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Speaker 1: Good news everyone, I listen to The Black Guy Who

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Speaker 1: Tips Podcast because Rod and Karen are hot.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tos Podcast. I'm your host, Rod, join us always by

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Speaker 2: my co host. That's right, and we are live on

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Speaker 2: a Sunday on like for nf C AFC NFL Championship. Big,

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Speaker 2: big day for football fans all across the world. Okay,

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Speaker 2: we got Patrick Mahomes versus the coolest nigg in the world,

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Speaker 2: Joe Barrow. We got uh, Jalen Hurts, the coolest Philadelphia Uh,

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Speaker 2: the coolest black quarterback in the game versus Brock Party

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Speaker 2: nigga we never heard of to this year. It's gonna

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Speaker 2: be a big day and we're gonna try to get

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Speaker 2: you out of here so y'all can go watch our football.

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Speaker 2: We know, you know, this feels a little bit like

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Speaker 2: Black Church right now, where the past is telling y'all

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Speaker 2: we're gonna let y'all get about youall day. So, but

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Speaker 2: we also have a guest, my man Brandy Collins. Y'all

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Speaker 2: know him, friend of the show. He's the host of

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Speaker 2: Medium Popcorn and of course Drunk Black History, which y'all

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Speaker 2: have a live event coming up this month next month, right.

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Speaker 3: Yep, Thursday February twenty third at the Bellhouse in Brooklyn.

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Speaker 3: We got a dope lineup and store to talk about

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Speaker 3: some black historical figures or events that just haven't gotten

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Speaker 3: there dune. Especially given the political climate of today, they

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Speaker 3: definitely need that spotlight. So if you have folks are

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Speaker 3: in New York, please come check us out at Brooklyn.

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Speaker 3: Tickets are available at Drunk Like History dot com. We

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Speaker 3: also have live stream if you're not in the New

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Speaker 3: York area, so you can join and be part of

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Speaker 3: the chat. Tatiana will be monitoring and sharing thoughts. Usually

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Speaker 3: the online chat hates anything I say during that live show,

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Speaker 3: which is always a lot of fun.

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Speaker 4: But yeah, Drunk Like History it's a lot of fun,

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Speaker 4: and it's just like a really great way to elevate our.

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Speaker 3: People, you know, yeah, and show that we contributed a

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Speaker 3: lot to history.

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Speaker 2: All yeah, don't Brandon's.

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Speaker 3: Well, yeah, you're might compare the Divine Nine to the

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Speaker 3: Houses and Hogwarts.

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Speaker 2: God, Brandon is just being self deprecated and everybody loves

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Speaker 2: him and Gordon and they're so funny. I highly, I

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Speaker 2: highly recommend you go if you got a chance to

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Speaker 2: go in person. I highly recommend if you can hop

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Speaker 2: on virtually, to hop on virtually, it's always a fun

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Speaker 2: time and you learn a little something, but most importantly,

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Speaker 2: you have a little fun and if you're in person,

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Speaker 2: you get a little drunk or a lot drunk, as

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Speaker 2: some of the fans that sat close to me were, so, uh, yeah, Brandon,

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Speaker 2: is it possible to turn your mic up a little

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Speaker 2: bit or or all right, yeah, give me a little

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Speaker 2: a little volume. It's all good. Yeah, yeah, it's.

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Speaker 4: It's more than still over here in l A. And also,

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Speaker 4: we went to.

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Speaker 3: The Star Wars bar last night, so I had a few,

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Speaker 3: a few fantastic four phizzis.

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Speaker 2: When you go to the Star Wars bar, is it

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Speaker 2: only that one song that plays? You know?

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Speaker 3: So they probably did do that at one period, but

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Speaker 3: now the bar menu is like a bunch of stuff.

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Speaker 3: It's like Marvel stuff and like oh like you know,

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Speaker 3: geeky sci fi stuff. But the bar is done like

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Speaker 3: the cantina from the movie. But yeah, if they play

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Speaker 3: that song on lup, like, there's already some stuff that

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Speaker 3: the bars just have to do that's completely insane. So

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Speaker 3: just having that song Loup wouldn't make you lose.

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Speaker 2: Your God, what kind of stuff do they have to do?

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Speaker 4: Bro?

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Speaker 3: Okay, so if you bought like the Indiana Jones drink,

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Speaker 3: every time someone or that drink, as they're making it,

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Speaker 3: they put the switch on, so the screens that had

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Speaker 3: the menu scrolling would then have a scene from Indiana Jones.

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Speaker 4: But oh wow, every time they do.

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Speaker 2: That, and then the and they had to give it

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Speaker 2: to you, had to give it to you in a

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Speaker 2: broken Asian accent. They just miss a branded mister Brandon.

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Speaker 4: Plus I didn't do that because otherwise it would have

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Speaker 4: been some problems.

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Speaker 3: But I got the Jakaris drink, and so it comes

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Speaker 3: with a orange garnish, and so they would like peel

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Speaker 3: it and then light it on fire and be like

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Speaker 3: Jakaris and like wow, so you have to do that.

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Speaker 2: So it sounds like it started as Star Wars.

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Speaker 4: Yeah.

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Speaker 2: They immediately realized that either that was a limited audience

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Speaker 2: or just such a limited like amount of drinks and

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Speaker 2: experiences that they were like, this ain't gonna work. We

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Speaker 2: got to open this up to just nerds. And so

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Speaker 2: now it's just a nerd bar.

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Speaker 4: It pretty much is. But the thing is, it's like

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Speaker 4: the drinks are so complicated. Yeah, there's no way.

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Speaker 3: It's like it reminds me of every episode of Bar

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Speaker 3: Rescue where it's like this isn't efficient enough. Like I

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Speaker 3: can see why they's struggling. Probably the kitchen was like

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Speaker 3: backed up. They were like, yeah, for these cheef fries,

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Speaker 3: is gonna be about forty five minutes.

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Speaker 2: Yeah, right, because we got a damn green and we

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Speaker 2: got a column Star Wars she fries and all this weird.

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Speaker 1: You gotta go pick them at the ground and watch

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Speaker 1: them and clean them.

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Speaker 2: Yeah, we gotta play. We gotta go get some fun

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Speaker 2: Co pops just put on the plate. So that's gonna

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Speaker 2: take an hour.

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Speaker 5: I have a.

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Speaker 1: Question, do the do the robots is like the truck Robots,

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Speaker 1: you know, just no.

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Speaker 4: Animatronics. This is in the Supernintendent World.

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Speaker 2: Yeah, this is.

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Speaker 3: A very little budget. They did a good job of

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Speaker 3: whatever they you know, whoever the designer is. But yeah,

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Speaker 3: no animatrons.

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Speaker 6: That would be cool, but that's what I was thinking.

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Speaker 3: But people don't know how to behave Like we got

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Speaker 3: to go to a sneak previy at the Superintendent World

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Speaker 3: at the studio.

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Speaker 2: Yeah cool, like.

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Speaker 4: Oh, once like the general population gets in here, all

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Speaker 4: this stuff is gonna get jacked up, like because it's

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Speaker 4: very interactive, like you get to play like with the

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Speaker 4: queen boxes and stuff like that.

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Speaker 5: You get like watches and ship Yeah.

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Speaker 3: And it's uh, you can just tell once they get

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Speaker 3: thousands of people in here, it's gonna be a free throw.

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Speaker 2: Somebody's gonna somebody's gotta hurt themselves by slamming their head

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Speaker 2: into a brick wall and thinking it's part of the exhibit.

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Speaker 3: Bro I mean, like, there's a Bowser's Castle. Yeah, there's

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Speaker 3: there's no barrier. Like ask for feedback from the employees that

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Speaker 3: send the survey. I'm like, y'all need to put a

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Speaker 3: barrier because it's very easy for a kid to climb

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Speaker 3: on it and just fall to.

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Speaker 2: Damn and they didn't and then they just don't come back.

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Speaker 2: They just they just fall down. And you get that,

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Speaker 2: do you.

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Speaker 5: Roll it out somewhere else into the park, they will

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Speaker 5: fall though.

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Speaker 3: It's right the entrance of Bowser's Castle, So if you're

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Speaker 3: trying to get a line for the right a body

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Speaker 3: could just fall.

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Speaker 4: It's not a good place for people.

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Speaker 2: That's that's how that's the music that plays when they

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Speaker 2: when they start to die.

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Speaker 1: I can tell the people that made this were not American,

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Speaker 1: like because you know they have something like this already

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Speaker 1: over there in Japan and it's different than here, Like

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Speaker 1: the people here didn't design it, like cause you go

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Speaker 1: with if somebody here would have designed that, they know

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Speaker 1: how Americans are and then they'll be like, we can't

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Speaker 1: do we need to revamp this because Americans are stupid

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Speaker 1: and you can't just trust them to do the right things.

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Speaker 2: Yeah, that's definitely could be part of it. But yeah,

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Speaker 2: you got a stupid proof thing. It's always like a

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Speaker 2: lawsuit that causes us to see Like it's whenever you

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Speaker 2: go somewhere you see like a sign that's hella obvious.

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Speaker 2: It's always just because somebody did do that thing, you

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Speaker 2: know where it's like, hey, do not jump to your death,

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Speaker 2: and it's like, why the fuck they need that sign.

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Speaker 2: It's like because somebody jumped, Yes.

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Speaker 5: That's what you're gonna here.

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Speaker 3: That's also gonna be when you hear when the parents

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Speaker 3: are get in the fight and someone gets knocked.

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Speaker 2: Out and that that do you remember that sad music

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Speaker 2: from Maria is like it's the same version of the things,

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Speaker 2: but it's just it's just sadder and slower after you die.

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Speaker 2: That's what you're gonna hear. Motherfuckers getting carried out on

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Speaker 2: a stretcher.

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Speaker 3: I always had like a little bit of hate towards

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Speaker 3: Mario because the Mario Nintendo Switch games or first games

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Speaker 3: I actually was able to beat because Raiser Nintendo in

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Speaker 3: sixty four. I was never able to beat those Mario games.

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Speaker 2: They were hard, Yeah I was, yeah, mind, they were

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Speaker 2: hard the thing for me, man, And it hurts to

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Speaker 2: admit to everybody because I know y'all are fucking great

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Speaker 2: gamers and y'all did this, but I didn't. I could

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Speaker 2: never get that fucking thing where you jump on the

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Speaker 2: turtle a whole bunch of times and get a bunch

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Speaker 2: of extra lives. I could never move my fingers fast

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Speaker 2: enough to get it to work. So I never, you know,

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Speaker 2: like while these motherfuckers are like I beat it, it's

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Speaker 2: like you beat it with two hundred men. I had

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Speaker 2: the free set number of men that's possible. In Mario Brothers,

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Speaker 2: I never got to the end because I always got

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Speaker 2: killed on the last level. So yeah, man, it's just

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Speaker 2: my cousin could do it, and I would try to

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Speaker 2: get him to do it for me and he could

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Speaker 2: just like touch it, like, oh yeah, you just do

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Speaker 2: this and you can get to you can't do that.

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Speaker 2: I'm like, no, man, I just the turtlesholl just keep

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Speaker 2: killing me bro my reflexes. Yeah. But so how is

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Speaker 2: everything else going out in La La Land?

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Speaker 3: I mean it's cool, man. I'm wrapping up my new draft.

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Speaker 3: I think this week they're going to send that to

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Speaker 3: the studio, so I'll get notes from them soon hopefully

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Speaker 3: they're like kind of like the new direction I've done.

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Speaker 3: And then I'm working on some other stuff. I'm working

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Speaker 3: on a few other scripts in the horror genre, which

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Speaker 3: is different for me and kind of exciting. And then

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Speaker 3: I'm working on some pitches. Rod I sent you some

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Speaker 3: ideas that I'm you know, working on to present to

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Speaker 3: the studio within the next few weeks. So it's it's

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Speaker 3: going well, you know, things are Things are wrapping down

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Speaker 3: a little bit for my time here in La which

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Speaker 3: kind of is bittersweep, you know, because.

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Speaker 4: I do miss New York a lot.

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Speaker 3: Yeah, But at the same time, I'm making a lot

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Speaker 3: of dope connections out here in La and meeting a

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Speaker 3: lot more people at the studio and the industry, and

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Speaker 3: so I'm just kind of like seeing what happens. You know,

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Speaker 3: I'm not trying to force anything. I'm not trying to

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Speaker 3: you know, push anything into existence and just kind of

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Speaker 3: letting things happen and just doing the work that I can,

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Speaker 3: you know, write in.

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Speaker 2: My ass up. Yeah, that's what I say too about

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Speaker 2: like writing for the for game theory is like, uh,

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Speaker 2: I'll tell this, I tell this to my coworker. I'll

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Speaker 2: say this all the time. This analogy, which is it's

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Speaker 2: like in the NBA right now, where there's certain guys

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Speaker 2: that just shoot threes from the corner and that's all

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Speaker 2: they do. And I was like, I, I that's our job.

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Speaker 2: The only difference is there's someone else out there that

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Speaker 2: decides if we made the three. Like unlike the NBA,

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Speaker 2: where like you shoot the three, you know if it

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Speaker 2: goes in or not. You shoot a three. In writing,

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Speaker 2: it's like seven white people in a room eventually go,

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Speaker 2: I don't know, that could be a that could be

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Speaker 2: a made three. Let's think about it. And so you

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Speaker 2: can control what you can control. And so yeah, it's

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Speaker 2: I think that's a healthy mindset to have to be

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Speaker 2: like I'm not going to force it or whatever, because uh,

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Speaker 2: I mean, look, God bless these people. But I always

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Speaker 2: feel like it's almost delusional when you're the person that's like,

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Speaker 2: I'm not here in the big city. I'm not stopping

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Speaker 2: until I got seven movies, and I'm just like, okay, brother,

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Speaker 2: we work in the mail room right now. You might

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Speaker 2: want to deliver it that you might want to deliver

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Speaker 2: the mail the best you can today and on your

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Speaker 2: first step to the thousand step plan.

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Speaker 3: Yeah, And it's wild because the thing that you don't

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Speaker 3: think will be what gets you to the next level

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Speaker 3: is the thing that everyone ends up liking. Right, Like

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Speaker 3: the ideas I pitched at the studio of the summer,

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Speaker 3: the one that was the least fleshed out and the

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Speaker 3: one that I thought was like everyone will be like,

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Speaker 3: oh that's fine and then move on. Yeah, what's the

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Speaker 3: one that they all picked for me to write? So

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Speaker 3: that's the scooting and writing, you know what I mean.

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Speaker 3: So yeah, you know, you can never discount anything, And

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Speaker 3: for me, it's just kind of like, let me just

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Speaker 3: throw everything that I got in my mind out there

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Speaker 3: and hopefully will resonate with somebody. If not, then I'll

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Speaker 3: just keep writing. Like I'm not gonna st right, So

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Speaker 3: I think that's the plus side. It is, like I

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Speaker 3: constantly have a bunch of ideas churning in my head.

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Speaker 2: Yeah, that's what you can control. Is what you control

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Speaker 2: is how much how many ideas you put out and

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Speaker 2: how much work you put into putting out the ideas.

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Speaker 2: But yeah, it the ship. Like I think everything I

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Speaker 2: spit is hot fire. I'm not you know what I'm saying, Like,

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Speaker 2: I'm not. I never turned in some bullshit. I'm never

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Speaker 2: like left for the day like that was asked today.

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Speaker 2: I didn't even give a fuck, Like I always think

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Speaker 2: what I put in is good, but I'm always surprised

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Speaker 2: that what they pick and what they don't pick, you know, Like, Uh,

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Speaker 2: there's a skit that I'm a sketch that they chose

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Speaker 2: for me to uh to write and flesh out that

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Speaker 2: I'm like, oh, dope, that's That's an idea I've had

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Speaker 2: for years and talked about on the podcast and stuff

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Speaker 2: and wasn't even sure what apply to this show. But

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Speaker 2: somebody that the ten ideas. Somebody was like that's the one,

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Speaker 2: and I don't. I don't know why the other nine,

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Speaker 2: you know, I don't know what they were like why

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Speaker 2: they didn't pick the other ones is what it is.

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Speaker 3: And it's also getting out of your head, right, it's

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Speaker 3: getting out of your own head and out of your

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Speaker 3: own way because, like you know, Rod and Carren, you

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Speaker 3: both have pretended like live media, popcorn events, live readings

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Speaker 3: of scripts I wrote a few years ago.

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Speaker 4: That's definitely I mean to say.

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Speaker 3: Our fans were like, wait, brand they got into a

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Speaker 3: writer's program at a big build studio.

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Speaker 2: Yeah, it's me.

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Speaker 7: I was.

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Speaker 2: I'm a fan. I'm one of the fans. Brandon is like, yeah,

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Speaker 2: I'm I'm I'm writing scripts for the Hollywood student. I'm

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Speaker 2: like that they haven't seen other script You don't show

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Speaker 2: them that, Brandon.

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Speaker 4: Don't they got.

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Speaker 3: But you know, it's like, you know, for a long time,

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Speaker 3: and I worked this out with my therapist. You know,

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Speaker 3: I'm like, I'm so weird, and one's going to really like,

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Speaker 3: you know what I'm trying to do or think I'm funny.

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Speaker 3: He's like, you gotta stop saying that, because even my

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Speaker 3: mentors they're like, yeah, this ship is weird.

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Speaker 4: Like they're like they called specific scenes.

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Speaker 3: Or line like that was really weird. Like you so

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Speaker 3: keep doing that, like I'm not telling you not to do.

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Speaker 2: That, and it's what makes you, it's what makes your

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Speaker 2: stuff stand out too. I'm sorry, Karen, you go not.

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Speaker 5: About to sell them.

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Speaker 1: And it's other weirdos out there too, No matter how

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Speaker 1: weird you think you are, there's somebody else out there

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Speaker 1: to go. Yes, that shit is funny. I relate of

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Speaker 1: whatever it is. You're not the only one. We just

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Speaker 1: think were the only one.

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Speaker 2: And it's honestly what makes you unique, and it makes

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Speaker 2: it makes you stand out, Like people come for the

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Speaker 2: weird if they could go to chat GPT and ask

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Speaker 2: them to come up with a script, if it was

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Speaker 2: just like we need a generic, blank script, Like it's

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Speaker 2: gonna be your experiences the way you were things, the

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Speaker 2: things you think are funny. And I think the big

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Speaker 2: thing is just finding the people that vibe with it,

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Speaker 2: because you know so much of Hollywood and all this

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Speaker 2: entertainment shit is just like luck and who you know,

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Speaker 2: and if the right motherfucker is feeling your shit, because like,

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Speaker 2: if the right motherfucker's feeling your shit, it actually don't

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Speaker 2: matter if other motherfuckers don't think it's money, like you know,

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Speaker 2: that's one thing I'm under with this show is like.

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Speaker 4: Rap.

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Speaker 2: Not that ratings don't matter at all, but how the

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Speaker 2: people that are at the top of the brass feel

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Speaker 2: about your shit. What It's more important than ratings because

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Speaker 2: they can justify good or bad ratings either way, Like

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Speaker 2: it just depends. Like they can say they can take

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Speaker 2: the same number for one show and be like, this

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Speaker 2: is a great number, this is a success, and take

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Speaker 2: the same rating number for another show like this shit

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Speaker 2: is terrible. This is why we canceled the show. And

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Speaker 2: so you really just need to convince them that what

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Speaker 2: you're doing is dope, and so that weirdness might be

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Speaker 2: the thing that they were into in the first place.

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Speaker 2: And when you start fighting at mpost or de weirdness,

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Speaker 2: all of a sudden, it's like, well, shit, we can

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Speaker 2: get anybody to do this. We want to brand it.

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Speaker 2: We wanted to brand in that you know, wrote a play,

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Speaker 2: wrote a movie for script for his high school where

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Speaker 2: you know he had people being serial killers and shit,

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Speaker 2: that's we won't.

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Speaker 3: Yeah, man, I was like the script that got me in,

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Speaker 3: Like I I actually didn't read. I didn't share with anybody,

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Speaker 3: which was wild about Like I had such a poster

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Speaker 3: syndrome when they like they said they really enjoyed my

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Speaker 3: script because I'm like, I didn't show this to nobody,

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Speaker 3: Like my wife didn't even know, like what the script

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Speaker 3: is that I submitted, you know, just.

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Speaker 4: Like very secretive about my writing.

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Speaker 3: And so I think two things really changed my mindset,

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Speaker 3: like and especially in the second half of this program.

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Speaker 4: First was the group that sat by the door and

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Speaker 4: I know you've talked about this, let your you know,

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Speaker 4: Atlanta Rena, Yeah, show that.

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Speaker 3: Watching that episode, I was like, I don't give a

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Speaker 3: fuck anymore, Like I'm gonna write whatever is in my art,

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Speaker 3: whatever is in my head because I didn't like, yeah,

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Speaker 3: I didn't even know we could write and produce a show,

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Speaker 3: a television episode like that. And then the other was

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Speaker 3: this is a great year for me to start my

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Speaker 3: new year. One of my mentors is Malcolm de Lee

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Speaker 3: who just finished The Best Man the final chapters. It's fantastic, folks,

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Speaker 3: please check it out, Peacock, and he said, you know,

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Speaker 3: there's stuff in your in your writing that I've never

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Speaker 3: seen before. And for me, like for someone who's been

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Speaker 3: in this industry since the nineties to say that, right,

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Speaker 3: even if it's like one or two scenes that meant

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Speaker 3: the world. Yeah, that really has helped. Like, like you said,

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Speaker 3: somebody really kind of gets what you're trying to do.

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Speaker 2: And you know they you know they know because behind

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Speaker 2: the scenes, everybody that's been in a game, they read

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Speaker 2: every other fucking script, every other fucking like they they

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Speaker 2: know all this shit. And so when they say I

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Speaker 2: never seen something like this, they're not even just talking

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Speaker 2: about all the movies and TV shows. They're talking about

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Speaker 2: all the shit they've ever seen. And to be like, yeah,

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Speaker 2: your shit is different than that, that's like such a

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Speaker 2: high compliment and I'm glad you are walking with your

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Speaker 2: head up based on that.

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Speaker 5: You know.

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Speaker 2: The other thing that you didn't mention, but that also

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Speaker 2: helps to shape your confidence is when you start meeting

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Speaker 2: white people and hearing their stories, and so many of

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Speaker 2: the stories are just like, oh, my dad, you know,

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Speaker 2: my dad was in this industry and uh, such and

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Speaker 2: such as his agent, or you know, just like I

382
00:18:08,960 --> 00:18:10,760
Speaker 2: went to school with Blaine, and you're just like, oh,

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Speaker 2: a lot of this shit is just like y'all know

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Speaker 2: these motherfuckers, so like, not that they're not funny or qualified,

385
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Speaker 2: but it's just this idea of like how many black

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Speaker 2: people think they have impost syndrome, and the imposter syndrome is, really,

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Speaker 2: you didn't grow up around these motherfuckers. You weren't in

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Speaker 2: these fucking social circles. So your imposter syndrome is I

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Speaker 2: didn't think I could be in this social circle. It's

390
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Speaker 2: not that you didn't have the talent, because if you

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Speaker 2: grew up around those people, seeing those possibilities, seeing what

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Speaker 2: their legacies they've inherited are, you'd be like, oh, yeah,

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Speaker 2: I can do that shit, you know. But instead we

394
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Speaker 2: be inheriting like you know, diabetes and fucking uh you know,

395
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Speaker 2: like trying not to go to prison and shit. So

396
00:18:49,359 --> 00:18:53,199
Speaker 2: we have different limits on what our imagination he we

397
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Speaker 2: lucky we got them, Yeah, Like we be feeling lucky

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Speaker 2: to be in the building.

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Speaker 4: Bro.

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Speaker 3: I mean, this industry is like very much who you

401
00:19:02,400 --> 00:19:05,800
Speaker 3: know and who will who will endorse you? Right, because

402
00:19:05,800 --> 00:19:08,480
Speaker 3: there's people that get writing gigs sight unseen because they

403
00:19:08,520 --> 00:19:12,399
Speaker 3: know a high ranking executive or they know like the

404
00:19:12,440 --> 00:19:14,800
Speaker 3: star that like wants them to write on everything that

405
00:19:14,840 --> 00:19:17,959
Speaker 3: they do, right, And that's never been more clear than

406
00:19:17,960 --> 00:19:23,560
Speaker 3: the whole Like Biol Davis Daniel dead Dwire, Andrea Rosenbag

407
00:19:23,760 --> 00:19:26,600
Speaker 3: like Oscar thing that's happening. Because the thing that like,

408
00:19:26,880 --> 00:19:29,879
Speaker 3: and I talked to Chris Lambert and Justin Brown, my

409
00:19:29,920 --> 00:19:31,680
Speaker 3: co host from Media popard a lot about this the

410
00:19:31,680 --> 00:19:35,040
Speaker 3: past few days, the thing that like frustrates me the

411
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Speaker 3: most is that there's a lack there. A few years ago,

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Speaker 3: the industry seemed to be building up self awareness about

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Speaker 3: optics and like the things that they're saying and how

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Speaker 3: they're being perceived by anyone that's not white, right, But

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Speaker 3: now that seems to progress because all these white journalists

416
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Speaker 3: in the film industry are like, well, you know, it's

417
00:19:53,680 --> 00:19:56,399
Speaker 3: not this Addresson's fault that like her friends, you know,

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Speaker 3: really got the word out. And I'm like, but look

419
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Speaker 3: at who were her friends were that like pushed out

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Speaker 3: movie To.

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Speaker 2: Leslie, it was like, yeah, yeah, actually explain explain this

422
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Speaker 2: more because I don't I don't know the full story.

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Speaker 4: Okay, So in the in.

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Speaker 3: Regards to the Oscars all Ward season, there were a

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00:20:12,720 --> 00:20:16,119
Speaker 3: few locks, right, it was like Michelle Yo for everything

426
00:20:16,119 --> 00:20:20,000
Speaker 3: everywhere else once it was Kate Blanchett, pitar Biola Davis

427
00:20:20,000 --> 00:20:23,080
Speaker 3: for The Woman King Dale Dead, Dwire for Till and

428
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Speaker 3: then like the fifth slot was always up in the air.

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Speaker 3: It was like fletchwaying between the armis and a few

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Speaker 3: other actresses.

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Speaker 4: So there was this address named Andrea Rosenberg, who's rotten.

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Speaker 2: Yeah you know, y'all know, like, yeah, yeah, I'm here

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Speaker 2: to help. I'm here to hell.

434
00:20:37,240 --> 00:20:41,200
Speaker 5: Don't just keep going. I'd be jacking them up too.

435
00:20:41,840 --> 00:20:44,200
Speaker 3: She's She was in a movie called Too Leslie, which

436
00:20:44,240 --> 00:20:47,160
Speaker 3: premiered at south By Southwest. I watched it like randomly.

437
00:20:47,560 --> 00:20:49,840
Speaker 3: It was fine, like it's a good performance, but the

438
00:20:49,920 --> 00:20:52,840
Speaker 3: movie is small. It made like twenty seven thousand at

439
00:20:52,880 --> 00:20:56,680
Speaker 3: the box office, right, and it started I believe what.

440
00:20:56,840 --> 00:20:59,919
Speaker 3: She went on Mark Marin and he started pushing like

441
00:21:00,040 --> 00:21:01,520
Speaker 3: I don't know why this hasn't gotten any.

442
00:21:01,440 --> 00:21:03,359
Speaker 4: Words notice, like you're fantastic in it.

443
00:21:03,880 --> 00:21:06,800
Speaker 3: And then Kate Blanchett mentioned her performance at the Critics'

444
00:21:06,880 --> 00:21:09,959
Speaker 3: Choice Awards when she won FTAR, and then it started

445
00:21:09,960 --> 00:21:13,320
Speaker 3: like the snowball effect, where like her reps started reaching

446
00:21:13,359 --> 00:21:15,720
Speaker 3: out the reps for like big movie stars. But the

447
00:21:15,760 --> 00:21:20,160
Speaker 3: thing is, all these movie stars and executives are white people, right,

448
00:21:20,560 --> 00:21:22,840
Speaker 3: and so it's like they're talking about the there's a

449
00:21:22,920 --> 00:21:25,879
Speaker 3: lack of reflection on the optics of all these white

450
00:21:25,960 --> 00:21:29,159
Speaker 3: stars endorsing this unknown actress for a movie that no

451
00:21:29,200 --> 00:21:32,600
Speaker 3: one fucking saw, and then because of that, it bumped

452
00:21:32,640 --> 00:21:37,399
Speaker 3: out Viola or Danielle depending on who what where the

453
00:21:37,480 --> 00:21:39,240
Speaker 3: rankings were for the Oscar nomination.

454
00:21:39,400 --> 00:21:41,720
Speaker 4: So it's like a big thing. I guess like there's

455
00:21:41,760 --> 00:21:43,400
Speaker 4: an investigation because.

456
00:21:43,640 --> 00:21:46,000
Speaker 3: The way that her people might have been like campaigning

457
00:21:46,440 --> 00:21:49,560
Speaker 3: and like pushing Academy voters to denominate her.

458
00:21:50,040 --> 00:21:52,200
Speaker 4: But it's just not a good look.

459
00:21:52,280 --> 00:21:54,480
Speaker 3: It's not a good feeling as a black creative, especially

460
00:21:54,920 --> 00:21:57,359
Speaker 3: for a movie like The Women King that had such

461
00:21:57,480 --> 00:22:03,360
Speaker 3: powerful black women front and behind the camera, and then

462
00:22:03,400 --> 00:22:06,119
Speaker 3: for daniel Deaddewier, who at one point was thought to

463
00:22:06,119 --> 00:22:08,440
Speaker 3: be the front runner for like not only being nominated

464
00:22:08,440 --> 00:22:10,960
Speaker 3: but winning because that is a great performance till the

465
00:22:11,000 --> 00:22:14,159
Speaker 3: movies got some flaws. But that's just like kind of like,

466
00:22:14,240 --> 00:22:16,879
Speaker 3: you know, that's a concrete example of like how this

467
00:22:16,960 --> 00:22:19,920
Speaker 3: industry works for the people that have the right kind

468
00:22:19,920 --> 00:22:20,560
Speaker 3: of role with decks.

469
00:22:20,760 --> 00:22:25,159
Speaker 2: Also like it's it also proved disproves a lot of

470
00:22:25,200 --> 00:22:27,720
Speaker 2: the like well, the reason that this black film didn't

471
00:22:27,720 --> 00:22:30,040
Speaker 2: get nominations is because it just didn't have a budget

472
00:22:30,080 --> 00:22:33,080
Speaker 2: to promote itself during the award season because here's a

473
00:22:33,080 --> 00:22:35,679
Speaker 2: little film that could right, she just knew the right people.

474
00:22:36,200 --> 00:22:38,920
Speaker 2: And then also it reminds me of when there was

475
00:22:38,960 --> 00:22:42,040
Speaker 2: a college admission scandal and all those white actors were

476
00:22:42,040 --> 00:22:45,040
Speaker 2: getting caught up in it. And I said, and I said,

477
00:22:45,160 --> 00:22:49,080
Speaker 2: you know what's funny is it's racism that saved Will

478
00:22:49,560 --> 00:22:52,919
Speaker 2: and Jada because if they were white, and those white

479
00:22:52,920 --> 00:22:54,760
Speaker 2: people would have put them onto the network. But because

480
00:22:54,800 --> 00:22:56,880
Speaker 2: they were black, they never even thought of them. And

481
00:22:56,960 --> 00:22:59,359
Speaker 2: so now we don't have the scandal of like Jaden

482
00:22:59,440 --> 00:23:03,760
Speaker 2: Smith was said to be a number one rower when

483
00:23:03,800 --> 00:23:06,160
Speaker 2: he filled in a fake application, Like, we don't even

484
00:23:06,200 --> 00:23:07,680
Speaker 2: have to worry about that because they didn't think of it.

485
00:23:07,760 --> 00:23:10,120
Speaker 2: And so when I'm looking at this list of people

486
00:23:10,160 --> 00:23:15,760
Speaker 2: who promoted this this film, Susan Sarandon, Helen Hunt, Zoey

487
00:23:15,840 --> 00:23:22,040
Speaker 2: dashanel Merri Savino, Constance Zee Morose, O'donald Allen Coming, Edward Norton,

488
00:23:23,119 --> 00:23:25,399
Speaker 2: and that's those are the people that endorse it on

489
00:23:25,440 --> 00:23:28,040
Speaker 2: social media. And then when it comes to hosting events,

490
00:23:28,240 --> 00:23:33,080
Speaker 2: Charlote Starn, Jennifer Aniston, Courtney Cox, Minnie Driver, Gwyneth Paltrow,

491
00:23:33,160 --> 00:23:36,160
Speaker 2: Amy Adams, Francis Fisher, and Kate Winslet. What do all

492
00:23:36,200 --> 00:23:39,200
Speaker 2: those people have in common is just you know, I

493
00:23:39,200 --> 00:23:41,400
Speaker 2: don't think they purposely meant to do it, but it's

494
00:23:41,440 --> 00:23:44,919
Speaker 2: just that thing where it's like the nepotism and the

495
00:23:45,040 --> 00:23:47,919
Speaker 2: outreach of like, oh this we have to help this

496
00:23:48,000 --> 00:23:52,200
Speaker 2: white lady is what's what's up. But it's not illegal.

497
00:23:52,560 --> 00:23:56,760
Speaker 2: It's actually not nothing like if anything, it's kind of

498
00:23:56,840 --> 00:23:59,520
Speaker 2: just slapping the face for the fact that people do

499
00:23:59,560 --> 00:24:01,520
Speaker 2: spend this money and it's supposed to be the money

500
00:24:01,520 --> 00:24:04,520
Speaker 2: that gets you the nomination and now for this special

501
00:24:04,520 --> 00:24:07,200
Speaker 2: white lady, it's not. That's not the rule anymore.

502
00:24:08,480 --> 00:24:10,679
Speaker 3: Yeah, And I think I said this on an upcoming

503
00:24:10,720 --> 00:24:12,680
Speaker 3: episode of media Podcorn for The Woman King.

504
00:24:13,400 --> 00:24:16,199
Speaker 4: Robert Daniels, who's a black critic.

505
00:24:16,280 --> 00:24:19,240
Speaker 3: He wrote a great article in La Times about how

506
00:24:19,280 --> 00:24:23,000
Speaker 3: the system just does not work for black women, specifically

507
00:24:23,000 --> 00:24:25,119
Speaker 3: in the entertainment industry, because if you look at something

508
00:24:25,160 --> 00:24:27,919
Speaker 3: like The Woman King, it literally checks off everything that

509
00:24:28,000 --> 00:24:31,160
Speaker 3: is considered Oscar Bay and everything that the Academy loves.

510
00:24:31,600 --> 00:24:34,840
Speaker 3: She Gina Prince Bythewood did in that movie, right, and

511
00:24:35,160 --> 00:24:36,080
Speaker 3: it got zero.

512
00:24:36,000 --> 00:24:37,440
Speaker 4: Nominations, You know what I mean?

513
00:24:37,480 --> 00:24:40,159
Speaker 3: Like like there's something wrong with the system, Like, because

514
00:24:40,480 --> 00:24:44,360
Speaker 3: what doesn't say too black creatives when you do everything

515
00:24:44,680 --> 00:24:47,439
Speaker 3: that the Academy says that they want out of a film,

516
00:24:47,920 --> 00:24:51,320
Speaker 3: and then this one woman out of nowhere who literally

517
00:24:51,320 --> 00:24:54,320
Speaker 3: spent more to host the movie on the Academy website

518
00:24:54,600 --> 00:24:56,480
Speaker 3: than the movie made at the box office.

519
00:24:56,760 --> 00:25:00,920
Speaker 2: Yeah, even I remember. I know he probably hates that

520
00:25:00,960 --> 00:25:03,040
Speaker 2: I bring this up, but I'm gonna bring it up

521
00:25:03,040 --> 00:25:04,359
Speaker 2: for the rest of my life. I can help it.

522
00:25:04,720 --> 00:25:09,040
Speaker 2: But I remember twenty fourteen when or twenty fifteen, when

523
00:25:09,080 --> 00:25:12,520
Speaker 2: the Oscars were out and Able du Verne didn't get

524
00:25:12,920 --> 00:25:15,679
Speaker 2: a non for Selma, even though they had expanded the

525
00:25:15,720 --> 00:25:22,280
Speaker 2: Best Director and Best Movie categories to more people or whatever,

526
00:25:22,400 --> 00:25:24,880
Speaker 2: and she and like Selma still didn't get the noms.

527
00:25:24,960 --> 00:25:27,320
Speaker 2: They were just like, we're just gonna nominate eight, fuck

528
00:25:27,359 --> 00:25:29,440
Speaker 2: ten or whatever whatever the new number was. It was

529
00:25:29,480 --> 00:25:33,000
Speaker 2: just like, we'd rather not nominate this shit, thedn it

530
00:25:33,080 --> 00:25:38,919
Speaker 2: contaminate our white movies, you know. And I think a

531
00:25:38,960 --> 00:25:43,800
Speaker 2: lot of times the default setting is like, hey, if

532
00:25:43,840 --> 00:25:47,960
Speaker 2: they nominate something black, it's some sort of charity. It's

533
00:25:48,000 --> 00:25:50,840
Speaker 2: never the people never treated as black people can earn

534
00:25:50,880 --> 00:25:54,040
Speaker 2: their spot it's always like they just needed a black movie,

535
00:25:54,080 --> 00:25:57,040
Speaker 2: which is like the most racist. It's like the most

536
00:25:57,080 --> 00:25:59,040
Speaker 2: liberal form of racism where it's like, no, I'm on

537
00:25:59,080 --> 00:26:01,240
Speaker 2: your side. I'm saying there are two racist to not

538
00:26:01,400 --> 00:26:04,080
Speaker 2: to nominate you. In earnest, it's like, so basically, my

539
00:26:04,200 --> 00:26:06,920
Speaker 2: movie can't be great, and then the other part I'll go, ahea,

540
00:26:06,920 --> 00:26:08,760
Speaker 2: I'm sorry can And it's.

541
00:26:08,640 --> 00:26:12,920
Speaker 1: Fucking consulting because me on the outside looking in, it's

542
00:26:13,000 --> 00:26:15,840
Speaker 1: very frustrating sometimes because what they'll do is like they

543
00:26:15,960 --> 00:26:22,159
Speaker 1: have this this other women like like thing where they like,

544
00:26:22,200 --> 00:26:25,119
Speaker 1: we'll this year, we're gonna pick everybody, and then the

545
00:26:25,160 --> 00:26:26,920
Speaker 1: next year I'm like, okay, we've made our called a

546
00:26:27,000 --> 00:26:29,040
Speaker 1: fuck that and they just deep ot all the way

547
00:26:29,040 --> 00:26:31,320
Speaker 1: back to white Wood, like nobody gets nominated for shit.

548
00:26:31,359 --> 00:26:33,159
Speaker 1: It was like, come on you, why we gotta have

549
00:26:33,240 --> 00:26:35,199
Speaker 1: one swing or the other swing? Why can't there be

550
00:26:35,200 --> 00:26:36,280
Speaker 1: some nuance with this?

551
00:26:36,680 --> 00:26:36,920
Speaker 7: Yeah?

552
00:26:36,960 --> 00:26:39,959
Speaker 2: So yeah, the film was someone was nominated for Best Picture,

553
00:26:41,359 --> 00:26:46,560
Speaker 2: Best Original Song, but not Best Director, and it was

554
00:26:46,600 --> 00:26:50,359
Speaker 2: like exactly, and it's like, so how is that possible?

555
00:26:51,480 --> 00:26:53,679
Speaker 2: And it's such a rare thing for that to happen.

556
00:26:53,720 --> 00:26:57,840
Speaker 2: And same thing with you know, like woman King same thing. Well,

557
00:26:57,880 --> 00:27:00,000
Speaker 2: like a lot of this stuff is very much like

558
00:27:00,119 --> 00:27:02,399
Speaker 2: cherry pick have just like moved right around giving the

559
00:27:02,400 --> 00:27:04,600
Speaker 2: black people all the credit. It's like, oh, we love

560
00:27:04,640 --> 00:27:07,800
Speaker 2: your wardrobe from Black Panther. It's like, okay, but I

561
00:27:07,800 --> 00:27:11,520
Speaker 2: mean it made the most money of any movie this year. Yeah,

562
00:27:11,600 --> 00:27:15,520
Speaker 2: but beautiful gowns and thanks for coming and so. But

563
00:27:15,640 --> 00:27:18,560
Speaker 2: it always makes me feel like I remember with Jail

564
00:27:18,600 --> 00:27:20,840
Speaker 2: Covin just kind of dismissed the movie out of hand,

565
00:27:21,640 --> 00:27:24,879
Speaker 2: and then on his podcast where he's doing his Awards

566
00:27:24,880 --> 00:27:28,000
Speaker 2: season shit, and it was like, bro, what are you like,

567
00:27:28,040 --> 00:27:31,320
Speaker 2: what are you doing like this? That's a great she

568
00:27:31,440 --> 00:27:33,720
Speaker 2: has a great fucking case. And later he came around

569
00:27:33,720 --> 00:27:37,280
Speaker 2: and was like, you know, after the fucking Awards was gone,

570
00:27:37,280 --> 00:27:38,720
Speaker 2: and I guess he was like, oh, now that I

571
00:27:38,760 --> 00:27:40,600
Speaker 2: think about it, yeah, it was fucked up. And I

572
00:27:40,680 --> 00:27:44,560
Speaker 2: was like, I even though I know he doesn't necessarily

573
00:27:44,560 --> 00:27:48,160
Speaker 2: think the same way. The Academy is like that, where

574
00:27:48,200 --> 00:27:52,000
Speaker 2: it's very much like a black person, they don't belong here,

575
00:27:52,240 --> 00:27:54,640
Speaker 2: you know what I mean, what are you doing here?

576
00:27:54,720 --> 00:27:57,760
Speaker 2: It's like, well, both ways, it's like we can't get

577
00:27:57,760 --> 00:28:00,639
Speaker 2: our thing. And then the last party is of course

578
00:28:01,160 --> 00:28:03,800
Speaker 2: when the system does break down and someone breaks through,

579
00:28:04,359 --> 00:28:09,119
Speaker 2: another white person, you know, like it broke through because

580
00:28:09,119 --> 00:28:12,800
Speaker 2: it's forty one year old British actress needed a break. Guys,

581
00:28:12,800 --> 00:28:15,080
Speaker 2: and Gwyneth Paltrow really liked the movie, so.

582
00:28:17,920 --> 00:28:19,400
Speaker 4: Yeah, because the only.

583
00:28:20,720 --> 00:28:23,000
Speaker 3: That like that, that reverse would never happen for Will

584
00:28:23,080 --> 00:28:25,919
Speaker 3: Smith for instance, Right, Emancipation not a great movie.

585
00:28:26,240 --> 00:28:29,080
Speaker 4: The cinematography was beautiful. Yeah, it just wasn't a great movie.

586
00:28:29,400 --> 00:28:32,640
Speaker 3: Let's say he did a fantastic performance, even burning King Richard, right,

587
00:28:32,720 --> 00:28:35,399
Speaker 3: and then all the black celebrities we're like, yo, you

588
00:28:35,440 --> 00:28:37,399
Speaker 3: know he bucked up last year. Yeah, but this is

589
00:28:37,440 --> 00:28:39,960
Speaker 3: the best performance we've ever seen. Right he would you

590
00:28:40,000 --> 00:28:41,040
Speaker 3: still would't get out of there.

591
00:28:41,080 --> 00:28:43,400
Speaker 2: Nope. It wouldn't matter who was tweeting about that ship,

592
00:28:43,400 --> 00:28:46,120
Speaker 2: if they was hosting on parties, it wouldn't matter.

593
00:28:46,680 --> 00:28:48,160
Speaker 4: I was like, yo, I didn't just think a slabby

594
00:28:48,200 --> 00:28:48,920
Speaker 4: in public.

595
00:28:48,840 --> 00:28:54,520
Speaker 2: But this movie was great? Yeah they still would.

596
00:28:56,040 --> 00:28:56,360
Speaker 1: Right?

597
00:28:56,520 --> 00:29:00,160
Speaker 2: Oh man? But yeah, man, I'm glad that you know

598
00:29:00,200 --> 00:29:02,920
Speaker 2: you're making headway out there. Is it a thing where

599
00:29:03,520 --> 00:29:05,680
Speaker 2: you feel like you could move out there if the

600
00:29:05,760 --> 00:29:08,320
Speaker 2: right thing happens and be out there for a while,

601
00:29:08,400 --> 00:29:10,719
Speaker 2: or does it. Uh, you want you want to come

602
00:29:10,760 --> 00:29:11,480
Speaker 2: back to New York.

603
00:29:12,240 --> 00:29:13,680
Speaker 4: I mean, I want to come back to New York.

604
00:29:13,680 --> 00:29:16,280
Speaker 3: But I definitely a more open to being out here,

605
00:29:16,600 --> 00:29:19,040
Speaker 3: uh on a permanent basis or at least like a

606
00:29:19,680 --> 00:29:22,240
Speaker 3: by you know, my annual basis.

607
00:29:21,840 --> 00:29:23,800
Speaker 4: Like than I was when I first got here.

608
00:29:24,000 --> 00:29:26,920
Speaker 3: Okay, I think having Tatiana here, who's my wife, folks

609
00:29:26,960 --> 00:29:30,520
Speaker 3: for those Yeah, you know, that's helped out a lot.

610
00:29:30,760 --> 00:29:33,240
Speaker 3: Oh yeah, you know, we have the flexibility right now,

611
00:29:33,320 --> 00:29:35,440
Speaker 3: right like we don't. We don't have children right now,

612
00:29:35,480 --> 00:29:37,800
Speaker 3: so we're a going to travel back and forth without

613
00:29:38,200 --> 00:29:40,160
Speaker 3: any real issues. And even if we did have kids, like,

614
00:29:40,160 --> 00:29:41,840
Speaker 3: I don't think that would be too big of a challenge,

615
00:29:41,840 --> 00:29:44,240
Speaker 3: except we're thinking about like the education, stability and stuff.

616
00:29:44,360 --> 00:29:46,080
Speaker 2: Well, it's not like you gotta if you have kids.

617
00:29:46,120 --> 00:29:48,480
Speaker 2: It's not like you got to be good parents, you know,

618
00:29:49,480 --> 00:29:50,800
Speaker 2: like you could you could be.

619
00:29:50,800 --> 00:29:52,640
Speaker 5: Part time parents.

620
00:29:52,760 --> 00:29:56,120
Speaker 2: Yeah, so many people say we've seen we've seen people's

621
00:29:56,200 --> 00:29:59,880
Speaker 2: kids that no one's raising them. Okay, Like if you

622
00:30:00,040 --> 00:30:02,040
Speaker 2: out there listening to this and you stressed out, like,

623
00:30:02,120 --> 00:30:04,520
Speaker 2: oh I'm gonna be a good parent? Should I even

624
00:30:04,560 --> 00:30:06,560
Speaker 2: have kids? It's so hard. Let me tell you man,

625
00:30:07,040 --> 00:30:10,280
Speaker 2: no one's raising these kids. Okay, we see them all

626
00:30:10,280 --> 00:30:12,400
Speaker 2: the time. We're like that kid ain't got no own training.

627
00:30:12,880 --> 00:30:14,800
Speaker 2: That could be one of your kids, don't you know?

628
00:30:15,440 --> 00:30:19,720
Speaker 2: Black mediocrity is line. Everybody change yourself. But yeah, that's

629
00:30:19,760 --> 00:30:23,160
Speaker 2: that's interesting. Now, what what's so different about LA compared

630
00:30:23,200 --> 00:30:27,160
Speaker 2: to New York as far as uh you know, to you, I've.

631
00:30:27,000 --> 00:30:29,400
Speaker 3: Been say, getting around and just be able to like

632
00:30:29,840 --> 00:30:32,920
Speaker 3: seize the day quote unquote, like when I'm I'm a free,

633
00:30:33,160 --> 00:30:35,400
Speaker 3: full time writer, right, so my schedule is kind of

634
00:30:35,720 --> 00:30:36,040
Speaker 3: what I.

635
00:30:36,000 --> 00:30:36,520
Speaker 4: Wanted to be.

636
00:30:37,040 --> 00:30:39,920
Speaker 3: But in New York, I could go into the city,

637
00:30:40,680 --> 00:30:44,920
Speaker 3: walk around, find a cafe, start writing, right, Like if

638
00:30:44,960 --> 00:30:47,360
Speaker 3: I go for a walk here, it's kind of saying

639
00:30:47,360 --> 00:30:49,920
Speaker 3: spots and depending on how far I can walk, like

640
00:30:50,000 --> 00:30:51,680
Speaker 3: it's pretty limited to what's around me.

641
00:30:51,880 --> 00:30:52,920
Speaker 4: Right, So I need you to.

642
00:30:52,840 --> 00:30:55,960
Speaker 3: Take the Metro, which is hell on Earth. Like I'm

643
00:30:56,000 --> 00:30:58,760
Speaker 3: surprised robocave down. They're patrolling that shit so great.

644
00:30:59,320 --> 00:31:01,480
Speaker 1: A lot of people they live out there say that

645
00:31:01,840 --> 00:31:04,959
Speaker 1: people on the East Coast take for granted, like how

646
00:31:05,480 --> 00:31:07,880
Speaker 1: good that stuff wrung? Because they said over there is

647
00:31:07,960 --> 00:31:10,800
Speaker 1: actually separate and they say it's like it's on entity

648
00:31:10,800 --> 00:31:13,000
Speaker 1: and a lot of people out there say is terrible

649
00:31:13,120 --> 00:31:15,840
Speaker 1: compared to to the transit out here, like the DC

650
00:31:16,040 --> 00:31:18,640
Speaker 1: and the New York and people complaining about them, but

651
00:31:18,680 --> 00:31:20,480
Speaker 1: they were saying they run so much better.

652
00:31:20,840 --> 00:31:23,520
Speaker 3: I will never complain about the New York public transit. Well,

653
00:31:23,560 --> 00:31:26,160
Speaker 3: I mean I probably will, but like there's a few

654
00:31:26,200 --> 00:31:29,160
Speaker 3: weeks I won't because, man, we were on the Red

655
00:31:29,160 --> 00:31:33,160
Speaker 3: and mind you, the Red Line goes to Universal Studios

656
00:31:33,160 --> 00:31:36,400
Speaker 3: in Hollywood, so it's a very touristy line on the Metro.

657
00:31:37,320 --> 00:31:40,960
Speaker 3: It's dirty as like, and there's constantly crackheads that don't

658
00:31:41,000 --> 00:31:43,680
Speaker 3: know other crackheads, but they see crackhead on the train

659
00:31:44,040 --> 00:31:46,440
Speaker 3: and then they start smoking crack and doing dances and

660
00:31:47,240 --> 00:31:48,320
Speaker 3: it's so crazy.

661
00:31:48,520 --> 00:31:52,240
Speaker 2: I have heard that Hollywood, like what people think Hollywood

662
00:31:52,320 --> 00:31:55,160
Speaker 2: is and the reality of Hollywood are one hundred percent

663
00:31:55,720 --> 00:31:59,840
Speaker 2: opposite each other. So yeah, everyone I know who goes

664
00:31:59,840 --> 00:32:02,760
Speaker 2: out there's like, no, Hollywood is the ghetto. You don't

665
00:32:02,760 --> 00:32:04,280
Speaker 2: want to be up in Hollywood too long.

666
00:32:04,680 --> 00:32:08,040
Speaker 4: Hollywood Boulevard is like Times Square full of cracks.

667
00:32:08,520 --> 00:32:09,720
Speaker 2: Yeah, that's what I heard.

668
00:32:10,320 --> 00:32:12,480
Speaker 4: Costumes like, it's.

669
00:32:13,200 --> 00:32:17,480
Speaker 2: Come take a picture of me, I'm Superman. Let me

670
00:32:17,520 --> 00:32:19,080
Speaker 2: get five dollars.

671
00:32:19,520 --> 00:32:21,840
Speaker 3: Because anyone ever seen what was that with John Trabolta

672
00:32:22,040 --> 00:32:23,920
Speaker 3: called like it was about him being a super fan

673
00:32:24,120 --> 00:32:26,440
Speaker 3: and like he dressed up like some soldier from.

674
00:32:26,240 --> 00:32:29,640
Speaker 4: Like the or some ship like to like take pictures.

675
00:32:29,800 --> 00:32:34,120
Speaker 2: I never saw this stuff, like wild Fan. I thought

676
00:32:34,160 --> 00:32:36,160
Speaker 2: that was Robert de Naro that was in the Fan.

677
00:32:36,520 --> 00:32:39,160
Speaker 4: It's it's something else, but it's it's man.

678
00:32:39,200 --> 00:32:42,480
Speaker 3: But yeah, yeah, that's like everyone's like John Trabolta from

679
00:32:42,480 --> 00:32:42,920
Speaker 3: that movie.

680
00:32:43,080 --> 00:32:48,440
Speaker 2: Oh my god, No, that's that's too much for your boy?

681
00:32:48,560 --> 00:32:51,040
Speaker 2: And how and how's medium popcorn doing?

682
00:32:52,680 --> 00:32:53,360
Speaker 4: Is doing well? Man?

683
00:32:53,360 --> 00:32:55,320
Speaker 3: We got like a lot of cool guests in the

684
00:32:55,440 --> 00:32:58,719
Speaker 3: can and then way were you know, we have you know,

685
00:32:58,760 --> 00:33:00,280
Speaker 3: a few people that we got coming up up on

686
00:33:00,360 --> 00:33:03,200
Speaker 3: the next few months. But you know, like we're we're

687
00:33:03,200 --> 00:33:05,760
Speaker 3: really churning out a lot of content, like the Patreon's

688
00:33:05,840 --> 00:33:08,000
Speaker 3: really booming. We got like a lot of cool stuff there,

689
00:33:08,240 --> 00:33:10,320
Speaker 3: and we started adding on noon mini episode where we

690
00:33:10,360 --> 00:33:13,320
Speaker 3: talk about like recent movie news and like trailers that

691
00:33:13,360 --> 00:33:14,000
Speaker 3: we watched and.

692
00:33:13,960 --> 00:33:16,240
Speaker 4: Like hypothesize what's going to happen stuff like.

693
00:33:16,200 --> 00:33:19,920
Speaker 3: That, because before we were releasing old episodes, but then

694
00:33:20,880 --> 00:33:23,280
Speaker 3: I realized that we were releasing episodes from years ago

695
00:33:23,440 --> 00:33:25,280
Speaker 3: where you know, Justin and I aren't like the most

696
00:33:25,320 --> 00:33:29,480
Speaker 3: mature people. Yeah, we definitely said some diceier stuff back

697
00:33:29,520 --> 00:33:31,680
Speaker 3: in the day. Oh yeah, I guess new fans are

698
00:33:31,720 --> 00:33:34,120
Speaker 3: listening and they're like, what the hell, guys.

699
00:33:34,040 --> 00:33:37,000
Speaker 2: Yeah, we grow from that, like yeah, no, no, no,

700
00:33:37,040 --> 00:33:39,000
Speaker 2: this is recording in twenty eighteen. They're like, it don't

701
00:33:39,080 --> 00:33:42,200
Speaker 2: matter exactly, I'm listening in twenty twenty three. Well, my

702
00:33:42,240 --> 00:33:43,520
Speaker 2: twenty twenty three is.

703
00:33:44,120 --> 00:33:46,440
Speaker 3: Yeah, we'll keep that content on the Patreon where people

704
00:33:46,560 --> 00:33:47,320
Speaker 3: know what they're getting.

705
00:33:47,440 --> 00:33:48,880
Speaker 2: Yeah, right, I feel.

706
00:33:49,240 --> 00:33:50,600
Speaker 4: And so like we're it's no.

707
00:33:50,880 --> 00:33:53,560
Speaker 3: Like no real struggle to like add extra thirty months

708
00:33:53,560 --> 00:33:56,800
Speaker 3: to our recording dates every few weeks to record some

709
00:33:56,880 --> 00:33:57,680
Speaker 3: movie news.

710
00:33:57,480 --> 00:33:58,120
Speaker 4: And stuff like that.

711
00:33:58,200 --> 00:34:00,680
Speaker 3: So it's been going, well, it's just you know, such

712
00:34:00,720 --> 00:34:02,840
Speaker 3: because we're not in person, so we're kind of doing

713
00:34:02,840 --> 00:34:04,240
Speaker 3: what you guys are doing right now, which is the

714
00:34:04,280 --> 00:34:06,960
Speaker 3: remote recording. And we got into a good flow, but

715
00:34:07,080 --> 00:34:09,239
Speaker 3: it does take some time. Right like when I'm back

716
00:34:09,280 --> 00:34:11,200
Speaker 3: in New York in February, we're gonna be in person again.

717
00:34:11,640 --> 00:34:14,719
Speaker 3: That's another flow that's like another kind of back and

718
00:34:14,719 --> 00:34:17,680
Speaker 3: forth that is different from our zoom. So It's like

719
00:34:17,719 --> 00:34:19,600
Speaker 3: we constantly have to adjust to make sure we get

720
00:34:19,640 --> 00:34:21,760
Speaker 3: back into the comedic flow and everything.

721
00:34:21,880 --> 00:34:26,040
Speaker 2: Who who all do y'all have the job interview lately

722
00:34:26,080 --> 00:34:28,719
Speaker 2: that you were like, you know, you know, like I

723
00:34:28,719 --> 00:34:32,239
Speaker 2: don't know, gushing over or or or or even if

724
00:34:32,239 --> 00:34:34,240
Speaker 2: you were just like, man, fuck this person, like whoo,

725
00:34:34,360 --> 00:34:36,200
Speaker 2: who's been your best interviews lately?

726
00:34:36,760 --> 00:34:40,319
Speaker 4: Oh that's I mean. Janelle Monette was like fantastic. Oh

727
00:34:40,360 --> 00:34:43,200
Speaker 4: my god, Yeah, that's great.

728
00:34:44,440 --> 00:34:47,440
Speaker 3: We had Roy with obously on to talk about bad Boys,

729
00:34:47,560 --> 00:34:50,880
Speaker 3: which is great. It was funny that he opened the

730
00:34:51,000 --> 00:34:55,279
Speaker 3: episode with like, you niggas better never review anything gotta do.

731
00:34:55,280 --> 00:34:58,680
Speaker 3: Don't review any movie that I don't want to hear it.

732
00:34:59,120 --> 00:34:59,319
Speaker 1: Right.

733
00:35:00,120 --> 00:35:01,600
Speaker 3: We have some fun ones in the can too. We

734
00:35:01,680 --> 00:35:06,960
Speaker 3: got Ashley Ray, who host TV I Yeah podcast. We

735
00:35:07,040 --> 00:35:09,040
Speaker 3: got this Dudelnray, who's one of the actors on the

736
00:35:09,080 --> 00:35:10,040
Speaker 3: South Side, which is one of.

737
00:35:10,040 --> 00:35:12,280
Speaker 2: My favorite I love south Side.

738
00:35:12,080 --> 00:35:16,200
Speaker 3: Brod is the Ralphs grocery store over here. There's all

739
00:35:16,239 --> 00:35:19,359
Speaker 3: these TV like TV stars here and I ran into

740
00:35:19,520 --> 00:35:24,840
Speaker 3: uh diallo wow soide literally yeah, after we watched.

741
00:35:24,920 --> 00:35:29,600
Speaker 2: The south Side bro he those motherfuckers are so goddamn funny,

742
00:35:30,360 --> 00:35:33,440
Speaker 2: Like that that that is a TV show that is

743
00:35:33,560 --> 00:35:37,479
Speaker 2: just uh, it's so amazing and it's and it's only

744
00:35:37,560 --> 00:35:40,960
Speaker 2: and it's all just like black people seeing other talented

745
00:35:41,000 --> 00:35:43,080
Speaker 2: black people and being like, we're just gonna put this

746
00:35:43,160 --> 00:35:45,319
Speaker 2: on screen, you know what I mean, and it and

747
00:35:45,400 --> 00:35:46,480
Speaker 2: it just works.

748
00:35:47,320 --> 00:35:49,840
Speaker 3: It's the closest and Mike Lawrence confirmed that this is

749
00:35:49,840 --> 00:35:52,080
Speaker 3: what they aim for. It said, I said, it's the

750
00:35:52,080 --> 00:35:54,040
Speaker 3: closest that will ever get to a black Simpsons.

751
00:35:54,120 --> 00:35:59,279
Speaker 2: Yeah, it's like live action Simpsons. Yes, yes, it really is.

752
00:35:59,640 --> 00:36:03,319
Speaker 2: And the way that from each and not just that,

753
00:36:03,360 --> 00:36:06,840
Speaker 2: but like like in the last season, the episode with

754
00:36:06,920 --> 00:36:12,000
Speaker 2: the Katilion and Kwanza, it's it's it's that's one episode

755
00:36:12,120 --> 00:36:14,840
Speaker 2: and it basically resets in the middle of the episode

756
00:36:15,000 --> 00:36:16,480
Speaker 2: and gives you a whole different story.

757
00:36:17,160 --> 00:36:20,000
Speaker 3: My homide Little Miles is a comedian that I known

758
00:36:20,040 --> 00:36:22,279
Speaker 3: from the New York Commers scene when he's dancing with

759
00:36:22,400 --> 00:36:23,920
Speaker 3: those glasses.

760
00:36:23,520 --> 00:36:33,040
Speaker 2: Yeah what man, I love that show, bro oh man.

761
00:36:34,320 --> 00:36:37,320
Speaker 3: Uh, Like I told him, like how much I appreciate

762
00:36:37,320 --> 00:36:38,840
Speaker 3: the show, but I really wanted to tell him, like

763
00:36:39,400 --> 00:36:41,680
Speaker 3: one of the funniest things I've ever seen is there's

764
00:36:41,719 --> 00:36:43,440
Speaker 3: an episode I think it's in the first season when

765
00:36:43,480 --> 00:36:46,760
Speaker 3: he's running for Alderman, right, yes, and he's he's debating

766
00:36:46,800 --> 00:36:51,680
Speaker 3: Winston Kerman friend, yes, and he like he gets caught

767
00:36:51,760 --> 00:36:56,080
Speaker 3: talking about like diggas as a cryptocurrency, and then like

768
00:36:56,160 --> 00:36:58,160
Speaker 3: he gets caught back into the quarter and he has

769
00:36:58,239 --> 00:37:00,680
Speaker 3: these little cards and he just straight is the cards

770
00:37:00,880 --> 00:37:01,600
Speaker 3: that's gonna help?

771
00:37:05,200 --> 00:37:07,160
Speaker 4: Like wait, responding just runs straight into.

772
00:37:10,520 --> 00:37:14,120
Speaker 2: It's a perfect show, dude. All right, So once again,

773
00:37:14,200 --> 00:37:19,560
Speaker 2: tell everybody about where Drunk Drunk Black History and when

774
00:37:19,680 --> 00:37:21,960
Speaker 2: is it? Where is it? And like who are the

775
00:37:21,960 --> 00:37:23,520
Speaker 2: guests going to be this year? This time?

776
00:37:23,520 --> 00:37:24,399
Speaker 4: Absolutely so trump.

777
00:37:24,400 --> 00:37:26,200
Speaker 3: Black History is a show that I host with the

778
00:37:26,239 --> 00:37:29,960
Speaker 3: homie Gordon Baker Bone where we try to highlight for

779
00:37:30,040 --> 00:37:33,640
Speaker 3: gotting black heroes and events that just haven't gotten their

780
00:37:33,719 --> 00:37:36,479
Speaker 3: due and likely aren't taught in any of the history

781
00:37:36,480 --> 00:37:38,360
Speaker 3: classes that we attended in school.

782
00:37:38,400 --> 00:37:39,320
Speaker 4: So it's a lot of fun.

783
00:37:40,080 --> 00:37:42,200
Speaker 3: We've had a lot of dope past guests like doctor

784
00:37:42,280 --> 00:37:43,160
Speaker 3: Andre and Perry.

785
00:37:43,440 --> 00:37:44,400
Speaker 4: We talked about Redline.

786
00:37:44,400 --> 00:37:46,960
Speaker 3: We've had Dulce Sloan who talks about the history of

787
00:37:47,040 --> 00:37:49,759
Speaker 3: Black History Month and things like that. Uh, this coming

788
00:37:50,080 --> 00:37:52,200
Speaker 3: this upcoming show on Thursday, February twenty third at the

789
00:37:52,239 --> 00:37:55,600
Speaker 3: Bellhouse in Brooklyn. We currently have Electra Tellisport, who's a

790
00:37:55,600 --> 00:37:58,920
Speaker 3: great comedian in New York. We have music provided by

791
00:37:59,440 --> 00:38:02,640
Speaker 3: Shacks Stay who was on Wilding Out.

792
00:38:03,000 --> 00:38:05,680
Speaker 4: We also have J. D. Williams, who you all know

793
00:38:05,760 --> 00:38:06,760
Speaker 4: is Body from the Wire.

794
00:38:07,280 --> 00:38:11,800
Speaker 3: Yes, and then we just put Kevin Isa who was

795
00:38:11,840 --> 00:38:15,239
Speaker 3: on Bush Mister Meetors. So right now it's shipped out

796
00:38:15,239 --> 00:38:16,600
Speaker 3: to be a really good line and we still got

797
00:38:16,600 --> 00:38:20,239
Speaker 3: a few surprises, I'm sure for the show. So man

798
00:38:21,320 --> 00:38:23,759
Speaker 3: for tickets, both in person and live stream because we

799
00:38:23,800 --> 00:38:26,960
Speaker 3: are live streaming from the Bellhouse, and uh yeah, I Hopelly,

800
00:38:27,000 --> 00:38:28,120
Speaker 3: hopefully you can come through again.

801
00:38:28,520 --> 00:38:30,040
Speaker 2: Yeah man, I love to.

802
00:38:31,719 --> 00:38:32,279
Speaker 7: Is that right?

803
00:38:32,719 --> 00:38:35,480
Speaker 2: I was listen, I was, I was in the house

804
00:38:35,520 --> 00:38:38,239
Speaker 2: for the last joint and because I was up here

805
00:38:38,239 --> 00:38:39,680
Speaker 2: and I'm gonna be up here for this one, so

806
00:38:39,719 --> 00:38:42,759
Speaker 2: hopefully I can make it. And uh yeah, man, it

807
00:38:42,840 --> 00:38:46,400
Speaker 2: was so it was so much fun and uh, it

808
00:38:46,920 --> 00:38:51,560
Speaker 2: just like it's it's indescribable in person compared to like online.

809
00:38:51,560 --> 00:38:56,760
Speaker 2: I've I've participated in online, I've been I've watched it online,

810
00:38:57,440 --> 00:39:01,520
Speaker 2: but being there in person is just uh, it's so much,

811
00:39:01,600 --> 00:39:04,240
Speaker 2: it's so much, it's.

812
00:39:04,200 --> 00:39:07,640
Speaker 4: Very reality, it's very but it's it's got great energy,

813
00:39:07,680 --> 00:39:08,280
Speaker 4: it's positive.

814
00:39:08,320 --> 00:39:10,719
Speaker 2: It's rowdy in a good way. It's not rowdying like

815
00:39:11,000 --> 00:39:12,799
Speaker 2: I think these niggas are about to fight. I just

816
00:39:12,840 --> 00:39:15,839
Speaker 2: want to Yeah, Like it's a good it's a good

817
00:39:15,960 --> 00:39:19,280
Speaker 2: positive rowdy, Like it's a good group of people. Although

818
00:39:19,280 --> 00:39:21,239
Speaker 2: the dude behind me did talk about how he had

819
00:39:21,239 --> 00:39:22,680
Speaker 2: just got out of prison and stuff, but I think

820
00:39:22,719 --> 00:39:23,640
Speaker 2: he mean in a good way.

821
00:39:24,280 --> 00:39:26,000
Speaker 3: That's one thing that I will say is like I

822
00:39:26,040 --> 00:39:28,279
Speaker 3: think and I had done the show enough. Yeah, and

823
00:39:28,440 --> 00:39:31,400
Speaker 3: kind of because there's times when people get on stage

824
00:39:31,400 --> 00:39:32,719
Speaker 3: with us and they're like, you know, this is out

825
00:39:32,760 --> 00:39:35,480
Speaker 3: of control, right right, yeah, yeah, well yeah yeah, but

826
00:39:35,560 --> 00:39:38,080
Speaker 3: like just focus on us and people will pay attention,

827
00:39:38,200 --> 00:39:41,040
Speaker 3: right right. But there was a gentleman you're talking about

828
00:39:41,320 --> 00:39:44,000
Speaker 3: who we were doing the Define nine A dook was

829
00:39:44,000 --> 00:39:47,759
Speaker 3: on stage and he did like n YU and then

830
00:39:47,800 --> 00:39:50,080
Speaker 3: we were like what and then he like we thought

831
00:39:50,080 --> 00:39:51,360
Speaker 3: he went to n y U and he was just

832
00:39:51,360 --> 00:39:53,320
Speaker 3: trying to shout them out. Come to find out he

833
00:39:53,400 --> 00:39:55,640
Speaker 3: was part of a prison program that was run by

834
00:39:55,760 --> 00:39:58,000
Speaker 3: n YU, right right, he was in prison, but he

835
00:39:58,080 --> 00:40:01,440
Speaker 3: got education from y Yeah, he talked, but it didn't

836
00:40:01,440 --> 00:40:09,239
Speaker 3: fit what we were talking about started getting Angryta.

837
00:40:07,280 --> 00:40:11,239
Speaker 2: Yeah, that's what it was. It was my The thing

838
00:40:11,320 --> 00:40:14,040
Speaker 2: you couldn't hear from the stage is that his girlfriend

839
00:40:14,080 --> 00:40:18,280
Speaker 2: that was with him was trying to calm him down

840
00:40:18,719 --> 00:40:21,440
Speaker 2: and and so that was that was interesting to be

841
00:40:21,480 --> 00:40:24,799
Speaker 2: sitting very close when you're right in front, because she

842
00:40:24,880 --> 00:40:27,359
Speaker 2: was like, nigga, they don't care about that. And he's like,

843
00:40:27,680 --> 00:40:30,920
Speaker 2: what are you. I just got out of prison. I

844
00:40:31,040 --> 00:40:34,400
Speaker 2: just got out of prison. She's like, shut up, just

845
00:40:34,400 --> 00:40:36,319
Speaker 2: just get the drink. So whatever. I was just like,

846
00:40:36,360 --> 00:40:38,160
Speaker 2: all right, well, as long as I don't get shanked

847
00:40:38,200 --> 00:40:38,600
Speaker 2: in the back.

848
00:40:39,280 --> 00:40:41,080
Speaker 4: That's what happens when you have specialty drinks that have

849
00:40:41,160 --> 00:40:41,640
Speaker 4: dark liquor.

850
00:40:41,680 --> 00:40:44,359
Speaker 2: And you know absolutely that's what they say, dark liquor,

851
00:40:44,440 --> 00:40:48,960
Speaker 2: dark thoughts. All right, all right, let's get into some

852
00:40:49,560 --> 00:40:53,120
Speaker 2: Let's let's get into some some some like current events

853
00:40:53,239 --> 00:40:56,200
Speaker 2: and some new pop culture type thing. Let me play

854
00:40:56,239 --> 00:40:59,480
Speaker 2: one of my transition beats, uh so we can get

855
00:40:59,480 --> 00:40:59,880
Speaker 2: into that.

856
00:41:00,760 --> 00:41:00,880
Speaker 1: Uh.

857
00:41:26,320 --> 00:41:29,239
Speaker 2: All right, let's talk about the news. Everybody. Stuff has

858
00:41:29,239 --> 00:41:32,319
Speaker 2: been happening. We took that time off, we weren't talking

859
00:41:32,320 --> 00:41:38,279
Speaker 2: about it. ABC has officially dropped t J. Holmes and

860
00:41:38,320 --> 00:41:42,680
Speaker 2: Amy Robot from the Morning show at the extremely contentious

861
00:41:42,719 --> 00:41:47,720
Speaker 2: mediation where TJ was talking about he there was rumors

862
00:41:47,719 --> 00:41:50,200
Speaker 2: that he was going to say is racial discrimination for

863
00:41:50,280 --> 00:41:52,920
Speaker 2: them to get rid of him somehow, even though they're

864
00:41:52,920 --> 00:41:58,880
Speaker 2: getting rid of both of them, Rumors and speculation and uh,

865
00:41:59,360 --> 00:42:03,120
Speaker 2: allegations about him fucking everybody around the office was coming out.

866
00:42:05,080 --> 00:42:10,839
Speaker 2: And then after the firing, they were spotted with her

867
00:42:10,880 --> 00:42:14,480
Speaker 2: like literally jumping into his arms in the streets. So

868
00:42:14,880 --> 00:42:19,440
Speaker 2: it's I mean, I honestly feel like they had to

869
00:42:19,440 --> 00:42:22,000
Speaker 2: get rid of them because they don't really seem to

870
00:42:22,040 --> 00:42:25,960
Speaker 2: have a like keep it down. But and if the

871
00:42:26,040 --> 00:42:29,319
Speaker 2: company would have said it's fine, come on back, I

872
00:42:29,360 --> 00:42:31,320
Speaker 2: just feel like it was gonna escalate and get messy

873
00:42:31,400 --> 00:42:33,759
Speaker 2: and messy. And keep in mind there's still two x

874
00:42:34,440 --> 00:42:37,400
Speaker 2: exes out there, like an ex husband ex wife, who

875
00:42:37,440 --> 00:42:40,480
Speaker 2: I'm sure are not done talking about this in public.

876
00:42:41,520 --> 00:42:43,680
Speaker 2: So I don't think this is a story that's like

877
00:42:43,920 --> 00:42:47,040
Speaker 2: goes away. And I think as messy and cool as

878
00:42:47,200 --> 00:42:49,400
Speaker 2: our audience is, as they say they would be with

879
00:42:49,440 --> 00:42:52,840
Speaker 2: this shit, I don't think that's the audience for ABC's

880
00:42:52,880 --> 00:42:55,440
Speaker 2: morning show. They don't want the people tuning in to

881
00:42:55,480 --> 00:42:58,200
Speaker 2: watch live scandal. They want the people tuning in to

882
00:42:58,239 --> 00:43:01,160
Speaker 2: watch morning news and if uh, you.

883
00:43:01,120 --> 00:43:04,800
Speaker 1: Know, watching it, so that's like we're not the targeted audience.

884
00:43:04,800 --> 00:43:07,520
Speaker 1: The targeted audience is like I won't the illusions.

885
00:43:07,760 --> 00:43:09,760
Speaker 3: But you know what's wild is that if you watch

886
00:43:09,840 --> 00:43:11,880
Speaker 3: like the old clips that like we're circulating after this

887
00:43:11,960 --> 00:43:12,719
Speaker 3: news broke.

888
00:43:12,520 --> 00:43:15,120
Speaker 4: Out, you could tell, oh, yeah, like they either really

889
00:43:15,160 --> 00:43:17,480
Speaker 4: like each other other fucking like yeah, this is like

890
00:43:17,640 --> 00:43:18,800
Speaker 4: the different kind of chemistry.

891
00:43:19,040 --> 00:43:21,840
Speaker 2: It's weird because like I'm I'm a definitely I'm a

892
00:43:21,920 --> 00:43:25,279
Speaker 2: kind of person that tries to do the I'm trying

893
00:43:25,360 --> 00:43:27,880
Speaker 2: not to associate. Like a man and a woman are talking,

894
00:43:27,920 --> 00:43:29,520
Speaker 2: they must be fucking you know. I try to keep

895
00:43:29,560 --> 00:43:31,560
Speaker 2: from being that kind of person. So sometimes it actually

896
00:43:31,560 --> 00:43:34,200
Speaker 2: makes me not see the obvious, you know what I mean.

897
00:43:34,239 --> 00:43:37,120
Speaker 2: We're like I can only see it in handsight because

898
00:43:37,120 --> 00:43:39,120
Speaker 2: like when it was happening, I was just like, oh, okay,

899
00:43:39,160 --> 00:43:42,920
Speaker 2: they're very I guess that's the morning show energy that

900
00:43:43,080 --> 00:43:46,839
Speaker 2: keeps that keeps the show popular, and it's why they're

901
00:43:46,840 --> 00:43:49,759
Speaker 2: good at their jobs. Because even if you sat me

902
00:43:49,800 --> 00:43:53,120
Speaker 2: next to TJ. Holmes, my assumption is five minutes later,

903
00:43:53,160 --> 00:43:55,399
Speaker 2: everybody'll be like, ah, they fucking you know, because he's

904
00:43:55,520 --> 00:43:58,160
Speaker 2: he's gonna make it, he's gonna he's gonna try to

905
00:43:58,200 --> 00:44:00,680
Speaker 2: make it feel intimate when it's really it's just it's

906
00:44:00,680 --> 00:44:04,479
Speaker 2: all fake. I was wrong, bro, I had no idea.

907
00:44:04,560 --> 00:44:06,040
Speaker 2: Now I'll look at them clips. I was like, oh,

908
00:44:06,080 --> 00:44:08,719
Speaker 2: that's a man that he just finished it, and that

909
00:44:09,000 --> 00:44:11,600
Speaker 2: like you can tell from to look at her like

910
00:44:12,360 --> 00:44:15,359
Speaker 2: they husband and wife at home somewhere mad watching this shit.

911
00:44:17,719 --> 00:44:22,120
Speaker 2: But yeah, so they're out of there, And yeah, I

912
00:44:22,120 --> 00:44:25,880
Speaker 2: can't blame ABC, man. I really think with how messy

913
00:44:25,920 --> 00:44:28,279
Speaker 2: they are now, it was going to get worse. It

914
00:44:28,480 --> 00:44:32,240
Speaker 2: just and it would have become the thing where it's like, oh,

915
00:44:32,840 --> 00:44:36,200
Speaker 2: ABC co signed this, so the next time they do

916
00:44:36,320 --> 00:44:40,640
Speaker 2: something newsworthy that's fucked up, ABC will have no room

917
00:44:40,640 --> 00:44:42,200
Speaker 2: to stand because they can always go back and be like,

918
00:44:42,280 --> 00:44:44,200
Speaker 2: y'all were cool with this when you found out that

919
00:44:44,239 --> 00:44:47,080
Speaker 2: we were all this shit, even when you found out

920
00:44:47,080 --> 00:44:50,840
Speaker 2: about me fucking the intern and the producer and that

921
00:44:50,960 --> 00:44:53,080
Speaker 2: Robin Roberts came to me and told me to stop,

922
00:44:53,280 --> 00:44:54,800
Speaker 2: y'all said, come on back.

923
00:44:55,960 --> 00:44:58,759
Speaker 3: I do think that ABC possibly and they would never

924
00:44:58,800 --> 00:45:02,799
Speaker 3: reveal this to the public. I think there's possibly other

925
00:45:02,880 --> 00:45:05,440
Speaker 3: affairs that TJ had with other stablished It doesn't just

926
00:45:05,480 --> 00:45:08,920
Speaker 3: be they just said there was just one other staff. No, no,

927
00:45:08,960 --> 00:45:11,279
Speaker 3: that's a path bro like so yeah, I can see

928
00:45:11,280 --> 00:45:13,239
Speaker 3: them like, well, this is gonna be like what I

929
00:45:13,280 --> 00:45:18,239
Speaker 3: see y'all about for discrimination, Well, TEJO investigations exactly you

930
00:45:18,280 --> 00:45:21,040
Speaker 3: looked with X, Y and Z and then he's like, oh,

931
00:45:21,080 --> 00:45:22,200
Speaker 3: well now I got.

932
00:45:22,000 --> 00:45:22,480
Speaker 4: To back up.

933
00:45:22,680 --> 00:45:26,160
Speaker 2: I honestly feel like they could win by just saying

934
00:45:26,680 --> 00:45:31,200
Speaker 2: we had no idea his name was Luetelli's and he

935
00:45:32,200 --> 00:45:35,359
Speaker 2: hid that from us. And if we would have known

936
00:45:35,400 --> 00:45:37,759
Speaker 2: his name was Lutelli, we would have never hired this

937
00:45:37,840 --> 00:45:41,040
Speaker 2: man because not and not out of racial discrimination, but

938
00:45:41,120 --> 00:45:44,120
Speaker 2: because people named Lutelli is definitely fucked. All the women

939
00:45:44,160 --> 00:45:47,399
Speaker 2: in the office, like you ain't met one yet. That's

940
00:45:47,440 --> 00:45:50,839
Speaker 2: not you know, trying to burn down everything you know

941
00:45:51,200 --> 00:45:54,279
Speaker 2: for some draws. So yeah, these are the pictures. This

942
00:45:54,320 --> 00:45:56,280
Speaker 2: is after they found out they were fired.

943
00:45:57,480 --> 00:46:00,960
Speaker 5: This is crazy right together and stuff.

944
00:46:00,960 --> 00:46:04,400
Speaker 1: And you know, it's one of those things where you

945
00:46:04,400 --> 00:46:07,920
Speaker 1: know people that are like whether they're considering adults, like, no,

946
00:46:08,440 --> 00:46:09,440
Speaker 1: my job as.

947
00:46:09,360 --> 00:46:11,640
Speaker 5: A company, I am a company.

948
00:46:12,600 --> 00:46:15,920
Speaker 1: I don't want to get mixed up in your personal affairs.

949
00:46:15,960 --> 00:46:18,320
Speaker 5: That is not my job. I am a company.

950
00:46:18,719 --> 00:46:21,279
Speaker 1: I have to deal with people when they fall out

951
00:46:21,280 --> 00:46:24,040
Speaker 1: of love and they don't get along and they take revenge.

952
00:46:24,560 --> 00:46:27,399
Speaker 1: I the company has to deal with all the other

953
00:46:27,520 --> 00:46:30,960
Speaker 1: messiness and bullshit that comes around people being people. Well,

954
00:46:31,000 --> 00:46:34,040
Speaker 1: you just has these rules and regulations for a fucking reason.

955
00:46:34,640 --> 00:46:37,560
Speaker 4: For me is it's okay then.

956
00:46:38,320 --> 00:46:40,799
Speaker 2: Like the thing, yeah, they're gonna start a podcast or something.

957
00:46:40,800 --> 00:46:42,799
Speaker 2: But the thing for me is just it's not even

958
00:46:42,960 --> 00:46:47,560
Speaker 2: like just we're a company so people can't have relationships.

959
00:46:47,719 --> 00:46:52,120
Speaker 2: It's not just about this relationship, like he been fucking everyone.

960
00:46:52,360 --> 00:46:55,879
Speaker 2: He was fucking her friend in the office is who

961
00:46:55,880 --> 00:46:58,080
Speaker 2: he was fucking before he started fucking her, And now

962
00:46:58,120 --> 00:47:00,719
Speaker 2: her and that woman ain't friends no more. Like that

963
00:47:00,840 --> 00:47:03,560
Speaker 2: kind of shit affects the workplace. Dog, it's scary, you

964
00:47:03,640 --> 00:47:06,960
Speaker 2: know what I mean? So like y'all gotta go to

965
00:47:06,960 --> 00:47:09,359
Speaker 2: handle down in your personal business. ABC can't be seen

966
00:47:09,400 --> 00:47:11,960
Speaker 2: co signing and shit, because what's gonna happen is one

967
00:47:11,960 --> 00:47:14,560
Speaker 2: of these women gonna be like it was an toxic environment,

968
00:47:14,960 --> 00:47:18,600
Speaker 2: an environment of intimidation and fear. My abuser or my

969
00:47:19,200 --> 00:47:22,000
Speaker 2: the man who had power over me. They promoted him,

970
00:47:22,000 --> 00:47:24,440
Speaker 2: they brought him back. They didn't, you know, and so

971
00:47:24,520 --> 00:47:26,399
Speaker 2: it don't. That's how it happens. I just watched season

972
00:47:26,440 --> 00:47:28,160
Speaker 2: two in the Morning show. I know how it goes

973
00:47:28,200 --> 00:47:33,800
Speaker 2: down over there. Okay, it's crazy. In other news, Britney

974
00:47:33,800 --> 00:47:37,200
Speaker 2: Spears asked her fans to respect her privacy after they

975
00:47:37,239 --> 00:47:40,200
Speaker 2: called the police to her home for a welfare check

976
00:47:40,520 --> 00:47:42,600
Speaker 2: following the disappearance of her Instagram account.

977
00:47:43,520 --> 00:47:46,160
Speaker 5: Jesus, people are fucking insane.

978
00:47:46,440 --> 00:47:50,160
Speaker 2: Mm hmmm, mm hmm. I think, y'all. I think those

979
00:47:50,200 --> 00:47:51,719
Speaker 2: of y'all that have been listening to the show for

980
00:47:51,760 --> 00:47:54,040
Speaker 2: a while, y'all know what I gotta say. Y'a already

981
00:47:54,040 --> 00:47:57,480
Speaker 2: know what I'm gonna play. I told you, what did

982
00:47:57,520 --> 00:48:00,400
Speaker 2: I tell you? Didn't not tell your cousin? I told you?

983
00:48:01,400 --> 00:48:04,200
Speaker 2: And when did I tell you a long time ago?

984
00:48:04,560 --> 00:48:05,920
Speaker 2: And what did I say? What happened?

985
00:48:05,960 --> 00:48:08,640
Speaker 5: When I told you exactly what just happened.

986
00:48:09,200 --> 00:48:12,840
Speaker 2: Yeah, Free Brittany was always some bullshit, And that was

987
00:48:12,880 --> 00:48:16,120
Speaker 2: some weird parasocial relationship shit that white people got into.

988
00:48:16,960 --> 00:48:19,360
Speaker 2: Most people wanted to free Brittany than free Brittney Grinner.

989
00:48:20,520 --> 00:48:23,480
Speaker 2: And she's a rich white woman that's very famous, And

990
00:48:23,520 --> 00:48:26,400
Speaker 2: y'all was acting like oh my god, we got to

991
00:48:26,440 --> 00:48:28,920
Speaker 2: get her out of there. But my whole thing was

992
00:48:29,840 --> 00:48:33,480
Speaker 2: there's stuff in that situation that we as fans do

993
00:48:33,600 --> 00:48:37,239
Speaker 2: not have to feel responsible for. Right So if she

994
00:48:37,400 --> 00:48:40,120
Speaker 2: really does have mental health issues that would affect her

995
00:48:40,280 --> 00:48:43,799
Speaker 2: and like she needs people to help her live, and

996
00:48:43,840 --> 00:48:47,320
Speaker 2: we're just like fuck it, I don't like her daddy

997
00:48:47,400 --> 00:48:51,040
Speaker 2: or whatever whatever it is. The judge, the people who

998
00:48:51,040 --> 00:48:53,160
Speaker 2: are involved in this are seeing more than we're seeing.

999
00:48:53,200 --> 00:48:56,360
Speaker 2: We're only seeing what a documentary showed us on Hulu.

1000
00:48:56,640 --> 00:48:59,879
Speaker 2: We're only seeing people tell us that justin Timberlake's piece

1001
00:48:59,880 --> 00:49:03,239
Speaker 2: of we're not seeing the whole like picture. Because it

1002
00:49:03,320 --> 00:49:07,360
Speaker 2: takes psychiatric diagnosis. It takes letters from your fucking therapist

1003
00:49:07,400 --> 00:49:09,920
Speaker 2: and your doctor or whatever whatever fucking drug drum. It

1004
00:49:09,960 --> 00:49:13,359
Speaker 2: takes a lot of shit to determine if someone can

1005
00:49:13,520 --> 00:49:16,640
Speaker 2: or cannot handle this kind of thing. And the parasocial

1006
00:49:16,640 --> 00:49:19,640
Speaker 2: relationship with the fans was always weird to me because

1007
00:49:20,000 --> 00:49:22,320
Speaker 2: even when she would do shit like post twenty seven

1008
00:49:23,000 --> 00:49:28,040
Speaker 2: swirling with no top on Instagram videos, people would normalize

1009
00:49:28,040 --> 00:49:30,520
Speaker 2: it like, well, everyone does that. It's like, no, they don't,

1010
00:49:30,680 --> 00:49:33,000
Speaker 2: and you only saying that because you don't want to

1011
00:49:33,040 --> 00:49:36,000
Speaker 2: say whoops. I actually don't know what you do with

1012
00:49:36,040 --> 00:49:38,719
Speaker 2: someone who may have some mental health issues that I

1013
00:49:38,719 --> 00:49:40,600
Speaker 2: don't want to fit, I don't feel like dealing with.

1014
00:49:40,880 --> 00:49:43,879
Speaker 2: When it was Kanye, everybody was ready to be like,

1015
00:49:44,400 --> 00:49:47,239
Speaker 2: you know, yeah, everybody was ready to throw him away

1016
00:49:47,280 --> 00:49:50,240
Speaker 2: because his mental illness eventually got to a point where

1017
00:49:50,360 --> 00:49:53,719
Speaker 2: it was he was doing shit we didn't like. And

1018
00:49:54,360 --> 00:49:58,200
Speaker 2: here all she did was delete her Instagram. This wasn't

1019
00:49:58,200 --> 00:50:01,120
Speaker 2: even her saying like some wild flavoring shit, even though

1020
00:50:01,160 --> 00:50:03,600
Speaker 2: she's had a couple like she has some people like

1021
00:50:03,640 --> 00:50:07,560
Speaker 2: accused of abusing them and stuff like that, family issues.

1022
00:50:07,800 --> 00:50:12,680
Speaker 2: But she y'all called the cops. That's you're crazy, That's

1023
00:50:12,760 --> 00:50:15,640
Speaker 2: not that. Who knows why someone deletes their Instagram. You

1024
00:50:15,640 --> 00:50:18,840
Speaker 2: don't call the fucking cops to someone's house who's a

1025
00:50:18,880 --> 00:50:21,279
Speaker 2: celebrity you don't know because they ain't posted in a

1026
00:50:21,280 --> 00:50:22,000
Speaker 2: few days.

1027
00:50:22,480 --> 00:50:23,960
Speaker 3: And the fact that they were able to do that,

1028
00:50:24,120 --> 00:50:27,600
Speaker 3: it's just terrifying, you know what I mean. It's just

1029
00:50:27,920 --> 00:50:30,480
Speaker 3: it's just crazy authorities would do that, like versus like

1030
00:50:30,680 --> 00:50:34,360
Speaker 3: her husband or like you know, Kevin Federline or somebody

1031
00:50:34,400 --> 00:50:37,239
Speaker 3: like that calling it in versus some random fans are

1032
00:50:37,280 --> 00:50:39,680
Speaker 3: like Britney deleted an Instagram go check on her? Like,

1033
00:50:39,680 --> 00:50:42,759
Speaker 3: how is that even a valid reason to do a

1034
00:50:42,800 --> 00:50:43,560
Speaker 3: security check?

1035
00:50:43,680 --> 00:50:48,360
Speaker 2: And and the thing is, like your mind. First of all,

1036
00:50:48,520 --> 00:50:50,759
Speaker 2: social media is pretty much bad for most of us, right,

1037
00:50:50,800 --> 00:50:54,000
Speaker 2: we know it can be bad. So if you start

1038
00:50:54,040 --> 00:50:56,479
Speaker 2: really creating a relationship with the people on social media

1039
00:50:56,480 --> 00:50:59,319
Speaker 2: who really have no true relationship with you, they just

1040
00:50:59,360 --> 00:51:02,319
Speaker 2: know you're image, your fame, whatever whatever they get out

1041
00:51:02,320 --> 00:51:05,520
Speaker 2: of it, and they realize that there's a feed loop

1042
00:51:05,640 --> 00:51:07,799
Speaker 2: feedback loop between the both of you, that can be

1043
00:51:07,840 --> 00:51:09,440
Speaker 2: the scares shit in the world. Because someone with no

1044
00:51:09,480 --> 00:51:11,560
Speaker 2: attachment to you is and your friend. They can be

1045
00:51:12,120 --> 00:51:15,880
Speaker 2: like if like, if Brandon was texting me and he

1046
00:51:15,960 --> 00:51:18,960
Speaker 2: started texting me super crazy shit, I would be like, hey, Brandon,

1047
00:51:19,280 --> 00:51:24,000
Speaker 2: you're good bro. You just texted me. Yeah, you know,

1048
00:51:24,160 --> 00:51:26,520
Speaker 2: like like I might. I might reach out to Tati like, hey,

1049
00:51:26,560 --> 00:51:29,560
Speaker 2: Brandon texted me some super crazy shit. I don't is

1050
00:51:29,600 --> 00:51:33,840
Speaker 2: he all right? But but if you like, don't, if

1051
00:51:33,960 --> 00:51:37,839
Speaker 2: Brandon is just Brandon Collins comedian to me and I'm

1052
00:51:37,880 --> 00:51:41,080
Speaker 2: just going on Instagram scrolling and he's just another moffucker,

1053
00:51:41,080 --> 00:51:44,520
Speaker 2: I'll stop on one, then I might really be like, oh, oh,

1054
00:51:44,520 --> 00:51:47,239
Speaker 2: he texted me to he's gonna jump off a bridge

1055
00:51:47,239 --> 00:51:48,719
Speaker 2: and I'm like, do it, nigga? I don't you know,

1056
00:51:48,800 --> 00:51:51,200
Speaker 2: cause I don't. I don't really know him or care.

1057
00:51:51,760 --> 00:51:55,280
Speaker 2: And if he feels like this parasocial relationship has made

1058
00:51:56,000 --> 00:51:58,360
Speaker 2: like all these people care about him, who knows what

1059
00:51:58,440 --> 00:52:01,520
Speaker 2: he's willing to do? So like, and she was clearly

1060
00:52:01,600 --> 00:52:03,480
Speaker 2: reading all these comments and stuff because she was always

1061
00:52:03,520 --> 00:52:09,279
Speaker 2: on social media and so yeah, someone said that she

1062
00:52:09,360 --> 00:52:13,000
Speaker 2: stopped because people were talking about her body. She said,

1063
00:52:13,320 --> 00:52:19,080
Speaker 2: people were making faink prank phone calls. She said she

1064
00:52:19,640 --> 00:52:22,320
Speaker 2: feels like I felt like I was being gaslet and bullied.

1065
00:52:22,360 --> 00:52:25,240
Speaker 2: Once the incident made it to the news, being portrayed

1066
00:52:25,239 --> 00:52:27,280
Speaker 2: once again in a poor and unfair light by the media.

1067
00:52:27,719 --> 00:52:29,760
Speaker 2: During this time my life, I truly hoped the public

1068
00:52:29,760 --> 00:52:32,000
Speaker 2: and my fans, who I care so much about can

1069
00:52:32,080 --> 00:52:34,919
Speaker 2: respect my privacy move before all of b And now,

1070
00:52:35,440 --> 00:52:37,920
Speaker 2: to be honest, someone's gonna not do that. They're going

1071
00:52:38,000 --> 00:52:40,719
Speaker 2: to go overstep on purpose now because they've been They've

1072
00:52:40,719 --> 00:52:43,839
Speaker 2: affected her life and a lot of them, not all

1073
00:52:43,880 --> 00:52:45,760
Speaker 2: of them, but this is what a lot of them wanted.

1074
00:52:46,840 --> 00:52:51,279
Speaker 1: Yeah, they wanted a response just like uh, and kind

1075
00:52:51,280 --> 00:52:54,000
Speaker 1: of related but not kind of related. Just like with

1076
00:52:54,320 --> 00:52:57,000
Speaker 1: making a Stallion, Making a Stallion basically has stepped away

1077
00:52:57,000 --> 00:53:00,759
Speaker 1: from social media all together after all the shit they

1078
00:53:00,840 --> 00:53:03,440
Speaker 1: went aroun own and periodically I see people go, I

1079
00:53:03,480 --> 00:53:05,719
Speaker 1: miss Megan, you know, and I understand that, you know,

1080
00:53:05,719 --> 00:53:08,319
Speaker 1: because there's some people go, yeah, I miss I wasn't

1081
00:53:08,320 --> 00:53:10,440
Speaker 1: doing the bullshit y'all was doing. I just missed her

1082
00:53:10,480 --> 00:53:11,480
Speaker 1: presence online.

1083
00:53:11,560 --> 00:53:12,839
Speaker 5: You know. That's what a lot of people are.

1084
00:53:12,880 --> 00:53:15,960
Speaker 1: But then you have other people who their whole thing

1085
00:53:16,000 --> 00:53:18,759
Speaker 1: a quote unquote I miss her is to fucking harass

1086
00:53:18,880 --> 00:53:20,839
Speaker 1: her and call her out her name and all that shit.

1087
00:53:21,480 --> 00:53:24,600
Speaker 5: And for a lot of them, they.

1088
00:53:24,440 --> 00:53:26,880
Speaker 1: Get to the point where they like, here's my account,

1089
00:53:27,000 --> 00:53:29,600
Speaker 1: I'm not fucking running it, Like I don't need to

1090
00:53:29,600 --> 00:53:33,120
Speaker 1: be involved or associated with it because y'all are fucking insane,

1091
00:53:33,920 --> 00:53:36,160
Speaker 1: and so in order for me to cate my sanity,

1092
00:53:36,280 --> 00:53:39,319
Speaker 1: I have to put up a wall or barrier for myself.

1093
00:53:40,239 --> 00:53:41,040
Speaker 4: That's the level of.

1094
00:53:41,000 --> 00:53:43,040
Speaker 3: Like I ever get, like to a you know, a

1095
00:53:43,080 --> 00:53:45,640
Speaker 3: point where people know who I am. Like on a

1096
00:53:45,719 --> 00:53:47,680
Speaker 3: national level, I want people. I want to have a

1097
00:53:47,680 --> 00:53:49,560
Speaker 3: team that owns social media. I don't want to ever

1098
00:53:49,640 --> 00:53:51,239
Speaker 3: have to look at it, but I do want them

1099
00:53:51,239 --> 00:53:53,120
Speaker 3: to be honest, like, hey, if I did this thing,

1100
00:53:53,400 --> 00:53:54,640
Speaker 3: how are people really responding?

1101
00:53:54,640 --> 00:53:54,799
Speaker 7: Though?

1102
00:53:54,880 --> 00:53:58,640
Speaker 3: Just yes, right, yes, and me because it is it

1103
00:53:58,680 --> 00:54:00,960
Speaker 3: is very detrimental to your mental health, and I think,

1104
00:54:01,440 --> 00:54:03,760
Speaker 3: you know, the people that do remove themselves, that's probably

1105
00:54:03,760 --> 00:54:06,120
Speaker 3: for the best, because, like you said, with Megan the Stallion,

1106
00:54:06,280 --> 00:54:09,600
Speaker 3: there's so many fans that are living by curiously through her,

1107
00:54:10,160 --> 00:54:11,719
Speaker 3: and that's not fair to put on somebody because we

1108
00:54:11,719 --> 00:54:14,160
Speaker 3: all have family and other people in our lives that

1109
00:54:14,200 --> 00:54:17,400
Speaker 3: do that to us. Yes, people that you have no

1110
00:54:17,680 --> 00:54:20,719
Speaker 3: like experience with her background, what we're doing the same thing.

1111
00:54:20,840 --> 00:54:22,160
Speaker 4: That's incredibly toxic.

1112
00:54:22,360 --> 00:54:26,359
Speaker 2: Yeah, people argue what they need to be true. That's

1113
00:54:26,480 --> 00:54:29,200
Speaker 2: that's that's what I've That's what the Brittany The point

1114
00:54:29,200 --> 00:54:31,120
Speaker 2: I've been trying to make about this whole Brittany shit

1115
00:54:31,200 --> 00:54:34,040
Speaker 2: for years, or for the last couple of years, I guess.

1116
00:54:34,280 --> 00:54:38,400
Speaker 2: But when people were saying after she got out of

1117
00:54:38,400 --> 00:54:41,279
Speaker 2: the conservatorship and she started posting those kind of weird

1118
00:54:41,360 --> 00:54:44,120
Speaker 2: videos over and over and over again, and people were like,

1119
00:54:44,400 --> 00:54:47,640
Speaker 2: she got her Instagram account back, there's nothing weird about this,

1120
00:54:47,719 --> 00:54:50,560
Speaker 2: And I was like, you can just grow her Instagram

1121
00:54:50,600 --> 00:54:55,640
Speaker 2: and see that that is not a healthy mind, Like

1122
00:54:55,680 --> 00:54:57,439
Speaker 2: that's not the same.

1123
00:54:57,360 --> 00:55:00,920
Speaker 3: She posted dancing videos of her but Nick, yeah, it's

1124
00:55:01,000 --> 00:55:02,080
Speaker 3: ninety nine.

1125
00:55:02,440 --> 00:55:06,840
Speaker 2: Yeah, And keep in mind on the Internet where people

1126
00:55:06,960 --> 00:55:09,600
Speaker 2: say and do the rudest meaning shit, So it's not

1127
00:55:09,680 --> 00:55:12,480
Speaker 2: like she's posting that and then y'all everyone's gonna be

1128
00:55:12,560 --> 00:55:15,080
Speaker 2: cool about it. Someone And I guarantee, if I'm scrolling

1129
00:55:15,120 --> 00:55:17,040
Speaker 2: every one of those videos, there's at least one comment

1130
00:55:17,680 --> 00:55:20,840
Speaker 2: saying something very fucked up about her body or mental state.

1131
00:55:21,440 --> 00:55:23,600
Speaker 2: And then these people argue back and forth in the

1132
00:55:23,640 --> 00:55:26,400
Speaker 2: comments and all of that stuff. But people argue what

1133
00:55:26,480 --> 00:55:28,840
Speaker 2: they need to be true. Same thing with Megan thee Stallion.

1134
00:55:28,920 --> 00:55:32,359
Speaker 2: People were arguing what they needed to be true, like

1135
00:55:32,520 --> 00:55:35,680
Speaker 2: she can take this, or she you know, she's fine,

1136
00:55:35,800 --> 00:55:37,960
Speaker 2: or she's winning. And meanwhile, she could be at home

1137
00:55:38,000 --> 00:55:40,440
Speaker 2: crime she could like we don't see these people all

1138
00:55:40,440 --> 00:55:44,600
Speaker 2: the time. So anyway, all I'm saying is this shit

1139
00:55:44,920 --> 00:55:48,600
Speaker 2: went to where I thought it would go. Critics are

1140
00:55:48,640 --> 00:55:52,200
Speaker 2: calling for Beyonce to be canceled after her controversial live performance.

1141
00:55:53,800 --> 00:56:01,040
Speaker 2: She performed in Saudi Arabia, Yeah for a hotel opening,

1142
00:56:01,719 --> 00:56:04,879
Speaker 2: and uh, some people were mad about it. They was like, hey,

1143
00:56:05,760 --> 00:56:09,040
Speaker 2: you're uh, you just put out an album that is

1144
00:56:09,440 --> 00:56:15,600
Speaker 2: very LGBTQ friendly and inclusive. You can't even hold hands

1145
00:56:15,640 --> 00:56:21,320
Speaker 2: in Saudi Arabia and uh yeah, so people got fucking

1146
00:56:21,640 --> 00:56:24,319
Speaker 2: people got fucking mad at her about it. The thing

1147
00:56:24,360 --> 00:56:30,200
Speaker 2: for me is, you can't cancel Beyonce, So that's not

1148
00:56:30,200 --> 00:56:34,240
Speaker 2: gonna happens. Twenty million or something. It was like twenty

1149
00:56:34,239 --> 00:56:35,440
Speaker 2: million from one performance.

1150
00:56:35,920 --> 00:56:36,719
Speaker 4: So here's the thing.

1151
00:56:36,800 --> 00:56:38,959
Speaker 3: Like I absolutely get like the fans that are hurt

1152
00:56:39,120 --> 00:56:42,040
Speaker 3: or like offended by her taking this gig, but that

1153
00:56:42,239 --> 00:56:44,600
Speaker 3: money is as much as you can make on a

1154
00:56:44,760 --> 00:56:48,160
Speaker 3: national tour m one night, you know what I mean.

1155
00:56:48,239 --> 00:56:49,560
Speaker 4: Like you got to kind of think about, like.

1156
00:56:49,800 --> 00:56:51,880
Speaker 3: For her as a family woman that like, you know,

1157
00:56:52,200 --> 00:56:55,800
Speaker 3: probably preferred not to hit the road every week.

1158
00:56:56,960 --> 00:56:59,759
Speaker 2: Yeah yeah, I mean she also hasn't toured in a

1159
00:56:59,800 --> 00:57:01,480
Speaker 2: lot of time. But I mean I think it's not

1160
00:57:01,560 --> 00:57:03,800
Speaker 2: even a money thing. She's a billionaire or whatever. I

1161
00:57:04,520 --> 00:57:08,840
Speaker 2: think it's just, uh, here's what here's the real school, guys,

1162
00:57:08,880 --> 00:57:12,799
Speaker 2: this is what I think happened. Okay, So they have

1163
00:57:12,920 --> 00:57:17,640
Speaker 2: these standing accounts and shit, right, like Nicki Minaj stand

1164
00:57:17,760 --> 00:57:21,080
Speaker 2: Beyonce staying Rion and so these hives, they don't like

1165
00:57:21,160 --> 00:57:24,080
Speaker 2: each other. For some reason, one of them does something

1166
00:57:24,120 --> 00:57:28,200
Speaker 2: they started fighting on the internet about whatever. So a

1167
00:57:28,240 --> 00:57:31,880
Speaker 2: few months ago, maybe even a year ago, Nicki Minaj

1168
00:57:32,280 --> 00:57:36,600
Speaker 2: performed in like Dubai and all the like other stands

1169
00:57:36,600 --> 00:57:42,240
Speaker 2: of other like pop artists were like, uh, she dating,

1170
00:57:42,680 --> 00:57:46,320
Speaker 2: she's married to a rapist, pedophile and she performing, it

1171
00:57:46,320 --> 00:57:50,040
Speaker 2: couldn't be me, you know all that shit, and I

1172
00:57:50,080 --> 00:57:53,640
Speaker 2: think they thought they were safe. And then Beyonce performed

1173
00:57:53,880 --> 00:57:56,680
Speaker 2: and then it was people like, oh, now it's our

1174
00:57:56,760 --> 00:57:59,520
Speaker 2: turn to shit on her. Like one of the women

1175
00:58:00,640 --> 00:58:04,760
Speaker 2: that brought this up, she was like, you know, Beyonce

1176
00:58:04,880 --> 00:58:07,000
Speaker 2: made this album and now she's performing here and now

1177
00:58:07,160 --> 00:58:09,520
Speaker 2: you know, da da da. And so people went and

1178
00:58:09,600 --> 00:58:12,440
Speaker 2: found like an old tweet from her at a Lady

1179
00:58:12,440 --> 00:58:15,440
Speaker 2: god Got concert and like, I can't believe it. I'm

1180
00:58:15,480 --> 00:58:17,600
Speaker 2: here for Lady god Got in person. And then they

1181
00:58:17,640 --> 00:58:20,200
Speaker 2: found like an article where Lady god Got performed in Dubai.

1182
00:58:20,760 --> 00:58:24,520
Speaker 2: It was like, look at you, your hypocrite bitch. They

1183
00:58:24,560 --> 00:58:27,000
Speaker 2: also went and found out she lived in Canada, and

1184
00:58:27,080 --> 00:58:30,080
Speaker 2: someone literally quote tweeted her with like oh, so we

1185
00:58:30,240 --> 00:58:33,040
Speaker 2: just gonna act like Canada didn't kill Indigenous people, which

1186
00:58:33,080 --> 00:58:35,920
Speaker 2: I'm like, what is living what is her being in

1187
00:58:35,960 --> 00:58:37,160
Speaker 2: Canada versus.

1188
00:58:39,160 --> 00:58:42,200
Speaker 4: You live in America.

1189
00:58:42,320 --> 00:58:43,400
Speaker 2: It's so stupid.

1190
00:58:43,720 --> 00:58:46,720
Speaker 4: People were crazy, Yes they are.

1191
00:58:47,440 --> 00:58:49,640
Speaker 3: I think that's the thing you realize when you're older

1192
00:58:49,640 --> 00:58:51,280
Speaker 3: and you actually see the world, that you get to

1193
00:58:51,320 --> 00:58:52,600
Speaker 3: meet people outside.

1194
00:58:52,200 --> 00:58:53,360
Speaker 4: Of whatever community.

1195
00:58:53,680 --> 00:58:57,520
Speaker 3: Yeah, you realize, oh, everyone's fucking nuts trying to survive.

1196
00:58:57,640 --> 00:59:00,160
Speaker 3: But then you knew just the people that they at

1197
00:59:00,200 --> 00:59:05,919
Speaker 3: you onto something it's like a unhealthy way and you're like, ooh.

1198
00:59:05,160 --> 00:59:08,640
Speaker 2: My favorite So this is where this is what I love.

1199
00:59:09,120 --> 00:59:11,760
Speaker 2: My favorite thing is watching people be hypo Chris. It's

1200
00:59:11,760 --> 00:59:15,400
Speaker 2: the best And if everybody would just accept that about themselves,

1201
00:59:15,480 --> 00:59:17,920
Speaker 2: life would just be so much funner. But they won't,

1202
00:59:17,960 --> 00:59:21,080
Speaker 2: which makes it funny to me. But it was funny

1203
00:59:21,080 --> 00:59:23,280
Speaker 2: watching people that shit on Nicki Minaj for going to

1204
00:59:23,360 --> 00:59:26,919
Speaker 2: du vibe defend Beyonce. It was funny. People that say

1205
00:59:26,920 --> 00:59:28,920
Speaker 2: there's no such thing as a good billionaire'd be like,

1206
00:59:28,960 --> 00:59:31,520
Speaker 2: but this is a good one. It was funny listening

1207
00:59:31,560 --> 00:59:35,640
Speaker 2: to people like, you know, do the thing where it's like, uh,

1208
00:59:35,720 --> 00:59:39,160
Speaker 2: you live in Canada, Like it was just all the reasons,

1209
00:59:39,200 --> 00:59:41,240
Speaker 2: like because they couldn't just say what they wanted to say,

1210
00:59:41,240 --> 00:59:42,800
Speaker 2: which is, I just love you know what I'm saying

1211
00:59:42,840 --> 00:59:46,560
Speaker 2: it it really unless she does something so completely horrible,

1212
00:59:46,640 --> 00:59:49,880
Speaker 2: I'm not going to ever critique her in the way

1213
00:59:49,880 --> 00:59:52,120
Speaker 2: that I critique other people, because I'm only critiquing those

1214
00:59:52,160 --> 00:59:54,400
Speaker 2: people because I don't like them. You know, it's the

1215
00:59:54,880 --> 00:59:58,240
Speaker 2: Chris Pratt thing where people shit on Chris Pratt online.

1216
00:59:58,280 --> 00:59:59,840
Speaker 2: But at the end of the day, Chris press not

1217
00:59:59,840 --> 01:00:01,760
Speaker 2: that different than any other Hollywood person.

1218
01:00:01,600 --> 01:00:03,200
Speaker 4: And they're still gonna see his movies.

1219
01:00:03,600 --> 01:00:06,080
Speaker 2: Right and and low key and low key. If he

1220
01:00:06,280 --> 01:00:08,880
Speaker 2: is conservative, he don't talk about it, which is the

1221
01:00:08,920 --> 01:00:12,680
Speaker 2: best kind of conservative. Like these people that like pushed

1222
01:00:12,680 --> 01:00:15,840
Speaker 2: these conservatives into like having meltdowns and burning their careers down.

1223
01:00:16,440 --> 01:00:19,040
Speaker 2: Hey man, smartest thing those conservatives can do is keep

1224
01:00:19,040 --> 01:00:22,000
Speaker 2: that ship to yourself, because look at Gina Carno. Ain't

1225
01:00:22,000 --> 01:00:24,640
Speaker 2: no upside for you coming out the conservative classes.

1226
01:00:25,080 --> 01:00:27,280
Speaker 3: I was gonna say, like, it's funny you mentioned that

1227
01:00:27,280 --> 01:00:30,160
Speaker 3: because Jon Favreau, like I love what he's doing with

1228
01:00:30,200 --> 01:00:31,760
Speaker 3: Star Wars, he's a conservative.

1229
01:00:31,920 --> 01:00:34,440
Speaker 4: Vince Bond, I remember, I only knew he was a.

1230
01:00:34,400 --> 01:00:37,560
Speaker 3: Conservative because someone like who's a celebrity that got outed

1231
01:00:37,640 --> 01:00:40,840
Speaker 3: and it was like, well, Vince vod is also like

1232
01:00:40,840 --> 01:00:42,400
Speaker 3: like he tried to pull Vince.

1233
01:00:42,280 --> 01:00:45,480
Speaker 4: Vogg under the bus with him. It was like, yo,

1234
01:00:45,680 --> 01:00:47,280
Speaker 4: like over here making freak.

1235
01:00:48,080 --> 01:00:49,560
Speaker 2: Yeah, he was like the clown. He was like the

1236
01:00:49,600 --> 01:00:52,080
Speaker 2: clown in it, trying to pull Vince Vaughan into the

1237
01:00:52,120 --> 01:00:57,000
Speaker 2: sewerd like come on here with me. Oh man, Yeah,

1238
01:00:57,000 --> 01:00:58,040
Speaker 2: that's they told.

1239
01:00:57,840 --> 01:01:00,600
Speaker 4: Me that John Favrau was conservative therapist.

1240
01:01:00,920 --> 01:01:01,360
Speaker 2: Damn.

1241
01:01:02,040 --> 01:01:03,440
Speaker 4: Yeah. That was like I was like, what are you

1242
01:01:03,520 --> 01:01:04,240
Speaker 4: doing this to be all?

1243
01:01:05,080 --> 01:01:11,680
Speaker 1: Yeah, And also I've come to the conclusion that everybody

1244
01:01:12,120 --> 01:01:15,280
Speaker 1: people won't admit that everybody has lines, and everybody's lines

1245
01:01:15,480 --> 01:01:20,640
Speaker 1: are very different, and so people can do great things,

1246
01:01:20,760 --> 01:01:23,280
Speaker 1: make great art, can make you laugh and entertain you,

1247
01:01:23,360 --> 01:01:26,320
Speaker 1: and also be a goddamn piece of shit all at

1248
01:01:26,360 --> 01:01:29,320
Speaker 1: the same time. Well, and people and people that like,

1249
01:01:29,440 --> 01:01:33,240
Speaker 1: if I support this, I support everything about you, and that's.

1250
01:01:33,040 --> 01:01:33,760
Speaker 5: Not always true.

1251
01:01:33,840 --> 01:01:36,160
Speaker 2: Yeah. I think Also like there's the whole like piece

1252
01:01:36,160 --> 01:01:38,160
Speaker 2: of shit thing where it's like it don't even be

1253
01:01:38,200 --> 01:01:41,280
Speaker 2: about being a piece of shit. People just human, right,

1254
01:01:41,360 --> 01:01:43,760
Speaker 2: Like some of this ain't even people like her performing

1255
01:01:43,760 --> 01:01:46,120
Speaker 2: in Dubai don't make her a piece of shit, you know,

1256
01:01:47,160 --> 01:01:49,840
Speaker 2: Like that's to me, that's crazy to say that, you know,

1257
01:01:49,960 --> 01:01:53,200
Speaker 2: like she but but I think the way they operate

1258
01:01:53,240 --> 01:01:56,080
Speaker 2: online is so black and white. They turn everything into

1259
01:01:56,160 --> 01:01:59,200
Speaker 2: like you're not a human, you're either good or bad,

1260
01:01:59,280 --> 01:02:02,160
Speaker 2: and there's now and so somebody does something they don't

1261
01:02:02,240 --> 01:02:05,120
Speaker 2: like or disagree with, especially after they talked them up,

1262
01:02:05,160 --> 01:02:08,520
Speaker 2: because lord Jesus, the way they be talking these motherfuckers up,

1263
01:02:09,360 --> 01:02:11,959
Speaker 2: like motherfuckers don't even be saying shit. They'd be saying

1264
01:02:12,000 --> 01:02:15,120
Speaker 2: like the bare minimal. Like I remember when like people

1265
01:02:15,160 --> 01:02:18,400
Speaker 2: were talking about Cardi b being like a socialist, and

1266
01:02:18,920 --> 01:02:22,360
Speaker 2: she had she liked Bernie Sanders, and she made a

1267
01:02:22,360 --> 01:02:25,840
Speaker 2: couple of like just general points and politically, and then

1268
01:02:25,920 --> 01:02:28,720
Speaker 2: it's like she would do something that was like super

1269
01:02:28,720 --> 01:02:31,360
Speaker 2: capitalistic or something, and they'd be like, you know, like

1270
01:02:31,400 --> 01:02:34,000
Speaker 2: when she sued that blogger for lying on her and shit,

1271
01:02:34,040 --> 01:02:37,520
Speaker 2: and they're like, she is suing another black woman using

1272
01:02:37,640 --> 01:02:41,520
Speaker 2: the tools of the capitalist patriarchal monset. And I was like,

1273
01:02:41,840 --> 01:02:45,040
Speaker 2: and I was like, right, but I was like that

1274
01:02:45,320 --> 01:02:47,720
Speaker 2: she never said any of the things y'all said in

1275
01:02:47,760 --> 01:02:50,560
Speaker 2: the first place that would make you think she wouldn't

1276
01:02:50,600 --> 01:02:53,080
Speaker 2: do that, Like she never was out here like and

1277
01:02:53,160 --> 01:02:56,120
Speaker 2: I would never see a black woman because we both black.

1278
01:02:56,200 --> 01:02:58,600
Speaker 2: You should be able to violate the law on me

1279
01:02:58,760 --> 01:03:03,919
Speaker 2: because you know, yeah exactly, like y'all made that lie

1280
01:03:04,000 --> 01:03:06,600
Speaker 2: up and so but then you penalize her for not

1281
01:03:06,640 --> 01:03:07,680
Speaker 2: living up to your lie.

1282
01:03:07,760 --> 01:03:07,960
Speaker 1: You know.

1283
01:03:08,040 --> 01:03:10,360
Speaker 2: It's people getting mad at Lizo when she went on

1284
01:03:10,400 --> 01:03:12,000
Speaker 2: like a juice clans or some shit, and they're like,

1285
01:03:12,200 --> 01:03:15,400
Speaker 2: she's not a fat acceptance advocate and like what she

1286
01:03:15,520 --> 01:03:19,120
Speaker 2: can't fat people can't do juice clan. So you know

1287
01:03:19,160 --> 01:03:21,520
Speaker 2: what I mean, this weird shit like that that you're

1288
01:03:21,560 --> 01:03:24,000
Speaker 2: mad at this person, but you shouldn't even really be

1289
01:03:24,040 --> 01:03:27,240
Speaker 2: mad because they never did anything that in the first place.

1290
01:03:27,240 --> 01:03:30,200
Speaker 2: They'll not, you know, to to sell this, y'all.

1291
01:03:31,880 --> 01:03:34,280
Speaker 3: It's so tough, man, because when you have fans like

1292
01:03:34,600 --> 01:03:37,200
Speaker 3: you're kind of like, Okay, I appreciate you supporting everything

1293
01:03:37,200 --> 01:03:40,800
Speaker 3: I'm doing right, but you just know at some point

1294
01:03:40,800 --> 01:03:44,640
Speaker 3: you're gonna piss them off because of something right like this.

1295
01:03:45,080 --> 01:03:47,160
Speaker 3: They build up this image of you, and if you

1296
01:03:47,200 --> 01:03:49,280
Speaker 3: say one little thing that's out of context, or maybe

1297
01:03:49,280 --> 01:03:52,480
Speaker 3: they don't have enough information to understand where you're coming from,

1298
01:03:52,600 --> 01:03:53,960
Speaker 3: or maybe they do, and they're just like, well, that's

1299
01:03:54,040 --> 01:03:56,360
Speaker 3: not what I thought you stood for or believe them.

1300
01:03:56,560 --> 01:03:58,560
Speaker 3: It's like, you know, it's such a tight rope that

1301
01:03:58,600 --> 01:04:01,560
Speaker 3: you have to walk with, like with how people perceive

1302
01:04:01,640 --> 01:04:02,840
Speaker 3: you and what they want out of you.

1303
01:04:03,240 --> 01:04:04,200
Speaker 4: Yeah, right, Like think.

1304
01:04:04,160 --> 01:04:08,080
Speaker 3: About Jordan Peele, right, like Jordan Peele. Everyone big fan

1305
01:04:08,160 --> 01:04:10,480
Speaker 3: of Get Out. Everyone's like, this guy can do no

1306
01:04:10,560 --> 01:04:13,000
Speaker 3: wrong because of us. And people are like, Okay, that

1307
01:04:13,080 --> 01:04:15,520
Speaker 3: was kind of weird, but I think we like this guy.

1308
01:04:15,840 --> 01:04:18,720
Speaker 3: He brought out a note which is so abstracting part yeah,

1309
01:04:18,880 --> 01:04:19,360
Speaker 3: it has.

1310
01:04:19,240 --> 01:04:21,520
Speaker 4: So many layers, and people were like, Nigga, that's too weird.

1311
01:04:21,760 --> 01:04:26,160
Speaker 3: It's almost like he was doing the Outcast album really

1312
01:04:26,240 --> 01:04:27,240
Speaker 3: just getting wilder.

1313
01:04:27,760 --> 01:04:30,960
Speaker 2: Well you know what it is in a spaceship. Well

1314
01:04:31,000 --> 01:04:32,960
Speaker 2: one of the things you kind of almost glossed over.

1315
01:04:33,040 --> 01:04:35,160
Speaker 2: But at the beginning, there were a lot of people

1316
01:04:35,160 --> 01:04:37,160
Speaker 2: that just didn't that didn't think he was the right

1317
01:04:37,200 --> 01:04:40,760
Speaker 2: type of black like I because I always happened I

1318
01:04:40,840 --> 01:04:44,560
Speaker 2: was a fan of him from Key and Piel and

1319
01:04:44,800 --> 01:04:47,520
Speaker 2: you know, I loved I loved Kem Pill and I

1320
01:04:47,560 --> 01:04:52,120
Speaker 2: still remember like other black comics, especially the by racial ones,

1321
01:04:52,200 --> 01:04:55,120
Speaker 2: shout out of Jail Covi and Josh Homer, they were

1322
01:04:55,920 --> 01:04:58,760
Speaker 2: they hated these niggas. They just were like they doing

1323
01:04:58,880 --> 01:05:02,400
Speaker 2: something wrong and the joke is about people being black

1324
01:05:02,520 --> 01:05:04,400
Speaker 2: or whatever. And I was like, I'm watching this shit

1325
01:05:04,520 --> 01:05:07,560
Speaker 2: every day. I don't see it that way. Like I think,

1326
01:05:08,320 --> 01:05:10,360
Speaker 2: if you watch it from the perspective of these are

1327
01:05:10,400 --> 01:05:13,560
Speaker 2: biracial dudes who identify as black, then it doesn't then

1328
01:05:13,680 --> 01:05:16,480
Speaker 2: why the fuck would it bother you? Because we never

1329
01:05:16,520 --> 01:05:18,880
Speaker 2: feel bad about black people making fun of black people

1330
01:05:19,000 --> 01:05:21,560
Speaker 2: doing black shit. That's half a black comedy, you know

1331
01:05:21,560 --> 01:05:23,160
Speaker 2: what I'm saying. Half of Martin's jokes is just like,

1332
01:05:23,240 --> 01:05:26,280
Speaker 2: niggas be doing this right and so so. To me,

1333
01:05:26,360 --> 01:05:28,640
Speaker 2: it never bothered me, but it bothered a lot of people.

1334
01:05:28,680 --> 01:05:30,520
Speaker 2: And when I remember being a fan, when I would

1335
01:05:30,520 --> 01:05:32,680
Speaker 2: tell people, ah, y'all fuck with can't peel that, Oh

1336
01:05:32,720 --> 01:05:35,640
Speaker 2: they stole Dave Chappelle's show, Just wow, crazy shit. That

1337
01:05:35,800 --> 01:05:38,560
Speaker 2: was not true. And I was like, Okay, this nigga

1338
01:05:38,600 --> 01:05:45,479
Speaker 2: makes get out fam. The retroactive black acceptance that came

1339
01:05:45,560 --> 01:05:48,600
Speaker 2: to this man where it was like we always loved him.

1340
01:05:49,200 --> 01:05:52,919
Speaker 2: We always loved Key Keith and Michael Key, we loved

1341
01:05:52,960 --> 01:05:56,800
Speaker 2: him all the way back to honestly Mad TV, Like

1342
01:05:57,080 --> 01:06:00,400
Speaker 2: we are big fans, I'm like, you fake motherfuckers. And

1343
01:06:00,440 --> 01:06:04,120
Speaker 2: I wonder if it's gonna come back around to because yeah,

1344
01:06:04,120 --> 01:06:05,720
Speaker 2: they he means to talk about like you got a

1345
01:06:05,720 --> 01:06:07,720
Speaker 2: white wife, and shit. I wonder if it's gonna come

1346
01:06:07,760 --> 01:06:11,000
Speaker 2: around to, like if he makes one more abstract film,

1347
01:06:11,040 --> 01:06:13,440
Speaker 2: these niggas. But I never liked the minute way he

1348
01:06:13,600 --> 01:06:16,480
Speaker 2: was always chucking in, joving.

1349
01:06:16,920 --> 01:06:17,680
Speaker 4: As a creative.

1350
01:06:17,720 --> 01:06:19,680
Speaker 3: That's someone that really like, you know, you hear a

1351
01:06:19,720 --> 01:06:22,600
Speaker 3: lot about like this industry, like can be really tough

1352
01:06:22,600 --> 01:06:23,120
Speaker 3: and break you.

1353
01:06:23,320 --> 01:06:25,800
Speaker 4: Like that's like if I'm Jordan Peel, right and.

1354
01:06:25,760 --> 01:06:28,880
Speaker 3: I'm thinking that, like, oh my god, if this next

1355
01:06:28,880 --> 01:06:32,520
Speaker 3: one's too fucking weird again, am I gonna lose everybody?

1356
01:06:33,560 --> 01:06:33,760
Speaker 4: You know?

1357
01:06:33,920 --> 01:06:35,720
Speaker 3: Am I gonna go back to that experience I had

1358
01:06:35,720 --> 01:06:38,560
Speaker 3: when I was doing you know, Key and Peel and dating,

1359
01:06:38,600 --> 01:06:40,600
Speaker 3: you know, started dating Chelsea Peretti and stuff like that,

1360
01:06:40,680 --> 01:06:41,160
Speaker 3: you know what I mean.

1361
01:06:41,240 --> 01:06:44,479
Speaker 4: Like, and that's that's what's so fucked up about because

1362
01:06:44,520 --> 01:06:47,520
Speaker 4: remember what Obama was running. Yeah he ain't black enough.

1363
01:06:47,640 --> 01:06:48,880
Speaker 4: Jesse Juckson was like, oh.

1364
01:06:48,920 --> 01:06:53,120
Speaker 2: I yeah, yeah, he was crying when he got elected.

1365
01:06:53,840 --> 01:06:56,800
Speaker 2: That's the retroactive black acceptance. That's what I'm talking about

1366
01:06:56,840 --> 01:07:01,160
Speaker 2: it's like he hit that milestone. Well he was under novel.

1367
01:07:01,240 --> 01:07:03,720
Speaker 2: And then Jesse was up in there crying like he

1368
01:07:03,760 --> 01:07:06,200
Speaker 2: hadn't just been, you know, talking about he needed nuts

1369
01:07:06,280 --> 01:07:08,280
Speaker 2: chopped off on the hot mic.

1370
01:07:08,920 --> 01:07:10,800
Speaker 4: He had his finger in his mouth too. I remember that.

1371
01:07:11,880 --> 01:07:15,200
Speaker 3: Yeah, yeah, motherfucker.

1372
01:07:16,040 --> 01:07:19,600
Speaker 2: But yeah, let's let's move into a different area we're

1373
01:07:19,640 --> 01:07:22,000
Speaker 2: talking about. We were just that was just random news.

1374
01:07:22,440 --> 01:07:24,960
Speaker 2: Oh yeah, we started with Beyonce going to Dubai.

1375
01:07:26,280 --> 01:07:29,800
Speaker 1: Well, I'm still gonna get my Beyonce tickets. I'm getting

1376
01:07:29,840 --> 01:07:33,440
Speaker 1: one for me, one for Roderick, and one for Roderick's mama,

1377
01:07:33,920 --> 01:07:34,680
Speaker 1: like all.

1378
01:07:34,600 --> 01:07:36,520
Speaker 5: Three of us. I don't know if you're gonna go

1379
01:07:36,640 --> 01:07:37,840
Speaker 5: or not, but he gonna get ticket.

1380
01:07:37,920 --> 01:07:38,000
Speaker 1: Now.

1381
01:07:38,040 --> 01:07:39,400
Speaker 5: If you want me to just be two, it could

1382
01:07:39,400 --> 01:07:39,680
Speaker 5: be two.

1383
01:07:39,960 --> 01:07:42,720
Speaker 1: But I figured you won't see Beyonce do her thing too,

1384
01:07:43,120 --> 01:07:45,640
Speaker 1: so I got a separate fund so I don't give

1385
01:07:45,680 --> 01:07:47,200
Speaker 1: a damn by her performing at Dubai.

1386
01:07:47,560 --> 01:07:51,240
Speaker 2: Yeah, and I think, honestly, dog, I just wish we

1387
01:07:51,280 --> 01:07:53,880
Speaker 2: could harness this energy. It's all I'm saying. I just

1388
01:07:53,920 --> 01:07:56,360
Speaker 2: wish everybody that don't give a fuck that she did

1389
01:07:56,400 --> 01:08:00,280
Speaker 2: this or made excuses that she did this. I want

1390
01:08:00,320 --> 01:08:02,960
Speaker 2: you to keep that same energy next time as somebody

1391
01:08:03,000 --> 01:08:05,680
Speaker 2: you don't like. That's all. If I had a perfect world,

1392
01:08:05,720 --> 01:08:09,080
Speaker 2: that's all, Because honestly we don't have. That mean, we

1393
01:08:09,200 --> 01:08:12,160
Speaker 2: have too many other real problems to be worried about

1394
01:08:12,160 --> 01:08:14,760
Speaker 2: this bullshit. It's all I'm saying. Right, So, like, next

1395
01:08:14,760 --> 01:08:16,960
Speaker 2: time you find out some celebrity goes to a church

1396
01:08:17,000 --> 01:08:19,880
Speaker 2: you don't like, or I don't know some mother you

1397
01:08:19,920 --> 01:08:23,360
Speaker 2: know they fucking uh, I don't know, they like some shit,

1398
01:08:23,600 --> 01:08:26,920
Speaker 2: Or they performed somewhere, they did a song with fucking

1399
01:08:27,000 --> 01:08:29,080
Speaker 2: Kodak Black or something, I would love for y'all to

1400
01:08:29,200 --> 01:08:32,360
Speaker 2: keep the same energy of like, yeah, I didn't like it,

1401
01:08:32,560 --> 01:08:35,559
Speaker 2: but also like that's what they did. I don't give

1402
01:08:35,560 --> 01:08:38,439
Speaker 2: a fuck. I'm moving on. That's how I be feeling

1403
01:08:38,479 --> 01:08:42,000
Speaker 2: most of the time with this shit. Welcome to my world, y'all. Okay,

1404
01:08:42,040 --> 01:08:45,360
Speaker 2: everyone's Beyonce to me. I'm just like, unless you do

1405
01:08:45,479 --> 01:08:48,559
Speaker 2: some wild, egregious shit, I don't care. You just gotta

1406
01:08:48,760 --> 01:08:51,800
Speaker 2: like you. JK. Rowland wakes up every day to try

1407
01:08:51,840 --> 01:08:54,160
Speaker 2: to get canceled. Why can't we just all hate her together?

1408
01:08:54,200 --> 01:08:55,960
Speaker 2: You know what I'm saying, Like it's some motherfuckers that's

1409
01:08:55,960 --> 01:08:59,520
Speaker 2: out here really trying to be like, I'm a problem.

1410
01:09:00,320 --> 01:09:02,480
Speaker 5: Why can't we just fucking them?

1411
01:09:03,360 --> 01:09:06,040
Speaker 4: Just ignore them. I'm like, I'm still fucking Harry Potter.

1412
01:09:06,080 --> 01:09:08,680
Speaker 4: I just ignore everything that she says. Yeah, with her,

1413
01:09:09,320 --> 01:09:09,880
Speaker 4: you know what I mean?

1414
01:09:10,080 --> 01:09:12,560
Speaker 2: Yeah, No, I'm with you on that. All right, So

1415
01:09:12,640 --> 01:09:15,479
Speaker 2: let's move into some actual problems. Okay, because there are

1416
01:09:16,040 --> 01:09:19,439
Speaker 2: some real problems out there. Let's do so, let's do

1417
01:09:19,560 --> 01:09:24,599
Speaker 2: some uh fucking with black people. Everybody, boo, who.

1418
01:09:30,120 --> 01:09:35,880
Speaker 8: Just fucking with them people because they just fucking with

1419
01:09:35,920 --> 01:09:41,679
Speaker 8: them people because they black. Just fucking with them black people.

1420
01:09:41,840 --> 01:09:45,680
Speaker 8: We're just fucking with them black hacks. We're just fucking

1421
01:09:45,960 --> 01:09:48,360
Speaker 8: with fucking with black people.

1422
01:09:49,520 --> 01:09:59,320
Speaker 2: Who you are, all right, well, fucking with black people.

1423
01:09:59,400 --> 01:10:01,360
Speaker 2: The game go right to go find different argos, fuck

1424
01:10:01,400 --> 01:10:03,360
Speaker 2: with us and with signpoints scores with ZO two hundred

1425
01:10:03,400 --> 01:10:08,719
Speaker 2: and it was twenty five today's contestants, everybody, and y'all

1426
01:10:08,720 --> 01:10:15,080
Speaker 2: know the big one, Uh Tiree uh Nichols Uh is

1427
01:10:15,160 --> 01:10:19,280
Speaker 2: a brother that was murdered by like five black cops

1428
01:10:19,320 --> 01:10:24,760
Speaker 2: in Memphis, and it's been all over the news. There's

1429
01:10:24,800 --> 01:10:29,000
Speaker 2: four different videos out there of the I don't mean

1430
01:10:29,880 --> 01:10:37,160
Speaker 2: I'm just gonna say murder like like, and I think

1431
01:10:37,240 --> 01:10:41,040
Speaker 2: it's like people were anticipating, like there were marches and stuff,

1432
01:10:41,040 --> 01:10:43,120
Speaker 2: but people were anticipating like riots and all this shit,

1433
01:10:43,240 --> 01:10:45,880
Speaker 2: and which they always do whenever black people have a

1434
01:10:45,920 --> 01:10:47,760
Speaker 2: reason to be angry, there's always like, these niggas gonna

1435
01:10:47,760 --> 01:10:51,120
Speaker 2: burn it down. But that didn't happen. And part of

1436
01:10:51,120 --> 01:10:52,479
Speaker 2: the reason that didn't happen is because they have a

1437
01:10:52,479 --> 01:10:55,560
Speaker 2: black police chief who just immediately saw the video and

1438
01:10:55,720 --> 01:10:59,240
Speaker 2: was like, Oh, these niggas gonna jail, and so there

1439
01:10:59,280 --> 01:11:01,720
Speaker 2: was no like need to do a quote unquote call

1440
01:11:01,800 --> 01:11:04,400
Speaker 2: for justice. It was more of a like people were

1441
01:11:04,439 --> 01:11:07,559
Speaker 2: marching to show the outrage. People were marching to show

1442
01:11:07,600 --> 01:11:13,080
Speaker 2: the solidarity people were marching to to to It was

1443
01:11:13,120 --> 01:11:17,040
Speaker 2: more of a like Catharsis as opposed to like a

1444
01:11:18,280 --> 01:11:21,320
Speaker 2: we won't get justice unless we show how angry we are,

1445
01:11:21,479 --> 01:11:23,639
Speaker 2: like people shut down the highway and Memphis. But there

1446
01:11:23,720 --> 01:11:29,679
Speaker 2: wasn't like you know, burning down property and stuff, which uh,

1447
01:11:29,760 --> 01:11:32,480
Speaker 2: there's always funny because everybody put out the statements beforehand,

1448
01:11:32,920 --> 01:11:34,920
Speaker 2: you know, which I get. I don't get mad at

1449
01:11:34,920 --> 01:11:37,000
Speaker 2: these statements because I feel like anybody in the position

1450
01:11:37,040 --> 01:11:40,240
Speaker 2: of actual responsibility. Can't be like niggas on Twitter where

1451
01:11:40,240 --> 01:11:41,320
Speaker 2: they be like burn it down.

1452
01:11:41,439 --> 01:11:43,439
Speaker 5: Fuck, you can't be like burn everything down.

1453
01:11:43,520 --> 01:11:46,759
Speaker 2: Yeah, like he no, like you're never gonna find any

1454
01:11:47,120 --> 01:11:50,000
Speaker 2: any president any politics. Who's who's I'm gonna be like,

1455
01:11:50,200 --> 01:11:52,479
Speaker 2: I don't give a fuck. Like they're all gonna be like,

1456
01:11:52,880 --> 01:11:55,400
Speaker 2: I'm very angry. This is fucked up as miscarriacter justice.

1457
01:11:55,400 --> 01:11:57,120
Speaker 2: We need to get these people, blah bah blah. But

1458
01:11:58,280 --> 01:12:01,439
Speaker 2: don't burn just not burn everything down. Go all right, Coco,

1459
01:12:01,479 --> 01:12:03,200
Speaker 2: I'll see all tomorrow, you know, Like that's what they

1460
01:12:03,200 --> 01:12:03,840
Speaker 2: gotta do.

1461
01:12:04,040 --> 01:12:06,200
Speaker 1: Because I have to deal with the with the repercussions

1462
01:12:06,240 --> 01:12:07,439
Speaker 1: of the city being burnt down either.

1463
01:12:07,680 --> 01:12:07,840
Speaker 5: Yeah.

1464
01:12:07,920 --> 01:12:10,040
Speaker 2: Yeah, only it's only gonna take one time. I mean

1465
01:12:10,520 --> 01:12:12,479
Speaker 2: you see how they get. You see how they did

1466
01:12:12,520 --> 01:12:17,000
Speaker 2: Democrats last time. Even when they were the ones being

1467
01:12:17,080 --> 01:12:19,400
Speaker 2: like we're not with y'all burning shit down, they were

1468
01:12:19,400 --> 01:12:22,040
Speaker 2: still like and Black Lives Matter gonna come to your

1469
01:12:22,080 --> 01:12:25,280
Speaker 2: house and kill your white babies. And that's and you

1470
01:12:25,320 --> 01:12:28,240
Speaker 2: know who's okay with that? Joe Barron And there's a

1471
01:12:28,320 --> 01:12:30,920
Speaker 2: Pelosi you know, like so you like they're gonna hang

1472
01:12:31,000 --> 01:12:33,559
Speaker 2: that on you anyway. But if there was actual fucking

1473
01:12:33,600 --> 01:12:37,200
Speaker 2: tape of them saying some like flagrant ship, like burn

1474
01:12:37,280 --> 01:12:39,320
Speaker 2: it down or I don't care if it's burned down.

1475
01:12:40,360 --> 01:12:42,880
Speaker 2: They never went an election again because because white people

1476
01:12:42,880 --> 01:12:43,800
Speaker 2: too scared.

1477
01:12:44,439 --> 01:12:46,720
Speaker 1: Agreed, and it's one of these things with a lot

1478
01:12:46,760 --> 01:12:48,519
Speaker 1: of these burn it down niggas and we see it,

1479
01:12:48,520 --> 01:12:49,680
Speaker 1: don't lie, I burn it down to.

1480
01:12:49,640 --> 01:12:51,479
Speaker 5: Them, Oh these niggas on my street, don't burn this

1481
01:12:51,560 --> 01:12:53,400
Speaker 5: street down. What didn do you really made it?

1482
01:12:53,400 --> 01:12:58,160
Speaker 2: I know, Oh yeah, that was funny. So then basically,

1483
01:12:59,280 --> 01:13:02,400
Speaker 2: so because she just got in front of us, I

1484
01:13:02,479 --> 01:13:05,720
Speaker 2: think that's why you haven't seen as much like uh,

1485
01:13:06,280 --> 01:13:08,920
Speaker 2: I'd even say you haven't seen as much marching as

1486
01:13:08,960 --> 01:13:11,040
Speaker 2: you would have if she hadn't got in front of this. Now,

1487
01:13:11,040 --> 01:13:14,439
Speaker 2: the other thing is, though this happened in Charlottesville as well,

1488
01:13:15,320 --> 01:13:17,880
Speaker 2: where they had a black woman's police chief, what's the

1489
01:13:17,960 --> 01:13:19,920
Speaker 2: cost she will have to pay for this? Because she

1490
01:13:20,000 --> 01:13:23,799
Speaker 2: did the right thing? And the right thing is typically

1491
01:13:23,800 --> 01:13:27,040
Speaker 2: the anti police thing, meaning like the police union, the

1492
01:13:27,080 --> 01:13:29,720
Speaker 2: other officers, they do not want to be held accountable,

1493
01:13:30,280 --> 01:13:34,720
Speaker 2: and they typically erode and harassed the person that that

1494
01:13:34,880 --> 01:13:38,160
Speaker 2: has held them accountable until they're drummed out that happened

1495
01:13:38,160 --> 01:13:41,800
Speaker 2: in Charlottesville very quietly, like this woman was holding the

1496
01:13:41,840 --> 01:13:45,839
Speaker 2: account of everything, everyone accountable, and then all of a sudden,

1497
01:13:46,160 --> 01:13:48,639
Speaker 2: a few months later, we just see her dip out,

1498
01:13:48,680 --> 01:13:51,000
Speaker 2: and you're like, what happened is like, because she did

1499
01:13:51,160 --> 01:13:53,960
Speaker 2: the right thing, they made her pay. So I do worry.

1500
01:13:54,080 --> 01:13:55,840
Speaker 2: We'll be keeping an eye on this.

1501
01:13:58,439 --> 01:14:01,320
Speaker 3: Yeah. I think that's one of the reasons why there

1502
01:14:01,320 --> 01:14:07,320
Speaker 3: has been not immediate response. But like, let's let's public

1503
01:14:07,360 --> 01:14:10,360
Speaker 3: outrage what happened in the past, because I think everyone's

1504
01:14:10,400 --> 01:14:10,920
Speaker 3: just tired.

1505
01:14:11,400 --> 01:14:15,000
Speaker 4: And I think this is a station that's been ruining

1506
01:14:15,040 --> 01:14:16,280
Speaker 4: the black community.

1507
01:14:15,800 --> 01:14:17,639
Speaker 3: For a while, but we've never really talked about, which

1508
01:14:17,680 --> 01:14:21,120
Speaker 3: is black people in these authority roles and right treat

1509
01:14:21,200 --> 01:14:21,599
Speaker 3: us worse.

1510
01:14:22,000 --> 01:14:26,280
Speaker 2: Yeah, I don't think you'll see any black person surprised

1511
01:14:26,320 --> 01:14:30,519
Speaker 2: the cops for black exactly like I like, you may see, like,

1512
01:14:31,080 --> 01:14:33,040
Speaker 2: if anything, a couple of niggas went too far. I

1513
01:14:33,080 --> 01:14:37,439
Speaker 2: think Lebron said we are on worse enemy, and I

1514
01:14:37,479 --> 01:14:42,960
Speaker 2: think amano Acho says something like, you know something about

1515
01:14:42,960 --> 01:14:46,680
Speaker 2: black lives not mattering when we treat them this way

1516
01:14:46,760 --> 01:14:49,519
Speaker 2: or whatever, And in both cases people jumped in that ship.

1517
01:14:49,560 --> 01:14:52,160
Speaker 2: I don't necessarily think they should have jumped in that ship.

1518
01:14:52,200 --> 01:14:57,360
Speaker 2: But the point being like even in an intra community conversation,

1519
01:14:57,800 --> 01:15:01,800
Speaker 2: you know, like there there's that wasn't surprised they were

1520
01:15:01,840 --> 01:15:06,960
Speaker 2: expressing that was like anger at the at like damn,

1521
01:15:07,000 --> 01:15:08,960
Speaker 2: we don't even matter to each other, and I don't

1522
01:15:09,439 --> 01:15:14,200
Speaker 2: you know, you can't really say that outside. But it's

1523
01:15:14,240 --> 01:15:17,680
Speaker 2: a sentiment I've had expressed to me, expressed myself and

1524
01:15:17,720 --> 01:15:21,960
Speaker 2: seen in many full like black spaces, my church. You

1525
01:15:22,000 --> 01:15:24,400
Speaker 2: go to a church, you hang out with your family,

1526
01:15:25,320 --> 01:15:28,800
Speaker 2: community organizations. We that's where we talk about that. But

1527
01:15:29,160 --> 01:15:32,120
Speaker 2: you can't say Twitter is not us, you know, no,

1528
01:15:32,360 --> 01:15:32,880
Speaker 2: it be.

1529
01:15:32,840 --> 01:15:33,960
Speaker 4: Your own people sometimes.

1530
01:15:33,960 --> 01:15:36,840
Speaker 3: Man, that's what makes it hurt worse because, like I

1531
01:15:36,880 --> 01:15:39,879
Speaker 3: talked about this on Jay Whitaker's podcast, he is a Canadian. Boston.

1532
01:15:40,360 --> 01:15:42,200
Speaker 3: We did drop black History on the road. We went

1533
01:15:42,240 --> 01:15:45,280
Speaker 3: to Boston, and you know, everyone had a great time

1534
01:15:45,320 --> 01:15:48,280
Speaker 3: and a successful, successful show. The theater is like, hey,

1535
01:15:48,320 --> 01:15:50,400
Speaker 3: there's a bar upstairs. We recommend you have your after

1536
01:15:50,439 --> 01:15:52,200
Speaker 3: party there. We'll tell them that you guys are coming,

1537
01:15:52,479 --> 01:15:54,760
Speaker 3: so you should be all set. We go up and

1538
01:15:54,800 --> 01:15:58,439
Speaker 3: the manager is a black man and he tries to

1539
01:15:58,520 --> 01:16:01,360
Speaker 3: lie to people from our group and be like we're closing,

1540
01:16:02,120 --> 01:16:04,000
Speaker 3: so you could you only have time for one more drinking.

1541
01:16:04,000 --> 01:16:05,720
Speaker 3: We're like, okay, well we'll get a drink in. The

1542
01:16:07,160 --> 01:16:11,360
Speaker 3: bartenders all white bartenders, by the way, Oh you guys

1543
01:16:11,439 --> 01:16:13,720
Speaker 3: happened like you guys had a showdownstairs, blah blah blah.

1544
01:16:13,720 --> 01:16:16,960
Speaker 3: And then they're like, oh, yeah, we're open until like midnight.

1545
01:16:17,280 --> 01:16:20,160
Speaker 3: Guys have three more hours. Yeah, we're not closing. I

1546
01:16:20,240 --> 01:16:23,639
Speaker 3: was like, why would she tell us predominantly black group

1547
01:16:24,240 --> 01:16:25,679
Speaker 3: that we had time for one drink?

1548
01:16:25,840 --> 01:16:26,599
Speaker 4: It's last call.

1549
01:16:27,080 --> 01:16:29,519
Speaker 2: Yeah, I've bought up. I've had that happen to me

1550
01:16:29,600 --> 01:16:32,920
Speaker 2: with a white dude before. Uh, and my boy, he's black.

1551
01:16:33,040 --> 01:16:37,600
Speaker 2: He pays for this like pool hall membership, and the

1552
01:16:37,640 --> 01:16:40,679
Speaker 2: two times we've been there, it was, you know, it's

1553
01:16:40,720 --> 01:16:43,320
Speaker 2: his idea, like, hey, let's go shoot some pool or something,

1554
01:16:43,360 --> 01:16:46,960
Speaker 2: hang out for a couple hours. Within like fifteen twenty minutes,

1555
01:16:47,400 --> 01:16:49,800
Speaker 2: it's guys, I'm gonna have to be about to close

1556
01:16:49,880 --> 01:16:51,720
Speaker 2: up early. I'm sorry. We just got it. And it's

1557
01:16:51,760 --> 01:16:54,600
Speaker 2: just like, oh, because we're black, all right, got it.

1558
01:16:54,680 --> 01:16:57,720
Speaker 2: This doesn't apply to everyone, but yeah, I'm never surprised.

1559
01:16:57,880 --> 01:17:01,080
Speaker 2: I think everyone will tell you the black is often

1560
01:17:01,200 --> 01:17:04,799
Speaker 2: the one who's the meanest and the one who goes

1561
01:17:04,840 --> 01:17:09,679
Speaker 2: extra hard because he's got something to prove. I'll see

1562
01:17:09,680 --> 01:17:12,400
Speaker 2: these James Baldwin cours going around, but it was like

1563
01:17:12,600 --> 01:17:14,320
Speaker 2: he had. The one I saw lately was he had

1564
01:17:14,360 --> 01:17:18,240
Speaker 2: something to prove and less to prove it with, so

1565
01:17:18,240 --> 01:17:20,639
Speaker 2: so like of course they come down hard. But yeah,

1566
01:17:20,720 --> 01:17:23,240
Speaker 2: I think for those of us who have been like

1567
01:17:23,439 --> 01:17:26,360
Speaker 2: policing has to change and all that stuff, we didn't

1568
01:17:26,360 --> 01:17:30,400
Speaker 2: say white policing has to change, like we weren't like institution,

1569
01:17:30,840 --> 01:17:33,400
Speaker 2: Yeah I was. It's never been like if they had

1570
01:17:33,439 --> 01:17:36,120
Speaker 2: more black cops, like that's that solution was from like

1571
01:17:36,200 --> 01:17:40,920
Speaker 2: the nineteen forties. Like we've tried that already. So I

1572
01:17:40,960 --> 01:17:44,240
Speaker 2: will say this though as an aside, I'm not I'm

1573
01:17:44,240 --> 01:17:47,479
Speaker 2: still thinking it's fucked up and kind of lazy cloud

1574
01:17:47,560 --> 01:17:50,479
Speaker 2: chasing when people just especially people who are social like

1575
01:17:50,600 --> 01:17:53,400
Speaker 2: leaders or claim to be. If you just hop on

1576
01:17:53,439 --> 01:17:56,200
Speaker 2: and say some shit like you know, just why we

1577
01:17:56,240 --> 01:17:59,280
Speaker 2: don't need police or abolish police or whatever, I'm gonna

1578
01:17:59,320 --> 01:18:02,040
Speaker 2: need you to at least have like some other suggestions

1579
01:18:02,160 --> 01:18:05,400
Speaker 2: because that is such a like pie in the sky

1580
01:18:05,520 --> 01:18:09,480
Speaker 2: thing that it's essentially you kicking the ball punting it

1581
01:18:09,560 --> 01:18:11,679
Speaker 2: so that you don't have to be responsible for anything.

1582
01:18:11,920 --> 01:18:16,160
Speaker 2: And it also, it's been several years that that slogan's

1583
01:18:16,160 --> 01:18:18,559
Speaker 2: been out there and we're not even closer to it.

1584
01:18:19,160 --> 01:18:21,840
Speaker 2: So because the people that say it say it and

1585
01:18:21,880 --> 01:18:24,240
Speaker 2: then don't do shit. I say it, what I said,

1586
01:18:24,320 --> 01:18:24,840
Speaker 2: get rid.

1587
01:18:24,760 --> 01:18:27,840
Speaker 4: Of it against the Democrats.

1588
01:18:27,360 --> 01:18:30,120
Speaker 2: Right, And so I'm tired of that shit too. So

1589
01:18:30,439 --> 01:18:33,240
Speaker 2: it's when you say it, we're tired. I'm tired of

1590
01:18:33,280 --> 01:18:36,160
Speaker 2: the whole thing, Like even like I'm tired of cops

1591
01:18:36,200 --> 01:18:38,200
Speaker 2: doing this, tired of seeing the videos or tired of

1592
01:18:38,240 --> 01:18:42,639
Speaker 2: the fucking weird ass like cloud chasing on social media

1593
01:18:42,720 --> 01:18:47,519
Speaker 2: with it. And I'm tired of the people that that

1594
01:18:47,760 --> 01:18:50,000
Speaker 2: just want to signal how much they're against it but

1595
01:18:50,120 --> 01:18:53,639
Speaker 2: not but but even though it's their job not put

1596
01:18:53,680 --> 01:18:57,200
Speaker 2: anything into solving it, you know, just get rid of it.

1597
01:18:57,200 --> 01:18:59,200
Speaker 2: At the end, I'm like, all of this is tired,

1598
01:18:59,200 --> 01:19:00,640
Speaker 2: and we're just gonna be doing this again in a

1599
01:19:00,680 --> 01:19:03,760
Speaker 2: few months if we get good enough camera angles, you know.

1600
01:19:04,360 --> 01:19:07,200
Speaker 2: I'm so like, they disbanded that group of cops who

1601
01:19:07,240 --> 01:19:09,519
Speaker 2: went by the Scorpion Squad.

1602
01:19:09,720 --> 01:19:12,120
Speaker 4: Yeah, there's some kind of special force group or something.

1603
01:19:12,240 --> 01:19:14,519
Speaker 2: Yeah, And I'll listen to this podcast. It's called a

1604
01:19:14,560 --> 01:19:19,360
Speaker 2: Tradition of Violence, is about LAPD Gangs and the Deputy Gangs.

1605
01:19:19,479 --> 01:19:23,960
Speaker 2: It's really good. Soerenes Castle did it. She also she

1606
01:19:24,040 --> 01:19:25,519
Speaker 2: was part of the crew that filmed us for that

1607
01:19:25,680 --> 01:19:29,160
Speaker 2: vice piece about black Game of Thrones fans. She's she's

1608
01:19:29,200 --> 01:19:33,320
Speaker 2: amazingly talented. She also did one about the critical race

1609
01:19:33,360 --> 01:19:37,000
Speaker 2: theory stuff about this uh this town that that was

1610
01:19:37,040 --> 01:19:39,000
Speaker 2: like on the forefront of that. Like she she just

1611
01:19:39,080 --> 01:19:42,800
Speaker 2: she's a beast and so so anyway, I was listening

1612
01:19:42,840 --> 01:19:45,800
Speaker 2: to her to that, and it's just ironic because soon

1613
01:19:45,840 --> 01:19:47,880
Speaker 2: as I heard they were called the Scorpion Squad, I

1614
01:19:47,920 --> 01:19:51,320
Speaker 2: was like, oh, you know exactly what them niggas was

1615
01:19:51,320 --> 01:19:55,559
Speaker 2: getting into because those squads are like you basically like

1616
01:19:55,720 --> 01:19:57,600
Speaker 2: some of them, you have to like murder someone to

1617
01:19:57,680 --> 01:20:01,240
Speaker 2: get in the squad or you know, like we gonna

1618
01:20:01,280 --> 01:20:04,719
Speaker 2: beat these motherfuckers down together. It's essentially a fucking gang

1619
01:20:04,840 --> 01:20:06,880
Speaker 2: and you gotta do some dirt to stay in and

1620
01:20:06,920 --> 01:20:11,240
Speaker 2: stay down. And so uh they said they were gonna

1621
01:20:11,320 --> 01:20:13,800
Speaker 2: like disbanded and all this ship. But I'm like the

1622
01:20:13,840 --> 01:20:17,840
Speaker 2: fact that this existed and let's keep it real. Scorpions

1623
01:20:17,880 --> 01:20:22,280
Speaker 2: ain't exactly a good animal, you know what I'm saying, Like,

1624
01:20:22,280 --> 01:20:24,080
Speaker 2: like it's nothing like they named like if they would

1625
01:20:24,080 --> 01:20:27,000
Speaker 2: have named this ship like the mustangs or the fucking

1626
01:20:27,160 --> 01:20:31,679
Speaker 2: like you know, like the monkeys or something something. Yeah,

1627
01:20:31,800 --> 01:20:36,280
Speaker 2: like like they named it the most unhelpful type of animal,

1628
01:20:36,360 --> 01:20:38,000
Speaker 2: you know what I'm saying, Like, no one's ever needed.

1629
01:20:38,520 --> 01:20:41,560
Speaker 5: Everybody's already a sentence, a sentence.

1630
01:20:41,200 --> 01:20:43,560
Speaker 2: You've never heard. Thank god that scorpion was that.

1631
01:20:45,080 --> 01:20:48,680
Speaker 3: Yeah, it's like imagine if like Denzil from Trading his

1632
01:20:48,840 --> 01:20:51,920
Speaker 3: squad was called like the Ortas.

1633
01:20:52,240 --> 01:20:56,639
Speaker 2: Yeah, it's like this, Yeah, there's not like scorpions don't

1634
01:20:56,640 --> 01:20:58,800
Speaker 2: even have squads, they don't even hang out together in

1635
01:20:58,840 --> 01:21:02,599
Speaker 2: real as animals. Yeah, they like it's such a like

1636
01:21:03,160 --> 01:21:05,240
Speaker 2: the fact that it was like and he came from

1637
01:21:05,240 --> 01:21:09,200
Speaker 2: the scorpion squad. No one was like the scorpion squad.

1638
01:21:09,160 --> 01:21:11,320
Speaker 3: Like it would be like more disturbing though if they

1639
01:21:11,320 --> 01:21:13,120
Speaker 3: were like a very like let's say they were called

1640
01:21:13,120 --> 01:21:14,400
Speaker 3: the winning the poos or some shit.

1641
01:21:15,000 --> 01:21:18,280
Speaker 2: But honestly, dog, if I was a deputy gang, that

1642
01:21:18,400 --> 01:21:20,599
Speaker 2: was gonna be you know, killing people for no reason.

1643
01:21:20,640 --> 01:21:24,519
Speaker 2: I named usselves like the unicorns, you know, you name

1644
01:21:24,600 --> 01:21:27,679
Speaker 2: yourself something nice. That way, people don't see it coming,

1645
01:21:27,800 --> 01:21:29,800
Speaker 2: you know, they're like, oh, the brownies out here, Oh

1646
01:21:29,880 --> 01:21:33,320
Speaker 2: they beating everybody. Damn, I didn't know. I didn't realize

1647
01:21:33,479 --> 01:21:37,680
Speaker 2: that coming. The Koala Bear Squad, oh they well they

1648
01:21:37,760 --> 01:21:41,080
Speaker 2: must know. The Koala Bear Squad would never plant guns

1649
01:21:41,120 --> 01:21:43,800
Speaker 2: on people and and frame them for murder. Get out

1650
01:21:43,840 --> 01:21:49,120
Speaker 2: of here. But they all got Koala bear tattoos. They're nice, Jason.

1651
01:21:49,160 --> 01:21:50,960
Speaker 3: What they should do is just name all these gangs

1652
01:21:51,000 --> 01:21:54,120
Speaker 3: after like popular music acts like I would be less

1653
01:21:54,120 --> 01:21:56,240
Speaker 3: intimidated by, like someone like who's like, hey, we Freaky

1654
01:21:56,320 --> 01:21:57,360
Speaker 3: Valley in the Four Seasons.

1655
01:21:57,400 --> 01:22:01,160
Speaker 4: I'd be like, that's interesting what you have to say, sir?

1656
01:22:01,240 --> 01:22:06,160
Speaker 2: All right, Yeah it's the faux tops. Okay, let's see

1657
01:22:06,160 --> 01:22:12,840
Speaker 2: what they got going on now, maybe beating your ass.

1658
01:22:12,880 --> 01:22:19,280
Speaker 2: My office hours off from nine to five. So also,

1659
01:22:19,880 --> 01:22:26,640
Speaker 2: Jason Whitlock arose out of his coon hibernation uh to

1660
01:22:26,720 --> 01:22:29,479
Speaker 2: speak out on the topic. He had a hot take.

1661
01:22:29,680 --> 01:22:32,439
Speaker 6: I felt guilty putting that video on the screen, not

1662
01:22:32,520 --> 01:22:34,960
Speaker 6: because I was on anyone's side. I felt I felt

1663
01:22:35,240 --> 01:22:38,080
Speaker 6: ob bad about it was horrible, but because.

1664
01:22:38,080 --> 01:22:40,920
Speaker 2: I was on anyone side who watched the video of

1665
01:22:40,960 --> 01:22:43,120
Speaker 2: the cops killing the black man and picked us. It

1666
01:22:43,160 --> 01:22:45,679
Speaker 2: was like, there's two sides of this, and I don't

1667
01:22:45,720 --> 01:22:48,000
Speaker 2: want to I don't want to be on the wrong side.

1668
01:22:50,160 --> 01:22:52,519
Speaker 2: It's fifty to fifty for your boy, But you.

1669
01:22:52,520 --> 01:22:55,559
Speaker 6: Don't want to put ugly things on TV and inflame passions.

1670
01:22:55,560 --> 01:22:57,519
Speaker 6: You want people to be reasonable and think things through

1671
01:22:57,560 --> 01:23:00,479
Speaker 6: and reach wise decisions. Why would news are gona? I mean,

1672
01:23:00,520 --> 01:23:03,799
Speaker 6: they really want to make people enraged.

1673
01:23:04,040 --> 01:23:08,800
Speaker 7: Clearly they don't want us focused on reality. Hey, if

1674
01:23:08,840 --> 01:23:11,680
Speaker 7: they want us devote an hour of coverage to this,

1675
01:23:11,760 --> 01:23:14,000
Speaker 7: and we can covers of this and they want to

1676
01:23:14,040 --> 01:23:17,080
Speaker 7: take us to a good place, I would examine the

1677
01:23:17,160 --> 01:23:20,200
Speaker 7: racial element of this because there is a racial element,

1678
01:23:20,560 --> 01:23:23,960
Speaker 7: and this is a story about young black men and

1679
01:23:24,000 --> 01:23:27,280
Speaker 7: their inability to treat each other in a humane way.

1680
01:23:27,560 --> 01:23:30,639
Speaker 7: Everybody involved in this on the street level was either

1681
01:23:30,720 --> 01:23:33,800
Speaker 7: twenty four to thirty two years old. Everybody it was

1682
01:23:33,840 --> 01:23:36,960
Speaker 7: a group of young black men five on one. Looked

1683
01:23:37,000 --> 01:23:40,080
Speaker 7: like gang violence. To me, it looked like what young

1684
01:23:40,160 --> 01:23:43,080
Speaker 7: black men do when they're supervised by Now.

1685
01:23:43,000 --> 01:23:45,800
Speaker 2: Keep in mind, we have literally watched at this point

1686
01:23:45,920 --> 01:23:50,559
Speaker 2: dozens of groups of cops killing people. It's only now

1687
01:23:50,600 --> 01:23:53,439
Speaker 2: that it's the black cops that Jason Widlock see's a

1688
01:23:53,520 --> 01:23:58,000
Speaker 2: pathological issue at its surprise. The issue is that they're black.

1689
01:23:58,080 --> 01:24:01,880
Speaker 2: It's not it's the black pathology, not the everything else

1690
01:24:01,920 --> 01:24:03,680
Speaker 2: that all these things have in common, which is they're

1691
01:24:03,720 --> 01:24:07,839
Speaker 2: all cops. So when it's George Floyd that that that's

1692
01:24:07,960 --> 01:24:10,439
Speaker 2: not black people, but it's But only when it gets

1693
01:24:10,479 --> 01:24:14,000
Speaker 2: the black people, is it the black people's culture that

1694
01:24:14,080 --> 01:24:14,960
Speaker 2: is causing the problem.

1695
01:24:15,720 --> 01:24:18,000
Speaker 3: Jason Wilo looks like he you know, he bought that

1696
01:24:18,040 --> 01:24:21,120
Speaker 3: shirt fresh from Express and then talked of the ear

1697
01:24:21,160 --> 01:24:24,080
Speaker 3: one that clerks like, you know, practicing these talking points

1698
01:24:24,080 --> 01:24:25,240
Speaker 3: for Tucker Carlson.

1699
01:24:28,520 --> 01:24:32,320
Speaker 2: When he was getting his hair installed and the firmware updated.

1700
01:24:32,120 --> 01:24:33,639
Speaker 5: To say that that that.

1701
01:24:34,960 --> 01:24:37,360
Speaker 2: Yeah, he has he has fake hair. He has a

1702
01:24:37,400 --> 01:24:38,320
Speaker 2: brillo upad.

1703
01:24:38,240 --> 01:24:40,800
Speaker 7: A single black woman and that's what they got.

1704
01:24:41,200 --> 01:24:43,160
Speaker 2: Now, this part is important, and this is really why

1705
01:24:43,200 --> 01:24:44,120
Speaker 2: I'm playing the clip.

1706
01:24:44,160 --> 01:24:47,439
Speaker 7: Black woman and what young black men do when they're

1707
01:24:47,520 --> 01:24:50,840
Speaker 7: supervised by a single black woman. And that's what they

1708
01:24:50,880 --> 01:24:54,400
Speaker 7: got going on in the Memphis police department. They've elected

1709
01:24:54,439 --> 01:24:57,040
Speaker 7: some or put some black woman in charge of the

1710
01:24:57,080 --> 01:24:59,720
Speaker 7: police force, and we're getting the same kind of chaos

1711
01:25:00,080 --> 01:25:03,080
Speaker 7: and disunity and violence that we see in a lot

1712
01:25:03,120 --> 01:25:06,960
Speaker 7: of these cities that are run by single mothers. If

1713
01:25:06,960 --> 01:25:08,720
Speaker 7: we want to distrust.

1714
01:25:08,360 --> 01:25:11,680
Speaker 2: So right, So that's where he took it.

1715
01:25:14,200 --> 01:25:17,400
Speaker 5: You don't know anything making bullshit up?

1716
01:25:17,640 --> 01:25:20,120
Speaker 3: Why do black men do this? Like, honestly, why do

1717
01:25:20,200 --> 01:25:22,559
Speaker 3: black men go out of their way to blame black women?

1718
01:25:22,840 --> 01:25:25,320
Speaker 5: Yeah, like that's so crazy.

1719
01:25:25,640 --> 01:25:32,000
Speaker 2: It's definitely an internal it's an internal anti blackness that

1720
01:25:32,120 --> 01:25:35,439
Speaker 2: he harbors that he then makes pathological for the rest

1721
01:25:35,479 --> 01:25:39,920
Speaker 2: of us. You know, say yes, I mean I remember

1722
01:25:39,920 --> 01:25:43,639
Speaker 2: when he called Serena Williams fat, Like, I like, he's

1723
01:25:43,720 --> 01:25:46,800
Speaker 2: just this is who he is now, I will say, though,

1724
01:25:46,840 --> 01:25:51,719
Speaker 2: it led me down an interesting path. I think Jason

1725
01:25:51,760 --> 01:25:58,639
Speaker 2: Woodlock might be like the coon Thanos, right, Like if

1726
01:25:58,680 --> 01:26:01,200
Speaker 2: we like and and, but I don't mean that that

1727
01:26:01,280 --> 01:26:03,720
Speaker 2: makes him like the greatest coon. I think if we

1728
01:26:03,760 --> 01:26:07,400
Speaker 2: did a coon like bracket, if we did like a

1729
01:26:07,439 --> 01:26:11,080
Speaker 2: coon bracket, like a March madness, Yeah, like we had

1730
01:26:11,120 --> 01:26:14,479
Speaker 2: like March madness for coons, you know, like March coonness

1731
01:26:14,560 --> 01:26:17,320
Speaker 2: or whatever. I feel like, obviously the number one seed

1732
01:26:17,439 --> 01:26:19,559
Speaker 2: is Clarence Thomas. It's not close either.

1733
01:26:21,000 --> 01:26:21,200
Speaker 4: Yeah.

1734
01:26:22,000 --> 01:26:24,439
Speaker 2: Yeah, he's running away with it. He's running away with

1735
01:26:24,479 --> 01:26:28,280
Speaker 2: it like he's he's fucking like UCLA when they had

1736
01:26:28,360 --> 01:26:30,719
Speaker 2: like twelve titles in a row or whatever. He's that level.

1737
01:26:31,479 --> 01:26:34,600
Speaker 2: But like Jason Winlock is like Duke, you know what

1738
01:26:34,640 --> 01:26:40,080
Speaker 2: I'm saying, Like he's perennially in the mix. And while

1739
01:26:40,120 --> 01:26:43,120
Speaker 2: he may not be like an all day every day,

1740
01:26:43,400 --> 01:26:46,599
Speaker 2: like he's in the mix of pop culture and he's

1741
01:26:46,600 --> 01:26:49,920
Speaker 2: always getting viral like he is. He rarely. It seems

1742
01:26:49,920 --> 01:26:51,559
Speaker 2: like he goes viral maybe once or twice a year

1743
01:26:51,560 --> 01:26:58,880
Speaker 2: at best. What he does though, I mean, you know,

1744
01:26:58,960 --> 01:27:01,599
Speaker 2: it's it's like co be scoring eighty two points or whatever,

1745
01:27:01,720 --> 01:27:03,639
Speaker 2: is you know what I'm saying, where you just be like, damn,

1746
01:27:03,680 --> 01:27:08,639
Speaker 2: he is in the coon zone. This nigga cannot fucking

1747
01:27:09,360 --> 01:27:14,280
Speaker 2: miss I am. So I was blown away by just

1748
01:27:14,360 --> 01:27:17,320
Speaker 2: the amount of coony he did in such a short period.

1749
01:27:17,360 --> 01:27:19,240
Speaker 2: I didn't even play the four two minutes for y'all,

1750
01:27:19,960 --> 01:27:23,840
Speaker 2: and he already was was. That was like when Covie

1751
01:27:23,880 --> 01:27:26,639
Speaker 2: scored seventy two against Dallas and nobody remembers it because

1752
01:27:26,640 --> 01:27:29,080
Speaker 2: he didn't even play the fourth quarter, but because he

1753
01:27:29,120 --> 01:27:31,519
Speaker 2: scored eighty one another time, we don't remember that game.

1754
01:27:31,560 --> 01:27:36,080
Speaker 2: But that's how compact. The coonan was in that clip.

1755
01:27:36,560 --> 01:27:41,320
Speaker 2: This dude is a coon savant man. I mean, obviously

1756
01:27:42,040 --> 01:27:45,000
Speaker 2: I hate him and he's disgusting, but I have to

1757
01:27:45,040 --> 01:27:50,040
Speaker 2: give him the fucking like credit he deserves. He jumped

1758
01:27:50,080 --> 01:27:51,240
Speaker 2: past coon this owens.

1759
01:27:52,280 --> 01:27:52,639
Speaker 1: Uh.

1760
01:27:52,800 --> 01:28:00,360
Speaker 2: You know, uncle cousin Terrence Williams likes listen like there

1761
01:28:00,360 --> 01:28:03,040
Speaker 2: are so many coons that saw that right there and

1762
01:28:03,160 --> 01:28:05,280
Speaker 2: just had to be like to give him his props,

1763
01:28:05,280 --> 01:28:06,920
Speaker 2: begrudgingly because you know they hate to give other black

1764
01:28:06,960 --> 01:28:10,200
Speaker 2: people props, but they had to be like like somewhere

1765
01:28:10,280 --> 01:28:14,080
Speaker 2: at home, like the one that's alive from Dominant Silk

1766
01:28:14,200 --> 01:28:16,200
Speaker 2: was like god, damn, that's some good counting, you know

1767
01:28:16,240 --> 01:28:20,040
Speaker 2: what I mean, Like, like shit, he had a good day.

1768
01:28:20,200 --> 01:28:23,280
Speaker 2: You know they gonna be mad about He blamed single

1769
01:28:23,320 --> 01:28:27,840
Speaker 2: black women, a young black man, the city. He in

1770
01:28:27,960 --> 01:28:31,000
Speaker 2: forty five seconds, this man burned every type of black

1771
01:28:31,000 --> 01:28:34,080
Speaker 2: person that he could make beautiful gowns.

1772
01:28:35,080 --> 01:28:37,880
Speaker 3: He obviously don't be eating good because he has to

1773
01:28:37,920 --> 01:28:39,680
Speaker 3: go like cracker barrel or something like that, because if

1774
01:28:39,720 --> 01:28:42,120
Speaker 3: you go to any place with these black people, spend

1775
01:28:42,200 --> 01:28:42,559
Speaker 3: your food.

1776
01:28:42,720 --> 01:28:45,559
Speaker 2: Yeah what Yeah, that would be a great I would

1777
01:28:45,600 --> 01:28:47,759
Speaker 2: love a documentary that follows a day in his life,

1778
01:28:49,800 --> 01:28:54,800
Speaker 2: you know, like what does this man do? Okay, like,

1779
01:28:54,800 --> 01:28:56,400
Speaker 2: like how does he make a living? Where is he

1780
01:28:56,439 --> 01:29:00,280
Speaker 2: getting his haircut? It's just, I mean, he just and

1781
01:29:00,280 --> 01:29:03,320
Speaker 2: that's the thing. He's not an every day in the

1782
01:29:03,360 --> 01:29:05,640
Speaker 2: mixed coon. It's just once or twice a year he

1783
01:29:05,680 --> 01:29:08,519
Speaker 2: comes out of like he just comes down from the

1784
01:29:08,560 --> 01:29:13,599
Speaker 2: coon mountain said something so yeah, and just said something

1785
01:29:13,600 --> 01:29:17,439
Speaker 2: so fucked up, and then everybody's like what the fuck?

1786
01:29:17,840 --> 01:29:19,920
Speaker 2: Well I thought he died, you know, and then he

1787
01:29:20,000 --> 01:29:25,200
Speaker 2: just ascends back to his coon cavern and just and

1788
01:29:25,240 --> 01:29:27,519
Speaker 2: we just be like, damn, man, I guess we forget

1789
01:29:27,520 --> 01:29:32,040
Speaker 2: about him. I don't even know. He's like I don't

1790
01:29:32,040 --> 01:29:34,400
Speaker 2: even know. He's like Dwayne Wade or something. Like we

1791
01:29:34,640 --> 01:29:37,120
Speaker 2: just were like he in the Hall of Fame, but

1792
01:29:37,200 --> 01:29:39,639
Speaker 2: he not. We don't see him on the mount rushmore

1793
01:29:39,760 --> 01:29:44,240
Speaker 2: great players. But somehow he has many great performances. And

1794
01:29:44,320 --> 01:29:47,080
Speaker 2: this may be one of his greatest of all time.

1795
01:29:47,200 --> 01:29:53,760
Speaker 2: Because everybody was mad at this man, like, oh my god,

1796
01:29:53,760 --> 01:29:55,080
Speaker 2: he was in his bag.

1797
01:29:55,240 --> 01:29:55,400
Speaker 1: Bro.

1798
01:29:55,880 --> 01:30:00,040
Speaker 2: No, there's no line of respectability and racism he won't cross.

1799
01:30:00,600 --> 01:30:04,439
Speaker 2: You know, it's who can out coon this man when

1800
01:30:04,479 --> 01:30:07,280
Speaker 2: he's in the zone that not not even Herman King.

1801
01:30:09,920 --> 01:30:14,559
Speaker 3: May make ya the shows, and he'd be like publicly

1802
01:30:14,600 --> 01:30:15,719
Speaker 3: declared I don't read.

1803
01:30:16,360 --> 01:30:17,360
Speaker 4: Yeah, it's pretty much.

1804
01:30:17,439 --> 01:30:20,799
Speaker 1: But the thing about Yay is like, now just aside,

1805
01:30:20,840 --> 01:30:22,880
Speaker 1: I mean, if if I mean, if we're gonna go

1806
01:30:22,960 --> 01:30:24,040
Speaker 1: coon stats.

1807
01:30:23,720 --> 01:30:25,960
Speaker 2: Here, right, and we gotta keep it real.

1808
01:30:26,240 --> 01:30:30,000
Speaker 1: Jason, he's been in for a long time, is consistent.

1809
01:30:30,240 --> 01:30:33,120
Speaker 1: He's somebody that you call him off the bench. You know,

1810
01:30:33,160 --> 01:30:35,160
Speaker 1: he gonna put up some good cooning numbers, like he

1811
01:30:35,160 --> 01:30:38,120
Speaker 1: ain't gonna be out here fucking around. He gonna be like,

1812
01:30:38,240 --> 01:30:40,960
Speaker 1: I got, I got, I got five minutes his my

1813
01:30:41,120 --> 01:30:43,640
Speaker 1: double double, I got three minutes.

1814
01:30:43,400 --> 01:30:44,320
Speaker 5: The last I can go.

1815
01:30:44,439 --> 01:30:46,360
Speaker 1: You know, Kanye is kind of new to it, you

1816
01:30:46,400 --> 01:30:48,240
Speaker 1: know he you know, he ain't been out here loader he.

1817
01:30:48,280 --> 01:30:50,920
Speaker 5: Was a little bit more practice. He'll mak it mad

1818
01:30:50,960 --> 01:30:54,520
Speaker 5: and upset. Yeah, he doesn't have them consistent.

1819
01:30:54,600 --> 01:30:57,519
Speaker 2: He don't have the work. He don't have to work at,

1820
01:30:58,680 --> 01:31:00,200
Speaker 2: he don't have to work ethic to put it in

1821
01:31:00,320 --> 01:31:02,599
Speaker 2: on a daily basis. But it's just like when he's

1822
01:31:02,680 --> 01:31:07,519
Speaker 2: able to be unbelievably offensive, he just can't stop. You

1823
01:31:07,560 --> 01:31:11,040
Speaker 2: can't contain you can't contain him. Okay, you just hope

1824
01:31:11,280 --> 01:31:14,160
Speaker 2: that he starts to miss because he'll go where no

1825
01:31:14,360 --> 01:31:17,840
Speaker 2: other Coon will travel. He's a staple in the Coon

1826
01:31:17,920 --> 01:31:22,559
Speaker 2: and lexicon. And I have to just give him all

1827
01:31:22,560 --> 01:31:25,760
Speaker 2: of his credit because cause I mean, honest, this was

1828
01:31:25,760 --> 01:31:27,800
Speaker 2: ten out of ten Uncle Ruggas's for me. When I

1829
01:31:27,840 --> 01:31:31,679
Speaker 2: saw this, I was like, this, nobody's gonna beat this performance.

1830
01:31:31,720 --> 01:31:35,200
Speaker 2: And what it's January, Nobody's gonna out Coon is the

1831
01:31:35,240 --> 01:31:38,720
Speaker 2: thing with Kanye is that we don't take him seriously, right,

1832
01:31:39,160 --> 01:31:42,680
Speaker 2: so like like he don't even like he thinks he

1833
01:31:42,760 --> 01:31:44,439
Speaker 2: wants to be taken seriously, but it's hard to take

1834
01:31:44,479 --> 01:31:47,639
Speaker 2: a man seriously as wearing like a full a full

1835
01:31:47,720 --> 01:31:51,360
Speaker 2: face mask and yelling every other word and getting up

1836
01:31:51,360 --> 01:31:54,360
Speaker 2: from the table and talking to Nori's you know, like

1837
01:31:54,400 --> 01:31:59,120
Speaker 2: it's harder to take him seriously. Jason Winloan is like

1838
01:32:00,040 --> 01:32:03,880
Speaker 2: taken seriously by the racist people that we that wanted

1839
01:32:03,880 --> 01:32:06,640
Speaker 2: to take him seriously. Like Kanye not in control, so

1840
01:32:06,720 --> 01:32:10,120
Speaker 2: he'll say something that's beyond the racial pale, like I

1841
01:32:10,160 --> 01:32:12,960
Speaker 2: hate the Jews too, and then it's like, well, okay,

1842
01:32:13,040 --> 01:32:15,599
Speaker 2: we can't say that, you know what I'm saying. But

1843
01:32:15,600 --> 01:32:18,360
Speaker 2: but like with like will stay in the pocket of

1844
01:32:18,400 --> 01:32:22,520
Speaker 2: what white supremacy needs. It's man, I'm.

1845
01:32:22,320 --> 01:32:24,640
Speaker 5: Very consistent at his numbers. I mean, he will not

1846
01:32:24,760 --> 01:32:25,519
Speaker 5: let you down.

1847
01:32:25,800 --> 01:32:27,519
Speaker 2: Yeah, I hate, I hate to give it to him.

1848
01:32:27,680 --> 01:32:29,760
Speaker 2: You know what I'm saying, But I can't think.

1849
01:32:31,479 --> 01:32:34,240
Speaker 3: No, No, those wealth of quiz that they were talking about,

1850
01:32:34,280 --> 01:32:35,759
Speaker 3: I know all seven of them.

1851
01:32:38,240 --> 01:32:41,000
Speaker 4: Address Let's talk on the shirt.

1852
01:32:41,160 --> 01:32:50,120
Speaker 1: Yeah, yeah, amazing Conning And the thing about him, like Kanye,

1853
01:32:50,479 --> 01:32:51,639
Speaker 1: he keep hisself contained.

1854
01:32:51,680 --> 01:32:55,040
Speaker 5: If that's the thing Kanye, he looks unraveled.

1855
01:32:54,640 --> 01:32:55,479
Speaker 2: Right, That's what I'm saying.

1856
01:32:55,560 --> 01:32:57,840
Speaker 5: Yeah, this is a coon that will come out and.

1857
01:32:57,760 --> 01:33:01,640
Speaker 2: He does not well. Also, also, we know too much

1858
01:33:01,640 --> 01:33:05,599
Speaker 2: about Kanye's personal life, so we don't know the only

1859
01:33:05,720 --> 01:33:08,599
Speaker 2: thing we know about this man, Jason Whitlock, is that

1860
01:33:08,640 --> 01:33:12,200
Speaker 2: he's a coon. I think have you ever thought about that.

1861
01:33:12,640 --> 01:33:15,400
Speaker 2: We don't see this man in public. We don't know

1862
01:33:15,439 --> 01:33:19,200
Speaker 2: if he's married, we don't know. We don't know if

1863
01:33:19,240 --> 01:33:22,280
Speaker 2: this motherfucker like we don't even know where he goes

1864
01:33:22,320 --> 01:33:24,479
Speaker 2: to eat. We just assume it's cracker barrel, you know

1865
01:33:24,520 --> 01:33:27,679
Speaker 2: what I'm saying, Like we no one has ever seen.

1866
01:33:27,840 --> 01:33:30,599
Speaker 2: He could be an artificial intelligence. Okay, this could be

1867
01:33:31,160 --> 01:33:34,599
Speaker 2: some motherfucking type of CGI that we are watching. That

1868
01:33:34,760 --> 01:33:37,760
Speaker 2: Fox News is charmed up because we never see this

1869
01:33:37,880 --> 01:33:40,760
Speaker 2: man anyway. He could have died in two thousand and

1870
01:33:40,800 --> 01:33:45,240
Speaker 2: three and been replaced by a coon clone, and we

1871
01:33:45,320 --> 01:33:49,800
Speaker 2: will never know because this man only exists a coon.

1872
01:33:49,920 --> 01:33:53,599
Speaker 2: He is ikonic. Okay, this man is an a coon.

1873
01:33:54,600 --> 01:33:58,400
Speaker 2: He and I just have to give him his credit, okay,

1874
01:33:58,600 --> 01:34:01,040
Speaker 2: Like he has a real pension for delivering the coon

1875
01:34:01,120 --> 01:34:04,400
Speaker 2: de gras when it comes to talking about these things.

1876
01:34:04,439 --> 01:34:06,160
Speaker 2: He just comes in and famn, hit you with the

1877
01:34:06,160 --> 01:34:09,960
Speaker 2: death blow, and you like, yo, nobody, there's nothing left

1878
01:34:09,960 --> 01:34:13,280
Speaker 2: to say. I haven't even seen other coons pick up

1879
01:34:13,280 --> 01:34:15,719
Speaker 2: the man after he said this, because it's nothing left

1880
01:34:15,720 --> 01:34:18,160
Speaker 2: to say. He left no meat on the bomb.

1881
01:34:18,200 --> 01:34:18,320
Speaker 5: Bro.

1882
01:34:18,600 --> 01:34:22,920
Speaker 2: He shout out to him, Bro, you did it. Jason

1883
01:34:22,960 --> 01:34:26,080
Speaker 2: Whitelock or white lick is I like to call him,

1884
01:34:26,160 --> 01:34:28,800
Speaker 2: You did it, Bro, You out coon the best of him.

1885
01:34:28,840 --> 01:34:32,120
Speaker 2: And when it's time for the fucking the uh, the

1886
01:34:32,320 --> 01:34:35,160
Speaker 2: the the Oscar version of the of the Coon Awards,

1887
01:34:35,200 --> 01:34:39,280
Speaker 2: which I call the Clarences. When it's time for the Clarences, Bro,

1888
01:34:39,439 --> 01:34:45,160
Speaker 2: you're gonna get Coon of the Year, Becuz yeah he will.

1889
01:34:45,520 --> 01:34:48,080
Speaker 2: He will saft shoe all the way down the aisle

1890
01:34:48,320 --> 01:34:52,360
Speaker 2: to get that motherfucking butter biscuit. God damn you good boy.

1891
01:34:53,040 --> 01:34:53,200
Speaker 5: Who.

1892
01:34:53,960 --> 01:34:57,000
Speaker 2: All right, we gotta get out of this conversation. I've

1893
01:34:57,040 --> 01:34:59,400
Speaker 2: held you all too long. That sports happening, and we

1894
01:34:59,439 --> 01:35:03,240
Speaker 2: gotta go. We'll do one last thing, which is, uh,

1895
01:35:03,280 --> 01:35:08,120
Speaker 2: we got to talk about uh sword ratchiness. Okay, because

1896
01:35:08,160 --> 01:35:12,080
Speaker 2: no matter what, we always make time to tell y'all

1897
01:35:12,120 --> 01:35:35,240
Speaker 2: and warn y'all about these swords. All right, sword ratchiness,

1898
01:35:35,320 --> 01:35:40,160
Speaker 2: let's talk about it. Drunk Illinois swashbuckler threatens roommate with

1899
01:35:40,200 --> 01:35:45,960
Speaker 2: a cane sword wash buffalo right on the open seven seeds.

1900
01:35:46,080 --> 01:35:48,000
Speaker 2: Maybe they're trying to start drunk sword history.

1901
01:35:49,240 --> 01:35:50,559
Speaker 5: You want that? That's dangerous?

1902
01:35:50,840 --> 01:35:58,800
Speaker 2: Uh uh South Uh. This happened in the city of Champagne.

1903
01:35:59,560 --> 01:35:59,800
Speaker 5: Uh to.

1904
01:36:00,120 --> 01:36:05,760
Speaker 2: Roommates were arguing and you know how it is the

1905
01:36:05,800 --> 01:36:09,600
Speaker 2: first roommate Jeremiah started drinking a lot. That cause in

1906
01:36:09,640 --> 01:36:14,240
Speaker 2: the beginning acting strange, not strange. Wait what, yeah, what's

1907
01:36:14,280 --> 01:36:14,840
Speaker 2: started drinking?

1908
01:36:15,000 --> 01:36:15,320
Speaker 3: Article?

1909
01:36:15,560 --> 01:36:20,600
Speaker 2: Yeah, I'm reading it's actually honestly, the article is a

1910
01:36:20,640 --> 01:36:23,800
Speaker 2: little sassier than that even. I mean, if I was

1911
01:36:23,840 --> 01:36:25,280
Speaker 2: reading a word for words, you'd be like, what the

1912
01:36:25,280 --> 01:36:29,360
Speaker 2: fuck is this? But it wasn't even that. He pulled

1913
01:36:29,400 --> 01:36:34,800
Speaker 2: out a kne sword and uh he uh, the cops

1914
01:36:34,840 --> 01:36:39,679
Speaker 2: got called and what's the man called?

1915
01:36:39,760 --> 01:36:39,920
Speaker 3: Now?

1916
01:36:39,920 --> 01:36:43,240
Speaker 2: One one? Uh? The police arrived, they questioned Jeremiah and

1917
01:36:43,280 --> 01:36:46,439
Speaker 2: he explained that the whole thing was a joke. Now

1918
01:36:46,479 --> 01:36:47,320
Speaker 2: who joke like that?

1919
01:36:47,600 --> 01:36:49,479
Speaker 5: What? That's not funny?

1920
01:36:49,760 --> 01:36:51,439
Speaker 2: If I started arguing with you and you pull out

1921
01:36:51,479 --> 01:36:55,439
Speaker 2: a weapon, what's the joke?

1922
01:36:58,680 --> 01:37:00,960
Speaker 1: If your articles sound like you got a parrot on

1923
01:37:01,000 --> 01:37:02,240
Speaker 1: your shoulder, what's the joke?

1924
01:37:02,720 --> 01:37:02,920
Speaker 7: Ha?

1925
01:37:02,960 --> 01:37:03,000
Speaker 5: Ha?

1926
01:37:03,160 --> 01:37:05,040
Speaker 2: I bet you thought I was gonna kill you because

1927
01:37:05,080 --> 01:37:07,200
Speaker 2: we was fighting and I pulled out a weapon. Ain't

1928
01:37:07,240 --> 01:37:08,360
Speaker 2: that funny?

1929
01:37:08,640 --> 01:37:08,720
Speaker 5: Uh?

1930
01:37:08,760 --> 01:37:11,519
Speaker 2: The suspect to officers that the blade wasn't even sharp

1931
01:37:11,560 --> 01:37:14,439
Speaker 2: and couldn't cut anyone. Then they arrested them because that

1932
01:37:14,560 --> 01:37:15,439
Speaker 2: is always a lie?

1933
01:37:15,760 --> 01:37:17,719
Speaker 5: Does he not know a butter? And I still cut butter?

1934
01:37:18,320 --> 01:37:18,439
Speaker 7: Right?

1935
01:37:18,640 --> 01:37:20,400
Speaker 5: I don't know what you're talking about. It's still cut.

1936
01:37:20,600 --> 01:37:23,240
Speaker 2: It's always a lie. Why would someone make a sword

1937
01:37:23,280 --> 01:37:26,760
Speaker 2: that can't cut? That don't even make sense, dummy. All

1938
01:37:26,840 --> 01:37:29,160
Speaker 2: them things are weapons and even can't cut it can

1939
01:37:29,200 --> 01:37:32,400
Speaker 2: bash your brains in like, funk out of here, dude,

1940
01:37:32,479 --> 01:37:35,960
Speaker 2: So yeah, be careful out there, y'all. All right, you

1941
01:37:35,960 --> 01:37:39,000
Speaker 2: see a cane sword in somebody's house, or you get

1942
01:37:39,040 --> 01:37:40,600
Speaker 2: a new roommate and they want to move in and

1943
01:37:40,640 --> 01:37:42,160
Speaker 2: be like, let me put my cane sword on a while,

1944
01:37:42,280 --> 01:37:45,120
Speaker 2: just go ahead and move out. It's not if.

1945
01:37:45,040 --> 01:37:50,160
Speaker 9: Anyone if they trying to look like a teenager turtle, Like,

1946
01:37:50,760 --> 01:37:54,160
Speaker 9: don't that person like Justin Justin and Brown like he's

1947
01:37:54,200 --> 01:37:56,280
Speaker 9: like always like yeah, you know I got these size.

1948
01:37:56,360 --> 01:37:59,680
Speaker 4: I'm like, I would never want to live with you, bro, trust.

1949
01:37:59,640 --> 01:38:01,800
Speaker 3: That you know how to use those and then you try

1950
01:38:01,840 --> 01:38:04,040
Speaker 3: to altras that I'll be saying.

1951
01:38:03,800 --> 01:38:06,240
Speaker 2: Right, And that's why I don't be coming out everybody house,

1952
01:38:06,400 --> 01:38:08,599
Speaker 2: you know, because you think they cool and you walk

1953
01:38:08,600 --> 01:38:11,560
Speaker 2: in you see motherfucking some nunchucks on the wall, and

1954
01:38:11,560 --> 01:38:14,160
Speaker 2: you're like, Bro, you still have to tell people you

1955
01:38:14,240 --> 01:38:16,280
Speaker 2: into this so they can know not to hang out

1956
01:38:16,520 --> 01:38:18,680
Speaker 2: like we got to hang out on neutral ground or

1957
01:38:18,680 --> 01:38:20,320
Speaker 2: some shit. I'm not coming to the old house and

1958
01:38:20,360 --> 01:38:24,040
Speaker 2: being on my own news segment, Brandon, tell everybody where

1959
01:38:24,080 --> 01:38:26,599
Speaker 2: to find where to find you and the support draft

1960
01:38:26,680 --> 01:38:27,519
Speaker 2: Drunk Black History.

1961
01:38:28,000 --> 01:38:30,280
Speaker 3: Yeah, folks, y'all can follow me at American Collins and

1962
01:38:30,360 --> 01:38:33,800
Speaker 3: all social media platforms. I have the podcast media Podcorn

1963
01:38:34,080 --> 01:38:36,600
Speaker 3: that's available on all podcasts applications. Then of course that

1964
01:38:36,760 --> 01:38:39,679
Speaker 3: Drunk Black History. Our next shows on Thursday, February twenty

1965
01:38:39,680 --> 01:38:41,080
Speaker 3: third at the Bellhouse of Brooklyn.

1966
01:38:41,360 --> 01:38:44,160
Speaker 4: It's with a host by myself and Gordon Baker Bone

1967
01:38:44,240 --> 01:38:46,479
Speaker 4: and we have a dope lineup of talent that are.

1968
01:38:46,400 --> 01:38:49,120
Speaker 3: Going to talk about black historic, cool figures and events

1969
01:38:49,280 --> 01:38:51,200
Speaker 3: that haven't gotten their due. You can get tickets at

1970
01:38:51,240 --> 01:38:53,160
Speaker 3: Drunk black History dot com. I just put the link

1971
01:38:54,000 --> 01:38:56,080
Speaker 3: in the chat, but drunklack History dot comms where you

1972
01:38:56,120 --> 01:38:58,759
Speaker 3: can get tickets for both in person and live streaming.

1973
01:38:58,840 --> 01:39:01,080
Speaker 3: We have both of those options available, but hopefully you

1974
01:39:01,120 --> 01:39:02,920
Speaker 3: can make it out in person because the energy, like

1975
01:39:03,000 --> 01:39:06,080
Speaker 3: Rod said earlier, is just another level. You can't quite

1976
01:39:06,120 --> 01:39:08,640
Speaker 3: get it through the live stream, but we try, you know,

1977
01:39:08,760 --> 01:39:10,559
Speaker 3: as much as we can, so hopefully you.

1978
01:39:10,560 --> 01:39:13,000
Speaker 4: All can make it out and celebrate some Black history

1979
01:39:13,040 --> 01:39:13,360
Speaker 4: with us.

1980
01:39:13,880 --> 01:39:16,320
Speaker 2: That do that, y'all, and you know we support black

1981
01:39:16,400 --> 01:39:20,840
Speaker 2: history around here. Until next time, I love you,