1 00:00:00,240 --> 00:00:13,120 Speaker 1: It's nine with Jenny Garth and Tori spelling. What I'm here? 2 00:00:13,440 --> 00:00:15,560 Speaker 1: It's nine or two one? M G. Sorry everybody, I 3 00:00:15,560 --> 00:00:19,599 Speaker 1: was late. No, you weren't that late. I'm just gonna 4 00:00:19,640 --> 00:00:21,560 Speaker 1: sit here. If you can't see me, you can't see me. 5 00:00:21,560 --> 00:00:24,800 Speaker 1: I'm just sitting here smiling because I'm always the late one. 6 00:00:25,160 --> 00:00:27,400 Speaker 1: So in thirty two years, this is the one time 7 00:00:27,440 --> 00:00:31,920 Speaker 1: I'm just gonna sit back and be like, yes, enjoy 8 00:00:32,000 --> 00:00:35,560 Speaker 1: your moment and my moment. It's my moment. Yeah, yeah, 9 00:00:35,600 --> 00:00:38,280 Speaker 1: I'm really sorry. But anyway, they don't know our our 10 00:00:38,280 --> 00:00:40,159 Speaker 1: listeners don't know that I was late, So let's just 11 00:00:40,159 --> 00:00:42,640 Speaker 1: forget about it. Don't tell them that happened. We just did. 12 00:00:44,680 --> 00:00:50,560 Speaker 1: How is everyone good? Shocked? Shocked? Shook? Are you shook? 13 00:00:50,600 --> 00:00:53,880 Speaker 1: Like the kids would say, this is a good episode. 14 00:00:54,680 --> 00:00:57,640 Speaker 1: It was good. I have one idea for you guys 15 00:00:57,640 --> 00:01:01,360 Speaker 1: for the end of this podcast. It's knew I invented it. 16 00:01:01,680 --> 00:01:07,800 Speaker 1: Who new categories? So I ask you some categories and 17 00:01:07,880 --> 00:01:11,200 Speaker 1: you will reveal how you feel from this episode if 18 00:01:11,240 --> 00:01:13,520 Speaker 1: you want. It looks like a game, okay, sure, we 19 00:01:13,600 --> 00:01:16,520 Speaker 1: like games. Yes, this is a good episode, you guys. 20 00:01:16,520 --> 00:01:25,720 Speaker 1: Season four, episode six, Strangers in the Night aired October synopsis, 21 00:01:25,800 --> 00:01:31,520 Speaker 1: Andrea loses her virginity to her English teacher. Brenda goes 22 00:01:31,560 --> 00:01:34,440 Speaker 1: on a blind date with the rich, handsome guy named Stewart. 23 00:01:35,040 --> 00:01:37,959 Speaker 1: David is the worst roommate ever. John Sears is so 24 00:01:38,080 --> 00:01:41,520 Speaker 1: persistent with Kelly. She tells Dylan she wants to quote 25 00:01:41,600 --> 00:01:45,160 Speaker 1: unquote see other people. Then Dylan gets carjacked on his 26 00:01:45,240 --> 00:01:48,240 Speaker 1: way home. We just revealed the boiler. Would they do that? 27 00:01:48,280 --> 00:01:50,920 Speaker 1: Why would they put the in the synopsis? Well, because 28 00:01:50,960 --> 00:01:53,960 Speaker 1: everyone is supposed to have listened, I mean to have 29 00:01:54,160 --> 00:01:59,800 Speaker 1: watched the show, so everybody knows, now, Okay, Okay, you're right, Okay, 30 00:02:01,120 --> 00:02:06,440 Speaker 1: did you shocking? It was shocking? It was shocking. It 31 00:02:06,520 --> 00:02:09,440 Speaker 1: was so shocking. I was like, wait, why I don't 32 00:02:09,480 --> 00:02:14,160 Speaker 1: want this to happen? Is the writer Jennifer Flackett new 33 00:02:15,160 --> 00:02:18,760 Speaker 1: Oh right, yeah, written by Jennifer Flackett, which I enjoy 34 00:02:18,840 --> 00:02:23,200 Speaker 1: saying that name Flackett and directed you guys by James 35 00:02:23,240 --> 00:02:29,080 Speaker 1: by your man, my boyfriend. Oh my god. I'm literally 36 00:02:29,120 --> 00:02:31,320 Speaker 1: looking at it. I'm like, I think he was one 37 00:02:31,360 --> 00:02:33,160 Speaker 1: of our favorite directors. I know that name. How do 38 00:02:33,200 --> 00:02:36,440 Speaker 1: I know that he's a lot? Did he direct you guys? 39 00:02:36,440 --> 00:02:40,320 Speaker 1: A lot. No, I didn't even directed this one, Like, 40 00:02:40,800 --> 00:02:44,880 Speaker 1: I didn't remember the idea. So aside from Jason, he 41 00:02:44,960 --> 00:02:47,480 Speaker 1: was the first cast member to direct the second. So 42 00:02:47,560 --> 00:02:50,560 Speaker 1: the second one, the second Yes, but Jason, I just 43 00:02:50,600 --> 00:02:53,000 Speaker 1: always felt like, I don't know, he just I always 44 00:02:53,040 --> 00:02:54,920 Speaker 1: think of director before I even think of anything else. 45 00:02:54,960 --> 00:02:57,480 Speaker 1: But James eck House. How did he get that in there? 46 00:02:58,320 --> 00:03:01,000 Speaker 1: I don't know, and I don't remember for it whatsoever. 47 00:03:02,320 --> 00:03:04,840 Speaker 1: But he did a fine job. I didn't There was 48 00:03:04,919 --> 00:03:07,680 Speaker 1: no like extreme close ups that really bugged me this week, 49 00:03:07,680 --> 00:03:12,280 Speaker 1: which last week we're standing out. Yeah, he did kind 50 00:03:12,280 --> 00:03:15,000 Speaker 1: of a lot of fancy car shots at the open 51 00:03:16,280 --> 00:03:18,600 Speaker 1: which I noticed, like a lot of fancy cars and 52 00:03:18,600 --> 00:03:20,560 Speaker 1: shots of l A. Again, I don't know if that 53 00:03:20,720 --> 00:03:24,280 Speaker 1: was him or if that was was second unit. Sometimes 54 00:03:24,280 --> 00:03:27,440 Speaker 1: they do what they call does that work, and then 55 00:03:27,760 --> 00:03:31,560 Speaker 1: they send like a little tiny crew cameraman and guys 56 00:03:31,600 --> 00:03:35,080 Speaker 1: out and they do like, you know, shots of l 57 00:03:35,160 --> 00:03:38,280 Speaker 1: A or Beverly Hills or cars zooming. You know, that 58 00:03:38,320 --> 00:03:40,560 Speaker 1: would be like post would put that in. The director 59 00:03:40,600 --> 00:03:42,960 Speaker 1: probably wouldn't deal with that, and the director wouldn't get 60 00:03:42,960 --> 00:03:45,240 Speaker 1: to say like, oh yeah, I want that in now 61 00:03:45,680 --> 00:03:49,200 Speaker 1: because it's not changing every single episode. Yeah, to the 62 00:03:49,320 --> 00:03:53,040 Speaker 1: edit now. Oh, but he might have been like, let's start, 63 00:03:53,120 --> 00:03:54,920 Speaker 1: I'd love to start the show, open the show on 64 00:03:55,000 --> 00:03:57,640 Speaker 1: zooming cars or something so that like the show begins 65 00:03:57,640 --> 00:04:00,040 Speaker 1: on cars and ends on cars. Yeah, that's what I 66 00:04:00,040 --> 00:04:06,200 Speaker 1: was thinking. I even wrote is this grease They went 67 00:04:06,200 --> 00:04:09,280 Speaker 1: to the old cars. Yeah, it was like, weren't you like, whoa? 68 00:04:09,480 --> 00:04:16,479 Speaker 1: Nineties cars? Totally? A couple were like whoa some of 69 00:04:16,520 --> 00:04:21,960 Speaker 1: them look like eighties cars. Yeah, it's so funny because 70 00:04:22,040 --> 00:04:24,960 Speaker 1: doesn't the nineties feel like it was just like a 71 00:04:25,000 --> 00:04:28,200 Speaker 1: couple of years ago. But it's like really or like 72 00:04:28,880 --> 00:04:34,440 Speaker 1: yesterday or even today, like those cars won't really work anymore. 73 00:04:35,839 --> 00:04:38,400 Speaker 1: Where I thought if you had a ninety two accurate, 74 00:04:38,680 --> 00:04:42,400 Speaker 1: that thing's not really flowing right. Well, Dylan's car definitely 75 00:04:42,560 --> 00:04:47,560 Speaker 1: stopped working. It'd be vintage, an antique car, but somehow, Yeah, 76 00:04:47,560 --> 00:04:50,839 Speaker 1: the nineties weren't popular antique cars to come back. No, 77 00:04:51,160 --> 00:04:56,280 Speaker 1: they weren't. They weren't keepers. Nope, you noticed, speaking of nineties, 78 00:04:56,320 --> 00:04:59,120 Speaker 1: that we're officially into our I mean it started a 79 00:04:59,120 --> 00:05:03,560 Speaker 1: couple its ago second phase of nineties fashion, which if 80 00:05:03,560 --> 00:05:06,880 Speaker 1: you notice, all the stores now are headed into that 81 00:05:06,960 --> 00:05:11,120 Speaker 1: second phase of nineties fashion as well, true so gone 82 00:05:11,240 --> 00:05:15,039 Speaker 1: and not as much like bright colors and abstract prints, 83 00:05:15,880 --> 00:05:21,160 Speaker 1: but more florals and boots and flannels. Yeah, I like 84 00:05:21,320 --> 00:05:25,240 Speaker 1: it better going into the non fitted genre, like a 85 00:05:25,279 --> 00:05:28,640 Speaker 1: little more seventies part of the nineties, like and the 86 00:05:28,640 --> 00:05:32,240 Speaker 1: suede jackets with the tassels, long big ones like boxy 87 00:05:32,320 --> 00:05:35,640 Speaker 1: looks like you're wearing your father's coat. Kind of nice observation. 88 00:05:35,680 --> 00:05:39,839 Speaker 1: It's all coming in a real quick one. And I 89 00:05:39,839 --> 00:05:43,400 Speaker 1: know I've mentioned it. That cow hide chair and those 90 00:05:43,480 --> 00:05:47,839 Speaker 1: beautiful floral pillows on the couch and the apartment. The 91 00:05:47,920 --> 00:05:51,919 Speaker 1: apartment is awesome and they really made it look like 92 00:05:51,960 --> 00:05:56,560 Speaker 1: you're shooting in an apartment. It does. Yeah, it was 93 00:05:56,600 --> 00:05:58,960 Speaker 1: that that whole set was built and they did such 94 00:05:58,960 --> 00:06:02,359 Speaker 1: a great job, like with the kitchen and everything. It 95 00:06:02,480 --> 00:06:05,400 Speaker 1: was big too. The actual set was like the size 96 00:06:05,400 --> 00:06:08,799 Speaker 1: of an actual apartment, a big as big butt apartment. 97 00:06:09,360 --> 00:06:13,640 Speaker 1: I wonder what the real apartment it looks like inside. 98 00:06:15,440 --> 00:06:21,120 Speaker 1: You're gonna find out they have it officially booked. Well, 99 00:06:21,120 --> 00:06:28,159 Speaker 1: then let's tell the people in December, right around the holidays, 100 00:06:28,200 --> 00:06:30,960 Speaker 1: a little bit before We're going to do a special 101 00:06:30,960 --> 00:06:35,880 Speaker 1: episode with Jenny Torreon and some special guests from the apartment, 102 00:06:35,960 --> 00:06:41,719 Speaker 1: which is just like crazy actual feature apartment which is 103 00:06:41,839 --> 00:06:45,440 Speaker 1: on AIRB and B. It's crazy. I'm glad we got 104 00:06:45,440 --> 00:06:48,320 Speaker 1: We got to get our dates and because they're booked 105 00:06:48,360 --> 00:06:52,240 Speaker 1: a lot, every time I tried to book on airbnbing 106 00:06:52,279 --> 00:06:56,080 Speaker 1: there the dates aren't available. Do you think you guys 107 00:06:56,240 --> 00:06:59,480 Speaker 1: we could get Uh, we could refurbish a chair and 108 00:06:59,520 --> 00:07:02,279 Speaker 1: put how high print on it, just like it doesn't 109 00:07:02,440 --> 00:07:07,000 Speaker 1: anything expensive and we can take your automan or whatever 110 00:07:07,040 --> 00:07:10,440 Speaker 1: it is that you've loved onto the show the other day. 111 00:07:10,960 --> 00:07:13,440 Speaker 1: I think we definitely need a cow hide chair and 112 00:07:13,520 --> 00:07:16,320 Speaker 1: some plural pillars. I think we could do it. We 113 00:07:16,360 --> 00:07:20,440 Speaker 1: can make that happen. That's that's an easy especially but 114 00:07:20,800 --> 00:07:23,640 Speaker 1: it's the xterior photos that are just gonna be so 115 00:07:24,880 --> 00:07:28,320 Speaker 1: it's exactly the same. We're gonna have to get together 116 00:07:28,560 --> 00:07:32,440 Speaker 1: on that whole everything about that episode because it's going 117 00:07:32,520 --> 00:07:36,840 Speaker 1: to be so good, so excited. I just love the 118 00:07:36,920 --> 00:07:41,760 Speaker 1: roomies together though. I love when we're inside Kelly and 119 00:07:42,880 --> 00:07:46,920 Speaker 1: Donna's apartment and David and the whole vibe between Kelly 120 00:07:47,000 --> 00:07:49,600 Speaker 1: and Donna and they're bossing David around all the time 121 00:07:49,680 --> 00:07:53,120 Speaker 1: and telling him what to do. I just love those scenes. 122 00:07:54,160 --> 00:08:00,560 Speaker 1: It's like frantic but real friend energy. Yes, yeah, are 123 00:08:00,560 --> 00:08:03,520 Speaker 1: we worried about David though he does not go to school? 124 00:08:03,560 --> 00:08:06,560 Speaker 1: I mean not yet, but it's heading towards that. We 125 00:08:06,640 --> 00:08:11,200 Speaker 1: see what's coming. Oh, we do something something, Yeah, because 126 00:08:11,280 --> 00:08:15,320 Speaker 1: David is still working the night shift on the radio show. 127 00:08:15,800 --> 00:08:19,559 Speaker 1: Donna has stopped now, but he's still He works until 128 00:08:19,600 --> 00:08:23,840 Speaker 1: six am, so you know she Donna expects him to 129 00:08:23,840 --> 00:08:28,120 Speaker 1: get up maybe like eleven am, maybe twelve, and have 130 00:08:28,280 --> 00:08:32,720 Speaker 1: like a classes just not going to school. I don't 131 00:08:32,720 --> 00:08:35,319 Speaker 1: know how that could ever work out. And he didn't 132 00:08:35,320 --> 00:08:39,120 Speaker 1: know he lived with Mr Clean and the Tidy bowl Man. Wait, 133 00:08:39,360 --> 00:08:41,840 Speaker 1: which one are you? Which one are you? If there's 134 00:08:42,040 --> 00:08:44,040 Speaker 1: Mr Clean and the tidy bowl Man, which one do 135 00:08:44,040 --> 00:08:47,040 Speaker 1: you want to be? Well? In real life, you're the 136 00:08:47,080 --> 00:08:50,800 Speaker 1: clean person clean, yeah, and I'm the tidy bold man. 137 00:08:53,000 --> 00:08:55,560 Speaker 1: You don't really like that though, I can tell Tidy 138 00:08:55,559 --> 00:09:00,320 Speaker 1: Bowl I was just trying to think of something. They're like, yeah, 139 00:09:01,240 --> 00:09:03,920 Speaker 1: I think I just loved though. But while we're talking 140 00:09:03,920 --> 00:09:08,560 Speaker 1: about Kelly and Donna and David, I loved this episode 141 00:09:08,600 --> 00:09:12,760 Speaker 1: the most, I think because of Kelly and Donna's the 142 00:09:13,120 --> 00:09:16,160 Speaker 1: relationship that you can see on camera that you know 143 00:09:16,200 --> 00:09:18,959 Speaker 1: as off camera. We know as off camera it translates 144 00:09:19,000 --> 00:09:22,160 Speaker 1: and they just seem like the bestest friends. Like wait, 145 00:09:22,520 --> 00:09:26,120 Speaker 1: they just did you know any specifics? Like what do 146 00:09:26,120 --> 00:09:28,839 Speaker 1: you mean, like how did you see? I mean, how 147 00:09:28,840 --> 00:09:32,079 Speaker 1: did you notice that in this episode? Well, specifically just 148 00:09:32,120 --> 00:09:34,959 Speaker 1: the banter between them in the apartment and the way 149 00:09:34,960 --> 00:09:38,320 Speaker 1: they're just so physically comfortable with one another. And then um, 150 00:09:38,400 --> 00:09:42,400 Speaker 1: definitely on the lawn when they're sitting outside the the 151 00:09:42,400 --> 00:09:47,000 Speaker 1: sorority house and uh, they're just hitting each other all 152 00:09:47,000 --> 00:09:49,440 Speaker 1: the time and like you know, pushing each other and 153 00:09:49,480 --> 00:09:52,480 Speaker 1: like just being silly and normal and it just would 154 00:09:52,520 --> 00:09:55,240 Speaker 1: made me miss you. I want to push you. I know. 155 00:09:55,480 --> 00:09:58,880 Speaker 1: It's so cute. And there's one of our most iconic 156 00:09:59,160 --> 00:10:02,400 Speaker 1: friendship photo those was taken? Was it the condor's nest 157 00:10:02,400 --> 00:10:04,640 Speaker 1: where they're all hanging out playing ping pong and we're 158 00:10:04,640 --> 00:10:08,160 Speaker 1: sitting kind of back to back with our backpacks. Do 159 00:10:08,200 --> 00:10:09,760 Speaker 1: you guys know what I'm talking about when they're playing 160 00:10:09,800 --> 00:10:13,000 Speaker 1: ping pong? Okay, so that picture, we'll pull it up. 161 00:10:13,000 --> 00:10:15,880 Speaker 1: It's like one of our most famous like friendship pictures. 162 00:10:15,920 --> 00:10:19,040 Speaker 1: Like in scene, So do you think if Okay, so 163 00:10:19,080 --> 00:10:21,360 Speaker 1: you're shooting at Do you think if if someone had 164 00:10:21,440 --> 00:10:24,800 Speaker 1: like a video camera just shooting Jenny and Tory, like 165 00:10:24,880 --> 00:10:29,320 Speaker 1: the physicality would be exactly the same. Yeah. Yeah, I 166 00:10:29,360 --> 00:10:31,760 Speaker 1: feel like they were like, okay, just roll the camera 167 00:10:31,960 --> 00:10:36,080 Speaker 1: and you guys maybe say your lines, maybe don't. But 168 00:10:36,160 --> 00:10:38,520 Speaker 1: that's what it's like. We're Tory and I. Whenever we're together, 169 00:10:38,640 --> 00:10:41,400 Speaker 1: like somehow we get the work done, but we have 170 00:10:41,480 --> 00:10:44,160 Speaker 1: so much fun while we're doing it. It's like or 171 00:10:44,240 --> 00:10:48,600 Speaker 1: just ourselves, and when we're working together, it's just has 172 00:10:48,679 --> 00:10:51,720 Speaker 1: that fun energy. I loved it. And often like we'll 173 00:10:51,720 --> 00:10:53,440 Speaker 1: just be like going back and forth and bantering and 174 00:10:53,480 --> 00:10:55,200 Speaker 1: people we just look around and people are just like, 175 00:10:55,960 --> 00:10:58,320 Speaker 1: oh my god, you guys, really this is really you 176 00:10:58,400 --> 00:11:03,200 Speaker 1: in real life as well. We're like, yeah, that's here 177 00:11:03,280 --> 00:11:05,240 Speaker 1: on the podcast. We're doing a job. We have a 178 00:11:05,280 --> 00:11:10,520 Speaker 1: mission here, but yeah, but to see it together, it's 179 00:11:10,600 --> 00:11:14,680 Speaker 1: just like boo boo boo boo boo. I cut you off, 180 00:11:14,720 --> 00:11:16,640 Speaker 1: you cut me off. We don't care. We just keep talking. 181 00:11:17,720 --> 00:11:21,680 Speaker 1: Do you guys? Ever, when you're watching Jenny, when you're 182 00:11:21,679 --> 00:11:25,200 Speaker 1: watching do you sometimes see Tory and not Donna? And 183 00:11:25,320 --> 00:11:29,240 Speaker 1: same for you? This whole episode. Yeah, for sure, for sure, 184 00:11:29,880 --> 00:11:34,640 Speaker 1: there was a lot of terry moments in this episode, really, David, 185 00:11:34,880 --> 00:11:38,160 Speaker 1: Oh yeah, we were funny. So she this is the 186 00:11:38,200 --> 00:11:40,320 Speaker 1: scream I do often when we're calling. I used to 187 00:11:40,320 --> 00:11:45,000 Speaker 1: scream my dog this way, and Jem would be like, great, right, 188 00:11:45,320 --> 00:11:47,320 Speaker 1: because I wouldn't mean to, but I would turn and 189 00:11:47,360 --> 00:11:49,160 Speaker 1: scream and it'd be right in her ear. It was. 190 00:11:49,360 --> 00:11:51,720 Speaker 1: It's awful. It's the worst sound you've ever heard, you, guys. 191 00:11:52,360 --> 00:11:55,719 Speaker 1: I think that's why I, like you might early on 192 00:11:55,800 --> 00:11:58,199 Speaker 1: go hard of hearing because of meat. That's why I'm 193 00:11:58,200 --> 00:12:02,760 Speaker 1: going deaf. Thank you? How like? So, just to get 194 00:12:02,800 --> 00:12:05,280 Speaker 1: back to David Silver to wrap it up a little bit, 195 00:12:05,400 --> 00:12:09,240 Speaker 1: what do you guys think about that radio boss giving 196 00:12:09,320 --> 00:12:16,160 Speaker 1: him that Kathleen pills and likes. I didn't see that 197 00:12:16,240 --> 00:12:20,480 Speaker 1: coming an appropriate boss. I thought he was a good 198 00:12:20,520 --> 00:12:22,120 Speaker 1: guy the way he was like, you know, try and 199 00:12:22,200 --> 00:12:25,800 Speaker 1: help Donna. I like that actor. I'm glad he's sticking around. 200 00:12:25,840 --> 00:12:28,719 Speaker 1: He's perfect, he's great. I like, I like him. But now, 201 00:12:28,800 --> 00:12:31,439 Speaker 1: Zachary Throne, I remember him. Do you remember him being 202 00:12:31,440 --> 00:12:36,280 Speaker 1: around a lot? Nope? I just did not like how 203 00:12:36,320 --> 00:12:38,520 Speaker 1: he said, if you need something else, come to me. 204 00:12:38,600 --> 00:12:42,959 Speaker 1: It's like you you're you know, what is Zachary Throne doing? Now? 205 00:12:43,000 --> 00:12:46,080 Speaker 1: Do I know him from something else? Let's look, I 206 00:12:46,160 --> 00:12:49,280 Speaker 1: was just shocked that all of a sudden he's a 207 00:12:49,360 --> 00:12:54,160 Speaker 1: drug dealer totally. That's that's what I wrote, drug dealer, 208 00:12:54,960 --> 00:12:58,720 Speaker 1: and that he's such a pusher. He's like pushing the drugs. 209 00:12:58,760 --> 00:13:02,120 Speaker 1: It's like, dude, well, you're you want to stay able 210 00:13:02,200 --> 00:13:04,440 Speaker 1: to keep it together, so you can keep him on 211 00:13:04,480 --> 00:13:07,679 Speaker 1: the air for what he gives him just caffeine pills, yes, 212 00:13:07,720 --> 00:13:11,240 Speaker 1: but you need something stronger or if you need some 213 00:13:11,360 --> 00:13:13,200 Speaker 1: what is it do you really think it is? Like 214 00:13:13,360 --> 00:13:16,760 Speaker 1: is it just no, it's still caffeine pills? Now? But 215 00:13:17,160 --> 00:13:21,960 Speaker 1: were those called no does? Okay? Okay, so you're talking okay. 216 00:13:21,960 --> 00:13:23,560 Speaker 1: So that's why I was trying to figure out. So 217 00:13:23,600 --> 00:13:27,120 Speaker 1: in today's market at CBS, it would be like five 218 00:13:27,120 --> 00:13:31,960 Speaker 1: hour energy shots, right, Okay, he wasn't flushed away. And 219 00:13:32,280 --> 00:13:34,440 Speaker 1: because I do think people bought those things at like 220 00:13:35,040 --> 00:13:39,199 Speaker 1: seven eleven or something, yes, like when we had to 221 00:13:39,200 --> 00:13:43,679 Speaker 1: study for finals and stuff Gateway Gateway drug. Well, I 222 00:13:43,840 --> 00:13:46,400 Speaker 1: never can go wrong with the stuff that's over the counter. 223 00:13:47,600 --> 00:13:51,760 Speaker 1: Kelly Taylor, I didn't know that David had a drug 224 00:13:51,840 --> 00:13:54,920 Speaker 1: problem before Kelly develops a drug problem. This is very 225 00:13:54,920 --> 00:14:00,920 Speaker 1: exciting what Kelly are Okay, Oh, but Kelly already had 226 00:14:00,920 --> 00:14:04,880 Speaker 1: a diet pill problem. So what you're going to witness 227 00:14:04,920 --> 00:14:08,559 Speaker 1: in this show is that every everyone on the show 228 00:14:08,679 --> 00:14:12,280 Speaker 1: ends up with some sort of drug problem or is 229 00:14:12,280 --> 00:14:16,760 Speaker 1: that sort of like, you know, socially incorrect problem. Something 230 00:14:17,200 --> 00:14:21,920 Speaker 1: something bad is going to almost happen to all the characters, 231 00:14:21,920 --> 00:14:29,239 Speaker 1: but they're gonna I've already got Dylan sober, Kelly diet 232 00:14:29,080 --> 00:14:34,960 Speaker 1: probably should be sober, and now David's half Brandon was 233 00:14:35,000 --> 00:14:38,680 Speaker 1: a gambler. There's a lot of addiction we should bring on. 234 00:14:38,760 --> 00:14:40,680 Speaker 1: Zachary Throne. I think I was friends with I think 235 00:14:40,680 --> 00:14:42,720 Speaker 1: we're friends with him, Jim. I feel hung out with 236 00:14:42,800 --> 00:14:45,480 Speaker 1: him in real life. I think so too. He was 237 00:14:45,480 --> 00:14:48,480 Speaker 1: a musician too. I think he was because he was 238 00:14:48,480 --> 00:14:51,120 Speaker 1: on cop Rock. Yeah, and he was also on a 239 00:14:51,160 --> 00:14:54,080 Speaker 1: show called The Heights that he did that my dad did, 240 00:14:54,200 --> 00:14:59,120 Speaker 1: which starred Jamie Walters, who because if he was on 241 00:14:59,200 --> 00:15:14,200 Speaker 1: cop Rock and behind do you guys, I just really 242 00:15:14,240 --> 00:15:18,680 Speaker 1: really want to talk about Andrea and Dan Ruben, Okay, 243 00:15:19,280 --> 00:15:20,920 Speaker 1: I just need I need to talk. Let's do it. 244 00:15:21,000 --> 00:15:23,080 Speaker 1: Let's jump in. I have a lot to say about 245 00:15:23,120 --> 00:15:26,480 Speaker 1: Dan Rubens, to go ahead. There's a line that really 246 00:15:26,520 --> 00:15:28,560 Speaker 1: pushed me over the edge. I'm not gonna At first, 247 00:15:28,600 --> 00:15:31,560 Speaker 1: I'm like, oh, Dan Ruben is such a dream boat. 248 00:15:31,880 --> 00:15:36,480 Speaker 1: He's so cute, and I still think that I don't 249 00:15:36,480 --> 00:15:41,400 Speaker 1: know serial killer vibes. When he is sitting at that 250 00:15:41,480 --> 00:15:45,960 Speaker 1: table with her in the five size two, big blousy 251 00:15:46,320 --> 00:15:49,600 Speaker 1: denim shirt, he's talking to her, you guys, and he's 252 00:15:49,720 --> 00:15:53,560 Speaker 1: stroking his long fingers. Did you see it? I didn't 253 00:15:53,600 --> 00:15:58,240 Speaker 1: see that. Oh you have to. And I'm like, you 254 00:15:58,280 --> 00:16:01,800 Speaker 1: know what. It's so it's such a nuance and I'm like, 255 00:16:01,840 --> 00:16:03,280 Speaker 1: you know what, I don't think this is a character 256 00:16:03,360 --> 00:16:05,520 Speaker 1: choice because it's too creepy. I think he's strokes. He 257 00:16:05,600 --> 00:16:09,080 Speaker 1: has really a naturally long, skinny fingers and he strokes 258 00:16:09,400 --> 00:16:12,800 Speaker 1: the tips of them and to them while he talks. 259 00:16:12,880 --> 00:16:14,640 Speaker 1: And I wanted to throw up because I was like, oh, 260 00:16:14,680 --> 00:16:17,240 Speaker 1: I wonder if he does that when he's sexual. Well 261 00:16:17,480 --> 00:16:21,280 Speaker 1: you've almost got to see because almost what about okay, wait, 262 00:16:21,520 --> 00:16:25,840 Speaker 1: why way? First of all, when there first this is 263 00:16:25,880 --> 00:16:29,520 Speaker 1: like this was this like the first in bed naked 264 00:16:30,120 --> 00:16:33,640 Speaker 1: doing it? Seen? We've had on the show. No, well 265 00:16:33,760 --> 00:16:38,720 Speaker 1: naked e but we've had Stevens last have been that 266 00:16:39,080 --> 00:16:42,560 Speaker 1: nothing like this. This is like skin on skin. Yeah, 267 00:16:42,680 --> 00:16:44,600 Speaker 1: you know what. I think you're right. And they chose 268 00:16:44,680 --> 00:16:48,640 Speaker 1: it for the one that you would never suspect, and 269 00:16:49,160 --> 00:16:52,480 Speaker 1: I was like, wait, I don't know if I want 270 00:16:52,480 --> 00:16:57,200 Speaker 1: to see this. Of course not, I mean because it's 271 00:16:57,240 --> 00:16:59,400 Speaker 1: Andrea and I just don't want to think of her 272 00:16:59,440 --> 00:17:02,200 Speaker 1: like that. But I guess it's natural and I should 273 00:17:02,240 --> 00:17:07,919 Speaker 1: be okay with it. But it felt real, Bumpy, I 274 00:17:08,040 --> 00:17:12,040 Speaker 1: want to give props to your boyfriend James that house. 275 00:17:12,160 --> 00:17:13,800 Speaker 1: I bet he was like, you know what, you guys, 276 00:17:14,000 --> 00:17:17,080 Speaker 1: we should make this a little more real. Yeah, this 277 00:17:17,080 --> 00:17:20,240 Speaker 1: this is how it really would be. Like I really 278 00:17:20,240 --> 00:17:23,240 Speaker 1: want to get like into the what you guys think 279 00:17:23,240 --> 00:17:26,680 Speaker 1: about the fact that he stopped so he she wants 280 00:17:26,680 --> 00:17:29,479 Speaker 1: to tell him she's a virgin, which was good, and 281 00:17:29,520 --> 00:17:32,920 Speaker 1: then he wants to stop. Is he doing the right 282 00:17:33,040 --> 00:17:36,640 Speaker 1: thing by stopping or because I thought, okay, so she 283 00:17:36,840 --> 00:17:40,960 Speaker 1: wasn't a virgin, he's fine doing it? Like yeah, I 284 00:17:41,080 --> 00:17:44,920 Speaker 1: was a little bit like, I don't want to deflower her. 285 00:17:46,520 --> 00:17:50,560 Speaker 1: Why would you say that? But I'm thinking like, okay, 286 00:17:50,840 --> 00:17:55,720 Speaker 1: so you're good with this being so quick and maybe 287 00:17:55,720 --> 00:17:58,439 Speaker 1: a one night stand, but the fact that I was like, 288 00:17:58,680 --> 00:18:01,679 Speaker 1: I can't decide if he's a good guy. That was 289 00:18:01,720 --> 00:18:04,679 Speaker 1: a good guy move just to be more memorable for her. 290 00:18:04,720 --> 00:18:08,200 Speaker 1: But then she just lays there and still failing all 291 00:18:08,200 --> 00:18:10,119 Speaker 1: the fields. So she gets up and sneaks down the 292 00:18:10,119 --> 00:18:13,080 Speaker 1: hallway and her little no shoes and her little ragines 293 00:18:13,160 --> 00:18:15,879 Speaker 1: and pinked up and knocks on his door. I was like, 294 00:18:15,920 --> 00:18:19,440 Speaker 1: don't d don't knock on his door. And then they 295 00:18:19,480 --> 00:18:21,920 Speaker 1: did it the same night, like he didn't. He didn't, 296 00:18:22,480 --> 00:18:26,879 Speaker 1: he stopped it, but he didn't. That's what I was confused. 297 00:18:27,000 --> 00:18:29,560 Speaker 1: Is that the same night, So it stops it because 298 00:18:29,560 --> 00:18:32,480 Speaker 1: it was the afternoon because he says, what would you 299 00:18:32,480 --> 00:18:33,960 Speaker 1: say if I kissed you if we went back to 300 00:18:34,000 --> 00:18:37,320 Speaker 1: the dorms? So was that the afternoon? And then that 301 00:18:37,520 --> 00:18:43,199 Speaker 1: night after the delight, it was that night when she 302 00:18:43,240 --> 00:18:45,760 Speaker 1: went back that they did it. That's right, So they 303 00:18:45,840 --> 00:18:48,199 Speaker 1: didn't do it in the afternoon. Then we see the 304 00:18:48,240 --> 00:18:52,800 Speaker 1: clocks as twelve thirty am and then she goes over right, 305 00:18:52,960 --> 00:18:55,800 Speaker 1: So it was good because she was like really initiating it. 306 00:18:55,880 --> 00:19:00,480 Speaker 1: She was horny, she was okay, and she wanted to 307 00:19:00,520 --> 00:19:02,480 Speaker 1: have safe sex. And did you hear him say I've 308 00:19:02,480 --> 00:19:07,040 Speaker 1: been tested. Yeah, it was just the whole Like I was, 309 00:19:07,240 --> 00:19:10,240 Speaker 1: I was watching like this, like like between my fingers, 310 00:19:10,280 --> 00:19:12,600 Speaker 1: like I was like, I don't want to see Andrea 311 00:19:12,760 --> 00:19:14,600 Speaker 1: doing it. I don't know why. It just was like 312 00:19:14,640 --> 00:19:18,240 Speaker 1: watching mom and dad do it. I thought it got 313 00:19:18,280 --> 00:19:20,880 Speaker 1: worse later when she said I can't be your student 314 00:19:21,000 --> 00:19:28,000 Speaker 1: during the day and your love her at night. Yeah, 315 00:19:28,160 --> 00:19:31,879 Speaker 1: but then the day after she had a real calm, 316 00:19:32,200 --> 00:19:35,720 Speaker 1: calmness about her. Yes, and she was very glowy. She's 317 00:19:35,800 --> 00:19:41,919 Speaker 1: very because that's what happens, right. He did do the 318 00:19:42,000 --> 00:19:45,240 Speaker 1: right thing though, when she asked that and he said, well, 319 00:19:45,240 --> 00:19:46,960 Speaker 1: I guess you can't be my student, I was like, 320 00:19:47,000 --> 00:19:50,720 Speaker 1: oh thank god, Like he's not dumping her, right. That 321 00:19:50,880 --> 00:19:53,000 Speaker 1: was like okay, so they're going to have a cute 322 00:19:53,000 --> 00:19:55,639 Speaker 1: little little romance. I wonder where that's going to go. 323 00:19:57,400 --> 00:20:01,200 Speaker 1: I don't remember. And what about Brandon, because it's like 324 00:20:01,760 --> 00:20:07,040 Speaker 1: blowing the show up. He's like, hey, guys, want to 325 00:20:07,040 --> 00:20:08,960 Speaker 1: hang out? Because you know what he is turning into 326 00:20:08,960 --> 00:20:15,199 Speaker 1: Bart Simpson. He's like, oh literally times, there were so 327 00:20:15,240 --> 00:20:18,000 Speaker 1: many times in this episode was like Bart Simpson, Bart Simpson, 328 00:20:18,520 --> 00:20:21,600 Speaker 1: he's actually persons and but but he's being fun and 329 00:20:21,640 --> 00:20:24,679 Speaker 1: playful and I like it, not like also Mr Serious Brandon. 330 00:20:25,160 --> 00:20:27,520 Speaker 1: So we did you know in the ping pong scene 331 00:20:27,520 --> 00:20:30,520 Speaker 1: when he's holding up the ping pong paddle and he's 332 00:20:30,560 --> 00:20:35,840 Speaker 1: interviewing Steve Sanders and he then pretends like he's like 333 00:20:36,000 --> 00:20:37,919 Speaker 1: a new show, but he breaks the fourth wall and 334 00:20:37,920 --> 00:20:40,679 Speaker 1: looks right into our camera. How could I not know? 335 00:20:40,800 --> 00:20:43,680 Speaker 1: But I didn't see that? Like he's like so wherever 336 00:20:43,720 --> 00:20:46,280 Speaker 1: he says, like Steve Sanders tell us for the viewers 337 00:20:46,280 --> 00:20:48,720 Speaker 1: at home, and then he like puts the mic there 338 00:20:49,119 --> 00:20:52,040 Speaker 1: the paddle, but he actually like looks to our into 339 00:20:52,080 --> 00:20:54,720 Speaker 1: our camera for the viewers. I was like, oh, interesting, 340 00:20:54,720 --> 00:20:58,080 Speaker 1: And they allowed him to do that. I guess I'm 341 00:20:58,080 --> 00:21:01,000 Speaker 1: gonna have to rewatch this entire episode. We're going to 342 00:21:01,000 --> 00:21:03,680 Speaker 1: see the fingers. Got to see this. We need to 343 00:21:03,680 --> 00:21:05,800 Speaker 1: put that up on Instagram so people can see what 344 00:21:05,800 --> 00:21:12,640 Speaker 1: we're what do they call that? Breaking the fourth world? Yeah? 345 00:21:12,920 --> 00:21:16,040 Speaker 1: He did it? Whoa? I feel like breaking the fourth 346 00:21:16,040 --> 00:21:18,640 Speaker 1: walls like Ferres Bueller when he's like, hey guys, so 347 00:21:18,760 --> 00:21:21,399 Speaker 1: blah blah, you know, like so does he just make 348 00:21:21,440 --> 00:21:25,280 Speaker 1: a mistake. I don't think he made a mistake. I 349 00:21:25,280 --> 00:21:27,119 Speaker 1: think he chose to do it and no one say anything. 350 00:21:28,400 --> 00:21:30,240 Speaker 1: I mean there's been a million times when I've made 351 00:21:30,240 --> 00:21:32,800 Speaker 1: that mistake and just accidentally stare right down the barrel 352 00:21:32,840 --> 00:21:35,159 Speaker 1: of the camera like, oh wow, we're gonna have to 353 00:21:35,200 --> 00:21:38,360 Speaker 1: go again. So that's like you don't do in acting. 354 00:21:38,600 --> 00:21:40,680 Speaker 1: We've all done that and you're like, oh, sorry, I 355 00:21:40,800 --> 00:21:44,359 Speaker 1: just looked at the camera. And because it takes the 356 00:21:44,440 --> 00:21:48,480 Speaker 1: viewer like out, what's bad about it? Because you can 357 00:21:48,760 --> 00:21:50,640 Speaker 1: you have to pretend the cameras not there, because why 358 00:21:50,640 --> 00:21:52,119 Speaker 1: would you look into the camera? Who would you be 359 00:21:52,240 --> 00:21:55,840 Speaker 1: looking at? I don't know. And once you do it, 360 00:21:55,880 --> 00:21:57,560 Speaker 1: you always had that little bit of a panic look 361 00:21:57,560 --> 00:21:59,719 Speaker 1: because you know you just did it. You can't use 362 00:21:59,800 --> 00:22:01,679 Speaker 1: it hapens when you do it, you get sucked in 363 00:22:01,760 --> 00:22:04,520 Speaker 1: and you just can't stop. Like Cindy Brady did again 364 00:22:04,640 --> 00:22:07,760 Speaker 1: Brady Bunch reference. Sorry guys, but when she was on 365 00:22:07,800 --> 00:22:10,440 Speaker 1: the on the game show, and she couldn't look away. 366 00:22:11,720 --> 00:22:14,320 Speaker 1: So she loved Jenny loves the Brady Bunch so much, 367 00:22:14,560 --> 00:22:16,840 Speaker 1: and like I've seen every episode and that's one of 368 00:22:16,840 --> 00:22:19,400 Speaker 1: her favorites. And so whenever she would do it. We'd 369 00:22:19,440 --> 00:22:21,520 Speaker 1: be like, oh you just Cindy Brady did it, and 370 00:22:21,560 --> 00:22:26,320 Speaker 1: she's like totally wait. Can I just interject really fast? 371 00:22:26,400 --> 00:22:29,000 Speaker 1: What is your favorite Brady Bunch episode of all time? 372 00:22:29,160 --> 00:22:31,960 Speaker 1: Whoa what that is just out of nowhere? Just give 373 00:22:33,920 --> 00:22:36,439 Speaker 1: I well, I really was a fan of like the 374 00:22:36,560 --> 00:22:39,359 Speaker 1: singing one when the never they're singing and there they 375 00:22:39,359 --> 00:22:44,119 Speaker 1: weren't they're the Platters. You're going to say it or 376 00:22:44,200 --> 00:22:47,159 Speaker 1: Johnny Bravo, I knew it. We can we please do 377 00:22:47,280 --> 00:22:51,360 Speaker 1: Brady Bunch rewatch just oh my gosh, wait, Jen, did 378 00:22:51,400 --> 00:22:54,080 Speaker 1: I even tell you this? So I did like the 379 00:22:55,000 --> 00:22:58,400 Speaker 1: guest spot on Mass Singer this season, and they were 380 00:22:58,440 --> 00:23:01,440 Speaker 1: revealed it was a trans and it was the Brady 381 00:23:01,480 --> 00:23:10,400 Speaker 1: Bunch Christopher Knight uh oh, spider yes, and they revealed 382 00:23:10,440 --> 00:23:13,880 Speaker 1: that they hadn't sang together since the Brady Bunch all 383 00:23:13,920 --> 00:23:18,080 Speaker 1: these years. And then how they sound. They sounded good, 384 00:23:18,119 --> 00:23:21,320 Speaker 1: really good, and they're no spring chickens. They came over 385 00:23:21,359 --> 00:23:23,680 Speaker 1: in the suits and they were sweating and they were 386 00:23:23,760 --> 00:23:26,800 Speaker 1: like oh, and they were so nice, and I was like, 387 00:23:27,280 --> 00:23:28,720 Speaker 1: I took a picture. I'll have to send it to 388 00:23:28,760 --> 00:23:30,320 Speaker 1: you because I knew you'd freak out. And then I 389 00:23:30,440 --> 00:23:35,520 Speaker 1: faced on telling you Peter Brady looks good. I think, yes, 390 00:23:36,800 --> 00:23:43,320 Speaker 1: they all good, nice guys. Oh my gosh. Wow. And 391 00:23:43,359 --> 00:23:47,320 Speaker 1: then they sang their song after they were revealed, the 392 00:23:47,359 --> 00:23:53,840 Speaker 1: Sunshine Day Sunshine. They still got it. You guys they 393 00:23:54,000 --> 00:24:02,600 Speaker 1: like in their seventies happy, they're not story she's sixties 394 00:24:05,800 --> 00:24:07,760 Speaker 1: and they learned to me, don't put that on there. 395 00:24:07,840 --> 00:24:12,640 Speaker 1: They're gonna keep I'm getting Barry Williams is the oldest 396 00:24:12,760 --> 00:24:18,680 Speaker 1: and he is sixty eight, So you're close. Oh man, yeah, 397 00:24:19,080 --> 00:24:22,200 Speaker 1: I really wish I had been there for that. Can 398 00:24:22,200 --> 00:24:24,240 Speaker 1: we talk about John Sears and I want to talk 399 00:24:24,280 --> 00:24:33,320 Speaker 1: about um um Brenda okay, okay, a little business. Yeah, 400 00:24:33,400 --> 00:24:37,520 Speaker 1: she's so again in this episode. I feel she's so 401 00:24:37,680 --> 00:24:40,560 Speaker 1: mature that moment, so much more mature than everybody else 402 00:24:40,560 --> 00:24:44,119 Speaker 1: on the show. Like I literally wrote down in the 403 00:24:44,160 --> 00:24:46,240 Speaker 1: office scene when we first cut her, why does Brenda 404 00:24:46,320 --> 00:24:49,679 Speaker 1: look thirty? I mean, she looks great and she's a 405 00:24:49,720 --> 00:24:51,760 Speaker 1: great job, but it just was like, wait, she was 406 00:24:51,800 --> 00:24:55,760 Speaker 1: a little snappy, snappy, caustic at the office, like a 407 00:24:55,800 --> 00:24:59,040 Speaker 1: little bit she was bit. She was doing her job. 408 00:25:00,200 --> 00:25:02,359 Speaker 1: It's a little she was good. It just felt like 409 00:25:02,400 --> 00:25:05,000 Speaker 1: a different character. It didn't feel like Brent. I don't know. 410 00:25:05,040 --> 00:25:06,359 Speaker 1: It felt like she was in a movie of the 411 00:25:06,400 --> 00:25:11,960 Speaker 1: week playing an assistant. Yeah, it felt odd. It felt odd. 412 00:25:12,240 --> 00:25:17,920 Speaker 1: But then she gets and meets Stewart. Why would start 413 00:25:18,440 --> 00:25:23,480 Speaker 1: Why would you name him? Stewart's name Stewart little? No, 414 00:25:23,560 --> 00:25:26,760 Speaker 1: I don't know. He's definitely not little. He's tall and 415 00:25:26,880 --> 00:25:29,879 Speaker 1: handsome and all the right things. He's a dream boat. 416 00:25:30,000 --> 00:25:31,520 Speaker 1: But it's just an odd I don't know. I just 417 00:25:31,560 --> 00:25:33,480 Speaker 1: wish you didn't now the names Stuart that. Do you 418 00:25:33,480 --> 00:25:38,560 Speaker 1: guys think Stewart's a babe? Yeah? Do you Yeah? Yeah, 419 00:25:38,560 --> 00:25:42,880 Speaker 1: Stuart's a babe. What do you think of them? They're 420 00:25:42,920 --> 00:25:47,760 Speaker 1: cute together. I mean I loved in the foyer that instant, 421 00:25:47,840 --> 00:25:52,080 Speaker 1: like oh hello moment, and I like that. But then 422 00:25:52,160 --> 00:25:54,200 Speaker 1: at the restaurant, I felt like, oh no, this isn't 423 00:25:54,200 --> 00:25:56,640 Speaker 1: going well. I thought they seemed like they had nothing 424 00:25:56,680 --> 00:25:59,760 Speaker 1: to talk about. Yeah, it was so weird. I was like, 425 00:25:59,880 --> 00:26:02,439 Speaker 1: is is a bad date? Is this wrong of me 426 00:26:02,520 --> 00:26:05,199 Speaker 1: to say? So far in the show, I feel like 427 00:26:05,280 --> 00:26:08,760 Speaker 1: Brenda just Brenda. I'm not hiding that Shannon. Brenda has 428 00:26:08,840 --> 00:26:14,520 Speaker 1: no chemistry with anyone except Dylan and her brother Brandon. 429 00:26:15,560 --> 00:26:17,680 Speaker 1: Like she is the most chemistry with her brother. Other 430 00:26:17,720 --> 00:26:20,880 Speaker 1: than that, I just I'm going on the record all 431 00:26:20,880 --> 00:26:25,160 Speaker 1: our boyfriends, Rick Stewart, I just don't feel any chemistry. Yeah, 432 00:26:25,480 --> 00:26:31,520 Speaker 1: I didn't feel a chemistry with Threek. You know, I'm right, Amy, 433 00:26:32,080 --> 00:26:35,800 Speaker 1: You're right? You are? Yeah, No you are? Yes, I'm 434 00:26:35,840 --> 00:26:41,120 Speaker 1: sorry you She the little slap goodbye babe at that 435 00:26:41,320 --> 00:26:47,280 Speaker 1: fraternity party at the KEG party was way more juicy 436 00:26:47,440 --> 00:26:52,800 Speaker 1: than the like weird chocolate crumber let eating with Stewart. Well, 437 00:26:52,840 --> 00:26:56,080 Speaker 1: maybe it felt awkward because she was like she felt 438 00:26:56,080 --> 00:26:58,560 Speaker 1: out of her element element, Like it was such a fancy, 439 00:26:58,560 --> 00:27:01,920 Speaker 1: expensive restaurant and she did and he was so comfortable there, 440 00:27:01,960 --> 00:27:03,600 Speaker 1: and she was thinking, I don't know if this is 441 00:27:03,640 --> 00:27:06,359 Speaker 1: a good match. Yeah, Like do you think she thought 442 00:27:06,359 --> 00:27:10,439 Speaker 1: it was cool? But he's so loaded and like here's 443 00:27:10,480 --> 00:27:12,480 Speaker 1: my let me slip you at twenty for the wine. 444 00:27:12,600 --> 00:27:14,960 Speaker 1: Like does she think he's cool or did she think 445 00:27:14,960 --> 00:27:19,960 Speaker 1: he's kind of a tool. I felt like she wasn't 446 00:27:20,000 --> 00:27:22,880 Speaker 1: just wasn't comfortable around it. But you guys, she's been 447 00:27:22,880 --> 00:27:25,800 Speaker 1: in this situation before. Hello. Go back to the pilot 448 00:27:25,840 --> 00:27:28,359 Speaker 1: where she went out with the older what was his name? Uh, 449 00:27:29,160 --> 00:27:32,960 Speaker 1: guy from Green Caulfield. He was rich and older, and 450 00:27:33,000 --> 00:27:35,360 Speaker 1: she was trying to play the part and then hello, 451 00:27:35,400 --> 00:27:38,360 Speaker 1: her ex boyfriend Dylan is a millionaire. Like, I don't 452 00:27:38,440 --> 00:27:40,760 Speaker 1: understand why she's so out of her element with Stewart. 453 00:27:42,440 --> 00:27:45,960 Speaker 1: He got better at the club. Yeah, they started dancing 454 00:27:46,480 --> 00:27:51,800 Speaker 1: because dancing is her thing, dancing queen. Yeah apparently, um, 455 00:27:51,880 --> 00:27:54,639 Speaker 1: but it just felt weird. And then that he drops 456 00:27:54,640 --> 00:28:00,479 Speaker 1: her off and then they they kissed, and I I 457 00:28:00,520 --> 00:28:02,960 Speaker 1: liked it. By the end of the night, I was 458 00:28:03,000 --> 00:28:16,919 Speaker 1: into it. How about it the club when he's like 459 00:28:17,000 --> 00:28:21,399 Speaker 1: do you dance? Do you dance? What? I liked it 460 00:28:21,440 --> 00:28:23,800 Speaker 1: that he danced. I love a guy that don't you 461 00:28:23,800 --> 00:28:25,959 Speaker 1: say do you want to dance? Not do you dance? 462 00:28:27,840 --> 00:28:30,320 Speaker 1: I'm not gonna lie. It freaks me out, Like well 463 00:28:30,480 --> 00:28:34,880 Speaker 1: in the past when I was young, Like when guy's dance, yeah, 464 00:28:34,920 --> 00:28:37,280 Speaker 1: I wasn't a fan, even if they were good. I 465 00:28:37,359 --> 00:28:40,320 Speaker 1: was just like maybe I had PTSD from Brian, Like 466 00:28:40,360 --> 00:28:44,640 Speaker 1: since I was like sixteen, always be like dancing at 467 00:28:44,680 --> 00:28:46,520 Speaker 1: close and I'd be like, oh my god, Okay, so 468 00:28:49,520 --> 00:28:51,600 Speaker 1: you want him to have a rhythm and be cool. 469 00:28:51,920 --> 00:28:54,080 Speaker 1: Not really, I'd rather have a branding. I'd rather have 470 00:28:54,120 --> 00:28:57,960 Speaker 1: a Brandon that's like, I don't dance out and talk. No, 471 00:28:58,120 --> 00:29:00,520 Speaker 1: I want someone that's like cool, but like not full 472 00:29:00,640 --> 00:29:03,640 Speaker 1: dance with the stars, Oh my god. And I and 473 00:29:03,720 --> 00:29:09,240 Speaker 1: Iron always loves to dance at a club so amy, 474 00:29:09,240 --> 00:29:13,280 Speaker 1: you would love it. Great dancer. He'll go out and 475 00:29:13,320 --> 00:29:15,800 Speaker 1: get sweaty with you, like on the dance. It'll be 476 00:29:15,920 --> 00:29:18,840 Speaker 1: all the girls and then Iron because guys are like 477 00:29:18,880 --> 00:29:21,360 Speaker 1: and we'll sit here and drink. And Iron's right out 478 00:29:21,400 --> 00:29:23,880 Speaker 1: there dance not in a weird creepy way like he 479 00:29:24,000 --> 00:29:29,000 Speaker 1: is dancing. It's hard though for guys to dance. I think, 480 00:29:29,320 --> 00:29:32,360 Speaker 1: I think, yeah, don't do it. Yeah, you just kind 481 00:29:32,360 --> 00:29:34,040 Speaker 1: of need to sway, that's all you need to do. 482 00:29:34,640 --> 00:29:37,080 Speaker 1: Then that's weird. Then you're like, oh, you don't have rhythm. 483 00:29:37,120 --> 00:29:39,080 Speaker 1: I just rather a guy like sit back and watch 484 00:29:39,160 --> 00:29:43,840 Speaker 1: us dance. I like nice dirty dance. You wouldn't want 485 00:29:43,840 --> 00:29:46,880 Speaker 1: to do a little dirty dance with. I love a 486 00:29:46,920 --> 00:29:50,120 Speaker 1: guy that can dance. Don't give you I when I 487 00:29:50,160 --> 00:29:54,240 Speaker 1: go dancing, which is all the time you guys, um, 488 00:29:56,200 --> 00:29:58,720 Speaker 1: But I love when the when the I have a 489 00:29:58,720 --> 00:30:01,160 Speaker 1: guy that can like leave, eat and dance like I want. 490 00:30:01,520 --> 00:30:03,640 Speaker 1: I like a guy that can lead a dance telling 491 00:30:03,640 --> 00:30:08,120 Speaker 1: you the guy that you're into, right, you'd rather be 492 00:30:08,160 --> 00:30:10,800 Speaker 1: like a friend or gay bestie. You're like, you know, 493 00:30:11,080 --> 00:30:13,840 Speaker 1: so you can just get out there and do it. 494 00:30:15,120 --> 00:30:18,880 Speaker 1: Derek Jenny was it just the best? He was a 495 00:30:18,920 --> 00:30:23,480 Speaker 1: good dancer. Yeah, it's great. Yeah. That was his first 496 00:30:23,560 --> 00:30:26,680 Speaker 1: season on on the show though, so he wasn't like 497 00:30:26,840 --> 00:30:30,400 Speaker 1: in his groove yet. He was like, I'm new, I 498 00:30:30,440 --> 00:30:32,840 Speaker 1: know what I'm doing, but how do I do this 499 00:30:33,120 --> 00:30:35,320 Speaker 1: for this show? So he was he was a little 500 00:30:35,320 --> 00:30:39,760 Speaker 1: green on that season, but he you know, he caught 501 00:30:39,800 --> 00:30:45,120 Speaker 1: on real quick. An incredible dancer and a great guy. Yeah. 502 00:30:45,200 --> 00:30:46,800 Speaker 1: But I like it when you go and then and 503 00:30:46,840 --> 00:30:48,640 Speaker 1: I like it when my husband doesn't mind if I 504 00:30:48,840 --> 00:30:50,520 Speaker 1: like this guy wants to dance with me. Is that 505 00:30:50,920 --> 00:30:59,320 Speaker 1: because I who was the best dancer between Brian Jason Iron? 506 00:31:01,160 --> 00:31:05,719 Speaker 1: We'll have to be Iron Iron? Yeah, definitely. I mean 507 00:31:05,760 --> 00:31:12,360 Speaker 1: another win for my gun. Yeah yeah, so anyway, anyway, anyway, 508 00:31:12,360 --> 00:31:15,800 Speaker 1: sorry they weren't dancing. They had fun, They made out, 509 00:31:16,080 --> 00:31:19,680 Speaker 1: and then he asked her to marry him. Basically, m 510 00:31:21,520 --> 00:31:24,400 Speaker 1: he said, what are you doing for the rest of 511 00:31:24,440 --> 00:31:31,120 Speaker 1: your life? So cheesy? Yeah, he just do you think 512 00:31:31,120 --> 00:31:35,480 Speaker 1: Brenda likes him. Do you feel like she's happy to 513 00:31:35,560 --> 00:31:41,479 Speaker 1: like someone happy distraction? He's cute, he's got nice lips. 514 00:31:41,640 --> 00:31:46,000 Speaker 1: I'd say go for it, Brenda. Yeah, but someone else 515 00:31:46,160 --> 00:31:49,560 Speaker 1: is about to be back on the market. So, oh 516 00:31:49,600 --> 00:31:54,920 Speaker 1: my gosh, are we there? I don't know. Let's go. 517 00:31:55,080 --> 00:31:57,280 Speaker 1: Let's go there, but go from the beginning to the end. 518 00:31:57,280 --> 00:32:02,720 Speaker 1: So we get John Sears in his glory in there. Kelly, 519 00:32:02,840 --> 00:32:06,520 Speaker 1: you're breaking my heart. Wait, go back to Okay, let's 520 00:32:06,520 --> 00:32:08,920 Speaker 1: just talk about Dylan for a second. His car breaks down, 521 00:32:09,440 --> 00:32:12,320 Speaker 1: so sad about that? Is that the end of that car? 522 00:32:12,920 --> 00:32:14,680 Speaker 1: Does he get the new I don't know what happens 523 00:32:14,680 --> 00:32:17,440 Speaker 1: with the cars, but I like the new car. Well, yeah, 524 00:32:17,480 --> 00:32:20,640 Speaker 1: I love the new car. So did the car jacker. 525 00:32:22,120 --> 00:32:25,560 Speaker 1: That was scary. Um. That scared the peas out of 526 00:32:25,560 --> 00:32:29,240 Speaker 1: me because I was just not expecting a scary arm 527 00:32:29,320 --> 00:32:32,959 Speaker 1: to come like ripping, and I knew we were lingering 528 00:32:32,960 --> 00:32:35,040 Speaker 1: at that light of tad too long, so it was 529 00:32:35,080 --> 00:32:39,360 Speaker 1: like something's coming. I did not see that coming. And 530 00:32:39,400 --> 00:32:43,040 Speaker 1: that was the weirdest like way to have somebody's just 531 00:32:43,120 --> 00:32:47,600 Speaker 1: like the arm come in and grab stead of side 532 00:32:47,600 --> 00:32:51,040 Speaker 1: of his head from the window, like why And then 533 00:32:51,280 --> 00:32:56,360 Speaker 1: sucker like, and so because we were already sort of 534 00:32:56,400 --> 00:33:00,280 Speaker 1: like beside ourselves with the let's see other people. So 535 00:33:00,320 --> 00:33:03,440 Speaker 1: I was sort of like, oh god, this is bad. 536 00:33:04,000 --> 00:33:06,880 Speaker 1: And then I'm thinking, Okay, that bad night. Yeah, that's 537 00:33:06,920 --> 00:33:10,480 Speaker 1: a bad night for Dylan. But go back to the 538 00:33:10,560 --> 00:33:12,360 Speaker 1: beginning of the episode, which he was so cute and 539 00:33:13,040 --> 00:33:16,880 Speaker 1: um when he was talking to when they went to 540 00:33:16,920 --> 00:33:18,640 Speaker 1: see cars. I think it was when they went to 541 00:33:18,640 --> 00:33:20,960 Speaker 1: see first they were so cute together, all of them 542 00:33:21,000 --> 00:33:23,920 Speaker 1: and all three guys and Kelly I don't know why 543 00:33:23,960 --> 00:33:26,160 Speaker 1: she was there, but they went car shopping. I thought 544 00:33:26,200 --> 00:33:28,320 Speaker 1: it was adorable. I don't remember that. I thought so too. 545 00:33:28,360 --> 00:33:33,040 Speaker 1: That seemed very like something you all would do. That's cute. Yeah, 546 00:33:33,080 --> 00:33:35,880 Speaker 1: but I loved it when um there was one point 547 00:33:35,920 --> 00:33:40,200 Speaker 1: when Luke was talking to somebody I think it was 548 00:33:40,400 --> 00:33:43,880 Speaker 1: Jim in his office about getting a new car, and man, 549 00:33:43,920 --> 00:33:45,920 Speaker 1: he was talking about it, and he did that thing 550 00:33:46,040 --> 00:33:49,560 Speaker 1: they were talking about, um, Jim's old car, and Luke 551 00:33:49,640 --> 00:33:54,640 Speaker 1: did that thing where I went like, remember, yes, do 552 00:33:54,720 --> 00:33:58,480 Speaker 1: you remember he always used to do that? What was that? 553 00:33:59,160 --> 00:34:03,640 Speaker 1: I don't know. Was it like Home Improvement, you know 554 00:34:03,680 --> 00:34:07,400 Speaker 1: that show Home Improvement? When they when the tool guy 555 00:34:07,520 --> 00:34:10,040 Speaker 1: or whatever would talk about like tools and stuff. The 556 00:34:10,400 --> 00:34:15,319 Speaker 1: guys would get all excited. I can't do it, but 557 00:34:16,000 --> 00:34:17,680 Speaker 1: it reminds me of that, And I don't know. I 558 00:34:17,719 --> 00:34:19,640 Speaker 1: just remember Luke doing that all the time and making 559 00:34:19,640 --> 00:34:25,680 Speaker 1: me laugh. There's a little fireman, Bill, ask Jim Carrey. 560 00:34:25,800 --> 00:34:29,279 Speaker 1: Jim Carrey, wait, was there a scene? Did I get 561 00:34:29,280 --> 00:34:34,880 Speaker 1: this wrong? That Brandon called Dylan Dillweed dill Wig? Oh, 562 00:34:34,960 --> 00:34:37,000 Speaker 1: dill Wig. I don't know where that came from, but yeah, 563 00:34:37,160 --> 00:34:39,640 Speaker 1: did we all hear Brandon say the word in this 564 00:34:39,719 --> 00:34:44,280 Speaker 1: episode two orgasm? Yeah? I was like, what, No, I didn't. 565 00:34:44,880 --> 00:34:47,279 Speaker 1: What do you say? When do you say that? I 566 00:34:47,360 --> 00:34:53,480 Speaker 1: remember he said it? M hmm, my notes say car dealership, 567 00:34:53,719 --> 00:35:02,319 Speaker 1: Steve Dylan, Kelly, Brandon, Brandon said kind of weird something 568 00:35:02,360 --> 00:35:09,000 Speaker 1: about a Dodge Viper. Maybe. I was like, whoa. And 569 00:35:09,040 --> 00:35:11,840 Speaker 1: I saw a little foreshadowing moment when they go into 570 00:35:11,840 --> 00:35:16,239 Speaker 1: the dealership and Brandon has his arm around Kelly. I 571 00:35:16,360 --> 00:35:21,240 Speaker 1: see something happening there. But they just seem like friends. 572 00:35:21,560 --> 00:35:27,040 Speaker 1: It just seemed like really good friends for now, so exciting. 573 00:35:27,040 --> 00:35:28,360 Speaker 1: I don't know what's going to happen. I mean, I 574 00:35:28,360 --> 00:35:31,239 Speaker 1: know what's going to happen you guys, Like, I'm not 575 00:35:31,440 --> 00:35:34,040 Speaker 1: you know, I wasn't asleep, but I just don't remember 576 00:35:34,080 --> 00:35:37,160 Speaker 1: like exactly how it happened or when it happened, all 577 00:35:37,200 --> 00:35:39,040 Speaker 1: the things that happened. Like I don't know what's going 578 00:35:39,080 --> 00:35:41,239 Speaker 1: to happen with John, I didn't remember either. How Like 579 00:35:41,320 --> 00:35:46,480 Speaker 1: the first initiation of the Brandon Kelly, Okay, why is 580 00:35:46,480 --> 00:35:49,359 Speaker 1: he always so glowy? He looks like sweaty. He's like 581 00:35:49,480 --> 00:35:52,400 Speaker 1: sweat like sweaty, Like now it would be like perfectly 582 00:35:52,600 --> 00:35:57,759 Speaker 1: placed highlighter. But like, how about what he calls Kelly 583 00:35:57,800 --> 00:36:00,640 Speaker 1: and says like whatever, he says what he doing? She says, 584 00:36:00,640 --> 00:36:02,720 Speaker 1: I'm in bed studying and he says, what are you wearing? 585 00:36:03,239 --> 00:36:06,719 Speaker 1: Oh my gosh, that is what are you wearing? And 586 00:36:06,760 --> 00:36:10,120 Speaker 1: she's like not having it. How About the fact that 587 00:36:10,160 --> 00:36:13,600 Speaker 1: she leaves him on hold for like an extraordinarily long time, 588 00:36:13,719 --> 00:36:19,399 Speaker 1: stays these days on there. Uh yeah, I didn't like that, 589 00:36:19,440 --> 00:36:22,440 Speaker 1: like let's talk all night on the phone, the situation 590 00:36:22,800 --> 00:36:25,920 Speaker 1: she should be doing that. I mean, I get it, 591 00:36:26,000 --> 00:36:31,960 Speaker 1: she's like on her way to doing like breaking up. 592 00:36:32,000 --> 00:36:37,240 Speaker 1: I guess with Dylan, like she's been feeling these feelings 593 00:36:37,280 --> 00:36:40,640 Speaker 1: of not being happy with Dylan for a while. It's 594 00:36:40,680 --> 00:36:43,200 Speaker 1: coming on, coming on, And then I felt bad because 595 00:36:43,200 --> 00:36:46,080 Speaker 1: like Dylan has been Dylan went through this huge, huge 596 00:36:46,200 --> 00:36:49,480 Speaker 1: thing for in his life, his dad died, and I 597 00:36:49,480 --> 00:36:53,000 Speaker 1: just feel like, yeah, she's at college, she wants to 598 00:36:53,320 --> 00:36:58,960 Speaker 1: have fun, but it just doesn't feel very very I 599 00:36:59,000 --> 00:37:04,560 Speaker 1: don't know, like loving or yeah yeah, yeah, that's like 600 00:37:04,600 --> 00:37:08,920 Speaker 1: an adult thing to think, like to process it. Like 601 00:37:08,960 --> 00:37:10,719 Speaker 1: he's been through a lot. I need to stick this 602 00:37:10,800 --> 00:37:13,520 Speaker 1: out and be there, like you have your life to 603 00:37:13,600 --> 00:37:16,520 Speaker 1: live too, And we have been setting it up that 604 00:37:16,600 --> 00:37:20,920 Speaker 1: he doesn't appreciate you, So it's not out of the blue. 605 00:37:21,040 --> 00:37:24,680 Speaker 1: And that's what happens when you're in a relationship. And 606 00:37:24,719 --> 00:37:27,000 Speaker 1: I mean, that's what happens with me anyway, if I 607 00:37:27,000 --> 00:37:30,120 Speaker 1: don't feel appreciated, or if I don't feel like my 608 00:37:30,200 --> 00:37:34,080 Speaker 1: man is super into me or like you know, is 609 00:37:34,200 --> 00:37:37,640 Speaker 1: affectionate or you know, I don't know. I just I 610 00:37:37,719 --> 00:37:41,440 Speaker 1: need to feel those that those confirmations, like I just 611 00:37:41,640 --> 00:37:44,919 Speaker 1: want to have it reinforced. And that's what happens with them. 612 00:37:45,000 --> 00:37:47,960 Speaker 1: They didn't he he wasn't, but he was still totally 613 00:37:48,000 --> 00:37:50,440 Speaker 1: into her and always very He just doesn't want to 614 00:37:50,480 --> 00:37:52,160 Speaker 1: do some of the things she wants to do, which 615 00:37:52,280 --> 00:37:55,279 Speaker 1: means like okay, fine, yeah, like you go do your 616 00:37:55,280 --> 00:37:58,160 Speaker 1: thing and I'll go do my thing. Yeah, but he's 617 00:37:58,200 --> 00:38:00,960 Speaker 1: short with her a lot. I mean, here's what we're 618 00:38:00,960 --> 00:38:03,319 Speaker 1: seeing within the show. So I think of all the 619 00:38:03,320 --> 00:38:06,799 Speaker 1: stuff behind the scenes if the show kept going when 620 00:38:06,840 --> 00:38:10,480 Speaker 1: it wasn't right, you know what I mean. Feel like 621 00:38:10,560 --> 00:38:13,120 Speaker 1: he's like takes her for granted a little bit, and 622 00:38:13,160 --> 00:38:15,239 Speaker 1: it it does feel like it might be a little 623 00:38:15,280 --> 00:38:19,400 Speaker 1: bit more about Dylan all the time, Dylan's challenges or 624 00:38:19,480 --> 00:38:23,280 Speaker 1: problems or what he wants to do. That's why Dylan 625 00:38:23,320 --> 00:38:25,759 Speaker 1: and Brenda kind of work because they're both about each other. 626 00:38:27,120 --> 00:38:30,920 Speaker 1: Maybe they're just both a little bit more broody too. Yeah, 627 00:38:31,000 --> 00:38:34,720 Speaker 1: And like Kelly feels young, she wants to have fun 628 00:38:35,880 --> 00:38:39,359 Speaker 1: and she likes John Sears. Like John Sears is the 629 00:38:39,480 --> 00:38:42,719 Speaker 1: kind of type she thinks she wants. Right now, he's 630 00:38:42,760 --> 00:38:45,920 Speaker 1: the fraternity man, and he wants to do this, and 631 00:38:45,960 --> 00:38:49,560 Speaker 1: he's calling and he's happy and like all those things. 632 00:38:49,640 --> 00:38:53,959 Speaker 1: So even though he might be creepy, she thinks he's 633 00:38:54,080 --> 00:38:56,719 Speaker 1: kind of cool and he's making her feel good about herself. 634 00:38:56,760 --> 00:38:59,239 Speaker 1: It's all about like it's that when you're feeling insecure 635 00:38:59,440 --> 00:39:02,120 Speaker 1: about your relationship and then there's someone else that's waiting 636 00:39:02,120 --> 00:39:06,520 Speaker 1: in the wings. Were getting it from the one you love? 637 00:39:09,840 --> 00:39:12,680 Speaker 1: He says, I hope your man appreciate what he's got. 638 00:39:13,600 --> 00:39:17,560 Speaker 1: He doesn't completely. Do you think that the let's see 639 00:39:17,560 --> 00:39:20,239 Speaker 1: other people was like just an easy way out? Like 640 00:39:20,239 --> 00:39:23,280 Speaker 1: why didn't she just end it with it? That car scene? 641 00:39:23,840 --> 00:39:28,239 Speaker 1: I felt bad. I did. I felt it made me 642 00:39:28,280 --> 00:39:30,560 Speaker 1: feel emotional because, like I could tell that was really 643 00:39:30,600 --> 00:39:33,960 Speaker 1: hard for Kelly to do because she does love Dylan. 644 00:39:35,560 --> 00:39:41,279 Speaker 1: Why wouldn't she? But so she's not, like she's not 645 00:39:41,560 --> 00:39:44,239 Speaker 1: breaking up with him, and she's saying, let's keep it 646 00:39:44,400 --> 00:39:46,960 Speaker 1: kind of open. She said, I still want you to 647 00:39:47,000 --> 00:39:50,120 Speaker 1: be my boyfriend, but she was like, let's see other people, right, 648 00:39:50,200 --> 00:39:52,520 Speaker 1: She wants to like kiss John Sears and not feel 649 00:39:52,600 --> 00:39:56,800 Speaker 1: bad about it. Yeah sounds great, but she wants Dylan 650 00:39:57,000 --> 00:39:59,399 Speaker 1: like as the boyfriend. She wants her cake and eat 651 00:39:59,440 --> 00:40:05,399 Speaker 1: it today. What Jack moondo yis Yeah? And then he's like, yeah, 652 00:40:05,400 --> 00:40:09,680 Speaker 1: well maybe I'll play sometime. He still have a good night, 653 00:40:10,160 --> 00:40:13,600 Speaker 1: Like I felt bad for him. My heart broke a 654 00:40:13,600 --> 00:40:17,360 Speaker 1: little bit for Dylan, though. Reminded me of when people 655 00:40:17,400 --> 00:40:19,520 Speaker 1: say I wish you all the best, because that really 656 00:40:19,560 --> 00:40:22,880 Speaker 1: means or take care go oh, take care like f 657 00:40:23,040 --> 00:40:26,240 Speaker 1: off is basically what that. I wish you all the best. Yeah, 658 00:40:26,280 --> 00:40:36,920 Speaker 1: that's true. I hope you have a nice life. Hi. 659 00:40:37,080 --> 00:40:39,840 Speaker 1: It's Bethany Frankel. My time on The wheel Housewives of 660 00:40:39,880 --> 00:40:41,960 Speaker 1: New York is a few years behind me, and now 661 00:40:42,000 --> 00:40:44,880 Speaker 1: I'm ready to put the wheel back into the real Housewives. 662 00:40:45,280 --> 00:40:48,280 Speaker 1: That's where my new podcast Rewives comes in. It isn't 663 00:40:48,280 --> 00:40:51,840 Speaker 1: your typical rewatch podcast. I'm watching only the most iconic 664 00:40:51,880 --> 00:40:55,440 Speaker 1: episodes from all cities. I'm sharing never before heard stories 665 00:40:55,480 --> 00:40:58,359 Speaker 1: of what happened behind the scenes. And I'm not just 666 00:40:58,560 --> 00:41:01,600 Speaker 1: pulling in cast members from host game analysis. I'm doing 667 00:41:01,600 --> 00:41:03,960 Speaker 1: something a little more interesting. If you've ever seen an 668 00:41:03,960 --> 00:41:06,239 Speaker 1: episode of The wheelhouse Wives, you know the drill. But 669 00:41:06,280 --> 00:41:11,320 Speaker 1: beyond throwing drinks and leg there are lessons about marriage, divorce, friendship, money, parenting, 670 00:41:11,520 --> 00:41:14,239 Speaker 1: and faith. If you have the right minds, analyze and 671 00:41:14,320 --> 00:41:17,880 Speaker 1: dig deeper. So I'm bringing on unexpected thought leaders and 672 00:41:17,880 --> 00:41:20,600 Speaker 1: celebrities to get their take on the chaos this season. 673 00:41:20,600 --> 00:41:23,280 Speaker 1: I sit down with Elizabeth Moss, Kevin Neal, and Zusie 674 00:41:23,320 --> 00:41:26,000 Speaker 1: Orman Griffin Johnson and more. You think that there isn't 675 00:41:26,040 --> 00:41:28,799 Speaker 1: much to learn from flipping tables and yanking wigs, But 676 00:41:28,920 --> 00:41:31,880 Speaker 1: that's where you're wrong. Listen to Rewives with Bethany Frankel 677 00:41:32,600 --> 00:41:35,600 Speaker 1: on the I Heart Radio app, Apple Podcasts or wherever 678 00:41:35,640 --> 00:41:43,600 Speaker 1: you get your favorite podcasts. You want to try my 679 00:41:43,680 --> 00:41:47,879 Speaker 1: new game? Yeah, I mean yeah, sure, before we get 680 00:41:47,880 --> 00:41:52,440 Speaker 1: to your ratings. Okay, there's one to three, four, five, 681 00:41:52,560 --> 00:41:59,520 Speaker 1: five categories hottest hunk in this episode? Okay, what do 682 00:41:59,600 --> 00:42:01,279 Speaker 1: we do? What do we nuke? I mean if you're 683 00:42:01,280 --> 00:42:05,359 Speaker 1: saying hunk, I would say John's hears because he's hunky. Wait, 684 00:42:05,400 --> 00:42:07,439 Speaker 1: how did you wait? Did I miss something? Yeah, we're 685 00:42:07,440 --> 00:42:12,200 Speaker 1: doing my new game. It's five categories. Did you say hunk? Already? 686 00:42:12,280 --> 00:42:15,880 Speaker 1: I said hottest hunk? You guys pick in this episode? 687 00:42:15,960 --> 00:42:20,640 Speaker 1: In this episode, only the hottest hunk, is it? Okay? 688 00:42:20,640 --> 00:42:25,440 Speaker 1: We're talking physically emotionally, hunk. What do you think when 689 00:42:25,520 --> 00:42:27,399 Speaker 1: you when you hear the word home do you think 690 00:42:27,400 --> 00:42:33,800 Speaker 1: of this episode? Who kind of made you swoon? Kelly? Okay? 691 00:42:34,920 --> 00:42:42,080 Speaker 1: Next question? The ocean moment like the car Jackie Jackie? Okay, 692 00:42:42,239 --> 00:42:45,960 Speaker 1: you're cringe eest moment? Maybe Jenny? When you had to 693 00:42:45,960 --> 00:42:50,360 Speaker 1: watch the cringest moment of this episode. Oh yeah, the 694 00:42:50,400 --> 00:42:56,319 Speaker 1: cringest moment for me was the love making Yeah, Dan 695 00:42:56,360 --> 00:43:00,399 Speaker 1: Reuben stroking his long fingers while he talked to Area two. 696 00:43:00,400 --> 00:43:08,560 Speaker 1: More sexiest moment of this episode. Gosh, we're both looking 697 00:43:08,600 --> 00:43:11,920 Speaker 1: around the room uncomfortable. There is sexy moment in this episode, 698 00:43:13,560 --> 00:43:17,960 Speaker 1: even we're not able to find a sexy moment kiss 699 00:43:18,080 --> 00:43:24,280 Speaker 1: between Stewart and Brenda m r. Yeah, maybe the maybe 700 00:43:24,320 --> 00:43:27,160 Speaker 1: the camaraderie between the two roommates that was sexy. You 701 00:43:27,320 --> 00:43:32,520 Speaker 1: two sweet didn't find that sexy, But just trying here, 702 00:43:33,239 --> 00:43:35,319 Speaker 1: last one and and some of these will work better 703 00:43:35,320 --> 00:43:39,440 Speaker 1: in other episodes your best Beverly Hills spotting, Like did 704 00:43:39,440 --> 00:43:41,520 Speaker 1: you have a moment where you're like, I remember that? 705 00:43:41,719 --> 00:43:44,399 Speaker 1: Or when they showed something that I'm trying to figure 706 00:43:44,400 --> 00:43:47,879 Speaker 1: out what the restaurant was that Stewart and Brenda were 707 00:43:47,920 --> 00:43:52,960 Speaker 1: at the club? Oh the I think for me that 708 00:43:53,000 --> 00:43:55,000 Speaker 1: would be the dance club, because I can remember going 709 00:43:55,000 --> 00:43:58,719 Speaker 1: to dance clubs like that, like just giant dance places. 710 00:43:59,800 --> 00:44:03,719 Speaker 1: If brought me back to my golden years, Nope, my 711 00:44:03,840 --> 00:44:09,239 Speaker 1: younger years, in my golden years, not Yes, these are 712 00:44:09,239 --> 00:44:12,160 Speaker 1: our golden years. You guys, stop it right now. I 713 00:44:12,200 --> 00:44:14,960 Speaker 1: am in my golden years. I'm gonna say loud and 714 00:44:15,000 --> 00:44:18,239 Speaker 1: proud is you. I feel like you will start your 715 00:44:18,239 --> 00:44:22,120 Speaker 1: golden years in twenty years you I'm gonna be No, 716 00:44:23,000 --> 00:44:26,600 Speaker 1: I'm gonna be really old in twenty years. No, you're 717 00:44:26,640 --> 00:44:33,359 Speaker 1: not seventy and sexy. No. I would love it if 718 00:44:33,360 --> 00:44:36,239 Speaker 1: you guys brought back nine one oh when you guys 719 00:44:36,239 --> 00:44:38,840 Speaker 1: are like the Golden Girls. So it's like, I know, 720 00:44:39,040 --> 00:44:48,640 Speaker 1: to one old the podcast. Sure, we've talked about that 721 00:44:48,719 --> 00:44:52,480 Speaker 1: a million zillion times. By the way, we've thought like 722 00:44:52,719 --> 00:44:55,160 Speaker 1: we're going to be doing this these characters when we're 723 00:44:55,160 --> 00:44:59,640 Speaker 1: in rocking chairs and like canes and walkers hearing aids. 724 00:45:00,600 --> 00:45:06,279 Speaker 1: I mean, yeah, I will be there watch that like 725 00:45:06,360 --> 00:45:10,880 Speaker 1: the group all old. That's one thing in this episode 726 00:45:10,960 --> 00:45:15,759 Speaker 1: I really felt like when I was watching, like just 727 00:45:16,239 --> 00:45:19,200 Speaker 1: I miss everybody. I miss my friends, Like I felt 728 00:45:19,200 --> 00:45:22,200 Speaker 1: like these guys were you know, it's just a moment 729 00:45:22,239 --> 00:45:25,280 Speaker 1: in time will never get back. I really missed having 730 00:45:25,320 --> 00:45:30,400 Speaker 1: that those friends. Yeah, speaking of that, So I watched 731 00:45:30,400 --> 00:45:33,040 Speaker 1: that show that you called my attention to called Reboot 732 00:45:33,080 --> 00:45:39,040 Speaker 1: on Hulu. Watched watched it. What do you think it's good. 733 00:45:39,080 --> 00:45:43,680 Speaker 1: It's really good, but it's exactly what Okay, So when 734 00:45:43,800 --> 00:45:47,200 Speaker 1: Jan and I came up with the idea for b 735 00:45:47,440 --> 00:45:49,560 Speaker 1: H nine O two, and we actually wanted it to 736 00:45:49,680 --> 00:45:55,960 Speaker 1: be a half hour, single camera and basically the exact comedy, 737 00:45:56,200 --> 00:46:00,319 Speaker 1: the exact same show that it's about a reboot, they 738 00:46:00,320 --> 00:46:02,759 Speaker 1: go in and pitch it Hulu and bringing back the 739 00:46:02,880 --> 00:46:05,560 Speaker 1: entire cast hasn't been together in twenty thirty years whatever 740 00:46:06,040 --> 00:46:09,280 Speaker 1: and filming a reboot of it, and it's behind the scenes, 741 00:46:10,520 --> 00:46:12,640 Speaker 1: that's what we want. We wanted to call it reboot. 742 00:46:12,680 --> 00:46:15,680 Speaker 1: I think that would have been relationships and everything. Yeah, 743 00:46:15,880 --> 00:46:18,680 Speaker 1: it was really good. And then do you think for 744 00:46:18,760 --> 00:46:21,840 Speaker 1: your next round, next one, you do you need to 745 00:46:22,040 --> 00:46:25,160 Speaker 1: come back? You're gonna do it. Obviously, Oh my god. 746 00:46:25,239 --> 00:46:28,400 Speaker 1: Jenner's as the characters because we tried to get some 747 00:46:28,440 --> 00:46:30,800 Speaker 1: of the comedy into BH and Antoinno that was originally 748 00:46:30,800 --> 00:46:33,520 Speaker 1: in the half hour we wanted to do. So there's 749 00:46:33,560 --> 00:46:37,919 Speaker 1: remember the scene where Brian and Tori or are doing 750 00:46:37,920 --> 00:46:44,960 Speaker 1: a David Donna recreation scene and the erection, Yeah, they 751 00:46:45,000 --> 00:46:49,160 Speaker 1: did it. They did that. How who how did this happen? 752 00:46:49,160 --> 00:46:51,239 Speaker 1: Because they used to date way back and now they're 753 00:46:51,280 --> 00:46:53,560 Speaker 1: on the show again and like, yeah, it's crazy. Oh 754 00:46:53,560 --> 00:46:55,920 Speaker 1: my gosh, this is insane. I told you to watch 755 00:46:55,920 --> 00:46:58,360 Speaker 1: it because I knew the premise was very similar, but 756 00:46:58,400 --> 00:47:00,279 Speaker 1: I haven't found myself to watch it because it kind 757 00:47:00,280 --> 00:47:05,759 Speaker 1: of irritates me. Yeah, that's the show we want to create, 758 00:47:05,760 --> 00:47:07,919 Speaker 1: Steve Levitan. If you want us to get star, we will. 759 00:47:07,960 --> 00:47:10,560 Speaker 1: But but yeah, it was the show we wanted to do, 760 00:47:10,880 --> 00:47:16,719 Speaker 1: and interestingly enough we we pitched Hulu. But okay, yeah, 761 00:47:16,920 --> 00:47:20,400 Speaker 1: but but when we pitched it, a lot of places 762 00:47:21,120 --> 00:47:27,160 Speaker 1: too insidery And this is all about showing the trailers. Yeah, 763 00:47:27,200 --> 00:47:29,319 Speaker 1: they said it was two inside and now look yeah, 764 00:47:29,360 --> 00:47:35,439 Speaker 1: well times they changed apparently three years. Yeah. Who who 765 00:47:35,440 --> 00:47:40,000 Speaker 1: wants to show what they rated it? I do. This 766 00:47:40,080 --> 00:47:43,520 Speaker 1: is my six point five from the Aimster. I got 767 00:47:43,560 --> 00:47:48,160 Speaker 1: a seven. Yeah, seven is probably more correct because I 768 00:47:48,200 --> 00:47:50,319 Speaker 1: had moments that I thought were nine that you gave 769 00:47:50,360 --> 00:47:58,560 Speaker 1: it a seven point sive like your little seven. Yeah, 770 00:47:58,600 --> 00:48:01,480 Speaker 1: I had time. I like this episode. I was into 771 00:48:01,520 --> 00:48:04,920 Speaker 1: it held my attention, which is hard to do with me. 772 00:48:06,160 --> 00:48:07,759 Speaker 1: I like to think we're going to see a lot 773 00:48:07,800 --> 00:48:11,120 Speaker 1: more of Stewart. I think so we'll see more of 774 00:48:11,200 --> 00:48:13,960 Speaker 1: John Sears We're going to see more of Dan Ruben 775 00:48:14,200 --> 00:48:18,640 Speaker 1: for sures. Yeah, the guessers are really taking over. Yeah, 776 00:48:18,760 --> 00:48:23,000 Speaker 1: I like it. I like it. Um what about fashion 777 00:48:23,080 --> 00:48:27,880 Speaker 1: for this episode? Everybody's eyebrows are getting thinner by the 778 00:48:28,120 --> 00:48:31,280 Speaker 1: by the moment. I like that. It's going to get worst. 779 00:48:31,320 --> 00:48:36,279 Speaker 1: I just warning you the hairs getting. Kelly's bangs are 780 00:48:36,320 --> 00:48:40,040 Speaker 1: just gone gone, Brenda's bangs are gone. Yeah, I don't 781 00:48:40,080 --> 00:48:42,759 Speaker 1: have so much hair spray. It's all getting more as 782 00:48:42,840 --> 00:48:45,600 Speaker 1: you like it natural. Yeah. You know what I didn't 783 00:48:45,640 --> 00:48:51,680 Speaker 1: like when Kelly was wearing clogs in every scene. I 784 00:48:51,719 --> 00:48:55,560 Speaker 1: didn't even notice that. Yeah, I think I had loafers 785 00:48:55,560 --> 00:48:58,680 Speaker 1: on in one with my floral dress clogs. Remember how 786 00:48:58,719 --> 00:49:03,080 Speaker 1: big they were? They were huge? Yeah. The problem with 787 00:49:03,120 --> 00:49:06,120 Speaker 1: this nineties like as you're as Tori said, we're sort 788 00:49:06,120 --> 00:49:10,680 Speaker 1: of transitioning into this nineties fashion. It's less stand out. Yes, 789 00:49:10,920 --> 00:49:14,640 Speaker 1: I agree. More you feel like you're not watching a 790 00:49:14,680 --> 00:49:17,680 Speaker 1: TV show. You're just watching like everyday life, which is cool. 791 00:49:18,600 --> 00:49:22,759 Speaker 1: One was weird, well kind of cool, was Kelly was 792 00:49:22,800 --> 00:49:25,359 Speaker 1: wearing a white T shirt that she had cut, like 793 00:49:25,520 --> 00:49:29,080 Speaker 1: you know, cut the neck thing off, and that was 794 00:49:29,480 --> 00:49:31,239 Speaker 1: the start. I don't think I have a T shirt 795 00:49:31,320 --> 00:49:36,160 Speaker 1: that doesn't have it you hate like a S And 796 00:49:36,200 --> 00:49:37,880 Speaker 1: then I saw that. I was like, that's where it 797 00:49:37,960 --> 00:49:42,640 Speaker 1: started from. Two days ago, my sixteen year old came 798 00:49:42,680 --> 00:49:44,000 Speaker 1: out and she was like, I just cut all my 799 00:49:44,040 --> 00:49:47,280 Speaker 1: T shirts and she cut all of her her necks off, 800 00:49:47,480 --> 00:49:49,719 Speaker 1: and she thought it was like an original thought. It's 801 00:49:49,800 --> 00:49:54,719 Speaker 1: like cool, So do you do this thing? Like because 802 00:49:54,760 --> 00:49:57,680 Speaker 1: it's kind of fun, like with our our teens, like 803 00:49:57,760 --> 00:49:59,920 Speaker 1: we can predict what's coming next because we lived through 804 00:50:00,000 --> 00:50:02,920 Speaker 1: it and how it's transitioning. And so I don't be 805 00:50:03,080 --> 00:50:05,000 Speaker 1: like I'm not like I told you so or but 806 00:50:05,040 --> 00:50:09,160 Speaker 1: I'll be like, oh, so in about a year something 807 00:50:09,200 --> 00:50:12,120 Speaker 1: like this is going to come in like because we 808 00:50:12,160 --> 00:50:15,200 Speaker 1: can do it like as to think about it, I 809 00:50:15,239 --> 00:50:18,840 Speaker 1: could probably predict the future, right and they'll be like, whoa, 810 00:50:19,120 --> 00:50:21,200 Speaker 1: they're psychic, when we're like, no, we just lived through it. 811 00:50:22,840 --> 00:50:24,719 Speaker 1: Oh wait, you guys. There was a moment I wanted 812 00:50:24,760 --> 00:50:27,360 Speaker 1: to talk about. But Stewart and Brenda are leaving on 813 00:50:27,360 --> 00:50:30,279 Speaker 1: their date that was inside the Walsh foyer and then 814 00:50:30,320 --> 00:50:33,560 Speaker 1: they go outside the Walsh Foyer to the outside world. 815 00:50:34,640 --> 00:50:37,200 Speaker 1: So I thought that would be interesting because that the 816 00:50:37,239 --> 00:50:39,800 Speaker 1: inside of the foyer is a set on our stage. 817 00:50:40,440 --> 00:50:42,640 Speaker 1: And then they opened the door and kind of like 818 00:50:42,760 --> 00:50:45,480 Speaker 1: oddly all went out at the same time, and then 819 00:50:45,480 --> 00:50:49,000 Speaker 1: they cut to the other side of the door, which 820 00:50:49,320 --> 00:50:54,000 Speaker 1: was at the real house in Altadena, And it's so 821 00:50:54,080 --> 00:50:56,520 Speaker 1: funny because they had to stand in front of the door, 822 00:50:56,640 --> 00:50:59,960 Speaker 1: so they had to all block the view of inside 823 00:51:00,000 --> 00:51:02,120 Speaker 1: out of the house because the inside of the house 824 00:51:02,160 --> 00:51:05,880 Speaker 1: didn't look anything like the Walshes Floyer. So I just 825 00:51:05,920 --> 00:51:08,600 Speaker 1: love moments like that when there's this is when they're 826 00:51:08,640 --> 00:51:12,440 Speaker 1: walking to the driveway to the car and Stewart's like 827 00:51:13,040 --> 00:51:17,160 Speaker 1: getting Brenda in that I think he has a Mercedes. Okay, yeah, 828 00:51:17,200 --> 00:51:20,200 Speaker 1: And then they come back to the Walshes all standing 829 00:51:20,239 --> 00:51:22,480 Speaker 1: like perfectly in front of the door, but that's closed 830 00:51:22,480 --> 00:51:25,960 Speaker 1: so nobody can see inside the real house. I don't know. 831 00:51:26,120 --> 00:51:29,680 Speaker 1: I just like things like that. I just liked when 832 00:51:31,320 --> 00:51:33,640 Speaker 1: Jim said I want to join me in a bowl 833 00:51:33,640 --> 00:51:37,680 Speaker 1: of cereal and Brandon said, why do I don't think 834 00:51:37,680 --> 00:51:44,719 Speaker 1: we both fit? Bart Simpson had some good lines in 835 00:51:44,840 --> 00:51:48,480 Speaker 1: this one. He did that sounds like gobs of fun. 836 00:51:48,880 --> 00:51:54,759 Speaker 1: It's just like he's really but he like borders on 837 00:51:54,840 --> 00:52:01,400 Speaker 1: like dreamboat and then like goober like over I do. 838 00:52:02,239 --> 00:52:07,920 Speaker 1: It's like, oh, just full dreamboat slash geek. Yeah, plus 839 00:52:08,000 --> 00:52:10,279 Speaker 1: his heart. I think that's why I like. I kind 840 00:52:10,280 --> 00:52:13,360 Speaker 1: of like him more now because he is kind of 841 00:52:13,920 --> 00:52:19,279 Speaker 1: dorky and like I like that he's vulnerable. It's fun. 842 00:52:19,320 --> 00:52:25,480 Speaker 1: He's more fun. He's not all like uptight Brandon. Yeah. True, 843 00:52:26,560 --> 00:52:30,560 Speaker 1: but you guys didn't name him hottest song you would 844 00:52:30,800 --> 00:52:34,719 Speaker 1: you look cute? But yeah, I think this season I 845 00:52:35,680 --> 00:52:39,759 Speaker 1: leaned towards him. I mean, we'll see, but I can't 846 00:52:39,760 --> 00:52:42,440 Speaker 1: believe I said John Sears over Dylan over. Yeah. That 847 00:52:42,480 --> 00:52:44,520 Speaker 1: doesn't make sense now that I think about it first, 848 00:52:44,920 --> 00:52:46,800 Speaker 1: I like that you want with your gut. It's okay. 849 00:52:47,160 --> 00:52:51,000 Speaker 1: It's so weird because physically John Sears is totally my type, 850 00:52:51,719 --> 00:52:55,600 Speaker 1: but I'm not attracted to him. He's totally not my 851 00:52:55,760 --> 00:53:01,000 Speaker 1: type physically, right right, yep, but is mine. But I'm 852 00:53:01,040 --> 00:53:04,040 Speaker 1: not attracted to Stewart or John Sears. If you guys 853 00:53:04,080 --> 00:53:07,640 Speaker 1: had to go on a date Stewart to go with Stewart, 854 00:53:08,040 --> 00:53:13,160 Speaker 1: So physically any of the Sears something about him I'm 855 00:53:13,200 --> 00:53:16,319 Speaker 1: not attracted to. But physically, yeah, I guess I don't know, 856 00:53:17,120 --> 00:53:20,520 Speaker 1: because he's Kelly creepy. I don't know. I just love 857 00:53:20,560 --> 00:53:22,520 Speaker 1: this show. I really am enjoying watching it back with 858 00:53:22,560 --> 00:53:24,560 Speaker 1: you guys. I just want to say that, Oh yeah, 859 00:53:24,600 --> 00:53:27,680 Speaker 1: I think it's driving right now. It is. I love 860 00:53:27,760 --> 00:53:29,920 Speaker 1: this season so much, and I didn't even see it 861 00:53:29,960 --> 00:53:32,120 Speaker 1: coming because you were always like, I love the college Years, 862 00:53:32,160 --> 00:53:35,160 Speaker 1: and I thought, yeah, whatever, But I really love the 863 00:53:35,160 --> 00:53:42,040 Speaker 1: college years so good. How long are we allege? Four years? Oh? 864 00:53:42,080 --> 00:53:44,440 Speaker 1: I don't see. In TV world, it will probably be 865 00:53:44,440 --> 00:53:49,800 Speaker 1: a year. I don't know, four years some of us five. 866 00:53:50,040 --> 00:53:53,120 Speaker 1: I liked it. I liked it a lot. What's next? 867 00:53:53,400 --> 00:54:01,920 Speaker 1: Next week is season four, Episode seven? Moving targets? Are 868 00:54:01,920 --> 00:54:07,080 Speaker 1: they going to go shopping at Target? You think I wish? 869 00:54:07,440 --> 00:54:10,520 Speaker 1: I don't think so back No targets back then. And 870 00:54:10,560 --> 00:54:13,200 Speaker 1: I see all the questions in Instagram. We're compiling them, 871 00:54:13,239 --> 00:54:15,759 Speaker 1: so keep them coming. Yes, we love your questions, we 872 00:54:15,800 --> 00:54:20,120 Speaker 1: love your comments, good, bad, ugly like them, and we 873 00:54:20,280 --> 00:54:25,520 Speaker 1: love you. Have a great week. Bye,