Speaker 1: Mess babe, Yes, yeah, babe.
Speaker 2: Come on. One of the most memorable for me episodes ever,
Speaker 2: the longest night ever. We have no time to mess
Speaker 2: around on the mess around, let's dive right in tell
Speaker 2: us about it.
Speaker 1: Okay. So when this episode, Coach sends Schmidt into an
Speaker 1: absolute frenzy when he asks cc out on a date
Speaker 1: what not? Knowing that Schmidt will do everything in this
Speaker 1: power to stop the date from happening, Nick tasks Jess
Speaker 1: with having to baby sit Schmidt all night. I think
Speaker 1: we know how that ends up. Meanwhile, after leaving the
Speaker 1: window open, Nick is now forced to help Winston find
Speaker 1: an escaped Ferguson. This leads them to the house of
Speaker 1: an overly sexual bus driver named Bertie, who found Ferguson
Speaker 1: under the trash eating a dead raccoon's eyeball. Oh my gosh,
Speaker 1: this was one of those This is one of those
Speaker 1: insane episodes. We're gonna go to We're gonna go to break.
Speaker 1: When we come back, we're gonna let you know who's
Speaker 1: responsible for this BS and we are back. I dare
Speaker 1: you to pronounce his name. The director for the.
Speaker 2: Director is Nicholas Jason Justinovac. That's what I said. I
Speaker 2: just said I had I was inhaling and exhaling at
Speaker 2: the same time. That's what I said the writers, it's.
Speaker 1: Ryan, that's Ryan Coe r Boom. Here we go, Uh
Speaker 1: kind of, let's dive into this thing. Sho.
Speaker 2: Then so we start. Jess asks if Nick wants to
Speaker 2: stay in for date night because you know what that means,
Speaker 2: watch Homeland on the couch. I mean, obviously a date
Speaker 2: night has an implication.
Speaker 1: Yeah, that you're gonna watch Homeland.
Speaker 2: That probably would be also me.
Speaker 1: During that time, Homeland was like booming. Every like the
Speaker 1: creator of Homeland came to New York's, to the New
Speaker 1: Girl set wants we were all we were all big
Speaker 1: on Homeland during this time.
Speaker 2: Yeah, it was an incredible show. Clare Dance, Oh, clar Dance.
Speaker 1: Damie Lewis. Winston tells Nick that the Mandy Patinkin. Winston
Speaker 1: tells Nick that that last night, while he was in
Speaker 1: the show with Ferguson, he had an epiphany that he
Speaker 1: needs to get back into the game and meet some women,
Speaker 1: the human kind of women, and he wants Nick to babysit.
Speaker 1: My takeaway from that moment was that Winston found it
Speaker 1: to be very very normal to shower with this cat.
Speaker 2: The fact there's no wet cat joke, I applaud you
Speaker 2: because I'm sure you tried number two. I also so
Speaker 2: I pulled up the script for this. I'm looking at
Speaker 2: this right now because the original line okay, and they
Speaker 2: dropped this last part, and I have a feeling itause
Speaker 2: of how much you enjoyed saying it. I can't believe
Speaker 2: they wrote it for you, which is like right last night,
Speaker 2: when Fergus and I were in the shower, I had
Speaker 2: an epiphany, it's time to get back in the game.
Speaker 2: Meet some women, human women, not cat women, women with titties.
Speaker 3: They wrote that in the script. I think that you
Speaker 3: probably delivered it with so much joy because they wrote
Speaker 3: for you, and they were like.
Speaker 2: We can't put it is that man has blackened so hard,
Speaker 2: so funny.
Speaker 1: Remember that that they wrote that.
Speaker 2: The other thing is is the end of the pill situation.
Speaker 2: It's only written right, it just goes is it mouth
Speaker 2: pills or butt pills? And as scripted, it's written pill,
Speaker 2: just one pill. And then you improved you and then
Speaker 2: you tried to hand the cat to Nick. Also not
Speaker 2: at the script, because I'm sure you're like please, And
Speaker 2: I love how Jake went, I'm not touching that thing.
Speaker 2: He was like, no, will Mourn, I'm not getting involved anyway.
Speaker 1: So funny, Sid comes in with a peach cobbo that
Speaker 1: he just made, as one does, and they live alone. Funny,
Speaker 1: and he's freaking out about Coach asking CC on a date. Obviously,
Speaker 1: before we get dive into is that a has it happened?
Speaker 2: I think that's low. I think that's so low to
Speaker 2: go and know that this guy was madly in love, complicated,
Speaker 2: long history. It's not like they went on one date. Schmitten,
Speaker 2: CC are a thing, and to be like, can I
Speaker 2: date her?
Speaker 3: Is?
Speaker 2: But I also I also know that some people are
Speaker 2: just like not altogether up there, and then it's over.
Speaker 2: We've all moved on.
Speaker 1: Some people are into sharing, like the people in Montreal.
Speaker 2: They do it in a flashback which is also so funny,
Speaker 2: lots of really good improv in it, where he does
Speaker 2: say yes, Schmidt does give him like they go ahead.
Speaker 1: He said he it's all good, but he's not. But
Speaker 1: we know he's not with.
Speaker 2: It, that's right, and then Coach gets in his head
Speaker 2: kind of shares it, and then somehow Schmidt becomes his
Speaker 2: hype man. Yeah, and like starts to like put it
Speaker 2: on Coach that he's the prize and maybe also crazy
Speaker 2: joke that they'll get another Tiger Woods out of the situation.
Speaker 1: Oh my god, I was like.
Speaker 2: Caramel miracle. And then he here's what low Ki though.
Speaker 2: Schmid is going like, well, she's not even saying yes,
Speaker 2: so like this is going to be a non issue,
Speaker 2: I know. CC. Immediately Coach goes, she said yes, and
Speaker 2: we are now going to go on our date high five.
Speaker 2: It's all great, and Schmidt is now internally die.
Speaker 1: That's right.
Speaker 2: And then we see Nick and Jess who are also
Speaker 2: dying because they know what is happening. What is Schmid doing?
Speaker 2: He get at any point be.
Speaker 1: Like that comfortable, yeah, because they they Nick knows him,
Speaker 1: he knows Schmid. They do a flashback where college Nick
Speaker 1: and Schmidt. Oh my god, Nick lets Schmidt know that
Speaker 1: there will be another open mic with sturdier stools. Schmid
Speaker 1: says he's fine, and then he proceeds to try to
Speaker 1: choke himself to.
Speaker 2: Let me die. I can't. Great flashback scene probably took
Speaker 2: half a day to shoot for three seconds of perfection,
Speaker 2: I know.
Speaker 1: Yeah, Anyway, uh Nick tells Jess that you know, Schmid
Speaker 1: is about to try to stop the day from happening.
Speaker 1: He's about to go full Schmidt, and the strategy is containment.
Speaker 1: So he says, need to lock him up like in
Speaker 1: a dog cage, just maybe they just help him move on.
Speaker 1: But you know, no, I've been.
Speaker 2: In that situation before. I'm sure you have too, where
Speaker 2: you have to babysit a friend for making a bad decision,
Speaker 2: contacting an ex, trying to go get something the thing
Speaker 2: and you're like, I am I'm watching you. No, I
Speaker 2: just let him do it, like I'm here you guys
Speaker 2: a popcorn. You're like, I'll drive you there.
Speaker 1: Yeah, go ahead, do your think player. Let her remind
Speaker 1: you why why y'all broke up? Go ahead.
Speaker 2: So they realized I got a babysit Schmidt. And then
Speaker 2: one of the funniest little misspeaks that happened sometimes when
Speaker 2: you really like somebody of Schmidt being like or of
Speaker 2: just being like, you know, what's fine, like a lot
Speaker 2: of day nights when we're married, Mary, Christmas, Mary, when
Speaker 2: we're Mary and happy, so cute, so funny, so relatable.
Speaker 1: And then Schmidt comes back in Sam and that maybe
Speaker 1: he should stop the date from happening. Schmidt asked if
Speaker 1: Nick was able to get the dog cakes.
Speaker 2: I love that they're on the same page, like they
Speaker 2: know each other so well and they know that this
Speaker 2: is Nick's fault.
Speaker 1: Meanwhile, Schmidt calls Jess or I'm sorry. CC calls Jess
Speaker 1: and says that this little date with Coach is good
Speaker 1: because they're both going through a breakup. Just tells her
Speaker 1: not to pass second base though, like I get it,
Speaker 1: he's cute and stuff, but don't do any other stuff.
Speaker 2: This also says the foundation of why Jess really can't
Speaker 2: let Schmidt get to CC, because CEC is saying, like,
Speaker 2: I need this rebound in this moment to help me
Speaker 2: get over Schmidt. I really need it. And so she's
Speaker 2: like holding the one thing that would, like, you know,
Speaker 2: make this really tough for CC. So it's a really
Speaker 2: sweet thing. It wasn't actually in the script. They added
Speaker 2: that that scene, and then they also added this moment
Speaker 2: the doorway, Yeah, where Damon goes full Damon full.
Speaker 1: This is one of those that's.
Speaker 2: Also just my real face. The fact that he like
Speaker 2: responds too high and all of his fingers, no, the fingers.
Speaker 2: Damon just sent that to me. Someone tagged him in
Speaker 2: that and then he said, dudes like, I have zero
Speaker 2: memory of doing this in front of you, and I
Speaker 2: was like, yeah, it's like trauma. You probably just brocked it,
Speaker 2: blocked it up, because that's that's so inappropriate, is.
Speaker 1: But Damon likes the improvise in the most inappropriate fashion.
Speaker 1: It's my favorite kind of humor. Now, m now, wait,
Speaker 1: So coach gathers himself and repeated he says, what's up
Speaker 1: with a weird face? And oh, we talked about that.
Speaker 1: But at the loft, Schmid is in between Jess and
Speaker 1: Nick on the couch. They're hungry, and then he says
Speaker 1: he's gonna go. He's gonna quickly go get food from
Speaker 1: the Staples Center where and coach, you are heading for
Speaker 1: the yes for the Lakers game or the Sparks Sah,
Speaker 1: which game? Wasn't I forget the Sparks Sparks. Yeah, oh
Speaker 1: my god, ejected, claiming it's been so long, you know,
Speaker 1: he forgot how to talk to women. We have the
Speaker 1: flashback at the bar. He has this data. She's ever
Speaker 1: wanted to someone in the bar is killed some one
Speaker 1: or what's another day. Uh, with Ferguson and a cowboy hat. Uh.
Speaker 1: This is my favorite because I've used this line before.
Speaker 1: Good lord, how big are your feet?
Speaker 2: When's do you made the choice to do it?
Speaker 3: Like?
Speaker 2: So happy? Impressed? Like like this is the best thing
Speaker 2: you've ever seen on a woman walking by you? Son?
Speaker 1: Yeah, such an obvious choice. Love big feet? What No,
Speaker 1: I don't do I uh no, not my thing Montreal. Anyway,
Speaker 1: Winston says he's fine. He'll be alone forever like Hank
Speaker 1: Aaron who was alone for all those home runs that
Speaker 1: he hit, as long as he has Ferguson. But then
Speaker 1: that's when Winston looks over. He notices that the window
Speaker 1: is open, even though he had asked Nick to babysit. Ferguson,
Speaker 1: the window.
Speaker 2: Is crazy to think, By the way, if you have
Speaker 2: a cat, like and you live with roommates, to go like,
Speaker 2: you can never open a window.
Speaker 1: That's crazy, that's crazy. Here's the thing for all the cats,
Speaker 1: for all those cat people out there, there's the reason
Speaker 1: why you can't open the window. And I think you
Speaker 1: should think about it because cats are probably trying to
Speaker 1: tell you something. They don't want to be there. Fact,
Speaker 1: they don't want to be there, so wants.
Speaker 2: To like they're animals, Like, look, I've had house cats.
Speaker 2: I get it. It's very complicated to figure out what
Speaker 2: is the right thing to do is but you do
Speaker 2: have moments at least I did where I was like,
Speaker 2: this feels like they should be able to bind their
Speaker 2: around outside. So I did what any normal human being does.
Speaker 2: I got a Malicia. I would take them walks. Okay,
Speaker 2: it's true.
Speaker 1: I got a back I got a backpack. Can I
Speaker 1: put him in it? And I took him walk I
Speaker 1: will know.
Speaker 2: I put him in a leash, and I would take
Speaker 2: every fox.
Speaker 1: Oh that's nice. I think that's nice. That's lovely. Nick
Speaker 1: tells Jess that she's gonna have to stay behind and
Speaker 1: keep an eil of Schmidt because he's now torn. This
Speaker 1: is Winston's best friend in the world that's now escaped
Speaker 1: because best friends escaped from time to time, and Nick
Speaker 1: is trying to figure out who should he help who
Speaker 1: she stay and baby, said Schmidt and helped Jess with
Speaker 1: that situation. Or listen, he did the right thing because
Speaker 1: it was his fault. He did the right thing, and
Speaker 1: so he decides to go with Winston. Now Schmidt tries
Speaker 1: to make a run for it, but Jesse he steps
Speaker 1: in front of I.
Speaker 2: Will say, I think that line that Jake shouted when
Speaker 2: he ran out the door with he was like, let's
Speaker 2: go get that cat and he does that funny jump.
Speaker 2: I feel like was up could just Jake improv because
Speaker 2: he was like, what's the storyline? Now he lost his
Speaker 2: cat and now I'm on this storyline, And I feel
Speaker 2: like that was just Jake being.
Speaker 1: Jake does that from time to time, though. Jake likes
Speaker 1: to do like he reads the scripts. He knows what's
Speaker 1: about to happen, but then he'll go, what are we doing?
Speaker 2: That's right? Also fair? What are we doing?
Speaker 1: Like is in the script body.
Speaker 2: Im j Justin Schmidt are about to get into a
Speaker 2: physical altercation where he is so underwhelmed and disappointed by
Speaker 2: her physical attack, which is also great, And then she
Speaker 2: starts doing this amazing routine and it's a great edit
Speaker 2: of the most distracting, bizarre things in her wheelhouse to
Speaker 2: keep him preoccupied. So she does everything that she kind
Speaker 2: of has in her toolbox to try to distract Schmidt,
Speaker 2: except for I don't know how much we've actually talked
Speaker 2: about this couch now I feel like every every cap
Speaker 2: we keep talking about the infamous couch which I own,
Speaker 2: which I did not realize this happened to it where
Speaker 2: the couch reminds me of CC's body, and then he
Speaker 2: does things to the couch and uses the two pillows,
Speaker 2: and now I'm changing my opinion of the couch that
Speaker 2: I have in my house because I forgot all about it,
Speaker 2: and it was all over thinking it's CC's body. It's
Speaker 2: a very weird, like meta moment where you're like, wait
Speaker 2: a minute, why do I have this thing? Things have
Speaker 2: been done to this couch. It was very I don't
Speaker 2: even want to think about it. And the fact that
Speaker 2: I love Jess's reaction where he's like leaving alone, it's fine,
Speaker 2: I'm not even doing anything. And she's like, you made
Speaker 2: it out with a section out and she grabs his
Speaker 2: leg and yanks him up, and then he's like you
Speaker 2: did the right thing. He's like, that was too much.
Speaker 2: I went too far, all right? So then we head
Speaker 2: back into the car or Winson neck are by the way.
Speaker 2: I've done this many times. I am the person when
Speaker 2: people have lost their cats they call me, and I
Speaker 2: am a bit of a cat whisper, I have found
Speaker 2: many cats in the city of La Really, can I
Speaker 2: tell you the secret real quick? Here's the secret. When
Speaker 2: people go out and look for cats, they usually walk
Speaker 2: around the neighborhood and they're going, this is true. It's
Speaker 2: my friend's cat was named Henry, Henry, Henry, baby, Henry, Henry, Henry.
Speaker 2: They're cats, right, So you're shouting that's like scary, even
Speaker 2: though you're trying to like carry your voice. What you
Speaker 2: have to do is speak in the voice that you
Speaker 2: would speak to your cat in. No, really, Henry, it's me,
Speaker 2: And all of a sudden, the cats will come out.
Speaker 1: Of the woodwork. Yeah, get the little clickers.
Speaker 2: Henry baby mine, Henry ass whole.
Speaker 1: Thanks for escaping putting me in on my friends on
Speaker 1: the stream. Yes, yes, yes, yes, Okay.
Speaker 2: So now they're having this big relationship conversation Nick and
Speaker 2: Winnie the bish. Nick is like, you got to go
Speaker 2: to more parties.
Speaker 1: And and and and and he's questioning him. Nick is
Speaker 1: questioning Winston because he says he's his best friends Ferguson's
Speaker 1: his best friend, which is telling. However, he gets a text,
Speaker 1: a very very telling text that someone has found Ferguson
Speaker 1: and now they must go over and figure out who
Speaker 1: this special person is.
Speaker 2: Yeah.
Speaker 1: Now, meanwhile, coaches doing too much. First of all, of
Speaker 1: all the merch that got you.
Speaker 2: The merch they got I remember that, like, if you
Speaker 2: wear the headband, you have to do the thing, the huge,
Speaker 2: crazy thing, like every single thing they could load onto
Speaker 2: my body. And I remember genuinely being like, I don't
Speaker 2: know how I'm gonna grab seven pretzels. You guys like,
Speaker 2: I'm going to do my best, but I don't know
Speaker 2: how to do it. They also wanted me to have popcorn.
Speaker 2: They wanted it just to look like he was trying
Speaker 2: to buy my affection because he didn't know what else
Speaker 2: to do. And I think that landed.
Speaker 1: Yeah, that was so funny. He's just tossing money, throws
Speaker 1: the month.
Speaker 2: Can you imagine?
Speaker 1: Oh gosh, oh listen, people do that. People do that again.
Speaker 1: I remember when Gucci Maine just handed his lady ring
Speaker 1: at the Hawks game when he was proposing to her,
Speaker 1: just like gave it to her. I was like, will
Speaker 1: you marry me? And crazy one of the funniest, one
Speaker 1: of the funniest.
Speaker 2: Finally, Cec kind of cracks. She had a moment where
Speaker 2: she's like, this is not working. Goodbye, I can't take anymore. Hello, rude.
Speaker 2: He's texting the entire time, and it's it's just, it's
Speaker 2: just it's awful. Like it's really true. If you're trying
Speaker 2: to like rebound off, to get out of like your
Speaker 2: headspace of an old relationship, to be with somebody that
Speaker 2: it feels worse with than the person you've just left
Speaker 2: is terrible because it'sout driving you in the wrong direction.
Speaker 1: Mm hmm, yeah, yep, driving you to other women. Come
Speaker 1: to Montreal where I'm sorry, sorry, I'm gonna stopped. Oh,
Speaker 1: I should just go to You're in.
Speaker 2: The face of the Bank of Montree. I know, gotta break,
Speaker 2: gotta break, gotta break, go to break. You're dead, You're dead.
Speaker 2: I don't know why in my head of course.
Speaker 1: A thousand times. And we are back lazy, so much love,
Speaker 1: so much love now at this bar, and then Jess
Speaker 1: is pushing Schmidt to go talk to a girl who
Speaker 1: happens to be on a flip phone. Schmid says she's
Speaker 1: either she's either poor or time traveling.
Speaker 2: Iconic line, iconic line.
Speaker 1: Uh. Jess pushes him into a booth and then leaves.
Speaker 1: Schmid lets the girl know that in another life they
Speaker 1: would have been lovers. But the love of his life
Speaker 1: is that a sparks game right now with another man.
Speaker 1: And the weird part about this one is that he
Speaker 1: just just goes and kisses the I.
Speaker 2: Wasna say, just the just this a smooch, So you
Speaker 2: just you can just do that. No you can't. We're
Speaker 2: learning these little like illegal caveats for Schmidt, like putting,
Speaker 2: you know, a clock with a camera in a house
Speaker 2: and just walking up and kissing some women at the bar.
Speaker 1: Yeah, that's crazy, that's crazy. But women feel free to
Speaker 1: keep doing that to us. Dudes.
Speaker 2: We don't mind this dude. Let's be specific. This dude
Speaker 2: squats eye lock. Just kiss him. Careful what you wish
Speaker 2: for you put it out there.
Speaker 1: I'm okay with it.
Speaker 2: Okay, So here starts, Here starts Birdie o'clock. Oh we're
Speaker 2: in it now. This storyline is very funny.
Speaker 1: Oh yeah, they're sitting on the couch of the lovely
Speaker 1: young lady Bertie Birdie, the bus driver played by the wonderful,
Speaker 1: the funny, the talented Jessica Chaffing. Is it chaffin or
Speaker 1: chaff Chaffin. Is it right, It's Chaffin, Jessica Chaffin.
Speaker 2: Uh.
Speaker 1: People still call me Lamont sometimes.
Speaker 2: So, you know, pronunciation, unless you hear it, it's hard.
Speaker 2: The written word is difficult. You gotta hear it.
Speaker 1: You got a he She.
Speaker 2: Lets to know she found Ferguson under the trash eating
Speaker 2: a dead raccoon's eyeball. I'd like to tell you in
Speaker 2: the script it was a dirty diaper. Yeah, and I
Speaker 2: kind of went both equally vile, equally vile. Also the
Speaker 2: fact that you know, like Winston is just sort of
Speaker 2: like not even fazed. He's like, you've got a little snack,
Speaker 2: So happy you, sir.
Speaker 1: So they immediately hit it off. But the weird thing,
Speaker 1: the funny thing about how they hit it off is, uh,
Speaker 1: it's the dinner. It's interesting. It's like, do you like bologney?
Speaker 1: It's the kind you have to peel the wrapper off
Speaker 1: you like? You do? You do? You have putting in
Speaker 1: a cup. She's like, no, Nick has no idea what
Speaker 1: the hell is going on? But I tell you I
Speaker 1: do know what was going on. Energy. That's what happens.
Speaker 1: That's what happens. You can't tell when it's gonna happen.
Speaker 1: You don't know what time is gonna happen, you don't
Speaker 1: know who's going to happen with. But every once in
Speaker 1: a while you got to peel the wrapper off that
Speaker 1: bologne and start slapping meats. And the funny part is
Speaker 1: when they're eating the sandwich. Oh my god. Actually, we'll
Speaker 1: get to that. We'll get to that. I love this
Speaker 1: part when we see Schmid running down the street asking
Speaker 1: his estate.
Speaker 2: He's like, he's got a mission now, but he doesn't
Speaker 2: want to show up empty handed. That's kind of that's
Speaker 2: kind of adorable.
Speaker 1: So he goes to get chocolate. He goes a get chocolate.
Speaker 1: How do you? How do you find chocolate that says
Speaker 1: I'm sorry for cheating on you, Please don't sleep on
Speaker 1: my shrend And.
Speaker 2: The look by the way that they directed herd a
Speaker 2: gift was so funny because I was like, she's not
Speaker 2: gonna sell many chocolate. That's rude. Okay, we're getting into break.
Speaker 2: We'll come back before talk about it.
Speaker 1: And we are back from break.
Speaker 2: From break?
Speaker 1: What are we talking about? What are we about to
Speaker 1: talk about?
Speaker 2: We're not talking about it.
Speaker 1: Okay, I'm going to move on. Then we're not talking
Speaker 1: about I'm at the game.
Speaker 2: Going to cut this whole thing because we're not talking
Speaker 2: about I.
Speaker 1: Know, come at the game, I'm at the game.
Speaker 2: So coach is ignoring CEC. I mentioned this before. He's
Speaker 2: doing a terrible job. And she finally like snaps dumps
Speaker 2: the popcorn. She's done, soo bunzo And that was that moment.
Speaker 2: By the way, to throw the popcorn out?
Speaker 1: How many times you have to do that?
Speaker 2: I probably asked for like ten takes, you know, just.
Speaker 1: Uh, did you actually eat any of that popcorn? Because
Speaker 1: I would that would be my problem. I love popcorn.
Speaker 2: I love popcorn too. Should get a popcorn deal?
Speaker 1: We should. That's my favorite part about going to the movies.
Speaker 1: It's popcorn. Sometimes not but thecorn.
Speaker 2: Okay, popcorn people, you hear us. We love popcorn like
Speaker 2: a lot.
Speaker 1: So we're back at Birdie's now, Winston, Nick and Birdie.
Speaker 1: They're eating these sandwiches. This is when Birdie lets us
Speaker 1: know that she is a bus driver, not before feeling
Speaker 1: that she used to manage a shoe store. Also, she
Speaker 1: used to sell Christian t shirts and she got her
Speaker 1: tubes to all these things are really arousing.
Speaker 2: Because she's real you know, actually I get it. I
Speaker 2: do get it when somebody, you know, you're like, hey,
Speaker 2: how are you doing? Like actually terrible? This thing just happened.
Speaker 2: I'm not the with it. Well, I'm gonna take a minute.
Speaker 1: It is except for Mike Tyson being interviewed by an
Speaker 1: eleven year old girl. Have you seen that interview? No,
Speaker 1: this levery old girl is like, you know, Mike Tyson,
Speaker 1: you know this is the first time that kids from
Speaker 1: my generation are going to be able to see you
Speaker 1: in the ring in real time. You know, what do
Speaker 1: you think that says about your legacy? And he goes, who,
Speaker 1: who the hell cares about legacy? We're all going to
Speaker 1: be dead, fion, We're all gonna die. He's like, you, kid,
Speaker 1: legacy cares about legacy. You know, I'm gonna be on
Speaker 1: being a dirt. We're gonna be dead, gonna be ashes.
Speaker 1: It was all just dirt, Like, why did it matter?
Speaker 1: You really care about legacy? We're dead, he was going,
Speaker 1: he was dropping the F bomb to her, like over
Speaker 1: and over and over again. He's just being real. It
Speaker 1: was just being real.
Speaker 2: Wow, a prospriate realness. Thank you for that. Let me
Speaker 2: say I love appropriate realness appropriate your audience.
Speaker 1: MM.
Speaker 2: I also love this moment, by the way, where Nick
Speaker 2: like a little kid sitting with like his dad or mom.
Speaker 2: He's like, get this ad so cutey like youat the sandwich.
Speaker 2: And the fact that then Winston is honest that which
Speaker 2: is stuff to chew, but does it in a way
Speaker 2: that's like highly sexual. And then whatever y'all do back
Speaker 2: and forth was wild and.
Speaker 1: She says that you can suck on it to make
Speaker 1: it sick.
Speaker 2: I can't. By the way, that was not in the script,
Speaker 2: so I don't know where you go was her.
Speaker 1: She she's wild, she's funny. And then you know, Nick
Speaker 1: tells him, hey, listen, you got to get out of here.
Speaker 1: Take Ferguson home. He gives Ferguson a little peptile man,
Speaker 1: go ahead, We're about to go do what grown ups do. Yeah,
Speaker 1: adult things to each other back at the game. Uh, coach,
Speaker 1: He comes clean. I was nervous. I was texting my mom,
Speaker 1: you know. And and this is an honest thing too,
Speaker 1: because I'm in this moment right now. He feels like
Speaker 1: he does know how to date anymore since his breakup.
Speaker 1: For me, it's just been so long that I've officially
Speaker 1: dated somebody that I've kind of screwed up a couple
Speaker 1: of dates lately just based off of not being in
Speaker 1: rhythm A. It's a real thing, you know. So I'm
Speaker 1: just still holding out for Zolle Kravitz and practicing to
Speaker 1: see you know what, Hannah. I feel like you would
Speaker 1: know her. I feel like all pretty people hang out
Speaker 1: at like the pretty club. Look at us, look at us, Hollywood.
Speaker 2: We know where we're not hanging out because they won't
Speaker 2: want us in. I U, I uh don't know her.
Speaker 2: I would love to know her. She's like so kind
Speaker 2: and smart and talented and interesting. If I do, I'll
Speaker 2: put in a good word for you.
Speaker 1: Thank you. I appreciate that means a lot. Yeah, so
Speaker 1: Cec tells him that she knows exactly what that feels like,
Speaker 1: and then Jess, she's tracking down. She's tracking down, Schmidt
Speaker 1: is getting the car. Schmid says he loves her so much.
Speaker 1: I love Cec so much, needs to tell her this.
Speaker 1: She's like, no, you gotta let her go, and Schmid
Speaker 1: knows the only.
Speaker 2: Way this is too much. It was too much.
Speaker 1: The only way you can stop me, you gotta hit
Speaker 1: me with your car, and she gently taps him and
Speaker 1: he just loses it.
Speaker 2: The favorite utility Khakis incredible line, brilliant.
Speaker 1: And I love how that the police pull up behind
Speaker 1: her and then she actually she panics and then.
Speaker 2: Actually hurts and then runs them over.
Speaker 1: Oh my god. She tells the police that she only
Speaker 1: meant to hit him once.
Speaker 2: And I asked her to like, this is weird. I
Speaker 2: don't know what this is.
Speaker 1: Goodbye.
Speaker 2: So they get back to the loft, right or they're
Speaker 2: outside of the lofts. They're outside of them, Yeah, and
Speaker 2: they see Coach and CC making out in the alleyway.
Speaker 2: I just have to explain this, Okay, there are sorry. Yeah,
Speaker 2: I tried. I tried to be that for this scene.
Speaker 2: I tried to sell the chemistry. Damon and I are
Speaker 2: our brother and sister. I can't explain it. We have
Speaker 2: that type of human energy. We're brother and sister. So
Speaker 2: if you want to understand what it was like for
Speaker 2: us to try to make out with each other, think
Speaker 2: about making out with your brother or sister. It's like
Speaker 2: a primal revulsion. Love Damon. Love Damon as a human,
Speaker 2: as my friend. He's a gorgeous man. But Ei, there's
Speaker 2: something internal in my body and in his where we
Speaker 2: both tried. So they shot that scene for so long
Speaker 2: and they're like, you got to pick her up. He
Speaker 2: tried to pick me up. You even see me struggle
Speaker 2: because I start laughing. I went for it. I think
Speaker 2: I knocked his tooth with my tooth. They were like,
Speaker 2: oh God, we had to come down and his tooth
Speaker 2: and the thing, and they were trying. They were laughing
Speaker 2: so hard. They couldn't They couldn't figure it out, which
Speaker 2: is why at the end of this episode all there
Speaker 2: is is the extra long wide shot. That's all they
Speaker 2: could use because we did not have that dynamic. And
Speaker 2: I think they were going to try to keep the
Speaker 2: coach CC thing going for the rest of the season,
Speaker 2: but they watched us no chemistry like that, and they're like,
Speaker 2: we may need to pivot. This is something else. That's
Speaker 2: the truth.
Speaker 1: Yeah, that's bad, that's bad. But you know the back
Speaker 1: at Birdie's, you know.
Speaker 2: Back at Birdie having no trouble.
Speaker 1: No trouble because they're in the bathroom aggressively and passionately
Speaker 1: making out.
Speaker 2: After they drink mouthwash, they spit it out. It's just chugged.
Speaker 1: Yeah, that's how you get drunk.
Speaker 2: You know what I thought it was. Initially, I thought
Speaker 2: it was pepto. I was like, Oh, they're just chugging
Speaker 2: all the pepp and get me.
Speaker 1: I feel like I felt like that was a bit.
Speaker 1: Oh no, no, she talked about taking her stomach. Man,
Speaker 1: It's okay anyway, folks, we'll be right back when we
Speaker 1: come back. We're gonna mess around quickly and we are back.
Speaker 2: We're back, babe, Yeah, babe, let's go. Okay. I've got
Speaker 2: one big mess around question for you. Okay, have you
Speaker 2: ever had a friend data X or ask you for
Speaker 2: permission to dat an X?
Speaker 1: No, but I've had a friend on the low shoot
Speaker 1: shoot his shot, and and I think he I think
Speaker 1: he scored. I think to this day, I don't actually
Speaker 1: know the truth.
Speaker 2: But is he still like a friend?
Speaker 1: We had our little falling out, but then over the
Speaker 1: years became buddies again.
Speaker 2: But you know, but you still don't know, I said,
Speaker 2: don't know.
Speaker 1: She's not she's you know. Her and I are no
Speaker 1: longer a thing. Yeah, but you know, but you you
Speaker 1: start to learn how to adjust and pivot around. People
Speaker 1: start to go, can I can I truly trust this individual?
Speaker 1: I don't you never truly know, but it definitely lets
Speaker 1: you know how to operate around said individual. So I
Speaker 1: don't put that. I don't put that that on everyone
Speaker 1: that I'm around. It's just that that dude, I go
Speaker 1: maybe not. You know, I don't need to I don't
Speaker 1: need to start laying hands, and I ain't talking about
Speaker 1: the healing can either. I don't. I don't need to
Speaker 1: do that.
Speaker 2: It's old school Maya angelouca right. People show you who
Speaker 2: they are, believe.
Speaker 1: Them, believe that. What about you?
Speaker 2: No, no, but I have a very like you have
Speaker 2: a big circle. I feel like I've I've always like
Speaker 2: had a very very small circle. So it would be
Speaker 2: really weird of like with my like three best girlfriends.
Speaker 2: If someone is you know that ex that you're like
Speaker 2: you were crying over last week, do you think maybe
Speaker 2: I'll be like, Yep, no problem, you can totally do it.
Speaker 2: I just need half an hour. I'm gonna run to home,
Speaker 2: deep im into because shovel. I'm gonna dig like a
Speaker 2: little six foot little trench. You gonna lay down, girl,
Speaker 2: what are you talking about? You are dead to me? Goodbye?
Speaker 2: No no, no, no, no no no, It's gonna be
Speaker 2: a no for me. No, the hard passed for me.
Speaker 2: Sorry to that man.
Speaker 1: The words of our beloved hero and leader, Poodi Tang.
Speaker 1: I must say then, nay no, I must say the
Speaker 1: they know my brother anyway. That's our show.
Speaker 2: Such a fun episode, longest night ever. But I will
Speaker 2: say I think we were so excited to do this one.
Speaker 2: We made this like a speedy one.
Speaker 1: Yeah, it was pretty quick.
Speaker 2: It was good. I was into it. I loved this episode.
Speaker 1: Yeah, thank you all for listening. We really appreciate it much.
Speaker 2: Follow us an ig the mess Around Pod. Find us
Speaker 2: online at themessarround pod dot com. You can wear all
Speaker 2: this cute stuff we're wearing. We'll be back next week
Speaker 2: with episode three ten You know Him, You Love Him.
Speaker 2: It's another Thanksgiving episode about peace.
Speaker 1: That was the mess Around. This has been an iHeartMedia production.
Speaker 1: Our executive producer is Joel Monique. Our engineer and editor
Speaker 1: is Mia Taylor. Additional production from Daniel Goodman, Wendy Heisler,
Speaker 1: and Kyle Shevron. Our theme song was written and composed
Speaker 1: by Ronald Jukebox Jackson. So We're gonna catch you next time.
Speaker 3: Bye,