WEBVTT - Setting the Record Straight with Paul Feig

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<v Speaker 1>Welcome everyone to this episode of being the in TJ.

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<v Speaker 1>We have a legend in the studio. Well have you

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<v Speaker 1>heard of a little movie called Bridesmaids? Or how about

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<v Speaker 1>the Heat? There's Ghostbusters from twenty sixteen, a simple favor

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<v Speaker 1>and this soon to be new mega hit another simple favor.

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<v Speaker 1>And I'm just talking about the big screen small screen.

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<v Speaker 1>I mean Freaks and Geeks, Arrested, Development, Nurse Jackie, Madmen,

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<v Speaker 1>the Office, Parks and Recreation, thirty Rock. I mean, it

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<v Speaker 1>just goes on and on and on.

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<v Speaker 2>I'm exhausted hearing about my career.

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<v Speaker 1>But TJ. Obviously we're talking about producer, director, and the

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<v Speaker 1>amazing man behind all of this, the comedic genius Paul

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<v Speaker 1>fig But he's more than that to us, is he not?

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<v Speaker 3>He is, And we haven't talked about this with him yet.

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<v Speaker 3>He's in the studio right here. We're going to talk

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<v Speaker 3>to him. But Paul, you you were one of the

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<v Speaker 3>very last interviews we did before leaving ABC. Yes, you

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<v Speaker 3>were one of the very last ones. And we walked

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<v Speaker 3>out of that interview. I said, yes, we're familiar with

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<v Speaker 3>you movies that that is my favorite director. Because we

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<v Speaker 3>met you, we were so excited Rose that day, like

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<v Speaker 3>he is the coolest freakin' dude, and we had the

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<v Speaker 3>greatest time with you, and that is one of our

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<v Speaker 3>final memories of ABC.

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<v Speaker 2>I'm not kidding.

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<v Speaker 4>I remember it very fondly, very fondly. We were making martiniz.

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<v Speaker 1>Right, yes exactly, we were making mocktails, remember that, because

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<v Speaker 1>it's Disney and we weren't allowed to actually use alcohol.

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<v Speaker 1>But I do believe you left behind a gift for TJ.

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<v Speaker 2>Yes, yeah, a.

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<v Speaker 3>Bottle of your gins, which I will I'll do. I'll

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<v Speaker 3>tell it at the end, But you when we left ABC, Paul.

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<v Speaker 3>This sounds crazy, but one of the first disappointments and

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<v Speaker 3>things that came to my mind had to do with

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<v Speaker 3>a memory of you.

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<v Speaker 2>And I'll explain at the end. I cyppointing people.

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<v Speaker 3>But yeah, but welcome everybody, who's the Paul Veiga two.

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<v Speaker 2>I'm with you.

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<v Speaker 1>Oh, we are so excited, and today is a big

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<v Speaker 1>day because last night we're recording this the day after

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<v Speaker 1>your big movie premiere here in New York with the

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<v Speaker 1>red carpet. What did how? How did it go? How

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<v Speaker 1>did you feel?

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<v Speaker 2>It was fantastic? It was so much fun.

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<v Speaker 4>We did it an Jazz at Lincoln Center, which is

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<v Speaker 4>an amazing theater to show movies in. Dear Hollywood. Do

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<v Speaker 4>all your premieres in New York at that jazz Jazz.

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<v Speaker 4>It's it's fantastic because we always used to do premieres

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<v Speaker 4>at the Zigfeld and then that closed. And the Zigfeld

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<v Speaker 4>was nice because it was big, but it was always

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<v Speaker 4>kind of a barn and it was really long and narrow,

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<v Speaker 4>and the kind of sound wasn't great and stuff. So

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<v Speaker 4>this it was just spectacular, you know, eleven hundred people

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<v Speaker 4>and the place was rocking.

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<v Speaker 2>You know.

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<v Speaker 4>The movie's very fun. It gets a lot of response

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<v Speaker 4>from an audience. Yeah, laughs and screams and gasps and

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<v Speaker 4>all that kind of thing, and it was we just

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<v Speaker 4>had the best time. How's the New your premiere compared

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<v Speaker 4>to a LA premiere? I like a New York premiere

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<v Speaker 4>a little bit better, just because people are very responsive.

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<v Speaker 2>You know, LA is such a dustry town.

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<v Speaker 1>I mean, you know, they hoot and holler and share, you.

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<v Speaker 4>Know, so they're like, okay, well, you know, because there's

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<v Speaker 4>a my people in the business who are too cool

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<v Speaker 4>to laugh. But we still get good audiences in LA.

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<v Speaker 1>But New York, you know God, yeah, I mean in

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<v Speaker 1>the movie is just like you said, it's a fun

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<v Speaker 1>wild ride and it's just beautiful to look at all.

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<v Speaker 2>Thanks.

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<v Speaker 1>I mean, Capri, does it get? Does it get more

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<v Speaker 1>beautiful than that?

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<v Speaker 4>Wherever you point a camera in Capri, you got a

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<v Speaker 4>beautiful shot. So yeah, it was I'm I'm you know,

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<v Speaker 4>I really wanted to make this eye candy make it.

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<v Speaker 2>You know.

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<v Speaker 4>The keyword for these simple favorite movies is they have

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<v Speaker 4>to be delicious, and I think this one's extra delicious.

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<v Speaker 2>We have to be honest.

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<v Speaker 3>We missed about a third of the movie because we

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<v Speaker 3>were planning our next vacation because we were so inspired

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<v Speaker 3>by what we were seeing.

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<v Speaker 4>You were, well, that's my favorite place of vacation, and

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<v Speaker 4>I just can really, I completely screwed myself because now

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<v Speaker 4>whoever's going to book and I'm gonna be get it's

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<v Speaker 4>so true.

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<v Speaker 1>You're gonna white Lotus Caprio. Everyone's gonna watch the movie

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<v Speaker 1>and then book their plane tickets and no one's going

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<v Speaker 1>to get into.

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<v Speaker 2>Gabrie this year.

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<v Speaker 1>That's hilarious. So I was looking today because it's been

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<v Speaker 1>wildly just people love this movie for the exact reason

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<v Speaker 1>you said. It's fun it's amazing, the cast incredible. You've

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<v Speaker 1>got Blake and Anna. And then I was looking at

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<v Speaker 1>some of these stupid headlines and I know you've been

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<v Speaker 1>dealing with a lot with them, but there's this like

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<v Speaker 1>fake beef that and I cannot stand this when people

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<v Speaker 1>pit and I say people, but certain and I don't

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<v Speaker 1>even want to call them journalists, certain outlets try to

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<v Speaker 1>pit women against each other. And they were even doing

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<v Speaker 1>like body language experts as to how Anna and Blake

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<v Speaker 1>were on the red carpet last.

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<v Speaker 4>Night, flat out misogyny heads. I mean, I'm telling you,

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<v Speaker 4>it drives me crazy. And I spend all the I

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<v Speaker 4>spend half my time putting these rumors out. We were just

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<v Speaker 4>in Austin in the you know, the south By Southwest

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<v Speaker 4>Film Festival. I'm in the back with with Anna and

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<v Speaker 4>Blake and then the rest of the cast, and we're

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<v Speaker 4>doing these videos together and they're having the best time

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<v Speaker 4>and they're talking and laughing and all this stuff. And

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<v Speaker 4>then like people are putting on the internet, Oh, you know,

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<v Speaker 4>Blake's very mad at all this all, Like you guys,

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<v Speaker 4>it doesn't it's not true, but they just I don't know,

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<v Speaker 4>they somehow they love the pit women against each other.

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<v Speaker 1>And then I was just putting myself in their place

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<v Speaker 1>because they were saying that Anna Side hugged Blake, and

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<v Speaker 1>I'm just thinking that gets in your head. You think

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<v Speaker 1>everything I do, every move I make. Anytime you've been

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<v Speaker 1>followed by paparazzi, you know every facial expression you make

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<v Speaker 1>is going to be misinterpreted to fit the narrative that

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<v Speaker 1>they wanted to I was angry for it.

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<v Speaker 3>We've been fighting before, and I say, look, we got

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<v Speaker 3>a whole hands yeah, crushing each other.

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<v Speaker 1>Smile, don't look like you're not at me, because there'll

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<v Speaker 1>be a whole story about it.

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<v Speaker 4>But you know what, there's so much useless outrage these days.

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<v Speaker 4>There's plenty of stuff to be outraged about, my god,

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<v Speaker 4>right now, there's but the outrage over pop culture and

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<v Speaker 4>that kind of stuff is like, you, guys, you gotta

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<v Speaker 4>get channel that energy into some meaningful Please stop with

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<v Speaker 4>it all.

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<v Speaker 3>But you said just a second ago, how you put it,

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<v Speaker 3>But you feel like you're trying to put out fires.

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<v Speaker 3>You still, as much as that stuff is out there,

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<v Speaker 3>you still feel like it's necessary to find a way.

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<v Speaker 3>From a business standpoint and maybe from a personal standpoint

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<v Speaker 3>to still try.

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<v Speaker 2>To combat some of those headlines. You know what I mean.

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<v Speaker 4>I mean, business wise, it's not bad and any controversy

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<v Speaker 4>is good. I'm always like, no press is bad press.

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<v Speaker 4>But I just I know these people, and I like

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<v Speaker 4>these people so much that I work with that I

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<v Speaker 4>want to defend them when somebody just telling blatant lies.

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<v Speaker 2>It makes me crazy.

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<v Speaker 4>Because you know, and it's why, you know, I have

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<v Speaker 4>so many rules that I break all the time. But

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<v Speaker 4>you know, I really screwed up on social media when

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<v Speaker 4>Ghostbusters came out because I started fighting publicly with trolls

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<v Speaker 4>and it's losing them every time, every time, and I

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<v Speaker 4>was like, okay, so I never again. Just don't respond those.

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<v Speaker 4>But sometimes some of you will just say something is

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<v Speaker 4>so infuriating and they've got enough of a reach where

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<v Speaker 4>you're like, I just I gotta stamp this.

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<v Speaker 1>Yeah, do you went on Twitter when obviously we know

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<v Speaker 1>all of the the Blake and Ryan have been going

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<v Speaker 1>through it with all of the Justin Valdini thing. You

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<v Speaker 1>actually did though, You broke your rule and you went

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<v Speaker 1>onto Twitter to defend her.

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<v Speaker 2>Yeah. I love Blake.

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<v Speaker 4>I love Blake, and you know, I just I don't

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<v Speaker 4>like to see people who I really like, who I

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<v Speaker 4>know are good people to get, you know, get bad

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<v Speaker 4>mouth are just to be taken down for false reasons.

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<v Speaker 3>What you just said, I haven't heard anybody say it

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<v Speaker 3>in a while. There's no press is bad prece but

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<v Speaker 3>that still kind of sticks in a situation like this.

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<v Speaker 3>There's a curiosity people are talking about it.

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<v Speaker 2>They're going to possibly about awareness. You want to be

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<v Speaker 2>aware of your project, whatever it is.

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<v Speaker 4>And if they're talking about they're talking about it, if

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<v Speaker 4>they're gonna hate watch it? Sure, Hey, you know, click's

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<v Speaker 4>the same as a click or taking the box office

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<v Speaker 4>is the same whether you liked it or hate or.

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<v Speaker 1>So another simple favor. It drops on Amazon Prime Video

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<v Speaker 1>on May first. So what is when you when you

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<v Speaker 1>measure success with versus the theaters? How do you how

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<v Speaker 1>do you measure success as a director of Prouser when

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<v Speaker 1>you're when your projects live in streaming?

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<v Speaker 4>Well, I mean they the metrics change a lot. It

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<v Speaker 4>used to be completion rates, you know, like who watches

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<v Speaker 4>at the end. Then it was like minutes watch. Then

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<v Speaker 4>it's kind of like how far into it they go?

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<v Speaker 4>So they keep kind of moving the bar for me,

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<v Speaker 4>It's just like whether we're getting talked about, whether I'm

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<v Speaker 4>getting good feedback people like it, and then whatever number

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<v Speaker 4>metric they have, if it's high for however they're judging it,

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<v Speaker 4>I'm happy.

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<v Speaker 2>So but it's a little hard, you know. I'm so

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<v Speaker 2>I'm such an.

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<v Speaker 4>Old school, you know, theatrical guy that I used to

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<v Speaker 4>box office an opening weekend. So you know, my last

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<v Speaker 4>it's I think my fourth movie now that's been a streamer,

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<v Speaker 4>and uh, you know, it's different. I love being in theaters.

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<v Speaker 4>You know, thank you Amazon for for letting us make

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<v Speaker 4>this movie. But you know, I'm excited that my next

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<v Speaker 4>movie is going to be in theaters on Christmas.

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<v Speaker 2>So you said four movies of yours have gone, You've

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<v Speaker 2>done the streaming thing. Does it?

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<v Speaker 3>How do the Does the process feel any different if

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<v Speaker 3>you're shooting a movie that's going to Yeah, you're.

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<v Speaker 2>Already shaking hand. Yeah, the same. What about promotion and

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<v Speaker 2>how you go about getting word out?

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<v Speaker 4>I mean, the slippery thing is that, like almost all

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<v Speaker 4>theatrical movies kind of go into the culture and become

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<v Speaker 4>a thing unless they're really really small, but they get

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<v Speaker 4>talked about. People want to talk about movies for some

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<v Speaker 4>reason streamers. I think there's so many movies that come

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<v Speaker 4>out on streaming and some of the TV shows, and

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<v Speaker 4>there's certain movies that they call kind of programmers, which

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<v Speaker 4>are just kind of like filler. You know, those generally

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<v Speaker 4>become the giant hits, you know, that the unexpected thing,

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<v Speaker 4>like some weird little Western romance or something suddenly goes

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<v Speaker 4>through the roof and takes out the movie that costs

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<v Speaker 4>two hundred million dollars. But yeah, it's I find it

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<v Speaker 4>slightly harder to get people excited about streaming movies. This

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<v Speaker 4>one's different because it's you know, it's got the pedigree

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<v Speaker 4>of being a sequel that people really liked. But in generally, yeah,

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<v Speaker 4>you kind of got to fight a little harder to

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<v Speaker 4>get people to watch.

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<v Speaker 1>A simple favor. I mean, I love that the original

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<v Speaker 1>of the first movie in that it really became him

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<v Speaker 1>a cult classic and it took was it. I mean

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<v Speaker 1>I watched it streaming, I didn't watch it in the theater. Yeah,

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<v Speaker 1>and so you see how these movies get life. And

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<v Speaker 1>at what point were you then thinking I can do

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<v Speaker 1>a sequel for this movie.

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<v Speaker 4>Yeah, because you're right, I mean, it did really well

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<v Speaker 4>in the theaters. We made like one hundred million dollars

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<v Speaker 4>worldwide off of a twenty million dollar budget, so that

0:10:21.000 --> 0:10:24.280
<v Speaker 4>was considered success, but still that only has limited reach. Yeah,

0:10:24.320 --> 0:10:26.760
<v Speaker 4>it was really during the pandemic. I think when it

0:10:26.880 --> 0:10:27.400
<v Speaker 4>really started.

0:10:27.440 --> 0:10:29.360
<v Speaker 1>That's when I saw it. That is when I saw it.

0:10:29.440 --> 0:10:31.120
<v Speaker 4>Yeah, and then it's just and then when it hit

0:10:31.240 --> 0:10:32.920
<v Speaker 4>net because that was I think it was on Amazon

0:10:33.000 --> 0:10:34.320
<v Speaker 4>I think, and then when I went to Netflix it

0:10:34.320 --> 0:10:36.360
<v Speaker 4>they had this whole resurgence. We were number one all

0:10:36.360 --> 0:10:38.320
<v Speaker 4>over the world, and it was that was when we

0:10:38.320 --> 0:10:39.959
<v Speaker 4>were kind of like, well, maybe we should. There was

0:10:40.040 --> 0:10:42.240
<v Speaker 4>interest in doing it. It's always been a I love

0:10:42.280 --> 0:10:44.600
<v Speaker 4>these characters, and it's always when I was like, maybe

0:10:44.679 --> 0:10:56.040
<v Speaker 4>there is a sequel in those I think yeah, And

0:10:56.040 --> 0:10:57.560
<v Speaker 4>so that just kind of was like, let's do it.

0:10:57.600 --> 0:10:59.240
<v Speaker 4>And Amazon stepped up. We had a little bit of

0:10:59.240 --> 0:11:01.880
<v Speaker 4>a bidding war with other places, but they did it.

0:11:01.960 --> 0:11:04.840
<v Speaker 1>That's what you mentioned because I was telling TJ. Obviously

0:11:04.840 --> 0:11:07.520
<v Speaker 1>we love you for your brilliant mind and also just

0:11:07.559 --> 0:11:10.720
<v Speaker 1>your amazing personality, but I love as a woman how

0:11:10.840 --> 0:11:16.720
<v Speaker 1>much you have put strong female leads in big movies

0:11:16.960 --> 0:11:20.200
<v Speaker 1>box office successes. Just reiterating the fact that women can

0:11:20.280 --> 0:11:22.680
<v Speaker 1>sell tickets and women will go out to watch other women?

0:11:23.679 --> 0:11:27.120
<v Speaker 1>What have you all? Like, Melissa McCarthy like, obviously you

0:11:27.160 --> 0:11:29.960
<v Speaker 1>just think about all your movies. What is it about

0:11:30.120 --> 0:11:32.320
<v Speaker 1>that you weren't afraid to do that? I think you

0:11:32.320 --> 0:11:34.560
<v Speaker 1>know it's it wasn't about romance and this is about

0:11:34.559 --> 0:11:39.120
<v Speaker 1>the girl getting the guy. They're interesting, creative, unique stories

0:11:39.160 --> 0:11:42.560
<v Speaker 1>about powerful, interesting, diverse women. Yeah.

0:11:42.679 --> 0:11:45.360
<v Speaker 4>I mean, I just I love I love women. I

0:11:45.520 --> 0:11:48.040
<v Speaker 4>all my friends have been women. You know, since I

0:11:48.120 --> 0:11:49.679
<v Speaker 4>was a kid, and I was an only child, I

0:11:49.800 --> 0:11:52.280
<v Speaker 4>was really close with my mom, and I've always hated

0:11:52.280 --> 0:11:54.559
<v Speaker 4>the way that women are portrayed in movies in the

0:11:54.640 --> 0:11:57.720
<v Speaker 4>last number of decades versus the movies of the thirties

0:11:57.720 --> 0:11:59.640
<v Speaker 4>and forties, when all the women were kind of equals

0:11:59.640 --> 0:12:02.240
<v Speaker 4>with the men, and they were strong characters and stuff

0:12:02.480 --> 0:12:05.120
<v Speaker 4>and three dimensional. And then suddenly, you know, especially in

0:12:05.160 --> 0:12:08.600
<v Speaker 4>the comedy world, it became very male dominated and all

0:12:08.640 --> 0:12:10.560
<v Speaker 4>the women were just kind of props and you know,

0:12:10.720 --> 0:12:13.720
<v Speaker 4>just foils and stuff like this. And I knew so

0:12:13.720 --> 0:12:17.680
<v Speaker 4>many talented women in the business who were playing these

0:12:17.760 --> 0:12:20.240
<v Speaker 4>terrible roles on screen and not getting to showcase what

0:12:20.320 --> 0:12:22.400
<v Speaker 4>they do. And I was just like I want to

0:12:22.520 --> 0:12:24.880
<v Speaker 4>correct that. And also I just I'm just I'm just

0:12:24.880 --> 0:12:26.920
<v Speaker 4>more interested in stories about women. I don't know it

0:12:27.040 --> 0:12:29.319
<v Speaker 4>just for some reason. I grew up watching all these

0:12:29.320 --> 0:12:31.839
<v Speaker 4>male dominated stories, and it's fine, and I enjoy those,

0:12:31.880 --> 0:12:33.480
<v Speaker 4>but I don't have a lot to say about those

0:12:33.880 --> 0:12:35.000
<v Speaker 4>about the male condition.

0:12:36.960 --> 0:12:39.360
<v Speaker 3>You said, naturally, you gravitate me, you talk about your

0:12:39.360 --> 0:12:42.120
<v Speaker 3>friends and the people you're around. But did you also

0:12:42.160 --> 0:12:44.080
<v Speaker 3>identify an opportunity and avoid.

0:12:44.440 --> 0:12:47.800
<v Speaker 4>Well, I mean, it wasn't It wasn't that calculated, you know.

0:12:48.040 --> 0:12:49.720
<v Speaker 4>I was just I kind of just relate to these

0:12:49.720 --> 0:12:52.360
<v Speaker 4>female characters more. And after I did Freaks and Geeks.

0:12:52.640 --> 0:12:54.480
<v Speaker 4>You know, my favorite character right for it was Lindsay,

0:12:54.600 --> 0:12:57.600
<v Speaker 4>you know, the part that Linda Carter Leading played, And

0:12:57.640 --> 0:12:58.959
<v Speaker 4>so coming out of that, I was like, I want

0:12:58.960 --> 0:13:02.920
<v Speaker 4>to tell more female centric stories and started pitching them.

0:13:02.960 --> 0:13:06.439
<v Speaker 4>But then that would always be told by whatever studio person.

0:13:06.559 --> 0:13:09.320
<v Speaker 4>Oh no, you can't, because internationally women don't sell blah

0:13:09.320 --> 0:13:11.760
<v Speaker 4>blah blah, and you kind of you. I was green

0:13:11.880 --> 0:13:13.559
<v Speaker 4>enough then to go like, oh, oh, I didn't realize

0:13:13.600 --> 0:13:16.199
<v Speaker 4>it was a rule. Sorry, sorry, And then after a

0:13:16.240 --> 0:13:17.720
<v Speaker 4>number of years you started going like, well, why is

0:13:17.720 --> 0:13:20.000
<v Speaker 4>that a rule? That's crazy. Like women are more than

0:13:20.040 --> 0:13:23.560
<v Speaker 4>half the population of the planet. Clearly they want to

0:13:23.559 --> 0:13:26.720
<v Speaker 4>see stuff, you know, that they can relate to. And

0:13:26.760 --> 0:13:30.880
<v Speaker 4>then fortunately, you know, Bridesmaids came along, you know, and

0:13:30.640 --> 0:13:33.360
<v Speaker 4>then jud had it had just worked with Kristin and

0:13:33.400 --> 0:13:35.719
<v Speaker 4>I'd worked with Kristin on a movie, a Christmas movie

0:13:35.760 --> 0:13:39.120
<v Speaker 4>that I'd made, and you know, he was like, hey,

0:13:39.120 --> 0:13:41.120
<v Speaker 4>I know you like to do female centric stuff. You

0:13:41.160 --> 0:13:43.319
<v Speaker 4>want to, you know, work on this. And it took

0:13:43.320 --> 0:13:45.320
<v Speaker 4>a few years, kind of fell apart for three years,

0:13:45.360 --> 0:13:47.240
<v Speaker 4>and then it came back out of out of nowhere

0:13:47.280 --> 0:13:48.240
<v Speaker 4>and thank God.

0:13:48.120 --> 0:13:48.560
<v Speaker 2>For the movie.

0:13:48.720 --> 0:13:51.240
<v Speaker 3>Is that pushback you talk about steel there or is

0:13:51.240 --> 0:13:54.160
<v Speaker 3>it has there been enough success with female leaves that

0:13:54.160 --> 0:13:54.559
<v Speaker 3>that's not.

0:13:54.679 --> 0:13:57.160
<v Speaker 4>I can only speak for myself. I now that I'm

0:13:57.200 --> 0:13:58.880
<v Speaker 4>known that I do that. It just I don't get

0:13:58.920 --> 0:13:59.920
<v Speaker 4>a lot of pushback on that.

0:14:00.040 --> 0:14:04.240
<v Speaker 2>I'm the man now when I was green.

0:14:05.920 --> 0:14:07.880
<v Speaker 4>But what I think though, is I don't know if

0:14:08.240 --> 0:14:10.000
<v Speaker 4>that happens for a lot of other people. And so

0:14:10.160 --> 0:14:14.000
<v Speaker 4>there's still there's not enough women, you know, there's still

0:14:14.080 --> 0:14:17.040
<v Speaker 4>the disparity is still too wide.

0:14:17.320 --> 0:14:19.480
<v Speaker 1>It's just I just love how creative you are with

0:14:19.480 --> 0:14:21.960
<v Speaker 1>with the roles too, and the types of stories you're

0:14:22.000 --> 0:14:24.800
<v Speaker 1>telling about women and they're funny, and I just I love, love,

0:14:24.840 --> 0:14:27.440
<v Speaker 1>love love watching all of your movies. You mentioned we

0:14:27.600 --> 0:14:30.120
<v Speaker 1>well you're very busy. But I've seen you your inking

0:14:30.160 --> 0:14:32.720
<v Speaker 1>deals here, your inking deals there. You've got multi year

0:14:32.760 --> 0:14:36.560
<v Speaker 1>contracts movies with Lionsgate. You just did is it Warner

0:14:36.600 --> 0:14:40.240
<v Speaker 1>Brothers for television? So what, like, what are you? What's next?

0:14:40.320 --> 0:14:41.240
<v Speaker 1>I'm so excited.

0:14:41.640 --> 0:14:43.160
<v Speaker 4>Oh, we had a lot of stuff in the pipeline.

0:14:43.280 --> 0:14:45.440
<v Speaker 4>It's very exciting. Yeah, we're I mean, we're just developing

0:14:45.480 --> 0:14:46.200
<v Speaker 4>a lot of things.

0:14:46.240 --> 0:14:46.400
<v Speaker 2>You know.

0:14:46.440 --> 0:14:49.680
<v Speaker 4>I love television. That's you know, that's where I came from. Uh,

0:14:49.840 --> 0:14:52.000
<v Speaker 4>movies are my passion. But yeah, there's a lot of

0:14:52.000 --> 0:14:54.400
<v Speaker 4>TV projects. There's the original that I wrote that we're

0:14:54.440 --> 0:14:56.000
<v Speaker 4>trying to they were setting up right now.

0:14:57.120 --> 0:14:58.080
<v Speaker 2>That will be a lot of fun.

0:14:58.120 --> 0:15:00.480
<v Speaker 4>And we just have a lot of all the people

0:15:00.560 --> 0:15:03.760
<v Speaker 4>we work with. You know, I get tired of my

0:15:04.080 --> 0:15:06.960
<v Speaker 4>own voice in my work, and so that's why it's

0:15:07.160 --> 0:15:11.080
<v Speaker 4>I don't write a lot of original movies anymore, as

0:15:11.120 --> 0:15:14.400
<v Speaker 4>much as I'll rewrite ideas that are brought to us,

0:15:14.440 --> 0:15:17.000
<v Speaker 4>because I want other people's take on the world. You know,

0:15:18.640 --> 0:15:21.680
<v Speaker 4>it's really exciting to get something that you would never

0:15:21.720 --> 0:15:24.280
<v Speaker 4>have thought of yourself, you know, or what. Like, I

0:15:24.320 --> 0:15:25.880
<v Speaker 4>love watching things that I just like, you know, I

0:15:25.960 --> 0:15:29.360
<v Speaker 4>just saw Sinners, which is the most amazing movie. It's amazing,

0:15:29.440 --> 0:15:31.880
<v Speaker 4>and I just thought, I just Ryan, like, how did

0:15:31.880 --> 0:15:34.080
<v Speaker 4>you write that? But like that comes from his experience

0:15:34.120 --> 0:15:36.360
<v Speaker 4>and things that he wanted to say. And I love

0:15:36.400 --> 0:15:38.280
<v Speaker 4>that when I go like wow, that's when I see

0:15:38.320 --> 0:15:39.360
<v Speaker 4>something I would never.

0:15:39.240 --> 0:15:41.520
<v Speaker 2>Have thought to do. Is really exciting.

0:15:41.520 --> 0:15:43.520
<v Speaker 4>And so that's what's fun working with new writers and

0:15:43.560 --> 0:15:45.720
<v Speaker 4>they bring you ideas and you're like, cool, let me

0:15:45.720 --> 0:15:46.880
<v Speaker 4>hear your voice, you write.

0:15:46.680 --> 0:15:47.840
<v Speaker 2>It, and then we'll help you.

0:15:47.680 --> 0:15:50.400
<v Speaker 3>You know, make it commercial, help us make sense of Sinners.

0:15:50.400 --> 0:15:53.360
<v Speaker 3>And the phenomenon that has become back to back weekends

0:15:53.400 --> 0:15:55.200
<v Speaker 3>almost making the same amount of money.

0:15:55.280 --> 0:15:56.840
<v Speaker 2>That's just huge. That's huge.

0:15:56.920 --> 0:15:59.600
<v Speaker 3>But that's an original story that got made. Yeah, And

0:15:59.640 --> 0:16:01.560
<v Speaker 3>it seems like so many things that folks wanted. There

0:16:01.600 --> 0:16:03.520
<v Speaker 3>was a Minecraft movie, there was a Super Mario, there's

0:16:03.520 --> 0:16:05.400
<v Speaker 3>a bar, but there's they want to do some stuff

0:16:05.440 --> 0:16:09.480
<v Speaker 3>that's already out there that people know. Where are we headed?

0:16:09.680 --> 0:16:11.840
<v Speaker 3>I just want you to give me your take as

0:16:11.840 --> 0:16:14.920
<v Speaker 3>being in Hollywood of where we're going in terms of

0:16:14.920 --> 0:16:18.200
<v Speaker 3>seeing the types of movies like Centers and having more

0:16:18.280 --> 0:16:21.200
<v Speaker 3>of the types of creators like Ryan. Yeah, to have

0:16:21.240 --> 0:16:23.160
<v Speaker 3>that kind of power to get something made.

0:16:23.160 --> 0:16:25.200
<v Speaker 4>Well, I mean you got to credit kind of everybody

0:16:25.240 --> 0:16:28.320
<v Speaker 4>in that one, because I credit Warner Brothers for taking

0:16:28.360 --> 0:16:31.040
<v Speaker 4>a swing and putting that kind of budget into an

0:16:31.040 --> 0:16:33.240
<v Speaker 4>original idea like that. But they got Ryan who is

0:16:33.280 --> 0:16:38.920
<v Speaker 4>a known successful filmmaker who's brilliant, and it was a

0:16:39.360 --> 0:16:42.400
<v Speaker 4>clearly a passion project for him, and that passion comes

0:16:42.400 --> 0:16:45.320
<v Speaker 4>off the screen and that means a lot to an audience,

0:16:45.520 --> 0:16:47.520
<v Speaker 4>you know, And that's I think, you know so much stuff.

0:16:47.640 --> 0:16:49.960
<v Speaker 4>It's all about ip you know, you know, llstual property, and

0:16:49.960 --> 0:16:52.640
<v Speaker 4>so everybody wants something based on something so that they

0:16:52.640 --> 0:16:55.640
<v Speaker 4>can make sure that there is a built an audience somehow,

0:16:56.320 --> 0:16:59.000
<v Speaker 4>you know, And so that's always.

0:16:58.640 --> 0:16:59.720
<v Speaker 2>Going to dominate people.

0:16:59.760 --> 0:17:01.760
<v Speaker 4>Are He's still going to be afraid of original ideas

0:17:01.800 --> 0:17:04.439
<v Speaker 4>because what will happen is, you know, something is original

0:17:04.480 --> 0:17:06.080
<v Speaker 4>does great and people like okay, then they green light

0:17:06.119 --> 0:17:08.359
<v Speaker 4>a bunch of original stuff that might not be as good,

0:17:08.920 --> 0:17:10.480
<v Speaker 4>and then they don't work and they're like, well, see,

0:17:10.480 --> 0:17:12.520
<v Speaker 4>you can't do that it's like, well, no, it's case

0:17:12.600 --> 0:17:15.200
<v Speaker 4>by case. Everything has to be good, you know. That's

0:17:15.240 --> 0:17:18.879
<v Speaker 4>why you know, I think, oh, come on, blinking on

0:17:18.920 --> 0:17:21.240
<v Speaker 4>his name, who did get out? And you know, Jordan

0:17:21.240 --> 0:17:24.919
<v Speaker 4>Pepine is brilliant because he comes up with undeniable ideas

0:17:24.960 --> 0:17:27.160
<v Speaker 4>and that's in my company. It's like, what is an

0:17:27.280 --> 0:17:29.679
<v Speaker 4>undeniable idea? If you go into a theater and you

0:17:29.680 --> 0:17:31.720
<v Speaker 4>see a trailer and go like, I have to see

0:17:31.720 --> 0:17:34.679
<v Speaker 4>that opening weekend. But that's the hardest thing in the

0:17:34.680 --> 0:17:37.680
<v Speaker 4>world to come up with. So but that's what always

0:17:37.680 --> 0:17:38.000
<v Speaker 4>looking for.

0:17:38.160 --> 0:17:42.320
<v Speaker 1>You know. Obviously your your comedic genius is apparent. But

0:17:42.760 --> 0:17:46.240
<v Speaker 1>this one, another simple favor, also has It's a dark

0:17:46.280 --> 0:17:49.000
<v Speaker 1>comedy but also has a thriller thriller element to it.

0:17:49.040 --> 0:17:52.280
<v Speaker 1>And when we were watching Sinners this weekend, I was

0:17:52.640 --> 0:17:54.440
<v Speaker 1>surprised because I didn't do a lot of reading about

0:17:54.440 --> 0:17:58.040
<v Speaker 1>it beforehand, about the musical element to it, and I'm

0:17:58.080 --> 0:18:00.520
<v Speaker 1>seeing that obviously theater. I love theater. You have a

0:18:00.560 --> 0:18:03.359
<v Speaker 1>theater background as well. Have you ever thought about because

0:18:03.440 --> 0:18:07.800
<v Speaker 1>I'm so amazed watching so many different genres of movies

0:18:07.920 --> 0:18:13.879
<v Speaker 1>incorporate singing and music into the movie, and it's jarring

0:18:13.880 --> 0:18:16.080
<v Speaker 1>to some people, but then it's it's kind of fun.

0:18:16.119 --> 0:18:17.560
<v Speaker 1>It's an incredible experience.

0:18:17.640 --> 0:18:18.160
<v Speaker 2>If you do.

0:18:18.200 --> 0:18:21.840
<v Speaker 4>It organically to the story, it's harder to get people into,

0:18:21.920 --> 0:18:24.480
<v Speaker 4>like and then we burst in the song. Although there

0:18:24.480 --> 0:18:26.679
<v Speaker 4>are great movies that do that all the time, or

0:18:26.760 --> 0:18:27.280
<v Speaker 4>there have been.

0:18:27.320 --> 0:18:31.240
<v Speaker 2>We'll talk about Amelia Perez here. Yeah, yeah, I love

0:18:31.280 --> 0:18:31.880
<v Speaker 2>that movie.

0:18:32.560 --> 0:18:36.080
<v Speaker 4>No, I'm one of everybody knows of my company. For years,

0:18:36.119 --> 0:18:37.600
<v Speaker 4>I've been saying, we got to do a musical. We have,

0:18:38.280 --> 0:18:41.560
<v Speaker 4>but they're really hard to develop, really hard to because

0:18:41.560 --> 0:18:43.719
<v Speaker 4>I wanted to do an original one and it's just

0:18:43.920 --> 0:18:45.920
<v Speaker 4>hard to figure out that thing, you know. And Ryan

0:18:45.960 --> 0:18:47.960
<v Speaker 4>did it with that because it's about a club where

0:18:47.960 --> 0:18:51.159
<v Speaker 4>people play music, so it's off to the races, you go.

0:18:51.280 --> 0:18:53.240
<v Speaker 2>You know, that music was great.

0:18:53.359 --> 0:18:54.480
<v Speaker 1>We've been listening to it.

0:18:54.480 --> 0:18:58.919
<v Speaker 2>It's nonstock. And then Buddy Guy shows up. That's the greatest.

0:18:59.040 --> 0:19:01.280
<v Speaker 4>I saw Buddy Guy Lai years ago, and he's such

0:19:01.280 --> 0:19:02.520
<v Speaker 4>a legend. I was like when he came in at

0:19:02.560 --> 0:19:05.080
<v Speaker 4>the end, I was like, oh, yes, now the movie

0:19:05.160 --> 0:19:05.680
<v Speaker 4>is complete.

0:19:06.359 --> 0:19:10.360
<v Speaker 1>I can't wait to see the musical comedy thriller mash

0:19:10.480 --> 0:19:12.399
<v Speaker 1>up that you create one day, because I know you

0:19:12.440 --> 0:19:14.560
<v Speaker 1>will and that's very Excitingly, I will, I definitely will.

0:19:14.600 --> 0:19:16.560
<v Speaker 2>You know, I was trying, can you tell what what

0:19:16.560 --> 0:19:17.480
<v Speaker 2>what genre.

0:19:18.680 --> 0:19:21.920
<v Speaker 3>Is simple favor? What genre is another simple favorite? Because

0:19:21.960 --> 0:19:24.560
<v Speaker 3>I was talking to our producers about it, what thriller?

0:19:24.680 --> 0:19:26.680
<v Speaker 1>I said, well, it's kind of a comedy dark.

0:19:27.040 --> 0:19:27.840
<v Speaker 2>Where do you put it?

0:19:27.920 --> 0:19:31.600
<v Speaker 4>I say, it's a dark comedy, dark comedy. Yeeah, yeah, yeah.

0:19:31.640 --> 0:19:35.160
<v Speaker 4>But you know, I'm very true to genres. If all

0:19:35.160 --> 0:19:36.920
<v Speaker 4>my movies are genre movies, if you look at them,

0:19:37.240 --> 0:19:39.440
<v Speaker 4>and I love thrillers, that's all I watch. I don't

0:19:39.440 --> 0:19:40.240
<v Speaker 4>watch comedy.

0:19:40.560 --> 0:19:43.359
<v Speaker 2>I just I love I love. You don't watch comedy. No,

0:19:43.480 --> 0:19:45.760
<v Speaker 2>I don't, really no, because I do it.

0:19:45.760 --> 0:19:48.080
<v Speaker 4>It's my job, you know, and I'm always trying to

0:19:48.119 --> 0:19:49.120
<v Speaker 4>figure out what people are doing.

0:19:49.119 --> 0:19:49.960
<v Speaker 2>But I'm more.

0:19:49.840 --> 0:19:55.639
<v Speaker 4>Interested in in moving an audience, making them laugh because

0:19:55.640 --> 0:19:59.360
<v Speaker 4>they're so invested and they're so scared or tense or worried,

0:20:00.160 --> 0:20:04.119
<v Speaker 4>and watching these extreme characters in these extreme situations. That's

0:20:04.240 --> 0:20:06.600
<v Speaker 4>it to me is the most fun thing. And audiences

0:20:06.640 --> 0:20:09.600
<v Speaker 4>have gotten really suspicious about just straight up comedy in

0:20:09.640 --> 0:20:12.320
<v Speaker 4>the last decade, I would dare say, because I think

0:20:12.320 --> 0:20:15.840
<v Speaker 4>they've seen so many comedies that they didn't get invested

0:20:15.880 --> 0:20:18.919
<v Speaker 4>in even if the jokes are funny, you're not you know,

0:20:19.440 --> 0:20:23.640
<v Speaker 4>you're not getting pulled along, and so putting comedy into

0:20:24.000 --> 0:20:27.200
<v Speaker 4>all the best comedy movies right now, horror movies. If

0:20:27.200 --> 0:20:30.560
<v Speaker 4>you see horror movies, they're funny. I mean, Megan is hilarious,

0:20:30.640 --> 0:20:34.399
<v Speaker 4>Abigail is hilarious, you know, and so because the stakes

0:20:34.440 --> 0:20:38.000
<v Speaker 4>are so high, but everything's so extreme, that's what's fun

0:20:38.000 --> 0:20:38.320
<v Speaker 4>to Megan.

0:20:38.359 --> 0:20:41.360
<v Speaker 1>Audience go, we're laughing because you are speaking our language,

0:20:41.480 --> 0:20:45.119
<v Speaker 1>and because we always traditionally loved horror movies, like just

0:20:45.160 --> 0:20:47.359
<v Speaker 1>from the time we were like five years old, the

0:20:47.359 --> 0:20:49.760
<v Speaker 1>two of us, we're seeking out horror movies. You know,

0:20:49.800 --> 0:20:52.080
<v Speaker 1>when I the first thing I saw was Nightmare on

0:20:52.119 --> 0:20:54.959
<v Speaker 1>Elm Street and then Poltergeist and all that. But now

0:20:55.240 --> 0:20:58.760
<v Speaker 1>it's gotten so elevated, and I think obviously filmmakers are

0:20:58.840 --> 0:21:01.800
<v Speaker 1>understanding the passion and the excitement for that genre and

0:21:01.840 --> 0:21:05.720
<v Speaker 1>they've gotten it now where horror comedy it's our absolute

0:21:06.160 --> 0:21:08.920
<v Speaker 1>favor genre totally, and I don't know that it even

0:21:09.240 --> 0:21:11.119
<v Speaker 1>we had can't be horror movies before.

0:21:11.320 --> 0:21:12.159
<v Speaker 2>I mean horror.

0:21:12.680 --> 0:21:15.240
<v Speaker 4>The thing about horror is people who make horror are

0:21:15.320 --> 0:21:20.000
<v Speaker 4>laughing in the editing room tired. They are just because

0:21:20.000 --> 0:21:23.359
<v Speaker 4>you're because you're so manipulating an audience and the power

0:21:23.440 --> 0:21:25.400
<v Speaker 4>you feel of like, oh my god, they're gonna ship

0:21:25.440 --> 0:21:29.080
<v Speaker 4>their pants, you know, like that's the greatest feeling in

0:21:29.080 --> 0:21:29.520
<v Speaker 4>the world.

0:21:29.600 --> 0:21:32.159
<v Speaker 2>So hard eyes. Have you seen this? This is a

0:21:32.200 --> 0:21:33.480
<v Speaker 2>recent I have not seen that yet.

0:21:33.520 --> 0:21:36.639
<v Speaker 3>They've nailed both elements. They could it could be a

0:21:36.680 --> 0:21:39.120
<v Speaker 3>standalone comedy, it could be a stand they've nailed both.

0:21:39.560 --> 0:21:42.160
<v Speaker 2>Blackening is a good one. Yeah, oh, I love that one.

0:21:42.320 --> 0:21:44.480
<v Speaker 3>That's a great one. But we have in the past

0:21:44.480 --> 0:21:47.800
<v Speaker 3>week watched Abigail. We saw it in the theater. But

0:21:47.840 --> 0:21:49.040
<v Speaker 3>it's just a fun movie.

0:21:49.320 --> 0:21:52.640
<v Speaker 2>Kills me. It's so funny. It's so extreme. The ending.

0:21:53.160 --> 0:21:55.080
<v Speaker 2>I've never seen more blood in a movie, and it's

0:21:55.160 --> 0:21:57.879
<v Speaker 2>so funny. It's so funny. It was the death of

0:21:57.880 --> 0:21:59.199
<v Speaker 2>a Unicorn. We saw that.

0:21:59.560 --> 0:22:02.240
<v Speaker 1>Oh yeah, we loved that, you know it.

0:22:02.920 --> 0:22:05.160
<v Speaker 2>And I just watched Smile Too, which is so good.

0:22:06.520 --> 0:22:08.760
<v Speaker 1>Five minutes alone, you're like, holy.

0:22:09.560 --> 0:22:12.360
<v Speaker 3>And in the last three minutes yeah, yeah, yeah, yeah.

0:22:13.600 --> 0:22:16.520
<v Speaker 3>That is so fun to talk films with you. In particular,

0:22:16.800 --> 0:22:20.679
<v Speaker 3>you talk about you said something about about comedy and

0:22:20.720 --> 0:22:22.720
<v Speaker 3>I want you to say you get people invested, where

0:22:22.720 --> 0:22:25.399
<v Speaker 3>would you put the heat when it comes to getting

0:22:25.440 --> 0:22:28.720
<v Speaker 3>an audience invested. I'm gonna explain why we can't watch

0:22:28.800 --> 0:22:31.399
<v Speaker 3>this movie. We've seen it a hundred times, but we

0:22:31.440 --> 0:22:34.200
<v Speaker 3>can't have it on and be doing something else because

0:22:34.200 --> 0:22:36.960
<v Speaker 3>we get caught up in the movie. We can't focus

0:22:37.040 --> 0:22:40.200
<v Speaker 3>on anything else. So where does where does that fall

0:22:40.200 --> 0:22:41.000
<v Speaker 3>in what you described?

0:22:41.080 --> 0:22:43.679
<v Speaker 4>I mean, it's it's a buddy cop comedy. But what

0:22:43.840 --> 0:22:47.679
<v Speaker 4>I was really inspired by for that is the movies

0:22:47.720 --> 0:22:50.800
<v Speaker 4>of the eighties like Beverly Hills Cop and forty eight Hours,

0:22:51.200 --> 0:22:53.399
<v Speaker 4>Because you know, I remember as a kid, you know,

0:22:53.480 --> 0:22:55.440
<v Speaker 4>I'd only you know, you go see comedy is gonna

0:22:55.440 --> 0:22:57.399
<v Speaker 4>be comedy and fun and all that. So I go

0:22:57.520 --> 0:23:00.679
<v Speaker 4>to see, you know, forty eight Hours, which you know,

0:23:00.680 --> 0:23:02.560
<v Speaker 4>oh my god, Any Murphy is so funny they can't wait.

0:23:02.760 --> 0:23:05.760
<v Speaker 4>And some guy gets executed, like gets his head blown

0:23:05.760 --> 0:23:07.600
<v Speaker 4>off right in the first few minutes, and you're like,

0:23:07.880 --> 0:23:10.920
<v Speaker 4>oh my god, what's happening. But you realize it's like that.

0:23:11.200 --> 0:23:14.359
<v Speaker 4>Now I'm so invested in the danger that these guys

0:23:14.359 --> 0:23:16.880
<v Speaker 4>are in. So when Eddie Murphy goes into that redneck

0:23:16.960 --> 0:23:20.320
<v Speaker 4>bar and starts throwing things around You're like, Okay, you

0:23:20.359 --> 0:23:23.000
<v Speaker 4>could get really beaten up in here, things can go

0:23:23.040 --> 0:23:26.160
<v Speaker 4>really wrong, but that that's more fun to me now.

0:23:26.240 --> 0:23:28.119
<v Speaker 4>And so that was with with The Heat. You know,

0:23:28.160 --> 0:23:30.520
<v Speaker 4>we've you know, we got some people get killed pretty

0:23:30.520 --> 0:23:32.600
<v Speaker 4>badly in that movie, and it just I think.

0:23:32.440 --> 0:23:34.840
<v Speaker 2>It's just ups the stake. I've never made that connection.

0:23:34.920 --> 0:23:35.760
<v Speaker 2>You're exactly right.

0:23:35.960 --> 0:23:38.120
<v Speaker 3>I know Beverly Hill's cat really well, but his partner

0:23:38.520 --> 0:23:42.120
<v Speaker 3>was Nick Nolty, a drunk, divorced bad cop kind of right.

0:23:42.200 --> 0:23:43.560
<v Speaker 2>It was a very intense movie.

0:23:43.600 --> 0:23:47.080
<v Speaker 3>I never made the connection between The Heat and those classics.

0:23:46.640 --> 0:23:48.840
<v Speaker 4>And I think that's where kind of comedy needs to

0:23:48.880 --> 0:23:51.520
<v Speaker 4>be these days again, as opposed to just it's all

0:23:51.520 --> 0:23:53.280
<v Speaker 4>silly and the villain is silly and we're not worried

0:23:53.280 --> 0:23:56.040
<v Speaker 4>abou him because he's bumbling. It's like, where's my investment

0:23:56.040 --> 0:23:56.200
<v Speaker 4>in that?

0:23:56.920 --> 0:24:00.720
<v Speaker 1>They'll buy no scene in The Heat. I could listen

0:24:00.760 --> 0:24:03.280
<v Speaker 1>to that over and over and just tears are coming out.

0:24:03.320 --> 0:24:06.640
<v Speaker 1>It's funny. My mom is not like really into cursing

0:24:06.800 --> 0:24:09.280
<v Speaker 1>or anything too vulgar, but I had her watch The

0:24:09.320 --> 0:24:11.199
<v Speaker 1>Heat and she was on a plane. She told me

0:24:11.240 --> 0:24:13.359
<v Speaker 1>she saw it. She said she was laughing. So hard

0:24:13.359 --> 0:24:15.680
<v Speaker 1>that people were staring at her because just I mean,

0:24:15.720 --> 0:24:19.080
<v Speaker 1>it's just you cannot stop laughing.

0:24:19.359 --> 0:24:23.399
<v Speaker 4>My goal, My goal was watermelon, Yes, and you know

0:24:23.680 --> 0:24:26.000
<v Speaker 4>because when we shot that, the whole crew was horrified.

0:24:26.800 --> 0:24:27.960
<v Speaker 2>Yeah, do you.

0:24:27.920 --> 0:24:30.880
<v Speaker 1>Worry because look, is it harder to make comedy now

0:24:30.960 --> 0:24:34.040
<v Speaker 1>this whole there was all this wokeness. Now there's anti wokeness.

0:24:34.040 --> 0:24:38.160
<v Speaker 1>Everyone gets offended. How hard is it to do good

0:24:38.320 --> 0:24:39.320
<v Speaker 1>comedy in that.

0:24:40.440 --> 0:24:42.199
<v Speaker 4>I am not a person who says, oh no, we

0:24:42.240 --> 0:24:45.200
<v Speaker 4>can't do anything. I think I don't want to offend anybody,

0:24:45.359 --> 0:24:49.440
<v Speaker 4>you know. And I think if you just make things

0:24:49.440 --> 0:24:52.640
<v Speaker 4>funny and based on people's personality and you're not making

0:24:52.680 --> 0:24:55.440
<v Speaker 4>fun of things people can't change about themselves. I mean,

0:24:55.520 --> 0:24:57.760
<v Speaker 4>I will say the only thing I've ever been like

0:24:58.400 --> 0:25:01.280
<v Speaker 4>is the Albino thing, because it' so funny, and we

0:25:01.400 --> 0:25:03.720
<v Speaker 4>set it up going like, look, it's it's making fun

0:25:03.720 --> 0:25:06.280
<v Speaker 4>of the fact that so many movies had bad guys

0:25:06.280 --> 0:25:08.760
<v Speaker 4>that were albino. We actually had that little montage when

0:25:08.760 --> 0:25:10.160
<v Speaker 4>she's flipping around the channels.

0:25:10.160 --> 0:25:10.640
<v Speaker 2>It's all.

0:25:12.080 --> 0:25:14.359
<v Speaker 4>So I tried to set it up, you know, and

0:25:14.480 --> 0:25:18.320
<v Speaker 4>Dan Bakeadell, who's so funny good, But then you know,

0:25:18.520 --> 0:25:20.800
<v Speaker 4>when the movie after it came out, I got some

0:25:21.400 --> 0:25:23.800
<v Speaker 4>A woman wrote me, some of my daughters in albino

0:25:23.920 --> 0:25:25.960
<v Speaker 4>and this is not helpful, and I and I felt

0:25:25.960 --> 0:25:27.679
<v Speaker 4>bad and like I kind of broke my rule or

0:25:27.680 --> 0:25:30.080
<v Speaker 4>making fun of something that people can't change about themselves.

0:25:30.359 --> 0:25:31.200
<v Speaker 2>But it's still really funny.

0:25:31.320 --> 0:25:33.320
<v Speaker 1>But you're also making fun of the fact that they're

0:25:33.359 --> 0:25:36.159
<v Speaker 1>often made into evil characters, that's.

0:25:36.000 --> 0:25:37.280
<v Speaker 4>The thing, and so that would and I kind of

0:25:37.280 --> 0:25:39.000
<v Speaker 4>want to go, oh no, here's why, but you're like,

0:25:39.080 --> 0:25:41.080
<v Speaker 4>it's still you've got to get caught in the blowback

0:25:41.119 --> 0:25:44.280
<v Speaker 4>of that. So but I, you know, I don't feel like,

0:25:44.960 --> 0:25:49.240
<v Speaker 4>you know, if it's good natured and kind of everybody

0:25:49.240 --> 0:25:52.600
<v Speaker 4>gets hit the same way, and you're not being mean,

0:25:52.800 --> 0:25:56.040
<v Speaker 4>if there's a difference between mean spiritedness and just kind

0:25:56.040 --> 0:25:58.000
<v Speaker 4>of like, hey, we're just having fun kind of making

0:25:58.040 --> 0:26:01.879
<v Speaker 4>fun of people things that they can change about themselves.

0:26:02.280 --> 0:26:04.320
<v Speaker 4>You know, if somebody's a jerk, it's really fun to

0:26:04.359 --> 0:26:06.560
<v Speaker 4>make fun of them, or they have really crazy beliefs,

0:26:06.560 --> 0:26:08.199
<v Speaker 4>like that's kind of fun to make fun of because

0:26:08.480 --> 0:26:10.240
<v Speaker 4>they could change that if they wanted to.

0:26:11.359 --> 0:26:13.719
<v Speaker 3>Their dialogue they're back and forth, how they equip at

0:26:13.720 --> 0:26:16.080
<v Speaker 3>each other in that scene is absolutely hilarious.

0:26:16.119 --> 0:26:17.400
<v Speaker 2>I have to have you here.

0:26:17.800 --> 0:26:20.560
<v Speaker 3>I'm curious what you said you don't watch comedy necessarily.

0:26:21.359 --> 0:26:23.959
<v Speaker 3>Let's go through this the Oscar season. What were some

0:26:24.000 --> 0:26:27.199
<v Speaker 3>of your favorite movies that you saw during this season

0:26:27.240 --> 0:26:29.280
<v Speaker 3>and what kind do you have any like, oh, I

0:26:29.280 --> 0:26:31.560
<v Speaker 3>gotta go watch this show, or like we watched ninety

0:26:31.640 --> 0:26:34.600
<v Speaker 3>Day Fiance or whatever it may be. Do you have

0:26:34.840 --> 0:26:37.600
<v Speaker 3>as a just I'm curious what a guy in your position,

0:26:37.680 --> 0:26:39.600
<v Speaker 3>what kind of stuff you watch you admire?

0:26:39.640 --> 0:26:40.000
<v Speaker 1>You like?

0:26:40.240 --> 0:26:42.040
<v Speaker 4>Well, I watch a lot of thrillers and I watch

0:26:42.040 --> 0:26:46.560
<v Speaker 4>a lot of true crime because I'm fascinated by terrible

0:26:46.600 --> 0:26:58.080
<v Speaker 4>people because I like to think I'm a nice person,

0:26:58.240 --> 0:27:00.520
<v Speaker 4>you know, and so you know, you get to act

0:27:00.560 --> 0:27:03.120
<v Speaker 4>out in that way. And so I'm just watching especially,

0:27:03.119 --> 0:27:04.200
<v Speaker 4>I mean, we're such in the age of.

0:27:04.119 --> 0:27:06.560
<v Speaker 2>The con man right now. Let's not talk about.

0:27:06.400 --> 0:27:09.840
<v Speaker 4>Who who's leading that charge in our country right now,

0:27:09.960 --> 0:27:13.280
<v Speaker 4>but but that so, all these true crime things are

0:27:13.840 --> 0:27:16.560
<v Speaker 4>about people conning people, you know, and trying to pull

0:27:16.600 --> 0:27:19.320
<v Speaker 4>stuff off and being fake and putting up these scams

0:27:19.320 --> 0:27:21.600
<v Speaker 4>and stuff, and I'm just fascinated by it. And then

0:27:21.600 --> 0:27:23.879
<v Speaker 4>on top of it, just you know, a good murder

0:27:23.920 --> 0:27:27.160
<v Speaker 4>thing is always fascinating to watch. I really like all that,

0:27:27.960 --> 0:27:31.080
<v Speaker 4>like the movies, you know, the movie movies from from

0:27:31.160 --> 0:27:35.119
<v Speaker 4>this Oscar season. You know, I saw Honora thinking it

0:27:35.200 --> 0:27:37.639
<v Speaker 4>was gonna be like a drama. It turns out is

0:27:37.640 --> 0:27:40.000
<v Speaker 4>one of the funniest movies I've seen in a long time,

0:27:40.280 --> 0:27:43.040
<v Speaker 4>and I didn't know that going in. And honestly, when

0:27:43.359 --> 0:27:45.760
<v Speaker 4>when you know the guy leaves and that those guys

0:27:45.760 --> 0:27:47.600
<v Speaker 4>are coming over to get her, I was like, oh man,

0:27:47.600 --> 0:27:51.240
<v Speaker 4>this is gonna get really dark. And that turns hilarious

0:27:51.359 --> 0:27:55.199
<v Speaker 4>because it's so bumbling and but that but that's to me,

0:27:55.280 --> 0:27:58.280
<v Speaker 4>that's what a great comedy because you don't know it.

0:27:58.280 --> 0:28:01.360
<v Speaker 4>It's it's hidden in there, and it still really emotional,

0:28:01.520 --> 0:28:03.760
<v Speaker 4>you know, And you know, I'd still tear up in

0:28:03.800 --> 0:28:05.040
<v Speaker 4>that end scene when she's in the car.

0:28:05.080 --> 0:28:06.720
<v Speaker 2>Oh my god, it's just a killer.

0:28:06.760 --> 0:28:10.520
<v Speaker 1>You know. We honestly everything you're saying we are vibing

0:28:10.560 --> 0:28:12.800
<v Speaker 1>with because we do murder in the morning. We watch

0:28:12.880 --> 0:28:15.760
<v Speaker 1>all the true crime stories. We love horror comedy. We

0:28:15.800 --> 0:28:19.560
<v Speaker 1>love your movies. It's about moving people and making people

0:28:19.560 --> 0:28:22.240
<v Speaker 1>feel think about things differently. I love that you do that.

0:28:22.520 --> 0:28:25.160
<v Speaker 1>You mentioned you've got this Christmas movie coming up, can

0:28:25.160 --> 0:28:27.159
<v Speaker 1>you give us a little taste of it?

0:28:27.400 --> 0:28:28.040
<v Speaker 2>Very dark Christmas?

0:28:28.760 --> 0:28:29.520
<v Speaker 1>We love that too.

0:28:30.080 --> 0:28:32.080
<v Speaker 4>Yeah, it's called The Housemaid is based on this book

0:28:32.119 --> 0:28:34.200
<v Speaker 4>that's been a bestseller on the New York Times list

0:28:34.280 --> 0:28:37.360
<v Speaker 4>for a year and a half now, Freedom McFadden wrote it,

0:28:37.760 --> 0:28:41.240
<v Speaker 4>and uh yeah, it's Sidney Sweeney and Amanda Seyfried and

0:28:40.840 --> 0:28:45.720
<v Speaker 4>Brandon's glenar and then Michaelay moroney from another Simple Favor.

0:28:46.240 --> 0:28:51.000
<v Speaker 4>And it's a dark thriller. It's still got funny stuff

0:28:51.000 --> 0:28:52.720
<v Speaker 4>and it just because it gets very extreme.

0:28:53.560 --> 0:28:55.320
<v Speaker 2>But it's great. I'm really excited about it.

0:28:55.320 --> 0:28:57.160
<v Speaker 4>We just started our first test screening of an early

0:28:57.240 --> 0:28:59.520
<v Speaker 4>cut and it tested through the roof, so I mean

0:28:59.520 --> 0:29:00.120
<v Speaker 4>the cast.

0:29:00.000 --> 0:29:00.760
<v Speaker 2>It's just amazing.

0:29:00.840 --> 0:29:02.880
<v Speaker 1>Yeah, I love your two strong female leads there.

0:29:03.040 --> 0:29:05.880
<v Speaker 4>Oh yeah, boy if they turned in the amazing performance.

0:29:06.280 --> 0:29:11.360
<v Speaker 3>Oh what is what is your assessment?

0:29:11.600 --> 0:29:14.120
<v Speaker 2>Right? We went through COVID. As far as the industry goes,

0:29:15.560 --> 0:29:18.640
<v Speaker 2>has the industry come back?

0:29:18.840 --> 0:29:20.280
<v Speaker 3>It's hard to say come back, like where is the

0:29:20.320 --> 0:29:23.280
<v Speaker 3>need to get? But do you feel good about how

0:29:23.280 --> 0:29:26.080
<v Speaker 3>the industry has recovered to a certain degree? And as

0:29:26.080 --> 0:29:28.760
<v Speaker 3>always back and forth about movies and what type and

0:29:28.800 --> 0:29:31.120
<v Speaker 3>these theories. There's all kinds of stuff going on. But

0:29:31.160 --> 0:29:33.080
<v Speaker 3>what is the state of the industry that you are

0:29:33.320 --> 0:29:34.320
<v Speaker 3>such a leader in at this point?

0:29:34.360 --> 0:29:36.840
<v Speaker 4>Well, thanks, I'm very optimistic about it. It's changed a bit.

0:29:37.000 --> 0:29:40.240
<v Speaker 4>It's contracted a little bit because it got so wild

0:29:40.280 --> 0:29:43.000
<v Speaker 4>West with all the streamers and everybody having a streamer

0:29:43.040 --> 0:29:46.240
<v Speaker 4>that there was just a glut of content, which is

0:29:46.320 --> 0:29:48.200
<v Speaker 4>kind of great because it got a lot of people working.

0:29:48.680 --> 0:29:52.160
<v Speaker 4>But I think the writer's strike made that contracted everything

0:29:52.240 --> 0:29:54.720
<v Speaker 4>in a way that Hollywood was looking for an excuse

0:29:54.800 --> 0:29:57.480
<v Speaker 4>to contract and so they really used the writer's strike

0:29:57.560 --> 0:30:01.200
<v Speaker 4>too as an excuse to do that. But what the

0:30:01.240 --> 0:30:02.959
<v Speaker 4>good thing I think is that people are coming back

0:30:03.000 --> 0:30:06.160
<v Speaker 4>to theaters. I mean this past weekend you know we're

0:30:06.200 --> 0:30:09.160
<v Speaker 4>taping right now, was a big weekend in Sinners. Yeah,

0:30:09.200 --> 0:30:12.280
<v Speaker 4>it's holding. I mean they had like hardly any drop

0:30:12.320 --> 0:30:15.920
<v Speaker 4>off between weeks. So that's so it shows audiences are

0:30:16.160 --> 0:30:19.280
<v Speaker 4>ready for stuff. It's just we in our business have

0:30:19.360 --> 0:30:21.440
<v Speaker 4>to service that. We have to give them stuff they

0:30:21.480 --> 0:30:24.120
<v Speaker 4>want to see. We have to challenge them. Not challenge

0:30:24.200 --> 0:30:26.600
<v Speaker 4>challenge sounds like homework. You have to give them stuff

0:30:26.600 --> 0:30:29.480
<v Speaker 4>where they're like they're going to be surprised that they like,

0:30:29.880 --> 0:30:32.480
<v Speaker 4>you know, I mean you Sinners is a total surprise.

0:30:32.560 --> 0:30:34.120
<v Speaker 4>You know, if you would have asked people, you know,

0:30:34.640 --> 0:30:36.640
<v Speaker 4>a year ago, you know, how do you feel about

0:30:36.640 --> 0:30:38.960
<v Speaker 4>a vampire movie about the Blues? You know, I don't

0:30:38.960 --> 0:30:40.959
<v Speaker 4>know if they'd be like, oh cool, but you know,

0:30:41.160 --> 0:30:43.560
<v Speaker 4>the minute you see what it is, you're like, oh

0:30:43.600 --> 0:30:45.520
<v Speaker 4>my god, I go to go see that. So yeah,

0:30:45.680 --> 0:30:50.040
<v Speaker 4>it's really it's the opportunities are out there. They're fewer,

0:30:50.600 --> 0:30:55.120
<v Speaker 4>but they're a bigger payoff for an audience when they're

0:30:55.160 --> 0:30:57.320
<v Speaker 4>done right, and it's just up to us to make

0:30:57.320 --> 0:30:58.280
<v Speaker 4>sure that we're good.

0:30:59.200 --> 0:31:02.800
<v Speaker 1>Do you have any comedic actresses or actresses that you

0:31:02.880 --> 0:31:04.680
<v Speaker 1>want to work with that you haven't yet that you've

0:31:04.720 --> 0:31:07.400
<v Speaker 1>got your eye on that you're thinking about for future projects?

0:31:07.560 --> 0:31:09.440
<v Speaker 4>I mean, yeah, there's so many people that I'm dying

0:31:09.440 --> 0:31:11.680
<v Speaker 4>to work with. I mean, I hate ton't name anybody,

0:31:11.720 --> 0:31:15.880
<v Speaker 4>but just because I'll send anybody else but Jennifer Lawrence

0:31:15.880 --> 0:31:17.680
<v Speaker 4>and I've been trying to figure out something to do forever,

0:31:18.200 --> 0:31:21.160
<v Speaker 4>and so I think we might have something for her

0:31:21.240 --> 0:31:21.680
<v Speaker 4>and have a.

0:31:21.600 --> 0:31:22.360
<v Speaker 2>Stone I love.

0:31:22.640 --> 0:31:25.440
<v Speaker 4>And you know, yeah, there are people that I know

0:31:25.480 --> 0:31:27.680
<v Speaker 4>that I've met with who are always kind of like,

0:31:27.680 --> 0:31:29.040
<v Speaker 4>we got to figure it out. But you know, it's

0:31:29.040 --> 0:31:30.760
<v Speaker 4>got to be the right thing. You can't just throw

0:31:30.880 --> 0:31:34.440
<v Speaker 4>somebody into a role if they're not perfect for it,

0:31:34.520 --> 0:31:37.320
<v Speaker 4>you know. And that's what's fun is trying to figure

0:31:37.360 --> 0:31:40.200
<v Speaker 4>out who we want to work with, finding the right project.

0:31:40.320 --> 0:31:43.640
<v Speaker 1>How do you find the you know, my daughter actually

0:31:43.680 --> 0:31:46.480
<v Speaker 1>is graduating from NYU with a theater degree, and she's

0:31:47.080 --> 0:31:49.520
<v Speaker 1>got four jobs right now, but hoping, you know, trying

0:31:49.560 --> 0:31:51.680
<v Speaker 1>to do what she loves, which is acting. But she's

0:31:51.720 --> 0:31:54.000
<v Speaker 1>always saying like, I wasn't right for it, I didn't

0:31:54.040 --> 0:31:55.800
<v Speaker 1>look the part, I didn't you know whatever it is

0:31:56.040 --> 0:31:58.040
<v Speaker 1>during these auditions. But how do you know do you

0:31:58.080 --> 0:32:01.800
<v Speaker 1>know immediately within five minutes five seconds, that's the perfect person,

0:32:01.800 --> 0:32:03.560
<v Speaker 1>that's who I need to play this character.

0:32:03.720 --> 0:32:07.040
<v Speaker 4>Yeah, it comes in different waves. I mean to me,

0:32:07.160 --> 0:32:10.920
<v Speaker 4>it's the material first that dominates everything. So I very

0:32:11.000 --> 0:32:13.000
<v Speaker 4>rarely kind of go, oh, we've got this person, let's

0:32:13.040 --> 0:32:15.040
<v Speaker 4>develop this thing for them. It's more like, we got

0:32:15.080 --> 0:32:16.719
<v Speaker 4>to get this story right, this has to be right,

0:32:16.760 --> 0:32:19.520
<v Speaker 4>and then it's like, who do I think of for this?

0:32:19.680 --> 0:32:21.840
<v Speaker 4>And it usually you get someone in your head pretty

0:32:21.880 --> 0:32:24.000
<v Speaker 4>quickly when you're working on something. It's like they would

0:32:24.000 --> 0:32:26.479
<v Speaker 4>be perfect. But then sometimes you don't get that person.

0:32:26.520 --> 0:32:28.840
<v Speaker 4>You know, they turn it down or they're not available,

0:32:29.360 --> 0:32:32.120
<v Speaker 4>and then it's always like kind of doing that shift.

0:32:32.720 --> 0:32:35.200
<v Speaker 4>And I've had great success with that of like you know,

0:32:35.440 --> 0:32:38.600
<v Speaker 4>say who they were, you know, because but you thought

0:32:38.640 --> 0:32:40.720
<v Speaker 4>this person would be perfect for this, they didn't turn

0:32:41.240 --> 0:32:43.080
<v Speaker 4>it didn't work out. And then the person you got,

0:32:43.200 --> 0:32:45.520
<v Speaker 4>then you go like, I can't imagine the other person

0:32:45.640 --> 0:32:46.400
<v Speaker 4>ever doing this.

0:32:46.400 --> 0:32:47.360
<v Speaker 2>This is them.

0:32:47.560 --> 0:32:49.959
<v Speaker 4>And also you tail once you get them, you tailor

0:32:50.040 --> 0:32:52.160
<v Speaker 4>it to them. You know, it's not these scripts aren't

0:32:52.160 --> 0:32:54.360
<v Speaker 4>set in stone. It's like this is their strength. That's

0:32:54.360 --> 0:32:57.320
<v Speaker 4>why I loved before I work with somebody new, like

0:32:57.480 --> 0:32:59.480
<v Speaker 4>let's just go out to dinner, let's have drinks or

0:32:59.480 --> 0:33:02.280
<v Speaker 4>have lefe, so I can know who you are and

0:33:02.320 --> 0:33:04.400
<v Speaker 4>I can see a side of you that the audience

0:33:04.440 --> 0:33:06.520
<v Speaker 4>doesn't know exists, and then we're gonna play that up.

0:33:07.520 --> 0:33:10.960
<v Speaker 3>Do you have a story of I hate regret the

0:33:11.000 --> 0:33:13.080
<v Speaker 3>word regret, so not one that you regret, But did

0:33:13.080 --> 0:33:15.960
<v Speaker 3>you have a story or a person or an actors

0:33:16.120 --> 0:33:18.280
<v Speaker 3>or actress that you passed on and then you saw

0:33:18.320 --> 0:33:20.640
<v Speaker 3>something landa go I mate the wrong.

0:33:20.480 --> 0:33:24.960
<v Speaker 2>Call on that. I can't say who right, right.

0:33:25.600 --> 0:33:27.880
<v Speaker 4>No, there's some just you get something in your head,

0:33:28.280 --> 0:33:31.720
<v Speaker 4>you know, and you like somebody so much, or you

0:33:31.800 --> 0:33:34.000
<v Speaker 4>just kind of want to I don't know, you just

0:33:34.040 --> 0:33:38.840
<v Speaker 4>get something stuck in your head and it's not It

0:33:38.960 --> 0:33:41.959
<v Speaker 4>works fine, but you're kind of like, oh, I should

0:33:41.960 --> 0:33:44.640
<v Speaker 4>have you know, I should have? Yeah, but very rarely,

0:33:44.760 --> 0:33:46.520
<v Speaker 4>very rarely. It's just only been a couple of times.

0:33:46.880 --> 0:33:49.400
<v Speaker 4>And I have no regret about who I did cast

0:33:49.440 --> 0:33:50.880
<v Speaker 4>and just to go like, oh, I think maybe that.

0:33:50.880 --> 0:33:51.400
<v Speaker 2>Would have worked.

0:33:52.480 --> 0:33:54.760
<v Speaker 3>Is there a project that you passed on or something

0:33:54.800 --> 0:33:57.360
<v Speaker 3>that ended up being developed and I should have done

0:33:57.400 --> 0:33:57.760
<v Speaker 3>that movie?

0:33:57.840 --> 0:33:58.000
<v Speaker 4>Oh?

0:33:58.560 --> 0:33:59.200
<v Speaker 2>Nothing like that.

0:34:01.560 --> 0:34:04.040
<v Speaker 4>I can't say because it would make somebody else feel

0:34:04.040 --> 0:34:08.279
<v Speaker 4>bad something. But no, they do very rarely, very rarely.

0:34:08.320 --> 0:34:10.359
<v Speaker 4>I'm pretty good about that kind of thing. There's more

0:34:10.600 --> 0:34:12.680
<v Speaker 4>for me. It's more things that I've developed that didn't

0:34:12.719 --> 0:34:15.040
<v Speaker 4>get to go. I had a monster movie at the

0:34:15.239 --> 0:34:17.760
<v Speaker 4>Universal called Dark Army that I was really excited about,

0:34:17.800 --> 0:34:19.680
<v Speaker 4>and they just we developed it for a long time.

0:34:19.760 --> 0:34:21.400
<v Speaker 4>They decided it was going to be too expensive. I

0:34:21.440 --> 0:34:23.279
<v Speaker 4>didn't agree with them. I thought I could do it cheap,

0:34:23.360 --> 0:34:25.359
<v Speaker 4>but they just didn't want to do it. And they

0:34:25.360 --> 0:34:27.480
<v Speaker 4>were kind of in a weird place with their Monster

0:34:27.560 --> 0:34:30.520
<v Speaker 4>Movie universe at that time. But I hope some day

0:34:30.560 --> 0:34:31.040
<v Speaker 4>it comes okay.

0:34:31.320 --> 0:34:32.680
<v Speaker 1>I mean I was going to say it sounds like

0:34:32.719 --> 0:34:34.160
<v Speaker 1>something that we would watch.

0:34:33.920 --> 0:34:34.640
<v Speaker 2>One hundred percent.

0:34:34.680 --> 0:34:36.880
<v Speaker 1>I mean, and with all I mean, with all of

0:34:36.920 --> 0:34:41.600
<v Speaker 1>your success, what would you say it is about? Paul Figue?

0:34:41.640 --> 0:34:44.279
<v Speaker 1>What is it that you bring to the table that

0:34:44.400 --> 0:34:49.000
<v Speaker 1>creates so many incredible successes? I mean, what is it

0:34:49.040 --> 0:34:52.240
<v Speaker 1>that you do? What you know that maybe other directors,

0:34:52.280 --> 0:34:54.719
<v Speaker 1>other producers don't do it, because you really do. I

0:34:54.760 --> 0:34:59.200
<v Speaker 1>mean your list of just art because it's movies and

0:34:59.239 --> 0:35:02.759
<v Speaker 1>television is remarkable and it's lasting. I mean, these are

0:35:02.800 --> 0:35:05.080
<v Speaker 1>movies that you don't just go to the movie theater

0:35:05.160 --> 0:35:06.600
<v Speaker 1>once and see and say, yeah, that was great. I mean,

0:35:06.640 --> 0:35:09.359
<v Speaker 1>these are movies that I watch over, we watch over

0:35:09.480 --> 0:35:13.120
<v Speaker 1>and over because they're that good. They they have holding power,

0:35:13.239 --> 0:35:16.400
<v Speaker 1>lasting power, and they're still funny. What is it? What

0:35:16.480 --> 0:35:18.239
<v Speaker 1>do you do? I'm fascinated.

0:35:19.800 --> 0:35:23.200
<v Speaker 4>Well, I'm awesome. First of all, Well that's very kind.

0:35:24.320 --> 0:35:26.480
<v Speaker 4>You know, if I could really figure it out, I'd

0:35:26.480 --> 0:35:27.880
<v Speaker 4>be even more successful.

0:35:29.440 --> 0:35:30.160
<v Speaker 2>No, you know what, I.

0:35:32.200 --> 0:35:34.479
<v Speaker 4>Try to have fun. I want to make everything fun.

0:35:34.480 --> 0:35:36.839
<v Speaker 4>I always kind of say, my movie these every movie

0:35:36.840 --> 0:35:38.800
<v Speaker 4>should be like a party, some kind of a party,

0:35:39.120 --> 0:35:41.480
<v Speaker 4>you know, whether it's a scary party or a just

0:35:41.520 --> 0:35:44.640
<v Speaker 4>a nutty party or whatever. But it has to be

0:35:44.640 --> 0:35:47.480
<v Speaker 4>good natured, you know. I don't like nihilistic. It's not

0:35:47.640 --> 0:35:50.319
<v Speaker 4>only beef with a lot of horror, is that it

0:35:50.400 --> 0:35:53.279
<v Speaker 4>all ends very nihilistically. And that's why I love to

0:35:53.719 --> 0:35:55.600
<v Speaker 4>love Megan so much. It's like there's a victory at

0:35:55.600 --> 0:35:57.200
<v Speaker 4>the end of it, you know, And so that's what

0:35:57.200 --> 0:36:00.880
<v Speaker 4>I'm always looking for because my message is never you

0:36:00.920 --> 0:36:01.399
<v Speaker 4>can't win.

0:36:02.440 --> 0:36:05.520
<v Speaker 2>Terrible people win. Good people get pushed aside, you know.

0:36:05.560 --> 0:36:06.400
<v Speaker 2>I don't like that.

0:36:06.560 --> 0:36:09.080
<v Speaker 4>So even as dark as my movies can get, they

0:36:09.200 --> 0:36:11.359
<v Speaker 4>are fairly good natured, even if they.

0:36:11.320 --> 0:36:11.920
<v Speaker 2>Get very dark.

0:36:12.960 --> 0:36:15.200
<v Speaker 4>And so I think people kind of respond to that.

0:36:15.440 --> 0:36:17.120
<v Speaker 4>And then we just try to make them as dense

0:36:17.160 --> 0:36:19.320
<v Speaker 4>as possible so you can watch them over and over again.

0:36:19.440 --> 0:36:19.600
<v Speaker 2>You know.

0:36:19.640 --> 0:36:21.359
<v Speaker 4>I like when people go like, oh, I missed half

0:36:21.400 --> 0:36:23.200
<v Speaker 4>the jokes because the audience was laughing. Like, good, watch

0:36:23.200 --> 0:36:24.120
<v Speaker 4>it the can and you'll pick.

0:36:24.080 --> 0:36:24.719
<v Speaker 2>Up the jokes.

0:36:25.400 --> 0:36:28.400
<v Speaker 1>Yeah, I mean that is so true. Like, and I

0:36:28.440 --> 0:36:32.040
<v Speaker 1>love the idea because we might not even realize it.

0:36:32.120 --> 0:36:35.439
<v Speaker 1>As moviegoers or as consumers of your art. But yeah,

0:36:35.640 --> 0:36:37.359
<v Speaker 1>you remember all the funny pross, but you also remember

0:36:37.360 --> 0:36:38.080
<v Speaker 1>how it made you feel.

0:36:38.200 --> 0:36:39.080
<v Speaker 2>Yeah, well, you know.

0:36:39.280 --> 0:36:41.160
<v Speaker 4>It's I always say my movies are just dramas that

0:36:41.200 --> 0:36:44.000
<v Speaker 4>are funny, because that's how you have to plot out

0:36:44.000 --> 0:36:46.799
<v Speaker 4>a movie. It has to have a real storyline with

0:36:46.880 --> 0:36:50.480
<v Speaker 4>real emotions and real stakes in it, and then you

0:36:50.600 --> 0:36:53.160
<v Speaker 4>build the comedy up from the extremeness of the characters,

0:36:53.200 --> 0:36:55.880
<v Speaker 4>the extremness of the situation and how they interact and

0:36:55.920 --> 0:36:58.200
<v Speaker 4>react to each other. That's where the fun comes from.

0:36:58.400 --> 0:37:01.160
<v Speaker 3>Just hit nor to hear you put it together. We've

0:37:01.200 --> 0:37:02.799
<v Speaker 3>watched your movies and all that makes it. Oh yeah,

0:37:02.840 --> 0:37:04.719
<v Speaker 3>oh yeah that's why. I Oh, that's what that was.

0:37:05.160 --> 0:37:07.439
<v Speaker 3>So it's it's cool to see it. It's so good

0:37:07.440 --> 0:37:09.759
<v Speaker 3>to have you back, just to see you again. We

0:37:09.760 --> 0:37:12.640
<v Speaker 3>were jumping through the phone when they say we have

0:37:12.680 --> 0:37:13.200
<v Speaker 3>a chance.

0:37:13.040 --> 0:37:14.520
<v Speaker 2>To get pauffee. I'm thrilled.

0:37:14.560 --> 0:37:14.600
<v Speaker 1>No.

0:37:14.760 --> 0:37:16.600
<v Speaker 4>I've always loved you guys, and you were so nice

0:37:16.640 --> 0:37:19.080
<v Speaker 4>to me on the show, and I've was following all

0:37:19.120 --> 0:37:20.600
<v Speaker 4>this stuff you went through and I was like, oh no,

0:37:20.680 --> 0:37:24.000
<v Speaker 4>I want to please get through this. Then you came

0:37:24.000 --> 0:37:26.480
<v Speaker 4>out so strong. I mean, my god, congrats, but.

0:37:26.560 --> 0:37:28.920
<v Speaker 3>Your name came up and it was a moment of

0:37:29.680 --> 0:37:33.400
<v Speaker 3>I guess just a little reverence and little strength and

0:37:33.640 --> 0:37:35.520
<v Speaker 3>maybe we understood that things are going to be okay.

0:37:35.560 --> 0:37:38.440
<v Speaker 3>But I'll tell you this. Through it all, when we

0:37:38.800 --> 0:37:40.800
<v Speaker 3>got off the air, there there are all kinds of

0:37:40.840 --> 0:37:43.799
<v Speaker 3>stuff in tabloids and folks were trying to unname source

0:37:43.880 --> 0:37:46.080
<v Speaker 3>as this but to make us look essentially as bad

0:37:46.120 --> 0:37:47.239
<v Speaker 3>as possible what.

0:37:47.239 --> 0:37:47.640
<v Speaker 2>Was out there.

0:37:47.680 --> 0:37:49.880
<v Speaker 3>So one of the stories was about Robot being an

0:37:49.920 --> 0:37:53.480
<v Speaker 3>absolute drunk, right they did. It was, you know, better

0:37:53.520 --> 0:37:55.440
<v Speaker 3>than idea, but there was you were accused of being

0:37:55.520 --> 0:37:56.440
<v Speaker 3>drunk and on.

0:37:56.440 --> 0:37:57.279
<v Speaker 2>The air at the game.

0:37:57.400 --> 0:38:00.560
<v Speaker 1>Okay, while we were negotiating our exits, all of a sudden,

0:38:00.640 --> 0:38:02.960
<v Speaker 1>like literally, it's unbelievable, all of a sudden.

0:38:03.040 --> 0:38:03.720
<v Speaker 2>Isn't that magical?

0:38:03.880 --> 0:38:08.240
<v Speaker 1>Isn't it weird how that coincidentally just started. No pressure

0:38:08.520 --> 0:38:10.919
<v Speaker 1>was intended. I'm sure to have all of these false

0:38:10.920 --> 0:38:11.600
<v Speaker 1>stories leaked.

0:38:11.680 --> 0:38:14.759
<v Speaker 2>Yes, crisis pr No, No, they would never do that.

0:38:15.080 --> 0:38:17.799
<v Speaker 3>So this is happening to that point, talking about her

0:38:17.960 --> 0:38:21.480
<v Speaker 3>drinking and working all this. Never a word anywhere about

0:38:21.520 --> 0:38:25.359
<v Speaker 3>me and drinking or anything else. Paul I had a

0:38:25.600 --> 0:38:29.480
<v Speaker 3>full bar in my dressing room a full bar, A

0:38:29.560 --> 0:38:32.959
<v Speaker 3>hero and everybody knew it because when people come through,

0:38:33.000 --> 0:38:33.600
<v Speaker 3>they look.

0:38:33.600 --> 0:38:34.720
<v Speaker 2>We've had several people.

0:38:35.080 --> 0:38:37.959
<v Speaker 3>Duane the Rock Johnson gave me a bottle of his tequila.

0:38:38.440 --> 0:38:41.040
<v Speaker 3>I had a bottle of gin from Ryan Reynolds. Cecilia

0:38:41.080 --> 0:38:43.120
<v Speaker 3>Vega worked there. She brought me a bottle of tequila.

0:38:43.640 --> 0:38:46.200
<v Speaker 3>One of the floor directors went to the Caribbean brought

0:38:46.200 --> 0:38:47.920
<v Speaker 3>me back a bottle of whiskey. You can only get

0:38:48.040 --> 0:38:51.400
<v Speaker 3>so people just gift you think. One day when we

0:38:51.400 --> 0:38:52.960
<v Speaker 3>were out of there, I had I needed somebody to

0:38:52.960 --> 0:38:55.000
<v Speaker 3>go into my dressing room. We weren't allowed in the building,

0:38:55.520 --> 0:38:57.560
<v Speaker 3>and somebody went to my dressing room to grab something

0:38:57.600 --> 0:38:59.719
<v Speaker 3>for me, and they had taken pictures and say this

0:38:59.760 --> 0:39:02.880
<v Speaker 3>which you needed. My entire shelf of liquor had been

0:39:02.920 --> 0:39:03.600
<v Speaker 3>cleared out.

0:39:04.400 --> 0:39:05.480
<v Speaker 2>All of it.

0:39:05.480 --> 0:39:07.880
<v Speaker 3>What's gone? No big deal, It's fine. But we just

0:39:07.880 --> 0:39:10.319
<v Speaker 3>thought it was funny. But one of the things I

0:39:10.360 --> 0:39:13.879
<v Speaker 3>said to her, Damn, Paul FIG's gin was in there.

0:39:14.280 --> 0:39:16.879
<v Speaker 3>I never got a chance to open it. No, I

0:39:16.960 --> 0:39:18.840
<v Speaker 3>kid you not. And we looked at each other. We

0:39:18.960 --> 0:39:22.600
<v Speaker 3>just kind of laughed that we were so disappointed. We're

0:39:22.600 --> 0:39:29.560
<v Speaker 3>in the midst of losing Careers.

0:39:28.560 --> 0:39:29.440
<v Speaker 2>For a review.

0:39:32.760 --> 0:39:35.960
<v Speaker 3>Losers, But it was that segment you were on talking

0:39:36.000 --> 0:39:38.319
<v Speaker 3>about your book about cocktails and this and but you

0:39:38.440 --> 0:39:40.960
<v Speaker 3>left and you gifted me that and we appreciated it.

0:39:41.239 --> 0:39:43.759
<v Speaker 3>But in that moment of all that chaos, we just

0:39:43.800 --> 0:39:46.640
<v Speaker 3>looked at each other and laughed about we were upset

0:39:46.680 --> 0:39:47.960
<v Speaker 3>that we didn't get your.

0:39:47.960 --> 0:39:51.239
<v Speaker 2>Gin sending you a bottle. So it's going to happen.

0:39:50.960 --> 0:39:53.880
<v Speaker 3>And we'll apologize to you as well, because in that

0:39:53.960 --> 0:39:57.440
<v Speaker 3>last segment we did late November, you weren't aware, just

0:39:57.480 --> 0:39:59.319
<v Speaker 3>like the rest of the world was, that we were

0:39:59.360 --> 0:40:03.240
<v Speaker 3>actually dating at that time. So excellent, Hi, paul, I'm TJ.

0:40:03.400 --> 0:40:05.560
<v Speaker 2>This is my girlfriend.

0:40:08.200 --> 0:40:11.400
<v Speaker 1>I could tell, and we were both in the middle

0:40:11.400 --> 0:40:14.000
<v Speaker 1>of divorces at that time, so it's just like it's

0:40:14.120 --> 0:40:15.560
<v Speaker 1>just a ridiculous thing that happened.

0:40:15.719 --> 0:40:18.640
<v Speaker 4>I was so happy for you guys when I despite

0:40:18.640 --> 0:40:21.000
<v Speaker 4>all the b you went through, just because I like

0:40:21.040 --> 0:40:23.279
<v Speaker 4>you too, so so I'm really happy for you.

0:40:23.400 --> 0:40:27.280
<v Speaker 1>The feeling is mutual, and yeah, just I'm so excited

0:40:27.280 --> 0:40:29.600
<v Speaker 1>about all the projects that you have coming up and

0:40:30.200 --> 0:40:32.720
<v Speaker 1>we get to have more Paula figue magic in our lives,

0:40:32.840 --> 0:40:36.120
<v Speaker 1>and I just thank you for sharing the process behind

0:40:36.719 --> 0:40:39.200
<v Speaker 1>how you make all of this great art, because it

0:40:39.320 --> 0:40:42.080
<v Speaker 1>is so cool and I understand it now. I understand

0:40:42.120 --> 0:40:44.960
<v Speaker 1>why I like it now more the psychology behind it.

0:40:45.000 --> 0:40:47.840
<v Speaker 1>But it's it's your brilliance. And thank you for bringing

0:40:47.840 --> 0:40:49.400
<v Speaker 1>it to the world because that that is a gift.

0:40:49.719 --> 0:40:52.080
<v Speaker 1>It is a gift to laugh. You know, we leaned

0:40:52.080 --> 0:40:54.040
<v Speaker 1>on a lot of your movies during there was about

0:40:54.040 --> 0:40:56.799
<v Speaker 1>a year of confinement for us where we consumed a

0:40:56.840 --> 0:40:59.959
<v Speaker 1>lot of entertainment to try and escape our own fate.

0:41:00.040 --> 0:41:00.759
<v Speaker 2>There you go, And.

0:41:01.040 --> 0:41:03.160
<v Speaker 1>Honestly, your movies were a huge part of that, like

0:41:03.200 --> 0:41:05.320
<v Speaker 1>a huge part of that. And that's a that's a service,

0:41:05.400 --> 0:41:07.760
<v Speaker 1>you know, to give people an escape, to give people

0:41:07.760 --> 0:41:10.200
<v Speaker 1>a reason to laugh. And so thank you for what

0:41:10.239 --> 0:41:11.000
<v Speaker 1>you bring to the world.

0:41:11.239 --> 0:41:11.800
<v Speaker 2>I appreciate it.

0:41:11.920 --> 0:41:13.840
<v Speaker 4>I always say, like, if my movies can just be

0:41:13.880 --> 0:41:15.720
<v Speaker 4>considered comfort food, I'm happy as a clam.

0:41:17.920 --> 0:41:19.759
<v Speaker 1>Yes, thank you, thank you for coming on the on

0:41:19.800 --> 0:41:22.440
<v Speaker 1>the on the podcast today because we consider it a

0:41:22.480 --> 0:41:24.240
<v Speaker 1>huge honor for you to be here with us in studios.

0:41:24.239 --> 0:41:27.080
<v Speaker 2>So thank you honor for me and another simple favor

0:41:27.239 --> 0:41:33.400
<v Speaker 2>starts streaming on maybe first Amazon Prime Prime Video, right, folks,

0:41:33.440 --> 0:41:35.560
<v Speaker 2>I appreciate it always for listening. We'll see a new