:25.720 --> 1:10:31.640
<v Speaker 1>good alternative. Yes, thank you so much. Check that out. Um.

1:10:31.680 --> 1:10:38.800
<v Speaker 1>I'm sorry not to challenge queer icon Raccoon because I

1:10:38.840 --> 1:10:44.480
<v Speaker 1>totally agree, but like, what about queer icon awkward claymation,

1:10:44.880 --> 1:10:53.240
<v Speaker 1>Mr Norwal Yes, fully excellent point. Yes, clearly we were

1:10:53.280 --> 1:10:56.880
<v Speaker 1>not as thorough as we should have been in this episode.

1:10:57.479 --> 1:11:00.479
<v Speaker 1>I'm pretty sure all the claimations are are they're they're

1:11:00.520 --> 1:11:03.479
<v Speaker 1>they're all queer, they're all queer. I mean, I don't know,

1:11:03.520 --> 1:11:05.280
<v Speaker 1>maybe that was just my reading of it, but no,

1:11:05.400 --> 1:11:09.880
<v Speaker 1>I think queer coded. Yes, yes, I I thought they

1:11:09.880 --> 1:11:12.679
<v Speaker 1>were all queer coded. That's the stemen from the Rudolph

1:11:12.680 --> 1:11:16.880
<v Speaker 1>the Red Nose reindeer animated movie. Right, okay, yeah, but

1:11:16.960 --> 1:11:20.879
<v Speaker 1>I agree with Narwhale. I would also argue that penguin,

1:11:21.479 --> 1:11:25.880
<v Speaker 1>what's the story there? You know, maybe that's Buddy's next

1:11:25.880 --> 1:11:28.280
<v Speaker 1>book is you know? I mean there are a lot

1:11:28.320 --> 1:11:33.160
<v Speaker 1>of gay penguins. So yes, yes, oh, has no one

1:11:33.200 --> 1:11:39.000
<v Speaker 1>else read this clickbait because it's true? All right? Well, hey,

1:11:39.040 --> 1:11:45.479
<v Speaker 1>does this movie past the Bechtel test? No, unless you

1:11:45.600 --> 1:11:48.559
<v Speaker 1>count Amy Saidari's talking to another woman on the phone,

1:11:48.600 --> 1:11:52.799
<v Speaker 1>I would say, because we don't hear them talking, then yeah,

1:11:52.880 --> 1:11:55.120
<v Speaker 1>because she is named. Her name is Connie, and they

1:11:55.120 --> 1:11:58.679
<v Speaker 1>are talking about Decline cats, which talk about a Bechtel

1:11:58.800 --> 1:12:06.200
<v Speaker 1>test passing scene. If the cats are male cats, I

1:12:06.280 --> 1:12:10.799
<v Speaker 1>still think it would pass. But she's named I think Connie,

1:12:10.840 --> 1:12:13.759
<v Speaker 1>And then Amy Sadaris's Character's name is deb But because

1:12:13.800 --> 1:12:16.439
<v Speaker 1>we don't hear Connie's voice in her side of the conversation,

1:12:16.439 --> 1:12:18.559
<v Speaker 1>I would say that does not pass. The only other

1:12:18.560 --> 1:12:20.680
<v Speaker 1>time where it comes close where women are interacting is

1:12:20.680 --> 1:12:24.599
<v Speaker 1>towards the end, whenever Jovi and Mary stein Bergen's character

1:12:25.040 --> 1:12:30.400
<v Speaker 1>Virgin Bergen. I think it's Virgin. They sing at each other,

1:12:30.520 --> 1:12:34.360
<v Speaker 1>but the song is about Santa Claus, so it does

1:12:34.439 --> 1:12:36.559
<v Speaker 1>not pass. And they're also not actually talking to each other.

1:12:37.240 --> 1:12:41.080
<v Speaker 1>And that's all you get with women interacting in the movie. Elf. Yeah,

1:12:41.120 --> 1:12:46.720
<v Speaker 1>there's really not much happening there. Well, let's write the

1:12:46.720 --> 1:12:50.280
<v Speaker 1>movie on our nipple scale, shall we? Yeah? Yeah, zero

1:12:50.400 --> 1:12:53.080
<v Speaker 1>to five nipples based on his portrayal of women. I'm

1:12:53.080 --> 1:12:58.960
<v Speaker 1>gonna give it a half nipple. We're zero it is

1:12:58.960 --> 1:13:02.479
<v Speaker 1>it even? I think it's zero? Yeah, I'm gonna give

1:13:02.520 --> 1:13:08.040
<v Speaker 1>it zero nipples because between Zoe's character, which the arc

1:13:08.120 --> 1:13:11.880
<v Speaker 1>of that is that he harasses her and wears her

1:13:11.920 --> 1:13:17.000
<v Speaker 1>down into eventually going out with him, and then basically

1:13:17.040 --> 1:13:19.559
<v Speaker 1>her function in the story is to help him grow

1:13:19.960 --> 1:13:22.200
<v Speaker 1>is a person, so she doesn't have any sort of

1:13:22.200 --> 1:13:25.040
<v Speaker 1>her own character, her own stories all just about like

1:13:25.120 --> 1:13:28.559
<v Speaker 1>characterizing him. Mary Steinberger's character, did I say it right?

1:13:28.600 --> 1:13:32.559
<v Speaker 1>I don't know. We've said both ways, so we're gonna

1:13:32.600 --> 1:13:38.840
<v Speaker 1>be right the chance she is very underwritten, as is

1:13:38.960 --> 1:13:42.240
<v Speaker 1>Amy Saidar's character, like they're just they exist in the

1:13:42.240 --> 1:13:46.160
<v Speaker 1>story to support the men around them. And um, yeah,

1:13:46.240 --> 1:13:48.799
<v Speaker 1>it's a very white movie. It's a very hetero movie.

1:13:49.040 --> 1:13:55.040
<v Speaker 1>So zero nipples. And that's the end of my speech.

1:13:55.760 --> 1:14:03.599
<v Speaker 1>I'm gonna go with I'll give it one, okay, give

1:14:03.600 --> 1:14:08.360
<v Speaker 1>it half of one, okay, because I think, as with

1:14:08.720 --> 1:14:13.400
<v Speaker 1>most movies we cover, there's a lot of missed potential

1:14:13.720 --> 1:14:17.480
<v Speaker 1>where at very least I'm going back to one. Okay,

1:14:17.520 --> 1:14:21.280
<v Speaker 1>I'm going back to one because especially with Mary stein

1:14:21.360 --> 1:14:26.160
<v Speaker 1>Bergen's character, Uh, there were a lot of trophy pitfalls

1:14:26.160 --> 1:14:29.360
<v Speaker 1>this character could have gone to that the writer didn't

1:14:29.400 --> 1:14:33.360
<v Speaker 1>go in that direction and instead win in no direction

1:14:33.880 --> 1:14:38.920
<v Speaker 1>and sort of made her like an inconsequential character where

1:14:38.960 --> 1:14:41.639
<v Speaker 1>you know, and then there's moments where you're like, oh,

1:14:41.760 --> 1:14:46.200
<v Speaker 1>Jovie is advocating for herself, she's communicating clearly, don't do this,

1:14:46.360 --> 1:14:48.240
<v Speaker 1>don't do this, but she still ends up with the

1:14:48.240 --> 1:14:51.800
<v Speaker 1>guy that always does it anyways, And so there. I

1:14:51.840 --> 1:14:56.680
<v Speaker 1>think the few female characters we have there is potential

1:14:57.120 --> 1:15:01.200
<v Speaker 1>in them, but because they never technically get to meet

1:15:01.240 --> 1:15:05.320
<v Speaker 1>each other, and because of I mean, the whole circumstance

1:15:05.400 --> 1:15:08.040
<v Speaker 1>of how like you were saying, they only exist as

1:15:08.080 --> 1:15:11.760
<v Speaker 1>it pertends to male characters, we just lose that. And

1:15:11.800 --> 1:15:14.400
<v Speaker 1>I think that there is you know, a version of

1:15:14.400 --> 1:15:16.920
<v Speaker 1>this story where one of the many male characters is

1:15:16.960 --> 1:15:21.439
<v Speaker 1>written out to make room for Marrier's always character that

1:15:21.600 --> 1:15:26.439
<v Speaker 1>ends up in a much more interesting movie. Also scary

1:15:26.720 --> 1:15:32.760
<v Speaker 1>white ist ever fashion north Pole, No, thank you, very freaky.

1:15:32.880 --> 1:15:39.679
<v Speaker 1>Um but the claymation was queer, but but queer code

1:15:39.720 --> 1:15:42.920
<v Speaker 1>and we're coded. Also, why isn't Santa a woman? All

1:15:43.200 --> 1:15:49.480
<v Speaker 1>female reboot of Christmas? They mentioned Mrs Claws, but it's

1:15:49.479 --> 1:15:54.080
<v Speaker 1>it's just Mrs Claus made that for me. Yeah, yeah, yeah,

1:15:54.080 --> 1:16:01.040
<v Speaker 1>Ariana Grande Santa is a woman, major Christmas draw calling

1:16:01.080 --> 1:16:07.719
<v Speaker 1>it maw why not beat a dead horse? Okay, no, yeah,

1:16:07.720 --> 1:16:13.920
<v Speaker 1>So I'll go one strictly on completely missed potential. Uh

1:16:13.960 --> 1:16:17.400
<v Speaker 1>and because there are still parts of this movie that

1:16:17.479 --> 1:16:20.679
<v Speaker 1>I thought I had seen, uh that I thought we're

1:16:20.760 --> 1:16:23.920
<v Speaker 1>sweet and it's nice to see a leading male character

1:16:24.040 --> 1:16:29.680
<v Speaker 1>who is not inherently macho toxic. So one nippy and

1:16:29.760 --> 1:16:35.320
<v Speaker 1>I'm giving it to the raccoon. Yeah, I was, Yeah,

1:16:35.360 --> 1:16:37.599
<v Speaker 1>I was gonna I was gonna say too, but then

1:16:37.600 --> 1:16:39.639
<v Speaker 1>I realized I was pretty much gonna say everything that

1:16:39.800 --> 1:16:42.160
<v Speaker 1>Jamie said. So I feel kind of like I kind

1:16:42.160 --> 1:16:43.800
<v Speaker 1>of have to bump it down to one and a half.

1:16:43.840 --> 1:16:45.559
<v Speaker 1>I do think that the women are often the most

1:16:45.600 --> 1:16:49.439
<v Speaker 1>interesting characters in this in this movie, and uh and

1:16:49.520 --> 1:16:51.040
<v Speaker 1>I like a lot of the actors, you know, I

1:16:51.080 --> 1:16:53.799
<v Speaker 1>love Amy Sai Arris, I love marysin Virgin Steven Bergkin.

1:16:54.479 --> 1:16:57.599
<v Speaker 1>Um So, I I think that there's yeah, there's there's

1:16:57.600 --> 1:16:59.559
<v Speaker 1>definitely that, and I do think there's there is something

1:16:59.560 --> 1:17:02.719
<v Speaker 1>sweet and are about like you know, your your biology

1:17:02.760 --> 1:17:05.400
<v Speaker 1>not being your destiny, and and like there's one there

1:17:05.439 --> 1:17:07.559
<v Speaker 1>is a message. They're sort of a like I mean,

1:17:07.560 --> 1:17:09.680
<v Speaker 1>I guess he does like find his biological family, but

1:17:09.760 --> 1:17:12.080
<v Speaker 1>it's also it is also like you are also the

1:17:12.080 --> 1:17:14.599
<v Speaker 1>people that raised you, and you know, and that doesn't

1:17:14.600 --> 1:17:17.599
<v Speaker 1>necessarily have to be the people that brought you into

1:17:17.640 --> 1:17:19.720
<v Speaker 1>the world, you know. And and so I think that

1:17:19.720 --> 1:17:22.640
<v Speaker 1>that is that is kind of a nice message that

1:17:22.640 --> 1:17:25.200
<v Speaker 1>that you find in the movie there. Um So, yeah,

1:17:25.280 --> 1:17:26.920
<v Speaker 1>I think I think I probably would have to say

1:17:27.160 --> 1:17:30.000
<v Speaker 1>one and a half because but I do feel very

1:17:30.040 --> 1:17:32.439
<v Speaker 1>much like there were missed opportunities and there was more

1:17:32.520 --> 1:17:35.480
<v Speaker 1>that could be done and it makes me sad that

1:17:35.479 --> 1:17:37.439
<v Speaker 1>that there weren't. Um I do still think that it

1:17:37.600 --> 1:17:40.000
<v Speaker 1>is like a sweet movie. I think it is very

1:17:40.080 --> 1:17:42.840
<v Speaker 1>much of its time. There is this like really weird

1:17:42.960 --> 1:17:45.920
<v Speaker 1>like period. The two thousands were like there were some

1:17:46.000 --> 1:17:48.360
<v Speaker 1>good movies, but just like the culture I feel like

1:17:48.400 --> 1:17:50.640
<v Speaker 1>of entertainment at that time was really weird, and there

1:17:50.680 --> 1:17:52.320
<v Speaker 1>was a lot of stuff that went on that like

1:17:52.520 --> 1:17:55.200
<v Speaker 1>really shouldn't have and and so like even like the

1:17:55.240 --> 1:17:57.120
<v Speaker 1>movies that are good, or even the movies that are sweet,

1:17:57.160 --> 1:17:59.280
<v Speaker 1>like have this weird you know kind of like Aspertain,

1:17:59.439 --> 1:18:01.880
<v Speaker 1>you know, after like after days to them of like

1:18:02.120 --> 1:18:05.040
<v Speaker 1>like that was sweet, but what is this. We've covered

1:18:05.040 --> 1:18:06.920
<v Speaker 1>a lot of those movies on the podcast. Yeah. I

1:18:07.000 --> 1:18:09.479
<v Speaker 1>always come to the same conclu Yeah, yeah, yeah, I've

1:18:09.479 --> 1:18:11.720
<v Speaker 1>been I've been listening. I was just listening to Miscongeniality

1:18:11.720 --> 1:18:13.680
<v Speaker 1>episode and it was like, oh, yeah, right, that was

1:18:14.040 --> 1:18:17.040
<v Speaker 1>sensibly okay back then, it wasn't that long ago that

1:18:17.080 --> 1:18:21.240
<v Speaker 1>that was okay, that's weird. But yeah, two thousands were

1:18:21.280 --> 1:18:25.960
<v Speaker 1>culture waste land fight me. That's not true. We had

1:18:26.000 --> 1:18:28.599
<v Speaker 1>we had mean girls, We had the Wire you know,

1:18:28.840 --> 1:18:30.880
<v Speaker 1>which I which were equal in my eyes? Now? No,

1:18:31.240 --> 1:18:33.120
<v Speaker 1>um no, we had we had you know, we did

1:18:33.200 --> 1:18:36.000
<v Speaker 1>have culture back there. We had Beyonce. But like it

1:18:36.040 --> 1:18:38.200
<v Speaker 1>was a very strange, very conservative time. I think there

1:18:38.240 --> 1:18:40.760
<v Speaker 1>wasn't a lot of risk taking. Would you like to

1:18:40.800 --> 1:18:43.519
<v Speaker 1>give your nipples to anyone? Just as little Christmas tokens.

1:18:43.920 --> 1:18:45.759
<v Speaker 1>Would would I like to give my nipples to anual

1:18:46.080 --> 1:18:52.719
<v Speaker 1>not not your sorry Caitlin as a Christmas Ok? Yeah, sorry,

1:18:52.920 --> 1:18:54.960
<v Speaker 1>I like I had a sorry. I had a moment

1:18:55.000 --> 1:18:57.760
<v Speaker 1>of like of like you know, um, I mean I

1:18:57.760 --> 1:18:59.600
<v Speaker 1>would also love to give them to the raccoon, but

1:18:59.600 --> 1:19:01.280
<v Speaker 1>I think I'm going to give them to the kittens

1:19:01.320 --> 1:19:07.519
<v Speaker 1>that need to be to Claude. Oh yes, thank you

1:19:07.600 --> 1:19:09.800
<v Speaker 1>so much for being here. Hello, thank you for having me.

1:19:14.400 --> 1:19:16.759
<v Speaker 1>I didn't think I had strong feelings on this movie,

1:19:16.800 --> 1:19:19.960
<v Speaker 1>but I guess I did. We all do. Um. Where

1:19:19.960 --> 1:19:21.720
<v Speaker 1>can people find you online? Is that you would like

1:19:21.760 --> 1:19:23.679
<v Speaker 1>to plug? Yeah? You can find me at Marrow Wilson

1:19:23.800 --> 1:19:27.160
<v Speaker 1>on Twitter. You can go tomorrow dot substack dot com

1:19:27.320 --> 1:19:30.360
<v Speaker 1>for my newsletter. It's called We Tell the Vicar because

1:19:30.560 --> 1:19:33.840
<v Speaker 1>every week I closed with a fake BBC show title. Um.

1:19:33.880 --> 1:19:36.160
<v Speaker 1>That's one of my favorite things, making fun of British

1:19:36.160 --> 1:19:38.960
<v Speaker 1>television shows because they all have ridiculous names. Yeah, you

1:19:38.960 --> 1:19:41.040
<v Speaker 1>can find me there. Um, I'm on the show Big

1:19:41.040 --> 1:19:45.400
<v Speaker 1>Hero six. If you have children, uh and so, yeah,

1:19:45.479 --> 1:19:47.360
<v Speaker 1>you can just go ahead and follow me there. Awesome,

1:19:47.439 --> 1:19:49.680
<v Speaker 1>Thank you so much. You can follow us at all

1:19:49.720 --> 1:19:53.480
<v Speaker 1>the normal places. Thanks, for coming, Thanks for happy holidays,

1:19:53.840 --> 1:20:01.040
<v Speaker 1>and we'll see you next time. Thank you. Oh hey everyone,

1:20:01.800 --> 1:20:05.160
<v Speaker 1>that was our our live show episode like that. Oh

1:20:05.439 --> 1:20:07.559
<v Speaker 1>they loved it. Anyway, Well, we just want to say

1:20:07.560 --> 1:20:10.759
<v Speaker 1>thank you again to our guest Smarrow Wilson. Thanks again

1:20:10.800 --> 1:20:13.439
<v Speaker 1>to the Ruby. Just a reminder that we have a

1:20:13.479 --> 1:20:16.880
<v Speaker 1>live show there every second Saturday of the month at

1:20:16.960 --> 1:20:20.160
<v Speaker 1>nine pm. So give us a little kiss. Yeah, only

1:20:20.280 --> 1:20:22.960
<v Speaker 1>if you want to, and only if we want you to.

1:20:24.040 --> 1:20:26.519
<v Speaker 1>I'm just all about consent here, you know, give us

1:20:26.520 --> 1:20:33.840
<v Speaker 1>a little kiss. Jamie granted her. I do not touch

1:20:33.920 --> 1:20:36.080
<v Speaker 1>me or look me in the eye. Come give me

1:20:36.120 --> 1:20:38.840
<v Speaker 1>a little kiss. And now it sounds like I'm soliciting.

1:20:39.080 --> 1:20:42.600
<v Speaker 1>So anyways, come to the Ruby and we'll just you know,

1:20:42.720 --> 1:20:47.040
<v Speaker 1>feel things out. Yes, right, that's great. Um. Anyway, you

1:20:47.080 --> 1:20:51.040
<v Speaker 1>can follow us on social media at bectel Cast. You

1:20:51.080 --> 1:20:53.920
<v Speaker 1>can write and review us on iTunes. That helps us. Yes,

1:20:54.680 --> 1:20:57.280
<v Speaker 1>that's your Christmas present to us. Yes, please give us

1:20:57.439 --> 1:21:02.360
<v Speaker 1>a wonderful review. Um. You can subscribe to our patreon

1:21:02.479 --> 1:21:05.400
<v Speaker 1>a k a Matreon five dollars a month gets you

1:21:05.400 --> 1:21:08.679
<v Speaker 1>two bonus episodes. Go to patreon dot com, slash becktel

1:21:08.760 --> 1:21:11.960
<v Speaker 1>Casts and check out our merch If you're looking for

1:21:12.000 --> 1:21:15.000
<v Speaker 1>any belated holiday gifts or you want to rush order

1:21:15.200 --> 1:21:18.439
<v Speaker 1>something uh, the link is t public dot com slash

1:21:18.439 --> 1:21:21.679
<v Speaker 1>to the backdel cast. We have some holiday exclusive designs

1:21:22.080 --> 1:21:24.479
<v Speaker 1>and all the ones you know and love, so check

1:21:24.479 --> 1:21:28.559
<v Speaker 1>them out. Yes, indeed, well, Happy holidays to you, Jamie,

1:21:28.560 --> 1:21:32.040
<v Speaker 1>and happy holidays to us all. Happy holiday, Seve, kay okay,

1:21:32.080 --> 1:21:32.679
<v Speaker 1>bye bye