1 00:00:02,040 --> 00:00:05,360 Speaker 1: Welcome back to another episode of Alchemy. This. I'm your host, 2 00:00:05,400 --> 00:00:08,400 Speaker 1: Kevin Pollock, guest. That Kevin Pollock was that? Yes, it 3 00:00:08,440 --> 00:00:11,720 Speaker 1: was all delicious, especially the soup. Didn't know lizard toads 4 00:00:11,720 --> 00:00:14,560 Speaker 1: could be so yummy. But I digress. Dear Red Hots 5 00:00:14,600 --> 00:00:16,840 Speaker 1: and Tater Talks, I'd like to welcome you to another 6 00:00:16,880 --> 00:00:20,840 Speaker 1: episode of Alchemy. This. Let's meet our alchemist today, shall 7 00:00:20,920 --> 00:00:23,680 Speaker 1: we in no particular order to say hello to Greigkowski cocaw? 8 00:00:24,400 --> 00:00:26,440 Speaker 1: How happy are you to be back in the phone? 9 00:00:26,880 --> 00:00:33,480 Speaker 1: Let's fourteen? Okay on a scale of yeah. Why there's 10 00:00:33,520 --> 00:00:36,839 Speaker 1: christoph erandos was Christmas? When traveling east on Peka? Do 11 00:00:36,880 --> 00:00:41,120 Speaker 1: you ever wish you were on Olympic? Yeah? Yeah, right high. 12 00:00:41,320 --> 00:00:45,559 Speaker 1: It's returning guest Alchemists Amanda Blake Davis Commander, Amander. What 13 00:00:45,680 --> 00:00:51,479 Speaker 1: does seven eleven mean to you? The world? Correct continuum? Hey, 14 00:00:51,520 --> 00:00:55,200 Speaker 1: there's Vanessa Ragland Venete. Does any part of you miss 15 00:00:55,320 --> 00:01:00,560 Speaker 1: Joey Greer today? Which part my face? Yeah? And last, 16 00:01:00,560 --> 00:01:02,600 Speaker 1: but may your drawer smell of herring if you think 17 00:01:02,640 --> 00:01:07,240 Speaker 1: him least? Mr James Heeny jaw dropping Hayman, Uh, describe 18 00:01:07,240 --> 00:01:11,040 Speaker 1: your perfect morning? Perfect morning? I wake up at eight 19 00:01:11,080 --> 00:01:14,920 Speaker 1: am and don't feel tired. Coffee is already ice and fridge, 20 00:01:15,520 --> 00:01:20,120 Speaker 1: and there's silence all about me. Silence. Well then I 21 00:01:20,200 --> 00:01:23,000 Speaker 1: make them noise, but it starts with silence because I 22 00:01:23,040 --> 00:01:25,000 Speaker 1: live next to construction that has been going on for 23 00:01:25,040 --> 00:01:27,800 Speaker 1: six years, and it begins. They are allowed to start 24 00:01:27,840 --> 00:01:29,800 Speaker 1: at seven a m. Are they building a weapon? To end? 25 00:01:29,800 --> 00:01:31,880 Speaker 1: They're building a house across the street. Now, they did 26 00:01:31,880 --> 00:01:34,039 Speaker 1: build above my house, next to my house there, it's 27 00:01:34,080 --> 00:01:38,160 Speaker 1: just Venice, you know, Venice, Italy. Yeah, I do know. 28 00:01:38,640 --> 00:01:40,640 Speaker 1: All right, let's get to our first scene, showering. All 29 00:01:40,720 --> 00:01:43,679 Speaker 1: today's scene suggestions were gathered from our listener mails. If 30 00:01:43,680 --> 00:01:45,800 Speaker 1: you'd like to submit yours, please write to the podcast 31 00:01:45,840 --> 00:01:47,680 Speaker 1: at your name here at alchemy this dot com. I'm 32 00:01:47,680 --> 00:01:52,400 Speaker 1: gonna repeat that your name here at alchemy this dot com. 33 00:01:52,400 --> 00:01:55,000 Speaker 1: Our first scene comes from Trey, who wrote, Hey, guys, 34 00:01:55,280 --> 00:01:57,440 Speaker 1: thanks for making me laugh my head off for hours. 35 00:01:57,480 --> 00:02:00,000 Speaker 1: Way up here in Alaska. I'm working the oil fields 36 00:02:00,200 --> 00:02:02,680 Speaker 1: in the Arctic tundra and have been telling all my 37 00:02:02,720 --> 00:02:05,840 Speaker 1: coworkers to listen to the show. Hey co workers, Hey Trey, 38 00:02:06,760 --> 00:02:09,080 Speaker 1: thanks for keeping morale up and bringing lots of joy 39 00:02:09,280 --> 00:02:13,040 Speaker 1: to a pretty harsh environment. The animals here have these 40 00:02:13,160 --> 00:02:18,919 Speaker 1: massive world rebound seasonal migrations. Wow. Uh, And I thought 41 00:02:18,960 --> 00:02:21,280 Speaker 1: it could be a great topic if the crew were 42 00:02:21,600 --> 00:02:24,799 Speaker 1: migratory animals who had somehow got lost and we're trying 43 00:02:24,840 --> 00:02:28,080 Speaker 1: to find their way. I have fun, guys. Thanks for 44 00:02:28,160 --> 00:02:35,120 Speaker 1: keeping us all entertained up here, Trey Milner, Thank you, Trey. Oh, 45 00:02:38,560 --> 00:02:41,760 Speaker 1: I think you took us the wrong way. This is 46 00:02:41,760 --> 00:02:44,919 Speaker 1: not warmer. What makes you say that? I could see 47 00:02:44,960 --> 00:02:49,280 Speaker 1: my breath all right, you're gonna say your breath for 48 00:02:49,280 --> 00:02:54,960 Speaker 1: another month? Why that's the route? What damn? We can 49 00:02:55,080 --> 00:02:59,520 Speaker 1: find a different route, Margaret. We've been over this for centuries, 50 00:02:59,560 --> 00:03:02,120 Speaker 1: it seem, but I'm sure it's only been a couple 51 00:03:02,160 --> 00:03:04,680 Speaker 1: of years. Which route would you like to go again? 52 00:03:05,560 --> 00:03:08,280 Speaker 1: There's a faster route if we were willing to go 53 00:03:08,440 --> 00:03:15,600 Speaker 1: over there. Hey, y'all, h what's my name? What's my mind? 54 00:03:15,760 --> 00:03:22,079 Speaker 1: Just get robbed down to the Tiana Tana pleasure on 55 00:03:22,280 --> 00:03:28,639 Speaker 1: this little beautiful squad of critters? Is always this cold here? Yes? 56 00:03:28,680 --> 00:03:32,920 Speaker 1: It is this cold here? Often colder as a harp 57 00:03:32,960 --> 00:03:38,520 Speaker 1: signal myself. I love it. Nice to meet you, pleasure 58 00:03:38,600 --> 00:03:42,560 Speaker 1: to meet y'all. What are y'all, it'll look funny. We're 59 00:03:42,560 --> 00:03:49,520 Speaker 1: wolves working our way across. Don't bot tianna. We're not 60 00:03:49,560 --> 00:03:55,760 Speaker 1: here to eat seals? Was it harp sales? Oh? Your instrument? 61 00:03:55,880 --> 00:03:58,320 Speaker 1: You play an instrument. Let's a good one heard at 62 00:03:58,320 --> 00:04:02,720 Speaker 1: about a million times, and I'll give you chuckle for fun. 63 00:04:03,280 --> 00:04:07,200 Speaker 1: Help y'all some fishes or something? Fish sounds good? Weren't 64 00:04:07,280 --> 00:04:11,840 Speaker 1: love a fish? All this little gunlets of fishes? He 65 00:04:11,920 --> 00:04:16,440 Speaker 1: doesn't need it as much as he thinks. There, y'all, 66 00:04:16,520 --> 00:04:21,680 Speaker 1: y'all gonna slop that up? What's that grouper? That was grouper? Good? 67 00:04:21,680 --> 00:04:28,400 Speaker 1: A wolf? Hey? Hey wolves? Wolves? Hey wolves? Where are 68 00:04:28,400 --> 00:04:31,159 Speaker 1: you going? Look? Come? What's it to you? What's it 69 00:04:31,240 --> 00:04:34,080 Speaker 1: to me? I I've got a bird's eye view of everything. Here. 70 00:04:34,640 --> 00:04:37,880 Speaker 1: Can you point us north? North? Oh? Really you don't 71 00:04:37,880 --> 00:04:40,719 Speaker 1: know where north is? Well? I thought I did, but 72 00:04:40,839 --> 00:04:43,680 Speaker 1: my family is questioning my guidance. Look, if we could 73 00:04:43,680 --> 00:04:46,039 Speaker 1: just get over the mountain, we could just probably just 74 00:04:46,360 --> 00:04:48,479 Speaker 1: take a direct route if we went over the mountain, 75 00:04:48,480 --> 00:04:50,800 Speaker 1: and then we'd be there faster. And I don't know, 76 00:04:51,000 --> 00:04:55,919 Speaker 1: that's an awfully big mountain. Listen to hank over here, 77 00:04:55,920 --> 00:05:04,120 Speaker 1: Just birds, bird brine, so you see that big setting 78 00:05:04,160 --> 00:05:08,520 Speaker 1: sun over there is Yeah, that's west. Uh huh, yeah, 79 00:05:08,560 --> 00:05:11,839 Speaker 1: we know that part. So then go about ninety degrees 80 00:05:12,920 --> 00:05:18,200 Speaker 1: to the other way, to the right where the setting 81 00:05:18,240 --> 00:05:20,680 Speaker 1: sun is. That's due north. But that is going to 82 00:05:20,760 --> 00:05:25,599 Speaker 1: take you directly over to Nali. That's a big one, 83 00:05:25,680 --> 00:05:28,800 Speaker 1: which the big mountain. Well, we're gonna settle here for 84 00:05:28,800 --> 00:05:33,520 Speaker 1: the night. Where are I'll trying the guilt to I 85 00:05:33,560 --> 00:05:35,800 Speaker 1: could say it, but I'm not sure your harp sealed 86 00:05:35,839 --> 00:05:37,960 Speaker 1: mine could absorb it. I probably all know what it 87 00:05:38,000 --> 00:05:47,080 Speaker 1: means that I've love to learn a new word. Alright, 88 00:05:47,279 --> 00:05:59,520 Speaker 1: stupid fucking animals, my dinner tonight, my delicious tonight. You're 89 00:05:59,520 --> 00:06:03,320 Speaker 1: not moving. Oh you're to look at that stupid as seal. 90 00:06:03,760 --> 00:06:07,120 Speaker 1: Maybe I'll eat some seafood tonight. That fucking bird up there? 91 00:06:07,200 --> 00:06:12,400 Speaker 1: Why would you shoot me? Take the bird? Would wait? 92 00:06:13,320 --> 00:06:17,720 Speaker 1: Did you just say take the bird? Is the fucking 93 00:06:17,760 --> 00:06:22,520 Speaker 1: animals talking to me? I'm not so well? What the fuck? 94 00:06:22,880 --> 00:06:25,760 Speaker 1: And I do not need you pointing that gun. Okay, 95 00:06:25,839 --> 00:06:28,279 Speaker 1: I must be I must be dehydrated. This is crazy. 96 00:06:28,560 --> 00:06:31,400 Speaker 1: You are dehydrated? Oh my god, Okay, there's no way 97 00:06:31,400 --> 00:06:34,279 Speaker 1: these animals are talking. Put the mouth of your gun 98 00:06:34,360 --> 00:06:36,560 Speaker 1: below your chin. I got Stewart. I don't know how 99 00:06:36,600 --> 00:06:38,200 Speaker 1: to swim them. I'll be swimming when I was a 100 00:06:38,279 --> 00:06:40,960 Speaker 1: day old. Wait, put the mouth of my gun below 101 00:06:41,080 --> 00:06:44,080 Speaker 1: your chin? What does that mean? That means the the 102 00:06:44,200 --> 00:06:46,600 Speaker 1: end point there? Whatever you go. You're an animal. You 103 00:06:46,640 --> 00:06:49,920 Speaker 1: don't understand what guns got. You give me your hand 104 00:06:50,800 --> 00:06:56,600 Speaker 1: and now you all show that for his competence, I'll 105 00:06:56,640 --> 00:07:00,000 Speaker 1: take humans. I have comperences. I put them in that ball. 106 00:07:00,360 --> 00:07:01,640 Speaker 1: I look at them to figure it out. Where are 107 00:07:01,640 --> 00:07:04,839 Speaker 1: they go? Give me your entire well, I also have 108 00:07:04,839 --> 00:07:10,400 Speaker 1: a gun. Give me your gun. What give me the gun. 109 00:07:10,960 --> 00:07:14,040 Speaker 1: You are way too young to be walking around with 110 00:07:14,080 --> 00:07:19,440 Speaker 1: that kind of dangerous well handed over. You're not the 111 00:07:19,520 --> 00:07:22,160 Speaker 1: boss of me. You don't really want to kill us there. Well, 112 00:07:22,200 --> 00:07:30,200 Speaker 1: I'm starving, s I know this is what do you what? 113 00:07:30,240 --> 00:07:34,440 Speaker 1: Would you rather be eating? Wolf meat? But if you 114 00:07:34,520 --> 00:07:39,720 Speaker 1: had your choice of any food, maybe any meal, maybe that, 115 00:07:39,840 --> 00:07:42,680 Speaker 1: maybe bird? Yeah, I keep thinking. I think they tastes 116 00:07:42,720 --> 00:07:48,800 Speaker 1: like chicken. Very gamy. I'm very gamy. Everybody says they're gamy. 117 00:07:49,720 --> 00:07:51,800 Speaker 1: You don't tell you cook it. That's a damn for it. 118 00:07:52,400 --> 00:07:54,760 Speaker 1: That's how you prepare it. Why don't you go get 119 00:07:54,800 --> 00:07:57,160 Speaker 1: him some food or something. That's a great idea. What 120 00:07:57,200 --> 00:07:58,800 Speaker 1: do you like Do you like seed? No, you can't 121 00:07:58,800 --> 00:08:00,880 Speaker 1: get it for me. My dad sent me on this mission, 122 00:08:00,880 --> 00:08:02,440 Speaker 1: and he said, if I don't bring home food for 123 00:08:02,520 --> 00:08:04,760 Speaker 1: the family, then I'm not a man. That's a little 124 00:08:04,800 --> 00:08:08,040 Speaker 1: presser put tell me about it. That's how's the old 125 00:08:08,040 --> 00:08:13,280 Speaker 1: man feel about sushi fish? I mean, probably fine, but 126 00:08:13,360 --> 00:08:15,760 Speaker 1: it has to look like I caught it. Not fair enough. 127 00:08:16,120 --> 00:08:17,880 Speaker 1: He's not gonna believe me that all these animals are 128 00:08:17,880 --> 00:08:21,480 Speaker 1: talking to me. There's a stream with a salmon or 129 00:08:22,000 --> 00:08:24,440 Speaker 1: or or swimming up stream, But you're okay with me 130 00:08:24,480 --> 00:08:26,440 Speaker 1: eating them. We could grab a couple of those for you. 131 00:08:26,920 --> 00:08:33,320 Speaker 1: They don't talk. We talk on talk talk to fish. 132 00:08:33,440 --> 00:08:38,480 Speaker 1: Why don't you join us? Yeah right, You wouldn't even 133 00:08:38,559 --> 00:08:42,440 Speaker 1: have me give us a moment. What do you think 134 00:08:42,520 --> 00:08:44,240 Speaker 1: I mean? If it's away for him not to kill us, 135 00:08:44,760 --> 00:08:47,360 Speaker 1: he's got a gun. I'm way up here. If you're whispering, 136 00:08:47,400 --> 00:08:49,719 Speaker 1: I can't hear you. Also, I can't really travel with 137 00:08:49,840 --> 00:08:52,400 Speaker 1: all I got, like clost of water. I can't be 138 00:08:52,559 --> 00:08:54,600 Speaker 1: my pack unless you all want to stay here, which 139 00:08:54,600 --> 00:08:58,880 Speaker 1: will be awesome. Well, we're definitely staying tonight? All right? 140 00:08:59,240 --> 00:09:01,760 Speaker 1: What can we on for? Kids? Liked? We could? We 141 00:09:01,800 --> 00:09:08,679 Speaker 1: could eat him when he falls asleep. Trick or ll 142 00:09:08,679 --> 00:09:12,080 Speaker 1: show him their respect. We're asking him to show us. 143 00:09:12,720 --> 00:09:17,079 Speaker 1: Was that? Trick him and eat him? What? Okay? Okay, 144 00:09:17,080 --> 00:09:19,360 Speaker 1: we're gonna play games, and we're gonna play games. Who 145 00:09:19,360 --> 00:09:23,840 Speaker 1: should I kill first? Any meaning? What's wrong? Was you kid? 146 00:09:24,400 --> 00:09:26,199 Speaker 1: I told you my whole bank story. I got a 147 00:09:26,240 --> 00:09:31,600 Speaker 1: lot writing on this hunt. Wh what's your dad's problem anyway? 148 00:09:32,520 --> 00:09:36,640 Speaker 1: Does he drink? What isn't his problem? He's an oil man? 149 00:09:38,559 --> 00:09:42,600 Speaker 1: Oi oil man? Yeah, that's right, and he says I 150 00:09:42,600 --> 00:09:47,640 Speaker 1: gotta be an oil man. But never mind, it's stupid. 151 00:09:48,720 --> 00:09:51,160 Speaker 1: We can help you with this. I want to sing, 152 00:09:53,040 --> 00:09:55,120 Speaker 1: always says I have to grow up to be a wolf. 153 00:09:55,400 --> 00:09:59,360 Speaker 1: What kind of singer are you? Hold on? Wait, I'm 154 00:09:59,400 --> 00:10:05,520 Speaker 1: a jazz singer. Sing jazz because you have to really 155 00:10:05,520 --> 00:10:08,080 Speaker 1: have a big emotion to whale to draw. I've seen 156 00:10:08,120 --> 00:10:10,720 Speaker 1: things I'd love to hear you scat you know in 157 00:10:10,760 --> 00:10:17,199 Speaker 1: the wilderness? Are our defecation is something different? But I'm 158 00:10:17,240 --> 00:10:24,240 Speaker 1: scatting right now over? I love you can well under 159 00:10:24,240 --> 00:10:26,520 Speaker 1: one condition, what you do with that honor? What does 160 00:10:26,840 --> 00:10:28,480 Speaker 1: what does the little wolf want to be? What does 161 00:10:28,520 --> 00:10:31,040 Speaker 1: he feel like he's being held back from? I always 162 00:10:31,120 --> 00:10:37,200 Speaker 1: wanted to be a carpenter, but I have no family, 163 00:10:37,280 --> 00:10:43,319 Speaker 1: says that I don't really relate to that situation. Okay, well, okay, 164 00:10:43,880 --> 00:10:45,559 Speaker 1: are you going to sing for us or not? There 165 00:10:45,640 --> 00:10:47,960 Speaker 1: is one thing the boy can do pretty well? What's 166 00:10:47,960 --> 00:10:52,640 Speaker 1: that very impressive poop on command? You want to see? 167 00:10:53,240 --> 00:11:01,760 Speaker 1: Kind of I don't know why is that what we 168 00:11:01,800 --> 00:11:12,480 Speaker 1: all want? My gosh? Okay, guys, I just woke up. 169 00:11:13,559 --> 00:11:18,000 Speaker 1: I'm so disoriented right now. How long were you at partner? 170 00:11:18,520 --> 00:11:21,600 Speaker 1: Months and months? You guys know where the where? The 171 00:11:21,600 --> 00:11:27,000 Speaker 1: salmonar story jumping around? We were just about to show 172 00:11:27,040 --> 00:11:30,720 Speaker 1: this young man stay back, stay back. Oh Jesus, I 173 00:11:30,840 --> 00:11:35,800 Speaker 1: just woke up. That's not cool, man, But cool up 174 00:11:36,080 --> 00:11:39,600 Speaker 1: your friend. He's groggy and so it does not fair. 175 00:11:39,679 --> 00:11:41,679 Speaker 1: Why don't we get give me a fighting chance? Why 176 00:11:41,679 --> 00:11:44,200 Speaker 1: don't we get both of you from salmon you can 177 00:11:44,280 --> 00:11:47,160 Speaker 1: take back to your Paul. Okay, he'd be happy about that. 178 00:11:47,960 --> 00:11:50,600 Speaker 1: Just winning caught some salmon. Oh, and it's following now 179 00:11:50,640 --> 00:11:56,400 Speaker 1: because I'm talking, It's okay, perfect. I'm just supposed to 180 00:11:56,440 --> 00:11:58,800 Speaker 1: eat this no, No, we'll string them together and you 181 00:11:58,840 --> 00:12:00,400 Speaker 1: can bring him back to your dead to tell him 182 00:12:00,400 --> 00:12:03,640 Speaker 1: you cut him. Wow, are you good? What about saying 183 00:12:03,720 --> 00:12:06,040 Speaker 1: was y'all? Wasn't that the whole thing on the table, 184 00:12:06,160 --> 00:12:09,240 Speaker 1: like you could join the hearth or whatever? Did you 185 00:12:09,360 --> 00:12:11,880 Speaker 1: just move past that you don't want to do that? Well? 186 00:12:12,040 --> 00:12:14,839 Speaker 1: He wasn't certain he was serious. I wasn't certain I 187 00:12:14,920 --> 00:12:19,960 Speaker 1: was serious either. Let's uh, let's talk it through. Let's 188 00:12:19,960 --> 00:12:21,880 Speaker 1: catch up the bear well. You guys are debating this. 189 00:12:22,000 --> 00:12:25,520 Speaker 1: I just date all the salmon. Well. That takes care 190 00:12:25,520 --> 00:12:28,560 Speaker 1: of the debate, isn't it here with us? What's your name, 191 00:12:28,600 --> 00:12:33,719 Speaker 1: cub Um? My name is Kyle? I like that name. 192 00:12:34,720 --> 00:12:38,600 Speaker 1: It's a wolf sounding name. What's your name, Steve? Okay? 193 00:12:38,600 --> 00:12:47,280 Speaker 1: What's your name? Your name Riley? Mr? Bear Berry, Mr? Bird? 194 00:12:52,559 --> 00:12:54,920 Speaker 1: I don't want to you know your name? To Yana, 195 00:12:55,080 --> 00:12:59,360 Speaker 1: I don't want to know your name? I said, all right, 196 00:12:59,679 --> 00:13:04,680 Speaker 1: we could did you how to hunt without Kyle? Call? 197 00:13:04,720 --> 00:13:07,160 Speaker 1: You're part of the pack now, I don't know I 198 00:13:07,360 --> 00:13:09,559 Speaker 1: want to be. So you're a little boy joining a 199 00:13:09,600 --> 00:13:19,760 Speaker 1: pack of wolves with a bear friend about it? Let 200 00:13:19,840 --> 00:13:23,959 Speaker 1: me hear your well over here by the fire. Okay, 201 00:13:24,520 --> 00:13:28,719 Speaker 1: who started this fire. That's a damn good question. Oh no, man, 202 00:13:29,160 --> 00:13:31,839 Speaker 1: man started the fire. That's not a good that's not 203 00:13:31,920 --> 00:13:33,840 Speaker 1: good for you, guys. I mean your dad's around here, 204 00:13:33,880 --> 00:13:39,240 Speaker 1: So I means my dad's around here. You got some friends? Lenny, Lenny, 205 00:13:39,440 --> 00:13:46,840 Speaker 1: I see him over here. Where he's over here? Guys, hide, hide, Kyle, 206 00:13:47,480 --> 00:13:50,839 Speaker 1: looking for you are boy, We've been looking for you. 207 00:13:52,200 --> 00:13:55,120 Speaker 1: Um just Jane, you ain't catting nothing yet. Well, if 208 00:13:55,160 --> 00:13:59,000 Speaker 1: you look around, I ought some fish. Where'd you get 209 00:13:59,040 --> 00:14:01,760 Speaker 1: the fish from? Um? From the lake, from the lake 210 00:14:03,000 --> 00:14:05,600 Speaker 1: and that? But he loves his hat? Where's your head? Boy? 211 00:14:05,679 --> 00:14:09,079 Speaker 1: And your vest? Well? I ran into a pack of 212 00:14:09,240 --> 00:14:14,040 Speaker 1: scary wolves. Oh yeah, sure, kid, sure scary wolves. Yea, 213 00:14:14,400 --> 00:14:16,440 Speaker 1: And then I scared one so bad at look at ship? 214 00:14:16,800 --> 00:14:21,280 Speaker 1: Waited shick there? Where is there some scart? And I 215 00:14:21,400 --> 00:14:23,600 Speaker 1: see some tracks over here in the snow. The boy 216 00:14:23,680 --> 00:14:27,560 Speaker 1: ain't lying? And oh look at that. Yeah, look at 217 00:14:27,600 --> 00:14:35,320 Speaker 1: harp seal. I'm gonna slice it overb is good. I'm 218 00:14:35,400 --> 00:14:39,840 Speaker 1: just ripping out big piece right now. It's best when 219 00:14:39,880 --> 00:14:47,880 Speaker 1: it's still warm. Good. Isn't it enough? What is you 220 00:14:48,000 --> 00:14:52,080 Speaker 1: just killed? My friend? What your friend? Yeah? That seal 221 00:14:52,240 --> 00:14:59,560 Speaker 1: was my friend. The harp. Yeah, what was its name? Tia, Tia. 222 00:14:59,640 --> 00:15:04,400 Speaker 1: I'm for sure it's tea, right, I was. I guarantee 223 00:15:04,440 --> 00:15:08,400 Speaker 1: you a singing to me. All right, so your harp 224 00:15:08,480 --> 00:15:12,240 Speaker 1: seals did and uh, let's get you back on track. 225 00:15:12,360 --> 00:15:13,920 Speaker 1: Now you've got some salmon. I don't want to be 226 00:15:14,000 --> 00:15:16,240 Speaker 1: on track anymore. Dad, what are you talking about? I 227 00:15:16,320 --> 00:15:23,840 Speaker 1: made some real friends, some real friends. I want Fruce, 228 00:15:24,240 --> 00:15:35,280 Speaker 1: get your guns, everybody. I want you to meet my friends. No, Dad, 229 00:15:35,360 --> 00:15:39,360 Speaker 1: that's Steve, Steve, Steve, that's my dad. What shuts up with? 230 00:15:39,440 --> 00:15:42,520 Speaker 1: It's a wolf over here. That's Margaret Margaret. Yeah, she's 231 00:15:42,560 --> 00:15:46,120 Speaker 1: wearing my head and vest that. Okay, he just muled 232 00:15:46,160 --> 00:15:49,160 Speaker 1: the ship out of me. Very he turk my arm off. 233 00:15:51,760 --> 00:15:55,960 Speaker 1: Take him down, Take that bear down. Barry stop. Barry's 234 00:15:56,000 --> 00:15:59,000 Speaker 1: just he's just grouchy. He just woke up. He took 235 00:16:00,120 --> 00:16:03,080 Speaker 1: Harold's are I mean, we can't just let that be. 236 00:16:03,640 --> 00:16:05,040 Speaker 1: You know how you are in the morning, that when 237 00:16:05,080 --> 00:16:07,280 Speaker 1: you wake up and the coffee isn't already, I can 238 00:16:07,360 --> 00:16:11,480 Speaker 1: be quite a bear bleeding up out. I think it's 239 00:16:11,840 --> 00:16:14,680 Speaker 1: such a wuss. We're making some ground here. Can you 240 00:16:14,800 --> 00:16:17,280 Speaker 1: talk to the bear? Yeah? Of course, guy can we 241 00:16:17,640 --> 00:16:20,600 Speaker 1: get at least some sort of proper apology, otherwise there's 242 00:16:20,600 --> 00:16:24,600 Speaker 1: going to be an issue. Berry, Berry, I'm sorry, I'm 243 00:16:24,600 --> 00:16:27,680 Speaker 1: auld your friend, He said, he's sorry. He maulded, you're 244 00:16:27,760 --> 00:16:30,720 Speaker 1: our friend. That growling just now was him saying I'm sorry, 245 00:16:30,720 --> 00:16:34,720 Speaker 1: I'm allled your friends. And then the guy who's dying, 246 00:16:34,880 --> 00:16:38,240 Speaker 1: Harold said, tell his wife he loves You've been divorced 247 00:16:38,400 --> 00:16:41,120 Speaker 1: for eleven years. I want to go to sleep, don't 248 00:16:41,120 --> 00:16:45,600 Speaker 1: go to stay awake, stay awake. Did you ask Berry 249 00:16:45,640 --> 00:16:47,320 Speaker 1: if there's any chance he could cough up the arm 250 00:16:47,360 --> 00:16:49,640 Speaker 1: we could sell back on Barry? Did you hear that 251 00:16:56,960 --> 00:17:02,240 Speaker 1: I've been eating it six months? That's not that, that's 252 00:17:02,240 --> 00:17:08,399 Speaker 1: not gonna happen. All right, Thank you Berry for pointing 253 00:17:08,440 --> 00:17:11,800 Speaker 1: out how along exactly you've been asleep, and thank you 254 00:17:11,920 --> 00:17:14,560 Speaker 1: Trey Milner, and godspeed to all of you up there 255 00:17:14,600 --> 00:17:22,080 Speaker 1: in the Arctic tundra. Man Oh man Ce Number two 256 00:17:22,359 --> 00:17:25,760 Speaker 1: comes from Christopher, who wrote, Hey, guys, love the show 257 00:17:25,880 --> 00:17:28,760 Speaker 1: makes me laugh out loud at work, improv beautiful art 258 00:17:29,160 --> 00:17:32,320 Speaker 1: and you guys are procasso. How cool of you, Christopher 259 00:17:32,400 --> 00:17:35,760 Speaker 1: to use analogies. Uh? My scene idea is a pilot 260 00:17:35,800 --> 00:17:38,240 Speaker 1: on a commercial flight, and he's training his co pilot, 261 00:17:38,320 --> 00:17:40,520 Speaker 1: but he goes a little too far and also starts 262 00:17:40,560 --> 00:17:47,959 Speaker 1: training the occupants on the flight. Alrighty boss, boosters up, 263 00:17:49,080 --> 00:17:57,920 Speaker 1: bloosters up, See three down, see three down. Come and 264 00:17:58,040 --> 00:18:02,680 Speaker 1: be honest with you. This seems very easy. One second, guys, 265 00:18:02,800 --> 00:18:06,280 Speaker 1: my son has always dreamed being a pilot. Could he 266 00:18:06,800 --> 00:18:09,480 Speaker 1: were not? We haven't even taken off here. This is 267 00:18:09,520 --> 00:18:14,680 Speaker 1: a pretty big deal. I wonder if just I'm just 268 00:18:14,720 --> 00:18:16,879 Speaker 1: gonna let him in, and if you guys could just 269 00:18:17,080 --> 00:18:22,280 Speaker 1: he really it's a dream. Is what's your name? My 270 00:18:22,480 --> 00:18:28,560 Speaker 1: name is Jim. Jim. You're this man's son. Correct? Can 271 00:18:28,880 --> 00:18:32,160 Speaker 1: you seem to be out forty five? No, you're you're 272 00:18:32,200 --> 00:18:40,959 Speaker 1: so generous. I'm okay. It's not too late for him 273 00:18:40,960 --> 00:18:42,840 Speaker 1: to become a pilot. I really need him to get 274 00:18:42,880 --> 00:18:46,680 Speaker 1: in there. This is kind of his had a really 275 00:18:46,840 --> 00:18:48,920 Speaker 1: rough We don't need to get into what happened with 276 00:18:48,960 --> 00:18:50,639 Speaker 1: me and my dad, but it was a rough lung. 277 00:18:50,720 --> 00:18:52,880 Speaker 1: We're trying to make up for lost time, and I'd 278 00:18:52,960 --> 00:18:54,879 Speaker 1: love to be a pilot. So here we are. Well, 279 00:18:54,920 --> 00:18:57,159 Speaker 1: if you two could sit quietly, I don't need to 280 00:18:57,200 --> 00:18:58,600 Speaker 1: stay in here. Let me just give my son off, 281 00:18:58,720 --> 00:19:03,720 Speaker 1: you're not going anywhere, not going to I'm not ready 282 00:19:03,760 --> 00:19:09,200 Speaker 1: to fly. Well, we're about to take off, so that okay, okay, okay, okay, okay. Now, um, 283 00:19:09,520 --> 00:19:13,040 Speaker 1: I'm gonna be honest with you too. I'm training. This 284 00:19:13,200 --> 00:19:17,040 Speaker 1: is my captain. Two of us also training. Yeah, I 285 00:19:17,040 --> 00:19:19,320 Speaker 1: guess you're also training. I'm just here to watch. So 286 00:19:19,560 --> 00:19:22,879 Speaker 1: we just put the seed threes down and I am captain. 287 00:19:22,960 --> 00:19:26,520 Speaker 1: Are the boosters up? The boosters? Jimmy, how did you 288 00:19:26,640 --> 00:19:29,440 Speaker 1: know about the boost I've been watching? Oh it's great, 289 00:19:29,480 --> 00:19:32,679 Speaker 1: don't worry about me. I'm gonna be silent. Now, great, 290 00:19:33,440 --> 00:19:37,840 Speaker 1: where were we? I'm Captain bart bell Weather and you 291 00:19:37,920 --> 00:19:45,280 Speaker 1: are a co pilot Michael Stanton. Great name flight three 292 00:19:45,320 --> 00:19:48,880 Speaker 1: seven one er Flight three seven one, three seven one. 293 00:19:49,119 --> 00:19:52,159 Speaker 1: You've been cleared for Oh excellent, Thank you so much. 294 00:19:52,359 --> 00:19:55,520 Speaker 1: By the way, thank you for that birthday cake. Oh yeah, 295 00:19:55,600 --> 00:19:58,479 Speaker 1: how about that. It was thoughtful. It was quite a surprise. Actually, 296 00:19:59,000 --> 00:20:02,240 Speaker 1: did you get the card to I sure did. Cheeky, 297 00:20:03,359 --> 00:20:08,840 Speaker 1: cheeky little in script. Yeah, well, monkeys are my favorite primates. Yeah, 298 00:20:09,280 --> 00:20:12,960 Speaker 1: we'll see on the other side. Indeed, all right, that 299 00:20:13,160 --> 00:20:18,879 Speaker 1: was art. That was nice, all right? And screens goo, 300 00:20:19,320 --> 00:20:24,439 Speaker 1: screens it go, screens it go, and red button pushing 301 00:20:24,560 --> 00:20:28,680 Speaker 1: on your command? What's that do? I'm sorry, it's not 302 00:20:28,800 --> 00:20:32,560 Speaker 1: my badness. Please sorry, we're in the middle of the 303 00:20:33,040 --> 00:20:36,880 Speaker 1: red button makes makes it go. Fly time. That's pretty cool, 304 00:20:37,200 --> 00:20:39,520 Speaker 1: ye Jimmy, did you know that? Oh yeah, it says 305 00:20:39,560 --> 00:20:44,000 Speaker 1: play time. Sorry. Fly on the wall might be the 306 00:20:44,080 --> 00:20:48,640 Speaker 1: most important before takeoff is the announcement to the rest 307 00:20:48,800 --> 00:20:54,160 Speaker 1: of the passengers and crew. So do you have fun 308 00:20:54,240 --> 00:20:57,639 Speaker 1: with it art? You know what, I don't believe in 309 00:20:57,760 --> 00:21:00,359 Speaker 1: having fun on the fight. This is a job, you know. 310 00:21:00,520 --> 00:21:03,280 Speaker 1: If you want comedy, go to the circus. Yeah. He 311 00:21:03,359 --> 00:21:05,719 Speaker 1: always says that, to go to the circuits. Yeah, it's 312 00:21:05,720 --> 00:21:11,960 Speaker 1: a good one. Captain Bellweather, Yes, it's Randy. Randy. Uh. Look, 313 00:21:12,040 --> 00:21:14,520 Speaker 1: some of my bits are not going over well with this. Uh. 314 00:21:14,920 --> 00:21:18,359 Speaker 1: You know, with this group of passengers. Do you have 315 00:21:18,400 --> 00:21:20,720 Speaker 1: any suggestions of of new bits I can try? I 316 00:21:20,760 --> 00:21:24,520 Speaker 1: mean Southwest has given me, um, you know, pretty much 317 00:21:24,560 --> 00:21:29,199 Speaker 1: the standard template of jokes. But Randy, I prefer if 318 00:21:29,240 --> 00:21:32,440 Speaker 1: you just go rogue and do your own material and 319 00:21:33,000 --> 00:21:35,040 Speaker 1: give it a little bit of heart. You know, these 320 00:21:35,119 --> 00:21:38,560 Speaker 1: people are they're trying to get to destinations that you know, 321 00:21:39,080 --> 00:21:41,840 Speaker 1: maybe they're going to a funeral. Maybe they're headed to 322 00:21:42,640 --> 00:21:45,359 Speaker 1: a family reunion. And that's not all jokes a minute, 323 00:21:45,640 --> 00:21:47,919 Speaker 1: you know, so maybe they don't need their some more 324 00:21:48,000 --> 00:21:52,159 Speaker 1: crowd work. Crowd work, that's it, Crandy, Thank you, thanks captain. 325 00:21:52,280 --> 00:21:55,399 Speaker 1: Good luck out there, Randy. See, sweetheart, I need I 326 00:21:55,480 --> 00:21:57,520 Speaker 1: need a Sanex. Just give me one sex. I'm not 327 00:21:57,720 --> 00:22:02,200 Speaker 1: sharing one, Sandy. You know I get anxious, I know, 328 00:22:02,480 --> 00:22:05,200 Speaker 1: just to drink. Oh God, here comes up, sir. I'm 329 00:22:05,200 --> 00:22:08,640 Speaker 1: gonna need you to sit down. Please could you sit down? Please? Okay, 330 00:22:08,680 --> 00:22:10,920 Speaker 1: I'm sitting, Thank you very much. We're on runway and 331 00:22:11,000 --> 00:22:14,480 Speaker 1: active runway. We understand, we have ever want to be seated. Great, 332 00:22:14,560 --> 00:22:21,840 Speaker 1: here comes that unfunny guy. Huh do you guys need anything? Everything? Okay? 333 00:22:22,600 --> 00:22:30,360 Speaker 1: Where where are we headed today? Arizona, the Grand Canyon States. Yep, 334 00:22:30,520 --> 00:22:34,040 Speaker 1: that's what they say. Are you wearing that flashing bow tie? 335 00:22:34,760 --> 00:22:37,760 Speaker 1: Well I am. You know I work for Southwest, so 336 00:22:38,000 --> 00:22:39,959 Speaker 1: you know it's my job to be a little irreverence 337 00:22:40,040 --> 00:22:43,879 Speaker 1: and not being one of those stuffy flight attendants. He 338 00:22:43,920 --> 00:22:46,600 Speaker 1: said that, I'm freaking the funk out, dude, I'm freaking 339 00:22:47,800 --> 00:22:55,040 Speaker 1: that you're on the flight. Did you use. Where's your 340 00:22:55,040 --> 00:22:58,680 Speaker 1: guys from? Where are you guys? From Chicago? Chicago, the 341 00:22:58,720 --> 00:23:03,760 Speaker 1: Windy City, Going from the Windy City to the Grand Canyon. Okay, 342 00:23:04,560 --> 00:23:09,240 Speaker 1: look man, I'm really are going to a funeral. No no, no, 343 00:23:10,080 --> 00:23:14,959 Speaker 1: but someone is very ill. They may die. Oh, somebody's dying. Okay, 344 00:23:17,480 --> 00:23:23,440 Speaker 1: that's like, ladies and gentlemen. This is your captain speaking. 345 00:23:23,720 --> 00:23:27,879 Speaker 1: I am barked whether my co pilot today, Michael Stanton 346 00:23:28,160 --> 00:23:31,240 Speaker 1: up here in the cockpit. We are going to be 347 00:23:31,680 --> 00:23:38,040 Speaker 1: coming up. Jimmy Richford is also in the cabin. It's 348 00:23:38,080 --> 00:23:40,200 Speaker 1: a pleasure to be passenger for a dad and I 349 00:23:40,240 --> 00:23:43,440 Speaker 1: are making up for lost time twenty seven. See Jimmy 350 00:23:43,560 --> 00:23:48,920 Speaker 1: Richter also in command. We'll be starting our flight ascending 351 00:23:49,040 --> 00:23:55,560 Speaker 1: from the ground to about thirty feet and will keep 352 00:23:55,560 --> 00:23:59,040 Speaker 1: you updated. That's what they do in the YouTube videos. 353 00:23:59,400 --> 00:24:03,760 Speaker 1: And it's about to be fly time. Yeah that feel good? 354 00:24:03,840 --> 00:24:06,080 Speaker 1: Did that feel good to you? Were that one felt good? 355 00:24:06,280 --> 00:24:09,520 Speaker 1: It did feel good good thing? My son saved you 356 00:24:09,560 --> 00:24:12,880 Speaker 1: with that fly time thing. Okay, everyone, it's fly time. 357 00:24:13,000 --> 00:24:18,119 Speaker 1: We are on an active runway, so everybody seats up, 358 00:24:18,400 --> 00:24:25,920 Speaker 1: trays up. Please turn your electronic devices to airplane mode. Randy, Yeah, 359 00:24:26,000 --> 00:24:30,359 Speaker 1: we've flown for Oh well, we got some veteran flyers here. 360 00:24:31,400 --> 00:24:37,080 Speaker 1: How many times would you say that you've flown? Well, 361 00:24:37,240 --> 00:24:40,920 Speaker 1: it looks like somebody has earned their wings today. Don't 362 00:24:41,000 --> 00:24:44,560 Speaker 1: touch her. Do you guys want some nuts? I thought 363 00:24:45,000 --> 00:24:48,760 Speaker 1: you want my nuts? You I have a whole box 364 00:24:48,840 --> 00:24:53,040 Speaker 1: of nuts. Oh no, thank you. Do you have anything 365 00:24:53,080 --> 00:24:55,399 Speaker 1: that could calm him from frea funk out? What do 366 00:24:55,480 --> 00:25:00,240 Speaker 1: you need? I'm freaking the So Randy tell as me. 367 00:25:00,359 --> 00:25:04,000 Speaker 1: You two have flown before, so welcome to the cock pit. Um, 368 00:25:04,800 --> 00:25:06,960 Speaker 1: I wonder if you might be able to tell me 369 00:25:07,040 --> 00:25:13,480 Speaker 1: what these buttons due down here. We've flown like twomes, 370 00:25:13,520 --> 00:25:16,720 Speaker 1: but not actually like but I think we had a 371 00:25:16,800 --> 00:25:19,879 Speaker 1: misunderstanding with Randy. Although Randy said that you know how 372 00:25:19,960 --> 00:25:22,840 Speaker 1: to fly, that you're frequent flyers, Randy is like doing 373 00:25:22,880 --> 00:25:25,960 Speaker 1: a joke on us. Have the wings on your shirt? Yeah, 374 00:25:26,080 --> 00:25:29,560 Speaker 1: and that pilot wings? Brandy, just put those on leaning 375 00:25:29,880 --> 00:25:35,800 Speaker 1: you just I mean, don't don't disappoint Jimmy. Is this 376 00:25:35,920 --> 00:25:39,960 Speaker 1: the laboratory, it's it's the please come on, come on, 377 00:25:41,320 --> 00:25:44,120 Speaker 1: come on? What suit are you from? I'm from three 378 00:25:44,240 --> 00:25:48,280 Speaker 1: B good on it's southwest, so I can sit wherever 379 00:25:48,359 --> 00:25:52,280 Speaker 1: I want? And uh, what what's your name? Sir? Marvin 380 00:25:52,359 --> 00:25:57,520 Speaker 1: mckugh Goddy was familiar. So wait, we've got about Jimmy 381 00:25:57,560 --> 00:26:00,480 Speaker 1: rictor Marvin? Are you doing Marvin mckugh of pleasure? Do 382 00:26:00,520 --> 00:26:07,320 Speaker 1: you golf? I do? Three handicap? Oh, congrats on one hole. 383 00:26:09,840 --> 00:26:11,800 Speaker 1: If everybody wants to take a quick look over here 384 00:26:11,880 --> 00:26:14,840 Speaker 1: to the radar, we're gonna just set her to auto 385 00:26:15,119 --> 00:26:20,400 Speaker 1: a lot of circles. That's um, that's standard, and we're 386 00:26:20,440 --> 00:26:22,560 Speaker 1: just going to set her to auto pilot if everybody 387 00:26:22,600 --> 00:26:24,920 Speaker 1: wants to take a turn. Just are we front loading 388 00:26:24,960 --> 00:26:27,200 Speaker 1: the weight of this place a little bit? It's like 389 00:26:27,359 --> 00:26:29,159 Speaker 1: there's eight of us in the cod bit. You know, 390 00:26:29,280 --> 00:26:31,840 Speaker 1: it would take at least thirty five people up here 391 00:26:31,880 --> 00:26:34,720 Speaker 1: in this cockpit to front load the plane. So what 392 00:26:34,800 --> 00:26:37,680 Speaker 1: would happen if that tip then, uh to a sky tip? 393 00:26:37,800 --> 00:26:40,120 Speaker 1: It would keep the nose, it would keep the snow 394 00:26:40,320 --> 00:26:44,240 Speaker 1: the snout down, otherwise known as skip sky tip. This 395 00:26:44,720 --> 00:26:47,560 Speaker 1: this guy is good. Yeah, her rough life, but I'm 396 00:26:47,600 --> 00:26:49,680 Speaker 1: really trying to dig my way out of it. I 397 00:26:49,800 --> 00:26:55,240 Speaker 1: left him, but I'm back. I'm back then, that's cool, 398 00:26:55,320 --> 00:27:00,399 Speaker 1: that's cool. Marvin, are you you pee? Needed? To go 399 00:27:00,480 --> 00:27:04,320 Speaker 1: to the bathroom. Well, I'm really putting the cock and 400 00:27:04,400 --> 00:27:07,200 Speaker 1: cockpit on it. Well you should hear. We should have 401 00:27:07,240 --> 00:27:11,440 Speaker 1: got Randy Are for that? What was that? I heard 402 00:27:11,440 --> 00:27:14,840 Speaker 1: somebody laughing there a joke? Yeah, Randy. Well, first of all, 403 00:27:14,960 --> 00:27:17,080 Speaker 1: we don't know how to fly a plane. Why didn't 404 00:27:17,080 --> 00:27:19,560 Speaker 1: you say that? Tat on us? Because you guys have 405 00:27:19,640 --> 00:27:22,439 Speaker 1: been on two flights. I mean you're basically pilots at 406 00:27:22,520 --> 00:27:27,200 Speaker 1: this point. No, that's not true. I'm freaking the funk out. Well, 407 00:27:27,760 --> 00:27:31,560 Speaker 1: maybe I can introduce you to the air marshal. Yep, 408 00:27:31,800 --> 00:27:33,600 Speaker 1: this guy is sitting across. He has been our air 409 00:27:33,680 --> 00:27:37,240 Speaker 1: mark to point out what you were doing. You were 410 00:27:37,280 --> 00:27:40,320 Speaker 1: doing a different So are you his father? It looked 411 00:27:40,359 --> 00:27:42,920 Speaker 1: like I'm his father. I'm only ten years older than him. 412 00:27:43,359 --> 00:27:46,800 Speaker 1: Oh that's first of all, I'm going to put this 413 00:27:46,880 --> 00:27:48,879 Speaker 1: all in my report. You shouldn't have any of us 414 00:27:49,000 --> 00:27:58,399 Speaker 1: in here. Baby, baby, I'm freaking the oka. Okay, if 415 00:27:58,720 --> 00:28:03,879 Speaker 1: from all right, we can't leave this this flight's not 416 00:28:04,000 --> 00:28:05,920 Speaker 1: taking off. I'm sure there's gonna be another one coming 417 00:28:05,960 --> 00:28:12,119 Speaker 1: off later to be coming back down, be coming back now, 418 00:28:12,160 --> 00:28:15,240 Speaker 1: and this flight is not good. We will we will 419 00:28:15,320 --> 00:28:17,840 Speaker 1: have to check in wake traffic control here, Marshall, do that. 420 00:28:18,560 --> 00:28:21,320 Speaker 1: I'm in charge up here. I'm the air Marshal. You're 421 00:28:21,359 --> 00:28:25,840 Speaker 1: a modest man. I'm freaking the funk out. Okay, Arizona, now, 422 00:28:26,119 --> 00:28:28,760 Speaker 1: no funk this guy? You got a gun? Yeah? I 423 00:28:28,800 --> 00:28:36,760 Speaker 1: got How did you get that on? Here? Brady? Okay, okay, okay, 424 00:28:36,920 --> 00:28:40,720 Speaker 1: this guy's over acting. Okay, Marvin, give me your Marvin's 425 00:28:40,720 --> 00:28:45,520 Speaker 1: pooping captain. Did you need anything? Oh? Mine's the party 426 00:28:45,600 --> 00:28:50,640 Speaker 1: up in here? Oh? Wrong? The guns? What's happening, Melissa? 427 00:28:50,720 --> 00:28:53,480 Speaker 1: If you wouldn't mind just getting us a few ginger as. 428 00:28:54,480 --> 00:29:00,320 Speaker 1: That sounds good? Is that too? Gingers? How about injury? 429 00:29:01,640 --> 00:29:03,560 Speaker 1: All right? I listen to Mark. I don't want any problems, 430 00:29:04,360 --> 00:29:06,080 Speaker 1: but my girlfriend and I we need to get to 431 00:29:06,160 --> 00:29:11,960 Speaker 1: the Grand Canyon. Now, she's where she's come out, just 432 00:29:12,120 --> 00:29:17,360 Speaker 1: saying you're flying and you're more afraid of committing Yeah, yeah, 433 00:29:18,160 --> 00:29:21,000 Speaker 1: because on a planet. Well, I'm just saying the numbers 434 00:29:21,040 --> 00:29:23,160 Speaker 1: show that there's I'm more likely to be in a 435 00:29:23,240 --> 00:29:27,840 Speaker 1: bad marriage than I am to go down in this flight. Hey. Hey, 436 00:29:29,480 --> 00:29:33,680 Speaker 1: somebody's filled out the Sudoku and this interlot magazine. Okay, sorry, sir, 437 00:29:33,800 --> 00:29:37,480 Speaker 1: I'll get you a new inflight magazine. Okay, those diabolical 438 00:29:37,560 --> 00:29:41,520 Speaker 1: ones are really tough. Captain Bart, do you have any 439 00:29:41,560 --> 00:29:43,840 Speaker 1: guidance in the situation. We're both pointing guns at each 440 00:29:43,840 --> 00:29:50,400 Speaker 1: other sadly paralyzed, but this situation Keptain Michael as co pilot. 441 00:29:50,440 --> 00:29:53,160 Speaker 1: Can I take over? I can also help if you 442 00:29:53,240 --> 00:29:56,520 Speaker 1: need gim me. Is a trained pilot. He was only 443 00:29:56,640 --> 00:29:59,120 Speaker 1: feigning not knowing. That's why he knew all. I guess 444 00:29:59,200 --> 00:30:02,120 Speaker 1: I didn't do so well. It's hard to play dumb 445 00:30:02,120 --> 00:30:05,560 Speaker 1: when you're this smart. I'm putting my gun down. I'm 446 00:30:05,600 --> 00:30:07,920 Speaker 1: putting my gun to putting my gun down. Okay, I'm 447 00:30:07,920 --> 00:30:11,280 Speaker 1: putting guns are down, baby, sanics. I'm going to pick 448 00:30:11,360 --> 00:30:14,600 Speaker 1: the guns up, and you're waking the guns out, both 449 00:30:14,640 --> 00:30:20,080 Speaker 1: of the guns, these guns, of the guns. You shouldn't 450 00:30:20,120 --> 00:30:21,600 Speaker 1: be handling a gun. Do you know how to use 451 00:30:21,640 --> 00:30:23,160 Speaker 1: a gun? I do know how to use the gun. 452 00:30:23,600 --> 00:30:26,440 Speaker 1: Stop pointing. I know how to use a gun. I 453 00:30:26,520 --> 00:30:28,480 Speaker 1: think I don't know how to use a gun. Where 454 00:30:28,600 --> 00:30:32,040 Speaker 1: are those ginger rails? I can really use a ginger 455 00:30:32,080 --> 00:30:34,040 Speaker 1: rail right now? And now I've got I got two 456 00:30:34,160 --> 00:30:37,080 Speaker 1: nines in one box. That's not gonna work. There's gonna 457 00:30:37,080 --> 00:30:39,040 Speaker 1: only be one number in the box. Well, I know that, 458 00:30:39,200 --> 00:30:42,800 Speaker 1: I know how works. I mean, I guess I'm holding 459 00:30:42,840 --> 00:30:51,240 Speaker 1: you sausageer. It's everyone. Okay, here, you let me hold 460 00:30:51,280 --> 00:30:53,120 Speaker 1: those guns. Well, I give you the ginger ail. Thank 461 00:30:53,120 --> 00:30:56,360 Speaker 1: you very much for the guns. I've got the guns. 462 00:30:56,440 --> 00:31:01,320 Speaker 1: Now here we go Ginger and Captain Ginger. I'm gonna 463 00:31:01,360 --> 00:31:06,240 Speaker 1: put these guns. That's okay. Wow, that was really intense. Yeah, 464 00:31:06,280 --> 00:31:08,440 Speaker 1: that got intense. I'm sorry. I have power up here 465 00:31:08,480 --> 00:31:10,400 Speaker 1: in the error and sometimes it goes to my head. 466 00:31:10,600 --> 00:31:12,600 Speaker 1: I'm sorry. I just don't have power in my life. 467 00:31:12,640 --> 00:31:14,640 Speaker 1: And then I saw two guns on the floor. It's 468 00:31:14,680 --> 00:31:16,520 Speaker 1: like maybe I could have power, but like it wasn't 469 00:31:16,560 --> 00:31:18,360 Speaker 1: a great idea. I used to have power and then 470 00:31:18,400 --> 00:31:19,760 Speaker 1: I feel like she took it away. And that was 471 00:31:21,600 --> 00:31:25,600 Speaker 1: felt like, well, it's not true cause someone's just like 472 00:31:25,760 --> 00:31:29,360 Speaker 1: intervene and that's not true. I got married. Yeah, I 473 00:31:29,440 --> 00:31:33,640 Speaker 1: gave all my power up. At the end of the story, 474 00:31:34,040 --> 00:31:37,880 Speaker 1: story story, Mr Mugh gonna get you anything to drink. 475 00:31:39,040 --> 00:31:42,960 Speaker 1: I'll have five more gingery is um and what will 476 00:31:43,000 --> 00:31:50,440 Speaker 1: you be having for lunch? Did you? I thought it 477 00:31:50,480 --> 00:31:52,280 Speaker 1: was a cup of noodles and beer. Last time I 478 00:31:52,440 --> 00:31:55,160 Speaker 1: checked I met from the atoms that I personally offered 479 00:31:55,160 --> 00:31:57,480 Speaker 1: you when you get on the plane. Oh yes, well 480 00:31:57,600 --> 00:32:01,640 Speaker 1: i'll have I don't have checks, make right, I'll have 481 00:32:02,760 --> 00:32:05,360 Speaker 1: I will have granola and banana. Don't put words in 482 00:32:05,440 --> 00:32:07,880 Speaker 1: my mouth, captain, Captain Bart, you've got to come back 483 00:32:07,920 --> 00:32:10,640 Speaker 1: to us. You're freaking out, man, I'm sorry. Hey, we 484 00:32:10,720 --> 00:32:16,680 Speaker 1: almost some snapped. I'm sorry. Okay, everything's fine. Calm down. 485 00:32:18,200 --> 00:32:21,760 Speaker 1: I don't know we're We're really just skating by a 486 00:32:21,880 --> 00:32:29,480 Speaker 1: ten thousand feet right now. Okay, okay, alright, Well if 487 00:32:29,560 --> 00:32:32,080 Speaker 1: my teer this thing up, yes, place, yes, place, Let's 488 00:32:32,080 --> 00:32:36,480 Speaker 1: see what she can douse problem. Oh yeah, it feels 489 00:32:36,520 --> 00:32:40,200 Speaker 1: good with the blue angel. That's what I was about 490 00:32:40,280 --> 00:32:45,360 Speaker 1: to say. Yeah, anybody have a message they want to 491 00:32:45,400 --> 00:32:47,240 Speaker 1: write in the sky. I don't think this one does. 492 00:32:47,920 --> 00:32:49,440 Speaker 1: What if we do a little loop to loop or 493 00:32:49,480 --> 00:32:52,560 Speaker 1: something switching a little bit fart? You want to do 494 00:32:52,680 --> 00:32:56,160 Speaker 1: an announcement, then we're going to do a loop to loop? Okay, 495 00:32:56,360 --> 00:33:01,960 Speaker 1: I do passengers, this is your former captain speak. Come on, Bart, 496 00:33:02,000 --> 00:33:07,240 Speaker 1: don't be yourself up. I used to be somebody started 497 00:33:07,320 --> 00:33:10,720 Speaker 1: this flight off as somebody I said, boosters up as 498 00:33:10,840 --> 00:33:14,280 Speaker 1: somebody and my manhood has been taken away from me 499 00:33:15,160 --> 00:33:19,160 Speaker 1: part and so, but may I okay, this is your 500 00:33:19,640 --> 00:33:26,000 Speaker 1: co pilot speaking bart is Uh. You know I I 501 00:33:26,080 --> 00:33:28,400 Speaker 1: have seen him in action. It's my first time being, 502 00:33:28,800 --> 00:33:31,160 Speaker 1: you know, getting the honor of sharing a cockpit with him. 503 00:33:31,480 --> 00:33:32,920 Speaker 1: You haven't seen me. But I've been on a lot 504 00:33:32,960 --> 00:33:35,840 Speaker 1: of your flight's part and you're great. Part's underselling himself. 505 00:33:37,880 --> 00:33:39,960 Speaker 1: Thank you. That's the first time I was able to 506 00:33:40,000 --> 00:33:42,880 Speaker 1: trick in let me in. Honestly, I've tried that trick 507 00:33:42,920 --> 00:33:45,480 Speaker 1: many times. Well, if you're having trouble your manhood, maybe 508 00:33:45,480 --> 00:33:53,640 Speaker 1: I can offer you some nuts. Randy showed himself out. 509 00:33:55,600 --> 00:33:58,800 Speaker 1: Bless Randy and Uh. He's hoping that the gig on 510 00:33:58,880 --> 00:34:00,760 Speaker 1: the cruise ship works a little bit better than on 511 00:34:00,880 --> 00:34:09,399 Speaker 1: the Plean. Our final scene today comes from Joshua, who wrote, Hello, 512 00:34:09,480 --> 00:34:14,440 Speaker 1: welcome this especially James Heeney. What do you mind if 513 00:34:14,480 --> 00:34:18,080 Speaker 1: I call you Jim Burrino? No, no, no, no, I 514 00:34:18,200 --> 00:34:21,759 Speaker 1: don't okay cool. My name is Joshua nettor Hood and 515 00:34:21,800 --> 00:34:24,600 Speaker 1: then Parenthaeses. I don't know how to pronounce my surname either. 516 00:34:24,800 --> 00:34:28,799 Speaker 1: Have fun and I love the show. Um. Last week 517 00:34:28,840 --> 00:34:31,360 Speaker 1: I threw my back up while I was sitting not 518 00:34:31,520 --> 00:34:35,160 Speaker 1: easy to do doing absolutely nothing, but still decided to 519 00:34:35,160 --> 00:34:37,319 Speaker 1: listen to your new episode, knowing that each belly laugh 520 00:34:37,360 --> 00:34:40,680 Speaker 1: would cause me men's agony. That's how much I love 521 00:34:40,760 --> 00:34:43,560 Speaker 1: you guys to pitch. Here we go, Uh, In about 522 00:34:43,600 --> 00:34:46,040 Speaker 1: a week, I'll be leaving my temp job in Chicago, 523 00:34:46,160 --> 00:34:48,360 Speaker 1: driving across the country to San Francisco, where I'll be 524 00:34:48,480 --> 00:34:50,640 Speaker 1: joining my mom, my sister, my brother in law, my girlfriend, 525 00:34:50,880 --> 00:34:53,920 Speaker 1: and maybe more in what will essentially be a commune, 526 00:34:54,360 --> 00:34:56,279 Speaker 1: because that's the only way we can afford rent in 527 00:34:56,360 --> 00:34:59,160 Speaker 1: that crazy part of the world. I would love to 528 00:34:59,320 --> 00:35:02,480 Speaker 1: hear your version of what I'm about to start. And 529 00:35:02,520 --> 00:35:04,800 Speaker 1: then at the end here it says the listeners complain 530 00:35:04,840 --> 00:35:09,480 Speaker 1: about the tedious work as uh, my, my work is sensational. 531 00:35:10,160 --> 00:35:12,200 Speaker 1: As proof, I spent a good chunk of my day 532 00:35:12,239 --> 00:35:15,520 Speaker 1: at the office tracking nineteen nicknames at Kevin Game gave 533 00:35:15,719 --> 00:35:20,520 Speaker 1: James and calculating that about were rejected out right. My 534 00:35:20,640 --> 00:35:25,799 Speaker 1: favorite one though, was old Donkey see the data set here. 535 00:35:25,880 --> 00:35:29,439 Speaker 1: And then I sent you all pictures of this guy chart. 536 00:35:29,520 --> 00:35:31,400 Speaker 1: We've got to figure out a way. Yes, we can 537 00:35:31,440 --> 00:35:35,239 Speaker 1: do a screen rap. It really was an amazing job. 538 00:35:35,360 --> 00:35:38,200 Speaker 1: So thank you, Joshua nettor Hood. And now we take 539 00:35:38,280 --> 00:35:46,840 Speaker 1: you to that commune as you are joining the others. Peaches, peaches, 540 00:35:46,840 --> 00:35:50,799 Speaker 1: anybody peaches. Got a big basket, fresh basket, fresh peaches. 541 00:35:52,239 --> 00:35:58,839 Speaker 1: Thank you, joy say, oh there's plenty for everyone. Yeah, yeah, 542 00:35:59,320 --> 00:36:01,879 Speaker 1: I'll need one piece of your clothing for the peach. 543 00:36:01,960 --> 00:36:07,200 Speaker 1: Of course, of course you t shirt. I love that shirt. 544 00:36:07,280 --> 00:36:11,600 Speaker 1: Thank you. Take my tunic tunic it intries count Yeah, 545 00:36:11,640 --> 00:36:16,960 Speaker 1: of course, give you the anklic anklet it is. Hey, 546 00:36:17,040 --> 00:36:20,520 Speaker 1: I'll give you one of my one of my shoes. Man, Okay, 547 00:36:21,520 --> 00:36:24,080 Speaker 1: I'll give you a pair of shoes for two delicious peaches. 548 00:36:25,040 --> 00:36:27,719 Speaker 1: I like your style and the cut of your rookie 549 00:36:27,880 --> 00:36:29,960 Speaker 1: stike though you're gonna need your shoes on the island. 550 00:36:32,320 --> 00:36:34,320 Speaker 1: This isn't what you think it is. It's not about 551 00:36:34,680 --> 00:36:39,880 Speaker 1: giving away as little as possible. It's about equal exchange, 552 00:36:40,680 --> 00:36:42,920 Speaker 1: being goods. Do you think a peach is worth more 553 00:36:42,960 --> 00:36:45,400 Speaker 1: than an anglic because I thought it was generous. Okay, 554 00:36:45,440 --> 00:36:48,560 Speaker 1: if you thought so, then that's fine, that's fine. Just 555 00:36:48,719 --> 00:36:50,800 Speaker 1: next time. I mean, we're going to have a meal tonight, 556 00:36:50,960 --> 00:36:52,560 Speaker 1: so you might want to consider what you want to 557 00:36:52,600 --> 00:36:55,800 Speaker 1: give away for that meal. I'm running out of stuff. 558 00:36:56,040 --> 00:36:59,320 Speaker 1: That's kind of the purpose. Yeah, I don't have anything. 559 00:37:00,880 --> 00:37:04,080 Speaker 1: I'm completely naked, So how do you get peaches? Well, 560 00:37:04,160 --> 00:37:06,680 Speaker 1: once you have nothing, then you get to eat for free. 561 00:37:06,960 --> 00:37:10,080 Speaker 1: Ins Oh yeah, and I got to give sex away, 562 00:37:10,200 --> 00:37:12,360 Speaker 1: but I was going to give that away for free. Anyway, 563 00:37:14,120 --> 00:37:18,040 Speaker 1: you've got to give sex away, giving it away, I have, 564 00:37:18,680 --> 00:37:22,200 Speaker 1: I say doing it. It's an exchange. I've gotten an 565 00:37:22,320 --> 00:37:27,880 Speaker 1: unlimited feel about this. I'm I'm so blessed to have 566 00:37:28,600 --> 00:37:34,000 Speaker 1: landed here and um and be and be able to 567 00:37:34,160 --> 00:37:38,200 Speaker 1: just experience. She found two suitcases when she came in. 568 00:37:38,400 --> 00:37:41,360 Speaker 1: She's got a while to go. I have, um, the 569 00:37:41,480 --> 00:37:46,080 Speaker 1: six pairs of tights that I'm trying to whittle down. First, 570 00:37:47,440 --> 00:37:50,919 Speaker 1: I had a bunch of what are you worried about 571 00:37:50,960 --> 00:37:55,239 Speaker 1: this six stuff? Am I worried about sex? Now? I 572 00:37:55,280 --> 00:37:56,960 Speaker 1: feel like a prode when you say it like that, 573 00:37:57,120 --> 00:37:59,120 Speaker 1: I don't mean it in frudish way. I've had sex, 574 00:37:59,680 --> 00:38:02,440 Speaker 1: but I'm isn't it just doesn't seem like you have 575 00:38:02,800 --> 00:38:06,759 Speaker 1: sex with a peachman? Well, I'll love pages. Well, the 576 00:38:06,800 --> 00:38:10,840 Speaker 1: peach man is more than just a peachman. He's the 577 00:38:10,960 --> 00:38:14,720 Speaker 1: provider but his knees are covered in scabs. That's because 578 00:38:14,800 --> 00:38:18,320 Speaker 1: he works hard for us. Um, we're not. You showed 579 00:38:18,400 --> 00:38:20,120 Speaker 1: up here and we're so happy you did. But we 580 00:38:20,239 --> 00:38:25,759 Speaker 1: are a family. Obviously rent is mega expensive, so we're 581 00:38:25,800 --> 00:38:30,200 Speaker 1: giving always some of our personal things, such a sex, 582 00:38:30,520 --> 00:38:34,279 Speaker 1: to make up for the high rent costs. Also, how 583 00:38:34,440 --> 00:38:39,520 Speaker 1: judgmental to say that, um, scabs would make you not 584 00:38:40,080 --> 00:38:43,320 Speaker 1: to be with a person. I think a scab is 585 00:38:43,440 --> 00:38:49,200 Speaker 1: just an outward scar, you know, and you know Jammy 586 00:38:49,480 --> 00:38:54,480 Speaker 1: and gross. When I was at Altimont, Man, everybody was 587 00:38:54,560 --> 00:38:57,800 Speaker 1: covered in scabs, but there was free love and it 588 00:38:57,920 --> 00:39:02,040 Speaker 1: was beautiful. I mean, fraid love sounds nice, but having 589 00:39:02,120 --> 00:39:05,320 Speaker 1: to have sex for a peach sounds less. Well, you 590 00:39:05,360 --> 00:39:07,239 Speaker 1: don't have to. You also just don't have to eat 591 00:39:07,280 --> 00:39:10,200 Speaker 1: the peach. If peaches are your thing. That I thought 592 00:39:10,239 --> 00:39:12,600 Speaker 1: it was like a yoga thing. You know, we're going 593 00:39:12,640 --> 00:39:19,840 Speaker 1: to eat all right, my family. I've got very on 594 00:39:19,920 --> 00:39:23,080 Speaker 1: the nose of what you are cucumbers because I've actually 595 00:39:23,160 --> 00:39:26,879 Speaker 1: picked cucumbers provider. Who would like a cuca? I love 596 00:39:27,080 --> 00:39:32,759 Speaker 1: have a cucumber the book Cucumber. Let me just place 597 00:39:32,880 --> 00:39:37,840 Speaker 1: this cucumber right up here. There we go enjoy your cucumber. 598 00:39:38,400 --> 00:39:41,799 Speaker 1: Thank you very much, but I'm going way. Why who 599 00:39:41,880 --> 00:39:46,759 Speaker 1: else would like my cucumber? A cucumber? Well, he had 600 00:39:46,800 --> 00:39:50,320 Speaker 1: no place else to put it, provider. Tanya seems to 601 00:39:50,400 --> 00:39:53,839 Speaker 1: be having a difficult time understanding on the way things working. 602 00:39:54,080 --> 00:39:57,759 Speaker 1: I am new, so ye pleasure pleasure. I thought it 603 00:39:57,840 --> 00:40:01,760 Speaker 1: was a yoga thing, right. We will be doing yoga, definitely, 604 00:40:02,160 --> 00:40:05,080 Speaker 1: we'll be doing yoga. Man, you don't have to do yoga, 605 00:40:05,200 --> 00:40:08,360 Speaker 1: but if you'd like to. I'm not concerned about the yoga. 606 00:40:08,440 --> 00:40:12,080 Speaker 1: I would like to do the yoga. I don't. I 607 00:40:12,200 --> 00:40:16,200 Speaker 1: don't want a cucumber, you know, via the delivery system. 608 00:40:17,080 --> 00:40:21,800 Speaker 1: I'm more concerned. I've cash. I brought cash. Get that 609 00:40:21,960 --> 00:40:25,680 Speaker 1: out of it. We don't, we don't, don't. Please eyes 610 00:40:26,520 --> 00:40:32,240 Speaker 1: not in the share that I was giving. Patience, everyone, Please, 611 00:40:32,320 --> 00:40:37,880 Speaker 1: we've talked about this. Tanya's new. You need time. If 612 00:40:37,920 --> 00:40:40,560 Speaker 1: you'd like us to take your cash, we'll do that. 613 00:40:41,120 --> 00:40:43,239 Speaker 1: But anytime you'd like it back, let us know. I 614 00:40:43,360 --> 00:40:46,000 Speaker 1: want you to take it in exchange for goods. Sure, 615 00:40:46,920 --> 00:40:50,880 Speaker 1: how much cash? Yes, dear? Should we send Tanya to 616 00:40:50,960 --> 00:40:54,480 Speaker 1: the shame tent? Why would she want me to be 617 00:40:54,520 --> 00:40:57,920 Speaker 1: in the shame Tin. Well, soon enough, you'll probably a 618 00:40:58,040 --> 00:41:00,360 Speaker 1: couple of days in the shame Tent. Don't want to 619 00:41:00,360 --> 00:41:03,799 Speaker 1: go to the shime tent. Really has a really good point. 620 00:41:03,960 --> 00:41:06,680 Speaker 1: As always, we take it to a vote, all in 621 00:41:06,840 --> 00:41:10,120 Speaker 1: favor of the newcomer. Time vote against the shame Tin. 622 00:41:10,480 --> 00:41:13,400 Speaker 1: The newcomer who again, I've asked you to be patient, 623 00:41:14,440 --> 00:41:18,279 Speaker 1: listen to the provider. I mean, he seems like to 624 00:41:18,440 --> 00:41:21,200 Speaker 1: the shame Tent would show a lack of patience. But 625 00:41:21,360 --> 00:41:24,920 Speaker 1: as always, the vote is ours. I vote that she 626 00:41:25,080 --> 00:41:28,839 Speaker 1: does not go in the shakey Provider. How about your brother, 627 00:41:29,680 --> 00:41:32,840 Speaker 1: I say no to the shame t Shame time, sister, 628 00:41:33,160 --> 00:41:35,400 Speaker 1: I stand firm on shame Tesse really wants me to 629 00:41:35,440 --> 00:41:37,640 Speaker 1: be in the really spent has spent more time in 630 00:41:37,680 --> 00:41:40,520 Speaker 1: the shame Tin than anyone else here the moment. It 631 00:41:40,640 --> 00:41:43,160 Speaker 1: did a lot for me. You know, when I came 632 00:41:43,200 --> 00:41:45,560 Speaker 1: in here, I had a New Zealand accent too, But 633 00:41:45,760 --> 00:41:49,120 Speaker 1: I learned to get rid of that because like you know, um, 634 00:41:49,360 --> 00:41:52,239 Speaker 1: did you get the brochet? Did you feel tricked? No? 635 00:41:52,520 --> 00:41:56,239 Speaker 1: I mean at first maybe, and then I shamed it out. 636 00:41:57,120 --> 00:41:59,239 Speaker 1: So I want to sign it out. I don't want 637 00:41:59,239 --> 00:42:01,920 Speaker 1: to shign it out. What's your vote. I shamed it 638 00:42:01,960 --> 00:42:03,719 Speaker 1: that a long time ago. And I'll tell you what, 639 00:42:03,960 --> 00:42:06,880 Speaker 1: I have never been the same sense. He don't love it. 640 00:42:07,160 --> 00:42:11,040 Speaker 1: He doesn't actually get a vote. You'll understand enough. What 641 00:42:11,160 --> 00:42:13,919 Speaker 1: about you, brother? Where do we stand right now? We're 642 00:42:14,000 --> 00:42:18,400 Speaker 1: at to no shame tent and one shame tent, so 643 00:42:18,600 --> 00:42:20,640 Speaker 1: this would be the tie. Well, if there's a tie, 644 00:42:20,680 --> 00:42:24,719 Speaker 1: I'll break it myself. I'm voting no shame tent. Newcomer. 645 00:42:25,719 --> 00:42:27,960 Speaker 1: You don't actually get a vote. Wait, you don't know 646 00:42:28,080 --> 00:42:30,080 Speaker 1: the rules here, man, I don't know. She's kind of 647 00:42:30,120 --> 00:42:34,000 Speaker 1: making some sense. I'm part of the group signed the 648 00:42:34,239 --> 00:42:37,920 Speaker 1: brochure thing, right, But it's your faith that's being decided 649 00:42:37,960 --> 00:42:42,080 Speaker 1: by the group. That's the reason. Brother. Let's say, well, 650 00:42:42,160 --> 00:42:44,040 Speaker 1: first of all, I'll say, like, don't assume that just 651 00:42:44,120 --> 00:42:47,600 Speaker 1: because you're going to the shame tent that you're the 652 00:42:47,640 --> 00:42:52,200 Speaker 1: one feeling shame. Man, We're gonna feel shamed for putting 653 00:42:52,239 --> 00:42:56,000 Speaker 1: you there, So let's avoid that by not putting anyone 654 00:42:56,080 --> 00:42:58,800 Speaker 1: in the shame tin. Maybe we deserve that shame for 655 00:42:59,000 --> 00:43:02,560 Speaker 1: judging you in the first place. You both make terrific points, 656 00:43:02,640 --> 00:43:07,640 Speaker 1: and now it falls on you, brother, it's a tie. 657 00:43:08,600 --> 00:43:14,800 Speaker 1: Three to one. Oh gosh, I think tie goes to 658 00:43:14,880 --> 00:43:25,040 Speaker 1: the runner, So get running, okay, White, Oh boy, oh 659 00:43:25,160 --> 00:43:32,000 Speaker 1: my god. Welcome to the shame tent time. How are 660 00:43:32,000 --> 00:43:37,480 Speaker 1: you my first time? I'm not sure the protocol. You're 661 00:43:37,520 --> 00:43:40,040 Speaker 1: doing great? Do I keep my flip flops on or 662 00:43:40,360 --> 00:43:44,080 Speaker 1: however you feel comfortable? Okay, I'll keep my flips on. Okay, 663 00:43:45,040 --> 00:43:48,399 Speaker 1: here's your robe? What was your name, Tanya? Tanya? Here's 664 00:43:48,440 --> 00:43:53,600 Speaker 1: your rope? Darling. Thank you? That's nice. Itchy, Sorry, it's 665 00:43:53,640 --> 00:43:57,080 Speaker 1: all right. Some get used to it. It's a bigger 666 00:43:57,120 --> 00:44:01,000 Speaker 1: tin than I forget for a shame tin. Are we 667 00:44:01,080 --> 00:44:04,399 Speaker 1: that talk? No? You just look at art? I see 668 00:44:04,440 --> 00:44:09,080 Speaker 1: what it? Please take this pot? Do I just eat it? 669 00:44:10,120 --> 00:44:14,760 Speaker 1: Is it a smirking yeah? Nice to meet you, Tanya. 670 00:44:15,800 --> 00:44:22,040 Speaker 1: I am a coyote. Why goody, clioty the pot smoke? 671 00:44:23,040 --> 00:44:26,520 Speaker 1: M here we go. I'm feeling a little ashamed, and 672 00:44:26,920 --> 00:44:28,920 Speaker 1: why you stare it me? Does make me feel awkward. 673 00:44:33,640 --> 00:44:35,919 Speaker 1: I'll join this drum circle for the next three days. 674 00:44:36,600 --> 00:44:49,840 Speaker 1: Oh no, oh, no more, same lily. Um. I feel 675 00:44:49,960 --> 00:44:53,640 Speaker 1: like we've been growing apart recently. Can you say that 676 00:44:53,920 --> 00:44:58,040 Speaker 1: we're in an embrace right now? Our naked bodies laying 677 00:44:58,080 --> 00:45:00,879 Speaker 1: in the field and never felt close there. And isn't 678 00:45:00,920 --> 00:45:04,080 Speaker 1: that interesting that I feel further away from you than 679 00:45:04,120 --> 00:45:10,600 Speaker 1: I've ever felt? What if I do this? Oh god, okay, okay, 680 00:45:10,719 --> 00:45:14,360 Speaker 1: that's usually where the cucumbers go. Millie, that's usual, and 681 00:45:14,440 --> 00:45:16,799 Speaker 1: that's I think that's part of the problem here. You're 682 00:45:16,840 --> 00:45:24,000 Speaker 1: not taking this seriously. Maybe right, Maybe maybe I need 683 00:45:24,120 --> 00:45:26,719 Speaker 1: some time in the shame tent. I don't know if 684 00:45:26,719 --> 00:45:30,000 Speaker 1: you can just send yourself there, will you quote me? 685 00:45:30,080 --> 00:45:32,560 Speaker 1: And wouldn't you? I don't know. It's just the way 686 00:45:32,600 --> 00:45:36,200 Speaker 1: you look at Provider recently. It just makes me feel 687 00:45:36,280 --> 00:45:38,000 Speaker 1: like I don't know what I want anymore. I don't 688 00:45:38,000 --> 00:45:39,600 Speaker 1: know which ways up, I don't know which way is down. 689 00:45:40,600 --> 00:45:43,960 Speaker 1: Some it sounds like somebody's going through about of jealousy. 690 00:45:44,680 --> 00:45:49,640 Speaker 1: Maybe I am, And that makes me feel shameful. There 691 00:45:49,719 --> 00:45:52,680 Speaker 1: you two are. What did you like some cherries today? 692 00:45:52,800 --> 00:45:55,759 Speaker 1: Which had some freshly picked cherry? Provider? Would you delay 693 00:45:55,840 --> 00:45:58,279 Speaker 1: with us? I know you're busy. I'd be happy to 694 00:45:59,000 --> 00:46:03,040 Speaker 1: come and put the best if carry is down coming here? Oh? So, 695 00:46:03,200 --> 00:46:11,359 Speaker 1: how are things well? Be just discussing? Yes, No, I'm 696 00:46:11,440 --> 00:46:15,640 Speaker 1: uncomfortable lately. And why is that. I thought I was 697 00:46:15,840 --> 00:46:17,920 Speaker 1: in a good place and then I felt this. I 698 00:46:17,960 --> 00:46:23,400 Speaker 1: thought you were turning of jealousy and resentments coming through talking. 699 00:46:23,719 --> 00:46:25,560 Speaker 1: I just feel like I thought Lily was going to 700 00:46:25,640 --> 00:46:27,680 Speaker 1: be my partner. He said, we get what you are 701 00:46:27,800 --> 00:46:30,879 Speaker 1: his partner. Isn't that right? I own you? Own her? Guy? 702 00:46:31,480 --> 00:46:36,360 Speaker 1: A ship? Oh, conn, I'm coming over. What party? We 703 00:46:36,480 --> 00:46:39,000 Speaker 1: were just discussing ownership. I'll be with you in a second, 704 00:46:39,600 --> 00:46:44,839 Speaker 1: naked Dan, Yeah, take it down or not with you? Guys? Yeah, 705 00:46:45,040 --> 00:46:48,080 Speaker 1: that's a good example of quiet. No one owns anyone here. 706 00:46:48,120 --> 00:46:50,279 Speaker 1: Why would you use such a word. Oh, I thought 707 00:46:50,600 --> 00:46:54,399 Speaker 1: she loves your property. She loves you. Isn't that enough? 708 00:46:55,320 --> 00:46:58,400 Speaker 1: I guess not. We left all those properties outside and 709 00:46:58,840 --> 00:47:02,839 Speaker 1: I forget that. Okay, that's how we were trained, it's 710 00:47:02,880 --> 00:47:05,400 Speaker 1: how we were raised, It's how we were taught. This 711 00:47:05,600 --> 00:47:08,520 Speaker 1: is a new order. He loves you, and that love 712 00:47:09,200 --> 00:47:13,280 Speaker 1: is more important than anything. Yeah, beautiful provider, that was beautiful. 713 00:47:13,480 --> 00:47:16,080 Speaker 1: How do you think Tony is doing? We're all worried 714 00:47:16,120 --> 00:47:25,040 Speaker 1: about it too. Okay, this is going crying. Let's take five. 715 00:47:26,520 --> 00:47:29,719 Speaker 1: Want to take five? I remember on your third day 716 00:47:29,880 --> 00:47:35,160 Speaker 1: you exited the shame tent with no accent. It was 717 00:47:36,000 --> 00:47:41,040 Speaker 1: amazing to finally be free. Miracles. That was one of them, 718 00:47:41,520 --> 00:47:44,920 Speaker 1: I guess, because we don't have an accent at all 719 00:47:45,120 --> 00:47:49,759 Speaker 1: to anybody. Somehow, when we leave the Shame Tent, we're 720 00:47:49,960 --> 00:47:53,200 Speaker 1: leaving your life behind, your life behind that. I'm sorry 721 00:47:53,239 --> 00:48:02,120 Speaker 1: interrupt guys, just carry on. Well that it was twice. 722 00:48:04,920 --> 00:48:08,919 Speaker 1: Have you heard any word on Tanya? Yeah? Man, she's 723 00:48:08,920 --> 00:48:12,120 Speaker 1: been in there for three days now. Nobody's lasted. I'm 724 00:48:12,160 --> 00:48:15,280 Speaker 1: feeling so much shame. Man. Oh, that's kind of the point. 725 00:48:15,960 --> 00:48:18,319 Speaker 1: Should we go out there and uh, shall we check 726 00:48:18,360 --> 00:48:22,319 Speaker 1: onto some Let's do it the big Okay? Yeah, can 727 00:48:22,360 --> 00:48:24,080 Speaker 1: we call it a wrap on that one? I think 728 00:48:24,120 --> 00:48:27,239 Speaker 1: we got that one down. Let's just wrap that one 729 00:48:27,320 --> 00:48:29,919 Speaker 1: and start a new track. You'll know when it's done. 730 00:48:31,160 --> 00:48:35,360 Speaker 1: You'll know when it's done, greeting when it's done, Tanya, 731 00:48:35,400 --> 00:48:37,520 Speaker 1: don't know when have I done? How are you feeling? 732 00:48:37,520 --> 00:48:46,640 Speaker 1: You know? I feel renewed, I I feel thirsty, and 733 00:48:47,640 --> 00:48:51,800 Speaker 1: we have lots of one. Did you see coyotes in 734 00:48:51,840 --> 00:48:57,319 Speaker 1: a drum circle? There's nothing in this tent? Man, Oh man, 735 00:48:57,520 --> 00:49:01,399 Speaker 1: there's nothing in the tent. Oh my god, you're fine 736 00:49:01,440 --> 00:49:03,800 Speaker 1: when you bring in how did you know I was 737 00:49:03,800 --> 00:49:07,120 Speaker 1: going to bring in kyos circle. Welcome to the rest 738 00:49:07,160 --> 00:49:15,080 Speaker 1: of your life. Here's some water, d is Lily's saliva. 739 00:49:15,880 --> 00:49:20,600 Speaker 1: Oh we are, we are one. Wow, it's really delicious. 740 00:49:20,920 --> 00:49:30,480 Speaker 1: Try the strange fresh squeezed. That's actually I can't wait, actually, 741 00:49:31,160 --> 00:49:36,719 Speaker 1: brothers Urine. Yeah, yeah, we preserve that. We preserved that 742 00:49:36,880 --> 00:49:41,000 Speaker 1: back during the Reagan administration. Thank you for both of 743 00:49:41,080 --> 00:49:43,320 Speaker 1: these gifts. I wish I had something to give and 744 00:49:43,400 --> 00:49:47,240 Speaker 1: return to you already gave out. Here are your shoes? 745 00:49:48,040 --> 00:49:53,640 Speaker 1: Wear them? Well, thank you. All right, we'll take the rope. Oh, 746 00:49:53,840 --> 00:49:56,640 Speaker 1: here you go. You won't need the head anymore. Okay, 747 00:49:57,560 --> 00:50:01,399 Speaker 1: remember everybody, it's a good time to remember brother. If 748 00:50:01,440 --> 00:50:04,640 Speaker 1: ever you want to leave and go into the real 749 00:50:04,800 --> 00:50:08,799 Speaker 1: estate market that is San Francisco. Oh, good luck, I'm 750 00:50:08,920 --> 00:50:14,879 Speaker 1: feel free. Good luck, I feel free. Right. The hates change, man, 751 00:50:15,080 --> 00:50:18,439 Speaker 1: the castros changed. Tender Loin is still the same. Yeah, 752 00:50:19,360 --> 00:50:22,040 Speaker 1: tell us about the last time you were there. Oh, man, 753 00:50:23,200 --> 00:50:26,440 Speaker 1: well I was. I was looking for some uppers in 754 00:50:26,480 --> 00:50:36,759 Speaker 1: the Tenderloin. And yeah, brother, you do. I'm okay, man, hey, 755 00:50:37,040 --> 00:50:41,080 Speaker 1: looking looking the trade man, looking to what you got. 756 00:50:41,920 --> 00:50:44,480 Speaker 1: I'm willing to give sexual favors what do you think 757 00:50:44,520 --> 00:50:50,239 Speaker 1: I got? Alright, here's some uppers. There's some uppers, all right, 758 00:50:50,520 --> 00:51:00,600 Speaker 1: man take them? Oh man, a bad trip? Oh fuck, 759 00:51:00,800 --> 00:51:06,640 Speaker 1: bad trip. Wow, that's a referend. Yeah, he came to 760 00:51:06,760 --> 00:51:10,520 Speaker 1: her shortly thereafter. Did you have to do the favors? No? 761 00:51:10,680 --> 00:51:13,399 Speaker 1: I didn't. I did have to start a tech company though, 762 00:51:16,320 --> 00:51:21,560 Speaker 1: you know Uber Uber that was mine? That was my No. Yeah, 763 00:51:22,160 --> 00:51:26,600 Speaker 1: how do you spell that? Oh? Oh b r like 764 00:51:26,800 --> 00:51:33,000 Speaker 1: gouber without the G for a minute, never mind, Look 765 00:51:33,040 --> 00:51:36,600 Speaker 1: at the time. It's time for me to leave you all, Lily. 766 00:51:36,600 --> 00:51:38,680 Speaker 1: I'll miss you. What are you doing with a watch man? 767 00:51:39,640 --> 00:51:41,759 Speaker 1: Where is he going? You'll know it's not only do 768 00:51:41,800 --> 00:51:46,120 Speaker 1: I have to watch I have this blazer. Wow, and 769 00:51:46,680 --> 00:51:51,560 Speaker 1: its sharp? That's my blazer. What are you doing? It's 770 00:51:51,600 --> 00:51:54,440 Speaker 1: time for me to go. Are you going back? I'm 771 00:51:54,520 --> 00:51:56,880 Speaker 1: coming back. We'll miss you, dar, I've just been all 772 00:51:56,920 --> 00:51:59,200 Speaker 1: this time in the shame town. Well, you enjoy yourself. 773 00:52:00,000 --> 00:52:01,839 Speaker 1: Remember we're here for you if you want back into 774 00:52:01,920 --> 00:52:06,759 Speaker 1: this world. Okay, any advice for me as I don't go, 775 00:52:07,760 --> 00:52:10,520 Speaker 1: don't go. I drank that man's piss. I drank that 776 00:52:10,600 --> 00:52:13,799 Speaker 1: woman's spit. Now people are just leaving and you're you're 777 00:52:13,840 --> 00:52:18,879 Speaker 1: headed out there with nothing. You're going to just walk 778 00:52:18,960 --> 00:52:22,040 Speaker 1: out into San Francisco and try and get in a blazer, 779 00:52:22,200 --> 00:52:26,319 Speaker 1: watch and nothing else. I'm gonna fit right in. We'll 780 00:52:26,360 --> 00:52:30,759 Speaker 1: see you soon, God Spain. Shall we draw circle him out? 781 00:52:32,200 --> 00:52:35,440 Speaker 1: Let's take it from the top and so are you 782 00:52:35,560 --> 00:52:41,520 Speaker 1: still Australian jumped down and our producer Doug Bane, our 783 00:52:41,640 --> 00:52:45,839 Speaker 1: engineer saying, please bang the table more. Nothing sounds more 784 00:52:45,880 --> 00:52:50,640 Speaker 1: delightful in the podcast and the distant table Pound thank 785 00:52:50,680 --> 00:52:55,040 Speaker 1: all of our alchemists today. Let's go around, uh slowly 786 00:52:55,280 --> 00:53:00,040 Speaker 1: but surely, starting with our guests alchemists. I can't I 787 00:53:00,360 --> 00:53:03,560 Speaker 1: didn't say Amanda Blake Nelson as hardly and as deeply 788 00:53:03,600 --> 00:53:07,160 Speaker 1: and as sincerely as I thought I would. Amanda Blake Davis, 789 00:53:07,239 --> 00:53:11,560 Speaker 1: thank you how much for being with you. Come back 790 00:53:11,600 --> 00:53:14,120 Speaker 1: and see us soon. Please. Where can folks find you? 791 00:53:14,440 --> 00:53:17,560 Speaker 1: West Side Comedy Theater course with heyde Day. You can 792 00:53:17,680 --> 00:53:20,520 Speaker 1: come see me at Baby Once Candy on Friday nights 793 00:53:21,280 --> 00:53:26,640 Speaker 1: you ceb sunset fantastic. Yeah all right? Uh social media, 794 00:53:26,680 --> 00:53:30,360 Speaker 1: do you want to shout that out? Yeah? If you like, 795 00:53:30,640 --> 00:53:36,239 Speaker 1: if you love little dogs, then follow me at Miss 796 00:53:36,239 --> 00:53:40,040 Speaker 1: Amanda Blake on Instagram to see my dog Linda, Linda. 797 00:53:40,280 --> 00:53:42,600 Speaker 1: I love the name Linda. Yeah, she's grateful. It's a 798 00:53:42,600 --> 00:53:45,000 Speaker 1: strong name. Christop Barado. What do you got for um? 799 00:53:45,080 --> 00:53:49,279 Speaker 1: Not much, just really thankful of gratitude. We're all thanks 800 00:53:49,320 --> 00:53:52,520 Speaker 1: feeling good. Yeah, that's that. Don't just be thankful in November. 801 00:53:52,760 --> 00:53:57,480 Speaker 1: Hey you're around baby? Is it November? Okay, that's that thanksgiving. 802 00:53:59,800 --> 00:54:02,520 Speaker 1: I tend to be just thankful in November. Yeah, yeah, yeah, 803 00:54:02,520 --> 00:54:04,120 Speaker 1: I know you can do it your It turns out 804 00:54:04,239 --> 00:54:08,320 Speaker 1: thanks to you. I know. It's okay. Now, James Ceney 805 00:54:09,360 --> 00:54:12,399 Speaker 1: on the Real James ceni YouTube channel, please check out 806 00:54:12,600 --> 00:54:15,840 Speaker 1: this rusher thing where I played John Bolton. I'm excited 807 00:54:15,840 --> 00:54:19,840 Speaker 1: about this. It's for it's the most terrible, amazing impression 808 00:54:19,840 --> 00:54:22,320 Speaker 1: of John Bolton. Uh And folks find it at the 809 00:54:22,480 --> 00:54:27,120 Speaker 1: Real James Ceni Yes, okay. Craig Kowski at Kaikowski on 810 00:54:27,200 --> 00:54:30,320 Speaker 1: Twitter or at Orange Sucks Improv for shows with me 811 00:54:30,400 --> 00:54:33,120 Speaker 1: and my wife Carla. You can see us around town 812 00:54:33,160 --> 00:54:35,479 Speaker 1: at the West Side Comedy Theater occasionally the Second City. 813 00:54:35,719 --> 00:54:39,759 Speaker 1: And we're going to Warsaw, Poland that's exciting as hell. Yeah. 814 00:54:40,160 --> 00:54:47,080 Speaker 1: Back to the homeland, as it were, but that's Dnasy 815 00:54:47,120 --> 00:54:50,439 Speaker 1: typewriter dot com. Check the calendar, the amazing events. Yeah, 816 00:54:50,800 --> 00:54:55,560 Speaker 1: I just found Linda on Instagram. Big fan, immediate fan. Yeah, 817 00:54:55,960 --> 00:54:58,080 Speaker 1: you can see my dog corn Bread barely and my 818 00:54:58,239 --> 00:55:00,879 Speaker 1: son more on my Instagram. Sure I'm not as cute 819 00:55:00,880 --> 00:55:06,040 Speaker 1: as Linda. I'm on record, you're a giver, not a taker. 820 00:55:06,360 --> 00:55:08,200 Speaker 1: And thanks to our engineer Doug Bame. Thank you Du 821 00:55:09,680 --> 00:55:14,880 Speaker 1: and our post sound design artists Raphaelbrito, our producer Sophie 822 00:55:14,920 --> 00:55:18,919 Speaker 1: Lichtman Litman and lastly I Heard Media of course, thanks 823 00:55:18,960 --> 00:55:21,160 Speaker 1: for the auspiceys and the support. I encourage all of 824 00:55:21,200 --> 00:55:23,080 Speaker 1: you to write a review for the show. It would 825 00:55:23,080 --> 00:55:24,920 Speaker 1: help us a whole bunch. Tell everyone you've ever met 826 00:55:24,960 --> 00:55:27,000 Speaker 1: as always, and write to us at your name here 827 00:55:27,480 --> 00:55:30,479 Speaker 1: this dot com on the way out. But I would 828 00:55:30,560 --> 00:55:32,839 Speaker 1: like for the people who to write in to also 829 00:55:32,880 --> 00:55:34,839 Speaker 1: give us their social media handle, because it'd be kind 830 00:55:34,840 --> 00:55:38,080 Speaker 1: of fun to tag them in these difference suggestions. Yeah, 831 00:55:38,120 --> 00:55:40,480 Speaker 1: when you're write to the website at your name here, 832 00:55:40,560 --> 00:55:42,480 Speaker 1: lock me this dot com. If you want to join 833 00:55:42,640 --> 00:55:46,040 Speaker 1: that circle, we'd love to welcome you in and share 834 00:55:46,120 --> 00:55:48,840 Speaker 1: whatever you have for regarding this show or parts of 835 00:55:49,239 --> 00:55:53,279 Speaker 1: your own shows. That is life through our social media 836 00:55:53,320 --> 00:55:56,759 Speaker 1: as well. Yeah, we'd love to expand the community. Thank 837 00:55:56,800 --> 00:55:59,640 Speaker 1: you Christ. It's a great day social media manage. Yeah, 838 00:55:59,880 --> 00:56:02,880 Speaker 1: I've been tuh know, he's a killer and uh we 839 00:56:03,000 --> 00:56:05,759 Speaker 1: have set him free needless the same. Your name here 840 00:56:05,760 --> 00:56:09,440 Speaker 1: atlcomy this dot com Until next time, I'm Kevin Pollock. 841 00:56:11,640 --> 00:56:12,279 Speaker 1: That's