WEBVTT - SYSK Selects: How the Rosetta Stone Works

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<v Speaker 1>Hey there everyone, it's me Josh and for this week's

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<v Speaker 1>s Y s K Selex, I've chosen a two thousand

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<v Speaker 1>thirteen episode, How the Rosetta Stone Works. It's kind of

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<v Speaker 1>amazing actually that had it not been for this one

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<v Speaker 1>government decree that happened to be written in a few

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<v Speaker 1>different languages, we may never have figured out what the

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<v Speaker 1>heck hieroglyphics mean, and they would have been lost forever,

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<v Speaker 1>including the culture that formed the basis of a significant

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<v Speaker 1>portion of Western civilization. So check it out. How the

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<v Speaker 1>Rosetta Stone Works. Coming at you right now. Welcome to

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<v Speaker 1>Stuff You Should Know, a production of My Heart Radios

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<v Speaker 1>How Stuff Works. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles W. Chuck Bryant, and this is

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<v Speaker 1>Stuff you Should Know, the Overly Hot Studio Edition. I

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<v Speaker 1>have a bit of a chill now, you don't, I do.

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<v Speaker 1>I'm not at all hawk. Yeah. You also said hurt

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<v Speaker 1>when our new coworker shook your hand. So what does

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<v Speaker 1>that say that it has a strong hand shape and

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<v Speaker 1>you're always cold? Yeah, it's all these lamps in here. Well,

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<v Speaker 1>Jerry's decorated. It's nice. It is nice. It's just like

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<v Speaker 1>an ikea cattalog. That's right. Um, chuck. How many times

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<v Speaker 1>have you been to Egypt? Um? Kying that trip in

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<v Speaker 1>high school? Zero? Same here. Yeah, And yet we know

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<v Speaker 1>an awful lot about Egypt. Yeah, it's popular, especially ancient Egypt.

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<v Speaker 1>Like I would wager that we probably know more about

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<v Speaker 1>ancient Egypt than modern Egypt. Yeah, most people in the West. Yeah.

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<v Speaker 1>Is there a modern Egypt? There is, and it's undergoing

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<v Speaker 1>quite a bit of turmoil right now. Um okay, I

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<v Speaker 1>just wanted to make sure that you knew that Egypt

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<v Speaker 1>was still around. Yes, okay. Um. Well, the reason that

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<v Speaker 1>you and I know a lot about Egypt is thing

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<v Speaker 1>to a soft science, one of the humanities. You would

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<v Speaker 1>call it, um called egyptology, pretty on the nose name

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<v Speaker 1>for the study of ancient Egypt. Yeah, it's a real

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<v Speaker 1>popular thing and has been for a while a while,

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<v Speaker 1>but not too terribly long, I would say, about the

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<v Speaker 1>beginning of the nineteenth century. Uh. And the reason that

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<v Speaker 1>all of it was foster than that all of it

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<v Speaker 1>came about and that we you and me know about

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<v Speaker 1>Egypt was because of the discovery of a tablet known

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<v Speaker 1>as the rosetta Stone's right, but you can also go

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<v Speaker 1>back even further and make the case that if it

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<v Speaker 1>wasn't for Napoleon Bonaparte, we may not understand Egypt to

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<v Speaker 1>this day. Yeah, that little guy, he wasn't that little though,

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<v Speaker 1>Is that right? Right? He was the average height? Why?

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<v Speaker 1>Why does why do people say that? Then? Where that

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<v Speaker 1>come from? Because some doctor wrote down I think upon

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<v Speaker 1>his death that he was five ft two. But what

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<v Speaker 1>a lot of people don't realize is that the doctor

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<v Speaker 1>was using the French inch, which is longer than the

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<v Speaker 1>British imperial inch. So when you translate five ft two

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<v Speaker 1>from the French inch to the imperial he was about

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<v Speaker 1>five six, which is average height. And uh. The other

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<v Speaker 1>reason why he was called like the little Emperor by

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<v Speaker 1>his armies was because compared to most of his bodyguards

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<v Speaker 1>and his people he had around them, he was shorter

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<v Speaker 1>than them. Yeah. I guess when you're five six, he

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<v Speaker 1>wants some six four dudes around you. So, but the

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<v Speaker 1>idea that he was a very short man is is

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<v Speaker 1>not correct. Yeah, I'd always heard that, but I didn't

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<v Speaker 1>know the story the French inch. There's your band name

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<v Speaker 1>for the day. Although I typically don't like rhyming names.

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<v Speaker 1>French inch doesn't rhyme, it's just it sounds similar. I

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<v Speaker 1>wouldn't call it a rhyme. French and inch. Yeah, French

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<v Speaker 1>of the e and the eye. Yeah, that's nipicky. Well, yeah,

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<v Speaker 1>it's the vowels that rhyme, that the content. Yeah, but

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<v Speaker 1>if you're Steve Maltmous and you put French at the

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<v Speaker 1>end of the line and an inch at the end

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<v Speaker 1>of another, it would be it would be rhymy, and

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<v Speaker 1>you'd sell a lot of records. That's right. Yeah. Um, yeah,

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<v Speaker 1>well there was our pavement reference episode. That's becoming a

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<v Speaker 1>daily thing too. So you want to get on with this, Yeah,

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<v Speaker 1>let's do it. We're gonna be talking Rosetta Stone, not

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<v Speaker 1>the language software, which neither one of us has ever used.

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<v Speaker 1>We're talking about the the real thing, which is actually

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<v Speaker 1>bigger than I thought. You know, many things are smaller

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<v Speaker 1>for me, like when you see him in person, Mona Lisa,

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<v Speaker 1>of course, Mona Lisa small. Like I went to England,

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<v Speaker 1>I was like big Ben, that ain't so big. Yeah,

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<v Speaker 1>I don't think I had the impression of big Bembo

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<v Speaker 1>just kind of underwhelmed. It definitely didn't seem big, whereas

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<v Speaker 1>the Eiffel Tower that was bigger than I thought. That

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<v Speaker 1>is where I developed a fear of heights that still

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<v Speaker 1>plagues me to this day. Like, it literally happened to

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<v Speaker 1>me on the Eiffel Tower on the way up. Never

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<v Speaker 1>had a few of heights in my entire life. On

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<v Speaker 1>the way down, I like was hanging on to the fence,

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<v Speaker 1>and it took me forever to get down because I

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<v Speaker 1>was suddenly deathly afraid of it just hit me just

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<v Speaker 1>my brain uh changed. How old were you? Uh? Seventeen? Is? Wow? Yeah,

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<v Speaker 1>I didn't go up to the top. I probably missed out.

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<v Speaker 1>I didn't either. It was the first level that got

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<v Speaker 1>me really man. Wow, alright, so um, anyway, where was

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<v Speaker 1>I going? Oh, it's bigger than I thought it was.

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<v Speaker 1>It is um black basalt, and it weighs about three

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<v Speaker 1>quarters of a ton um inches high point five wide

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<v Speaker 1>and twelve inches deep. And it's it's large, it's heavy,

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<v Speaker 1>it's um. You didn't write this, did you know? No? Um,

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<v Speaker 1>it's about the size of a heavy coffee table. Were

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<v Speaker 1>you about to make fun of something? No? I was

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<v Speaker 1>just gonna say. Whoever wrote this reference referenced an L

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<v Speaker 1>c D TV medium size. Yeah, a medium screen l

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<v Speaker 1>C D television. Oh, by the way, thank you Teresa

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<v Speaker 1>Dove fan request. That's who requested this one. Yeah. Okay, so, um,

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<v Speaker 1>it's larger than I thought. And I learned a lot

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<v Speaker 1>about this. I thought the Rosetta stone because I'm a dummy, Um,

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<v Speaker 1>was literally like, here's what our alphabet is, and here's

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<v Speaker 1>what everything means. And now that you found it, you

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<v Speaker 1>can decipher everything. Yeah. I think I had the same

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<v Speaker 1>impression as well. Until I read this, I thought it

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<v Speaker 1>was like created as a key to hieroglyphics. Not at all.

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<v Speaker 1>Not so it was a government document. Basically, it's a

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<v Speaker 1>stella stella. Stella is the plural. And uh, it's not

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<v Speaker 1>just the Egyptians that use stella stella. Um, the minds

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<v Speaker 1>have largely been figured out. Their language has from old stella. Yeah. Um,

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<v Speaker 1>well and that's it. Those are the two that use stella. Yeah.

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<v Speaker 1>In this case, it's an inscription carved in three different languages, Greek, hieroglyphics,

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<v Speaker 1>and demotic t not demonic. Yeah, demotic. But since I'm

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<v Speaker 1>from the South, I saw fen my tea, so it

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<v Speaker 1>might sound like I'm saying demonic um. And basically it

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<v Speaker 1>was in the three languages to ensure that everybody could

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<v Speaker 1>read it because it was an official government decree. Not

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<v Speaker 1>super exciting though. No, it wasn't basically what the Rosetta

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<v Speaker 1>stone says. And like you said, it's in three languages.

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<v Speaker 1>There's a decree that says um, essentially that Ptolemy the

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<v Speaker 1>fifth is a great ruler and he is a righteous

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<v Speaker 1>worshiper of all the right gods, so he's okay in

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<v Speaker 1>our book. And this decree was made by some priests

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<v Speaker 1>who gathered at Memphis, and they um inscribed the stoner

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<v Speaker 1>had and inscribed and dated March. And it's not It

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<v Speaker 1>doesn't actually say March. Hieroglyphics. It says eighteen must sure,

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<v Speaker 1>which on the Egyptian calendar translates to something like um

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<v Speaker 1>March uh. And then they got the because somewhere in

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<v Speaker 1>there the references the ninth year of Ptolemy the fifth reign,

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<v Speaker 1>which is about so that's where they got the date

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<v Speaker 1>from the what we would in the West equated to yeah,

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<v Speaker 1>so um, like we said, it doesn't say anything of

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<v Speaker 1>particular interest. At the time, it was an important message,

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<v Speaker 1>but it's not the Rosetta stone because of what is

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<v Speaker 1>transcribed upon that stone. No, it's the fact that it's

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<v Speaker 1>in three different languages exactly. Yeah. So there's, like you said,

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<v Speaker 1>hieroglyphics demotic and Greek, and hieroglyphics were a sacred um alphabet. Yeah,

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<v Speaker 1>they used that for really important stuff. So I didn't

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<v Speaker 1>know this either. I thought just any old thing they

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<v Speaker 1>wanted to write was a hieroglyph Now that's what they

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<v Speaker 1>had demiotic for or demotic that was kind of like

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<v Speaker 1>an abbreviated shorthand more vulgar version of hieroglyphics. Yeah. And

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<v Speaker 1>in between that was hieratic um, which was slightly more

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<v Speaker 1>complicated than demotic, but less complicated and not sacred like hieroglyphics. Yeah,

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<v Speaker 1>it was like a kind of a transition between um

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<v Speaker 1>demotic and hieroglyphics cursive, right, so you can um, so

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<v Speaker 1>you could use um hieratic for like a business transaction.

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<v Speaker 1>But if you were saying the king is a very

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<v Speaker 1>righteous ruler and you mentioned the gods, you're going to

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<v Speaker 1>use hieroglyphics, so to have it written in Greek uh demotic,

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<v Speaker 1>which was an offshoot of hieratic which was an off

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<v Speaker 1>shoot of hieroglyphics and um, hieroglyphics. These priests that gathered

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<v Speaker 1>and issued this decree that was written on the Rosetta Stone,

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<v Speaker 1>they made sure that everyone in Egypt two was literate,

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<v Speaker 1>could read this one way or another. Yeah, And it

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<v Speaker 1>was sort of not a stroke of luck. I mean,

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<v Speaker 1>it was just smart thinking at the time, but ended

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<v Speaker 1>up being a stroke of luck because the three languages,

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<v Speaker 1>I mean, without that, I don't think we we may

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<v Speaker 1>have never been able to figure out hieroglyphics. No, agreed,

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<v Speaker 1>and I've been lost forever exactly. Um. And that's that's

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<v Speaker 1>not the only way that the Rosetta Stone was kind

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<v Speaker 1>of a bit of fortune. But um. So the reason

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<v Speaker 1>that it was lost was up until the fourth century

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<v Speaker 1>a d any average Egyptian could have read the Rosetta

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<v Speaker 1>Stone one way or another. But after that the egypt

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<v Speaker 1>it left the pharonic stage. Cleopatro is the last pharaoh

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<v Speaker 1>of Egypt, and then it came to be ruled by

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<v Speaker 1>the Greeks. Later on the Romans, the Tlamites, um and

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<v Speaker 1>a bunch of different foreigners or different groups, and with

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<v Speaker 1>these groups came the introduction of new gods and the

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<v Speaker 1>suppression of old gods. And since hieroglyphics were um very

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<v Speaker 1>much religious nature. They're sacred or holy, but associated with

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<v Speaker 1>those old gods, hieroglyphics itself came to be cut off,

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<v Speaker 1>stop suppressed. Yeah, especially Christianity. Um. They tended to want

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<v Speaker 1>to get rid of other competing gods and languages that

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<v Speaker 1>are tied to those gods a right. But luckily we

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<v Speaker 1>still had Demotic, that's right. And Demotic wasn't taboo. Um.

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<v Speaker 1>That eventually became what's known as Coptic, and Coptic used

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<v Speaker 1>um some Greek um and then a little bit of

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<v Speaker 1>still of the hieroglyphic symbols. So there's still like this

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<v Speaker 1>is just a little bit, very tenuous link between Coptic

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<v Speaker 1>and hieroglyphics. But then Coptic is lost, it's pushed out

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<v Speaker 1>by Arabic. Yeah, and then that was like way gone,

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<v Speaker 1>goodbye hieroglyphics. That's it. That was like the hieroglyphics is

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<v Speaker 1>no longer understood by anyone walking planet Earth. And that

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<v Speaker 1>means that all of the ancient Egyptian civilization itself was lost. Yeah,

0:11:59.840 --> 0:12:03.839
<v Speaker 1>that and years aside from its structures. Um, the the

0:12:03.960 --> 0:12:07.120
<v Speaker 1>thought put into it, the reasoning behind it, all the explanations,

0:12:07.160 --> 0:12:09.280
<v Speaker 1>all of the inscriptions, all the writing all over these

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<v Speaker 1>ancient buildings are understood by no one now, and then

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<v Speaker 1>as a result of that, the buildings themselves, the last

0:12:17.440 --> 0:12:23.640
<v Speaker 1>vestiges of this ancient civilization, are deconstructed and used for

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<v Speaker 1>the next wave by new rulers, and so ancient Egyptian

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<v Speaker 1>culture is lost to to the mists of time. Yeah wow,

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<v Speaker 1>thanks very nice. Yeah, there was no love lost. They

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<v Speaker 1>were basically like, we don't need this language anymore, we

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<v Speaker 1>don't need these sacred buildings anymore. They're paying anyway, Let's

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<v Speaker 1>tear them all down, build up new ones. And oddly,

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<v Speaker 1>the Rosetta stone was actually used as a buttress in

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<v Speaker 1>a wall of a new building. Yes, so part of

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<v Speaker 1>the construction, right, that's how. This is another way that

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<v Speaker 1>this is all the stroke of luck after strokes of luck.

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<v Speaker 1>So the first stroke of luck, as you pointed out,

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<v Speaker 1>is that they just happen to decree that this thing

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<v Speaker 1>be written in three languages. Yeah, okay, same message in

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<v Speaker 1>three languages. Then it's used for a building a wall, right, Yeah.

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<v Speaker 1>Then it happens to be discovered by some French who

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<v Speaker 1>are marooned in Egypt because they got crushed by the

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<v Speaker 1>British right when they tried to invade. Yeah, I guess

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<v Speaker 1>let's talk about that person. The French thought, hey, we

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<v Speaker 1>need to we need to get a stronghold on India eventually,

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<v Speaker 1>and Napoleon said, I think a good way to do

0:13:34.800 --> 0:13:39.200
<v Speaker 1>that is to start a little further away, and let's

0:13:39.200 --> 0:13:43.480
<v Speaker 1>say Egypt. Let's cut off the the Brits access to

0:13:43.480 --> 0:13:46.640
<v Speaker 1>the Nile River and that will really help our cause. Unfortunately,

0:13:47.080 --> 0:13:50.600
<v Speaker 1>the Brits at a great navy and pretty much destroyed

0:13:50.679 --> 0:13:53.240
<v Speaker 1>all their ships and stranded them in Egypt for what

0:13:53.400 --> 0:13:56.840
<v Speaker 1>nineteen years? Yeah? Yeah, And so for the French, whose

0:13:57.040 --> 0:14:01.679
<v Speaker 1>ships were now at the bottom of Abu Here bay Um,

0:14:01.840 --> 0:14:05.320
<v Speaker 1>they decided that they really kind of needed to set

0:14:05.360 --> 0:14:11.400
<v Speaker 1>themselves to creating forts, like since we're here, right um.

0:14:11.440 --> 0:14:14.800
<v Speaker 1>And it wasn't just military that was there part of

0:14:14.880 --> 0:14:18.280
<v Speaker 1>this invasion, this um strategy that Napoleon had come up

0:14:18.280 --> 0:14:21.640
<v Speaker 1>with to take over Egypt, it was kind of a

0:14:21.680 --> 0:14:25.120
<v Speaker 1>hearts and mind strategy too, and so he created something

0:14:25.120 --> 0:14:27.760
<v Speaker 1>called the Institute of Egypt, also known as the Scientific

0:14:27.800 --> 0:14:34.479
<v Speaker 1>and Artistic Commission UH. Mineralogists mathematicians, art historians, of engineers, chemists,

0:14:34.880 --> 0:14:37.720
<v Speaker 1>all like all of these people from the letters and

0:14:37.800 --> 0:14:44.000
<v Speaker 1>sciences um brought together to understand and study Egypt. Yeah.

0:14:44.000 --> 0:14:47.040
<v Speaker 1>They were actually given military rank, but they weren't. I

0:14:47.080 --> 0:14:50.400
<v Speaker 1>think that was just more of a here, just so

0:14:50.480 --> 0:14:54.280
<v Speaker 1>we'll call you military, Like they weren't from military backgrounds,

0:14:54.360 --> 0:14:58.280
<v Speaker 1>so they're thinkers. But they were among this invading force

0:14:59.000 --> 0:15:01.840
<v Speaker 1>that was less ended in France, so as the real

0:15:01.920 --> 0:15:05.000
<v Speaker 1>military guys were billing the forts, the people from the

0:15:05.040 --> 0:15:08.520
<v Speaker 1>Institute Egypt starts studying Egypt. Yeah, I guess they were

0:15:08.560 --> 0:15:14.320
<v Speaker 1>the first Egyptologists. Yeah. Boy, it was close. Uh, they

0:15:14.360 --> 0:15:18.160
<v Speaker 1>definitely were. Uh, and it was very covert operation, Like

0:15:18.160 --> 0:15:20.400
<v Speaker 1>they weren't really allowed to talk about what they were

0:15:20.400 --> 0:15:23.720
<v Speaker 1>doing that much except to just say, hey, we're following

0:15:23.800 --> 0:15:26.280
<v Speaker 1>Napoleon's orders, acting on behalf of the good of the

0:15:26.320 --> 0:15:30.000
<v Speaker 1>French Republic. This is what we're doing. Don't ask any questions, Yeah,

0:15:30.120 --> 0:15:32.040
<v Speaker 1>that's what. Don't ask why I have this measuring tape

0:15:32.040 --> 0:15:35.960
<v Speaker 1>out or why I'm transcribing things from papyrus. But they did, um,

0:15:36.200 --> 0:15:40.240
<v Speaker 1>they did become I guess, embedded with the local population

0:15:40.320 --> 0:15:42.400
<v Speaker 1>as well to help learn as much as they could.

0:15:42.840 --> 0:15:46.400
<v Speaker 1>And so it's under this climate that French soldier one day,

0:15:46.640 --> 0:15:53.080
<v Speaker 1>UM finds this very polished black stone that's inscribed and

0:15:53.200 --> 0:15:56.560
<v Speaker 1>something about it told him that it was pretty important.

0:15:56.640 --> 0:16:01.560
<v Speaker 1>So we took it to these um early gyptologists, the French,

0:16:02.200 --> 0:16:05.240
<v Speaker 1>and said, you guys think this is important and they

0:16:05.280 --> 0:16:10.440
<v Speaker 1>said yes, yeah. That was Lieutenant Pierre Francois Bouchard, and uh,

0:16:10.480 --> 0:16:13.040
<v Speaker 1>he took it to his boss and they they said, okay,

0:16:13.080 --> 0:16:14.960
<v Speaker 1>this is weird that this is built into a wall,

0:16:15.640 --> 0:16:18.960
<v Speaker 1>but it's clearly something of note and maybe we should

0:16:19.000 --> 0:16:22.280
<v Speaker 1>take a closer look at it. And um, immediately they

0:16:22.440 --> 0:16:25.240
<v Speaker 1>started to get to work on trying to transcribe it.

0:16:25.400 --> 0:16:28.720
<v Speaker 1>Super difficult at the time, um, and would prove to

0:16:28.760 --> 0:16:33.120
<v Speaker 1>be difficult over the years. UM. It eventually ended up

0:16:33.160 --> 0:16:36.920
<v Speaker 1>in the hands of England, of course, but luckily these uh,

0:16:37.080 --> 0:16:41.360
<v Speaker 1>the Institute of Egypt people made copies of it. Yeah.

0:16:41.400 --> 0:16:44.720
<v Speaker 1>I think that like etchings or the plaster molds and things,

0:16:44.800 --> 0:16:48.880
<v Speaker 1>I'm sure, yeah, but they had readable copies of the

0:16:49.000 --> 0:16:51.440
<v Speaker 1>Rosetta stone, so when they did give it up to

0:16:51.440 --> 0:16:54.880
<v Speaker 1>the British, it wasn't entirely lost to them, that's right,

0:16:54.960 --> 0:16:58.040
<v Speaker 1>and give it up as in not here have this.

0:16:58.680 --> 0:17:01.920
<v Speaker 1>It was more like here, we're making this in the

0:17:01.960 --> 0:17:04.360
<v Speaker 1>Treaty of Alexandria. We're gonna take this in a bunch

0:17:04.359 --> 0:17:08.639
<v Speaker 1>of other stuff. So now basically you have the French

0:17:09.000 --> 0:17:12.680
<v Speaker 1>and the British both have the Rosetta stone. The one

0:17:12.720 --> 0:17:15.320
<v Speaker 1>group that doesn't are the Egyptians, but we'll get to

0:17:15.359 --> 0:17:37.439
<v Speaker 1>that later. Both of them recognize that this is a

0:17:37.720 --> 0:17:42.640
<v Speaker 1>very very important something. They know that it's some sort

0:17:42.640 --> 0:17:45.480
<v Speaker 1>of decree. They recognize that it's in three different languages,

0:17:45.680 --> 0:17:48.399
<v Speaker 1>and I think it becomes obvious to them that this

0:17:48.440 --> 0:17:53.960
<v Speaker 1>could be the key to understanding higher glyphs, which people

0:17:54.000 --> 0:17:57.359
<v Speaker 1>have tried to understand. This is not new people going

0:17:57.440 --> 0:18:03.720
<v Speaker 1>back to a fellow named um Hoopolo who was a

0:18:03.760 --> 0:18:08.000
<v Speaker 1>fifth century scholar. Supposedly he may not have actually existed.

0:18:08.680 --> 0:18:15.199
<v Speaker 1>Um he created basically what was a translation for hieroglyphics, right,

0:18:15.640 --> 0:18:18.480
<v Speaker 1>but it was a false translation, as we'll see. But

0:18:18.960 --> 0:18:23.240
<v Speaker 1>you know, dating back basically from the moment that hieroglyphics

0:18:23.240 --> 0:18:27.320
<v Speaker 1>were lost to history, people have tried to understand them.

0:18:27.359 --> 0:18:30.160
<v Speaker 1>So these this this was the British and the French

0:18:30.200 --> 0:18:32.280
<v Speaker 1>were aware of this, like this may be the key

0:18:32.320 --> 0:18:36.439
<v Speaker 1>to these mysterious hieroglyphics and this is important, so we're

0:18:36.480 --> 0:18:38.600
<v Speaker 1>going to try to translate it. Yeah. Well it became

0:18:38.840 --> 0:18:41.760
<v Speaker 1>a race really because they didn't like each other very

0:18:41.840 --> 0:18:43.800
<v Speaker 1>much and they both wanted to be the first ones

0:18:43.880 --> 0:18:46.680
<v Speaker 1>to to figure out what these hieroglyphics meant and how

0:18:46.680 --> 0:18:51.080
<v Speaker 1>to unlock this history and um, so they sent their best,

0:18:51.080 --> 0:18:53.320
<v Speaker 1>in their brightest. On the English side, the British side,

0:18:54.000 --> 0:18:56.800
<v Speaker 1>it was a scholar named Thomas Young, and then on

0:18:56.880 --> 0:19:01.320
<v Speaker 1>the French side we had Jean Francois show Polion, who

0:19:02.720 --> 0:19:05.360
<v Speaker 1>he was sort of born to do this. Apparently he

0:19:05.440 --> 0:19:08.959
<v Speaker 1>was way into Egypt as a kid even and as

0:19:09.000 --> 0:19:11.040
<v Speaker 1>a young child said I'm gonna I'm gonna figure out

0:19:11.080 --> 0:19:14.240
<v Speaker 1>hieroglyphics one day. Yeah. He was even called the Egyptian

0:19:14.280 --> 0:19:18.080
<v Speaker 1>because he had dark skin and dark hair. And um,

0:19:18.119 --> 0:19:21.480
<v Speaker 1>I think a magician like foretold his fame one day. Yeah,

0:19:21.480 --> 0:19:23.960
<v Speaker 1>when he was born. Supposedly a magician said this guy

0:19:24.000 --> 0:19:27.320
<v Speaker 1>is gonna be famous, and and he was and um, yeah,

0:19:27.320 --> 0:19:31.440
<v Speaker 1>he was a very talented linguist. He studied under a

0:19:32.200 --> 0:19:39.360
<v Speaker 1>guy named um Sylvester de Sassy. Yeah, Antoine Isaac Sylvester

0:19:39.480 --> 0:19:43.400
<v Speaker 1>de Sassy. Uh, he um, who would take a crack

0:19:43.440 --> 0:19:48.399
<v Speaker 1>at the Rosetta stone. But he trained Uh Shampolion. Is

0:19:48.480 --> 0:19:53.119
<v Speaker 1>that how we're saying it? Well, yeah, sure he trained him. Um,

0:19:53.160 --> 0:19:57.119
<v Speaker 1>but Champoleon quickly became went from student to master. He

0:19:57.200 --> 0:20:00.160
<v Speaker 1>applied for he applied to be a student at an

0:20:00.160 --> 0:20:03.840
<v Speaker 1>institute in Paris, and they were impressed enough with his

0:20:03.880 --> 0:20:06.040
<v Speaker 1>application that they said, how about you just skip the

0:20:06.040 --> 0:20:08.800
<v Speaker 1>school part and come beyond the faculty. That's pretty good. Yeah,

0:20:08.840 --> 0:20:11.840
<v Speaker 1>that's a talented linguist. Yeah. They said the same thing

0:20:11.840 --> 0:20:13.840
<v Speaker 1>when I applied to Georgia. Is that right? Like you

0:20:13.880 --> 0:20:16.199
<v Speaker 1>just want to go and be an English teacher? Yeah? Na,

0:20:16.680 --> 0:20:18.520
<v Speaker 1>oh really you turned down? Huh sure I wanted to

0:20:18.520 --> 0:20:24.240
<v Speaker 1>be a student. Oh gotcha. Um. So before all this happens, Um,

0:20:24.320 --> 0:20:28.000
<v Speaker 1>we we have the Greek inscription transcribed, which that was

0:20:28.040 --> 0:20:31.440
<v Speaker 1>Reverend Stephen Watson in eighteen o two. And I don't

0:20:31.440 --> 0:20:34.200
<v Speaker 1>want to say it was no big deal, but there

0:20:34.200 --> 0:20:36.239
<v Speaker 1>were quite a few people that could have done this.

0:20:36.320 --> 0:20:39.720
<v Speaker 1>It wasn't like unlocking hieroglyphics, but it was a necessary

0:20:39.760 --> 0:20:42.560
<v Speaker 1>part of the process. So we want to give him

0:20:42.600 --> 0:20:44.760
<v Speaker 1>his due. So we have a we have a translation

0:20:44.920 --> 0:20:49.400
<v Speaker 1>and accurate translation of what the says exactly. So that's

0:20:49.400 --> 0:20:53.440
<v Speaker 1>step one. And if you have one translated, then if

0:20:53.440 --> 0:20:55.160
<v Speaker 1>you're a linguist, I guess. I mean it sounds really

0:20:55.160 --> 0:20:58.120
<v Speaker 1>difficult to do too. I mean it's I can't imagine

0:20:58.119 --> 0:21:03.440
<v Speaker 1>the painstaking the process of figuring out and alphabet. Yeah,

0:21:03.480 --> 0:21:05.119
<v Speaker 1>I mean, I think about how hard it is to

0:21:05.200 --> 0:21:09.600
<v Speaker 1>translate a well known language in a language that you speak.

0:21:09.760 --> 0:21:16.920
<v Speaker 1>Imagine translating uh, language that's totally lost into something understandable. Um.

0:21:16.960 --> 0:21:19.159
<v Speaker 1>So we had the Greek and then eventually we had

0:21:19.200 --> 0:21:25.240
<v Speaker 1>the Demotic as well. Um. Yeah, thanks to Yeah Antoine Uh.

0:21:25.280 --> 0:21:27.920
<v Speaker 1>And that same year, at the same time, a Swedish

0:21:27.960 --> 0:21:34.000
<v Speaker 1>diplomat named Aker balade Um also translated the demotic um

0:21:34.040 --> 0:21:36.639
<v Speaker 1>and they both went about it two different ways. I

0:21:36.640 --> 0:21:39.600
<v Speaker 1>thought this was pretty interesting. Yeah, So do saucy Um

0:21:39.800 --> 0:21:42.639
<v Speaker 1>figured out that there were two proper names at least

0:21:42.680 --> 0:21:46.840
<v Speaker 1>in there, Ptolemy and Alexander, and he used those to

0:21:47.080 --> 0:21:52.119
<v Speaker 1>match up sounds and symbols. Um Aker Blade probably had

0:21:52.160 --> 0:21:56.640
<v Speaker 1>the bigger breakthrough. He used a different technique. He recognized

0:21:56.720 --> 0:22:01.399
<v Speaker 1>that there was something similar between Demotic and Coptic, and

0:22:01.400 --> 0:22:04.800
<v Speaker 1>he was well schooled and Coptic, which helped obviously. Yeah,

0:22:04.840 --> 0:22:07.640
<v Speaker 1>that that was his big breakthrough. He he figured out

0:22:07.720 --> 0:22:11.000
<v Speaker 1>what words spelled love, temple and Greek, and he used

0:22:11.040 --> 0:22:16.080
<v Speaker 1>that to form basically this rough uh structure for Demotic

0:22:16.160 --> 0:22:19.160
<v Speaker 1>based on his awareness of Coptic. Yeah, that's only eleven letters.

0:22:19.160 --> 0:22:21.800
<v Speaker 1>That's pretty impressive. Yeah, but I mean, if you've got

0:22:21.840 --> 0:22:24.760
<v Speaker 1>eleven letters, that's a decent I think they called it

0:22:24.800 --> 0:22:27.520
<v Speaker 1>a skeletal outline. I guess that's what you'd have. Well, yeah,

0:22:27.560 --> 0:22:30.160
<v Speaker 1>I mean, especially since Coptic was only what twenty two

0:22:30.160 --> 0:22:32.959
<v Speaker 1>plus a couple more from hieroglyphics, it's like a big

0:22:33.000 --> 0:22:36.360
<v Speaker 1>wheel of fortune game, yes to that, right. So the

0:22:36.359 --> 0:22:39.960
<v Speaker 1>thing is, though, this established connection now between coptic and

0:22:40.040 --> 0:22:44.280
<v Speaker 1>Demotic and then Demonic and hieroglyphics, since they're side by side,

0:22:44.680 --> 0:22:48.119
<v Speaker 1>that kind of opened up this mentality that would be

0:22:48.160 --> 0:22:52.520
<v Speaker 1>needed to finally crack the hieroglyphics for for um, the

0:22:52.600 --> 0:22:56.160
<v Speaker 1>Rosetta Stone. And Thomas Young was the first to really

0:22:56.160 --> 0:22:59.520
<v Speaker 1>try it. He was the British guy, and he got

0:23:00.080 --> 0:23:04.560
<v Speaker 1>somewhat far, but he gave up. Yeah, he in eighteen fourteen.

0:23:04.680 --> 0:23:07.639
<v Speaker 1>His big breakthrough was figuring out what a cartouche was,

0:23:08.440 --> 0:23:12.400
<v Speaker 1>and that is Um, it's they say oval, but it's

0:23:12.440 --> 0:23:15.400
<v Speaker 1>a little more squared away with round edges. But it's

0:23:15.400 --> 0:23:19.040
<v Speaker 1>a loop basically with hieroglyphic characters in it. And he

0:23:19.080 --> 0:23:23.320
<v Speaker 1>figured out that these are not only proper names, but

0:23:23.440 --> 0:23:27.320
<v Speaker 1>royal names. Anything containing containing a cartouche is a royal name,

0:23:27.960 --> 0:23:30.840
<v Speaker 1>which was a big breakthrough because he identified tolem Me

0:23:31.760 --> 0:23:37.919
<v Speaker 1>the pharaoh's name in one of the car cartouches cartouche cartouches,

0:23:38.840 --> 0:23:42.480
<v Speaker 1>and uh, his queen Baronica was in there as well,

0:23:42.560 --> 0:23:44.840
<v Speaker 1>So he said, you know what again, I've got these

0:23:44.840 --> 0:23:48.080
<v Speaker 1>two names now to work with. Um. But he was

0:23:48.119 --> 0:23:53.119
<v Speaker 1>still working on Haro Polo's false premise that hieroglyphics was

0:23:53.200 --> 0:23:55.439
<v Speaker 1>not phonetic in nature and that it was based just

0:23:55.520 --> 0:24:00.080
<v Speaker 1>on symbols. Right, That's what Harropolo's big contribution was to

0:24:00.119 --> 0:24:04.639
<v Speaker 1>confuse a centuries worth of scholars. It's not bad for

0:24:04.760 --> 0:24:07.080
<v Speaker 1>young because he was onto something. And if he wasn't

0:24:07.160 --> 0:24:10.040
<v Speaker 1>using that the fake or or not fake but just

0:24:10.080 --> 0:24:12.280
<v Speaker 1>the poor system, then he might have figured it out. Right.

0:24:12.560 --> 0:24:15.800
<v Speaker 1>So this is the thing, like everyone believed Popolo. Because

0:24:16.040 --> 0:24:22.120
<v Speaker 1>Roppolo claimed that his translation was a direct translation from hieroglyphic.

0:24:22.720 --> 0:24:26.080
<v Speaker 1>It was written in the fifth century a d. Right

0:24:26.080 --> 0:24:30.119
<v Speaker 1>around the time we lost hieroglyphics, so it was considered

0:24:30.520 --> 0:24:38.320
<v Speaker 1>to be a primary source and basically completely reasonable. But

0:24:38.359 --> 0:24:40.920
<v Speaker 1>it was wrong. It was wrong because it said that

0:24:41.119 --> 0:24:45.840
<v Speaker 1>hieroglyphics are symbolic. So like, if you see a cart

0:24:46.600 --> 0:24:48.520
<v Speaker 1>a picture that looks like a cart next to a

0:24:48.560 --> 0:24:53.160
<v Speaker 1>cat and then a lizard, what that should say under

0:24:53.280 --> 0:24:59.360
<v Speaker 1>Hiropolo's translation is cart, cat lizard. This kept throwing everybody

0:24:59.400 --> 0:25:03.000
<v Speaker 1>off because it didn't make sense, especially right, especially when

0:25:03.040 --> 0:25:05.800
<v Speaker 1>compared to the Greek translation. In the translation of Demotic,

0:25:06.200 --> 0:25:09.320
<v Speaker 1>it didn't make any sense whatsoever. So, like you said,

0:25:09.359 --> 0:25:11.960
<v Speaker 1>Young gave up, but he published his findings, and you

0:25:12.000 --> 0:25:14.679
<v Speaker 1>can really strongly make a case that had it not

0:25:14.800 --> 0:25:20.199
<v Speaker 1>been for Young's breakthrough, Uh, Champolion would not have cracked

0:25:20.200 --> 0:25:23.720
<v Speaker 1>the Rosetta Stone. No, which uh we should mention here

0:25:23.760 --> 0:25:27.840
<v Speaker 1>that like they should just accept each other as as

0:25:28.040 --> 0:25:30.760
<v Speaker 1>co workers and colleagues and get along. But there was

0:25:30.800 --> 0:25:34.600
<v Speaker 1>a competition that exists to this day of who what

0:25:34.680 --> 0:25:38.480
<v Speaker 1>country claims that they translated the Rosetta Stone. The French

0:25:38.520 --> 0:25:41.399
<v Speaker 1>still say that champaign was really the one. The Brits

0:25:41.400 --> 0:25:44.280
<v Speaker 1>obviously say, no, it was really young, and even when

0:25:44.280 --> 0:25:46.840
<v Speaker 1>they displayed it in nineteen seventy two with the one

0:25:46.840 --> 0:25:49.320
<v Speaker 1>of the few times it's left England or maybe the

0:25:49.320 --> 0:25:55.119
<v Speaker 1>only time they let France display it for like a year. Um,

0:25:55.160 --> 0:25:57.879
<v Speaker 1>they argued about the size of the photos of the

0:25:57.920 --> 0:26:00.639
<v Speaker 1>two on both sides of it, when in fact the

0:26:00.640 --> 0:26:03.640
<v Speaker 1>photos were the same size of Young and Champollion. Yeah,

0:26:03.720 --> 0:26:07.360
<v Speaker 1>not photos but portraits. Yeah, But the French were like, well, no,

0:26:07.440 --> 0:26:10.320
<v Speaker 1>Young's is bigger. The Brits were like, no, his is bigger,

0:26:10.760 --> 0:26:12.400
<v Speaker 1>and they were the same size. So they were really

0:26:12.440 --> 0:26:16.399
<v Speaker 1>just they never came to a common ground on who

0:26:16.440 --> 0:26:18.240
<v Speaker 1>did it, when in fact they both did. And there

0:26:18.240 --> 0:26:22.119
<v Speaker 1>were rumors apparently during that time that France was going

0:26:22.160 --> 0:26:24.000
<v Speaker 1>to to steal the Rosetta stone and keep it and

0:26:24.000 --> 0:26:25.520
<v Speaker 1>not turn it back to England. And this is in

0:26:25.600 --> 0:26:29.080
<v Speaker 1>the nineteen seventies, so it's not like a long time ago. Um.

0:26:29.160 --> 0:26:32.280
<v Speaker 1>So Champagnon picked up in eighteen fourteen where Young left

0:26:32.280 --> 0:26:35.840
<v Speaker 1>off and started to think, you know what, I need

0:26:35.880 --> 0:26:39.879
<v Speaker 1>to think more about this this simple thing that Harapolo like,

0:26:39.880 --> 0:26:41.720
<v Speaker 1>I don't know if he he was on base after all,

0:26:42.280 --> 0:26:45.680
<v Speaker 1>And that was actually the breakthrough he um he got

0:26:45.720 --> 0:26:50.440
<v Speaker 1>some old cartouches, and he figured out, um, that the

0:26:50.520 --> 0:26:52.800
<v Speaker 1>last two letters and one of them were identical. So

0:26:53.720 --> 0:26:55.600
<v Speaker 1>that's a good thing because you know that it's the

0:26:55.640 --> 0:26:57.960
<v Speaker 1>same letter. He figured out that it was the letter

0:26:58.240 --> 0:27:01.600
<v Speaker 1>S and um. Then the first character was a circle,

0:27:01.640 --> 0:27:04.800
<v Speaker 1>and he said, maybe that's the sun and in ancient Egypt,

0:27:04.800 --> 0:27:08.400
<v Speaker 1>the sun god was raw and Coptic. Yeah, and so

0:27:08.960 --> 0:27:13.400
<v Speaker 1>basically figured out that that name was Ramsey's. Yeah. Then

0:27:13.400 --> 0:27:15.439
<v Speaker 1>that was a huge breakthrough. He figured out the the

0:27:15.520 --> 0:27:19.200
<v Speaker 1>identical letters, the last two were sas first one was

0:27:19.320 --> 0:27:21.520
<v Speaker 1>raw and since he knew that it was in a

0:27:21.560 --> 0:27:24.960
<v Speaker 1>cartouche that it was a royal name from that era,

0:27:25.080 --> 0:27:27.359
<v Speaker 1>the only person it could have been was Ramsey. So

0:27:27.880 --> 0:27:29.879
<v Speaker 1>that's how we cracked the code, like you say ye

0:27:30.000 --> 0:27:33.440
<v Speaker 1>and cracked it in like, hey, this is a phonetic thing.

0:27:33.760 --> 0:27:36.640
<v Speaker 1>He was wrong the whole time, and apparently he fainted

0:27:36.640 --> 0:27:40.320
<v Speaker 1>on the spot, which is dramatic. Yeah, I'm kind of cute.

0:27:40.400 --> 0:27:44.879
<v Speaker 1>He was French. Sure. Um. So out of that moment,

0:27:45.600 --> 0:27:48.880
<v Speaker 1>Egyptology was fully born, Like now we had a way

0:27:48.920 --> 0:27:52.359
<v Speaker 1>to understand all this stuff that hadn't been destroyed and

0:27:52.400 --> 0:27:55.240
<v Speaker 1>reused as building material. Just took a long time though.

0:27:55.280 --> 0:27:57.720
<v Speaker 1>It wasn't like they could just read it. It still

0:27:57.800 --> 0:28:00.639
<v Speaker 1>took a lot of translating. Oh yeah, but they had

0:28:00.680 --> 0:28:04.720
<v Speaker 1>the basis. Um. Yeah, all they've done is transcribe one

0:28:04.840 --> 0:28:09.399
<v Speaker 1>single stella. They had millennia worth of things to like

0:28:09.480 --> 0:28:16.120
<v Speaker 1>papyruses and or papyri um and building inscriptions and sarcopha

0:28:16.119 --> 0:28:20.240
<v Speaker 1>guy and all the letters. Yeah, whatever you know. Um,

0:28:20.800 --> 0:28:25.440
<v Speaker 1>And so Egyptology is born, and now that it's understood

0:28:25.720 --> 0:28:29.240
<v Speaker 1>at that moment, there's also a great desire to protect

0:28:29.240 --> 0:28:31.880
<v Speaker 1>Egypt and all of its treasures. Yeah, and to get

0:28:31.920 --> 0:28:34.680
<v Speaker 1>things right because previous to that, in Napoleon and Gang

0:28:34.760 --> 0:28:38.040
<v Speaker 1>did a pretty good job. But they also speculated a lot. Yeah,

0:28:38.040 --> 0:28:40.200
<v Speaker 1>because they couldn't read hybrid glyphic. Yeah, so they ended

0:28:40.280 --> 0:28:42.200
<v Speaker 1>up correcting a lot of things about what they thought

0:28:42.200 --> 0:28:46.080
<v Speaker 1>about Egypt. And Um, like you said, they wanted to

0:28:46.080 --> 0:28:49.760
<v Speaker 1>protect things because Egypt at the time was I mean,

0:28:49.800 --> 0:28:52.480
<v Speaker 1>they were selling these things off to collectors left and

0:28:52.560 --> 0:28:54.880
<v Speaker 1>right because a they didn't know their true value and

0:28:54.920 --> 0:28:58.360
<v Speaker 1>be there was a market for it. Sure, doctors during

0:28:58.400 --> 0:29:02.120
<v Speaker 1>the Middle Ages who were just dummies would use mummies

0:29:02.160 --> 0:29:04.800
<v Speaker 1>from Egypt. Uh, they grind it up and use it

0:29:04.840 --> 0:29:09.200
<v Speaker 1>to cure disease, which didn't work, um, And so there

0:29:09.240 --> 0:29:17.360
<v Speaker 1>was this move to protect Egyptian antiquities from Egyptians. There

0:29:17.440 --> 0:29:21.080
<v Speaker 1>was kind of this patriarchal mentality, especially among the British,

0:29:21.280 --> 0:29:23.680
<v Speaker 1>that we need to get everything out of Egypt and

0:29:23.800 --> 0:29:26.760
<v Speaker 1>into museums and into like the hands of us, who

0:29:26.800 --> 0:29:29.720
<v Speaker 1>will preserve them and not sell them to Middle Age

0:29:30.000 --> 0:29:35.840
<v Speaker 1>or Middle Middle Ages doctors for cure alls. But to

0:29:36.360 --> 0:29:40.760
<v Speaker 1>his credit, in my opinion, Champoleon argued very strongly in

0:29:40.800 --> 0:29:44.720
<v Speaker 1>favor of keeping them, in founding a museum in Egypt

0:29:44.840 --> 0:29:47.440
<v Speaker 1>to store these, keeping them in Egypt. Yeah, I think

0:29:47.480 --> 0:29:49.800
<v Speaker 1>he was a little bit of a control freak, Like

0:29:49.840 --> 0:29:51.520
<v Speaker 1>he knew that he could care for things in the

0:29:51.560 --> 0:29:54.640
<v Speaker 1>proper way, and he I don't think he trusted even

0:29:54.680 --> 0:29:56.800
<v Speaker 1>other museums at the time to care for things in

0:29:56.840 --> 0:29:58.160
<v Speaker 1>the right way. And he was kind of right because

0:29:58.200 --> 0:30:00.600
<v Speaker 1>a lot of it was destroyed. Yeah, Like apparently to

0:30:00.760 --> 0:30:03.360
<v Speaker 1>preserve an ancient papyrus you have to store it in

0:30:03.440 --> 0:30:09.680
<v Speaker 1>a low humidity um area. Yeah, in a chamber, in

0:30:09.760 --> 0:30:14.000
<v Speaker 1>a in a bamboo box container. And they didn't know this,

0:30:14.080 --> 0:30:16.080
<v Speaker 1>and they shipped them by seed to the UK, and

0:30:16.080 --> 0:30:20.960
<v Speaker 1>they all like crumbled the nothingness on the way. Um. Yeah,

0:30:21.400 --> 0:30:25.920
<v Speaker 1>So the Rosettason still sits in the museum in London,

0:30:26.760 --> 0:30:28.720
<v Speaker 1>where it's been since eighteen o two, except for the

0:30:28.760 --> 0:30:31.200
<v Speaker 1>time it went to France briefly. Uh. And in two

0:30:31.240 --> 0:30:34.920
<v Speaker 1>thousand three, egypt I was like, you know what, I

0:30:34.960 --> 0:30:38.520
<v Speaker 1>want this thing back, not I, we want this thing

0:30:38.560 --> 0:30:41.760
<v Speaker 1>back and it's ours and it's I don't care who

0:30:41.800 --> 0:30:45.880
<v Speaker 1>found it, it's ours. And England said in two thousand five,

0:30:45.920 --> 0:30:49.720
<v Speaker 1>took him two years to build a replica and say, hey,

0:30:49.720 --> 0:30:52.200
<v Speaker 1>how about this, this is just like it. I guess

0:30:52.280 --> 0:30:53.920
<v Speaker 1>at least they didn't try to pass it off as

0:30:53.960 --> 0:30:58.360
<v Speaker 1>the real one. Well, yeah, that's true, um cinema replica

0:30:58.360 --> 0:31:00.720
<v Speaker 1>and they're like, I appreciate this, this is nice, but

0:31:00.760 --> 0:31:04.560
<v Speaker 1>we really would like the real thing. And England said no.

0:31:04.840 --> 0:31:08.320
<v Speaker 1>And not just England, but a lot of the big museums,

0:31:08.360 --> 0:31:12.000
<v Speaker 1>the Louvera and um, a bunch of the world museums

0:31:12.080 --> 0:31:15.240
<v Speaker 1>kind of all got together in support of one another

0:31:15.320 --> 0:31:19.680
<v Speaker 1>and said, you know what repaid repatriotation is. We're not

0:31:19.760 --> 0:31:23.040
<v Speaker 1>into it. We're just not gonna give things back anymore

0:31:23.080 --> 0:31:24.680
<v Speaker 1>because we can care for it best. It belongs to

0:31:24.720 --> 0:31:27.560
<v Speaker 1>the world now. And they just sort of banded together

0:31:27.680 --> 0:31:32.120
<v Speaker 1>and said, we're keeping our stuff. And that's I think

0:31:32.120 --> 0:31:34.760
<v Speaker 1>we're it's probably gonna stay. They are trying to get

0:31:34.800 --> 0:31:38.160
<v Speaker 1>it for a I think in two thousand twelve they

0:31:38.160 --> 0:31:40.360
<v Speaker 1>tried to get it for a the grand opening of

0:31:40.400 --> 0:31:43.000
<v Speaker 1>the Grand Egypt Museum. It sounds like it didn't happen,

0:31:43.320 --> 0:31:45.600
<v Speaker 1>But even then they said now they wanted for like

0:31:45.640 --> 0:31:49.000
<v Speaker 1>three weeks and they said nope, under the guys of

0:31:49.640 --> 0:31:51.000
<v Speaker 1>I don't know if it's guys, but they said, would

0:31:51.000 --> 0:31:53.239
<v Speaker 1>be too dangerous to transport it. That's the story they

0:31:53.240 --> 0:31:58.400
<v Speaker 1>have at least. Uh. So that's uh how museums work.

0:31:59.680 --> 0:32:05.360
<v Speaker 1>Pill and deny village and deny Um. You got anything else, No, sir.

0:32:05.560 --> 0:32:07.720
<v Speaker 1>That is the Rosetta stone, everybody. If you want to

0:32:07.800 --> 0:32:10.640
<v Speaker 1>learn more about it, you should type that word. Those

0:32:10.680 --> 0:32:13.320
<v Speaker 1>words are O S E T T A stone in

0:32:13.320 --> 0:32:15.680
<v Speaker 1>the search bar house to works uh and it will

0:32:15.720 --> 0:32:18.880
<v Speaker 1>bring up this article. And since I said search bar

0:32:19.200 --> 0:32:35.840
<v Speaker 1>means it's time for a message by m h uh, Now, chuck,

0:32:35.920 --> 0:32:50.240
<v Speaker 1>it's time for listener mail. Oh no, how about instead? Okay,

0:32:50.400 --> 0:32:51.959
<v Speaker 1>all right, for those of you don't know, this is

0:32:52.080 --> 0:32:55.640
<v Speaker 1>at the point where we read off the people who

0:32:55.720 --> 0:32:57.920
<v Speaker 1>were nice enough to send us little gifts and trinkets

0:32:57.960 --> 0:33:03.080
<v Speaker 1>and music and letters and all sorts to things, and um,

0:33:03.240 --> 0:33:06.160
<v Speaker 1>here we go. Go ahead, all right. Sarah send us

0:33:06.160 --> 0:33:09.720
<v Speaker 1>some cool graphic prints, one of which was you Can't

0:33:09.720 --> 0:33:14.320
<v Speaker 1>Take the Sky from Me from one of my favorite shows, Firefly. Yeah,

0:33:14.480 --> 0:33:18.480
<v Speaker 1>very cool prints. Amy sent us a lovely carved wooden

0:33:18.560 --> 0:33:22.600
<v Speaker 1>cicada from Timber Green Woods. Yeah, yeah, it's very cool. Uh.

0:33:22.640 --> 0:33:25.760
<v Speaker 1>And McDonough sent us a snoopy postcard and a handwritten

0:33:25.840 --> 0:33:29.479
<v Speaker 1>letter of thanks. Very nice. Uh. Liz from New Zealand

0:33:29.480 --> 0:33:32.920
<v Speaker 1>sent us a lot of stuff that's New Zealand candy,

0:33:33.080 --> 0:33:38.480
<v Speaker 1>New Zealand chocolate, New Zealand chips, surfboard, postcard, really lovely

0:33:38.560 --> 0:33:43.560
<v Speaker 1>frame photos from her dad, Rudy Goldstein photography that's on Facebook. Uh,

0:33:43.720 --> 0:33:46.920
<v Speaker 1>it's our Goldstein photography, so check it out. Yeah it's

0:33:46.960 --> 0:33:49.760
<v Speaker 1>very cool. I have those on my desk. Um. Sean

0:33:49.960 --> 0:33:53.200
<v Speaker 1>Antonia sent us some custom vinyls some stickers from eight

0:33:53.280 --> 0:33:56.200
<v Speaker 1>one one Graphics dot com. He and his brother. Yeah,

0:33:56.200 --> 0:33:58.480
<v Speaker 1>I had this company and that cool stuff like skater

0:33:58.520 --> 0:34:02.800
<v Speaker 1>style stuff. Right. Um, buy costumes dot com. It's buy

0:34:03.080 --> 0:34:07.120
<v Speaker 1>costumes dot Com sent us a full size adult gremlin costume,

0:34:07.600 --> 0:34:11.480
<v Speaker 1>which Ben Bowling wore all day yesterday in the office here. Yeah,

0:34:11.480 --> 0:34:13.040
<v Speaker 1>Ben Bowling from stuff they don't want you to know

0:34:13.080 --> 0:34:16.200
<v Speaker 1>and car stuff. He's weird. Did you see that? He

0:34:16.239 --> 0:34:17.920
<v Speaker 1>emailed me they did that? Did you actually see that?

0:34:18.000 --> 0:34:19.799
<v Speaker 1>I haven't seen a picture of them yet. I put

0:34:19.800 --> 0:34:21.719
<v Speaker 1>on the hand one day and try to creep out Strickland.

0:34:21.719 --> 0:34:24.040
<v Speaker 1>But he was like, that's not the first gremlin hand up.

0:34:24.080 --> 0:34:29.439
<v Speaker 1>Haddam my shoulder. Uh cat TP. Megan sent a cat

0:34:29.480 --> 0:34:32.839
<v Speaker 1>tpe my way because I have two cats and uh,

0:34:32.920 --> 0:34:34.640
<v Speaker 1>my big boy Lauren gets in it now. We call

0:34:34.680 --> 0:34:37.160
<v Speaker 1>it his spirit tent and he just hangs out in there,

0:34:37.239 --> 0:34:40.080
<v Speaker 1>and uh it's pretty neat. I mean it's what you think.

0:34:40.120 --> 0:34:42.160
<v Speaker 1>It's like a little small TP for your kiddie that

0:34:42.239 --> 0:34:44.279
<v Speaker 1>it's very cute. So if you have a cat, I

0:34:44.280 --> 0:34:48.359
<v Speaker 1>would suggest you buying one. Um, let's see, Susan sent

0:34:48.440 --> 0:34:51.439
<v Speaker 1>you a birthday card. It's a dog drinking beer. Yeah, yeah,

0:34:51.480 --> 0:34:53.840
<v Speaker 1>that was nice. Yeah it was Kellum Clark sent us

0:34:53.840 --> 0:34:57.400
<v Speaker 1>some T shirts. Um and he is a handyman in

0:34:57.400 --> 0:35:00.759
<v Speaker 1>Brooklyn and he gifted us two hours of handyman work

0:35:01.520 --> 0:35:05.080
<v Speaker 1>to give to someone. We know in Brooklyn. That's very

0:35:05.280 --> 0:35:09.120
<v Speaker 1>really cool. So I've actually texted our buddy Joe Randazzo said, Hey,

0:35:09.160 --> 0:35:11.400
<v Speaker 1>you need any work done? We have two three hours

0:35:11.400 --> 0:35:13.640
<v Speaker 1>of handyman work. So if you're in Brooklyn, you can

0:35:13.680 --> 0:35:17.520
<v Speaker 1>go to not just Handyman dot com and uh, give

0:35:17.600 --> 0:35:19.960
<v Speaker 1>kill him a call. He'll fix your sink or do

0:35:20.040 --> 0:35:22.359
<v Speaker 1>whatever what you need around the house. I guess what's

0:35:22.360 --> 0:35:25.200
<v Speaker 1>he gonna do for Joe. I don't know. Joe didn't respond.

0:35:25.400 --> 0:35:26.920
<v Speaker 1>What We'll go to Hodgeman next, I guess, and just

0:35:27.000 --> 0:35:29.279
<v Speaker 1>work our way down the lithu all the Hodgeman he

0:35:29.280 --> 0:35:31.080
<v Speaker 1>can afford to pay people, we should give it to

0:35:31.239 --> 0:35:34.719
<v Speaker 1>like some else. Okay, all right, I'll figure it out. Uh.

0:35:34.760 --> 0:35:40.120
<v Speaker 1>Clive Fantasy gave us some really cool Panama Canal postcards. Yeah,

0:35:40.200 --> 0:35:43.319
<v Speaker 1>that's her name, Rachel from Uber. Have you heard of Uber.

0:35:44.040 --> 0:35:46.400
<v Speaker 1>It's a it's sort of like a taxi cab service

0:35:46.480 --> 0:35:49.439
<v Speaker 1>now but it's town cars and they have an app

0:35:49.480 --> 0:35:51.680
<v Speaker 1>and you can like say just come get me now, right. Yeah,

0:35:51.880 --> 0:35:53.640
<v Speaker 1>he was telling me about that. Yeah, they sent us

0:35:53.719 --> 0:35:56.440
<v Speaker 1>Uber gift cards. Um, and I will send you your

0:35:56.440 --> 0:35:58.919
<v Speaker 1>gift code for us, like a hundred bucks and free

0:36:00.040 --> 0:36:02.040
<v Speaker 1>a lot. I know somebody's going to be going to

0:36:02.040 --> 0:36:06.240
<v Speaker 1>the airport for free. Yeah. Kristen Curran has been taking

0:36:06.360 --> 0:36:09.319
<v Speaker 1>us along with her on a tour of Europe. It

0:36:09.320 --> 0:36:15.400
<v Speaker 1>seems like we've got postcards from her from Edinburgh, Bruges, Amsterdam, Slovakia,

0:36:15.520 --> 0:36:19.319
<v Speaker 1>Berlin all over the place. Yeah, so thanks for those. Um.

0:36:19.400 --> 0:36:22.960
<v Speaker 1>We also got something from Threadless self designed t shirt

0:36:23.120 --> 0:36:27.560
<v Speaker 1>bigfoot cradling and alien lockness monsters in the background. Yeah.

0:36:27.600 --> 0:36:29.960
<v Speaker 1>There was also like men in black and an abduction

0:36:30.080 --> 0:36:32.799
<v Speaker 1>going on, all sorts of stuff. Very cool. Uh. And

0:36:32.840 --> 0:36:36.520
<v Speaker 1>then Kira Newron sent the wives some jewelry um and

0:36:36.600 --> 0:36:39.000
<v Speaker 1>you can visit her store. Thank you very much, Kira

0:36:39.600 --> 0:36:44.680
<v Speaker 1>at um Cariboo Classics dot Etsy dot com. So that's

0:36:44.680 --> 0:36:47.920
<v Speaker 1>that's our administrative details for now, right. Yeah, part one.

0:36:47.960 --> 0:36:50.359
<v Speaker 1>We'll have a part two, I guess on the next episode. Yes,

0:36:50.400 --> 0:36:53.719
<v Speaker 1>we will, where we'll cover music in books. Nice. If

0:36:53.719 --> 0:36:55.120
<v Speaker 1>you want to get in touch with us, you can

0:36:55.120 --> 0:36:58.040
<v Speaker 1>tweet to us at s y s K podcast. You

0:36:58.120 --> 0:37:00.440
<v Speaker 1>can join us on Facebook, dot com slah Stuff you

0:37:00.440 --> 0:37:02.239
<v Speaker 1>Should Know, and you can join us at our home

0:37:02.280 --> 0:37:07.840
<v Speaker 1>on the web. Stuff you Should Know dot Com. Stuff

0:37:07.880 --> 0:37:09.839
<v Speaker 1>you Should Know is a production of iHeart Radio's How

0:37:09.880 --> 0:37:12.560
<v Speaker 1>Stuff Works. For more podcasts for my heart Radio, visit

0:37:12.640 --> 0:37:15.040
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0:37:15.080 --> 0:37:16.240
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